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Speaker 1: Lemon Tea shaken notes to a pretty extraordinary moment.

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Speaker 2: Well, yeah, the show absolutely outrageous. I mean that whole

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Speaker 2: bit was pretty phenomenal. Like not to talk up our

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Speaker 2: own gear, but it was gone it.

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Speaker 3: We didn't do anything.

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Speaker 2: Then we just got kids to call up if they

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Speaker 2: didn't know what their parents did, and the results were amazing.

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Speaker 1: And through the one we're talking about, through question I

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Speaker 1: won't give too much away, but through questioning, it was

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Speaker 1: pretty clear right that this kid's dad was an international spine.

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Speaker 2: Felt like that, But I'll let you guys find like

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Speaker 2: when we when we like, yeah, I mean that was

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Speaker 2: the theory because he could, he was strong.

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Speaker 4: He said he did international business.

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Speaker 2: But then when we grilled him down a little bit further,

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Speaker 2: I was like, what does he doing whenever seas he

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Speaker 2: just he said, he just said he.

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Speaker 4: Just got on the blower.

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Speaker 2: He said, he said, he just booked an office and

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Speaker 2: he just got on the bar. I don't know, does

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Speaker 2: that is that a blight on asy? Oh? Like, then

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Speaker 2: we just send our spies to a call center, foreign

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Speaker 2: call center, just to just to try and brank people spoke.

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Speaker 3: He spoke in different languages though, that stinks of spider Man.

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Speaker 1: Yeah, yeah, yeah, no, And he also admitted that his

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Speaker 1: own dad was very attractive.

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Speaker 4: He did, which is the tale sign absolutely actually funnily enough,

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Speaker 4: you know, if you are I think if you are

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Speaker 4: a spy. I've actually known someone who was a spy,

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Speaker 4: you know, currently a spy.

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Speaker 3: She's not a spy anymore. Yes, same same woman.

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Speaker 4: No interesting is?

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Speaker 2: You better be carefully otherwise the Russians will come for us.

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Speaker 4: Who jesuz we got questions? You would squeal so far.

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Speaker 3: Father, guys, I'll give you at all.

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Speaker 2: You just start throwing them your credit cards, hand your

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Speaker 2: phone over, you strip yourself down, nude, fretty shot.

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Speaker 4: No, but they're not on this. It's really really quite.

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Speaker 2: Secretive, like they really really they cannot say that they are.

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Speaker 4: Like the person I think I know was a spy.

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Speaker 2: I had a very drunk conversation with one of their

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Speaker 2: part with their partner one night, and they weren't even

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Speaker 2: allowed to say it out loud.

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Speaker 4: It was just kind of like.

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Speaker 2: Inferred because it's it's it's serious business, Like I got my.

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Speaker 1: Spy really drunk, and she she ended up telling me

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Speaker 1: like all the I know all the well I can't

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Speaker 1: remember because I was also drunk, but she told me

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Speaker 1: all the the call signs and what they mean as

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Speaker 1: far as level of emergency within the country, like Charlie

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Speaker 1: foxtrot Charlie, she's like that means.

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Speaker 4: Hungry CFC. Oh.

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Speaker 2: Well, anyway, spy as well, she's giving you out the codes.

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Speaker 1: Yeah, badspy, bads By still a spy, but a bad.

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Speaker 4: So they are still a spy, your spy.

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Speaker 3: Maybe she's hustling me though she might. Well, she's convinced

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Speaker 3: me that she's not a spy anymore.

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Speaker 2: Yeah, because yeah, she would have woken up and she

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Speaker 2: would have been like Jesus was the nuclear codes last night?

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Speaker 3: Yeah, I need to get out to fix this.

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Speaker 1: She had a baby, but maybe it's maybe that whole

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Speaker 1: thing's face.

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Speaker 3: Sorry, I'm for thinking.

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Speaker 4: You see the baby's face.

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Speaker 3: I've met the baby.

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Speaker 4: The babies real could be an actor.

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Speaker 3: They're all in on it.

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Speaker 1: It's a baby spy, all things are. I'm going to

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Speaker 1: bring it down anyway. We've had a great show. We

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Speaker 1: had a great show, bloody, enjoy it. Have a great time.

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Speaker 2: Talking about babies, baby actors playing spies.

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Speaker 4: Children.

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Speaker 3: Yeah, I got weird. It is the end of the day.

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Speaker 4: It is it is.

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Speaker 2: It's been one of the actually no, big, big, big

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Speaker 2: announcement for the show is that our junior producer, Analise,

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Speaker 2: the premier Dona Girl herself, is going to be going

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Speaker 2: head to head, toe to toe with Louis Thomlinson, someone

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Speaker 2: she has idolized, fangirled, made hours of video footage fake

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Speaker 2: interviewing him before.

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Speaker 4: She's actually going to have an interview with him this weekend.

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Speaker 2: She's doing it on her birthday, which is tomorrow, and

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Speaker 2: which means on Monday, when you guys hear this, we

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Speaker 2: will have the audio from the interview.

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Speaker 3: We're pumped, We're so excited.

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Speaker 2: She also has to try and include in that interview

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Speaker 2: a duet of the song A Whole New World, which

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Speaker 2: she's just nodding and cognizing that, I've.

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Speaker 5: Got an idea for how to get the duet in.

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Speaker 3: Yeah, don't tell us, don't tell us.

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Speaker 1: Save it for Monday. No, say Monday, say it for Monday.

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Speaker 1: I can't wait to hear it, and I wait to

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Speaker 1: hear how you said into that.

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Speaker 2: And she's going to be and it's over zoom, right, yeah,

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Speaker 2: over zoom. You're going to be the most glammed up

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Speaker 2: person ever on a zoom.

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Speaker 5: Yeah, because he's coming to Melbourne on Monday. So the

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Speaker 5: aim is that I'll look really glam, I'll look like

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Speaker 5: a cool hang and then he'll be like, oh, yeah,

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Speaker 5: well you will hang out on Monday in a British

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Speaker 5: accent obviously.

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Speaker 2: So he just sees you and he's just like, you

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Speaker 2: know what, So you have to tell him you're in Melbourne.

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Speaker 2: You'll have to be like, yo, I'm in Melbourne. By

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Speaker 2: the way, I know you're coming down.

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Speaker 5: Yeah, I'll just do like it at the end of

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Speaker 5: but hey, thanks so much. I know you're in Melbos

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Speaker 5: on Monday. Let's go a drink to drink to celebrate

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Speaker 5: my birthday week week. I'll just be like, ah, just jokes.

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Speaker 3: But then he'll be like, no, seriously, let's do it.

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Speaker 6: Okay, seriously, let's do it.

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Speaker 3: And that's exactly how horrible go.

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Speaker 4: You're definitely going to say that though, like you know, like.

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Speaker 5: I think it could be a bit of a loll

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Speaker 5: so I might.

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Speaker 2: Go for the lot because you've always got the safety

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Speaker 2: of the gag. And then if he takes it seriously,

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Speaker 2: I mean, fucking champagne.

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Speaker 1: Can I suggest and this is something that I see

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Speaker 1: Will do to well to unsuccess, you say where are

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Speaker 1: you staying? And then you go for recommendations for him

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Speaker 1: restaurants to eat, And then what you hope they do is,

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Speaker 1: why don't you show me?

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Speaker 3: You do it to every you do it to everyone.

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Speaker 5: I'm definitely gonna do that.

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Speaker 3: That's the way in. And you're like, there's a place

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Speaker 3: I always go to that you'd love it, and then

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Speaker 3: fingers and then you.

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Speaker 4: Just stake out at that place for the next forty

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Speaker 4: eight hours all that.

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Speaker 3: Yeah, that's a great idea. That's even better.

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Speaker 7: We all know.

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Speaker 3: Totally do that.

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Speaker 8: I totally do that in the Richmond car McDonald's car

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Speaker 8: park with a sleeping bag.

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Speaker 5: Black suv rolls up always that louister job window down.

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Speaker 4: Too much. She's too much. You guys, we'll see you

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Speaker 4: on Monday.

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Speaker 3: Is this the Will and Woody podcast?

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Speaker 4: Well, I want to talk a little bit about Lisa Kudrow.

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Speaker 3: Actually chat up too.

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Speaker 4: I don't think anyone called her that couge googe googe.

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Speaker 4: I don't know she she bobs up every now and then,

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Speaker 4: doesn't she. You see her in a in a movie.

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Speaker 4: He's always she's she's always pretty good. Stop stop trying

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Speaker 4: that it's not gonna fair enough.

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Speaker 2: Do you think she's probably I think she's the most

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Speaker 2: polarizing of Friends. Characters couldn't wore her, like Phoebe rocked

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Speaker 2: your world, or you don't get it and you don't

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Speaker 2: understand it, things like smelly cat.

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Speaker 3: Smelly cat, smelly cat.

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Speaker 4: What, I don't know if they washed on me. I'm

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Speaker 4: going to be honest.

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Speaker 2: Oh yeah, mid low brow for you, I dare say, yeah,

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Speaker 2: she's talking about a smelly cat.

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Speaker 4: For Christ's sake. Anyway. I mean I'm a huge Friends fan,

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Speaker 4: and I think her timing was really good.

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Speaker 2: Actually okay, I mean yeah, it was constantly offbeat, very

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Speaker 2: awkward sort of stuff.

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Speaker 4: I don't think I really empathized with that.

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Speaker 2: But look, let's not let's not do can Will find

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Speaker 2: a shred of himself in Phoebe Buffet. She's got a kid,

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Speaker 2: her son, twenty four year old son, Julian, twenty four

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Speaker 2: years old.

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Speaker 4: Now she's getting on the coach.

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Speaker 3: There you go, it's gone on. So coach Junior is

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Speaker 3: twenty four.

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Speaker 4: Yeah, so he's twenty four.

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Speaker 2: And she was actually talking on Late Night with Seth

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Speaker 2: Meyers about how he was five years old when they

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Speaker 2: stopped filming Friends, so he wasn't alive at all during

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Speaker 2: the fanfare. And when I say fanfair, like it was

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Speaker 2: easily the biggest show in the world, and you know,

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Speaker 2: if you go to Thailand or anywhere in Southeast Asia,

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Speaker 2: it still is the biggest show, and all the.

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Speaker 4: Bars over there as well.

