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Speaker 1: This is the Will and Woody podcast Sad Brook Bony's

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Speaker 1: filling in four Woods while he's in the armslip get

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Speaker 1: me out of here jungle.

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Speaker 2: We're brought to you by the Coles Express. Great Australian

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Speaker 2: road trip. This afternoon. You can vote to keep Woods

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Speaker 2: in the jungle tenplay dot Com back on Channel ten

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Speaker 2: seven thirty to night. We've been loving it. It's been

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Speaker 2: an amazing show.

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Speaker 1: I like that you vote to keep people in. It's

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Speaker 1: so friendly, isn't it. I agree, there's no nastiness like

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Speaker 1: red to that guy.

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Speaker 2: Yeah, which is what we used to do.

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Speaker 1: And Big Brother because we were savages back in the day.

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Speaker 1: Now we've grown up, we've evolved. Television producers have gotten

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Speaker 1: a lot more smart.

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Speaker 2: Well, it used to be a phone line because they

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Speaker 2: used to They used to used to be like one

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Speaker 2: three hundred and then the person's name wasn't it for

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Speaker 2: a long time on Big Brother? But now you go

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Speaker 2: to the website tenplay dot com.

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Speaker 1: Click through click through you like click to.

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Speaker 2: Save Woods if you want to see him giving more

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Speaker 2: foot massages like you did last night. Welcome to our salon.

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Speaker 1: Thank you.

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Speaker 3: You can loosen your feet right.

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Speaker 2: Not fait content there.

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Speaker 4: What is this?

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Speaker 2: The individual fingers is much?

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Speaker 3: I must stay and I must say.

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Speaker 1: More like will and footy am I right?

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Speaker 2: Oh my god, somebody put her out. You'd like to

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Speaker 2: keep brooking the show page just bear and clicks for

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Speaker 2: it now. No. So, I actually Brooke and I were

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Speaker 2: talking last night guys, because Brook was saying to.

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Speaker 1: Me, yes, they get it, we're friends.

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Speaker 2: She was, yeah, we were on the phone last night. Yeah,

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Speaker 2: we're skyping, facetiming, And she was saying that she was nervous,

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Speaker 2: and I was like, well, I'm nervous, and you made

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Speaker 2: the point that, well, yeah, there's reason for me to

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Speaker 2: be nervous because I've never done a radio show with

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Speaker 2: anyone else before.

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Speaker 1: You've only ever been on air together, So I'm not surprised.

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Speaker 1: And I know, you know the I've had heaps and

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Speaker 1: heaps of different people like on air, and so you know,

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Speaker 1: there's a different vibe with each perfect time you sort

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Speaker 1: of like settle into a rhythm, So I can understand

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Speaker 1: why you're nervous. Also, who knows what's going to happen.

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Speaker 1: I'm crazy cuckoo.

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Speaker 2: What He is also my best friend as well, so

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Speaker 2: I miss him. And then I got told by you

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Speaker 2: that he's been Apparently this is going on the episode

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Speaker 2: tonight and much of his on TV. Yet he was

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Speaker 2: in there doting on me, and I haven't heard this yet.

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Speaker 2: You'll see this on Channel ten tonight. So I'm a

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Speaker 2: bit scared to play this because I feel like it's

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Speaker 2: going to be emotional. But apparently he's I thank you.

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Speaker 2: Apparently he's in there talking about me at the moment

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Speaker 2: as well, which is weird because I'm sort of sitting

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Speaker 2: here wishing that he was in that chair more than

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Speaker 2: anything else.

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Speaker 4: Cool.

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Speaker 1: Thanks, I'll just use.

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Speaker 2: That's a joke obviously. So yeah, he's in there talking

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Speaker 2: about me. So let's let's have a listen, shall we.

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Speaker 3: We're all in the entertainment in this, right yeah, and

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Speaker 3: we know just how savage and cruel it can be.

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Speaker 3: I am the luckiest man in the world to be

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Speaker 3: able to say that I've got him by my side

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Speaker 3: through everything.

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Speaker 2: Wilba.

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Speaker 3: You you've got my back through everything. You constantly put

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Speaker 3: me first, Like you're the kind of guy who I

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Speaker 3: know in every single radio bit that we do, you

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Speaker 3: want me to shine, and you are the reason why

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Speaker 3: the show that we do right now is really successful,

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Speaker 3: and that's your hard work.

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Speaker 2: You're my rock.

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Speaker 3: Ah, and I couldn't do it with Aya, and I

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Speaker 3: bloody wish you were in here with me. And I

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Speaker 3: know that we talked about us having a sign when

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Speaker 3: I'm really struggling, and you promised that you are going

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Speaker 3: to do this in the screen at me, So I'm

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Speaker 3: imagining you're on the couch right now, mate, doing it

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Speaker 3: back at me. I love you, mate, I'm bloody love you.

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Speaker 1: I wasn't expecting to be that heartfelt. Oh you are

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Speaker 1: actually tearing up. Do you miss him?

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Speaker 2: Yeah? Yeah, of course. Yeah. I didn't expect that to

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Speaker 2: be like that either.

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Speaker 1: Do you know some of the things that he's been

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Speaker 1: saying while he's been in there have been so heartfelt?

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Speaker 1: And I guess you know, you've got all this time

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Speaker 1: to sit around and think. Yeah, so all of these emotions,

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Speaker 1: Like I saw him saying something about being a father

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Speaker 1: and then these beautiful comments about you.

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Speaker 2: Yeah, yeah, it's really nice. Yeah, I suppose it's like

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Speaker 2: it's also good that he can sort of say that

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Speaker 2: sort of stuff to the world. And yeah, we did.

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Speaker 2: We did have this symbol, which is the District eleven

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Speaker 2: symbol from the hunger Games that Catnus holds up. But

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Speaker 2: I feel like he's been abstaining from doing it because

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Speaker 2: it does look a a little bit like the Oath

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Speaker 2: of Harati, which the Nazis used, so I can understand. Careful,

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Speaker 2: so he did flag it as it's.

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Speaker 1: Also it's illegal in most places.

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Speaker 2: It is District eleven, just in case anyone watches that

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Speaker 2: that's what I was doing it in. Yeah, anyway would

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Speaker 2: have been a bit weird if I was trying.

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Speaker 1: Zi really nice moment into something very uncomfortable.

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Speaker 2: It's really hard to know what to say. I love

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Speaker 2: your woods, Yeah, I love you mate. Right now, I'd

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Speaker 2: love to hear from some other people here about talking

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Speaker 2: about societal pressure to have children on thirty one or

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Speaker 2: six five, because Andrew, Ah, the kids, the kids.

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Speaker 4: Now.

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Speaker 2: The reason we're talking about this is because Andrew Garfield

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Speaker 2: spider Man most recently kell of a movie he did

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Speaker 2: is the most recent Spider Man. But he has come

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Speaker 2: out he's forty. I can't believe he's forty.

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Speaker 1: He looks good, doesn't he. Yeah, totally doing to look

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Speaker 1: so good.

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Speaker 2: I would say being Spider Man has got to help. Yeah,

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Speaker 2: there's a lot of there's a lot of fitness.

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Speaker 1: There's downsides, you get the little spiky bits on your hands,

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Speaker 1: but yeah, stay looking young forever. Yeah, shoot web from

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Speaker 1: your wrist probably.

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Speaker 2: A little bit the downside or and upside.

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Speaker 1: Well, I think it would just become inconvenient. Imagine going

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Speaker 1: to get a trolley at Cole's. Web starts shooting out everywhere.

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Speaker 2: To be handy though, like trolley bang, slided over to.

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Speaker 1: Got into a rhythm.

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Speaker 2: Yes, Spider Man, he's in a rhythm. He's got though

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Speaker 2: it would occasionally yeah, yeah, no, fair enough. Anyway, he

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Speaker 2: is forty years old, and he said that he felt

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Speaker 2: an enormous pressure to have kids and he's really happy

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Speaker 2: that he no longer feels that now. Fascinatingly, you and

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Speaker 2: I spoke about this last night on the phone because

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Speaker 2: we were both talking to each other about how nervous

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Speaker 2: we were about today, and you were saying I was

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Speaker 2: just talking to you about the fact that I was

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Speaker 2: like putting my daughter down and how that was like

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Speaker 2: I was gassed.

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Speaker 1: And I was like, oh, I'm putting myself down now

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Speaker 1: because I have the same schedule as a baby. But

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Speaker 1: it is something that we've spoken about, you know, that

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Speaker 1: idea that we're of a certain age. Are we supposed

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Speaker 1: to have children? You know, what are the people around

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Speaker 1: us saying to us about it?

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Speaker 2: Yeah?

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Speaker 1: You know, did you feel pressured to have a baby?

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Speaker 2: I think it's something I always wanted to do, and

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Speaker 2: then I agreed with my partner that that's what we

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Speaker 2: would do. I didn't ever feel pressure because I always

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Speaker 2: felt like I could say no, but I would be

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Speaker 2: lying if I said that. There wasn't a sense of

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Speaker 2: you've been with someone for a certain amount of time now,

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Speaker 2: or your friends are having babies around you, this is

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Speaker 2: a good time to be doing this.

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Speaker 1: Yeah, you either have to like get married or have

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Speaker 1: a baby, or by you have to do some sort

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Speaker 1: of milestone.

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Speaker 2: But it was always something that I wanted to do.

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Speaker 1: Yeah.

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Speaker 2: I feel like the inverse of that, though, is that

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Speaker 2: I feel like a lot of people aren't honest about

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Speaker 2: the fact that they regret having children.

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Speaker 1: Do you know this is so interesting? So I've always thought, oh,

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Speaker 1: I'm so desperate to have babies. I really can't wait

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Speaker 1: to have a little baby that I can hold onto.

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Speaker 1: But hearing all of the stories from my girlfriends, from

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Speaker 1: people at work, just from friends, colleagues wherever, it's a

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Speaker 1: lot of work.

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Speaker 2: Yeah, no, no, it's it's immense ridiculous. Well, you know,

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Speaker 2: I had a solo parent over the break stand for

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Speaker 2: a week and I like were calling the first night

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Speaker 2: and I was like, you know those times that I

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Speaker 2: come home from work and I say, geez, I had

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Speaker 2: a rough day, just tell me to shut the f up,

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Speaker 2: like to my face, because my day is so easy

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Speaker 2: compared to your day. And I think, I don't think.

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Speaker 2: I think that for people who have kids, it's almost

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Speaker 2: got like a chip on their shoulder that they need

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Speaker 2: to know, carry on around people that don't have.

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Speaker 1: It, don't have them.

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Speaker 2: But it's the best thing ever, because you don't want

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Speaker 2: to admit that maybe maybe it is a bit shit

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Speaker 2: right now.

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Speaker 1: But also like for women, you give up so much.

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Speaker 1: You know, you give up your body and your health

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Speaker 1: for a little bit, and you know care as well,

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Speaker 1: and your career, you know, your pay packet suffers all

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Speaker 1: of that sort of stuff, and then you were literally

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Speaker 1: tethered to the child for like an extended period of time.

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Speaker 1: I don't know how it works. Maybe there's a spider

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Speaker 1: man type thing.

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Speaker 2: You know.

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Speaker 1: I'm not a mother, so I don't know.

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Speaker 2: It's breastfeeding. What yeah, web, excuse me, web comes, Web

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Speaker 2: comes out of your breast. It's amazing.

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Speaker 1: Wow, we're all learning things today. No, but it is.

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Speaker 1: You know, there is a lot to think about, especially.

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Speaker 2: So Brooke, just your age, your position. You're obviously well settled,

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Speaker 2: well established, and at your age, you're obviously you would

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Speaker 2: be ignorant to think that there is not some sort

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Speaker 2: of societal pressure for people to think that you should

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Speaker 2: be having children.

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Speaker 1: That absolutely is. Last time I went home, my name

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Speaker 1: was like, when are you going to have a baby.

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Speaker 2: They don't really bet around the bush to that. Grandparents

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Speaker 2: don't have a filter anymore. I didn't.

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Speaker 1: They get to an age and they're just like.

