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Speaker 1: All right, welcome to the podcast.

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Speaker 2: My hands stink.

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Speaker 1: Yeah, well you shouldn't have climbed under the vent in

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Speaker 1: the floor.

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Speaker 2: Then, But quick litmus test.

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Speaker 3: So Jason Lauren do the breakfast show here in this studio,

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Speaker 3: this exact studio.

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Speaker 2: It kicks off at six am. Get around at guys,

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Speaker 2: if you're in Melbourne. Great show.

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Speaker 3: But here's the thing in my in my in my jest,

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Speaker 3: full moment there where I ducked under a event.

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Speaker 2: Are you yawning?

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Speaker 1: It's a long setup. I know where you're going with it.

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Speaker 3: Okay, So yeah, I just went under a vent here

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Speaker 3: under the studio, which means I could literally be.

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Speaker 2: Under the studio. Now here's the idea.

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Speaker 3: I sleep here, sleeping bag, obviously overnight food whatever, anyway,

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Speaker 3: I'll figure.

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Speaker 1: That out then. Obviously food, what are you going to eat?

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Speaker 2: Toilet's an issue?

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Speaker 1: You gonta heat it up? Bit of a cold dinner.

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Speaker 3: That's fine, that's fine, tin of tuna with the spinach

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Speaker 3: pretty much. Eat before also, and then rerecfor show.

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Speaker 2: Come in here at five a m. And I could

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Speaker 2: position myself yeah under.

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Speaker 1: Yeah, you just stay at home and then get here

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Speaker 1: at four a m.

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Speaker 2: It doesn't feel as fun.

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Speaker 1: So what time would you want to Well, I was

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Speaker 1: going to say, where's the fun here?

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Speaker 2: It's a bit of a camping trip, you know, like

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Speaker 2: a night away.

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Speaker 1: What time we're going to go down there?

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Speaker 2: Probably post our show, so I'll get them getting.

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Speaker 3: There at six six thirty down the camp can spot.

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Speaker 2: Get a good.

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Speaker 1: What are you going to do down there?

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Speaker 3: Probably watch a movie on my laptop, get a sleeping bag,

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Speaker 3: make some marshmallows.

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Speaker 1: With the fire that you're going to light under the studio.

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Speaker 2: I would be able to do that. Wouldn't light a fire,

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Speaker 2: but just raw raw marshmallows. Beautiful.

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Speaker 1: Put back at the food and then and then you

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Speaker 1: just want to crawl an a hole and eat food

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Speaker 1: you can you can.

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Speaker 2: A big secondary part of this is scary Jason ware, you.

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Speaker 1: Can do that. We can make old for you. We

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Speaker 1: can put some the sacks down there, and you can

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Speaker 1: just get in.

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Speaker 2: There like camping. Yeah, without the drive. Yeah yeah, but anyway, Yeah, Jason,

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Speaker 2: I'm walking here. What time did they get in here? Will?

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Speaker 1: He said?

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Speaker 4: Five?

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Speaker 2: Five? Scare the absolute ship out of them?

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Speaker 3: Question is what noise? What I make from underground to

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Speaker 3: bang the ground? I make him think it's an earthquake.

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Speaker 3: What's the what's the what's the most impactful thing I can.

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Speaker 1: Well, I actually have an idea. I don't know if

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Speaker 1: you've heard the same thing here? We have you heard

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Speaker 1: the same thing as me?

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Speaker 2: Three? I think I've had a different idea.

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Speaker 1: My idea, go with yours. Yeah, so you're under there,

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Speaker 1: right yep?

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Speaker 2: In there all night they're.

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Speaker 1: In here there in the studio, in between a song

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Speaker 1: all of a sudden, Yeah, yeah, yeah, all of a suddenly.

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Speaker 3: What if you if you don't get if you don't

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Speaker 3: get that, go to yesterday's podcast.

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Speaker 1: That's brilliant.

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Speaker 2: They're out of jail and they've done it again.

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Speaker 3: Wrought in Europe.

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Speaker 1: They're underneath what is there? What's with the plumbing in here?

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Speaker 1: Fans couldn't be angrier that. I don't even get. I

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Speaker 1: don't get the reverence I was listening yesterday. You have

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Speaker 1: to go back and listen to it. Making it a genius,

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Speaker 1: it's a genius, bit a genius. The point is I

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Speaker 1: do a brilliant drip sound. Brilliant it's a great drip sound,

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Speaker 1: there's no doubt about that.

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Speaker 2: And their concern they wouldn't be able to hear it.

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Speaker 1: Because sound, the sound for a studio, I would have

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Speaker 1: flicked a hole in my cheek by the time we

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Speaker 1: need some amplification, There's no doubt about that. But what

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Speaker 1: better scare than them thinking that, you know, the pipe

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Speaker 1: is broken any it's not even.

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Speaker 2: It's going to flood in here could lead to a flood.

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Speaker 2: The text will come in here? What the hell? What?

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Speaker 2: What could possibly be dripping? Would be amazing, Yeah, it

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Speaker 2: actually would be.

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Speaker 1: I feel like the texted look under the studio first,

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Speaker 1: but many be gone when I'd be over there. Okay,

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Speaker 1: boys nude under there with marm.

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Speaker 2: Sleeping like a scene out of Castaway.

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Speaker 1: Wilson. Because I get the best I get the best

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Speaker 1: noise when I'm nerd.

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Speaker 2: Yeah, yeah, of course, yeah, I've send any of it.

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Speaker 1: Yeah, what would you? Would you? What would you?

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Speaker 2: I didn't have a sound that like, I had just

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Speaker 2: an image.

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Speaker 3: I can see you getting ready to scare them, but

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Speaker 3: like then a fart starts through and you can't hold

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Speaker 3: and it starts.

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Speaker 2: Making That's pretty funny as well, though.

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Speaker 3: So I waited for a moment where Jason Lauren are

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Speaker 3: alone in the studio. I fint and then Lauren's going

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Speaker 3: and then Jason's go, it's obviously you, and then I

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Speaker 3: just we just let that erupt hang on because it

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Speaker 3: had to be one of them. So you both heard

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Speaker 3: a fart.

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Speaker 1: I don't know Jason Lauren well enough, but something tells

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Speaker 1: me if if Jas smells a fart, he's not going

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Speaker 1: to turn to Lauren and.

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Speaker 2: Be like, no, no, it'll be a load noise. I'll

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Speaker 2: do a lad one.

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Speaker 3: Oh yeah, they go, Okay, we're alone here in a

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Speaker 3: sound proof studio. Someone's started and then they both didn't

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Speaker 3: do it, but they think the other one did it.

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Speaker 1: Yeah, and watch we watch as they tear themselves apart.

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Speaker 4: Underneath.

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Speaker 2: That would give it a that's not a bad idea.

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Speaker 1: I don't mind that.

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Speaker 5: I don't know.

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Speaker 1: I don't think you're going to be able to scare

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Speaker 1: anyone coming in because yeah, I don't think you're gonna

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Speaker 1: be able to scare anyone coming out of that hole

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Speaker 1: fast enough. If she if say, if Lauren was going,

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Speaker 1: I think, by the way, if you head al onto

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Speaker 1: her Instagram, I think Kate has taken a video of

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Speaker 1: you popping into that hole. Okav provide the visual so

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Speaker 1: she'll be on our stories. If you're wondering what the

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Speaker 1: hole looks like. It's it's a bad hole. It's like

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Speaker 1: it's like a manhole, you know.

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Speaker 2: If you go to uh, Vietnam, Vietnam.

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Speaker 1: Yeah, if you go to I was gonna say Sigon,

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Speaker 1: but it used to be called Saigon. It's not called

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Speaker 1: Sagon anymore. Hoim In City, it's.

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Speaker 2: The tunnels in vietnamim In City.

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Speaker 1: Yeah, that's what it's called now. Yeah, the tunnels in city. Yeah.

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Speaker 2: Yeah, they get pretty they get super tight. There's those tunnels.

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Speaker 1: Yeah, well this is similar, right.

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Speaker 2: Yeah, yeah, no, not as tight as the Vietnamese tunnels.

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Speaker 3: Oh really god yeah, you get stuck down there and

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Speaker 3: it's really quite scary.

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Speaker 2: Oh yeah, yeah.

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Speaker 3: Brilliant though, because the Vietnamese famously the smaller so viet Cong.

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Speaker 3: Yeah that was small, so they could get through the tunnels.

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Speaker 3: When when the Allies, when the Australians or the Americans

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Speaker 3: tried to use the Allies, sorry, when.

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Speaker 6: The different war, mate, you've gone straight to world. When

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Speaker 6: the Allies when they when they raided the beach in

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Speaker 6: just outside of Cityes.

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Speaker 3: You know, Australians right over there, Americans when they tried

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Speaker 3: to go into the tunnels.

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Speaker 2: Yeah, they couldn't fit.

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Speaker 1: I don't think they knew the tunnels were there. I

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Speaker 1: don't think it was a matter of.

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Speaker 3: No they think, No, No, they did. Dad actually is

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Speaker 3: a big one. He's a big history buff on the

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Speaker 3: Vietnam War, and we couldn't utilize their tunnel system because

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Speaker 3: we literally didn't fit.

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Speaker 1: Yes, no, I get that. But they didn't know where

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Speaker 1: the tunnels were, did they? Oh?

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Speaker 2: Well no, I think it.

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Speaker 1: Was you know, tourists some of them. I don't think

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Speaker 1: theynew because they knew what the tunnels were. The wouldn't

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Speaker 1: more about getting through them, through them, They just blow

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Speaker 1: them up.

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Speaker 2: Wow, how do you do that?

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Speaker 1: Drop the bomb to do a lot of them, every

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Speaker 1: network under the city. How did your dad go?

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Speaker 2: I couldn't even go in the first one.

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Speaker 1: Because there are different levels.

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Speaker 2: He couldn't fit on a Porsche, which we discussed yesterday.

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Speaker 2: So he's not getting a Vietnam tunnel.

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Speaker 1: She would have been like a rabbit hole for him.

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Speaker 3: Yeah, seriously, which killed him because when we went over

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Speaker 3: there for a family holiday, he was really pad about

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Speaker 3: the tunnels. He's done on this research and it was like, sorry, mate,

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Speaker 3: you can't experience it.

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Speaker 2: Oh really? Ah, it's sad for him.

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Speaker 3: I wish we had some v goggles or something that

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Speaker 3: I could have swrapped on for him so he could

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Speaker 3: have been like me.

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Speaker 2: On the street.

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Speaker 1: He would have loved that.

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Speaker 2: He would have loved it.

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Speaker 1: It's a show, guys, Bill Bailey. Chat's awesome. There's a

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Speaker 1: really wonderful chat with Steph Questman. If you want to

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Speaker 1: hear the whole thing, I'm sure there'll been on a

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Speaker 1: link to that podcast here in the show feed, So

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Speaker 1: click on that and enjoy the beginning of the Share

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Speaker 1: my Mood chats and so hopefully we'll be able to

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Speaker 1: roll out a few more of them for you across

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Speaker 1: the year. She was the first guest. She was a

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Speaker 1: wonderful gift and it guessed and I just want to

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Speaker 1: say thanks again to Steph.

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Speaker 2: She was great. She was really really great.

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Speaker 1: Yeah, we'll see you guys tomorrow. She would have thought

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Speaker 1: it was Friday. See you tomorrow.

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Speaker 2: Oh, don't do that, tom This is the Will and

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Speaker 2: Woody Podcast.

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Speaker 1: We've got the one and only Bill Bailey in the

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Speaker 1: studio with us right now. Hello. Our next guest is just.

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Speaker 2: Fawning all the way from England.

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Speaker 7: Some people describe him as a comedian to an author,

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Speaker 7: and I.

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Speaker 2: Know him as the guy who played the organ. Let

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Speaker 2: me known his funeral.

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Speaker 7: He needs to talk about his new comedy.

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Speaker 2: Talk en Route to Normal.

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Speaker 7: Please, welcome to the show The World's fased upon to

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Speaker 7: remember of the Society in Milatory organist.

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Speaker 1: It's Bill Bailey Froco Bell.

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Speaker 8: Hello.

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Speaker 2: Wow, that was a great intro.

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Speaker 1: Thanks for that elutely pleasure.

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Speaker 4: You covered a lot of bases there.

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Speaker 1: Well, well, I think it was largely just one base,

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Speaker 1: which is that he used to play the organ.

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Speaker 9: Yes, it was the fact that I'm part of this,

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Speaker 9: this organization of crematorium organists. How many in the organization, Jimmy,

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Speaker 9: it's quite a it's one of a shadowy organization.

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Speaker 4: Really, I don't really know. I've never met another one.

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Speaker 4: And the memberist it's like, you know, the whole all

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Speaker 4: sort of you.

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Speaker 9: Know, the Blackbriar projects in the Born films.

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Speaker 1: Yeah, we don't know who.

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Speaker 6: One.

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Speaker 9: And they go, yeah, what look look at what they

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Speaker 9: make you do you know? And you we sort of

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Speaker 9: you know, have a moment, have a moment.

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Speaker 3: But is there like what is there a signal you

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Speaker 3: can give them all something when you see when you

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Speaker 3: pass them in the street.

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Speaker 1: I don't know. I wouldn't know that.

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Speaker 4: Yeah, we've all been kept apart.

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Speaker 2: Do you get an email or something like how do you.

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Speaker 1: Nothing like that?

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Speaker 9: No, no, no, they stay off grid.

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Speaker 1: But one day.

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Speaker 3: So once you've become a member of this organization, I mean,

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Speaker 3: that's it, just continue.

