1
00:00:00,080 --> 00:00:04,040
Speaker 1: Well, it's podcast time, and I keep doing that, and

2
00:00:04,080 --> 00:00:05,440
Speaker 1: I hope you would join in.

3
00:00:05,720 --> 00:00:06,280
Speaker 2: What is it again?

4
00:00:06,320 --> 00:00:09,000
Speaker 1: We are the world, we are the way, it's Christmas time,

5
00:00:09,240 --> 00:00:10,640
Speaker 1: it's podcast.

6
00:00:10,160 --> 00:00:14,160
Speaker 2: And okay, okay, TikTok Tucker happens today. Yeah, another one

7
00:00:14,200 --> 00:00:15,640
Speaker 2: that wasn't a great success.

8
00:00:15,920 --> 00:00:17,520
Speaker 3: I chucked up in the bach.

9
00:00:17,560 --> 00:00:19,520
Speaker 2: You did, and you even threw the crockery in the bin.

10
00:00:19,640 --> 00:00:22,200
Speaker 1: I couldn't help, but it was a visceral reaction to it.

11
00:00:22,200 --> 00:00:23,160
Speaker 1: It was so bad.

12
00:00:23,239 --> 00:00:26,920
Speaker 2: We discuss your lame claim to fame the ad ddition

13
00:00:27,160 --> 00:00:29,600
Speaker 2: have you been in an ad? The more lame the better.

14
00:00:29,680 --> 00:00:32,840
Speaker 2: We even got someone to call in who'd been harassed

15
00:00:32,880 --> 00:00:35,239
Speaker 2: by John Harker for a Nappy Sam commercial.

16
00:00:35,320 --> 00:00:39,360
Speaker 1: We are tracking down the lubmobile kid, the food food

17
00:00:39,840 --> 00:00:41,360
Speaker 1: so you know, the loupmobile kid.

18
00:00:41,360 --> 00:00:42,879
Speaker 3: We'd love to find out what he's up to.

19
00:00:43,159 --> 00:00:44,760
Speaker 2: We go down to the Jones and maund of Arms

20
00:00:44,800 --> 00:00:47,640
Speaker 2: for the pub test senior school students working from home

21
00:00:47,800 --> 00:00:49,120
Speaker 2: a day a week. What do you make of that?

22
00:00:49,240 --> 00:00:51,320
Speaker 3: What about the NRL going over to America?

23
00:00:51,440 --> 00:00:54,240
Speaker 2: We talk about the promo, which is incredible.

24
00:00:53,720 --> 00:00:55,640
Speaker 3: It's absolutely amazing.

25
00:00:55,960 --> 00:01:07,480
Speaker 4: Enjoy the podcast, everybody about a miracle of recording.

26
00:01:07,680 --> 00:01:09,440
Speaker 3: We had so many requests.

27
00:01:08,920 --> 00:01:12,160
Speaker 5: For them to do it again, Mistress Amanda and miss Keller.

28
00:01:12,280 --> 00:01:13,880
Speaker 6: Amanda doesn't work alone.

29
00:01:15,680 --> 00:01:18,759
Speaker 2: Friend in making the tools of the train, I've.

30
00:01:18,640 --> 00:01:21,200
Speaker 3: Heard them describe him as a drunken idiot.

31
00:01:22,640 --> 00:01:26,600
Speaker 7: The legendary party Jonesy, Amanda the actress.

32
00:01:26,640 --> 00:01:30,760
Speaker 2: Congratulations, we're read right now. Jonesy and Amanda, you're doing

33
00:01:30,760 --> 00:01:31,440
Speaker 2: a great job.

34
00:01:31,959 --> 00:01:34,800
Speaker 8: It could be for anyone but your silky giant now

35
00:01:34,880 --> 00:01:36,600
Speaker 8: the good radio.

36
00:01:36,840 --> 00:01:42,000
Speaker 1: Sorry but it's a tangled tongue twist set and Amanda,

37
00:01:42,640 --> 00:01:46,160
Speaker 1: Shoot Timy, we're on the air to the money to you,

38
00:01:46,240 --> 00:01:48,360
Speaker 1: my little animal printed friend.

39
00:01:48,960 --> 00:01:51,120
Speaker 2: Well, you and I having your photo taken today and

40
00:01:51,120 --> 00:01:53,720
Speaker 2: they said wear something colorful or don't wear you know,

41
00:01:53,920 --> 00:01:56,240
Speaker 2: playing colors, which you've done and that's fine. You look

42
00:01:56,320 --> 00:01:59,640
Speaker 2: very nice. I thought i'd go with full leopard print

43
00:01:59,720 --> 00:02:00,680
Speaker 2: jack and pants.

44
00:02:01,600 --> 00:02:04,040
Speaker 3: Yeah, and am I a little bit understabble?

45
00:02:04,080 --> 00:02:06,360
Speaker 2: Well didn't they? What was the Let me read the

46
00:02:06,720 --> 00:02:07,520
Speaker 2: email to you?

47
00:02:07,720 --> 00:02:08,600
Speaker 3: Sure, thank you?

48
00:02:08,680 --> 00:02:11,520
Speaker 2: It said where are we?

49
00:02:11,760 --> 00:02:11,959
Speaker 3: Here?

50
00:02:11,960 --> 00:02:12,240
Speaker 9: We go?

51
00:02:12,400 --> 00:02:15,760
Speaker 2: Here we go. Let me try and find it for you. No,

52
00:02:15,880 --> 00:02:18,720
Speaker 2: it'll take a minute. Here you talk, Brendon, Why don't

53
00:02:18,760 --> 00:02:20,280
Speaker 2: you talk and tell us how you're going.

54
00:02:20,240 --> 00:02:21,799
Speaker 3: I'm going, well, you know what I watched last night?

55
00:02:21,960 --> 00:02:28,600
Speaker 2: It said styling brief color, not black and white.

56
00:02:29,240 --> 00:02:29,840
Speaker 3: Well, this is.

57
00:02:29,800 --> 00:02:31,519
Speaker 2: Navy blue, very dark blue.

58
00:02:31,560 --> 00:02:32,360
Speaker 3: It's a nice blue.

59
00:02:32,400 --> 00:02:34,560
Speaker 2: All right, you'll look nice. We have to take our mugs,

60
00:02:34,560 --> 00:02:36,119
Speaker 2: not our faces, but mugs.

61
00:02:35,919 --> 00:02:38,280
Speaker 3: Mug mugs. And what's this for?

62
00:02:38,680 --> 00:02:41,600
Speaker 2: This is for celebrating one hundred years of radio?

63
00:02:41,639 --> 00:02:42,760
Speaker 3: One hundred years of radio?

64
00:02:43,200 --> 00:02:44,840
Speaker 2: Will you and I have been on radio for one

65
00:02:44,880 --> 00:02:45,480
Speaker 2: hundred years.

66
00:02:45,560 --> 00:02:47,720
Speaker 3: We've been on radio. I've been on radio for thirty

67
00:02:47,760 --> 00:02:49,280
Speaker 3: three years. How long have you been in it for?

68
00:02:49,680 --> 00:02:53,320
Speaker 2: I've been on the wireless. How old's Liam? I was

69
00:02:53,360 --> 00:02:54,840
Speaker 2: about to say he's thirty. That's not right now.

70
00:02:57,360 --> 00:03:01,440
Speaker 3: You you were on there, you start. I remember when seven.

71
00:03:01,000 --> 00:03:03,520
Speaker 1: I was working in Brisbane when you started. And you're

72
00:03:03,560 --> 00:03:06,400
Speaker 1: going to be the pantherea for the world, you and Andrew Den?

73
00:03:06,560 --> 00:03:09,600
Speaker 2: What does that mean? The panacea for the world. We're

74
00:03:09,639 --> 00:03:11,639
Speaker 2: going to heal triple m Yeah?

75
00:03:11,639 --> 00:03:13,720
Speaker 3: And you did you? Did you? Did you? You got

76
00:03:13,720 --> 00:03:15,960
Speaker 3: it to the number one there you so good on you.

77
00:03:16,120 --> 00:03:18,240
Speaker 2: That's why I've retired from D've never done it. I've

78
00:03:18,280 --> 00:03:20,840
Speaker 2: never done it since good, good, good, Dedn't I to

79
00:03:20,840 --> 00:03:21,560
Speaker 2: hang around this long.

80
00:03:21,639 --> 00:03:24,400
Speaker 1: Speaking of old stuff, I was watching last night Fox

81
00:03:24,440 --> 00:03:26,040
Speaker 1: Teller rerunning They Can Be Hero.

82
00:03:26,400 --> 00:03:28,519
Speaker 2: That's a great show. This is one of Chrystal was

83
00:03:28,680 --> 00:03:32,400
Speaker 2: Crystally's first one. It's before Summer Heights High and it

84
00:03:32,480 --> 00:03:36,400
Speaker 2: was about a group of he played all the characters,

85
00:03:36,560 --> 00:03:38,800
Speaker 2: but a group of Australians going for Australian of the.

86
00:03:38,840 --> 00:03:41,720
Speaker 3: Years the Year, and I just it's so so good.

87
00:03:41,920 --> 00:03:43,640
Speaker 3: It's so good and it's still funny.

88
00:03:43,720 --> 00:03:45,520
Speaker 1: My wife and I, Helen, we were talking about and

89
00:03:45,520 --> 00:03:47,040
Speaker 1: I think, could you make this show now?

90
00:03:47,080 --> 00:03:51,880
Speaker 2: Probably not, because he plays people of various Asian extraction.

91
00:03:52,040 --> 00:03:55,840
Speaker 1: So he plays Ricky Wong who goes Mum and Ricky's

92
00:03:56,360 --> 00:03:59,040
Speaker 1: He plays Ricky Wong who goes on to play an

93
00:03:59,120 --> 00:04:03,320
Speaker 1: Aboriginal character in a musical for the Chinese theater.

94
00:04:03,520 --> 00:04:08,400
Speaker 2: So Ricky Wong, so lily Caucasian plays an Asian going

95
00:04:08,440 --> 00:04:12,640
Speaker 2: on to play in our Aboriginal. Yeah, the confusing times.

96
00:04:13,600 --> 00:04:14,400
Speaker 3: It's just so good.

97
00:04:14,560 --> 00:04:18,360
Speaker 1: My favorite character out of all though, is Phil Olivetti,

98
00:04:18,720 --> 00:04:22,479
Speaker 1: the former police officer that saved the kids that flew

99
00:04:22,520 --> 00:04:25,159
Speaker 1: away in the Jumping Castle and it was his fifteen

100
00:04:25,200 --> 00:04:27,960
Speaker 1: minutes of fame and he decides to retire from the

101
00:04:27,960 --> 00:04:31,000
Speaker 1: police force. But he's you know, we've met those guys before.

102
00:04:31,440 --> 00:04:32,320
Speaker 1: You know those guys.

103
00:04:32,360 --> 00:04:33,839
Speaker 2: I'll have to go back and watch it again, only

104
00:04:33,920 --> 00:04:34,960
Speaker 2: vaguely remember that.

105
00:04:35,080 --> 00:04:37,800
Speaker 3: And Jennifer Byrne doing the narration. That's right, it's just

106
00:04:38,080 --> 00:04:40,120
Speaker 3: a master stroke. What year was it that?

107
00:04:40,360 --> 00:04:43,039
Speaker 1: Well, that was the other thing. We had Chris Lily

108
00:04:43,080 --> 00:04:46,360
Speaker 1: on the show. When the show came out, remember as Jamai,

109
00:04:46,839 --> 00:04:50,560
Speaker 1: And people complained because we just set it up as

110
00:04:50,600 --> 00:04:53,440
Speaker 1: like this is jam running for Australian Young Australia.

111
00:04:53,520 --> 00:04:54,719
Speaker 2: She was slagging off her mother.

112
00:04:54,960 --> 00:04:56,279
Speaker 3: All these people can play.

113
00:04:56,400 --> 00:04:58,720
Speaker 2: They said that young lady and that she's so rude

114
00:04:58,760 --> 00:05:02,000
Speaker 2: about her mother, she won't be Australian of the Year.

115
00:05:03,720 --> 00:05:07,000
Speaker 1: It's worth having a rewatch off. It's nine past six

116
00:05:07,240 --> 00:05:09,120
Speaker 1: coming up on the show today. Well, it's all happening

117
00:05:09,160 --> 00:05:12,520
Speaker 1: for you. Instagram makes its return absolutely and we can't

118
00:05:12,560 --> 00:05:14,440
Speaker 1: do anything until we do the Magnificent seven.

119
00:05:14,480 --> 00:05:17,160
Speaker 2: This question one, Huggies are a brand of which baby product?

120
00:05:17,440 --> 00:05:18,040
Speaker 3: Gem Nation?

121
00:05:18,320 --> 00:05:21,479
Speaker 1: We have for you the Magnificence seven. There are seven questions.

122
00:05:21,480 --> 00:05:22,800
Speaker 1: Can you go all the way and answer all seven

123
00:05:22,880 --> 00:05:25,920
Speaker 1: questions correctly? If you do that, Amanda will say.

124
00:05:25,760 --> 00:05:28,280
Speaker 2: I'll say, look, Brendan, I'm glad you're watching those sort

125
00:05:28,320 --> 00:05:30,839
Speaker 2: of TV shows, but you know that television has been

126
00:05:30,920 --> 00:05:34,960
Speaker 2: made in the last twenty five minus. You'll watch old movie.

127
00:05:34,920 --> 00:05:36,920
Speaker 3: Year Around to my Mum, your Dad, and f Boy

128
00:05:37,040 --> 00:05:38,320
Speaker 3: Island and all.

129
00:05:38,240 --> 00:05:40,080
Speaker 2: The gage and join the rest of us who are

130
00:05:40,080 --> 00:05:41,080
Speaker 2: watching all of those.

131
00:05:41,160 --> 00:05:43,240
Speaker 3: I just thought that they could be heroes. Was a

132
00:05:43,279 --> 00:05:46,000
Speaker 3: great show. Tony's in Seven Hills.

133
00:05:45,760 --> 00:05:47,839
Speaker 2: Hello, Tony, good morning.

134
00:05:47,920 --> 00:05:49,040
Speaker 3: Here are we going well?

135
00:05:49,120 --> 00:05:51,440
Speaker 2: Thank you? Huggies are a brand of what baby product?

136
00:05:52,600 --> 00:05:56,799
Speaker 2: Happy they're nappies. Butter beer was a popular beverage drunk

137
00:05:56,800 --> 00:05:58,760
Speaker 2: by characters from which movie franchise?

138
00:06:00,040 --> 00:06:00,520
Speaker 10: Harry Potter.

139
00:06:01,040 --> 00:06:01,520
Speaker 3: You know it?

140
00:06:01,960 --> 00:06:08,560
Speaker 1: Let's play Sing it back? What are you gonna do

141
00:06:08,760 --> 00:06:10,680
Speaker 1: is sing the next line of this song?

142
00:06:10,720 --> 00:06:11,880
Speaker 3: Have a listen. It's twel back.

143
00:06:12,400 --> 00:06:20,839
Speaker 5: I can't feel that anything should happen, and we're writing

144
00:06:22,200 --> 00:06:23,760
Speaker 5: and nothing's gonna happen.

145
00:06:29,600 --> 00:06:34,520
Speaker 3: She's so high, Hi, Bobby, Look.

146
00:06:36,520 --> 00:06:37,880
Speaker 2: Well did the words?

147
00:06:38,320 --> 00:06:40,040
Speaker 3: I think we have to give it? Sing it back,

148
00:06:40,120 --> 00:06:42,200
Speaker 3: Tony for the purposes.

149
00:06:42,160 --> 00:06:47,480
Speaker 2: If you can just give it a tune, Hi, that's it,

150
00:06:47,680 --> 00:06:48,560
Speaker 2: That's what we wanted.

151
00:06:48,600 --> 00:06:49,559
Speaker 3: You did very well.

152
00:06:52,000 --> 00:06:52,920
Speaker 2: Is this still Tony?

153
00:06:53,000 --> 00:06:58,080
Speaker 3: Tony is that your tel. I can't tell, I can't tell.

154
00:06:59,080 --> 00:07:01,160
Speaker 2: He was the one hit wanted. His father was obviously

155
00:07:01,560 --> 00:07:02,599
Speaker 2: Randy Backman.

156
00:07:02,440 --> 00:07:04,320
Speaker 3: Randy Backman from Backman Turner.

157
00:07:04,400 --> 00:07:05,920
Speaker 2: Yeah, at less, you got rid of that starter?

158
00:07:07,600 --> 00:07:09,400
Speaker 3: Who was the first licensed character?

159
00:07:10,000 --> 00:07:15,640
Speaker 2: Hello? What do you want me to do? Enjoy my starter?

160
00:07:15,720 --> 00:07:18,280
Speaker 3: In the song he was mocking his brother? Did who

161
00:07:18,320 --> 00:07:18,920
Speaker 3: have a starter?

162
00:07:19,400 --> 00:07:21,239
Speaker 2: I don't believe that it's true.

163
00:07:21,680 --> 00:07:24,360
Speaker 1: Who was the first character to feature on a pez

164
00:07:24,400 --> 00:07:24,880
Speaker 1: To Spenser?

165
00:07:24,920 --> 00:07:27,400
Speaker 3: Tony, this is modible choice? Was it A Mickey Mouse?

166
00:07:27,560 --> 00:07:32,280
Speaker 3: B Popeye or C Fred Flintstone?