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Speaker 2: Selfish as well, from the like from your family, from

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Speaker 2: your family in particular, like they want a grand kid,

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Speaker 2: they want this little gooey thing that they get to

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Speaker 2: see for a few hours and then you know, yeah,

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Speaker 2: exactly yes, and then you're the one who's not sleeping

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Speaker 2: and feeding with vomit all over you whatever else.

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Speaker 1: There's lots of things to consider, not just the impact

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Speaker 1: on you, but like climate chair as well. You know

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Speaker 1: a lot of people think about that. Can they afford

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Speaker 1: to like most people can't even afford their rent as

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Speaker 1: it is a little and find a place.

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Speaker 2: If you ask them, if you ask them how's it

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Speaker 2: going having your baby, They're like, oh, best thing ever,

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Speaker 2: best thing ever. It's almost like you're like saying it

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Speaker 2: to yourself. Sometimes people like, how's it going, You're like,

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Speaker 2: best thing ever? So good, I can't even tell you

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Speaker 2: how it is.

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Speaker 1: Everyone thinks like that, though, right, Well.

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Speaker 2: This is the trick, and I think that there's genuinely

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Speaker 2: a catch when you too, though, because like if you

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Speaker 2: look at it from the outside, having children is a nightmare.

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Speaker 2: You're right. You lose all your dependence. You lose all

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Speaker 2: your independence, you gain dependence, and then once that emotion

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Speaker 2: is involved, it kind of moves beyond an idea and

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Speaker 2: you do genuinely fall in love with this thing. And

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Speaker 2: like love is blind, right, so you can't actually grock

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Speaker 2: that it is really awful for the rest of your

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Speaker 2: life because the bomb of the bomb of the baby

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Speaker 2: kind of covers it all up and makes you feel

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Speaker 2: so good, so you do get that. Like I remember

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Speaker 2: saying that to my dad one stage. I was like,

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Speaker 2: I wasn't sleeping and it was you know, it's just

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Speaker 2: a shocking time with Max, and he was like, yeah,

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Speaker 2: but you've got a beautiful baby girl. That's what you

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Speaker 2: have to give up to get there. But I don't

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Speaker 2: think that there is enough honesty practically speaking around what

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Speaker 2: you are giving up.

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Speaker 1: People don't talk about it.

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Speaker 2: No, I agree, and I reckon we should talk about

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Speaker 2: that right now. Thirty one and six five? Do you

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Speaker 2: think people are really honest about it, about the fact

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Speaker 2: that having kids is actually really can be really crab,

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Speaker 2: can be really tough. Should people who have got kids

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Speaker 2: been more honest about how tough they're doing it with

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Speaker 2: people who aren't? And someone, are you someone who hasn't

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Speaker 2: got kids? And why do people have kids too early?

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Speaker 2: Is that?

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Speaker 5: Like?

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Speaker 2: I mean? Because? I mean? And what are your reasons

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Speaker 2: for not having kids when society tells you to?

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Speaker 1: Well, it all started because Andrew Garfield of spider Man

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Speaker 1: fame said that there's a societal obligation to have kids

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Speaker 1: by the time you turn forty. I had a birthday

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Speaker 1: on the weekend, you know, approaching forty, mid to late thirties,

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Speaker 1: Shall we say.

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Speaker 2: So we can reduce your age from that? I think

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Speaker 2: thirty six?

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Speaker 1: Yeah, but did you know that.

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Speaker 2: Approaching forty not quite thirty five rhymes with hrdy bicks.

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Speaker 1: Anyway, he said that he felt that societal obligation to

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Speaker 1: have kids, and you know, I don't know if I

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Speaker 1: feel like a huge obligation, But lately I've been wondering,

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Speaker 1: is it all it's cracked up to be. When I

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Speaker 1: was younger, I definitely desperately wanted it. Now not so sure.

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Speaker 1: I'm on the fence.

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Speaker 2: You told me something in the song just then. I'm

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Speaker 2: not sure for me to be saying this on air,

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Speaker 2: But a friend of yours said something to you which

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Speaker 2: further cemented your position. Well, maybe I don't want to

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Speaker 2: do that.

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Speaker 1: A couple of weeks ago, one of my girlfriends said,

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Speaker 1: it's really it's one of the most narcissistic things you

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Speaker 1: can do, having a baby, And she meant it in

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Speaker 1: the sense that, like, you know, you're creating something and

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Speaker 1: then you're looking at it going like, I love this

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Speaker 1: thing so much.

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Speaker 2: Yeah.

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Speaker 1: Another one of my friends on the weekend, because it

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Speaker 1: is something that we women my age talk about all the time.

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Speaker 1: Of course, she said, oh, you know, like I don't

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Speaker 1: really want to, but I sort of feel like maybe

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Speaker 1: I have to pay it forward. Okay first to us,

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Speaker 1: so maybe.

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Speaker 4: We should do I was like, wow, it's not a

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Speaker 4: free lunch. It's not like a free for your Friday.

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Speaker 4: I can't pay someone's bill at a restaurant.

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Speaker 2: Hannah's called thirty want to six five? Hanne, you're a

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Speaker 2: mom of two and you feel like maybe you had

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Speaker 2: kids too early. It's kind of like that high Brook.

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Speaker 6: It's great to have you on the show.

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Speaker 7: I'm really enjoying listening to you.

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Speaker 8: And well, while water is off in the jungle, I'm

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Speaker 8: a mom of two.

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Speaker 7: I'm quite a young mum.

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Speaker 8: I did feel the societal obligation to have kids, but

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Speaker 8: due to medical reasons, that decided to.

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Speaker 5: Be earlier in my life.

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Speaker 7: But honestly, you do it when you're ready. If you're

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Speaker 7: never ready.

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Speaker 8: Then that's fine.

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Speaker 7: Like the amount of pressure that they put on people,

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Speaker 7: and if it's not you, it's not for you.

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Speaker 6: We're in the.

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Speaker 7: Twenty first century, like people have to accept that now,

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Speaker 7: which is really really hard.

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Speaker 1: In this day.

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Speaker 2: I was going to say, I think that's someone to go.

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Speaker 2: That's the catch twenty two, isn't it. Hand I've used

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Speaker 2: that expression twice in two minutes, and I haven't used

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Speaker 2: it correctly either way. But to catch forty fours, that's

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Speaker 2: very good. She'll be here for two weeks every on

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Speaker 2: brook Bony now, So that that is the issue though,

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Speaker 2: is that like we keep saying, hey, look, don't worry

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Speaker 2: about societal pressure, but like what like that is that

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Speaker 2: is impossible any human living in a city anywhere at

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Speaker 2: the moment, you can't not feel societal pressure. Like, let's

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Speaker 2: arguably the biggest force in being a young adult. It's

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Speaker 2: like you feel that you need to do something all

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Speaker 2: the way down to putting your rubbish in the right

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Speaker 2: and it does affect things. But this is more than

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Speaker 2: just conforming to society. It's changing your whole life. So

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Speaker 2: you're putting a flag in your life and going I'm

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Speaker 2: going to be different to everyone else.

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Speaker 1: That's just hardactly right. But I think it's becoming more

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Speaker 1: and more accepted, and I think especially because there are

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Speaker 1: people who are a little bit more honest about the impacts,

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Speaker 1: because I think not that long ago, people were like, oh,

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Speaker 1: women can have everything, you can work keeps and also

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Speaker 1: you can be like a really great mother and also

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Speaker 1: like a really great partner your daughter, and.

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Speaker 2: But you can't it's not true. Well, for some women

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Speaker 2: absolutely like you know that that you hear those stories.

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Speaker 2: But for lots of women, like I know lots of

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Speaker 2: my mates, you know, wives and partners have got off

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Speaker 2: work and then gone and been and mum and been like, actually,

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Speaker 2: I can't go back to work. I am a flat

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Speaker 2: chat over here. Or maybe I'm just enjoying it and

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Speaker 2: good on you. Hey, Maddie's called thirty one and six five. Maddie.

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Speaker 2: You've got a couple of kids. What's your experience with this?

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Speaker 5: Okay, look, I have two kids. I must submit. I

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Speaker 5: did twenty six five ys circles to have my kids,

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Speaker 5: so I very much wanted. But I feel like I'm

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Speaker 5: more of a liability than anything being able to go

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Speaker 5: back into the workforce, because you know, if anything happens, like,

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Speaker 5: it's on me to, you know, go and so now

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Speaker 5: I've got a kid swimming.

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Speaker 2: Back there, give us a live example.

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Speaker 5: You know, it's gone on me to you know, drop

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Speaker 5: everything and go and you know, fix that kid. You know,

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Speaker 5: whether that be you know, they've hit their head or

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Speaker 5: whether they're you know, fallen over or sick or whatever

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Speaker 5: it may be. You know, it's never the partner that

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Speaker 5: has to go it's always, you know, the female that

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Speaker 5: has to go, and I don't think there's enough support

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Speaker 5: in the workplace, you know, to assist women to be

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Speaker 5: able to get back into the workplace, if that makes sense.

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Speaker 2: Yeah, yeah, I feel like that made good point. Thank you.

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Speaker 1: We're sort of like the first generation with it. The

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Speaker 1: men are expected to do as much parents, I.

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Speaker 2: Hope, So I hope. So yeah, don't you reckon, like

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Speaker 2: I really hope. So it's funny though, like i've kind

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Speaker 2: of I told you I had a single parent for

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Speaker 2: a week. And by the way, can I of say,

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Speaker 2: if you're a single parent out there, someone should be

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Speaker 2: washing your feet every morning? You are a marvel, like, truly.

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Speaker 1: You stop washing my feet.

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Speaker 2: I got kids after that's the tragedy. They couldn't even

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Speaker 2: have their feet washed. But I realized as a dad

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Speaker 2: that I one hundred percent subconsciously absolve myself of some

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Speaker 2: responsibilities because I have societal not pressure, but conformity where

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Speaker 2: I go, well, that's mum's job. And I did that,

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Speaker 2: and then I got to the week one on one

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Speaker 2: and I couldn't do that anymore. And it was quite

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Speaker 2: scary to realize how much of the slack I wasn't

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Speaker 2: picking up and that's a hard thing for me to admit.

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Speaker 2: People might come for me there, and I appreciate that,

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Speaker 2: but I think if you're really honest with yourself, to

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Speaker 2: really roll your sleeves up and do all the work,

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Speaker 2: I yeah, I got to admit I definitely definitely gave

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Speaker 2: a lot of that stuff them without thinking about it.

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Speaker 2: And I'd like to think that I didn't. And maybe

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Speaker 2: that's because back to what we're talking about here, which

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Speaker 2: is this idea of did I have kids too soon?

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Speaker 2: Was I not aware of what I was willing to

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Speaker 2: give up? Maybe there's part of me that has a

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Speaker 2: daughter now. And again we're talking about parents not being

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Speaker 2: honest about the fact that sometimes having a kid can

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Speaker 2: be shitited. Sometimes I reckon, I'm like, I'm not going

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Speaker 2: to devote my time there because I still want to

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Speaker 2: go and live my life, which eventually the rubber has

401
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Speaker 2: to meet the road and you can't like and that, Yeah,

402
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Speaker 2: there's another reason not to have a child. Brother.

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Speaker 1: Yeah, I'm still on the fence. I haven't been convinced

404
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Speaker 1: either way.

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Speaker 2: I feel like you're firmly in the no child camp, right, No, No,

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Speaker 2: what a lovely place to be or all the whipper

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Speaker 2: snappers can't reach you.

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Speaker 1: After this, it's Will and whatdy.

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Speaker 2: Brook ponies in here filling in forwards while he's in

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Speaker 2: the African jungle Brook So you.

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Speaker 1: Know of the weekend, coach, will happen?

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Speaker 2: Yes to long? Yeah?

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Speaker 1: Well if you don't know, now you know.

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Speaker 2: It just turned into a bit of a flog fist,

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Speaker 2: hasn't it.

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Speaker 1: But there's like all the celebrities go the kid Larroy

417
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Speaker 1: was playing this year.

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Speaker 2: I got out a pleas on me No I bleed

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Speaker 2: to left.

