1 00:00:04,519 --> 00:00:06,119 Speaker 1: So Will and Woody podcast. 2 00:00:08,960 --> 00:00:12,399 Speaker 2: Hello everyone, Welcome to Will end Woody Podcast, where you 3 00:00:12,480 --> 00:00:15,319 Speaker 2: get the hottest content from our week in radio with 4 00:00:15,360 --> 00:00:18,880 Speaker 2: all the behind the scenes Get now Woods. Yes, a 5 00:00:18,920 --> 00:00:21,079 Speaker 2: little bit of a quick note that I want to 6 00:00:21,120 --> 00:00:23,079 Speaker 2: just little shout out for everyone who's worried about the 7 00:00:23,160 --> 00:00:24,040 Speaker 2: robots taking over. 8 00:00:24,400 --> 00:00:28,520 Speaker 3: Oh yeah, Ai, yes, yes, at that, very worried about that. 9 00:00:28,560 --> 00:00:30,400 Speaker 4: Because and kind as quickly say, because people always think 10 00:00:30,400 --> 00:00:32,280 Speaker 4: I'm a bit nutty when they know that I'm scared 11 00:00:32,280 --> 00:00:32,839 Speaker 4: of robots. 12 00:00:32,840 --> 00:00:33,400 Speaker 3: But here's the thing. 13 00:00:33,440 --> 00:00:35,120 Speaker 2: You're nutty for all sorts of reasons. Mate. You have 14 00:00:35,120 --> 00:00:37,160 Speaker 2: three SIPs of tea in the morning outside, you step 15 00:00:37,200 --> 00:00:38,760 Speaker 2: outside inside, outside three times. 16 00:00:38,920 --> 00:00:42,080 Speaker 3: I'm a little bit neurotic. But also just what. 17 00:00:42,120 --> 00:00:43,400 Speaker 2: Are the other threes that you do in the morning? 18 00:00:43,440 --> 00:00:45,880 Speaker 2: You take three routes hair ties, three hair ties. 19 00:00:45,920 --> 00:00:48,839 Speaker 4: I have to chop my carrots three ways across with 20 00:00:49,000 --> 00:00:51,360 Speaker 4: wise anyway, if I don't do that. 21 00:00:51,240 --> 00:00:52,640 Speaker 2: I can't leave the house anyway. 22 00:00:53,120 --> 00:00:55,680 Speaker 4: A little bit nunny, uh, tiny bit just a bit 23 00:00:55,760 --> 00:01:01,120 Speaker 4: strange anyway, the robots, It just. 24 00:01:01,040 --> 00:01:03,000 Speaker 3: Makes sense to me. So robots are all about efficiency. 25 00:01:03,040 --> 00:01:06,640 Speaker 4: If you think about any artificial intelligence chat GPT, for example, 26 00:01:06,760 --> 00:01:07,399 Speaker 4: what they're trying to. 27 00:01:07,400 --> 00:01:09,600 Speaker 3: Do is here's a job, and we'll do it more efficiently. 28 00:01:10,840 --> 00:01:15,480 Speaker 4: They will realize in time that the human being is 29 00:01:15,600 --> 00:01:18,679 Speaker 4: quite an inefficient species. It needs to sleep, it needs 30 00:01:18,680 --> 00:01:24,200 Speaker 4: to pooh, it gets it gets tired. It's pretty similar 31 00:01:24,240 --> 00:01:27,560 Speaker 4: to the sleep one to cut its carrots three ways. 32 00:01:27,640 --> 00:01:30,680 Speaker 4: It gets emotional, it has so robots will look at 33 00:01:30,760 --> 00:01:31,399 Speaker 4: us and. 34 00:01:31,280 --> 00:01:34,400 Speaker 3: Go, why why are we bothering with you? 35 00:01:34,440 --> 00:01:36,440 Speaker 2: Guys? Yeah, that's the bit. I mean, that's pretty much 36 00:01:36,480 --> 00:01:39,200 Speaker 2: what every piece of AI television and sci fi movie 37 00:01:39,200 --> 00:01:40,960 Speaker 2: has been about. Well, yeah, I just think the movie, well, 38 00:01:48,040 --> 00:01:50,680 Speaker 2: that's the mate when they become self aware they hate. 39 00:01:50,560 --> 00:01:52,280 Speaker 4: Us, well done, don't hate us. It's not a hate 40 00:01:52,280 --> 00:01:54,480 Speaker 4: thing because they don't have emotions. Your inefficient. 41 00:01:54,560 --> 00:01:56,960 Speaker 2: Yeah, exactly. And we'll put a little link under it 42 00:01:57,240 --> 00:02:02,400 Speaker 2: for everyone to the speech from Agent Smith to Morpheus 43 00:02:02,400 --> 00:02:03,760 Speaker 2: when he's in the chair and he's got lots of 44 00:02:03,800 --> 00:02:06,360 Speaker 2: snot going on and he talks about us not being mammals, 45 00:02:06,520 --> 00:02:08,200 Speaker 2: So everyone can watch that in their own time. 46 00:02:08,280 --> 00:02:10,600 Speaker 3: Perfect or I Robot or Dios ex Machina. 47 00:02:11,000 --> 00:02:13,600 Speaker 2: Yeah, all three of those films pretty much cover that. 48 00:02:13,639 --> 00:02:15,799 Speaker 2: We're big sci fi guys. We're not getting back into movies, 49 00:02:16,360 --> 00:02:20,040 Speaker 2: had some feedback. Now now I've got something that I 50 00:02:20,080 --> 00:02:21,639 Speaker 2: want to do with you. And the reason they brought 51 00:02:21,680 --> 00:02:23,320 Speaker 2: up the robots really quickly is I found out the 52 00:02:23,320 --> 00:02:27,720 Speaker 2: BuzzFeed moved to a robot style platform a while we 53 00:02:27,880 --> 00:02:32,320 Speaker 2: all chat GPT, I think, well AI and apparently it's 54 00:02:32,360 --> 00:02:33,120 Speaker 2: died in the ass. 55 00:02:33,440 --> 00:02:36,800 Speaker 3: Great news. Yeah, so that's the one for the humans. 56 00:02:36,840 --> 00:02:39,079 Speaker 2: That's a that's a massive win for human John Connor 57 00:02:39,160 --> 00:02:42,119 Speaker 2: fist pumping somewhere two thousand years ahead of us. It's big. 58 00:02:42,200 --> 00:02:44,760 Speaker 2: It's big for us. And poop Pan said that he 59 00:02:44,800 --> 00:02:47,560 Speaker 2: went to a restaurant recently which had robot waiters and 60 00:02:47,600 --> 00:02:51,040 Speaker 2: apparently that was sh so poop pants. 61 00:02:50,919 --> 00:02:56,519 Speaker 3: Po we pooh pooh man, how are the robot waiters look? 62 00:02:56,560 --> 00:02:58,880 Speaker 3: They are efficient. They did get in the way sometimes, 63 00:03:00,200 --> 00:03:03,119 Speaker 3: So no, no etiquette. I don't have any social etiquette. 64 00:03:03,720 --> 00:03:04,919 Speaker 3: Apologize when you. 65 00:03:04,840 --> 00:03:07,520 Speaker 2: Say you had robot waiters, Wood, you thought that they 66 00:03:07,520 --> 00:03:09,440 Speaker 2: were like you had like C three po kind of 67 00:03:09,440 --> 00:03:12,960 Speaker 2: being like yourn. But it wasn't like that, was it. 68 00:03:12,960 --> 00:03:15,440 Speaker 4: It was more like R two D two, but with 69 00:03:15,760 --> 00:03:18,960 Speaker 4: levels like three sort of trays in R two D two. 70 00:03:18,960 --> 00:03:19,760 Speaker 2: It's pretty It was. 71 00:03:19,720 --> 00:03:24,280 Speaker 4: Pretty much just a remote control like trays fitting in 72 00:03:24,320 --> 00:03:26,320 Speaker 4: the kitchen with like a that's what it seems like, 73 00:03:26,360 --> 00:03:27,200 Speaker 4: toy car remote. 74 00:03:27,240 --> 00:03:30,000 Speaker 3: It does seem a little bit like the just God of. 75 00:03:31,080 --> 00:03:34,840 Speaker 2: AI, guys, I swear, yeah, yeah, yeah, all right, kind 76 00:03:34,840 --> 00:03:37,280 Speaker 2: of the robots are dying in the US. I just 77 00:03:37,280 --> 00:03:38,560 Speaker 2: know a lot of people have a lot of anxiety 78 00:03:38,600 --> 00:03:40,440 Speaker 2: around AI at the moments. I've got good news for you. 79 00:03:40,480 --> 00:03:43,000 Speaker 2: They're dying now, that's awesome. The thing I wanted to 80 00:03:43,040 --> 00:03:45,280 Speaker 2: get to before we get to the hottest gear of 81 00:03:45,280 --> 00:03:49,800 Speaker 2: the weak woods is in the last podcast, we started 82 00:03:49,840 --> 00:03:52,160 Speaker 2: the podcast by me eating something. 83 00:03:52,560 --> 00:03:56,000 Speaker 4: Fruit Kiwi kiwi eat. I guess it was a key 84 00:03:56,040 --> 00:03:57,560 Speaker 4: We based on sound of chew. 85 00:03:58,120 --> 00:03:59,920 Speaker 2: And you said I could put anything in my mouth 86 00:04:00,080 --> 00:04:03,800 Speaker 2: and you would know what it was. Oh fruit, Yeah, 87 00:04:03,840 --> 00:04:05,760 Speaker 2: you did, you did? I did specify fruit? You did? 88 00:04:06,360 --> 00:04:08,320 Speaker 3: Have you do? You want to challenge me now with 89 00:04:08,400 --> 00:04:09,000 Speaker 3: all foods? 90 00:04:09,560 --> 00:04:13,360 Speaker 2: Oh my god, brilliant. I've got a plate of fruit 91 00:04:13,400 --> 00:04:13,920 Speaker 2: in front of me. 92 00:04:14,000 --> 00:04:16,279 Speaker 4: Yeah, I've got it, and I've got a blindfold in 93 00:04:16,279 --> 00:04:16,680 Speaker 4: front of me. 94 00:04:16,720 --> 00:04:17,359 Speaker 3: That's what that's for. 95 00:04:17,640 --> 00:04:20,159 Speaker 2: I mean, you can take the boys out of commercial radio, 96 00:04:20,279 --> 00:04:22,960 Speaker 2: but you can't take the commercial radio out of the boys. 97 00:04:22,960 --> 00:04:25,800 Speaker 2: All right, here we go. So I'm not eating that? 98 00:04:25,839 --> 00:04:27,279 Speaker 2: All right? So I've got a plate of fruit in 99 00:04:27,279 --> 00:04:27,680 Speaker 2: front of me. 100 00:04:28,600 --> 00:04:29,720 Speaker 3: Did you say fruit or food? 101 00:04:30,160 --> 00:04:32,520 Speaker 2: I've said fruit. I've said fruit three times. It's not worrying, 102 00:04:32,520 --> 00:04:34,200 Speaker 2: it's not panicking. I'm not. 103 00:04:34,520 --> 00:04:35,120 Speaker 3: I'm just asking. 104 00:04:35,200 --> 00:04:37,440 Speaker 2: You sound worried required questions? You sound worried. 105 00:04:37,720 --> 00:04:38,240 Speaker 3: Well, I'm not. 106 00:04:40,920 --> 00:04:42,839 Speaker 2: I don't know. She gave me a fork. I don't 107 00:04:42,839 --> 00:04:45,279 Speaker 2: need a fork. That's ridiculous, all right. 108 00:04:45,880 --> 00:04:48,920 Speaker 3: I would like I would like a nibble followed by 109 00:04:49,000 --> 00:04:49,480 Speaker 3: a bite. 110 00:04:49,480 --> 00:04:52,599 Speaker 2: Please. You don't get to choose how I eat it. 111 00:04:52,640 --> 00:04:52,839 Speaker 3: Mate. 112 00:04:52,880 --> 00:04:55,200 Speaker 2: You said you said you could guess whatever whatever fruit 113 00:04:55,240 --> 00:04:56,600 Speaker 2: was in my mouth. You don't get how you can. 114 00:04:56,600 --> 00:04:57,760 Speaker 2: You don't get to choose how it goes in there? 115 00:04:57,760 --> 00:05:07,039 Speaker 2: All right, Here we go. First one, okay, mm hmmm. 116 00:05:08,920 --> 00:05:13,120 Speaker 2: Pretty soft? Mm hmmm. 117 00:05:14,520 --> 00:05:18,280 Speaker 3: Does seem can you just sink your teeth into it again? 118 00:05:18,360 --> 00:05:19,479 Speaker 2: Oh? Come on? Yeah? 119 00:05:19,560 --> 00:05:20,960 Speaker 3: This is banana? 120 00:05:21,760 --> 00:05:25,080 Speaker 2: Cha banana? Well done? Thank you? Damn it? 121 00:05:26,240 --> 00:05:28,400 Speaker 3: How many do I have? We can do this for 122 00:05:28,440 --> 00:05:28,800 Speaker 3: an hour? 123 00:05:30,040 --> 00:05:33,320 Speaker 2: I can't believe you got that, all. 124 00:05:33,279 --> 00:05:34,880 Speaker 3: Right, obviously, banana. 125 00:05:35,080 --> 00:05:38,240 Speaker 2: Damn it, damn it, damn it. Here we go. Number two. 126 00:05:44,800 --> 00:05:50,000 Speaker 4: Kay mm hmmm high high juice content, really high juice content. 127 00:05:50,560 --> 00:05:51,000 Speaker 3: Go again? 128 00:05:51,040 --> 00:05:53,960 Speaker 2: Please? Oh you can't how you can only ask for two? 129 00:05:54,920 --> 00:05:55,800 Speaker 3: This is my second ask. 130 00:05:56,120 --> 00:05:58,039 Speaker 2: I've already had almost next to day, so I'm quite full. 131 00:05:58,080 --> 00:06:02,520 Speaker 2: All right, here we go, Billy juicy. 132 00:06:02,560 --> 00:06:12,279 Speaker 4: It's amandarin. Man, it's this is really nice. This is 133 00:06:12,279 --> 00:06:13,080 Speaker 4: really validating. 134 00:06:13,880 --> 00:06:14,480 Speaker 2: Can you see? 135 00:06:14,800 --> 00:06:18,320 Speaker 3: I promise you I can't say I've been listening to 136 00:06:18,320 --> 00:06:23,400 Speaker 3: people eat for it my entire life, my entire life. 137 00:06:24,040 --> 00:06:26,080 Speaker 2: Okay, here we go. Number three. I reckon you cooked 138 00:06:26,080 --> 00:06:32,400 Speaker 2: on this one. 139 00:06:31,800 --> 00:06:35,120 Speaker 3: That's as thoughts, obvious thoughts. 140 00:06:36,480 --> 00:06:38,200 Speaker 4: But come at me for a boy, what if you 141 00:06:38,279 --> 00:06:45,760 Speaker 4: got I'll take my second bite now, please Apple it's 142 00:06:45,800 --> 00:06:51,159 Speaker 4: an applebo. 143 00:06:48,960 --> 00:06:50,680 Speaker 2: And I reckon that could be the game. I'll take 144 00:06:50,720 --> 00:06:51,279 Speaker 2: my second guess. 145 00:06:51,320 --> 00:06:53,440 Speaker 3: Now, I'll take my second guess. 146 00:06:53,440 --> 00:06:56,160 Speaker 2: You don't get two guesses. You said you could. I did. 147 00:06:56,800 --> 00:06:57,120 Speaker 2: I did. 148 00:06:57,760 --> 00:07:00,360 Speaker 3: It's very similar to an apple. It has a crunch. 149 00:07:01,839 --> 00:07:04,159 Speaker 3: Now the obvious alternative to apple is pair. 150 00:07:04,440 --> 00:07:06,880 Speaker 2: But I don't think it is a pair. Why not? 151 00:07:08,839 --> 00:07:11,800 Speaker 4: I just I think pears have like slightly more softness. 152 00:07:11,800 --> 00:07:14,000 Speaker 4: I just don't think it was it's as hard as 153 00:07:14,040 --> 00:07:16,760 Speaker 4: an apple, And I think a pair is a stage. 154 00:07:16,440 --> 00:07:18,640 Speaker 2: Down, I don't give you a third bite? Yeah? Please? 155 00:07:18,680 --> 00:07:20,560 Speaker 2: And then we kind of need to move on because 156 00:07:20,920 --> 00:07:22,920 Speaker 2: Tom gave us a big chap beforehand about fairing around 157 00:07:22,920 --> 00:07:24,600 Speaker 2: in the intro, and here we are. I'm biting into 158 00:07:24,600 --> 00:07:26,000 Speaker 2: my third piece of pair in ten minutes. 159 00:07:27,280 --> 00:07:33,480 Speaker 3: Did you say pair? I mean apple or pair? 160 00:07:34,040 --> 00:07:36,840 Speaker 4: That could be a radio game for at the next 161 00:07:36,880 --> 00:07:39,600 Speaker 4: six months, because is there a difference. 162 00:07:39,600 --> 00:07:42,200 Speaker 3: That's the question, That is the big question. 163 00:07:42,240 --> 00:07:45,000 Speaker 2: Do you have an apple there? Yeah? Can you bite 164 00:07:45,000 --> 00:07:46,320 Speaker 2: into that? We'll put your blindfold on. 165 00:07:46,360 --> 00:07:50,280 Speaker 3: Boy you sorry, Tom, I'm sorry, but this is just science. 166 00:07:52,560 --> 00:07:54,120 Speaker 3: This is just raw signs. 167 00:07:55,280 --> 00:07:57,640 Speaker 4: You can't ask Albert Einstein to leave the lab when 168 00:07:57,640 --> 00:07:59,120 Speaker 4: he's about to relativity. 