167
00:07:33,280 --> 00:07:36,960
Speaker 2: I'm going to go now it wasn't Mickey Mouse. Sorry

168
00:07:36,960 --> 00:07:37,800
Speaker 2: about that, Tony.

169
00:07:39,200 --> 00:07:41,160
Speaker 1: Thirteen ws FM is our number? Why did you call

170
00:07:41,240 --> 00:07:43,520
Speaker 1: us a play the Magnificent Seven? Who was the first

171
00:07:43,640 --> 00:07:46,280
Speaker 1: licensed character to feature on a pez To Spence?

172
00:07:46,400 --> 00:07:48,560
Speaker 2: Was it Popeye? Or was it Fred Flintstone?

173
00:07:48,600 --> 00:07:53,400
Speaker 3: I podcast Magnificent seven?

174
00:07:54,360 --> 00:07:57,920
Speaker 2: Question number four? This is going to Nelson in Campbelltown. Hi, Nelson,

175
00:08:00,360 --> 00:08:03,400
Speaker 2: Nelson Nelson? Who was the first licensed character to feature

176
00:08:03,400 --> 00:08:06,040
Speaker 2: on a Pairs dispenser? We've got Popeye and Fred Flintstone?

177
00:08:06,040 --> 00:08:06,800
Speaker 2: Which one do you think?

178
00:08:08,520 --> 00:08:08,720
Speaker 8: Yeah?

179
00:08:08,800 --> 00:08:11,360
Speaker 2: Nineteen fifty eight it was Popeye, Good old Popeye.

180
00:08:11,840 --> 00:08:14,400
Speaker 3: Taylor Swift's new boyfriend, Travis.

181
00:08:14,080 --> 00:08:18,240
Speaker 1: Kelcey as Kelsey or Kelse Kelsey Kelsey is famous for

182
00:08:18,400 --> 00:08:19,760
Speaker 1: what Nelson.

183
00:08:20,160 --> 00:08:22,200
Speaker 10: I played the NFL.

184
00:08:22,320 --> 00:08:25,120
Speaker 2: Yeah, we've seen all that stuff that. It's funny that

185
00:08:25,760 --> 00:08:28,160
Speaker 2: girls have been riling their boyfriends by saying this is

186
00:08:28,200 --> 00:08:31,360
Speaker 2: really going to make him famous now and the guys

187
00:08:31,360 --> 00:08:33,600
Speaker 2: are going, you know, he's already famous.

188
00:08:35,480 --> 00:08:37,480
Speaker 3: He's a nice guy. I'm happy for that couple.

189
00:08:37,600 --> 00:08:38,160
Speaker 2: I am too.

190
00:08:38,800 --> 00:08:39,840
Speaker 3: I'd like to see them.

191
00:08:40,000 --> 00:08:41,160
Speaker 2: I think I am too.

192
00:08:42,040 --> 00:08:45,560
Speaker 1: Which wartime prime minister once said I may be drunk, miss,

193
00:08:45,800 --> 00:08:48,319
Speaker 1: but in the morning I will be sober and you

194
00:08:48,520 --> 00:08:49,520
Speaker 1: will still be ugly.

195
00:08:52,120 --> 00:08:53,720
Speaker 2: One of the great speeches. Who was it?

196
00:08:57,360 --> 00:08:58,439
Speaker 3: Do you want to do an impersonation?

197
00:08:58,480 --> 00:09:00,000
Speaker 2: I can actually do you need to give you the background?

198
00:09:00,160 --> 00:09:03,120
Speaker 2: A wartime prime minister and someone says you're a drunk

199
00:09:03,160 --> 00:09:04,720
Speaker 2: and then he said he said.

200
00:09:04,720 --> 00:09:06,480
Speaker 3: I may be drunk, miss, I know I am going

201
00:09:06,520 --> 00:09:09,360
Speaker 3: to We will fight them on the beaches. That guy

202
00:09:09,480 --> 00:09:11,439
Speaker 3: give us those words may be drunk, miss.

203
00:09:12,000 --> 00:09:13,600
Speaker 2: It's Winston Churchill.

204
00:09:13,360 --> 00:09:15,200
Speaker 3: Clearly doesn't want to hear my impression. Good.

205
00:09:15,240 --> 00:09:18,319
Speaker 2: That makes two of us. Let's get to question seven.

206
00:09:18,679 --> 00:09:21,720
Speaker 2: It all is Nelson? Which male artists took home the

207
00:09:21,720 --> 00:09:29,840
Speaker 2: most Arias last night. I love that.

208
00:09:30,080 --> 00:09:31,360
Speaker 3: Marina's in Beacon Hill.

209
00:09:31,280 --> 00:09:35,040
Speaker 2: Him, Marina, Hi, how you going very well? Which male

210
00:09:35,120 --> 00:09:37,200
Speaker 2: artists scooped the pools at the Arias took the most

211
00:09:37,200 --> 00:09:38,080
Speaker 2: awards last night?

212
00:09:40,800 --> 00:09:42,599
Speaker 11: Guys Sebastian No.

213
00:09:43,400 --> 00:09:46,839
Speaker 3: The guy, Sebastian Rix and kill oh God?

214
00:09:47,679 --> 00:09:47,880
Speaker 12: Rick?

215
00:09:48,040 --> 00:09:48,600
Speaker 2: Hello? Rick?

216
00:09:50,120 --> 00:09:50,440
Speaker 13: Hello?

217
00:09:50,720 --> 00:09:52,520
Speaker 2: Hello Rick? Do you know which male artist took home

218
00:09:52,520 --> 00:09:53,680
Speaker 2: the most Arias last night?

219
00:09:57,840 --> 00:10:01,080
Speaker 3: Drinks This song of the year, jem I right, this

220
00:10:01,160 --> 00:10:02,240
Speaker 3: is chair.

221
00:10:04,720 --> 00:10:04,920
Speaker 7: Right?

222
00:10:05,760 --> 00:10:09,120
Speaker 3: What about? How did Genesis go? Let's get Genesis on?

223
00:10:10,840 --> 00:10:11,040
Speaker 6: No?

224
00:10:11,520 --> 00:10:17,120
Speaker 2: Not Genesis is generous? Genesis a wusu? This guy, my

225
00:10:17,280 --> 00:10:21,680
Speaker 2: son Liam loves Genesis. Wou He's amazing? He won Album

226
00:10:21,720 --> 00:10:22,079
Speaker 2: of the Year.

227
00:10:22,920 --> 00:10:23,719
Speaker 3: How did g Flip go?

228
00:10:23,960 --> 00:10:24,800
Speaker 2: She flipped said?

229
00:10:24,880 --> 00:10:27,640
Speaker 3: Well did you get on the kid? She is a

230
00:10:27,679 --> 00:10:28,280
Speaker 3: great drama.

231
00:10:28,400 --> 00:10:30,520
Speaker 2: I don't know. I didn't watch the Arias last night,

232
00:10:30,559 --> 00:10:31,040
Speaker 2: did you?

233
00:10:31,200 --> 00:10:31,240
Speaker 12: No?

234
00:10:31,320 --> 00:10:31,880
Speaker 3: I didn't watch it.

235
00:10:33,280 --> 00:10:35,280
Speaker 1: You think we'd sort of it be at our wheelhouse,

236
00:10:35,280 --> 00:10:38,199
Speaker 1: But no, the aria of people don't seem to acknowledge

237
00:10:38,240 --> 00:10:38,839
Speaker 1: us in any way.

238
00:10:38,840 --> 00:10:40,640
Speaker 2: Actually, so you don't watch it because of that? Was

239
00:10:40,679 --> 00:10:41,240
Speaker 2: it on TV?

240
00:10:41,360 --> 00:10:44,440
Speaker 1: Even it was on TV? But we don't get invited anymore,

241
00:10:44,480 --> 00:10:48,760
Speaker 1: they asked us. But I don't care. We're not concerned.

242
00:10:48,920 --> 00:10:51,120
Speaker 1: They don't think that we're part of that.

243
00:10:51,480 --> 00:10:54,160
Speaker 2: Last night I was launching friends charity that I'd like

244
00:10:54,200 --> 00:10:55,960
Speaker 2: to speak about later. So I was doing good works.

245
00:10:56,040 --> 00:10:57,840
Speaker 3: I was out on a mated boat having beers on

246
00:10:57,840 --> 00:10:58,360
Speaker 3: a week.

247
00:10:58,240 --> 00:11:00,160
Speaker 2: Do you ever complain that you worked too hard? Kick

248
00:11:00,200 --> 00:11:00,760
Speaker 2: you in the nuts?

249
00:11:01,400 --> 00:11:05,599
Speaker 1: Rick, Congratulations you've won the jam packet double past to

250
00:11:05,679 --> 00:11:08,360
Speaker 1: Human Nature. Human Nature brings the Christmas spirit to Sydney

251
00:11:08,600 --> 00:11:10,640
Speaker 1: the Zebra thirteen for a one off Christmas show on

252
00:11:10,640 --> 00:11:11,720
Speaker 1: the steps of the Opera House.

253
00:11:11,960 --> 00:11:14,679
Speaker 3: Signs to Imax Theater, Imax Sidney, Dally Harber, one.

254
00:11:14,600 --> 00:11:18,120
Speaker 1: Of the world's largest screens, plus four fantastic seat types

255
00:11:18,320 --> 00:11:21,760
Speaker 1: including the all new Imax Box and Jonesy domandic coacch Cheers,

256
00:11:21,760 --> 00:11:23,320
Speaker 1: Pheed Color and sub State of Pencils.

257
00:11:23,400 --> 00:11:24,720
Speaker 3: Ricketty, you liked wad.

258
00:11:26,559 --> 00:11:27,480
Speaker 13: Oh, thanks very much?

259
00:11:27,600 --> 00:11:28,000
Speaker 2: We done?

260
00:11:28,080 --> 00:11:32,600
Speaker 14: Rick, well done, Jonesy and Amanda Gamation podcast.

261
00:11:34,880 --> 00:11:35,600
Speaker 9: A couple of them more.

262
00:11:35,840 --> 00:11:36,840
Speaker 3: What's on the menu today?

263
00:11:36,880 --> 00:11:38,520
Speaker 6: Good Sir sigans?

264
00:11:40,320 --> 00:11:42,200
Speaker 2: Why turned to fix through the Jermnack our Big Book

265
00:11:42,240 --> 00:11:46,560
Speaker 2: of musical Facts? On this day nineteen eighty five, Furgal Sharky.

266
00:11:46,760 --> 00:11:48,559
Speaker 2: There's a name we haven't heard for a while. He

267
00:11:48,679 --> 00:11:51,679
Speaker 2: released his song a Good Heart. It's the first song

268
00:11:51,760 --> 00:11:54,959
Speaker 2: Figle released after leaving the punk band The Undertones. The

269
00:11:55,080 --> 00:11:57,559
Speaker 2: song was written by Maria McKee. Remember Marie who was

270
00:11:57,600 --> 00:11:58,600
Speaker 2: famous for this song.

271
00:12:00,160 --> 00:12:01,959
Speaker 3: Than Daisy Thunder Yes.

272
00:12:02,960 --> 00:12:04,880
Speaker 2: She was a lid singer of the band Loan Justice

273
00:12:04,920 --> 00:12:07,040
Speaker 2: at the time, and she wrote this song for Fergle.

274
00:12:07,480 --> 00:12:10,680
Speaker 2: She wrote it about her relationship with Tom Petty. Didn't

275
00:12:10,679 --> 00:12:13,120
Speaker 2: everyone have a relationship with Tom Petty? Stevie Nicks had

276
00:12:13,120 --> 00:12:16,240
Speaker 2: a relationship with Tom Petty. Missus Petty's going on? Not

277
00:12:16,520 --> 00:12:17,120
Speaker 2: another one?

278
00:12:17,280 --> 00:12:18,880
Speaker 3: That's a convention, right there, isn't it.

279
00:12:19,200 --> 00:12:21,679
Speaker 2: This song, though, went on to become Fergul's biggest single

280
00:12:21,880 --> 00:12:25,960
Speaker 2: as a solo artist to date. Twenty years later, Maria

281
00:12:26,440 --> 00:12:28,559
Speaker 2: decided to release her own version of the song. I

282
00:12:28,840 --> 00:12:31,440
Speaker 2: like it hard, cares as.

283
00:12:31,400 --> 00:12:32,160
Speaker 6: Hard to find.

284
00:12:32,280 --> 00:12:32,920
Speaker 12: I like it.

285
00:12:36,320 --> 00:12:38,200
Speaker 3: Sounds a little bit Shane McGown.

286
00:12:39,520 --> 00:12:48,760
Speaker 2: See I love all That's yeah, Okay, let's though pop

287
00:12:48,840 --> 00:12:52,160
Speaker 2: on we play. We're going to pop on the Fergle version.

288
00:12:52,880 --> 00:12:55,160
Speaker 2: Fergle Sharky didn't have it off with Tom Petty as

289
00:12:55,200 --> 00:12:58,720
Speaker 2: far as I know, but more research and may be required.

290
00:12:59,160 --> 00:13:02,959
Speaker 1: Gem yesterday, Amanda, you mentioned what do you say when

291
00:13:02,960 --> 00:13:05,480
Speaker 1: you're in a public toilet and someone knocks on the door.

292
00:13:05,920 --> 00:13:07,959
Speaker 3: It's quite easy when you're at home, that's right.

293
00:13:08,160 --> 00:13:09,920
Speaker 2: But you know, as I said, you can get to

294
00:13:10,040 --> 00:13:12,720
Speaker 2: adulthood and you still don't know the phrase to use

295
00:13:12,760 --> 00:13:16,520
Speaker 2: in a public glue to say, I'm here. You know

296
00:13:16,679 --> 00:13:18,240
Speaker 2: who's I'm who.

297
00:13:18,200 --> 00:13:19,240
Speaker 3: Is I it's busy?

298
00:13:19,880 --> 00:13:20,560
Speaker 2: What do you say?

299
00:13:20,880 --> 00:13:22,679
Speaker 1: I usually make a lot of noise when I'm in there,

300
00:13:22,720 --> 00:13:25,920
Speaker 1: you know, whistling, Hey, It's like I'm doing a show

301
00:13:26,000 --> 00:13:27,839
Speaker 1: in there, you know, just to make sure that everyone

302
00:13:27,920 --> 00:13:28,880
Speaker 1: knows that I'm in there.

303
00:13:30,679 --> 00:13:32,800
Speaker 2: Because you always probably like the acoustics.

304
00:13:33,080 --> 00:13:36,040
Speaker 1: Well, you always seem to use the SD downstairs, the

305
00:13:36,559 --> 00:13:38,920
Speaker 1: special toilet downstairs, only.

306
00:13:38,800 --> 00:13:43,000
Speaker 2: Because I'll tell you why, because as a woman, I'm

307
00:13:43,040 --> 00:13:46,600
Speaker 2: not comfortable sitting in amongst three cubicles. Guys don't care

308
00:13:46,640 --> 00:13:48,000
Speaker 2: about that stuff women do.

309
00:13:49,200 --> 00:13:50,120
Speaker 3: But that toilet is.

310
00:13:50,120 --> 00:13:53,600
Speaker 1: Such it's so frauded. Firstly, it's an exposure toilet. If

311
00:13:53,640 --> 00:13:57,880
Speaker 1: you don't lock it, the door opens and everyone conceived.

312
00:13:57,520 --> 00:13:58,080
Speaker 2: Too far away.

313
00:13:59,320 --> 00:14:02,520
Speaker 3: Lift there's everyone around you. That tour groups could be

314
00:14:02,559 --> 00:14:03,960
Speaker 3: the Prime Minister rather that.

315
00:14:04,080 --> 00:14:05,800
Speaker 2: Than sit in the middle of three qbicles.

316
00:14:06,200 --> 00:14:08,160
Speaker 3: It's like you're on this is your life that toilet.

317
00:14:08,760 --> 00:14:13,360
Speaker 3: Mike Munro jump anyway.

318
00:14:13,440 --> 00:14:15,199
Speaker 1: We put this on our socials and we've got a

319
00:14:15,240 --> 00:14:17,439
Speaker 1: lot of response of people saying what people say.

320
00:14:18,080 --> 00:14:18,720
Speaker 3: Greg has said.

321
00:14:19,000 --> 00:14:22,800
Speaker 1: Can't you smell what's going on in here? Jennifer writes,

322
00:14:22,840 --> 00:14:27,560
Speaker 1: I yell out, come in oh. Marian writes, I'll be

323
00:14:27,600 --> 00:14:31,160
Speaker 1: out in a minute. If your game, Mister Gaz says,

324
00:14:31,320 --> 00:14:34,480
Speaker 1: you say occupado in a high pitched voice like Homer

325
00:14:34,560 --> 00:14:40,320
Speaker 1: Simpson did, jazz a party whatever her name is, defecating

326
00:14:40,400 --> 00:14:40,640
Speaker 1: in here?

327
00:14:41,080 --> 00:14:42,400
Speaker 3: Sit too narrow to fit.

328
00:14:42,360 --> 00:14:44,800
Speaker 2: You here, Oh, the seat's too narrow to fit you in?

329
00:14:45,120 --> 00:14:45,680
Speaker 3: Right, Okay, yep.

330
00:14:46,160 --> 00:14:52,440
Speaker 1: Full house mate usually turns them, turns them away. Rights ray, ray, okay.

331
00:14:52,640 --> 00:14:54,480
Speaker 3: I can't say that. I can't say they want to

332
00:14:54,520 --> 00:14:57,000
Speaker 3: either if off.

