WEBVTT - Flirting 101

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<v Speaker 1>iHeart Podcasts.

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<v Speaker 1>Will and Woody drive you home.

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<v Speaker 2>I think with the invention of things like AI and

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<v Speaker 2>just technology getting better and better, I think guys in

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<v Speaker 2>particular have lost the ability to know when is the

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<v Speaker 2>right and wrong time to flirt.

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<v Speaker 1>Yes, yes, yes.

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<v Speaker 2>I think it's a skill that we just don't have

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<v Speaker 2>it anymore because we're on the daddy naps and whatnot.

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<v Speaker 2>I managed to witness this morning, Will, and please don't

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<v Speaker 2>tease me for this. It's important for the story. I

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<v Speaker 2>was on my bike simulator this morning.

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<v Speaker 3>Yeah, that'll be hard.

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<v Speaker 1>What were you watching? For those that don't know, I

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<v Speaker 1>wasn't watching anything.

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<v Speaker 2>I was just watching myself in a virtual world cycling

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<v Speaker 2>in a land called Watopia. And for those that don't

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<v Speaker 2>know a bike simulator, it's people from all over.

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<v Speaker 1>No, it's important. It's important for the story.

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<v Speaker 2>People from all over the world can log into this

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<v Speaker 2>virtual world and we're all cycling together in Watopia, right?

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<v Speaker 1>And you can chat with people.

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<v Speaker 2>Now, while I was cycling, I managed to see a

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<v Speaker 2>guy trying to flirt with a girl.

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<v Speaker 1>I've never seen it before.

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<v Speaker 3>Like while you're riding?

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<v Speaker 4>Yeah.

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<v Speaker 3>Do you have a photo? Can you see what each

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<v Speaker 3>other's profile is?

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<v Speaker 2>You can choose to add a photo if you like,

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<v Speaker 2>for sure. You can see where everyone's from. So it

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<v Speaker 2>says like where you're from and then obviously your name

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<v Speaker 2>and then you can see each other's stats. So people

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<v Speaker 2>would know that I'm level 61, which is quite impressive.

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<v Speaker 3>Okay.

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<v Speaker 5>And is it like a simulator? Is it just voice

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<v Speaker 5>chat or is it text chat?

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<v Speaker 2>Do you see a video? It's just text chat. It's

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<v Speaker 2>text and you can give people thumbs up. There's a

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<v Speaker 2>lot of thumbs up action.

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<v Speaker 3>Who's texting and cycling? No one taking it seriously.

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<v Speaker 1>Well, see, there's certain apps you can get where it's

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<v Speaker 1>easier to text.

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<v Speaker 3>Have you got a headset?

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<v Speaker 1>No, you can't talk. You can only type.

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<v Speaker 2>So you might say like, You're on fire, John, or something,

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<v Speaker 2>or like great climb, Mary.

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<v Speaker 3>Have you ever said anything?

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<v Speaker 1>So I don't chat because I just focus on cycling.

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<v Speaker 1>You've never said anything? Some people chat to me.

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<v Speaker 3>What do they say?

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<v Speaker 1>I don't really actually even know how.

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<v Speaker 2>To write back because I'm not very technologically sound.

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<v Speaker 3>What do they say to you?

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<v Speaker 1>They might go like, great climb, wood dog. That's my

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<v Speaker 1>name in.

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<v Speaker 3>The virtual world. I assumed as much.

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<v Speaker 2>What I've never seen is flirting on this virtual simulator, right?

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<v Speaker 1>But all of a sudden this morning, this was a

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<v Speaker 1>real treat.

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<v Speaker 2>I was on a bit of a climb and there

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<v Speaker 2>was clearly a guy who said, You finishing this route?

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<v Speaker 1>Question mark? Because you can do different routes.

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<v Speaker 3>Like a double entendre?