169 00:07:59,200 --> 00:08:01,960 Speaker 3: That's what it feels like, Albert, do you want to coffee? 170 00:08:02,000 --> 00:08:03,920 Speaker 2: Not now, Albert, We've got to get into the hottest 171 00:08:03,960 --> 00:08:06,240 Speaker 2: gere of the week. He's like, mate, this is the 172 00:08:06,240 --> 00:08:08,520 Speaker 2: hottest gear of this century. I'm cooking it right now. 173 00:08:08,640 --> 00:08:10,040 Speaker 3: You've got a lecture to give, Albert. 174 00:08:10,120 --> 00:08:12,600 Speaker 2: Not now, how we feel about the intro, This is 175 00:08:12,600 --> 00:08:14,280 Speaker 2: the hottest gear, all right. We will get into the 176 00:08:14,280 --> 00:08:16,920 Speaker 2: best gear of the week in a second. By the way, 177 00:08:17,000 --> 00:08:19,080 Speaker 2: Chris Martin's on the show very soon as well as 178 00:08:19,080 --> 00:08:19,840 Speaker 2: Tina Arena. 179 00:08:20,000 --> 00:08:21,760 Speaker 3: You're brilliantreat guests. 180 00:08:21,960 --> 00:08:24,560 Speaker 2: Okay, which you want to hear, but you also want 181 00:08:24,560 --> 00:08:25,440 Speaker 2: to hear Apple or Pair? 182 00:08:25,480 --> 00:08:27,320 Speaker 4: Obviously, all right, we should have played this game with 183 00:08:27,400 --> 00:08:29,880 Speaker 4: Chris Martin because his daughter is called Apple. 184 00:08:35,080 --> 00:08:35,960 Speaker 3: That was quite amazing. 185 00:08:36,720 --> 00:08:40,959 Speaker 4: Everything's linked anyway, Okay, okay, okay, this is the way 186 00:08:40,960 --> 00:08:41,480 Speaker 4: it's gonna work. 187 00:08:41,480 --> 00:08:43,280 Speaker 3: You're gonna I've already heard the Apple. 188 00:08:43,320 --> 00:08:44,920 Speaker 2: You've already heard the pair, though. 189 00:08:44,760 --> 00:08:47,600 Speaker 3: But my contention is that there's no difference between the two. 190 00:08:47,760 --> 00:08:48,600 Speaker 2: That's not true. 191 00:08:48,880 --> 00:08:50,680 Speaker 4: Well, this is what we're about to find out. So 192 00:08:50,840 --> 00:08:52,440 Speaker 4: you can do whatever audio you like. You can do 193 00:08:52,480 --> 00:08:54,600 Speaker 4: Apple or Pair, but I'm going to tell you which 194 00:08:54,640 --> 00:08:56,920 Speaker 4: audio you're going. I hear one bite, I hear a 195 00:08:56,920 --> 00:08:57,480 Speaker 4: second bite. 196 00:08:57,480 --> 00:09:05,680 Speaker 2: Okay, okay, okay, here we go a bite? 197 00:09:05,559 --> 00:09:11,319 Speaker 4: Yeah, okay, okay, I know what's happened there. You're trying 198 00:09:11,320 --> 00:09:13,160 Speaker 4: to undersell the bite of the apple. 199 00:09:21,360 --> 00:09:22,280 Speaker 2: The apple doesn't lie. 200 00:09:22,360 --> 00:09:24,120 Speaker 3: You try to damp it. No one can dampen the 201 00:09:24,160 --> 00:09:25,840 Speaker 3: Christmas of an apple? Is that is that a jazz 202 00:09:25,880 --> 00:09:28,400 Speaker 3: as well? Ah did a jazz? 203 00:09:29,000 --> 00:09:31,000 Speaker 2: It actually might be it's one it's a candy, or 204 00:09:31,000 --> 00:09:34,600 Speaker 2: it's a jazz. It is fucking hell. He's wow what 205 00:09:34,640 --> 00:09:38,000 Speaker 2: he's going on? Going on? This game? 206 00:09:38,080 --> 00:09:40,520 Speaker 3: I'm like Sandra Bullock in the movie bird Have you 207 00:09:40,559 --> 00:09:40,920 Speaker 3: seen that? 208 00:09:41,440 --> 00:09:45,160 Speaker 2: Absolutely not called bird box? Bird Box? What is that about? 209 00:09:45,280 --> 00:09:47,760 Speaker 4: She's just blind for an entire film and is right, 210 00:09:47,920 --> 00:09:50,120 Speaker 4: goes around a forest effectively finding her way? 211 00:09:50,320 --> 00:09:50,880 Speaker 2: Is that right? 212 00:09:50,960 --> 00:09:51,880 Speaker 3: That's me right now? 213 00:09:52,160 --> 00:09:52,360 Speaker 2: Wow? 214 00:09:52,440 --> 00:09:53,480 Speaker 1: Will eat the fruit? 215 00:09:53,559 --> 00:09:54,199 Speaker 3: You don't want to eat? 216 00:09:56,600 --> 00:09:56,760 Speaker 5: Well? 217 00:09:56,840 --> 00:09:57,480 Speaker 3: Do you want to have a go? 218 00:09:57,960 --> 00:09:58,200 Speaker 6: No? 219 00:09:58,360 --> 00:09:58,720 Speaker 2: You sure? 220 00:09:58,720 --> 00:10:00,360 Speaker 3: Because I can have a bite of the that you 221 00:10:00,360 --> 00:10:01,000 Speaker 3: don't want to bite. 222 00:10:01,400 --> 00:10:02,920 Speaker 2: I'll tell you what. I tell you what you want 223 00:10:02,920 --> 00:10:04,400 Speaker 2: to keep me blind? Bolt on? You can ever bite 224 00:10:04,400 --> 00:10:05,440 Speaker 2: of the fruit I want to bite. You can tell 225 00:10:05,480 --> 00:10:06,080 Speaker 2: me what fruit it is? 226 00:10:06,080 --> 00:10:06,200 Speaker 7: Oh? 227 00:10:06,240 --> 00:10:06,719 Speaker 2: I love that. 228 00:10:07,040 --> 00:10:08,160 Speaker 3: Someone put it in my palm. 229 00:10:08,840 --> 00:10:10,960 Speaker 2: Yeah, open your mouth, use me? Yeah, open your mouth, 230 00:10:11,280 --> 00:10:15,840 Speaker 2: open your mouth. Hang on, open your mouth, Okay, bite 231 00:10:24,280 --> 00:10:31,520 Speaker 2: Nobody ever suspects the lemon? Very bitter, very bitter. All right? 232 00:10:33,280 --> 00:10:35,959 Speaker 3: That was you've done eating in the dark, haven't you? 233 00:10:36,040 --> 00:10:37,040 Speaker 2: Will? I have? Yeah? 234 00:10:37,080 --> 00:10:38,800 Speaker 4: That was quite a that was just then. That was 235 00:10:38,840 --> 00:10:41,680 Speaker 4: quite a lovely experience what I just went through. Because 236 00:10:41,720 --> 00:10:43,800 Speaker 4: you didn't need anything. It takes you longer than you 237 00:10:43,880 --> 00:10:45,600 Speaker 4: think to get bitter. 238 00:10:45,720 --> 00:10:49,680 Speaker 2: I don't know. No, no, no, that's a thing. So yeah, exactly. 239 00:10:49,679 --> 00:10:52,120 Speaker 3: I was in it a long time where I had 240 00:10:52,120 --> 00:10:52,520 Speaker 3: no idea. 241 00:10:52,559 --> 00:10:54,120 Speaker 4: It's like I couldn't figure out the flavor, which I 242 00:10:54,120 --> 00:10:56,200 Speaker 4: felt was bizarre given it was a lemon. You know, 243 00:10:56,320 --> 00:10:57,440 Speaker 4: usually lemon is instant. 244 00:10:57,679 --> 00:11:00,720 Speaker 2: Yes, exactly, fascinating, It's all my It's like you know, 245 00:11:00,760 --> 00:11:03,560 Speaker 2: when you don't think something's hot, do you think it touched? 246 00:11:03,600 --> 00:11:06,600 Speaker 2: And well you touch that thing that takes ages for 247 00:11:06,640 --> 00:11:08,199 Speaker 2: you to be like, oh my god, I burnt myself. 248 00:11:08,400 --> 00:11:08,640 Speaker 5: Yeah. 249 00:11:08,640 --> 00:11:10,280 Speaker 2: How long your hand has to be on something for 250 00:11:10,320 --> 00:11:11,840 Speaker 2: you to be like, oh my god, I'm getting burnt. 251 00:11:11,880 --> 00:11:13,800 Speaker 2: Do you ever get confused between cold and hot? 252 00:11:14,400 --> 00:11:14,640 Speaker 4: No? 253 00:11:14,840 --> 00:11:17,440 Speaker 2: Not traditional it's the thing. Hey, let's let's get into 254 00:11:17,440 --> 00:11:20,600 Speaker 2: the best gear of the week, shall we? Uh? Which 255 00:11:20,640 --> 00:11:25,520 Speaker 2: I think for me this week? Fugy? 256 00:11:27,320 --> 00:11:27,480 Speaker 3: Well? 257 00:11:27,520 --> 00:11:30,480 Speaker 2: Best or worst? That's the big question. Best for me 258 00:11:30,520 --> 00:11:33,720 Speaker 2: in terms of how it started, because you mean you 259 00:11:33,760 --> 00:11:36,600 Speaker 2: thought you were onto a winner? Was remy second birthday? 260 00:11:36,640 --> 00:11:38,920 Speaker 2: What today we are recording this happy birthday? 261 00:11:38,960 --> 00:11:41,880 Speaker 3: Rem Yes, she's had a she's had an interesting morning. 262 00:11:42,800 --> 00:11:44,559 Speaker 4: And the only reason I'm saying interesting is because I 263 00:11:44,640 --> 00:11:47,280 Speaker 4: need to explain to you exactly what happened. So what 264 00:11:47,320 --> 00:11:50,920 Speaker 4: you are across of is the fact that Remy is 265 00:11:50,920 --> 00:11:52,880 Speaker 4: obsessed with beauty the Beast. That's why they're playing that. 266 00:11:53,280 --> 00:12:00,199 Speaker 4: So I spent a considerable amount of money getting a 267 00:12:00,240 --> 00:12:05,200 Speaker 4: costume online, right, and when I like, I mean, there's 268 00:12:05,840 --> 00:12:08,160 Speaker 4: big money, and I don't like spending money, but I 269 00:12:08,200 --> 00:12:09,000 Speaker 4: knew she'd love it. 270 00:12:09,480 --> 00:12:11,080 Speaker 2: And then you, we're really getting to know you in 271 00:12:11,120 --> 00:12:13,920 Speaker 2: this podcast. Yeah, and I hope you're enjoying it. 272 00:12:13,960 --> 00:12:14,440 Speaker 3: Everyone. 273 00:12:14,760 --> 00:12:19,240 Speaker 4: Anyway, you then were of the view, well, you told 274 00:12:19,240 --> 00:12:21,040 Speaker 4: me a story about how you dressed up with a 275 00:12:21,040 --> 00:12:22,640 Speaker 4: wiggle or dressed up as a wiggle. 276 00:12:22,760 --> 00:12:24,040 Speaker 3: Yeah, and your daughter hated it. 277 00:12:24,120 --> 00:12:25,160 Speaker 2: Wow, it was terrified. 278 00:12:25,240 --> 00:12:27,520 Speaker 3: And you use the word traumatized, Well it wasn't. 279 00:12:27,559 --> 00:12:29,199 Speaker 2: Yeah. I think that were gets thrown around a bit 280 00:12:29,240 --> 00:12:32,000 Speaker 2: these days. I probably unfairly. I'd say, you know, small 281 00:12:32,040 --> 00:12:35,480 Speaker 2: tea trauma, but there were children fleeing the room screaming. 282 00:12:35,559 --> 00:12:39,240 Speaker 4: Yeah, and no one, no parent wants to put small 283 00:12:39,240 --> 00:12:41,480 Speaker 4: tea trauma on their child, right, and or big tea 284 00:12:41,559 --> 00:12:42,320 Speaker 4: trauma for that matter. 285 00:12:42,360 --> 00:12:44,440 Speaker 2: I think it's just the traumas. I think I think 286 00:12:44,480 --> 00:12:48,280 Speaker 2: all the traumas are actually really what you avoid at 287 00:12:48,320 --> 00:12:50,480 Speaker 2: all costs. I mean, that's the great anxiety about being 288 00:12:50,480 --> 00:12:53,920 Speaker 2: a parent is you do not want to in any 289 00:12:53,960 --> 00:12:56,200 Speaker 2: way traumatize your child. You don't want to impress your 290 00:12:56,240 --> 00:12:58,880 Speaker 2: anxieties on them. No, you can constant fear of that. 291 00:12:59,080 --> 00:13:00,320 Speaker 4: Do you know. I don't know if you do this 292 00:13:00,400 --> 00:13:02,280 Speaker 4: or whether this is just loser talk, by the way, 293 00:13:02,760 --> 00:13:05,320 Speaker 4: but I liked a parent by going, I'm doing my 294 00:13:05,400 --> 00:13:07,960 Speaker 4: absolute best not to put any level of traumas on 295 00:13:08,000 --> 00:13:10,120 Speaker 4: my child, but also accepting the fact that, like, it's 296 00:13:10,120 --> 00:13:11,120 Speaker 4: probably it's gonna happen. 297 00:13:11,880 --> 00:13:14,760 Speaker 2: Mate. A good friend of mine said, when your parent, 298 00:13:14,960 --> 00:13:17,680 Speaker 2: you lower your expectations of yourself, and then you lower 299 00:13:17,679 --> 00:13:20,480 Speaker 2: them again, and then you lower them again, and then 300 00:13:20,520 --> 00:13:21,800 Speaker 2: that's the place your parent from. 301 00:13:22,160 --> 00:13:24,199 Speaker 3: I mean, I just start at a very low base, so. 302 00:13:25,320 --> 00:13:28,600 Speaker 2: You have to otherwise you will start, ironically, you'll start 303 00:13:28,600 --> 00:13:32,040 Speaker 2: traumatizing your child the other way because you're like, geez, 304 00:13:32,240 --> 00:13:34,560 Speaker 2: my mom or dad just had so much pressure on 305 00:13:34,600 --> 00:13:36,600 Speaker 2: themselves to be the right parent, and they're the parent 306 00:13:36,679 --> 00:13:39,400 Speaker 2: that you know, reserve milk bottles in their back pocket 307 00:13:39,520 --> 00:13:41,120 Speaker 2: and the kid can't step on a crack of their 308 00:13:41,120 --> 00:13:42,800 Speaker 2: form and break their back like they're you know what 309 00:13:42,840 --> 00:13:44,720 Speaker 2: I mean, Like they're the parents that are, you know, 310 00:13:44,720 --> 00:13:47,040 Speaker 2: then the kids end up being like a real funny 311 00:13:47,080 --> 00:13:49,240 Speaker 2: person who ends up, you know, cutting their carrots three 312 00:13:49,240 --> 00:13:51,160 Speaker 2: times in a particular morning, otherwise they can't leave the house. 313 00:13:51,160 --> 00:13:52,720 Speaker 2: And that, hey, not how you want to be. 314 00:13:52,840 --> 00:13:59,400 Speaker 4: That was an indirect parents then, quite direct, not subtle 315 00:13:59,559 --> 00:14:04,320 Speaker 4: at all anyway, So outfit, I bought it. You told 316 00:14:04,400 --> 00:14:06,400 Speaker 4: me that Remy was going to be traumatized. I came 317 00:14:06,440 --> 00:14:11,400 Speaker 4: in the studio and I nervously revealed to you the 318 00:14:11,440 --> 00:14:13,760 Speaker 4: outfit that I was planning to wear with Remy. 319 00:14:13,760 --> 00:14:14,800 Speaker 3: And here was your reaction. 320 00:14:15,480 --> 00:14:17,560 Speaker 8: Take off your blind bod, my friend, because this is 321 00:14:17,559 --> 00:14:33,160 Speaker 8: what she's going to say. Tell me something, tell me something. 322 00:14:35,360 --> 00:14:38,640 Speaker 2: The mouth boost. I'm sure a lot of you guys 323 00:14:38,640 --> 00:14:40,360 Speaker 2: would have seen that on the socials already, but if 324 00:14:40,360 --> 00:14:42,960 Speaker 2: you haven't seen it, like it was like it was 325 00:14:43,040 --> 00:14:45,640 Speaker 2: like Satan had sex with a Burmese mountain lion. 326 00:14:46,000 --> 00:14:48,160 Speaker 4: Yeah yeah, yeah, yeah, it was real and they were 327 00:14:48,200 --> 00:14:49,200 Speaker 4: somehow in the same family. 328 00:14:49,200 --> 00:14:51,880 Speaker 3: Because it looks insist it was hectic. 329 00:14:52,640 --> 00:14:57,800 Speaker 2: It was really that kind of like muffled sound on 330 00:14:57,840 --> 00:14:59,680 Speaker 2: your voice was the fact that it had this like 331 00:14:59,760 --> 00:15:02,880 Speaker 2: tot actual jaw that you were speaking through. That kind 332 00:15:02,880 --> 00:15:06,760 Speaker 2: of half came off. It was terrifying. It was like, yeah, 333 00:15:06,840 --> 00:15:09,640 Speaker 2: like I I get I get scared quite easily of 334 00:15:09,640 --> 00:15:12,360 Speaker 2: like horror movies and stuff. If I wasn't in this studio, 335 00:15:13,320 --> 00:15:14,880 Speaker 2: you know, like having a laugh at that, I would 336 00:15:14,920 --> 00:15:15,640 Speaker 2: have had nightmares. 