333
00:14:57,080 --> 00:15:00,080
Speaker 1: I'm busy and I like Barbara has written this and

334
00:15:00,280 --> 00:15:01,960
Speaker 1: happened to me this past week. I was in the

335
00:15:02,000 --> 00:15:05,000
Speaker 1: loo at the restaurant and someone started banging on the door,

336
00:15:05,080 --> 00:15:07,440
Speaker 1: which was locked with a little latch. I yelled out

337
00:15:07,520 --> 00:15:09,720
Speaker 1: finished soon, but they must not have heard me.

338
00:15:10,000 --> 00:15:13,040
Speaker 3: They jiggled the door so much. The lat's loosened.

339
00:15:13,160 --> 00:15:15,600
Speaker 1: Oh no, and flicked up and he opened the door.

340
00:15:16,800 --> 00:15:19,840
Speaker 1: He budged him with me sitting on the loo. No apologies,

341
00:15:19,960 --> 00:15:24,000
Speaker 1: just a and then he closed the door, so at

342
00:15:24,080 --> 00:15:24,520
Speaker 1: least had a.

343
00:15:24,640 --> 00:15:27,240
Speaker 3: Little bit of dignity to finish. Yeah, that is my

344
00:15:28,040 --> 00:15:30,160
Speaker 3: door is locked. You don't sit there. It's not like

345
00:15:30,320 --> 00:15:33,200
Speaker 3: you're in the Great Heights trying to get in there.

346
00:15:33,280 --> 00:15:34,960
Speaker 2: On the other hand, I went to a cafe and

347
00:15:35,040 --> 00:15:37,160
Speaker 2: asked to use their toilet, and they said I had

348
00:15:37,200 --> 00:15:39,400
Speaker 2: to order food first. I was waiting to meet a friend.

349
00:15:39,440 --> 00:15:41,200
Speaker 2: I said, well, I wait to my friend arrives, and

350
00:15:41,320 --> 00:15:43,280
Speaker 2: I said, I promise I will order food, you know.

351
00:15:43,320 --> 00:15:45,080
Speaker 2: I finally they said I'd go to the loo. I

352
00:15:45,200 --> 00:15:47,520
Speaker 2: pushed the door, and because it didn't open easily, I

353
00:15:47,600 --> 00:15:50,240
Speaker 2: didn't want to be that person jiggling the door, so

354
00:15:50,360 --> 00:15:52,600
Speaker 2: I wait, almost wet my pants, and then so I

355
00:15:52,720 --> 00:15:54,400
Speaker 2: watched someone else go in. You just need to push

356
00:15:54,480 --> 00:15:56,960
Speaker 2: the door more so. It's a fine line between the

357
00:15:57,040 --> 00:15:58,040
Speaker 2: over jiggle.

358
00:15:57,760 --> 00:16:01,680
Speaker 3: And the jiggleswed, isn't it? Is it true that you

359
00:16:01,760 --> 00:16:03,880
Speaker 3: got to many restaurants just lying that you've got a

360
00:16:03,960 --> 00:16:04,600
Speaker 3: friend coming.

361
00:16:05,000 --> 00:16:09,520
Speaker 2: No, you're in one lot of places around the city.

362
00:16:09,880 --> 00:16:11,800
Speaker 3: You got a McDonald's. Yeah, I'm going to get some

363
00:16:12,080 --> 00:16:13,440
Speaker 3: mcglas with that.

364
00:16:16,640 --> 00:16:19,960
Speaker 2: Notion podcast. I had an amazing night last night. I

365
00:16:21,440 --> 00:16:24,080
Speaker 2: launched a charity for a friend of mine called Sophie.

366
00:16:24,160 --> 00:16:27,160
Speaker 2: I'm an ambassador of this charity. It's called Please Stay Foundation.

367
00:16:28,080 --> 00:16:30,400
Speaker 2: And I've known Sophie for about fifteen years, and I've

368
00:16:30,440 --> 00:16:34,000
Speaker 2: known her two girls, Indie and Violet, and I know

369
00:16:34,120 --> 00:16:36,320
Speaker 2: what she's been through with Indy is now an incredible

370
00:16:36,360 --> 00:16:40,480
Speaker 2: eighteen year old, thriving, loving life. But for a number

371
00:16:40,520 --> 00:16:43,520
Speaker 2: of years there, Indy threatened or tried to take her

372
00:16:43,560 --> 00:16:47,360
Speaker 2: own life eight or nine times. So hard for Sophie,

373
00:16:47,400 --> 00:16:49,840
Speaker 2: who had to throw her job in and be pretty

374
00:16:49,880 --> 00:16:52,480
Speaker 2: much on suicide watch for her daughter. I can't think

375
00:16:52,480 --> 00:16:55,000
Speaker 2: of anything worse than every night thinking if your child

376
00:16:55,120 --> 00:16:58,640
Speaker 2: was going to leave you, so hard. So Sophie has

377
00:16:58,680 --> 00:17:03,080
Speaker 2: started this foundation that grant's wishes for Kids, for young

378
00:17:03,120 --> 00:17:07,400
Speaker 2: adults and adolescents who are in this mental health crisis,

379
00:17:07,480 --> 00:17:10,560
Speaker 2: and we are in the grip of a crisis. Some

380
00:17:10,720 --> 00:17:12,840
Speaker 2: of the things that they offer. For example, we met

381
00:17:12,840 --> 00:17:16,160
Speaker 2: a young woman called Alia who has harmed herself over

382
00:17:16,240 --> 00:17:20,080
Speaker 2: the years. She now wants to go for job interviews

383
00:17:20,119 --> 00:17:23,439
Speaker 2: and things and feels that her scars don't represent her,

384
00:17:24,040 --> 00:17:26,800
Speaker 2: so the foundation is paying for her to have scar

385
00:17:26,920 --> 00:17:31,720
Speaker 2: removal treatment. One of the crisis at the moment is

386
00:17:31,800 --> 00:17:34,760
Speaker 2: trying to get professional help. Seven hundred dollars to see

387
00:17:34,760 --> 00:17:38,600
Speaker 2: a psychonty wow in the if you don't wait for

388
00:17:39,080 --> 00:17:42,320
Speaker 2: an appointment for months and months and months. And one

389
00:17:42,400 --> 00:17:44,640
Speaker 2: of the calls to action last night was a mum

390
00:17:44,800 --> 00:17:49,320
Speaker 2: needed to get her daughter to see the psychiatrist because

391
00:17:49,320 --> 00:17:51,960
Speaker 2: she needed a medication and the GP can't dispense it,

392
00:17:52,000 --> 00:17:53,800
Speaker 2: but she didn't have the money for the next appointment,

393
00:17:54,280 --> 00:17:56,720
Speaker 2: so they are looking to raise We are looking to

394
00:17:56,880 --> 00:18:00,440
Speaker 2: raise money to be able to fund all this kind

395
00:18:00,480 --> 00:18:02,639
Speaker 2: of stuff. But a big part of it too is

396
00:18:02,720 --> 00:18:05,000
Speaker 2: to create a community of people who have lived experience.

397
00:18:05,040 --> 00:18:07,479
Speaker 2: It was almost like a revival meeting last night. There

398
00:18:07,520 --> 00:18:10,879
Speaker 2: were mums and family members weeping in the crowd. Was

399
00:18:10,920 --> 00:18:13,960
Speaker 2: they're hearing these stories and shouts of recognition of the

400
00:18:14,080 --> 00:18:18,280
Speaker 2: pain everyone's in and how hard it is. And we

401
00:18:18,359 --> 00:18:22,600
Speaker 2: were talking to a psychiatrist who specializes in adolescent work

402
00:18:23,320 --> 00:18:26,760
Speaker 2: and she was saying that it's so important just for

403
00:18:26,920 --> 00:18:29,639
Speaker 2: parents to sit in the pain with their kids, just

404
00:18:29,760 --> 00:18:31,920
Speaker 2: to talk and I know it sounds easy, you just talk,

405
00:18:32,400 --> 00:18:34,919
Speaker 2: but there's so much shame around this. And I was thinking,

406
00:18:35,119 --> 00:18:38,000
Speaker 2: you know that when we're in a mum's group, we

407
00:18:38,160 --> 00:18:41,000
Speaker 2: all except that we're novices, We except we don't know

408
00:18:41,040 --> 00:18:43,119
Speaker 2: what we're doing, and we say, I'm really struggling with this,

409
00:18:43,240 --> 00:18:45,680
Speaker 2: how's this working for you? Maybe we need to do

410
00:18:45,800 --> 00:18:49,359
Speaker 2: that again as parents of teenagers, periods of adolescents who

411
00:18:49,400 --> 00:18:52,600
Speaker 2: are struggling. And yes there are experts involved, but even

412
00:18:52,640 --> 00:18:55,720
Speaker 2: the experts are saying talk to each other that lived

413
00:18:55,800 --> 00:18:59,600
Speaker 2: experience is stuff that money can't buy. Saying to someone

414
00:18:59,800 --> 00:19:01,639
Speaker 2: this has worked for me, this might work for you.

415
00:19:02,000 --> 00:19:04,680
Speaker 2: I'm struggling with this houses doing for you. But we

416
00:19:04,800 --> 00:19:08,080
Speaker 2: need to lose our shame and be vulnerable with each other.

417
00:19:08,560 --> 00:19:10,639
Speaker 2: And that's what this group last night was saying. It

418
00:19:10,760 --> 00:19:13,720
Speaker 2: wants to be. It wants to be a community. So

419
00:19:14,040 --> 00:19:16,720
Speaker 2: I urge you, if you are a corporation looking to

420
00:19:16,960 --> 00:19:19,720
Speaker 2: align yourself with a charity, if you have money that

421
00:19:19,840 --> 00:19:22,600
Speaker 2: you would or even a skill set that you think

422
00:19:22,800 --> 00:19:26,680
Speaker 2: can be offered through a series of wishes for these adolescents,

423
00:19:27,520 --> 00:19:30,040
Speaker 2: or you're in need of help, please go to the

424
00:19:30,119 --> 00:19:32,920
Speaker 2: Please Stay Foundation and we'll see what we can do.

425
00:19:33,160 --> 00:19:34,240
Speaker 3: Great good work.

426
00:19:34,520 --> 00:19:35,880
Speaker 10: Ye jam Nation.

427
00:19:38,359 --> 00:19:40,280
Speaker 3: Wants instance.

428
00:19:42,960 --> 00:19:44,240
Speaker 2: And Amanda's.

429
00:19:45,200 --> 00:19:48,600
Speaker 1: Fonds are terrific. You have ten questions, sixty seconds on

430
00:19:48,680 --> 00:19:50,639
Speaker 1: the clock. You can pass if you don't know an answer.

431
00:19:50,960 --> 00:19:52,840
Speaker 1: We'll come back to that question of time permits. If

432
00:19:52,840 --> 00:19:55,440
Speaker 1: you get all the questions right, one thousand dollars.

433
00:19:55,280 --> 00:19:57,280
Speaker 2: And you can leave with a thousand dollars. We're okay

434
00:19:57,359 --> 00:19:59,159
Speaker 2: with that, and you should be okay with that, but

435
00:19:59,600 --> 00:20:03,000
Speaker 2: we will tempt you one further question double or nothing.

436
00:20:03,400 --> 00:20:04,600
Speaker 3: Robin's in Penshurst.

437
00:20:05,080 --> 00:20:06,520
Speaker 2: Hi, Robin, morning, guys.

438
00:20:06,680 --> 00:20:08,120
Speaker 12: Hi, how are you very well?

439
00:20:08,320 --> 00:20:09,840
Speaker 2: Let's see what we can do for you. Hey, we've

440
00:20:09,840 --> 00:20:12,920
Speaker 2: got ten questions, We've got sixty seconds. If you're not sure,

441
00:20:13,040 --> 00:20:14,880
Speaker 2: say passed, because we might have time to come back.

442
00:20:14,920 --> 00:20:19,560
Speaker 2: All right, all right, let's go Robin. Let's go focus,

443
00:20:19,640 --> 00:20:22,679
Speaker 2: because here we go. Question number one? What color are

444
00:20:22,880 --> 00:20:23,760
Speaker 2: l plates.

445
00:20:24,920 --> 00:20:25,240
Speaker 6: Yellow?

446
00:20:25,480 --> 00:20:28,159
Speaker 2: Question two? Which Sydney Motorway had a sprinkler issue in

447
00:20:28,200 --> 00:20:32,360
Speaker 2: the tunnel on Tuesday? The MPI question three, the fox

448
00:20:32,440 --> 00:20:36,920
Speaker 2: trot Charleston running manner? Types of what answered? Question four?

449
00:20:37,040 --> 00:20:41,120
Speaker 2: Curtis Stone is a famous Australian What chere? Question five

450
00:20:41,240 --> 00:20:43,360
Speaker 2: on a baseball field. How many bases are there?

451
00:20:46,359 --> 00:20:46,520
Speaker 11: Four?

452
00:20:47,040 --> 00:20:49,960
Speaker 2: Question six? What country is Kanye West's wife Bianca Sen

453
00:20:50,040 --> 00:20:54,040
Speaker 2: Sorry from Australia? Question seven, who won song of the

454
00:20:54,119 --> 00:20:55,800
Speaker 2: Year last night at the Arias.

455
00:20:57,400 --> 00:20:59,840
Speaker 15: Conrad suh.

456
00:21:00,680 --> 00:21:08,680
Speaker 2: Oh's choice of our album, which is Conrad's follow up single.

457
00:21:09,000 --> 00:21:12,720
Speaker 3: Conrad Conrad is the default for everything. He is everything

458
00:21:12,760 --> 00:21:13,160
Speaker 3: in the world.

459
00:21:13,400 --> 00:21:16,440
Speaker 2: Conrad Troy Conrad was there ready to take it.

460
00:21:16,640 --> 00:21:20,119
Speaker 3: Is a Conrad and it usually is Robin.

461
00:21:20,720 --> 00:21:22,640
Speaker 2: Well and one hundred bucks to be getting on vibe

462
00:21:22,680 --> 00:21:22,879
Speaker 2: for you.

463
00:21:24,200 --> 00:21:25,800
Speaker 15: Thank you anyway, Thanks, have a great day.

464
00:21:25,960 --> 00:21:26,960
Speaker 3: Thanks for being part of it.

465
00:21:31,080 --> 00:21:31,240
Speaker 12: Now.

466
00:21:31,480 --> 00:21:35,520
Speaker 2: Do you remember an ad from nineteen or two thousand

467
00:21:35,560 --> 00:21:39,440
Speaker 2: and nine. It was a Cadbury commercial and it had

468
00:21:39,560 --> 00:21:44,840
Speaker 2: two kind of nerdy kids in a photo studio and

469
00:21:45,160 --> 00:21:46,800
Speaker 2: they made their eyebrows.

470
00:21:46,880 --> 00:21:47,520
Speaker 3: The eybrack kids.

471
00:21:47,560 --> 00:21:51,560
Speaker 2: Yeah, the eyebrack kids. This is the sound mimicking the

472
00:21:51,680 --> 00:21:52,800
Speaker 2: movement of their eyebrows.

473
00:21:52,920 --> 00:21:54,920
Speaker 3: Got a little balloon there, but her.

474
00:21:54,840 --> 00:21:57,280
Speaker 2: Eyebrows and his eyebrows were going up and down a

475
00:21:57,480 --> 00:21:58,080
Speaker 2: furious race.

476
00:21:58,160 --> 00:21:58,320
Speaker 3: Yes.

477
00:21:58,320 --> 00:22:00,760
Speaker 1: So the kids are setting up for a time photograph

478
00:22:01,400 --> 00:22:04,600
Speaker 1: those professional ones, and then while the photographer is mucking.

479
00:22:04,359 --> 00:22:07,479
Speaker 3: Around, the kids just sit there and do the eyebrow thing.

480
00:22:07,880 --> 00:22:09,199
Speaker 3: I do, I do remember. I think it was an

481
00:22:09,200 --> 00:22:12,200
Speaker 3: overseas ad though, but it ran over years. Is that right?

482
00:22:12,680 --> 00:22:14,600
Speaker 2: Well, I'm not sure. But the woman who was in it,

483
00:22:14,640 --> 00:22:16,840
Speaker 2: who played the kid at the time, her name is

484
00:22:16,880 --> 00:22:21,440
Speaker 2: Georgia Awake. She's revealed that, in fact, she's conned people

485
00:22:21,480 --> 00:22:23,480
Speaker 2: for years. Everyone thought she was really because it looks

486
00:22:23,520 --> 00:22:26,840
Speaker 2: so real that with her eyebrows. In fact, her eyebrow

487
00:22:26,960 --> 00:22:31,240
Speaker 2: dance was edited on. Really Millie our executive producers said

488
00:22:31,280 --> 00:22:33,680
Speaker 2: that she and her sister nearly broke their faces apart

489
00:22:33,840 --> 00:22:36,159
Speaker 2: trying to do the eyebrow dance.

490
00:22:36,040 --> 00:22:36,880
Speaker 3: By Lady Milly.

491
00:22:37,160 --> 00:22:38,480
Speaker 2: Yeah, she faked it.

492
00:22:38,920 --> 00:22:40,760
Speaker 3: Well, there are a lot of stuff like that. You

493
00:22:40,840 --> 00:22:42,280
Speaker 3: remember the Ryveda ad.

494
00:22:43,000 --> 00:22:44,160
Speaker 2: It wasn't a real riveta.

495
00:22:44,480 --> 00:22:47,040
Speaker 1: Well, they get their little the little worms come out

496
00:22:47,080 --> 00:22:50,200
Speaker 1: between the right Vita wheats, Vita wheats, not the rieveda

497
00:22:50,280 --> 00:22:52,320
Speaker 1: good trim vita wheat, the Chris Bette or the family.

