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Speaker 1: It's the Will and Woody podcast.

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Speaker 2: Yeah, so we can't stop playing this. We we're going

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Speaker 2: to stop playing this week. We were in a great

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Speaker 2: chat with one of them, with this guy called Scott Copeler,

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Speaker 2: who's actually managed to get himself a seat on Virgin Galactic,

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Speaker 2: which are these trips that Richard Branson's Virgin Airline are

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Speaker 2: now doing into space for the very rich, and he

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Speaker 2: managed to get himself a lottery seat on one of

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Speaker 2: those planes. But before we get into that, you hear

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Speaker 2: that chat in the podcast. That guy's an absolutely absolute pizzer.

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Speaker 2: He called his teacher from forty years ago who told

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Speaker 2: him he had been an astronaut and shoved it up, in.

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Speaker 3: His words, founder on Facebook and he was showing up.

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Speaker 4: He was like, boys, found it within twenty four hours

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Speaker 4: and I really.

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Speaker 3: Gave it to it all.

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Speaker 2: The poor defenseless woman's in a nursing home somewhere we're

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Speaker 2: going to put the nurses, handed the phone over and

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Speaker 2: he gave her an absolute blasting. But anyway, we're talking

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Speaker 2: about the audio that is actually Richard Branson on the

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Speaker 2: very first Virgin Galactic flight and this is this is it?

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Speaker 5: So oh, you can't sell there I was once a

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Speaker 5: child with him looking up to the stars.

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Speaker 6: Now I'm an adult in a spaceship.

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Speaker 3: I've never noticed before. Do you guys see the background

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Speaker 3: as well? It seems like is going.

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Speaker 7: Like he's also clearly spent a lot of time riding that.

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Speaker 7: That was his Neil Armstrong one smaller step the man speech.

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Speaker 7: And because the inflection on dream, dream dreams fallows, follow

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Speaker 7: your dreams.

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Speaker 2: No, that is that adult bla ship one more time so.

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Speaker 6: You can't down there.

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Speaker 5: I was once a child with a dream looking up

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Speaker 5: to the stars.

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Speaker 6: Now I'm an adult in a spaceship. In spaceship, just.

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Speaker 4: Before he says, now adult, you're a woman's back and go.

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Speaker 5: Yeah.

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Speaker 2: It was just like the Geriatrics tour room. It's like

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Speaker 2: he wanted to give the off people that were on

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Speaker 2: the way out. She couldn't stop spinning floating around.

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Speaker 8: Wait, how do I stop spinning?

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Speaker 2: Return? There's the anti gravity turned on flying around there?

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Speaker 2: It up. He actually sounds genuinely cooked though. Bit that

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Speaker 2: moment when he says now I'm an adult, I mean

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Speaker 2: like he could have said any I reckon. There was

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Speaker 2: a bit of a heart and mouth moment for the

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Speaker 2: people on the radio. Because he says, you're here, he goes,

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Speaker 2: he goes, I was once a child and now and

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Speaker 2: then he pauses. And for the people that actually think

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Speaker 2: that he's high right there, which it sounds like he is,

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Speaker 2: it almost felt like he was about to say, I'm

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Speaker 2: a chocolate Jesus, like this is.

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Speaker 6: A moment.

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Speaker 2: And now I'm putter flying in the clouds.

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Speaker 7: Okay, a bit of pressure on you both here because

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Speaker 7: we've just had a show finished, two hours done. We're

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Speaker 7: in the camera just top in this podcast, but you're

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Speaker 7: in that rocket. You're having a Neil Armstrong Brandon moment.

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Speaker 3: What do you go with? What do you go first?

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Speaker 7: What would I say to everyone? Yeah, if I was

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Speaker 7: in a space Yeah, we've just cut to you from CNN.

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Speaker 7: He's Will McMahon in the rocket. Will can you hear me?

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Speaker 2: Yes, I can hear you. I've planted three nuclear bombs

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Speaker 2: in the Earth.

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Speaker 3: Christ Jesus Christ, bang and that spreads.

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Speaker 2: Everyone dies, blow the planet open.

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Speaker 3: Well, you've actually done it to kill everyone. I thought

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Speaker 3: it was just a joke.

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Speaker 2: No, no, no, I've planted three bombs in the Earth's core.

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Speaker 2: Everyone dies.

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Speaker 3: Can I tweak that slightly? Because I quite like a

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Speaker 3: few people on our plants, kill your family.

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Speaker 2: Everyone, I'm out, but.

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Speaker 3: A ga you know, actually gonna do it. No, go

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Speaker 3: do it, He's going to die.

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Speaker 2: He's at the top of his game. Civilization he wins

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Speaker 2: because you got to remember he's having against Bezos to

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Speaker 2: get into space. Maybe it was it was the billionaire's

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Speaker 2: race to get into space, musk It was like Russia

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Speaker 2: and China in the US back in sixty nine. It

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Speaker 2: was this race into space. Branson's won it, and as

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Speaker 2: a final swipe, he wipes out civilization, which means he

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Speaker 2: wins human he wins humanity, he wins life. He's one life.

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Speaker 2: He's a live billionaire.

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Speaker 3: He's up there in space clearly with his stash of

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Speaker 3: lestic just getting which actually sounds.

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Speaker 2: You're going to live out the next five years. He's

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Speaker 2: got the guyers balls amongst the stars. He just blows

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Speaker 2: up all of Bezos's possessions up here first and catch

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Speaker 2: you done. Maybe we just take out the States, maybe

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Speaker 2: just the States, Maybe the whole Earth is not too great,

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Speaker 2: but we take out this. This is what's all the

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Speaker 2: billionaires are apart from Gates, who's got a bunker somewhere

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Speaker 2: in New Zealand, he'd be hard to find. Gates.

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Speaker 3: Yeah, Okay, Gates gets away with it. Gates trying to

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Speaker 3: go to space by the way out of the race.

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Speaker 2: I think Gates is I think Gates is out of

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Speaker 2: the race. I think it was just the guys with

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Speaker 2: big enough egos who were compensating enough for them with

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Speaker 2: rocket ships Musk Bezos, yeah, and Branson.

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Speaker 3: What Brandon should have done, in my opinion is if

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Speaker 3: he was up there in the spaceship, he could have

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Speaker 3: buried a million, like ten briefcases with a million dollars

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Speaker 3: in it. Yeah, and then just announced the GPS ten

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Speaker 3: briefcases and just watch the world. Oh, watch the world burn.

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Speaker 3: That would be wild. Yeah.

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Speaker 2: So he just sets up and briefcase.

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Speaker 8: One one and then just.

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Speaker 2: There's ten million dollars I buried in a briefcase and

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Speaker 2: Richard good stuff, guys, all right, we'll enjoy the podcast.

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Speaker 2: There's lots of good gear and there. Charlie Pickering is

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Speaker 2: a he's on there as well. And we'll say tomorrow

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Speaker 2: we're gonna be talking to a Melbourne bloke called Scott

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Speaker 2: Copeland who accidentally booked himself a trip to space just

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Speaker 2: before we we chat to Scott. It's worth mentioning if

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Speaker 2: you weren't across it earlier this week that Richard Branson,

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Speaker 2: the billionaire, launched Virgin Galactic, right, which is a service

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Speaker 2: we can go and have these trips into the stratosphere.

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Speaker 2: Here's a little bit of audio of Richard from the spacecraft.

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Speaker 6: So, oh you can't see there.

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Speaker 5: I was once a child with a dream looking up

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Speaker 5: to this stars.

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Speaker 6: No, I'm an adult in the space ship.

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Speaker 2: That was the moment they realized they'd given him the

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Speaker 2: happy gas and not the oxygen. But we are joined

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Speaker 2: by Scott who joins us right now. He's booked himself

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Speaker 2: a flight accidentally on Virgin Galactic. Okay, Scott, welcome to

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Speaker 2: the show. How do you accidentally upgrade yourself to space class?

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Speaker 9: Hey, l's you going? Yeah, I'll tell you how that happened.

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Speaker 9: Is that when they send out the email to.

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Speaker 10: All their frequent flyers.

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Speaker 9: Yeah, they said, oh, here you go, upgrade to space class.

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Speaker 9: Oh you ripper, I'm going to get.

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Speaker 10: A upgrade to business class.

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Speaker 6: Yeah.

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Speaker 9: And so I've clicked on the link and it's an

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Speaker 9: upgrade to a spaceship. So I thought I'll have a

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Speaker 9: crack at that. And so yeah, so I just clicked

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Speaker 9: on the link and then they go, oh, yeah, what

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Speaker 9: would you do to jump on the ship.

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Speaker 10: Yeah, and so I've gone off.

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Speaker 9: I just I just remember getting laughed at when I

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Speaker 9: was a kid proclaiming I was going to be an astronauts.

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Speaker 10: So I, oh, yeah, I'll go and contact my grade

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Speaker 10: five teacher and stick it up.

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Speaker 9: Yeah.

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Speaker 3: Sorry, have you have you done that? Scott? You have you?

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Speaker 4: Have you given it to the year five teacher?

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Speaker 7: Yeah?

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Speaker 10: I did.

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Speaker 9: Actually I actually found it within twenty four hours, which

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Speaker 9: I couldn't believe. I hadn't seen her for thirty five years,

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Speaker 9: and she pretended she still knew me.

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Speaker 10: So that was cool.

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Speaker 2: I was going to say, so, I'm reading here that

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Speaker 2: you were in you you were in grade five in

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Speaker 2: nineteen seventy nine. So yeah, so you've called her forty

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Speaker 2: years later to have a crack at her.

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Speaker 9: And well, yeah, as I said, like so, And then

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Speaker 9: then she started to bring up some of the things

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Speaker 9: that I stuffed around in class. But anyway, look, she said,

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Speaker 9: she remember me, so I said, you should.

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Speaker 2: She probably would take any a call from anyone in

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Speaker 2: the nursing home. She probably thought you were one of

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Speaker 2: her grandkids.