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Speaker 9: Yeah, it's like you knowstra you know, it's like, don't

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Speaker 9: get that. We don't know who's who. We don't know

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Speaker 9: who's in it.

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Speaker 2: Sounds you could be in it.

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Speaker 1: I don't know anyone.

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Speaker 5: You know.

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Speaker 9: The thing is if you start playing the right chords,

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Speaker 9: that's where you know. Ah, so if you're sitting down

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Speaker 9: in organ yeah, the head like somebody somebody's chrckt it?

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Speaker 4: What would you play?

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Speaker 1: And you go, I've got we got to keyboard here,

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Speaker 1: I see, Oh what would you what would you? What

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Speaker 1: do you play? Someone's cart I.

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Speaker 4: Think Victorium setting.

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Speaker 1: Oh no, no, that's too bright. Someone's died. You're part

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Speaker 1: of the society.

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Speaker 9: And then you don't know, don't do that otherwise that

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Speaker 9: all you know that'll give you up unseemly?

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Speaker 1: Did you?

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Speaker 2: Is that? How you did you get fired from your job?

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Speaker 1: As was what happened? Yeah, just breaking in some fun.

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Speaker 9: What happened was I going to the end, and now

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Speaker 9: we commit Edith's body to the flames.

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Speaker 4: And I went.

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Speaker 9: Sort of that kind of family complained, you know enough,

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Speaker 9: it's quite final, it is. I was trying to make

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Speaker 9: it light, you know, come on, it's a bad day,

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Speaker 9: let's have some fun.

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Speaker 3: How did you get from by? So your first job

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Speaker 3: was this funeral pianist. How do you get from funeral

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Speaker 3: pianist to what you're doing now?

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Speaker 9: Well, I guess I got into comedy when I was

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Speaker 9: I left school and I love comedy.

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Speaker 1: I loved love listening to it.

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Speaker 9: Albums of comedy albums, listen to you know, the Python

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Speaker 9: albums and all that kind of stuff.

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Speaker 4: So me and a mate we set up a little

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Speaker 4: comedy club.

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Speaker 1: We do every gig that was going.

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Speaker 10: Yeah.

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Speaker 3: When you say you took every gig that was going, yeah,

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Speaker 3: what what gig comes to mind as the one where

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Speaker 3: you were like, probably shouldn't have taken that one?

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Speaker 9: It was there was a gig once we did up

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Speaker 9: in a sort of it was like a working men's

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Speaker 9: club up in Blackpool. And and the microphone was rather

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Speaker 9: like the microphone I'm using that was on a Bendy

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Speaker 9: stalk attached to a sort of DJ console and.

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Speaker 4: We were in a double act.

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Speaker 11: We had to lean into this DJ Bendy mike and

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Speaker 11: at the time there was a lot of North South like,

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Speaker 11: you know, beef like.

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Speaker 9: Because because the Northerners and Southerners there is always a

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Speaker 9: little bit of beef, you know. And then so our

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Speaker 9: introduction was the it was it was the least sympathetic

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Speaker 9: introduction this right, he goes, We got a couple of lads.

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Speaker 4: Here up from London, and then the whole crowd went

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Speaker 4: it's not a great start, you know. So we had

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Speaker 4: to kind of win them round and regionally win them round.

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Speaker 4: But at the end they were like, he was like that.

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Speaker 1: Great one't expecting that was great. We've got Bill Bailey

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Speaker 1: live in the studio. He's on his Australian tour en

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Speaker 1: route to Normals. What the show is called b o

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Speaker 1: HM presents dot Com for all info and tickets is

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Speaker 1: all over the country. He's performed on all sorts of

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Speaker 1: shows from q I or Black Books or never mind

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Speaker 1: the Buzzcocks. You get such an amazing array of performances. Man,

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Speaker 1: I know him performed for Prince Charles sixtieth with Robin Williams.

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Speaker 1: Now Bill is here, I should stress in Australia in

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Speaker 1: publicly show yet en route to normal during your show

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Speaker 1: all over the country here in Australia. Yes, I got,

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Speaker 1: I got. I found out before that you wrote the show,

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Speaker 1: because it obviously sounds like a post COVID show. Yeah,

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Speaker 1: but I found out what you wrote the show before COVID.

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Speaker 4: Yeah, I think I kind of caused COVID.

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Speaker 9: I'm sorry everyone, My bad.

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Speaker 4: I predicted it on the Yeah, we're on the way out, guys. Yeah,

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Speaker 4: we're on route. There's all going to go wrong. Oh no,

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Speaker 4: it did.

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Speaker 9: But yeah, since then, it's been a you know, the

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Speaker 9: show obviously changed quite a bit.

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Speaker 1: I was going to say, yeah, exactly.

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Speaker 4: Yeah, hey, you know when you're out. No, yeah, no

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Speaker 4: one's gone anywhere? Have they? Anyone been anywhere? No, no

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Speaker 4: one's done anything.

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Speaker 2: So that's that thing.

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Speaker 1: I don't even remember what that was like life before COVID,

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Speaker 1: like something in twenty nineteen, I go, yeh, that that

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Speaker 1: is a memory that I really struggle to dig up.

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Speaker 9: And there was nothing. No, there was like there was

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Speaker 9: I have a read vivid memory of standing in the

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Speaker 9: garden in my house in London, just like wearing a

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Speaker 9: towel holding a bottle of sherry.

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Speaker 1: Right nineteen yeah, post it sounds like a lockdown.

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Speaker 9: Sorry, yeah, yeah yeah, just staring at the sky.

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Speaker 1: Yeah.

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Speaker 4: And I remember looking.

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Speaker 9: Up at the swifts that migrate from Africa, and they

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Speaker 9: had just returned from Africa, and I just remember looking

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Speaker 9: up at them, and I remember thinking, I wonder what

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Speaker 9: they're thinking, these swifts. And then these swifts are like

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Speaker 9: they come all the way from Africa and they're finding

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Speaker 9: out my garden. They're like, jeez, look at that guy.

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Speaker 9: He's lost it. And then just turning around and flying

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Speaker 9: back to Africa. This place has had it.

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Speaker 1: How many migrations, like, oh my god, this was not

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Speaker 1: this country's.

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Speaker 4: Turn around back.

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Speaker 2: It's a good way to get housing prices down. Just

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Speaker 2: activate bill in your local suburb.

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Speaker 1: There's a nutter in the garden. Again, it's a hard time.

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Speaker 1: One final thing we heard that you've got We heard

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Speaker 1: on the grape mine and you have perfect pitch. Yeah. Yeah,

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Speaker 1: So I was wondering if we could test this. Okay,

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Speaker 1: Woody who can't sing for ship? Who just not a

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Speaker 1: of course, not a trained singer. That's pretty fair enough. Okay, okay,

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Speaker 1: so what he's going to have a crack at a note?

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Speaker 1: All right, we've got a keyboard in here, as you know,

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Speaker 1: and then you hit the corresponding note to what he's right. Okay, okay,

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Speaker 1: are you ready hit this?

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Speaker 4: Bill? That's not a note on the human registers.

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Speaker 9: There's like a humpback whales just turned around and the straight.

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Speaker 12: Wasn't frank, Oh no, it's more like here we don't

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Speaker 12: have let's let's Whatno, do you think.

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Speaker 4: Getting a knee flat?

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Speaker 1: Here we go? Flat?

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Speaker 8: Here we go?

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Speaker 1: Is it the same? Yeah?

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Speaker 4: That's pretty much.

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Speaker 1: Wow.

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Speaker 4: Actually, let's go again. I want to let's go again again?

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Speaker 1: Oh I got try again? Oh no, that's not trial

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Speaker 1: and error's perfect pitch.

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Speaker 4: What a minute, it's one of the I want into space.

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Speaker 1: Sorry, I think we said in your brain and the

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Speaker 1: space for a second.

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Speaker 4: You did not make that PM.

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Speaker 3: Where am I?

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Speaker 4: The hell's happening? Just mentioned the bloody.

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Speaker 1: Bill souring Bill Bailey en route to normal.

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Speaker 4: Just go to ticket and around.

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Speaker 1: Somewhere uh B O h M Presents dot com for

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Speaker 1: all info and tickets to go and see Bill Bailey live. Bill,

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Speaker 1: thanks so much for joining us as a well, pleasure

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Speaker 1: to have you, so nice to finally meet you.

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Speaker 4: Thank you, thank you very much.

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Speaker 1: Guys, Bill Bailey live all across Australia. Go and get

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Speaker 1: tickets bo a chimprisons dot com. This is the Will

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Speaker 1: and Woody Podcast.

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Speaker 3: What part of the Queen's body does the new Prime

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Speaker 3: Minister have to kiss when they get what's the word

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Speaker 3: I'm looking for? There?

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Speaker 2: Inducted inaugurator and there you are, there, you are, your

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Speaker 2: smoke bastard inaugurated.

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Speaker 1: You could be inducted. They could be inducted.

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Speaker 2: It's like an interchangeable word.

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Speaker 1: I don't want to turn about the etymology of them,

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Speaker 1: but like it's you can be because you get inducted

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Speaker 1: into a Hall of Fame.

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Speaker 2: Yeah, but this is her.

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Speaker 3: Can you be inducted into a role because she's been

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Speaker 3: inducted into Prime Minister?

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Speaker 1: I don't think he's inaugurated.

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Speaker 3: She's been inaugurated, so if you haven't, they have got

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Speaker 3: a new PM. Yes, and her name is Liz Truss.

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Speaker 3: I don't know anything about her, but she is the

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Speaker 3: new Prime ministering what I'm interested in, where do you

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Speaker 3: kiss the queen?

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Speaker 2: Exactly right, William.

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Speaker 3: It turns out where she's from.

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Speaker 1: What it means for the country, where do you kiss

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Speaker 1: the queen?

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Speaker 3: Absolutely well, And it turns out this is this is

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Speaker 3: a bit of a tradition which has obviously gone on

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Speaker 3: for many years when the prime Minister goes to see

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Speaker 3: the queen to be inaugurated.

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Speaker 1: You don't kiss her as wild it's not like a

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Speaker 1: prime because you never know, like in the UK.

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Speaker 4: The queens Chambers.

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Speaker 1: It's very old country.

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Speaker 2: A kiss on the ass, kiss on the royal tour.

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Speaker 1: Yeah, yeah, it's a very old country. You know. You

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Speaker 1: wouldn't be surprising it if you'd be like, oh, that's

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Speaker 1: where they're saying, kiss kiss someone in the ass comes from?

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Speaker 1: Do you know what I mean?

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Speaker 2: Yeah, I don't know what you mean. I thought it

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Speaker 2: was ridiculous. I thought it was a ridiculous.

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Speaker 1: Place every PM has to go and kiss the ass.

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Speaker 3: Yeah it's not. It's not true. Despite your wildest dreams.

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Speaker 1: She's very ill at the moment the queen, I should say,

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Speaker 1: she is.

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Speaker 2: Yes, Okay, that's just bringing that up in the middle

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Speaker 2: of the bit. A kiss on the hand that makes

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Speaker 2: a kiss leave.

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Speaker 3: Me there, so yeah, yeah, you don't.

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00:20:46,400 --> 00:20:47,600
Speaker 2: So it's a kiss on the hand.

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Speaker 3: So when when the new prime minister is inaugurated, the

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Speaker 3: queen gets kissed on the hand by the Prime Minster.

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Speaker 1: That's standard seen that in the movies. You kissed the

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Speaker 1: rings exists, the royal rings.

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Speaker 3: Now to me, will because the rings, we kissed the hand.

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Speaker 3: It's called it's called the kiss hands. It's an official ceremony.

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Speaker 3: I have been told that more recently you don't have

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Speaker 3: to do it COVID, but it is still called a.

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Speaker 2: Kissing of the hands. Or so she just holds it out,

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00:21:12,560 --> 00:21:14,359
Speaker 2: holds it out, and maybe it just shake the hand,

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Speaker 2: but shake the hand. Well, you know, it's a big

449
00:21:16,760 --> 00:21:17,520
Speaker 2: difference to a kiss.

450
00:21:17,520 --> 00:21:17,680
Speaker 1: Man.

451
00:21:17,720 --> 00:21:23,240
Speaker 3: You're offered to kiss the hand if you can choose to, yeah, exactly, now, will.

452
00:21:23,359 --> 00:21:24,800
Speaker 1: Surely you kiss it? Would you kiss it?

453
00:21:24,800 --> 00:21:27,040
Speaker 2: Bloody Earth, I'd kiss the hand, My god, I'd kiss

454
00:21:27,040 --> 00:21:27,359
Speaker 2: the hand.

455
00:21:27,600 --> 00:21:29,320
Speaker 1: It's the queen, mate, No finger in the mouth going

456
00:21:29,320 --> 00:21:30,120
Speaker 1: on there, mate, it's just.

457
00:21:30,080 --> 00:21:31,320
Speaker 2: A now will.

458
00:21:31,760 --> 00:21:35,600
Speaker 3: I think this is a perfect example of the boss

459
00:21:36,520 --> 00:21:44,320
Speaker 3: doing something to show that they're the boss.

460
00:21:44,359 --> 00:21:45,320
Speaker 4: That's wild audio.

461
00:21:45,720 --> 00:21:48,120
Speaker 2: Don't you think every single boss will?

462
00:21:48,840 --> 00:21:51,359
Speaker 3: Don't you think every single boss is always doing little

463
00:21:51,359 --> 00:21:53,879
Speaker 3: things just to let everyone.

