1 00:00:02,440 --> 00:00:02,760 Speaker 1: Get a. 2 00:00:03,400 --> 00:00:10,160 Speaker 2: I'm Laala Berry, nutritionist, author, actor, TV presenter and professional oversharer. 3 00:00:10,800 --> 00:00:15,680 Speaker 2: This podcast is all about celebrating failure because I believe 4 00:00:15,720 --> 00:00:19,000 Speaker 2: it's a chance for us to learn, grow and face 5 00:00:19,040 --> 00:00:23,160 Speaker 2: our blind spots. Each week, I'll interview a different guest 6 00:00:23,200 --> 00:00:26,599 Speaker 2: about their highs as well as their lows, all in 7 00:00:26,680 --> 00:00:27,160 Speaker 2: a bid to. 8 00:00:27,200 --> 00:00:29,800 Speaker 1: Inspire us to fearlessly fail. 9 00:00:34,720 --> 00:00:38,199 Speaker 2: Anthony lapali A Part two. Now, this was meant to 10 00:00:38,240 --> 00:00:40,120 Speaker 2: be a hot seat chat, you know how I do 11 00:00:40,120 --> 00:00:41,880 Speaker 2: those rapid fire questions and I bring it out on 12 00:00:41,920 --> 00:00:45,559 Speaker 2: a Wednesday. But these answers were so medy and so 13 00:00:45,760 --> 00:00:48,279 Speaker 2: in depth, and there's so many nuggets of gold in 14 00:00:48,320 --> 00:00:53,520 Speaker 2: here that it deserved to be its own standalone episode. 15 00:00:53,680 --> 00:00:55,560 Speaker 2: So this will feel a little bit shorter than a 16 00:00:55,640 --> 00:00:58,080 Speaker 2: regular feelsly failing at but it will feel much longer 17 00:00:58,120 --> 00:01:02,040 Speaker 2: than a hot seat So it's got its own fearlessly 18 00:01:02,120 --> 00:01:07,400 Speaker 2: failing Monday, because who doesn't want two episodes of Anthony 19 00:01:07,480 --> 00:01:15,760 Speaker 2: o'pali are an incredible Australian actor, theater, movies, TV, non stop, 20 00:01:16,200 --> 00:01:20,720 Speaker 2: non stop, always working, always onto the next thing, humble, 21 00:01:21,000 --> 00:01:24,720 Speaker 2: hard working, no filter. What you see is what you get. 22 00:01:24,760 --> 00:01:29,440 Speaker 2: I hope you love this chat so inspiring. Anthony o'paralia, 23 00:01:29,520 --> 00:01:32,000 Speaker 2: thank you again for sharing your time on this pod. 24 00:01:32,280 --> 00:01:37,160 Speaker 1: You are wonderful. Okay your name. 25 00:01:38,640 --> 00:01:38,880 Speaker 3: Yes. 26 00:01:39,480 --> 00:01:40,160 Speaker 1: Do you have a fear? 27 00:01:41,520 --> 00:01:45,920 Speaker 2: I've heard that it's if people come into your space invag. 28 00:01:46,560 --> 00:01:55,440 Speaker 3: That's not a fear, that's anger. Yeah. Do I have 29 00:01:55,480 --> 00:02:03,680 Speaker 3: a fear? Not really, I accept it them fearless makes 30 00:02:03,720 --> 00:02:08,160 Speaker 3: it sound. Look, I really live in today. I don't 31 00:02:08,160 --> 00:02:10,560 Speaker 3: worry about what happened yesterday, and I'm not really worried 32 00:02:10,560 --> 00:02:12,480 Speaker 3: about what's going to happen because I have no control 33 00:02:12,520 --> 00:02:15,040 Speaker 3: of what's going to happen. So I live in now, 34 00:02:15,960 --> 00:02:20,560 Speaker 3: and when you live in now, you deal with situations. 35 00:02:20,560 --> 00:02:27,600 Speaker 3: Have I been fearful? Yes, in certain situations sometimes I fear. Okay, 36 00:02:28,080 --> 00:02:30,120 Speaker 3: I never felt any fear until I had a child. 37 00:02:30,600 --> 00:02:33,800 Speaker 3: Oh yeah, and now I have a nineteen nineteen year 38 00:02:33,840 --> 00:02:37,280 Speaker 3: old daughter. I have fear for her. Yeah. 39 00:02:37,280 --> 00:02:38,920 Speaker 2: And I've heard I heard you sound an interview when 40 00:02:38,919 --> 00:02:41,160 Speaker 2: you're doing without a trace because you start realizing all 41 00:02:41,200 --> 00:02:43,280 Speaker 2: the missing persons. 42 00:02:42,680 --> 00:02:43,880 Speaker 1: Well, that's that are real. 43 00:02:44,360 --> 00:02:47,040 Speaker 3: No, No, the stats are actually very comforting. 44 00:02:47,000 --> 00:02:49,240 Speaker 1: Really because it's usually not a stranger. 