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Speaker 2: So it really was like this phenomenon that he missed

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Speaker 2: out on, and he never really understood why she was famous,

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Speaker 2: and in fact never really found her funny as well.

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Speaker 4: Have a listen.

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Speaker 9: No, No, he did start watching when his friends at

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Speaker 9: school were watching, and he goes, it's actually really funny.

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Speaker 3: Because you'd be shocked, You actually would be surprised.

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Speaker 1: Yeah, because your parents are sort of no offense because

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Speaker 1: you are one, naw, but like you sort of think

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Speaker 1: your parents are sort of losing Yeah, sort of thing

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Speaker 1: like if you're just a dad, you're just mum, you

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Speaker 1: couldn't possibly be a funny actress on a really popular sitcom.

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Speaker 3: Yeah, so I can totally relate to JR.

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Speaker 2: I've got a question for you, actually, obviously, do you

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Speaker 2: think because yeah, Max is now eight weeks old and

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Speaker 2: you've got.

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Speaker 4: A little girl on the way, are they gonna think

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Speaker 4: we're hacks.

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Speaker 3: Oh I don't.

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Speaker 1: I actually had a nightmare about that because I was

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Speaker 1: thinking about my daughter listening to us.

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Speaker 3: Yeah on the radar. I'm sure you've thought about this

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Speaker 3: as well.

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Speaker 1: And in my head positively, I'm like, she's just so

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Speaker 1: proud and just like this is hilarious and telling her

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Speaker 1: friends about it.

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Speaker 3: And there's another side of me it's like, cringe.

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Speaker 1: Dad, oh, because thinking about like you think about twenty

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Speaker 1: two year old Analyse, because our junior producer, he thinks

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Speaker 1: we're like you do, Anlees, you do like you cringe

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Speaker 1: at some of the terms we use and things we don't.

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Speaker 3: Understand and all that.

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Speaker 1: Like that's going to be our daughters. But like times five,

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Speaker 1: they're gonna be so because they're.

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Speaker 3: Gonna be very cool.

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Speaker 2: Yeah.

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Speaker 4: Yeah, it's sad, isn't it tragic? Will but I think

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Speaker 4: he's shocking.

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Speaker 2: But hopefully going back and listen to tapes, yes we're

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Speaker 2: not that old, may not podcast, but like when they're

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Speaker 2: twenty five, I hope they do, but they go back

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Speaker 2: and they'll be like, wow, fingers crassed.

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Speaker 4: They go back through the podcast.

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Speaker 3: Yeah yeah, hopefully you reckon Yeah, hopefully.

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Speaker 4: Yeah, because that's what Julian Kudro is doing anyway.

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Speaker 2: Look, I do want to talk a little bit about

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Speaker 2: the fact I really enjoy this phenomenon where when you

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Speaker 2: are a kid, you don't know what your parents do.

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Speaker 2: So Julian Kudro, for most of his childhood up until

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Speaker 2: he went to high school, was like, I just don't

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Speaker 2: know anything about Lamon.

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Speaker 4: I don't know where she did. And then he was

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Speaker 4: showing what she did.

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Speaker 2: But I really want to solicit right now thirty one

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Speaker 2: and six five, if you're a kid in the car

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Speaker 2: and you're listening to us, can you give us a

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Speaker 2: call if you don't know what your parents do for work? Okay,

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Speaker 2: do you when your mom and dad getting home and you're.

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Speaker 3: Like how you feel in your day? Yes, I've been

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Speaker 3: working my painting.

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Speaker 2: But I've got mates who, you know, I don't even

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Speaker 2: understand their jobs, let alone if I can you give

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Speaker 2: me an example.

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Speaker 4: You know mates that go like, I work for a

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Speaker 4: hedge fund.

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Speaker 3: Oh yeah, I don't get that. Yeah, I get made

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Speaker 3: to to say finance because they know it's.

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Speaker 4: Impossible to explain. They just going to stare at you blankly.

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Speaker 3: The old radio.

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Speaker 4: In particular, we dodge all professional chat they don't even

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Speaker 4: dry it on us woods.

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Speaker 2: We're talking about Lisa Kudrow of Friends Fame. She was

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Speaker 2: on seth Myers. There's a few sets in Hollywood. Did

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Speaker 2: I dodge all them? Well, yeah, he's live tonight somewhere,

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Speaker 2: And she was on there talking about the fact that

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Speaker 2: her son was five years old when Friends stopped filming,

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Speaker 2: so she had no idea about the fact that she

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Speaker 2: was his big star, and then obviously only later on

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Speaker 2: kind of appreciated after his friends told him that they

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Speaker 2: were watching it that she was actually pretty funny and cool.

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Speaker 9: No, no, he did start watching when his friends at

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Speaker 9: school are watching, and he goes, it's actually really funny.

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Speaker 2: Which for you and I has held up a mirror

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Speaker 2: to us in all sorts of ways that we didn't

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Speaker 2: expect the stuff on Friday afternoon.

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Speaker 4: You don't want these sorts of existential questions. But will

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Speaker 4: our daughters think we're hacks? We've got the resounding yes,

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Speaker 4: we've got ten years.

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Speaker 2: Exactly got ten years open up to a year four

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Speaker 2: up until the point where some little tip rat walks

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Speaker 2: up to them and it's like your dad, ohd And

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Speaker 2: if I could find that kid early, like minority report style,

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Speaker 2: find him and gag him, smart throw him into a ravine.

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Speaker 3: Smart will in ten years we might have that tech.

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Speaker 2: Yeah, what the ability to three kids are going to

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Speaker 2: bully our children so we can find them and kill them.

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Speaker 4: Maybe, I'm I'm up for it. Possible.

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Speaker 2: Let's get the funding. James has called on thirty one

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Speaker 2: and six five though we are talking if it is

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Speaker 2: hard to explain what your parents do for work, James,

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Speaker 2: what does your dad do?

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Speaker 5: So?

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Speaker 7: Apparently does international business?

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Speaker 3: Sorry a they his words?

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Speaker 7: Oh yeah, So he just goes overseas I guess for

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Speaker 7: a long period of time and then comes back eventually

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Speaker 7: and then he's just there.

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Speaker 10: Wow.

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Speaker 2: I don't even want to break this to you, James.

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Speaker 2: But he's either a smuggler or a spy.

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Speaker 11: Yeah.

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Speaker 7: When I'm with him overseas, he just does countless phone

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Speaker 7: calls and I'm not really sure what he's about.

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Speaker 4: Does he ever?

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Speaker 7: Does he ever?

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Speaker 3: Does he ever talk in a different language?

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Speaker 4: James?

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Speaker 7: Yeah, he's a spy.

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Speaker 4: He could be out him. He's a spy. James, Like,

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Speaker 4: what's what's.

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Speaker 7: He could be? I'm not really does he do any.

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Speaker 4: Cool things to give an indication that he's a spine like.

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Speaker 7: He just walks around like he owns pretty close.

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00:13:42,000 --> 00:13:42,760
Speaker 4: It's pretty spine.

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Speaker 3: What is he fit? Is he a pretty? Is your

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Speaker 3: dad hot? Is what I'm trying to say, James, you

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Speaker 3: a good looking guy? I must say he is, yeah,

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Speaker 3: and that's hard for you to admit. So he's obviously

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Speaker 3: an absolute source.

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Speaker 4: Could spy James.

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Speaker 3: Wow, that's awesome, James.

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Speaker 4: What does he drink? James? What's his drink of choice?

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Speaker 7: What did you say?

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Speaker 4: What's his drink of choice? Does he drink?

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Speaker 7: I think warm hot water with lemon, warm.

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00:14:14,400 --> 00:14:18,800
Speaker 3: With lemon, lemon, warm broth. I'll have a warm lemon shacken.

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Speaker 4: Cameron. Cameron, Cameron, what does your mom do for work?

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Speaker 10: She's a claims accessor.

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Speaker 4: Oh gee whiz, I don't even know that.

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00:14:31,120 --> 00:14:35,160
Speaker 3: What do you think that means? Cameron? Honestly don't know, yeah,

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Speaker 3: claims assessor claimed.

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Speaker 4: If you had to guess, though, Cameron, like, what do

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00:14:39,080 --> 00:14:41,560
Speaker 4: you think she like? Actually? Does you know? Like in

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00:14:41,680 --> 00:14:44,600
Speaker 4: terms of task to task? Is she on the computer?

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Speaker 4: Is she making phone calls? Let's break it down.

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Speaker 2: On the computer, right, good start, good start, strong start,

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00:14:53,440 --> 00:14:56,120
Speaker 2: and and but if you could summarize it in one sentence,

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Speaker 2: what would.

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Speaker 4: You say.

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Speaker 12: She's tied to all day?

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Speaker 4: Yeah, good evidence.

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Speaker 2: You have no idea what she does thanks to the

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Speaker 2: Cameron claims assessor.

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Speaker 3: That's insurance, right, yes, Oh sorry, I thought we were

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Speaker 3: all fingering out.

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Speaker 4: I can help out.

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Speaker 3: Insurance. We were both working together.

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Speaker 4: You really just dropped to Cameron's level. There, you became

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Speaker 4: a twelve year old. It wasn't far for your woods.

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00:15:29,600 --> 00:15:31,200
Speaker 4: You didn't have to imagine yourself there.

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Speaker 3: Let's go to tally tally. What what do you think

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Speaker 3: your mom does? Tell?

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Speaker 12: Well, she works in my dad's office and pays all

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Speaker 12: the bills for our horse.

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Speaker 4: Just say that again. She she works in your dad's

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Speaker 4: office and pays the bill for what.

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Speaker 12: So we've got a farm and people pay money to

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Speaker 12: leave their horse on our farm, so she pays all the.

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Speaker 10: Bills for that.

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Speaker 3: I think I think she facilitates breeding of horses.

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Speaker 12: Well, we do have a force, but only one. It's

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00:16:09,360 --> 00:16:11,160
Speaker 12: more just like riders and stuff.

349
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Speaker 4: Mate, it sounds like you're all over it. You run

350
00:16:13,520 --> 00:16:15,280
Speaker 4: the buddy, can run the boody accounts for your mom.

351
00:16:15,440 --> 00:16:17,920
Speaker 4: You've knowled it. What part of that's a mystery to you?

352
00:16:20,200 --> 00:16:21,720
Speaker 4: What part of that is a mystery to you. Have

353
00:16:21,800 --> 00:16:23,120
Speaker 4: you just called up to show off that you know

354
00:16:23,160 --> 00:16:23,680
Speaker 4: all about it?

