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Speaker 1: Happy Tuesday. It's the jam Nation podcast with Jonesy and Demanda.

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Speaker 2: Llem Brewllier joined us in the studio.

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Speaker 1: Nice to catch up with Natalie, Nice to.

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Speaker 2: Chat with her. I took you through some of the

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Speaker 2: reasons why people died in England in the sixteen hundred,

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Speaker 2: So if you're going to go time traveling, avoid that time.

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Speaker 2: Dropsy was one of them. Yeah, and so was Canker

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Speaker 2: another and also Piles.

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Speaker 1: No one wants to die of Piles. Also we go

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Speaker 1: down to the Jonesi de Man of Arms for the

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Speaker 1: pub test, the optimen bin Night, which one.

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Speaker 2: Pass, the pup test, travel drummers beating for my partner,

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Speaker 2: the tity, How tight's your partner?

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Speaker 1: Also the maccruarie Dictionary, break out the sash because the

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Speaker 1: word of the year has been announced.

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Speaker 2: It looks great in Acazi.

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Speaker 3: That's all coming up on our podcast.

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Speaker 2: It was now that a miracle of recording. We have

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Speaker 2: so many requests for them to do it again. Mistress

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Speaker 2: Amanda's mist killer. Amanda doesn't work alone.

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Speaker 4: Friend making the tools of the Train.

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Speaker 1: I've heard them describe him as a drunken idiot.

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Speaker 2: The legendary part Jersey and Amanda, the actress. Congratulations, we're

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Speaker 2: right now, Jersey and Amanda, you're doing a great job.

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Speaker 2: Anyone make you selkie giant?

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Speaker 1: Now the good radio Sorry but of a tange tongue

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Speaker 1: twist set and Amanda's.

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Speaker 2: Shoot Timy, we're on the air.

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Speaker 1: Hello, Amanda, are you today?

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Speaker 5: Well?

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Speaker 2: Look at your shirt today?

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Speaker 1: Do you like the shirt?

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Speaker 2: I like it very much. Yesterday had a shirt that

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Speaker 2: had fruit on it. Today it's pineapples.

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Speaker 1: You know how I'm an influencer. No tell this laundry,

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Speaker 1: you English laundry, the John London shirt range.

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Speaker 2: All I know is you get shirts for free.

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Speaker 1: It's I'm an influencer. I don't do anything for free.

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Speaker 1: So do you like the shir be honest about it.

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Speaker 2: I like it's a nice one because I don't have

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Speaker 2: to see you. We're short sleeves, Well, it's sure.

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Speaker 1: It's the summer range, summer suns guns out.

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Speaker 2: Do you like wearing short sleeves because you don't often

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Speaker 2: do it?

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Speaker 1: I wear them all the time at home.

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Speaker 2: Do you know? It's a very nice shirt. So yesterday's

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Speaker 2: was sort of sliced citrus. This one pineapple. Tomorrow maybe

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Speaker 2: custed apple. You don't even see that on a shirt

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Speaker 2: the shape of a custoday, it's like a lumpy cellularity shape.

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Speaker 2: Oh Christ, I've got wearing the pants and the day begins.

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Speaker 1: Thank you. Tuesday midnight I love Tuesday.

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Speaker 2: So is your midnight tonight? Was it last night?

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Speaker 1: That is tonight?

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Speaker 2: Yeah?

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Speaker 1: It comes tomorrow morning?

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Speaker 2: Yes, Tuesday? Yeah, which Wednesday morning?

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Speaker 1: Really? Yes?

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Speaker 2: You put the bins out Tuesday, but they're collected Monday.

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Speaker 2: When's your midnight? Our's bins go out Wednesday, collected early Wednesday.

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Speaker 1: It's a good midnight. I think the worst midnight would

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Speaker 1: be Friday night. Is that because Friday night you've had

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Speaker 1: all that bin rubbish for the previous week, and then

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Speaker 1: Friday night you might go out and you go, oh no, damn,

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Speaker 1: I forgot the bins.

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Speaker 2: Wake Saturday morning to hear the rubbish and do the

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Speaker 2: under dash. Yeah, and you got to tell to the garb.

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Speaker 1: I come on, come on, people.

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Speaker 2: Doing that much anymore? But no one has Friday, do they? Yeah?

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Speaker 1: People have Friday midnight. Yeah. I think Sundays the Prince

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Speaker 1: have bed nights. Sunday as the Prince have been get

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Speaker 1: rid of all your weekend unless on Sunday you couldn't

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Speaker 1: be bothered Monday.

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Speaker 2: I think Monday there because therefore you've had the weekend

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Speaker 2: and you can't have the I can't be bothered and

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Speaker 2: you can deal with it for Monday.

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Speaker 1: I think there's something for the pub test, right, what's

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Speaker 1: the best midnight as if?

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Speaker 5: You know?

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Speaker 2: Do you do the bins at home?

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Speaker 1: Of course? You see that's the generation and I look

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Speaker 1: at my kids. When I was a kid, all I

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Speaker 1: had to do was take the bins out. And we're

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Speaker 1: back in the days when we had the round metal

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Speaker 1: bins and you couldn't put anything in them. We didn't

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Speaker 1: have recycling, so everything went in to that bin and

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Speaker 1: you'd have to take it out.

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Speaker 2: Remember my terrible midnight story where for my first boyfriend

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Speaker 2: I had a big pash session and my chin was

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Speaker 2: all red and when are you pulling this face? I

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Speaker 2: told my father the next day that I had decided

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Speaker 2: to take the bins out if and that I'd fallen

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Speaker 2: over and scraped my chin on the bitumen of the road. Wow,

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Speaker 2: So where do you talk about midnight? I get a

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Speaker 2: little bit triggered.

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Speaker 1: What did I say?

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Speaker 2: It said?

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Speaker 1: Rah?

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Speaker 2: When I think about it, and you haven't taken a

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Speaker 2: bin out since before or since I just I'm so

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Speaker 2: mortialized that story.

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Speaker 1: What happened with me as a kid? I didn't get

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Speaker 1: pass rash from the bin.

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Speaker 2: No, I didn't get it from the bin I had

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Speaker 2: from the night before with theoyfriend with Oscar the grabs.

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Speaker 6: No.

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Speaker 2: I tried to cover it up with the binch.

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Speaker 1: Of course you did. That was a big pass rash.

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Speaker 1: But I take the garbage out when I was a kid.

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Speaker 1: Now I'm an adult. My mother's house, I was going

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Speaker 1: to take her garbage ot and my own garbage. Really,

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Speaker 1: and my kids are like jim y rye, I'm taking

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Speaker 1: the games gar I might as well be a garbo,

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Speaker 1: you know what. And the thing is, I get a

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Speaker 1: bit of satisfaction about it as well.

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Speaker 2: We see, don't complain. I don't do it if you

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Speaker 2: like it.

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Speaker 1: Did you know what generation X we get stuff done?

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Speaker 1: Where the one generation that gets oh.

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Speaker 2: Shut up, it's true, Oh shut Do you see how

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Speaker 2: much stuff I do after I've covered up my pash rash?

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Speaker 1: There should be a show where the generations take on

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Speaker 1: each other.

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Speaker 2: They just wish should do that. We should call it

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Speaker 2: talking about your generation. That's kind of a thing.

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Speaker 1: I don't know, not talking about I don't like talking

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Speaker 1: about what about talking about?

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Speaker 2: All right, well that's a nice point of difference.

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Speaker 1: Let's do that. A magnificent show today, is it. Yeah,

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Speaker 1: we've got a great show starting with the Magnificent Seven,

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Speaker 1: but we've got plenty of things. We've got Natalie Brouley.

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Speaker 2: She's going to be join us in the studio today.

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Speaker 1: Ten thousand dollars with a ten thousand dollars question.

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Speaker 2: We've got to question ten years today. We want this

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Speaker 2: to go off.

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Speaker 1: Come on, Come on, thirteen WSFM is our number, give

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Speaker 1: us call twenty four degrees. I expected Tom today.

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Speaker 2: Question one. I like it.

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Speaker 1: We only play songs you like.

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Speaker 2: Ask the question what graduation festival kicked off in Queensland

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Speaker 2: this week?

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Speaker 1: It's style Cancel. It's a forty second intro.

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Speaker 2: I love the intron. Don't call me Babe.

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Speaker 1: Podcast Render the Magnificent Seven. Seven questions? Can you go

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Speaker 1: the way and answer all seven questions correctly? If you

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Speaker 1: do that, Amanda will say.

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Speaker 2: Well, heaps, we could congratulations. Let's shout it to the top.

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Speaker 1: But it's about getting questions seven right. It's Philip in

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Speaker 1: Canley Heights.

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Speaker 2: Hi, Philip him Hello. Question one, what graduation festival kicked

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Speaker 2: off in Queensland this week. Every parent's nightmare early Puddon

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Speaker 2: and I was relieved I didn't have to care about

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Speaker 2: it this year.

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Speaker 1: To worry about it.

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Speaker 2: I have a school free zone.

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Speaker 1: My niece is going out to Byron Bay.

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Speaker 2: Oh yeah, that's where they go now they go to Byron.

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Speaker 1: Don't get pregnant, don't have a little kid called Moonbeam,

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Speaker 1: don't get on the weed.

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Speaker 2: Oh Brendan, did she kick you in the cannutzers? Which beetles?

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Speaker 2: In other words, have a great time at SCHOOLI is

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Speaker 2: dear enjoy.

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Speaker 1: Well, you can have an uncle that says stuff like that.

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Speaker 1: Which Beatles album cover features the group walking across a

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Speaker 1: zebra crossing? Oh crap, that might have been the White album.

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Speaker 1: Now that's a jake.

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Speaker 2: Adrian's in Wilton Hollow, Adrian very well? Which Beatles album

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Speaker 2: cover has the group walking across a zebra crossing the road.

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Speaker 1: Let's play, sirius?

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Speaker 2: What song is serious? Singing?

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Speaker 7: Steve walks wearily down the street with his brimpled way

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Speaker 7: down low. Ain't no sound but the sound of his feet,

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Speaker 7: machine guns? Ready to go? Are you ready here? Are

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Speaker 7: you ready for this? Are you hanging on the edge

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Speaker 7: of your seat.

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Speaker 2: What song's that?

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Speaker 4: Another one buys the dust?

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Speaker 2: Yes, it is a impalled way down, way down. Okay.

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Speaker 1: When an artist does a life drawing, what are they

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Speaker 1: taking inspiration from? I went to art school. I did

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Speaker 1: this is that a naked person be the environment or

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Speaker 1: see animals? Naked person like many many nudes. Men. I

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Speaker 1: liked it. Men and women, men and women, old women,

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Speaker 1: young women, old men, young men, old men, young men.

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Speaker 2: There was like different different variants of women.

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Speaker 1: There was one very attractive young model.

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Speaker 2: Remember this. You wrote about this in your book. Please

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Speaker 2: remind us all of that beautiful story were drawing her

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Speaker 2: in the nude and people like you that make people uncomfortable. Anyway,

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Speaker 2: keep going.

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Speaker 1: And she came up after I was looking at my work,

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Speaker 1: and then she sort of said, almost absent mindedly, said

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Speaker 1: I should buy a race to herself. Now it was

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Speaker 1: the eighties. She had a bit of a bush got

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Speaker 1: on it. When an artist, I've ever done that one.

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Speaker 2: Teeth Okay, now you dribbling, Look at you, you dribbling.

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Speaker 1: Just drake my coffee, wrong, Adrian, You're still there.

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Speaker 2: Absolutely good teeth.

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Speaker 1: Pineapples and racing cars.

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Speaker 2: Were not part of the Jones' drawings.

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Speaker 1: A part of which Lolly.

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Speaker 2: Mix could ever read that again, I wish I could.

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Speaker 1: Teeth, pineapples and racing cars are part of which Lolly Mix.

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Speaker 2: Ah the Yes, well done, Adrian. Question six. Which actor

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Speaker 2: played a surprisingly central role in the World Cup opening ceremony.

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Speaker 2: We spoke about it on our show yesterday.

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Speaker 5: Oh Morgan Free.

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Speaker 1: That's the one that little half a guy stop, that's

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Speaker 1: what he was.

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Speaker 2: Came out a little half a guy. He was a

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Speaker 2: substantial human and a disability advocate, an incredible person. He's

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Speaker 2: not half a god.

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Speaker 1: He's half a man physically, but a full man mentally.

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Speaker 1: Stars in Sydney Hit the Blue Carpet for which new

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Speaker 1: film starring Sam Worthington. Apparently that Jones and Demanda were

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Speaker 1: there on the blue carpets?

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Speaker 2: Sorry, Adrian, how'd you go? I'm afraid? So that's question seven.

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Speaker 2: Stars in Sydney, Well few hit the Blue Carpet for

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Speaker 2: which new film starring Sam Worthington. Thirteen WSFM. We're interviewing

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Speaker 2: Sam about this film. When's that happened? Well today? And

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Speaker 2: it's going to be on our show tomorrow.

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Speaker 1: Great sums the Magnificent seven. Here it is.

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Speaker 2: We have to question seven. Anthony's in Paramatta. Hello Anthony,

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Speaker 2: guys go, thank you. Jonesy and I were some of

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Speaker 2: the many, many stars.

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Speaker 1: There was big names there. There was Joe the Gadgetman

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Speaker 1: was there.

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Speaker 2: He was there.

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Speaker 1: Uh Delilah from Campbell's Cash and Carriage, she was there.

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Speaker 1: Joyce Maine was there.

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Speaker 2: Hot tug with those Japanese businessmen. Stars in Sydney Hit

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Speaker 2: the Blue Carpet for which new films starring Sam Worthington.

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Speaker 2: I think it's a way of Water, the Water.

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Speaker 1: We saw a little teaser over.

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Speaker 2: It looks great, it looks extraordinary. Stress three D. I

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Speaker 2: haven't seen a three D movie for so long, but

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Speaker 2: it is amazing. D is amazing. We're going to be

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Speaker 2: talking to Sam Whubington about all of that.

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Speaker 1: Congratulations to you, Anthony. You've got the jam packets all

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Speaker 1: coming away. A spinallyse pillow. Are you tired of waking

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Speaker 1: with a sore neck or a headache? Or do your

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Speaker 1: Spinally's pillow at spinal E dot com dot au one

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Speaker 1: hundred and fifty dollars out you at Lomono Charcoal Chicken,

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Speaker 1: the famous levers in these Quinese Oh.

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Speaker 2: God quin Elizabeonese Quinise.

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Speaker 1: Is it Lomono or Lomono come to swear?

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Speaker 2: Is that right? Does anyone know? Because I want to get.

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Speaker 1: This right, because that's good food.

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Speaker 2: Lomona, Lomona.

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Speaker 1: Let's say that Lomono Charcoal Chicken, the famous Lemonese cuisine

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Speaker 1: restaurant in Maryland's and Cosula and Jones in No Matter

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Speaker 1: Coach Juice, vintic covered in some state of pencils, Anthony,

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Speaker 1: anything you'd like to add, Thank you very much.

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Speaker 2: John Jonesy and Amanda Germation Podcast Instruction turn it on.

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Speaker 1: Combing through the germina big one, good musical facts. Well,

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Speaker 1: on this day in nineteen ninety seven, twenty five years ago,

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Speaker 1: we lost Michael Hutches Wow, twenty five years of course

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Speaker 1: we know the story is found dead in his hotel

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Speaker 1: room at the Ritz Carlton. We all remember where we

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Speaker 1: were when it happened, when we heard that news. Of course,

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Speaker 1: they've been much made of his demise. Was it deliberate?