45 00:02:48,960 --> 00:02:53,400 Speaker 3: Right, Well, first of all, it's not a stranger yeah, 46 00:02:53,520 --> 00:02:57,760 Speaker 3: and well the stats of this, I'll ask you, so, 47 00:02:58,120 --> 00:03:03,440 Speaker 3: how many chiital strangers kidnapped kids from their families in 48 00:03:03,480 --> 00:03:05,320 Speaker 3: a year total? 49 00:03:05,400 --> 00:03:07,839 Speaker 1: I've researched at six in all of America years. 50 00:03:07,960 --> 00:03:13,600 Speaker 3: Yes, it's always a family member, uncle, anne, father, mother, bad, divorced, 51 00:03:13,600 --> 00:03:17,120 Speaker 3: stuff like that. But so the chances your child being 52 00:03:17,200 --> 00:03:20,519 Speaker 3: kidnapped by a random strangers are very very thin, the small. 53 00:03:20,960 --> 00:03:26,079 Speaker 3: But my fear is more about like her personal now 54 00:03:26,120 --> 00:03:27,959 Speaker 3: that she lives in New York and now she's out 55 00:03:27,960 --> 00:03:32,040 Speaker 3: on her own. Yeah, you know I have that dad fear. Yeah, 56 00:03:33,480 --> 00:03:35,520 Speaker 3: Dade's a good Yeah, I have dad fear. 57 00:03:36,520 --> 00:03:40,720 Speaker 2: I think easy favorite play, right, of course. 58 00:03:40,480 --> 00:03:44,160 Speaker 1: Of course you have a favorite movie. I feel like 59 00:03:44,200 --> 00:03:44,440 Speaker 1: this is. 60 00:03:46,680 --> 00:03:48,160 Speaker 3: Best years of their lives. 61 00:03:48,400 --> 00:03:49,680 Speaker 1: I don't know it. 62 00:03:49,680 --> 00:03:58,360 Speaker 3: It's a nineteen forty eight, forty seven. It's a post war, 63 00:03:58,840 --> 00:04:03,160 Speaker 3: post World War two movie about these four servicemen that 64 00:04:03,320 --> 00:04:06,200 Speaker 3: get back from the war and have to go back 65 00:04:06,240 --> 00:04:11,200 Speaker 3: into their normal small town lives and they can't do it. 66 00:04:11,200 --> 00:04:17,760 Speaker 3: It's a brilliant movie. Frederick marsh Myrna Lloyd, a real 67 00:04:17,800 --> 00:04:20,080 Speaker 3: guy who had both his hands blown off from the Navy. 68 00:04:20,800 --> 00:04:24,280 Speaker 3: He won an oscar. Really, Yeah, the real Sailor. They 69 00:04:24,320 --> 00:04:27,240 Speaker 3: cast him in it and Diana Dana Andrews, I think 70 00:04:27,240 --> 00:04:32,440 Speaker 3: his name was. And that's one of my favorite movies 71 00:04:33,040 --> 00:04:35,520 Speaker 3: just because it dealt with something at the time that 72 00:04:35,560 --> 00:04:38,320 Speaker 3: nobody wanted to deal with. Dark Day Afternoon? 73 00:04:39,120 --> 00:04:42,599 Speaker 1: Is that true? How you let your alpaco? 74 00:04:42,960 --> 00:04:46,680 Speaker 3: Yeah? I had it on tell you. Yeah. 75 00:04:47,640 --> 00:04:52,240 Speaker 1: Speaking of your accent, you in Happy Fate, Yeah, So 76 00:04:52,320 --> 00:04:55,200 Speaker 1: you play like this baddie, like almost got like a 77 00:04:55,320 --> 00:04:57,360 Speaker 1: New york Yeah, you're. 78 00:04:57,200 --> 00:04:59,600 Speaker 3: A bad yeah. 79 00:04:59,640 --> 00:05:02,680 Speaker 1: And your accent is amazing. 80 00:05:02,800 --> 00:05:07,080 Speaker 2: You're like this gravelly New Yorky gangster. 81 00:05:07,520 --> 00:05:08,360 Speaker 1: Is how you sound. 82 00:05:08,800 --> 00:05:13,000 Speaker 3: Yeah, But it's hard to pick one. It's hard to 83 00:05:13,040 --> 00:05:17,440 Speaker 3: pick one movie all these different movies from different from 84 00:05:17,520 --> 00:05:18,600 Speaker 3: different generations. 85 00:05:19,520 --> 00:05:21,960 Speaker 1: The conversation, Okay, I haven't seen that either. 86 00:05:22,279 --> 00:05:25,440 Speaker 3: It's a seventies movie with Gene Hackman. And there's this 87 00:05:25,480 --> 00:05:28,120 Speaker 3: thing in the movie that I always wanted to meet 88 00:05:28,120 --> 00:05:31,560 Speaker 3: Gene Hackman and ask him this question. He wears this 89 00:05:32,120 --> 00:05:35,520 Speaker 3: fucking cheap plan. He's there's something really cheap and marshallely 90 00:05:35,600 --> 00:05:38,159 Speaker 3: about this character. And he wears. 