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Speaker 1: This is we started recording, we play that song, I mean,

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Speaker 1: just you know, just to get us into it. I

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Speaker 1: mean we probably should. What is that song? It's fast cut,

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Speaker 1: It's Tracy chat with Luke Luke Combs. Combs.

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Speaker 2: Luke Comes has sold out stadiums around Australia when he

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Speaker 2: comes to town.

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Speaker 1: When's he coming? He's outrageously popular. August, Are you going

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Speaker 1: to go and see Luke Comes coming? I'd like to.

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Speaker 1: My boyfriend's a big fan. Guys got tickets. Combs He

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Speaker 1: doing chats? What a whole right? I mean, I don't

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Speaker 1: think it would pop off in the same way anyways.

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Speaker 1: He doing chats?

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Speaker 3: Though?

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Speaker 1: Is he doing chats?

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Speaker 4: Is he?

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Speaker 5: That would be good surprising your boyfriend that'd be wild, right,

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Speaker 5: it would be good.

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Speaker 2: Imagine that that's not great on radio In my seven

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Speaker 2: year career, he came on radio once on the final

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Speaker 2: show that I had, and he said, Greek job Tommy.

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Speaker 1: Ahmid, that's nice. Oh that's cute. That's cute, isn't it?

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Speaker 1: This comes here? This is the you.

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Speaker 5: And I can fantasy what it means to be McGraw

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Speaker 5: about Combs, isn't there?

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Speaker 1: Tim mcgrawl, Gavin Gavin de excuse me, Gavin d gral

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Speaker 1: or Tim McGraw. I think Tim, Tim McGraw country singer.

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Speaker 1: Is he really yeah, Tim mcgrawl, is he day drunk mcgrawl,

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Speaker 1: Tim McGraw, Tim Mcgaall that's here. I'll go there you

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Speaker 1: Tim McGraw, I'll get your visit. All right, you work

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Speaker 1: on the Tim mcgral, we can talk about what's going

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Speaker 1: on in the ship. You're gonna be calling rud which

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Speaker 1: is very very exciting.

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Speaker 5: Awesome, yeah, very exciting. She is going to blow a casket.

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Speaker 5: But I'm going to tell you yet what we're calling

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Speaker 5: her about. But she's going to blow a casket, blow

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Speaker 5: a gasket gas, Yeah, yeah, yeah, you have to pull

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Speaker 5: me up.

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Speaker 1: The next I said, Carl, skip it twice? Yeah, I reckon?

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Speaker 1: If I said it once, would let me go to

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Speaker 1: my gasket? Is Actually I think it's a cart term.

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Speaker 1: The song around along it could be someone be someone

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Speaker 1: be somewhere. You left me there on the last one,

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Speaker 1: didn't you.

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Speaker 6: See?

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Speaker 1: McGraw's not my blogs would have been inspired by mcgrawl.

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Speaker 1: I'm not sure, actlutely not inspired by you know, Slim

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Speaker 1: Dusty or Dolly Parton.

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Speaker 5: I think McGraw the okay, all right now, I'm pretty

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Speaker 5: sure I McGraw song.

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Speaker 1: Can we turn McGraw down? He's far too well. I

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Speaker 1: think McGraw did a song with Nellie as in the

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Speaker 1: Rapper Re. Sorry care Kelly Rowland anyway, the king though

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Speaker 1: of country is Luke Bryan. You guys know Louke bryant

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Speaker 1: lo Brian. The king of country is Dusty Springfield in Australia. Yeah,

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Speaker 1: I think it's pretty well know.

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Speaker 2: Yeah what about Keith Urban's king of country? But Luke

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Speaker 2: Bryan is so big it as a judge on American Idol.

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Speaker 1: Keith was a judge in American idol as well, and

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Speaker 1: an Australian idol for that matter. There you go international

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Speaker 1: Luke like Luke Bryan. One will, all right, girl, Tom.

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Speaker 5: Stop fighting about Luke Bryan versus I mean Keith.

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Speaker 1: I don't know where Okay, who is this is? Luke Bryan?

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Speaker 1: Just now? Why was this in the country Music's country?

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Speaker 1: It's comfortably the worst music because we're giving away to

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Speaker 1: the sift tickets. Nice way to bring it back. She

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Speaker 1: is country and we love her now, we're just kidding.

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Speaker 1: That's just Woards very excited about the fact that this

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Speaker 1: woman's back on the radio.

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Speaker 5: Broad so if you don't know who she is, she

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Speaker 5: is a seventy three year old woman from Charleville, which

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Speaker 5: is an eight hour drive inland from Brisbane. She runs

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Speaker 5: a baiten tackle store wilbur with a naughty corner.

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Speaker 1: Were very naughty corner, the naughtiest.

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Speaker 5: We couldn't love this woman more. And just to show

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Speaker 5: you what she's like, this is actually the first ever

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Speaker 5: phone call we made to Jews and I'm going to

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Speaker 5: say this was two or three years ago.

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Speaker 7: Listen, this ninety two year old woman came in one day.

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Speaker 7: I don't tell anyone. I don't tell anyone in what

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Speaker 7: They buy everything at cost, but not say name. She

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Speaker 7: came in and she wanted She said she hasband passed

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Speaker 7: away about two years before and she bought a vibrider

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Speaker 7: and she said, my husband and I had great sex.

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Speaker 7: This is true story, had great sex and I missed

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Speaker 7: it so much, only fainted a long get shine back

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Speaker 7: a week later and said have you got a bigger one?

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Speaker 1: And did you? And they on a fight.

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Speaker 7: I could not believe it. I known this woman on

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Speaker 7: the lock that when she passed away, they couldn't turn

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Speaker 7: the bathroo, so she was jumping around in the carfin.

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Speaker 5: She the So since then we've been to Challaville we

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Speaker 5: visited her. If you missed any of that, go and

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Speaker 5: watch her by the way in our socials will and

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Speaker 5: what do you'll find it there?

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Speaker 1: We went there.

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Speaker 5: We did a stand up show with her in Charlaville.

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Speaker 5: Then we flew her to the Adelaide Fringe Festival. She

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Speaker 5: was on a stand up show there. So again, any

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Speaker 5: opportunity to involve her on the show, we absolutely jump

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Speaker 5: out and we'll we have a big opportunity.

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Speaker 1: We want to throw her way up next. Yes, yes,

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Speaker 1: we've got an opening. Wait are we telling everyone now?

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Speaker 1: Are we going to do the suspense thing where we

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Speaker 1: tell them on the other side, Oh, you're better at hooking?

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Speaker 1: I don't know. I think we should tell them now,

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Speaker 1: because then if we tell them I'm important, the curtain down,

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Speaker 1: everyone's going to go. God, dude, wouldn't mind hearing that? Oh? Nice,

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Speaker 1: good thinking? Way do I think it's through something we

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Speaker 1: should have done the Brea show meeting, but anyway it

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Speaker 1: would We're invited to go to the Loggers on the weekend.

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Speaker 5: Australian TV is not a nights it is and it's

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Speaker 5: a great time.

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Speaker 1: Last year, we had a blast this year. Unfortunately, I've

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Speaker 1: got a wedding overseas so i can't go, which really

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Speaker 1: kills me. It's a bummer. It is a bummer. It's

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Speaker 1: a bummer. We're trying to turn a negative into a

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Speaker 1: positive though, absolutely absolutely, and we just think that the

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Speaker 1: best person to take to the logis with you. He's right,

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Speaker 1: jud So, I mean, of all the entertainment, all the

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Speaker 1: fun that we've had with her.

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Speaker 5: She will be like a tornado at the logis favorite

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Speaker 5: all of the.

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Speaker 1: Celebrity because she's obsessed with him as well. She loves TV.

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Speaker 1: The more really is. She loves it. She's a huge

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Speaker 1: fan and I think she votes like on the logis

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Speaker 1: as well. She's massive for it.

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Speaker 5: It's a live recording as well, so anything can happen.

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Speaker 5: So she's going to be my date at the logis.

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Speaker 5: She doesn't know this yet, she has no idea what's.

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Speaker 1: Going on here. This is the first she is going

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Speaker 1: to hear about it. We're just going to call it out.

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Speaker 5: I'm sure she's in the Bat and Tackle store and

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Speaker 5: we'll invite her to the logis.

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Speaker 1: Hello, dude, it's it's Will and Woody. Hi, Jared Woody.

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Speaker 1: How are you good?

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Speaker 8: Mate?

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Speaker 1: Very good? Yeah? How are you going? Yeah?

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Speaker 7: Pretty good? Alright?

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Speaker 5: How the sales going in the hottest seller in July?

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Speaker 7: Probably the blow up dolls at the moment?

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Speaker 1: Yeah great, still a hot seller are they?

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Speaker 5: I was just wondering, dude, if you would like to

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Speaker 5: be my date to the logies?

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Speaker 1: What? What did he say?

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Speaker 5: I was just wondering if you'd like to be my

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Speaker 5: date to the logies?

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Speaker 1: What the TV? Yeah? Yeah, real leg yeah get away?

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Speaker 1: So you don't want to come?

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Speaker 3: Are you serious?

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Speaker 1: Yeah? Straight shots?

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Speaker 7: The line Bloody is having a go at me.

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Speaker 1: No we're not.

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Speaker 5: I promise you this is legitat You have to you

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Speaker 5: have to fly to Sydney.

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Speaker 7: Yeah, not a lag he's aid the same.

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Speaker 8: Thanks.

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Speaker 1: Yeah, Pangings hosting.

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Speaker 7: Oh get what?

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Speaker 1: I can't believe so many swear words lined up and

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Speaker 1: they all have to go by the wayside. Dude. So

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Speaker 1: it's going to be happening this Sunday, this Sunday night

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Speaker 1: in Sydney.

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Speaker 6: Yeah.

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Speaker 1: So so we'd fly you there and then we'd put

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Speaker 1: you up at the hotel where the logos are where

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Speaker 1: are Yeah? So he's staying out in the logos and

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Speaker 1: then you then you walk the red carpet with Woods.

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Speaker 7: I can't wait.

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Speaker 5: Yeah, you have a frock in mind, Jude, that you

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Speaker 5: can wear on Sunday, frock watch that address.