337 00:15:16,000 --> 00:15:18,720 Speaker 4: Great, So knowing all of that, and I think there 338 00:15:18,760 --> 00:15:21,760 Speaker 4: was an overwhelming view on our social media as well 339 00:15:21,760 --> 00:15:23,640 Speaker 4: that like that's the scariest thing I've ever seen, Like, 340 00:15:23,800 --> 00:15:25,080 Speaker 4: definitely do not do that. 341 00:15:25,640 --> 00:15:26,200 Speaker 2: I was off it. 342 00:15:26,360 --> 00:15:28,400 Speaker 4: I was like, that is a massive waste of money. 343 00:15:28,680 --> 00:15:33,080 Speaker 4: I'll think of something else. Anyway, Mim convinced me that 344 00:15:33,120 --> 00:15:35,880 Speaker 4: it would still work. It looks terrifying and it's weird 345 00:15:35,880 --> 00:15:39,160 Speaker 4: that the jaw detaches, but she's like do it. 346 00:15:39,480 --> 00:15:41,960 Speaker 2: Who was Mim running, like, you know, ma shining consultation 347 00:15:42,000 --> 00:15:43,800 Speaker 2: with the child psychologist about this or something, because you know, 348 00:15:43,840 --> 00:15:47,440 Speaker 2: we took we took in the week and everyone was 349 00:15:47,480 --> 00:15:49,840 Speaker 2: like overwhelmingly, do not do that. We had a call 350 00:15:49,840 --> 00:15:51,920 Speaker 2: from a guy who was like, I dressed up as Bluey, 351 00:15:52,120 --> 00:15:54,720 Speaker 2: you know, like and my child still wouldn't be in 352 00:15:54,760 --> 00:15:57,360 Speaker 2: the same room as me, and that's Bluey. That's the 353 00:15:57,400 --> 00:15:59,520 Speaker 2: most you know, like that's a lovable little dog. 354 00:16:00,000 --> 00:16:01,920 Speaker 4: All the evidence was against us. Well, oh my god, 355 00:16:01,960 --> 00:16:04,600 Speaker 4: all the dinners were against us. But I think only 356 00:16:04,640 --> 00:16:06,240 Speaker 4: your mother knows the daughter most. 357 00:16:06,360 --> 00:16:07,440 Speaker 2: I can't say that she had. 358 00:16:07,360 --> 00:16:08,080 Speaker 3: A plan in minds. 359 00:16:08,160 --> 00:16:12,360 Speaker 4: Mim went upstairs to Remy's bedroom dressed as Bell. Yes, 360 00:16:12,560 --> 00:16:14,920 Speaker 4: who is the love interest of the Beast? Wakes up 361 00:16:14,960 --> 00:16:19,920 Speaker 4: Remy downstairs. I'm there as the thewsbub Yeah, the Beast, 362 00:16:20,320 --> 00:16:23,240 Speaker 4: and I'm playing beauty in the Beast of music. Nice, nice, 363 00:16:23,320 --> 00:16:26,720 Speaker 4: nice touch, nice touch. Get her into that universe was. 364 00:16:26,680 --> 00:16:30,200 Speaker 2: The yes, Either that or in permanently destroy that universe. 365 00:16:30,400 --> 00:16:33,040 Speaker 3: I can hear Remy going Bell, Bell. 366 00:16:33,000 --> 00:16:36,040 Speaker 2: Wow, recognizing that great Bell Great. 367 00:16:35,840 --> 00:16:38,600 Speaker 4: And she's also saying mummy, So it's like not totally 368 00:16:38,680 --> 00:16:40,320 Speaker 4: round because I know it's you, Mum, but you're dressed 369 00:16:40,320 --> 00:16:40,600 Speaker 4: as Bell. 370 00:16:40,680 --> 00:16:41,000 Speaker 2: How good? 371 00:16:41,080 --> 00:16:43,440 Speaker 4: And I'm going this is working beautifully for Mim. Then 372 00:16:43,480 --> 00:16:46,240 Speaker 4: MIM's walking rem downstairs and this was the big moment. 373 00:16:46,360 --> 00:16:47,440 Speaker 3: I'm fully in. 374 00:16:47,760 --> 00:16:50,920 Speaker 4: Beast kit at this stage. Yeah, should mention the outfort 375 00:16:50,920 --> 00:16:54,080 Speaker 4: didn't come with pants, yep, So it was the Beast 376 00:16:54,440 --> 00:16:57,240 Speaker 4: with tracking dacks. It's a Sunday morning for the best cash, 377 00:16:57,400 --> 00:17:02,360 Speaker 4: just cash, Beast. It's casual Beast downstairs it's beast in 378 00:17:02,400 --> 00:17:03,880 Speaker 4: the in the middle of the night and need to 379 00:17:03,880 --> 00:17:09,359 Speaker 4: go for a week exactly exactly anyway, yeah, hammering man, like, 380 00:17:09,520 --> 00:17:12,840 Speaker 4: come on, like we're in this world. She comes downstairs, 381 00:17:13,119 --> 00:17:15,560 Speaker 4: and MIM's also going she's going where to feast? Where 382 00:17:15,560 --> 00:17:18,080 Speaker 4: to feast, because that's what Remy always says. And he's 383 00:17:18,080 --> 00:17:18,720 Speaker 4: going where feast? 384 00:17:18,720 --> 00:17:19,160 Speaker 2: Where feast? 385 00:17:19,480 --> 00:17:20,919 Speaker 3: Comes down the stairs, seize me? 386 00:17:21,480 --> 00:17:26,560 Speaker 4: Yeah nothing, oh no, like like playing frozen. Mim starts 387 00:17:26,560 --> 00:17:30,320 Speaker 4: walking towards me, and I'm just I'm the feast. Oh 388 00:17:30,359 --> 00:17:32,359 Speaker 4: you put a voice on his I'm the feast and 389 00:17:32,440 --> 00:17:33,600 Speaker 4: it's just start saying that. 390 00:17:33,520 --> 00:17:36,719 Speaker 3: Over h Yeah nothing, Oh no, it's just so frozen. 391 00:17:36,720 --> 00:17:38,520 Speaker 4: But I was just like, okay, so she's just she's 392 00:17:38,560 --> 00:17:40,120 Speaker 4: in shock. There's a little bit of shock, but she's 393 00:17:40,119 --> 00:17:43,159 Speaker 4: not scared. Yeah okay, it's like she knows, Okay, the 394 00:17:43,200 --> 00:17:45,119 Speaker 4: beast is actually in my living room. How do I 395 00:17:45,160 --> 00:17:46,720 Speaker 4: actually want to deal with this kind of thing? Like 396 00:17:46,720 --> 00:17:47,680 Speaker 4: that's obviously what's going through? 397 00:17:47,920 --> 00:17:49,800 Speaker 2: Well, where the hell of the beast of pants pit? 398 00:17:50,320 --> 00:17:52,520 Speaker 3: Yeah yeah, I didn't know the beast wall traggies, but 399 00:17:52,600 --> 00:17:53,280 Speaker 3: he's in my house. 400 00:17:53,320 --> 00:17:54,159 Speaker 2: This is a bit strange. 401 00:17:54,240 --> 00:17:55,920 Speaker 4: Yeah, then Mim goes, you know what, I'm going to 402 00:17:56,000 --> 00:17:58,520 Speaker 4: put m on the ground and let her decide, if 403 00:17:58,560 --> 00:18:00,280 Speaker 4: you know, she wants to get around the beast, come 404 00:18:00,280 --> 00:18:02,680 Speaker 4: to the beast. So she puts Remy down and then 405 00:18:02,720 --> 00:18:05,680 Speaker 4: I'm just still arms are out, I'm down on one knee. 406 00:18:05,760 --> 00:18:07,840 Speaker 4: It was like I was proposing down on Monday, and 407 00:18:07,840 --> 00:18:10,000 Speaker 4: I'm going, it's the feast, it's the feat. 408 00:18:10,040 --> 00:18:13,800 Speaker 2: Happy birthday to the feast. And at that point very scared. 409 00:18:13,920 --> 00:18:17,040 Speaker 4: Oh wow, so fear and then like fully turned away 410 00:18:17,040 --> 00:18:19,280 Speaker 4: from me and ran back to me. Oh my god, 411 00:18:19,320 --> 00:18:21,800 Speaker 4: I've traumatized her. Bidding the beet still play in the background, 412 00:18:21,800 --> 00:18:24,119 Speaker 4: and I'm still down, I'm down on my knee. Just 413 00:18:24,640 --> 00:18:28,679 Speaker 4: oh my god, I've scared my daughter. Anyway, took the 414 00:18:28,680 --> 00:18:30,159 Speaker 4: mask off at that point. It's the only thing you 415 00:18:30,200 --> 00:18:33,200 Speaker 4: can do. Mask comes off, and Mim had to be something. 416 00:18:33,280 --> 00:18:35,399 Speaker 4: She didn't want to look behind her, like she just 417 00:18:35,400 --> 00:18:37,080 Speaker 4: buried her face into Mim, and I was like, oh 418 00:18:37,080 --> 00:18:37,800 Speaker 4: my gosh, she doesn't. 419 00:18:37,640 --> 00:18:39,679 Speaker 3: Want to look at me. It's daddy, it's daddy. And 420 00:18:39,680 --> 00:18:42,600 Speaker 3: MIM's going, it's daddy, it's daddy, it's daddy. Anyway, that point, 421 00:18:42,640 --> 00:18:45,000 Speaker 3: she was like, oh, dadda dadda and that mask was gone. 422 00:18:45,400 --> 00:18:46,040 Speaker 2: Threw it on the counter. 423 00:18:46,200 --> 00:18:48,000 Speaker 3: I'll never put that on again. And she was like, 424 00:18:48,080 --> 00:18:49,879 Speaker 3: great to see it. Gave her a hard happy birthday 425 00:18:49,920 --> 00:18:53,760 Speaker 3: or whatever. Then amazingly she starts pointing at the mask 426 00:18:54,000 --> 00:18:57,800 Speaker 3: and she goes, feast, oh, feast, feast, and I was 427 00:18:57,880 --> 00:18:59,359 Speaker 3: like you you want to go on? 428 00:18:59,560 --> 00:18:59,960 Speaker 2: Anyway? 429 00:19:00,480 --> 00:19:01,560 Speaker 3: Mask went back on. 430 00:19:02,160 --> 00:19:03,879 Speaker 2: Will. She loved it. 431 00:19:04,119 --> 00:19:07,879 Speaker 4: Oh, God, cuddles she's giving me. This is the moment 432 00:19:07,920 --> 00:19:10,359 Speaker 4: that I put the mask back on, and this is 433 00:19:10,400 --> 00:19:20,440 Speaker 4: Remy's reaction to it. Is that feast and she gave 434 00:19:20,480 --> 00:19:20,960 Speaker 4: me a cuddle. 435 00:19:21,040 --> 00:19:23,960 Speaker 3: It's so nice. Well, it was nice for a stage. 436 00:19:23,960 --> 00:19:24,160 Speaker 2: Will. 437 00:19:24,280 --> 00:19:26,719 Speaker 4: That mask is incredibly uncomfortable to wear, and it's very 438 00:19:26,760 --> 00:19:28,719 Speaker 4: hot and it was digging into one of my eyeballs. 439 00:19:29,040 --> 00:19:32,119 Speaker 4: So after ten minutes of playing the feast, I was like, 440 00:19:32,240 --> 00:19:33,680 Speaker 4: feast needs to make a coffee. 441 00:19:36,080 --> 00:19:37,160 Speaker 2: Put the mask back up. 442 00:19:37,200 --> 00:19:39,120 Speaker 4: And then she was just like every time I put 443 00:19:39,119 --> 00:19:41,720 Speaker 4: the mask up, she was like, no, feast. 444 00:19:44,000 --> 00:19:45,040 Speaker 2: The mask spent back on. 445 00:19:45,200 --> 00:19:45,400 Speaker 7: Will. 446 00:19:45,720 --> 00:19:47,520 Speaker 3: I was the feast for four and a half hours. 447 00:19:50,000 --> 00:19:56,520 Speaker 4: I had to take a ship as the feast. 448 00:20:06,280 --> 00:20:06,520 Speaker 3: Hey. 449 00:20:06,560 --> 00:20:09,119 Speaker 2: So one of the biggest things I think this week, 450 00:20:11,000 --> 00:20:13,400 Speaker 2: certainly for like the radio audience for the whole network 451 00:20:13,720 --> 00:20:15,680 Speaker 2: on Kids this week was this idea that we're giving 452 00:20:15,680 --> 00:20:19,199 Speaker 2: away whole rows of tickets to cold Play, and we. 453 00:20:19,440 --> 00:20:21,960 Speaker 3: Can everybody hear us try to play tickets. 454 00:20:25,840 --> 00:20:27,439 Speaker 2: I don't think anyone needs to hear that level of 455 00:20:27,440 --> 00:20:32,240 Speaker 2: production on a podcast, and really it was jarring. Hold 456 00:20:32,280 --> 00:20:34,399 Speaker 2: on good stuff, though Tim ham Sandwich Mammon is the 457 00:20:34,400 --> 00:20:36,800 Speaker 2: best in the business, but I just think in this 458 00:20:36,840 --> 00:20:39,399 Speaker 2: per sord of a medium that can be quite embrasive anyway, 459 00:20:40,080 --> 00:20:43,520 Speaker 2: so it's quite a basic. When you're not in it, 460 00:20:43,640 --> 00:20:47,320 Speaker 2: you're like, oh my god, that is anyway. Whole rows 461 00:20:47,320 --> 00:20:50,400 Speaker 2: of tickets, it's unbelievable. We do over six weeks and 462 00:20:50,440 --> 00:20:52,040 Speaker 2: we're trying and come up with like a fun way 463 00:20:52,080 --> 00:20:54,040 Speaker 2: to give them away because. 464 00:20:53,760 --> 00:20:54,640 Speaker 3: We're doing it every day. 465 00:20:54,680 --> 00:20:56,719 Speaker 4: We just feel like it's a bit boring to go like, hey, 466 00:20:56,720 --> 00:20:58,720 Speaker 4: are you going it's an amazing prize. But again, it's 467 00:20:58,760 --> 00:21:01,359 Speaker 4: more this is selfish us. It's like, we'd like to 468 00:21:01,400 --> 00:21:03,399 Speaker 4: add a little bit like to the way that we 469 00:21:03,440 --> 00:21:05,760 Speaker 4: give it away. And you said to me as a joke, 470 00:21:06,480 --> 00:21:10,080 Speaker 4: you were like, why don't we just say it's Chris 471 00:21:10,119 --> 00:21:11,359 Speaker 4: Martin's here in the studio? 472 00:21:11,400 --> 00:21:13,200 Speaker 2: And what are you trying to be? Chris Martin. I 473 00:21:13,200 --> 00:21:14,760 Speaker 2: don't know how much radio used to listen to as 474 00:21:14,760 --> 00:21:16,199 Speaker 2: a kid, but like we grew up listening to a 475 00:21:16,200 --> 00:21:18,719 Speaker 2: lot of radio, you know, growing up in the late 476 00:21:18,720 --> 00:21:22,840 Speaker 2: the nineties and the early noughties. Whenever they said like, oh, 477 00:21:22,960 --> 00:21:26,960 Speaker 2: you know, Pink dropping into the studio or you know 478 00:21:27,000 --> 00:21:29,600 Speaker 2: whoever it is, or like even if you heard an 479 00:21:29,600 --> 00:21:31,119 Speaker 2: id so and I don't know if you've got an 480 00:21:31,160 --> 00:21:33,840 Speaker 2: idea over there, Tommy, They're like, an idea is like 481 00:21:33,880 --> 00:21:36,000 Speaker 2: where you basically, you know, you listen to the radio 482 00:21:36,040 --> 00:21:38,200 Speaker 2: station and then you know, all of a sudden, you'll 483 00:21:38,240 --> 00:21:40,240 Speaker 2: hear Sam Neil say like. 484 00:21:40,760 --> 00:21:43,960 Speaker 4: Sam Neil, Hi, it's Sam Neil, and I'll be talking 485 00:21:43,960 --> 00:21:47,160 Speaker 4: about the twenty year anniversary of Jurassic Park ten minutes time. 486 00:21:47,680 --> 00:21:50,240 Speaker 2: But they just go like Pink again. You just go like, yeah, 487 00:21:50,320 --> 00:21:52,399 Speaker 2: Chris hamswe It's just Chris Hamsweth just comes on and 488 00:21:52,440 --> 00:21:56,440 Speaker 2: goes like you're O, Lizzo okay, and I'm on tonight 489 00:21:56,520 --> 00:21:58,639 Speaker 2: with my boy Mitch till mid Nate there you go, 490 00:21:58,720 --> 00:22:00,639 Speaker 2: So she's doing an idea for mid Shry there. So 491 00:22:00,920 --> 00:22:03,680 Speaker 2: they basically just say, yeah, you know, I'm coming up 492 00:22:03,760 --> 00:22:06,600 Speaker 2: and and and they play that sort of an hour 493 00:22:06,800 --> 00:22:08,720 Speaker 2: or half an hour or ten minutes before they're actually 494 00:22:08,720 --> 00:22:11,000 Speaker 2: on the radio. And when you're going up listening to 495 00:22:11,119 --> 00:22:13,160 Speaker 2: radio and radio is all you know, and a radio 496 00:22:13,160 --> 00:22:15,399 Speaker 2: station is at this mythical place where you know, the 497 00:22:15,400 --> 00:22:17,240 Speaker 2: biggest pop stars in the world, you know, just walk 498 00:22:17,240 --> 00:22:20,159 Speaker 2: in and walk out of. But that will well, that 499 00:22:20,280 --> 00:22:24,240 Speaker 2: was the image, you know, I pictured a foyer addressing 500 00:22:24,600 --> 00:22:27,399 Speaker 2: a foya. What do you call that? The lobby? Yeah, yeah, 501 00:22:27,440 --> 00:22:29,600 Speaker 2: where you know Sam Neil's sitting out there with Chris 502 00:22:29,600 --> 00:22:31,480 Speaker 2: Hemsworth and Lizzo and they're all having a great. 