355
00:16:25,680 --> 00:16:26,040
Speaker 12: I don't know.

356
00:16:27,040 --> 00:16:27,440
Speaker 13: I do know.

357
00:16:28,160 --> 00:16:35,880
Speaker 3: Yeah, shouldn't be great flex bloody got us.

358
00:16:37,520 --> 00:16:39,640
Speaker 4: I don't know. They've just been falling for a little while.

359
00:16:39,680 --> 00:16:45,240
Speaker 2: About twelve months, junior producer Analyse is in the studio.

360
00:16:47,600 --> 00:16:50,240
Speaker 2: Oh my god, yeah.

361
00:16:50,080 --> 00:16:50,920
Speaker 4: That's your theme song.

362
00:16:51,040 --> 00:16:55,800
Speaker 2: Mate, Hey guys requested now, let's let's talk about how

363
00:16:55,960 --> 00:16:57,040
Speaker 2: the stars of a line for you?

364
00:16:57,160 --> 00:17:00,600
Speaker 4: Mate, you used to run a one direction page.

365
00:17:00,840 --> 00:17:03,040
Speaker 5: Yeah, yeah, I used to run this. I used to

366
00:17:03,080 --> 00:17:07,680
Speaker 5: run this Instagram page called five Crazy Monkeys and it

367
00:17:07,880 --> 00:17:11,160
Speaker 5: was about one direction. So I would post like pictures

368
00:17:11,400 --> 00:17:14,040
Speaker 5: and like you know, little fan edits of like all

369
00:17:14,119 --> 00:17:15,639
Speaker 5: the band members and.

370
00:17:15,680 --> 00:17:17,639
Speaker 3: How many how many? How many members did you have

371
00:17:17,760 --> 00:17:18,600
Speaker 3: as part of this fan?

372
00:17:19,560 --> 00:17:21,040
Speaker 5: I think I got to about eight hundred.

373
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Speaker 3: But I was growing.

374
00:17:22,200 --> 00:17:24,919
Speaker 4: I was growing, so.

375
00:17:26,400 --> 00:17:28,320
Speaker 3: Saying you were growing. But then when they broke up,

376
00:17:28,880 --> 00:17:30,080
Speaker 3: it came to an abrupt holes.

377
00:17:30,200 --> 00:17:32,000
Speaker 5: I had a moment. I think I just matured a

378
00:17:32,040 --> 00:17:38,560
Speaker 5: little bit. Yeah, studies took over. They never left my heart.

379
00:17:38,680 --> 00:17:41,360
Speaker 3: Let me tell you you're still obsessed with them. Yeah,

380
00:17:41,400 --> 00:17:42,159
Speaker 3: I love them like.

381
00:17:44,040 --> 00:17:45,200
Speaker 4: You done for one direction?

382
00:17:46,920 --> 00:17:49,440
Speaker 5: Okay, so I've done a few like pretty crazy things,

383
00:17:49,480 --> 00:17:53,159
Speaker 5: but one of them was they used to do these

384
00:17:53,280 --> 00:17:56,000
Speaker 5: video diaries so that like just as a part of

385
00:17:56,040 --> 00:17:58,800
Speaker 5: the band, they post them to YouTube. So I decided

386
00:17:58,840 --> 00:18:02,320
Speaker 5: that I would make money spons every day for three

387
00:18:02,400 --> 00:18:04,320
Speaker 5: weeks and I was going to send it to them.

388
00:18:04,359 --> 00:18:07,240
Speaker 5: So I made like this whole video that went for

389
00:18:07,320 --> 00:18:09,240
Speaker 5: forty six minutes. Still have it to this day.

390
00:18:09,680 --> 00:18:11,760
Speaker 3: Forty six minutes. Yeah, of me just.

391
00:18:11,840 --> 00:18:13,400
Speaker 5: Talking to them as if they were going to reply

392
00:18:13,520 --> 00:18:16,639
Speaker 5: one day. So I'd ask questions randomly and be like, oh, like,

393
00:18:16,800 --> 00:18:19,040
Speaker 5: you know, do you keep your room clean? And oh

394
00:18:19,160 --> 00:18:22,040
Speaker 5: Lewis like la la la. Like I sang Lewis happy

395
00:18:22,080 --> 00:18:26,240
Speaker 5: Birthday on his birthday in the videos to no response.

396
00:18:25,960 --> 00:18:28,280
Speaker 4: To no response, just saying it to myself in a room.

397
00:18:29,200 --> 00:18:32,240
Speaker 3: We need to get that footage immediately. But speaking of Lewis,

398
00:18:33,040 --> 00:18:35,119
Speaker 3: I thought it was Louis. By the way, it probably

399
00:18:35,200 --> 00:18:36,880
Speaker 3: is Louis, but I just get so confused.

400
00:18:36,920 --> 00:18:39,200
Speaker 4: I'm just flustered and like, OK, all right.

401
00:18:39,119 --> 00:18:43,000
Speaker 1: Well Louis or Lewis, you have an opportunity tomorrow and

402
00:18:43,119 --> 00:18:44,840
Speaker 1: this is happening, by the way, analys to be one

403
00:18:44,920 --> 00:18:46,720
Speaker 1: on one with Louis.

404
00:18:46,760 --> 00:18:51,320
Speaker 3: Tomlinson from one direction. Yeah, and it's your twenty second.

405
00:18:52,560 --> 00:18:55,040
Speaker 4: Actually she actually she was like the wicked Witch of

406
00:18:55,080 --> 00:18:57,480
Speaker 4: the West. She actually melted on the spot when she

407
00:18:57,600 --> 00:18:58,040
Speaker 4: found out.

408
00:18:58,080 --> 00:19:00,119
Speaker 3: And it's a twenty second birthday tomorrow.

409
00:19:00,280 --> 00:19:04,200
Speaker 4: Yes, second birthday, Oh my god, on your birthday interviewing?

410
00:19:04,920 --> 00:19:07,240
Speaker 1: Can I get an idea an Aalise, So you're obviously

411
00:19:07,280 --> 00:19:08,640
Speaker 1: going to be one on one with him, what sort

412
00:19:08,680 --> 00:19:10,720
Speaker 1: of question or questions are you going to go for?

413
00:19:12,080 --> 00:19:14,040
Speaker 5: I think I'm going to have to Obviously, I don't

414
00:19:14,040 --> 00:19:16,639
Speaker 5: want to like do any bad things in terms of

415
00:19:16,800 --> 00:19:18,720
Speaker 5: like going to no go zones or anything.

416
00:19:18,640 --> 00:19:26,359
Speaker 3: Of course, I hope seems but I think I might

417
00:19:26,480 --> 00:19:27,120
Speaker 3: just ask.

418
00:19:27,000 --> 00:19:29,520
Speaker 5: Him, like I might go through all my vlogs I did,

419
00:19:29,640 --> 00:19:31,560
Speaker 5: and then like ask him the questions that I had

420
00:19:31,640 --> 00:19:33,760
Speaker 5: back then, like fourteen year old and at least wanted

421
00:19:33,800 --> 00:19:34,000
Speaker 5: to know.

422
00:19:34,240 --> 00:19:35,919
Speaker 3: You don't have forty six minutes though.

423
00:19:37,600 --> 00:19:40,680
Speaker 4: You've probably gone five the projector.

424
00:19:40,800 --> 00:19:42,560
Speaker 5: I'll get his email address and send him the.

425
00:19:42,600 --> 00:19:44,879
Speaker 4: Video I sent it beforehand. He's been a homework for

426
00:19:44,920 --> 00:19:47,280
Speaker 4: your interview watch me.

427
00:19:49,720 --> 00:19:52,359
Speaker 5: And obviously, like I said earlier, I sang him happy

428
00:19:52,400 --> 00:19:55,160
Speaker 5: birthday when he in the videos.

429
00:19:55,000 --> 00:19:57,040
Speaker 4: So would he sing you well birthday?

430
00:19:57,160 --> 00:19:58,960
Speaker 5: You know what the funny thing is, I sang it

431
00:19:59,080 --> 00:20:00,520
Speaker 5: on his twenty second birthday.

432
00:20:02,119 --> 00:20:07,359
Speaker 3: I know, I know, full circle, right. I thought I

433
00:20:07,400 --> 00:20:07,919
Speaker 3: could get hit.

434
00:20:08,000 --> 00:20:10,560
Speaker 5: I'd be like, hey, Louis, it's only fair, but saying

435
00:20:10,600 --> 00:20:12,720
Speaker 5: you happy birthday, it's only fair you sing it to me.

436
00:20:13,960 --> 00:20:21,199
Speaker 4: Will I've got more questions?

437
00:20:21,400 --> 00:20:24,639
Speaker 2: Yes, how are you going to because this is always

438
00:20:24,680 --> 00:20:26,840
Speaker 2: the biggest part about these things, and we do know. I'

439
00:20:26,840 --> 00:20:29,320
Speaker 2: obviously been in a situation previously where we've met people

440
00:20:29,359 --> 00:20:31,679
Speaker 2: that we've adored before, and I'm going to say, categorically,

441
00:20:31,720 --> 00:20:32,320
Speaker 2: it goes awfully.

442
00:20:32,920 --> 00:20:36,320
Speaker 4: How I'm sorry, you're going to be prepared for that.

443
00:20:36,720 --> 00:20:37,959
Speaker 4: How are you going to greet him?

444
00:20:38,480 --> 00:20:38,560
Speaker 13: Now?

445
00:20:38,760 --> 00:20:41,560
Speaker 2: Before you tell me? We're gonna do a little bit

446
00:20:41,560 --> 00:20:44,240
Speaker 2: of a role play. So would maybe you duck out

447
00:20:44,240 --> 00:20:45,760
Speaker 2: of the room and come back in through the door

448
00:20:45,840 --> 00:20:48,800
Speaker 2: as Louis and then analys. I just want you to

449
00:20:48,920 --> 00:20:51,080
Speaker 2: sort of greet him as best you.

450
00:20:51,119 --> 00:20:54,920
Speaker 3: Can, get up and like go in what i'd actually do? Yeah, okay,

451
00:20:55,280 --> 00:20:56,119
Speaker 3: you have to do what you do.

452
00:20:57,200 --> 00:21:02,040
Speaker 4: Okay, Okay, I'm gonna put some Okay, great, Okay.