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Speaker 3: Hey, Scotty, can I ask you, so you are you're

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Speaker 3: officially going to be going to space? When are you going?

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Speaker 8: Can?

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Speaker 9: I Well, I'm still waiting for them to give you

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Speaker 9: the exact date because I think they've still got to

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Speaker 9: confirm that they've got to kick the program off in

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Speaker 9: really early twenty and twenty two, and then it'll just go.

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Speaker 9: It'll just go in order of when people bought the tickets, right,

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Speaker 9: So I've had a ticket for seven years now, so

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Speaker 9: I'm hoping.

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Speaker 10: I reckon, I'm in the front.

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Speaker 11: Half rather than back us.

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Speaker 3: And do you need to train or anything, Scotty before

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Speaker 3: you get shut up there?

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Speaker 9: Not really, I mean I suppose Ricky Branson seventy one,

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Speaker 9: So I reckon I'll be okay. But they they've said,

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Speaker 9: they've said that they sort of recommend you go training

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Speaker 9: because you've got to be copying all the g forces

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Speaker 9: and stuff. When you hit sort of three times a

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Speaker 9: speed of sound, they sort of recommend, oh, you go

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Speaker 9: and go and jump into a centrifuge there. But most

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Speaker 9: of the people they're recommending do that are billionaires, and

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Speaker 9: the cost you're like about ten grand are going one.

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Speaker 9: I said, I'll just rock down to learn a park

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Speaker 9: and jump on the Toronto.

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Speaker 8: I'm Scotty.

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Speaker 2: Well, now, Scotty, I'm reading here that you're you're a

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Speaker 2: senior banker with A and Z in Melbourne's northeast. So

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Speaker 2: have you got a partner, Scotty, or or a wife

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Speaker 2: or anything like that?

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Speaker 1: Oh?

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Speaker 9: Yeah, well sort of having a bit of downtime with

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Speaker 9: my partner moments. That's a tricky question.

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Speaker 10: Work things out.

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Speaker 2: Yeah, and any kids or anything like that.

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Speaker 10: Yeah, I got three. So I've got three kids, all adults.

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Speaker 2: So all of a sudden seeing you as you know,

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Speaker 2: super special superhero style figure, now that you're going to

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Speaker 2: be flying off in a spaceship.

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Speaker 9: Yeah, and I'm having my fifteen minutes of fame this week.

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Speaker 9: So I also asked do they want more autograph, but

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Speaker 9: they just declined.

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Speaker 3: We played before the audio and we're played again. I

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Speaker 3: mean Richard Branson and Will and I just find this

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Speaker 3: message far. I don't know why. It does sound like

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Speaker 3: he's hit the Happy Games. Is Richard Brandson when he

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Speaker 3: gets into space?

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Speaker 5: Oh you keep down there. I was one for child

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Speaker 5: with a dream looking up to this size. Now I'm

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Speaker 5: an adult in the spaceship.

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Speaker 3: Scotty, if we're crossing to you, if you're you've just

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Speaker 3: hit the stratosphere or out of space or whatever. I mean,

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Speaker 3: what message are you sending back to Earth?

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Speaker 9: Scotty, Well, it depends if I if I indulge in

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Speaker 9: in tight service, I'm assuming that they're going to have

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Speaker 9: some like Crystal or Kruegrid.

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Speaker 10: I reckon, I would reckon, I reckon. I might sound

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Speaker 10: like that.

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Speaker 2: Yeah, I was gonna say, are you gonna be are

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Speaker 2: you going to be dropping LSD? Like Richard clearly did

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Speaker 2: before he went up in there up in the reship or.

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Speaker 9: The other is like, but if I'm sitting next to

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Speaker 9: someone like Margot Robbie, you might not even get to

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Speaker 9: look out the window.

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Speaker 2: Not mad at all, Scott Copland, all the best man.

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Speaker 2: It's been a pleasure to have you on Willing. It's

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Speaker 2: been a hurt.

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Speaker 3: Thanks for joining us.

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Speaker 10: Thanks, is it all good luck?

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Speaker 2: He's gonna be on Merchant Galactic Space Boys. What a

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Speaker 2: buddy legend. I love that he called him teacher from

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Speaker 2: forty years ago to shove it up that he was

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Speaker 2: actually going into space. Gee, is that guy to be

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Speaker 2: a hood around the office. He's welcome back on the

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Speaker 2: show at any time.

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Speaker 1: It's the Will and Woody podcast.

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Speaker 2: Right now, I've got a question for everyone, is there's

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Speaker 2: something in the world that everybody likes? Now, if you

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Speaker 2: think this is easy, you'd be wrong. You would be

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Speaker 2: very wrong.

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Speaker 4: We've been slaving for seventy two hours.

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Speaker 2: Actually go home and brainstorm these. I've thought that I've

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Speaker 2: cracked the nut a few times. I thought we cracked

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Speaker 2: it the first day.

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Speaker 4: Cracking a nut. Sorry, that's a very satisfying feeling, like

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Speaker 4: it's a.

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Speaker 2: Pretty obscure thing. I mean, how many people have done cracks?

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Speaker 2: How many times have you cracked a nut in your life?

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Speaker 4: A couple of times? Have you opened a walnut with

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Speaker 4: those nut crackers?

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Speaker 2: I instantly dislike it.

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Speaker 3: So six five.

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Speaker 2: If you've got something that you think that everybody likes,

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Speaker 2: we're gonna be we take your suggestions here. I mean,

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Speaker 2: it gets thrown in the brainstorm and then we're only

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Speaker 2: going to choose one to test it up against the

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Speaker 2: rest of the audience.

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Speaker 3: Smell of fresh tennis balls? Can I throw that in

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Speaker 3: there real quick? Do you love it?

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Speaker 2: I definitely don't dislike it. I'll put it in the

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Speaker 2: middle pile.

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Speaker 4: Let's got a Travvy Boy, Trav, what do you think

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Speaker 4: everybody likes?

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Speaker 9: Well, when you've had you had a hard day at work,

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Speaker 9: you need that fast food fixed, and you go through

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Speaker 9: the drive three, you check your bag on the way out,

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Speaker 9: and there's a free extra nugget.

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Speaker 2: Oh, not bad, it's pretty good, not bad, free cheeky

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Speaker 2: extra nouge.

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Speaker 3: I fear that there'd be some people out there who

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Speaker 3: would be angry that they ate an extra nugget when

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Speaker 3: they didn't really want an extra nugget. But you can't

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Speaker 3: help yourself extra nugget.

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Speaker 2: At that moment. Recently, I didn't need the extra nug Yes,

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Speaker 2: I got given a free and yes, and you're compelled

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Speaker 2: to eat whatever fast foods in your bag right now,

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Speaker 2: I'm a bit sick. Yeah, okay, well look we're not

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Speaker 2: ruling it out yet.

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Speaker 4: It's throw it out.

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Speaker 3: Wow, let's go to Ella here. What do you think

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Speaker 3: everyone likes?

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Speaker 2: I think everyone loves when you're driving in traffic, or

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Speaker 2: you come up to a light and it just turns

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Speaker 2: green and the traffic keeps on flower.

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Speaker 3: That's pretty good green lights.

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Speaker 2: Uh.

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Speaker 4: Matthew kind of has books called lights to a reference.

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Speaker 2: But all right, alright, I'm saying you and a Matthew

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Speaker 2: McConaughey except.

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Speaker 4: Green lads, baby, Yeah, not bad.

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Speaker 2: Ella, I mean not very good. I think the simple

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Speaker 2: ones that I think are the ones that are going

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Speaker 2: to get us here.

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Speaker 3: The green light. The only reason you wouldn't want a

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Speaker 3: green light is if you had a beautiful Moca China

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Speaker 3: or something in your console and you're really looking forward

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Speaker 3: to a sip, yes, and you're you're eyeing off the

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Speaker 3: red light to have a sip, and then you're like,

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Speaker 3: oh no, I got a green I kind of But

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Speaker 3: that doesn't mean.

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Speaker 2: That you dislike green lights, No, it doesn't. And I

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Speaker 2: think we need to be careful here because we're going

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Speaker 2: to be able to create a circumstance upon which something

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Speaker 2: is awful. Okay, it's like Kenny on thirty one and

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Speaker 2: six five, what's something that everybody likes? Hey, guys are young,

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Speaker 2: good Ken?

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Speaker 10: So picture is right.

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Speaker 11: So you wake up in the morning, you go down

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Speaker 11: to the kitchen, you make yourself some toast, You get

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Speaker 11: your favorite spread, and you just get that right amount

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Speaker 11: of spread for that pizza toast.

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Speaker 3: That is a phenomenal moment. And you don't put the

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Speaker 3: knife through the toast. But you've done a couple of

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Speaker 3: times when you get too aggressive because you can really

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Speaker 3: of your toes.

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Speaker 2: You got a machete down there or something, mate, don't

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Speaker 2: just go to a butter knife if it's hard butter,

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Speaker 2: you know, if it's like you've left the butter in

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Speaker 2: there trying to So sorry, just to confirm, Kenny, because

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Speaker 2: if I can just dissect your monologue there, just we

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Speaker 2: just put that in a few words. It's the perfect

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Speaker 2: amount of spread for your toast.

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Speaker 11: Correct whether what kind of spread, it is, just the

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Speaker 11: perfect amount, just laid out flat, all.

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Speaker 3: Right, Ken, thanks for the cool, good coil Ken. Let's

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Speaker 3: got a page here, page.

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Speaker 4: What do you think everybody likes movie popcorn?

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Speaker 12: You cannot dislike it?

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Speaker 2: It's a bit sorry, Paige can oh, look it's bit

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Speaker 2: savage there, but look at it. We've got to be

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Speaker 2: savage here.

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Speaker 3: Paid.

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Speaker 2: Yeah, we're doubting it. You know it's gone all right?

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Speaker 2: Here we go so in the mix. Here we've got

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Speaker 2: the smell of fresh tennis balls, an extra nugget at

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Speaker 2: the drive through? Are we canning extra nugget at the

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Speaker 2: drive through?

