WEBVTT - Ed Oxenbould: IRREVERENT - ACTOR

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload, the podcast last Pekoline. Welcome back guys to

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<v Speaker 1>TV Reload. My name is Benjamin Norris and on this

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<v Speaker 1>podcast I go behind the scenes with the biggest players

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<v Speaker 1>in television. Each episode you will get a front row

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<v Speaker 1>seat with content makers like executive producers, writers, editors and

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<v Speaker 1>casting agents, plus the talent that we see on our screens.

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<v Speaker 1>TV reloads the shows that we are all currently watching

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<v Speaker 1>and gives you a better insight into our television industry

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<v Speaker 1>and our streaming services. Today. On the podcast, I have

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<v Speaker 1>an Australian actor, ed Oxenbold, who is here to discuss

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<v Speaker 1>his latest Netflix series, The Irreverant, which drops this Sunday

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<v Speaker 1>in Australia. The Irreverant tells the story of a criminal

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<v Speaker 1>from Chicago who is forced to hide here in Australia

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<v Speaker 1>in a small reef town posing as the new church reverend.

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<v Speaker 1>This is a comedy drama which packs a massive punch

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<v Speaker 1>with an outstanding cast which includes one of my favorite

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<v Speaker 1>Australian actors, Ed Oxenbold, who shot to fame in the

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<v Speaker 1>TV series Puberty Blues. He has then gone on to

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<v Speaker 1>star in a string of American movie playing alongside the

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<v Speaker 1>likes of Maggie and Jake Gillenhal. He has worked with

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<v Speaker 1>Paul Dano and m Knight Shamaline, which is just some

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<v Speaker 1>of his achievements which we will get a chance to

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<v Speaker 1>unpack a little of today. I will ask ed about

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<v Speaker 1>puberty blues rumors and where they came from, what kind

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<v Speaker 1>of preparation does a kid do before acting in a

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<v Speaker 1>horror movie with m Night Shamaline, plus some great insights

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<v Speaker 1>into his latest project, Irreverent. However, let's get started with

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<v Speaker 1>today's episode. I'd like to welcome ed Oxenbolt to TV Reload.

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<v Speaker 2>So I started this room, I'm hoping that it would

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<v Speaker 2>maybe work. Start looking for God to give you something

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<v Speaker 2>and go take it. As soon as I've done out

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<v Speaker 2>that I had the role mean Mum Watch and sixth Sense,

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<v Speaker 2>and it did scare me.

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<v Speaker 1>That ability to forgive is what makes this whole thing work.

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<v Speaker 2>Paul Dana I really, I really idolize his career.

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<v Speaker 1>He should be careful.

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<v Speaker 2>People might actually start.

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<v Speaker 1>To like you.

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<v Speaker 2>It was just very different to anything I'd played before.

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<v Speaker 3>You don't have a family who's there to stop you

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<v Speaker 3>from sinking.

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<v Speaker 2>It's showing Americans how interesting unique side of Australia.

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<v Speaker 3>Hi, Ed, how are you going? Thanks for joining the podcast.

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<v Speaker 2>No Worries, Thanks for having me on.

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<v Speaker 1>Well, this is so exciting to have this chat with

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<v Speaker 1>you because I'm actually a really big fan of your work.

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<v Speaker 2>Oh, thank you very much.

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<v Speaker 1>It sounds really strange to say that to you, because

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<v Speaker 1>you know, you were so young when we first all

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<v Speaker 1>you became like a household name here in Australia with

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<v Speaker 1>Puberty Blues, but that role was just so amazing. Anyway,

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<v Speaker 1>it's strange to be a big fan of a child.

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<v Speaker 2>It is. It's a very interesting thing. I'm kind of

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<v Speaker 2>still coming to terms with the fact that I'm not

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<v Speaker 2>a child, despite the fact that I still get cast

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<v Speaker 2>as children and I still look like a child. It's

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<v Speaker 2>weird to think that I actually I am an adult

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<v Speaker 2>and there's no dirting back. It's an interesting kind of thing,

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<v Speaker 2>making that transition from child actor to just actor. But

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<v Speaker 2>there's nothing kind of special about you then.

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<v Speaker 1>You know, it was interesting with Puberty Blues because you know,

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<v Speaker 1>I kept thinking, how does a kid pull off a

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<v Speaker 1>performance like this? Like it was you sort of acted

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<v Speaker 1>people off the screen, and you were acting up against

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<v Speaker 1>some Australian royalty.

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<v Speaker 3>So I don't know, how did you manage to pull

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<v Speaker 3>that performance off.

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<v Speaker 1>It's a question that I've always wanted to ask you,

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<v Speaker 1>and of course we're going to get into the Reverend.

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<v Speaker 2>Yeah. I mean, I think so much of that show

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<v Speaker 2>was just the writing. The writing was so brilliant. There

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<v Speaker 2>was not a bad line in the show, and especially

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<v Speaker 2>they had so much fun with my character. They made

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<v Speaker 2>my characters say the dirtiest things and pulled the crudest pranks,

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<v Speaker 2>and really I just had to follow the brilliant words

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<v Speaker 2>that they wrote, and then it was kind of you

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<v Speaker 2>know that did all the work. I really lucked out

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<v Speaker 2>with that role. I absolutely love that and I'll forever

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<v Speaker 2>be sad that we didn't do a season three, and

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<v Speaker 2>I'm still secretly gunning for a kind of soft reboot

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<v Speaker 2>where I can kind of be the age of Debbie

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<v Speaker 2>and Sewer in the first one.

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<v Speaker 1>What did you think about where there was all of

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<v Speaker 1>those diehard fans that just started leaking stuff saying that

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<v Speaker 1>there was a season three. There was even photos like

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<v Speaker 1>set photos up saying that it was secretly being filmed.