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Speaker 1: Was it a sex act gone bad? Was he pushing

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Speaker 1: the boundaries? I've sort of rotated through all of those things.

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Speaker 1: And when you look at Michael's life life and I

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Speaker 1: interviewed him two weeks before he passed away. They had

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Speaker 1: an upcoming tour and I found, as you might have found,

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Speaker 1: because I think you were working with Andrew Denton had

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Speaker 1: spoken to.

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Speaker 2: Him, he was quite down.

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Speaker 1: He was underwhelmed about the upcoming tour. And I just

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Speaker 1: feel if you just hung on a little bit longer.

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Speaker 1: This was nineteen ninety seven. It was an era when

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Speaker 1: bands like even like the Rolling Stones, all those bands

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Speaker 1: hadn't had their resurgence things, you know what I mean,

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Speaker 1: the nostalgia. And there was a series of events I

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Speaker 1: remember who was presenting it, some the brit Pop Awards

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Speaker 1: or something like that. An Oasis came up and they.

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Speaker 2: Just said he was boring.

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Speaker 1: They just said we should be getting awards from up

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Speaker 1: and coming. It's not has beens. And I think it

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Speaker 1: was Liam Gallagher or Noel Gallagher who said that, And

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Speaker 1: I'm pretty sure one of them said that they had

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Speaker 1: regret about what they said that day because Michael Haslins

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Speaker 1: was not a has been but I think it is mighty.

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Speaker 1: He was a very sensitive guy. And then he was

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Speaker 1: assaulted by that nutbag taxi driver, remember that, and he

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Speaker 1: god king hit and he lost his sense.

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Speaker 2: Of smell and taste. Also, I think there's a lot

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Speaker 2: going on in his private life in that Bob Geldoff.

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Speaker 2: Paula wanted to be joining him in Australia, but Bob

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Speaker 2: didn't want her to bring the children. That he was

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Speaker 2: in a there was a state of flux in all

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Speaker 2: aspects of his life.

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Speaker 1: So always a day back with sadness. Yes, Michael Hutchins.

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Speaker 1: Let's remember.

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Speaker 2: I've been looking at this list. It's a list of

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Speaker 2: the causes of death in London in sixteen thirty two.

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Speaker 1: Everything can kill you back then.

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Speaker 2: Well, some of them I don't understand what they are,

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Speaker 2: and some of them are sort of quaintly worded. Aged

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Speaker 2: was six hundred and twenty eight. I don't know out

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Speaker 2: of how.

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Speaker 1: Many aged just old age.

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Speaker 2: Yeah, but they also a bit with a mad dog now,

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Speaker 2: one person dying bleeding just generic bleeding, three people ulcers

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Speaker 2: twenty eight cancer and wolf ten. I do know why

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Speaker 2: they've linked those, Well that wolf as well cancer and

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00:15:00,120 --> 00:15:04,200
Speaker 2: sounds like a law firm canker. Isn't that like a calls?

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Speaker 2: I thought it was, But there's canker once died from that.

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Speaker 2: But there's also another bit of a Canker also got CA.

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Speaker 2: That's I thought, yes, cancer and wolf ten people cancer one.

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Speaker 2: See this is where you see how it all plays out.

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Speaker 2: Child bed one hundred and seventy one. I imagine that's

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Speaker 2: women who died in childbirth. I assume that's the adults

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Speaker 2: who have died there. Infants two two hundred and sixty eight.

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Speaker 2: Just that's error.

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Speaker 1: Where you have a few you'd raise, you'd raise, a

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Speaker 1: few you'd lose.

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Speaker 2: And for women going into childbirth, it was terrifying. So

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Speaker 2: many women didn't make it.

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Speaker 1: Captain Cook came over here chasing at Chuk, chase that

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Speaker 1: Chuk goes back home and his wife goes, well, you've

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Speaker 1: been gone for two years. Timmy died and he goes, oh,

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Speaker 1: that's sad, and then has another baby, goes off another

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Speaker 1: goes out of Hawaii, which was the one he didn't

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Speaker 1: make it back from Tahiti, or what I think, and

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Speaker 1: then he gets back and he says, oh, Gavin died,

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Speaker 1: Oh well let's have another one.

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Speaker 2: They were just I know, but for the women too,

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Speaker 2: you know, women would have eleven berths, and for even

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Speaker 2: royal women going into to give birth, many times the

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Speaker 2: fear was the mother wouldn't survive.

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Speaker 1: But they didn't have the contraception that.

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Speaker 2: We have now. No, of course, but you know it

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Speaker 2: was a huge health has it having a baby for

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Speaker 2: you and the baby convulsion? Number of cut over the stone?

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Speaker 2: Five people died. Do you think that means they're cut

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Speaker 2: with stones? Dead in the street and starved? Six? Dropsy swelling?

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Speaker 1: What's dropsy? Is that sort of drinking?

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Speaker 2: Is that drinking?

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Speaker 6: No?

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Speaker 2: I think it's some sort of virus. What about this

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Speaker 2: executed and priest and pressed to death? I sort of

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Speaker 2: priested it? Falling sickness, French pox, ganggreen gout, lovely. Eleven

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Speaker 2: people died of grief, jaundice. Impostume grief killed by several accents.

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Speaker 2: Brief would be suicide. Maybe your broken hearts, lethargy, lunatic.

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Speaker 2: It's written quite exotically l u n a t IQUI

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Speaker 2: made away themselves. That's probably also so as well. What

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Speaker 2: have we got here? Paul's piles, imagine dying at one

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Speaker 2: person died of piles, that's grief. And four hundred and

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Speaker 2: seventy teeth died of tea your teeth killing you had.

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Speaker 1: No teeth back then.

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Speaker 2: Worms vomiting, just awful, awful, awful, Thank goodness, we're not

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Speaker 2: living in sixteen thirty two.

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Speaker 1: Yeah, so have you're getting up and you're winging.

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Speaker 2: If you're winging or if you're time traveling, don't pick

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Speaker 2: sixteen thirty two. The year before or after was.

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Speaker 1: Talking about the good old days. But quite frankly, I

358
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Speaker 1: don't want to.

359
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Speaker 2: Die of piles or a giant can cap.

360
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Speaker 7: Comcast.

361
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Speaker 2: Well, we only have a couple of weeks left on

362
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Speaker 2: air before we end for the year. We're coming back

363
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Speaker 2: obviously next year, aren't we? Aren't we? Aren't we?

364
00:17:50,400 --> 00:17:53,879
Speaker 1: It's done, The deal is done, contractors been signed, the

365
00:17:53,960 --> 00:17:56,600
Speaker 1: pictures have been taken. But have you and I look

366
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Speaker 1: like like generic breakfast radio show hosts' got.

367
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Speaker 2: New gene pictures? That's right, we had those taken. We

368
00:18:02,080 --> 00:18:05,040
Speaker 2: could just put our heads through cardboard cutouts.

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Speaker 1: You know, I don't what I said, jaded, But when

370
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Speaker 1: I first started in this business and first time I

371
00:18:09,640 --> 00:18:11,000
Speaker 1: got my piech you take it, I thought, Oh, this

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Speaker 1: is the greatest thing in the world.

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Speaker 2: But now I'm like, it's awkward, isn't it. Yeah, Because

374
00:18:14,680 --> 00:18:16,320
Speaker 2: you don't want to stand there looking like every other

375
00:18:16,359 --> 00:18:19,520
Speaker 2: breakfast show. So I end up girning and every photo.

376
00:18:19,520 --> 00:18:21,520
Speaker 2: I've got my mouth open like a gurner, like a

377
00:18:21,600 --> 00:18:24,639
Speaker 2: clown mouth. Yeah, that's right, show. Thank you you to

378
00:18:24,720 --> 00:18:26,800
Speaker 2: notice everyone looks good when they're doing that face.

379
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Speaker 1: That's why we got the dollies on board, because the

380
00:18:28,920 --> 00:18:29,640
Speaker 1: dollies they do.

381
00:18:29,640 --> 00:18:31,919
Speaker 2: All they took a whole the heavy lifting. But we

382
00:18:32,000 --> 00:18:34,159
Speaker 2: do have a big prize to give away for our

383
00:18:34,200 --> 00:18:36,120
Speaker 2: favorite goolie of the year. We have a hotline number

384
00:18:36,200 --> 00:18:38,960
Speaker 2: nine oh six one seven nine eighty four. The prize

385
00:18:39,000 --> 00:18:42,399
Speaker 2: is twenty thousand dollars cash and you supply of chocolate

386
00:18:42,400 --> 00:18:45,000
Speaker 2: from Darryl Lee. Next week we're going to be playing

387
00:18:45,119 --> 00:18:47,399
Speaker 2: our finalists, So this week is your last week to

388
00:18:47,440 --> 00:18:50,640
Speaker 2: get your gooley in. Your ghooley might be potholes. I've

389
00:18:50,680 --> 00:18:53,719
Speaker 2: just been reading about this this morning. Pothole damage claims

390
00:18:53,720 --> 00:18:55,840
Speaker 2: against transport in New South Wales have swored by more

391
00:18:55,840 --> 00:18:58,800
Speaker 2: than six hundred percent after all the weather, we've had

392
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Speaker 2: those bone potholes everywhere.

393
00:19:01,440 --> 00:19:04,760
Speaker 1: You remember my bike, I cracked my sup That pothole

394
00:19:04,800 --> 00:19:06,520
Speaker 1: was so big it had its own gift shop at

395
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Speaker 1: the bottom.

396
00:19:07,160 --> 00:19:09,760
Speaker 2: Chris Brown was going was driving along and all four

397
00:19:09,840 --> 00:19:13,879
Speaker 2: tires split of the Brown Mobile, the Brown Mobile and

398
00:19:13,960 --> 00:19:17,800
Speaker 2: even though six hundred more claims, no increase the number

399
00:19:17,800 --> 00:19:21,600
Speaker 2: accepted for compensation. No, okay, that'd be right. So that's

400
00:19:21,640 --> 00:19:23,960
Speaker 2: a gholie. That's an example of a ghoolie.

401
00:19:23,960 --> 00:19:25,919
Speaker 1: You gott always take the train like this lady.

402
00:19:26,720 --> 00:19:30,200
Speaker 4: What gets my goolies is people that think public transport

403
00:19:30,720 --> 00:19:34,560
Speaker 4: is their own bathroom, doing their makeup, doing their hair,

404
00:19:34,760 --> 00:19:38,359
Speaker 4: sprain their stinkingdiodorant. But the top it off, there was

405
00:19:38,400 --> 00:19:43,359
Speaker 4: a guy filing his feet, leaving a pile of dead skin.

406
00:19:43,680 --> 00:19:44,400
Speaker 1: On the floor.

407
00:19:44,560 --> 00:19:49,960
Speaker 4: So real are disgusting. The train is not your personal bathroom.

408
00:19:50,200 --> 00:19:51,960
Speaker 1: You don't take your pet egg on the train.

409
00:19:52,119 --> 00:19:53,840
Speaker 2: I can't believe people would do that.

410
00:19:54,520 --> 00:19:55,639
Speaker 1: Do you catch train much?

411
00:19:56,000 --> 00:20:00,480
Speaker 2: Do you see that? If you don't see it, you're

412
00:20:00,560 --> 00:20:02,440
Speaker 2: the one doing it. Are you that guy?

413
00:20:02,640 --> 00:20:04,040
Speaker 1: Take my pet egg on the train?

414
00:20:04,560 --> 00:20:05,440
Speaker 2: On your elbows?

415
00:20:07,880 --> 00:20:10,240
Speaker 1: Do anything on the train. It's nice, it's quite relaxed.

416
00:20:10,320 --> 00:20:11,919
Speaker 2: You sit there and drool because you usually take it

417
00:20:11,960 --> 00:20:14,119
Speaker 2: after you've had a big rich cat lunch.

418
00:20:15,680 --> 00:20:17,679
Speaker 1: If I had a richie fat cab, why lunch? Why

419
00:20:17,720 --> 00:20:18,640
Speaker 1: am I catching the train?

420
00:20:18,680 --> 00:20:20,800
Speaker 2: Well, we offered you a cab charge other ed after

421
00:20:20,840 --> 00:20:23,800
Speaker 2: our biggest witchy. I can't deal with cab I know,

422
00:20:24,119 --> 00:20:26,320
Speaker 2: And so you sit and dri on the train.

423
00:20:26,480 --> 00:20:28,880
Speaker 1: I just you know it just and my wife can't

424
00:20:28,920 --> 00:20:30,640
Speaker 1: catch a cab with me because it's just as soon

425
00:20:30,640 --> 00:20:32,000
Speaker 1: as we get in the cab, it's on.

426
00:20:32,080 --> 00:20:34,399
Speaker 2: I can imagine you're telling the driver how to drive,

427
00:20:34,840 --> 00:20:36,520
Speaker 2: not that shortcuts.

428
00:20:36,840 --> 00:20:39,560
Speaker 1: It starts like this, I've got a cab charge. Do

429
00:20:39,560 --> 00:20:40,399
Speaker 1: you know how that works?

430
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Speaker 2: No worries.

431
00:20:41,960 --> 00:20:44,920
Speaker 1: And then we get there and he goes, oh, look

432
00:20:44,920 --> 00:20:47,000
Speaker 1: it's not working. And I said, well, this is going

433
00:20:47,080 --> 00:20:49,440
Speaker 1: to be difficult, isn't it, because I don't have any money.

434
00:20:49,840 --> 00:20:52,280
Speaker 1: So we just sit there for ages and then all

435
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Speaker 1: of a sudden it magically works.

436
00:20:55,240 --> 00:20:57,880
Speaker 2: You're worse than that. You tell them, no, mate, don't

437
00:20:57,920 --> 00:20:59,720
Speaker 2: go here, mate.

438
00:20:59,160 --> 00:21:01,800
Speaker 1: Do sit there? You're getting a cab? Yeah? Where you're going?

439
00:21:01,920 --> 00:21:02,240
Speaker 2: Cornela?

440
00:21:02,280 --> 00:21:05,840
Speaker 1: Thanks mate? No it's too far. Okay, what would suit you?

441
00:21:06,760 --> 00:21:08,800
Speaker 1: And I say, a rockdown? What about ROCKDWN? Take me

442
00:21:08,840 --> 00:21:11,000
Speaker 1: to Rocked? I'll catch your train. Yeah I can't get

443
00:21:11,000 --> 00:21:12,160
Speaker 1: a ROCKTI. I tell you what, mate?

444
00:21:12,359 --> 00:21:14,600
Speaker 2: Where would you like to go? Brendan let me tell me.

445
00:21:14,720 --> 00:21:17,840
Speaker 2: You speak about cab drivers like this, and then you

446
00:21:17,920 --> 00:21:19,359
Speaker 2: wonder why you don't have any join.

447
00:21:19,440 --> 00:21:23,080
Speaker 1: Cave to burn that bridge. Bridge is burned, okay, the bridges.

448
00:21:23,280 --> 00:21:26,359
Speaker 2: Okay, let's burn that bridge down. My bridge is still

449
00:21:26,480 --> 00:21:29,080
Speaker 2: up and run. Just so you know, I've got a

450
00:21:29,160 --> 00:21:30,000
Speaker 2: very happy bridge.