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<v Speaker 2>I don't think he was going for that, but who knows. Anyway,

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<v Speaker 2>this woman then goes, me? Question mark? Because she wasn't

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<v Speaker 2>even sure he was talking to her.

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<v Speaker 5>Yeah.

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<v Speaker 2>And then he goes, yeah, I saw we had the

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<v Speaker 2>same mileage, so I assumed we were on the same route.

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<v Speaker 1>Are you finishing this route? Question mark? And then everyone

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<v Speaker 1>who was in this peloton got to witness her just

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<v Speaker 1>go offline.

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<v Speaker 3>Hang on.

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<v Speaker 5>Is he actually flirting with her though?

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<v Speaker 3>Or is he?

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<v Speaker 2>Oh, like who really knows that it was like, you

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<v Speaker 2>just don't ask someone.

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<v Speaker 3>And she just goes, nah.

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<v Speaker 1>Well, she's been offline. She just, she just, she just disappeared.

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<v Speaker 5>Right.

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<v Speaker 1>So it's got me thinking, and I think we need

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<v Speaker 1>to use the platform.

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<v Speaker 5>Sorry, before we go on, you said it's the worst

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<v Speaker 5>place to flirt. I think if I, like, if you're

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<v Speaker 5>into cycling, surely that's a great place to flirt. Cause

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<v Speaker 5>you know, someone else is into cycling there.

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<v Speaker 1>I think it's similar to like flirting with someone at

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<v Speaker 1>the gym. Okay.

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<v Speaker 2>Which I think is a, we're all getting a sweat

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<v Speaker 2>on in there. We don't want to be asked out.

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<v Speaker 3>Would you mind someone flirting with you at the gym, Jo?

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<v Speaker 1>Depends who it is. Well, I think the whole, I

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<v Speaker 1>don't know.

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<v Speaker 3>You don't want to be a creepy guy.

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<v Speaker 4>But an easy place to be mistaken for just an

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<v Speaker 4>absolute freak.

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<v Speaker 1>This is exactly what I want to talk about right now.

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<v Speaker 2>I want to mention between Junior Producer Annalise, who's in

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<v Speaker 2>the studio, and you, Will, as to whether you believe

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<v Speaker 2>these places that I'm going to name are flirty places

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<v Speaker 2>or not flirting places.

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<v Speaker 3>It's been 10 years since I flirted.

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<v Speaker 1>Yeah, and I'll be interested to see just how off

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<v Speaker 1>you are here. Okay. So I'm going to ask you first.

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<v Speaker 3>In a similar time for Annalise, by the way. Shut up.

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<v Speaker 1>She's out there. I'm out there. Depends on the day.

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<v Speaker 1>We're just not mentioning specifics, but she's out there.

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<v Speaker 2>Okay.

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<v Speaker 1>Now, Will.

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<v Speaker 3>Are you texting someone right now?

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<v Speaker 4>No, I'm writing my notes for the show.

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<v Speaker 1>Nothing specific.

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<v Speaker 2>All right.

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<v Speaker 1>Now, Will.

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<v Speaker 4>Yeah.

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<v Speaker 2>Do you think it's okay to flirt with someone in

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<v Speaker 2>a cafe when you're waiting for your coffee? Yep.

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<v Speaker 1>Annalise.

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<v Speaker 4>Yeah, I'm down for that.

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<v Speaker 1>Yeah.

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<v Speaker 3>So are they.

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<v Speaker 1>I just feel like so.

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<v Speaker 3>This is going to be a very, very easy pass, Mark,

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<v Speaker 3>by the way.

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<v Speaker 5>You've got a desperately single woman and a guy who's

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<v Speaker 5>been out of the game for ages who thinks everything's

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<v Speaker 5>above board. So we're both going to, there's not going

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<v Speaker 5>to be one place.

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<v Speaker 1>Wouldn't you feel trapped there, Annalise?

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<v Speaker 2>It's like, cause you're waiting for your coffee and you

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<v Speaker 2>feel trapped.