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<v Speaker 1>Were you aware of all of that conversation that was

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<v Speaker 1>happening online.

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<v Speaker 2>Yeah, because I started that. I started that. I was

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<v Speaker 2>really bored one day and I posted a TikTok saying

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<v Speaker 2>that it's coming back, and I didn't think that many

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<v Speaker 2>people watch it, and then it ended up getting like

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<v Speaker 2>one point four million views, and still to this day

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<v Speaker 2>on my TikTok, I get constant comments about it. And

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<v Speaker 2>off the back of that TikTok, Daily Mail wrote an article,

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<v Speaker 2>Pedestrian TV wrote an article, and all this stuff came out.

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<v Speaker 2>So I started this, remember hoping that it would maybe work.

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<v Speaker 1>I was about to say, you did not. But you

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<v Speaker 1>know what's so funny is that the music, you know,

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<v Speaker 1>the score of that show is just etched into people's minds,

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<v Speaker 1>and so it was so well put together because we

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<v Speaker 1>got to see the hope of it, but you also

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<v Speaker 1>got that music, which was what did you think of

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<v Speaker 1>that score?

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<v Speaker 2>I think it was it was so amazing. It was

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<v Speaker 2>such a good mix of kind of nostalgia for the

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<v Speaker 2>parents watching the show and then kind of great old

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<v Speaker 2>songs for the new generation to discover. I mean, the

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<v Speaker 2>main one, are You Old Enough? Is such a statement

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<v Speaker 2>of the show and just perfectly stums it up, and

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<v Speaker 2>that's what I used in the TikTok out of the rumor.

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<v Speaker 2>But so yeah, that's really I really was hoping that

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<v Speaker 2>that rumor would cause enough attention that some studio might go, hey,

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<v Speaker 2>let's pick it up and make a third which was

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<v Speaker 2>wishful thinking and a bit cheeky, but.

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<v Speaker 1>I still thick there's a lot of people out there

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<v Speaker 1>that would love to see it. But I have to ask,

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<v Speaker 1>you know, did that show open up a lot of

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<v Speaker 1>doors for you overseas? I mean, anyone that could see

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<v Speaker 1>that performance of yours would be like, You've got to

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<v Speaker 1>put this guy in a movie.

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<v Speaker 3>This guy is so talented.

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<v Speaker 2>It did? It really did launch a lot of things

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<v Speaker 2>because I got I started with a short film, and

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<v Speaker 2>then I got Puberty Blues, and then after that things

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<v Speaker 2>just kind of started snowballing. It opened up a really

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<v Speaker 2>wonderful world and just lots of eyes and it was good.

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<v Speaker 2>It was such a great foot in the door. It's

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<v Speaker 2>such a cool show to be a part of. And

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<v Speaker 2>that's what I'm really noticing is each year goes on

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<v Speaker 2>and the older again, I kind of realized how lucky

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<v Speaker 2>was to be a part of a really important kind

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<v Speaker 2>of cultural show and then you.

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<v Speaker 1>Go on to work with Jake Gillenhale, Paul Dano, the

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<v Speaker 1>m Nut Shameline world. Like, it's a huge global scale

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<v Speaker 1>to then have put upon you, and you've grown up

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<v Speaker 1>a lot in front of the world over the years,

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<v Speaker 1>and you know that's a lot for a young person.

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<v Speaker 1>Are the things in place to make sure that you

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<v Speaker 1>don't fly completely off the handle?

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<v Speaker 2>Well, my parents really, you know, my parents kind of knew.

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<v Speaker 2>I don't know, they just had such a lid on

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<v Speaker 2>things and they made sure that I didn't turn to

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<v Speaker 2>anything nasty. But there's still time Mom and Dad. But

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<v Speaker 2>I think the main thing it was just that was

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<v Speaker 2>just family because they're really Unfortunately in that world, there

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<v Speaker 2>aren't a lot of things in place to stop people

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<v Speaker 2>from flying off the handle, and that's what happened so often.

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<v Speaker 2>It's just a pretty messy, bizarre world at times. But

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<v Speaker 2>I was very lucky and very fortunate, and I think

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<v Speaker 2>a big part of it was that I always had

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<v Speaker 2>Australia to come back to, is that I wasn't living

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<v Speaker 2>in the States and working over there. It kind of

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<v Speaker 2>was a bit of a holiday and then I could

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<v Speaker 2>come back and have a kind of regular life where

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<v Speaker 2>it wasn't just money and show and a bit of

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<v Speaker 2>all the crazy stuff that goes on in the entertainment industry.

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<v Speaker 1>Well, you weren't really a fish out of water in

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<v Speaker 1>that sense because your parents kind of understand the industry

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<v Speaker 1>of course, yeah, you know, in their own right, So

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<v Speaker 1>I guess they weren't unfamiliar to it. You hear those

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<v Speaker 1>stories of you know, Lindsay Lohan or you know a

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<v Speaker 1>few others that were young child actors and the parents

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<v Speaker 1>were overwhelmed by the glitz and the glamor and read

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<v Speaker 1>all that wrong where I think if you've got Showbi's parents,

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<v Speaker 1>they that sounds like a terrible way of describing your parents,

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<v Speaker 1>by the way Showbiz's parents they would.

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<v Speaker 2>Hate they wouldn't they. Yeah, you're right, they do. They

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<v Speaker 2>knew it to expect. They've been dealing, you know, they've

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<v Speaker 2>they've known actors their whole life, and they've seen the

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<v Speaker 2>kind of dark side of actors and the good side.