451
00:21:30,000 --> 00:21:32,080
Speaker 1: Get it a nice car. You get a limo. I

452
00:21:32,119 --> 00:21:35,000
Speaker 1: do like p Diddy, travel around in your limo.

453
00:21:36,359 --> 00:21:39,679
Speaker 2: Yeah right, Brendan. Well, anyway, that's an example of a

454
00:21:39,720 --> 00:21:44,640
Speaker 2: ghoulie and it can incite a fight even with amongst friends.

455
00:21:45,359 --> 00:21:47,159
Speaker 2: There's a couple of questions that I have to ask you.

456
00:21:47,280 --> 00:21:50,160
Speaker 2: I don't answer questions, just answer a question. Okay, what's

457
00:21:50,200 --> 00:21:52,000
Speaker 2: in it for me? Dollars?

458
00:21:52,040 --> 00:21:53,160
Speaker 5: A dollar reward?

459
00:21:55,200 --> 00:21:57,600
Speaker 1: Right here, right now, there is ten thousand dollars worth,

460
00:21:57,720 --> 00:22:00,960
Speaker 1: ten thousand dollars questions, ten questions. It's laid out before you,

461
00:22:01,080 --> 00:22:02,639
Speaker 1: sixty seconds on the clock.

462
00:22:02,920 --> 00:22:05,600
Speaker 2: Can you do it? Can you do it well? You

463
00:22:05,640 --> 00:22:07,360
Speaker 2: can do it as a group. You can do it individually.

464
00:22:07,400 --> 00:22:10,000
Speaker 2: But if someone answers question ten correctly in the time,

465
00:22:10,640 --> 00:22:12,080
Speaker 2: they will get ten thousand dollars.

466
00:22:12,119 --> 00:22:15,000
Speaker 1: Someone who wants to do it individually is John of Cherrybrook.

467
00:22:15,080 --> 00:22:19,640
Speaker 2: Hello, John, Hi guys, Hey, you going very well? John.

468
00:22:19,680 --> 00:22:22,240
Speaker 2: You're first up. Now you know what happens if you

469
00:22:22,280 --> 00:22:24,760
Speaker 2: hesitate or you're wrong you're out and someone takes your place,

470
00:22:24,760 --> 00:22:27,120
Speaker 2: but we could be seconds away from giving away ten

471
00:22:27,119 --> 00:22:31,800
Speaker 2: thousand dollars. You're ready to start, ready to go? Come on, John,

472
00:22:31,960 --> 00:22:35,280
Speaker 2: good luck, Here we go. Question one? Where does Santa

473
00:22:35,280 --> 00:22:41,240
Speaker 2: Claus live? Question two? The Hoytz group is known for what?

474
00:22:44,320 --> 00:22:47,439
Speaker 2: Question three? What is the year twelve school Leavers Festival called?

475
00:22:50,800 --> 00:22:53,199
Speaker 2: Question four? Which host of the project has announced her

476
00:22:53,200 --> 00:22:54,240
Speaker 2: resignation recently?

477
00:22:56,119 --> 00:22:56,879
Speaker 8: Lisa welcome?

478
00:22:57,240 --> 00:23:03,680
Speaker 2: Question five? Iconic cracker salada made by which company? Question six?

479
00:23:03,760 --> 00:23:05,760
Speaker 2: Which country beat guitar in the opening game of the

480
00:23:05,760 --> 00:23:06,240
Speaker 2: World Cup?

481
00:23:08,960 --> 00:23:09,440
Speaker 5: England?

482
00:23:10,000 --> 00:23:11,080
Speaker 1: Tracey is in Arcadia?

483
00:23:11,200 --> 00:23:13,320
Speaker 2: Which country beat guitar in the opening game of the

484
00:23:13,320 --> 00:23:19,639
Speaker 2: World Cup? Michael's in Abats Which country beat guitar in

485
00:23:19,640 --> 00:23:23,240
Speaker 2: the opening game of the World Cup? Question seven? What's

486
00:23:23,280 --> 00:23:25,320
Speaker 2: the term for the current Friday shopping sales?

487
00:23:27,119 --> 00:23:27,439
Speaker 5: Friday?

488
00:23:27,560 --> 00:23:30,320
Speaker 2: Question eight? Scarface was the nickname for which famous crime boss?

489
00:23:33,680 --> 00:23:37,760
Speaker 2: Phoebe's scarface? He was a nickname for which famous crime boss?

490
00:23:39,000 --> 00:23:42,879
Speaker 2: Would you have known that? Phoebe al Pacino?

491
00:23:43,040 --> 00:23:47,880
Speaker 1: But our cap it was a big al al cape.

492
00:23:47,960 --> 00:23:54,119
Speaker 2: Here's the original scarface. We try again tomorrow.

493
00:23:54,880 --> 00:23:56,200
Speaker 1: I think it takes a toll out of you.

494
00:23:56,600 --> 00:23:59,360
Speaker 2: It is exhausting, but we do want this to go off.

495
00:24:00,359 --> 00:24:03,439
Speaker 2: A woman has taken to TikTok to share something that

496
00:24:03,480 --> 00:24:07,240
Speaker 2: her boyfriend did. Now, you've been married a long time,

497
00:24:07,800 --> 00:24:11,800
Speaker 2: thirty one years tomorrow, oh anniversary tomorrow. Right from the beginning,

498
00:24:11,800 --> 00:24:14,919
Speaker 2: did you split expenses? Expenses? Like, did you have you

499
00:24:15,000 --> 00:24:17,440
Speaker 2: spent this? I spent this? Or do you have joint accounts?

500
00:24:17,680 --> 00:24:20,280
Speaker 1: We have straight away joint account. Yeah, well Allen's got

501
00:24:20,280 --> 00:24:22,560
Speaker 1: an account. Now she's got her own account. It's called

502
00:24:22,600 --> 00:24:25,520
Speaker 1: the few account. I don't know what that is.

503
00:24:25,800 --> 00:24:27,440
Speaker 2: It must be some she's left the en off. It's

504
00:24:27,440 --> 00:24:28,840
Speaker 2: the fun fun account, the.

505
00:24:28,920 --> 00:24:30,400
Speaker 1: Few account account.

506
00:24:30,440 --> 00:24:32,720
Speaker 2: Yeah, we went straight in there soon as we got married.

507
00:24:32,760 --> 00:24:34,320
Speaker 1: It was it was a done deal.

508
00:24:35,600 --> 00:24:38,119
Speaker 2: It was same with us. But this woman has been

509
00:24:38,160 --> 00:24:38,760
Speaker 2: living though.

510
00:24:38,640 --> 00:24:41,160
Speaker 1: She does say what's you know, what's yours is mine,

511
00:24:41,200 --> 00:24:42,160
Speaker 1: and what's mine's mine?

512
00:24:43,200 --> 00:24:45,560
Speaker 2: Swiss bank accounts and all the rest of it. This

513
00:24:45,640 --> 00:24:48,359
Speaker 2: one went on a trip with her partner to visit

514
00:24:48,359 --> 00:24:50,959
Speaker 2: his family in another state, and so they always had

515
00:24:51,000 --> 00:24:54,200
Speaker 2: a spreadsheet. She said, when we lived, we lived together,

516
00:24:54,240 --> 00:24:56,560
Speaker 2: but we have a spreadsheet of expenses, and that's fine.

517
00:24:57,280 --> 00:24:59,520
Speaker 2: But when they came home, there was something on that

518
00:24:59,600 --> 00:25:01,880
Speaker 2: expense sheet that really annoyed her. Here's what she said

519
00:25:01,880 --> 00:25:04,400
Speaker 2: on TikTok, what's this three dollars and twenty three cents

520
00:25:04,440 --> 00:25:05,080
Speaker 2: for breakfast?

521
00:25:05,840 --> 00:25:08,760
Speaker 9: And he looks at me deadpan and goes, oh, well

522
00:25:08,840 --> 00:25:10,520
Speaker 9: that's for the banana and a piece of toast that

523
00:25:10,560 --> 00:25:14,360
Speaker 9: you ate at my mom's Excuse me, sir, He's like, yeah, well,

524
00:25:14,359 --> 00:25:15,960
Speaker 9: like you ate that, so you know you owe me

525
00:25:15,960 --> 00:25:19,760
Speaker 9: and my mom money. This man was dead ass trying

526
00:25:19,800 --> 00:25:23,000
Speaker 9: to charge me for a banana and a piece of wonderbread.

527
00:25:23,600 --> 00:25:26,840
Speaker 2: And she said that she had contributed to the dinner

528
00:25:26,840 --> 00:25:30,720
Speaker 2: for her mother boyfriend's mum's birthday, all this sort of stuff.

529
00:25:30,760 --> 00:25:32,520
Speaker 2: The morning they left, she had a banana and a

530
00:25:32,520 --> 00:25:35,080
Speaker 2: piece of bread and he wrote on the spreadsheet three

531
00:25:35,119 --> 00:25:36,200
Speaker 2: dollars twenty three.

532
00:25:36,080 --> 00:25:39,000
Speaker 1: But a spreadsheet in a relationship.

533
00:25:38,240 --> 00:25:41,760
Speaker 2: Yeah, but sometimes they do. Harley had a partner before me,

534
00:25:42,640 --> 00:25:45,160
Speaker 2: and she used to sort of do a spreadsheet thing.

535
00:25:45,520 --> 00:25:47,719
Speaker 2: And he said that there was one time when, like,

536
00:25:47,800 --> 00:25:50,119
Speaker 2: for example, she he'd come home and she said, I

537
00:25:50,160 --> 00:25:52,000
Speaker 2: brought you this really nice jumper. She go, he'd go,

538
00:25:52,119 --> 00:25:54,520
Speaker 2: that's lovely, thank you. End of the month they come

539
00:25:54,560 --> 00:25:56,600
Speaker 2: to spit expenses and he has to pay for.

540
00:25:56,560 --> 00:25:58,679
Speaker 1: It on a spreadsheet.

541
00:25:58,760 --> 00:26:02,280
Speaker 2: It was on the spreadsheet. We've never done any of

542
00:26:02,320 --> 00:26:02,879
Speaker 2: that with us.

543
00:26:03,560 --> 00:26:03,639
Speaker 5: Now.

544
00:26:03,920 --> 00:26:05,800
Speaker 2: For the we got together, it was all things joined.

545
00:26:06,200 --> 00:26:09,440
Speaker 2: But you're like money, money, money. We've been together thirty years.

546
00:26:10,280 --> 00:26:12,760
Speaker 2: We've worked our way up from you're good with money,

547
00:26:12,760 --> 00:26:14,080
Speaker 2: You're like good, What do you mean?

548
00:26:14,240 --> 00:26:16,439
Speaker 1: You're always you know, you're always.

549
00:26:16,400 --> 00:26:17,600
Speaker 2: Meaning a hord money.

550
00:26:17,640 --> 00:26:19,399
Speaker 1: Now you're shelling out, you're always paying.

551
00:26:19,520 --> 00:26:20,000
Speaker 2: You're good.

552
00:26:20,160 --> 00:26:21,800
Speaker 1: Well, you good to be a part of. It's like,

553
00:26:21,840 --> 00:26:24,680
Speaker 1: you know, hanging out with Brewster and Brewster's millions yourself.

554
00:26:24,720 --> 00:26:27,320
Speaker 2: It's so not true. You feel that because you're a

555
00:26:27,359 --> 00:26:29,600
Speaker 2: little bit of a tighter. I am not. You are

556
00:26:29,480 --> 00:26:30,400
Speaker 2: a little bit of a time.

557
00:26:30,480 --> 00:26:31,879
Speaker 1: No, I'm not sure, No, I'm not.

558
00:26:32,080 --> 00:26:33,040
Speaker 2: We could argue all day.

559
00:26:33,960 --> 00:26:34,959
Speaker 1: Give me a demonstration.

560
00:26:35,480 --> 00:26:39,280
Speaker 2: Well say we go out as a group at lunch

561
00:26:39,440 --> 00:26:41,520
Speaker 2: with our team and you say, you know what, I'll

562
00:26:41,560 --> 00:26:43,520
Speaker 2: pay for this, and one goes, aren't you wonderful? And

563
00:26:43,560 --> 00:26:45,160
Speaker 2: then you put that into accounts.

564
00:26:46,400 --> 00:26:48,240
Speaker 1: It's a team lunch, that's fair enough.

565
00:26:48,240 --> 00:26:49,879
Speaker 2: And you made it look like, hey, I'm going to

566
00:26:49,880 --> 00:26:54,639
Speaker 2: shout the team, put on my card, I get the team.

567
00:26:55,119 --> 00:26:56,520
Speaker 1: But you can it's a business.

568
00:26:56,560 --> 00:26:57,040
Speaker 2: Expense.

569
00:26:57,320 --> 00:26:58,679
Speaker 1: Sometimes they knock it back.

570
00:26:58,720 --> 00:27:03,280
Speaker 2: Sometimes it does. Well, let's try that's how about we

571
00:27:03,359 --> 00:27:06,639
Speaker 2: share an agent and there's a big, big birthday and

572
00:27:06,720 --> 00:27:09,320
Speaker 2: I said, let's get some flowers, and you said, I'll

573
00:27:09,359 --> 00:27:12,400
Speaker 2: get it on that too. And then when I said

574
00:27:12,440 --> 00:27:15,160
Speaker 2: let's go half, you said, oh, don't spend that much because.

575
00:27:14,960 --> 00:27:17,960
Speaker 1: You spend too much. We're on different salaries. You go

576
00:27:18,040 --> 00:27:21,720
Speaker 1: and spend five million dollars on some flowers. I said, well,

577
00:27:21,720 --> 00:27:24,480
Speaker 1: at least have a look around and see see what

578
00:27:24,520 --> 00:27:27,200
Speaker 1: you're doing. You're digging yourself a big hold to be

579
00:27:27,280 --> 00:27:30,679
Speaker 1: dug because you make more money than me. Oh and

580
00:27:30,720 --> 00:27:33,360
Speaker 1: you and you as because you're a shell out. You're

581
00:27:33,359 --> 00:27:34,480
Speaker 1: always shelling out the day.

582
00:27:34,800 --> 00:27:36,680
Speaker 2: So when you go out with friends who don't earn

583
00:27:36,680 --> 00:27:39,119
Speaker 2: as much money as you do, you say, hey, I

584
00:27:39,160 --> 00:27:41,439
Speaker 2: own more than you. Let me pay everything. If you

585
00:27:41,480 --> 00:27:43,119
Speaker 2: think it, if you think it goes on a scale,

586
00:27:43,240 --> 00:27:45,320
Speaker 2: I don't. We all we all share. We all share

587
00:27:45,320 --> 00:27:49,280
Speaker 2: where I go, We all share. You don't You don't

588
00:27:49,560 --> 00:27:51,640
Speaker 2: like if you go out with Scampsy, Well.

589
00:27:51,440 --> 00:27:54,840
Speaker 1: He makes pots of money, but we always I.

590
00:27:54,800 --> 00:27:56,919
Speaker 2: Don't know how much any of my friends earn, and

591
00:27:56,920 --> 00:27:57,600
Speaker 2: they've never known.