503 00:22:31,320 --> 00:22:32,280 Speaker 3: Time just having a tea. 504 00:22:32,359 --> 00:22:34,240 Speaker 2: Right, It's like, I'm on in ten, I'm on in five. 505 00:22:34,920 --> 00:22:36,800 Speaker 2: And then you know, someone from a reception runs out 506 00:22:36,840 --> 00:22:38,280 Speaker 2: and goes, hey, Lizzo, can we get you to jump 507 00:22:38,320 --> 00:22:40,080 Speaker 2: on the mic and just tell Australia that you're on 508 00:22:40,119 --> 00:22:43,439 Speaker 2: in ten? So you know, she runs in I'm on image, 509 00:22:43,440 --> 00:22:44,800 Speaker 2: and then she goes back out there and you know, 510 00:22:45,080 --> 00:22:46,879 Speaker 2: picks up her cup of tea. In her conversation with 511 00:22:46,920 --> 00:22:48,640 Speaker 2: Sam Neil about Jurassic Park, what do you reckon? 512 00:22:48,640 --> 00:22:50,560 Speaker 4: Lizzo and Sam Neil would talk about I don't know 513 00:22:50,600 --> 00:22:52,959 Speaker 4: but fuck, I want to be there one hundred. That's awesome. 514 00:22:53,000 --> 00:22:55,800 Speaker 4: That's a great TV show. Just go like, like what 515 00:22:55,840 --> 00:22:58,439 Speaker 4: would these two talk about? Two famous people and literally 516 00:22:58,440 --> 00:22:59,760 Speaker 4: just put them in a room and just go like 517 00:23:00,359 --> 00:23:01,520 Speaker 4: try and find some common ground. 518 00:23:02,160 --> 00:23:05,720 Speaker 2: Oh yeah, and Lizzo and Sam nearly great first episode. 519 00:23:05,800 --> 00:23:08,160 Speaker 2: Yeah right, yeah, find your common ground and the audience 520 00:23:08,160 --> 00:23:11,160 Speaker 2: knows what their common ground is, like, yes, the audience 521 00:23:11,240 --> 00:23:14,080 Speaker 2: knows that they're both they're both into compasting, yes, and 522 00:23:14,119 --> 00:23:17,080 Speaker 2: they don't know I don't know, and they can't research it. 523 00:23:17,080 --> 00:23:18,200 Speaker 2: Maybe they've got half an hour. 524 00:23:18,560 --> 00:23:22,119 Speaker 4: Yes, yeah, that's a good bit, like a real sterile 525 00:23:22,200 --> 00:23:25,200 Speaker 4: like interrogation room, so they can't like they can't get 526 00:23:25,240 --> 00:23:27,919 Speaker 4: conversation from their environment either, Like it's just like it's 527 00:23:27,760 --> 00:23:31,200 Speaker 4: just you and them. Good fun, yeah, very good fun. 528 00:23:31,240 --> 00:23:33,320 Speaker 2: Anyway, then you know, if they find it earlier, then 529 00:23:33,320 --> 00:23:35,480 Speaker 2: there's twenty five minutes of hot compost chat. 530 00:23:35,680 --> 00:23:40,360 Speaker 3: Oh we love love get cost involved the gardening guy. 531 00:23:40,800 --> 00:23:42,960 Speaker 2: Yeah, you didn't need to qualify. I wasn't sure. I 532 00:23:42,960 --> 00:23:48,359 Speaker 2: wasn't sure. So anyway, on that people still think that 533 00:23:48,400 --> 00:23:53,479 Speaker 2: there's a possibility that Chris Martin, for example, is in 534 00:23:53,520 --> 00:23:57,879 Speaker 2: the radio station, potentially giving away his tickets to his show. 535 00:23:58,280 --> 00:24:01,480 Speaker 4: Yeah, all that he's about to do an interview or whatever, 536 00:24:01,520 --> 00:24:04,960 Speaker 4: and he is just around the studio. So because of that, 537 00:24:05,000 --> 00:24:08,520 Speaker 4: there is this tiny sceric of truth to the fact 538 00:24:08,520 --> 00:24:12,200 Speaker 4: that maybe he does step into this radio shoo this 539 00:24:12,200 --> 00:24:14,880 Speaker 4: this radio show and give away tickets. 540 00:24:15,000 --> 00:24:15,240 Speaker 2: Yes. 541 00:24:15,680 --> 00:24:19,440 Speaker 4: So we were relying on that plus my incredible impersonation 542 00:24:19,600 --> 00:24:24,120 Speaker 4: of Chris Martin to see if we could pull it off, and. 543 00:24:25,600 --> 00:24:27,120 Speaker 2: It went much better than expected. 544 00:24:27,960 --> 00:24:30,280 Speaker 3: We've actually got Chris Martin here in the studio with 545 00:24:30,359 --> 00:24:30,960 Speaker 3: us right now. 546 00:24:31,840 --> 00:24:32,879 Speaker 7: No, you don't really do. 547 00:24:33,359 --> 00:24:39,719 Speaker 3: I can't believe you don't know my name really well. 548 00:24:39,800 --> 00:24:42,440 Speaker 3: I thought you were a if you're a huge Phanoma band, 549 00:24:42,440 --> 00:24:44,840 Speaker 3: I thought you'd know my name I am. 550 00:24:44,920 --> 00:24:52,320 Speaker 9: I'm a huge. 551 00:24:50,359 --> 00:24:52,280 Speaker 2: Stop saying them you went and saw me. 552 00:24:52,359 --> 00:24:54,679 Speaker 3: You went and saw me in two thousand I came. 553 00:24:54,600 --> 00:24:56,320 Speaker 7: And saw you in two thousand and sixteen. 554 00:24:56,359 --> 00:24:58,199 Speaker 3: Ye, how was I How was my performance? 555 00:24:58,520 --> 00:25:01,840 Speaker 7: It was absolutely fantastic. He was amazing. He was the 556 00:25:01,880 --> 00:25:05,760 Speaker 7: best I've been to, followed by the Backstreet Boys. So 557 00:25:05,840 --> 00:25:07,320 Speaker 7: you guys were way out there. 558 00:25:07,480 --> 00:25:09,879 Speaker 3: And then sorry, wait, wait, you thought the Backstreet Boys 559 00:25:09,880 --> 00:25:10,520 Speaker 3: were better than me? 560 00:25:11,359 --> 00:25:14,040 Speaker 7: Now I'm really being put on the I'm more nervous 561 00:25:14,040 --> 00:25:14,960 Speaker 7: than I've ever been. 562 00:25:15,080 --> 00:25:17,359 Speaker 3: Well, guess what, Nancy, you can tell your family You've 563 00:25:17,400 --> 00:25:19,200 Speaker 3: got a whole roll tickets to see me again. 564 00:25:23,880 --> 00:25:25,000 Speaker 7: Thank you so much. 565 00:25:28,080 --> 00:25:30,280 Speaker 2: What's my name, Nancy? What's my name? 566 00:25:31,960 --> 00:25:32,320 Speaker 4: Sorry? 567 00:25:32,480 --> 00:25:33,240 Speaker 2: What's my name? 568 00:25:34,480 --> 00:25:34,879 Speaker 9: Your fa? 569 00:25:37,880 --> 00:25:39,520 Speaker 2: I have a chat with him. Maybe maybe you and 570 00:25:39,520 --> 00:25:41,280 Speaker 2: your fan can get backstage and never be he with 571 00:25:41,280 --> 00:25:41,840 Speaker 2: the big fellows. 572 00:25:41,840 --> 00:25:43,400 Speaker 7: Oh my god, that would be fantastic. 573 00:25:43,560 --> 00:25:48,200 Speaker 10: Yeah, Heneken would go down so well. 574 00:25:52,320 --> 00:25:57,359 Speaker 2: So ridiculous. Likeny just kept going and we said this 575 00:25:57,400 --> 00:26:02,679 Speaker 2: at the time that we need to call Nancy backs Chris, 576 00:26:02,840 --> 00:26:04,600 Speaker 2: because the last thing she said, as you just heard, 577 00:26:04,680 --> 00:26:05,720 Speaker 2: was that Heineken do it. 578 00:26:09,119 --> 00:26:09,439 Speaker 7: Hello? 579 00:26:11,440 --> 00:26:14,399 Speaker 2: Oh hi, Nancy, hey going, This is Kieran from the 580 00:26:14,400 --> 00:26:16,400 Speaker 2: front desk. Had kiss. How are you good? 581 00:26:16,440 --> 00:26:16,800 Speaker 11: How are you? 582 00:26:17,000 --> 00:26:22,479 Speaker 2: Yes? So well? Hey, I was just wondering. We know 583 00:26:22,600 --> 00:26:27,919 Speaker 2: that you we've got your role of tickets, and how 584 00:26:27,920 --> 00:26:31,439 Speaker 2: would you like them? First of all, what do you 585 00:26:31,520 --> 00:26:34,320 Speaker 2: mean like email? Text message? We can give you a 586 00:26:34,320 --> 00:26:35,000 Speaker 2: hard copy. 587 00:26:36,880 --> 00:26:38,600 Speaker 7: I don't know, how would I like them? I don't know. 588 00:26:38,640 --> 00:26:39,600 Speaker 7: What do you think? I don't know. 589 00:26:39,960 --> 00:26:42,080 Speaker 2: I'll probably just talk about you. That's probably easiest. 590 00:26:42,400 --> 00:26:44,600 Speaker 7: Yeah you know what, Yeah, I think it would be easier, 591 00:26:45,320 --> 00:26:47,320 Speaker 7: and honestly, you'll probably be the safe for pop show. 592 00:26:48,080 --> 00:26:51,200 Speaker 12: Great, okay, cool. I don't want to keep you for 593 00:26:51,240 --> 00:26:54,720 Speaker 12: too much longer, but okay, I know that. Did you 594 00:26:54,760 --> 00:26:57,120 Speaker 12: have the interaction with Chris on air yesterday? 595 00:26:57,240 --> 00:26:57,440 Speaker 2: Yes? 596 00:26:57,480 --> 00:26:58,480 Speaker 7: I did, Yes, I did. 597 00:26:58,600 --> 00:26:59,879 Speaker 2: Magic Wow? How cool is that? 598 00:27:00,040 --> 00:27:02,920 Speaker 7: It was awesome? You know when I was I think 599 00:27:02,920 --> 00:27:05,320 Speaker 7: I was a star. Shuck. I just started talking about 600 00:27:05,359 --> 00:27:06,639 Speaker 7: stuff that was so irrelevant. 601 00:27:08,240 --> 00:27:09,880 Speaker 2: And you got his name wrong as well? Am I right? 602 00:27:10,080 --> 00:27:12,000 Speaker 7: Yes? I did? Oh my god, that was so embarrassing. 603 00:27:12,840 --> 00:27:15,720 Speaker 7: I was like, I was like, I know his name, 604 00:27:16,000 --> 00:27:18,119 Speaker 7: I know his name, hand on, and my daughter's just 605 00:27:18,119 --> 00:27:19,280 Speaker 7: looking at again. Are you serious? 606 00:27:19,400 --> 00:27:19,600 Speaker 9: Mother? 607 00:27:20,640 --> 00:27:24,880 Speaker 2: Yeah? Hey, hey, that's okay. 608 00:27:25,440 --> 00:27:26,960 Speaker 7: Okay, these things happen. 609 00:27:27,040 --> 00:27:29,080 Speaker 12: You're nervous, you know, you just want to roll tickets. 610 00:27:30,880 --> 00:27:36,879 Speaker 12: So I've got Chris obviously heard the whole thing and embarrassing. 611 00:27:37,560 --> 00:27:37,920 Speaker 2: That's okay. 612 00:27:38,000 --> 00:27:39,760 Speaker 12: Now, think he had a good time. He heard you 613 00:27:39,840 --> 00:27:43,600 Speaker 12: say at the end the thing about having a maybe 614 00:27:44,359 --> 00:27:46,000 Speaker 12: having a beverage with him or something. 615 00:27:45,760 --> 00:27:48,480 Speaker 7: At the end of the Yeah, yeah, is that even possible? 616 00:27:48,520 --> 00:27:49,520 Speaker 7: Can that happens? 617 00:27:49,520 --> 00:27:50,600 Speaker 12: Look, I've had a little bit of a chat with 618 00:27:50,640 --> 00:27:56,760 Speaker 12: William Woodie and his people and look, I mean, I 619 00:27:56,800 --> 00:27:58,199 Speaker 12: don't really know how to tell you this myself, but 620 00:27:58,680 --> 00:27:59,800 Speaker 12: I've got Chris here again. 621 00:28:00,760 --> 00:28:04,360 Speaker 7: Oh my god, to me now, I could have put you. 622 00:28:04,320 --> 00:28:06,399 Speaker 12: On hold again, but I think he actually might be 623 00:28:06,480 --> 00:28:08,280 Speaker 12: Interesa having you and your family back to have a beer. 624 00:28:09,960 --> 00:28:11,640 Speaker 7: Of course I will be fantastic, of course. 625 00:28:11,680 --> 00:28:13,200 Speaker 12: Okay, I'll chuck you on hold. I think I'll be 626 00:28:13,200 --> 00:28:15,320 Speaker 12: able to get him just have a chat with you 627 00:28:15,359 --> 00:28:17,600 Speaker 12: about it now. Yeah, I think he just kind of 628 00:28:17,600 --> 00:28:19,280 Speaker 12: wants to see if you're not total weird or you know, 629 00:28:20,040 --> 00:28:24,119 Speaker 12: Oh my god, give me two cents. 630 00:28:25,280 --> 00:28:28,080 Speaker 2: This is I almost feel like this is unfair, Like 631 00:28:28,119 --> 00:28:30,200 Speaker 2: this is like taking candy from a baby. 632 00:28:30,240 --> 00:28:31,280 Speaker 3: We're going to have to come clean. 633 00:28:32,720 --> 00:28:33,560 Speaker 2: But we can't. 634 00:28:33,640 --> 00:28:35,080 Speaker 4: I can't say to her that I want to have 635 00:28:35,080 --> 00:28:37,440 Speaker 4: a beer with her as Chris Martin and then go 636 00:28:37,920 --> 00:28:40,200 Speaker 4: and then just leave her believing that's gonna happen. You'll 637 00:28:40,200 --> 00:28:41,760 Speaker 4: go to the gig and wait by the side of 638 00:28:41,760 --> 00:28:43,760 Speaker 4: the stage. Will So we are going to have to 639 00:28:43,800 --> 00:28:45,080 Speaker 4: come clean here and say that it. 640 00:28:45,040 --> 00:28:49,320 Speaker 2: Wasn't I had the fakeers voice, what are you going 641 00:28:49,360 --> 00:28:51,800 Speaker 2: to go with? What are you going to what are 642 00:28:51,800 --> 00:28:52,160 Speaker 2: you going to say? 643 00:28:52,160 --> 00:28:52,760 Speaker 3: It's Chris Martin. 644 00:28:52,800 --> 00:28:54,320 Speaker 2: There are you gonna say you can't have view with 645 00:28:54,320 --> 00:28:57,520 Speaker 2: her now? It's like, what, well, you can't if you 646 00:28:57,560 --> 00:29:00,200 Speaker 2: tell her now, she's gonna She's going to tell every. 647 00:29:00,160 --> 00:29:01,600 Speaker 3: See what happens. Let's see what happens. 648 00:29:03,880 --> 00:29:05,560 Speaker 12: Hey, Nancy, I'm just going to put your crust now. 649 00:29:08,080 --> 00:29:09,479 Speaker 2: Hello. Is that Nancy speaking? 650 00:29:10,560 --> 00:29:11,560 Speaker 7: Yes to Nancy? 651 00:29:12,360 --> 00:29:13,560 Speaker 2: Nancy, It's Chris Martin. 652 00:29:14,560 --> 00:29:18,120 Speaker 4: Hey, Hey, you going now? I heard a bit of 653 00:29:18,120 --> 00:29:20,320 Speaker 4: excitement yesterday, wasn't it when you were talking to me? 654 00:29:21,080 --> 00:29:24,080 Speaker 7: Yes, see, was very exciting. I'm so sorry. I just 655 00:29:24,160 --> 00:29:27,680 Speaker 7: totally blanked out and forgot your Name's. 656 00:29:26,920 --> 00:29:27,440 Speaker 2: Right, That's right. 657 00:29:27,440 --> 00:29:29,160 Speaker 4: It happens all the time. Happens all the time. Just 658 00:29:29,200 --> 00:29:30,600 Speaker 4: make sure it doesn't happen on the night. 