91 00:05:37,880 --> 00:05:43,600 Speaker 4: This this see through plastic raincoat and it just encapsulates 92 00:05:43,600 --> 00:05:45,640 Speaker 4: this whole character. And I wanted to ask him was 93 00:05:45,640 --> 00:05:48,920 Speaker 4: that your choice? I think it would have been too, 94 00:05:49,480 --> 00:05:52,760 Speaker 4: but I love stuff like that. 95 00:05:52,839 --> 00:05:53,039 Speaker 3: Yeah. 96 00:05:53,960 --> 00:05:55,880 Speaker 2: Are you one of those actors that the shoes your 97 00:05:55,960 --> 00:05:57,320 Speaker 2: character wears. 98 00:05:56,960 --> 00:06:02,400 Speaker 3: Like the wardrobe mean, yeah, I like the water has 99 00:06:02,400 --> 00:06:03,360 Speaker 3: to work for me? Yeah. 100 00:06:03,640 --> 00:06:07,120 Speaker 2: Yeah, I hopefully that's interesting because if you think of 101 00:06:07,120 --> 00:06:12,839 Speaker 2: your wardrobe in like Bad Blood versus Night Trim poll 102 00:06:12,880 --> 00:06:14,000 Speaker 2: the opposite. 103 00:06:13,760 --> 00:06:18,960 Speaker 3: Or if you want to see some really Joe Grisham thing. Oh, 104 00:06:19,120 --> 00:06:22,280 Speaker 3: I'm dressed like like honestly, I'm just like like like 105 00:06:22,920 --> 00:06:27,040 Speaker 3: the worst kind of pimp. I have like these Fasaci shirts, 106 00:06:27,760 --> 00:06:29,479 Speaker 3: leather pads. 107 00:06:29,320 --> 00:06:32,119 Speaker 1: You know, like, have you stolen anything after? 108 00:06:32,480 --> 00:06:36,400 Speaker 3: None of it? That was when I was, you know, 109 00:06:36,560 --> 00:06:41,359 Speaker 3: young and then. But you know, it depends like every 110 00:06:41,520 --> 00:06:48,760 Speaker 3: kind of generation. There are movies that you love. Yeah, 111 00:06:48,920 --> 00:06:50,680 Speaker 3: I'm trying to think there's another one that I really 112 00:06:50,680 --> 00:06:54,159 Speaker 3: loved that's kind of obscure, but it's called ninth Configuration 113 00:06:54,279 --> 00:06:54,839 Speaker 3: of the Seventh. 114 00:06:55,480 --> 00:06:58,120 Speaker 2: Okay, there's one that you told me to watch, which 115 00:06:58,160 --> 00:07:03,760 Speaker 2: I haven't yet. It's a John Patrick Shan Moonstruck, Moonstrock, Moonstruck. 116 00:07:03,880 --> 00:07:09,360 Speaker 3: You you we're going back and watching movies from eighties, 117 00:07:09,440 --> 00:07:12,760 Speaker 3: from the eighties and finding that they really hold up 118 00:07:13,600 --> 00:07:16,680 Speaker 3: and that they actually there's there's something missing from the 119 00:07:16,720 --> 00:07:21,040 Speaker 3: movies now that they should take They should go back 120 00:07:21,080 --> 00:07:23,800 Speaker 3: and look at these movies because they actually took their 121 00:07:23,880 --> 00:07:28,720 Speaker 3: time with character development. I also liked Catch twenty two. 122 00:07:29,360 --> 00:07:30,320 Speaker 3: I love the book. 123 00:07:30,920 --> 00:07:32,800 Speaker 1: So this is my next question. Favorite. 124 00:07:33,440 --> 00:07:36,880 Speaker 3: Alan Arkin is one of my favorite actors of all time. Really, yeah, 125 00:07:36,960 --> 00:07:39,239 Speaker 3: it's brilliant Alan Orkan. If you look at his body 126 00:07:39,280 --> 00:07:41,920 Speaker 3: of work, you go back to the late nineteen sixties 127 00:07:41,960 --> 00:07:44,680 Speaker 3: where he plays a Puerto Rican going named Poppy Oh, 128 00:07:44,760 --> 00:07:48,280 Speaker 3: movies called Poppy Yeah, and you watch the progression of 129 00:07:49,000 --> 00:07:52,760 Speaker 3: Alan's work to now you know Glen Eric Ross. I 130 00:07:52,760 --> 00:07:55,760 Speaker 3: mean this guy and I've got to work with him, 131 00:07:56,160 --> 00:08:01,600 Speaker 3: and I just think he's the most underrated, undersung brilliant actor. 