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Speaker 1: I don't know why God a frock. To be honest, we're.

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Speaker 7: Okay out here in Charlotte. Frocks out here.

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Speaker 1: You'll need to sort of make sure you your rain

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Speaker 1: and your fangirling a little bit because you're going to

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Speaker 1: be mixing it obviously on the red carpet. Bo Ryan

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Speaker 1: will be on the on the red carpets, on your

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Speaker 1: Krugel Hamish, Blake, Lee, sALS Osha, Gunsberg. You'll be mixing

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Speaker 1: it with all of them, mix some ship.

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Speaker 5: Why don't we run a scenario here, Jude, you bump

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Speaker 5: into Bow Ryan on the red carpet. Okay, we've seen Bow.

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Speaker 5: I walk up to Boats. I know, I'll say, good boy, going,

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Speaker 5: this is Jude. Jude, what do you say to Bow?

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Speaker 1: We might need to spend the week getting you a

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Speaker 1: bit Logi's ready. We have to get a frock in Sydney,

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Speaker 1: I think, so.

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Speaker 5: You know, shopping actually, because then maybe we can we

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Speaker 5: can match with what we wear, dude.

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Speaker 7: Oh hair sex sir, with.

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Speaker 1: Every sex mate might need to have a dry night

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Speaker 1: as well. Jude, You'll have to be on your best behavior.

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Speaker 1: I love your jam.

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Speaker 5: Why what is the worst idea your boss has ever had?

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Speaker 5: And we are talking about it because I mean, Elon

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Speaker 5: Musk is the boss of Twitter and today he has

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Speaker 5: had a stinker.

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Speaker 9: Twitter owner Elon Musk says he plans to change these

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Speaker 9: social media platform's well known bluebird logo with an X.

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Speaker 9: In a post on his own Twitter account, he says

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Speaker 9: the interim X logo might go live later on today.

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Speaker 1: It's Twitter, you tweet. That's the bit.

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Speaker 5: That's the bit, right, It's a bird, it tweets, it's Twitter.

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Speaker 5: What is He's not changing the name of the company.

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Speaker 5: It's still called Twitter. You's still tweet. But the logo

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Speaker 5: is an X.

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Speaker 1: He's tying it in with SpaceX, which is his I

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Speaker 1: had not picked up his rocket ship. There's a link.

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Speaker 1: It's his rocketship. Didn't just wake up. But even that though,

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Speaker 1: what you can't do that well, like Twitter is separate

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Speaker 1: to your space X thing. I don't think he's going

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Speaker 1: to call it X dot com. I think it's the

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Speaker 1: the vibe no no no com now points to Twitter. Yeah,

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Speaker 1: but it's not going to be called the social media

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Speaker 1: platform is not going to be called X. But I

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Speaker 1: think he's heading that way potentially. Well, I don't. It's

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Speaker 1: a stinker. It's clearly is that a bad month, isn't

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Speaker 1: he ever since he.

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Speaker 5: Took over from Twitter. I don't think many people as

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Speaker 5: he's doing a good job. But you know what, he's musk.

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Speaker 5: I think he'll turn it around. But it did remind

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Speaker 5: me will of a stinking idea.

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Speaker 1: That a previous boss of ours had.

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Speaker 5: There was a Miley Cyrus concert and we had the

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Speaker 5: opportunity to give away tickets and it was called the

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Speaker 5: Bangers and Mash Tour, and our boss pulled us into

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Speaker 5: a meeting and he was like, Captain's call. I'm just

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Speaker 5: gonna guys my idea. I get that, and I had

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Speaker 5: to push it on you, but it's great. We were like,

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Speaker 5: all right, mate whatever. He was like, how about we

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Speaker 5: get a ton of mashed potato and we put it

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Speaker 5: in a massive inflatable pool here in the car park

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Speaker 5: and then we just put sausages in the mashed potato.

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Speaker 5: Find a sausage you go to Mali Cyrus and we

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Speaker 5: were like, that seems very visual for.

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Speaker 1: A radio bit, but you know what, let's bloody do it.

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Speaker 5: Anyway, did the idea and we had like hundreds of

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Speaker 5: people diving into this.

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Speaker 1: It was ended up being a powdered mashed potato because

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Speaker 1: it was dead. It was powdered mashed potato.

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Speaker 5: We couldn't buy enough potatoes to get a ton to

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Speaker 5: mashed potato, so we had powdered mashed potato and then.

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Speaker 1: Raw sausages within the mashed potato.

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Speaker 5: So whole bunch of people jumping on raw sausages and

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Speaker 5: I'm pretty sure I don't know what the end figure was,

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Speaker 5: but two or three people got talmona. So that was

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Speaker 5: a shocking idea from a boss idea say, and I

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Speaker 5: just thought wilbar in inspiration.

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Speaker 1: I was pretty funy to watch though. Oh yeah, yeah,

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Speaker 1: I mean it was fun to watch at the time.

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Speaker 1: Great vid. Do we mention the human SENTI Peter, We

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Speaker 1: just let that one go.

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Speaker 5: What'sn't going to It's hard to expect. It was another

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Speaker 5: idea that yeah, same guy brought us into a meeting.

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Speaker 5: If you've seen the movie Human Centipede, you'll get we're

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Speaker 5: talking about he wanted that as a radio idea, last

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Speaker 5: one standing. Whin's the cash right off that one? That

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Speaker 5: one didn't that one didn't get to the airwaves, by

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Speaker 5: the way, but that's a previous boss that we're talking about.

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Speaker 5: Wilbur We got to go to a song right now,

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Speaker 5: but I reckon right up next. Yeah, as redemption for

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Speaker 5: bosses everywhere. We have a boss right now, Briani Ab.

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Speaker 5: He's a weapon. He's an ideas guy.

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Speaker 1: Yeah. Yeah. And to show you guys just how good

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Speaker 1: to you our first boss as well, and we've seen

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Speaker 1: it over the course of ten years. Yep. Absolutely Champagne

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Speaker 1: after Champagne.

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Speaker 5: So so we just want to show you guys how

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Speaker 5: good he is it ideation effectively. So part of this

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Speaker 5: job is companies will come to us, come to the

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Speaker 5: radio station, and they'll be like, right, we're a banana company.

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Speaker 5: We're selling bananas and the theme is yellow yep. And

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Speaker 5: then we've got to think of ideas.

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Speaker 1: To put on the radio show. That's that's yeah, and

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Speaker 1: even they'll tie it in with like, you know, easter, yeah,

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Speaker 1: you know, so they'll go like, oh, guys, that we're

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Speaker 1: a banana company and you know eggs have yoc in them,

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Speaker 1: Easter eggs. We want to tied in with the Easter

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Speaker 1: bananas and easter. Can you guys come back to us

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Speaker 1: and look. Sometimes sometimes they're tough meetings sometimes, yeah, but

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Speaker 1: you know when you've gotten someone like ab in there.

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Speaker 1: We got someone like Briani our boss in there. Yeah,

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Speaker 1: it's just you know, the meeting's silk because he just

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Speaker 1: he just comes up with such great ideas. So we'll

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Speaker 1: show you how good he is. We're going to call

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Speaker 1: him right now. He doesn't know where calling him obviously.

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Speaker 1: Oh hello, Hello, Hello, mate, Hello, you're live on radio.

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Speaker 8: Sorry when you have to say that together in Unison.

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Speaker 5: That's in the codes you have to say apparently, mate.

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Speaker 5: We just wanted to show Australia how good you are

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Speaker 5: what you do.

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Speaker 1: Just before we do that, you've obviously, I mean like

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Speaker 1: because you listen to us so avidly. You've been listening

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Speaker 1: to the last like five minutes or so.

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Speaker 8: Obviously, Yes, definitely have a thing good boys, really good.

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Speaker 7: Enjoyed that.

295
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Speaker 8: No, actually I have actually been listening. It was a

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Speaker 8: real shame that you didn't out Todd Campbell that you

297
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Speaker 8: talking about you.

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Speaker 5: That'll make Radio Today look out. All right, now, av let's.

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Speaker 1: Get to to your ideation. So here, here's the bit.

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Speaker 1: This is just an example.

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Speaker 5: This isn't real, but a condom company has approached our show.

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Speaker 1: Just a random condom. Condom, Keep it clean, mate, family, family, Yeah, okay.

303
00:16:38,640 --> 00:16:41,040
Speaker 1: Now the theme that they want to push here.

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Speaker 5: Is gift wrapped love this gift gift wrapped, okay, and

305
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Speaker 5: they want to put that in with Christmas and what

306
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Speaker 5: Christmas is coming up? So what idea can you foresee

307
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Speaker 5: from that for the radio show?

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Speaker 1: Will give my time?

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Speaker 8: All right, Well, straight away, I'm thinking like putting a

310
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Speaker 8: condom on it's kind of like kind of like Christmas wrapping,

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Speaker 8: but you're kind of like you're wrapping the gift for you,

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Speaker 8: all of it for something in that maybe it's also

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Speaker 8: an actual rap. So maybe maybe my partner has to

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Speaker 8: get on air and wrap about their partner's private parts.

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Speaker 1: You've done it. Wow, that is a hard bit. It's

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00:17:33,880 --> 00:17:36,520
Speaker 1: a hot bit. Wow, We're gonna do that tomorrow. I

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Speaker 1: think we're gonna have to do that tomorrow. I think

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Speaker 1: we're gonna have to do that, well, certainly in the

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Speaker 1: lead up to Christmas.

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Speaker 8: Anyway, you have a play around with jingle bells. Jingle balls.

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Speaker 8: I'll leave it up.

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Speaker 1: We're talking grown up flexes. So really, these are things

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Speaker 1: that you flex about as a grown up that in

324
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Speaker 1: the past. You you listen to someone that you'd hear

325
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Speaker 1: them and you proof it. You hear them talking in

326
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Speaker 1: a cafe at the hand dress and youthing like that,

327
00:18:05,320 --> 00:18:07,359
Speaker 1: that is the biggest loser on the planet. And I

328
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Speaker 1: never turned into them during Now you started doing.

329
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Speaker 5: It during the song just then. You were literally talking

330
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Speaker 5: about how good a toilet was in the pub.