659 00:29:31,240 --> 00:29:32,760 Speaker 7: You definitely won't. 660 00:29:32,920 --> 00:29:35,040 Speaker 3: All right, when you're screaming my name. 661 00:29:35,080 --> 00:29:36,680 Speaker 4: I hope you will be screaming my name when I'm 662 00:29:36,680 --> 00:29:37,959 Speaker 4: performing up there on the stage. 663 00:29:38,880 --> 00:29:40,720 Speaker 7: I'm going to even wear a T shirt just with 664 00:29:40,880 --> 00:29:41,640 Speaker 7: your name on it. 665 00:29:42,800 --> 00:29:47,800 Speaker 4: That warms my warms my cockles. Nancy, what's your favorite song? 666 00:29:47,840 --> 00:29:50,840 Speaker 4: By the way, I'm interested. I like warm more songs. 667 00:29:51,840 --> 00:29:57,640 Speaker 7: I like yellow clocks. No, you can't answer this is 668 00:29:57,680 --> 00:30:00,360 Speaker 7: about me now. I got the tickets. I think they're 669 00:30:00,400 --> 00:30:01,600 Speaker 7: my favorite tree songs. 670 00:30:02,160 --> 00:30:04,800 Speaker 2: Great, that's awesome. That's awesome. I really like those songs 671 00:30:04,840 --> 00:30:05,160 Speaker 2: as well. 672 00:30:05,200 --> 00:30:11,440 Speaker 4: Actually so, Nancy Kiss told me as well that that 673 00:30:11,520 --> 00:30:13,800 Speaker 4: you were interested in maybe having a beer with me 674 00:30:13,880 --> 00:30:14,880 Speaker 4: after one of the shows. 675 00:30:15,480 --> 00:30:20,120 Speaker 7: Of course, me and my sisters would absolutely love a beer, 676 00:30:20,960 --> 00:30:24,600 Speaker 7: a glass of wine. Whatever you want, we will have. 677 00:30:25,520 --> 00:30:28,120 Speaker 4: Yeah, I'm pretty sure we have a selection of Bully 678 00:30:28,200 --> 00:30:30,080 Speaker 4: whatever you want when you're a rock starg and whatever 679 00:30:30,080 --> 00:30:33,840 Speaker 4: the fuck you want. Nancy right anyway, all right, well, 680 00:30:33,880 --> 00:30:35,760 Speaker 4: look we'll try and make that happen if you if 681 00:30:35,760 --> 00:30:37,480 Speaker 4: you had to choose one sister, which one would choose? 682 00:30:37,560 --> 00:30:39,320 Speaker 3: I'm not sure how many people I can get back there. 683 00:30:40,480 --> 00:30:42,480 Speaker 7: I think i'll bring my daughter. I want to choose 684 00:30:42,520 --> 00:30:44,200 Speaker 7: my sisters. I think it will bring my daughter. 685 00:30:44,400 --> 00:30:46,160 Speaker 2: Yeah, great idea. I've got a daughter as well. I 686 00:30:46,280 --> 00:30:49,320 Speaker 2: love her. Yeah, my daughter's name is Apple. What's your 687 00:30:49,360 --> 00:30:50,160 Speaker 2: daughter called? 688 00:30:50,560 --> 00:30:52,440 Speaker 7: My daughter's name's Eleah. 689 00:30:53,040 --> 00:30:54,560 Speaker 2: Unreal, that's unreal. 690 00:30:55,720 --> 00:30:59,640 Speaker 4: Yeah, well, Nancy, Well there is someone else here that 691 00:30:59,680 --> 00:31:01,720 Speaker 4: I just you're the talk so of Actually he's just 692 00:31:01,800 --> 00:31:05,440 Speaker 4: over here. Did you want to have a chat? Yeah, 693 00:31:06,120 --> 00:31:13,120 Speaker 4: got Nancy, he got Nancy. He Hello, it's my door apple. 694 00:31:13,920 --> 00:31:16,400 Speaker 7: Oh my god. His daughter apples on the final layout. 695 00:31:17,800 --> 00:31:19,560 Speaker 3: Don't be shy. 696 00:31:19,800 --> 00:31:32,240 Speaker 7: Hello, hey, hello, hey. 697 00:31:29,960 --> 00:31:40,800 Speaker 4: Hi, Hello, it's Will and Woody here now hello, sorry, 698 00:31:41,600 --> 00:31:42,880 Speaker 4: sorry hello, Nancy you there? 699 00:31:43,440 --> 00:31:48,120 Speaker 2: Hey, Nancy, Hey Nancy, it's it's Will and Woody. Uh, Nancy, Nancy, 700 00:31:48,560 --> 00:31:49,840 Speaker 2: We've got to come clean here. 701 00:31:50,480 --> 00:31:51,040 Speaker 7: Oh my god. 702 00:31:53,080 --> 00:31:54,800 Speaker 2: When we said it was Chris Martin. 703 00:31:54,600 --> 00:31:57,280 Speaker 7: Talking, Oh, no, I knew it was a park. 704 00:31:58,160 --> 00:31:58,920 Speaker 2: That was just me. 705 00:31:59,400 --> 00:32:02,200 Speaker 3: We didn't anticipate that to go so long. 706 00:32:04,480 --> 00:32:05,360 Speaker 6: My daughter knew it was. 707 00:32:06,280 --> 00:32:08,280 Speaker 7: This is what happened when you're when you're old, you're 708 00:32:08,280 --> 00:32:09,520 Speaker 7: just you're dumb and gullibles. 709 00:32:09,960 --> 00:32:10,160 Speaker 2: Yeah. 710 00:32:10,200 --> 00:32:13,000 Speaker 3: I can relate to that. Andie Winners couldn't believe it. 711 00:32:13,000 --> 00:32:14,480 Speaker 4: It was supposed to be like I'll talk for a 712 00:32:14,520 --> 00:32:16,200 Speaker 4: little bit and then you'll go, hang on a second. 713 00:32:16,240 --> 00:32:19,400 Speaker 4: It's obviously Chris Martin, but you just you just kept 714 00:32:19,520 --> 00:32:21,360 Speaker 4: believing it was Chrish. 715 00:32:21,880 --> 00:32:24,280 Speaker 2: Yeah, which was Yeah, that. 716 00:32:24,280 --> 00:32:27,480 Speaker 3: Was very funny for us. So thank you for the laughs. Nancy. 717 00:32:27,600 --> 00:32:28,920 Speaker 7: No, that's okay, that's fine. 718 00:32:29,240 --> 00:32:31,520 Speaker 4: Just so you know, obviously Cold Play tickets they are yours. 719 00:32:31,600 --> 00:32:33,040 Speaker 4: You you are like, that wasn't a joke. 720 00:32:33,520 --> 00:32:35,480 Speaker 7: No, No, that's yeah, yeah right, but it just. 721 00:32:35,440 --> 00:32:38,200 Speaker 3: It just wasn't It wasn't Chris Martin talking. 722 00:32:38,760 --> 00:32:40,280 Speaker 7: Yeah, well that's okay, that's okay. 723 00:32:40,320 --> 00:32:41,360 Speaker 6: I forgive you guys. 724 00:32:41,400 --> 00:32:43,600 Speaker 7: You guys gave me Cold Play tickets, so it's fine. 725 00:32:43,680 --> 00:32:45,720 Speaker 4: That's true. That's totally true. And can I just say, Nancy, 726 00:32:45,800 --> 00:32:46,760 Speaker 4: you are a legend. 727 00:32:46,480 --> 00:32:47,920 Speaker 2: And it's just to confirm you've thought that it was 728 00:32:48,000 --> 00:32:48,960 Speaker 2: Chris Martin the whole time. 729 00:32:49,480 --> 00:32:52,480 Speaker 7: No, well, I actually did it yesterday. I believed it 730 00:32:52,480 --> 00:32:54,000 Speaker 7: because I was telling my sisters. I'm like, come, I 731 00:32:54,120 --> 00:32:57,280 Speaker 7: actually spoke to They're like, it's probably an Ai. You're 732 00:32:57,320 --> 00:32:59,880 Speaker 7: so stupid, shut up. I was actually speaking so. 733 00:33:01,360 --> 00:33:02,120 Speaker 4: And then my. 734 00:33:02,120 --> 00:33:03,959 Speaker 7: Daughter just looked. When I said to my daughter, wasn't here, 735 00:33:04,000 --> 00:33:07,640 Speaker 7: She goes her mom. I'm like, okay, okay, so you 736 00:33:07,680 --> 00:33:08,600 Speaker 7: did you did. 737 00:33:08,800 --> 00:33:12,760 Speaker 2: Wow, that's incredible. Mate, had a great time a Cold Play, 738 00:33:12,880 --> 00:33:13,920 Speaker 2: have a great afternoon. 739 00:33:14,120 --> 00:33:18,000 Speaker 7: Thank you. 740 00:33:18,080 --> 00:33:21,760 Speaker 2: Oh my god, they we're going to have to talk 741 00:33:21,760 --> 00:33:26,400 Speaker 2: about Oh there was my god, and this just happened. 742 00:33:26,600 --> 00:33:28,080 Speaker 4: There was a moment there were obviously you and I 743 00:33:28,120 --> 00:33:29,880 Speaker 4: were looking at each other where I had just offered 744 00:33:29,920 --> 00:33:33,400 Speaker 4: her a backstage pass to the gig, right, yes, which. 745 00:33:33,280 --> 00:33:34,960 Speaker 3: Is obviously We've got to come clean. 746 00:33:35,040 --> 00:33:35,760 Speaker 2: We had to come clean. 747 00:33:36,200 --> 00:33:39,040 Speaker 4: We were just like when you beginded to be Apple, 748 00:33:39,080 --> 00:33:39,960 Speaker 4: and then she put her daughter. 749 00:33:42,000 --> 00:33:43,440 Speaker 2: Got to a point, it got to a point where 750 00:33:43,920 --> 00:33:45,719 Speaker 2: we were we were definitely into it felt like we 751 00:33:45,720 --> 00:33:46,520 Speaker 2: were undercover cops. 752 00:33:46,520 --> 00:33:48,120 Speaker 4: I felt we were in the movie Fast and Furious 753 00:33:48,120 --> 00:33:49,920 Speaker 4: and we were becoming mates with the con that we 754 00:33:49,920 --> 00:33:51,080 Speaker 4: were pretending to be friends with. 755 00:33:51,160 --> 00:33:54,120 Speaker 2: And I was like, this is too real, way too real. 756 00:33:55,080 --> 00:33:58,719 Speaker 3: Wait, thankfully, Oh my god, I can't believe that she 757 00:33:58,840 --> 00:33:59,680 Speaker 3: was very nice about it. 758 00:34:00,720 --> 00:34:03,160 Speaker 2: Oh my god, God, we need to keep doing that. 759 00:34:14,080 --> 00:34:17,080 Speaker 4: I want to talk about something that I'm I'm one 760 00:34:17,160 --> 00:34:20,359 Speaker 4: hundred percent sure we all do this, but for some 761 00:34:20,440 --> 00:34:21,960 Speaker 4: reason it's taboo to talk about it. 762 00:34:22,840 --> 00:34:25,040 Speaker 3: So every single. 763 00:34:24,760 --> 00:34:29,480 Speaker 4: Time you walk into a public toilet, the who Wants 764 00:34:29,560 --> 00:34:33,439 Speaker 4: to Be a Millionaire music starts playing in your head. Ah, 765 00:34:33,560 --> 00:34:37,799 Speaker 4: and you look at that lineup of cubicles and you're like, 766 00:34:40,239 --> 00:34:44,360 Speaker 4: which which one do I think is the least used? 767 00:34:46,920 --> 00:34:53,080 Speaker 4: And henceforth, which cubicle is the best to use? We 768 00:34:53,160 --> 00:34:56,920 Speaker 4: all do this, yeah, but I found it really interesting, like. 769 00:34:56,520 --> 00:34:58,560 Speaker 2: This, do you always go for the least used? 770 00:34:59,160 --> 00:35:02,440 Speaker 4: That's what I'm targeting. Yeah, sure, I'm definitely targeting Lesia. 771 00:35:02,520 --> 00:35:04,359 Speaker 4: And by the way, if you want to engage, because 772 00:35:04,360 --> 00:35:06,960 Speaker 4: I'd love to hear people's thoughts here thirteen one sixty five, 773 00:35:07,800 --> 00:35:10,520 Speaker 4: join the experiment that we're doing live on air thirty 774 00:35:10,520 --> 00:35:14,360 Speaker 4: one six five. What is the best cubicle to use 775 00:35:14,640 --> 00:35:16,239 Speaker 4: in your opinion when you're in that. 776 00:35:16,160 --> 00:35:19,920 Speaker 2: Situation sometimes on a cold day, I don't mind a 777 00:35:19,920 --> 00:35:22,240 Speaker 2: bit of heat on the seat. Just throwing that out there. 778 00:35:22,320 --> 00:35:24,560 Speaker 4: Well, that makes you in the minority, I would I 779 00:35:24,600 --> 00:35:28,719 Speaker 4: would assume in sometimes I think most people. 780 00:35:28,560 --> 00:35:31,640 Speaker 2: Most most of the time, I refer a freshy. 781 00:35:31,640 --> 00:35:34,759 Speaker 4: Okay, And my general opinion is that if you're hard 782 00:35:34,760 --> 00:35:36,000 Speaker 4: to pick the freshie. 783 00:35:36,360 --> 00:35:38,480 Speaker 3: See, I don't think. I don't think it is hard. 784 00:35:38,600 --> 00:35:39,360 Speaker 3: I am very. 785 00:35:39,239 --> 00:35:43,479 Speaker 4: Strongly of the view that everyone always skips cubicle one. 786 00:35:43,840 --> 00:35:46,839 Speaker 4: I think there's this assumption out there that if there 787 00:35:46,880 --> 00:35:49,160 Speaker 4: is so I'm talking about three cubicles there, I think 788 00:35:49,160 --> 00:35:52,800 Speaker 4: everyone looks at cubicle one and goes, oh, that's definitely 789 00:35:52,800 --> 00:35:56,160 Speaker 4: the most used, so I'll go to number two. So, 790 00:35:56,200 --> 00:36:00,319 Speaker 4: in my opinion, I think cubicle one is always your 791 00:36:00,360 --> 00:36:01,000 Speaker 4: best decision. 792 00:36:01,040 --> 00:36:06,000 Speaker 2: That is the best tubical. I think that look, we're 793 00:36:06,040 --> 00:36:09,120 Speaker 2: talking about a three cubicle spread here, right, three cubicle spread. Yeah. 794 00:36:09,480 --> 00:36:13,279 Speaker 2: I feel as if the conversation has evolved a bit 795 00:36:13,320 --> 00:36:16,640 Speaker 2: from you. I think in the sixties and seventies people 796 00:36:16,680 --> 00:36:21,440 Speaker 2: were cubicle wanting. But I reckon in the last I 797 00:36:21,440 --> 00:36:21,960 Speaker 2: don't know one. 798 00:36:22,040 --> 00:36:25,000 Speaker 4: No, No, I don't think they do cubicle one. I think 799 00:36:25,040 --> 00:36:25,719 Speaker 4: they skip it. 800 00:36:26,400 --> 00:36:29,279 Speaker 3: I think they assume that it's used a lot. 801 00:36:29,360 --> 00:36:33,680 Speaker 2: Hence sorry you, sorry you, you you've gone ahead here. 802 00:36:33,880 --> 00:36:34,880 Speaker 7: I think. 803 00:36:36,560 --> 00:36:37,640 Speaker 2: One is used a lot. 804 00:36:37,719 --> 00:36:39,560 Speaker 4: But I think everyone goes like, no, that's what everyone 805 00:36:39,600 --> 00:36:41,879 Speaker 4: else is thinking, So use one. 806 00:36:42,239 --> 00:36:44,680 Speaker 2: It is the best one to use. No, I think 807 00:36:44,680 --> 00:36:47,160 Speaker 2: we're on the same page. I think we are on 808 00:36:47,200 --> 00:36:51,000 Speaker 2: the same page. But but I but I because I've 809 00:36:51,000 --> 00:36:53,480 Speaker 2: had this show with Sam a lot, and she and 810 00:36:53,520 --> 00:36:56,880 Speaker 2: she thinks that she's a cubicle oner and she's been 811 00:36:56,920 --> 00:36:59,480 Speaker 2: a cubicle oneer for a long time, and I just 812 00:36:59,520 --> 00:37:03,959 Speaker 2: think that that group of people is is has now grown. 813 00:37:05,120 --> 00:37:05,800 Speaker 3: Flipped again. 814 00:37:05,840 --> 00:37:09,640 Speaker 2: I think so you think that, Yeah, I think the 815 00:37:09,680 --> 00:37:11,759 Speaker 2: amount of times that I walk into you know, a 816 00:37:11,800 --> 00:37:15,080 Speaker 2: three cubicle spread, cubicle one can be in a bad way. 817 00:37:15,760 --> 00:37:17,920 Speaker 2: It can be, it can be I mean, I'm going 818 00:37:17,960 --> 00:37:20,240 Speaker 2: to say, when I was a teenager, it was pretty 819 00:37:20,280 --> 00:37:23,680 Speaker 2: safe bet, but I reckon these days I'm probably a 820 00:37:23,760 --> 00:37:26,080 Speaker 2: cubical two guy. I'm going to throw it out here, 821 00:37:26,719 --> 00:37:28,680 Speaker 2: even a cubical three guy some days. 822 00:37:29,520 --> 00:37:31,120 Speaker 3: But if you had to pick one, though, what is 823 00:37:31,160 --> 00:37:31,799 Speaker 3: it two or three? 