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<v Speaker 2>And I think they just kind of really subtly pushed

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<v Speaker 2>me in the right direction. And they were like my

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<v Speaker 2>two mentors, And anytime I had any kind of question,

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<v Speaker 2>I always had these the two best acting coaches to

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<v Speaker 2>turn too. Well.

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<v Speaker 1>They're mentors for other actors as well, so you know

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<v Speaker 1>that's pretty good. You've got them on speed dial. Yeah,

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<v Speaker 1>you've been in some pretty big projects on a global scale.

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<v Speaker 1>Is there anything massively different about acting in Australia versus,

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<v Speaker 1>you know, acting in America.

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<v Speaker 2>Yes, totally. I mean America. You know, they just go

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<v Speaker 2>everything's bigger, and it's the classic thing about the portions

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<v Speaker 2>are bigger and that everything's bigger, and that is true.

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<v Speaker 2>There's always more crew, there's always more more funding putting

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<v Speaker 2>into it, which just enhances everything. It kind of gives

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<v Speaker 2>it this kind of surreal, hollywoody feel, Whereas in Australia,

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<v Speaker 2>and I'm noticing here and New Zealand, the budgets tend

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<v Speaker 2>to be a lot smaller. It means that people have

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<v Speaker 2>to be a lot smarter and more resourceful. And I

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<v Speaker 2>think the crews here seem to have teem to have

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<v Speaker 2>each other's backs a little bit more. I'm really lucky

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<v Speaker 2>to have worked in both, but I think as I

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<v Speaker 2>get older, I really really love working in Australia.

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<v Speaker 1>Yeah, you hear big Australian actors, like even Nicole Kidman

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<v Speaker 1>talks about it publicly about you know, yes, it's amazing

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<v Speaker 1>to work on a big project with a big budget,

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<v Speaker 1>but how much she enjoys the intimacy of working back

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<v Speaker 1>here in Australia and she does come back and do it.

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<v Speaker 1>I just always wondered from your perspective, is it easier

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<v Speaker 1>do you think to play those roles on a big,

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<v Speaker 1>bigger scale, or do you find that you're much better

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<v Speaker 1>doing it when it's I don't know, on an Aussie budget.

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<v Speaker 2>Yeah, yeah, I just so much of the Aussie budget

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<v Speaker 2>I think it is it is, I don't know. It

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<v Speaker 2>just it feels a lot more comfortable, and when you're comfortable,

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<v Speaker 2>you can get a better performance. So I feel like

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<v Speaker 2>it it is kind of easier here. There's just less

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<v Speaker 2>going on and it's more about It feels more about

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<v Speaker 2>the craft here, which which is you know, kind of

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<v Speaker 2>what every actor likes, and I don't know, just it

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<v Speaker 2>feels a lot more personal working in the Australian industry

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<v Speaker 2>and kind of trying to push it and beef it

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<v Speaker 2>up so it can kind of compete with the other

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<v Speaker 2>kind of markets, with the international markets.

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<v Speaker 1>I remember going to the movies to see you in

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<v Speaker 1>the visit, which was the m Night Chamlin film, and

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<v Speaker 1>I remember thinking, were you allowed to watch all of

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<v Speaker 1>his other films? Because his other films up unto that point,

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<v Speaker 1>I mean, as this film is as well is quite scary,

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<v Speaker 1>but were you allowed to go and watch The Sixth

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<v Speaker 1>Sense and see Haley Joel Osmond, you know, do that performance? Like,

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<v Speaker 1>did you watch any of that before you made the visit?

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<v Speaker 2>Yeah? Yeah, we did. When I'm as soon as I've

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<v Speaker 2>found out that I had the role, me and Mum

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<v Speaker 2>watched The Sixth Sense and it did scare me because

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<v Speaker 2>it's really creepy. It's so terrifying, but it was a

0:10:09.559 --> 0:10:12.080
<v Speaker 2>really good kind of indication of what the kind of

0:10:12.120 --> 0:10:14.160
<v Speaker 2>tone of the visit will be or what. And we

0:10:14.280 --> 0:10:17.160
<v Speaker 2>also watched Unbreakable, which I love. I think that is

0:10:17.640 --> 0:10:19.520
<v Speaker 2>his best movie. I think that is so fantastic. And

0:10:19.559 --> 0:10:20.760
<v Speaker 2>we watched The Village as well.

0:10:20.960 --> 0:10:22.320
<v Speaker 3>Yeah, you know, I agree with you.

0:10:22.720 --> 0:10:25.920
<v Speaker 1>Everyone's always ordering the best films of m Night Chamelant

0:10:25.920 --> 0:10:30.080
<v Speaker 1>and Unbreakable. Yeah, it's easily my favorite, and it's so intoxicetting.

0:10:30.120 --> 0:10:35.520
<v Speaker 2>It's such an amazing superhero film. It's such a reinvention

0:10:35.600 --> 0:10:38.840
<v Speaker 2>of the genre and it's so interesting and the performances

0:10:39.040 --> 0:10:41.560
<v Speaker 2>are like out of this world and the imagery I

0:10:41.600 --> 0:10:42.760
<v Speaker 2>think it's so incredible.

0:10:42.960 --> 0:10:45.120
<v Speaker 1>Well, I've got my nerd questions out of the way,

0:10:45.240 --> 0:10:46.920
<v Speaker 1>the questions that you know, if you ever get the

0:10:47.000 --> 0:10:48.120
<v Speaker 1>chance to speak to this person.

0:10:48.200 --> 0:10:49.920
<v Speaker 3>So we need to talk about the Irreverend.

0:10:50.400 --> 0:10:54.560
<v Speaker 1>You know, it's so beautifully made, with so many accomplished actors.

0:10:55.040 --> 0:10:57.120
<v Speaker 1>Is that amazing to be back here in Australia to

0:10:57.160 --> 0:10:59.680
<v Speaker 1>work alongside some of these people that you've probably grown

0:10:59.720 --> 0:11:00.600
<v Speaker 1>up watch on TV.