331
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Speaker 1: Like Gone of the days. It's a big deal.

332
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Speaker 5: Gone the days where you're talking about the beers or

333
00:18:17,840 --> 00:18:20,640
Speaker 5: the alcohol, the d You're going, wow, the toilet, Woodie.

334
00:18:20,720 --> 00:18:22,720
Speaker 1: Oh never sat in the toilet like it. It was

335
00:18:22,800 --> 00:18:26,200
Speaker 1: quite remarkable. And I'm pretty sure you weren't doing it facetiously.

336
00:18:26,280 --> 00:18:30,200
Speaker 1: You have been serious with me. It's not technically a flex,

337
00:18:30,240 --> 00:18:33,720
Speaker 1: though I do. Flexes are things that you're boasting about.

338
00:18:33,760 --> 00:18:36,080
Speaker 1: So yeah, so I suppose if it's your pubet's your toilet.

339
00:18:36,240 --> 00:18:38,200
Speaker 1: I mean you you were flexing about finding it. I

340
00:18:38,240 --> 00:18:40,520
Speaker 1: think you were like, I found the best of toilet.

341
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Speaker 1: This is Lisa, that's even worse Hilissa, are you there, Hi?

342
00:18:48,240 --> 00:18:48,359
Speaker 4: Hi?

343
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Speaker 1: What's your grown up flex?

344
00:18:50,640 --> 00:18:51,240
Speaker 7: Oh?

345
00:18:51,280 --> 00:18:55,240
Speaker 3: Embarrassingly, Oh my god, there's an ambulance.

346
00:18:55,240 --> 00:18:59,240
Speaker 7: Sorry, going through the day without having a nap?

347
00:19:00,119 --> 00:19:10,639
Speaker 1: Oh wow, thanks to all this. I love that I

348
00:19:10,680 --> 00:19:12,960
Speaker 1: found my This is a bad one, but I found

349
00:19:12,960 --> 00:19:15,159
Speaker 1: myself flexing with it with a very good friend of

350
00:19:15,160 --> 00:19:18,240
Speaker 1: mine about how much debt were in at the moment. Ah,

351
00:19:18,480 --> 00:19:22,080
Speaker 1: like just it was almost weird. Who could out do

352
00:19:22,240 --> 00:19:26,280
Speaker 1: each other? Who the other one? With how much money

353
00:19:26,400 --> 00:19:29,320
Speaker 1: we are? Did you win it? I think we figured

354
00:19:29,320 --> 00:19:33,040
Speaker 1: out with both even rates going over at the moment,

355
00:19:33,080 --> 00:19:37,600
Speaker 1: we're both you're talking about how much money people. It

356
00:19:37,680 --> 00:19:41,200
Speaker 1: was a very very very strange flex. Prince. Unfortunately a

357
00:19:41,280 --> 00:19:43,560
Speaker 1: reality so I can't about how much money I've got.

358
00:19:43,600 --> 00:19:45,639
Speaker 1: It was more just about how much how little money

359
00:19:45,640 --> 00:19:48,000
Speaker 1: I had, And that's the reality for most people. If

360
00:19:48,040 --> 00:19:52,040
Speaker 1: you don't like you cry. Ursul was called on thirty

361
00:19:52,080 --> 00:19:55,399
Speaker 1: one late. We're talking, we're talking grown up flexes. What

362
00:19:55,440 --> 00:19:56,120
Speaker 1: have you got?

363
00:19:56,960 --> 00:19:59,240
Speaker 7: I am an expert at folding a fitted sheet?

364
00:19:59,520 --> 00:20:02,800
Speaker 1: Oh how teach me? Teach me?

365
00:20:04,400 --> 00:20:07,480
Speaker 7: I know it is easy thing once you know, But

366
00:20:07,600 --> 00:20:08,400
Speaker 7: that's so cryptic.

367
00:20:08,960 --> 00:20:11,520
Speaker 1: Just tell me. I got to stuff it I'm just

368
00:20:11,520 --> 00:20:12,960
Speaker 1: a stuff And now what do you do about it?

369
00:20:12,960 --> 00:20:16,120
Speaker 1: Will folding and fetah, It's just stuff. It it's gone.

370
00:20:16,119 --> 00:20:17,800
Speaker 1: It's yeah. It's like a sleeping bag. You just do

371
00:20:18,240 --> 00:20:20,919
Speaker 1: it in there tanks, the callers, another one of the woods.

372
00:20:20,960 --> 00:20:23,040
Speaker 1: I was talking thirty one and six five. We are

373
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Speaker 1: talking grown up flexes right now. I the other day

374
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Speaker 1: someone was asking me or they're like, oh, I'm going

375
00:20:29,640 --> 00:20:32,040
Speaker 1: to come around early tomorrow, like I need to be

376
00:20:32,119 --> 00:20:36,080
Speaker 1: there early better tradesman rocking out, And I found myself going,

377
00:20:37,119 --> 00:20:39,119
Speaker 1: don't worry, mate, I'm up at five point thirty anyway.

378
00:20:40,280 --> 00:20:44,879
Speaker 1: But that is that is a grown up flex. Yeah.

379
00:20:44,920 --> 00:20:47,520
Speaker 1: And then I followed up by doing that thing. I go, well,

380
00:20:47,560 --> 00:20:49,879
Speaker 1: I'm up. You know what they do that thing? They go,

381
00:20:50,320 --> 00:20:52,960
Speaker 1: you're going to be mate, I'm up anyway. I'm up anyway.

382
00:20:53,240 --> 00:20:55,199
Speaker 1: And so now I'm from it like the earlier you

383
00:20:55,240 --> 00:20:58,120
Speaker 1: get up as an adult is the cooler you are.

384
00:20:58,320 --> 00:20:59,920
Speaker 1: Even the earlier you got a bed is a flex

385
00:21:00,000 --> 00:21:01,479
Speaker 1: one hundred ago. I went to bed to a eight

386
00:21:01,480 --> 00:21:04,800
Speaker 1: thirty last night. Yeah, oh wow, that's amazing, isn't that right?

387
00:21:04,880 --> 00:21:06,280
Speaker 1: And then people are saying I went to bed like

388
00:21:06,280 --> 00:21:10,040
Speaker 1: at midnight it is you more get scolded for you.

389
00:21:10,359 --> 00:21:12,800
Speaker 1: I had a great exchange the other day. We're talking

390
00:21:12,800 --> 00:21:14,040
Speaker 1: grown up flexes. I'll get to that in a sect

391
00:21:14,040 --> 00:21:15,760
Speaker 1: because bell is called thirty one of sixty five Beller.

392
00:21:15,760 --> 00:21:18,240
Speaker 1: We're talking grown up flexes. What have you got for us?

393
00:21:18,800 --> 00:21:23,320
Speaker 8: Hello, I've got my indoor plant collection.

394
00:21:23,640 --> 00:21:25,960
Speaker 1: Oh yeah, god great, and not.

395
00:21:25,880 --> 00:21:28,560
Speaker 8: Being able to kill a plant anymore is great.

396
00:21:29,160 --> 00:21:29,440
Speaker 6: Yeah.

397
00:21:30,280 --> 00:21:33,840
Speaker 1: Are you propagating Beller, Because that's the ultimate flex place.

398
00:21:33,880 --> 00:21:36,720
Speaker 1: As soon as you're propagating, it's the trump card. I

399
00:21:36,760 --> 00:21:39,160
Speaker 1: had another one the other day where someone was someone

400
00:21:39,200 --> 00:21:41,480
Speaker 1: was talking about the fact that they bought something off

401
00:21:41,520 --> 00:21:43,520
Speaker 1: the quantous website with points and this was a really

402
00:21:43,560 --> 00:21:47,600
Speaker 1: interesting flex off right. So someone goes, you've done this,

403
00:21:47,960 --> 00:21:49,840
Speaker 1: done this, I have done this? Am I am I

404
00:21:49,880 --> 00:21:53,520
Speaker 1: substituting someone else myself from the story? Maybe, so all right,

405
00:21:53,760 --> 00:21:55,760
Speaker 1: I'll just go sorry. So I bought something on the

406
00:21:55,800 --> 00:21:58,400
Speaker 1: quantious website points here we go? Okay. So I bought

407
00:21:58,400 --> 00:22:00,320
Speaker 1: some wine on the Counts website in points right, because

408
00:22:00,320 --> 00:22:02,080
Speaker 1: I place I could get this wine and it was

409
00:22:02,080 --> 00:22:03,440
Speaker 1: a twenty twenty one and they'd run out of it

410
00:22:03,480 --> 00:22:05,960
Speaker 1: everywhere else. So I bought it on the corner stripsite

411
00:22:05,960 --> 00:22:08,640
Speaker 1: with points right. And then the funny thing was that

412
00:22:09,000 --> 00:22:12,200
Speaker 1: the person I was talking to the subsequent flex was well,

413
00:22:12,280 --> 00:22:14,120
Speaker 1: that's a dumb way to spend your points because everyone

414
00:22:14,200 --> 00:22:16,520
Speaker 1: knows you should be spending it on upgrades rather than points.

415
00:22:16,560 --> 00:22:20,160
Speaker 1: And I was like, now you're looking like way more

416
00:22:20,200 --> 00:22:22,639
Speaker 1: of a douche bag than me because you're correcting me.

417
00:22:23,440 --> 00:22:26,760
Speaker 1: I've come out here with a really crappy, grown up flex.

418
00:22:27,160 --> 00:22:31,159
Speaker 1: You've trumped me with an even more deplorable flex about

419
00:22:31,200 --> 00:22:33,440
Speaker 1: what the integrity is and how to spend your quantity points.

420
00:22:33,440 --> 00:22:35,040
Speaker 1: I think it's really embarrassing for both of you. Have

421
00:22:35,160 --> 00:22:46,600
Speaker 1: to be honest, Like, Lana del Ray is a cracking story.

422
00:22:47,720 --> 00:22:50,640
Speaker 1: She we love it. We love Lana del Ray, Elizabeth

423
00:22:50,680 --> 00:22:53,679
Speaker 1: wool Ridge Grant h this is her right now.

424
00:22:54,200 --> 00:22:54,760
Speaker 7: It's awesome.