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Speaker 3: We don't like it. We don't like it.

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Speaker 2: I'd be annoyed. Particularly if I was full, I'd be like,

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Speaker 2: damn it, now I've got to eat this thing, and

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Speaker 2: then I feel even worse than I've felt before. Okay,

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Speaker 2: so what have we got a? Joel actually brought a

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Speaker 2: button push a Joel brought one yesterday, which is when

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Speaker 2: you finish vacuuming, when you get to press the button

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Speaker 2: in the vacuum, cord goes back in the vacuum.

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Speaker 7: I have fights with my five year old over who

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Speaker 7: gets to put the cord back in the vacuum.

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Speaker 2: That's a lot about you as a parent.

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Speaker 3: But he doesn't vacuum. He doesn't get to do it.

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Speaker 3: Rules with a nine fisted I do like that one, though.

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Speaker 3: I tend to hit my finger because you've got your

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Speaker 3: thing is you've got to hold the button down and

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Speaker 3: that thing snake's in there, and I was your foot.

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Speaker 3: Oh that's pretty good, but it'll flick my toe. Jo

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Speaker 3: I've got very sensitive, all right.

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Speaker 2: So we've got the smell of fresh tennis balls, which

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Speaker 2: I think has got to go. Would you, I think

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Speaker 2: are going to be people out there. You get lightheaded,

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Speaker 2: and you've got a bit of a fetish for smelling things.

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Speaker 2: And I had to bring that up on the air,

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Speaker 2: but you need to make it public. So we've got

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Speaker 2: green lights, vacuum cords or are we counting that out

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Speaker 2: because you hit your finger.

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Speaker 3: There'll be people out there with sensitive things and like

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Speaker 3: Roger Federer, No, no, some people would not like him.

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Speaker 3: Trust with people. People never get a clean slight, don't.

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Speaker 3: What do we were? Green lights?

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Speaker 4: What about someone letting you into traffic in bumper traffic?

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Speaker 2: In?

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Speaker 4: Yeah, I brought that in before the song. You didn't

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Speaker 4: put in the pile? Did you write it down? I

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Speaker 4: hate your suggestions. Did you put down cracking a nut?

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Speaker 13: No?

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Speaker 3: I didn't cracking and bloody nuts?

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Speaker 2: But I do like that one.

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Speaker 3: How could anyone not like?

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Speaker 2: Well, it's either that or green lights? What do we

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Speaker 2: think because there's yeah green light, a green light in traffic?

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Speaker 3: Is I still?

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Speaker 2: I just can't see that going right.

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Speaker 3: Sometimes you like the rest at the red I'm being honest.

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Speaker 3: Sometimes I like the rest.

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Speaker 2: I'm just like, well, I suppose if you're not enjoying

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Speaker 2: where you Okay, if you don't like your home, you

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Speaker 2: want as many red lights as you can work. That's good.

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Speaker 2: That's actually a test that anyway, we'll get that on

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Speaker 2: the chat on the podcast. But a good test with

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Speaker 2: it for or not you're in a successful relationship early

394
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Speaker 2: on is the red light test.

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Speaker 4: Because you get a kiss.

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Speaker 2: You get a kiss, well, no, actually you're sick. It's

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Speaker 2: just so you can spend a bit more time with

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Speaker 2: them and enjoy their chat on the way home from

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Speaker 2: a date. It's a great test. It's actually really good

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Speaker 2: test when you're praying for a red light with a

401
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Speaker 2: person in the car. Next year, let's do let them

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Speaker 2: in in traffic.

403
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Speaker 3: Okay, all right, so let's test it out thirteen one

404
00:17:32,960 --> 00:17:35,080
Speaker 3: oh six five, and we're going to clear the phone lines.

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Speaker 3: If you don't like it when someone lets you in

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Speaker 3: in bumper traffic, give us a call.

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Speaker 2: Is there something in the world that everybody likes woods?

408
00:17:49,560 --> 00:17:54,359
Speaker 2: We've discounted fifty percent of we've discounted free upgrades on flights.

409
00:17:54,400 --> 00:17:57,080
Speaker 2: People genuinely called up and had good reasons as to

410
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Speaker 2: why they disliked those things. They don't have to be

411
00:17:59,600 --> 00:18:02,960
Speaker 2: universe accepted reasons. It just has to be for them

412
00:18:03,359 --> 00:18:06,440
Speaker 2: why they dislike it, because then not everybody likes it.

413
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Speaker 2: It's a tough game. It's a brutal game. It's a

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Speaker 2: war of attrition in.

415
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Speaker 3: Here, no doubt.

416
00:18:10,600 --> 00:18:14,280
Speaker 2: But today I feel like we've got a good one.

417
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Speaker 3: We are road testing a very good one. Mind the

418
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Speaker 3: part it's when someone lets you in in the traffic

419
00:18:20,480 --> 00:18:22,840
Speaker 3: during bumper track. Someone is letting you in. Yes, that's it.

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Speaker 4: How could anyone dislike?

421
00:18:24,720 --> 00:18:28,000
Speaker 2: But anybody dislike somebody letting you in in traffic? Now?

422
00:18:28,440 --> 00:18:31,000
Speaker 2: Weekend got so many fun We have a fool board.

423
00:18:31,040 --> 00:18:35,400
Speaker 2: Of course, everybody out there is you. You are such wings.

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Speaker 3: Can we just do fresh air tomorrow?

425
00:18:37,720 --> 00:18:39,119
Speaker 2: Fresh air, fresh air, fresh air?

426
00:18:39,200 --> 00:18:39,840
Speaker 3: Can anyone dislike?

427
00:18:39,840 --> 00:18:40,760
Speaker 2: May as well just do life?

428
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Speaker 3: Who hurts?

429
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Speaker 4: Life's got a Sam, Sam.

430
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Speaker 3: Let's get to your reason. How could you not like

431
00:18:49,080 --> 00:18:52,600
Speaker 3: it when someone lets you in in the traffic? It

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Speaker 3: really depends.

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Speaker 11: I mean in the situation like you both have to

434
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Speaker 11: push my way in.

435
00:18:58,160 --> 00:19:00,719
Speaker 12: Being a real not very nice person got to just say, oh,

436
00:19:00,840 --> 00:19:03,240
Speaker 12: well you know I'm coming in anyway.

437
00:19:04,680 --> 00:19:05,240
Speaker 9: That's different.

438
00:19:08,240 --> 00:19:09,359
Speaker 7: And they've been really nice.

439
00:19:09,440 --> 00:19:10,480
Speaker 9: Well, yeah, that's good.

440
00:19:10,920 --> 00:19:14,439
Speaker 1: But me letting people in, no, if you're not going

441
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Speaker 1: to push your way in, you go back to the.

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Speaker 7: End of the launch.

443
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Speaker 2: I think what she's saying is she doesn't let people in.

444
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Speaker 2: She doesn't like letting people.

445
00:19:23,600 --> 00:19:26,159
Speaker 3: That's not what we're asking, though. It's an enjoyable thing

446
00:19:26,240 --> 00:19:28,240
Speaker 3: to let someone in. I mean some people might like.

447
00:19:28,280 --> 00:19:31,240
Speaker 2: She's saying, when people expect you to let them in,

448
00:19:32,280 --> 00:19:35,560
Speaker 2: She's not like we're saying, if somebody does let you in, yes,

449
00:19:35,720 --> 00:19:36,760
Speaker 2: you're the one looking to.

450
00:19:36,840 --> 00:19:39,200
Speaker 3: Be let in. Yeah. I don't think we've lost we've

451
00:19:39,200 --> 00:19:39,440
Speaker 3: lost it.

452
00:19:39,480 --> 00:19:40,560
Speaker 2: You can wave it with Sam.

453
00:19:40,720 --> 00:19:42,960
Speaker 3: Yeah, let's go to Jess. Hush, Jess, is there a

454
00:19:43,040 --> 00:19:44,920
Speaker 3: reason why you don't like it when someone lets you

455
00:19:44,960 --> 00:19:45,560
Speaker 3: in in the traffic?

456
00:19:46,520 --> 00:19:50,520
Speaker 12: I hate merging into traffic, like it gives me major anxiety.

457
00:19:50,640 --> 00:19:52,399
Speaker 12: And if someone's trying to let me in when I

458
00:19:52,480 --> 00:19:54,680
Speaker 12: don't want to go in, I just don't like it.

459
00:19:54,800 --> 00:19:56,760
Speaker 12: Like I'm like, no, let me go in at my

460
00:19:56,880 --> 00:19:58,400
Speaker 12: own page, don't.

461
00:20:00,000 --> 00:20:00,560
Speaker 3: I sort of get that.

462
00:20:00,920 --> 00:20:03,800
Speaker 2: I sort of get that, Yes, they take they're getting okay, Jess,

463
00:20:03,880 --> 00:20:04,960
Speaker 2: let me just let me just talk you through it.

464
00:20:05,000 --> 00:20:06,159
Speaker 2: I'm not gonna let this down. I'm not I'm not

465
00:20:06,280 --> 00:20:09,040
Speaker 2: dropping this just yet. So so you're rocked up, you're

466
00:20:09,080 --> 00:20:12,000
Speaker 2: feeling anxious about it, and then somebody's just giving you

467
00:20:12,080 --> 00:20:15,040
Speaker 2: the space and they're waving at you, Jess. They're going Jess,

468
00:20:15,160 --> 00:20:19,000
Speaker 2: don't worry. I've got this baby. Get in here, you know,

469
00:20:19,359 --> 00:20:21,760
Speaker 2: don't worry about your anxieties. Here's a free spot.

470
00:20:23,160 --> 00:20:26,200
Speaker 12: Yeah. But like, if I don't like, if I don't

471
00:20:26,200 --> 00:20:27,840
Speaker 12: want to go in, I don't want to be like

472
00:20:28,200 --> 00:20:31,560
Speaker 12: pressured into going in. This is like making room for me.