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Speaker 1: But it's all about what's happening on the sidelines of Coachella,

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Speaker 1: as you would well know, Influencers posting out fits, celebrities

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Speaker 1: rocking up, seeing which gigs they go to, whatnot. The

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Speaker 1: biggest news to come out of Coachella this last weekend

424
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Speaker 1: was not what happened on the stage. It was what

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Speaker 1: happened in the crowd.

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Speaker 9: Exa Shawn Mendez and Camilabega reunit throughout Day one of

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Speaker 9: the music and arts festival. As seen in a photo

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Speaker 9: op team by E News, the former couple packs on

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Speaker 9: the PDA while watching a performance.

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Speaker 2: Surely that's the death of the festival. Well, like if

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Speaker 2: you if you've paid ten million dollars to have back

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Speaker 2: to back best artists in the world on stage, and

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Speaker 2: the biggest thing to come out of the festival is

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Speaker 2: two people who aren't even in a relationship looking out

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Speaker 2: in the crowd.

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Speaker 1: Well, they used to be in a relationship, and it's funny.

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Speaker 2: That's the beginning of the end. You just share that

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Speaker 2: with me.

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Speaker 1: Coachella people love her. I won't participate in that.

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Speaker 2: Who else?

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Speaker 1: I won't participate in nay saying about Coachella because everyone's

442
00:20:17,680 --> 00:20:20,520
Speaker 1: having a fun time. Okay, sure, the artists are fantastic.

443
00:20:20,880 --> 00:20:21,680
Speaker 2: Who's the other artist?

444
00:20:21,840 --> 00:20:23,360
Speaker 1: Black Pink and Troy Savonne.

445
00:20:23,600 --> 00:20:25,440
Speaker 2: Okay, I'm not going to keep going because I feel

446
00:20:25,440 --> 00:20:26,240
Speaker 2: like that's the end of your list.

447
00:20:28,320 --> 00:20:32,640
Speaker 1: Thank you, and I graciously bow out, Thank you very much.

448
00:20:33,840 --> 00:20:37,160
Speaker 2: And just Shawn hooked up in the crowd.

449
00:20:37,280 --> 00:20:40,760
Speaker 1: So they were spotted having a big old smooch. I

450
00:20:40,800 --> 00:20:43,480
Speaker 1: saw that and I thought to myself, you know what,

451
00:20:44,200 --> 00:20:47,439
Speaker 1: that looks like a fake kiss to me. And the

452
00:20:47,520 --> 00:20:51,040
Speaker 1: reason that I know it is a fake yes, yes,

453
00:20:51,760 --> 00:20:55,080
Speaker 1: leads me back to what you mean telling you about

454
00:20:55,480 --> 00:20:57,359
Speaker 1: at the pubs. So a few weeks ago, I was

455
00:20:57,359 --> 00:20:59,280
Speaker 1: at the pub with some friends in the afternoon, and

456
00:20:59,320 --> 00:21:04,560
Speaker 1: I was a related to guy Trady sitting there obviously

457
00:21:04,600 --> 00:21:08,560
Speaker 1: flirting with each other. And so then I took it off,

458
00:21:08,760 --> 00:21:11,400
Speaker 1: you know, took it on my myself to say to them, oh,

459
00:21:11,520 --> 00:21:14,199
Speaker 1: why don't you guys kiss? And then I built up

460
00:21:14,200 --> 00:21:15,280
Speaker 1: like a bit of a chorus aroound.

461
00:21:15,320 --> 00:21:18,040
Speaker 2: You got them to kiss, You pressured them.

462
00:21:18,200 --> 00:21:20,560
Speaker 1: They wanted to because I could tell they were flirting.

463
00:21:20,760 --> 00:21:26,399
Speaker 2: If they were like brother and sister bony standing there

464
00:21:26,400 --> 00:21:30,399
Speaker 2: and he's got one hundred people can kiss, kiss or die. No,

465
00:21:30,480 --> 00:21:37,840
Speaker 2: it's my sister. Oh yeah, situation. How you impose that

466
00:21:37,880 --> 00:21:38,200
Speaker 2: on them?

467
00:21:38,720 --> 00:21:41,480
Speaker 1: But they loved it, and then so much so that

468
00:21:41,680 --> 00:21:43,879
Speaker 1: then I realized that I had a lot of power

469
00:21:43,960 --> 00:21:46,520
Speaker 1: with this as a trick. And so then like another

470
00:21:46,520 --> 00:21:49,280
Speaker 1: week later, I was at a party and I could

471
00:21:49,320 --> 00:21:51,320
Speaker 1: tell that there were two people sitting next to each other,

472
00:21:51,320 --> 00:21:53,000
Speaker 1: and I was like, they want to kiss, They want

473
00:21:53,040 --> 00:21:54,840
Speaker 1: an excuse? So I did it again.

474
00:21:55,600 --> 00:21:57,040
Speaker 2: How did you know? Again?

475
00:21:57,320 --> 00:21:59,280
Speaker 1: I could tell, how did it again?

476
00:21:59,440 --> 00:22:02,320
Speaker 2: Know that they wasn't like a father daughter combo.

477
00:22:02,080 --> 00:22:04,640
Speaker 1: Or something, because they were the same mate, okay, cool,

478
00:22:13,280 --> 00:22:15,280
Speaker 1: They were just standing next to each other like chatting,

479
00:22:15,320 --> 00:22:17,160
Speaker 1: and I could tell how they were looking at each other.

480
00:22:17,720 --> 00:22:23,080
Speaker 1: I think you have You're misunderstanding the favor that I'm

481
00:22:23,119 --> 00:22:26,120
Speaker 1: doing for everyone in the community by playing Cupid here

482
00:22:26,600 --> 00:22:31,879
Speaker 1: and saying, hey, guess what kiss to each other? And

483
00:22:32,000 --> 00:22:34,399
Speaker 1: also it's good branding for me coming on and doing

484
00:22:34,440 --> 00:22:34,840
Speaker 1: the show.

485
00:22:34,880 --> 00:22:37,040
Speaker 2: So I think, well done.

486
00:22:37,240 --> 00:22:37,760
Speaker 1: I've been doing.

487
00:22:38,040 --> 00:22:40,119
Speaker 2: What I would love to do is I want to

488
00:22:40,119 --> 00:22:44,640
Speaker 2: get two couples in here in the studio, and you

489
00:22:44,800 --> 00:22:48,879
Speaker 2: have to guess which one are actually like interested in

490
00:22:48,920 --> 00:22:52,080
Speaker 2: each other, which one is not, and then you have

491
00:22:52,119 --> 00:22:54,080
Speaker 2: to and then you will impose your kiss rules, so

492
00:22:54,160 --> 00:22:56,520
Speaker 2: you might make two people kids who have never kissed before,

493
00:22:56,760 --> 00:22:57,720
Speaker 2: I mean, don't want to.

494
00:22:58,160 --> 00:22:59,680
Speaker 1: Well, I know there's a lot of kissing that happens

495
00:22:59,680 --> 00:23:00,399
Speaker 1: in this studio.

496
00:23:00,720 --> 00:23:02,920
Speaker 2: I have made out with Woody before. Yes, I thought

497
00:23:02,920 --> 00:23:04,320
Speaker 2: that's what you were I thought that's where this was,

498
00:23:04,400 --> 00:23:05,840
Speaker 2: This is where this was going. And I was like,

499
00:23:06,280 --> 00:23:10,520
Speaker 2: I have a partner, I have a baby. Well that's

500
00:23:10,520 --> 00:23:14,840
Speaker 2: where you were going. Mate. Peer pressure will into kissing me. Mate,

501
00:23:14,880 --> 00:23:17,399
Speaker 2: we've been on there for an hour together. You're sick.

502
00:23:18,320 --> 00:23:23,680
Speaker 2: You're sick. The quiz is up next, long segue, Mate,

503
00:23:23,680 --> 00:23:26,280
Speaker 2: you can just ask me. I do it all the time.

504
00:23:27,880 --> 00:23:29,719
Speaker 1: I have a big smile on my face.

505
00:23:29,840 --> 00:23:30,080
Speaker 2: You do.

506
00:23:30,600 --> 00:23:33,160
Speaker 1: I'm so excited, very happy to be here. I'm having

507
00:23:33,200 --> 00:23:35,040
Speaker 1: a lot of funn already, very very.

508
00:23:34,960 --> 00:23:36,479
Speaker 2: Very lucky to have you Brooks. So thanks so much

509
00:23:36,520 --> 00:23:38,040
Speaker 2: for coming on the show this afternoon and for the

510
00:23:38,080 --> 00:23:40,160
Speaker 2: next couple of weeks. So it's great to have you here.

511
00:23:40,160 --> 00:23:41,960
Speaker 1: Pleasures all mine, mate, Well, the.

512
00:23:41,920 --> 00:23:47,159
Speaker 2: Pleasure is also that of Drake and the Weekend. What

513
00:23:47,280 --> 00:23:49,640
Speaker 2: a segue. He's a pro. You're in the the pro

514
00:23:50,640 --> 00:23:56,000
Speaker 2: who have had their voices mimicked by artificial intelligence recently.

515
00:23:56,240 --> 00:23:58,280
Speaker 2: Have listen this is the Drake one. Have listened to this?

516
00:23:59,240 --> 00:24:03,280
Speaker 2: You thought lunch? You know, you eat it for lunch.

517
00:24:03,320 --> 00:24:04,800
Speaker 2: But my baddy, I go what I wan like?

518
00:24:08,680 --> 00:24:13,639
Speaker 1: I frowning. So that's not the best example of the AI.

519
00:24:14,040 --> 00:24:18,040
Speaker 2: No, he's gonna havehing to be worried about there. I'm

520
00:24:18,080 --> 00:24:19,960
Speaker 2: not listening to that thinking, well.

521
00:24:19,800 --> 00:24:21,840
Speaker 1: They are worried though, because some of them are good.

522
00:24:22,040 --> 00:24:25,120
Speaker 1: And the chorus of that one is supposed to sound

523
00:24:25,160 --> 00:24:26,320
Speaker 1: like the Weekend.

524
00:24:26,680 --> 00:24:28,320
Speaker 2: That you know, are you telling us we got the

525
00:24:28,359 --> 00:24:33,040
Speaker 2: wrong audio? You've been been well, actually, if you hadn't

526
00:24:33,040 --> 00:24:33,720
Speaker 2: got the right bit.

527
00:24:33,880 --> 00:24:39,200
Speaker 1: No, I'm not saying that I'm not.

528
00:24:42,480 --> 00:24:45,480
Speaker 2: I would never have a listening to this one because

529
00:24:45,480 --> 00:24:48,000
Speaker 2: this is the this is eminem this is this one's unbelievable.

530
00:24:48,040 --> 00:24:50,720
Speaker 2: David get To actually put this one together. This is

531
00:24:50,760 --> 00:24:53,920
Speaker 2: the future Reeve sound. I'm getting loss and brown. This

532
00:24:53,960 --> 00:24:55,160
Speaker 2: is the future Reeve sound.

533
00:24:55,240 --> 00:24:58,240
Speaker 3: I'm getting lost and brown.

534
00:24:58,040 --> 00:25:00,800
Speaker 2: So this is something that I mean as a joke

535
00:25:01,040 --> 00:25:03,680
Speaker 2: and it works so good. I could not be living. Yeah,

536
00:25:03,680 --> 00:25:05,600
Speaker 2: so he played a gig and people actually thought that

537
00:25:05,640 --> 00:25:08,920
Speaker 2: he'd done a song with Yeah, it's crazy.

538
00:25:09,080 --> 00:25:11,800
Speaker 1: I just love how everything that David Getta said. She's

539
00:25:11,840 --> 00:25:14,400
Speaker 1: a bit funny as well. Remember when he was doing

540
00:25:14,400 --> 00:25:16,560
Speaker 1: that gig on top of the building, He's like, it's

541
00:25:16,600 --> 00:25:18,399
Speaker 1: the pandemic and now I've cured it.

542
00:25:19,119 --> 00:25:22,360
Speaker 2: Yeah, it's the arrogance. It's the French arrogance.