132 00:08:03,240 --> 00:08:08,080 Speaker 2: Because you've worked with so many good ones like yeah, 133 00:08:08,600 --> 00:08:11,920 Speaker 2: you know, I've seen you to a scene opposite Jude. 134 00:08:11,760 --> 00:08:16,440 Speaker 3: Law, Yeah, Bob de Niro, Yeah, who you really like? 135 00:08:16,920 --> 00:08:18,960 Speaker 1: Another brilliant voice, good guy. 136 00:08:19,680 --> 00:08:21,960 Speaker 2: Okay, Okay, do you have a favorite book or does 137 00:08:22,000 --> 00:08:23,200 Speaker 2: it change depending on what. 138 00:08:23,120 --> 00:08:32,520 Speaker 3: You're My idea of fun this was called okay, it's 139 00:08:32,520 --> 00:08:35,480 Speaker 3: called my idea of giving me a list of stuff? 140 00:08:35,480 --> 00:08:40,600 Speaker 3: And who was it written? By will self my idea 141 00:08:40,600 --> 00:08:43,440 Speaker 3: of fun, which is really good. And I also like Moonlight. 142 00:08:43,559 --> 00:08:47,800 Speaker 3: Margaret read great name. Oh okay, it's a Russian book. 143 00:08:47,880 --> 00:08:51,360 Speaker 1: Okay, I read it. I'll read it. What's something that's 144 00:08:51,440 --> 00:08:52,800 Speaker 1: moved you recently? 145 00:08:54,760 --> 00:08:57,480 Speaker 3: Look, I'm one of these guys. Look, I never cry, right, 146 00:08:57,600 --> 00:09:02,959 Speaker 3: I'm not a cry but sometimes late at night I'll 147 00:09:03,000 --> 00:09:06,559 Speaker 3: be watching something and it'll be the most bizarre thing. 148 00:09:07,320 --> 00:09:08,199 Speaker 1: And you'll get teary. 149 00:09:08,440 --> 00:09:10,839 Speaker 3: Yeah. It was just like, oh and you know, I'll 150 00:09:10,880 --> 00:09:12,160 Speaker 3: get teery. 151 00:09:12,760 --> 00:09:14,400 Speaker 2: Do you know what you got me to watch recently? 152 00:09:14,440 --> 00:09:17,120 Speaker 2: And I get tierry when I watch it? The Spectrum 153 00:09:17,120 --> 00:09:17,760 Speaker 2: of Love. 154 00:09:18,000 --> 00:09:20,400 Speaker 3: The Love on a Spectrum, Love on the Spectrum, the 155 00:09:20,440 --> 00:09:23,600 Speaker 3: Australian one that made me cry that I watched it. 156 00:09:23,720 --> 00:09:25,760 Speaker 1: It was just for me when the parent when you 157 00:09:25,800 --> 00:09:27,320 Speaker 1: see the parents by the kids. 158 00:09:27,600 --> 00:09:31,679 Speaker 3: That made me that actually is the last thing that 159 00:09:31,760 --> 00:09:32,480 Speaker 3: did make me cry. 160 00:09:32,600 --> 00:09:34,080 Speaker 1: Yeah, good, good choice. 161 00:09:34,520 --> 00:09:34,920 Speaker 3: All right? 162 00:09:36,480 --> 00:09:38,480 Speaker 2: Is there anything on your bucket list? Being like I 163 00:09:38,600 --> 00:09:40,520 Speaker 2: really want to do I really want to do that thing? 164 00:09:40,800 --> 00:09:44,000 Speaker 2: Like for me it was for ages swimming with sharks 165 00:09:44,040 --> 00:09:45,320 Speaker 2: and I was like tick done? 166 00:09:45,440 --> 00:09:47,360 Speaker 1: Is there anything like kind of like you're like, hey, 167 00:09:47,880 --> 00:09:48,880 Speaker 1: is this something you want to shoot? 168 00:09:48,920 --> 00:09:52,680 Speaker 2: And you haven't shot a film yet, or a location 169 00:09:52,880 --> 00:09:54,360 Speaker 2: or anywhere you want to be. 170 00:09:54,600 --> 00:10:00,199 Speaker 3: I'll go on any location except Ontario, Canada. Want to 171 00:10:00,240 --> 00:10:00,520 Speaker 3: do that? 172 00:10:02,200 --> 00:10:03,160 Speaker 1: Have you done Ontario? 173 00:10:03,679 --> 00:10:14,360 Speaker 3: Yeah, of course, no offense on Tario. I get to 174 00:10:14,400 --> 00:10:19,880 Speaker 3: see some I always I wanted to do after the Fall, 175 00:10:20,320 --> 00:10:20,760 Speaker 3: After the. 176 00:10:20,720 --> 00:10:22,160 Speaker 1: Fall, see why I want to see what I want 177 00:10:22,200 --> 00:10:22,880 Speaker 1: to say Autumn. 