498
00:22:52,720 --> 00:22:56,200
Speaker 3: Yeah, and it squeezes it together and the butter on

499
00:22:56,240 --> 00:22:57,560
Speaker 3: the veg might come out.

500
00:22:57,640 --> 00:22:58,119
Speaker 2: What about it?

501
00:22:58,359 --> 00:22:59,120
Speaker 3: Well, that was fake?

502
00:23:00,160 --> 00:23:00,840
Speaker 2: How was it fake?

503
00:23:01,080 --> 00:23:01,320
Speaker 5: Fake?

504
00:23:01,440 --> 00:23:01,560
Speaker 7: Oh?

505
00:23:01,640 --> 00:23:04,920
Speaker 2: You don't even know it is making that up and

506
00:23:05,080 --> 00:23:06,800
Speaker 2: told you that. My claim to fame was we lived

507
00:23:06,800 --> 00:23:08,800
Speaker 2: down the road from the girl who said wash your hands,

508
00:23:08,840 --> 00:23:11,879
Speaker 2: Jeffrey with the solve old Jeffrey. It's the most exciting

509
00:23:11,920 --> 00:23:14,080
Speaker 2: thing that had happened in our suburb for ever.

510
00:23:14,359 --> 00:23:16,199
Speaker 1: That's a big deal because we had The other day

511
00:23:16,240 --> 00:23:19,200
Speaker 1: we're talking about how the Slipstop Slap campaign.

512
00:23:18,960 --> 00:23:21,359
Speaker 2: Is now in the Australian Film and Sound Archive.

513
00:23:21,440 --> 00:23:24,720
Speaker 3: I lamented that the Lumobile jingle didn't get it.

514
00:23:24,840 --> 00:23:26,239
Speaker 2: Oh I remember the little kid at the end?

515
00:23:26,359 --> 00:23:29,400
Speaker 16: Yeah, little that's thirteen thirty thirty two.

516
00:23:29,800 --> 00:23:35,920
Speaker 2: And I prothlysized that advertising agencies are obsessed with children

517
00:23:35,960 --> 00:23:38,359
Speaker 2: with speech impediments and adnoid issues.

518
00:23:41,560 --> 00:23:44,679
Speaker 1: Well, if your blame word bingo today, congratulations.

519
00:23:45,520 --> 00:23:47,520
Speaker 2: You know what we should do for tribal drums?

520
00:23:47,640 --> 00:23:50,040
Speaker 3: Well we should find that kid. Well, how about this

521
00:23:50,200 --> 00:23:51,359
Speaker 3: a little Loumobile kid.

522
00:23:51,600 --> 00:23:53,440
Speaker 2: Lame claim to fame the ad edition?

523
00:23:53,720 --> 00:23:54,400
Speaker 3: Were you in an ad?

524
00:23:54,520 --> 00:23:56,600
Speaker 2: Were you in an ad? Maybe you weren't the milky

525
00:23:56,640 --> 00:23:59,399
Speaker 2: bar kid? Even better, were you his off sider who

526
00:23:59,520 --> 00:24:00,600
Speaker 2: wasn't a name?

527
00:24:00,720 --> 00:24:02,080
Speaker 3: You were one of the offshoots?

528
00:24:02,600 --> 00:24:05,399
Speaker 2: Lame claim to fame the ad edition? Were you in

529
00:24:05,440 --> 00:24:08,920
Speaker 2: the background of the Razmataz commercial as a fat person

530
00:24:08,920 --> 00:24:10,680
Speaker 2: who had to look at this skinny legs and go,

531
00:24:10,880 --> 00:24:11,639
Speaker 2: what's going on?

532
00:24:11,960 --> 00:24:14,000
Speaker 1: You're on a building side dropping a rivet down your

533
00:24:14,040 --> 00:24:17,600
Speaker 1: pants model beds over and we don't want to know?

534
00:24:18,720 --> 00:24:21,639
Speaker 3: Can we please? Can we track down the lubemobile kid.

535
00:24:21,760 --> 00:24:25,920
Speaker 17: Thooty Foody Foody Foody thirty thirty thirty.

536
00:24:25,640 --> 00:24:26,560
Speaker 3: Two got it wrong.

537
00:24:26,640 --> 00:24:30,600
Speaker 2: Let's hope his front teeth have grown in jaious.

538
00:24:30,000 --> 00:24:33,600
Speaker 3: And tribal drummers beating lame claim to fame The add.

539
00:24:33,560 --> 00:24:36,960
Speaker 16: Edition thirteen thirty thirty two on the ones I did

540
00:24:37,000 --> 00:24:39,119
Speaker 16: it were worse commercial and my kids were in it,

541
00:24:39,640 --> 00:24:42,280
Speaker 16: I think fleetingly and Jack, who was about eight at

542
00:24:42,280 --> 00:24:44,040
Speaker 16: the end when we'd finished filming, said.

543
00:24:44,320 --> 00:24:48,840
Speaker 2: When's the rat party? That is so when because it

544
00:24:48,960 --> 00:24:51,600
Speaker 2: had someone? I wondered why someone was just keeping an

545
00:24:51,600 --> 00:24:53,840
Speaker 2: eye animal, but I didn't realize it was child protection.

546
00:24:53,960 --> 00:24:55,640
Speaker 2: Have to look out for them to stop them working

547
00:24:55,720 --> 00:24:58,640
Speaker 2: over hours. So someone just fed him hot chocolates all day.

548
00:24:58,840 --> 00:25:00,720
Speaker 2: When's the rat party? This is great?

549
00:25:00,840 --> 00:25:02,480
Speaker 1: Tell that to a little kid in a coal mine.

550
00:25:02,840 --> 00:25:06,000
Speaker 1: Jim Y Ryers just dropped a bombshell. Welcome to the party, Ryan.

551
00:25:06,480 --> 00:25:10,320
Speaker 3: Yeah, before my career dropped off a cliff. Accepting this job,

552
00:25:10,520 --> 00:25:12,840
Speaker 3: I used to be a pretty pretty good actor. So

553
00:25:13,040 --> 00:25:14,960
Speaker 3: I was the star of a Toyota.

554
00:25:14,640 --> 00:25:16,919
Speaker 2: Commercial, star of what were You When you were a kid?

555
00:25:16,960 --> 00:25:19,560
Speaker 2: Obviously went driving it. No, I just while sitting in

556
00:25:19,640 --> 00:25:21,679
Speaker 2: the back as part with a fake family.

557
00:25:22,000 --> 00:25:25,159
Speaker 3: Yeah, oh yeah, and what were you just a kid

558
00:25:25,240 --> 00:25:25,680
Speaker 3: in the back?

559
00:25:26,040 --> 00:25:26,960
Speaker 2: It wasn't just a kid.

560
00:25:27,080 --> 00:25:29,919
Speaker 3: I was like like a sullen faced little kid model

561
00:25:30,000 --> 00:25:30,399
Speaker 3: sort of thing.

562
00:25:31,040 --> 00:25:32,760
Speaker 2: Right, Yeah, did you have any words?

563
00:25:33,760 --> 00:25:34,560
Speaker 3: No, because I didn't.

564
00:25:34,800 --> 00:25:36,159
Speaker 11: I didn't need to, So I just.

565
00:25:36,200 --> 00:25:38,080
Speaker 2: Sat there with her, Yeah, looking gormless.

566
00:25:38,440 --> 00:25:41,880
Speaker 3: Yeah, well you're doing that well mate, I haven't broken surprised.

567
00:25:41,960 --> 00:25:46,240
Speaker 3: We don't remember that's one of your best mate Dina

568
00:25:46,240 --> 00:25:47,000
Speaker 3: has joined us.

569
00:25:48,680 --> 00:25:50,920
Speaker 13: Boarding Jones, Amanda, how are.

570
00:25:50,880 --> 00:25:53,440
Speaker 2: We going very well? Lame claim to fame the ad edition?

571
00:25:53,520 --> 00:25:54,440
Speaker 2: Have you been in an ad?

572
00:25:55,520 --> 00:25:58,200
Speaker 13: I certainly this was back in the nineties when I

573
00:25:58,280 --> 00:26:01,160
Speaker 13: was living in Queenslane, which I've done for twenty years,

574
00:26:01,200 --> 00:26:03,200
Speaker 13: and those twenty years in my life I'll never get back.

575
00:26:03,680 --> 00:26:07,919
Speaker 13: Did I digress? I was the girlfriend I had at

576
00:26:07,960 --> 00:26:11,119
Speaker 13: the time. She was a budding, aspiring actress, and she

577
00:26:11,240 --> 00:26:13,959
Speaker 13: went and done the cattle Call and or the Reserve

578
00:26:14,080 --> 00:26:17,200
Speaker 13: for an RACQ commercial and she got the job which

579
00:26:17,320 --> 00:26:20,639
Speaker 13: was really really good. And she was doing the filming

580
00:26:20,720 --> 00:26:23,159
Speaker 13: down in a place called Winham, and I took her

581
00:26:23,560 --> 00:26:26,240
Speaker 13: drove down there and I'm just sitting on the boonnot

582
00:26:26,280 --> 00:26:29,320
Speaker 13: of the car, watching all this happen and take place,

583
00:26:29,400 --> 00:26:32,760
Speaker 13: and I'm having a cigarette and the producer of the

584
00:26:32,800 --> 00:26:36,920
Speaker 13: commercial looked over at me and said are you doing anything? No,

585
00:26:37,280 --> 00:26:39,280
Speaker 13: just having a cigarette, and he goes, okay, would you

586
00:26:39,359 --> 00:26:43,280
Speaker 13: like to be out an RCQ commercial? Sure? And all

587
00:26:43,359 --> 00:26:45,960
Speaker 13: I had to do was sit down on the ground

588
00:26:46,080 --> 00:26:48,359
Speaker 13: with my tree. It was my backup against a tree

589
00:26:48,440 --> 00:26:51,080
Speaker 13: and my then girlfriend at the time sitting between my legs.

590
00:26:51,640 --> 00:26:53,520
Speaker 13: And when we were given the cue, we just had

591
00:26:53,600 --> 00:26:57,000
Speaker 13: to look into the camera, shake our heads and say no.

592
00:26:58,840 --> 00:27:01,840
Speaker 2: And say no, give us a rendition of how it went.

593
00:27:02,080 --> 00:27:06,840
Speaker 13: Come on, Dean, Okay, I'm sending my head at the moment, and.

594
00:27:07,400 --> 00:27:11,240
Speaker 3: No, what you're saying no to Dean?

595
00:27:15,240 --> 00:27:17,800
Speaker 13: Jeez, now you're asking me to remember real car back now.

596
00:27:18,359 --> 00:27:22,040
Speaker 13: I think it was have you got ira a c

597
00:27:22,240 --> 00:27:27,480
Speaker 13: Q insurance on your CANR type thing? And I was like, no, no,

598
00:27:27,600 --> 00:27:29,639
Speaker 13: I don't. Well if you have an accident.

599
00:27:30,840 --> 00:27:32,640
Speaker 2: And did you make a million dollars? Dean?

600
00:27:33,720 --> 00:27:36,720
Speaker 13: No, it was the easiest two hundred bucks I'd never made.

601
00:27:37,600 --> 00:27:39,480
Speaker 2: Yeah, what a good day's work that is.

602
00:27:41,280 --> 00:27:42,800
Speaker 3: Nicholas joined us by Nicola.

603
00:27:44,000 --> 00:27:45,800
Speaker 2: Hi, what's your birthday?

604
00:27:45,920 --> 00:27:47,399
Speaker 11: So my treat is talking to you?

605
00:27:47,600 --> 00:27:49,919
Speaker 2: Are Nicola?

606
00:27:50,280 --> 00:27:50,359
Speaker 10: Now?

607
00:27:50,440 --> 00:27:51,920
Speaker 2: What was your name? Claim to fame?

608
00:27:52,840 --> 00:27:55,520
Speaker 9: I was interviewed by John Hart if he did the nepisene?

609
00:27:56,440 --> 00:27:58,360
Speaker 3: Okay, were you real?

610
00:27:58,720 --> 00:27:59,320
Speaker 2: Is that real?

611
00:28:00,119 --> 00:28:00,680
Speaker 12: It was real?

612
00:28:01,080 --> 00:28:03,280
Speaker 2: So were you at the shops? What where were you?

613
00:28:04,119 --> 00:28:04,239
Speaker 18: Oh?

614
00:28:04,320 --> 00:28:06,080
Speaker 11: Was that wearing them all?

615
00:28:06,720 --> 00:28:09,760
Speaker 9: And I was interviewed by him and the crews and

616
00:28:10,080 --> 00:28:12,639
Speaker 9: I ended up on TV and I had friends calling

617
00:28:12,680 --> 00:28:14,560
Speaker 9: to New Zealand saying, we just saw you on a

618
00:28:14,680 --> 00:28:17,879
Speaker 9: nappy Fana. My children were very small, so it was

619
00:28:17,920 --> 00:28:19,000
Speaker 9: overse twenty years ago.

620
00:28:19,480 --> 00:28:21,400
Speaker 2: Did you have to show anyone your stains?

621
00:28:23,960 --> 00:28:26,240
Speaker 9: I had to tell them how Nappi san was wonderful

622
00:28:26,280 --> 00:28:26,960
Speaker 9: at removing them?

623
00:28:28,240 --> 00:28:29,159
Speaker 3: Is that true? Nikolas?

624
00:28:30,200 --> 00:28:33,440
Speaker 2: Yeah, of course, So he came. They came up to

625
00:28:33,480 --> 00:28:35,879
Speaker 2: you and just said can you what did they ask you?

626
00:28:36,000 --> 00:28:38,040
Speaker 2: Do you your kids generate a lot of stains? And

627
00:28:38,080 --> 00:28:39,600
Speaker 2: what do you use? Was it that kind of thing?

628
00:28:40,400 --> 00:28:40,840
Speaker 13: They said?

629
00:28:41,040 --> 00:28:43,080
Speaker 9: Do you use Nappi sand? And I said, yes, I do.

630
00:28:45,200 --> 00:28:49,120
Speaker 9: And I think I remember saying something like other products

631
00:28:49,120 --> 00:28:52,360
Speaker 9: would be too harsh to use, and I've worried about

632
00:28:52,440 --> 00:28:54,640
Speaker 9: what they would do to the stains. But this one's

633
00:28:54,680 --> 00:28:55,560
Speaker 9: really gentle and.

634
00:28:55,640 --> 00:28:56,320
Speaker 11: It just works.

635
00:28:57,280 --> 00:28:58,520
Speaker 2: And what did you get in return?

636
00:28:59,560 --> 00:29:01,680
Speaker 9: I think five hundred dollars, which back then was a

637
00:29:01,720 --> 00:29:02,200
Speaker 9: lot of money.

638
00:29:02,280 --> 00:29:06,400
Speaker 2: Absolutely, that's great, that's great. So those ads are real.

639
00:29:06,880 --> 00:29:08,280
Speaker 2: I don't know about the ones that they come into

640
00:29:08,320 --> 00:29:09,080
Speaker 2: your house to look.

641
00:29:09,520 --> 00:29:13,280
Speaker 3: John Harkin just knocks on your door. Show me. You're saying, John,

642
00:29:13,360 --> 00:29:15,280
Speaker 3: you stopped doing those ads twenty years ago.

643
00:29:15,480 --> 00:29:19,880
Speaker 2: Mate, you were here last week.

644
00:29:21,080 --> 00:29:23,640
Speaker 3: He listens to the show. He's a lovely guy.

645
00:29:24,800 --> 00:29:32,280
Speaker 2: Jonesy and Amanda Jamvasius podcast can be Ready to Go, Girl,

646
00:29:32,480 --> 00:29:33,200
Speaker 2: So Ready to Go.

647
00:29:34,880 --> 00:29:37,320
Speaker 1: You may remember a cabriad back in two thousand and

648
00:29:37,480 --> 00:29:40,760
Speaker 1: nine which featured two boared kids doing a little eyebrow dance.

649
00:29:41,080 --> 00:29:44,800
Speaker 3: Well the eyebrow girl. This is them there and she's

650
00:29:44,840 --> 00:29:45,040
Speaker 3: had a.

651
00:29:45,040 --> 00:29:47,640
Speaker 2: Balloon, but their eyebrows going up and down all over

652
00:29:47,680 --> 00:29:50,600
Speaker 2: the place, and people tried to mimic this. Yep, she's

653
00:29:50,680 --> 00:29:54,480
Speaker 2: only just revealed that the eyebrow dance was edited in.

654
00:29:55,320 --> 00:29:56,400
Speaker 2: Wasn't her real eyebrow?

655
00:29:57,080 --> 00:29:59,880
Speaker 3: I told you, man, the world is flat. The eyebrow

656
00:30:00,080 --> 00:30:04,080
Speaker 3: thing is fake? Who can we believe? People? Well?

657
00:30:04,080 --> 00:30:06,400
Speaker 2: The tribal drum is beating for lame claim to fame,

658
00:30:06,480 --> 00:30:06,920
Speaker 2: the add.

659
00:30:06,840 --> 00:30:13,520
Speaker 3: Edition, the Loomobile kid, what's he and what's his adnoids doing?

660
00:30:14,040 --> 00:30:14,200
Speaker 9: Well?

661
00:30:14,240 --> 00:30:16,080
Speaker 2: If his front teeth come in, because he won't be

662
00:30:16,080 --> 00:30:16,840
Speaker 2: saying food and.