425
00:22:56,200 --> 00:23:07,240
Speaker 1: I love her. She walked into a takeaway store, a

426
00:23:07,280 --> 00:23:13,480
Speaker 1: waffle house restaurant. Oh love a waffle Yeah, and this transport, Well,

427
00:23:13,520 --> 00:23:15,240
Speaker 1: she's not down on the West Coast.

428
00:23:15,400 --> 00:23:18,840
Speaker 4: No, that's Lana Delray down in Florence, Alabama, seen in

429
00:23:18,920 --> 00:23:19,800
Speaker 4: a waffle house.

430
00:23:19,840 --> 00:23:22,040
Speaker 1: Of all polics, The pop star was seen in a

431
00:23:22,040 --> 00:23:25,439
Speaker 1: waffle house employee outfit taking pics with vans, seeing with

432
00:23:25,520 --> 00:23:29,120
Speaker 1: patrons and even appearing to work behind the counter. Tord

433
00:23:29,200 --> 00:23:32,199
Speaker 1: Coffee worked there for a little while they paid. I

434
00:23:32,280 --> 00:23:34,800
Speaker 1: don't think so, mate. It's funny that your mind always

435
00:23:34,800 --> 00:23:38,920
Speaker 1: goes there first, but I don't think so anyway. Why

436
00:23:38,920 --> 00:23:41,200
Speaker 1: do you always go there because it doesn't do as well?

437
00:23:41,320 --> 00:23:44,840
Speaker 1: If I had to psychoanalyze you that You're right anyway.

438
00:23:46,080 --> 00:23:49,280
Speaker 1: It just celebrity doing everyday jobs or normal jobs is

439
00:23:49,359 --> 00:23:52,560
Speaker 1: really something that interests me. Yeah, largely because woods you,

440
00:23:52,800 --> 00:23:55,240
Speaker 1: as a C grade celebrity, would not be able to

441
00:23:55,280 --> 00:23:56,919
Speaker 1: do a normal job. And you've got a track record

442
00:23:56,920 --> 00:24:02,520
Speaker 1: of this. You've got a history of this. You I'm listening.

443
00:24:02,600 --> 00:24:04,560
Speaker 1: I'm listening. But I think I held down some pretty

444
00:24:04,640 --> 00:24:07,280
Speaker 1: good jobs for the radio. I'll give you one job

445
00:24:07,280 --> 00:24:09,359
Speaker 1: that I think you did well before radio. Yeah, and

446
00:24:09,359 --> 00:24:10,880
Speaker 1: that was where you spent most of your time, which

447
00:24:10,880 --> 00:24:13,080
Speaker 1: was as a personal trainer. Thank you. You're a good

448
00:24:13,080 --> 00:24:17,119
Speaker 1: personal trainer. And he worked my ass off. Now let's

449
00:24:17,119 --> 00:24:18,880
Speaker 1: get into it. I thought we could spend more time

450
00:24:18,920 --> 00:24:21,439
Speaker 1: on that moving past that, are we because you? Because

451
00:24:21,600 --> 00:24:23,840
Speaker 1: the other one I just don't. You're just not capable

452
00:24:23,840 --> 00:24:26,120
Speaker 1: of doing them, are you? Which one do we want

453
00:24:26,119 --> 00:24:27,639
Speaker 1: to talk about. We can pamphlet drop. We want to

454
00:24:27,640 --> 00:24:28,720
Speaker 1: go in the wader, we can kick it off with

455
00:24:28,720 --> 00:24:29,640
Speaker 1: the pamphlet job. Okay.

456
00:24:29,760 --> 00:24:32,800
Speaker 5: Got fired very quickly because I realized that delivering pamphlets

457
00:24:32,800 --> 00:24:35,040
Speaker 5: took far too long. So one night, well I actually

458
00:24:35,080 --> 00:24:36,600
Speaker 5: did this a few times, but I just started burying

459
00:24:36,640 --> 00:24:37,240
Speaker 5: the pamphlets.

460
00:24:37,800 --> 00:24:38,600
Speaker 1: Got lazy with that.

461
00:24:38,800 --> 00:24:40,720
Speaker 5: One time i'd barely buried it, just put some top

462
00:24:40,720 --> 00:24:42,359
Speaker 5: soil on it, and the wind blow it off and

463
00:24:42,400 --> 00:24:45,000
Speaker 5: the pamphlets flew over it. And yeah, I got fired. Yeah,

464
00:24:45,440 --> 00:24:47,159
Speaker 5: but you know I'm fourteen. There, I'm fourteen.

465
00:24:47,200 --> 00:24:48,960
Speaker 1: Okay, before we can move on. We can move on.

466
00:24:49,840 --> 00:24:53,560
Speaker 1: So the next one would be what they're working for?

467
00:24:53,600 --> 00:24:55,679
Speaker 1: The Electoral Commission O the AE? You want to go

468
00:24:55,680 --> 00:24:56,040
Speaker 1: for that one?

469
00:24:56,200 --> 00:24:58,639
Speaker 5: I was going to leave that out, but after I

470
00:24:58,680 --> 00:25:00,960
Speaker 5: got fired from well he got fired, not just me.

471
00:25:01,080 --> 00:25:04,879
Speaker 5: Actually I worked on the election day, which was there

472
00:25:04,880 --> 00:25:06,160
Speaker 5: were still a couple of people.

473
00:25:05,920 --> 00:25:07,800
Speaker 1: Who knew Will and why did you do that?

474
00:25:08,040 --> 00:25:11,800
Speaker 5: Very low on money, really struggling, but why that, Well,

475
00:25:11,880 --> 00:25:13,560
Speaker 5: it's just to be honest with you, mate.

476
00:25:13,560 --> 00:25:14,800
Speaker 1: I was applying for a lot of jobs, and I

477
00:25:14,840 --> 00:25:15,720
Speaker 1: was getting a lot of no's.

478
00:25:16,520 --> 00:25:18,479
Speaker 5: And I got a yes from the election because they

479
00:25:18,560 --> 00:25:21,359
Speaker 5: need people anyway. I worked the election and like I

480
00:25:21,440 --> 00:25:23,720
Speaker 5: recognized a few people, and then some people were fans

481
00:25:23,720 --> 00:25:25,119
Speaker 5: of the show, and I was like, wow, this is

482
00:25:25,160 --> 00:25:25,600
Speaker 5: this is bad.

483
00:25:26,600 --> 00:25:28,760
Speaker 1: And then at the end of the night, no one could.

484
00:25:28,640 --> 00:25:31,960
Speaker 5: Go home because I kept miscounting the votes and eventually

485
00:25:32,000 --> 00:25:35,040
Speaker 5: they figured out, like, it's it's that bloke, he's not

486
00:25:35,119 --> 00:25:37,560
Speaker 5: fit because it wasn't you. Basically I counted you had it,

487
00:25:37,600 --> 00:25:39,720
Speaker 5: and then someone else checks it and we're standing it wrong.

488
00:25:39,800 --> 00:25:42,320
Speaker 5: And we figured out your counting it wrong, mate, And

489
00:25:42,400 --> 00:25:44,240
Speaker 5: eventually it was like just kind of a sit down

490
00:25:44,240 --> 00:25:45,880
Speaker 5: over there and we'll get someone else to do it.

491
00:25:46,200 --> 00:25:48,399
Speaker 1: Okay, No, Yeah, that was a bad one. Yeah, that

492
00:25:48,480 --> 00:25:50,159
Speaker 1: was a bad one. What else do you want to

493
00:25:50,160 --> 00:25:54,760
Speaker 1: focus on. I was going to move into your your

494
00:25:54,760 --> 00:25:56,439
Speaker 1: box your box stacking business.

495
00:25:56,440 --> 00:25:59,080
Speaker 5: Oh no, that was outrageous success. I wouldy for all

496
00:25:59,080 --> 00:26:01,359
Speaker 5: seasons is what's that company was called? I start that

497
00:26:01,440 --> 00:26:02,080
Speaker 5: productally Limited?

498
00:26:02,880 --> 00:26:05,200
Speaker 1: And are you telling me about this? I remember going

499
00:26:05,240 --> 00:26:07,359
Speaker 1: to your dad's real estate agency where he was working

500
00:26:07,359 --> 00:26:10,200
Speaker 1: at the time, and you were like, oh, yeah, mate,

501
00:26:10,200 --> 00:26:14,439
Speaker 1: have got this gig, this new gig Seasons And then

502
00:26:14,440 --> 00:26:17,240
Speaker 1: I found out you were just putting real estate documents

503
00:26:17,240 --> 00:26:18,840
Speaker 1: in the shed out of the box of you at

504
00:26:18,880 --> 00:26:21,240
Speaker 1: the back of your dad, the real estate agency your dad.

505
00:26:21,160 --> 00:26:23,920
Speaker 5: Worked in order though they were bloody everywhere, those documents

506
00:26:23,960 --> 00:26:25,680
Speaker 5: that the years were all out of place, and I'd

507
00:26:25,720 --> 00:26:26,000
Speaker 5: have to.

508
00:26:25,920 --> 00:26:28,520
Speaker 1: Go, right, there's ninety nine, put that behind ninety seven.

509
00:26:28,640 --> 00:26:31,480
Speaker 5: Obviously, I'd spend hours doing that, seventeen bucks an hour

510
00:26:31,800 --> 00:26:35,800
Speaker 5: by myself in a shed that was a success, got

511
00:26:35,800 --> 00:26:37,040
Speaker 5: no business outside.

512
00:26:36,720 --> 00:26:41,240
Speaker 1: Of dad, to be fair. To be fair. The one

513
00:26:41,280 --> 00:26:43,119
Speaker 1: that really brought it under me, which was one that

514
00:26:43,160 --> 00:26:45,080
Speaker 1: you didn't even get a job at, like they didn't

515
00:26:45,080 --> 00:26:47,280
Speaker 1: actually give you the job because they realized over the

516
00:26:47,280 --> 00:26:50,119
Speaker 1: phone that much more on you were was the the

517
00:26:50,119 --> 00:26:52,520
Speaker 1: bell attendant and the bell boy boy.

518
00:26:52,600 --> 00:26:54,400
Speaker 5: So I wanted to because I thought I was still

519
00:26:54,440 --> 00:26:57,280
Speaker 5: going to be like successful the entertainment industry.