178 00:10:23,000 --> 00:10:26,880 Speaker 3: Yes, after the Fall. I really wanted to do After 179 00:10:26,920 --> 00:10:28,800 Speaker 3: the Fall. And I was set to do After the 180 00:10:28,840 --> 00:10:34,679 Speaker 3: Fall and through a series of duplicitive actions by the 181 00:10:34,720 --> 00:10:38,240 Speaker 3: same director who directed me and from the Bridge, Oh, 182 00:10:38,360 --> 00:10:43,960 Speaker 3: Michael May, Michael May, Yeah, that was not There was 183 00:10:43,960 --> 00:10:48,760 Speaker 3: some stuff that happened there that anyway, you'll be able 184 00:10:48,800 --> 00:10:51,520 Speaker 3: to do it. Yeah. Well, Arthur, when I said to 185 00:10:51,600 --> 00:10:53,520 Speaker 3: Arthur I wanted to do it, he said, don't do it. 186 00:10:54,880 --> 00:10:56,520 Speaker 3: He said the second act doesn't work, and I'm too 187 00:10:56,520 --> 00:11:01,000 Speaker 3: old to He righted, and he said, I forget if 188 00:11:01,000 --> 00:11:02,760 Speaker 3: you're going to cast someone to play that part, the 189 00:11:02,800 --> 00:11:07,320 Speaker 3: girl part, but cast the African American girl because he 190 00:11:07,360 --> 00:11:09,120 Speaker 3: doesn't want the maralism. 191 00:11:09,280 --> 00:11:10,280 Speaker 1: Yeah. 192 00:11:10,320 --> 00:11:13,200 Speaker 3: But I think when I read that play, that's like 193 00:11:13,320 --> 00:11:20,280 Speaker 3: a guy exercising all his regrets and guilt and demons 194 00:11:20,320 --> 00:11:24,120 Speaker 3: about how he was to her in that relationship. That's 195 00:11:24,160 --> 00:11:26,400 Speaker 3: all about his relationship with her. 196 00:11:26,880 --> 00:11:27,360 Speaker 1: He talked. 197 00:11:27,400 --> 00:11:29,120 Speaker 2: I've watched a few interviews with him, and he sees 198 00:11:29,120 --> 00:11:31,000 Speaker 2: his face change when he talks about it. 199 00:11:31,120 --> 00:11:33,800 Speaker 3: Doesn't want it, And he wrote it in that play, 200 00:11:34,000 --> 00:11:36,320 Speaker 3: and then he tried to cover it up, you know, 201 00:11:36,480 --> 00:11:39,439 Speaker 3: with the McCarthy hearings, and that's why the play is 202 00:11:39,520 --> 00:11:46,720 Speaker 3: so disjointed. But it did get done, and it and 203 00:11:46,720 --> 00:11:48,880 Speaker 3: and it did not do well. 204 00:11:49,400 --> 00:11:51,120 Speaker 1: You've got to do it. Maybe you'll meant to do it. 205 00:11:51,200 --> 00:11:57,160 Speaker 3: I don't know. I don't know. I mean, look, I'm 206 00:11:57,160 --> 00:12:01,119 Speaker 3: always looking for something that kind of just I read it. 207 00:12:01,120 --> 00:12:04,319 Speaker 3: It surprises and excites me. I don't really care. I've 208 00:12:04,360 --> 00:12:10,120 Speaker 3: reached that point where I don't really care what it is. 209 00:12:10,600 --> 00:12:12,920 Speaker 3: I just wanted to, like, I want to read it 210 00:12:12,960 --> 00:12:15,960 Speaker 3: and go, oh, yeah, that's exciting. 211 00:12:16,400 --> 00:12:19,320 Speaker 1: Isn't that We with Glentanna didn't you just didn't there? 212 00:12:21,960 --> 00:12:24,960 Speaker 3: That was so interesting because I was doing a movie 213 00:12:26,200 --> 00:12:31,720 Speaker 3: with Sultan cy Falcilm and it was a very troubled choose. 214 00:12:33,240 --> 00:12:35,200 Speaker 1: It was a party animal back in the day, wasn't 215 00:12:35,200 --> 00:12:37,719 Speaker 1: he Yeah, that wasn't. 216 00:12:37,440 --> 00:12:41,040 Speaker 3: So much that it was that he was I don't 217 00:12:41,080 --> 00:12:44,520 Speaker 3: know what difficulties it was going through. But I used 218 00:12:44,559 --> 00:12:48,600 Speaker 3: to call movies my before my eyes went bad, I 219 00:12:48,679 --> 00:12:52,160 Speaker 3: used to call it would be my two book movie, 220 00:12:52,520 --> 00:12:54,760 Speaker 3: my three book movie, three, how Much I had to Wait? 221 00:12:55,280 --> 00:12:58,440 Speaker 3: That was my twelve book movie. Oh wow, waiting for 222 00:12:58,520 --> 00:13:03,040 Speaker 3: VALI come out of the trailer and so and so 223 00:13:03,040 --> 00:13:06,040 Speaker 3: so I was doing that and then I got set. 224 00:13:06,280 --> 00:13:09,120 Speaker 3: I was on the set of that, and someone dropped 225 00:13:09,120 --> 00:13:11,560 Speaker 3: the script off and I just had a note on it, 226 00:13:12,240 --> 00:13:16,000 Speaker 3: and I said, read this from Ray Lawrence. And I 227 00:13:16,040 --> 00:13:19,000 Speaker 3: read it like instantly, And as soon as I read it, 228 00:13:19,520 --> 00:13:21,840 Speaker 3: I called him and I said, I love it. Just 229 00:13:21,880 --> 00:13:24,920 Speaker 3: tell me I'm playing Leon anyway. That's exactly. 