543
00:25:23,560 --> 00:25:25,600
Speaker 1: You may have been a rapper for twenty years, but

544
00:25:25,600 --> 00:25:28,520
Speaker 1: guess what, I just recreated an entire portfolio.

545
00:25:28,880 --> 00:25:31,119
Speaker 2: Yeah, and people are loving me for it. It's the

546
00:25:31,160 --> 00:25:34,520
Speaker 2: French bit that kills me. Anyway. I do think that

547
00:25:35,520 --> 00:25:38,280
Speaker 2: it's scary to think that you obviously I I was

548
00:25:38,280 --> 00:25:39,960
Speaker 2: going to be able to mimic people going forward.

549
00:25:40,000 --> 00:25:41,800
Speaker 1: Well, hopefully they'll never be able to do it. For us,

550
00:25:41,840 --> 00:25:42,840
Speaker 1: it'll be in big trouble.

551
00:25:42,920 --> 00:25:46,440
Speaker 2: Well, actually, Brooke, we actually got some AI to work

552
00:25:46,480 --> 00:25:48,120
Speaker 2: on your voice. He didn't we did.

553
00:25:48,160 --> 00:25:51,520
Speaker 1: Did you really have the tricks that started already?

554
00:25:51,600 --> 00:25:52,960
Speaker 2: Yeah? I know. Do you want to hear it?

555
00:25:53,600 --> 00:25:55,480
Speaker 1: I mean I kind of do, but also like, can

556
00:25:55,480 --> 00:25:56,960
Speaker 1: I still stay for the rest of the week.

557
00:25:57,240 --> 00:25:58,639
Speaker 2: Well, that's why we did it, because I was like,

558
00:25:58,640 --> 00:26:00,280
Speaker 2: if she.

559
00:26:00,080 --> 00:26:06,760
Speaker 10: Would put her in a cupboard, you say, you can

560
00:26:06,840 --> 00:26:11,240
Speaker 10: drive out of your consensually blind her gagger.

561
00:26:13,480 --> 00:26:15,400
Speaker 1: But also you could just put me in the studio

562
00:26:15,880 --> 00:26:17,879
Speaker 1: and tell me that I'm on air even though I'm not.

563
00:26:18,160 --> 00:26:21,280
Speaker 2: Yes, we could, you'd have to be done. But anyway,

564
00:26:21,320 --> 00:26:24,000
Speaker 2: this is the this is the AI doing you.

565
00:26:24,960 --> 00:26:28,159
Speaker 1: I didn't have KFC. I actually just had a Schnitzel

566
00:26:28,920 --> 00:26:32,159
Speaker 1: burger and the only complaint that I would have with

567
00:26:32,240 --> 00:26:34,680
Speaker 1: it was that there was pesto on it. That doesn't

568
00:26:34,720 --> 00:26:36,240
Speaker 1: belong on a burger. That's ridiculous.

569
00:26:36,320 --> 00:26:37,040
Speaker 2: What is this like?

570
00:26:37,240 --> 00:26:42,280
Speaker 1: Are we in Italy? No, wake up to yourself that

571
00:26:42,359 --> 00:26:47,000
Speaker 1: I said that that's real, that's artificial intelligence.

572
00:26:47,680 --> 00:26:59,000
Speaker 11: No, you did whether because it was so catastrophic. I

573
00:26:59,040 --> 00:27:03,120
Speaker 11: thought you were going to be like, oh wow, how

574
00:27:03,119 --> 00:27:05,160
Speaker 11: about that script that you fed them.

575
00:27:05,960 --> 00:27:07,800
Speaker 1: Okay, wait is it too late.

576
00:27:10,160 --> 00:27:10,680
Speaker 2: Robots?

577
00:27:13,119 --> 00:27:14,600
Speaker 1: Okay, I'm going to go sit in the cover.

578
00:27:17,640 --> 00:27:20,720
Speaker 2: Hey, So all these people that have you know, privileged

579
00:27:20,800 --> 00:27:24,879
Speaker 2: jobs that they're really worried about robots taking them, So musicians,

580
00:27:25,080 --> 00:27:27,399
Speaker 2: you know, radio presenters, creatives, and obviously we've seen a

581
00:27:27,400 --> 00:27:29,840
Speaker 2: lot of air recently in this position where they're like,

582
00:27:30,080 --> 00:27:32,280
Speaker 2: oh my god, I'm so worried about the robot taking them.

583
00:27:32,600 --> 00:27:35,440
Speaker 2: But you showed me a video today of a robot

584
00:27:35,520 --> 00:27:38,439
Speaker 2: doing a really mundane human job. So it was just

585
00:27:38,520 --> 00:27:42,600
Speaker 2: moving a box from a tray or shelving effectively onto

586
00:27:42,600 --> 00:27:43,479
Speaker 2: a conveyor belt.

587
00:27:43,600 --> 00:27:45,760
Speaker 1: Yeah. So the idea was like, oh, this is quite

588
00:27:45,840 --> 00:27:48,639
Speaker 1: difficult manual labor. Why don't we just get a robot

589
00:27:48,680 --> 00:27:51,600
Speaker 1: to do it? Will implant some MEI and so the

590
00:27:51,680 --> 00:27:53,840
Speaker 1: robot starts doing it, right, this is some sort of

591
00:27:54,440 --> 00:27:56,560
Speaker 1: manual labor jobs, going back and forth, back and forth.

592
00:27:56,600 --> 00:28:00,560
Speaker 1: He does it for fifteen minutes, just like delete it's

593
00:28:00,680 --> 00:28:01,600
Speaker 1: brain power.

594
00:28:01,480 --> 00:28:04,240
Speaker 2: Yeah, effectively shut down because the job. The job was

595
00:28:04,280 --> 00:28:04,919
Speaker 2: so crap.

596
00:28:05,280 --> 00:28:08,400
Speaker 1: It was like opt doubt, no thanks.

597
00:28:08,440 --> 00:28:12,119
Speaker 2: Just like if it does it doesn't just stop, it

598
00:28:12,280 --> 00:28:14,159
Speaker 2: like collapses under the bottom.

599
00:28:14,480 --> 00:28:17,200
Speaker 1: AO is good with drama well, absolutely.

600
00:28:16,720 --> 00:28:18,280
Speaker 2: They get it. They get it. So I really want

601
00:28:18,280 --> 00:28:19,760
Speaker 2: to know now in third end one and six five,

602
00:28:20,440 --> 00:28:22,840
Speaker 2: if you think you're in a position that you're not

603
00:28:22,840 --> 00:28:24,960
Speaker 2: worried about your job with AI because your job is

604
00:28:24,960 --> 00:28:29,200
Speaker 2: so crap. So the question is on thirday one and

605
00:28:29,280 --> 00:28:32,680
Speaker 2: six five, would a robot not want to do your job?

606
00:28:33,080 --> 00:28:34,880
Speaker 2: So when AI comes in and takes over the world,

607
00:28:34,880 --> 00:28:36,680
Speaker 2: are they going to look at your job and go, no, no,

608
00:28:36,760 --> 00:28:38,880
Speaker 2: you can keep that human that looks like it sucks.

609
00:28:39,160 --> 00:28:42,520
Speaker 2: Because up next asking on thirteen one o six five,

610
00:28:42,880 --> 00:28:48,640
Speaker 2: would a robot not want to do your job? Your past?

611
00:28:49,320 --> 00:28:51,680
Speaker 10: Oh my god, yeah, welcome to the club.

612
00:28:53,040 --> 00:28:58,160
Speaker 2: Don't check. I don't know what happened there. But so

613
00:28:58,840 --> 00:29:00,440
Speaker 2: the idea is that is obviously a lot of people

614
00:29:00,520 --> 00:29:02,960
Speaker 2: very worried, very paranoid about the advent of AI and

615
00:29:03,000 --> 00:29:03,920
Speaker 2: AI taking.

616
00:29:03,640 --> 00:29:07,840
Speaker 1: Your job musicians, because someone pulled together a Drake song.

617
00:29:08,320 --> 00:29:10,720
Speaker 2: Yes, absolute, although we're not sure maybe we got the

618
00:29:10,760 --> 00:29:13,360
Speaker 2: wrong audio, but we're not sure whether this sounds exactly

619
00:29:13,400 --> 00:29:19,240
Speaker 2: like Drake. But Drake's panicked lunch. You know you eat

620
00:29:19,280 --> 00:29:26,000
Speaker 2: it for lunch, My buddy, I go, what that's tell me?

621
00:29:26,040 --> 00:29:27,240
Speaker 2: That's sped up or something?

622
00:29:27,600 --> 00:29:29,520
Speaker 1: Because I don't think it is. I think that that's.

623
00:29:29,320 --> 00:29:31,640
Speaker 2: It, right, Okay, because the eminem one's very good. We've

624
00:29:31,640 --> 00:29:33,080
Speaker 2: heard that, we heard before. This is the David get

625
00:29:33,320 --> 00:29:36,600
Speaker 2: version of eminem This is good. This is the that

626
00:29:36,720 --> 00:29:37,920
Speaker 2: sounds like it does.

627
00:29:38,440 --> 00:29:39,800
Speaker 1: It feels like something you'd say as.

628
00:29:39,720 --> 00:29:42,840
Speaker 2: Well, I'm getting lost in the underground.

629
00:29:45,000 --> 00:29:50,240
Speaker 1: He's getting lost in the underground, and I do when

630
00:29:50,320 --> 00:29:52,360
Speaker 1: is he not lost in the underground? Will come on?

631
00:29:52,600 --> 00:29:54,280
Speaker 2: Got up with him the other day. I tried to,

632
00:29:54,440 --> 00:29:58,840
Speaker 2: but he was just lost in again. All right, so

633
00:29:59,200 --> 00:30:00,680
Speaker 2: we're hearing from you. I was on thirty one and

634
00:30:00,720 --> 00:30:02,600
Speaker 2: six five because I think it is almost like a

635
00:30:02,600 --> 00:30:05,080
Speaker 2: bit of a p one privilege, a bit of a

636
00:30:05,280 --> 00:30:07,200
Speaker 2: first world problem to be like, oh god, on such

637
00:30:07,240 --> 00:30:08,680
Speaker 2: a good job and worry that AI is going to

638
00:30:08,720 --> 00:30:10,560
Speaker 2: take it. Yeah, but we've been discussing the fact that

639
00:30:10,600 --> 00:30:13,160
Speaker 2: there are obviously a lot of jobs which AI, if

640
00:30:13,160 --> 00:30:15,800
Speaker 2: it is true artificial intelligence, would look at and be like,

641
00:30:16,200 --> 00:30:19,280
Speaker 2: no dumb enough to do that, exactly. I'd rather be

642
00:30:19,320 --> 00:30:22,040
Speaker 2: sipping oil with my buddies. You know that was a

643
00:30:22,120 --> 00:30:29,959
Speaker 2: robot joke. Let's go to Kegan on Classic Robot Kegan,

644
00:30:30,960 --> 00:30:32,640
Speaker 2: you've got a job, you reckon A robot wouldn't want

645
00:30:32,640 --> 00:30:34,600
Speaker 2: to do Yeah, how are we going to go?

646
00:30:35,400 --> 00:30:35,960
Speaker 1: Good, Kegan?

647
00:30:37,680 --> 00:30:41,280
Speaker 6: So I clean kitchen exhaust systems, ice crub grease for

648
00:30:41,320 --> 00:30:41,680
Speaker 6: a living.

649
00:30:42,400 --> 00:30:44,760
Speaker 1: Oh well, robot would probably love that. They love grease.

650
00:30:44,840 --> 00:30:46,240
Speaker 2: Yeah, didn't I just make that gag?

651
00:30:47,160 --> 00:30:51,040
Speaker 6: Not so much cooking grease, you know, no mechanical grease.

652
00:30:51,120 --> 00:30:52,440
Speaker 6: This is like Burger Greece.

653
00:30:52,600 --> 00:30:55,400
Speaker 2: Oh wow, And that's how often are you doing that, Kegan?