464
00:21:53,520 --> 00:21:58,840
Speaker 1: Know hey establish their position I'm the boss kissing I reckon,

465
00:21:58,880 --> 00:22:00,000
Speaker 1: that'll be the last time we buy that.

466
00:22:00,480 --> 00:22:02,480
Speaker 2: So the queen making someone kiss her on the hand,

467
00:22:02,520 --> 00:22:03,320
Speaker 2: is they never un no.

468
00:22:03,359 --> 00:22:05,800
Speaker 1: Hat yeah yeah, yeah, yeah, yeah, kiss the hand.

469
00:22:05,920 --> 00:22:07,880
Speaker 2: I'm the boss, kiss the hand is yeah.

470
00:22:07,960 --> 00:22:10,840
Speaker 1: Yeah. It's like it's it's hierarchical, isn't it.

471
00:22:12,240 --> 00:22:12,800
Speaker 2: What do you mean?

472
00:22:12,920 --> 00:22:15,000
Speaker 1: Well, it's like she's it's a top down sort of

473
00:22:15,040 --> 00:22:17,679
Speaker 1: a thing. You don't kiss someone's hand unless they're You're

474
00:22:17,760 --> 00:22:19,320
Speaker 1: bitch exactly.

475
00:22:19,400 --> 00:22:21,800
Speaker 3: It's her showing she's the boss. Yeah, and will thirty

476
00:22:21,880 --> 00:22:23,520
Speaker 3: one oh sixty five is that number? I just want

477
00:22:23,520 --> 00:22:24,360
Speaker 3: to hear more of these.

478
00:22:24,440 --> 00:22:26,240
Speaker 1: So you sound like, just if your boss makes it

479
00:22:26,280 --> 00:22:27,359
Speaker 1: go and get a coffee for him.

480
00:22:27,240 --> 00:22:29,240
Speaker 2: In the morning, Yeah, that'd be one example.

481
00:22:29,680 --> 00:22:30,680
Speaker 1: Probably wouldn't take that call.

482
00:22:30,840 --> 00:22:32,639
Speaker 3: I mean, look, if that's what your boss does, then

483
00:22:32,640 --> 00:22:34,600
Speaker 3: sure give us a call thirteen one oh sixty five.

484
00:22:34,600 --> 00:22:36,800
Speaker 3: But I'm talking about more subtle things like, for example,

485
00:22:37,720 --> 00:22:40,520
Speaker 3: someone called our radio show someone who works here, and

486
00:22:40,560 --> 00:22:43,560
Speaker 3: technically he's our boss, but you wanted to let him

487
00:22:43,600 --> 00:22:46,359
Speaker 3: know that you were the boss by chucking him on.

488
00:22:46,440 --> 00:22:50,400
Speaker 1: Hold. Well, boys, very well, how are you good?

489
00:22:50,440 --> 00:22:50,880
Speaker 10: Thank you?

490
00:22:50,920 --> 00:22:52,240
Speaker 1: Oh sorry, we just got to put you on hold

491
00:22:52,280 --> 00:22:52,879
Speaker 1: for two secs.

492
00:22:53,960 --> 00:22:55,119
Speaker 13: I don't do on hold.

493
00:22:58,040 --> 00:22:58,920
Speaker 1: You'll let him know you.

494
00:22:58,920 --> 00:22:59,399
Speaker 2: Were the boss.

495
00:22:59,400 --> 00:23:01,640
Speaker 1: Really, someone on hold is a bit of a boss move.

496
00:23:01,760 --> 00:23:03,440
Speaker 2: Always rocking up to meetings late.

497
00:23:03,680 --> 00:23:04,959
Speaker 1: Yeah, I tend to do that.

498
00:23:04,960 --> 00:23:06,840
Speaker 3: That's sort of Actually, you do a lot of these.

499
00:23:06,960 --> 00:23:10,880
Speaker 3: What else you just deliberately don't listen. No, I will

500
00:23:10,920 --> 00:23:13,040
Speaker 3: not to feel like you just don't carry it away.

501
00:23:13,119 --> 00:23:14,320
Speaker 3: Sometimes you don't listen.

502
00:23:14,600 --> 00:23:16,200
Speaker 1: I'm planning in the head.

503
00:23:16,200 --> 00:23:19,360
Speaker 3: Always been on the phone. You're always just walking out

504
00:23:19,359 --> 00:23:21,800
Speaker 3: of meetings on the phone. I've got there's a lot

505
00:23:21,800 --> 00:23:23,640
Speaker 3: of these. I'd love to hear more. Thirteen one oh

506
00:23:23,680 --> 00:23:26,359
Speaker 3: six five and number what does your boss do just

507
00:23:26,400 --> 00:23:29,479
Speaker 3: to let everyone know that they're the boss? Right now,

508
00:23:29,520 --> 00:23:32,080
Speaker 3: we're asking you, guys on thirteen one oh sixty five,

509
00:23:32,320 --> 00:23:36,520
Speaker 3: what is something your boss does to show everyone that

510
00:23:36,520 --> 00:23:39,520
Speaker 3: they're the boss.

511
00:23:39,880 --> 00:23:41,479
Speaker 1: I told you that's the last time we hear that.

512
00:23:41,560 --> 00:23:44,440
Speaker 1: It's so tacky. I think it's hard. I think it's cheap.

513
00:23:44,480 --> 00:23:46,040
Speaker 1: It makes it so sound cheap. You know, I used

514
00:23:46,080 --> 00:23:49,760
Speaker 1: to wear hospitality. Here we go and the manager the

515
00:23:49,800 --> 00:23:53,000
Speaker 1: real boss play from the manager? Yeah, was what time

516
00:23:53,040 --> 00:23:55,560
Speaker 1: everyone went to dinner? Because you go and have staff dinner. Yeah,

517
00:23:55,680 --> 00:23:58,399
Speaker 1: and if you didn't like you, you know, you'd always

518
00:23:58,400 --> 00:23:58,840
Speaker 1: go last.

519
00:23:58,840 --> 00:23:59,920
Speaker 2: He'd push you back, so.

520
00:23:59,840 --> 00:24:01,760
Speaker 3: He would let everyone know he's the boss, and he'd

521
00:24:01,920 --> 00:24:03,200
Speaker 3: choosing when you have your dinner.

522
00:24:03,240 --> 00:24:05,800
Speaker 1: Yeah, and he'd be like, mate, you can go, you

523
00:24:05,840 --> 00:24:11,679
Speaker 1: can break for you midnight tonight. I don't want to

524
00:24:11,680 --> 00:24:13,560
Speaker 1: hear the reason we're.

525
00:24:13,400 --> 00:24:15,679
Speaker 2: Talking about it, though, Will. It's because we've got a

526
00:24:15,680 --> 00:24:17,840
Speaker 2: new UK Prime minister. Her name is Liz Trust.

527
00:24:17,880 --> 00:24:21,240
Speaker 3: We don't know anything about her, but we found out well,

528
00:24:21,760 --> 00:24:22,640
Speaker 3: the Queen.

529
00:24:23,000 --> 00:24:24,600
Speaker 2: Makes her kiss her on the hand.

530
00:24:24,800 --> 00:24:26,639
Speaker 3: And that's just the queen going, hey, I get your

531
00:24:26,680 --> 00:24:28,560
Speaker 3: prime minister, but I'm still the boss.

532
00:24:28,680 --> 00:24:30,919
Speaker 1: It's a tradition. I think she's bound. I don't think.

533
00:24:30,960 --> 00:24:32,639
Speaker 1: I think. I don't think if the Queen had a choice,

534
00:24:32,840 --> 00:24:35,240
Speaker 1: she'd be getting her to do it. She's bound by tradition.

535
00:24:35,320 --> 00:24:37,680
Speaker 1: There you suggested before they kiss her on the ars,

536
00:24:37,680 --> 00:24:38,320
Speaker 1: which is wild.

537
00:24:38,440 --> 00:24:38,800
Speaker 2: You did that.

538
00:24:38,920 --> 00:24:41,440
Speaker 1: Let's go to Zach on thirday and one sixty five. Zach,

539
00:24:41,480 --> 00:24:43,440
Speaker 1: this was your old boss.

540
00:24:44,520 --> 00:24:45,760
Speaker 13: Yeah, this is my old boy.

541
00:24:45,840 --> 00:24:47,760
Speaker 5: Yeah yeah, can you hear me?

542
00:24:47,920 --> 00:24:49,120
Speaker 1: Yeah?

543
00:24:49,240 --> 00:24:51,000
Speaker 13: Yeah, mate, So this is my old boss. What do

544
00:24:51,040 --> 00:24:51,520
Speaker 13: you used to do?

545
00:24:51,680 --> 00:24:52,639
Speaker 14: Is that he would make me.

546
00:24:52,800 --> 00:24:55,280
Speaker 1: Uh, he would have a coffee, start making with his coffee,

547
00:24:55,320 --> 00:24:56,440
Speaker 1: and that he would make me go.

548
00:24:56,400 --> 00:24:59,080
Speaker 8: Around, turn a little lights in the factory, turn on.

549
00:24:59,040 --> 00:25:02,600
Speaker 1: All the generators, just do all the just yeah, just

550
00:25:02,640 --> 00:25:05,320
Speaker 1: do everything at when you got there.

551
00:25:05,359 --> 00:25:05,560
Speaker 13: Yeah.

552
00:25:06,000 --> 00:25:07,399
Speaker 1: Yeah, he'd have a coffee and then you'd have to

553
00:25:07,440 --> 00:25:08,200
Speaker 1: go and do all the admin.

554
00:25:08,320 --> 00:25:10,040
Speaker 2: It's probably fair enough enough.

555
00:25:10,080 --> 00:25:13,000
Speaker 1: That's what our producer Ed makes George do in this studio.

556
00:25:13,080 --> 00:25:15,840
Speaker 1: Though George has to come in here, put the MIC's on,

557
00:25:16,119 --> 00:25:18,280
Speaker 1: plug the headphones in, and dok the whiteboard in.

558
00:25:18,400 --> 00:25:21,080
Speaker 2: But to be fair, George, and this makes us look bad.

559
00:25:21,119 --> 00:25:24,639
Speaker 3: But George also brings our headphones and our microphone socks

560
00:25:24,640 --> 00:25:28,440
Speaker 3: into the studio. George, wife's my mum on Tuesdays, White

561
00:25:28,480 --> 00:25:31,639
Speaker 3: Tuesdays on a Tuesday, and it'll be a pickup.

562
00:25:32,040 --> 00:25:34,160
Speaker 2: Fair enough. I wouldn't mind that treatment on a Wednesday.

563
00:25:34,920 --> 00:25:37,200
Speaker 3: Let's go to Luke here thirteen one o six five.

564
00:25:38,119 --> 00:25:39,320
Speaker 2: Luky, what does.

565
00:25:39,200 --> 00:25:44,280
Speaker 3: Your boss do to show that they're the bus.

566
00:25:42,800 --> 00:25:44,680
Speaker 14: So my boss, we all start at seven.

567
00:25:44,760 --> 00:25:44,920
Speaker 13: Right.

568
00:25:45,000 --> 00:25:47,720
Speaker 14: We have this building. We to scan it out the front,

569
00:25:47,840 --> 00:25:50,240
Speaker 14: so it's gotta be inside the building at the outside

570
00:25:50,240 --> 00:25:52,840
Speaker 14: of the building. And what he does is like ten

571
00:25:52,880 --> 00:25:56,360
Speaker 14: to seven every morning, he comes out, hands in pockets,

572
00:25:56,359 --> 00:25:59,639
Speaker 14: Funny's on, and he just stands there and watches everyone

573
00:25:59,680 --> 00:26:04,320
Speaker 14: click on for no reason, doesn't say hello, just stands there.

574
00:26:04,960 --> 00:26:07,280
Speaker 14: He could just sit in his office, don't thing. But

575
00:26:07,480 --> 00:26:09,879
Speaker 14: he comes out and he just stands it down and

576
00:26:09,880 --> 00:26:12,399
Speaker 14: then at seven o one, I don't want to be late.

577
00:26:12,440 --> 00:26:14,199
Speaker 14: I don't know what happens when you're late. I'm not

578
00:26:14,240 --> 00:26:14,880
Speaker 14: taking that chip.

579
00:26:15,359 --> 00:26:16,880
Speaker 2: Yeah, big boss play.

580
00:26:18,359 --> 00:26:19,240
Speaker 4: That is a boss.

581
00:26:19,880 --> 00:26:20,720
Speaker 2: Let's go to Sarah.

582
00:26:20,760 --> 00:26:21,960
Speaker 1: Now?

583
00:26:22,000 --> 00:26:22,880
Speaker 2: Does I think it is something?

584
00:26:23,200 --> 00:26:27,879
Speaker 3: If if if Briany our boss here stood outside in

585
00:26:28,000 --> 00:26:29,520
Speaker 3: sunglasses with his hands in his.

586
00:26:31,640 --> 00:26:32,400
Speaker 1: He's indoors.

587
00:26:34,240 --> 00:26:37,919
Speaker 3: Initially he goes in, he walks outside, if I had

588
00:26:37,920 --> 00:26:40,000
Speaker 3: any Bosso did that, I'd be like, bloody, you know

589
00:26:40,000 --> 00:26:41,000
Speaker 3: what I'm thinking in my head.

590
00:26:42,640 --> 00:26:44,800
Speaker 1: That's what I mean now over doing it?

591
00:26:44,920 --> 00:26:45,800
Speaker 4: I don't think we are.