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<v Speaker 1>I can just pick up my phone. I'm not stressed.

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<v Speaker 4>I'll just be like, I can, I can shut that

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<v Speaker 4>down as much.

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<v Speaker 1>As I can start it up.

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<v Speaker 2>Let's make things more interesting here. Will, you think it's

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<v Speaker 2>okay to flirt with someone?

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<v Speaker 1>On a beach.

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<v Speaker 3>Oh, beach is tricky. Beach is a bit of a flag.

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<v Speaker 3>I know you have before.

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<v Speaker 1>And how did it go for me?

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<v Speaker 3>Very well.

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<v Speaker 1>No, at the time, awfully.

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<v Speaker 3>You ended up with that chick. You were there in Europe.

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<v Speaker 1>But no.

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<v Speaker 5>If you're fully clothed and it's winter, not a problem.

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<v Speaker 5>If you approach someone and they're just in bathers. Yes.

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<v Speaker 3>I think it's hard to get out of the, are

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<v Speaker 3>you just approaching me because you want to.

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<v Speaker 1>Yeah. Annalise?

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<v Speaker 4>On beach, on sand, I'd say no.

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<v Speaker 3>On sand.

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<v Speaker 1>Oh, water. In water.

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<v Speaker 3>Yeah, you've done some water flirting before.

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<v Speaker 1>Look at you, you little turtle.

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<v Speaker 3>Have you done a water flirt before?

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<v Speaker 1>I haven't water flirted before, but I'd be open to it.

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<v Speaker 1>Because you can just like dive away.

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<v Speaker 3>Do you know what I mean?

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<v Speaker 5>Oh, yeah.

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<v Speaker 3>No, that's not what I was saying.

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<v Speaker 5>I was saying the reason that water flirting is okay

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<v Speaker 5>is because they can't see the merchandise.

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<v Speaker 1>It's like its head's above water.

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<v Speaker 3>You only see the head.

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<v Speaker 4>Yeah, so it's just like a bit more like... less vulnerable.

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<v Speaker 2>Also fully you can't be at waste i can't flirt

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<v Speaker 2>at waste level because that's all you.

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<v Speaker 5>Can if you want your sicko i mean you've been

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<v Speaker 5>i'm asking for the list i'm asking for the.

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<v Speaker 3>List has told you as a woman she wants it

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<v Speaker 3>above the.

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<v Speaker 2>Shoulders okay i think this one's a really interesting one

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<v Speaker 2>and this is the last one we'll do today i

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<v Speaker 2>think we'll do it again another day yeah i've always

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<v Speaker 2>wondered whether this was inappropriate or not yeah dance floor Oh, perfect.

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<v Speaker 2>Totally fine to go and flirt with someone on a

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<v Speaker 2>loud dance floor, even if there's smoke and it's dark.

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<v Speaker 5>I reckon if you can nail it, a good flirt

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<v Speaker 5>on the dance floor is all time. I would never

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<v Speaker 5>go for it because I was not a good enough dancer,

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<v Speaker 5>but I would just, like, drop a bomb.

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<v Speaker 1>A word bomb.

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<v Speaker 3>I wouldn't fart.

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<v Speaker 5>What I meant was, because I'm an awful dancer, not

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<v Speaker 5>a good dancer, and I agree, like, unless you're in...

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<v Speaker 5>America or Europe where grinding up on dancing in people's

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<v Speaker 5>spaces is very welcome.

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<v Speaker 3>In Australia, strange.

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<v Speaker 1>It's invasive.

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<v Speaker 3>You just want to do your own thing and you're like,

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<v Speaker 3>get out of here, mate. You're annoying me.

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<v Speaker 5>What I used to do as a bad dancer but

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<v Speaker 5>good with words, I used to see someone that I

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<v Speaker 5>thought was pretty and then I would go and say

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<v Speaker 5>something really nice.