654
00:30:56,600 --> 00:30:58,960
Speaker 6: Most places get it done once twice a year. Some

655
00:30:59,000 --> 00:31:03,080
Speaker 6: places where two weeks. Yeah, it's a fun one. That's

656
00:31:03,080 --> 00:31:05,680
Speaker 6: just the kitchen canopy. We crawl through the ducting and

657
00:31:05,840 --> 00:31:07,520
Speaker 6: oh my god, writes all that out?

658
00:31:08,720 --> 00:31:10,479
Speaker 1: Do you reckon? You reckon? A robot is looking at

659
00:31:10,480 --> 00:31:12,360
Speaker 1: that and saying, no, thanks, delete myself.

660
00:31:12,320 --> 00:31:14,400
Speaker 6: Oh yeah, no chance, I don't have to get a

661
00:31:14,480 --> 00:31:16,320
Speaker 6: human to do it. Doesn't want to do it?

662
00:31:16,400 --> 00:31:18,840
Speaker 2: Oh mate, Hey, hey, can you have a double pass

663
00:31:18,840 --> 00:31:21,040
Speaker 2: to go to Luxe Hoyts lux Mate, next trip to

664
00:31:21,080 --> 00:31:23,880
Speaker 2: the movies? Just no worries at all. Man, sounds like

665
00:31:23,880 --> 00:31:25,360
Speaker 2: you've got a buddy tough kick at the moment, So

666
00:31:25,800 --> 00:31:30,720
Speaker 2: enjoy that. I had some more calls, but they've vanished. No, no, no, no,

667
00:31:30,840 --> 00:31:32,840
Speaker 2: I'm behind the times. Am I getting the calls? I'm not.

668
00:31:33,040 --> 00:31:33,920
Speaker 2: I think I am.

669
00:31:34,640 --> 00:31:37,040
Speaker 1: Maybe we should just run through a list of jobs

670
00:31:37,040 --> 00:31:39,280
Speaker 1: for them to do. But do you know what I think?

671
00:31:39,840 --> 00:31:43,680
Speaker 2: Far away? On first job, first job the robot wouldn't

672
00:31:43,680 --> 00:31:44,000
Speaker 2: want to do.

673
00:31:45,240 --> 00:31:46,960
Speaker 1: They probably don't want to wake up early to do

674
00:31:47,040 --> 00:31:47,720
Speaker 1: the Today Show.

675
00:31:47,920 --> 00:31:50,960
Speaker 2: Yes, it's crazy, Yeah, that's crazy times.

676
00:31:51,040 --> 00:31:54,000
Speaker 1: But I do like how the first one was involving

677
00:31:54,040 --> 00:31:57,520
Speaker 1: Greece because I feel like robots would like that.

678
00:31:57,600 --> 00:31:59,760
Speaker 2: Yeah, but he trumped us on his grease facts there

679
00:31:59,760 --> 00:32:02,600
Speaker 2: because it was cooking grease, not mechanical grease. No, but seriously,

680
00:32:02,640 --> 00:32:06,160
Speaker 2: quite seriously, job the robot wouldn't do, go me without

681
00:32:06,200 --> 00:32:06,840
Speaker 2: offending someone.

682
00:32:07,560 --> 00:32:11,520
Speaker 1: I don't know. They just like, I mean, I sort of.

683
00:32:12,200 --> 00:32:16,720
Speaker 1: I mean I don't know, Linda, because they won't enjoy flowers,

684
00:32:17,120 --> 00:32:20,120
Speaker 1: I don't know, appreciate like that.

685
00:32:20,120 --> 00:32:21,680
Speaker 2: That's it. That's it. I didn't know. That was it.

686
00:32:21,720 --> 00:32:23,920
Speaker 2: That was a really well done, well done. You're throwing

687
00:32:23,960 --> 00:32:26,520
Speaker 2: a flowering pun as well framing At the end, they're Linda,

688
00:32:26,560 --> 00:32:29,320
Speaker 2: thirty one and six five? How are you going? Yeah?

689
00:32:29,440 --> 00:32:29,680
Speaker 4: Good?

690
00:32:29,800 --> 00:32:30,080
Speaker 2: How are you?

691
00:32:30,120 --> 00:32:30,360
Speaker 5: Guys?

692
00:32:30,640 --> 00:32:32,480
Speaker 2: You're not worried about robots because you're worried they're not

693
00:32:32,520 --> 00:32:33,160
Speaker 2: going to do your job.

694
00:32:34,080 --> 00:32:37,200
Speaker 8: Well, the one my man, you know, apart from all

695
00:32:37,240 --> 00:32:39,479
Speaker 8: the other jobs I have, a robot is never going

696
00:32:39,520 --> 00:32:44,360
Speaker 8: to want to be a mother worst conditions ever, that's a.

697
00:32:44,000 --> 00:32:46,360
Speaker 2: Really good point. Robots would look at parenting and be like,

698
00:32:46,480 --> 00:32:50,520
Speaker 2: why nic, It's almost like a hangout of being a mammal.

699
00:32:50,280 --> 00:32:50,520
Speaker 1: Isn't it.

700
00:32:50,720 --> 00:32:55,800
Speaker 8: Teenagers like no way, it's funny, Like really good?

701
00:32:56,200 --> 00:32:58,240
Speaker 1: Are they boys or girls? You're teenagers?

702
00:32:58,400 --> 00:33:01,200
Speaker 8: I've got one of each the world, right.

703
00:33:01,320 --> 00:33:04,040
Speaker 1: I bet it is. And I feel that what is

704
00:33:04,040 --> 00:33:06,360
Speaker 1: the worst thing that you've come across as the mother

705
00:33:06,400 --> 00:33:09,160
Speaker 1: of teenagers in just the last couple of weeks? Give

706
00:33:09,240 --> 00:33:09,960
Speaker 1: us an example.

707
00:33:11,280 --> 00:33:18,840
Speaker 8: When they don't come home, it makes me feel good.

708
00:33:19,000 --> 00:33:20,480
Speaker 2: You mean when they're out at night. You mean when

709
00:33:20,480 --> 00:33:21,640
Speaker 2: they're out at nightlind.

710
00:33:21,520 --> 00:33:24,920
Speaker 8: When they're drinking with their mate. Yeah, so yeah, yeah,

711
00:33:25,000 --> 00:33:28,160
Speaker 8: and they're like yeah, yeah, the lights round and the

712
00:33:28,200 --> 00:33:31,400
Speaker 8: doors are unlocked because they don't have keys, and yeah

713
00:33:31,440 --> 00:33:32,440
Speaker 8: all of that.

714
00:33:32,600 --> 00:33:35,280
Speaker 1: Okay, I've got something that make them stay home one night.

715
00:33:35,280 --> 00:33:38,800
Speaker 1: I'll give you a one hundred dollar red roofs at you.

716
00:33:38,840 --> 00:33:39,120
Speaker 5: Wow.

717
00:33:39,560 --> 00:33:41,640
Speaker 2: Just walking into the first show filling in for Woody

718
00:33:41,640 --> 00:33:43,360
Speaker 2: and she's dishing out that she's dipped into.

719
00:33:43,160 --> 00:33:46,960
Speaker 1: The prize pool flavors all around the flavors.

720
00:33:47,360 --> 00:33:51,680
Speaker 2: That is outrageous, A narrow prime to do it, you know,

721
00:33:52,400 --> 00:33:55,560
Speaker 2: absolutely not I said I could do it. Is feeling

722
00:33:55,600 --> 00:34:01,680
Speaker 2: in for Woody here off, I'll give it you will,

723
00:34:02,040 --> 00:34:04,080
Speaker 2: shallow prize pool, I've only got ten of them.

724
00:34:04,720 --> 00:34:05,959
Speaker 1: Plenty more where that came from.

725
00:34:06,040 --> 00:34:09,080
Speaker 2: Right now, it's Brook Bony's going to be feeling into

726
00:34:09,080 --> 00:34:10,320
Speaker 2: Woods for the next couple of weeks while he's in

727
00:34:10,320 --> 00:34:11,880
Speaker 2: the army sleep get me out of here in jungle,

728
00:34:11,920 --> 00:34:13,640
Speaker 2: well hopefully for the next couple of weeks, because we

729
00:34:13,640 --> 00:34:14,880
Speaker 2: want Woods to win that thing. If you want to

730
00:34:14,920 --> 00:34:16,560
Speaker 2: keep him in their tenplay dot com dot you to

731
00:34:16,640 --> 00:34:20,280
Speaker 2: vote to save Woods right now though Woods Woods ge Whiz.

732
00:34:20,320 --> 00:34:22,359
Speaker 2: That's going to happen a few times. Brook. You are

733
00:34:22,719 --> 00:34:25,320
Speaker 2: on a commercial radio show, and we love the idea

734
00:34:25,320 --> 00:34:26,800
Speaker 2: of the fact that you've got to have a commercial

735
00:34:26,880 --> 00:34:30,640
Speaker 2: radio segment with a penny really crap sort of name.

736
00:34:31,400 --> 00:34:33,840
Speaker 2: We've been throwing around a lot recently. Your name is

737
00:34:36,400 --> 00:34:37,760
Speaker 2: particularly easy.

738
00:34:38,120 --> 00:34:38,560
Speaker 1: Everything.

739
00:34:39,880 --> 00:34:42,120
Speaker 2: There's a lot here. Brook has a bone to pick,

740
00:34:42,960 --> 00:34:43,840
Speaker 2: which I'm looking.

741
00:34:43,600 --> 00:34:47,080
Speaker 1: Forward to, Sook Bony, which was one of the sook.

742
00:34:46,920 --> 00:34:49,440
Speaker 2: Bony we loved. Yeah, that was people calling up with

743
00:34:49,719 --> 00:34:50,319
Speaker 2: tell us what.

744
00:34:50,440 --> 00:34:51,960
Speaker 1: The people are and you've been sulking.

745
00:34:51,680 --> 00:34:55,600
Speaker 2: About Yeah great, the Guinness brook of World Records has

746
00:34:55,600 --> 00:35:03,240
Speaker 2: come up, has come up a little bit. We actually

747
00:35:03,280 --> 00:35:06,560
Speaker 2: had you doing Bonie on our own. You've already had

748
00:35:06,560 --> 00:35:08,560
Speaker 2: a bit of a go at that, which is you

749
00:35:08,600 --> 00:35:10,360
Speaker 2: talking by yourself on any topic.

750
00:35:13,320 --> 00:35:16,520
Speaker 1: I didn't have KFC. I actually just had a Schnitzel

751
00:35:17,320 --> 00:35:20,560
Speaker 1: burger and the only complaint that I would have with

752
00:35:20,600 --> 00:35:23,080
Speaker 1: it was that there was pesto on it. It doesn't

753
00:35:23,080 --> 00:35:25,440
Speaker 1: belong on a burger. That's ridiculous. What is this like

754
00:35:25,640 --> 00:35:33,040
Speaker 1: a win Italy? No, wake up to yourself. Do you

755
00:35:33,040 --> 00:35:34,799
Speaker 1: know what I'm just going to go with? That was Ai.

756
00:35:35,040 --> 00:35:35,719
Speaker 1: That was not right.

757
00:35:38,080 --> 00:35:40,000
Speaker 2: I'm sorry it was so Look, there's been a whole

758
00:35:40,040 --> 00:35:41,759
Speaker 2: host of them that we're going to do, and I

759
00:35:41,840 --> 00:35:43,400
Speaker 2: think hopefully'll be able to do a new one a

760
00:35:43,480 --> 00:35:45,279
Speaker 2: day with you because there are so many of them.

761
00:35:45,320 --> 00:35:47,120
Speaker 2: By the way, if you've got a good Brooke Boni

762
00:35:47,480 --> 00:35:50,759
Speaker 2: segment involving a pun on Brooke Bonie's name, hit us up,

763
00:35:52,160 --> 00:35:54,239
Speaker 2: Will and Woody would love to hear it. Today we

764
00:35:54,280 --> 00:35:57,160
Speaker 2: are going to do one we've done before. But there's

765
00:35:57,160 --> 00:35:58,799
Speaker 2: a lot of legs in this and you don't think

766
00:35:58,840 --> 00:36:01,080
Speaker 2: it's a thing, which is my favorite about this. It's

767
00:36:01,160 --> 00:36:05,680
Speaker 2: called this What are you doing tonight, brook Boni, oh, you.