230 00:13:27,400 --> 00:13:28,880 Speaker 1: It's such a beautiful job. 231 00:13:29,000 --> 00:13:33,160 Speaker 2: Final final question for a young actor listening to this 232 00:13:33,480 --> 00:13:37,560 Speaker 2: that is like, I want to chase this dream. 233 00:13:38,600 --> 00:13:42,720 Speaker 1: What advice would you have, like be resilient or you 234 00:13:42,880 --> 00:13:48,040 Speaker 1: give it a crack, no regrets. That's a very big question. 235 00:13:48,120 --> 00:13:50,440 Speaker 3: I know, it's a big question depends on the person. 236 00:13:50,480 --> 00:13:55,920 Speaker 3: I think. Okay, I think now I really believe this. 237 00:13:57,120 --> 00:14:01,520 Speaker 3: If you've got a Plan B, don't start. It can 238 00:14:01,559 --> 00:14:05,760 Speaker 3: only be your Plan A, and Plan B doesn't exist 239 00:14:05,800 --> 00:14:08,839 Speaker 3: because as long as you have planned B. You will 240 00:14:08,880 --> 00:14:15,560 Speaker 3: never one hundred percent commit. You'll go psychologically, you will go, 241 00:14:15,600 --> 00:14:17,040 Speaker 3: well it doesn't work out, I can do. 242 00:14:17,240 --> 00:14:18,160 Speaker 1: I've got this backup. 243 00:14:18,200 --> 00:14:20,920 Speaker 3: I've got this back up. I didn't have a plan B. 244 00:14:22,360 --> 00:14:25,880 Speaker 3: There's no more soccer. I didn't have an education. It 245 00:14:25,960 --> 00:14:30,720 Speaker 3: was bartending and that was not acceptable, you know. But 246 00:14:31,120 --> 00:14:33,520 Speaker 3: if it hadn't worked out, I want to figured something out, 247 00:14:33,560 --> 00:14:36,680 Speaker 3: you know whatever. But there was never a plan B. 248 00:14:37,520 --> 00:14:39,640 Speaker 3: And I would say, if you have a plan B, 249 00:14:39,960 --> 00:14:46,400 Speaker 3: think carefully about. It will hold you back, It will 250 00:14:46,440 --> 00:14:50,000 Speaker 3: take away that little bit of extra I don't want 251 00:14:50,000 --> 00:14:54,840 Speaker 3: to say desperation, but drive. Sometimes it just makes you 252 00:14:55,000 --> 00:14:58,480 Speaker 3: work that little bit harder, push that little bit harder. 253 00:14:58,760 --> 00:15:01,240 Speaker 3: And the second piece of it from that you should 254 00:15:01,240 --> 00:15:05,520 Speaker 3: have is when somebody says no to you or tells 255 00:15:05,560 --> 00:15:08,040 Speaker 3: you that they don't like your work, that's just their 256 00:15:08,080 --> 00:15:13,480 Speaker 3: fucking opinion. Yes, that's just their fucking opinion, because somebody 257 00:15:13,480 --> 00:15:16,360 Speaker 3: else will. You know. Look if you get the same 258 00:15:16,480 --> 00:15:20,240 Speaker 3: feedback four times in a row, step back and listen 259 00:15:20,280 --> 00:15:23,600 Speaker 3: to it and go, okay, well, I've gotten that feedback 260 00:15:23,640 --> 00:15:26,840 Speaker 3: four times in a row from different people. So maybe 261 00:15:26,880 --> 00:15:28,800 Speaker 3: this is an eraor I need to look at. But 262 00:15:28,880 --> 00:15:31,840 Speaker 3: if it's just random stuff, you got to know when 263 00:15:32,320 --> 00:15:34,680 Speaker 3: you can look in there and I could look like 264 00:15:35,040 --> 00:15:37,840 Speaker 3: the casting director's boyfriend who dumped her a week before 265 00:15:37,960 --> 00:15:41,920 Speaker 3: and she hates my guys, that's it's got nothing acting. 266 00:15:43,000 --> 00:15:49,680 Speaker 3: So don't take it so personally, but also take it seriously, don't. 267 00:15:50,240 --> 00:15:53,360 Speaker 3: It's you know, I used to you know, I often 268 00:15:53,440 --> 00:15:55,400 Speaker 3: used to get you know, especially now because I'm like, 269 00:15:55,440 --> 00:15:58,720 Speaker 3: you know, the old guy of acting, So get young 270 00:15:59,080 --> 00:16:03,160 Speaker 3: kids come to his an. How do I get into acting? Well, 271 00:16:03,720 --> 00:16:05,680 Speaker 3: you find a good acting class and they go, what 272 00:16:07,080 --> 00:16:09,960 Speaker 3: can I just just step right in here and do it? 273 00:16:10,320 --> 00:16:14,960 Speaker 3: And I go not. Usually it doesn't make for a 274 00:16:15,000 --> 00:16:17,480 Speaker 3: long career. I said, you should really learn how to 275 00:16:17,520 --> 00:16:20,040 Speaker 3: do it first. Well, I practice in front of the mirror. 