824 00:37:32,160 --> 00:37:37,200 Speaker 2: Probably two? Yes, I think is the worst? Is not Brian? 825 00:37:38,040 --> 00:37:40,000 Speaker 2: We got Brian, Brian three. 826 00:37:40,000 --> 00:37:44,680 Speaker 3: Three, three cubical spread. What is the best cubicle to use? 827 00:37:46,360 --> 00:37:46,680 Speaker 4: To me? 828 00:37:46,840 --> 00:37:53,600 Speaker 6: Will be the three picked the last one. This is 829 00:37:53,680 --> 00:37:54,640 Speaker 6: why I always try. 830 00:37:55,080 --> 00:37:57,319 Speaker 4: Yeah, And there's the thing, Brian, I think there are 831 00:37:57,360 --> 00:38:01,040 Speaker 4: a lot of people who assume, by walking further that 832 00:38:01,239 --> 00:38:02,760 Speaker 4: less people will use that cubicle. 833 00:38:02,840 --> 00:38:04,000 Speaker 2: Common mistake in my mind. 834 00:38:04,080 --> 00:38:05,520 Speaker 3: For most of I don't mind a bit of heat 835 00:38:05,520 --> 00:38:06,520 Speaker 3: on the set on a cold day. 836 00:38:06,560 --> 00:38:08,000 Speaker 2: For most of us, to close your eyes, you can 837 00:38:08,080 --> 00:38:11,720 Speaker 2: just imagine that, you know, it's just it's just you know, heated. 838 00:38:11,960 --> 00:38:12,759 Speaker 2: It's heated for you. 839 00:38:12,920 --> 00:38:15,759 Speaker 4: The shocking feeling for me when I think, once you 840 00:38:15,760 --> 00:38:17,040 Speaker 4: get past that, it's fine. 841 00:38:17,160 --> 00:38:19,560 Speaker 3: The only time I don't like warmth anyway. 842 00:38:20,200 --> 00:38:21,800 Speaker 2: For most of it about if you're in a fire, 843 00:38:23,360 --> 00:38:24,960 Speaker 2: well done, you flip me, well done. 844 00:38:25,400 --> 00:38:27,279 Speaker 4: But for most of us, we're trying to use the 845 00:38:27,320 --> 00:38:31,240 Speaker 4: cubicle that we think is least used. I personally think 846 00:38:31,640 --> 00:38:34,080 Speaker 4: cubicle one. We're talking about a three cubicle spread. If 847 00:38:34,080 --> 00:38:36,240 Speaker 4: you've got three cubicles to choose from, which. 848 00:38:36,040 --> 00:38:37,960 Speaker 3: One we're targeting the one that's been the least used. 849 00:38:38,000 --> 00:38:41,800 Speaker 4: I think it's cubical one, because most people wrongly assume 850 00:38:41,880 --> 00:38:45,719 Speaker 4: that's the one everyone's going to. Yeah, what's interesting about 851 00:38:45,719 --> 00:38:47,839 Speaker 4: this for I got of the calls is that as 852 00:38:47,960 --> 00:38:52,840 Speaker 4: people pitch their favorite cubicle, it's it's undoing their argument. 853 00:38:53,560 --> 00:38:55,200 Speaker 2: That's right, Which that's right? 854 00:38:55,280 --> 00:38:59,000 Speaker 4: This is fascinating science. Katrina, thirteen one or sixty five? 855 00:38:59,280 --> 00:39:01,759 Speaker 4: Which cubical do you think is the best one to 856 00:39:01,800 --> 00:39:02,080 Speaker 4: go to? 857 00:39:03,320 --> 00:39:05,880 Speaker 10: I think the best one to go to is number 858 00:39:06,000 --> 00:39:09,279 Speaker 10: two only because when you're in a rush, you got 859 00:39:09,280 --> 00:39:11,840 Speaker 10: to go to number one because you're in a hurry. 860 00:39:11,880 --> 00:39:14,520 Speaker 10: But when I want to do a number two, I 861 00:39:14,600 --> 00:39:17,560 Speaker 10: go to the furthest one away so people can't listen 862 00:39:17,640 --> 00:39:20,080 Speaker 10: and and know what I'm doing. 863 00:39:22,400 --> 00:39:25,200 Speaker 3: There is some anonymity to going deep. I definitely would 864 00:39:25,239 --> 00:39:26,279 Speaker 3: say that, but can up. 865 00:39:26,320 --> 00:39:29,239 Speaker 4: My concern is that if people are after anonymity, that 866 00:39:29,360 --> 00:39:31,080 Speaker 4: means some bad stuff's happening in cubicle three. 867 00:39:31,120 --> 00:39:32,640 Speaker 2: That's all I'm going to say. So maybe not a 868 00:39:32,640 --> 00:39:34,920 Speaker 2: good one to go to. I see what she's done there, 869 00:39:35,440 --> 00:39:40,239 Speaker 2: that's crafty jay zigs vive JH. 870 00:39:41,760 --> 00:39:44,480 Speaker 4: Yeah, it's definitely a factor that we didn't take into consideration. 871 00:39:46,560 --> 00:39:47,880 Speaker 2: Yeah, and you definitely. 872 00:39:47,480 --> 00:39:50,160 Speaker 3: Do earn that the deep you go if you got 873 00:39:50,200 --> 00:39:51,960 Speaker 3: a third cubicle, I think. 874 00:39:51,800 --> 00:39:54,960 Speaker 2: Too, is just just just scramble them a bit. I 875 00:39:55,040 --> 00:39:56,600 Speaker 2: know who was that? Who wasn't there? I think when 876 00:39:56,600 --> 00:39:58,400 Speaker 2: you're into it could be anywhere and you could be 877 00:39:58,440 --> 00:39:59,240 Speaker 2: coming out of anywhere. 878 00:39:59,520 --> 00:40:01,520 Speaker 3: That's true. 879 00:40:01,320 --> 00:40:02,160 Speaker 2: Maybe it's not a factor. 880 00:40:05,480 --> 00:40:07,520 Speaker 6: I'm going at debunk number two for sure. 881 00:40:07,560 --> 00:40:08,920 Speaker 3: So number two as well. 882 00:40:09,440 --> 00:40:10,240 Speaker 7: I know I wouldn't. 883 00:40:10,239 --> 00:40:12,600 Speaker 6: I wouldn't choose too, I'd be one and three. So 884 00:40:12,640 --> 00:40:18,279 Speaker 6: I study magic card tricks believa. So if you you 885 00:40:18,800 --> 00:40:20,800 Speaker 6: you can work this out on anyone and do it yourself. 886 00:40:20,880 --> 00:40:22,799 Speaker 6: If you put four cards in front of somebody in 887 00:40:22,840 --> 00:40:26,359 Speaker 6: a row of four cards or three cards, ninety nine 888 00:40:26,400 --> 00:40:29,279 Speaker 6: point nine percent of people will through. There's option too. 889 00:40:30,360 --> 00:40:35,000 Speaker 6: So theory, based on that theory, I would never choose off. 890 00:40:36,280 --> 00:40:40,640 Speaker 2: Telling me ninety percent of people going to the second cubicle. 891 00:40:40,840 --> 00:40:43,360 Speaker 6: Yeah, one hundred percent aground based on based on the 892 00:40:43,400 --> 00:40:46,240 Speaker 6: same theory as as cards. You put down four cards 893 00:40:46,239 --> 00:40:47,880 Speaker 6: in front of people or three cards. 894 00:40:48,280 --> 00:40:50,799 Speaker 2: You're not taking a ship on the card Jay. But 895 00:40:50,920 --> 00:40:53,480 Speaker 2: it's not saying that he's the when you it's a factor, 896 00:40:53,560 --> 00:40:57,560 Speaker 2: you know what I mean. We're talking. It's a factors total. 897 00:40:58,680 --> 00:40:58,920 Speaker 12: That's it. 898 00:40:59,360 --> 00:41:02,719 Speaker 6: That's for some reason, it's the way people's minds will 899 00:41:02,719 --> 00:41:04,920 Speaker 6: always choose option too. So I would never jump in 900 00:41:04,960 --> 00:41:05,520 Speaker 6: cubicle through. 901 00:41:07,800 --> 00:41:10,080 Speaker 2: I understand you studied the cards. I understand there's some 902 00:41:10,120 --> 00:41:13,799 Speaker 2: science there, but you're forgetting a big part of this, 903 00:41:14,040 --> 00:41:16,239 Speaker 2: Like the big part of this, which I think is 904 00:41:16,280 --> 00:41:18,120 Speaker 2: in the back of everyone's mind, is not when you 905 00:41:18,160 --> 00:41:20,680 Speaker 2: pick a card, you haven't got your pants around your ankles. 906 00:41:20,719 --> 00:41:22,279 Speaker 2: Taking a poo in an office, but you don't have 907 00:41:22,360 --> 00:41:23,120 Speaker 2: which is a factor. 908 00:41:23,120 --> 00:41:24,560 Speaker 3: But you don't have your pants around your ankles. 909 00:41:24,560 --> 00:41:26,799 Speaker 2: When you're choosing a cubicle. You are fully but you're 910 00:41:26,840 --> 00:41:30,120 Speaker 2: about to eminently, You're about to have your pants around 911 00:41:30,160 --> 00:41:32,400 Speaker 2: your ankles taking a poo in your office, potentially in 912 00:41:32,440 --> 00:41:34,279 Speaker 2: front of a work colleague. And I think that that 913 00:41:34,480 --> 00:41:37,120 Speaker 2: sends you're in the cubicle. We're going, But do you 914 00:41:37,160 --> 00:41:37,600 Speaker 2: know what I mean? 915 00:41:38,920 --> 00:41:41,520 Speaker 3: That sends you in the open door policy and it's sick. 916 00:41:41,560 --> 00:41:45,720 Speaker 2: I haven't mean to talk to you about that. I agree. 917 00:41:46,760 --> 00:41:48,799 Speaker 2: If we're just talking about, you know, a sit in 918 00:41:48,840 --> 00:41:51,759 Speaker 2: a lab, pick one, two or three. Sure people are 919 00:41:51,760 --> 00:41:54,759 Speaker 2: going to pick. But you know what was her name? 920 00:41:54,800 --> 00:41:57,200 Speaker 2: His name is Jay Him Katrina? She brought up before 921 00:41:57,239 --> 00:41:59,520 Speaker 2: the anonymity factor. Yes, you know that's going to be 922 00:41:59,520 --> 00:42:01,960 Speaker 2: a factor. If you go into cubicle two, you get 923 00:42:02,000 --> 00:42:04,360 Speaker 2: a chance of getting iron curtained, which means one and 924 00:42:04,400 --> 00:42:05,800 Speaker 2: three get taken at the same time. 925 00:42:06,080 --> 00:42:06,320 Speaker 3: You're in. 926 00:42:06,560 --> 00:42:07,839 Speaker 2: You're in a bit of a ship storm. I think 927 00:42:08,360 --> 00:42:11,080 Speaker 2: don't want to be there either. So I mean, they 928 00:42:11,239 --> 00:42:13,560 Speaker 2: just don't come in here with the cards, That's all 929 00:42:13,560 --> 00:42:15,880 Speaker 2: I'm saying. I do know we're comparing you're bearing apples 930 00:42:15,880 --> 00:42:16,360 Speaker 2: and oranges. 931 00:42:16,400 --> 00:42:18,480 Speaker 4: I didn't mind bringing it. It's a fair extrapolation. Why 932 00:42:18,520 --> 00:42:21,680 Speaker 4: don't we keep taking calls? Well, let's go to Lee 933 00:42:21,800 --> 00:42:24,400 Speaker 4: Lee best cubicle today. 934 00:42:24,440 --> 00:42:27,239 Speaker 3: You've actually read a study on this exact thing. So 935 00:42:27,239 --> 00:42:28,640 Speaker 3: we're going from cards. 936 00:42:29,080 --> 00:42:34,440 Speaker 2: People people using cubicles. What did the study say, Lee, Boys? 937 00:42:34,480 --> 00:42:35,080 Speaker 6: Has it gone? 938 00:42:35,520 --> 00:42:36,600 Speaker 2: Mate? Very good? Very good? 939 00:42:37,120 --> 00:42:39,960 Speaker 11: Yeah, So this has actually been tested, believe it on 940 00:42:40,440 --> 00:42:46,400 Speaker 11: mis faster this exact thing, and and woods is correct. 941 00:42:46,560 --> 00:42:51,400 Speaker 11: The furthest toilet awave door the most used because people 942 00:42:51,440 --> 00:42:54,000 Speaker 11: assume the one closest is the most used. 943 00:42:54,280 --> 00:42:57,960 Speaker 2: Yes, why do people assume number one is most used? 944 00:42:58,280 --> 00:42:59,600 Speaker 2: I don't want to go the closes? 945 00:43:00,080 --> 00:43:00,840 Speaker 3: Yeah, exactly. 946 00:43:01,120 --> 00:43:03,920 Speaker 4: They assume people are lazy, and often for me, when 947 00:43:03,960 --> 00:43:06,320 Speaker 4: I walk into da when I walk into. 948 00:43:06,120 --> 00:43:07,600 Speaker 2: A I'm sorry, that's daft. 949 00:43:07,640 --> 00:43:09,560 Speaker 4: When I walk into a public tourl I always go. 950 00:43:09,840 --> 00:43:11,800 Speaker 4: You go to cubicle away to go hang on a second. 951 00:43:12,400 --> 00:43:15,279 Speaker 4: Everyone's doing this and that's why I go. 952 00:43:15,440 --> 00:43:18,400 Speaker 2: But hang on, Are you going to cubicle one because 953 00:43:18,480 --> 00:43:23,839 Speaker 2: you assume that most people aren't going to cubicle one? Yes? Yeah, yes, 954 00:43:24,120 --> 00:43:26,600 Speaker 2: because you think most people are going to cubicle three. 955 00:43:27,200 --> 00:43:29,200 Speaker 3: No, no, I think they're going to one and three. 956 00:43:29,320 --> 00:43:45,160 Speaker 2: Yes, I just think they're all going to three. I 957 00:43:45,200 --> 00:43:47,719 Speaker 2: want to take calls now if you want to go 958 00:43:47,760 --> 00:43:55,239 Speaker 2: and punish someone, but you're actually secretly impressed. Much so. 959 00:43:56,040 --> 00:43:59,959 Speaker 2: Bit of a sad story, this one, it's a bit sad. 960 00:44:00,040 --> 00:44:06,840 Speaker 2: Does involve some sheep. Good depth to our sheep catalog. 961 00:44:07,440 --> 00:44:09,239 Speaker 2: I didn't I don't know we had more than one sheep, 962 00:44:09,880 --> 00:44:11,840 Speaker 2: but all of a sudden, have we got more? I 963 00:44:11,920 --> 00:44:16,040 Speaker 2: said that one? All right? So an eighty one an 964 00:44:16,040 --> 00:44:17,759 Speaker 2: eighty one year old guy, it's probably where it starts 965 00:44:17,760 --> 00:44:21,080 Speaker 2: getting out. He's eighty one years old. He was sentenced 966 00:44:21,080 --> 00:44:25,680 Speaker 2: to six months in Federal prison Woods for a leally 967 00:44:26,640 --> 00:44:31,840 Speaker 2: using tissue tissue tissue from the testicles of large sheep 968 00:44:33,320 --> 00:44:39,600 Speaker 2: hunted in Central Asia to create a hybrid sheep. He 969 00:44:39,719 --> 00:44:41,920 Speaker 2: cloned a hybrid sheep in captivity. 970 00:44:42,719 --> 00:44:45,560 Speaker 3: Hang on, he's he's so's he's taken. 971 00:44:45,800 --> 00:44:49,200 Speaker 2: He's taking the balls off these Central Asian sheep on 972 00:44:49,280 --> 00:44:51,440 Speaker 2: holiday for a holiday. I think just in his own time. 973 00:44:51,440 --> 00:44:52,799 Speaker 2: I'm not sure he's on holiday. 974 00:44:52,480 --> 00:44:55,799 Speaker 4: But he's flying to Central Asia. He's flying home with 975 00:44:55,880 --> 00:44:56,360 Speaker 4: the balls. 976 00:44:57,320 --> 00:45:01,239 Speaker 2: I don't know how he cut him back. Security get 977 00:45:01,280 --> 00:45:09,560 Speaker 2: you there, Security got through customs got done at ball 978 00:45:09,640 --> 00:45:12,200 Speaker 2: security every time. 979 00:45:12,239 --> 00:45:14,239 Speaker 4: And the specialist, they're the best of the best. Don't 980 00:45:14,280 --> 00:45:18,400 Speaker 4: know how they find them every time. He's he's brought 981 00:45:18,440 --> 00:45:18,879 Speaker 4: them back. 982 00:45:19,000 --> 00:45:19,719 Speaker 3: So where's the is the. 983 00:45:19,680 --> 00:45:22,120 Speaker 2: Guy from No, I don't know. He's in the US. 984 00:45:22,360 --> 00:45:23,439 Speaker 2: So he's flying back to the US. 985 00:45:23,920 --> 00:45:28,120 Speaker 4: And then he's so he's tried to put these tissue 986 00:45:28,160 --> 00:45:29,239 Speaker 4: into his sheep. 