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<v Speaker 3>Just not creepy but nice.

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<v Speaker 1>Like what?

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<v Speaker 3>You're really cute. Just like that. You're super cute. Or, like,

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<v Speaker 3>something like that. Depends how drunk I was.

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<v Speaker 1>You are good with words, aren't you? Ew!

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<v Speaker 5>But, like, I'm waiting for the eyes at this point.

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<v Speaker 5>The eyes have happened. I'm not just bobbing without any comms, okay?

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<v Speaker 3>So I go, you're cute, right? And then I just leave.

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<v Speaker 1>Whoa.

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<v Speaker 3>Because I'm still in the venue, but I've left. You're

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<v Speaker 3>really cute.

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<v Speaker 1>See you later.

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<v Speaker 3>And then I've left because I'm still in the venue.

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<v Speaker 1>Yeah, right. How do they know that?

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<v Speaker 3>Because the good thing is, if they're interested.

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<v Speaker 5>They'll come and they'll seek out. If they're not interested,

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<v Speaker 5>if they're not interested, you'd never see them again.

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<v Speaker 2>I'd say every single girl has their head in their

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<v Speaker 2>hands right now.

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<v Speaker 1>Can I just say, as a percentage.

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<v Speaker 3>It's a safe play.

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<v Speaker 1>We shouldn't judge him, guys. He's just out there making

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<v Speaker 1>himself vulnerable. As a percentage, how many times would they

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<v Speaker 1>come find you?

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<v Speaker 3>100%.

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<v Speaker 1>Annalise, what are your thoughts on that? Whatever Will just said,

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<v Speaker 1>I have fallen for.

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<v Speaker 3>Thank you. That's exactly how I would want to be approached.

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<v Speaker 2>Thank you.

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<v Speaker 3>Because you're not getting in.

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<v Speaker 5>There, girl.

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<v Speaker 3>You just go, here's just something really nice. And by

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<v Speaker 3>the way, I'm leaving. So I'm not standing here going.

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<v Speaker 5>Hey, you're super cute. And I'm just going to hover

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<v Speaker 5>in your space. Because it's like, piss off. You just go,

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<v Speaker 5>you're super cute. No strings attached. I'm going over here now.

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<v Speaker 5>And then you piss off. And then if you see,

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<v Speaker 5>if they come and find you, you're like, great.

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<v Speaker 3>But if not, you're like, I just did a drive-by

0:08:15.769 --> 0:08:17.989
<v Speaker 3>and gave a girl a compliment. No harm, no foul.

0:08:18.069 --> 0:08:18.669
<v Speaker 1>Okay.

0:08:18.689 --> 0:08:19.149
<v Speaker 5>All right.

0:08:19.169 --> 0:08:21.559
<v Speaker 1>I'm coming around to it. Suddenly I'm like super thirsty.

0:08:21.589 --> 0:08:22.409
<v Speaker 1>So I'm going to the bar.

0:08:22.439 --> 0:08:25.859
<v Speaker 3>Excuse me? What has happened?

0:08:26.179 --> 0:08:26.519
<v Speaker 2>Wow.

0:08:26.939 --> 0:08:29.939
<v Speaker 3>The move still works.

0:08:29.959 --> 0:08:30.779
<v Speaker 4>Clearly.

0:08:30.819 --> 0:08:33.199
<v Speaker 3>I think this is the time you walk away, Will.

0:08:33.218 --> 0:08:34.879
<v Speaker 1>I think you leave the studio and Annalise is going

0:08:34.899 --> 0:08:35.539
<v Speaker 1>to come find you.

0:08:36.519 --> 0:08:37.839
<v Speaker 3>You've fallen for that before, that move.

0:08:37.919 --> 0:08:38.919
<v Speaker 1>I would love that move.

0:08:38.958 --> 0:08:41.108
<v Speaker 4>Yeah. I've done, I've fallen for it before and I

0:08:41.149 --> 0:08:43.689
<v Speaker 4>would welcome it kindly every weekend.