453
00:21:02,600 --> 00:21:04,680
Speaker 5: He's running around to find some sunnies. I'm not gonna

454
00:21:04,680 --> 00:21:07,000
Speaker 5: lie my hands are like full shaking.

455
00:21:07,160 --> 00:21:07,680
Speaker 4: I can see that.

456
00:21:08,040 --> 00:21:09,960
Speaker 5: I like cried in the song before.

457
00:21:12,760 --> 00:21:17,360
Speaker 3: Hi my name Louise, Louis.

458
00:21:23,320 --> 00:21:29,080
Speaker 4: God socials to see what happened there? She went, you

459
00:21:29,280 --> 00:21:32,960
Speaker 4: gotta go. She went with the kids when we went

460
00:21:33,080 --> 00:21:34,000
Speaker 4: for the hand shake.

461
00:21:34,119 --> 00:21:34,399
Speaker 11: Can't go.

462
00:21:36,600 --> 00:21:39,080
Speaker 4: That's amazing. We're gonna go to a song on the

463
00:21:39,160 --> 00:21:42,080
Speaker 4: other side. Love to hear from you guys. Thirteen one

464
00:21:42,119 --> 00:21:46,240
Speaker 4: O six five. What should Annalise have to ask Louis?

465
00:21:46,520 --> 00:21:46,960
Speaker 3: That's great?

466
00:21:47,160 --> 00:21:49,200
Speaker 2: What do you and I as her boss, we get

467
00:21:49,280 --> 00:21:52,000
Speaker 2: one question in the interview, Yes, and we want your

468
00:21:52,119 --> 00:21:56,560
Speaker 2: help Australia. What should Analyse have to ask Louis tomorrow

469
00:21:56,720 --> 00:21:58,760
Speaker 2: in the interview? You've got to go to that will

470
00:21:58,800 --> 00:21:59,960
Speaker 2: and we need to check out that interact.

471
00:22:00,280 --> 00:22:00,639
Speaker 4: Amazing.

472
00:22:01,000 --> 00:22:06,240
Speaker 3: Good to have junior producer and a les Thanks for

473
00:22:06,320 --> 00:22:06,720
Speaker 3: having me.

474
00:22:09,320 --> 00:22:10,480
Speaker 4: Always, good to have you in here.

475
00:22:10,600 --> 00:22:12,399
Speaker 2: Now you've got the busy interview of your life, the

476
00:22:12,640 --> 00:22:14,359
Speaker 2: moment of your life. You used to run a one

477
00:22:14,400 --> 00:22:17,479
Speaker 2: direction fan page. Yeah, we got invited to do an

478
00:22:17,480 --> 00:22:20,879
Speaker 2: interview with Louis Thompson and we've obviously sent you in.

479
00:22:21,040 --> 00:22:22,480
Speaker 4: You only found that out yesterday.

480
00:22:22,960 --> 00:22:25,159
Speaker 2: Yeah, how how how long have you spent preparing for

481
00:22:25,240 --> 00:22:27,399
Speaker 2: the interview since you found that out yesterday.

482
00:22:27,320 --> 00:22:29,520
Speaker 5: For a few hours, Yeah, I've been thinking about it.

483
00:22:29,680 --> 00:22:31,480
Speaker 5: Like I went to bed and I was thinking about it,

484
00:22:31,520 --> 00:22:32,879
Speaker 5: and I woke up and I was thinking about it,

485
00:22:32,960 --> 00:22:34,440
Speaker 5: and I was like, God, I got to make sure

486
00:22:34,440 --> 00:22:36,040
Speaker 5: I leave a good impression.

487
00:22:35,680 --> 00:22:36,480
Speaker 4: Because I saw hang on.

488
00:22:36,560 --> 00:22:38,440
Speaker 1: Sorry, with all of that preparation when we did a

489
00:22:38,520 --> 00:22:42,440
Speaker 1: rehearsal just before the song, surely you'd planned how you

490
00:22:42,560 --> 00:22:45,280
Speaker 1: wanted to physically interact with Louis and what happened.

491
00:22:45,280 --> 00:22:46,440
Speaker 3: You've got to go to our stories.

492
00:22:46,480 --> 00:22:48,280
Speaker 1: I imagine Kate to go and say I was playing

493
00:22:48,359 --> 00:22:50,760
Speaker 1: Louis and I went for a handshake, you went for

494
00:22:50,840 --> 00:22:52,560
Speaker 1: a hug, and the best thing ever, I sort of

495
00:22:52,760 --> 00:22:54,399
Speaker 1: I converted to hug because you were so hard for

496
00:22:54,520 --> 00:22:55,600
Speaker 1: hug and then we almost kissed.

497
00:22:57,119 --> 00:22:58,360
Speaker 4: It was amazing playing that part.

498
00:22:58,440 --> 00:23:01,080
Speaker 5: Yeah, I was plenting all the questions and I was like, oh, yeah,

499
00:23:01,200 --> 00:23:02,879
Speaker 5: the last thing I need to do is plan the

500
00:23:02,920 --> 00:23:04,440
Speaker 5: start because I want to make it memorable and I

501
00:23:04,520 --> 00:23:06,520
Speaker 5: want to put the most obviously want.

502
00:23:06,359 --> 00:23:07,560
Speaker 4: To put a lot of time into the questions.

503
00:23:07,600 --> 00:23:09,240
Speaker 5: But yeah, yeah, yeah, you know, you gonta leave a

504
00:23:09,280 --> 00:23:11,360
Speaker 5: good impression, and obviously it's my twenty second. So I'm

505
00:23:11,359 --> 00:23:12,480
Speaker 5: going to be like full glass.

506
00:23:12,480 --> 00:23:16,880
Speaker 4: It's your birthday, so you picked the outfit you pick?

507
00:23:17,840 --> 00:23:20,920
Speaker 3: You bought an outfit for this interview. I bought it

508
00:23:20,960 --> 00:23:24,719
Speaker 3: for my birthday. But it kind of works out perfectly nice.

509
00:23:24,960 --> 00:23:33,359
Speaker 4: I'm can I ask what the outfit is? What are

510
00:23:33,400 --> 00:23:33,800
Speaker 4: you going for?

511
00:23:34,040 --> 00:23:36,600
Speaker 5: So I've got a little pink strapless number and some

512
00:23:36,800 --> 00:23:38,440
Speaker 5: cute white brother pants.

513
00:23:39,440 --> 00:23:42,440
Speaker 3: And some cute accessories. What do you mean cute accessories?

514
00:23:43,400 --> 00:23:43,840
Speaker 5: Necklace?

515
00:23:46,560 --> 00:23:46,800
Speaker 1: Earr?

516
00:23:47,400 --> 00:23:49,439
Speaker 3: Are you going to get him to sign anything or anything?

517
00:23:49,920 --> 00:23:53,040
Speaker 5: Well, I think it's over zoom, so yeah, right, okay,

518
00:23:53,640 --> 00:23:55,280
Speaker 5: but I might get him to He's coming to Melbourne,

519
00:23:55,320 --> 00:23:57,320
Speaker 5: so maybe I can be at the end. Hey see

520
00:23:57,359 --> 00:23:59,280
Speaker 5: him Monday. We'll get a drink for my b day.

521
00:24:02,040 --> 00:24:05,320
Speaker 4: Oh my god, you are the gift that keeps giving?

522
00:24:05,880 --> 00:24:06,960
Speaker 4: Would you just keep giving?

523
00:24:07,119 --> 00:24:08,680
Speaker 3: Would be open? I mean again, I want you to

524
00:24:08,800 --> 00:24:10,600
Speaker 3: enjoy this experience. But are you open to will?

525
00:24:10,640 --> 00:24:13,159
Speaker 1: And I throwing some questions And by the way, thirteen one,

526
00:24:13,280 --> 00:24:15,159
Speaker 1: six five is a numbers. If there's a question you

527
00:24:15,359 --> 00:24:18,720
Speaker 1: want Annalise to ask, Louis Tomlinson give us a call.

528
00:24:18,880 --> 00:24:19,840
Speaker 3: But are you open to.

529
00:24:20,040 --> 00:24:21,080
Speaker 4: Well, I'll want to give you one.

530
00:24:21,119 --> 00:24:23,199
Speaker 2: I think I want you to do the whole thing.

531
00:24:23,240 --> 00:24:24,560
Speaker 2: I want it to be really special for you. But

532
00:24:24,600 --> 00:24:27,159
Speaker 2: I think we should be allowed one thing, all right,

533
00:24:28,280 --> 00:24:29,239
Speaker 2: that you have to put in there.

534
00:24:29,960 --> 00:24:31,040
Speaker 3: I'll throw off you around.

535
00:24:31,240 --> 00:24:34,679
Speaker 1: So mine's actually it's a game idea which you might

536
00:24:34,760 --> 00:24:40,440
Speaker 1: actually love. The game is called Louis or Pooey, and

537
00:24:40,560 --> 00:24:44,320
Speaker 1: effectively it's guttural moments of his songs. So whenever he's

538
00:24:44,359 --> 00:24:51,199
Speaker 1: going and then it's either Louis or someone on the toilet, and.

539
00:24:51,240 --> 00:24:54,919
Speaker 3: Then he's got a guess is it Louie or Pooey.

540
00:24:57,200 --> 00:25:05,480
Speaker 2: Yeah, it's one idea analyse. I thought that, Look, I

541
00:25:05,560 --> 00:25:08,359
Speaker 2: know it's you. It's your birthday. So I was wondering,

542
00:25:08,400 --> 00:25:10,560
Speaker 2: I reckon what you should say to him, is it's

543
00:25:10,600 --> 00:25:13,880
Speaker 2: your birthday? And because it's your birthday, your favorite song

544
00:25:13,960 --> 00:25:16,280
Speaker 2: in the whole world is a Whole New World, the

545
00:25:16,359 --> 00:25:19,880
Speaker 2: song from Aladdin, And you want to do the song

546
00:25:20,240 --> 00:25:21,159
Speaker 2: a cappella with him?

547
00:25:21,200 --> 00:25:24,280
Speaker 4: You want to sing? Have you heard my singing voice

548
00:25:24,600 --> 00:25:25,119
Speaker 4: a little bit?