663
00:30:16,920 --> 00:30:24,080
Speaker 3: Footy Anymore's he's adnoids working at Triple m D's joint?

664
00:30:24,240 --> 00:30:28,560
Speaker 2: Hello, Rhonda, Hi guys, how are we very well? Who's

665
00:30:28,600 --> 00:30:29,240
Speaker 2: claim to fame?

666
00:30:29,360 --> 00:30:29,480
Speaker 11: Is it?

667
00:30:30,480 --> 00:30:30,760
Speaker 3: Okay?

668
00:30:30,960 --> 00:30:34,480
Speaker 12: It's mine and my son's that. My one is a

669
00:30:35,160 --> 00:30:39,000
Speaker 12: so good ad So the Sanitarium milk and I was

670
00:30:39,040 --> 00:30:42,360
Speaker 12: on there nineteen ninety seven and it was it's so good,

671
00:30:42,840 --> 00:30:43,920
Speaker 12: It's really so good.

672
00:30:44,320 --> 00:30:46,760
Speaker 11: Who wouldn't drink so good if they could?

673
00:30:47,280 --> 00:30:47,440
Speaker 3: Oh?

674
00:30:47,560 --> 00:30:48,640
Speaker 2: Yeah, I still got it.

675
00:30:50,120 --> 00:30:54,320
Speaker 12: This is you. I met you at there seeing at

676
00:30:54,320 --> 00:30:56,600
Speaker 12: the petrol station as the sharkis.

677
00:30:56,120 --> 00:30:59,440
Speaker 2: And yeah, would you recognize the voice?

678
00:30:59,600 --> 00:31:01,760
Speaker 3: As soon as you said that, I went boom wow.

679
00:31:01,880 --> 00:31:03,120
Speaker 2: And what about your son, Ronda?

680
00:31:03,960 --> 00:31:06,560
Speaker 12: He was the uncle Toby's oats boy that were just

681
00:31:07,480 --> 00:31:10,840
Speaker 12: probably about eleven years ago. And it was I am

682
00:31:10,880 --> 00:31:11,720
Speaker 12: not a morning person.

683
00:31:11,840 --> 00:31:15,320
Speaker 11: There's a bit to do do. My brush, my hair brush,

684
00:31:15,400 --> 00:31:16,920
Speaker 11: my teeth, that one.

685
00:31:17,200 --> 00:31:21,000
Speaker 12: Yeah right, little blonde look like little Lord front Leroy. Wow.

686
00:31:21,280 --> 00:31:23,480
Speaker 1: So you had the milk and he had the oats cornered.

687
00:31:23,520 --> 00:31:27,000
Speaker 1: You could have done a collaborative effort there and cornered

688
00:31:27,040 --> 00:31:28,120
Speaker 1: the musk and.

689
00:31:28,160 --> 00:31:29,920
Speaker 2: Then done a toilet paper commercial at the end of

690
00:31:30,000 --> 00:31:31,960
Speaker 2: the day. That's where it all ends up.

691
00:31:32,040 --> 00:31:32,880
Speaker 3: But this is all good.

692
00:31:33,040 --> 00:31:34,240
Speaker 2: Thank you Ron for that.

693
00:31:34,800 --> 00:31:35,720
Speaker 3: Vickie's joined us.

694
00:31:35,800 --> 00:31:37,560
Speaker 2: Hi, Vicki, Good.

695
00:31:37,440 --> 00:31:39,920
Speaker 11: Morning, Jonesie, Good morning Amana. How are you both very well?

696
00:31:39,960 --> 00:31:40,680
Speaker 2: Who was in the ad?

697
00:31:41,680 --> 00:31:44,640
Speaker 11: Okay? It was my son. He was three months old

698
00:31:44,960 --> 00:31:48,120
Speaker 11: and we were able to get his face on the

699
00:31:48,280 --> 00:31:52,120
Speaker 11: nappy packet for Huggey's nappies, So he was the little

700
00:31:52,160 --> 00:31:52,960
Speaker 11: bob on the packet.

701
00:31:53,240 --> 00:31:54,960
Speaker 2: So it wasn't his bottom or any it was just

702
00:31:55,040 --> 00:31:55,560
Speaker 2: his face.

703
00:31:55,840 --> 00:31:58,480
Speaker 17: Well, it's a man, so lots and lots of photos

704
00:31:58,560 --> 00:32:01,280
Speaker 17: were taken. He stuck the face was stuck onto the

705
00:32:01,320 --> 00:32:04,040
Speaker 17: body and then the legs were stuck onto the body.

706
00:32:04,360 --> 00:32:07,280
Speaker 17: So they took multiple photos and joined the photo that

707
00:32:07,360 --> 00:32:08,840
Speaker 17: they wanted for the packet.

708
00:32:09,160 --> 00:32:11,360
Speaker 2: They were all his body parts, all his.

709
00:32:11,440 --> 00:32:14,040
Speaker 11: Body parts, and I put a packet away for his

710
00:32:14,160 --> 00:32:15,480
Speaker 11: twenty first Oh.

711
00:32:17,120 --> 00:32:17,920
Speaker 2: How old is he now?

712
00:32:18,040 --> 00:32:21,800
Speaker 11: Vicki oh, he's thirteen. So every time we go down

713
00:32:21,840 --> 00:32:23,200
Speaker 11: the shopping aisle, I say, that's you.

714
00:32:24,240 --> 00:32:26,000
Speaker 3: Still he's still going in the aisles.

715
00:32:28,080 --> 00:32:31,000
Speaker 11: He was taken off about two years ago, but every

716
00:32:31,040 --> 00:32:34,200
Speaker 11: year on my Facebook memory, I show him every.

717
00:32:34,080 --> 00:32:35,560
Speaker 2: Year, how brilliant.

718
00:32:36,680 --> 00:32:37,800
Speaker 3: We need to send us a picture.

719
00:32:37,880 --> 00:32:40,360
Speaker 2: Did he get residuals considered away for years and years?

720
00:32:41,840 --> 00:32:43,880
Speaker 11: He didn't. He just got a one off payment which

721
00:32:43,920 --> 00:32:45,680
Speaker 11: we put in the bank. But no, he should have.

722
00:32:45,880 --> 00:32:47,480
Speaker 11: He should have got But I'll send you the photo.

723
00:32:47,880 --> 00:32:49,600
Speaker 3: I would love to see. Good money, Vicki.

724
00:32:51,400 --> 00:32:53,080
Speaker 11: Oh it was one hundred dollars.

725
00:32:57,560 --> 00:32:58,880
Speaker 3: One hundred but well.

726
00:32:58,840 --> 00:33:00,320
Speaker 2: When you said you'd put it away from I think,

727
00:33:00,360 --> 00:33:01,720
Speaker 2: oh wow, that must have been good.

728
00:33:02,720 --> 00:33:05,960
Speaker 3: You can get half a tank a few Thank you, Vicki.

729
00:33:06,400 --> 00:33:07,160
Speaker 3: Kendall's joined us.

730
00:33:07,240 --> 00:33:09,720
Speaker 2: Hi Kendle tell us about the lame claim to fame

731
00:33:09,800 --> 00:33:10,360
Speaker 2: the ad edition.

732
00:33:11,240 --> 00:33:15,920
Speaker 19: Hi, James and Amanda, how are you well? It's funny

733
00:33:15,960 --> 00:33:20,440
Speaker 19: that you mentioned Razma tas Amanda, because for years I've

734
00:33:20,480 --> 00:33:26,600
Speaker 19: always said I was on the razmataz Ad. Well, no,

735
00:33:26,920 --> 00:33:31,040
Speaker 19: you're probably lucky that they weren't my legs. I was

736
00:33:31,080 --> 00:33:33,280
Speaker 19: in a car driving, so it was heads up.

737
00:33:34,320 --> 00:33:35,800
Speaker 6: I was with my late.

738
00:33:36,920 --> 00:33:39,680
Speaker 19: My mother had an RX seven and I had a

739
00:33:39,720 --> 00:33:43,760
Speaker 19: little red miss them and I don't know. They must

740
00:33:43,760 --> 00:33:46,320
Speaker 19: have wanted red cars. But there was a camel crossing

741
00:33:46,440 --> 00:33:50,440
Speaker 19: at the pedestrian crossing as the girl was walking down

742
00:33:50,520 --> 00:33:53,680
Speaker 19: the street putting her stockings on. I think, I don't know.

743
00:33:53,800 --> 00:33:56,360
Speaker 19: I was driving the car, but we were just in

744
00:33:56,440 --> 00:33:59,320
Speaker 19: the traffic. So we were the stopped traffic, not the

745
00:33:59,400 --> 00:34:00,920
Speaker 19: person's stock the traffic.

746
00:34:00,960 --> 00:34:02,680
Speaker 2: And so you were the stop traffic. But they didn't

747
00:34:02,680 --> 00:34:04,960
Speaker 2: have to film you looking outraged at her or anything,

748
00:34:05,720 --> 00:34:06,200
Speaker 2: not at all.

749
00:34:06,320 --> 00:34:09,240
Speaker 19: No, but we had to go round Bent Street several

750
00:34:09,360 --> 00:34:12,360
Speaker 19: times early in the morning for this camel to cross

751
00:34:12,440 --> 00:34:14,799
Speaker 19: the crossing, an actual cat.

752
00:34:14,840 --> 00:34:17,960
Speaker 1: I remember the camel have to do it is leading

753
00:34:18,040 --> 00:34:20,080
Speaker 1: the camel and there's just to bend over and then

754
00:34:20,440 --> 00:34:21,760
Speaker 1: old Razmataz happens.

755
00:34:21,840 --> 00:34:22,239
Speaker 10: Is that right?

756
00:34:22,600 --> 00:34:26,480
Speaker 2: Yes, yeah, I remember the camel. If the camel would

757
00:34:26,560 --> 00:34:28,320
Speaker 2: like to call in, we'd be happy to hear from you.

758
00:34:28,760 --> 00:34:29,600
Speaker 3: Saw a camel tooe.

759
00:34:30,280 --> 00:34:32,800
Speaker 2: I was waiting for you to mention that, thank you.

760
00:34:33,040 --> 00:34:35,439
Speaker 3: If we can get the camel and the lubabile kid,

761
00:34:35,800 --> 00:34:36,400
Speaker 3: I'll be happy.

762
00:34:36,440 --> 00:34:39,279
Speaker 2: What if they're the same person. Our dreams have come true?

763
00:34:39,400 --> 00:34:43,320
Speaker 3: Wake Up People Jones Podcast.

764
00:34:43,800 --> 00:34:45,759
Speaker 1: Let's get on down to the Jonesy demand of arms

765
00:34:45,800 --> 00:34:48,960
Speaker 1: for the pub test and today the four day school

766
00:34:49,000 --> 00:34:50,320
Speaker 1: week for kids at school?

767
00:34:50,400 --> 00:34:51,480
Speaker 3: Does that pass the pub test?

768
00:34:51,520 --> 00:34:55,000
Speaker 2: For senior school students. There's a school in Barrel called

769
00:34:55,040 --> 00:34:58,719
Speaker 2: the Chevalier College in Southern Highlands and they're proposing the

770
00:34:58,800 --> 00:35:02,239
Speaker 2: students in years T ten, eleven and twelve don't go

771
00:35:02,360 --> 00:35:04,960
Speaker 2: to school on Monday. They learn remotely for one day

772
00:35:04,960 --> 00:35:06,879
Speaker 2: a week. The principal has said that this will set

773
00:35:06,920 --> 00:35:09,720
Speaker 2: students up for success in the modern world. They're invited

774
00:35:09,800 --> 00:35:14,040
Speaker 2: to learn from home on Mondays to consolidate learning. I

775
00:35:14,080 --> 00:35:15,640
Speaker 2: think this is a good idea because you know how

776
00:35:15,680 --> 00:35:18,800
Speaker 2: it is in your latest school years. Sorry Brendan, I

777
00:35:18,840 --> 00:35:20,399
Speaker 2: don't know why I'm saying that to you. You didn't

778
00:35:20,440 --> 00:35:24,160
Speaker 2: have any and that's fair enough to But I remember

779
00:35:24,160 --> 00:35:27,240
Speaker 2: when my job. When my kids came home from school,

780
00:35:27,800 --> 00:35:30,160
Speaker 2: they still had sport after school, they had a very

781
00:35:30,239 --> 00:35:33,759
Speaker 2: heavy homework load and it meant going to bed at

782
00:35:33,760 --> 00:35:35,640
Speaker 2: midnight to get everything done. If you're going to do

783
00:35:35,680 --> 00:35:38,640
Speaker 2: all your homework, imagine the release of the pressure valve

784
00:35:38,800 --> 00:35:41,640
Speaker 2: to say okay, it's all right, it's all building up.

785
00:35:41,680 --> 00:35:43,960
Speaker 2: But on Monday, you can consolidate and get all your

786
00:35:44,000 --> 00:35:46,560
Speaker 2: work done. Some parents aren't happy, saying, particularly in the

787
00:35:46,719 --> 00:35:49,239
Speaker 2: HSC year, the kids will miss out by not having

788
00:35:49,280 --> 00:35:51,000
Speaker 2: face to face schooling on the Monday.

789
00:35:52,360 --> 00:35:54,000
Speaker 3: Sounds like a central to me.

790
00:35:54,920 --> 00:35:56,840
Speaker 2: Well, it's seenior school. They were going to do it

791
00:35:56,920 --> 00:35:58,640
Speaker 2: for year nine, but change their minds.

792
00:35:58,360 --> 00:36:01,839
Speaker 3: Because these line is a goof off. That's the best

793
00:36:01,880 --> 00:36:02,799
Speaker 3: describe the year.

794
00:36:02,760 --> 00:36:05,120
Speaker 2: Of all you, that's right. Whereas in the senior years

795
00:36:05,120 --> 00:36:07,200
Speaker 2: you're old enough to be left alone at home and

796
00:36:07,400 --> 00:36:10,760
Speaker 2: responsible enough. Maybe what do you make of this? Senior

797
00:36:10,840 --> 00:36:14,200
Speaker 2: school students working from home once a week? Does this

798
00:36:14,320 --> 00:36:17,680
Speaker 2: pass the pub test? Gem Nation. You might recognize our

799
00:36:17,760 --> 00:36:20,000
Speaker 2: next guest as the actor who played Michael Hutchins in

800
00:36:20,080 --> 00:36:22,960
Speaker 2: the Inexcess mini series. Well, now he's got a new

801
00:36:23,080 --> 00:36:25,239
Speaker 2: role in a show that's set to be the crime

802
00:36:25,360 --> 00:36:28,160
Speaker 2: drama of the year. I can't wait. Scrublands was a

803
00:36:28,280 --> 00:36:32,040
Speaker 2: fabulous book written by Chris Hammer, and this story follows

804
00:36:32,120 --> 00:36:35,480
Speaker 2: a journalist as he unravels concealed truths in the aftermath

805
00:36:35,560 --> 00:36:38,960
Speaker 2: of a small town catastrophe. A great read and I

806
00:36:39,040 --> 00:36:41,400
Speaker 2: can't wait to see it on the screen. We should

807
00:36:41,440 --> 00:36:44,200
Speaker 2: be very excited for this, I certainly am. Luke Arnold, Hi,

808
00:36:45,360 --> 00:36:46,840
Speaker 2: good morning, Thank you for having me.

809
00:36:46,960 --> 00:36:48,359
Speaker 1: Well, Luke, it's great to have you on a man

810
00:36:48,360 --> 00:36:50,320
Speaker 1: who's been telling anyone who care to listen that she

811
00:36:50,520 --> 00:36:52,400
Speaker 1: went to university with Chris Hammer.

812
00:36:52,600 --> 00:36:54,520
Speaker 2: I tell bum jokes for a living and look what

813
00:36:54,600 --> 00:36:56,080
Speaker 2: he's gone on to do. It's not fair.

814
00:36:59,040 --> 00:37:02,080
Speaker 6: He has written there a few cracker books there, and yeah,

815
00:37:02,280 --> 00:37:03,960
Speaker 6: very happy to be stepping into his world.

816
00:37:04,280 --> 00:37:11,040
Speaker 2: Well, in Scrublands, you play Sydney Herald journalist Martin Scarsden

817
00:37:11,600 --> 00:37:15,280
Speaker 2: who goes into the country to look at this crime

818
00:37:15,880 --> 00:37:19,680
Speaker 2: and a dry, hot, unusual kind of country he finds,

819
00:37:19,719 --> 00:37:21,640
Speaker 2: doesn't he Well, that's right.

820
00:37:22,040 --> 00:37:24,480
Speaker 6: So this is the year after a kind of terrible

821
00:37:24,760 --> 00:37:28,480
Speaker 6: massacre that's happened in this town, and of course, you know,

822
00:37:29,320 --> 00:37:31,800
Speaker 6: things have not been going well since then. So he

823
00:37:31,920 --> 00:37:34,919
Speaker 6: kind of finds the town's folkoy I think, are dealing

824
00:37:34,960 --> 00:37:38,160
Speaker 6: with the aftermath of that, very nervous of journalists after

825
00:37:38,280 --> 00:37:40,520
Speaker 6: how you know, the stories that kind of came out

826
00:37:40,520 --> 00:37:43,000
Speaker 6: a year ago, and so he begins having a little

827
00:37:43,000 --> 00:37:45,640
Speaker 6: bit of a hard time kind of drawing the truth.

828
00:37:45,480 --> 00:37:45,880
Speaker 3: Out of them.

829
00:37:46,680 --> 00:37:49,719
Speaker 2: Where did you actually film this? Because the hot, dry

830
00:37:49,880 --> 00:37:52,800
Speaker 2: country is a character all on its own in this story.