0:08:43.708 --> 0:08:46.449
<v Speaker 1>So do you want someone to, cause Will's a horrific dancer.

0:08:46.508 --> 0:08:48.068
<v Speaker 1>He obviously couldn't do this. Would you want someone to

0:08:48.169 --> 0:08:50.348
<v Speaker 1>dance up to you and like show, Hey, here's a

0:08:50.388 --> 0:08:50.988
<v Speaker 1>sweet move.

0:08:51.498 --> 0:08:51.798
<v Speaker 5>First.

0:08:52.338 --> 0:08:55.309
<v Speaker 1>And then second strike, you're really cute. Third strike, walk away. Yeah.

0:08:55.338 --> 0:08:58.108
<v Speaker 4>The approach is you lock eyes across the room.

0:08:58.309 --> 0:09:00.248
<v Speaker 1>Then you. Yeah, we'll have that. We'll tick that.

0:09:00.449 --> 0:09:01.088
<v Speaker 5>Tick. Ding.

0:09:01.449 --> 0:09:02.028
<v Speaker 4>And then you go.

0:09:02.049 --> 0:09:03.028
<v Speaker 3>Sometimes I didn't get the eyes.

0:09:03.228 --> 0:09:03.689
<v Speaker 1>I was just going.

0:09:04.649 --> 0:09:08.289
<v Speaker 3>That's creepy. You miss 100% of the shots you don't take.

0:09:08.309 --> 0:09:09.249
<v Speaker 1>You're looking for it.

0:09:09.268 --> 0:09:11.028
<v Speaker 5>Because again, you're not going like, you're super cute.

0:09:11.049 --> 0:09:12.419
<v Speaker 3>And by the way, I'm just going to hang around you.

0:09:12.429 --> 0:09:13.288
<v Speaker 3>Just go, hey, you're really cute.

0:09:13.789 --> 0:09:14.529
<v Speaker 1>It's a compliment.

0:09:14.588 --> 0:09:15.029
<v Speaker 3>Yeah, yeah, yeah.

0:09:15.088 --> 0:09:16.108
<v Speaker 1>And you say it nonchalantly.

0:09:16.169 --> 0:09:18.408
<v Speaker 3>Exactly. I'm not going like, whoa, you're really cute.

0:09:18.429 --> 0:09:19.229
<v Speaker 1>Hey, you're really cute.

0:09:19.248 --> 0:09:19.708
<v Speaker 3>Hey, you're cute.

0:09:19.728 --> 0:09:20.569
<v Speaker 1>I just happened to walk past you.

0:09:20.588 --> 0:09:21.768
<v Speaker 3>Hey, you're really cute. What's going on?

0:09:21.888 --> 0:09:22.328
<v Speaker 2>You're cute.

0:09:22.409 --> 0:09:23.108
<v Speaker 3>I'm thirsty.

0:09:24.488 --> 0:09:28.199
<v Speaker 2>Sorry, Annalise, how would you want the dream scenario dance floor,

0:09:28.539 --> 0:09:29.399
<v Speaker 2>how do you want it to go down?

0:09:29.518 --> 0:09:33.358
<v Speaker 4>I go eyes into like a, him in a dance

0:09:33.378 --> 0:09:35.638
<v Speaker 4>circle that isn't mine and then slowly rotate.

0:09:35.659 --> 0:09:37.319
<v Speaker 1>Him in a dance circle? Yeah, well like, you know,

0:09:37.338 --> 0:09:39.258
<v Speaker 1>with his friends. He's with his mates. He's with his mates, okay.

0:09:39.279 --> 0:09:42.538
<v Speaker 4>Dancing, but then slowly does the like rotation so we're

0:09:42.559 --> 0:09:45.458
<v Speaker 4>back to back. Then a little tap on the shoulder.