549
00:25:25,160 --> 00:25:27,280
Speaker 3: And that's why I've chosen Can we get a little

550
00:25:27,320 --> 00:25:30,920
Speaker 3: rendition of you? What's the song will a Whole New World?

551
00:25:31,280 --> 00:25:31,440
Speaker 11: Yeah?

552
00:25:31,520 --> 00:25:35,720
Speaker 3: Can we can we hear what you're okay, Oh no,

553
00:25:41,640 --> 00:25:44,240
Speaker 3: that could be. I don't mind that. I think that's

554
00:25:44,240 --> 00:25:51,000
Speaker 3: a I think Louis or Pooey will shelf so tomorrow

555
00:25:51,080 --> 00:25:52,760
Speaker 3: in the interview, are you okay to say?

556
00:25:52,800 --> 00:25:54,440
Speaker 1: And by the way, we're going to play this on Monday,

557
00:25:54,520 --> 00:25:56,040
Speaker 1: so no one's going to miss that is what is

558
00:25:56,080 --> 00:25:56,639
Speaker 1: your favorite song?

559
00:25:57,440 --> 00:25:58,159
Speaker 4: It is your birthday?

560
00:25:58,160 --> 00:26:00,040
Speaker 2: And I just chose that because probably one of my

561
00:26:00,080 --> 00:26:01,280
Speaker 2: favorite songs, which is embarrassing.

562
00:26:01,359 --> 00:26:03,399
Speaker 4: But what what what's one of your favorit songs? I

563
00:26:03,440 --> 00:26:03,680
Speaker 4: don't know.

564
00:26:03,880 --> 00:26:06,119
Speaker 5: I should I go with a whole New World? Or

565
00:26:06,119 --> 00:26:07,560
Speaker 5: should I go with like one of his songs? So

566
00:26:07,600 --> 00:26:09,879
Speaker 5: then he feels a little bit like I'll go with

567
00:26:09,960 --> 00:26:10,480
Speaker 5: the whole New World.

568
00:26:10,480 --> 00:26:12,520
Speaker 4: That's it's a nice jewet as well, all right.

569
00:26:12,560 --> 00:26:12,960
Speaker 5: I like that.

570
00:26:13,520 --> 00:26:15,160
Speaker 3: Do you guys want to do it together now? Because

571
00:26:15,200 --> 00:26:16,000
Speaker 3: you know, I don't know the song.

572
00:26:16,520 --> 00:26:18,920
Speaker 1: You can be Louis, you sure have been nice little

573
00:26:18,920 --> 00:26:20,439
Speaker 1: rehearsal for Analys and they'd be nice to.

574
00:26:20,440 --> 00:26:21,880
Speaker 3: Do and then it will happen tomorrow.

575
00:26:22,040 --> 00:26:23,560
Speaker 4: But I know it from the start. I'm not sure

576
00:26:23,560 --> 00:26:26,480
Speaker 4: if Anil knows that the whole new chorus.

577
00:26:26,400 --> 00:26:28,280
Speaker 3: To take out of the chorus place. I don't have to.

578
00:26:29,960 --> 00:26:37,360
Speaker 8: I'm serious, I cannot your eyes take you wonder by

579
00:26:37,640 --> 00:26:44,200
Speaker 8: what under over, sideways and under on a magic carpet

580
00:26:44,560 --> 00:26:51,440
Speaker 8: ride a whole news, not bad, a dazzling place.

581
00:26:55,600 --> 00:26:57,399
Speaker 4: Else you want to cut it?

582
00:26:57,640 --> 00:27:02,320
Speaker 3: So that's good, all right, perfect, all right, I'll whip

583
00:27:02,400 --> 00:27:06,480
Speaker 3: it in at the end. I'm speaking like a truth bro.

584
00:27:11,960 --> 00:27:12,359
Speaker 13: This weekend.

585
00:27:12,440 --> 00:27:14,520
Speaker 2: You guys can hear it on Will and Woody on Monday.

586
00:27:14,520 --> 00:27:18,840
Speaker 2: Analyst thanks so much, coming gives his opportunity and happy

587
00:27:18,880 --> 00:27:19,560
Speaker 2: birthday legends.

588
00:27:19,600 --> 00:27:24,080
Speaker 3: Coming up next the more Will and Woody, The Will

589
00:27:24,160 --> 00:27:26,480
Speaker 3: and Woody Podcast. Well, this is a wild story.

590
00:27:27,040 --> 00:27:30,639
Speaker 1: A TikToker has shared her horrific dating story.

591
00:27:31,359 --> 00:27:32,919
Speaker 3: She was talking to this guy off Hinge.

592
00:27:33,720 --> 00:27:36,840
Speaker 1: They were texting each other, effectively organizing a meetup because

593
00:27:36,840 --> 00:27:37,879
Speaker 1: they've matched on Hinge.

594
00:27:39,359 --> 00:27:42,000
Speaker 4: When you match on Hinge, I've never hinged.

595
00:27:42,520 --> 00:27:46,399
Speaker 3: I met mim on Hinge. Absolutely on Hinge. We met

596
00:27:46,440 --> 00:27:46,800
Speaker 3: on Hinge.

597
00:27:46,880 --> 00:27:49,200
Speaker 1: Yeah, and always a huge moment for me when you're matched.

598
00:27:49,359 --> 00:27:51,360
Speaker 1: I think for women not so much because they get

599
00:27:51,520 --> 00:27:55,040
Speaker 1: so many matches. But I think for guys that's that's

600
00:27:55,080 --> 00:27:56,600
Speaker 1: fist pump areas, no doubt about it.

601
00:27:56,640 --> 00:27:59,800
Speaker 2: Will So anyway, what's the difference on Hinge, like, how

602
00:27:59,840 --> 00:28:01,320
Speaker 2: we that different from saying tinder?

603
00:28:01,840 --> 00:28:04,280
Speaker 3: So Hinge focuses more on conversation.

604
00:28:04,640 --> 00:28:07,360
Speaker 1: So like on your dating profile, you answer a whole

605
00:28:07,359 --> 00:28:10,040
Speaker 1: bunch of questions and you sort of get to know

606
00:28:10,240 --> 00:28:12,880
Speaker 1: their sense of humor, and then when you match with them,

607
00:28:13,359 --> 00:28:16,400
Speaker 1: you comment on what they've said about something rather than

608
00:28:16,480 --> 00:28:17,440
Speaker 1: just I think your heart match.

609
00:28:17,600 --> 00:28:18,119
Speaker 4: So it's not a fight.

610
00:28:18,200 --> 00:28:19,719
Speaker 1: You don't get a photo, No, you get photos as well.

611
00:28:19,920 --> 00:28:22,440
Speaker 1: You get photos as well. Well, it's really just a

612
00:28:22,440 --> 00:28:25,359
Speaker 1: small novelty at the end of the day. So anyway,

613
00:28:25,440 --> 00:28:27,160
Speaker 1: she has a match with a guy on Hinge. They're

614
00:28:27,160 --> 00:28:29,920
Speaker 1: texting about where to meet, and then he sends a

615
00:28:29,960 --> 00:28:33,919
Speaker 1: message to her which is clearly not for her, saying

616
00:28:34,600 --> 00:28:37,440
Speaker 1: my date tomorrow is with a picture of her profile

617
00:28:37,520 --> 00:28:41,800
Speaker 1: picture he sent he goes my date tomorrow, laugh face,

618
00:28:42,360 --> 00:28:42,960
Speaker 1: don't laugh.

619
00:28:43,240 --> 00:28:48,680
Speaker 3: She's nice and got jokes, but definitely blah horrific.

620
00:28:49,000 --> 00:28:52,400
Speaker 1: Her response to this was lucky, I dodged a bullet.

621
00:28:53,600 --> 00:28:57,840
Speaker 1: Her words exactly, will lucky I dodged a bullet.

622
00:28:58,920 --> 00:29:01,200
Speaker 4: I have a feeling. I know where you're going with this.

623
00:29:01,400 --> 00:29:03,240
Speaker 4: I mean it is five forty on a Friday.

624
00:29:03,800 --> 00:29:06,160
Speaker 1: My dream will Yeah, I would be to hear a

625
00:29:06,240 --> 00:29:09,320
Speaker 1: story on this show, and you can course anytime thirteen

626
00:29:09,360 --> 00:29:11,280
Speaker 1: one oh, six five, but now would be most ideal.

627
00:29:12,560 --> 00:29:17,000
Speaker 3: Have you ever literally dodged a bullet?

628
00:29:24,920 --> 00:29:25,120
Speaker 13: Yes?

629
00:29:27,800 --> 00:29:36,120
Speaker 6: Yes, yes, I appreciate now that's a very visual bit,

630
00:29:38,520 --> 00:29:41,920
Speaker 6: that dodging bullets.

631
00:29:42,040 --> 00:29:44,800
Speaker 1: Yes, I magine you don't have to dodge them like

632
00:29:45,120 --> 00:29:46,120
Speaker 1: Keanu Reeves.

633
00:29:46,160 --> 00:29:48,800
Speaker 3: I just mean effectively. Have you been shot at but

634
00:29:48,920 --> 00:29:49,840
Speaker 3: you didn't get shot?

635
00:29:50,480 --> 00:29:53,680
Speaker 4: Yeah? Yeah, did you dodge a literally, well you might

636
00:29:53,720 --> 00:29:56,760
Speaker 4: have ducked geez. I'd love a duck. Take a duck,

637
00:29:57,560 --> 00:30:00,840
Speaker 4: a jump, or a swerve, a dive, dodge, whatever it is.

638
00:30:01,040 --> 00:30:03,440
Speaker 1: Yes, I take them all, I take them more wealth

639
00:30:03,760 --> 00:30:07,720
Speaker 1: one six five. Have you literally dodged a bullet?

640
00:30:08,240 --> 00:30:12,480
Speaker 2: Alrighty, this is real quarter to six areas on a Friday. Guys,

641
00:30:13,320 --> 00:30:13,880
Speaker 2: you're feeling it.

642
00:30:14,360 --> 00:30:19,320
Speaker 4: That's why I'm so hot. On six five? Have you

643
00:30:19,400 --> 00:30:27,400
Speaker 4: literally dodged a bullet? Woulds? We don't need to hear

644
00:30:27,440 --> 00:30:30,080
Speaker 4: all of that again. It is good, it's very good.

645
00:30:30,080 --> 00:30:31,720
Speaker 4: We're just talking about how good the matrix is.