987 00:45:29,080 --> 00:45:31,640 Speaker 2: To like let's get into the science. So basically, he 988 00:45:31,719 --> 00:45:34,920 Speaker 2: tried to make a separate species of sheep, a super 989 00:45:34,920 --> 00:45:39,440 Speaker 2: species of sheep using Central Asian sheep and an American sheep. Anyway, 990 00:45:39,640 --> 00:45:43,440 Speaker 2: he goes, he goes to the judge. They wheel him 991 00:45:43,440 --> 00:45:46,680 Speaker 2: ount from ball security and he goes to the judge. 992 00:45:47,040 --> 00:45:50,880 Speaker 2: He's fine, He's fined twenty thousand dollars. He's got to 993 00:45:50,920 --> 00:45:54,200 Speaker 2: pay four thousand dollars to the US Fish and Wildlife Foundation. 994 00:45:55,160 --> 00:45:57,440 Speaker 2: And they put him in prison for six months. 995 00:45:57,400 --> 00:45:59,520 Speaker 3: Because he took the balls from Asia or because of 996 00:45:59,520 --> 00:46:01,439 Speaker 3: the just dropped the balls. 997 00:46:02,440 --> 00:46:07,600 Speaker 2: What's the They've got an issue. But okay, he said before, 998 00:46:08,680 --> 00:46:10,640 Speaker 2: he said to the judge, I'm going to have to 999 00:46:11,000 --> 00:46:13,200 Speaker 2: work for the rest of my life to repair everything 1000 00:46:13,239 --> 00:46:17,640 Speaker 2: that I've done. Here. I don't think he's done that 1001 00:46:17,680 --> 00:46:18,120 Speaker 2: bad thing. 1002 00:46:18,680 --> 00:46:21,439 Speaker 3: I mean, did he say why he wanted this special time. 1003 00:46:21,920 --> 00:46:25,120 Speaker 2: I don't think we need. His lawyer said, I think 1004 00:46:25,160 --> 00:46:28,399 Speaker 2: this has broken him. If he's taking balls back from 1005 00:46:28,440 --> 00:46:31,120 Speaker 2: Central Asia, I think he was broken before then. Anyway, 1006 00:46:31,600 --> 00:46:36,279 Speaker 2: I do feel I do feel for the judge. Yeah, 1007 00:46:36,280 --> 00:46:38,560 Speaker 2: I do, because the judge, you know, I think if 1008 00:46:38,560 --> 00:46:41,200 Speaker 2: you put someone in the judges shoes here he's going, look, 1009 00:46:41,239 --> 00:46:43,040 Speaker 2: i've got to lock you up here. You can't be, 1010 00:46:43,360 --> 00:46:47,880 Speaker 2: you know, mixing sheep balls. But I'm kind of impressed 1011 00:46:47,880 --> 00:46:51,480 Speaker 2: by what you've done. Amazing. You've made a whole third 1012 00:46:51,600 --> 00:46:54,640 Speaker 2: species of sheep in your garage type of the gap 1013 00:46:54,680 --> 00:46:57,799 Speaker 2: big fell. And I mean it reminded me when I 1014 00:46:57,840 --> 00:47:01,799 Speaker 2: got home the other night from work and Sem and 1015 00:47:01,880 --> 00:47:03,680 Speaker 2: Max were out and it was just my dog Stevie 1016 00:47:03,680 --> 00:47:05,280 Speaker 2: at home. And when you get home and your dog's 1017 00:47:05,280 --> 00:47:07,200 Speaker 2: giving you that look or you're like you've done something 1018 00:47:07,239 --> 00:47:11,200 Speaker 2: wrong here, dogs just look at you. I'm just going 1019 00:47:11,280 --> 00:47:13,160 Speaker 2: to look about him where they're like, you just know. 1020 00:47:13,280 --> 00:47:15,000 Speaker 2: You haven't seen it yet, but you just know. And 1021 00:47:15,239 --> 00:47:18,040 Speaker 2: I walked into the house. Turned out she and she 1022 00:47:18,080 --> 00:47:19,960 Speaker 2: had something like on her mouth and I was like, 1023 00:47:20,040 --> 00:47:23,880 Speaker 2: what is that on your mouth? It was brown? Anyway, 1024 00:47:24,080 --> 00:47:28,120 Speaker 2: turned out she'd got into the nappy bin. It's hard 1025 00:47:28,120 --> 00:47:28,560 Speaker 2: to get into. 1026 00:47:28,760 --> 00:47:30,719 Speaker 4: Yeah, I've got one of those either locks hat all 1027 00:47:30,760 --> 00:47:31,840 Speaker 4: the she. 1028 00:47:31,880 --> 00:47:33,560 Speaker 2: Got in the nappy bin and she'd eaten the whole 1029 00:47:33,600 --> 00:47:37,319 Speaker 2: contents of the navy in Yeah, quite impressive. She had 1030 00:47:37,320 --> 00:47:40,359 Speaker 2: like a ship lipstick from the brown thing was that's great. 1031 00:47:41,320 --> 00:47:43,719 Speaker 2: And so again, buddy, hard to get into that navy bin. 1032 00:47:43,840 --> 00:47:45,279 Speaker 2: All of a sudden, I was like, look, normally i'd 1033 00:47:45,280 --> 00:47:49,520 Speaker 2: send you outside, but I'm genius, Like, you don't have hands. 1034 00:47:49,960 --> 00:47:51,719 Speaker 2: I was culling this sight twain. 1035 00:47:51,800 --> 00:47:58,560 Speaker 4: But but she's got paws and she's slid open. 1036 00:47:58,840 --> 00:48:04,279 Speaker 2: That's extra. No, he put CCTV in the room. Now, Yeah, 1037 00:48:04,400 --> 00:48:09,600 Speaker 2: genius speaks to the bloke in the US. I just 1038 00:48:09,600 --> 00:48:10,400 Speaker 2: said her balls. 1039 00:48:10,440 --> 00:48:11,319 Speaker 3: What doesn't really work? 1040 00:48:11,600 --> 00:48:13,920 Speaker 2: He gets out of the jail. Mate, We've got a 1041 00:48:14,000 --> 00:48:17,360 Speaker 2: job for out fucking smuggle your bass ball security. 1042 00:48:17,880 --> 00:48:19,600 Speaker 4: So I can't speak with one hundred percent confidence as 1043 00:48:19,640 --> 00:48:22,320 Speaker 4: to whether my dad was fully impressed by this, because 1044 00:48:22,360 --> 00:48:24,680 Speaker 4: I was the one that he was he was tasked 1045 00:48:24,680 --> 00:48:27,360 Speaker 4: with punishing, but I think a part of him was 1046 00:48:27,440 --> 00:48:31,600 Speaker 4: like impressive. So basically, he was doing some cleaning down 1047 00:48:31,640 --> 00:48:33,040 Speaker 4: the side of our family home. 1048 00:48:33,080 --> 00:48:35,200 Speaker 3: This is when I was fifteen, sixteen years old. 1049 00:48:35,680 --> 00:48:38,239 Speaker 4: And he looked and there was this tree down the 1050 00:48:38,239 --> 00:48:39,719 Speaker 4: side of the house and he was like, that is 1051 00:48:39,800 --> 00:48:40,400 Speaker 4: that is bizarre. 1052 00:48:40,480 --> 00:48:42,640 Speaker 3: It is the middle of winter and that tree is bossoming. 1053 00:48:43,040 --> 00:48:44,160 Speaker 3: That that just shouldn't be happening. 1054 00:48:44,239 --> 00:48:46,319 Speaker 4: This is freak of nature that this this this tree 1055 00:48:46,320 --> 00:48:48,160 Speaker 4: is bossing for the first time over winter. Anyway, I 1056 00:48:48,160 --> 00:48:50,799 Speaker 4: got a little bit closer and he realized that the 1057 00:48:50,880 --> 00:48:58,040 Speaker 4: tree was covered in condoms and. 1058 00:48:56,080 --> 00:48:56,799 Speaker 3: And is that right? 1059 00:48:57,160 --> 00:48:59,080 Speaker 4: And at that point he was like, what is going 1060 00:48:59,120 --> 00:49:00,600 Speaker 4: And he looks at the next one's house and he 1061 00:49:00,640 --> 00:49:02,440 Speaker 4: was like, I just cannot believe the next one they 1062 00:49:02,640 --> 00:49:07,120 Speaker 4: are turfing the prophylactics over the bloody fence. And then 1063 00:49:07,120 --> 00:49:11,160 Speaker 4: he goes a second exact, the rain right outside my 1064 00:49:11,200 --> 00:49:11,960 Speaker 4: bedroom window. 1065 00:49:12,840 --> 00:49:14,320 Speaker 2: And I thought they were. 1066 00:49:14,200 --> 00:49:16,000 Speaker 3: Compostible or they would decompart. 1067 00:49:16,160 --> 00:49:16,719 Speaker 2: You did not. 1068 00:49:17,160 --> 00:49:18,319 Speaker 3: I did know you did. 1069 00:49:19,520 --> 00:49:20,919 Speaker 4: He just goes if it as soon as it rains, 1070 00:49:20,960 --> 00:49:22,320 Speaker 4: they just just decompose. 1071 00:49:22,560 --> 00:49:23,360 Speaker 10: You did not. 1072 00:49:23,680 --> 00:49:26,080 Speaker 2: You did not think that would compossible. You just wanted 1073 00:49:26,080 --> 00:49:27,759 Speaker 2: to bury the evidence, you know, when your parents know 1074 00:49:27,800 --> 00:49:29,879 Speaker 2: you're having sex as a teenager, which is fair enough, 1075 00:49:30,520 --> 00:49:32,799 Speaker 2: but don't come on here and try and piss in 1076 00:49:32,840 --> 00:49:36,160 Speaker 2: my pocket and tell me it's raining. I thought that's decompossible. 1077 00:49:36,239 --> 00:49:36,560 Speaker 2: Let's go. 1078 00:49:37,040 --> 00:49:38,399 Speaker 4: I just went around that out by. I was saying, 1079 00:49:38,440 --> 00:49:41,480 Speaker 4: like they should be practicing safe sex. And that's why 1080 00:49:41,520 --> 00:49:42,160 Speaker 4: Dad was impressed. 1081 00:49:42,160 --> 00:49:48,000 Speaker 2: He's like, good boy, Jamie's cool. Hi, Hi, Jamie, how 1082 00:49:48,000 --> 00:49:50,000 Speaker 2: are you going? Sorry you had to wade through that, 1083 00:49:51,440 --> 00:49:54,239 Speaker 2: Jamie Jamie, you had to punish someone, but you were 1084 00:49:54,239 --> 00:49:55,160 Speaker 2: secretly impressed. 1085 00:49:55,840 --> 00:49:58,120 Speaker 6: Yeah, very so. My toddler. 1086 00:49:58,800 --> 00:50:02,880 Speaker 9: He managed she climb off on the lounge, fall backwards, 1087 00:50:03,200 --> 00:50:06,960 Speaker 9: fall through the glass sliding door, cost US eight hundred 1088 00:50:07,000 --> 00:50:10,839 Speaker 9: dollars to six and didn't have a scratch on him. 1089 00:50:11,239 --> 00:50:14,600 Speaker 2: And that's awesome, believe that's great news for you. Well, 1090 00:50:14,680 --> 00:50:15,560 Speaker 2: that's sorry. 1091 00:50:15,560 --> 00:50:18,560 Speaker 3: He went through a glass He went through a glass door. 1092 00:50:18,840 --> 00:50:19,719 Speaker 7: A glass door. 1093 00:50:20,360 --> 00:50:23,400 Speaker 9: Yeah, smashed the whole thing. He's not even a scratch 1094 00:50:23,440 --> 00:50:23,799 Speaker 9: on him. 1095 00:50:23,880 --> 00:50:24,600 Speaker 2: That's amazing. 1096 00:50:24,680 --> 00:50:26,719 Speaker 3: Like he's like Boyce Willis from Unbreakable. 1097 00:50:26,760 --> 00:50:28,600 Speaker 2: That does happen sometimes. Like I had a friend of 1098 00:50:28,600 --> 00:50:30,960 Speaker 2: mine whose dog got hit by a car recently. Like 1099 00:50:31,080 --> 00:50:34,879 Speaker 2: the car came off worse, you're kidding, totaled the car. 1100 00:50:35,239 --> 00:50:36,120 Speaker 3: What kind of dog. 1101 00:50:35,960 --> 00:50:40,880 Speaker 2: Dog walked away retriever Golden retriever. Funnily enough, I was 1102 00:50:40,920 --> 00:50:43,520 Speaker 2: thinking about this story, didn't Junior produce around Le's put 1103 00:50:43,560 --> 00:50:45,480 Speaker 2: her head through your glass wall at the front of 1104 00:50:45,520 --> 00:50:48,960 Speaker 2: your house door door and she you know, that's mildly impressive. 1105 00:50:49,000 --> 00:50:50,000 Speaker 2: She walked away unscathed. 1106 00:50:50,200 --> 00:50:52,840 Speaker 3: Totally fine, pretty big, pretty big expense for me? 1107 00:50:53,320 --> 00:50:56,279 Speaker 2: Is that right into it? She patched it up with 1108 00:50:56,360 --> 00:50:58,080 Speaker 2: her She patched it up with a grilled bag, didn't 1109 00:50:58,120 --> 00:51:00,200 Speaker 2: she. She sticky taped her grilled bag to the Yeah. 1110 00:51:00,239 --> 00:51:01,760 Speaker 3: Yeah, we kept that on there for six months. 1111 00:51:02,040 --> 00:51:02,520 Speaker 2: Let's go to. 1112 00:51:09,920 --> 00:51:12,320 Speaker 4: Have you been in the situation where you've had to 1113 00:51:12,320 --> 00:51:14,280 Speaker 4: get angry at someone but you were secretly impressed. 1114 00:51:14,360 --> 00:51:15,439 Speaker 6: Actually it was my dog. 1115 00:51:16,120 --> 00:51:19,640 Speaker 2: Oh yeah, I'm loving these dogs. Then talking about dogs 1116 00:51:19,640 --> 00:51:23,560 Speaker 2: on this show. Write that down poop pets dogs tomorrow, 1117 00:51:24,200 --> 00:51:26,439 Speaker 2: what's the deal? Thirty one and six five. But right now, Barb, 1118 00:51:26,480 --> 00:51:28,560 Speaker 2: we're talking about when you had to punish someone, but 1119 00:51:28,600 --> 00:51:30,680 Speaker 2: you were secretly impressed my dog. 1120 00:51:31,040 --> 00:51:33,880 Speaker 6: My dog. Actually, the night before Easter I put. 1121 00:51:33,719 --> 00:51:36,360 Speaker 9: All my Easter eggs there. The next morning there was 1122 00:51:36,360 --> 00:51:39,640 Speaker 9: no Easter eggs with unwrapped every single Easter egg and 1123 00:51:39,840 --> 00:51:41,040 Speaker 9: ate all the Easter I don't. 1124 00:51:40,920 --> 00:51:42,200 Speaker 2: Know if it unwrapped it, Barb, we just would have 1125 00:51:42,200 --> 00:51:42,760 Speaker 2: eaten the foil. 1126 00:51:44,200 --> 00:51:46,520 Speaker 6: No, I don't know, but they were all undone. 1127 00:52:03,880 --> 00:52:04,320 Speaker 3: Already. 1128 00:52:04,360 --> 00:52:07,879 Speaker 2: Come back now, I don't know what you're talking about 1129 00:52:07,880 --> 00:52:10,280 Speaker 2: their analysts, but let's. 1130 00:52:09,960 --> 00:52:12,600 Speaker 4: We were talking about me completing my course of antibiotics. 1131 00:52:13,280 --> 00:52:15,520 Speaker 4: That's actually that's a great thing to like, guys, even 1132 00:52:15,560 --> 00:52:17,880 Speaker 4: if you start feeling good, finish the course. 1133 00:52:18,280 --> 00:52:20,320 Speaker 2: I think, I think that's common knowledge. 1134 00:52:20,400 --> 00:52:22,399 Speaker 3: I would just always stop when I start feeling good. 1135 00:52:22,440 --> 00:52:24,319 Speaker 3: And that's why I'm back on the antibes. 1136 00:52:24,360 --> 00:52:27,879 Speaker 2: There's literally a sticker on the box. Yeah, and now 1137 00:52:27,920 --> 00:52:30,120 Speaker 2: you also, like you know, there's a very good chance 1138 00:52:30,160 --> 00:52:33,240 Speaker 2: that the bacteria which is infecting you has grown resistant 1139 00:52:33,280 --> 00:52:35,680 Speaker 2: to that particular antibiotics, So you're probably going to have 1140 00:52:35,680 --> 00:52:37,000 Speaker 2: to change it because it's not going to work for 1141 00:52:37,040 --> 00:52:37,400 Speaker 2: you anyone. 1142 00:52:37,920 --> 00:52:39,360 Speaker 3: I've doubled the strength. 