831
00:37:53,880 --> 00:37:55,920
Speaker 6: It is, so we actually shut a lot of this

832
00:37:56,080 --> 00:37:59,520
Speaker 6: in beautiful Castlemaine and a little town nearby called Malden,

833
00:37:59,760 --> 00:38:02,799
Speaker 6: And we did feel a bit guilty because they are

834
00:38:02,880 --> 00:38:06,279
Speaker 6: beautiful little towns and lovely country and that we were

835
00:38:06,320 --> 00:38:08,839
Speaker 6: then depicting as the you know, drought written town.

836
00:38:10,880 --> 00:38:13,000
Speaker 1: Yeah, because you got and you gotta say, and also

837
00:38:13,360 --> 00:38:17,120
Speaker 1: it's the place of a grizzly massacre the lot you

838
00:38:17,320 --> 00:38:18,319
Speaker 1: keep that on the down low?

839
00:38:19,800 --> 00:38:22,400
Speaker 6: Yes, well, I mean the thing is that everyone had

840
00:38:22,480 --> 00:38:24,200
Speaker 6: heard about the book, so I think the moment you

841
00:38:24,239 --> 00:38:27,200
Speaker 6: started saying scrubland, lots of people knew the story we

842
00:38:27,280 --> 00:38:30,960
Speaker 6: were telling. Luckily they welcomed us with open darts and yeah,

843
00:38:31,040 --> 00:38:33,480
Speaker 6: let us come and enjoy their lovely town. And you

844
00:38:33,560 --> 00:38:34,759
Speaker 6: know turned it into this other point.

845
00:38:34,800 --> 00:38:38,680
Speaker 2: Well, the director was a director of Wolf Creek, so

846
00:38:38,840 --> 00:38:40,680
Speaker 2: you guys brought a lot of joy to the town.

847
00:38:42,040 --> 00:38:43,680
Speaker 6: Yeah, you kind of have a bit of an idea

848
00:38:43,719 --> 00:38:46,759
Speaker 6: of what you're getting into with Greg. I mean, he's incredible,

849
00:38:47,080 --> 00:38:49,840
Speaker 6: and if you see the show, there are definitely some

850
00:38:49,960 --> 00:38:52,680
Speaker 6: sequences that look like they could be lifted directly out

851
00:38:52,719 --> 00:38:55,640
Speaker 6: of Wolf Creek. Folded in. There is a little bit

852
00:38:55,680 --> 00:38:59,320
Speaker 6: more grizzly action. So yeah, I think there was no

853
00:38:59,520 --> 00:39:02,200
Speaker 6: hiding tone of the show when we had scrub Lands

854
00:39:02,239 --> 00:39:03,040
Speaker 6: and Greg McLean with.

855
00:39:03,120 --> 00:39:05,160
Speaker 3: Us speaking of action and never tear us apart. We

856
00:39:05,239 --> 00:39:07,640
Speaker 3: saw you naked? Are we going to see you naked

857
00:39:07,719 --> 00:39:07,840
Speaker 3: in this?

858
00:39:09,600 --> 00:39:09,759
Speaker 15: You know?

859
00:39:10,160 --> 00:39:11,640
Speaker 6: This has been really nice. I've had a couple of

860
00:39:11,719 --> 00:39:13,399
Speaker 6: jobs in a row now where I've got to keep

861
00:39:13,440 --> 00:39:17,640
Speaker 6: my kid on, so there was a real string of

862
00:39:17,760 --> 00:39:21,040
Speaker 6: jobs there where I think, you know, yeah, my butt

863
00:39:21,080 --> 00:39:24,600
Speaker 6: probably had more screen time in my face. Maybe I've

864
00:39:25,040 --> 00:39:26,000
Speaker 6: gone up a few steps.

865
00:39:26,120 --> 00:39:28,400
Speaker 3: I understand your butt is touring right now. You can

866
00:39:28,440 --> 00:39:29,680
Speaker 3: see it at RSL clubs.

867
00:39:30,680 --> 00:39:32,600
Speaker 6: It's got a better career than me.

868
00:39:32,800 --> 00:39:34,840
Speaker 1: Although do you worry though when they suddenly say, you

869
00:39:34,920 --> 00:39:36,839
Speaker 1: know what, Luke, you know we're not going to need

870
00:39:36,880 --> 00:39:37,919
Speaker 1: your nude in these scenes?

871
00:39:38,120 --> 00:39:38,759
Speaker 2: What's wrong with me?

872
00:39:38,880 --> 00:39:41,000
Speaker 3: You suddenly feel a bit self conscious about that.

873
00:39:41,920 --> 00:39:45,200
Speaker 6: Yeah, I could get a bit worried, but maybe I'm

874
00:39:45,360 --> 00:39:47,360
Speaker 6: just happy to hand it off to the next generation.

875
00:39:47,480 --> 00:39:47,680
Speaker 7: Good.

876
00:39:47,800 --> 00:39:50,520
Speaker 2: Well, this is a great character to play. Not only

877
00:39:50,680 --> 00:39:53,640
Speaker 2: is the story amazing, but also there are sequels to

878
00:39:53,719 --> 00:39:56,799
Speaker 2: be had. So luckily that you are Martin Scarsden, maybe

879
00:39:56,880 --> 00:39:57,560
Speaker 2: for years to come.

880
00:39:58,719 --> 00:40:01,640
Speaker 6: Look, I love a book and I love playing Martin,

881
00:40:01,719 --> 00:40:04,160
Speaker 6: and you know, I really like how the show's turned out.

882
00:40:04,200 --> 00:40:06,759
Speaker 6: So I guess if everyone tunes in and likes it

883
00:40:06,800 --> 00:40:08,239
Speaker 6: as much as we do, we might get a chance

884
00:40:08,280 --> 00:40:09,200
Speaker 6: to come back and do some more.

885
00:40:09,360 --> 00:40:12,239
Speaker 2: Why wouldn't And I think all the best, all the

886
00:40:12,280 --> 00:40:15,080
Speaker 2: best viewing at the moment is these kinds of shows.

887
00:40:15,160 --> 00:40:16,640
Speaker 2: You don't need to go to the cinema. It's all

888
00:40:16,680 --> 00:40:20,440
Speaker 2: happening on your television. I think this is brittance stay high, yeah, with.

889
00:40:20,520 --> 00:40:22,960
Speaker 6: A world class Telly made in Australia. And look, this

890
00:40:23,080 --> 00:40:25,920
Speaker 6: is only four episodes, so you know it's available right now.

891
00:40:26,000 --> 00:40:27,759
Speaker 6: You can take a sicky watch it and still get

892
00:40:27,840 --> 00:40:30,000
Speaker 6: to work in the afternoon.

893
00:40:30,080 --> 00:40:32,880
Speaker 1: There you've got some spare time. You can see Luke's

894
00:40:32,920 --> 00:40:34,640
Speaker 1: bum and never turns apart.

895
00:40:37,200 --> 00:40:38,960
Speaker 6: Still there, still there.

896
00:40:39,560 --> 00:40:43,279
Speaker 1: I've got to tell tell Laurie tell Us scrub Lands

897
00:40:43,360 --> 00:40:45,640
Speaker 1: is out now on Stan Luke Arnold's always great to

898
00:40:45,680 --> 00:40:45,920
Speaker 1: talk to you.

899
00:40:46,000 --> 00:40:47,760
Speaker 3: Thank you for joining us, Thank.

900
00:40:47,600 --> 00:40:48,560
Speaker 10: You so much, appreciate it.

901
00:40:49,440 --> 00:40:52,040
Speaker 3: And Monday gem Nations podcast.

902
00:40:55,120 --> 00:40:56,520
Speaker 2: I want you to get on right now.

903
00:40:57,160 --> 00:40:58,240
Speaker 11: I'm taking pleasing.

904
00:40:58,400 --> 00:41:01,680
Speaker 8: Now go to your window, stick your head on and

905
00:41:01,800 --> 00:41:07,680
Speaker 8: yell as hell, dander Vy jonesy no matter around to

906
00:41:07,760 --> 00:41:11,000
Speaker 8: the pub test today, senior school students working from home

907
00:41:11,080 --> 00:41:11,560
Speaker 8: once a week.

908
00:41:11,719 --> 00:41:13,040
Speaker 3: Does this pass the pub test?

909
00:41:13,200 --> 00:41:15,640
Speaker 2: My number. A number of schools are experimenting with different

910
00:41:15,719 --> 00:41:18,080
Speaker 2: times for kids, but the Chevelier College in the Southern

911
00:41:18,160 --> 00:41:21,280
Speaker 2: Highlands is proposing students in years ten, eleven and twelve

912
00:41:22,160 --> 00:41:25,480
Speaker 2: don't go to school on Monday. That will give them

913
00:41:25,600 --> 00:41:28,719
Speaker 2: time to consolidate. They're invited to learn from home, as

914
00:41:28,760 --> 00:41:31,160
Speaker 2: they say, to set students up for success in the

915
00:41:31,239 --> 00:41:34,239
Speaker 2: modern world and consolidate learning. I do know from when

916
00:41:34,320 --> 00:41:36,399
Speaker 2: my kids are in their final years at school there's

917
00:41:36,440 --> 00:41:38,239
Speaker 2: a lot on their plate and you feel you can't

918
00:41:38,239 --> 00:41:41,319
Speaker 2: get on top of it without sacrificing sleep late at night.

919
00:41:41,800 --> 00:41:43,520
Speaker 2: This is a way maybe to release some of that

920
00:41:43,640 --> 00:41:45,879
Speaker 2: pressure for kids and say on Monday you can spend

921
00:41:45,920 --> 00:41:46,680
Speaker 2: a day doing your well.

922
00:41:46,760 --> 00:41:49,040
Speaker 3: I remember my final years at school where were they

923
00:41:49,160 --> 00:41:51,880
Speaker 3: spent goof off central that's because you.

924
00:41:51,880 --> 00:41:54,640
Speaker 2: Didn't do final years at school, and that's fair enough too.

925
00:41:55,239 --> 00:41:57,000
Speaker 2: But there's a lot of pressure on kids and maybe

926
00:41:57,080 --> 00:41:59,080
Speaker 2: having a day to work from home would relieve some

927
00:41:59,239 --> 00:42:01,680
Speaker 2: of that. So what do you think of this, senior

928
00:42:01,719 --> 00:42:04,320
Speaker 2: school students working from home once a week. Does this

929
00:42:04,440 --> 00:42:05,279
Speaker 2: pass the pub test?

930
00:42:05,560 --> 00:42:07,480
Speaker 12: My kids go to chev One will be in U

931
00:42:07,560 --> 00:42:09,239
Speaker 12: nine and one will be in U ten next year,

932
00:42:09,280 --> 00:42:10,319
Speaker 12: so it affects one of them.

933
00:42:10,480 --> 00:42:11,520
Speaker 9: I think it's okay.

934
00:42:11,719 --> 00:42:14,040
Speaker 11: Our school tried it and the school failed.

935
00:42:14,200 --> 00:42:17,680
Speaker 15: They had a produced completion of subjects from all the

936
00:42:17,760 --> 00:42:20,239
Speaker 15: students over the twelve month periods, so I went back

937
00:42:20,239 --> 00:42:22,640
Speaker 15: to five days. Yes, I think it does because I'm

938
00:42:22,680 --> 00:42:25,880
Speaker 15: a parent with teenage children when I'm going into year

939
00:42:25,920 --> 00:42:28,279
Speaker 15: twelve next year and one in year eleventh, and they

940
00:42:28,320 --> 00:42:30,839
Speaker 15: would love to have a Monday off to be able

941
00:42:30,920 --> 00:42:32,960
Speaker 15: to study to do that, and I think it takes

942
00:42:32,960 --> 00:42:34,600
Speaker 15: a lot of the stress off them as well to

943
00:42:34,760 --> 00:42:36,200
Speaker 15: be in their own environment at home.

944
00:42:36,680 --> 00:42:39,759
Speaker 10: My daughter actually goes to Chevellier's school. Now they're going

945
00:42:39,800 --> 00:42:42,120
Speaker 10: to where my daughter's going to year twelve, keep her

946
00:42:42,120 --> 00:42:44,400
Speaker 10: at home one day a week so if she's got

947
00:42:44,440 --> 00:42:45,880
Speaker 10: other things on the mind, so there's going to be

948
00:42:45,960 --> 00:42:49,879
Speaker 10: no structure and the jordanees and all the time she's

949
00:42:49,920 --> 00:42:52,520
Speaker 10: put in straight out the window. Good on your shevs.

950
00:42:52,719 --> 00:42:53,279
Speaker 10: Yes it does.

951
00:42:53,520 --> 00:42:56,640
Speaker 15: I went to school in the seventies and we had

952
00:42:56,640 --> 00:42:58,960
Speaker 15: a system called the June scheme which was a four

953
00:42:59,040 --> 00:43:02,960
Speaker 15: day week on a six cycle and it was fantastic.

954
00:43:03,280 --> 00:43:06,560
Speaker 15: My two daughters went to high school in Maitland.

955
00:43:06,320 --> 00:43:07,920
Speaker 10: And talk about you.

956
00:43:08,400 --> 00:43:10,480
Speaker 9: Yeah, I'm a deputy principal in a high school and

957
00:43:10,560 --> 00:43:11,360
Speaker 9: we currently do it.

958
00:43:11,800 --> 00:43:12,480
Speaker 6: Yeah are you tall?

959
00:43:12,560 --> 00:43:14,960
Speaker 9: Students work one day a fortnight from home and if

960
00:43:15,040 --> 00:43:17,560
Speaker 9: at work, and it works beautifully. They work on major works,

961
00:43:17,600 --> 00:43:18,480
Speaker 9: they work on projects.

962
00:43:18,600 --> 00:43:19,320
Speaker 12: It's been amazing.

963
00:43:20,080 --> 00:43:23,160
Speaker 3: I'd like to study on Mondays.

964
00:43:24,160 --> 00:43:27,480
Speaker 2: Might have helped you. See. Do you think anything that's

965
00:43:27,520 --> 00:43:28,440
Speaker 2: goof of is goof of?

966
00:43:28,880 --> 00:43:30,920
Speaker 3: Actually I'm the king of goofle. I know I make

967
00:43:30,960 --> 00:43:33,120
Speaker 3: a living. I don't know what goof off is.

968
00:43:33,239 --> 00:43:40,000
Speaker 2: Yeah, I think it's a good idea. Podcast started What

969
00:43:40,160 --> 00:43:41,680
Speaker 2: you do that you do it?

970
00:43:41,880 --> 00:43:46,080
Speaker 14: There's a fancy the moldy bacteria investors, slab of meat.

971
00:43:47,080 --> 00:43:47,680
Speaker 19: Fall off, the.

972
00:43:49,800 --> 00:43:52,400
Speaker 3: Result too much tends to give your diary.

973
00:43:53,480 --> 00:43:57,520
Speaker 2: We have made a TikTok tucker with cheetos. Before we

974
00:43:57,600 --> 00:44:01,840
Speaker 2: made a salad Cheeto salad, and we really liked it. Today,

975
00:44:02,560 --> 00:44:04,880
Speaker 2: the woman who made this on TikTok will put it

976
00:44:04,880 --> 00:44:06,759
Speaker 2: on our socials. It's a little alarm and she's got

977
00:44:06,840 --> 00:44:09,040
Speaker 2: really long nails and a really blunt knife when she's

978
00:44:09,080 --> 00:44:11,560
Speaker 2: cutting things, and it's quite stressful to watch, but I'm

979
00:44:11,560 --> 00:44:13,279
Speaker 2: intrigued to know what it tastes like. She says, this

980
00:44:13,400 --> 00:44:18,759
Speaker 2: is a favorite snack. It's Cheetos cereal, Cheeto cereal. So

981
00:44:18,920 --> 00:44:22,160
Speaker 2: what you take is a bag of flaming hot Cheetos.

982
00:44:22,239 --> 00:44:24,799
Speaker 3: We've got these, you've got your party bag.

983
00:44:24,920 --> 00:44:26,359
Speaker 2: I'm going to put these into a bowl.

984
00:44:26,560 --> 00:44:27,520
Speaker 3: That's your prison name.

985
00:44:27,520 --> 00:44:30,280
Speaker 2: Is it party bag or flaming hot cheeto.

986
00:44:31,120 --> 00:44:32,360
Speaker 3: They're called flaming hot.

987
00:44:32,239 --> 00:44:34,319
Speaker 2: Puffs, flaming ohoh. They look like.

988
00:44:36,719 --> 00:44:38,000
Speaker 3: What do you think packaging.

989
00:44:38,480 --> 00:44:41,440
Speaker 2: It looks like that kind of packaging that goes around stuff,

990
00:44:41,560 --> 00:44:44,160
Speaker 2: and that's quite right, and that's just probably just as nutritious.

991
00:44:44,239 --> 00:44:47,080
Speaker 3: So you've put your flaming hot pot into and this.

992
00:44:47,360 --> 00:44:50,200
Speaker 2: Then we're going to add some pickle juice. I've never

993
00:44:50,280 --> 00:44:53,000
Speaker 2: seen these pickles. You can buy them here. They're big

994
00:44:53,280 --> 00:44:56,680
Speaker 2: fat pickles. So this is a sour siss My brother's

995
00:44:56,680 --> 00:44:59,640
Speaker 2: got one of those and a hot pickle, so there's

996
00:44:59,680 --> 00:45:02,560
Speaker 2: two lots of pickles. What we're going to do is

997
00:45:02,600 --> 00:45:05,960
Speaker 2: we're going to open the sour sice pickle packet.