592
00:26:46,119 --> 00:26:48,120
Speaker 1: I know you're doing it to annoy me. I don't

593
00:26:48,200 --> 00:26:48,399
Speaker 1: like it.

594
00:26:48,440 --> 00:26:49,679
Speaker 2: I think it's impacted Sarah.

595
00:26:50,680 --> 00:26:54,159
Speaker 1: Six five? How are you going your boss? Do a

596
00:26:54,240 --> 00:26:54,600
Speaker 1: set there?

597
00:26:54,600 --> 00:26:55,280
Speaker 2: Authority?

598
00:26:56,440 --> 00:26:59,440
Speaker 8: So our phone used to get confiscated at work. But

599
00:26:59,560 --> 00:27:02,160
Speaker 8: my boss happened to be my older brother who wasn't

600
00:27:02,200 --> 00:27:05,840
Speaker 8: really approving off my relationship with my now husband who

601
00:27:05,920 --> 00:27:09,240
Speaker 8: was also working there at the time, So we used

602
00:27:09,280 --> 00:27:10,520
Speaker 8: to get our phones confiscation.

603
00:27:11,240 --> 00:27:15,119
Speaker 1: Phone's confiscated, YEP in our late twenties.

604
00:27:15,119 --> 00:27:16,199
Speaker 8: You could see nearly thirty.

605
00:27:16,800 --> 00:27:20,240
Speaker 1: Wow, that's right off. Yeah, but they're having it off

606
00:27:20,280 --> 00:27:22,919
Speaker 1: in the office. That's totally totally wild.

607
00:27:23,280 --> 00:27:25,080
Speaker 2: You can still do it without your phone.

608
00:27:25,640 --> 00:27:27,760
Speaker 1: No, no, but they just they just texting.

609
00:27:28,760 --> 00:27:32,080
Speaker 3: Sorry, sorry, sorry, sorry, I thought you were trying to

610
00:27:32,119 --> 00:27:33,200
Speaker 3: incorporate the phone there.

611
00:27:33,560 --> 00:27:35,600
Speaker 1: I was just saying, they're talking to each other.

612
00:27:35,880 --> 00:27:36,800
Speaker 2: Yeah, yeah, sure sure.

613
00:27:37,440 --> 00:27:41,800
Speaker 1: Now before we sick man mate for yo. Yeah, I

614
00:27:41,800 --> 00:27:44,720
Speaker 1: wanted to ask our team because obviously our EP captain

615
00:27:44,760 --> 00:27:47,280
Speaker 1: Poopens runs the show here. There's anything that he does

616
00:27:47,320 --> 00:27:51,520
Speaker 1: to assert his authority over the group. Yeah, Je.

617
00:27:52,600 --> 00:27:56,240
Speaker 7: Whenever one of those producers has a meeting scheduled with

618
00:27:56,320 --> 00:27:58,639
Speaker 7: poop Pants, he'll sit at his desk and he'll go,

619
00:27:59,000 --> 00:28:00,960
Speaker 7: imagine it's me right.

620
00:28:00,840 --> 00:28:01,639
Speaker 2: ELG, are we ready?

621
00:28:01,720 --> 00:28:03,720
Speaker 7: And I was like, yeah, and I'll stop whatever I'm doing,

622
00:28:03,800 --> 00:28:05,960
Speaker 7: the email the phone call, and I'll stand up. And

623
00:28:07,000 --> 00:28:09,879
Speaker 7: then he stays in his seat and he just continues

624
00:28:10,000 --> 00:28:13,280
Speaker 7: to email oil take a call and are we stood

625
00:28:13,280 --> 00:28:14,480
Speaker 7: there waiting for two.

626
00:28:14,359 --> 00:28:17,000
Speaker 2: Or three minutes. Just you wait, and he does it.

627
00:28:16,920 --> 00:28:18,320
Speaker 7: To every member of the team.

628
00:28:18,480 --> 00:28:20,919
Speaker 3: Really, you know, he's also a serial offender. I want

629
00:28:20,960 --> 00:28:23,360
Speaker 3: to get a coffee? Ed, excuse me, poopends. I hate

630
00:28:23,359 --> 00:28:24,240
Speaker 3: to use his human name.

631
00:28:26,920 --> 00:28:29,000
Speaker 2: You want to go and get a coffee. He always

632
00:28:29,080 --> 00:28:34,480
Speaker 2: takes a phone call. He does No, one's on the phone.

633
00:28:35,560 --> 00:28:38,640
Speaker 1: No, it's me, buddy, Are you nowhere?

634
00:28:38,680 --> 00:28:40,240
Speaker 4: I'm looking on one.

635
00:28:40,440 --> 00:28:44,160
Speaker 1: Would Today's Are You OK Day? And ge Wizard, We've

636
00:28:44,160 --> 00:28:46,280
Speaker 1: got a wonderful guest for you guys for Are You

637
00:28:46,400 --> 00:28:50,160
Speaker 1: OK Day. A little while ago, I was on Steph

638
00:28:50,200 --> 00:28:52,640
Speaker 1: Kleis Smith's podcast with Laura Henshot called kick Pod, and

639
00:28:52,720 --> 00:28:54,000
Speaker 1: I had a really good chat with him, and I

640
00:28:54,120 --> 00:28:58,640
Speaker 1: mentioned I was talking about men struggling with their mental

641
00:28:58,680 --> 00:29:02,360
Speaker 1: health and the fact that often that manifests as anger.

642
00:29:03,400 --> 00:29:06,920
Speaker 1: So often your partner can be angry, or my partner

643
00:29:07,000 --> 00:29:10,080
Speaker 1: describes it as like just perpetually hungover. You know, when

644
00:29:10,080 --> 00:29:12,600
Speaker 1: you hungover and you're irritable, that's often a flag that

645
00:29:12,680 --> 00:29:17,360
Speaker 1: I'm getting depressed or I'm depressed. And the message around

646
00:29:17,440 --> 00:29:21,959
Speaker 1: today is asking someone if they're okay, and often it's

647
00:29:22,160 --> 00:29:26,080
Speaker 1: really really hard when they're angry. You would have experienced

648
00:29:26,080 --> 00:29:27,440
Speaker 1: that with me in the past as well. You know

649
00:29:27,520 --> 00:29:30,440
Speaker 1: what I'm like when I'm like that, very irritable, very angry,

650
00:29:31,040 --> 00:29:32,640
Speaker 1: very hard person to ask if I'm okay.

651
00:29:33,040 --> 00:29:36,160
Speaker 3: Usually I just skip the question and send you home. Yes,

652
00:29:37,800 --> 00:29:41,400
Speaker 3: I know, but I know I don't need to ask

653
00:29:41,440 --> 00:29:43,520
Speaker 3: you if you're okay. I know where you're at, and

654
00:29:43,600 --> 00:29:45,640
Speaker 3: that's actually taking decisions out of your hands. Yes, but

655
00:29:45,760 --> 00:29:47,440
Speaker 3: that's a relationship that you and I have developed in

656
00:29:47,480 --> 00:29:49,880
Speaker 3: a system we've developed over a very long period of time.

657
00:29:50,400 --> 00:29:53,040
Speaker 3: I think there'd be relationships couples out there that are

658
00:29:53,080 --> 00:29:55,280
Speaker 3: probably still figuring out exactly.

659
00:29:55,000 --> 00:29:56,000
Speaker 2: The right way to go about it.

660
00:29:57,240 --> 00:29:59,800
Speaker 1: And I was talking to Stuff about this on their podcast,

661
00:30:00,000 --> 00:30:02,000
Speaker 1: and she actually messaged me afterwards and she was like,

662
00:30:02,080 --> 00:30:04,880
Speaker 1: I didn't want to bring this up, but I'm really

663
00:30:04,920 --> 00:30:08,600
Speaker 1: struggling with that. And I've got this issue where I

664
00:30:09,120 --> 00:30:14,520
Speaker 1: am reflexively angry and it's really destructive and it's a

665
00:30:14,600 --> 00:30:17,960
Speaker 1: really hard thing for Josh, my partner, and I to navigate.

666
00:30:18,360 --> 00:30:21,360
Speaker 1: And there's a lot of I think judgment and shame

667
00:30:21,560 --> 00:30:25,120
Speaker 1: that comes with how angry she is. Now, this is

668
00:30:25,200 --> 00:30:27,000
Speaker 1: a longer form podcast. You'll be able to get it on.

669
00:30:27,040 --> 00:30:28,640
Speaker 1: Willan Woody where you get your podcasts if you want

670
00:30:28,680 --> 00:30:30,080
Speaker 1: to hear more of this. I really want to thank

671
00:30:30,120 --> 00:30:32,240
Speaker 1: Steph for sharing. She didn't have to ask answer this question,

672
00:30:32,360 --> 00:30:34,720
Speaker 1: and I actually messaged her beforehand and sort of said,

673
00:30:34,840 --> 00:30:36,440
Speaker 1: I know this is very private. You haven't spoken to

674
00:30:36,480 --> 00:30:39,200
Speaker 1: someone about this before. Are you sure you're okay sharing it?

675
00:30:39,720 --> 00:30:42,200
Speaker 1: But I just knew she'd talk well about it. You'll

676
00:30:42,200 --> 00:30:43,960
Speaker 1: be able to see it online Instagram, Will and Woody

677
00:30:43,960 --> 00:30:45,840
Speaker 1: a little bit later on as well. But this is

678
00:30:45,920 --> 00:30:47,480
Speaker 1: her talking about something which I think a lot of

679
00:30:47,520 --> 00:30:51,160
Speaker 1: people can relate to. And I'm really proud of her

680
00:30:51,520 --> 00:30:54,600
Speaker 1: for talking to us about this in a share my

681
00:30:54,760 --> 00:30:59,320
Speaker 1: mood chat in and around anger shame. This is Steph

682
00:30:59,360 --> 00:31:02,080
Speaker 1: CLEAs Smith. You're okay, yeah, And.

683
00:31:02,120 --> 00:31:06,840
Speaker 15: It's really hard to explain. But I think why I'm

684
00:31:06,960 --> 00:31:10,560
Speaker 15: so shameful of it, I think is because, I mean,

685
00:31:10,680 --> 00:31:15,400
Speaker 15: women often get labeled as crazy, you know, if we're

686
00:31:15,840 --> 00:31:20,960
Speaker 15: if we're a bit feisty, and I know it's so easy.

687
00:31:20,840 --> 00:31:24,800
Speaker 1: Or a bitch. It's so it's such a quick, quick brand,

688
00:31:24,960 --> 00:31:28,040
Speaker 1: isn't it. If you're a confident woman. I think I've

689
00:31:28,040 --> 00:31:30,480
Speaker 1: heard Julia Gillard speak really well about that. You can't

690
00:31:30,520 --> 00:31:32,800
Speaker 1: be a confident woman without being a bitch, So don't

691
00:31:32,840 --> 00:31:35,840
Speaker 1: show emotion. I feel like women get that lot, like God,

692
00:31:35,880 --> 00:31:39,200
Speaker 1: a bit emotional. It's like excuse me, am, I supposed

693
00:31:39,200 --> 00:31:40,800
Speaker 1: to act like a robot, whereas men.

694
00:31:41,120 --> 00:31:43,520
Speaker 2: Men don't get that. Man it's like, oh, you're passionate, yes,

695
00:31:45,560 --> 00:31:46,400
Speaker 2: when you're a bit emotional.

696
00:31:47,400 --> 00:31:52,080
Speaker 15: What he's doing, Yeah, exactly. And I think because I

697
00:31:52,280 --> 00:31:58,840
Speaker 15: do surround myself with people who really always hold themselves

698
00:31:58,880 --> 00:32:01,280
Speaker 15: in a way that's like the other person in the

699
00:32:01,360 --> 00:32:04,040
Speaker 15: room is more important than them, and you know, always

700
00:32:04,040 --> 00:32:08,120
Speaker 15: puts other peoples first. At least in my experience, I

701
00:32:08,240 --> 00:32:11,480
Speaker 15: get really upset when I feel like I don't do that,

702
00:32:11,960 --> 00:32:14,560
Speaker 15: and I just get angry and I just like let

703
00:32:14,640 --> 00:32:15,800
Speaker 15: it out on Josh.

704
00:32:15,840 --> 00:32:17,320
Speaker 1: It's done nothing wrong.

705
00:32:17,720 --> 00:32:18,640
Speaker 16: It's much better now.

706
00:32:18,920 --> 00:32:19,680
Speaker 2: I think as soon as I.

707
00:32:19,760 --> 00:32:25,120
Speaker 15: Recognize that it was like a probably something, that it became.

708
00:32:24,880 --> 00:32:25,600
Speaker 3: A lot easier.

709
00:32:25,840 --> 00:32:29,720
Speaker 15: But before that, yeah, he was like always questioning like

710
00:32:29,800 --> 00:32:30,640
Speaker 15: do you even love me?

711
00:32:30,960 --> 00:32:31,640
Speaker 8: Like do you you know?

712
00:32:31,840 --> 00:32:33,000
Speaker 2: Because it was like I was.

713
00:32:34,280 --> 00:32:35,640
Speaker 15: Often like horrible.

714
00:32:37,480 --> 00:32:37,680
Speaker 4: Yeah.

715
00:32:37,880 --> 00:32:41,200
Speaker 15: So it's like I think when that started to happen

716
00:32:41,520 --> 00:32:43,360
Speaker 15: too often, it was like no, no, no, I do

717
00:32:43,560 --> 00:32:46,520
Speaker 15: love you, and you're like the best person in my world,

718
00:32:47,160 --> 00:32:48,920
Speaker 15: and I don't want you to ever feel that way.