0:11:00.920 --> 0:11:03.760
<v Speaker 2>Yeah, it's so fantastic. To be a part of this

0:11:03.920 --> 0:11:08.560
<v Speaker 2>ensemble cast is just amazing. And it was. It was

0:11:08.679 --> 0:11:12.319
<v Speaker 2>just so incredible, and everyone was so lovely and so supportive,

0:11:12.320 --> 0:11:14.720
<v Speaker 2>and we became a real family up in Mission Beach

0:11:14.760 --> 0:11:17.319
<v Speaker 2>where we filmed it, And yeah, just to be alongside

0:11:17.320 --> 0:11:20.200
<v Speaker 2>them and just to be a part of this incredible,

0:11:20.240 --> 0:11:23.360
<v Speaker 2>really unique, cool show. It was such a dream job.

0:11:23.720 --> 0:11:26.679
<v Speaker 2>I really I would love to do eight seasons of it.

0:11:26.679 --> 0:11:29.280
<v Speaker 1>It's so don't you think it's amazing that we're now

0:11:29.320 --> 0:11:31.320
<v Speaker 1>getting to see kind of a little bit left of

0:11:31.360 --> 0:11:34.360
<v Speaker 1>the center storylines you know that you wouldn't have seen

0:11:34.400 --> 0:11:36.160
<v Speaker 1>on say, Free to Wear back in the day.

0:11:36.360 --> 0:11:39.439
<v Speaker 2>Absolutely, it is so interesting and with free to wear,

0:11:39.760 --> 0:11:42.920
<v Speaker 2>it's good that there isn't that the wait each week

0:11:43.000 --> 0:11:46.600
<v Speaker 2>and the kind of all at once bingeable digestive thing.

0:11:46.679 --> 0:11:49.360
<v Speaker 2>Really it really works. You can kind of change the

0:11:49.360 --> 0:11:51.520
<v Speaker 2>whole format. You don't have to have these little cliffhangers,

0:11:51.600 --> 0:11:55.520
<v Speaker 2>and I don't know, it changes the way that TV works,

0:11:55.640 --> 0:11:57.400
<v Speaker 2>and I think it's a really cool step. But you're right.

0:11:57.480 --> 0:11:59.600
<v Speaker 2>I think this is really really you know, good for

0:11:59.600 --> 0:12:01.040
<v Speaker 2>a stream, Yeah, and for it to be on such

0:12:01.040 --> 0:12:03.480
<v Speaker 2>a global stage in the States on Peacock. I think

0:12:03.480 --> 0:12:08.000
<v Speaker 2>it's showing Americans a really interesting, unique side of Australia.

0:12:08.120 --> 0:12:11.040
<v Speaker 2>It's also got the great American lead for Australians. I

0:12:11.080 --> 0:12:13.600
<v Speaker 2>think it works really well for both countries. And I

0:12:13.600 --> 0:12:15.680
<v Speaker 2>think it's I think it's just got a really unique

0:12:15.880 --> 0:12:18.480
<v Speaker 2>tone and look, and the costumes are great in the show,

0:12:18.559 --> 0:12:21.440
<v Speaker 2>and everyone's just a bit quirky. It really captures that

0:12:21.600 --> 0:12:24.520
<v Speaker 2>interesting idea of small town. I think there's so much

0:12:24.559 --> 0:12:27.440
<v Speaker 2>going on that makes it really interesting for kind of

0:12:27.480 --> 0:12:29.400
<v Speaker 2>anyone to watch, regardless of where they're from.

0:12:29.720 --> 0:12:32.760
<v Speaker 1>I also think what's phenomenal is that it looks just

0:12:32.840 --> 0:12:34.800
<v Speaker 1>as good as any other show that's being made around

0:12:34.840 --> 0:12:36.840
<v Speaker 1>the world. It looks like a big little lies or

0:12:37.320 --> 0:12:40.160
<v Speaker 1>you know, it looks like a HBO series in a way,

0:12:40.280 --> 0:12:42.360
<v Speaker 1>you know, it looks just as good as anything else,

0:12:42.400 --> 0:12:44.440
<v Speaker 1>so you can sit up against anything, you know, and

0:12:44.480 --> 0:12:47.439
<v Speaker 1>the way in which people are tapping into streaming services. Now,

0:12:47.640 --> 0:12:49.520
<v Speaker 1>if you're just looking at that little picture or you're

0:12:49.520 --> 0:12:52.520
<v Speaker 1>watching the trailer, you know, we in Australia are making

0:12:52.679 --> 0:12:55.079
<v Speaker 1>shows that are just as good as anywhere else in

0:12:55.120 --> 0:12:57.960
<v Speaker 1>the world, which brings in a global audience exactly.

0:12:58.040 --> 0:13:01.079
<v Speaker 2>And yeah, that was one of the main things unfortunately

0:13:01.240 --> 0:13:03.280
<v Speaker 2>the Australian industry that a lot of stuff gets made

0:13:03.320 --> 0:13:04.560
<v Speaker 2>and you look at it and go, oh, that looks

0:13:04.640 --> 0:13:07.079
<v Speaker 2>kind of Australian and it's almost a derogatory kind of thing,

0:13:07.440 --> 0:13:09.040
<v Speaker 2>but it's kind of got this feel to it. You

0:13:09.280 --> 0:13:11.240
<v Speaker 2>I don't know, but when we all watched the trailer,

0:13:11.280 --> 0:13:14.120
<v Speaker 2>we all went, that's a show. That's a that's a

0:13:14.240 --> 0:13:17.240
<v Speaker 2>show that is worthy of heavy you know, you look

0:13:17.280 --> 0:13:20.400
<v Speaker 2>at it and it's it's colorful and rich, and you

0:13:20.440 --> 0:13:22.960
<v Speaker 2>know there was no expenses spared on the filming because

0:13:22.960 --> 0:13:25.480
<v Speaker 2>it just looks so decadent and so good.