998
00:45:07,560 --> 00:45:09,600
Speaker 3: Dear, you're opening the hot pickle packet.

999
00:45:09,760 --> 00:45:13,200
Speaker 2: Oh sorry, let's open the sour sice pickle packet. That's

1000
00:45:13,239 --> 00:45:15,960
Speaker 2: what Peter said to pickle peppers. And what I do

1001
00:45:16,719 --> 00:45:19,000
Speaker 2: is I take it. I pour the juice. First of all,

1002
00:45:19,120 --> 00:45:21,600
Speaker 2: the pickle juice into the bowl of cheetos. It's pickle

1003
00:45:21,680 --> 00:45:24,160
Speaker 2: juice over the cheetos. That big yellow juice is coming

1004
00:45:24,200 --> 00:45:29,720
Speaker 2: out along with this big fat pickle.

1005
00:45:30,600 --> 00:45:31,680
Speaker 3: I don't like the way you hand.

1006
00:45:31,800 --> 00:45:34,080
Speaker 2: I also get the hot pickle.

1007
00:45:34,360 --> 00:45:34,520
Speaker 3: Yep.

1008
00:45:34,600 --> 00:45:36,759
Speaker 2: Now we want the hot pickle, but not all the sauce,

1009
00:45:36,800 --> 00:45:39,000
Speaker 2: because I don't want it to be massively hot. This

1010
00:45:39,200 --> 00:45:41,080
Speaker 2: pickle also comes out of the jar. And how about

1011
00:45:41,080 --> 00:45:43,240
Speaker 2: I put a little bit of the juice, a little

1012
00:45:43,239 --> 00:45:44,240
Speaker 2: bit of that pickle juice.

1013
00:45:44,360 --> 00:45:44,440
Speaker 12: Ye.

1014
00:45:44,560 --> 00:45:46,120
Speaker 2: What I'm going to do at the end is actually

1015
00:45:46,239 --> 00:45:50,200
Speaker 2: add regular pickle juice to this, not the big fat pickles.

1016
00:45:50,480 --> 00:45:55,280
Speaker 2: So I now have to slice up these big pickles

1017
00:45:55,400 --> 00:45:59,320
Speaker 2: into rings. God they're massive. It's like slicing up a pineapple.

1018
00:45:59,320 --> 00:46:02,479
Speaker 3: I can't watch you cut stuff. It just looks down,

1019
00:46:02,800 --> 00:46:03,120
Speaker 3: all right.

1020
00:46:03,160 --> 00:46:05,719
Speaker 2: So these big fat pickles are going in with the cheetos.

1021
00:46:05,760 --> 00:46:07,640
Speaker 3: It's the station microsurgeon in today.

1022
00:46:09,239 --> 00:46:13,719
Speaker 2: The station microsurgeon doesn't exist. Okay, just hack them up.

1023
00:46:15,000 --> 00:46:16,480
Speaker 2: I'm missing my fingers.

1024
00:46:16,560 --> 00:46:18,880
Speaker 3: Yeah, but you just can't chop stuff.

1025
00:46:19,760 --> 00:46:21,640
Speaker 2: I've survived to this point and I've only had a

1026
00:46:21,680 --> 00:46:23,480
Speaker 2: little bit of microsurgery.

1027
00:46:24,400 --> 00:46:24,720
Speaker 3: Stopped.

1028
00:46:24,800 --> 00:46:27,680
Speaker 2: Just I'm putting the pickles in, putting the pickles in,

1029
00:46:28,120 --> 00:46:30,800
Speaker 2: mun munching that in. And now can you open that

1030
00:46:30,920 --> 00:46:33,120
Speaker 2: jar of other pickles? Yep, I'm going to pour that

1031
00:46:33,200 --> 00:46:36,239
Speaker 2: juice because you need a lot of juice. Oh maybe

1032
00:46:36,280 --> 00:46:39,239
Speaker 2: you can't. Oh, I can pour that juice in here.

1033
00:46:39,360 --> 00:46:41,640
Speaker 2: How much juice, as much as you can. I'll put

1034
00:46:41,680 --> 00:46:43,440
Speaker 2: my fingers there to stop the pickles coming out. We

1035
00:46:43,520 --> 00:46:46,720
Speaker 2: just want the juice, the hole juice, the whole juice.

1036
00:46:47,480 --> 00:46:49,120
Speaker 2: And then I cut a lime in half.

1037
00:46:49,320 --> 00:46:51,280
Speaker 3: Yep, smells like a pickle fence.

1038
00:46:51,880 --> 00:46:54,600
Speaker 2: I wonder why it smells like a pickle fish. You

1039
00:46:54,680 --> 00:46:56,520
Speaker 2: just saw me chop them all up. So what we

1040
00:46:56,680 --> 00:46:59,200
Speaker 2: have in here. We've got our cheetos and we let

1041
00:46:59,239 --> 00:47:02,640
Speaker 2: that marinate. We've got a big fat Cis pickle and

1042
00:47:02,719 --> 00:47:05,400
Speaker 2: a hot pickle. The juice of the Cis pickle, a

1043
00:47:05,480 --> 00:47:10,360
Speaker 2: little bit of the juice of the hot pickle, pickle juice, beetlejuice.

1044
00:47:10,840 --> 00:47:12,960
Speaker 2: And I'm squeezing a lime over the when do we

1045
00:47:13,080 --> 00:47:15,759
Speaker 2: eat it. We let it marinate, and then when we

1046
00:47:15,880 --> 00:47:19,239
Speaker 2: come back, when we open our microphones again, we will

1047
00:47:19,280 --> 00:47:21,719
Speaker 2: be eating this. Let me stir it all up. Do

1048
00:47:21,719 --> 00:47:23,239
Speaker 2: you want to eat this bit of pickle? Along the

1049
00:47:23,280 --> 00:47:24,879
Speaker 2: way is a straight end there?

1050
00:47:25,120 --> 00:47:25,759
Speaker 3: Just stir it up.

1051
00:47:26,320 --> 00:47:29,440
Speaker 2: I'm stirring it up. That's normally your job, stirring it up.

1052
00:47:29,640 --> 00:47:30,200
Speaker 3: Get in there.

1053
00:47:30,760 --> 00:47:33,239
Speaker 2: Okay, Actually I'm going to use my hands. I think

1054
00:47:33,280 --> 00:47:34,279
Speaker 2: in all have you washed them?

1055
00:47:34,360 --> 00:47:35,440
Speaker 3: You just went to the toilet?

1056
00:47:36,640 --> 00:47:39,600
Speaker 2: No comment? Okay, what do you think I am? What

1057
00:47:39,760 --> 00:47:40,360
Speaker 2: kind of grub?

1058
00:47:41,000 --> 00:47:45,400
Speaker 3: You're a grub? All right? Let this mari, we'll let

1059
00:47:45,440 --> 00:47:47,279
Speaker 3: it marinate, will come back and we'll eat there and

1060
00:47:47,360 --> 00:47:47,719
Speaker 3: we'll eat it.

1061
00:47:47,760 --> 00:47:51,320
Speaker 2: It's like cereal because the puffs will kind of dissolve.

1062
00:47:51,840 --> 00:47:52,719
Speaker 3: As they always do.

1063
00:47:54,920 --> 00:47:57,680
Speaker 18: Start then you do it.

1064
00:47:57,840 --> 00:48:00,880
Speaker 14: That's a fancy the moldy back. How are your invested

1065
00:48:01,080 --> 00:48:03,480
Speaker 14: slab of meat fall off?

1066
00:48:03,600 --> 00:48:09,280
Speaker 3: The too much chances to give your di TikTok tuger.

1067
00:48:09,440 --> 00:48:12,240
Speaker 2: We make food from TikTok and we eat it today

1068
00:48:12,520 --> 00:48:15,680
Speaker 2: Cheeto cereal. The woman who is in the TikTok has

1069
00:48:15,760 --> 00:48:19,359
Speaker 2: these alarmingly long fingernails look look very distressing, and she's

1070
00:48:19,440 --> 00:48:22,360
Speaker 2: using a blunt knife to chop up big fat pickles.

1071
00:48:22,400 --> 00:48:25,440
Speaker 2: It's quite distressing to watch today though we are replicating

1072
00:48:25,560 --> 00:48:28,759
Speaker 2: this recipe such as it is. I've put flaming hot

1073
00:48:28,880 --> 00:48:31,560
Speaker 2: Cheetos or cheeto what were they? I've thrown the packet.

1074
00:48:31,360 --> 00:48:33,760
Speaker 3: Out, flaming hot puffs. They are in a bowl.

1075
00:48:34,360 --> 00:48:36,680
Speaker 2: And I hadn't seen these big pickles before you said

1076
00:48:36,680 --> 00:48:41,240
Speaker 2: you've seen them, These big fat pickles in their juice.

1077
00:48:41,280 --> 00:48:43,640
Speaker 2: One is a sour ciss pickle and one is a

1078
00:48:43,680 --> 00:48:46,320
Speaker 2: hot pickle. They've been chopped up. The juice of the

1079
00:48:46,400 --> 00:48:49,359
Speaker 2: sour ciss has gone in along with regular pickle juice

1080
00:48:49,360 --> 00:48:52,399
Speaker 2: from another jar of pickles, and a squeeze of lime.

1081
00:48:53,000 --> 00:48:55,440
Speaker 2: This is called cheeto cereal because it's kind of all

1082
00:48:55,560 --> 00:48:57,120
Speaker 2: melty and cereal ish.

1083
00:48:57,239 --> 00:48:59,640
Speaker 3: So it's been marinating during Avril Levine.

1084
00:49:00,040 --> 00:49:02,840
Speaker 2: I'm going, haven't we all. I'm going to scoop this

1085
00:49:03,080 --> 00:49:09,960
Speaker 2: into a bowl and we are going to enjoy. Sorry

1086
00:49:10,040 --> 00:49:12,320
Speaker 2: for the noises. Let me get a bit more of

1087
00:49:12,400 --> 00:49:14,840
Speaker 2: that in there, and I'll just put some more juice

1088
00:49:14,880 --> 00:49:19,720
Speaker 2: on the top. Because it is the consistency really of cereal.

1089
00:49:20,320 --> 00:49:21,800
Speaker 2: It has gone like porridge.

1090
00:49:21,960 --> 00:49:22,160
Speaker 12: Ah.

1091
00:49:24,200 --> 00:49:25,360
Speaker 3: I can't, I can't look at it.

1092
00:49:25,440 --> 00:49:28,440
Speaker 2: It looks like, let's like someone's had an operation.

1093
00:49:29,120 --> 00:49:32,560
Speaker 3: It's it's very visually unappealing.

1094
00:49:33,080 --> 00:49:35,799
Speaker 2: Well, let's see what it tastes like. Take one. Pass

1095
00:49:35,880 --> 00:49:41,600
Speaker 2: one on to your friend. Ryan. Come on, Cheeto cereal?

1096
00:49:42,280 --> 00:49:44,280
Speaker 3: No you have that one? Looks like a brain.

1097
00:49:45,600 --> 00:49:49,439
Speaker 2: Yeah, all right, well it looks like a brain. That'd

1098
00:49:49,480 --> 00:49:51,440
Speaker 2: be useful in here. I'm going in.

1099
00:49:52,320 --> 00:49:53,239
Speaker 3: I don't think I can eat it.

1100
00:50:00,280 --> 00:50:02,640
Speaker 2: Jonesy just threw up into a bowl, into the bin.

1101
00:50:04,600 --> 00:50:10,160
Speaker 2: It's hot, Ryan spat stop it. No, that's too hot

1102
00:50:10,239 --> 00:50:14,880
Speaker 2: for me. Oh you made me put the hot pickle

1103
00:50:14,920 --> 00:50:17,719
Speaker 2: juice in. I'll give the backstory. We had a jar

1104
00:50:17,800 --> 00:50:19,080
Speaker 2: of pickles and I was going to put that pickle

1105
00:50:19,160 --> 00:50:22,520
Speaker 2: ju and you said the juice is probably off, so

1106
00:50:22,640 --> 00:50:25,320
Speaker 2: we had to use the hot pickle juice. I have

1107
00:50:25,440 --> 00:50:28,160
Speaker 2: heart burnt power of one hundred. Pickle juice was too

1108
00:50:28,239 --> 00:50:32,200
Speaker 2: hot for me. Excuse me, I'm on the radio. Stop talking.

1109
00:50:32,760 --> 00:50:34,960
Speaker 2: I'll pull yourself together. It's food.

1110
00:50:35,080 --> 00:50:35,640
Speaker 3: Get over it.

1111
00:50:37,560 --> 00:50:40,400
Speaker 2: You've gone all pale and pasty. Havn't the one more

1112
00:50:40,440 --> 00:50:45,000
Speaker 2: mouth I look at it, I have one more mouthful.

1113
00:50:45,440 --> 00:50:48,040
Speaker 3: No, why would I do that? I just I just

1114
00:50:48,320 --> 00:50:49,719
Speaker 3: really chucked everywhere.

1115
00:50:50,160 --> 00:50:53,560
Speaker 1: Have one more mouthful that well, I don't think that

1116
00:50:53,600 --> 00:50:54,840
Speaker 1: you're father making that.

1117
00:50:54,960 --> 00:50:56,600
Speaker 3: Get it out of here. Get it out of here.

1118
00:51:00,040 --> 00:51:05,000
Speaker 14: And see the moldy bacteria invested slab of meat fall.

1119
00:51:04,960 --> 00:51:06,640
Speaker 6: Off the ball.

1120
00:51:09,080 --> 00:51:09,919
Speaker 3: Tends to give your doc.

1121
00:51:10,120 --> 00:51:13,319
Speaker 2: Burning my testinees. I watched you spit it and throw

1122
00:51:13,360 --> 00:51:15,239
Speaker 2: your bowl into the bin. I watched Ryan spit his

1123
00:51:15,400 --> 00:51:19,560
Speaker 2: bag into his bowl. This has been a horror. Okay,

1124
00:51:19,680 --> 00:51:24,520
Speaker 2: let's move on. Jonesy and Amanda Germs podcast.

1125
00:51:31,960 --> 00:51:34,279
Speaker 1: Double A Chattery. I've just been catching up on my

1126
00:51:34,480 --> 00:51:37,960
Speaker 1: Double a Chattery. That's just dropped. Everyone's got side hustles

1127
00:51:38,000 --> 00:51:40,080
Speaker 1: around here. Jim y Rye has just told us that

1128
00:51:40,200 --> 00:51:42,600
Speaker 1: he was in a Prato commercial from one thousand years

1129
00:51:42,640 --> 00:51:44,480
Speaker 1: ago and we found it on YouTube.

1130
00:51:44,600 --> 00:51:45,880
Speaker 3: As an actor and model.

1131
00:51:46,320 --> 00:51:48,840
Speaker 1: Actor and model, and you're in the back of the

1132
00:51:49,080 --> 00:51:51,400
Speaker 1: forward drive. What it seems to me is your so

1133
00:51:51,600 --> 00:51:54,200
Speaker 1: called acting parents are trying to get you out of

1134
00:51:54,239 --> 00:51:57,280
Speaker 1: your cave room and get you into the great outdoors.

1135
00:51:57,520 --> 00:52:00,040
Speaker 3: Yeah yeah, yeah, so and it was a good shoot you.

1136
00:52:00,080 --> 00:52:01,720
Speaker 2: I really have to think about it as an actor

1137
00:52:02,320 --> 00:52:03,279
Speaker 2: and what'd you come up right now?

1138
00:52:03,320 --> 00:52:07,040
Speaker 3: What my motivation was? What's to be disinterested in? Gormletsing

1139
00:52:07,120 --> 00:52:07,920
Speaker 3: on your phone all the time.

1140
00:52:08,000 --> 00:52:09,399
Speaker 2: Yeah, and I think I did a pretty good job.

1141
00:52:09,719 --> 00:52:11,360
Speaker 2: And a bit of typecasting.

1142
00:52:11,160 --> 00:52:13,600
Speaker 3: Stretch double a chattery that drops today.

1143
00:52:13,760 --> 00:52:16,160
Speaker 2: It's a really I think you'll like today, is Brendan

1144
00:52:16,640 --> 00:52:18,440
Speaker 2: because of all the you know, we're going through all

1145
00:52:18,440 --> 00:52:21,800
Speaker 2: the influences, the female influencers who say, watch me, this

1146
00:52:21,960 --> 00:52:24,000
Speaker 2: is how I do my makeup, this is how I dress,

1147
00:52:24,160 --> 00:52:27,319
Speaker 2: this is who I am, watch me have this fabulous life.