276 00:16:20,600 --> 00:16:24,080 Speaker 3: People say stuff like that the acoustics are good in 277 00:16:24,080 --> 00:16:26,240 Speaker 3: your bathroom, but that's not going to cut it. Yeah, 278 00:16:26,440 --> 00:16:31,520 Speaker 3: you know, it's like people want the shortcut, and do 279 00:16:31,560 --> 00:16:32,880 Speaker 3: you know what if you want a shortcut and you 280 00:16:32,920 --> 00:16:34,520 Speaker 3: want to be famous, do TikTok. 281 00:16:35,320 --> 00:16:38,400 Speaker 1: Yeah, yeah, be reality TikTok do Instagram. 282 00:16:38,560 --> 00:16:42,400 Speaker 3: Yeah, that's that's what you're looking for. Yeah, you don't 283 00:16:42,400 --> 00:16:43,120 Speaker 3: need to be an actor. 284 00:16:43,320 --> 00:16:45,840 Speaker 2: I do love what you said about not necessarily taking 285 00:16:45,880 --> 00:16:48,280 Speaker 2: on other stuff. Right before I came here, I was 286 00:16:48,320 --> 00:16:51,640 Speaker 2: in an Australian acting class and I told her mate. 287 00:16:51,720 --> 00:16:53,520 Speaker 1: I was like, oh, I'm going to LA in two weeks. 288 00:16:53,560 --> 00:16:56,360 Speaker 2: And she goes, you're over thirty and you haven't made 289 00:16:56,400 --> 00:16:58,040 Speaker 2: it yet. You're never going to make it in LA, 290 00:16:58,160 --> 00:17:00,280 Speaker 2: And I was like, well, and I just said thanks. 291 00:17:00,280 --> 00:17:02,480 Speaker 2: I just kn't afford to think like that, no, because 292 00:17:02,480 --> 00:17:03,080 Speaker 2: it wasn't mine. 293 00:17:04,359 --> 00:17:09,640 Speaker 3: That's her journey, that's her, that's her own parameter of failure, 294 00:17:10,080 --> 00:17:14,640 Speaker 3: and she will fulfill it for sure. Yeah, And I 295 00:17:14,680 --> 00:17:18,320 Speaker 3: think that we all have a different journey. You may not, 296 00:17:19,960 --> 00:17:26,840 Speaker 3: like she's putting a set of parameters on you that 297 00:17:27,080 --> 00:17:33,520 Speaker 3: they don't necessarily fit. Yeah, Like, I mean, there's plenty 298 00:17:33,520 --> 00:17:37,800 Speaker 3: of plenty of room for women in their thirties to 299 00:17:38,040 --> 00:17:41,040 Speaker 3: the plenty of roles for women like that. What you're 300 00:17:41,040 --> 00:17:43,359 Speaker 3: not gonna be Julia Roberts, None of us fucking are, 301 00:17:44,400 --> 00:17:46,600 Speaker 3: you know? Yeah, Okay, I get that doesn't mean I'm 302 00:17:46,600 --> 00:17:48,480 Speaker 3: not going to fucking work, you know. And that's the 303 00:17:48,520 --> 00:17:52,479 Speaker 3: other thing is like be good, be good, be the 304 00:17:52,520 --> 00:17:56,840 Speaker 3: best you can be. Don't worry about the fluff that 305 00:17:57,000 --> 00:17:59,840 Speaker 3: goes around acting and there's a lot of it. Yeah, 306 00:18:00,359 --> 00:18:03,080 Speaker 3: there's a lot of fluff, you know. Like I always 307 00:18:03,080 --> 00:18:05,199 Speaker 3: say the same thing, I love acting. I don't like 308 00:18:05,240 --> 00:18:08,520 Speaker 3: the box it comes in. Yes, I don't like the 309 00:18:08,520 --> 00:18:10,440 Speaker 3: box it comes in, and I try to stay away 310 00:18:10,440 --> 00:18:14,800 Speaker 3: from the box. But the minute somebody else's action, I 311 00:18:14,880 --> 00:18:18,080 Speaker 3: love it. Cut. I love it more because I got 312 00:18:18,160 --> 00:18:21,960 Speaker 3: through it. And uh, and I say this now because 313 00:18:22,000 --> 00:18:26,600 Speaker 3: I'm older. I took it very, very seriously. When I 314 00:18:26,600 --> 00:18:28,720 Speaker 3: was younger, I would say, lighting up a little bit 315 00:18:29,640 --> 00:18:31,240 Speaker 3: had more fun. I