0:13:25.800 --> 0:13:27.760
<v Speaker 1>Well, it's movie quality, isn't it. I mean it looks

0:13:27.760 --> 0:13:30.319
<v Speaker 1>like you should be watching this on the in the cinema,

0:13:30.559 --> 0:13:32.720
<v Speaker 1>so and that's kind of how they are making TV

0:13:32.800 --> 0:13:34.760
<v Speaker 1>and lots of ways now, so I guess you can

0:13:34.880 --> 0:13:35.920
<v Speaker 1>keep up with the Joneses.

0:13:36.080 --> 0:13:38.200
<v Speaker 3>How would you describe this series to people?

0:13:38.200 --> 0:13:40.280
<v Speaker 1>Because a lot of people listening to this podcast right

0:13:40.320 --> 0:13:42.840
<v Speaker 1>now won't know the show, might not be familiar with

0:13:42.880 --> 0:13:45.839
<v Speaker 1>it's what's the best way for you to describe what

0:13:45.880 --> 0:13:46.560
<v Speaker 1>this show is about.

0:13:46.679 --> 0:13:49.360
<v Speaker 2>I think, as I said before, ultimately this show is

0:13:49.600 --> 0:13:53.120
<v Speaker 2>it's a fish out of water story. It's about someone

0:13:53.480 --> 0:13:57.479
<v Speaker 2>you know who you know kind of messes up and

0:13:57.600 --> 0:13:59.880
<v Speaker 2>has to deal with the consequences and it's not very

0:14:00.040 --> 0:14:02.360
<v Speaker 2>good at dealing with his consequences, but then finds himself

0:14:02.360 --> 0:14:04.840
<v Speaker 2>in this beautiful town, and I don't know, it's interesting.

0:14:04.840 --> 0:14:07.560
<v Speaker 2>It's an interesting story about kind of acceptance and deceit

0:14:07.920 --> 0:14:11.160
<v Speaker 2>and the kind of big city mentality for a small town.

0:14:11.520 --> 0:14:13.400
<v Speaker 2>I think there's just got It's got lots of themes,

0:14:13.440 --> 0:14:15.679
<v Speaker 2>and it's got lots of beautiful characters, all with their

0:14:15.720 --> 0:14:17.640
<v Speaker 2>own little kind of subplots. There's a little bit of

0:14:17.679 --> 0:14:21.600
<v Speaker 2>a love story, there's crime, there's there's humor and real

0:14:21.680 --> 0:14:24.480
<v Speaker 2>heart to it. But it's just it's really unique. I

0:14:24.560 --> 0:14:27.520
<v Speaker 2>cannot remember the last show that I've watched quite like this,

0:14:27.680 --> 0:14:31.360
<v Speaker 2>with the contrast and look and feel and music, and

0:14:31.400 --> 0:14:33.960
<v Speaker 2>it's just got a really unique tone that I think

0:14:34.000 --> 0:14:37.320
<v Speaker 2>will really resonate and it's very bingeable. I just think

0:14:37.360 --> 0:14:39.200
<v Speaker 2>it's got so much going for it. It's such an

0:14:39.200 --> 0:14:41.520
<v Speaker 2>interesting show about so many different things.

0:14:41.840 --> 0:14:44.840
<v Speaker 1>Well, I kind of liked about the show was bringing

0:14:44.880 --> 0:14:47.840
<v Speaker 1>someone new into community helps people look at things a

0:14:47.880 --> 0:14:50.680
<v Speaker 1>little bit differently, and I think we all need a

0:14:50.720 --> 0:14:53.840
<v Speaker 1>bit of a factory reset every now and again in

0:14:53.880 --> 0:14:57.200
<v Speaker 1>our own lives, and that's what I really enjoyed about it.

0:14:57.240 --> 0:14:59.360
<v Speaker 3>What attracted you to the character of Cameron.

0:15:00.000 --> 0:15:03.400
<v Speaker 2>I just absolutely loved it. From the minute that I

0:15:03.440 --> 0:15:05.960
<v Speaker 2>read the audition scenes. I just thought he was so

0:15:06.680 --> 0:15:11.880
<v Speaker 2>brilliantly naive and silly and really sweet, and it was

0:15:11.880 --> 0:15:14.000
<v Speaker 2>it was just very different to anything I'd played before,

0:15:14.120 --> 0:15:16.520
<v Speaker 2>and it was nice. It was nice that it wasn't

0:15:16.520 --> 0:15:21.320
<v Speaker 2>a character defined by age or kind of backstory. It

0:15:21.360 --> 0:15:24.600
<v Speaker 2>was he wasn't just the kid. It was this just

0:15:24.680 --> 0:15:28.600
<v Speaker 2>strange kind of entity that he's just there and he's

0:15:28.680 --> 0:15:32.320
<v Speaker 2>kind of you know, he's just interesting. He's very sweet,

0:15:32.360 --> 0:15:35.840
<v Speaker 2>but he's very misguided and he does very lovely things

0:15:35.880 --> 0:15:38.560
<v Speaker 2>that get him in trouble lots of the time. But

0:15:39.720 --> 0:15:41.240
<v Speaker 2>I just thought it was I thought it was a

0:15:41.280 --> 0:15:43.160
<v Speaker 2>really interesting character. I thought it would be a real,

0:15:44.320 --> 0:15:47.280
<v Speaker 2>a real, nice, healthy challenge, and I thought I could

0:15:47.320 --> 0:15:51.080
<v Speaker 2>bring enough of myself into it. And I just loved that.