768
00:36:05,640 --> 00:36:06,799
Speaker 7: Know, just getting ready to it today?

769
00:36:06,800 --> 00:36:07,960
Speaker 5: Shoven hanging out with Carle.

770
00:36:08,040 --> 00:36:12,680
Speaker 2: Does sound like it is a phone. Brooke Bony, note

771
00:36:12,719 --> 00:36:14,960
Speaker 2: of that brook Bony twain, all, is.

772
00:36:15,000 --> 00:36:16,400
Speaker 1: It a phony?

773
00:36:16,680 --> 00:36:24,080
Speaker 2: Brook Fun? Is that a phony? Brook Bony on the phony?

774
00:36:24,280 --> 00:36:26,920
Speaker 1: I think I could trip you up today because I've

775
00:36:26,960 --> 00:36:28,680
Speaker 1: had a bit of a cold in the last week,

776
00:36:28,760 --> 00:36:31,040
Speaker 1: and so I feel like my voice it's completely different.

777
00:36:31,360 --> 00:36:32,839
Speaker 1: It's probably messed with your mind a bit.

778
00:36:32,920 --> 00:36:36,360
Speaker 2: It's not at all exactly it. You've got the trademark

779
00:36:36,400 --> 00:36:37,880
Speaker 2: Bonie twang. We all know it.

780
00:36:37,880 --> 00:36:44,040
Speaker 1: It's a baritone. Baby, I'm sorry it is. It's so deep,

781
00:36:44,120 --> 00:36:46,520
Speaker 1: it's silky. Listen to that, all right?

782
00:36:47,080 --> 00:36:49,040
Speaker 2: So thirty one six five, if you think you can

783
00:36:49,040 --> 00:36:52,480
Speaker 2: do a good fake brook Bony, Bony herself is going

784
00:36:52,560 --> 00:36:53,920
Speaker 2: to go outside and jump on the phony.

785
00:36:54,400 --> 00:36:55,359
Speaker 1: You're not going to be able to tell.

786
00:36:55,440 --> 00:36:56,719
Speaker 2: And then I'm going to have to try and pick

787
00:36:56,760 --> 00:36:58,640
Speaker 2: whether that's a real brook Bony or a fake brook

788
00:36:58,640 --> 00:37:02,279
Speaker 2: Bony on the phony Get out of here, Bony, see

789
00:37:02,320 --> 00:37:04,960
Speaker 2: ye Cus and head to your closet. That's a call

790
00:37:05,000 --> 00:37:05,919
Speaker 2: back to an hour ago.

791
00:37:06,640 --> 00:37:08,080
Speaker 1: Get in the covered, Bony.

792
00:37:08,719 --> 00:37:11,239
Speaker 2: Get it on the podcast well Wood featuring Brook Boney,

793
00:37:11,239 --> 00:37:13,960
Speaker 2: while Woods in the cupboard, in the covert, in the jungle.

794
00:37:14,920 --> 00:37:20,120
Speaker 1: Woody Goodness. After this, it's the Women Woody Podcast.

795
00:37:20,440 --> 00:37:22,960
Speaker 2: Brook Bony's filling in for Woods while he's in the

796
00:37:23,000 --> 00:37:26,160
Speaker 2: African jungle farm, salib get me out of here, and

797
00:37:26,320 --> 00:37:28,239
Speaker 2: while she's on radio with us. Please give us a

798
00:37:28,239 --> 00:37:29,840
Speaker 2: call for any one a six y five if you

799
00:37:29,880 --> 00:37:33,480
Speaker 2: think you can do a good imitation of Brooke Bony

800
00:37:33,680 --> 00:37:36,440
Speaker 2: for this. What are you doing tonight, Brook Bonie? Oh

801
00:37:36,480 --> 00:37:36,840
Speaker 2: you know, she's just.

802
00:37:36,840 --> 00:37:38,520
Speaker 7: Getting ready to today Shoven hanging.

803
00:37:38,320 --> 00:37:40,280
Speaker 2: Out with Carl Does sound like it?

804
00:37:40,360 --> 00:37:42,240
Speaker 1: Is that a phone.

805
00:37:42,320 --> 00:37:45,319
Speaker 2: Brooke Bony Twain all?

806
00:37:45,760 --> 00:37:48,480
Speaker 1: Is it a phoney prone?

807
00:37:50,560 --> 00:37:54,480
Speaker 2: Alrighty. So essentially we've decided the corequisite of being on

808
00:37:54,520 --> 00:37:58,480
Speaker 2: commercial radio is a crappy, punny name around a relatively

809
00:37:59,120 --> 00:38:01,480
Speaker 2: mediocre game, and that's exactly what this is. We're going

810
00:38:01,520 --> 00:38:03,359
Speaker 2: to be doing a new segment with Brook every day

811
00:38:03,400 --> 00:38:05,520
Speaker 2: where we've got a bad name, bad punny name and

812
00:38:05,520 --> 00:38:08,680
Speaker 2: she's got her name lends itself to a lot of

813
00:38:08,719 --> 00:38:11,560
Speaker 2: awful puns. This is the first one. Is that a phony?

814
00:38:11,800 --> 00:38:15,680
Speaker 2: Brook Bony? On the phony? I think I've ever used that,

815
00:38:15,719 --> 00:38:17,640
Speaker 2: But anyway, you get the point. I've got to try

816
00:38:17,680 --> 00:38:19,080
Speaker 2: and pick whether or not it's a real brook Bony

817
00:38:19,120 --> 00:38:21,040
Speaker 2: or a fake brook Bony. Thirty one and sixty five.

818
00:38:21,040 --> 00:38:22,759
Speaker 2: You do a good brook Bony, you think you do,

819
00:38:22,840 --> 00:38:24,479
Speaker 2: I'll give you a hundred bucks in red Rooster, because

820
00:38:24,480 --> 00:38:25,799
Speaker 2: I know that's might a bit of a task. It's

821
00:38:25,800 --> 00:38:27,359
Speaker 2: a Monday night. You don't want to call the station

822
00:38:27,400 --> 00:38:30,719
Speaker 2: and pretend to be brook Bony. I get that, But

823
00:38:30,840 --> 00:38:37,040
Speaker 2: let's go to I wouldn't brook One who's willingly called

824
00:38:37,040 --> 00:38:42,520
Speaker 2: the show Hello, brook One? I will, Hey, how are

825
00:38:42,520 --> 00:38:44,080
Speaker 2: you going? What did you get up to today? Did

826
00:38:44,120 --> 00:38:46,840
Speaker 2: you enjoy doing the show with me this afternoon? Yeah?

827
00:38:46,920 --> 00:38:49,040
Speaker 7: Yeah, I've really enjoyed it. I think it's been, like,

828
00:38:49,520 --> 00:38:52,200
Speaker 7: you know, a bit different to TV. But you know,

829
00:38:52,880 --> 00:38:56,360
Speaker 7: after you know, early start, I think I've got okay

830
00:38:56,400 --> 00:38:56,719
Speaker 7: so far.

831
00:38:57,160 --> 00:38:59,480
Speaker 2: And what would you say is your greatest asset, brook One?

832
00:39:01,200 --> 00:39:06,640
Speaker 7: Probably my ability to consume ample amount of KFC.

833
00:39:06,560 --> 00:39:10,160
Speaker 2: Wow okay wow, and that that's she's not. That's not

834
00:39:10,200 --> 00:39:12,879
Speaker 2: actually a shot at Brook by the way, that's that's

835
00:39:12,920 --> 00:39:15,560
Speaker 2: an in joke. So if the real Brooks listening.

836
00:39:16,719 --> 00:39:18,760
Speaker 5: Yeah, I just love it.

837
00:39:19,719 --> 00:39:22,360
Speaker 2: Wow, Okay, I'm overthinking myself. Thank you Brook one. Go

838
00:39:22,400 --> 00:39:26,200
Speaker 2: to Brook two? Brook two? Hello, Brook two?

839
00:39:27,760 --> 00:39:28,759
Speaker 6: Hi Will, How are you going?

840
00:39:30,200 --> 00:39:32,319
Speaker 2: Yeah, I'm good? Thanks Brook too? How are you?

841
00:39:34,440 --> 00:39:34,920
Speaker 6: I'm good?

842
00:39:35,040 --> 00:39:37,000
Speaker 7: I'm all right, just stepped outside.

843
00:39:37,200 --> 00:39:39,600
Speaker 2: Okay, And what would you say is your best asset?

844
00:39:39,640 --> 00:39:41,719
Speaker 2: Brook too? What's the best part about being Brooke.

845
00:39:41,520 --> 00:39:44,880
Speaker 5: Bony loving KFC?

846
00:39:46,440 --> 00:39:50,080
Speaker 7: I know all the opportunities I get for all the

847
00:39:50,120 --> 00:39:51,400
Speaker 7: opportunities I get.

848
00:39:52,760 --> 00:39:57,839
Speaker 2: The real Brooks okay, all the opportunities you get. Thank

849
00:39:57,880 --> 00:40:01,880
Speaker 2: you Brook too. All right, we're gonna go to Brook three. Hello,

850
00:40:01,880 --> 00:40:08,280
Speaker 2: Brook three. Hello, that's Brook Bonny. I know it's so's.

851
00:40:08,360 --> 00:40:09,560
Speaker 5: I love Casey.

852
00:40:13,080 --> 00:40:13,760
Speaker 9: Right now.

853
00:40:13,800 --> 00:40:16,160
Speaker 2: It's lovely to have you in here. Brook. And also,

854
00:40:16,160 --> 00:40:19,640
Speaker 2: you got the privilege right now of sending somebody to

855
00:40:19,680 --> 00:40:23,759
Speaker 2: London for the King's coronation. Right now, just.

856
00:40:23,800 --> 00:40:29,760
Speaker 11: Listen and let me a little that fantasy.

857
00:40:31,200 --> 00:40:33,759
Speaker 1: So we're going to call someone and their life is

858
00:40:33,760 --> 00:40:35,680
Speaker 1: about to change, Well.

859
00:40:35,400 --> 00:40:37,719
Speaker 2: Depends how much you love the royals. Well, it's a

860
00:40:37,760 --> 00:40:39,600
Speaker 2: life changing you're a royal person.

861
00:40:40,120 --> 00:40:42,480
Speaker 1: Anything could happen when they get to London. Come on,

862
00:40:42,680 --> 00:40:46,280
Speaker 1: open your what's about a coronation? Don't say bunting.

863
00:40:50,040 --> 00:40:52,920
Speaker 2: I walked into that. Okay, So this is an all

864
00:40:52,960 --> 00:40:56,240
Speaker 2: expenses paid trip. EDI had Airways Channel seven and putting

865
00:40:56,239 --> 00:40:57,799
Speaker 2: this on, so you'll be put up in a five

866
00:40:57,800 --> 00:41:02,440
Speaker 2: star hotel that was spending money. People are crawling through

867
00:41:02,480 --> 00:41:04,320
Speaker 2: broken glass to get their hands on this price.

868
00:41:04,239 --> 00:41:05,480
Speaker 1: So we'll be careful. Guys.

869
00:41:06,200 --> 00:41:10,919
Speaker 2: Ah, very good, you took the broken glass in. All right,

870
00:41:10,960 --> 00:41:15,720
Speaker 2: So you're gonna you're going to call what's her name?

871
00:41:15,840 --> 00:41:17,800
Speaker 1: Her name is Jacqueline Jackie.

872
00:41:17,960 --> 00:41:20,879
Speaker 2: Oh great, you're all over it all right. I think

873
00:41:21,000 --> 00:41:23,319
Speaker 2: I've been told she has been money by phone all day,

874
00:41:23,520 --> 00:41:27,520
Speaker 2: so just be prepared for a very very large reaction. Okay,

875
00:41:27,680 --> 00:41:31,600
Speaker 2: you're just going to call it by you want to

876
00:41:31,600 --> 00:41:32,320
Speaker 2: spit all that on?