719
00:32:49,000 --> 00:32:51,480
Speaker 15: So there's obviously something going on, because I'm not even

720
00:32:51,520 --> 00:32:51,920
Speaker 15: angry at you.

721
00:32:51,920 --> 00:32:52,400
Speaker 8: I don't know why.

722
00:32:52,440 --> 00:32:56,840
Speaker 1: I'm as you said to me, I think you're messaging

723
00:32:56,840 --> 00:33:00,640
Speaker 1: about it. You said, it's unfortunately it's the person closest

724
00:33:00,640 --> 00:33:00,840
Speaker 1: to me.

725
00:33:01,000 --> 00:33:02,440
Speaker 2: Yeah, it's the punching bag.

726
00:33:02,600 --> 00:33:05,440
Speaker 1: I like, turn around and I'm like, yeah, great, well

727
00:33:05,520 --> 00:33:08,400
Speaker 1: not great, but like your first your first up, you

728
00:33:08,440 --> 00:33:09,960
Speaker 1: know your partners, do you know that.

729
00:33:09,960 --> 00:33:10,960
Speaker 15: They're always going to be there?

730
00:33:11,280 --> 00:33:11,480
Speaker 8: Yeah?

731
00:33:12,080 --> 00:33:15,120
Speaker 2: Yeah, which is so not the right way. Yeah, but

732
00:33:15,240 --> 00:33:17,160
Speaker 2: that's why it happened. That's not fair, but that's why

733
00:33:17,200 --> 00:33:17,560
Speaker 2: it happened.

734
00:33:18,800 --> 00:33:20,600
Speaker 1: That video will be on Instagram Will and Woody a

735
00:33:20,600 --> 00:33:21,840
Speaker 1: little bit later on. As I said, you'd be able

736
00:33:21,840 --> 00:33:23,280
Speaker 1: to hear the full thing on the podcast Will and

737
00:33:23,320 --> 00:33:25,920
Speaker 1: Woody wherever you get your podcasts. But don't go anywhere,

738
00:33:25,920 --> 00:33:28,160
Speaker 1: because right up next, the one and Only Steph Claire

739
00:33:28,160 --> 00:33:29,720
Speaker 1: Smith joins us on Will and Woody.

740
00:33:29,840 --> 00:33:34,080
Speaker 7: Coming up next will the more Will and Woody, The

741
00:33:34,200 --> 00:33:35,480
Speaker 7: Will and Woody Podcast.

742
00:33:35,760 --> 00:33:39,560
Speaker 1: If you missed it, you just missed a phenomenal piece

743
00:33:39,600 --> 00:33:41,680
Speaker 1: of audio chat that we had to share my mood

744
00:33:42,280 --> 00:33:45,040
Speaker 1: with Steph Claire Smith a series of Share My Mood

745
00:33:45,120 --> 00:33:47,240
Speaker 1: podcasts that we're going to bring to you guys month

746
00:33:47,320 --> 00:33:49,880
Speaker 1: by month. Sit down with some really quality people and

747
00:33:50,080 --> 00:33:52,200
Speaker 1: you know, just talk to them about the bare bones

748
00:33:52,240 --> 00:33:54,440
Speaker 1: of who they are. We had Steph Clese with as

749
00:33:54,440 --> 00:33:56,720
Speaker 1: our first guest, which was awesome. Yeah.

750
00:33:56,800 --> 00:33:59,680
Speaker 2: Well she brought it like again like and we really

751
00:33:59,680 --> 00:34:01,360
Speaker 2: appreci ya. I know Steph is on the phone right now.

752
00:34:01,400 --> 00:34:03,040
Speaker 3: I'm not just saying this because you can hear me, Steph,

753
00:34:03,080 --> 00:34:05,320
Speaker 3: but it was so nice for you to join us

754
00:34:05,360 --> 00:34:07,360
Speaker 3: for lunch that's an extended period of time, but also

755
00:34:07,480 --> 00:34:09,239
Speaker 3: open up the way that you did well in the show.

756
00:34:09,280 --> 00:34:09,560
Speaker 2: Steph.

757
00:34:10,600 --> 00:34:12,400
Speaker 8: I thanks guys, Thank you.

758
00:34:13,400 --> 00:34:15,319
Speaker 1: So one of the things we touched on it's are

759
00:34:15,360 --> 00:34:17,279
Speaker 1: you Okada Today? And that's why we chose to roll

760
00:34:17,360 --> 00:34:19,640
Speaker 1: out the chat that we had with you today and

761
00:34:19,880 --> 00:34:21,400
Speaker 1: people can get it on Will and Wood wherever they

762
00:34:21,440 --> 00:34:24,239
Speaker 1: get their podcasts. But it was such an interesting chat

763
00:34:24,320 --> 00:34:27,400
Speaker 1: for you to talk about how you've got this this

764
00:34:27,640 --> 00:34:30,200
Speaker 1: this this well effectively a problem that you have with

765
00:34:30,320 --> 00:34:33,600
Speaker 1: your anger where, particularly when you're in a relationship, angers

766
00:34:34,000 --> 00:34:37,880
Speaker 1: so destructive. So on are you Okay day? I wanted

767
00:34:37,920 --> 00:34:40,960
Speaker 1: to ask you how do you go about, you know,

768
00:34:41,160 --> 00:34:43,040
Speaker 1: navigating And people can hear more of this on the

769
00:34:43,120 --> 00:34:45,040
Speaker 1: chat that we had the longer form chat, But how

770
00:34:45,080 --> 00:34:47,160
Speaker 1: do you go about navigating if you are in that

771
00:34:47,280 --> 00:34:49,719
Speaker 1: sort of a state. If Josh asked you, are you okay?

772
00:34:49,760 --> 00:34:51,799
Speaker 1: Because I know if I am anger, my partner goes,

773
00:34:52,200 --> 00:34:56,879
Speaker 1: are you okay? You go we'll piss off. Yeah, yeah,

774
00:34:56,920 --> 00:34:59,919
Speaker 1: I'm fine, and then you go back to doing whatever

775
00:35:00,120 --> 00:35:01,880
Speaker 1: weird thing you're doing by yourself in the shared in

776
00:35:01,920 --> 00:35:02,479
Speaker 1: the back house.

777
00:35:03,120 --> 00:35:03,719
Speaker 13: But what do you do?

778
00:35:04,200 --> 00:35:07,600
Speaker 1: What do you how do you guys go about navigating that? Steff?

779
00:35:08,080 --> 00:35:09,280
Speaker 5: Yeah, I think it's.

780
00:35:10,200 --> 00:35:13,200
Speaker 16: All about having really open communication and we figured that

781
00:35:13,280 --> 00:35:16,480
Speaker 16: out pretty early on in our relationship, and nowadays, I'm

782
00:35:16,520 --> 00:35:18,879
Speaker 16: really quick to recognize kind of when I'm in one

783
00:35:18,920 --> 00:35:21,440
Speaker 16: of those states where I do believe that the smallest

784
00:35:21,440 --> 00:35:23,799
Speaker 16: things are probably going to, you know, take me over

785
00:35:23,840 --> 00:35:26,600
Speaker 16: the edge, I would tell him about it. And if

786
00:35:26,880 --> 00:35:28,680
Speaker 16: I can feel an argument brewing, I just feel like

787
00:35:28,760 --> 00:35:31,360
Speaker 16: I just need a moment, and I'll literally remove myself

788
00:35:31,360 --> 00:35:33,719
Speaker 16: from the room, and you know, nine times out of ten,

789
00:35:33,800 --> 00:35:35,800
Speaker 16: I come back, Okay, I'm ready to talk about it.

790
00:35:36,200 --> 00:35:38,480
Speaker 16: I'm fine, I'm not you know, and so it's just

791
00:35:38,560 --> 00:35:40,840
Speaker 16: it's taken a while to be able to both recognize

792
00:35:40,880 --> 00:35:43,480
Speaker 16: those things. But it's all about open communication.

793
00:35:44,400 --> 00:35:46,320
Speaker 2: It's so important to get it before the storm.

794
00:35:46,840 --> 00:35:49,000
Speaker 3: Just as you're saying this step but something that's hard

795
00:35:49,080 --> 00:35:50,600
Speaker 3: for me, and I don't know if you struggle with

796
00:35:50,640 --> 00:35:53,279
Speaker 3: this as well, but it's communication with yourself as well

797
00:35:53,360 --> 00:35:57,560
Speaker 3: and actually understanding when you are potentially about to become

798
00:35:58,239 --> 00:35:59,360
Speaker 3: angry and knowing when that is.

799
00:35:59,560 --> 00:36:01,040
Speaker 2: How do you you NAVI go there? But how do

800
00:36:01,120 --> 00:36:02,320
Speaker 2: you check in with yourself?

801
00:36:02,360 --> 00:36:05,160
Speaker 1: Steph, Well, I think, like, first.

802
00:36:05,000 --> 00:36:08,720
Speaker 16: Of all, like anger, something that I've realized is whilst

803
00:36:08,760 --> 00:36:10,560
Speaker 16: I feel like it's a negative emotion that I don't

804
00:36:10,560 --> 00:36:13,360
Speaker 16: want to feel, sometimes it's a completely necessary emotion that

805
00:36:13,600 --> 00:36:16,200
Speaker 16: you know needs to exist. And so I think sometimes

806
00:36:16,239 --> 00:36:18,239
Speaker 16: I just need to take a moment to kind of

807
00:36:18,280 --> 00:36:22,239
Speaker 16: evaluate my own head or heart if the way I'm

808
00:36:22,320 --> 00:36:24,440
Speaker 16: feeling is just kind of necessary for.

809
00:36:24,520 --> 00:36:26,040
Speaker 5: What's happening and justified exactly.

810
00:36:26,480 --> 00:36:32,120
Speaker 16: But I am also someone who's incredibly stubborn in you know,

811
00:36:32,520 --> 00:36:35,200
Speaker 16: trying to work things out for myself and you know,

812
00:36:35,320 --> 00:36:36,960
Speaker 16: thinking that I know best.

813
00:36:38,560 --> 00:36:40,160
Speaker 14: Sometimes there for me and I'm.

814
00:36:40,120 --> 00:36:44,440
Speaker 2: Just like, yeah, I don't need that I that.

815
00:36:46,960 --> 00:36:49,359
Speaker 1: So annoying when someone says I want When Sam says

816
00:36:49,360 --> 00:36:51,200
Speaker 1: to me, I want to figure out myself, I'm like, great,

817
00:36:51,440 --> 00:36:51,880
Speaker 1: but what am I?

818
00:36:53,080 --> 00:36:56,080
Speaker 2: Yeah? Yeah, Also to say sorry, I'm not saying I

819
00:36:56,160 --> 00:36:59,960
Speaker 2: want to call your partner and I'll tell her I

820
00:37:00,120 --> 00:37:00,640
Speaker 2: was out of him.

821
00:37:00,680 --> 00:37:01,000
Speaker 4: Just leave it.

822
00:37:01,000 --> 00:37:02,320
Speaker 3: The besting you can do is leave me alone. And

823
00:37:02,360 --> 00:37:05,360
Speaker 3: that's that's yeah, and she does. But also it's like,

824
00:37:05,400 --> 00:37:07,080
Speaker 3: at some point we're gonna have to talk about this.

825
00:37:07,239 --> 00:37:10,319
Speaker 1: Yeah. Yeah, it's a wonderful discussion on are you ok

826
00:37:10,520 --> 00:37:13,759
Speaker 1: da looking after your partner? Steph. It was the best

827
00:37:13,880 --> 00:37:16,120
Speaker 1: chat with you. You're a beautiful person. Thank you so

828
00:37:16,280 --> 00:37:19,640
Speaker 1: much for sharing with us, for indulging us, and I

829
00:37:19,719 --> 00:37:24,200
Speaker 1: think really for illuminating parts of yourself that I think

830
00:37:24,239 --> 00:37:26,359
Speaker 1: a lot of people wouldn't have expected. And I think

831
00:37:26,360 --> 00:37:28,279
Speaker 1: that's that's the best part about you, And in a

832
00:37:28,320 --> 00:37:30,279
Speaker 1: lot of ways is that you are, you know, really

833
00:37:30,320 --> 00:37:32,080
Speaker 1: pinned up there in lights, but at the same time,

834
00:37:32,200 --> 00:37:34,400
Speaker 1: you're so willing to shed your skin, and that's what

835
00:37:34,520 --> 00:37:37,320
Speaker 1: makes you such an awesome leader and an inspiration to

836
00:37:37,360 --> 00:37:38,800
Speaker 1: a lot of people. So thank you for coming on

837
00:37:38,880 --> 00:37:40,759
Speaker 1: Share My murt Thank you for coming on the show. Again,

838
00:37:41,680 --> 00:37:43,200
Speaker 1: we love you. You're at You're a star. Thanks for

839
00:37:43,280 --> 00:37:43,680
Speaker 1: joining us.

840
00:37:44,080 --> 00:37:45,040
Speaker 5: Oh well, thanks guys.

841
00:37:45,080 --> 00:37:47,399
Speaker 16: I mean you guys created a really safe space where

842
00:37:47,440 --> 00:37:48,520
Speaker 16: I felt comfortable to do so.

843
00:37:48,800 --> 00:37:53,040
Speaker 2: So it was the Shakutrie border reckon. It was very

844
00:37:53,239 --> 00:37:56,160
Speaker 2: cheesy woman's heart.