592
00:27:58,359 --> 00:28:03,560
Speaker 1: I don't know that either. I don't know. I don't

593
00:28:03,560 --> 00:28:05,960
Speaker 1: know where you're getting at. But I'm not tired. What

594
00:28:06,000 --> 00:28:08,520
Speaker 1: I do is less time now, But I'm not not

595
00:28:08,720 --> 00:28:11,399
Speaker 1: You have made me less tight. I'm just because I

596
00:28:11,480 --> 00:28:14,440
Speaker 1: catch the train by choice, I guess training, of course,

597
00:28:14,480 --> 00:28:16,200
Speaker 1: because I just rather because I need to get this.

598
00:28:16,359 --> 00:28:17,920
Speaker 2: Of course, I don't think, I know. I don't think

599
00:28:17,920 --> 00:28:19,760
Speaker 2: that's a type thing. I know that's not a type thing.

600
00:28:20,400 --> 00:28:22,760
Speaker 1: And maybe because down in the garage, Oh.

601
00:28:22,680 --> 00:28:25,320
Speaker 2: That's right, you steal stuff from still see.

602
00:28:25,119 --> 00:28:27,600
Speaker 1: This is the thing. They're chucking out stuff.

603
00:28:27,440 --> 00:28:29,359
Speaker 2: And you and Kyle, the men who were paid the

604
00:28:29,400 --> 00:28:34,199
Speaker 2: most in this building. Stuff trolley you fight over and

605
00:28:34,240 --> 00:28:37,960
Speaker 2: you'll say to ground skipper Louis, and you'll say, I'm

606
00:28:37,960 --> 00:28:38,840
Speaker 2: still using.

607
00:28:38,600 --> 00:28:42,320
Speaker 1: It because okay, let's let's unpack this. We should get

608
00:28:42,360 --> 00:28:44,720
Speaker 1: Kyle in on this. Right. So there was a bunch

609
00:28:44,760 --> 00:28:47,920
Speaker 1: of caster wheels, you know, castle wheels, and they're on

610
00:28:47,920 --> 00:28:50,000
Speaker 1: this old trolley and I went, what are you doing

611
00:28:50,040 --> 00:28:51,880
Speaker 1: with that, Loui? And he goes, we're we're jogging it

612
00:28:51,920 --> 00:28:54,040
Speaker 1: out And I said, well, those castle wheels you go

613
00:28:54,080 --> 00:28:56,680
Speaker 1: to Bunnings. They're like a ten bucks each. I'll take

614
00:28:56,720 --> 00:28:59,840
Speaker 1: them then Kyle comes, what's going on here? And I said, well,

615
00:28:59,840 --> 00:29:01,280
Speaker 1: I'm getting these castles. No you're not.

616
00:29:01,560 --> 00:29:05,520
Speaker 2: We're fighting. Meanwhile, someone who earns a dollar walks past

617
00:29:05,520 --> 00:29:07,160
Speaker 2: and says, oh, I'm off to Bunnies to buy some

618
00:29:07,280 --> 00:29:08,680
Speaker 2: of those well.

619
00:29:08,600 --> 00:29:11,760
Speaker 1: Because if you go, it's just waste. In fact, I'm

620
00:29:11,800 --> 00:29:13,840
Speaker 1: the oldimate greenie that would have gone.

621
00:29:13,640 --> 00:29:19,000
Speaker 2: To landfill well anyway, in which so you take that back, Okay,

622
00:29:19,000 --> 00:29:22,080
Speaker 2: I'll take it back. Within relationships, I wouldn't say that

623
00:29:22,160 --> 00:29:22,680
Speaker 2: my wife.

624
00:29:22,840 --> 00:29:24,160
Speaker 1: I don't give her a spreadsheet.

625
00:29:24,440 --> 00:29:27,000
Speaker 2: No, no, no, I know that. But some couples do

626
00:29:27,120 --> 00:29:30,160
Speaker 2: work like this, and some couples you think your partner

627
00:29:30,240 --> 00:29:33,360
Speaker 2: is a little bit tight. So let's discuss this. My

628
00:29:33,600 --> 00:29:37,640
Speaker 2: partner might be a work partner. My partner the tity

629
00:29:37,960 --> 00:29:43,480
Speaker 2: The Money on the Fridge podcast or do you live

630
00:29:43,520 --> 00:29:46,360
Speaker 2: with someone who keeps count of all the things you spend?

631
00:29:46,360 --> 00:29:48,080
Speaker 2: Do you live with someone who doesn't want to go

632
00:29:48,080 --> 00:29:50,640
Speaker 2: out to dinner because they don't want to waste the money?

633
00:29:51,000 --> 00:29:53,600
Speaker 2: That's what the trouble drums beating for today. My partner

634
00:29:53,640 --> 00:29:55,440
Speaker 2: the title the Money on the Fridge.

635
00:29:55,200 --> 00:29:57,200
Speaker 1: Does hardly ever question what you're spending?

636
00:29:57,280 --> 00:30:02,240
Speaker 2: Is no? And I don't question his. Do you question Helen's?

637
00:30:03,920 --> 00:30:08,160
Speaker 1: Sometimes when we have an unnecessary renovation. Sometimes I'll say, come.

638
00:30:08,040 --> 00:30:09,720
Speaker 2: On, well, where's that wing come from?

639
00:30:09,920 --> 00:30:11,120
Speaker 1: Why are we doing that?

640
00:30:11,960 --> 00:30:12,160
Speaker 8: Well?

641
00:30:12,160 --> 00:30:14,080
Speaker 2: Harley will say to me, don't you already own that

642
00:30:14,120 --> 00:30:15,760
Speaker 2: pair of shoes? And he's learned not to say that,

643
00:30:16,160 --> 00:30:17,880
Speaker 2: And I say, don't you already have a camera, don't

644
00:30:17,880 --> 00:30:20,400
Speaker 2: you really have a watch, don't you really have a

645
00:30:20,440 --> 00:30:21,120
Speaker 2: pair of pants.

646
00:30:21,920 --> 00:30:23,480
Speaker 1: I remember one time I said aali, I said, what

647
00:30:23,520 --> 00:30:24,000
Speaker 1: did that costs?

648
00:30:24,040 --> 00:30:24,480
Speaker 2: That camera?

649
00:30:24,680 --> 00:30:26,320
Speaker 1: And he said, oh, I was like five hundred bucks.

650
00:30:26,320 --> 00:30:30,120
Speaker 1: A wow, that's good value. That's so cheap. Where'd you

651
00:30:30,160 --> 00:30:32,680
Speaker 1: get that from? And he looked at me and I said,

652
00:30:32,680 --> 00:30:35,120
Speaker 1: but that's really good value. And then you walked away

653
00:30:35,120 --> 00:30:36,560
Speaker 1: and he said it wasn't fair.

654
00:30:36,600 --> 00:30:36,880
Speaker 6: I know.

655
00:30:36,960 --> 00:30:39,200
Speaker 2: I know, of course, and I look. The thing is,

656
00:30:39,400 --> 00:30:41,480
Speaker 2: I've told him over the years, we'll play our little

657
00:30:41,520 --> 00:30:44,440
Speaker 2: tricks about and he knows not to ask now. But

658
00:30:44,520 --> 00:30:46,680
Speaker 2: you know he thinks if someone if a shirt for

659
00:30:46,760 --> 00:30:48,760
Speaker 2: a man costs more than thirty dollars, he'll be outraged

660
00:30:48,800 --> 00:30:51,920
Speaker 2: because he thinks that that's all anything ever come. Yeah,

661
00:30:52,160 --> 00:30:54,480
Speaker 2: that's what he thinks. I've paid all these years. Paul

662
00:30:54,480 --> 00:30:59,960
Speaker 2: has joined us. Call I Paul going very well. Who

663
00:31:00,120 --> 00:31:01,040
Speaker 2: is the tidy.

664
00:31:02,640 --> 00:31:02,880
Speaker 8: Dad?

665
00:31:02,880 --> 00:31:03,520
Speaker 5: God love him?

666
00:31:03,560 --> 00:31:03,640
Speaker 6: Is?

667
00:31:04,800 --> 00:31:08,240
Speaker 8: He used to have charge mum fire bucks to learn

668
00:31:08,280 --> 00:31:13,240
Speaker 8: how to drive, and every every week come on, go

669
00:31:13,360 --> 00:31:15,400
Speaker 8: for it up five bars and.

670
00:31:16,280 --> 00:31:19,400
Speaker 5: Yeah, And it took her to age sixty.

671
00:31:19,560 --> 00:31:21,520
Speaker 8: She actually finally got a license because.

672
00:31:21,360 --> 00:31:24,920
Speaker 1: You know what would have made unfortunately, was that for

673
00:31:25,360 --> 00:31:27,680
Speaker 1: fuel or for his expertise.

674
00:31:27,920 --> 00:31:29,560
Speaker 8: Yea fuel puel just.

675
00:31:31,280 --> 00:31:34,040
Speaker 2: When she was doing the expertise for free. Presumably then

676
00:31:34,160 --> 00:31:36,800
Speaker 2: you know she'd use the car to do the grocery

677
00:31:36,840 --> 00:31:38,640
Speaker 2: shopping and all the kinds of things that contribute to

678
00:31:38,680 --> 00:31:39,280
Speaker 2: the household.

679
00:31:41,280 --> 00:31:42,440
Speaker 8: I don't think you thought of that one.

680
00:31:43,720 --> 00:31:46,320
Speaker 2: Brilliant Well, that's what we're after. We want more of that.

681
00:31:46,640 --> 00:31:55,080
Speaker 2: Jonesy and Amanda Ger podcast.

682
00:31:57,000 --> 00:32:00,800
Speaker 1: We've been discussing this lady. Her partner has spreadsheet.

683
00:32:01,320 --> 00:32:03,840
Speaker 2: Yeah, and they split the expenses. But she was shocked

684
00:32:03,840 --> 00:32:05,960
Speaker 2: when they went to visit his mother into state and

685
00:32:06,000 --> 00:32:08,080
Speaker 2: she contributed to the dinner and all this sort of stuff.

686
00:32:08,200 --> 00:32:10,360
Speaker 2: When they came back, she was shocked to see that

687
00:32:10,440 --> 00:32:13,320
Speaker 2: she'd been charged three dollars and twenty five or something

688
00:32:13,400 --> 00:32:15,960
Speaker 2: like that. Three dollars twenty three because she'd had a

689
00:32:16,000 --> 00:32:18,560
Speaker 2: piece of toast and some white bread at her mother's house.

690
00:32:19,360 --> 00:32:22,440
Speaker 2: Mother's that's extreme. Yeah, so the tribal drum is beating

691
00:32:22,480 --> 00:32:23,800
Speaker 2: for my partner, the tity.

692
00:32:23,920 --> 00:32:25,160
Speaker 10: Leave the money on the fridge.

693
00:32:25,440 --> 00:32:26,560
Speaker 1: Sharon has joined us.

694
00:32:26,680 --> 00:32:29,800
Speaker 2: Hi, Sharon, good morning. How are you very well? Is

695
00:32:29,800 --> 00:32:30,840
Speaker 2: your partner the tity?

696
00:32:31,640 --> 00:32:34,480
Speaker 6: My partner is so tighty. Took her part out of

697
00:32:34,520 --> 00:32:36,120
Speaker 6: the air conditioner so we couldn't use it.

698
00:32:36,960 --> 00:32:39,800
Speaker 2: That's ah, what part did.

699
00:32:39,720 --> 00:32:40,280
Speaker 1: He take care?

700
00:32:41,200 --> 00:32:43,760
Speaker 6: I have no idea, Jonesy, but we had just had

701
00:32:43,760 --> 00:32:46,440
Speaker 6: a new air conditioner put in and so we couldn't

702
00:32:46,520 --> 00:32:48,640
Speaker 6: use it. He took something out. It was a what

703
00:32:48,680 --> 00:32:53,120
Speaker 6: do you call it? The big air conditioning all.

704
00:32:53,040 --> 00:32:55,440
Speaker 2: Right, and so then it was allowed to go back

705
00:32:55,440 --> 00:32:57,080
Speaker 2: in when he felt it was okay to use it

706
00:32:57,160 --> 00:32:58,480
Speaker 2: or it was never used.

707
00:32:58,360 --> 00:32:59,959
Speaker 6: And no, it was only allowed to go back in.

708
00:33:00,040 --> 00:33:02,840
Speaker 6: And he when he recall it wasn't very often.

709
00:33:04,640 --> 00:33:08,160
Speaker 1: I'm you know what, I sort of I'm on his

710
00:33:07,000 --> 00:33:12,720
Speaker 1: s We've got floor heating in our bathrooms at home,

711
00:33:13,000 --> 00:33:14,960
Speaker 1: so I'm just switched through all that off because they

712
00:33:15,000 --> 00:33:18,240
Speaker 1: just leave it running all the timeils floor heating?

713
00:33:18,240 --> 00:33:21,040
Speaker 2: What about in here? You constantly complain we have different

714
00:33:21,040 --> 00:33:24,200
Speaker 2: body temperatures, Brendon, and you constantly complain if I said

715
00:33:24,280 --> 00:33:25,360
Speaker 2: it's a bit horrible.

716
00:33:25,120 --> 00:33:31,200
Speaker 1: Because Jim y Rye, who works with us, has limited attention, okay,

717
00:33:31,360 --> 00:33:34,640
Speaker 1: and you'll constantly go, is it hard? You've got other

718
00:33:34,680 --> 00:33:37,680
Speaker 1: things you can't You've got him running around, except that

719
00:33:37,800 --> 00:33:39,640
Speaker 1: someone around temperature is different deals.

720
00:33:39,640 --> 00:33:43,200
Speaker 2: It sounds like Sharon's husband. Thank you, Sharon.

721
00:33:43,320 --> 00:33:45,040
Speaker 1: But I don't care about the temperature here because I'm

722
00:33:45,040 --> 00:33:45,800
Speaker 1: not paying for it.

723
00:33:46,640 --> 00:33:48,640
Speaker 2: Oh, you pay for it, don't you worry.

724
00:33:48,880 --> 00:33:49,920
Speaker 1: I'm going to pay.

725
00:33:49,960 --> 00:33:53,600
Speaker 2: Laura has joined us. Hello, Laura, who's the tidy Hello,

726
00:33:53,880 --> 00:33:55,640
Speaker 2: it's my husband. Yes.

727
00:33:56,640 --> 00:34:00,600
Speaker 5: Yeah, So he's thirty one and he stillways then clothes

728
00:34:00,640 --> 00:34:06,720
Speaker 5: that he had from high school. My school uniform, not uniform,

729
00:34:06,800 --> 00:34:08,800
Speaker 5: but just the everyday clothes.

730
00:34:09,239 --> 00:34:12,319
Speaker 1: Oh, young Easter wears his school uniform and he's one

731
00:34:12,360 --> 00:34:13,520
Speaker 1: of the richest bands of the world.

732
00:34:13,600 --> 00:34:16,600
Speaker 2: Still fits into it. He looks great. Have you tried

733
00:34:16,600 --> 00:34:17,440
Speaker 2: to talk him out of this?

734
00:34:17,560 --> 00:34:17,880
Speaker 10: Laura?

735
00:34:19,560 --> 00:34:21,640
Speaker 5: Look, you can try it, but you won't throw out

736
00:34:21,680 --> 00:34:22,320
Speaker 5: those clothes.

737
00:34:22,440 --> 00:34:26,640
Speaker 2: Sure, but Laura, no, don't defit this, Brenda.

738
00:34:26,880 --> 00:34:29,200
Speaker 1: I'm just like those clothes like he won left school

739
00:34:29,239 --> 00:34:32,640
Speaker 1: fifteen years ago. Those closes are only fifteen years old.