0:09:45.738 --> 0:09:46.718
<v Speaker 3>Hey, you're really cute.

0:09:47.199 --> 0:09:48.098
<v Speaker 4>And then disappear.

0:09:48.819 --> 0:09:49.979
<v Speaker 1>Ideally within the vicinity.

0:09:49.998 --> 0:09:51.449
<v Speaker 2>Hang on, am I supposed to try and find your

0:09:51.458 --> 0:09:53.588
<v Speaker 2>back there? So I'm not facing you and I've got

0:09:53.608 --> 0:09:54.429
<v Speaker 2>to try and find your back.

0:09:54.449 --> 0:09:55.449
<v Speaker 3>Can't look over your shoulder.

0:09:55.608 --> 0:09:57.069
<v Speaker 1>I've got to find your back.

0:09:57.348 --> 0:09:58.148
<v Speaker 3>You just know.

0:09:58.189 --> 0:10:00.208
<v Speaker 1>You want me to hit your back?

0:10:00.228 --> 0:10:02.319
<v Speaker 4>No, not necessarily, but just like a grab.

0:10:02.368 --> 0:10:04.659
<v Speaker 3>So difficult. So eye to eye.

0:10:04.679 --> 0:10:05.679
<v Speaker 1>You made it so simple.

0:10:05.718 --> 0:10:08.278
<v Speaker 2>It was so simple before and now we've got to

0:10:08.319 --> 0:10:08.679
<v Speaker 2>have eyes.

0:10:08.909 --> 0:10:11.288
<v Speaker 1>In the back of our heads trying to find your back.

0:10:11.328 --> 0:10:14.168
<v Speaker 5>This is your problem, Annalise. There's too many steps. There's

0:10:14.208 --> 0:10:15.008
<v Speaker 5>too many layers.

0:10:15.088 --> 0:10:17.488
<v Speaker 4>Yeah, but the layers are there for like tension.

0:10:17.828 --> 0:10:18.378
<v Speaker 1>Do you know what I mean?

0:10:18.419 --> 0:10:19.798
<v Speaker 5>Hang on. So is it meant to be like a

0:10:19.858 --> 0:10:21.838
<v Speaker 5>sexy back to back or like, what's the point of

0:10:21.858 --> 0:10:22.599
<v Speaker 5>the back to back?

0:10:22.699 --> 0:10:24.179
<v Speaker 4>It's not like fully back to back, but it's like,

0:10:24.199 --> 0:10:25.318
<v Speaker 4>you know, you can feel each other.

0:10:25.338 --> 0:10:27.338
<v Speaker 1>You can feel the heat through each other's backs.

0:10:27.409 --> 0:10:28.848
<v Speaker 3>And then how do you know it's them?

0:10:29.328 --> 0:10:32.148
<v Speaker 4>Because you know, every girl knows, you know, when the

0:10:32.169 --> 0:10:34.108
<v Speaker 4>hot guys need, because you can see all these mates,

0:10:34.149 --> 0:10:35.629
<v Speaker 4>but you can't see him, which means he's behind you.

0:10:36.138 --> 0:10:36.738
<v Speaker 1>Whoa.

0:10:36.988 --> 0:10:37.488
<v Speaker 5>Yeah.

0:10:37.588 --> 0:10:39.789
<v Speaker 1>And then so how long do you leave it?

0:10:39.809 --> 0:10:41.049
<v Speaker 3>Process of elimination.

0:10:41.108 --> 0:10:42.559
<v Speaker 1>You know this feeling, don't you? This is just your

0:10:42.598 --> 0:10:43.078
<v Speaker 1>fantasy room.

0:10:43.118 --> 0:10:43.899
<v Speaker 5>Yeah, I know, right?

0:10:43.939 --> 0:10:48.848
<v Speaker 3>What is going on? We're so deep in it. Will

0:10:48.868 --> 0:10:49.169
<v Speaker 3>and Woody.