520
00:26:57,560 --> 00:26:58,760
Speaker 1: So I was like, you know, I should do work

521
00:26:58,800 --> 00:27:00,000
Speaker 1: for a hotel in the middle of the night.

522
00:27:00,400 --> 00:27:02,320
Speaker 5: So then it's like I'm not taking away from auditions

523
00:27:02,320 --> 00:27:03,680
Speaker 5: and stuff because I'm going to be a big start.

524
00:27:04,160 --> 00:27:06,400
Speaker 1: So I got an interview.

525
00:27:07,240 --> 00:27:09,480
Speaker 5: I did know seek dot com, but I've got an interview,

526
00:27:09,480 --> 00:27:11,480
Speaker 5: and I was a great phone interview and they were like, okay,

527
00:27:11,840 --> 00:27:16,600
Speaker 5: first question, mister Whitelaw, what do you think the job entails?

528
00:27:17,000 --> 00:27:19,520
Speaker 1: And I was like, oh, what's pretty easy, guys, Am

529
00:27:20,640 --> 00:27:25,280
Speaker 1: I just attend to the bell and they were like, ah,

530
00:27:25,600 --> 00:27:26,000
Speaker 1: very good.

531
00:27:26,040 --> 00:27:28,679
Speaker 5: And I was like, sorry, I'm applying for bell attend

532
00:27:28,680 --> 00:27:30,920
Speaker 5: and I think I'm just the guy that hitto the bell.

533
00:27:35,080 --> 00:27:40,199
Speaker 1: Alright, it Woods, It has been bestowed upon us the

534
00:27:40,280 --> 00:27:43,720
Speaker 1: least likely of people to give away these Taylor Swift tickets.

535
00:27:43,800 --> 00:27:47,360
Speaker 1: I mean cars on the table guys where I mean,

536
00:27:47,680 --> 00:27:50,040
Speaker 1: they probably would have given these to Klan Jackie on stuff.

537
00:27:50,040 --> 00:27:53,440
Speaker 1: But it is a national competition because everyone wants the tickets.

538
00:27:53,440 --> 00:27:56,520
Speaker 1: They're rescheduling flights out of where we're going to fly

539
00:27:56,680 --> 00:27:58,400
Speaker 1: you if you're not in Melburns, and he will fly

540
00:27:58,520 --> 00:28:01,000
Speaker 1: you on one of the new flights that each of

541
00:28:01,000 --> 00:28:03,080
Speaker 1: the airlines is had to put up just to get

542
00:28:03,280 --> 00:28:05,639
Speaker 1: the amount of people that want to get into Melbourne

543
00:28:05,640 --> 00:28:08,840
Speaker 1: and Sydney on those dates to see Taylor Swift because

544
00:28:08,880 --> 00:28:11,280
Speaker 1: that many people missed out. Two million people missed out

545
00:28:11,280 --> 00:28:13,720
Speaker 1: on these gigs and she's doing three mcgs, so she's

546
00:28:13,720 --> 00:28:16,399
Speaker 1: already playing to three hundred thousand people in Melbourne, and

547
00:28:16,440 --> 00:28:17,840
Speaker 1: there are still two million people.

548
00:28:17,560 --> 00:28:20,760
Speaker 5: That missed out, and we have whole rows of tickets

549
00:28:20,760 --> 00:28:21,280
Speaker 5: to give away.

550
00:28:21,280 --> 00:28:22,960
Speaker 1: It's pretty good. Great news is you've got a whole

551
00:28:23,000 --> 00:28:31,800
Speaker 1: row of seats to go and see that. It's absolutely

552
00:28:31,800 --> 00:28:34,800
Speaker 1: pandemonium and we can sit here and we can try

553
00:28:34,840 --> 00:28:37,439
Speaker 1: and tell you guys how nuts this is. But it

554
00:28:37,600 --> 00:28:39,720
Speaker 1: really is only done justice by a package that was

555
00:28:39,720 --> 00:28:44,840
Speaker 1: put together, which is truly, truly a great encapsulation of

556
00:28:44,920 --> 00:28:47,160
Speaker 1: just how insane everybody has been for these tickets have

557
00:28:47,200 --> 00:28:51,760
Speaker 1: listen to this makes some noise for tailors. Got a

558
00:28:51,800 --> 00:29:00,480
Speaker 1: whole row of tickets to Taylor Swift than I would

559
00:29:00,480 --> 00:29:02,080
Speaker 1: be saying.

560
00:29:01,640 --> 00:29:10,440
Speaker 3: I won't you want a whole role tel Swift tickets

561
00:29:10,440 --> 00:29:12,920
Speaker 3: so enchanted to be going?

562
00:29:13,280 --> 00:29:15,960
Speaker 1: I've never let someone say they're enchanted to.

563
00:29:15,880 --> 00:29:22,320
Speaker 5: Be going one of the songs go on?

564
00:29:24,440 --> 00:29:25,800
Speaker 1: Have you got tickets to go and see it?

565
00:29:26,120 --> 00:29:26,920
Speaker 7: No, we don't.

566
00:29:27,040 --> 00:29:31,240
Speaker 4: We try to get them every day either.

567
00:29:31,600 --> 00:29:33,800
Speaker 1: I've got a whole roll of Taylor Swift tickets to

568
00:29:33,840 --> 00:29:34,280
Speaker 1: your team.

569
00:29:35,520 --> 00:29:36,960
Speaker 8: What is the role.

570
00:29:38,440 --> 00:29:38,800
Speaker 4: The draw?

571
00:29:39,040 --> 00:29:43,040
Speaker 3: So I got them, I'm ready for three days.

572
00:29:43,560 --> 00:29:44,720
Speaker 8: I've got to hear about.

573
00:29:44,920 --> 00:29:47,640
Speaker 1: Good news is you've got a whole road to Taylor Swigs.

574
00:29:53,880 --> 00:29:56,480
Speaker 5: You've got a whole road to go and say, Tylors,

575
00:29:57,400 --> 00:29:58,479
Speaker 5: my Sonny's cried.

576
00:29:58,760 --> 00:30:00,480
Speaker 7: You got really skid.

577
00:30:02,080 --> 00:30:07,400
Speaker 1: It's so quiet. We heard that you gave your daughter

578
00:30:07,440 --> 00:30:09,320
Speaker 1: two days off school to try and get tickets and

579
00:30:09,400 --> 00:30:11,080
Speaker 1: you didn't get any. They're all yours?

580
00:30:12,720 --> 00:30:14,080
Speaker 4: Are you here?

581
00:30:14,280 --> 00:30:15,200
Speaker 8: I got a question?

582
00:30:15,360 --> 00:30:19,080
Speaker 7: And you did happen to win the tickets that you're taken.

583
00:30:20,800 --> 00:30:23,600
Speaker 5: Mum, probably probably take your dad because hate is one

584
00:30:23,640 --> 00:30:24,680
Speaker 5: your whole row of tickets.

585
00:30:24,760 --> 00:30:29,240
Speaker 1: Taylor Swift. I can't scream right now, but I really want.

586
00:30:29,560 --> 00:30:30,920
Speaker 5: We said to you right now, we've got a whole

587
00:30:30,960 --> 00:30:33,160
Speaker 5: row of Teleswift tickets. You would go, I'll break up

588
00:30:33,200 --> 00:30:34,320
Speaker 5: with my boyfriend to the ticket.

589
00:30:34,520 --> 00:30:34,920
Speaker 3: I would.

590
00:30:35,120 --> 00:30:37,560
Speaker 1: If we're going to compare Taylor Swift and Ryan to

591
00:30:37,760 --> 00:30:38,840
Speaker 1: an animal.

592
00:30:38,520 --> 00:30:41,600
Speaker 7: Tailorswift is an amazing dolphin.

593
00:30:41,440 --> 00:30:47,920
Speaker 1: And Ryant, Oh all right, what's go on? Oh God,

594
00:30:49,280 --> 00:30:51,920
Speaker 1: You've got a whole row of Teleswift tickets. I love it.

595
00:30:52,120 --> 00:30:59,920
Speaker 4: Ryan, I would really like to get one of my

596
00:31:00,120 --> 00:31:04,160
Speaker 4: really close works friends the Taylor Swift tickets. She is

597
00:31:04,280 --> 00:31:06,600
Speaker 4: just like an all round amazing person. But I do

598
00:31:06,760 --> 00:31:08,800
Speaker 4: owe a lot to her in terms of like what

599
00:31:08,880 --> 00:31:11,680
Speaker 4: she's taught me and how I have come here?

600
00:31:11,720 --> 00:31:14,400
Speaker 5: You just call Lorna, she's on maternity leave, how's the

601
00:31:14,400 --> 00:31:15,320
Speaker 5: baby going, et cetera.

602
00:31:15,480 --> 00:31:17,920
Speaker 1: And then does Boom drop it on her. You've won

603
00:31:18,000 --> 00:31:20,040
Speaker 1: her a whole role of Taylor Swift tickets.

604
00:31:21,320 --> 00:31:23,840
Speaker 4: Hey, Lona, I actually have a really big surprise for

605
00:31:23,960 --> 00:31:28,040
Speaker 4: you work. I managed to win you an entire road

606
00:31:28,120 --> 00:31:30,240
Speaker 4: to go see Taylor Swift, to take whoever you want.

607
00:31:31,240 --> 00:31:31,280
Speaker 6: What.

608
00:31:32,720 --> 00:31:34,880
Speaker 4: Yeah, we are currently live.

609
00:31:34,960 --> 00:31:38,880
Speaker 7: Congratulations and being curious.

610
00:31:39,240 --> 00:31:41,400
Speaker 1: It's Will and what are you here? It's real? You're

611
00:31:41,400 --> 00:31:46,720
Speaker 1: going Please don't. I'm so sleep deprived I'll cry.

612
00:31:47,200 --> 00:31:47,840
Speaker 4: Unbelievable.

613
00:31:47,840 --> 00:31:51,200
Speaker 1: It's been an unbelievable what two weeks? It was another

614
00:31:51,200 --> 00:31:54,320
Speaker 1: whole two weeks ago? My lord, that's insane.