740
00:34:33,000 --> 00:34:35,640
Speaker 2: Don't even do it. Thank you, Laura, No, no, I

741
00:34:35,680 --> 00:34:39,400
Speaker 2: feel your pain. Laura Kelly's joint. Hi, Kelly, who's the tidy?

742
00:34:40,400 --> 00:34:43,840
Speaker 5: Good morning, guys. What's my ninety eight year old grandma?

743
00:34:44,800 --> 00:34:48,560
Speaker 5: She decided that it was very, very frugal of her

744
00:34:48,680 --> 00:34:49,960
Speaker 5: to reuse glad.

745
00:34:49,760 --> 00:34:53,080
Speaker 2: Rap oh actually manage that she would.

746
00:34:54,200 --> 00:34:57,920
Speaker 5: So she would use it and when she was, you know,

747
00:34:58,320 --> 00:35:00,799
Speaker 5: finished with it, I guess she would wash it under

748
00:35:00,840 --> 00:35:03,200
Speaker 5: hot soapy water, lay it out on a tea towel,

749
00:35:03,480 --> 00:35:06,360
Speaker 5: wait for it to dry, and reuse it to the

750
00:35:06,440 --> 00:35:08,879
Speaker 5: point where she was at mum's one day and Mum

751
00:35:08,960 --> 00:35:10,920
Speaker 5: just grabbed something out of the freege took the gladder.

752
00:35:10,880 --> 00:35:14,560
Speaker 5: I'll scrunched up in a ball. How dare you? You're

753
00:35:14,719 --> 00:35:17,000
Speaker 5: so wasteful? Look at you being wasteful.

754
00:35:18,600 --> 00:35:20,600
Speaker 2: She didn't go through the bin though, I mean, how

755
00:35:20,600 --> 00:35:21,960
Speaker 2: many uses would you get it?

756
00:35:22,120 --> 00:35:26,319
Speaker 1: Well, you know, Kelly, I could say, I can see,

757
00:35:26,600 --> 00:35:29,840
Speaker 1: well I reuse alfoil because if we're cooking, while we

758
00:35:29,840 --> 00:35:33,160
Speaker 1: were cooking on the weekend, I'll take alfoil off something

759
00:35:33,480 --> 00:35:34,960
Speaker 1: and then I'm going to go and put it back in.

760
00:35:35,239 --> 00:35:37,720
Speaker 1: And Helen just comes through like and squinches.

761
00:35:37,239 --> 00:35:38,440
Speaker 2: Everything that's fair enough.

762
00:35:38,440 --> 00:35:40,839
Speaker 1: I'm going to have to put more else.

763
00:35:40,880 --> 00:35:43,480
Speaker 2: If it's not covered in mank, I'd reuse it. If

764
00:35:43,480 --> 00:35:45,759
Speaker 2: it's covered in mank, I wouldn't wash it under the

765
00:35:45,800 --> 00:35:46,680
Speaker 2: tap and go again.

766
00:35:46,840 --> 00:35:48,200
Speaker 1: Let's make that a blanket route.

767
00:35:48,280 --> 00:35:48,560
Speaker 2: Okay.

768
00:35:48,640 --> 00:35:50,919
Speaker 1: If it's covered in mank, it goes in the bin,

769
00:35:51,239 --> 00:35:52,680
Speaker 1: and that goes for your blanket as well.

770
00:35:53,480 --> 00:35:55,440
Speaker 2: Thank you everyone, Thank you Kelly.

771
00:35:56,640 --> 00:35:58,200
Speaker 1: Let's get on down to the Jonesy the matter of

772
00:35:58,239 --> 00:36:01,200
Speaker 1: after the pub test and today started the show with

773
00:36:01,239 --> 00:36:05,239
Speaker 1: this the premium beIN night. I believe it's Sunday night.

774
00:36:05,440 --> 00:36:07,600
Speaker 2: And why have you chosen Sundays? I mean, we don't

775
00:36:07,600 --> 00:36:09,360
Speaker 2: get a choice. I know that, but why do you

776
00:36:09,360 --> 00:36:09,880
Speaker 2: think Sunday?

777
00:36:10,400 --> 00:36:13,160
Speaker 1: I want to amend that Monday night because Sunday night

778
00:36:13,200 --> 00:36:14,759
Speaker 1: you got that Sunday night vibe. I don't take the

779
00:36:14,800 --> 00:36:17,680
Speaker 1: garbage out on a Sunday night. Monday, that's when you're

780
00:36:17,680 --> 00:36:20,640
Speaker 1: back into it. My midnight currently is Tuesday night, and

781
00:36:20,680 --> 00:36:21,440
Speaker 1: I'm happy with that.

782
00:36:21,520 --> 00:36:23,560
Speaker 2: So it's a Wednesday morning collection. You're just talking about

783
00:36:23,560 --> 00:36:24,560
Speaker 2: the night you take your bin out.

784
00:36:24,640 --> 00:36:26,640
Speaker 1: Yeah, yeah, So you put it out on Tuesday night

785
00:36:26,840 --> 00:36:29,359
Speaker 1: and the garbo comes and gets it on Wednesday. In

786
00:36:29,360 --> 00:36:31,799
Speaker 1: the past, I've had Thursday night and I've had Friday night.

787
00:36:31,920 --> 00:36:34,640
Speaker 1: Friday night, without a doubt, is the worst bin night.

788
00:36:34,680 --> 00:36:37,600
Speaker 1: Why is that? Because it's Friday night, You've got a

789
00:36:37,600 --> 00:36:40,200
Speaker 1: stinky bin full of stuff and invariably you might be

790
00:36:40,239 --> 00:36:43,839
Speaker 1: going out and the bin won't get pulled out during

791
00:36:43,840 --> 00:36:45,560
Speaker 1: the Saturday morning Undery Dash.

792
00:36:45,600 --> 00:36:47,879
Speaker 2: One of our producers said she likes the Friday night

793
00:36:47,920 --> 00:36:50,120
Speaker 2: one because then you've got a clean bin ready to

794
00:36:50,120 --> 00:36:52,879
Speaker 2: go for the weekend. But then if it goes out

795
00:36:52,920 --> 00:36:55,800
Speaker 2: on a Friday, though, that means you've had last weekend's

796
00:36:55,880 --> 00:36:58,120
Speaker 2: main cage in there. And our bins are so small

797
00:36:58,160 --> 00:37:03,560
Speaker 2: these days. Yeah, what do you I would think Monday

798
00:37:03,640 --> 00:37:06,239
Speaker 2: or Tuesday hours is Wednesday Wednesday night, the bin goes

799
00:37:06,280 --> 00:37:08,239
Speaker 2: out and gets kicked it Thuesday morning, but.

800
00:37:08,280 --> 00:37:09,600
Speaker 1: It goes Thursday morning.

801
00:37:09,680 --> 00:37:12,560
Speaker 2: Yeah, was I think something closer to the weekend. It'd

802
00:37:12,560 --> 00:37:14,680
Speaker 2: be useful because that's when you're really stinky. Stuff's kind

803
00:37:14,719 --> 00:37:15,520
Speaker 2: of going there because.

804
00:37:15,360 --> 00:37:17,520
Speaker 1: You don't take the bins out to you you did

805
00:37:17,560 --> 00:37:18,400
Speaker 1: when you were a kid.

806
00:37:18,440 --> 00:37:22,840
Speaker 2: Apparently when you first earlier this morning, started talking about bins,

807
00:37:22,880 --> 00:37:24,480
Speaker 2: and you talked about the big metal ones that we

808
00:37:24,520 --> 00:37:27,560
Speaker 2: had when we were children. I had a flashback to

809
00:37:28,600 --> 00:37:31,160
Speaker 2: I had a pash session with my first boyfriend and

810
00:37:31,239 --> 00:37:35,160
Speaker 2: had chin rash and the next and I tried to

811
00:37:35,200 --> 00:37:38,560
Speaker 2: cover it up by telling my father that for the

812
00:37:38,600 --> 00:37:40,960
Speaker 2: first time in my life, I'd taken the bins around

813
00:37:41,719 --> 00:37:43,600
Speaker 2: and I'd taken it to put it on the road.

814
00:37:43,960 --> 00:37:45,520
Speaker 2: White when on the road and I put on the

815
00:37:45,560 --> 00:37:50,799
Speaker 2: road and I'd fallen over and scraped my chin. I say, humiliated, did.

816
00:37:50,719 --> 00:37:52,600
Speaker 1: I'd say, so you took it upon yourself to take

817
00:37:52,640 --> 00:37:53,000
Speaker 1: the garden.

818
00:37:53,080 --> 00:37:55,040
Speaker 2: So he's not like you. He just let it go,

819
00:37:55,520 --> 00:37:58,600
Speaker 2: and so I am humiliated. I've forgotten about it. And

820
00:37:58,600 --> 00:38:00,560
Speaker 2: I was triggered when you mentioned bins this morning?

821
00:38:01,120 --> 00:38:02,680
Speaker 1: What are you having on Oscar the crotch?

822
00:38:05,960 --> 00:38:07,240
Speaker 2: And I would have joined a nunnery.

823
00:38:07,760 --> 00:38:10,560
Speaker 1: Why don't you call us thirteen WSFM waiting on this?

824
00:38:10,600 --> 00:38:13,239
Speaker 2: Which waiting? Which midnight passes the pub test?

825
00:38:13,320 --> 00:38:18,520
Speaker 1: Well have that for you at eight o'clock manager Comcast WSFM.

826
00:38:18,560 --> 00:38:21,360
Speaker 1: Hello there, it's Jersey demand I see the Macquarie Dictionary

827
00:38:21,400 --> 00:38:24,120
Speaker 1: Word of the Year finalists has been announced.

828
00:38:24,280 --> 00:38:26,759
Speaker 2: Let's go through some of the runners up. I hadn't

829
00:38:26,760 --> 00:38:31,279
Speaker 2: heard some of these, yasify or yasification yestify, as the

830
00:38:31,360 --> 00:38:35,680
Speaker 2: verb yasification is the noun to apply multiple filters and

831
00:38:35,760 --> 00:38:38,040
Speaker 2: edits to an image or digital photograph to make it

832
00:38:38,080 --> 00:38:41,960
Speaker 2: glamorous and beautiful. This has come from yas Queen. You

833
00:38:42,000 --> 00:38:44,280
Speaker 2: know how people say that with incredible with a picture

834
00:38:44,280 --> 00:38:48,200
Speaker 2: of someone airbrush to the wazoo. So yasify or yasification

835
00:38:48,880 --> 00:38:53,040
Speaker 2: quite quitting. We know that one. Yep. Goblin mode. What's that?

836
00:38:53,440 --> 00:38:56,120
Speaker 2: It's a pattern of behavior characterized by an embrace of

837
00:38:56,160 --> 00:39:01,120
Speaker 2: indolence and slovenliness. It comes from the tesla subscribed to

838
00:39:01,120 --> 00:39:03,120
Speaker 2: the appearance of a goblin. So maybe if you're staying

839
00:39:03,120 --> 00:39:05,200
Speaker 2: at home for the weekend, you've gone into goblin mode.

840
00:39:05,480 --> 00:39:09,800
Speaker 2: Gigafire a fire that burns more than one hundred thousand

841
00:39:09,880 --> 00:39:11,640
Speaker 2: hectares is known as a gigafire. We've had a few of.

842
00:39:11,719 --> 00:39:12,640
Speaker 1: That's a big fire.

843
00:39:13,040 --> 00:39:16,759
Speaker 2: Teal is on the list. You the other day berated

844
00:39:16,760 --> 00:39:18,680
Speaker 2: me because you said, how did I not know that

845
00:39:18,760 --> 00:39:20,560
Speaker 2: Teal was a bird? I'm pretty sure it is a bird.

846
00:39:20,640 --> 00:39:23,319
Speaker 2: It's not a bird. You're thinking of a turn. But

847
00:39:23,440 --> 00:39:26,120
Speaker 2: you know what, the number one, the number one word

848
00:39:26,120 --> 00:39:27,640
Speaker 2: of the year is the winner of Word of the year.

849
00:39:27,680 --> 00:39:31,239
Speaker 2: Here we go, bachelor's handbag. I love it. This is

850
00:39:31,239 --> 00:39:32,480
Speaker 2: a cooked chicken, a bag.

851
00:39:32,400 --> 00:39:34,600
Speaker 1: That's old, that's been around for since the eighties.

852
00:39:34,760 --> 00:39:38,160
Speaker 2: Well, I only just heard it first time. Chelor's hand

853
00:39:38,280 --> 00:39:40,440
Speaker 2: to take away roast chicken. And I'll give you the

854
00:39:40,520 --> 00:39:43,640
Speaker 2: official reason from the fact that such a chicken requires

855
00:39:43,680 --> 00:39:47,160
Speaker 2: no further preparation before consumption. So seen is an easy

856
00:39:47,200 --> 00:39:50,200
Speaker 2: meal flavored a favored by a single person. It's packaged

857
00:39:50,239 --> 00:39:53,040
Speaker 2: in a small plastic bag with a handle resembling a hand.

858
00:39:53,600 --> 00:39:56,440
Speaker 2: It straight out of the bag, hence the bachelor's hand.

859
00:39:56,440 --> 00:39:57,600
Speaker 1: One of our words got in there?

860
00:39:57,640 --> 00:39:58,520
Speaker 2: What are our words?

861
00:39:59,080 --> 00:40:04,160
Speaker 1: We got some good one surprise, disappointing, surprise example, my

862
00:40:04,239 --> 00:40:07,799
Speaker 1: mother is perfect for disappointing surprise, predat. I've got this

863
00:40:07,840 --> 00:40:09,640
Speaker 1: great thing. I've just come back from the Harley Davidson

864
00:40:09,719 --> 00:40:11,840
Speaker 1: Museum in Las Vegas, and I've brought you a present.

865
00:40:11,840 --> 00:40:12,480
Speaker 2: You must come around.

866
00:40:12,480 --> 00:40:14,040
Speaker 1: I'm thinking at the very least it's.

867
00:40:13,920 --> 00:40:16,120
Speaker 2: Going to be a T shirt or a cap something.

868
00:40:16,920 --> 00:40:17,839
Speaker 1: It's a place.

869
00:40:17,560 --> 00:40:20,279
Speaker 2: Mat that she's eaten off, a paper place mat with

870
00:40:20,440 --> 00:40:22,640
Speaker 2: food on it. Yeah, my miss is garbage.

871
00:40:22,719 --> 00:40:24,640
Speaker 1: Yeah, that's a disappointing.

872
00:40:24,680 --> 00:40:27,000
Speaker 2: Someone says I've got something you're really going to like,

873
00:40:27,080 --> 00:40:29,359
Speaker 2: and it's just a picture of them having a good time.

874
00:40:29,719 --> 00:40:30,440
Speaker 2: Don't do that to me.

875
00:40:30,480 --> 00:40:33,439
Speaker 1: If you're at a school performance and the okay, we're

876
00:40:33,440 --> 00:40:36,279
Speaker 1: in for a special treat, you know it's not going

877
00:40:36,360 --> 00:40:38,440
Speaker 1: to be a treat. It's some kid playing the violin

878
00:40:38,600 --> 00:40:39,480
Speaker 1: and no doubt terrible.