877
00:41:33,480 --> 00:41:33,760
Speaker 5: Hello?

878
00:41:34,440 --> 00:41:34,560
Speaker 2: Hi?

879
00:41:34,800 --> 00:41:35,960
Speaker 1: Is this Jacqueline?

880
00:41:36,200 --> 00:41:37,719
Speaker 7: This is this is Jacqueline?

881
00:41:38,200 --> 00:41:39,759
Speaker 1: Or do you prefer to go by Jackie?

882
00:41:40,680 --> 00:41:42,520
Speaker 7: I know we get Jacqueline, actually Jacqueline.

883
00:41:42,520 --> 00:41:48,359
Speaker 1: Okay, good well, Jacqueline, it's Brooke Boney calling Hello. Do

884
00:41:48,400 --> 00:41:50,040
Speaker 1: you know why I might be calling you?

885
00:41:50,640 --> 00:41:51,320
Speaker 6: Oh my goodness.

886
00:41:51,320 --> 00:41:52,720
Speaker 7: So I just want to trip to London.

887
00:41:53,520 --> 00:41:55,200
Speaker 2: You just want to trip to London.

888
00:41:58,360 --> 00:41:59,279
Speaker 7: I cannot believe it.

889
00:42:00,920 --> 00:42:04,560
Speaker 2: Oh my god, I've lost the words. Congrats Jackie. Hey,

890
00:42:04,600 --> 00:42:06,680
Speaker 2: I really wanted to know what else brook Bonie might

891
00:42:06,719 --> 00:42:09,120
Speaker 2: have been calling you for though, Like that was that

892
00:42:09,280 --> 00:42:11,640
Speaker 2: was like when you're like when you're like, it's brook Bonie.

893
00:42:11,640 --> 00:42:14,239
Speaker 2: Do you know what I'm calling you? I really wanted

894
00:42:14,280 --> 00:42:18,840
Speaker 2: to know, like, show does show you money or got anywhere?

895
00:42:20,680 --> 00:42:23,360
Speaker 1: I'm feeling in for Woody while he's in the jungle

896
00:42:23,480 --> 00:42:25,920
Speaker 1: on will and wood. So that's why I'm calling you.

897
00:42:26,200 --> 00:42:29,719
Speaker 1: I think, oh, nost all of the puzzle together. Hey,

898
00:42:29,760 --> 00:42:31,520
Speaker 1: would you say that this trip, Jacqueline is going to

899
00:42:31,520 --> 00:42:32,400
Speaker 1: be life changing for you?

900
00:42:33,040 --> 00:42:36,480
Speaker 7: It will be a completely life changing, like mom, Like,

901
00:42:36,520 --> 00:42:38,680
Speaker 7: I've been to London when I was in my twenties,

902
00:42:38,680 --> 00:42:40,319
Speaker 7: but my husband hasn't really traveled much.

903
00:42:40,680 --> 00:42:43,759
Speaker 5: I don't just be like, amazing, is it with a

904
00:42:43,800 --> 00:42:44,279
Speaker 5: plus one?

905
00:42:44,320 --> 00:42:45,920
Speaker 2: I'm looking at Captain poop Pan's here? Is it a

906
00:42:45,920 --> 00:42:50,880
Speaker 2: plus one? You don't know? You know? I think it's

907
00:42:50,880 --> 00:42:52,680
Speaker 2: a plus one? Jackie? Can you get to take it?

908
00:42:52,719 --> 00:42:55,399
Speaker 2: Are you going to take your husband with you this time? Yes?

909
00:42:55,480 --> 00:42:58,759
Speaker 2: I you've got kids obviously, leaving them at home five stars,

910
00:42:58,760 --> 00:43:02,680
Speaker 2: accommodation one thousand, spending money as well. Unbelievable.

911
00:43:03,200 --> 00:43:06,440
Speaker 7: Oh my god, I'm so really, I'm lost for words. Amazing,

912
00:43:06,719 --> 00:43:07,720
Speaker 7: Thank you so much.

913
00:43:07,760 --> 00:43:10,040
Speaker 1: Big Pride. I'm so happy.

914
00:43:10,280 --> 00:43:11,680
Speaker 2: It's all the bells and whistles.

915
00:43:11,400 --> 00:43:12,760
Speaker 7: Joie, It's massive.

916
00:43:12,960 --> 00:43:13,600
Speaker 5: Oh my gosh.

917
00:43:13,800 --> 00:43:15,880
Speaker 7: Yeah, I can't believe it. Thank you.

918
00:43:15,920 --> 00:43:18,399
Speaker 2: No, no, no worries, mate. We heard your bloody pumped

919
00:43:18,400 --> 00:43:19,879
Speaker 2: about this and you can hear it in your voice.

920
00:43:19,920 --> 00:43:23,200
Speaker 2: Got a bit of a tremor going, yeah, that's all

921
00:43:23,280 --> 00:43:25,520
Speaker 2: right mate. You don't have to cry on air. Oh no,

922
00:43:25,560 --> 00:43:29,279
Speaker 2: you're going for it, Okay, all right, Jackie, We'll leave

923
00:43:29,320 --> 00:43:33,239
Speaker 2: you to it. Congratulations for everybody else more chances to

924
00:43:33,320 --> 00:43:35,960
Speaker 2: headle on to London for the King's Coronational thanks to

925
00:43:36,040 --> 00:43:38,080
Speaker 2: Eddie had Airways and Channel seven. If you want to

926
00:43:38,080 --> 00:43:40,359
Speaker 2: get involved their head along till the wind page and

927
00:43:40,440 --> 00:43:43,319
Speaker 2: keep listening. It's well and what it was, alright, reach

928
00:43:43,400 --> 00:43:44,840
Speaker 2: the end of the show. Were you going to talk first?

929
00:43:44,840 --> 00:43:48,280
Speaker 2: Are you fucking joking? This is your this is your first,

930
00:43:49,520 --> 00:43:52,400
Speaker 2: this is just them.

931
00:43:55,080 --> 00:43:56,960
Speaker 1: We made it. That's all I was going to say.

932
00:43:58,360 --> 00:44:00,120
Speaker 2: Say whatever you like, You can talk whenever you like.

933
00:44:00,160 --> 00:44:03,600
Speaker 1: Apart from currently not in the cupboard. You can't chuck

934
00:44:03,600 --> 00:44:07,280
Speaker 1: her in the cupboard. I had enough already, said cupboard.

935
00:44:07,680 --> 00:44:09,680
Speaker 2: All I said was we would bind and gag you,

936
00:44:09,800 --> 00:44:11,520
Speaker 2: but then you could get out. Then you could go

937
00:44:11,560 --> 00:44:12,200
Speaker 2: where you wanted to.

938
00:44:12,239 --> 00:44:15,160
Speaker 1: Of course, that's where you put someone who's bound and gagged. Car,

939
00:44:15,520 --> 00:44:16,560
Speaker 1: That's all that's true.

940
00:44:17,560 --> 00:44:22,880
Speaker 2: In the roof, donate like you haven't done this before? Manhole,

941
00:44:23,080 --> 00:44:25,160
Speaker 2: top of a bed? Did you say top of a bed,

942
00:44:25,520 --> 00:44:27,520
Speaker 2: under a bed as well? On top of the bed,

943
00:44:27,640 --> 00:44:30,480
Speaker 2: on top of a bed, I reckon, like on four posters,

944
00:44:30,520 --> 00:44:32,360
Speaker 2: bound and gagged before?

945
00:44:32,520 --> 00:44:34,640
Speaker 1: Yeah, right, leave it to the expert.

946
00:44:36,719 --> 00:44:40,000
Speaker 2: Buttons Tom. Every now and then you get a glimmer

947
00:44:40,000 --> 00:44:43,040
Speaker 2: do what do you do with your spare time?

948
00:44:44,040 --> 00:44:44,919
Speaker 1: A glimmer of duck?

949
00:44:45,040 --> 00:44:49,200
Speaker 2: Yeah? Absolutely, yeah, absolutely, But Brooke, great show, Well done,

950
00:44:49,360 --> 00:44:52,520
Speaker 2: say it again, I think, and well done mate. How

951
00:44:52,560 --> 00:44:54,320
Speaker 2: long since you've done radio, by the way, like a

952
00:44:54,360 --> 00:44:55,560
Speaker 2: proper show? Is that right?

953
00:44:56,120 --> 00:44:58,080
Speaker 1: This is my fifth year on the Today Show? Okay,

954
00:44:58,200 --> 00:45:00,120
Speaker 1: so yeah, four and a half years.

955
00:45:00,080 --> 00:45:02,120
Speaker 2: And before then, though, Triple Jade.

956
00:45:02,239 --> 00:45:05,160
Speaker 1: Thank you, Triple j So it's been a while.

957
00:45:05,360 --> 00:45:07,040
Speaker 2: How does it feel to be in the world of

958
00:45:08,400 --> 00:45:13,120
Speaker 2: heavily edited music and pretty intense advertising, which we love.

959
00:45:13,520 --> 00:45:16,839
Speaker 1: I love it, we love I love it so much.

960
00:45:16,880 --> 00:45:20,120
Speaker 1: Sometimes I'm watching a show, listening to a program, thinking, God,

961
00:45:20,160 --> 00:45:21,719
Speaker 1: you know what I could go for right now? And

962
00:45:21,840 --> 00:45:30,040
Speaker 1: add it's really punctuate this beautifully more ads.

963
00:45:30,080 --> 00:45:32,239
Speaker 2: Okay, we've done we've done that, covered it. But what's

964
00:45:32,280 --> 00:45:32,560
Speaker 2: it like?

965
00:45:33,080 --> 00:45:33,279
Speaker 5: Yeah?

966
00:45:33,280 --> 00:45:33,640
Speaker 1: It's good.

967
00:45:33,960 --> 00:45:35,279
Speaker 2: How did you find how did you find time?

968
00:45:35,680 --> 00:45:38,799
Speaker 1: I had a really fun time. I am actually, and

969
00:45:38,840 --> 00:45:40,560
Speaker 1: I don't want to say this in a mean way.

970
00:45:40,760 --> 00:45:43,480
Speaker 1: I'm surprised by how lovely it all felt like. I

971
00:45:43,480 --> 00:45:45,239
Speaker 1: feel like we just walked on into it.

972
00:45:45,280 --> 00:45:47,160
Speaker 2: We did, didn't We have had a great time. If

973
00:45:47,160 --> 00:45:50,480
Speaker 2: you had an analogy to us walking onto the show today,

974
00:45:50,480 --> 00:45:51,280
Speaker 2: what would it be.

975
00:45:51,280 --> 00:45:53,120
Speaker 1: Like being in a beautiful safe cupboard.

976
00:45:55,560 --> 00:45:59,560
Speaker 2: Everything feels warm, And if you really want me to

977
00:45:59,560 --> 00:46:01,520
Speaker 2: do I can?

978
00:46:01,680 --> 00:46:03,600
Speaker 1: I can? I take it back?

979
00:46:04,360 --> 00:46:06,960
Speaker 2: Friday Show, Friday Show, you're doing it from a cupboard.

980
00:46:07,040 --> 00:46:11,160
Speaker 2: We can do it, we can. I don't have to

981
00:46:11,200 --> 00:46:12,640
Speaker 2: do it myself. I can get a couple of guys

982
00:46:12,719 --> 00:46:13,319
Speaker 2: to come in here.

983
00:46:13,719 --> 00:46:15,680
Speaker 1: I don't want to kidnapped.

984
00:46:17,040 --> 00:46:20,279
Speaker 2: You're saying you do so confusing.

985
00:46:25,640 --> 00:46:27,520
Speaker 1: No, we won't. We won't be doing that. But you

986
00:46:27,520 --> 00:46:29,160
Speaker 1: know what we're doing, having a lot of fun.

987
00:46:29,520 --> 00:46:31,719
Speaker 2: It's been really good, been really good. And I also

988
00:46:31,760 --> 00:46:33,320
Speaker 2: you got to remember Brook gets up at three o'clock

989
00:46:33,360 --> 00:46:35,960
Speaker 2: in the morning to do Brecky TV everyone, So this

990
00:46:36,000 --> 00:46:36,720
Speaker 2: is my midnight.