615
00:31:54,240 --> 00:31:54,320
Speaker 6: Ye.

616
00:31:54,800 --> 00:31:56,760
Speaker 1: Look, you're gonna be listening from eight am all across

617
00:31:56,800 --> 00:31:59,480
Speaker 1: the workday to get your chance her self, yourself, a chance,

618
00:31:59,480 --> 00:32:01,880
Speaker 1: I should say, a reserve a row now, Woods right now.

619
00:32:02,280 --> 00:32:04,880
Speaker 1: As with all of these people, they're often massive Swifties

620
00:32:04,880 --> 00:32:09,680
Speaker 1: without being huge Will and Woodies. We've got a name

621
00:32:09,720 --> 00:32:12,960
Speaker 1: for our fans, but they know, they obviously know who

622
00:32:13,000 --> 00:32:14,440
Speaker 1: Taylor is, but I don't know who we are because

623
00:32:14,440 --> 00:32:16,400
Speaker 1: it's just so only t is that we've got that

624
00:32:16,480 --> 00:32:18,160
Speaker 1: people want that we that we have to give away.

625
00:32:18,200 --> 00:32:19,400
Speaker 1: We're the only ones that can give them away.

626
00:32:19,440 --> 00:32:21,040
Speaker 5: And all of a sudden they're listening to us and

627
00:32:21,080 --> 00:32:22,320
Speaker 5: not knowing who That's great.

628
00:32:22,600 --> 00:32:25,840
Speaker 1: So right now I've got a girl I think twenty

629
00:32:25,840 --> 00:32:29,840
Speaker 1: one name's Chloe. I've heard that she's a teacher when

630
00:32:29,960 --> 00:32:33,560
Speaker 1: caller is a producer of the show, and first of all,

631
00:32:33,600 --> 00:32:35,480
Speaker 1: just suss out whether or not she actually does know

632
00:32:35,520 --> 00:32:37,400
Speaker 1: who we are. Ask he a pretty simple question about us.

633
00:32:37,480 --> 00:32:41,280
Speaker 1: No as well like that, and then apparently she's in

634
00:32:41,280 --> 00:32:44,120
Speaker 1: front of some students at the moment, so Seevin come't

635
00:32:44,120 --> 00:32:45,840
Speaker 1: with something. Wo's going to embarrass her in front of

636
00:32:45,880 --> 00:32:53,520
Speaker 1: the kids? Hello Chloe speaking yes like Chloye. My name

637
00:32:53,560 --> 00:32:55,920
Speaker 1: is Garham, calling from Will and Woody. How are you sucknoon?

638
00:32:56,880 --> 00:32:58,440
Speaker 4: Good? Thank you? How are you you really?

639
00:32:58,440 --> 00:33:02,320
Speaker 6: Will look, I'm just because I think the boy's gonna

640
00:33:02,320 --> 00:33:08,280
Speaker 6: have a bit of fun with the whole giveaway you today. Yeah, so, uh,

641
00:33:08,400 --> 00:33:09,560
Speaker 6: you're you're a fan of the boys.

642
00:33:10,400 --> 00:33:10,600
Speaker 1: Yeah.

643
00:33:10,720 --> 00:33:13,000
Speaker 4: I listened to them occasionally when I drive home, yet

644
00:33:13,040 --> 00:33:13,880
Speaker 4: most of the most days.

645
00:33:13,920 --> 00:33:16,320
Speaker 1: Oh yeah, so like quick test with which one's got here?

646
00:33:16,320 --> 00:33:19,200
Speaker 1: Which one doesn't the non bold one.

647
00:33:19,720 --> 00:33:23,240
Speaker 6: Oh yeah, that would make sense. Look, they're doing a

648
00:33:23,280 --> 00:33:26,880
Speaker 6: bit of a funny thing this afternoon whereby they'll slip

649
00:33:26,920 --> 00:33:30,960
Speaker 6: a song lyric into the conversation with you, and you're

650
00:33:31,000 --> 00:33:32,880
Speaker 6: not going to know what that song lyric is. But

651
00:33:32,960 --> 00:33:35,640
Speaker 6: if you think you know the lyric, you have to

652
00:33:35,680 --> 00:33:37,600
Speaker 6: start singing that song immediately.

653
00:33:37,760 --> 00:33:38,360
Speaker 1: Does that make sense?

654
00:33:38,400 --> 00:33:40,520
Speaker 4: Okay, yes, okay.

655
00:33:40,520 --> 00:33:43,120
Speaker 1: I can't guarantee they'll call you, but if you do

656
00:33:43,360 --> 00:33:46,160
Speaker 1: miss the song lyric, then you won't get the tickets.

657
00:33:46,520 --> 00:33:49,440
Speaker 7: Okay, okay, Trauma Harvest.

658
00:33:49,560 --> 00:33:51,320
Speaker 6: Yeah, maybe do a bit of googling about Will and

659
00:33:51,360 --> 00:33:52,800
Speaker 6: Woody as well, because it's quite clear you don't know

660
00:33:52,800 --> 00:33:53,240
Speaker 6: who they are.

661
00:33:53,600 --> 00:33:56,040
Speaker 1: Okay, thanks, bye.

662
00:33:56,840 --> 00:34:00,000
Speaker 5: Real bitch of a producer, tell you what, Yeah, very catty,

663
00:34:00,240 --> 00:34:01,600
Speaker 5: you've had a long day, Gary, how din'd you?

664
00:34:03,920 --> 00:34:06,400
Speaker 1: I like this? Though? This is good? This is good? Yeah,

665
00:34:06,440 --> 00:34:08,120
Speaker 1: this is huge. So do you know what you're gonna drop?

666
00:34:08,120 --> 00:34:08,200
Speaker 3: No?

667
00:34:08,280 --> 00:34:10,000
Speaker 1: I don't know yet. Yeah, I'll feel that out on

668
00:34:10,000 --> 00:34:12,080
Speaker 1: the other side. Yeah, but I do know. She's standing

669
00:34:12,080 --> 00:34:14,520
Speaker 1: in front of a whole bunch of kids. Okay, this

670
00:34:14,560 --> 00:34:16,160
Speaker 1: is extraordinary. Do you know what you're gonna drop? I

671
00:34:16,239 --> 00:34:25,160
Speaker 1: think so okay, Hello, Hey, Hey is that Chloe? Yes,

672
00:34:25,239 --> 00:34:27,000
Speaker 1: it is hey Chloe. How are you? This is Wheel

673
00:34:27,000 --> 00:34:28,839
Speaker 1: and Woody. What's going on? Not a lot.

674
00:34:28,920 --> 00:34:32,600
Speaker 4: I'm just finishing my day at school on my placement.

675
00:34:33,360 --> 00:34:36,400
Speaker 1: Oh what did you teach the kids today?

676
00:34:37,800 --> 00:34:38,480
Speaker 4: Fractions?

677
00:34:38,960 --> 00:34:43,920
Speaker 1: Oh? Killer, yeah, killer? Absolutely? But you're at school. How

678
00:34:43,960 --> 00:34:45,520
Speaker 1: old does that make you if you're at school?

679
00:34:46,120 --> 00:34:47,000
Speaker 7: I'm twenty one?

680
00:34:47,640 --> 00:34:47,960
Speaker 6: Oh?

681
00:34:48,400 --> 00:34:49,720
Speaker 1: I thought you said you're at school though.

682
00:34:50,200 --> 00:34:51,440
Speaker 7: Yeah, I'm a student teaching.

683
00:34:51,640 --> 00:34:54,200
Speaker 1: Oh gotcha, gotcha? And you're twenty one?

684
00:34:54,719 --> 00:34:54,919
Speaker 3: Yeah?

685
00:34:55,000 --> 00:34:56,120
Speaker 4: I just turned twenty one.

686
00:34:56,200 --> 00:34:58,600
Speaker 1: Wow. I don't know about you, but I'm feeling twenty two.

687
00:34:59,040 --> 00:35:00,080
Speaker 9: I don't know about.

688
00:35:01,520 --> 00:35:04,000
Speaker 7: Into any two everything.

689
00:35:04,120 --> 00:35:07,920
Speaker 8: They will be all right. You keep me next to you.

690
00:35:09,120 --> 00:35:13,440
Speaker 1: I look like an idiot these kids. It's worth it

691
00:35:13,480 --> 00:35:15,400
Speaker 1: because you run a whole roll of your tickets.

692
00:35:15,440 --> 00:35:17,040
Speaker 4: Got joking.

693
00:35:19,520 --> 00:35:20,960
Speaker 8: I'm gonna fall over.

694
00:35:22,760 --> 00:35:26,719
Speaker 1: Tell the kids, Tell the kids.

695
00:35:25,400 --> 00:35:26,400
Speaker 8: I got tickets.

696
00:35:26,520 --> 00:35:28,200
Speaker 1: They were looking at me like, what are you doing?

697
00:35:28,480 --> 00:35:29,160
Speaker 1: My first day?

698
00:35:29,200 --> 00:35:31,280
Speaker 4: And they will who is this person?

699
00:35:31,400 --> 00:35:33,000
Speaker 1: How many kids are in front of you?

700
00:35:33,040 --> 00:35:35,200
Speaker 4: Oh, there's like a hole that I'm on the oval.

701
00:35:36,800 --> 00:35:39,880
Speaker 1: You're on the oval at school and you're singing in

702
00:35:39,880 --> 00:35:43,359
Speaker 1: front of all the kids. Might have a wonderful time.

703
00:35:43,680 --> 00:35:48,040
Speaker 1: Another whole role tells him, tickets for you. You've lost respect

704
00:35:48,080 --> 00:35:50,520
Speaker 1: in the control of everyone in the class. But it's

705
00:35:55,239 --> 00:35:59,640
Speaker 1: my gosh, it was MORTI mortified.

706
00:35:59,280 --> 00:36:01,520
Speaker 5: As she said she has lost the respect of every

707
00:36:01,520 --> 00:36:02,520
Speaker 5: single student.

708
00:36:02,920 --> 00:36:11,279
Speaker 1: Willy another whole rop taif tickets to your way tomorrow. Hey, hey,

709
00:36:11,320 --> 00:36:18,759
Speaker 1: we're in the podcast. Oh what is my dogs? What dog?