646
00:30:32,480 --> 00:30:35,000
Speaker 3: Well the first one, yeah, standing, don't go and see

647
00:30:35,000 --> 00:30:36,960
Speaker 3: the newest one. I've said it anyway.

648
00:30:36,960 --> 00:30:38,880
Speaker 1: We've had a lot of stories this week about people

649
00:30:39,560 --> 00:30:42,360
Speaker 1: using the term I dodged a bullet in dating because

650
00:30:42,360 --> 00:30:44,000
Speaker 1: they found out early that they cheated or they were

651
00:30:44,000 --> 00:30:44,520
Speaker 1: a bad person.

652
00:30:44,680 --> 00:30:45,640
Speaker 3: But we want to know right now.

653
00:30:45,680 --> 00:30:48,280
Speaker 1: Well, as you said, have you literally dodged a bullet

654
00:30:48,360 --> 00:30:49,800
Speaker 1: just to bring us home on a Friday?

655
00:30:49,880 --> 00:30:50,000
Speaker 9: Man?

656
00:30:50,040 --> 00:30:50,600
Speaker 4: How good would it be?

657
00:30:51,200 --> 00:30:55,800
Speaker 3: We've got Cheryl here, Cheryl, you literally dodged a bullet.

658
00:30:57,120 --> 00:31:01,840
Speaker 10: Hi, It wasn't me. It was my twin brother and

659
00:31:02,120 --> 00:31:05,200
Speaker 10: we were about nine years old and were staying on

660
00:31:05,280 --> 00:31:08,800
Speaker 10: a farm property in our holiday cabin and he got

661
00:31:08,840 --> 00:31:13,240
Speaker 10: hold of my father's rifle and pointed it up towards

662
00:31:13,320 --> 00:31:18,000
Speaker 10: the ceiling and puts the trigger and it literally scum

663
00:31:18,120 --> 00:31:19,680
Speaker 10: past his nose and up through the roof.

664
00:31:22,680 --> 00:31:23,480
Speaker 3: Graised nose.

665
00:31:23,680 --> 00:31:28,200
Speaker 10: She Oh, yes, yep, literally grazed past your nose and

666
00:31:28,320 --> 00:31:28,920
Speaker 10: up through the roof.

667
00:31:29,040 --> 00:31:31,640
Speaker 4: Oh wow, that's amazing. Thanks for the call.

668
00:31:31,840 --> 00:31:32,480
Speaker 3: Hot start.

669
00:31:32,880 --> 00:31:34,280
Speaker 4: Not technically a dodge.

670
00:31:34,800 --> 00:31:40,640
Speaker 3: True, piano's from the matrix. Technically not a dodge. It

671
00:31:40,720 --> 00:31:41,440
Speaker 3: hit him in the thigh.

672
00:31:41,640 --> 00:31:42,400
Speaker 4: Not fast enough.

673
00:31:43,000 --> 00:31:47,520
Speaker 3: Let's go to Jamie. Jamie here, Jamie, you literally dodged a.

674
00:31:47,560 --> 00:31:50,720
Speaker 11: Bullet, mate, Yes, my doodged two bullets. Actually?

675
00:31:51,080 --> 00:31:51,320
Speaker 3: Sure?

676
00:31:52,480 --> 00:31:56,920
Speaker 11: This was in South Africa, different culture altogether. A group

677
00:31:56,960 --> 00:31:58,880
Speaker 11: of friends were around. I asked if I could see

678
00:31:58,920 --> 00:32:02,200
Speaker 11: the handgun, and my friend's daughter brought me the handgun

679
00:32:02,240 --> 00:32:05,200
Speaker 11: and I said, have you taken out the magazine and

680
00:32:05,320 --> 00:32:08,240
Speaker 11: cleared the chamber so there's no bullets? And she said yes,

681
00:32:08,320 --> 00:32:08,640
Speaker 11: of course.

682
00:32:08,880 --> 00:32:11,400
Speaker 10: She was thirteen.

683
00:32:11,960 --> 00:32:15,040
Speaker 11: Okay, see okay, and she pointed the gun at me.

684
00:32:15,120 --> 00:32:17,120
Speaker 11: I was about a meter away, and she pulled the

685
00:32:17,200 --> 00:32:20,600
Speaker 11: trigger twice, and she said, you see, and she handed

686
00:32:20,640 --> 00:32:23,200
Speaker 11: me the gun. I cleared the chamber and the bullet

687
00:32:23,240 --> 00:32:26,800
Speaker 11: popped out. Oh, but fired twice.

688
00:32:28,800 --> 00:32:30,600
Speaker 3: Where was she? Where was she pointing at you on

689
00:32:30,680 --> 00:32:32,160
Speaker 3: your body? Like we're talking head.

690
00:32:35,280 --> 00:32:36,000
Speaker 11: A meter away?

691
00:32:36,360 --> 00:32:38,640
Speaker 5: What was she like? Was it like?

692
00:32:39,280 --> 00:32:39,480
Speaker 13: Yeah?

693
00:32:39,680 --> 00:32:43,160
Speaker 4: So many questions? Were her parents? They're like it was

694
00:32:43,200 --> 00:32:44,080
Speaker 4: anybody they were in.

695
00:32:44,280 --> 00:32:46,520
Speaker 11: Then the room. There is different culture over there.

696
00:32:47,120 --> 00:32:49,720
Speaker 2: I know that, but like, like I get to different

697
00:32:49,720 --> 00:32:52,040
Speaker 2: cod you know, you know in Australia, you's say can

698
00:32:52,080 --> 00:32:52,960
Speaker 2: you fetch me a cup of tea?

699
00:32:52,960 --> 00:32:54,200
Speaker 4: And so you say can you fetch me.

700
00:32:54,200 --> 00:32:54,680
Speaker 11: Your hand up?

701
00:32:55,720 --> 00:32:59,640
Speaker 2: I get that, but like even then, because she's surrounded

702
00:32:59,680 --> 00:33:02,080
Speaker 2: by and surely when you say proved that there's no

703
00:33:02,200 --> 00:33:05,560
Speaker 2: bullets in there, you don't point it at a person's

704
00:33:05,760 --> 00:33:06,960
Speaker 2: chest to that.

705
00:33:07,200 --> 00:33:09,520
Speaker 3: Yeah, surely go for football legs.

706
00:33:09,960 --> 00:33:12,040
Speaker 1: If you're going to make that point, let's go to

707
00:33:12,200 --> 00:33:14,960
Speaker 1: Julie here now, Julie, bring us home.

708
00:33:15,280 --> 00:33:17,240
Speaker 3: You dodged a literal bullet.

709
00:33:18,760 --> 00:33:21,000
Speaker 13: Yeah, well it was actually it turned out to be

710
00:33:21,040 --> 00:33:24,480
Speaker 13: an air rifle. Back in the seventies. My son was

711
00:33:24,520 --> 00:33:26,840
Speaker 13: about three or four months old and I was just

712
00:33:27,680 --> 00:33:30,360
Speaker 13: carrying him into the lounge room for him to have

713
00:33:30,440 --> 00:33:34,320
Speaker 13: a bath because I had a little bath on the table. Yeah,

714
00:33:34,360 --> 00:33:36,760
Speaker 13: and we lived in a second story flat in Ashfield

715
00:33:36,880 --> 00:33:39,360
Speaker 13: next to a great, big park. And as I walked

716
00:33:39,400 --> 00:33:41,360
Speaker 13: into the lounge room, I heard a smash and a

717
00:33:41,400 --> 00:33:43,880
Speaker 13: bullet had come through the window into the lamb room.

718
00:33:45,480 --> 00:33:48,040
Speaker 13: So we had no telephone. I couldn't win the police

719
00:33:48,080 --> 00:33:49,600
Speaker 13: or anything. I had to wait for my husband to

720
00:33:49,680 --> 00:33:52,680
Speaker 13: come home, and he got the detectives over and they

721
00:33:52,800 --> 00:33:55,440
Speaker 13: decided it was an air raffle. Someone had gone off

722
00:33:55,520 --> 00:33:59,400
Speaker 13: and shut it off in the past. Yeah, so my

723
00:33:59,520 --> 00:34:01,600
Speaker 13: son could being killed if it hit him.

724
00:34:03,080 --> 00:34:04,479
Speaker 4: How close to you was it, Julie.

725
00:34:05,960 --> 00:34:08,960
Speaker 13: Well, I never really found the thing actually, but you know,

726
00:34:09,040 --> 00:34:11,000
Speaker 13: it definitely came through the window. There was a hole

727
00:34:11,640 --> 00:34:14,200
Speaker 13: in the glass pane in our windows. So yeah, I

728
00:34:14,239 --> 00:34:16,920
Speaker 13: don't know, you know, we didn't find it, but it

729
00:34:17,080 --> 00:34:18,400
Speaker 13: was definitely came through the windows.

730
00:34:18,440 --> 00:34:22,279
Speaker 1: So Jules, when you tell the story again, say the

731
00:34:22,320 --> 00:34:25,399
Speaker 1: bullet went through the bath, that would have been hot.

732
00:34:25,600 --> 00:34:33,839
Speaker 2: Okay, Well, Woody Podcasts Kate Middleton Meghan Markle has made

733
00:34:33,920 --> 00:34:37,440
Speaker 2: Kate Middleton cry. It's a how how So look there's

734
00:34:37,480 --> 00:34:40,320
Speaker 2: a book that claims that she said cruel things about

735
00:34:40,360 --> 00:34:43,400
Speaker 2: Princess Charlotte, and this is right, it's daughter she.

736
00:34:43,440 --> 00:34:45,400
Speaker 3: Said, Yes, Megan said nasty things about Kate.

737
00:34:45,480 --> 00:34:48,240
Speaker 4: Well that's what the book claimed. That's what the book claims.

738
00:34:48,840 --> 00:34:51,840
Speaker 2: But look, I think the whole story is a bit

739
00:34:51,880 --> 00:34:54,319
Speaker 2: of a beat up because the comments were made right

740
00:34:54,440 --> 00:34:58,560
Speaker 2: after Kate just had a baby, so tired, And yes,

741
00:34:59,040 --> 00:35:00,560
Speaker 2: I was going to say, crying the drop of a

742
00:35:00,680 --> 00:35:05,200
Speaker 2: hat after you've just had a kid must happen all

743
00:35:05,239 --> 00:35:05,520
Speaker 2: the time.