879
00:40:39,520 --> 00:40:41,520
Speaker 2: And it might be your own. It's still terrible. So

880
00:40:41,600 --> 00:40:45,319
Speaker 2: that's disappointing. Surprise or the prise else. Jumps Jumps was

881
00:40:45,360 --> 00:40:48,239
Speaker 2: mine when I was at school. That was our word

882
00:40:48,320 --> 00:40:51,920
Speaker 2: for the downstairs genitals. Yes, and so to make our

883
00:40:51,920 --> 00:40:54,840
Speaker 2: classes go faster, leono to the go next to me,

884
00:40:54,960 --> 00:40:57,800
Speaker 2: say everything's in jumps, so that everything they spoke about

885
00:40:58,080 --> 00:41:02,239
Speaker 2: was a reference to genitals. That made my HC so successful.

886
00:41:02,560 --> 00:41:04,000
Speaker 2: And you did say, well you got four hundred and

887
00:41:04,040 --> 00:41:09,279
Speaker 2: ninety six under subtext of jeels Bory, that's yours, that's

888
00:41:09,640 --> 00:41:12,919
Speaker 2: the number two. Yeah, by which why Bory, my brother

889
00:41:12,960 --> 00:41:13,560
Speaker 2: said of came up.

890
00:41:13,560 --> 00:41:15,959
Speaker 1: He goes, can I use your boy house and they'll

891
00:41:16,000 --> 00:41:18,799
Speaker 1: take one of my one of my books, take that

892
00:41:18,840 --> 00:41:20,680
Speaker 1: into the book, or then we'll say going off to

893
00:41:20,719 --> 00:41:21,640
Speaker 1: Borrington County.

894
00:41:21,719 --> 00:41:24,880
Speaker 2: Yeah, yeah, And what about minerals.

895
00:41:25,000 --> 00:41:29,680
Speaker 1: Minerals speak relue. Yeah, in the toilet now in the bottom.

896
00:41:29,880 --> 00:41:33,439
Speaker 2: Yeah. Sometimes it's not fresh. No, it's just minerals. It's

897
00:41:33,480 --> 00:41:35,200
Speaker 2: just bits and pieces left.

898
00:41:34,960 --> 00:41:37,640
Speaker 1: There, minerals at the bottom though it gets to the

899
00:41:37,640 --> 00:41:38,200
Speaker 1: bottom of the.

900
00:41:38,160 --> 00:41:41,279
Speaker 2: End, it's a twenty piece. And the ladies yesterday the

901
00:41:41,280 --> 00:41:45,799
Speaker 2: fishing rod. Those chips don't buy themselves.

902
00:41:45,840 --> 00:41:49,040
Speaker 1: Of course. Well it's going up todate to clock.

903
00:41:49,040 --> 00:41:55,320
Speaker 2: You'll have to deposits and minerals. I'm after Borrington County.

904
00:41:58,000 --> 00:41:59,439
Speaker 2: I wanted to get right now.

905
00:42:00,040 --> 00:42:04,879
Speaker 7: I'm your windows, your head on a yell.

906
00:42:10,280 --> 00:42:13,440
Speaker 1: Today's pub test? Which midnight passes the pub test?

907
00:42:14,480 --> 00:42:16,640
Speaker 2: What's your favorite? My favorite?

908
00:42:16,680 --> 00:42:21,320
Speaker 1: I believe I like to think Sunday, Sunday night, Monday.

909
00:42:21,360 --> 00:42:24,600
Speaker 1: I kept thinking Sunday, put it out on Monday night,

910
00:42:24,960 --> 00:42:27,239
Speaker 1: Tuesday they come and get the bin. Right now, I've

911
00:42:27,239 --> 00:42:29,719
Speaker 1: got Tuesday night, you put the bin out. I can't

912
00:42:29,880 --> 00:42:32,200
Speaker 1: like that, and that works for me. That's which time.

913
00:42:32,280 --> 00:42:36,279
Speaker 2: Wouldn't you like? Definitely Friday night, no way, because also

914
00:42:36,320 --> 00:42:38,160
Speaker 2: then you've got the Saturday morning Monday rne. If you've

915
00:42:38,160 --> 00:42:41,600
Speaker 2: forgotten the bin, most of the stuff goes into your

916
00:42:41,640 --> 00:42:44,040
Speaker 2: bin on the weekend. You'd think most of the stinky stinkies.

917
00:42:44,200 --> 00:42:47,000
Speaker 1: Yeah, we've had Friday night before and it never worked.

918
00:42:47,239 --> 00:42:49,040
Speaker 1: And I gotta say Thursday was a bit of a

919
00:42:49,040 --> 00:42:51,160
Speaker 1: pain in the neck too well.

920
00:42:51,200 --> 00:42:53,759
Speaker 2: Also that way, you've had the rubbish in there from

921
00:42:53,760 --> 00:42:54,280
Speaker 2: the last.

922
00:42:54,160 --> 00:42:57,240
Speaker 1: Weekend last Jimi, Rye, what's your favorite big night mate?

923
00:42:58,360 --> 00:43:00,400
Speaker 1: The one way I don't have to do it, so

924
00:43:00,480 --> 00:43:01,399
Speaker 1: you take the bins out?

925
00:43:01,760 --> 00:43:04,440
Speaker 2: No, so right, seven nights a week then is your

926
00:43:04,440 --> 00:43:05,640
Speaker 2: favorite because you don't have to do it.

927
00:43:05,719 --> 00:43:07,840
Speaker 1: But I bet your mom and dad say can you

928
00:43:07,840 --> 00:43:08,440
Speaker 1: take the bin out?

929
00:43:08,480 --> 00:43:08,680
Speaker 2: Rye?

930
00:43:09,040 --> 00:43:11,200
Speaker 1: They don't even ask anymore. Of course they've given up.

931
00:43:11,200 --> 00:43:13,960
Speaker 2: That's what happens, which midnight passes the pub.

932
00:43:13,760 --> 00:43:18,320
Speaker 10: Test hangs down Thursday night. Nothing better than.

933
00:43:18,320 --> 00:43:20,400
Speaker 5: Having fresh bins for the weekends.

934
00:43:20,440 --> 00:43:22,160
Speaker 10: You can do whatever you want with them. There's no

935
00:43:22,239 --> 00:43:23,200
Speaker 10: better feeling in the world.

936
00:43:23,560 --> 00:43:24,520
Speaker 8: I've both been nice.

937
00:43:24,520 --> 00:43:27,360
Speaker 6: On a Sunday night, I get picked up Sunday morning

938
00:43:27,480 --> 00:43:31,520
Speaker 6: birthday because your body and everything over the weekend get

939
00:43:31,640 --> 00:43:32,120
Speaker 6: rid of all that.

940
00:43:32,320 --> 00:43:34,960
Speaker 5: Right, Well, for us, it's Sunday night and it's great.

941
00:43:35,080 --> 00:43:37,879
Speaker 5: It's the beginning of the week. Nice fresh clean bin

942
00:43:38,040 --> 00:43:38,839
Speaker 5: for the week, so.

943
00:43:38,800 --> 00:43:39,919
Speaker 10: I can fill it up again.

944
00:43:40,400 --> 00:43:43,080
Speaker 5: Definitely, Wednesday night you get to sort it out and

945
00:43:43,120 --> 00:43:45,359
Speaker 5: make sure on not a weekend rush.

946
00:43:45,400 --> 00:43:48,160
Speaker 10: You just put it out definitely like a Thursday or

947
00:43:48,200 --> 00:43:52,640
Speaker 10: Friday morning pick up. Perfect because then you're all free

948
00:43:52,680 --> 00:43:55,800
Speaker 10: for the weekend. I mean, it's such a big debate, vital,

949
00:43:56,200 --> 00:43:57,160
Speaker 10: first world problem.

950
00:43:57,880 --> 00:43:59,760
Speaker 2: It is vital.

951
00:44:00,239 --> 00:44:03,279
Speaker 1: Enjoy Tuesday Night Midnight. I enjoyed the whole procedure. You know,

952
00:44:03,280 --> 00:44:05,760
Speaker 1: it's one of those life's little chores that I actually

953
00:44:05,840 --> 00:44:06,239
Speaker 1: liked this.

954
00:44:06,400 --> 00:44:08,359
Speaker 2: We my friend and I the other night the other

955
00:44:08,440 --> 00:44:10,880
Speaker 2: day said how much we're enjoying the wind because they

956
00:44:10,880 --> 00:44:14,200
Speaker 2: were good drying days. I'm sorry for roof got blown

957
00:44:14,200 --> 00:44:15,440
Speaker 2: off your house, but it's been a.

958
00:44:15,480 --> 00:44:19,239
Speaker 1: Very good I toist and all their clothes were just

959
00:44:19,239 --> 00:44:22,520
Speaker 1: getting blown and I was thinking, how good is that?

960
00:44:22,800 --> 00:44:25,040
Speaker 1: Look at that because my wife just uses the dryer

961
00:44:25,080 --> 00:44:25,560
Speaker 1: all the time.

962
00:44:25,800 --> 00:44:27,279
Speaker 2: And I said, have a look at that.

963
00:44:27,280 --> 00:44:28,560
Speaker 1: That's nature's dry.

964
00:44:30,320 --> 00:44:38,560
Speaker 2: Blow underpants. That was so good podcast. So we had

965
00:44:38,880 --> 00:44:43,560
Speaker 2: a little excursion last night, a great excursion. We walked

966
00:44:43,600 --> 00:44:45,440
Speaker 2: the Blue Carpet and went.

967
00:44:45,320 --> 00:44:47,439
Speaker 1: To see we got our picture taken, paper got.

968
00:44:47,320 --> 00:44:49,040
Speaker 2: Our picture taken to see.

969
00:44:48,840 --> 00:44:50,560
Speaker 1: It was showing some side bosom.

970
00:44:52,280 --> 00:44:55,840
Speaker 2: Who's everyone? But we went to see the new Avatar

971
00:44:55,960 --> 00:44:57,799
Speaker 2: film well, we saw half an hour of it. It

972
00:44:57,840 --> 00:45:00,719
Speaker 2: was a It's in Cinema's on December fifteenth, and we

973
00:45:00,800 --> 00:45:04,359
Speaker 2: saw a Sepia teaser. But tell you what, I haven't

974
00:45:04,400 --> 00:45:06,400
Speaker 2: worn three D glasses for a long time. It's a

975
00:45:06,440 --> 00:45:10,400
Speaker 2: three D film again. It's just extraordinary. And on a

976
00:45:10,440 --> 00:45:12,480
Speaker 2: Monday night, you're thinking, oh, well, okay, well you know

977
00:45:12,520 --> 00:45:14,320
Speaker 2: I wasn't. It's not like you're off to see a movie,

978
00:45:14,360 --> 00:45:16,440
Speaker 2: so you're not in it. It's a different mindset. But

979
00:45:16,520 --> 00:45:21,839
Speaker 2: the second that it started, it's so immersive. It's just extraordinary.

980
00:45:21,880 --> 00:45:24,560
Speaker 2: This one's called something about water, the way of water,

981
00:45:24,680 --> 00:45:27,200
Speaker 2: the way of water, and so obviously there's water in it.

982
00:45:27,239 --> 00:45:30,359
Speaker 2: No Kevin Costner water World. What a relief. But the

983
00:45:30,400 --> 00:45:36,640
Speaker 2: scenery is jazy, extraordinary and emotional and even just as

984
00:45:36,680 --> 00:45:39,640
Speaker 2: we only saw half an hour, but I felt so

985
00:45:39,920 --> 00:45:43,759
Speaker 2: moved by it. It's everything that First Avatar was, but

986
00:45:43,920 --> 00:45:44,920
Speaker 2: to the power of a hundred.

987
00:45:45,160 --> 00:45:47,080
Speaker 1: You do get emotional when you see stuff, though. You

988
00:45:47,520 --> 00:45:49,560
Speaker 1: start to weep up at the Loubomobile commercial.

989
00:45:49,680 --> 00:45:52,360
Speaker 2: It is very moving. As you know, I'm the pun.

990
00:45:52,360 --> 00:45:54,480
Speaker 1: I'm looking forward to seeing it. I went and saw

991
00:45:54,520 --> 00:45:56,800
Speaker 1: it when it first came out, and I took my youngest.

992
00:45:57,080 --> 00:46:00,319
Speaker 1: So what was thirteen years ago? He's twenty now, what's

993
00:46:00,360 --> 00:46:03,480
Speaker 1: that he was? He was eight? Is that right? And

994
00:46:03,520 --> 00:46:05,440
Speaker 1: I remember we saw the movie and we left the

995
00:46:05,480 --> 00:46:07,120
Speaker 1: movie theater and we're in the car driving ham and

996
00:46:07,120 --> 00:46:07,880
Speaker 1: I said, what do you think of that?

997
00:46:07,880 --> 00:46:08,080
Speaker 2: Mate?

998
00:46:08,080 --> 00:46:10,520
Speaker 1: And he said, I can't talk right now.

999
00:46:11,120 --> 00:46:12,160
Speaker 2: He was that overwhelmed.

1000
00:46:12,600 --> 00:46:14,799
Speaker 1: So I'm looking forward to taking him when the movie

1001
00:46:14,840 --> 00:46:16,880
Speaker 1: comes out to go and to see what his opinion

1002
00:46:17,040 --> 00:46:17,759
Speaker 1: is a twenty year old.

1003
00:46:17,760 --> 00:46:19,960
Speaker 2: It's funny because I couldn't quite remember the details. I'd

1004
00:46:19,960 --> 00:46:22,320
Speaker 2: forgotten even the nature of what Avatar.

1005
00:46:22,280 --> 00:46:24,320
Speaker 1: Dora, there's Avatar?

1006
00:46:24,760 --> 00:46:28,400
Speaker 2: But why why were they in those tubes? See? I know,

1007
00:46:28,520 --> 00:46:31,440
Speaker 2: I know, I'm not going Sam Worthington, Yes, I'm not

1008
00:46:31,480 --> 00:46:32,120
Speaker 2: going to say.

1009
00:46:31,960 --> 00:46:32,520
Speaker 1: How about me?

1010
00:46:32,560 --> 00:46:36,359
Speaker 2: About the I'll brush over detail.

1011
00:46:36,160 --> 00:46:39,160
Speaker 1: Plays Jake Sully, but he's.

1012
00:46:39,560 --> 00:46:41,719
Speaker 2: Last night of the Avatars, but he was in there.

1013
00:46:42,760 --> 00:46:45,480
Speaker 1: Look, I'm not going to do this with you because

1014
00:46:45,480 --> 00:46:47,759
Speaker 1: it's too much. It's too much like it was like

1015
00:46:47,920 --> 00:46:50,400
Speaker 1: explaining top gum Maverick's mission to you.

1016
00:46:50,520 --> 00:46:51,960
Speaker 2: I got that you did because.

1017
00:46:51,760 --> 00:46:55,080
Speaker 1: A man got out of it. But what I'll say

1018
00:46:55,400 --> 00:46:58,600
Speaker 1: about this is that he is a soldier who's been

1019
00:46:59,080 --> 00:47:00,240
Speaker 1: made power.

1020
00:47:00,080 --> 00:47:01,919
Speaker 2: Pleag I remember that from the last one.

1021
00:47:02,000 --> 00:47:04,600
Speaker 1: So he creates it, he becomes part of this avatar.

1022
00:47:05,000 --> 00:47:08,040
Speaker 2: But who's creating the avatars? I don't remember anyway, because

1023
00:47:08,040 --> 00:47:08,879
Speaker 2: we didn't see the whole film.