710
00:36:19,000 --> 00:36:19,160
Speaker 3: Hey?

711
00:36:19,520 --> 00:36:21,759
Speaker 2: Guys, we were talking a lot about Mission Impossible on

712
00:36:21,760 --> 00:36:23,160
Speaker 2: the podcast recently.

713
00:36:23,640 --> 00:36:26,880
Speaker 1: Well we yes, but we're people engaging with that chat,

714
00:36:27,000 --> 00:36:29,839
Speaker 1: I hope. So okay, who cares if they're not because

715
00:36:29,840 --> 00:36:31,319
Speaker 1: we're bloody are we love it?

716
00:36:31,400 --> 00:36:33,640
Speaker 2: And you said that number two and three that they

717
00:36:33,680 --> 00:36:38,320
Speaker 2: should skip. Two and three were ship I disagree. Number

718
00:36:38,360 --> 00:36:41,719
Speaker 2: three you should watch because I've started watching that one.

719
00:36:41,760 --> 00:36:45,719
Speaker 1: But number two the worst movie worst movie time? Yeah,

720
00:36:46,000 --> 00:36:51,360
Speaker 1: because one was good. Two, Well, one's iconic. One on

721
00:36:51,360 --> 00:36:54,120
Speaker 1: one's okay, No, one's iconic, though, like if you think

722
00:36:54,160 --> 00:36:56,760
Speaker 1: about there, because one also because you have to remember,

723
00:36:56,760 --> 00:37:00,759
Speaker 1: like at the time, when when one is done that

724
00:37:00,760 --> 00:37:06,200
Speaker 1: that idea of a spy movie with a twist or

725
00:37:06,239 --> 00:37:09,200
Speaker 1: a flip, like obviously he's been written about, but like

726
00:37:09,280 --> 00:37:12,280
Speaker 1: on film hasn't been done. All that well, like now,

727
00:37:12,800 --> 00:37:15,839
Speaker 1: every spy movie you watch, and let's say there's been

728
00:37:16,000 --> 00:37:19,760
Speaker 1: two thousand of them, has got the Mission impossible twist?

729
00:37:20,040 --> 00:37:20,839
Speaker 1: How long have you seen?

730
00:37:20,920 --> 00:37:22,800
Speaker 2: How long since you've seen Mission Impossible?

731
00:37:22,800 --> 00:37:23,279
Speaker 1: One? Would he?

732
00:37:23,440 --> 00:37:26,160
Speaker 5: I need to see one because I went and saw

733
00:37:27,040 --> 00:37:33,040
Speaker 5: eight all weekend, eight Reckoning Part one, seven Dead Reckoning

734
00:37:33,280 --> 00:37:34,439
Speaker 5: I was the most recent one.

735
00:37:34,520 --> 00:37:37,840
Speaker 1: Yeah, bloody 'll be seven. I think I think it

736
00:37:37,920 --> 00:37:38,479
Speaker 1: might be seven.

737
00:37:38,480 --> 00:37:41,120
Speaker 5: But it's bloody awesome and I want to now rewatch

738
00:37:41,239 --> 00:37:44,240
Speaker 5: one skip two because you and you even.

739
00:37:44,080 --> 00:37:46,520
Speaker 1: Said to me Tom, because it into seven.

740
00:37:47,760 --> 00:37:51,319
Speaker 5: So I don't know, Okay, I don't want to say

741
00:37:51,320 --> 00:37:53,000
Speaker 5: too much, but there's a few things that happened the

742
00:37:53,040 --> 00:37:53,759
Speaker 5: most recent role.

743
00:37:53,719 --> 00:37:55,759
Speaker 1: I was like, oh, I think I need to When

744
00:37:55,760 --> 00:37:59,919
Speaker 1: did you watch When did you watch Fallout? I watched six.

745
00:38:00,080 --> 00:38:03,040
Speaker 5: I watched six recently as in to like gear myself up,

746
00:38:03,120 --> 00:38:05,600
Speaker 5: I just get myself back in the Mission impossible zone.

747
00:38:05,840 --> 00:38:08,879
Speaker 5: But I reckon there are again not a Homericon shalk,

748
00:38:08,920 --> 00:38:10,360
Speaker 5: so I need to go back and watch more. I

749
00:38:10,400 --> 00:38:13,080
Speaker 5: reckon because I think a few little Easter eggs pop

750
00:38:13,160 --> 00:38:13,719
Speaker 5: up in the new one.

751
00:38:13,719 --> 00:38:16,279
Speaker 1: You know. The other thing about one, which like really

752
00:38:16,360 --> 00:38:20,680
Speaker 1: bois obviously is this idea of setting up a scene

753
00:38:20,719 --> 00:38:25,440
Speaker 1: in the movie which is so well described that you

754
00:38:25,560 --> 00:38:28,319
Speaker 1: know what it looks like beforehand, and then like a

755
00:38:28,440 --> 00:38:30,680
Speaker 1: whole third of the movie just builds up to this

756
00:38:30,719 --> 00:38:36,040
Speaker 1: one scene in one. Yeah, what's that when the ropes impossible?

757
00:38:36,320 --> 00:38:38,920
Speaker 1: That is the most So that's what the whole film

758
00:38:38,960 --> 00:38:41,000
Speaker 1: is about. Come back to us. You do need to

759
00:38:41,040 --> 00:38:41,560
Speaker 1: rewatch one.

760
00:38:42,400 --> 00:38:44,239
Speaker 5: I can't remember it at all, I really I think

761
00:38:44,239 --> 00:38:46,440
Speaker 5: I watched it last time, last twelve years old.

762
00:38:46,560 --> 00:38:48,440
Speaker 1: That there's there's a pressurized floor.

763
00:38:48,640 --> 00:38:53,040
Speaker 2: Yeah, there's it sounds, sensitivity and temperature that whole.

764
00:38:52,880 --> 00:38:55,360
Speaker 1: And the sweat the sweat, yeah thing right, yeah, but

765
00:38:55,560 --> 00:38:57,080
Speaker 1: when it comes up with that, I don't know. I

766
00:38:57,080 --> 00:38:59,360
Speaker 1: don't know. If there's a very old movie called The Sting,

767
00:38:59,440 --> 00:39:01,880
Speaker 1: which is basically the same principle where they have to

768
00:39:01,920 --> 00:39:04,600
Speaker 1: like pull off this operating. But it's a really really

769
00:39:04,640 --> 00:39:08,160
Speaker 1: really amazing device where a whole movie is about is

770
00:39:08,200 --> 00:39:11,040
Speaker 1: about one scene. They basically still they're still the idea

771
00:39:11,120 --> 00:39:13,920
Speaker 1: for so many more movies they're still in is eleven

772
00:39:14,000 --> 00:39:17,520
Speaker 1: gone in sixty seconds. All of those movies are inside

773
00:39:18,080 --> 00:39:19,920
Speaker 1: the whole thing. How are we going to pull off

774
00:39:19,920 --> 00:39:22,000
Speaker 1: this thing that we're going to do later in the movie.

775
00:39:22,239 --> 00:39:24,200
Speaker 1: The whole thing is about the prayer. It's like all

776
00:39:24,239 --> 00:39:26,239
Speaker 1: started off with the Mission impossible. Is that, you know

777
00:39:26,280 --> 00:39:30,239
Speaker 1: the first movie that nails that. Here's this impossible thing

778
00:39:30,239 --> 00:39:31,960
Speaker 1: that we're going to Let's go and gather everyone and

779
00:39:32,040 --> 00:39:35,399
Speaker 1: make sure that we nail it. Saving Private Ryan. They're

780
00:39:35,440 --> 00:39:39,040
Speaker 1: all in there, they're all all there. You're just naming

781
00:39:39,080 --> 00:39:43,840
Speaker 1: movies my phone booth. Yeah, perfect example.

782
00:39:44,719 --> 00:39:45,160
Speaker 6: Trek.

783
00:39:48,040 --> 00:39:50,520
Speaker 1: Actually fairly enough, Shrek take a piece out of the

784
00:39:50,560 --> 00:39:53,080
Speaker 1: fact that they're doing a mission impossible bit by doing

785
00:39:53,719 --> 00:39:57,359
Speaker 1: a send up of the mission impossible scenes they do. Yeah,

786
00:39:57,400 --> 00:40:01,160
Speaker 1: they actually do. They use Pinocchio those nose to lower

787
00:40:01,200 --> 00:40:05,400
Speaker 1: themselves down. They get into lie, they get into lie.

788
00:40:05,520 --> 00:40:07,400
Speaker 1: That's they lower themselves down.

789
00:40:07,520 --> 00:40:12,680
Speaker 5: And the big thing is that he's wearing a bang and.

790
00:40:14,680 --> 00:40:19,080
Speaker 1: At Yeah, that is. Yeah. They actually take the piss

791
00:40:19,080 --> 00:40:21,120
Speaker 1: out of the fact that that's what they're doing. So,

792
00:40:21,320 --> 00:40:23,920
Speaker 1: you know, it's iconic when they're doing that. But it's unbelievable.

793
00:40:24,040 --> 00:40:25,960
Speaker 1: Is the first movie is? It is truly awesome.

794
00:40:26,000 --> 00:40:27,480
Speaker 5: I can't remember what your answer was, and I'll ask

795
00:40:27,520 --> 00:40:30,840
Speaker 5: you both this question. What's more iconic the matrix dodging

796
00:40:30,880 --> 00:40:34,880
Speaker 5: bullets scene, or the mission impossible hanging down over there.

797
00:40:34,680 --> 00:40:37,680
Speaker 1: Well, clearly making matrix dolling, dodging bullets, because you didn't

798
00:40:37,680 --> 00:40:39,880
Speaker 1: even know what the hanging down a bit was.

799
00:40:41,320 --> 00:40:43,080
Speaker 5: I knew what the hanging down bit was. I didn't

800
00:40:43,080 --> 00:40:45,000
Speaker 5: know the front half of them. We built up to

801
00:40:45,040 --> 00:40:45,480
Speaker 5: that scene.

802
00:40:46,719 --> 00:40:48,560
Speaker 1: Do you think then, when should you think that happened then?