744
00:35:05,680 --> 00:35:07,520
Speaker 3: Are you are you there? Do you cry a lot?

745
00:35:07,680 --> 00:35:08,360
Speaker 3: I've ad the.

746
00:35:09,920 --> 00:35:11,320
Speaker 4: Been there? Yeah, I don't know.

747
00:35:12,000 --> 00:35:15,239
Speaker 2: Yeah, it's pretty tough. I mean, yeah, I've sleept way

748
00:35:15,320 --> 00:35:17,360
Speaker 2: more than my partner Sam. It's just it's just the

749
00:35:17,480 --> 00:35:20,080
Speaker 2: sleep deprivation where you don't have any control of your

750
00:35:20,120 --> 00:35:23,280
Speaker 2: emotions any anymore, and all of a sudden and overcooked lazagne.

751
00:35:23,719 --> 00:35:27,280
Speaker 4: You know, Yeah, she feels like an earthquake. It's intense.

752
00:35:27,440 --> 00:35:31,200
Speaker 4: It is really really intense. But I yeah, you're right.

753
00:35:31,360 --> 00:35:33,080
Speaker 4: I haven't done it. I haven't used it as an

754
00:35:33,120 --> 00:35:36,320
Speaker 4: excuse around the office. But I think I could. I

755
00:35:36,480 --> 00:35:37,479
Speaker 4: genuinely think I could.

756
00:35:37,880 --> 00:35:41,640
Speaker 2: What do you mean, Well, ordinarily if I because everyone

757
00:35:41,680 --> 00:35:43,160
Speaker 2: in the office knows I've just had a baby, right,

758
00:35:43,600 --> 00:35:46,879
Speaker 2: So ordinarily, if I cried over a really small thing,

759
00:35:47,440 --> 00:35:48,120
Speaker 2: I'd be mocked.

760
00:35:48,520 --> 00:35:49,320
Speaker 4: I'd be ridiculed.

761
00:35:49,320 --> 00:35:50,920
Speaker 3: I'll be the first one to mock here, you would.

762
00:35:50,960 --> 00:35:51,759
Speaker 4: Everyone would be right.

763
00:35:52,280 --> 00:35:56,440
Speaker 2: But now, right now I reckon, I'll actually get like

764
00:35:56,520 --> 00:35:58,120
Speaker 2: a bit of comfort and understanding.

765
00:35:57,840 --> 00:35:59,320
Speaker 3: Because people get it. They're like, oh, you must be

766
00:35:59,360 --> 00:36:01,400
Speaker 3: really struggling. You know, that's sipping much because of the baby.

767
00:36:01,560 --> 00:36:03,120
Speaker 4: That's it. Yeah, And I want to try it.

768
00:36:03,280 --> 00:36:07,080
Speaker 2: So if one of the producers could subtly, and I'm

769
00:36:07,080 --> 00:36:11,719
Speaker 2: looking at you, analyst, that's not normally your forte, you.

770
00:36:11,719 --> 00:36:15,200
Speaker 3: Should I think you should choose again, choose again.

771
00:36:15,120 --> 00:36:18,040
Speaker 2: Subtly grab me a tech maybe, James, he's a nice guy,

772
00:36:18,120 --> 00:36:22,560
Speaker 2: Go me, James, Because because I reckon I'm sure he'll

773
00:36:22,560 --> 00:36:24,480
Speaker 2: be a little while to good and here, I reckon

774
00:36:25,320 --> 00:36:30,160
Speaker 2: if I I'll don't cry over like my mic being

775
00:36:30,239 --> 00:36:33,960
Speaker 2: squeaky or something, Okay, my mic being squeaky, a bit

776
00:36:34,000 --> 00:36:34,400
Speaker 2: of a squeak.

777
00:36:34,400 --> 00:36:36,480
Speaker 1: So if he comes in here, I reckon, I need

778
00:36:36,520 --> 00:36:37,759
Speaker 1: to get out of here, though, because I think if

779
00:36:37,800 --> 00:36:40,120
Speaker 1: I'm here and even button push a time, if we're

780
00:36:40,120 --> 00:36:41,600
Speaker 1: both here, he'll just revert to us.

781
00:36:41,760 --> 00:36:42,800
Speaker 4: Right, He'll look at you.

782
00:36:43,400 --> 00:36:45,480
Speaker 1: But if you want to, like I love James, but

783
00:36:45,480 --> 00:36:48,680
Speaker 1: if you want to make him feel little bit uncomfortable, no, yeah,

784
00:36:48,680 --> 00:36:50,279
Speaker 1: that's horrible. But I just think it's gonna be funny

785
00:36:50,320 --> 00:36:51,879
Speaker 1: if he's by himself in here with a crying man

786
00:36:52,040 --> 00:36:54,319
Speaker 1: over talking to worried about a squeaky mic.

787
00:36:54,480 --> 00:37:02,600
Speaker 2: Right, yeah, I get out, Okay, jeez, al right, okay, jeez, okay.

788
00:37:02,640 --> 00:37:03,040
Speaker 3: Here we go.

789
00:37:08,080 --> 00:37:10,560
Speaker 4: Ye, hey, will what's going on?

790
00:37:10,719 --> 00:37:10,879
Speaker 2: Man?

791
00:37:11,480 --> 00:37:15,560
Speaker 4: Oh mate, I'm just this. I'm just yeah, sorry, I'm

792
00:37:15,680 --> 00:37:16,360
Speaker 4: very retired.

793
00:37:18,640 --> 00:37:19,239
Speaker 1: I just this.

794
00:37:19,600 --> 00:37:24,160
Speaker 4: I moved my mind around a lot and did the noise. Yeah,

795
00:37:24,200 --> 00:37:25,600
Speaker 4: it's the noise, and we were just I was in

796
00:37:25,640 --> 00:37:27,160
Speaker 4: the middle during a bed and I was yeah, I

797
00:37:27,239 --> 00:37:29,160
Speaker 4: was just really happy with the bid and then the

798
00:37:29,280 --> 00:37:35,640
Speaker 4: noise came and ourned it. Yeah, sorry, all right man,

799
00:37:35,760 --> 00:37:37,040
Speaker 4: Yeah yeah, you.

800
00:37:37,040 --> 00:37:38,240
Speaker 3: Want to take like five minutes?

801
00:37:38,280 --> 00:37:41,640
Speaker 4: I saw that. Do you want to get to like

802
00:37:41,680 --> 00:37:42,239
Speaker 4: a water or.

803
00:37:44,239 --> 00:37:44,839
Speaker 3: Someone to drink?

804
00:37:47,000 --> 00:37:50,799
Speaker 4: Nokay? Yeah, yeah yeah, it's just well, dude, I'll sort

805
00:37:50,880 --> 00:37:51,239
Speaker 4: this out.

806
00:37:51,680 --> 00:37:53,879
Speaker 2: You take ten minutes or something, mate, and I'll get

807
00:37:54,000 --> 00:37:55,640
Speaker 2: some W forty and get all that noise.

808
00:37:55,640 --> 00:37:58,640
Speaker 4: Okay, you just takes some time. Yeah yeah, yeah, sure,

809
00:38:00,480 --> 00:38:02,480
Speaker 4: James is sitch. I'm not that upset.

810
00:38:13,280 --> 00:38:15,399
Speaker 5: Sorry for something.

811
00:38:16,840 --> 00:38:17,120
Speaker 10: I know.

812
00:38:17,280 --> 00:38:18,200
Speaker 2: I'm so sorry.

813
00:38:19,480 --> 00:38:20,960
Speaker 3: I was like, oh, he's just had the babies.

814
00:38:21,000 --> 00:38:21,960
Speaker 4: We really like it.

815
00:38:22,200 --> 00:38:25,759
Speaker 2: Yeah yeah, yeah, I know, I can tell.

816
00:38:26,000 --> 00:38:33,200
Speaker 4: I know you'll love me. Get you some water. He's

817
00:38:33,440 --> 00:38:37,600
Speaker 4: actually could do with some w D forty actually listening

818
00:38:37,640 --> 00:38:45,759
Speaker 4: to this actually could do with it. Now it's will

819
00:38:45,880 --> 00:38:47,680
Speaker 4: and going for a final line.

820
00:38:50,680 --> 00:38:51,239
Speaker 10: Alone.

821
00:38:52,239 --> 00:38:55,000
Speaker 1: People are people are trying to convince us that they're

822
00:38:55,040 --> 00:38:57,319
Speaker 1: in the car with someone else. Will we decide if

823
00:38:57,360 --> 00:38:59,480
Speaker 1: someone else actually there or are they just putting on

824
00:38:59,680 --> 00:39:00,800
Speaker 1: a damn voice.

825
00:39:01,080 --> 00:39:03,960
Speaker 3: We've got Diane here, Diane, who are you in the

826
00:39:04,040 --> 00:39:04,360
Speaker 3: car with?

827
00:39:06,000 --> 00:39:10,840
Speaker 10: I'm in the car with my granddaughter, Aurora daughter.

828
00:39:10,920 --> 00:39:12,640
Speaker 4: So how old is Aurora?

829
00:39:14,080 --> 00:39:15,960
Speaker 11: Aurora is eight years old?

830
00:39:16,880 --> 00:39:19,440
Speaker 3: Okay, can you throw Aurora on the phone please?

831
00:39:20,960 --> 00:39:21,800
Speaker 11: Yep, certainly.

832
00:39:25,680 --> 00:39:29,560
Speaker 3: Hello, Hi Aurora, where are you off to with your grandma?

833
00:39:33,040 --> 00:39:35,720
Speaker 10: We're going home?

834
00:39:37,200 --> 00:39:39,440
Speaker 3: Okay? And then what's on for Friday night?

835
00:39:39,560 --> 00:39:39,960
Speaker 4: Aurora?

836
00:39:43,520 --> 00:39:49,719
Speaker 12: It is my cousins. It's my cousin's birthday.

837
00:39:50,160 --> 00:39:55,360
Speaker 3: Oh, that sounds like that's that's got to be a

838
00:39:55,400 --> 00:39:55,879
Speaker 3: real person.

839
00:39:55,960 --> 00:39:58,080
Speaker 1: If that's Diane putting on a voice that is the

840
00:39:58,239 --> 00:40:01,600
Speaker 1: best performing had Oh, there's a.