473
00:20:31,640 --> 00:20:33,119
Speaker 12: They're pressuring me into going in.

474
00:20:33,920 --> 00:20:35,920
Speaker 3: You know that weird Mexican standoff thing where it's like

475
00:20:35,960 --> 00:20:37,600
Speaker 3: no you go, no you go. And then I've stored

476
00:20:37,680 --> 00:20:39,560
Speaker 3: like I've stored my car before there because I'm panning

477
00:20:39,600 --> 00:20:43,959
Speaker 3: so much. I actually get it. And there's a lot

478
00:20:44,000 --> 00:20:46,479
Speaker 3: more reasons. Unfortunately, we've got err in the Errand why

479
00:20:46,480 --> 00:20:47,800
Speaker 3: don't you like it when people let you in?

480
00:20:49,119 --> 00:20:52,240
Speaker 12: I always hate the awkward handway you don't know they're

481
00:20:52,720 --> 00:20:53,520
Speaker 12: the way you're.

482
00:20:53,359 --> 00:20:55,119
Speaker 2: Not just counting because.

483
00:20:56,640 --> 00:20:57,560
Speaker 3: You don't have to wait.

484
00:20:58,240 --> 00:21:02,359
Speaker 4: You do have to win just because of that. But

485
00:21:02,440 --> 00:21:04,000
Speaker 4: if you're all good around the etiquette there, I.

486
00:21:04,040 --> 00:21:04,800
Speaker 3: Still get it.

487
00:21:05,200 --> 00:21:10,000
Speaker 2: Yet I actually hate people like. This segment has made

488
00:21:10,040 --> 00:21:14,399
Speaker 2: me realize all hope is lost for mankind. Like if

489
00:21:14,520 --> 00:21:17,280
Speaker 2: not everybody gets around the generosity of someone letting you

490
00:21:17,359 --> 00:21:21,320
Speaker 2: in because you're scared of the handwave, our entire species

491
00:21:21,400 --> 00:21:22,000
Speaker 2: has an issue.

492
00:21:22,400 --> 00:21:25,439
Speaker 3: That's goodman. Why don't you like it when people let

493
00:21:25,480 --> 00:21:25,639
Speaker 3: you in?

494
00:21:26,520 --> 00:21:26,680
Speaker 6: Oh?

495
00:21:26,880 --> 00:21:29,800
Speaker 12: Guys, love the show, love this game that hates this

496
00:21:29,960 --> 00:21:33,200
Speaker 12: topic actually ideas when people let you in because it

497
00:21:33,400 --> 00:21:34,840
Speaker 12: slows down the traffic.

498
00:21:35,320 --> 00:21:37,280
Speaker 3: Yeah, and then you do feel guilty as well, like

499
00:21:37,320 --> 00:21:39,480
Speaker 3: when when you get letty, no, I've actually been turned

500
00:21:39,520 --> 00:21:39,920
Speaker 3: big time.

501
00:21:40,000 --> 00:21:42,560
Speaker 2: How do you find a thread with all of these people?

502
00:21:43,000 --> 00:21:45,320
Speaker 3: I can relate to the anxiety because when you feel

503
00:21:45,359 --> 00:21:47,760
Speaker 3: guilty because you see the traffic banking up and you're like,

504
00:21:47,920 --> 00:21:49,560
Speaker 3: it's all because this traffic.

505
00:21:49,359 --> 00:21:51,960
Speaker 2: Is already banked up. It's already banked up. They've just

506
00:21:52,000 --> 00:21:52,960
Speaker 2: given you a gap in it.

507
00:21:53,280 --> 00:21:55,280
Speaker 3: But they could have taken that gap. And I've selfishly

508
00:21:55,320 --> 00:21:57,000
Speaker 3: taken the gap. I should have just walked. I should

509
00:21:57,000 --> 00:22:00,080
Speaker 3: have walked left my carrot home. I get it. I

510
00:22:00,119 --> 00:22:03,760
Speaker 3: get it. Well tomorrow, let's do fresh air. Seriously, I'm

511
00:22:03,760 --> 00:22:06,080
Speaker 3: not doing anyone who doesn't.

512
00:22:05,880 --> 00:22:08,760
Speaker 2: Like fresh air fresh air. We're not doing fresh air.

513
00:22:08,840 --> 00:22:10,879
Speaker 3: We can bounce back. Then we got twenty four hours.

514
00:22:11,480 --> 00:22:13,440
Speaker 2: Just so devo, how long do we do this for?

515
00:22:13,560 --> 00:22:15,399
Speaker 2: This is the third day we've done this and we're nowhere.

516
00:22:15,440 --> 00:22:16,280
Speaker 3: So we do it for the year.

517
00:22:20,440 --> 00:22:23,160
Speaker 2: Podcast jolly pickerings in the studio.

518
00:22:25,040 --> 00:22:28,520
Speaker 13: I so excited to be back absolute last time you

519
00:22:28,600 --> 00:22:32,480
Speaker 13: were in a sunderdome. Yeah yeah, I was saying, I

520
00:22:32,640 --> 00:22:34,840
Speaker 13: was terrified coming back here because the last time I

521
00:22:35,040 --> 00:22:36,680
Speaker 13: was here. Yeah, yeah, we pranked you.

522
00:22:36,800 --> 00:22:37,159
Speaker 6: Yeah.

523
00:22:37,200 --> 00:22:39,399
Speaker 3: So you put Woody through the ring at almost made

524
00:22:39,440 --> 00:22:41,679
Speaker 3: me cry, unfortunately do almost.

525
00:22:45,480 --> 00:22:49,439
Speaker 4: It was it was I brought up the New Year's Eve, yes, when.

526
00:22:49,320 --> 00:22:53,200
Speaker 13: I accidentally suggested everyone should kill police slipping a tongue.

527
00:22:53,400 --> 00:22:53,600
Speaker 6: Yes.

528
00:22:54,240 --> 00:22:57,439
Speaker 3: And then and we chatted before, so we had a.

529
00:22:57,440 --> 00:22:59,240
Speaker 2: Bit of a power wow, and I said, look, what

530
00:22:59,440 --> 00:23:00,879
Speaker 2: is going to bring this because I knew you were

531
00:23:00,960 --> 00:23:03,680
Speaker 2: dying to talk to Charlie about it. Yeah, and then

532
00:23:04,160 --> 00:23:06,800
Speaker 2: Charlie basically just acted like I was.

533
00:23:06,880 --> 00:23:10,680
Speaker 13: So I was just full on like and I stopped

534
00:23:10,680 --> 00:23:13,320
Speaker 13: looking you in the eye, I like turned away from you,

535
00:23:13,440 --> 00:23:16,560
Speaker 13: and it was just like it was a great, great life.

536
00:23:18,400 --> 00:23:20,480
Speaker 2: Get I'll try to get the audio for it, because

537
00:23:20,480 --> 00:23:23,159
Speaker 2: you're gonna stick around. Pay astray eas, I'll get that

538
00:23:23,240 --> 00:23:25,040
Speaker 2: audio for the other side so we can play for

539
00:23:25,080 --> 00:23:27,080
Speaker 2: everyone because it's trade of a bit.

540
00:23:27,280 --> 00:23:29,680
Speaker 13: It was good stuff, but it made me terrified coming

541
00:23:29,720 --> 00:23:32,879
Speaker 13: back here. And when I got here, they awaited in reception,

542
00:23:32,960 --> 00:23:36,440
Speaker 13: they got moved to another room and apparently normal, but

543
00:23:36,440 --> 00:23:38,040
Speaker 13: it never happened to me before. And I walked into

544
00:23:38,040 --> 00:23:39,520
Speaker 13: the room, going, you got moved.

545
00:23:41,000 --> 00:23:43,560
Speaker 2: Moved to another room in there with a bell claver

546
00:23:43,600 --> 00:23:44,080
Speaker 2: and a baseball.

547
00:23:45,680 --> 00:23:50,920
Speaker 3: Good stuff. And do you know what speaking where do

548
00:23:50,920 --> 00:23:51,480
Speaker 3: you want to hit me?

549
00:23:53,720 --> 00:23:53,920
Speaker 6: Yeah?

550
00:23:54,000 --> 00:23:55,719
Speaker 2: Exactly, not not subtle at all.

551
00:23:55,880 --> 00:23:57,720
Speaker 3: Just take his knee caps and under him.

552
00:23:58,359 --> 00:24:00,160
Speaker 2: Now, charl You've got a brand new podcast called Time

553
00:24:00,200 --> 00:24:02,960
Speaker 2: Traveler's Guide to Not Dying. So you're going back and

554
00:24:03,200 --> 00:24:04,920
Speaker 2: with two of our favorite comedians in Frank Willy and

555
00:24:04,960 --> 00:24:07,879
Speaker 2: clar Whop, are going back through time to try and

556
00:24:08,040 --> 00:24:10,920
Speaker 2: find the most treacherous parts in history and whether or

557
00:24:10,960 --> 00:24:12,560
Speaker 2: not and how you would survive them.

558
00:24:12,720 --> 00:24:15,320
Speaker 13: That's exactly right, although it has to be said the

559
00:24:15,440 --> 00:24:19,080
Speaker 13: podcast is set in the year twenty forty, right, Okay,

560
00:24:19,280 --> 00:24:20,760
Speaker 13: so it's in the future.

561
00:24:21,320 --> 00:24:25,120
Speaker 2: I'm playing a washed up version of myself who one

562
00:24:25,200 --> 00:24:26,959
Speaker 2: of the conditions prediction for yourself.