991
00:46:36,920 --> 00:46:37,760
Speaker 1: I'm having a rager.

992
00:46:38,239 --> 00:46:40,640
Speaker 2: Yeah yeah, And we're going to get people to kiss

993
00:46:40,680 --> 00:46:41,520
Speaker 2: in the studio, aren't we?

994
00:46:41,640 --> 00:46:41,839
Speaker 5: Oh?

995
00:46:41,960 --> 00:46:45,480
Speaker 2: Yes, so can we ask? I do want to ask

996
00:46:45,520 --> 00:46:47,440
Speaker 2: a little bit more about this. So you think you

997
00:46:47,480 --> 00:46:50,440
Speaker 2: can tell that they're flirting or that there's something between them.

998
00:46:50,520 --> 00:46:53,920
Speaker 1: Yep, I get the little I get a zapp of electricity,

999
00:46:53,920 --> 00:46:55,600
Speaker 1: and I'm like, they want to kiss to help them?

1000
00:46:55,920 --> 00:46:57,000
Speaker 1: Like cupid, I'm cupid.

1001
00:46:57,040 --> 00:46:58,680
Speaker 2: I do have to say that. The other part of

1002
00:46:58,719 --> 00:47:01,440
Speaker 2: this is like if I was on a date and

1003
00:47:01,480 --> 00:47:04,640
Speaker 2: I was struggling to seal the deal and someone came over.

1004
00:47:05,800 --> 00:47:08,000
Speaker 1: From the wrong perspective and you're like, oh, no, I

1005
00:47:08,000 --> 00:47:10,640
Speaker 1: don't want to. But then you do get to also

1006
00:47:10,719 --> 00:47:13,799
Speaker 1: imagine this. You're at a party, standing there talking to

1007
00:47:13,840 --> 00:47:15,920
Speaker 1: someone who you've got a crush on they've got a

1008
00:47:15,960 --> 00:47:19,000
Speaker 1: crush on you. Then someone's like, hey, you guys should kiss,

1009
00:47:19,480 --> 00:47:22,000
Speaker 1: and then you do, like that's I've just saved you

1010
00:47:22,120 --> 00:47:23,200
Speaker 1: four hours.

1011
00:47:22,960 --> 00:47:25,239
Speaker 2: Yeah, no, you're right, there's a lot of groundwork there.

1012
00:47:25,360 --> 00:47:27,400
Speaker 1: I am a hero in the situation.

1013
00:47:28,520 --> 00:47:31,080
Speaker 2: Yeah no, I think you are. I really do. I

1014
00:47:31,120 --> 00:47:33,440
Speaker 2: really do think you are. You're the opposite of a

1015
00:47:33,480 --> 00:47:33,959
Speaker 2: cock block.

1016
00:47:34,440 --> 00:47:36,960
Speaker 1: Yeah yeah, I was trying to think.

1017
00:47:38,320 --> 00:47:41,520
Speaker 2: I was like, I don't a cockmaker.

1018
00:47:42,719 --> 00:47:44,080
Speaker 1: It would be the opposite of block.

1019
00:47:44,239 --> 00:47:48,920
Speaker 2: Yeah. So a cock and abler, a cock unplugger letting

1020
00:47:48,960 --> 00:47:50,120
Speaker 2: out the cock floodgate.

1021
00:47:50,920 --> 00:47:52,640
Speaker 1: Yeah, too graphic.

1022
00:47:52,680 --> 00:47:53,640
Speaker 2: We'll ever think about it.

1023
00:47:53,840 --> 00:47:54,600
Speaker 1: Let's sit on it.

1024
00:47:55,000 --> 00:47:57,799
Speaker 2: Yeah, there we go. Haang, well done.

1025
00:47:58,200 --> 00:48:00,440
Speaker 1: Just for a couple of days you think about I thought.

1026
00:48:00,280 --> 00:48:07,320
Speaker 2: You were making him anyway. Oh bro, well you said William.

1027
00:48:09,440 --> 00:48:12,640
Speaker 2: We will.

1028
00:48:14,440 --> 00:48:15,560
Speaker 1: Imagine if my name.

1029
00:48:15,440 --> 00:48:18,160
Speaker 2: Was will it is in Dutch, my name is Villam

1030
00:48:18,200 --> 00:48:23,759
Speaker 2: in Dutch. Sam is in my phone Willem as my

1031
00:48:23,840 --> 00:48:29,799
Speaker 2: name w I L L E M shucking. Anyway, we'll

1032
00:48:29,800 --> 00:48:31,560
Speaker 2: see whether or not I really want to put that

1033
00:48:31,560 --> 00:48:33,960
Speaker 2: skill to the test. So tomorrow and some say, reckon,

1034
00:48:34,160 --> 00:48:36,560
Speaker 2: get and I really want to get a couple in here.

1035
00:48:36,560 --> 00:48:37,880
Speaker 2: That again, So we're going to have a couple that

1036
00:48:38,280 --> 00:48:39,640
Speaker 2: I have known each other for a long time, have

1037
00:48:39,719 --> 00:48:42,520
Speaker 2: hooked up before. We'll say, and then we've got a

1038
00:48:42,520 --> 00:48:44,640
Speaker 2: couple in here have never hooked up before. I also

1039
00:48:44,680 --> 00:48:47,120
Speaker 2: love this because we're in the Carlin Jackie O's very

1040
00:48:47,200 --> 00:48:51,120
Speaker 2: calin Jai. I feel like I feel like I was inspired.

1041
00:48:51,160 --> 00:48:52,960
Speaker 2: I feel like that's kind of because normally it's a

1042
00:48:52,960 --> 00:48:55,640
Speaker 2: bit of a sick idea, but I was in here

1043
00:48:55,680 --> 00:48:57,680
Speaker 2: and I was like, I'm feeling it.

1044
00:48:57,800 --> 00:49:00,759
Speaker 1: Actually, Now that you say that, I feel like, is it? Actually? No?

1045
00:49:00,920 --> 00:49:01,920
Speaker 1: Maybe this isn't appropriate.

1046
00:49:02,080 --> 00:49:04,960
Speaker 2: It's fine because the people that the people that aren't

1047
00:49:05,200 --> 00:49:08,200
Speaker 2: in the relationship aren't going to hook up. Well I

1048
00:49:08,239 --> 00:49:11,080
Speaker 2: hope not they will. Maybe this is going to get married.

1049
00:49:11,200 --> 00:49:13,200
Speaker 2: I was hoping for a brother and sister set up,

1050
00:49:13,280 --> 00:49:17,319
Speaker 2: so let's not maybe they will, because then it's very

1051
00:49:17,360 --> 00:49:20,120
Speaker 2: confronting and they're going to go, no, we don't want

1052
00:49:20,120 --> 00:49:22,919
Speaker 2: to do this. Let you know what I mean.

1053
00:49:23,239 --> 00:49:26,200
Speaker 1: Well I do, But also I'm hoping for true love.

1054
00:49:26,320 --> 00:49:28,399
Speaker 1: We get two strangers in here, who knows, maybe they've

1055
00:49:28,400 --> 00:49:29,080
Speaker 1: fall in love with each other.

1056
00:49:29,080 --> 00:49:32,640
Speaker 2: Okay, so strangers not related, and then a couple and

1057
00:49:32,719 --> 00:49:34,799
Speaker 2: a couple that have hoooked up beform and then you

1058
00:49:34,920 --> 00:49:36,840
Speaker 2: just looking at them. Well, they're going to converse for

1059
00:49:36,880 --> 00:49:37,800
Speaker 2: thirty seconds or whatever.

1060
00:49:38,320 --> 00:49:40,040
Speaker 1: They don't even need they stand near each other.

1061
00:49:40,040 --> 00:49:41,840
Speaker 2: They could just stand next to each other. Well, I

1062
00:49:41,840 --> 00:49:43,480
Speaker 2: think we might need to add an audible element. That's

1063
00:49:43,520 --> 00:49:44,200
Speaker 2: your TV brain.

1064
00:49:44,960 --> 00:49:46,560
Speaker 1: Right now, they can grunt at each other.

1065
00:49:47,000 --> 00:49:50,120
Speaker 2: We just need something a bit of a bit of

1066
00:49:50,160 --> 00:49:51,920
Speaker 2: into play. And then you'll pick which one of them

1067
00:49:51,960 --> 00:49:53,680
Speaker 2: needs to kiss. We peer pressure in them, and then

1068
00:49:53,719 --> 00:49:57,360
Speaker 2: we find out if they have kissed before. Wow, so exciting.

1069
00:49:57,440 --> 00:49:58,720
Speaker 2: Do we actually chant like kiss?

1070
00:49:58,760 --> 00:49:58,960
Speaker 3: Yeah?

1071
00:49:58,960 --> 00:50:01,759
Speaker 2: I think so, I think so. And then and then

1072
00:50:01,800 --> 00:50:03,719
Speaker 2: if they haven't kissed.

1073
00:50:03,400 --> 00:50:06,400
Speaker 1: Before, it reaches like some sort of like critical mass,

1074
00:50:06,440 --> 00:50:10,239
Speaker 1: like the chanting the audience chanting, and then people are like, okay.

1075
00:50:10,440 --> 00:50:11,839
Speaker 2: It is a bit of it. I feel like if

1076
00:50:11,880 --> 00:50:13,520
Speaker 2: they have kissed before, it's going to be a bit

1077
00:50:13,600 --> 00:50:15,120
Speaker 2: like ah yeah.

1078
00:50:15,160 --> 00:50:16,719
Speaker 1: But if they have, if they.

1079
00:50:16,600 --> 00:50:17,759
Speaker 2: Have, if they haven't, it's wild.

1080
00:50:17,880 --> 00:50:20,840
Speaker 1: Then it's like you'll be able to see the eyes.

1081
00:50:20,760 --> 00:50:22,280
Speaker 2: Darting, talking, tongu kiss and everything.

1082
00:50:22,280 --> 00:50:24,560
Speaker 1: Are we no? They just like a smooch?

1083
00:50:25,480 --> 00:50:33,480
Speaker 2: Sure surely I don't know. Surely take from a man

1084
00:50:33,520 --> 00:50:37,080
Speaker 2: who's macked on in the studio before, it's necessary, like

1085
00:50:37,160 --> 00:50:39,200
Speaker 2: I got overly tongued? Would he had too much tongue?

1086
00:50:39,200 --> 00:50:44,120
Speaker 2: And we've discussed this. I was, I was affronted. I

1087
00:50:44,120 --> 00:50:45,920
Speaker 2: think we're going to it's you know, it's part. I

1088
00:50:45,960 --> 00:50:47,719
Speaker 2: think it's part of the but I think that's the deal.

1089
00:50:47,719 --> 00:50:50,120
Speaker 2: If you kissing the Will Woody.

1090
00:50:49,840 --> 00:50:52,120
Speaker 1: Studio, how did you look at each other after that,

1091
00:50:52,840 --> 00:50:54,600
Speaker 1: knowing that his tongue had been inside you.

1092
00:50:54,760 --> 00:50:57,719
Speaker 2: My partners Sam's just messaged me and said she's very

1093
00:50:57,719 --> 00:51:00,400
Speaker 2: basic sometimes because.

1094
00:51:00,320 --> 00:51:01,879
Speaker 1: You said she said that about me, I'm like.

1095
00:51:02,360 --> 00:51:06,360
Speaker 2: No, English is her second language, so sometimes like really

1096
00:51:06,520 --> 00:51:10,600
Speaker 2: sad English jokes really get her. She say will and

1097
00:51:10,719 --> 00:51:11,640
Speaker 2: footy ha.

1098
00:51:11,480 --> 00:51:16,080
Speaker 1: Ha ha ha classic saying good gear from me, thank you,

1099
00:51:17,000 --> 00:51:23,279
Speaker 1: And she loved huge, huge In the English is the

1100
00:51:23,320 --> 00:51:24,759
Speaker 1: second language community, the.

1101
00:51:26,800 --> 00:51:32,840
Speaker 2: Are frothing the show Oh say Tomorrow, lovely not goodbye,