803
00:40:48,640 --> 00:40:49,720
Speaker 1: Just in the first five minutes.

804
00:40:50,040 --> 00:40:51,719
Speaker 5: No, it's just like it's just a scene that pops up,

805
00:40:51,719 --> 00:40:53,600
Speaker 5: you know, just one of his little lights or whatever.

806
00:40:54,600 --> 00:40:57,480
Speaker 6: It's called mission impossible because that's the impossible mission.

807
00:40:57,560 --> 00:40:59,560
Speaker 1: You know what. The more the more recent movies, though

808
00:40:59,640 --> 00:41:02,239
Speaker 1: it's not a lot of missions, the whole thing is

809
00:41:02,520 --> 00:41:04,480
Speaker 1: they keep doing mission impossibles all the way through. You

810
00:41:04,480 --> 00:41:05,200
Speaker 1: get these little yeah.

811
00:41:05,280 --> 00:41:06,800
Speaker 5: Yeah, but you know, the most recent movies, it's like

812
00:41:07,160 --> 00:41:09,600
Speaker 5: first mission tick, second mission tick, you know what I mean,

813
00:41:09,640 --> 00:41:11,200
Speaker 5: there's so.

814
00:41:11,200 --> 00:41:13,160
Speaker 1: Much build into it because one big.

815
00:41:12,960 --> 00:41:15,239
Speaker 2: Thing when you watch the first one, you realize there's

816
00:41:15,239 --> 00:41:16,640
Speaker 2: a lot of talking and not much action.

817
00:41:17,280 --> 00:41:21,440
Speaker 1: Yeah, it's a traditional spy movie, and they go too

818
00:41:21,520 --> 00:41:23,799
Speaker 1: hard on the action in the movie two. No, it's

819
00:41:23,800 --> 00:41:24,800
Speaker 1: still no action.

820
00:41:24,920 --> 00:41:31,080
Speaker 2: It's really boring, really really boring, and the weird.

821
00:41:30,320 --> 00:41:33,560
Speaker 1: And you just I just watch here the whole time.

822
00:41:33,640 --> 00:41:35,480
Speaker 1: I still think it's a hot scene when she injects

823
00:41:35,480 --> 00:41:39,160
Speaker 1: as I think, can I just know what that scene

824
00:41:39,160 --> 00:41:41,200
Speaker 1: looks like? And I bet you she's not wearing much.

825
00:41:41,719 --> 00:41:49,240
Speaker 1: She's in a T shirt. I've seen it recently. Actually,

826
00:41:49,239 --> 00:41:53,640
Speaker 1: people will enjoy this. Is it a T shirt?

827
00:41:53,719 --> 00:41:55,200
Speaker 5: I love to say it because the music that plays

828
00:41:55,200 --> 00:41:57,040
Speaker 5: in it is epic to I played this song to myself,

829
00:41:57,120 --> 00:41:58,279
Speaker 5: something to pump myself up.

830
00:41:59,640 --> 00:42:05,360
Speaker 1: It is the we don't care? What is the come

831
00:42:05,360 --> 00:42:08,239
Speaker 1: Mira is the top bed. It's a virus going to

832
00:42:08,280 --> 00:42:12,040
Speaker 1: make me a better offer thirty seven million pounds. I'm

833
00:42:12,040 --> 00:42:17,960
Speaker 1: skipping forward a bit. Please skip forward. What she's showing

834
00:42:18,000 --> 00:42:18,600
Speaker 1: your T shirt?

835
00:42:18,640 --> 00:42:18,960
Speaker 5: She is?

836
00:42:19,600 --> 00:42:24,719
Speaker 1: I am waiting. Who's the bad guy? Don't even it's

837
00:42:24,800 --> 00:42:28,759
Speaker 1: so bad? The bad guy is so bad? What is

838
00:42:28,800 --> 00:42:32,640
Speaker 1: it like? Orchestral stuff? It's epic? Do you like it?

839
00:42:32,760 --> 00:42:37,520
Speaker 1: Just because? Yeah, Hans Zimmer scored this film. It turns right.

840
00:42:39,960 --> 00:42:47,560
Speaker 1: What he's she goes sounds like him is just by

841
00:42:47,560 --> 00:42:49,799
Speaker 1: the way. That's not her shooting herself. Guys, that's her

842
00:42:49,840 --> 00:42:54,879
Speaker 1: injecting herself as music. Yeah, it's so you don't get

843
00:42:55,680 --> 00:43:00,759
Speaker 1: just get the the tracks that he was using Gladiator

844
00:43:00,840 --> 00:43:02,360
Speaker 1: and just rip them straight across.

845
00:43:02,400 --> 00:43:04,680
Speaker 5: That sound very similar, feels like if you don't get it,

846
00:43:04,719 --> 00:43:06,520
Speaker 5: which most people don't. She's just injected herself with a

847
00:43:06,600 --> 00:43:07,920
Speaker 5: virus which will kill her in forty eight hours.

848
00:43:07,920 --> 00:43:10,480
Speaker 2: And he's just stopped his twenty hours. He's just started

849
00:43:10,520 --> 00:43:13,280
Speaker 2: his stop watch in twenty hours.

850
00:43:13,920 --> 00:43:19,200
Speaker 1: He started it, so why don't we just look at

851
00:43:19,200 --> 00:43:22,960
Speaker 1: the time, but it starts. He's a secretting it. I'll

852
00:43:22,960 --> 00:43:27,080
Speaker 1: set my alarm for twenty hours. He's a secret agent

853
00:43:27,760 --> 00:43:31,600
Speaker 1: for the Mats. Couldn't do the mas, had to get

854
00:43:31,640 --> 00:43:33,960
Speaker 1: the watch on her, so much of that. How to

855
00:43:34,000 --> 00:43:38,520
Speaker 1: get the garment out? Wow, that's amazing.

856
00:43:38,840 --> 00:43:42,319
Speaker 2: Oh and this is the the comments of the film.

857
00:43:42,640 --> 00:43:44,959
Speaker 1: Top comment, what's the top YouTube comment? Can I happen?

858
00:43:45,160 --> 00:43:46,279
Speaker 1: They always they always set me?

859
00:43:46,400 --> 00:43:49,160
Speaker 2: The description of this The description of this video is

860
00:43:49,200 --> 00:43:51,880
Speaker 2: in retrospect. This might be the weakest film in the series,

861
00:43:51,920 --> 00:43:54,360
Speaker 2: partly due to a weak Baddie, a lack of team

862
00:43:54,440 --> 00:43:55,200
Speaker 2: feel of the other.

863
00:43:55,120 --> 00:43:57,320
Speaker 1: Films, and way too much slow motion. And there is

864
00:43:57,360 --> 00:43:59,720
Speaker 1: a lot of smoke motion. It's so bad. Top comment.

865
00:44:00,040 --> 00:44:06,560
Speaker 1: I don't care what anyone says. This film is a masterpiece. Yes, yes,

866
00:44:06,719 --> 00:44:08,520
Speaker 1: and the music is so good. It really is good.

867
00:44:09,360 --> 00:44:12,840
Speaker 1: It's so bad. Don't watch number two. Yeah, straight to

868
00:44:12,920 --> 00:44:17,000
Speaker 1: number three and number three. So let's start the storyline

869
00:44:17,000 --> 00:44:22,600
Speaker 1: at three, which when it's when signing peg joints. Yeah, yeah, yeah.

870
00:44:22,800 --> 00:44:25,640
Speaker 1: Ving ving Raim's is he from Yeah? Yeah, he's in

871
00:44:25,680 --> 00:44:29,520
Speaker 1: the Yeah every movie you Wore Me, You wore me

872
00:44:29,560 --> 00:44:31,520
Speaker 1: a jag war remember, gives him the jaguar at the

873
00:44:31,520 --> 00:44:34,160
Speaker 1: start of the movie one. Yeah, I can't remember he

874
00:44:34,200 --> 00:44:34,759
Speaker 1: gives him, but yeah.

875
00:44:34,840 --> 00:44:35,000
Speaker 4: Yeah.

876
00:44:35,360 --> 00:44:37,440
Speaker 2: The classic line in number three is is like, because

877
00:44:37,560 --> 00:44:41,360
Speaker 2: one of the agents, the girl agent, he trained her

878
00:44:41,480 --> 00:44:44,200
Speaker 2: up and he goes, He's like, did anything funny happen

879
00:44:44,239 --> 00:44:44,640
Speaker 2: between you?

880
00:44:44,680 --> 00:44:44,879
Speaker 1: Two?

881
00:44:44,920 --> 00:44:46,719
Speaker 2: And and Tom Cruise is like come on man, she's

882
00:44:46,760 --> 00:44:48,760
Speaker 2: like my little sister. And then he's like you didn't

883
00:44:48,760 --> 00:44:50,320
Speaker 2: have sex with your little sister.

884
00:44:54,360 --> 00:44:58,279
Speaker 1: Classic it's not the one I thought you're gonna go for.

885
00:45:00,640 --> 00:45:03,280
Speaker 1: There is also a line I'm pretty sure in number

886
00:45:03,360 --> 00:45:05,359
Speaker 1: one it could but it could be later on where

887
00:45:05,640 --> 00:45:09,560
Speaker 1: where he says he goes, wow, that looks really it

888
00:45:09,560 --> 00:45:11,919
Speaker 1: seems really difficult, and he goes, this isn't this isn't

889
00:45:11,960 --> 00:45:18,279
Speaker 1: mission difficult, mister, he said, he said all he needs

890
00:45:18,280 --> 00:45:20,320
Speaker 1: to say there, but he does follow up by saying,

891
00:45:20,680 --> 00:45:25,239
Speaker 1: this is Mission Impossible. Yes, everyone's going to go home.

892
00:45:25,239 --> 00:45:27,200
Speaker 1: Watch the Mission Impossibles. Apart from the number two you

893
00:45:27,239 --> 00:45:32,400
Speaker 1: know where they're on watching Perfect. I gotta watch. I'm

894
00:45:32,400 --> 00:45:35,759
Speaker 1: going to hit reckon. It's good and it's that opening. Yeah,

895
00:45:35,920 --> 00:45:39,280
Speaker 1: great open insane. We will see you, guys, to worrying. Goodbye,