563
00:24:27,520 --> 00:24:31,040
Speaker 13: Still there's a lot of very true predictions twenty forty

564
00:24:31,119 --> 00:24:40,400
Speaker 13: or twenty thirty. I walked into it totally deserved it, guys,

565
00:24:40,840 --> 00:24:44,159
Speaker 13: but no, as part of my parole conditions from prison

566
00:24:44,240 --> 00:24:46,399
Speaker 13: in the year twenty forty I have to host this

567
00:24:46,520 --> 00:24:50,159
Speaker 13: podcast and it's basically the guide that comes with your

568
00:24:50,280 --> 00:24:52,760
Speaker 13: time machine, which is just an appliance that you can

569
00:24:52,800 --> 00:24:55,400
Speaker 13: buy in the future. And so this is the how

570
00:24:55,480 --> 00:24:57,920
Speaker 13: to use your time machine and these are the tour

571
00:24:58,000 --> 00:25:01,080
Speaker 13: packages on offer and then what have It's like get away,

572
00:25:01,960 --> 00:25:05,040
Speaker 13: but it's like we said, Katrina Roundtree to hang out

573
00:25:05,080 --> 00:25:07,560
Speaker 13: with Genghis can't if that makes sense. So it's like

574
00:25:07,840 --> 00:25:11,880
Speaker 13: cheesy commercial travel show where you meet some of history's

575
00:25:11,920 --> 00:25:16,359
Speaker 13: greatest figures, greatest monsters. And Frank Woodley, who's on the

576
00:25:16,480 --> 00:25:20,960
Speaker 13: budget tour every time the backpacking he dies every episode.

577
00:25:21,640 --> 00:25:24,000
Speaker 13: And if I'll tell you what it's worth downloading and

578
00:25:24,040 --> 00:25:28,240
Speaker 13: listening to just to hear Frank Woodley in pain in

579
00:25:28,480 --> 00:25:29,560
Speaker 13: so many different.

580
00:25:29,280 --> 00:25:33,399
Speaker 2: Ways throughout history. It's really awesome. It's a lot of

581
00:25:33,400 --> 00:25:35,760
Speaker 2: If you can audible, if you onto audible dot com

582
00:25:35,840 --> 00:25:38,520
Speaker 2: dot au, it sounds like it's red hot mate. It's

583
00:25:38,520 --> 00:25:39,119
Speaker 2: a great idea.

584
00:25:39,280 --> 00:25:41,119
Speaker 13: It's a lot of fun and it's a bit it's

585
00:25:41,160 --> 00:25:43,640
Speaker 13: a little bit sort of Monty Pythony Life of Briany

586
00:25:44,040 --> 00:25:47,919
Speaker 13: sketch comedy and history stuff, and it's just a lot

587
00:25:47,960 --> 00:25:49,119
Speaker 13: of fun and it's I'll tell you what.

588
00:25:49,600 --> 00:25:52,639
Speaker 2: It's a great escape from today to go into the

589
00:25:52,680 --> 00:25:54,159
Speaker 2: future and go to the past.

590
00:25:54,440 --> 00:25:57,200
Speaker 13: It's really good and Audible would want me to say,

591
00:25:57,720 --> 00:25:59,840
Speaker 13: you can get a free trail membership download.

592
00:25:59,520 --> 00:26:01,640
Speaker 3: This with it, and then I'll be honest, I don't

593
00:26:01,640 --> 00:26:04,280
Speaker 3: care what you do after that. Listen to my stuff,

594
00:26:04,880 --> 00:26:06,000
Speaker 3: to my stuff and whatever.

595
00:26:06,119 --> 00:26:06,359
Speaker 6: I mean.

596
00:26:06,600 --> 00:26:09,159
Speaker 13: You can listen to Stephen well pretty much anything. He

597
00:26:09,240 --> 00:26:11,760
Speaker 13: reads about a hundred books on does do you like

598
00:26:11,800 --> 00:26:12,440
Speaker 13: Stephen Fry?

599
00:26:12,600 --> 00:26:13,760
Speaker 2: Does he still do Harry Potter?

600
00:26:14,560 --> 00:26:14,960
Speaker 3: I'm not sure.

601
00:26:15,000 --> 00:26:18,200
Speaker 13: I've been listening to Sherlock Holmes him doing Shelock and

602
00:26:18,240 --> 00:26:21,360
Speaker 13: he does like all the voices, the characters nice. Yeah,

603
00:26:21,480 --> 00:26:24,960
Speaker 13: And I just think do they ever let him out

604
00:26:24,960 --> 00:26:30,200
Speaker 13: of the vo booth? There's like hundreds of hours of

605
00:26:30,280 --> 00:26:31,440
Speaker 13: Stephen Fry reading.

606
00:26:31,280 --> 00:26:32,879
Speaker 3: Books on How long did it take you to do

607
00:26:33,000 --> 00:26:33,520
Speaker 3: this podcast?

608
00:26:33,640 --> 00:26:33,840
Speaker 6: Yeah?

609
00:26:35,160 --> 00:26:37,320
Speaker 13: The recording was a it was a week and a bit,

610
00:26:37,440 --> 00:26:38,480
Speaker 13: but solid recording.

611
00:26:38,600 --> 00:26:39,000
Speaker 10: Like it was.

612
00:26:39,400 --> 00:26:42,600
Speaker 2: It's just having chats versus just reading a book, which

613
00:26:42,720 --> 00:26:44,879
Speaker 2: is what he would be doing day in day.

614
00:26:44,880 --> 00:26:45,960
Speaker 3: Day in, day out.

615
00:26:46,240 --> 00:26:48,800
Speaker 2: Yeah, I think maybe they've taken him hostage.

616
00:26:49,560 --> 00:26:54,160
Speaker 3: I'm not sure. Better than that, they delight to work Audible.

617
00:26:54,760 --> 00:26:58,320
Speaker 13: They may take some of your heroes hostage, but they

618
00:26:58,880 --> 00:26:59,880
Speaker 13: know how to produce a pod.

619
00:27:00,320 --> 00:27:01,840
Speaker 2: I say that, Hey, it's Bezos.

620
00:27:01,880 --> 00:27:03,520
Speaker 3: I mean he looks like I think we'll do don't

621
00:27:03,560 --> 00:27:05,720
Speaker 3: go wrong. Well, that's the thing in the podcast.

622
00:27:05,800 --> 00:27:09,200
Speaker 13: In the future, there's one corporation that runs the world

623
00:27:09,240 --> 00:27:12,040
Speaker 13: and it's called the Corporation. And I have to say,

624
00:27:12,160 --> 00:27:15,640
Speaker 13: given that Amazon pays for Audible, they were very good

625
00:27:15,680 --> 00:27:16,080
Speaker 13: about us.

626
00:27:20,320 --> 00:27:24,280
Speaker 2: Tell us more about it Audible dot com dot you.

627
00:27:24,320 --> 00:27:25,920
Speaker 2: If you want to check out The Time Travelers Guide

628
00:27:25,960 --> 00:27:27,800
Speaker 2: to Not Dying, it is with Charlie Pickering. He's going

629
00:27:27,840 --> 00:27:29,400
Speaker 2: to join us on the other side because he's playing

630
00:27:29,400 --> 00:27:30,440
Speaker 2: Australia's Easiest Quiz.

631
00:27:30,600 --> 00:27:32,160
Speaker 1: It's the Will and Woody podcast.

632
00:27:33,200 --> 00:27:35,920
Speaker 2: Charlie Pickering is in the studio, very exciting times.

633
00:27:35,960 --> 00:27:36,439
Speaker 3: He's going to be.

634
00:27:36,440 --> 00:27:39,359
Speaker 2: Playing Australia's Easiest Quiz for one of you guys for

635
00:27:39,440 --> 00:27:42,000
Speaker 2: a thousand bucks. Before we get into your opener though,

636
00:27:42,119 --> 00:27:45,639
Speaker 2: Charlie just a little bit of a time traveling Funnily

637
00:27:45,760 --> 00:27:49,160
Speaker 2: enough to check out Charlie's podcast, The Time Travelers Guide

638
00:27:49,320 --> 00:27:51,280
Speaker 2: to Not Dying, go to Audible dot com dot are you.

639
00:27:51,400 --> 00:27:53,119
Speaker 2: But last time you were in here, we pulled one

640
00:27:53,160 --> 00:27:55,479
Speaker 2: of great stitch ups on Woody. You and I had

641
00:27:55,520 --> 00:27:57,480
Speaker 2: two or three minutes in the studio before he was

642
00:27:57,520 --> 00:27:59,800
Speaker 2: coming back in. I imagine you were probably taking him pooh.

643
00:28:00,160 --> 00:28:04,639
Speaker 2: That's that's generally I have nervous books for interviews. I

644
00:28:04,680 --> 00:28:06,119
Speaker 2: love that you still feel nervous about me.

645
00:28:06,240 --> 00:28:11,480
Speaker 3: That's great. Of course I do Charlie bickering because you've

646
00:28:11,480 --> 00:28:14,040
Speaker 3: braked me. Why don't we just throw it to the audio.

647
00:28:14,080 --> 00:28:16,280
Speaker 2: I think, well, there was a big moment you said

648
00:28:16,320 --> 00:28:17,960
Speaker 2: to me you wanted to throw to a bit and

649
00:28:18,280 --> 00:28:21,600
Speaker 2: asked Charlie about a moment that he actually had a

650
00:28:21,600 --> 00:28:24,040
Speaker 2: horrible moment on TV at New Year's Eve where you said,

651
00:28:24,080 --> 00:28:25,119
Speaker 2: live on TV.

652
00:28:25,400 --> 00:28:28,000
Speaker 13: I meant to say, it's the only night it's okay

653
00:28:28,080 --> 00:28:30,879
Speaker 13: to just kiss a police officer. Yes, and I accidentally

654
00:28:30,920 --> 00:28:32,639
Speaker 13: said it's the only night it's okay to kill a

655
00:28:32,720 --> 00:28:36,879
Speaker 13: police A slip of the tongue, A bit of a

656
00:28:36,960 --> 00:28:39,480
Speaker 13: mistake which led to a whole bunch of abuse, and

657
00:28:39,640 --> 00:28:43,560
Speaker 13: also there were death threats. Yes, so yeah, a bit

658
00:28:43,640 --> 00:28:46,840
Speaker 13: of a cockup. I'll admit that was a mistake, definite mistake.