0:15:51.160 --> 0:15:53.960
<v Speaker 2>I had so much fun it was. There are very

0:15:53.960 --> 0:15:56.360
<v Speaker 2>few jobs where you get to set and just really

0:15:56.480 --> 0:15:59.560
<v Speaker 2>love being in this character, and there was lots of

0:15:59.600 --> 0:16:03.000
<v Speaker 2>kind of revising between the cast. Was just it was great.

0:16:03.400 --> 0:16:04.760
<v Speaker 2>I just knew it would be good as soon as

0:16:04.800 --> 0:16:05.560
<v Speaker 2>I read the audition.

0:16:05.840 --> 0:16:07.560
<v Speaker 1>I also thought it was interesting because you know, like

0:16:07.640 --> 0:16:10.040
<v Speaker 1>as a kid, you're always played as this sort of

0:16:10.280 --> 0:16:12.640
<v Speaker 1>adult in a child's body in a way, you know

0:16:12.680 --> 0:16:15.040
<v Speaker 1>what I mean, And then now you're getting to play

0:16:15.240 --> 0:16:17.640
<v Speaker 1>a bit of it, more of a naive character, which

0:16:17.680 --> 0:16:20.200
<v Speaker 1>is for the first time something that we're seeing differently.

0:16:20.520 --> 0:16:22.800
<v Speaker 1>Do you think that we're going to see more of that?

0:16:23.120 --> 0:16:25.520
<v Speaker 1>Is that something that's changed as you've become an adult.

0:16:25.600 --> 0:16:27.920
<v Speaker 2>I don't know. I think I do. I do like

0:16:27.920 --> 0:16:29.800
<v Speaker 2>that direction, so I hope I'm stepping into it. I

0:16:30.680 --> 0:16:32.960
<v Speaker 2>just did earlier this year, I did a film that's

0:16:33.000 --> 0:16:36.080
<v Speaker 2>coming out on Stan as well, that's coming out tomorrow

0:16:36.160 --> 0:16:41.120
<v Speaker 2>and Stan actually where I played again quite a silly character,

0:16:41.200 --> 0:16:46.800
<v Speaker 2>quite not that far off Cameron, quite a naive, lovely

0:16:47.200 --> 0:16:51.520
<v Speaker 2>good intentions, but just poor execution of things. So maybe

0:16:51.560 --> 0:16:54.280
<v Speaker 2>I am subconsciously kind of moving towards that. I find

0:16:54.320 --> 0:16:57.960
<v Speaker 2>myself now gravitating towards more comedic things, which I do

0:16:58.120 --> 0:17:02.040
<v Speaker 2>really enjoy and just yeah, it's like every actor's frame.

0:17:02.080 --> 0:17:03.960
<v Speaker 2>It's just fun. It's fun just to get to set

0:17:04.000 --> 0:17:05.840
<v Speaker 2>and try and make people laugh. And if you don't,

0:17:05.880 --> 0:17:09.520
<v Speaker 2>you don't. If you do, you do. But I really

0:17:09.600 --> 0:17:12.040
<v Speaker 2>like it. I'm very interested to see where kind of

0:17:12.080 --> 0:17:14.359
<v Speaker 2>what roles are coming up or in the future. But

0:17:14.400 --> 0:17:16.560
<v Speaker 2>if they're similar to Camera, I'll be very happy.

0:17:17.440 --> 0:17:17.600
<v Speaker 3>Well.

0:17:17.600 --> 0:17:20.120
<v Speaker 1>Making the transition from child actor to an adult actor

0:17:20.160 --> 0:17:22.159
<v Speaker 1>can be quite difficult, but for you it seems to

0:17:22.359 --> 0:17:25.880
<v Speaker 1>be happening quite seamlessly. Have you got people that you're

0:17:25.920 --> 0:17:27.679
<v Speaker 1>looking up to us there people in Australia that you

0:17:27.720 --> 0:17:30.359
<v Speaker 1>look up to with your career or the trajectory of

0:17:30.400 --> 0:17:30.879
<v Speaker 1>your career.

0:17:31.160 --> 0:17:33.920
<v Speaker 2>Yeah, I think you mentioned it before. I think Paul

0:17:34.000 --> 0:17:36.840
<v Speaker 2>Dana I really I really idolize his career. I think

0:17:36.880 --> 0:17:40.000
<v Speaker 2>he's not only an incredible actor, but an amazing director

0:17:40.600 --> 0:17:43.960
<v Speaker 2>and just all round genius. I think, and if I

0:17:44.000 --> 0:17:47.480
<v Speaker 2>can even try and follow in his footsteps and try

0:17:47.480 --> 0:17:50.320
<v Speaker 2>and do some of the things that he did, including

0:17:50.359 --> 0:17:53.280
<v Speaker 2>write and direct, eventually I'd be so happy.

0:17:53.400 --> 0:17:55.080
<v Speaker 1>It must have been surreal to then go to the

0:17:55.119 --> 0:17:57.439
<v Speaker 1>movies and watch The Batman with him in that.

0:17:57.680 --> 0:18:00.320
<v Speaker 2>I know it was bizarre to sive friendly old All

0:18:01.440 --> 0:18:02.600
<v Speaker 2>an absolute menace.

0:18:02.800 --> 0:18:06.800
<v Speaker 1>I love those stories of you doing your lines with him,

0:18:06.840 --> 0:18:09.359
<v Speaker 1>you know, as the director, and I just thought, that's

0:18:09.960 --> 0:18:11.800
<v Speaker 1>what a money car buy experience.

0:18:11.800 --> 0:18:13.080
<v Speaker 3>It must just be so surreal.