1024
00:47:09,120 --> 00:47:11,320
Speaker 1: Why don't you ask what do you think of Australia

1025
00:47:11,520 --> 00:47:12,040
Speaker 1: so far?

1026
00:47:12,280 --> 00:47:14,080
Speaker 2: Well, he's Australian, but I will.

1027
00:47:13,880 --> 00:47:15,400
Speaker 1: That's one question you get today.

1028
00:47:15,640 --> 00:47:17,680
Speaker 2: And what's the question that you want to ask? Heaps?

1029
00:47:18,960 --> 00:47:20,000
Speaker 2: You're obsessed with the hair?

1030
00:47:20,400 --> 00:47:22,200
Speaker 1: Oh, the hair sex? Was there any hair sex? Because

1031
00:47:22,200 --> 00:47:23,800
Speaker 1: that's how the Avatarians.

1032
00:47:23,200 --> 00:47:25,480
Speaker 2: That's all you can talk about.

1033
00:47:24,800 --> 00:47:27,600
Speaker 1: Their little ponytails join each other. It's like going to

1034
00:47:27,680 --> 00:47:28,359
Speaker 1: Barron Bay.

1035
00:47:29,320 --> 00:47:37,200
Speaker 2: We give around John Wilkins. So none of these questions

1036
00:47:37,200 --> 00:47:39,160
Speaker 2: will be asked. When we talked to Sam Worthington. You

1037
00:47:39,160 --> 00:47:40,520
Speaker 2: can hear our interview tomorrow.

1038
00:47:40,600 --> 00:47:41,799
Speaker 1: I'm looking forward to it.

1039
00:47:43,360 --> 00:47:46,319
Speaker 2: We'll have a GHOULI about myself really going. So last

1040
00:47:46,400 --> 00:47:50,279
Speaker 2: night we went to see the screener of Avatar, not

1041
00:47:50,320 --> 00:47:52,520
Speaker 2: the whole film, just half an hour or so. The

1042
00:47:52,680 --> 00:47:56,560
Speaker 2: actual film is over three hours. Snacks and toilet breaks required.

1043
00:47:57,000 --> 00:47:58,480
Speaker 2: Do you know there's an app you can news that

1044
00:47:58,520 --> 00:48:00,440
Speaker 2: tells you when the most appropriate time to go to

1045
00:48:00,440 --> 00:48:02,680
Speaker 2: the toilet. So when they go to a certain plot bit,

1046
00:48:02,719 --> 00:48:04,520
Speaker 2: they say, you can miss this, go to the toilet.

1047
00:48:05,880 --> 00:48:09,800
Speaker 2: I might have to download that when it's time. But anyway, everything.

1048
00:48:10,000 --> 00:48:15,359
Speaker 2: When I parked my car in a parking station and

1049
00:48:15,920 --> 00:48:18,520
Speaker 2: there wasn't a big number written on it, normally, what

1050
00:48:18,600 --> 00:48:22,440
Speaker 2: I do is I take a photo of the number

1051
00:48:22,640 --> 00:48:24,799
Speaker 2: of the column I'm next to or whatever it is.

1052
00:48:24,840 --> 00:48:27,560
Speaker 2: Why are you looking at me so exasperated? So I

1053
00:48:27,560 --> 00:48:30,160
Speaker 2: had to walk you to your car. We didn't have to, Well,

1054
00:48:30,200 --> 00:48:32,440
Speaker 2: because you don't trust the.

1055
00:48:32,440 --> 00:48:35,160
Speaker 1: Way I know that parking station, and it gives The

1056
00:48:35,200 --> 00:48:38,600
Speaker 1: problem is with that ground floor part. It gives the

1057
00:48:38,600 --> 00:48:40,600
Speaker 1: impression that's the first fall, but it's not the first.

1058
00:48:40,640 --> 00:48:43,280
Speaker 2: Well you know how I knew I was. I foiled.

1059
00:48:43,960 --> 00:48:48,200
Speaker 2: I foiled the because I foiled myself. I didn't have

1060
00:48:48,239 --> 00:48:51,520
Speaker 2: the app because I figured out how to fix it.

1061
00:48:52,040 --> 00:48:55,160
Speaker 2: So instead of just my phone is filled with places

1062
00:48:55,200 --> 00:48:57,279
Speaker 2: I've parked and cross streets and things, so I know

1063
00:48:57,320 --> 00:49:00,799
Speaker 2: where I am. But in a parking station it's difficult.

1064
00:49:01,000 --> 00:49:05,880
Speaker 2: So I took a video, this time from the boomgate

1065
00:49:05,920 --> 00:49:08,880
Speaker 2: where I came in. I took a video, walked around

1066
00:49:09,360 --> 00:49:12,040
Speaker 2: from there to where my car was parked. Thought, this

1067
00:49:12,200 --> 00:49:13,960
Speaker 2: is my life. Now do you know what someone told

1068
00:49:14,000 --> 00:49:16,200
Speaker 2: me this morning? On your phone? If you park in

1069
00:49:16,239 --> 00:49:19,120
Speaker 2: the street somewhere, you can go to maps and it

1070
00:49:19,160 --> 00:49:21,360
Speaker 2: will tell you where your cars because.

1071
00:49:21,120 --> 00:49:23,920
Speaker 1: If you've paired your phone up with your car. Yeah,

1072
00:49:24,000 --> 00:49:26,799
Speaker 1: then my motorbike doesn't, does it. Yeah, I'm a big Harley,

1073
00:49:26,840 --> 00:49:29,160
Speaker 1: you know, the big Ultra that's got. Because my phone's

1074
00:49:29,200 --> 00:49:31,240
Speaker 1: paired to it, it tells me where it's parked.

1075
00:49:32,080 --> 00:49:34,160
Speaker 2: But that doesn't help you when you're in a parking station.

1076
00:49:34,760 --> 00:49:38,920
Speaker 2: So because I don't say what for you, No, I

1077
00:49:38,960 --> 00:49:41,080
Speaker 2: doesn't say floor three, aisle two.

1078
00:49:41,200 --> 00:49:43,279
Speaker 1: Well I've never had to use that because I know

1079
00:49:43,360 --> 00:49:44,560
Speaker 1: where I leave my staff.

1080
00:49:44,680 --> 00:49:47,840
Speaker 2: Okay, yeah, well anyway, now my phone will be filled

1081
00:49:47,840 --> 00:49:50,399
Speaker 2: as short videos. I should make tiktoks out of them.

1082
00:49:50,520 --> 00:49:55,759
Speaker 2: Here's where I've parked, where you foiled yourself. But if

1083
00:49:55,800 --> 00:49:58,680
Speaker 2: you have a ghoulie, this is your last work to

1084
00:49:58,680 --> 00:50:01,239
Speaker 2: get your gooli in nine O one seven nine four.

1085
00:50:01,400 --> 00:50:03,799
Speaker 1: Maybe we can ask Natalie and Brulia does she have

1086
00:50:03,880 --> 00:50:06,319
Speaker 1: any goolies? Does she have something she wants to get

1087
00:50:06,320 --> 00:50:06,759
Speaker 1: off the chair?

1088
00:50:06,800 --> 00:50:09,400
Speaker 2: She's going to be joining us after eight thirty Jonesy

1089
00:50:09,400 --> 00:50:14,719
Speaker 2: and Amanda Gamation podcast Let's go Actually all grain another day,

1090
00:50:14,840 --> 00:50:17,799
Speaker 2: another Dallars. You know what, it's you're writing job, but

1091
00:50:18,040 --> 00:50:20,879
Speaker 2: someone's going to stop work.

1092
00:50:21,080 --> 00:50:24,120
Speaker 1: Twenty five years since Left of the Middle came out.

1093
00:50:24,160 --> 00:50:26,799
Speaker 1: That was the debut release of Natalie Ambrulia.

1094
00:50:27,640 --> 00:50:29,520
Speaker 2: It's amazing when you think of the songs on that

1095
00:50:29,600 --> 00:50:32,640
Speaker 2: album and the songs that just launched her right across

1096
00:50:32,680 --> 00:50:32,960
Speaker 2: the world.

1097
00:50:33,000 --> 00:50:41,440
Speaker 1: Well you go to the og torn grace, but she

1098
00:50:41,480 --> 00:50:48,839
Speaker 1: had like shiver, not shiver, cutting down the days I

1099
00:50:48,840 --> 00:50:50,719
Speaker 1: wanna travel through time.

1100
00:50:51,360 --> 00:50:54,359
Speaker 2: They're also enough memory banks, aren't wishing I was there.

1101
00:50:55,920 --> 00:51:06,080
Speaker 2: It's so good tuition at such a sweet voice. Thank you,

1102
00:51:06,120 --> 00:51:09,640
Speaker 2: I appreciate it. But what about Natalie. She's going to

1103
00:51:09,640 --> 00:51:10,919
Speaker 2: be joining us next She's all.

1104
00:51:10,880 --> 00:51:16,080
Speaker 1: Right as well. WSFM, Hello there, it's Jonesy. No, madam,

1105
00:51:16,080 --> 00:51:18,280
Speaker 1: it's nice to back announce that, especially.

1106
00:51:17,840 --> 00:51:19,640
Speaker 2: When the artist is in the studio.

1107
00:51:19,840 --> 00:51:22,040
Speaker 1: Well, looks you want to make a good a good

1108
00:51:22,080 --> 00:51:22,600
Speaker 1: fist of it.

1109
00:51:22,840 --> 00:51:25,800
Speaker 2: Well, that is one of Australia's most iconic songs. Twenty

1110
00:51:25,880 --> 00:51:29,120
Speaker 2: five years since Natalie and Brewly released Torn on her

1111
00:51:29,120 --> 00:51:31,399
Speaker 2: album Left to the Middle. Yes, Left of the Middle

1112
00:51:31,440 --> 00:51:34,960
Speaker 2: sold a million copies worldwide. You're in Australia, Natalie to

1113
00:51:35,040 --> 00:51:37,640
Speaker 2: talk about that, but also you're here to host the Arias.

1114
00:51:37,239 --> 00:51:40,719
Speaker 11: And Hello, Yes, isn't that cool. I've never hosted before.

1115
00:51:40,719 --> 00:51:42,800
Speaker 11: I don't know what they were thinking, but I'm very excited.

1116
00:51:42,880 --> 00:51:44,640
Speaker 2: Are you relaxed about that kind of thing? Do you

1117
00:51:44,640 --> 00:51:46,759
Speaker 2: find its sphincter tightening or you're okay with it all?

1118
00:51:47,040 --> 00:51:50,240
Speaker 2: A bit of tightening in that area. Yeah.

1119
00:51:50,239 --> 00:51:54,120
Speaker 11: Look, I'm a nervous performer anyway, but once I go

1120
00:51:54,160 --> 00:51:55,920
Speaker 11: out on stage and it'll be the same with this,

1121
00:51:56,400 --> 00:51:57,880
Speaker 11: I'll be really nervous and I'll have the time of

1122
00:51:57,960 --> 00:51:58,319
Speaker 11: my life.

1123
00:51:58,320 --> 00:51:59,000
Speaker 2: But you're an actor.

1124
00:51:59,320 --> 00:52:01,319
Speaker 1: Actors at this stuff.

1125
00:52:01,200 --> 00:52:03,799
Speaker 2: Because you just you believe that's a different skill to

1126
00:52:03,840 --> 00:52:04,440
Speaker 2: being yourself.

1127
00:52:04,560 --> 00:52:06,400
Speaker 11: Yeah, I think it's a bit of acting though with hosting.

1128
00:52:06,440 --> 00:52:09,279
Speaker 11: I think the skills that you learn in acting come

1129
00:52:09,320 --> 00:52:11,560
Speaker 11: into play with this kind of thing, because being an

1130
00:52:11,640 --> 00:52:13,480
Speaker 11: artist doesn't mean you know how to be on camera.

1131
00:52:14,080 --> 00:52:16,680
Speaker 11: So this is the neighbors training will come in. I'll

1132
00:52:16,719 --> 00:52:20,959
Speaker 11: know about the cameras all of that. So yeah, I'm exit.

1133
00:52:21,040 --> 00:52:23,600
Speaker 2: It's going to be amazing. When we think of that

1134
00:52:23,719 --> 00:52:26,359
Speaker 2: first time we saw you as a musician after having

1135
00:52:26,440 --> 00:52:28,239
Speaker 2: known you as Beth and was suddenly we see wow,

1136
00:52:28,360 --> 00:52:31,880
Speaker 2: this world famous musician, the oversized hoodie, the army pants.

1137
00:52:31,920 --> 00:52:34,080
Speaker 2: Still love that look? Does that feel like a minute

1138
00:52:34,120 --> 00:52:35,399
Speaker 2: ago or a lifetime ago?

1139
00:52:37,200 --> 00:52:38,439
Speaker 11: It feels like a lifetime ago.

1140
00:52:39,480 --> 00:52:41,640
Speaker 2: So much has happened. I feel blessed that.

1141
00:52:41,680 --> 00:52:44,960
Speaker 11: I feel like I've had ten lives worth of living

1142
00:52:44,960 --> 00:52:47,480
Speaker 11: in one life. So that's a really nice place to be.

1143
00:52:48,080 --> 00:52:51,600
Speaker 11: It's been really nice to celebrate twenty five years off

1144
00:52:51,640 --> 00:52:54,520
Speaker 11: the back of Firebird being received warmly and having a

1145
00:52:54,520 --> 00:52:57,359
Speaker 11: top ten album. I think that's made it sweeter because

1146
00:52:57,400 --> 00:52:59,640
Speaker 11: there was a period of Writer's Blog where I thought

1147
00:52:59,640 --> 00:53:00,120
Speaker 11: this is it.

1148
00:53:00,239 --> 00:53:01,000
Speaker 1: I quit music.

1149
00:53:01,440 --> 00:53:04,640
Speaker 11: So I think it's it's extra special to me because

1150
00:53:04,960 --> 00:53:08,600
Speaker 11: I fell back in love music and I've been touring

1151
00:53:08,920 --> 00:53:10,680
Speaker 11: and writing.

1152
00:53:10,239 --> 00:53:12,640
Speaker 2: And created a block. What broke it?

1153
00:53:12,760 --> 00:53:15,520
Speaker 11: I think it was having having my son. I think

1154
00:53:15,560 --> 00:53:18,279
Speaker 11: that also. I think I went through a period where

1155
00:53:18,280 --> 00:53:20,080
Speaker 11: I was just kind of trying to please the labels

1156
00:53:20,120 --> 00:53:22,719
Speaker 11: and and that didn't work out so well for me.

1157
00:53:23,040 --> 00:53:25,480
Speaker 11: So that was a good life lesson, and I think

1158
00:53:25,520 --> 00:53:27,759
Speaker 11: I was willing to walk away from it. I came here,

1159
00:53:27,800 --> 00:53:30,279
Speaker 11: I did X Factor, I went and studied acting. I

1160
00:53:30,320 --> 00:53:32,520
Speaker 11: think there's courage in doing that, and so I came

1161
00:53:32,600 --> 00:53:35,680
Speaker 11: back to it from a different place of confidence and

1162
00:53:35,719 --> 00:53:37,560
Speaker 11: of really knowing that this is what I'm supposed to

1163
00:53:37,600 --> 00:53:39,040
Speaker 11: be doing. And if I was doing it to two

1164
00:53:39,080 --> 00:53:46,960
Speaker 11: people in a pub performing, I.