841
00:40:01,640 --> 00:40:03,719
Speaker 4: Part of me that thinks it's Diane. I don't know

842
00:40:03,880 --> 00:40:06,520
Speaker 4: what it is. No, don't you think she could She

843
00:40:06,640 --> 00:40:09,640
Speaker 4: could don't look Diane. For all we know, it could

844
00:40:09,680 --> 00:40:12,400
Speaker 4: be Diane Keaton. That's called one of the best actors

845
00:40:12,440 --> 00:40:13,000
Speaker 4: of a generation.

846
00:40:13,160 --> 00:40:14,560
Speaker 3: You've got to be as good as Keaton to do that.

847
00:40:14,640 --> 00:40:17,799
Speaker 3: But yeah, but I don't think it's Keaton. I don't

848
00:40:18,080 --> 00:40:21,280
Speaker 3: think it's She's not in town Diane. I think Aurora

849
00:40:21,440 --> 00:40:22,960
Speaker 3: is real. I think she's actually sitting there.

850
00:40:23,920 --> 00:40:24,680
Speaker 2: She really.

851
00:40:27,560 --> 00:40:28,799
Speaker 4: You too well done?

852
00:40:29,000 --> 00:40:31,320
Speaker 2: Funny when we say well done in those situations, because

853
00:40:31,960 --> 00:40:36,960
Speaker 2: all the town is just chuck. There's no performance necessary.

854
00:40:38,120 --> 00:40:39,719
Speaker 3: Let's go to Kurt. Now, Kurt, who are you in

855
00:40:39,800 --> 00:40:44,000
Speaker 3: the car with? Kurt? I'm in the car with Michael, Michael,

856
00:40:44,080 --> 00:40:44,760
Speaker 3: who's Michael.

857
00:40:45,920 --> 00:40:48,200
Speaker 11: Where We've just knocked off tape and we're on the

858
00:40:48,239 --> 00:40:48,640
Speaker 11: way home.

859
00:40:49,080 --> 00:40:51,560
Speaker 3: Oh beautiful, alright, I chuck Michael on the phone.

860
00:40:52,719 --> 00:40:53,440
Speaker 11: He's on the phone.

861
00:40:54,400 --> 00:40:58,000
Speaker 4: Hello, out of nowhere there, Michael.

862
00:40:58,280 --> 00:40:59,120
Speaker 3: Oh, you're on speaker.

863
00:40:59,200 --> 00:41:00,640
Speaker 4: You got your own the bluetooth.

864
00:41:02,360 --> 00:41:05,400
Speaker 11: Yes, Kurt, just put me on the phone because we

865
00:41:05,400 --> 00:41:06,640
Speaker 11: won't speaker at the moment.

866
00:41:07,120 --> 00:41:09,719
Speaker 3: Hang on, sorry, mate, Kurt talk again. So, Kurt, what

867
00:41:10,200 --> 00:41:10,719
Speaker 3: course do you do it?

868
00:41:10,800 --> 00:41:14,480
Speaker 4: Tafe Electrical? How is that Michael or Kurt?

869
00:41:15,400 --> 00:41:17,480
Speaker 10: This is this is this is Kurt, This is Kurt.

870
00:41:17,560 --> 00:41:17,920
Speaker 4: All right.

871
00:41:18,239 --> 00:41:22,160
Speaker 2: So if we maybe if we sing the song Chitty

872
00:41:22,200 --> 00:41:23,840
Speaker 2: Chitty Bang Bang, So, Kurt, if I can get you

873
00:41:23,920 --> 00:41:25,839
Speaker 2: to go chitty Chitty Bang bang, cheay Chitty bang bang,

874
00:41:25,840 --> 00:41:27,600
Speaker 2: and then Michael, can you say I love you?

875
00:41:28,000 --> 00:41:28,560
Speaker 4: Can we do that?

876
00:41:29,400 --> 00:41:32,200
Speaker 11: Ready? Brown chee, Chitty bang bang, Chitty Chitty Bang bang,

877
00:41:32,480 --> 00:41:32,960
Speaker 11: I love you.

878
00:41:33,880 --> 00:41:35,000
Speaker 3: It feels like it came.

879
00:41:34,920 --> 00:41:37,560
Speaker 1: From a different location. I know they sound similar, I

880
00:41:37,680 --> 00:41:38,640
Speaker 1: know they sound the same.

881
00:41:39,080 --> 00:41:40,040
Speaker 4: Great song.

882
00:41:40,440 --> 00:41:44,200
Speaker 3: Yeah, everywhere we go and everywhere we focus. Yeah, yeah,

883
00:41:44,320 --> 00:41:45,880
Speaker 3: it sounds like it moved.

884
00:41:46,520 --> 00:41:46,719
Speaker 10: Yeah.

885
00:41:46,760 --> 00:41:49,560
Speaker 2: So you're working with the acoustics of the sound of

886
00:41:49,640 --> 00:41:52,000
Speaker 2: the post of the voice. Absolutely, it's some in depth

887
00:41:52,040 --> 00:41:52,560
Speaker 2: funnel line.

888
00:41:52,600 --> 00:41:53,960
Speaker 4: Would thank you seriously?

889
00:41:54,000 --> 00:41:54,400
Speaker 10: You take this?

890
00:41:55,800 --> 00:41:56,319
Speaker 3: Reckon he's real?

891
00:41:56,400 --> 00:41:56,960
Speaker 4: You reckon, he's real?

892
00:41:57,000 --> 00:41:59,799
Speaker 2: Yougon, Michael's real, Yes, Kurt I reckon, Michael's real.

893
00:42:00,640 --> 00:42:01,959
Speaker 11: Michael Michael is real.

894
00:42:03,080 --> 00:42:07,759
Speaker 2: Wow, boys undone by g Bang Bang the ghost of

895
00:42:07,840 --> 00:42:08,480
Speaker 2: Dick Van Dyke.

896
00:42:08,680 --> 00:42:10,960
Speaker 4: No, he's still alive. Dick van Dyke. Actually we found

897
00:42:11,000 --> 00:42:12,480
Speaker 4: that out on the show. Didn't he die?

898
00:42:13,080 --> 00:42:13,120
Speaker 5: No?

899
00:42:13,280 --> 00:42:16,080
Speaker 2: No, he's still alive. Thenother Dick lives, so he does.

900
00:42:16,440 --> 00:42:17,960
Speaker 2: Emily's called thirty one and six five?

901
00:42:18,040 --> 00:42:18,920
Speaker 4: M Who you in the car with?

902
00:42:19,920 --> 00:42:21,800
Speaker 12: Hi, guys, I'm in the car with my sister.

903
00:42:21,960 --> 00:42:24,399
Speaker 3: Jeffs just on the phone.

904
00:42:25,320 --> 00:42:25,520
Speaker 12: Ok.

905
00:42:25,800 --> 00:42:26,279
Speaker 7: I'll go her.

906
00:42:28,239 --> 00:42:28,760
Speaker 12: Hi guys.

907
00:42:29,200 --> 00:42:30,960
Speaker 3: Oh bloody hell, it's one of these. We have the

908
00:42:31,000 --> 00:42:31,560
Speaker 3: same voice.

909
00:42:31,560 --> 00:42:33,320
Speaker 4: Are you guys? Are your twins?

910
00:42:33,440 --> 00:42:33,680
Speaker 2: Jess?

911
00:42:33,960 --> 00:42:34,600
Speaker 4: Are your twins?

912
00:42:34,920 --> 00:42:35,120
Speaker 7: Yeah?

913
00:42:35,160 --> 00:42:35,400
Speaker 10: We are?

914
00:42:35,800 --> 00:42:36,600
Speaker 4: Are you joking?

915
00:42:37,360 --> 00:42:37,680
Speaker 5: All right?

916
00:42:38,200 --> 00:42:38,239
Speaker 10: So?

917
00:42:38,480 --> 00:42:40,040
Speaker 3: And what are you doing tonight, Jess?

918
00:42:41,719 --> 00:42:43,200
Speaker 10: We're just driving home from the gym.

919
00:42:43,760 --> 00:42:45,680
Speaker 4: Okay, you got to the gym together? Wow?

920
00:42:45,960 --> 00:42:51,160
Speaker 3: Emily, Now, Emily, what what Jim gear is just wearing?

921
00:42:51,280 --> 00:42:57,200
Speaker 4: Sorry, I'm sorry, I have that one again. Yeah, I'll

922
00:42:57,200 --> 00:42:58,160
Speaker 4: go there you go again?

923
00:42:59,280 --> 00:43:03,080
Speaker 3: Sorry about fresh shot, Emily what are you? What are

924
00:43:03,080 --> 00:43:03,759
Speaker 3: you just doing?

925
00:43:03,840 --> 00:43:08,120
Speaker 2: Tonight's coming home and we'll probably go out to do

926
00:43:08,719 --> 00:43:12,640
Speaker 2: maybe hit the pub, get the pub together, just just

927
00:43:12,719 --> 00:43:13,200
Speaker 2: as that close.

928
00:43:13,239 --> 00:43:15,080
Speaker 3: They've been to the gym together on a Friday nights.

929
00:43:17,120 --> 00:43:19,360
Speaker 11: We do everything together. Basically, there you go.

930
00:43:20,360 --> 00:43:22,040
Speaker 4: Do you do you always there only one of you?

931
00:43:22,120 --> 00:43:26,560
Speaker 4: That that's the question. What do you reckon? We'll jeez,

932
00:43:26,719 --> 00:43:30,279
Speaker 4: I don't know. Something tells me I reckon? I think

933
00:43:30,320 --> 00:43:31,560
Speaker 4: I don't. I don't know if Jess is there.

934
00:43:32,360 --> 00:43:33,120
Speaker 3: Yeah, I'm not sure.

935
00:43:33,560 --> 00:43:35,200
Speaker 1: The twin thing, it's a it's a it's a little

936
00:43:35,200 --> 00:43:37,279
Speaker 1: bit too convenient. It will Yeah, I agree with that.

937
00:43:37,360 --> 00:43:37,640
Speaker 4: Emily.

938
00:43:37,719 --> 00:43:38,640
Speaker 3: It's just you in the car.

939
00:43:39,760 --> 00:43:40,400
Speaker 11: Yeah, it is.

940
00:43:42,200 --> 00:43:45,080
Speaker 4: A great game. You played a great game, but you

941
00:43:45,239 --> 00:43:46,800
Speaker 4: were too slow.