wish I had a bit more 316 00:18:31,320 --> 00:18:34,720 Speaker 3: fun with it when I was younger, and not one 317 00:18:34,840 --> 00:18:39,439 Speaker 3: movie or TV show is not going to make or 318 00:18:39,440 --> 00:18:43,240 Speaker 3: break you. Yeah, it's a it's a it's a lifetime 319 00:18:43,280 --> 00:18:46,800 Speaker 3: of work. You're gonna have failures, You're gonna I always 320 00:18:46,840 --> 00:18:51,239 Speaker 3: tell people with this story. At one point in my 321 00:18:51,240 --> 00:18:55,200 Speaker 3: life I was actually doing okay, but I wasn't my 322 00:18:55,200 --> 00:18:57,560 Speaker 3: my agent, who I loved very much, Sam Cohen, had 323 00:18:57,560 --> 00:19:00,760 Speaker 3: died and I couldn't find anybody else, said the agency 324 00:19:00,760 --> 00:19:02,840 Speaker 3: that I connected with, and I said, I'm gonna maybe 325 00:19:02,840 --> 00:19:07,040 Speaker 3: I've got a different agency. And so I had a 326 00:19:07,040 --> 00:19:09,400 Speaker 3: friend of mine who worked in the business and she said, 327 00:19:09,400 --> 00:19:11,000 Speaker 3: you want me to put out some feelers with other 328 00:19:11,040 --> 00:19:14,840 Speaker 3: agencies for you. I said sure. So she put out 329 00:19:14,840 --> 00:19:18,160 Speaker 3: feelers to like Endeavor and these other William Morris's other 330 00:19:18,160 --> 00:19:22,080 Speaker 3: big agencies, and I particularly liked Endeavor at the time. 331 00:19:22,960 --> 00:19:26,359 Speaker 3: And she came back and she called a couple of 332 00:19:26,400 --> 00:19:28,840 Speaker 3: days later. She said, well, I got some feedback from 333 00:19:29,080 --> 00:19:32,920 Speaker 3: Endeavor and I said, oh yeah, And she said, do 334 00:19:32,920 --> 00:19:35,080 Speaker 3: you want me to tell what they really said? I said, yeah, 335 00:19:35,359 --> 00:19:37,920 Speaker 3: I don't know what they really said. She said, they 336 00:19:37,960 --> 00:19:43,119 Speaker 3: said that ship has sailed. And I went, oh, wow, 337 00:19:43,680 --> 00:19:49,320 Speaker 3: that's pretty brutal. That ship has sailed. Okay, So two 338 00:19:49,359 --> 00:19:54,479 Speaker 3: months later I booked Without a Trace that ran for 339 00:19:54,520 --> 00:19:56,960 Speaker 3: seven years, and then I ran it to that agent 340 00:19:57,000 --> 00:19:59,560 Speaker 3: and I said, you just didn't know what port was 341 00:19:59,560 --> 00:20:01,200 Speaker 3: sailing it? Did you? 342 00:20:01,240 --> 00:20:02,000 Speaker 1: Did you say that? 343 00:20:02,200 --> 00:20:04,640 Speaker 3: Yeah? Bye? 344 00:20:04,800 --> 00:20:05,680 Speaker 1: Good? 345 00:20:07,440 --> 00:20:09,320 Speaker 3: He crossed the agency a bit of money because that, 346 00:20:09,440 --> 00:20:11,480 Speaker 3: you know, that generated a lot of money that show. 347 00:20:12,359 --> 00:20:15,480 Speaker 3: Oh I love that. I mean that ship has sound, 348 00:20:15,600 --> 00:20:18,359 Speaker 3: yeah maybe, but you know what, you found a little 349 00:20:18,400 --> 00:20:19,240 Speaker 3: island somewhere. 350 00:20:19,359 --> 00:20:20,560 Speaker 1: Yeah. 351 00:20:20,640 --> 00:20:23,080 Speaker 2: Oh, thank you, thank you so much for doing that 352 00:20:24,520 --> 00:20:25,159 Speaker 2: ten questions. 353 00:20:25,160 --> 00:20:26,000 Speaker 1: You're phenomenal. 354 00:20:26,119 --> 00:20:26,479 Speaker 3: Thank you. 355 00:20:28,920 --> 00:20:34,560 Speaker 2: That's a wrap on another episode of fearlessly failing as always. 356 00:20:34,720 --> 00:20:38,080 Speaker 2: Thank you to our guests and let's continue the conversation 357 00:20:38,240 --> 00:20:39,080 Speaker 2: on Instagram. 358 00:20:39,640 --> 00:20:41,800 Speaker 1: I'm at Yambo Lullerberry. 359 00:20:42,480 --> 00:20:46,680 Speaker 2: This potty my word for podcast is available. 360 00:20:46,119 --> 00:20:47,920 Speaker 1: On all streaming platforms. 361 00:20:48,400 --> 00:20:51,359 Speaker 2: I'd love it if you could subscribe, rate and comment 362 00:20:51,600 --> 00:20:53,520 Speaker 2: and of course spread the love.