1143 00:52:39,400 --> 00:52:42,399 Speaker 2: It doesn't matter. The doctor said that once they're resilient though, 1144 00:52:42,520 --> 00:52:44,799 Speaker 2: like that that antibiotics has gone for. 1145 00:52:44,760 --> 00:52:46,680 Speaker 4: You, and they don't do this to me because I'm 1146 00:52:46,920 --> 00:52:51,879 Speaker 4: very That's why I'm saying it to you an which 1147 00:52:52,000 --> 00:52:54,280 Speaker 4: is mind melt abe. 1148 00:52:54,320 --> 00:52:55,720 Speaker 2: Welcome, great to see you. 1149 00:52:55,840 --> 00:52:57,319 Speaker 1: Hello, great, thank you for having me. 1150 00:52:57,400 --> 00:53:00,960 Speaker 2: It only has ran half marathon half marathon of marev 1151 00:53:00,960 --> 00:53:02,560 Speaker 2: on this week, and but your best time a bout 1152 00:53:02,560 --> 00:53:03,240 Speaker 2: fourteen minutes. 1153 00:53:03,360 --> 00:53:03,960 Speaker 3: Yeah, I was. 1154 00:53:04,200 --> 00:53:06,600 Speaker 5: I felt like an athlete. I mean Ned Brockman, who 1155 00:53:06,680 --> 00:53:09,120 Speaker 5: honestly like he might be running one hundred and sixty 1156 00:53:09,160 --> 00:53:10,120 Speaker 5: but I ran twenty one. 1157 00:53:10,640 --> 00:53:12,920 Speaker 3: You'd say Ned who you don't say his last name? 1158 00:53:12,960 --> 00:53:13,279 Speaker 4: And then. 1159 00:53:15,520 --> 00:53:18,000 Speaker 2: He's running one hundred and sixty a day for ten days. 1160 00:53:18,080 --> 00:53:20,200 Speaker 5: Yeah, yeah, but I run twenty one, so. 1161 00:53:21,840 --> 00:53:23,960 Speaker 2: I'll I'll be sure to tell him when he finishes. 1162 00:53:24,800 --> 00:53:26,680 Speaker 2: Good try mate. Are you going to go the fully? 1163 00:53:26,719 --> 00:53:28,560 Speaker 2: Are you going to go step up to the. 1164 00:53:28,880 --> 00:53:29,520 Speaker 3: Not right now? 1165 00:53:29,680 --> 00:53:30,279 Speaker 5: Not right now? 1166 00:53:30,440 --> 00:53:30,799 Speaker 2: I was. 1167 00:53:30,920 --> 00:53:32,719 Speaker 5: I was the last time I did one, I was 1168 00:53:32,719 --> 00:53:34,960 Speaker 5: like jacking in, like give me the forty two. But 1169 00:53:36,200 --> 00:53:37,960 Speaker 5: right now I just couldn't think of anything worse. 1170 00:53:38,000 --> 00:53:39,719 Speaker 2: So what do you comes down to the point like 1171 00:53:39,760 --> 00:53:41,879 Speaker 2: what are you doing it for? Yeah? Yeah, like once 1172 00:53:41,880 --> 00:53:43,360 Speaker 2: you've already got the twenty one, like you know, you 1173 00:53:43,400 --> 00:53:44,960 Speaker 2: don't even punish his owe any further. 1174 00:53:45,080 --> 00:53:46,719 Speaker 3: Just to see what you're it's capable of, which is 1175 00:53:46,760 --> 00:53:48,880 Speaker 3: always more than you think. Yeah, anyway, am I going 1176 00:53:48,960 --> 00:53:49,520 Speaker 3: to go into that? 1177 00:53:50,000 --> 00:53:53,640 Speaker 2: But there's a depraved mind right there. 1178 00:53:53,600 --> 00:53:54,960 Speaker 4: The mental barrier that we all have that you can 1179 00:53:54,960 --> 00:53:57,239 Speaker 4: break through it anyway if you feel you need to, 1180 00:53:57,840 --> 00:54:00,440 Speaker 4: and you do to be worthy of this planet for 1181 00:54:01,360 --> 00:54:02,520 Speaker 4: all your mother's love. 1182 00:54:02,920 --> 00:54:15,040 Speaker 13: The motivation, let's not let's not go there. God, what 1183 00:54:15,080 --> 00:54:17,120 Speaker 13: are you running to finish? 1184 00:54:20,680 --> 00:54:23,200 Speaker 4: The other big thing that's been happening behind the scenes 1185 00:54:23,719 --> 00:54:27,160 Speaker 4: is a new Instagram page that you've started, which could be. 1186 00:54:26,920 --> 00:54:32,280 Speaker 5: Because Yes, we've started Australia's best Cookie hunt because obviously 1187 00:54:32,480 --> 00:54:34,640 Speaker 5: I have a massive passion for cookies. 1188 00:54:35,160 --> 00:54:38,000 Speaker 1: You guys have graciously got a few shout outs. 1189 00:54:37,760 --> 00:54:40,200 Speaker 2: This week which to stop everybody tuning out immediately because 1190 00:54:40,200 --> 00:54:43,880 Speaker 2: we are already in the dead zone of it. We 1191 00:54:43,920 --> 00:54:45,200 Speaker 2: may have just lost everyone. 1192 00:54:45,560 --> 00:54:47,080 Speaker 3: Don't don't tune out now, it'll offend. 1193 00:54:47,560 --> 00:54:49,320 Speaker 2: They already have tuned out to you being worthy of 1194 00:54:51,640 --> 00:54:53,640 Speaker 2: so don't worry about that. And at least is safe 1195 00:54:53,640 --> 00:54:55,719 Speaker 2: now we've already lost him where this is. We're in 1196 00:54:55,760 --> 00:54:56,360 Speaker 2: free fall. 1197 00:54:56,200 --> 00:54:59,319 Speaker 1: Now, we're in the true fan near we're in the Yes. 1198 00:55:00,280 --> 00:55:02,359 Speaker 2: He stuck around years. So but the reason we're talking 1199 00:55:02,360 --> 00:55:04,239 Speaker 2: about this a b this week. I wouldn't have been 1200 00:55:04,280 --> 00:55:07,560 Speaker 2: across if not for the yuppies in this team. The 1201 00:55:07,560 --> 00:55:10,040 Speaker 2: fact that there was a seventeen dollar cookie being sold 1202 00:55:10,080 --> 00:55:11,480 Speaker 2: in Nobo this week. 1203 00:55:11,360 --> 00:55:15,040 Speaker 1: Yes, in Sydney. The Crumble cookie scandal. 1204 00:55:15,360 --> 00:55:17,319 Speaker 4: Yes, so it turns out it was just a kid 1205 00:55:17,560 --> 00:55:19,600 Speaker 4: that was selling these cookie went and brought them in 1206 00:55:19,640 --> 00:55:22,319 Speaker 4: Hawaii from Crumble Yeah, flew them back and was selling 1207 00:55:22,360 --> 00:55:25,120 Speaker 4: them under the banner of Crumble Yeah at seventeen dollars 1208 00:55:25,160 --> 00:55:25,759 Speaker 4: fifty pop. 1209 00:55:25,960 --> 00:55:27,080 Speaker 3: Unbelieveable. So get this though. 1210 00:55:27,120 --> 00:55:29,400 Speaker 4: The media rocked up to like his parents have a 1211 00:55:29,440 --> 00:55:32,880 Speaker 4: four million dollar property somewhere. So it's like wealthy business 1212 00:55:32,960 --> 00:55:34,640 Speaker 4: moguls a with a business. 1213 00:55:35,040 --> 00:55:36,080 Speaker 1: That's how the rich day rich. 1214 00:55:36,320 --> 00:55:37,040 Speaker 5: You know, it's. 1215 00:55:36,880 --> 00:55:39,480 Speaker 2: Wild another rich day rich. They generally stay rich to 1216 00:55:39,600 --> 00:55:41,240 Speaker 2: negative gearing and other sorts of tex slips. 1217 00:55:41,280 --> 00:55:43,680 Speaker 3: But no, that's less fun, but a bit less fun. 1218 00:55:49,560 --> 00:55:53,320 Speaker 2: Like economic summit and be like, look, they're richie getting 1219 00:55:53,360 --> 00:55:54,960 Speaker 2: rich of the boy getting bored? Right, how are they doing? 1220 00:55:55,000 --> 00:56:01,520 Speaker 2: It's their kids are selling cookies, so I don't think 1221 00:56:01,520 --> 00:56:05,440 Speaker 2: that is the problem. But this was a big deal, right, Like, 1222 00:56:05,560 --> 00:56:08,640 Speaker 2: this is massive, big on the tiktoks. It still is 1223 00:56:09,040 --> 00:56:11,680 Speaker 2: on It's not not on Instagram. By the way, Instagram's dead. 1224 00:56:11,680 --> 00:56:14,080 Speaker 2: Everyone found that out the other day. Now, we had 1225 00:56:14,080 --> 00:56:16,439 Speaker 2: a meeting with kV in you know, judge in charge 1226 00:56:16,440 --> 00:56:19,520 Speaker 2: about digital and she said, guys, Instagram's dead. Tiktoks, TikTok's 1227 00:56:19,520 --> 00:56:19,960 Speaker 2: taken over. 1228 00:56:20,120 --> 00:56:22,600 Speaker 5: It is, and everything that's on TikTok will come to 1229 00:56:22,719 --> 00:56:23,959 Speaker 5: Instagram maybe a week later. 1230 00:56:24,239 --> 00:56:27,200 Speaker 1: Really, yeah, it's a it's a slow I'm. 1231 00:56:27,040 --> 00:56:29,200 Speaker 2: Going to start a TikTok account. I said this the 1232 00:56:29,200 --> 00:56:30,719 Speaker 2: other day. You're going to set one up. Ye, what's 1233 00:56:30,719 --> 00:56:31,399 Speaker 2: going to be your name? 1234 00:56:32,360 --> 00:56:34,719 Speaker 3: They're going to do the dancers searching for austral as 1235 00:56:34,719 --> 00:56:35,560 Speaker 3: great as cookie. 1236 00:56:36,880 --> 00:56:37,600 Speaker 5: Sounds familiar. 1237 00:56:38,080 --> 00:56:41,040 Speaker 2: So Ab, you've got three shout outs on air as 1238 00:56:41,040 --> 00:56:42,400 Speaker 2: a result of us talking about the cookie. 1239 00:56:42,600 --> 00:56:46,160 Speaker 4: Yes, story capitalized. That's another smart business move. You were like, okay, 1240 00:56:47,440 --> 00:56:50,080 Speaker 4: saying richer. There we go back at it, which was rich. 1241 00:56:50,640 --> 00:56:51,920 Speaker 3: We know your parents own a tuker. 1242 00:56:54,200 --> 00:56:57,080 Speaker 4: So you jumped off the back of cooking popularity and 1243 00:56:57,120 --> 00:56:59,560 Speaker 4: you were like, yes, I'm going to start an Instagram page. 1244 00:56:59,800 --> 00:57:01,960 Speaker 3: We plugged it. How many followers have you gone? 1245 00:57:02,040 --> 00:57:05,879 Speaker 5: Okay, guys, watch out. I started with two followers out 1246 00:57:06,200 --> 00:57:07,280 Speaker 5: my colleagues and friends. 1247 00:57:07,840 --> 00:57:09,040 Speaker 3: Kate Laura, Kate Laura. 1248 00:57:09,080 --> 00:57:10,279 Speaker 2: Yeah, let's just get what. 1249 00:57:12,840 --> 00:57:16,840 Speaker 5: I'm trying to give context on. 1250 00:57:19,680 --> 00:57:26,320 Speaker 1: We now have seventy four follow The goal was fifty. 1251 00:57:26,560 --> 00:57:29,440 Speaker 3: Wow, the goal was I know. 1252 00:57:30,160 --> 00:57:33,400 Speaker 2: And up to one point you didn't have a post 1253 00:57:33,880 --> 00:57:35,840 Speaker 2: and then you posted for the first time this week. 1254 00:57:35,960 --> 00:57:39,360 Speaker 5: Yeah, we've we've gotten so what we've done our first post? 1255 00:57:40,120 --> 00:57:40,760 Speaker 3: How's the traction? 1256 00:57:41,160 --> 00:57:45,320 Speaker 5: Traction was I think pretty good? So kV actually reposted 1257 00:57:45,400 --> 00:57:47,200 Speaker 5: on the Will and Woody socials. 1258 00:57:46,880 --> 00:57:51,400 Speaker 2: Which fucking you will get it. 1259 00:57:51,560 --> 00:57:54,560 Speaker 3: You'll get awa you are going to get. 1260 00:57:55,120 --> 00:57:57,479 Speaker 2: Do you know how many advertisers we turn We turned 1261 00:57:57,480 --> 00:57:59,920 Speaker 2: away from posting on our social not on Instagram. Will 1262 00:57:59,920 --> 00:58:02,240 Speaker 2: you don't know what happened? Believe this stuff that goes 1263 00:58:02,280 --> 00:58:03,520 Speaker 2: under my nose just because. 1264 00:58:03,280 --> 00:58:04,760 Speaker 3: I'm on Instagram. 1265 00:58:04,840 --> 00:58:10,440 Speaker 2: Don't make me set up my monitor page again. That's 1266 00:58:10,480 --> 00:58:11,120 Speaker 2: just it. 1267 00:58:11,160 --> 00:58:12,800 Speaker 3: You are going to get an invoice from our manager Joe. 1268 00:58:16,520 --> 00:58:17,000 Speaker 3: They'll get it. 1269 00:58:19,080 --> 00:58:23,800 Speaker 4: I'm not taking you'll get that. 1270 00:58:24,040 --> 00:58:25,600 Speaker 3: But so attraction was good, got bit cups. 1271 00:58:25,920 --> 00:58:28,120 Speaker 1: So we've got two thousand and six hundred views. 1272 00:58:28,280 --> 00:58:30,520 Speaker 5: That seven comments, I mean four of the comments with 1273 00:58:30,600 --> 00:58:33,720 Speaker 5: Kate and I. 1274 00:58:33,120 --> 00:58:36,360 Speaker 2: You commented on your own review. What did you say? So? 1275 00:58:36,480 --> 00:58:39,480 Speaker 5: I just said I'm hungry now as if it wasn't me, 1276 00:58:39,600 --> 00:58:41,520 Speaker 5: but like you know, trying to get the engagement, and 1277 00:58:41,560 --> 00:58:43,600 Speaker 5: Kate commented incredible first Vid, I. 1278 00:58:43,560 --> 00:58:44,439 Speaker 1: Need a thousand more. 1279 00:58:44,600 --> 00:58:46,880 Speaker 5: Now, everyone needs a best friend in your life like 1280 00:58:46,960 --> 00:58:49,400 Speaker 5: kV because she she's the number one to poor here. 1281 00:58:50,880 --> 00:58:53,280 Speaker 2: I know she abused her position to repost your content, 1282 00:58:53,400 --> 00:58:54,680 Speaker 2: so we know I know that. 1283 00:58:54,960 --> 00:58:56,000 Speaker 3: So what's the plan. 1284 00:58:56,120 --> 00:58:56,280 Speaker 2: Now? 1285 00:58:56,320 --> 00:58:58,840 Speaker 3: So you reviewed a cookie from rowing a Parade. 1286 00:58:58,520 --> 00:59:01,720 Speaker 2: Now analyst, you said, I'm angry now underneath that as 1287 00:59:01,840 --> 00:59:05,080 Speaker 2: you surely you're in the video. If people click on 1288 00:59:05,360 --> 00:59:06,800 Speaker 2: your comment, they're going to see that you're the one 1289 00:59:06,800 --> 00:59:07,800 Speaker 2: who commented. It's a good point. 1290 00:59:07,880 --> 00:59:09,320 Speaker 5: Yeah, but we didn't say you our names were. 1291 00:59:09,520 --> 00:59:11,720 Speaker 2: We just kind of w it's your face and video, 1292 00:59:12,280 --> 00:59:13,320 Speaker 2: it's in your profile. 1293 00:59:13,480 --> 00:59:16,400 Speaker 3: Yeah, but I won't know that they might. 1294 00:59:16,600 --> 00:59:19,800 Speaker 2: They will. I'll be like, oh, there you are, But 1295 00:59:19,840 --> 00:59:20,280 Speaker 2: then they will. 1296 00:59:20,520 --> 00:59:22,360 Speaker 4: Yeah, that's just someone getting around their own gear, and 1297 00:59:22,400 --> 00:59:23,920 Speaker 4: it's like, oh, I love you for getting around your 1298 00:59:23,920 --> 00:59:24,320 Speaker 4: own stuff. 1299 00:59:24,400 --> 00:59:25,200 Speaker 2: Eventually we'll get. 1300 00:59:25,080 --> 00:59:26,520 Speaker 5: To a point where I won't have to comment on 1301 00:59:26,560 --> 00:59:28,160 Speaker 5: my own posts, but at the moment, I just have 1302 00:59:28,200 --> 00:59:29,560 Speaker 5: to comment to get the engagement up. 1303 00:59:29,960 --> 00:59:31,240 Speaker 2: I comment on a will and what do you post 1304 00:59:31,280 --> 00:59:31,560 Speaker 2: all the time? 1305 00:59:31,840 --> 00:59:35,840 Speaker 3: Like, man, these guys are hilarious actually all the. 1306 00:59:35,800 --> 00:59:41,960 Speaker 2: Time as you Yeah, man, all right, we'll see you 1307 00:59:42,000 --> 00:59:43,760 Speaker 2: guys next week. Thanks a B and go and. 1308 00:59:43,680 --> 00:59:46,920 Speaker 5: Follow Australia's Best Cookie guys. 1309 00:59:47,760 --> 00:59:51,280 Speaker 1: It's Australia's Best Cookie Space guys. 1310 00:59:51,480 --> 00:59:52,040 Speaker 3: Go follow it. 1311 00:59:52,520 --> 00:59:53,360 Speaker 2: Stop confusing them. 1312 00:59:53,480 --> 00:59:55,800 Speaker 3: It's Australia's Best Cookie Guys.