659
00:28:46,920 --> 00:28:48,600
Speaker 13: But there's a few years on a lot of water

660
00:28:48,720 --> 00:28:50,760
Speaker 13: under the bridge. Would he didn't think you would be

661
00:28:50,800 --> 00:28:54,000
Speaker 13: sensitive about it, and then you flipped the tables on

662
00:28:54,120 --> 00:28:55,040
Speaker 13: him the.

663
00:28:55,080 --> 00:28:57,240
Speaker 2: Only time it's okay to kill a police officer.

664
00:28:59,120 --> 00:29:02,200
Speaker 3: That little slip it's doing there. It was probably the

665
00:29:02,240 --> 00:29:04,600
Speaker 3: worst moment of my life, I think, really it was.

666
00:29:04,760 --> 00:29:08,880
Speaker 13: It was so humiliating and yeah, it's actually like, you know,

667
00:29:09,920 --> 00:29:11,880
Speaker 13: I don't think I'm ready to really laugh about it,

668
00:29:12,080 --> 00:29:14,440
Speaker 13: if that's all right, Like, because my because it's.

669
00:29:14,400 --> 00:29:17,160
Speaker 3: It's my family, and like it was pretty tough. Jesus.

670
00:29:18,520 --> 00:29:20,840
Speaker 2: Sorry, sorry, I'm just still not feeling Yeah, that's.

671
00:29:20,680 --> 00:29:23,240
Speaker 3: Cool, it's nice mate. Honestly, I just want to have

672
00:29:23,280 --> 00:29:25,720
Speaker 3: a laugh about the situation with you.

673
00:29:25,800 --> 00:29:25,920
Speaker 10: Man.

674
00:29:25,920 --> 00:29:36,160
Speaker 2: I'm just com Pleasyday's edition of Australia's Easiest Quiz. He's

675
00:29:36,240 --> 00:29:40,000
Speaker 2: a very smart fellow, always quick with a quick when

676
00:29:40,000 --> 00:29:41,200
Speaker 2: he's talking about news.

677
00:29:41,560 --> 00:29:44,000
Speaker 3: But when he's not doing that, he's working out a

678
00:29:44,080 --> 00:29:47,120
Speaker 3: way to not die if you're a time traveler.

679
00:29:47,400 --> 00:29:49,680
Speaker 1: So all that's left to do now is to figure

680
00:29:49,720 --> 00:29:52,360
Speaker 1: out the answers to these ten little questions.

681
00:29:52,640 --> 00:29:53,800
Speaker 2: Please welcome to the show.

682
00:29:54,000 --> 00:29:56,280
Speaker 1: Today's contestant it's Charlie.

683
00:29:56,000 --> 00:30:03,440
Speaker 2: Figuring ten questions, ten questions thirty seconds. Honestly, speed is

684
00:30:03,440 --> 00:30:04,680
Speaker 2: the key. That's the only way you're going to go

685
00:30:04,720 --> 00:30:05,520
Speaker 2: in the thousand bucks.

686
00:30:05,600 --> 00:30:07,800
Speaker 3: Yeah, even with my math, so I can figure that out.

687
00:30:08,840 --> 00:30:10,960
Speaker 2: But I mean like, but I mean like break neck speed,

688
00:30:11,120 --> 00:30:13,080
Speaker 2: like even if you, if you, if you, it's got

689
00:30:13,160 --> 00:30:14,120
Speaker 2: to be the thing that's at the top of your

690
00:30:14,160 --> 00:30:15,920
Speaker 2: head because if you lose a second hero there, the

691
00:30:15,920 --> 00:30:18,400
Speaker 2: buzzer will beat you too long. You're playing with Megan

692
00:30:18,480 --> 00:30:19,880
Speaker 2: for Megan. Who's on the phone here?

693
00:30:20,280 --> 00:30:22,480
Speaker 12: Megan, Hey, how's it going to go?

694
00:30:22,760 --> 00:30:23,000
Speaker 10: Meghan?

695
00:30:23,080 --> 00:30:24,880
Speaker 2: You've got Charlie playing for you. You've got any words

696
00:30:24,880 --> 00:30:25,880
Speaker 2: of advice for Charlie.

697
00:30:27,160 --> 00:30:29,200
Speaker 12: Oh, I'm pretty confident. He's a smart guy.

698
00:30:29,240 --> 00:30:30,080
Speaker 9: I think you can bring it.

699
00:30:30,080 --> 00:30:30,560
Speaker 1: Home for me.

700
00:30:30,760 --> 00:30:33,200
Speaker 13: I make no promises, Meghan, no promises at all, but

701
00:30:33,320 --> 00:30:35,760
Speaker 13: I will do my best, and if I don't succeed

702
00:30:35,880 --> 00:30:38,120
Speaker 13: for you, I will I'll quit showbiz.

703
00:30:38,360 --> 00:30:41,840
Speaker 3: No, wow, I'm joking. I'm joking. But I will do

704
00:30:41,960 --> 00:30:46,080
Speaker 3: my best for you. I really, I will do my word.

705
00:30:46,160 --> 00:30:48,840
Speaker 2: With yourself. Yeah, absolutely, I'll give myself a shor lacking.

706
00:30:49,120 --> 00:30:50,080
Speaker 2: Actually that sounds rude.

707
00:30:50,160 --> 00:30:54,320
Speaker 3: I don't mean that with myself. When I.

708
00:30:56,800 --> 00:30:58,200
Speaker 4: L you do have one out as well. You've got

709
00:30:58,280 --> 00:30:59,600
Speaker 4: to dare fix in the quiz.

710
00:31:00,000 --> 00:31:02,440
Speaker 3: So if you yell out dare fix, if you don't

711
00:31:02,440 --> 00:31:04,080
Speaker 3: know the answer question of yell at deair fix, I

712
00:31:04,240 --> 00:31:06,160
Speaker 3: jump in and try and answer the question for you. Okay,

713
00:31:06,320 --> 00:31:08,720
Speaker 3: that may not be helping. That almost instills confidence and.

714
00:31:10,720 --> 00:31:12,360
Speaker 2: Your next to three seconds. If you throw to a

715
00:31:12,400 --> 00:31:14,200
Speaker 2: dare fix as well, would he get three seconds to

716
00:31:14,240 --> 00:31:16,480
Speaker 2: provide the answer to the question. So don't say pass,

717
00:31:16,520 --> 00:31:18,520
Speaker 2: Say deare fix if you don't know the answers for

718
00:31:18,640 --> 00:31:21,440
Speaker 2: de iced coffee. If you're stuck in second gear, deare

719
00:31:21,480 --> 00:31:22,960
Speaker 2: fix will fix it. Megan, are you ready?

720
00:31:23,760 --> 00:31:24,560
Speaker 9: I'm ready to ross.

721
00:31:25,080 --> 00:31:27,200
Speaker 2: I'm going to pull your fader down because you're not

722
00:31:27,280 --> 00:31:27,760
Speaker 2: doing anything.

723
00:31:27,880 --> 00:31:30,080
Speaker 3: Charlie, yes, I am.

724
00:31:30,120 --> 00:31:32,520
Speaker 2: Okay, here we go thirty seconds on the clock. When

725
00:31:32,600 --> 00:31:35,959
Speaker 2: deciding which subjects to learn, should kids choose history?

726
00:31:36,240 --> 00:31:36,440
Speaker 3: Yes?

727
00:31:36,560 --> 00:31:39,320
Speaker 2: What colors do the Australian rugby team wear green and gold?

728
00:31:39,360 --> 00:31:40,680
Speaker 2: What's the best chip flavor combination?

729
00:31:41,000 --> 00:31:41,640
Speaker 3: Sultan vinegar?

730
00:31:41,680 --> 00:31:42,680
Speaker 2: How old is Charlie Pickering?

731
00:31:43,080 --> 00:31:43,520
Speaker 3: Forty three?

732
00:31:43,560 --> 00:31:45,400
Speaker 2: How many bees does aniebel Crab have in her name?

733
00:31:45,960 --> 00:31:46,080
Speaker 11: Uh?

734
00:31:46,880 --> 00:31:48,400
Speaker 3: One, two, three three?

735
00:31:48,520 --> 00:31:50,280
Speaker 2: How does your wife answer the phone when you call her?

736
00:31:50,880 --> 00:31:52,880
Speaker 2: In which famous city to the Great Fire of London occur?

737
00:31:53,240 --> 00:31:53,520
Speaker 11: London.

738
00:31:53,600 --> 00:31:54,680
Speaker 2: What's fifty died.

739
00:31:54,360 --> 00:31:55,160
Speaker 3: By ten five?

740
00:31:55,320 --> 00:31:57,240
Speaker 2: What specific day in history would you travel back in

741
00:31:57,320 --> 00:31:57,560
Speaker 2: time for?

742
00:31:58,160 --> 00:32:03,800
Speaker 3: Umm O, New Year's nineteen seventy seven. Name one of

743
00:32:03,840 --> 00:32:08,560
Speaker 3: the new events. This is Olympics. No, that's definitely existing already.

744
00:32:08,720 --> 00:32:12,760
Speaker 8: No, I cared too much.

745
00:32:14,120 --> 00:32:14,360
Speaker 2: I know.

746
00:32:14,520 --> 00:32:15,680
Speaker 8: I could have said any time.

747
00:32:17,640 --> 00:32:19,200
Speaker 2: I've got a history podcast.

748
00:32:19,720 --> 00:32:23,400
Speaker 3: I could have said any time, Vegan, what were you

749
00:32:23,520 --> 00:32:25,880
Speaker 3: thinking when he wouldn't just answer a year.

750
00:32:28,520 --> 00:32:28,600
Speaker 2: Up?

751
00:32:30,720 --> 00:32:32,880
Speaker 3: I'm so deeply sorry. I don't know what happened.

752
00:32:34,000 --> 00:32:35,520
Speaker 4: So how how close did I get there?