0:18:13.280 --> 0:18:15.639
<v Speaker 2>But that was I'll never forget that.

0:18:15.880 --> 0:18:18.240
<v Speaker 1>What could go wrong when you're up against him? So

0:18:18.280 --> 0:18:19.720
<v Speaker 1>you were just saying that you're in New Zealand at

0:18:19.720 --> 0:18:21.280
<v Speaker 1>the moment, you're working on a project. You've been there

0:18:21.320 --> 0:18:23.240
<v Speaker 1>for four weeks. What's the project you're working on at

0:18:23.280 --> 0:18:23.600
<v Speaker 1>the moment.

0:18:23.760 --> 0:18:26.560
<v Speaker 2>It's got The project is called Head South. It's a

0:18:26.560 --> 0:18:29.080
<v Speaker 2>period piece, so it's set in nineteen seventy nine, and

0:18:29.080 --> 0:18:32.680
<v Speaker 2>it's kind of semi autobiographical of the director Jonathan Ogilvie

0:18:33.240 --> 0:18:36.919
<v Speaker 2>and grew up here and kind of started playing in

0:18:36.960 --> 0:18:40.679
<v Speaker 2>punk rock bands, and it's about the early post punk

0:18:41.160 --> 0:18:44.520
<v Speaker 2>music scene in christ Church, and it's great. It's really cool.

0:18:44.560 --> 0:18:47.399
<v Speaker 2>It's got a beautiful tone, it's really funny. It's a

0:18:47.440 --> 0:18:50.280
<v Speaker 2>bit it's got a bit of sing streety kind of vibes,

0:18:50.320 --> 0:18:53.960
<v Speaker 2>but it's great. We've been filming in these amazing locations

0:18:54.040 --> 0:18:58.800
<v Speaker 2>and lots of cool spiky hair and mullets, and we're

0:18:58.800 --> 0:19:01.800
<v Speaker 2>shooting a big gig today actually, so it's gonna be

0:19:01.960 --> 0:19:03.280
<v Speaker 2>it's gonna be a huge, huge day.

0:19:04.359 --> 0:19:05.720
<v Speaker 1>I just love the fact that you called it a

0:19:05.720 --> 0:19:07.879
<v Speaker 1>period piece and it said in did you say nineteen

0:19:08.000 --> 0:19:08.640
<v Speaker 1>seventy nine?

0:19:08.960 --> 0:19:11.720
<v Speaker 2>Yeah, I know that sounds ridiculous. Maybe I'm butchering that term.

0:19:11.720 --> 0:19:12.840
<v Speaker 2>Maybe it's we're not there yet.

0:19:12.880 --> 0:19:17.919
<v Speaker 1>But you know, everyone who joins the podcast asked this question,

0:19:18.080 --> 0:19:20.359
<v Speaker 1>and that is, what's something from behind the scenes, something

0:19:20.400 --> 0:19:23.199
<v Speaker 1>that we won't see, but kind of like a behind

0:19:23.200 --> 0:19:25.320
<v Speaker 1>the scenes secret of you making the irreverent?

0:19:25.760 --> 0:19:29.320
<v Speaker 2>Yeah? Well, I always I find it so interesting. So

0:19:29.440 --> 0:19:32.240
<v Speaker 2>anytime that we shot inside the church or the Man's

0:19:32.520 --> 0:19:35.920
<v Speaker 2>that was all a set. And anytime we shot outside

0:19:36.160 --> 0:19:38.399
<v Speaker 2>the church or Mance, that was just and I like

0:19:38.400 --> 0:19:40.240
<v Speaker 2>the shell of a building. So anytime we walk in,

0:19:40.280 --> 0:19:42.520
<v Speaker 2>we just walk into nothing and then carry on on studio,

0:19:42.840 --> 0:19:45.840
<v Speaker 2>which I find so funny. But the big I don't know.

0:19:46.080 --> 0:19:47.760
<v Speaker 2>I don't know if it's noticeable because actually I haven't

0:19:47.760 --> 0:19:50.040
<v Speaker 2>seen the show yet, but I was in the man's

0:19:50.320 --> 0:19:52.600
<v Speaker 2>in the background of through the kitchen, there was just

0:19:52.640 --> 0:19:55.439
<v Speaker 2>they just printed out a big picture, this humongous picture

0:19:55.920 --> 0:19:58.160
<v Speaker 2>of Miss Beach, and I just thought that was hilarious

0:19:58.160 --> 0:20:00.720
<v Speaker 2>that they just printed out this big pitch to the background.

0:20:00.800 --> 0:20:02.159
<v Speaker 2>It was a green screen any thing, It was just

0:20:02.200 --> 0:20:03.800
<v Speaker 2>a picture. I thought it was really funny.

0:20:04.000 --> 0:20:05.800
<v Speaker 3>Well that's what they used to do back in the day,

0:20:05.840 --> 0:20:06.320
<v Speaker 3>like you know.

0:20:08.240 --> 0:20:10.679
<v Speaker 2>Like King Kong. So I thought it was really funny.

0:20:10.800 --> 0:20:12.679
<v Speaker 1>It doesn't look that bad. It doesn't look bad in

0:20:12.720 --> 0:20:14.719
<v Speaker 1>the final production. Everything looks very schmick.

0:20:15.560 --> 0:20:17.320
<v Speaker 2>I knew it would, but you know, but on the

0:20:17.400 --> 0:20:21.240
<v Speaker 2>day you go that going to work, this humongous picture.

0:20:21.520 --> 0:20:23.520
<v Speaker 2>It was good quality, so I guess it won't.