845
00:37:57,680 --> 00:38:02,239
Speaker 1: Thanks step pleasure well and looking on. I six five

846
00:38:02,880 --> 00:38:05,520
Speaker 1: love to hear from some women and some men, but

847
00:38:05,800 --> 00:38:10,000
Speaker 1: largely women. Is a man in wife fronts a turn off?

848
00:38:10,840 --> 00:38:13,440
Speaker 1: That's the question. The jocks, the wife front jocks.

849
00:38:13,600 --> 00:38:16,120
Speaker 2: Women even care about the jocks like the red rios.

850
00:38:16,120 --> 00:38:18,480
Speaker 1: I think women care about jocks. Yeah, absolutely, I think

851
00:38:18,480 --> 00:38:21,000
Speaker 1: they do. You've been worried about used to wear. You

852
00:38:21,080 --> 00:38:22,120
Speaker 1: wear supermarket jocks.

853
00:38:22,680 --> 00:38:24,320
Speaker 2: I wouldn't say they're supermarket jocks.

854
00:38:25,160 --> 00:38:27,920
Speaker 3: Are a very small step by them at the supermarket. Yeah,

855
00:38:27,920 --> 00:38:30,560
Speaker 3: but they're not supermarket jobs. They're not Cole's jocks or

856
00:38:30,560 --> 00:38:31,400
Speaker 3: Woolworths jocks.

857
00:38:31,960 --> 00:38:34,560
Speaker 1: I didn't say there were home brand jocks. I said

858
00:38:34,600 --> 00:38:35,720
Speaker 1: there were supermarket jocks.

859
00:38:35,760 --> 00:38:37,600
Speaker 2: Well, they're just playing. They're just playing jocks.

860
00:38:37,680 --> 00:38:40,080
Speaker 1: You wear cal buy them at the supermarket. Yeah, okay,

861
00:38:40,160 --> 00:38:42,560
Speaker 1: all right, I wear superl You brought one pair of

862
00:38:42,640 --> 00:38:47,640
Speaker 1: Calvin kleins, no friend, but then you put in them

863
00:38:47,800 --> 00:38:49,040
Speaker 1: in your bed one time.

864
00:38:49,239 --> 00:38:54,040
Speaker 2: Oh, my beard shorts. They're my beard shorts, my bed shorts.

865
00:38:54,239 --> 00:38:54,960
Speaker 1: Your boxes.

866
00:38:55,120 --> 00:38:56,960
Speaker 2: No, it's like a looser. It's a loose. I wouldn't

867
00:38:56,960 --> 00:38:57,840
Speaker 2: go to bed in briefs.

868
00:38:58,200 --> 00:39:01,080
Speaker 3: No boxes. Yeah, yeah, I wear boxes to bet their

869
00:39:01,120 --> 00:39:04,320
Speaker 3: Calvin client and then every day I wear briefs.

870
00:39:04,719 --> 00:39:06,319
Speaker 1: Yeah, you wear your supermarket jocks.

871
00:39:07,040 --> 00:39:08,160
Speaker 2: It's a very simple brief.

872
00:39:08,239 --> 00:39:13,200
Speaker 1: Now thirteen five, we've covered your array of undercarries because

873
00:39:13,200 --> 00:39:15,520
Speaker 1: you wear very nice jocks. I took Calvin Clients took

874
00:39:15,840 --> 00:39:18,239
Speaker 1: stuff yesterday. You actually did.

875
00:39:18,680 --> 00:39:20,480
Speaker 2: And we're not giving context there. We're not going to

876
00:39:20,520 --> 00:39:21,160
Speaker 2: give context.

877
00:39:21,280 --> 00:39:25,440
Speaker 1: I remember shooting a video, shooting a video over pleasantly bridges.

878
00:39:25,719 --> 00:39:27,120
Speaker 1: I always wear Calvin Clients.

879
00:39:27,200 --> 00:39:30,040
Speaker 2: Yeah, you always wear I've upped it up it.

880
00:39:30,120 --> 00:39:32,719
Speaker 1: I just think, like, you know, comfort's key.

881
00:39:33,760 --> 00:39:36,480
Speaker 2: Yeah, so you're doing it for the comfort though, Yeah.

882
00:39:36,320 --> 00:39:38,120
Speaker 1: Because I found out and you know this is a

883
00:39:38,160 --> 00:39:40,319
Speaker 1: bit of a service announcement, but if your jocks are

884
00:39:40,360 --> 00:39:42,759
Speaker 1: too tight, it's not good for your sperm count. I

885
00:39:42,840 --> 00:39:44,239
Speaker 1: think that's actually like a real thing.

886
00:39:44,440 --> 00:39:45,440
Speaker 2: No, jocks are tired on me.

887
00:39:46,000 --> 00:39:46,759
Speaker 1: No, that's right.

888
00:39:47,200 --> 00:39:48,720
Speaker 2: You can join those dots together yourself.

889
00:39:49,400 --> 00:39:53,520
Speaker 1: That's been the offering world anyway. So one six five

890
00:39:53,560 --> 00:39:55,560
Speaker 1: we want to talk about why fronts? Though, Yeah, yeah,

891
00:39:56,560 --> 00:39:59,000
Speaker 1: the reason we're talking about is because Lewis Capaldi.

892
00:39:58,640 --> 00:39:59,240
Speaker 15: This guy.

893
00:40:01,440 --> 00:40:05,759
Speaker 1: With beautiful voice. Luis, give me another song, George, give me.

894
00:40:09,200 --> 00:40:09,480
Speaker 12: Song.

895
00:40:09,719 --> 00:40:15,560
Speaker 1: Sad. He's he's wearing some wife fronts. He's taken photos

896
00:40:15,560 --> 00:40:17,759
Speaker 1: of himself on his Instagram wearing some wife fronts. His

897
00:40:17,840 --> 00:40:21,239
Speaker 1: record label sent him these XXL wife fronts which are

898
00:40:21,320 --> 00:40:24,520
Speaker 1: just hilarious, and he said he'll never have sex again

899
00:40:24,600 --> 00:40:28,680
Speaker 1: his words. But it's just kind of thinking like why fronts.

900
00:40:29,040 --> 00:40:30,480
Speaker 1: It feels like that, you know, when you're a kid,

901
00:40:30,640 --> 00:40:32,839
Speaker 1: like when you're when you're a little boy, when you're

902
00:40:32,840 --> 00:40:34,600
Speaker 1: a little boy, wife fronts is all you've got in

903
00:40:34,640 --> 00:40:38,319
Speaker 1: your wardrobe. I'd say until what year five? Yeah, maybe

904
00:40:38,440 --> 00:40:40,719
Speaker 1: probably high school your sport and wife frights.

905
00:40:40,800 --> 00:40:43,600
Speaker 2: You go from wife fronts to silk boxes and then you.

906
00:40:43,640 --> 00:40:46,560
Speaker 1: Step silks are before the wife fronts. Surely how are

907
00:40:46,640 --> 00:40:47,760
Speaker 1: you when you're wearing the bottom?

908
00:40:48,360 --> 00:40:51,720
Speaker 2: Was at high school in silks and I got laughed

909
00:40:51,719 --> 00:40:53,880
Speaker 2: out of the change rooms. Yeah, I was on the

910
00:40:53,920 --> 00:40:56,279
Speaker 2: hot day silks that and there.

911
00:40:56,560 --> 00:40:58,160
Speaker 1: There would be like you know, if they did it,

912
00:40:58,200 --> 00:41:00,120
Speaker 1: if they took a peachery dish of the bacteria in

913
00:41:00,200 --> 00:41:02,800
Speaker 1: those things. Horrific, they'd find new species.

914
00:41:02,880 --> 00:41:06,839
Speaker 2: Bloody. They were shocking, and they're right shocking. I had

915
00:41:06,880 --> 00:41:08,640
Speaker 2: silk boxes that said sex got on them.

916
00:41:09,680 --> 00:41:16,000
Speaker 3: Kidding, I would have been thirteen thirteen fourteen, Yeah, right boxes.

917
00:41:16,440 --> 00:41:19,920
Speaker 1: So so you go from the Wife Fronts to the silks.

918
00:41:20,239 --> 00:41:24,719
Speaker 1: But it's very much a young boy jock. Yeah. Yeah.

919
00:41:24,760 --> 00:41:27,359
Speaker 1: And I think, and this is the proposition I've thrown out,

920
00:41:27,840 --> 00:41:31,879
Speaker 1: isn't a turn off. I'd almost say it's a yeah,

921
00:41:31,960 --> 00:41:34,319
Speaker 1: well I'm not a woman, not not betting other men,

922
00:41:34,440 --> 00:41:36,279
Speaker 1: but it would almost be a deal breaker for me

923
00:41:36,320 --> 00:41:37,600
Speaker 1: if I saw a bloke in Wife Fronts.

924
00:41:37,640 --> 00:41:40,280
Speaker 3: Let's got Amy here on thirteen one oh six five, Amy,

925
00:41:40,440 --> 00:41:42,160
Speaker 3: what do you think about the Wife Fronts?

926
00:41:42,239 --> 00:41:43,360
Speaker 2: Is that a deal breaker for you?

927
00:41:44,120 --> 00:41:45,640
Speaker 5: Yeah, it's a definite noe for me.

928
00:41:47,000 --> 00:41:47,200
Speaker 1: Yeah.

929
00:41:47,320 --> 00:41:49,720
Speaker 5: I think it's because I've worked with children for sixteen

930
00:41:49,800 --> 00:41:51,280
Speaker 5: years and I just think they're.

931
00:41:51,360 --> 00:41:54,919
Speaker 1: Mind you give it that young you know, real young boy. Look.

932
00:41:55,560 --> 00:41:57,440
Speaker 5: Yeah, and the boxer is a little bit well, the

933
00:41:57,520 --> 00:41:59,640
Speaker 5: brief is a little bit more classy, and as you

934
00:41:59,719 --> 00:42:01,799
Speaker 5: said before, it's a little bit more expensive as well,

935
00:42:01,840 --> 00:42:03,480
Speaker 5: you know, like my partner's brief. So I think like

936
00:42:03,520 --> 00:42:06,719
Speaker 5: twenty five dollars a pair, you know, step one. But

937
00:42:06,880 --> 00:42:08,759
Speaker 5: like if you get the you know, the wife fronts,

938
00:42:08,800 --> 00:42:10,080
Speaker 5: you know you can get them the five bus.

939
00:42:10,200 --> 00:42:15,040
Speaker 1: Yeah, it's cheap, cheap jobs. Cheap jock, says, cheap person.

940
00:42:15,239 --> 00:42:18,040
Speaker 1: And you know Puddy buys his jocks at the supermarket.

941
00:42:18,080 --> 00:42:22,680
Speaker 1: We'll leave it there. Lauren's called six five. You do, mate,

942
00:42:22,960 --> 00:42:25,560
Speaker 1: you buy your jobs. It's not okay. The a pack,

943
00:42:25,800 --> 00:42:27,640
Speaker 1: the pack, I don't think it's okay. I think I

944
00:42:27,680 --> 00:42:29,239
Speaker 1: need to flag that. I think I just need to

945
00:42:29,280 --> 00:42:31,480
Speaker 1: flag that you can't buy your jocks at the supermarket.

946
00:42:31,880 --> 00:42:33,960
Speaker 2: I can you can't because they're just black. They're just

947
00:42:34,080 --> 00:42:34,719
Speaker 2: playing jocks.

948
00:42:34,760 --> 00:42:36,960
Speaker 3: I don't get the big show and dance about jocks,

949
00:42:37,680 --> 00:42:39,000
Speaker 3: and they're surprisingly comfortable.

950
00:42:39,080 --> 00:42:41,920
Speaker 1: Let's go to Lauren on bedde I six ' five Lauren,

951
00:42:42,760 --> 00:42:44,279
Speaker 1: what's your opinion on the wife front?

952
00:42:45,160 --> 00:42:47,600
Speaker 8: I think if you love it, rocket, who cares?

953
00:42:48,440 --> 00:42:48,800
Speaker 2: Interesting?

954
00:42:48,920 --> 00:42:49,480
Speaker 1: Do you reckon?

955
00:42:50,000 --> 00:42:52,319
Speaker 2: So you're so you take you take a go home.

956
00:42:52,400 --> 00:42:53,520
Speaker 2: Everything's going really well.

957
00:42:54,040 --> 00:42:56,759
Speaker 3: He you know, pulls his pants off obviously, does it

958
00:42:56,840 --> 00:42:59,319
Speaker 3: subtly and discreetly and sexily. But then you just see

959
00:43:00,080 --> 00:43:01,680
Speaker 3: you see a wife front and that's not an issue

960
00:43:01,680 --> 00:43:02,120
Speaker 3: for you at all.

961
00:43:02,160 --> 00:43:03,560
Speaker 2: You're not No, no red flags.

962
00:43:04,560 --> 00:43:08,000
Speaker 17: No, I think it says like number one, it's confidence.

963
00:43:11,840 --> 00:43:13,960
Speaker 2: Do you think, but Lauren like the confidence to wear

964
00:43:13,960 --> 00:43:15,840
Speaker 2: a supermarket jock. Lauren?

965
00:43:16,880 --> 00:43:22,520
Speaker 1: Oh yeah, no, no, no, no, no, you don't don't right, no, Lauren,

966
00:43:22,600 --> 00:43:25,799
Speaker 1: but my my okay, but Lauren, surely a wife front

967
00:43:25,840 --> 00:43:30,239
Speaker 1: like I don't know, I don't know of and you know,

968
00:43:30,360 --> 00:43:32,120
Speaker 1: guys at the urine or you know what other jocks

969
00:43:32,160 --> 00:43:33,480
Speaker 1: are the guys are wearing. You're across it.