753
00:32:35,600 --> 00:32:39,080
Speaker 2: I can't believe it. Actually, what specific day in history

754
00:32:39,120 --> 00:32:40,360
Speaker 2: would you chow back in time for?

755
00:32:40,520 --> 00:32:40,760
Speaker 3: Shit?

756
00:32:40,840 --> 00:32:45,480
Speaker 2: Have just I mean when I say you've got about

757
00:32:45,520 --> 00:32:48,600
Speaker 2: four thousand years to play like you can do anything.

758
00:32:48,880 --> 00:32:50,400
Speaker 4: I could have said last Friday and it would have

759
00:32:50,400 --> 00:32:50,840
Speaker 4: been okay.

760
00:32:52,640 --> 00:32:54,760
Speaker 6: I think me overthought it.

761
00:32:54,920 --> 00:32:58,120
Speaker 3: She would have had a thousand dollars. Oh my god.

762
00:32:58,240 --> 00:33:01,000
Speaker 3: I mean, I am so sorry. I'm so deeply sorry.

763
00:33:01,440 --> 00:33:05,880
Speaker 2: Spite despite faltering on the most basic of history questions,

764
00:33:06,080 --> 00:33:09,440
Speaker 2: Charlie does have a history podcast, which you guys.

765
00:33:09,240 --> 00:33:12,880
Speaker 13: Can I just clarify, I was distracted by the fact

766
00:33:12,880 --> 00:33:15,040
Speaker 13: that I said that my wife answers the phone going.

767
00:33:16,800 --> 00:33:17,280
Speaker 2: Was that true?

768
00:33:17,880 --> 00:33:20,040
Speaker 3: I just remember that. I think I remember it from

769
00:33:20,040 --> 00:33:28,000
Speaker 3: a chip commercial. It was a stream of consciousness, which

770
00:33:28,040 --> 00:33:28,520
Speaker 3: is interesting.

771
00:33:28,760 --> 00:33:31,440
Speaker 2: A wonderful moment on the how many bees does Annabel

772
00:33:31,520 --> 00:33:33,640
Speaker 2: crab having her name the clock gets you?

773
00:33:33,960 --> 00:33:39,480
Speaker 3: Yeah? That was one, two, two, three? Oh gosh, wow,

774
00:33:39,760 --> 00:33:42,400
Speaker 3: but thank you? I mean, I'm so I'm just so sorry, Megan.

775
00:33:42,480 --> 00:33:45,920
Speaker 3: I really should have done better. How many did I get?

776
00:33:46,040 --> 00:33:48,160
Speaker 3: You got eight? And then I froze?

777
00:33:48,440 --> 00:33:50,040
Speaker 2: Well, you cooked it so you lost all your time

778
00:33:50,080 --> 00:33:51,560
Speaker 2: in the history you were coming over the wet sale

779
00:33:51,600 --> 00:33:53,360
Speaker 2: and the final question name one of the new events

780
00:33:53,360 --> 00:33:53,680
Speaker 2: of this year.

781
00:33:55,200 --> 00:33:55,880
Speaker 3: That was ridiculous.

782
00:33:56,040 --> 00:34:00,800
Speaker 2: That was your tenth question, Charlie Pickering. It's been a pleasure,

783
00:34:01,520 --> 00:34:02,320
Speaker 2: well until then.

784
00:34:02,640 --> 00:34:04,680
Speaker 1: Yeah, It's the Will and Woody podcast.

785
00:34:04,920 --> 00:34:07,360
Speaker 2: Twenty five years on from the release of this song,

786
00:34:11,840 --> 00:34:14,560
Speaker 2: Spies Girls have admitted that that wasn't meant to be

787
00:34:14,880 --> 00:34:18,120
Speaker 2: the original release in nineteen ninety six. It was meant

788
00:34:18,160 --> 00:34:21,439
Speaker 2: to be this other song called Feed Your Love, which

789
00:34:21,480 --> 00:34:26,279
Speaker 2: we can play a little bit of absolute snow fast

790
00:34:26,280 --> 00:34:27,719
Speaker 2: would have been the death of him, so, you know,

791
00:34:28,040 --> 00:34:31,200
Speaker 2: you bit of a sliding doors moment. Dare I say, now,

792
00:34:31,400 --> 00:34:33,040
Speaker 2: actually that's true? If they went with that.

793
00:34:33,400 --> 00:34:35,239
Speaker 3: Yeah, the Spies girls would never have taken out. It's

794
00:34:35,280 --> 00:34:35,799
Speaker 3: not a good song.

795
00:34:35,960 --> 00:34:37,719
Speaker 2: I know, shocking and look at the end of the day,

796
00:34:37,719 --> 00:34:40,040
Speaker 2: as I said before, so the reason they didn't release

797
00:34:40,120 --> 00:34:42,080
Speaker 2: that song, feed Your Love is because the the lyrics

798
00:34:42,160 --> 00:34:45,520
Speaker 2: were too saucy, and I reckon, that's lazy songwriting. Okay,

799
00:34:45,560 --> 00:34:48,359
Speaker 2: it's lazy songwriting, Okon. If you're a songwriter worth your salt,

800
00:34:48,400 --> 00:34:51,839
Speaker 2: you should be able to desource any lyric. And that's

801
00:34:51,880 --> 00:34:53,640
Speaker 2: what you and I are going to do right now, Woods,

802
00:34:53,680 --> 00:34:56,520
Speaker 2: You and I Teta tet men are men in the studio.

803
00:34:56,800 --> 00:34:59,319
Speaker 2: We're going to be throwing saucy songs at each other. Sure,

804
00:34:59,400 --> 00:35:01,600
Speaker 2: and then the other one has to desource the lyrics

805
00:35:01,640 --> 00:35:04,000
Speaker 2: of that song tasty all right? Do you want to

806
00:35:04,040 --> 00:35:05,719
Speaker 2: go first? I mean to go first. I can go first.

807
00:35:05,800 --> 00:35:06,919
Speaker 3: Okay, do you want to go first?

808
00:35:07,160 --> 00:35:08,640
Speaker 2: I don't care, I'll go first, all right, Cool. I

809
00:35:08,719 --> 00:35:18,640
Speaker 2: want you to disource the lyrics this song. Okay, the vinyls,

810
00:35:18,760 --> 00:35:23,200
Speaker 2: but he saucy song speaking about touching themselves. So the

811
00:35:23,600 --> 00:35:28,200
Speaker 2: musical cut out for the line I touch myself right yeah,

812
00:35:28,560 --> 00:35:33,879
Speaker 2: right here we go, desource it, Woods.

813
00:35:36,520 --> 00:35:45,239
Speaker 4: I teach myself French bone j Bon give me it,

814
00:35:45,320 --> 00:35:48,319
Speaker 4: yeah beautiful, thank you very good.

815
00:35:48,360 --> 00:35:48,600
Speaker 6: Damn it.

816
00:35:48,600 --> 00:35:50,400
Speaker 2: I put the pressure on myself with the pressure.

817
00:35:50,239 --> 00:35:52,200
Speaker 3: Go here we go. We all know this song by

818
00:35:52,280 --> 00:35:54,879
Speaker 3: Little John and the East Side Boys. It's get low.

819
00:35:58,360 --> 00:36:08,080
Speaker 8: You don't know, Oh yeah, there's obviously a line there.

820
00:36:08,840 --> 00:36:11,000
Speaker 3: They've actually already disourceed a bit, but there's an original

821
00:36:11,040 --> 00:36:12,040
Speaker 3: line there, which is pretty naughty.

822
00:36:12,920 --> 00:36:16,040
Speaker 4: To the window, to the wall, till the sweat dripped down.

823
00:36:16,120 --> 00:36:20,200
Speaker 2: Oh yeah, okay, and then you're going to take over okay, yeah, okay,

824
00:36:20,520 --> 00:36:27,319
Speaker 2: ready to go till the threat of a lion, raw

825
00:36:28,120 --> 00:36:31,359
Speaker 2: ra raw raw kid.

826
00:36:32,280 --> 00:36:35,480
Speaker 3: Thank you very much, very good, top game.

827
00:36:37,760 --> 00:36:43,000
Speaker 2: They could have almost used that in that song. All right,

828
00:36:43,080 --> 00:36:51,759
Speaker 2: No next one, Oh okay, brings all the milkshakes to

829
00:36:51,960 --> 00:36:56,760
Speaker 2: the yard. She's obviously making it's an analogy about her breasts,

830
00:36:57,360 --> 00:36:59,960
Speaker 2: which is, you know, pretty saucy stuff, don't tweaking nipples,

831
00:37:00,040 --> 00:37:04,040
Speaker 2: don't teak nipples wid breasts. So what we're going to

832
00:37:04,120 --> 00:37:06,400
Speaker 2: do is you'll just have to kick off from the

833
00:37:06,440 --> 00:37:09,799
Speaker 2: start my milkshap bring all the boys to that's when you'll.

834
00:37:09,480 --> 00:37:13,600
Speaker 3: Come in from there. Well bloody hell, you're making me

835
00:37:13,719 --> 00:37:15,959
Speaker 3: change a lot here, My milkshap bring all the boys

836
00:37:16,000 --> 00:37:16,479
Speaker 3: to the yard.

837
00:37:16,640 --> 00:37:18,000
Speaker 2: You can have a second to think about it.

838
00:37:18,360 --> 00:37:19,279
Speaker 3: Yeah, okay, my.

839
00:37:25,280 --> 00:37:27,480
Speaker 4: My silk makes your skin feel nice?

840
00:37:27,600 --> 00:37:35,240
Speaker 8: Oh yeah, very remember I had on silk, my silk.

841
00:37:46,000 --> 00:37:46,719
Speaker 3: Let's move on there.

842
00:37:47,000 --> 00:37:51,960
Speaker 8: I'm gonna get my silk makes my skin feel nice.

843
00:37:53,320 --> 00:37:55,560
Speaker 3: Actually that's a tight lyric And have you ever had

844
00:37:55,640 --> 00:37:59,279
Speaker 3: silk on your face? It's beautiful anyway, all right, we.