0:20:23.960 --> 0:20:25.600
<v Speaker 1>I think that was the other thing about the show

0:20:25.640 --> 0:20:27.840
<v Speaker 1>as well, as we didn't mention, is I thought it

0:20:27.880 --> 0:20:31.040
<v Speaker 1>was really interesting because religion means different things to different

0:20:31.040 --> 0:20:33.440
<v Speaker 1>people these days, and I thought it was really interesting

0:20:33.480 --> 0:20:36.879
<v Speaker 1>tapping into some of those storylines because it highlighted the

0:20:36.920 --> 0:20:39.359
<v Speaker 1>fact to me that I still see religion to be

0:20:39.400 --> 0:20:41.480
<v Speaker 1>quite important for a lot of people because it brings

0:20:41.480 --> 0:20:44.520
<v Speaker 1>community together and it makes people feeling included.

0:20:44.560 --> 0:20:46.760
<v Speaker 3>And I think that's a real backbone, and.

0:20:46.720 --> 0:20:49.280
<v Speaker 2>It's good because it is about religion, but it's more

0:20:49.359 --> 0:20:51.800
<v Speaker 2>just about people and how and you're right, and how

0:20:51.800 --> 0:20:56.080
<v Speaker 2>community can change and how and how leaders can change community.

0:20:56.080 --> 0:20:58.240
<v Speaker 2>It's got all these interesting things. But it is a

0:20:58.240 --> 0:21:00.720
<v Speaker 2>really interesting topic when you take you know, Mac, this

0:21:00.880 --> 0:21:06.080
<v Speaker 2>character of Mac who's just the most relentless kind of agnostic, atheist,

0:21:06.119 --> 0:21:08.360
<v Speaker 2>anti religion, and then he put him in this position

0:21:08.400 --> 0:21:09.959
<v Speaker 2>and then see how he has to deal with it,

0:21:10.040 --> 0:21:14.800
<v Speaker 2>and it's great. It starts to soften him. And there's

0:21:14.800 --> 0:21:17.760
<v Speaker 2>so many interesting things going on. And you know, Colin Donald,

0:21:17.760 --> 0:21:20.280
<v Speaker 2>who plays Mac, is just such a brilliant lead.

0:21:20.640 --> 0:21:24.480
<v Speaker 1>So yeah, mate, thank you so much for coming on

0:21:24.520 --> 0:21:27.120
<v Speaker 1>the podcast and chatting about the show. Hopefully everyone gets

0:21:27.119 --> 0:21:28.960
<v Speaker 1>a chance to what shoul it'll be out next week.

0:21:29.320 --> 0:21:33.360
<v Speaker 2>Thank you, well pleased to hopefully many more we'll see.

0:21:33.200 --> 0:21:35.600
<v Speaker 1>Puberty Blue season three. I'm just going to go and

0:21:35.760 --> 0:21:37.320
<v Speaker 1>start that rumor all over again.

0:21:39.440 --> 0:21:42.479
<v Speaker 2>I really think, you know, the power of the people

0:21:42.520 --> 0:21:45.399
<v Speaker 2>is a powerful thing and I think if enough people,

0:21:45.640 --> 0:21:48.159
<v Speaker 2>you know, kind of voice their interest, surely, surely we

0:21:48.160 --> 0:21:49.000
<v Speaker 2>can get it off the ground.

0:21:49.359 --> 0:21:53.000
<v Speaker 3>Who knows, you never know. They reboot everything these days.

0:21:53.080 --> 0:21:56.120
<v Speaker 2>They do, they do reboot everything, and sometimes it doesn't work.

0:21:56.119 --> 0:21:58.280
<v Speaker 2>But I reckon we can do a classy reboot. But everyone,

0:21:58.359 --> 0:22:01.600
<v Speaker 2>you're right. Everyone did go oh there was more and

0:22:01.640 --> 0:22:04.560
<v Speaker 2>it didn't feel like it ended on a solid end.

0:22:04.640 --> 0:22:07.840
<v Speaker 2>And everyone loved it absolutely everyone. You know, we had

0:22:07.880 --> 0:22:10.720
<v Speaker 2>almost the entire same crew from season one and season

0:22:10.760 --> 0:22:15.080
<v Speaker 2>two because everyone just went, I need to come back. Yeah,

0:22:15.280 --> 0:22:17.440
<v Speaker 2>and I think it'd be the same. I think everyone

0:22:17.480 --> 0:22:19.159
<v Speaker 2>would drop whatever they're doing and to come back in

0:22:19.200 --> 0:22:21.600
<v Speaker 2>a half feat. I'm certain of that. Well.

0:22:21.640 --> 0:22:23.320
<v Speaker 3>I can't tell you how many times I've watched it.

0:22:23.320 --> 0:22:24.040
<v Speaker 3>It's my go to.

0:22:24.400 --> 0:22:26.520
<v Speaker 1>You know how people put on friends like you hear

0:22:26.560 --> 0:22:28.520
<v Speaker 1>people yeah got those old shows.

0:22:28.320 --> 0:22:30.000
<v Speaker 3>That's their comfort show in the background.

0:22:30.320 --> 0:22:32.840
<v Speaker 1>Yeah, yeah, Puberty Blues is my comfort show. So I

0:22:32.880 --> 0:22:34.080
<v Speaker 1>don't know what that says about me.

0:22:35.640 --> 0:22:37.280
<v Speaker 2>That says you need a season three.

0:22:37.480 --> 0:22:39.440
<v Speaker 1>I need a season three anyway. Good luck with the

0:22:39.480 --> 0:22:41.720
<v Speaker 1>shoot today. It was fantastic for you to give me

0:22:41.760 --> 0:22:43.479
<v Speaker 1>this time and to be so generous.

0:22:43.520 --> 0:22:44.960
<v Speaker 2>Oh no, wait, thank you very much for having me