970
00:43:33,760 --> 00:43:35,280
Speaker 2: You are across looking that closely.

971
00:43:35,440 --> 00:43:37,440
Speaker 1: No, but you know, like you know, like you and

972
00:43:37,520 --> 00:43:39,600
Speaker 1: I spoke about the wife fronts before the show. You've

973
00:43:39,640 --> 00:43:41,160
Speaker 1: got to mate who has wife fronts? You know exactly

974
00:43:41,200 --> 00:43:43,680
Speaker 1: who it is. I've got to mate who has wife fronts? Yeah, Smithy,

975
00:43:43,760 --> 00:43:46,200
Speaker 1: Smitty Woofy both were wife fronts. We know they will

976
00:43:46,239 --> 00:43:48,400
Speaker 1: for your wife front guy born and bred, and I

977
00:43:48,480 --> 00:43:50,239
Speaker 1: think about them.

978
00:43:50,320 --> 00:43:52,080
Speaker 3: Smithy likes to pull his pants down to his ankles

979
00:43:52,120 --> 00:43:54,040
Speaker 3: to take away as well, so does Woofy.

980
00:43:54,160 --> 00:43:57,720
Speaker 1: So it's a very young boy thing. But my point

981
00:43:57,880 --> 00:44:00,640
Speaker 1: is I think there's a certain time a person that

982
00:44:00,719 --> 00:44:04,160
Speaker 1: wears wife fronts. Okay, I just think I think they're

983
00:44:04,239 --> 00:44:08,160
Speaker 1: so predictable, they're slightly talk here, got a bit of

984
00:44:08,200 --> 00:44:13,160
Speaker 1: young boy about them, Lauren, Lauren, there, would you like to?

985
00:44:13,360 --> 00:44:15,560
Speaker 1: I want you to test my hypothesis. I think it's

986
00:44:15,560 --> 00:44:19,239
Speaker 1: a bit weird if I do it. What if we

987
00:44:19,400 --> 00:44:21,919
Speaker 1: get a whole bunch of wife front callers to call

988
00:44:22,560 --> 00:44:24,680
Speaker 1: they all wear wife fronts. Oh no, no, sorry sorry,

989
00:44:24,800 --> 00:44:27,200
Speaker 1: We'll put some will speckle, some normal jock men in

990
00:44:27,280 --> 00:44:27,800
Speaker 1: it amongst it.

991
00:44:27,920 --> 00:44:31,800
Speaker 3: So we just need blogs who wear jocks to call now. Yeah, actually,

992
00:44:32,000 --> 00:44:33,080
Speaker 3: even if you go command.

993
00:44:34,640 --> 00:44:36,879
Speaker 1: Blogs to call, So if you if you're a woman

994
00:44:36,960 --> 00:44:40,040
Speaker 1: on the line, please hang up. If it just blogs

995
00:44:40,080 --> 00:44:42,480
Speaker 1: to call, and then Lauren has to pick the wife

996
00:44:42,520 --> 00:44:45,640
Speaker 1: front wearer, we will need one wife front wearer on

997
00:44:45,800 --> 00:44:49,640
Speaker 1: the line. We'll need one. Don't all, buddy, call your

998
00:44:52,640 --> 00:44:57,879
Speaker 1: We'll do it right out next Mondy, can Lauren pick

999
00:44:57,960 --> 00:45:00,560
Speaker 1: the wife fronter? I reckon, we'll be able too, That's

1000
00:45:00,600 --> 00:45:03,520
Speaker 1: what I just it says a lot about them. Can't

1001
00:45:03,520 --> 00:45:06,480
Speaker 1: wait to say a certain type of person I think

1002
00:45:06,600 --> 00:45:10,960
Speaker 1: wears wife front jocks. Okay, so much so that I

1003
00:45:11,040 --> 00:45:13,560
Speaker 1: think we will be able to tell who is wearing

1004
00:45:13,640 --> 00:45:18,239
Speaker 1: wife fronts purely by talking to them. Lauren is a

1005
00:45:18,320 --> 00:45:20,520
Speaker 1: fan of wife fronts, a bit of a sicko. Welcome

1006
00:45:20,520 --> 00:45:21,360
Speaker 1: back to the show, Lauren.

1007
00:45:22,239 --> 00:45:25,880
Speaker 3: Hello, just a confirmed Louren. Your preference is wife fronts.

1008
00:45:25,880 --> 00:45:28,480
Speaker 3: So when you when some pants come down, your your

1009
00:45:28,600 --> 00:45:30,000
Speaker 3: fingers crossed for wife fronts.

1010
00:45:30,719 --> 00:45:33,920
Speaker 16: Oh oh yeah, I actually really don't mind them.

1011
00:45:36,640 --> 00:45:38,400
Speaker 1: My hang on, what's at the bottom of the scale,

1012
00:45:38,560 --> 00:45:40,480
Speaker 1: Like if you saw a set of silks on an adult,

1013
00:45:40,520 --> 00:45:46,560
Speaker 1: you'd be like Jesus, maybe not silky too far? Surely

1014
00:45:46,640 --> 00:45:48,600
Speaker 1: you just get that. The wife fronce just takes me

1015
00:45:48,680 --> 00:45:49,520
Speaker 1: back to year five.

1016
00:45:49,920 --> 00:45:50,799
Speaker 2: I think it's a weird look.

1017
00:45:50,880 --> 00:45:54,280
Speaker 1: It's such a strange look. I don't think you can. Yeah, anyway,

1018
00:45:54,440 --> 00:45:56,120
Speaker 1: even the underwear models, you know when you go and

1019
00:45:56,200 --> 00:45:59,360
Speaker 1: buy underwear, or you wouldn't you buy a supermarket, but

1020
00:45:59,520 --> 00:46:02,040
Speaker 1: you know when normal people come by underwear, like the

1021
00:46:02,160 --> 00:46:04,800
Speaker 1: underwear section, even the underwear models don't look good in

1022
00:46:04,880 --> 00:46:07,840
Speaker 1: wife fronts. As far as agree, Yeah.

1023
00:46:07,760 --> 00:46:10,440
Speaker 3: No, I think Rafael and Ones famously posed in a

1024
00:46:10,520 --> 00:46:14,960
Speaker 3: wife front just rafaware wife fronts looked exceptional, always picking

1025
00:46:15,000 --> 00:46:16,680
Speaker 3: the weggie because he's got quite a tight jock.

1026
00:46:16,800 --> 00:46:19,200
Speaker 1: Well that's the other bleameish on the mark of wife

1027
00:46:19,239 --> 00:46:20,760
Speaker 1: Fronts is the weggie factor?

1028
00:46:21,800 --> 00:46:23,480
Speaker 2: The freedom of the leg would be nice, though.

1029
00:46:23,520 --> 00:46:25,279
Speaker 3: Can I just say, if we're just talking practically, and

1030
00:46:25,320 --> 00:46:26,719
Speaker 3: I know we don't want to get into the you know,

1031
00:46:27,160 --> 00:46:29,600
Speaker 3: the reds here, but practically I think wife front's actually okay?

1032
00:46:30,040 --> 00:46:32,879
Speaker 1: Well, well, if we're talking about your legs, I feel

1033
00:46:32,920 --> 00:46:34,680
Speaker 1: like your legs would be a bit of a hot

1034
00:46:34,760 --> 00:46:36,360
Speaker 1: dog down a hallway, down a set of breefs.

1035
00:46:36,400 --> 00:46:37,640
Speaker 2: No, I need to bring that up that boy.

1036
00:46:38,320 --> 00:46:40,239
Speaker 1: Now let's go to the cause, Lauren. So I reckon

1037
00:46:40,280 --> 00:46:43,680
Speaker 1: we can pick a wife front just by how they sound. Okay,

1038
00:46:43,840 --> 00:46:46,680
Speaker 1: So will adjudicate that we've got three guys who have

1039
00:46:46,800 --> 00:46:50,120
Speaker 1: called one of them? Where's wife Fronts? Chris? Let's kick

1040
00:46:50,160 --> 00:46:50,640
Speaker 1: it off with you.

1041
00:46:52,440 --> 00:46:52,839
Speaker 14: Come here?

1042
00:46:53,239 --> 00:46:53,520
Speaker 1: Okay?

1043
00:46:53,760 --> 00:46:55,279
Speaker 2: So Lauren, do you not to ask Chris a question?

1044
00:46:56,680 --> 00:46:57,440
Speaker 14: What do you do for work?

1045
00:46:57,520 --> 00:47:03,080
Speaker 13: Chris? Laura, I'll work in the media actually, okay, okay,

1046
00:47:03,239 --> 00:47:03,560
Speaker 13: all right?

1047
00:47:03,680 --> 00:47:08,360
Speaker 17: What what's your typical Saturday night? Wow?

1048
00:47:08,520 --> 00:47:11,080
Speaker 13: Because I work in the media and sport, I'm often

1049
00:47:11,160 --> 00:47:12,359
Speaker 13: working on a Saturday night.

1050
00:47:14,080 --> 00:47:16,080
Speaker 2: That's enough with Chris, Lauren. Let's move over to Greg.

1051
00:47:16,239 --> 00:47:18,600
Speaker 1: Now, Chris, who what which media do you work in Chris,

1052
00:47:18,640 --> 00:47:21,160
Speaker 1: Who do you work for? Chris? Chrisy there?

1053
00:47:21,360 --> 00:47:22,280
Speaker 13: Competitive station?

1054
00:47:22,760 --> 00:47:24,520
Speaker 2: Wow? Wow, this is bold for you.

1055
00:47:27,760 --> 00:47:32,359
Speaker 1: Sport sport, sport stinsive wife fronts. You mentioned a bit

1056
00:47:32,440 --> 00:47:35,480
Speaker 1: of arrogance. Guy, he's calling a company so blind. He's

1057
00:47:35,520 --> 00:47:38,080
Speaker 1: not blind, not drunk like he's you know, he's drunk

1058
00:47:38,160 --> 00:47:38,640
Speaker 1: with power.

1059
00:47:38,800 --> 00:47:41,440
Speaker 2: Yeah, I'm feeling that. Okay, Lauren, you've got Greg here. Now,

1060
00:47:41,640 --> 00:47:43,360
Speaker 2: please ask Greg some questions?

1061
00:47:44,000 --> 00:47:46,239
Speaker 16: Oh, gregor he gives me the watch up vie.

1062
00:47:47,000 --> 00:47:49,799
Speaker 1: Anyone called Greg? Where's wife? Greg?

1063
00:47:51,000 --> 00:47:51,239
Speaker 8: Greg?

1064
00:47:51,440 --> 00:47:52,280
Speaker 13: You into sports?

1065
00:47:53,760 --> 00:47:54,040
Speaker 1: Surely?

1066
00:47:54,120 --> 00:47:55,400
Speaker 13: Am interest?

1067
00:47:55,960 --> 00:47:56,480
Speaker 8: What sports?

1068
00:47:57,920 --> 00:47:58,520
Speaker 5: What do you mate?

1069
00:48:01,120 --> 00:48:02,040
Speaker 1: You still when I was younger?

1070
00:48:03,160 --> 00:48:03,440
Speaker 8: Okay?

1071
00:48:03,960 --> 00:48:06,960
Speaker 2: Okay, heading from Greg there? Nice? Okay, so they're also

1072
00:48:07,000 --> 00:48:08,600
Speaker 2: into sport. Where we were going down this, la.

1073
00:48:08,920 --> 00:48:11,640
Speaker 1: If you're gleaning enough off these guys as to what

1074
00:48:11,840 --> 00:48:15,160
Speaker 1: jocks they're wearing after a ten second chat, you need

1075
00:48:15,200 --> 00:48:17,319
Speaker 1: to quit your job and getting to their buoyancy or something,

1076
00:48:17,480 --> 00:48:20,320
Speaker 1: because this will be impressive if you can pick this.

1077
00:48:21,640 --> 00:48:24,600
Speaker 3: Okay, Okay, we've got Steve now, Lauren, feel free to

1078
00:48:24,640 --> 00:48:25,920
Speaker 3: ask Steve some questions.

1079
00:48:26,680 --> 00:48:32,040
Speaker 13: Okay, here, you got yourself good?

1080
00:48:32,320 --> 00:48:33,239
Speaker 14: What do you do for work?

1081
00:48:33,840 --> 00:48:34,880
Speaker 13: I work in transport?

1082
00:48:36,239 --> 00:48:36,560
Speaker 14: Okay?

1083
00:48:37,000 --> 00:48:37,759
Speaker 13: How old are you.

1084
00:48:39,280 --> 00:48:41,520
Speaker 17: Thirty five? Okay?

1085
00:48:42,719 --> 00:48:43,400
Speaker 4: Is that all you need?

1086
00:48:43,520 --> 00:48:43,759
Speaker 2: Lauren?

1087
00:48:43,840 --> 00:48:45,520
Speaker 4: Lauren? Is that okay?

1088
00:48:46,080 --> 00:48:46,120
Speaker 14: So?

1089
00:48:46,360 --> 00:48:48,279
Speaker 1: I swear to God, there's end of a drone going

1090
00:48:48,400 --> 00:48:51,399
Speaker 1: on here. We've got three blakes. We've got Chris who

1091
00:48:51,440 --> 00:48:56,360
Speaker 1: works in sport, Gregor used to play footy, and Steve

1092
00:48:56,400 --> 00:48:59,920
Speaker 1: who works in transport. That's literally all we've heard from

1093
00:49:00,040 --> 00:49:05,080
Speaker 1: everyone in there. It's a It's a remarkable, remarkably small

1094
00:49:05,120 --> 00:49:08,440
Speaker 1: amount of data set for Lauren to have to produce

1095
00:49:08,480 --> 00:49:11,040
Speaker 1: a wife front name from this list. Lauren, how are

1096
00:49:11,080 --> 00:49:11,520
Speaker 1: you feeling?