845
00:37:59,320 --> 00:37:59,719
Speaker 2: All know this.

846
00:37:59,800 --> 00:38:00,920
Speaker 3: So here's the Elliott.

847
00:38:04,400 --> 00:38:07,799
Speaker 4: That's that's very naughty. So you know where it's going

848
00:38:07,880 --> 00:38:08,319
Speaker 4: to cut out.

849
00:38:08,360 --> 00:38:14,440
Speaker 3: Well, here we go. Hey on how oh ge whiz

850
00:38:16,600 --> 00:38:18,759
Speaker 3: can't be worse than mine, mate, don't worry the pressures off.

851
00:38:19,719 --> 00:38:24,520
Speaker 2: H oh god, Yeah, I don't know how am I

852
00:38:24,640 --> 00:38:27,040
Speaker 2: rhyming with my my p and my c.

853
00:38:27,640 --> 00:38:29,719
Speaker 3: Don't where you're rhyming? I didn't bother with the rhyme?

854
00:38:29,760 --> 00:38:36,040
Speaker 2: And where am I starting from here? Oh yeah, okay, cool, alright, alright,

855
00:38:36,040 --> 00:38:39,080
Speaker 2: alright yeah yeah, cool, cool, cook cool, al right. I

856
00:38:39,120 --> 00:38:39,360
Speaker 2: don't know.

857
00:38:39,960 --> 00:38:45,080
Speaker 3: Okay, I know I haven't gone anything.

858
00:38:45,160 --> 00:38:48,200
Speaker 2: I really said like my pussy and I was like, okay,

859
00:38:48,239 --> 00:38:52,040
Speaker 2: where's that's what I don't want to say. Podcast, give

860
00:38:52,120 --> 00:38:53,840
Speaker 2: us a call, try and convince this you're in the

861
00:38:53,880 --> 00:38:56,120
Speaker 2: car with somebody else? Woulds and I have to guess

862
00:38:56,200 --> 00:38:59,000
Speaker 2: if there is actually somebody there or whether you are

863
00:38:59,400 --> 00:39:01,720
Speaker 2: final line Willard Woodies.

864
00:39:02,040 --> 00:39:05,600
Speaker 3: Fine, it's gonna Troy here if anyone who's six five?

865
00:39:05,719 --> 00:39:06,040
Speaker 6: Troy?

866
00:39:06,400 --> 00:39:11,320
Speaker 4: Hello, hey boys, very well, Troy.

867
00:39:11,560 --> 00:39:12,360
Speaker 3: Who are you in the cow with?

868
00:39:13,600 --> 00:39:16,839
Speaker 2: I'm with my granddad, granddad? What's his name?

869
00:39:18,440 --> 00:39:18,840
Speaker 10: Horrace?

870
00:39:19,760 --> 00:39:24,880
Speaker 2: Horrace? Sorry, yeah, sorry, professor's Slughorn. You might actually be

871
00:39:25,040 --> 00:39:27,920
Speaker 2: there to uh yeah, that's that's slug Horn's full name,

872
00:39:27,960 --> 00:39:31,040
Speaker 2: Horace slug All right, Troy, check you on, check.

873
00:39:31,000 --> 00:39:31,360
Speaker 10: Check you on?

874
00:39:32,680 --> 00:39:33,960
Speaker 9: Hey, granddad, So let's.

875
00:39:35,320 --> 00:39:36,040
Speaker 10: Hello boys.

876
00:39:36,120 --> 00:39:39,200
Speaker 3: Here you go pretty good? Thank you? Horras.

877
00:39:40,400 --> 00:39:40,960
Speaker 4: How old are you?

878
00:39:41,120 --> 00:39:42,800
Speaker 3: Horrors on?

879
00:39:43,040 --> 00:39:43,799
Speaker 2: Ninety six?

880
00:39:44,040 --> 00:39:44,600
Speaker 10: Next month?

881
00:39:45,520 --> 00:39:45,840
Speaker 2: Nice?

882
00:39:46,200 --> 00:39:50,080
Speaker 3: What do you like to do? What are you doing today? Horace? No,

883
00:39:50,320 --> 00:39:50,640
Speaker 3: not sing?

884
00:39:50,680 --> 00:39:52,360
Speaker 10: I'm retired of course.

885
00:39:52,960 --> 00:39:53,600
Speaker 2: What's your favorite?

886
00:39:54,360 --> 00:39:54,520
Speaker 6: Now?

887
00:39:55,200 --> 00:39:57,400
Speaker 3: What's your favorite? What do you like?

888
00:39:57,480 --> 00:39:59,800
Speaker 2: What do you like eating? O?

889
00:40:01,080 --> 00:40:01,719
Speaker 10: Spaghetti?

890
00:40:02,160 --> 00:40:05,920
Speaker 9: My daughters and sons bring it over for me now

891
00:40:06,400 --> 00:40:07,880
Speaker 9: since my wife passed away.

892
00:40:08,200 --> 00:40:10,799
Speaker 2: Oh jeez, I've done a bit of a sad note, Troy.

893
00:40:10,840 --> 00:40:12,240
Speaker 2: But we think you're in the car by yourself.

894
00:40:14,239 --> 00:40:15,600
Speaker 10: Oh damn, you followed you.

895
00:40:17,680 --> 00:40:21,120
Speaker 3: All right, boys, Troy, very good, it's got a rally here.

896
00:40:21,200 --> 00:40:24,000
Speaker 4: Hey, Riley, Hey, are you going very well?

897
00:40:24,040 --> 00:40:24,279
Speaker 3: Thanks?

898
00:40:24,360 --> 00:40:24,520
Speaker 13: Roley?

899
00:40:24,560 --> 00:40:25,400
Speaker 3: Who are you in the cow with.

900
00:40:26,920 --> 00:40:27,040
Speaker 6: Dad?

901
00:40:27,960 --> 00:40:28,279
Speaker 3: Your dad?

902
00:40:28,480 --> 00:40:28,560
Speaker 2: Right?

903
00:40:28,600 --> 00:40:29,800
Speaker 3: Can you check you down on the phone?

904
00:40:30,680 --> 00:40:30,879
Speaker 11: Yeah?

905
00:40:30,880 --> 00:40:33,160
Speaker 10: He does. Hey, guys, how it doing.

906
00:40:33,880 --> 00:40:34,839
Speaker 3: Pretty good things? Dad?

907
00:40:36,160 --> 00:40:39,840
Speaker 4: Where are you and Riley going off to the shops.

908
00:40:40,920 --> 00:40:43,040
Speaker 3: That's that's two people. That's clean.

909
00:40:43,120 --> 00:40:45,120
Speaker 2: That's a clean two persons having a cooler.

910
00:40:45,200 --> 00:40:47,879
Speaker 3: You're a real dad, I am really.

911
00:40:50,200 --> 00:40:52,880
Speaker 2: He goes like Dad might have been roped into the

912
00:40:52,920 --> 00:40:55,319
Speaker 2: segment by his son. They didn't say all that in Thursday. Yes,

913
00:40:55,400 --> 00:40:56,880
Speaker 2: I am real. I've got no idea what I'm on

914
00:40:56,920 --> 00:40:57,879
Speaker 2: the bloody radio either.

915
00:40:58,000 --> 00:40:58,840
Speaker 3: Can we go into Bunnings?

916
00:41:01,560 --> 00:41:02,440
Speaker 8: That's got to Marissa?

917
00:41:03,320 --> 00:41:08,280
Speaker 3: Marissa? Hi, who are you in the car with Marissah?

918
00:41:08,360 --> 00:41:09,160
Speaker 11: My son? Aiden?

919
00:41:09,920 --> 00:41:10,280
Speaker 4: Aiden?

920
00:41:10,440 --> 00:41:11,280
Speaker 2: Your son? Aiden?

921
00:41:12,120 --> 00:41:13,200
Speaker 3: How old is Aiden?

922
00:41:14,520 --> 00:41:17,880
Speaker 6: You've got a certain certain in a bit.

923
00:41:18,239 --> 00:41:20,160
Speaker 3: Okay, throw Aiden on the phone please?

924
00:41:20,719 --> 00:41:26,120
Speaker 11: Yeah? I want to say, yeah, Hi, O?

925
00:41:26,200 --> 00:41:28,359
Speaker 3: Can I Aiden? You've been to school today?

926
00:41:28,440 --> 00:41:28,680
Speaker 8: Mate?

927
00:41:30,239 --> 00:41:32,920
Speaker 3: I have a lot of funny Now you sound older

928
00:41:33,040 --> 00:41:34,880
Speaker 3: than your mom. I didn't.

929
00:41:35,840 --> 00:41:38,240
Speaker 2: It sounds like you smoked a pack of Winfield Reds

930
00:41:39,120 --> 00:41:40,880
Speaker 2: sometime in the last couple of days.

931
00:41:41,320 --> 00:41:41,360
Speaker 7: You.

932
00:41:41,880 --> 00:41:43,800
Speaker 2: I assume you're not smoking though obviously.

933
00:41:44,960 --> 00:41:51,799
Speaker 3: Oh no, no, Marissa, you're alone in your car.

934
00:41:55,200 --> 00:41:57,399
Speaker 2: Marissa, you can have yourself one hundred dollars door Dash

935
00:41:57,480 --> 00:42:01,840
Speaker 2: boucher for the effort or yours door Dash Restaurants and

936
00:42:01,920 --> 00:42:05,040
Speaker 2: more deliberty. Adore, Troy and Riley can have one as well.

937
00:42:05,120 --> 00:42:07,759
Speaker 2: DoorDash Restaurants and more deliverity Ado one hundred dollar DoorDash vouch.

938
00:42:07,800 --> 00:42:09,640
Speaker 2: If you guys for giving the phone line challenge at

939
00:42:09,719 --> 00:42:11,000
Speaker 2: Crack see what you're hearing.

940
00:42:11,200 --> 00:42:14,440
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