1148
00:52:27,719 --> 00:52:30,080
Speaker 2: A whole lot of that's been stripped back, and there's

1149
00:52:30,080 --> 00:52:31,920
Speaker 2: a new breed of influencers who I like to call

1150
00:52:31,960 --> 00:52:35,640
Speaker 2: the Beijes influencers, who say, watch me take my makeup off,

1151
00:52:36,520 --> 00:52:38,960
Speaker 2: watch me put clean sheets on my bed, and watch

1152
00:52:39,080 --> 00:52:40,680
Speaker 2: me clean my sink, and watch me go to bed

1153
00:52:40,680 --> 00:52:43,920
Speaker 2: at nine o'clock. It's almost this pairing back. And so

1154
00:52:44,080 --> 00:52:46,239
Speaker 2: we move through the color wheel of the new influences,

1155
00:52:46,760 --> 00:52:49,759
Speaker 2: and some of it's fascinating because then I call them

1156
00:52:49,800 --> 00:52:54,320
Speaker 2: the brown influencers. Women are reclaiming doing stinky stuff on

1157
00:52:54,360 --> 00:52:56,839
Speaker 2: the toilet. It's always been the man's domain, the dad

1158
00:52:56,960 --> 00:53:01,680
Speaker 2: stinks up the toilet, but women are saying, hey, I

1159
00:53:01,840 --> 00:53:04,360
Speaker 2: smell and I'm here. And then we move through the

1160
00:53:04,480 --> 00:53:08,120
Speaker 2: color Wheel to the red Influencer. Okay, there's a new

1161
00:53:08,160 --> 00:53:11,560
Speaker 2: thing called free bleeding women who claim that they are

1162
00:53:11,680 --> 00:53:14,480
Speaker 2: feel more liberated when they stay at home when they're

1163
00:53:14,520 --> 00:53:17,799
Speaker 2: menstruating and they don't stop the flow. So we look

1164
00:53:17,920 --> 00:53:21,360
Speaker 2: at all of this. Does it demystify the human body

1165
00:53:21,480 --> 00:53:24,960
Speaker 2: or does it make women also go? Okay, that's too much?

1166
00:53:25,320 --> 00:53:27,319
Speaker 3: Well, double a chattery drops today.

1167
00:53:27,480 --> 00:53:29,920
Speaker 2: Fascinating the role of the color wheel influence.

1168
00:53:30,040 --> 00:53:32,200
Speaker 3: Everyone seems to have a side hustle here but me.

1169
00:53:32,760 --> 00:53:33,680
Speaker 3: I'll just stick to this.

1170
00:53:34,000 --> 00:53:36,520
Speaker 2: You went sailing all yesterday afternoon, so don't pretend you

1171
00:53:36,640 --> 00:53:37,279
Speaker 2: were too hard.

1172
00:53:37,960 --> 00:53:41,160
Speaker 3: It's somebody's got to put the food on the table.

1173
00:53:41,920 --> 00:53:46,160
Speaker 3: And Amanda's Sham Notion podcast. The NRL has had a

1174
00:53:46,239 --> 00:53:49,840
Speaker 3: checkered history in America. Have we tried before, We've tried before.

1175
00:53:50,160 --> 00:53:52,919
Speaker 1: The last foray was the ill fated Denver Test match

1176
00:53:52,960 --> 00:53:56,000
Speaker 1: between New Zealand and England, in which the promoter suffered

1177
00:53:56,000 --> 00:53:58,640
Speaker 1: a financial loss and then the playoffs were out of pocket.

1178
00:53:59,040 --> 00:54:01,320
Speaker 1: In nineteen eighty seven, you might remember State of Origin

1179
00:54:01,719 --> 00:54:04,520
Speaker 1: was played. We had news of Wales and Queensland playing

1180
00:54:04,560 --> 00:54:06,879
Speaker 1: over at Long Beach in California, and there was only

1181
00:54:07,360 --> 00:54:10,120
Speaker 1: they're saying twelve thousand fans, but I think they were counting.

1182
00:54:09,960 --> 00:54:12,680
Speaker 3: Arms and legs is probably more like seven thousand, right,

1183
00:54:12,920 --> 00:54:15,040
Speaker 3: But I think now the time is right.

1184
00:54:15,200 --> 00:54:16,800
Speaker 2: Well, the first game is going to be in Vegas.

1185
00:54:16,920 --> 00:54:20,319
Speaker 1: Yes, and this is a big deal. And NRL has

1186
00:54:20,600 --> 00:54:23,400
Speaker 1: really evolved as a game. And when I watch it

1187
00:54:23,480 --> 00:54:25,600
Speaker 1: on the weekend, you know they play those classic old games.

1188
00:54:25,840 --> 00:54:28,040
Speaker 1: Anyone talks about the good old days, I tell you

1189
00:54:28,400 --> 00:54:29,080
Speaker 1: there is nothing.

1190
00:54:29,400 --> 00:54:32,600
Speaker 3: The old NRL is nothing on what the new NRL is.

1191
00:54:32,800 --> 00:54:34,399
Speaker 3: So putting an old Ferrari up.

1192
00:54:34,360 --> 00:54:36,240
Speaker 2: Against a you fan, and it's interesting watching the Rugby

1193
00:54:36,320 --> 00:54:39,080
Speaker 2: World Cup, the Rugby Union, it makes you realize how

1194
00:54:39,239 --> 00:54:42,120
Speaker 2: fast a game rugby league is. Yeah, and it's such

1195
00:54:42,520 --> 00:54:44,399
Speaker 2: I've become a massive league fan.

1196
00:54:44,640 --> 00:54:46,879
Speaker 1: And with the rise of TikTok and all that sort

1197
00:54:46,880 --> 00:54:48,920
Speaker 1: of stuff, the world is getting smaller. So a lot

1198
00:54:48,960 --> 00:54:52,200
Speaker 1: of Americans would probably be I'm not saying they would

1199
00:54:52,239 --> 00:54:54,920
Speaker 1: be aware of rugby league, but certainly this is a

1200
00:54:55,000 --> 00:54:57,880
Speaker 1: great place for it to be played over in Las Vegas,

1201
00:54:58,000 --> 00:54:58,960
Speaker 1: and they all the.

1202
00:54:59,000 --> 00:55:01,399
Speaker 2: Stuff that we can promote that it is played without

1203
00:55:01,480 --> 00:55:05,400
Speaker 2: shoulder pads, it's played without helmets, the big crunches are real.

1204
00:55:05,840 --> 00:55:08,000
Speaker 2: All that stuff is so promotable because.

1205
00:55:08,040 --> 00:55:12,120
Speaker 3: We're going to see Manly in South Sydney Roosters and Broncos.

1206
00:55:12,360 --> 00:55:14,200
Speaker 3: West Tigers are going, hey on, what about us?

1207
00:55:15,680 --> 00:55:16,840
Speaker 2: Were they bottom of the barrel?

1208
00:55:17,360 --> 00:55:19,400
Speaker 3: You know, you don't kick a team when they're down.

1209
00:55:19,440 --> 00:55:22,080
Speaker 3: They get next year, they're going to kill it West Tigers.

1210
00:55:22,320 --> 00:55:27,719
Speaker 3: What's happening. It's going to be The promo is fantastic.

1211
00:55:27,800 --> 00:55:29,239
Speaker 2: Well what are we seeing in the problem up on

1212
00:55:29,280 --> 00:55:29,840
Speaker 2: the screen for you.

1213
00:55:29,840 --> 00:55:33,040
Speaker 3: Here, just so you can watch. But these hits are massive.

1214
00:55:35,760 --> 00:55:36,080
Speaker 12: It is.

1215
00:55:37,760 --> 00:55:38,760
Speaker 3: Crunching jackal.

1216
00:55:39,880 --> 00:55:42,439
Speaker 1: So they've got all this g It's like a gladiator

1217
00:55:42,520 --> 00:55:46,080
Speaker 1: feast and they're selling it as big hits, no fear,

1218
00:55:46,680 --> 00:55:47,400
Speaker 1: no pads.

1219
00:55:49,960 --> 00:55:54,239
Speaker 2: And then and some incredible flying tries to defy the

1220
00:55:54,400 --> 00:55:58,919
Speaker 2: laws of gravity. That is a great price.

1221
00:55:59,040 --> 00:56:01,440
Speaker 3: The thirty second and they put that over in America.

1222
00:56:01,600 --> 00:56:03,560
Speaker 3: That is great. And I think that is just fantasy.

1223
00:56:03,560 --> 00:56:03,960
Speaker 2: I do too.

1224
00:56:04,280 --> 00:56:05,920
Speaker 1: I just feel I'm not going to be a picky

1225
00:56:05,960 --> 00:56:08,879
Speaker 1: pant Oh here we go. I just feel they could

1226
00:56:08,920 --> 00:56:11,360
Speaker 1: have added a bit of Gus and Rabs magic.

1227
00:56:11,719 --> 00:56:13,120
Speaker 3: Surely they could have put something.

1228
00:56:13,000 --> 00:56:15,080
Speaker 7: Like this in their lines in front of him who's

1229
00:56:15,160 --> 00:56:16,680
Speaker 7: up passed the ball. I don't know where lane is

1230
00:56:16,719 --> 00:56:20,040
Speaker 7: supposed to go? The shore lane passes the ball, Where

1231
00:56:20,040 --> 00:56:22,719
Speaker 7: do they want him to go? Where do they want

1232
00:56:22,800 --> 00:56:23,200
Speaker 7: him to go?

1233
00:56:24,520 --> 00:56:24,759
Speaker 5: Clip?

1234
00:56:25,000 --> 00:56:25,640
Speaker 7: Where does he go?

1235
00:56:26,360 --> 00:56:27,360
Speaker 2: Where does this lane go?

1236
00:56:27,520 --> 00:56:28,640
Speaker 3: Now? What's he supposed to do?

1237
00:56:29,760 --> 00:56:30,080
Speaker 2: Clip?

1238
00:56:30,520 --> 00:56:33,759
Speaker 3: Where is he supposed to go? And where is he

1239
00:56:33,840 --> 00:56:34,440
Speaker 3: supposed to go?

1240
00:56:36,280 --> 00:56:36,480
Speaker 6: Gus?

1241
00:56:36,640 --> 00:56:37,080
Speaker 7: I don't know?

1242
00:56:38,880 --> 00:56:39,560
Speaker 2: I love it?

1243
00:56:39,960 --> 00:56:40,879
Speaker 3: Is it going to work?

1244
00:56:41,320 --> 00:56:42,120
Speaker 7: Gus? I don't know?

1245
00:56:43,320 --> 00:56:44,719
Speaker 3: Jem jam Nation.

1246
00:56:53,000 --> 00:56:56,120
Speaker 2: Getting closer to someone winning twenty thousand dollars just weeks

1247
00:56:56,160 --> 00:56:59,560
Speaker 2: away for being our favorite goolie of the year. Download

1248
00:56:59,560 --> 00:57:02,080
Speaker 2: the iHeart radio app. Got a WSF empress The microphone

1249
00:57:02,120 --> 00:57:03,640
Speaker 2: records your ghoulie, Easy peasy?

1250
00:57:03,719 --> 00:57:04,239
Speaker 3: What have we got?

1251
00:57:05,320 --> 00:57:05,400
Speaker 12: Well?

1252
00:57:05,400 --> 00:57:08,840
Speaker 20: It gets my gullies? Is when my husband opens up

1253
00:57:08,960 --> 00:57:12,760
Speaker 20: a new bag of frozen vegetables, he uses his fingers

1254
00:57:12,880 --> 00:57:15,560
Speaker 20: to tear a hole into the bag. Then when I

1255
00:57:15,680 --> 00:57:18,720
Speaker 20: go to pour the vegetables into the saucepan, I get

1256
00:57:18,800 --> 00:57:21,560
Speaker 20: vegetables all over the stovetop and all over the floor.

1257
00:57:22,240 --> 00:57:25,360
Speaker 20: Why can't he just be a normal person and cut

1258
00:57:25,440 --> 00:57:28,400
Speaker 20: open the bag with a pair of scissors.

1259
00:57:28,880 --> 00:57:31,120
Speaker 2: And when you rip them with your fingers, you rip

1260
00:57:31,160 --> 00:57:33,360
Speaker 2: it too low in the bag, so it's halfway down

1261
00:57:33,400 --> 00:57:34,000
Speaker 2: the bag and it.

1262
00:57:34,000 --> 00:57:36,680
Speaker 3: Looks like a werewolf spin attacking a frozen.

1263
00:57:36,400 --> 00:57:38,680
Speaker 2: Vegetable, A very healthy werewolf.

1264
00:57:38,800 --> 00:57:40,600
Speaker 3: Healthyol What else.

1265
00:57:41,480 --> 00:57:45,080
Speaker 18: What gets my gholies is the attitude of children these days.

1266
00:57:45,560 --> 00:57:48,160
Speaker 18: My daughter was shopping with my three year old granddaughter

1267
00:57:48,560 --> 00:57:52,720
Speaker 18: who suddenly just disappeared. My panic daughter ran up and

1268
00:57:52,800 --> 00:57:56,520
Speaker 18: down the aisles looking for her until another shopper reunited them.

1269
00:57:57,040 --> 00:57:59,880
Speaker 18: When my daughter asked my granddaughter, why did you leave mummy?

1270
00:58:00,360 --> 00:58:05,240
Speaker 18: Her reply was I made a choice, wrong choice. Girlely,

1271
00:58:05,560 --> 00:58:07,200
Speaker 18: can't wait till she's a teenager.

1272
00:58:07,600 --> 00:58:09,000
Speaker 2: Cripes, Grandma's on a case.

1273
00:58:09,160 --> 00:58:11,280
Speaker 3: Irene from home and away wrong.

1274
00:58:11,240 --> 00:58:15,240
Speaker 1: Choyce Girlely, they're great out with about him with the

1275
00:58:15,280 --> 00:58:18,320
Speaker 1: good If you did that, contact us via the iHeartRadio app.

1276
00:58:18,440 --> 00:58:19,520
Speaker 3: It's three to nine.

1277
00:58:21,240 --> 00:58:23,600
Speaker 2: Our favorite caller email of Facebook. Friend wins a double

1278
00:58:23,680 --> 00:58:27,200
Speaker 2: pass to an evening with Jonesy and Amanda while choy

1279
00:58:27,400 --> 00:58:31,760
Speaker 2: Girly tomorrow on our show, Everyone's a winner. Your very

1280
00:58:31,880 --> 00:58:34,480
Speaker 2: last chance to get free tickets to the show to

1281
00:58:34,560 --> 00:58:37,600
Speaker 2: see us live next Thursday on stage. Everyone who calls

1282
00:58:37,680 --> 00:58:39,080
Speaker 2: up who makes it to her on our show tomorrow

1283
00:58:39,120 --> 00:58:41,800
Speaker 2: gets tickets. This is all thanks to tire Power, get

1284
00:58:41,840 --> 00:58:44,240
Speaker 2: the power of Australia's biggest independent time network.

1285
00:58:44,320 --> 00:58:46,080
Speaker 3: You also get the jonesy amount of t twel and

1286
00:58:46,160 --> 00:58:47,880
Speaker 3: eighteenth birthday key ring, which is nice.

1287
00:58:48,040 --> 00:58:50,240
Speaker 2: We were speaking about the cadbread where a girl and

1288
00:58:50,360 --> 00:58:53,360
Speaker 2: boy are doing sort of the crazy worm action with

1289
00:58:53,440 --> 00:58:56,360
Speaker 2: their eyebrows. That's their math eyebrows going up and down.

1290
00:58:56,760 --> 00:58:58,480
Speaker 2: The girl from the ad is no longer a little

1291
00:58:58,520 --> 00:59:03,080
Speaker 2: girl post it on TikTok saying it was edited. It

1292
00:59:03,280 --> 00:59:06,440
Speaker 2: was a fancy trick that made her eyebrows to us.

1293
00:59:06,760 --> 00:59:08,960
Speaker 2: Tribal Drum though matus think about all the people who've

1294
00:59:09,000 --> 00:59:12,120
Speaker 2: been in commercials. Tribal Drum was beatingful lame claim to fame.

1295
00:59:12,200 --> 00:59:14,880
Speaker 16: The ad edition that's thirteen thirty thirty two.

1296
00:59:15,280 --> 00:59:17,200
Speaker 3: And did we find the loudmobile kid?

1297
00:59:17,320 --> 00:59:19,479
Speaker 2: I don't think so, but we did get wrong his number?

1298
00:59:19,560 --> 00:59:20,760
Speaker 3: Why can't we find him?

1299
00:59:21,440 --> 00:59:22,720
Speaker 2: We got Ronda from Kernell.

1300
00:59:23,200 --> 00:59:27,320
Speaker 12: My one is a so good ad, So good Sanitarium

1301
00:59:27,360 --> 00:59:30,880
Speaker 12: milk and I was on there nineteen ninety seven and it.

1302
00:59:31,040 --> 00:59:34,800
Speaker 11: Was it's so good, It's really so good. Who wouldn't

1303
00:59:34,840 --> 00:59:36,720
Speaker 11: drink so good if they could?

1304
00:59:37,560 --> 00:59:40,520
Speaker 2: She's good. She's still got it. Rinder still got it

1305
00:59:40,960 --> 00:59:44,280
Speaker 2: right at that's well ugly fills up next to your

1306
00:59:44,320 --> 00:59:46,120
Speaker 2: chance to get your hands on the hottest tickets in town.

1307
00:59:46,280 --> 00:59:48,800
Speaker 2: Don't forget everyone's a winner on our show tomorrow the

1308
00:59:48,960 --> 00:59:51,040
Speaker 2: last free tickets to come along to our show.

1309
00:59:51,160 --> 00:59:52,880
Speaker 3: We'll be back from six to night for jam Nation.

1310
00:59:53,040 --> 00:59:55,479
Speaker 3: See you then, good day to you. Well, thank god,

1311
00:59:55,600 --> 00:59:56,120
Speaker 3: that's sober.

1312
00:59:56,240 --> 00:59:59,880
Speaker 6: Good bite White two.

1313
01:00:01,080 --> 01:00:04,800
Speaker 2: You catch Jonesy and Amanda's podcast on the iHeartRadio app

1314
01:00:05,040 --> 01:00:17,520
Speaker 2: or wherever you get your podcasts. Change podcast. Catch up

1315
01:00:17,560 --> 01:00:20,160
Speaker 2: on what you've missed on the free iHeartRadio app