1097
00:49:13,920 --> 00:49:14,560
Speaker 10: To be honest?

1098
00:49:15,320 --> 00:49:16,160
Speaker 2: Sorry, Laurens is that?

1099
00:49:16,200 --> 00:49:16,480
Speaker 13: What was that?

1100
00:49:17,280 --> 00:49:18,440
Speaker 14: I think I'm pretty confident.

1101
00:49:18,680 --> 00:49:21,120
Speaker 2: Bloody hell, Lauren, this is if you nail this, this

1102
00:49:21,239 --> 00:49:22,280
Speaker 2: is this is truly extraordinary.

1103
00:49:22,320 --> 00:49:24,800
Speaker 1: What You're gonna have to explain your reasoning though, Lauren,

1104
00:49:24,880 --> 00:49:28,760
Speaker 1: I'll tell you that much runners through the reasoning.

1105
00:49:29,880 --> 00:49:35,359
Speaker 17: So this person attract your voice age, how they how

1106
00:49:35,440 --> 00:49:40,840
Speaker 17: they spoke, but also definitely what they did for like

1107
00:49:41,320 --> 00:49:41,959
Speaker 17: with their life.

1108
00:49:42,000 --> 00:49:43,720
Speaker 14: And I'm going to go with Chris.

1109
00:49:44,239 --> 00:49:47,240
Speaker 2: Okay, So let's go to Chris now works in the media,

1110
00:49:47,719 --> 00:49:48,880
Speaker 2: So Chris.

1111
00:49:50,800 --> 00:49:53,480
Speaker 3: Mate, now is the time to reveal Lauren can hear Australia,

1112
00:49:53,560 --> 00:49:56,640
Speaker 3: can hear do you wear wife fronts.

1113
00:49:58,640 --> 00:50:00,200
Speaker 13: She's pretty good, Lauren, you.

1114
00:50:11,480 --> 00:50:13,680
Speaker 1: Straight off the bat as well as the first thing

1115
00:50:13,800 --> 00:50:14,160
Speaker 1: she said.

1116
00:50:14,239 --> 00:50:19,399
Speaker 3: She was like, so, Chris, you exclusively, you exclusively wear

1117
00:50:19,440 --> 00:50:19,960
Speaker 3: wife runs.

1118
00:50:20,000 --> 00:50:21,080
Speaker 2: Do you mind if I ask why?

1119
00:50:22,640 --> 00:50:25,719
Speaker 13: I just find really comfortable every day. Yep.

1120
00:50:26,120 --> 00:50:29,239
Speaker 3: And when you when you pull your pants down and

1121
00:50:29,520 --> 00:50:32,280
Speaker 3: anyone else sees you in the wife runs generally speaking,

1122
00:50:32,360 --> 00:50:33,040
Speaker 3: what's the reaction?

1123
00:50:34,960 --> 00:50:39,799
Speaker 13: I think it looks pretty decent down there. You know, hey, listen,

1124
00:50:40,120 --> 00:50:41,960
Speaker 13: I was just going to say to you were talking

1125
00:50:42,080 --> 00:50:48,960
Speaker 13: before about you know, reproductive and yeah, we know the

1126
00:50:49,040 --> 00:50:52,280
Speaker 13: deal there, they don't you? I mean you your testicles

1127
00:50:52,320 --> 00:50:55,040
Speaker 13: have to be kept at a certain temperature for optimum

1128
00:50:55,160 --> 00:50:59,520
Speaker 13: sperm production. Right strengths on a cold day, get close

1129
00:50:59,520 --> 00:50:59,960
Speaker 13: to your body?

1130
00:51:00,440 --> 00:51:06,560
Speaker 1: Yeah, right, learning stuff, Chris. I think we've thanks for

1131
00:51:06,719 --> 00:51:12,560
Speaker 1: joining us, Chris appreciate learning about the man geology of

1132
00:51:12,680 --> 00:51:16,439
Speaker 1: the the scrugeing very good. Chris might have ever said

1133
00:51:17,920 --> 00:51:19,719
Speaker 1: he has to defend his wife fronts all the time.

1134
00:51:19,840 --> 00:51:21,799
Speaker 1: So soon as someone mentioned to spam count, he's got

1135
00:51:21,840 --> 00:51:23,560
Speaker 1: his answer ready to go. Can I talk about the

1136
00:51:23,560 --> 00:51:24,680
Speaker 1: other guys wear for the jocks?

1137
00:51:24,960 --> 00:51:25,200
Speaker 4: Greg?

1138
00:51:25,440 --> 00:51:27,120
Speaker 1: Greg? What did you actually end up wearing?

1139
00:51:27,200 --> 00:51:27,439
Speaker 4: Greg?

1140
00:51:27,640 --> 00:51:28,440
Speaker 1: What what jocks.

1141
00:51:29,280 --> 00:51:30,959
Speaker 13: Well, mate, I'm into the box of briees.

1142
00:51:31,040 --> 00:51:31,239
Speaker 10: Mate.

1143
00:51:31,239 --> 00:51:32,960
Speaker 1: There's not a wife running the world that can keep

1144
00:51:33,000 --> 00:51:35,520
Speaker 1: these chestnuts close to the body. Right, very good, Thanks

1145
00:51:35,560 --> 00:51:39,440
Speaker 1: and gigs and Steve, Steve, Steve what Steve? What what

1146
00:51:39,520 --> 00:51:40,480
Speaker 1: did you wear? In the end?

1147
00:51:41,080 --> 00:51:42,280
Speaker 13: I wear songs, mate.

1148
00:51:42,840 --> 00:51:52,640
Speaker 18: Get outs exclusively, exclusively, long time, so many questions.

1149
00:51:53,000 --> 00:51:54,319
Speaker 13: When you got too much, when you got too much

1150
00:51:54,400 --> 00:51:55,839
Speaker 13: drunk in the trunk, Mate, you gotta wear.

1151
00:51:57,920 --> 00:52:02,040
Speaker 1: Will And I'm so excited about We've still got twenty

1152
00:52:02,120 --> 00:52:04,040
Speaker 1: thousand dollars to give away, so let's get into that.

1153
00:52:04,600 --> 00:52:07,560
Speaker 17: Don't stop the pup with poppin' microwave popcorn.

1154
00:52:07,880 --> 00:52:10,440
Speaker 2: Find it in the chip style of all major retailers.

1155
00:52:14,480 --> 00:52:16,239
Speaker 1: Don't stop the parp.

1156
00:52:18,000 --> 00:52:21,520
Speaker 2: Alrighty sman ba. The rules they're so simple.

1157
00:52:21,640 --> 00:52:26,520
Speaker 3: We chuck some popcorn in the microwave, Monetary figures start

1158
00:52:26,600 --> 00:52:29,560
Speaker 3: getting read out, and then finally the microwave will ding.

1159
00:52:29,960 --> 00:52:32,840
Speaker 3: Now if it dings before you say stop, you win nothing.

1160
00:52:33,200 --> 00:52:34,880
Speaker 3: But as soon as you say stop, you win. The

1161
00:52:34,960 --> 00:52:37,600
Speaker 3: last number that was read out. How are you feeling

1162
00:52:37,600 --> 00:52:37,840
Speaker 3: about it?

1163
00:52:37,960 --> 00:52:38,160
Speaker 2: Sam?

1164
00:52:38,719 --> 00:52:38,879
Speaker 1: Oh?

1165
00:52:39,040 --> 00:52:39,760
Speaker 8: Pretty excited?

1166
00:52:40,360 --> 00:52:41,800
Speaker 2: Okay, good, keep that excitement.

1167
00:52:42,120 --> 00:52:44,920
Speaker 3: The thing that we keep saying will bam is that

1168
00:52:45,040 --> 00:52:47,600
Speaker 3: people are opting out at two grand. It just it

1169
00:52:47,719 --> 00:52:49,719
Speaker 3: just feels like as soon as two thousand and has.

1170
00:52:49,680 --> 00:52:54,799
Speaker 2: Hit, people freak out. Yes, generally speaking, And don't take

1171
00:52:54,840 --> 00:52:56,640
Speaker 2: this as gospel semantic, because I have no idea how

1172
00:52:56,680 --> 00:52:57,160
Speaker 2: long it goes for.

1173
00:52:57,360 --> 00:53:00,840
Speaker 1: There's more sauce in the piggy yet more sound Now

1174
00:53:00,880 --> 00:53:03,120
Speaker 1: it's late in the show. Now, normally I'm good with

1175
00:53:03,280 --> 00:53:03,880
Speaker 1: my sayings.

1176
00:53:03,960 --> 00:53:07,560
Speaker 4: But you know what I mean? Yeah, no, don't you.

1177
00:53:08,040 --> 00:53:10,279
Speaker 2: Yeah, there's more sauce in the there's more money to win.

1178
00:53:10,400 --> 00:53:11,919
Speaker 2: Else would you say it's more money to win.

1179
00:53:11,880 --> 00:53:16,319
Speaker 1: It's more juice in the No, that's definitely not. All right,

1180
00:53:16,400 --> 00:53:19,759
Speaker 1: let's do it more? Yeah, yeah, more sauce in the

1181
00:53:19,800 --> 00:53:20,279
Speaker 1: piggy bank.

1182
00:53:20,360 --> 00:53:22,960
Speaker 2: No, I think it's just surce in this monosauce.

1183
00:53:23,960 --> 00:53:27,759
Speaker 1: No, No, there's more, you know, there's a bit more.

1184
00:53:28,120 --> 00:53:29,279
Speaker 1: There's more juice in the tank.

1185
00:53:30,000 --> 00:53:32,680
Speaker 2: Yeah, nice, all right, let's do it.

1186
00:53:32,680 --> 00:53:35,719
Speaker 1: It's all thanks to pop and popcorn. Here we go.

1187
00:53:39,640 --> 00:53:46,400
Speaker 10: Two thousand and fifty two dollars, two thousand, one hundred

1188
00:53:46,440 --> 00:53:51,840
Speaker 10: and seventy three dollars, two thousand, four hundred and nine dollars.

1189
00:53:53,280 --> 00:53:54,320
Speaker 4: Oh geez, she's.

1190
00:53:54,239 --> 00:53:54,719
Speaker 1: Cut it off.

1191
00:53:56,239 --> 00:53:56,560
Speaker 5: Really.

1192
00:53:57,600 --> 00:53:59,000
Speaker 2: I mean you look you about two and a half.

1193
00:53:58,920 --> 00:54:02,359
Speaker 1: Great understand verysive. Do we want to hear how far

1194
00:54:02,520 --> 00:54:04,279
Speaker 1: it's gone? You know what, I'm not gonna put you

1195
00:54:04,320 --> 00:54:05,800
Speaker 1: through it. I'm not gonna put you through it. It

1196
00:54:05,920 --> 00:54:09,800
Speaker 1: does I have been told it goes a lot higher.

1197
00:54:10,640 --> 00:54:13,160
Speaker 1: We started at two grand, guys, maybe a good indication

1198
00:54:13,239 --> 00:54:17,439
Speaker 1: of how much source is left in that pig. Thanks

1199
00:54:17,480 --> 00:54:19,320
Speaker 1: so much for playing Sam, don't start the pop with

1200
00:54:19,360 --> 00:54:21,279
Speaker 1: pop and Microwave popcorn Fine and the Chips oil of

1201
00:54:21,320 --> 00:54:23,160
Speaker 1: all major retails. I mean, and at the end of

1202
00:54:23,200 --> 00:54:24,799
Speaker 1: the day, it's two and a half grand better than

1203
00:54:24,800 --> 00:54:26,560
Speaker 1: a kick in the teeth. We're gonna get out of it.

1204
00:54:26,640 --> 00:54:28,960
Speaker 1: Thanks so much for joining us. That'll be back next

1205
00:54:29,000 --> 00:54:30,400
Speaker 1: week as well. Pop and don't start the pop dot

1206
00:54:30,440 --> 00:54:32,120
Speaker 1: com dot who continues till we get rid of the

1207
00:54:32,160 --> 00:54:36,239
Speaker 1: money we cannot. We are creeping down through this money.

1208
00:54:36,400 --> 00:54:38,720
Speaker 3: So I'd say there's one week to go, poop pants,

1209
00:54:38,760 --> 00:54:42,279
Speaker 3: one week to go, one week to go, yeah, yeah, yeah, yea.

1210
00:54:42,280 --> 00:54:45,000
Speaker 2: And we still have over twenty thousand dollars left.

1211
00:54:45,080 --> 00:54:46,759
Speaker 1: So now we haven't got over twenty I don't reckon

1212
00:54:47,200 --> 00:54:47,839
Speaker 1: how much have we got.

1213
00:54:48,600 --> 00:54:49,360
Speaker 2: There's got to be twenty.

1214
00:54:51,080 --> 00:54:53,320
Speaker 1: Yeah, there's just under twenty. There is, just so you

1215
00:54:53,440 --> 00:54:54,360
Speaker 1: guys do the mass.

1216
00:54:54,560 --> 00:54:56,880
Speaker 2: On average, we should be giving away four thousand a day.

1217
00:55:00,200 --> 00:55:04,160
Speaker 1: Bit of a flex, alright, We're gonna get out, get out,