1165
00:53:47,000 --> 00:53:50,960
Speaker 1: Know, the music business tough, turning tricks in a pub.

1166
00:53:51,000 --> 00:53:52,400
Speaker 2: People to come and watch it, though.

1167
00:53:53,520 --> 00:53:54,640
Speaker 1: I'd pay to watch that.

1168
00:53:54,640 --> 00:53:55,240
Speaker 10: That's funny.

1169
00:53:55,280 --> 00:53:58,279
Speaker 1: But when you look at when Torn came out, of

1170
00:53:58,360 --> 00:53:59,719
Speaker 1: course it was a cover song. A lot of people

1171
00:53:59,719 --> 00:54:04,920
Speaker 1: didn't know that, but originally done by this lady. Here's

1172
00:54:04,960 --> 00:54:07,600
Speaker 1: this one that was the original of what was the name,

1173
00:54:09,160 --> 00:54:11,719
Speaker 1: but it was and it was written.

1174
00:54:11,880 --> 00:54:16,080
Speaker 11: By them and Previn Scott can't remember his surname, Yes

1175
00:54:16,120 --> 00:54:20,480
Speaker 11: Scott and Phil Fonale. Phil Fonally produced most of the

1176
00:54:20,520 --> 00:54:23,600
Speaker 11: songs on my album, the first album, and I credit

1177
00:54:23,719 --> 00:54:26,920
Speaker 11: him for teaching me about how to do vocals in

1178
00:54:26,960 --> 00:54:27,920
Speaker 11: studio and everything.

1179
00:54:28,000 --> 00:54:28,040
Speaker 5: Like.

1180
00:54:28,080 --> 00:54:29,759
Speaker 11: We're really good friends. In fact, I got him on

1181
00:54:29,800 --> 00:54:32,040
Speaker 11: stage at my show in London recently.

1182
00:54:32,680 --> 00:54:35,080
Speaker 2: All that who ha was to me.

1183
00:54:36,800 --> 00:54:39,000
Speaker 11: You know, it's kind of like trying to take away

1184
00:54:39,120 --> 00:54:40,240
Speaker 11: from what I made.

1185
00:54:40,080 --> 00:54:40,520
Speaker 1: Of the song.

1186
00:54:40,640 --> 00:54:42,279
Speaker 2: I never lied about it.

1187
00:54:42,520 --> 00:54:42,719
Speaker 6: You know.

1188
00:54:43,840 --> 00:54:45,960
Speaker 11: There's a lot of artists very high up in the

1189
00:54:46,040 --> 00:54:48,160
Speaker 11: charts that aren't writing all of their songs. All of

1190
00:54:48,160 --> 00:54:50,840
Speaker 11: my albums have had like two covers per album, except

1191
00:54:50,840 --> 00:54:52,440
Speaker 11: for Five Bird, my last album hasn't.

1192
00:54:53,080 --> 00:54:56,800
Speaker 2: But there's no shame in singing cover songs.

1193
00:54:57,200 --> 00:54:59,399
Speaker 11: I think there was a radio DJ who I don't

1194
00:54:59,400 --> 00:55:01,560
Speaker 11: want to name because we're really good friends, and he

1195
00:55:01,600 --> 00:55:04,480
Speaker 11: made a big fuss about that I'd lied to him.

1196
00:55:04,520 --> 00:55:06,840
Speaker 11: But there's a backstory to that. But that's what started

1197
00:55:06,880 --> 00:55:09,160
Speaker 11: the first wave of it. And then you know what

1198
00:55:09,239 --> 00:55:12,719
Speaker 11: started the second wave. Somebody did a meme, Oh I

1199
00:55:12,800 --> 00:55:15,160
Speaker 11: could find this guy. He did a meme and someone

1200
00:55:15,160 --> 00:55:18,359
Speaker 11: looking at their mobile phone and it says, you know

1201
00:55:18,719 --> 00:55:21,040
Speaker 11: the feeling you get when you find out utterly didn't

1202
00:55:21,080 --> 00:55:23,920
Speaker 11: write torn and then and that whole generation was like

1203
00:55:24,120 --> 00:55:27,840
Speaker 11: what she didn't write? And in some ways it's flattering

1204
00:55:27,840 --> 00:55:31,359
Speaker 11: because I think people want to believe that it's your song.

1205
00:55:31,760 --> 00:55:34,200
Speaker 11: They want to believe you're that connected to it. It

1206
00:55:34,239 --> 00:55:36,120
Speaker 11: doesn't matter. Do you know how hard it is to

1207
00:55:36,120 --> 00:55:38,479
Speaker 11: find a cover song that's good that you can make

1208
00:55:39,880 --> 00:55:41,280
Speaker 11: and you're always trying to find songs.

1209
00:55:41,360 --> 00:55:44,359
Speaker 1: But in a way with Daryl wa with the Horses, you.

1210
00:55:44,320 --> 00:55:47,240
Speaker 2: Know, Ricky, nothing compares to you set O'Connor.

1211
00:55:47,360 --> 00:55:50,880
Speaker 11: It's just like, but now they do a half whenever

1212
00:55:50,920 --> 00:55:53,400
Speaker 11: they talk about Torn, it's like there's this half intro

1213
00:55:53,520 --> 00:55:55,440
Speaker 11: about how I didn't write it, and I'm like, okay,

1214
00:55:56,120 --> 00:55:56,920
Speaker 11: when you're ready, and.

1215
00:55:56,880 --> 00:55:59,919
Speaker 1: When you said quite rightly that you and I knew

1216
00:56:00,000 --> 00:56:02,160
Speaker 1: that you didn't write it. When I've been in this

1217
00:56:02,160 --> 00:56:04,480
Speaker 1: business for that long, I remember what that was a

1218
00:56:04,520 --> 00:56:06,919
Speaker 1: minor minor hit, but it was when it was minor

1219
00:56:07,000 --> 00:56:08,880
Speaker 1: minor hit, but it was like nineteen ninety three, but

1220
00:56:08,920 --> 00:56:12,239
Speaker 1: you turned it around in the cover sense, so by

1221
00:56:12,320 --> 00:56:15,840
Speaker 1: ninety seven you had it out and went global.

1222
00:56:16,400 --> 00:56:18,000
Speaker 2: Look, I think there's more.

1223
00:56:18,960 --> 00:56:21,200
Speaker 11: I'm a communicator more than I'm a songwriter, more than

1224
00:56:21,200 --> 00:56:24,239
Speaker 11: I'm a singer. I'm a communicator of emotion, and there's

1225
00:56:24,320 --> 00:56:26,840
Speaker 11: value in that. And when I realized that as an artist,

1226
00:56:27,480 --> 00:56:29,920
Speaker 11: that's a really powerful place to be because it's about

1227
00:56:29,960 --> 00:56:31,879
Speaker 11: how when I sing a song and I go into

1228
00:56:31,920 --> 00:56:35,759
Speaker 11: that feeling, it makes you feel something. And so to me,

1229
00:56:35,840 --> 00:56:39,480
Speaker 11: it doesn't matter. I mean, Frank Sinatra most of the

1230
00:56:39,480 --> 00:56:43,360
Speaker 11: songs of his career, So I think it's just there.

1231
00:56:43,400 --> 00:56:45,200
Speaker 11: You know, people are making this big deal about it.

1232
00:56:45,200 --> 00:56:46,840
Speaker 11: I think everyone needs to get over it and just

1233
00:56:46,960 --> 00:56:47,799
Speaker 11: enjoy the bloody song.

1234
00:56:48,520 --> 00:56:52,239
Speaker 2: Did you in any way play the song free play

1235
00:56:52,400 --> 00:56:54,160
Speaker 2: Torn while you were giving both? I don't know if

1236
00:56:54,160 --> 00:56:57,359
Speaker 2: it's the best booth song. Oh my god, you're hysterical.

1237
00:56:57,760 --> 00:56:59,319
Speaker 2: Do you know what I did have? Playing? What did

1238
00:56:59,320 --> 00:57:00,480
Speaker 2: you have? Fleetwood?

1239
00:57:00,520 --> 00:57:00,719
Speaker 1: Mac?

1240
00:57:01,200 --> 00:57:01,560
Speaker 2: Which one?

1241
00:57:03,239 --> 00:57:03,560
Speaker 11: I mean?

1242
00:57:04,520 --> 00:57:05,240
Speaker 2: The whole album?

1243
00:57:05,920 --> 00:57:08,319
Speaker 11: I just it just calms me down. It's my kind

1244
00:57:08,360 --> 00:57:10,680
Speaker 11: of before I go on stage album. I've tried to

1245
00:57:10,680 --> 00:57:14,560
Speaker 11: go off peace and it doesn't work. It just oh,

1246
00:57:14,960 --> 00:57:19,920
Speaker 11: I mean it does sonically, everything about everything about that album,

1247
00:57:20,000 --> 00:57:22,120
Speaker 11: So it just it was just a very calming thing.

1248
00:57:22,440 --> 00:57:25,880
Speaker 2: And did it work in childbirth? Because sometimes the plan

1249
00:57:26,000 --> 00:57:27,880
Speaker 2: you go in with you think this will help my

1250
00:57:28,000 --> 00:57:31,200
Speaker 2: uterus open like a flower. And then I didn't have

1251
00:57:31,240 --> 00:57:42,520
Speaker 2: an actual birth. I didn't have to be calm, but

1252
00:57:42,600 --> 00:57:44,680
Speaker 2: you still had to be calm. I'm imagining you still

1253
00:57:44,680 --> 00:57:44,920
Speaker 2: had to.

1254
00:57:45,600 --> 00:57:48,160
Speaker 11: My sister was with me. My sister was with me,

1255
00:57:49,320 --> 00:57:51,560
Speaker 11: so yeah, that she was the calming influence.

1256
00:57:51,560 --> 00:57:53,760
Speaker 2: So we can cross Torn off the list of birth songs.

1257
00:57:53,840 --> 00:57:55,720
Speaker 11: I think that's probably a good idea.

1258
00:57:55,760 --> 00:57:58,240
Speaker 1: I wouldn't put it on my playlist and rumors as

1259
00:57:58,240 --> 00:58:00,000
Speaker 1: long as it's not you in a pub with two plays.

1260
00:58:00,960 --> 00:58:03,520
Speaker 2: Oh my god, it's so nice to be back home.

1261
00:58:04,960 --> 00:58:05,480
Speaker 2: I love it.

1262
00:58:05,520 --> 00:58:07,720
Speaker 11: This just wouldn't happen in the UK. We just wouldn't

1263
00:58:07,720 --> 00:58:09,720
Speaker 11: be able to cut a fact because your look like this,

1264
00:58:09,840 --> 00:58:10,680
Speaker 11: it's so refreshing.

1265
00:58:10,880 --> 00:58:15,440
Speaker 1: You're living in windsor how far I was neither castle

1266
00:58:15,560 --> 00:58:16,680
Speaker 1: or because I just is.

1267
00:58:16,680 --> 00:58:18,480
Speaker 11: Quite close to the castle, but you could see it.

1268
00:58:18,560 --> 00:58:21,640
Speaker 11: That was a long time ago. I couldn't see it, No,

1269
00:58:21,680 --> 00:58:23,400
Speaker 11: I don't. I think I could see Eton from the

1270
00:58:23,480 --> 00:58:27,480
Speaker 11: end of my garden. But I'm now in the Cotswolds,

1271
00:58:26,840 --> 00:58:30,919
Speaker 11: so beautiful. I did ten years in notting Hill, oh yeah,

1272
00:58:31,640 --> 00:58:35,760
Speaker 11: and then I kind of did this isolation city living,

1273
00:58:36,520 --> 00:58:39,560
Speaker 11: and so I'm going through another basically to write Firebird.

1274
00:58:39,600 --> 00:58:40,960
Speaker 11: Because I had writers block. I was like, I think

1275
00:58:41,000 --> 00:58:42,680
Speaker 11: I need to be in nature, and I moved out

1276
00:58:42,680 --> 00:58:46,440
Speaker 11: to a cottage on someone's farm in the Cotswolds.

1277
00:58:46,680 --> 00:58:49,400
Speaker 2: Is it as romantic as it sounded? Because you're tuning

1278
00:58:49,440 --> 00:58:50,520
Speaker 2: your own butter and things.

1279
00:58:51,200 --> 00:58:55,080
Speaker 11: That's the impression that I'm almost at the stage where

1280
00:58:55,080 --> 00:58:57,320
Speaker 11: I'm going to get the mother and do my own sourdo.

1281
00:58:57,640 --> 00:58:58,480
Speaker 2: So yeah, it's at the end.

1282
00:58:58,720 --> 00:59:00,760
Speaker 11: I've got an argo, which is the all the big

1283
00:59:00,800 --> 00:59:03,000
Speaker 11: oven all the time beautiful.

1284
00:59:03,880 --> 00:59:06,840
Speaker 1: Yeah no, no, I know, yeah, no. The Mother is

1285
00:59:06,920 --> 00:59:10,560
Speaker 1: like because most people that aren't into baking right into bread.

1286
00:59:10,800 --> 00:59:14,919
Speaker 2: Yeah, COVID we all heard about the Mother, the starter, Yes,

1287
00:59:14,960 --> 00:59:15,720
Speaker 2: and my friend makes her.

1288
00:59:16,280 --> 00:59:17,720
Speaker 11: She's like, I'll give you some of them.

1289
00:59:17,920 --> 00:59:21,800
Speaker 2: I'll give you the mother next minute you're off the grid. Yeah,

1290
00:59:22,040 --> 00:59:23,200
Speaker 2: I think that's your starter.

1291
00:59:23,560 --> 00:59:25,200
Speaker 11: I think I'm a bit of an isolate. I think

1292
00:59:25,240 --> 00:59:27,840
Speaker 11: I get that from my mum, so I can. I'm

1293
00:59:27,920 --> 00:59:31,120
Speaker 11: kind of okay, good on my own, like being away from.

1294
00:59:31,040 --> 00:59:31,640
Speaker 2: Being the hermit.

1295
00:59:31,720 --> 00:59:33,920
Speaker 1: Amanda's into bread. But when we talk bread, we talk

1296
00:59:33,960 --> 00:59:36,600
Speaker 1: about the seventies band with their terrible I don't mind them.

1297
00:59:37,280 --> 00:59:39,400
Speaker 2: Come on, I did find a diary beneath the tree.

1298
00:59:39,440 --> 00:59:42,680
Speaker 1: As you know, it's always great to talk to you, Natalie.

1299
00:59:42,880 --> 00:59:45,160
Speaker 1: The twenty fifth anniversary of Left of the Middle of

1300
00:59:45,200 --> 00:59:47,439
Speaker 1: the debut album and vinyl. It's on vinyl. How good

1301
00:59:47,520 --> 00:59:47,760
Speaker 1: is this?

1302
00:59:48,160 --> 00:59:50,600
Speaker 2: That's right? You can get it out now, do yourself

1303
00:59:50,640 --> 00:59:53,760
Speaker 2: off vinyl? How good? Especially edition blue vinyl.

1304
00:59:54,160 --> 00:59:54,400
Speaker 11: Wow.

1305
00:59:54,720 --> 00:59:56,640
Speaker 1: I'm just going to get myself a record player again.

1306
00:59:56,680 --> 00:59:59,640
Speaker 2: But I just recently got one. They're great, They're fantastic.

1307
00:59:59,760 --> 01:00:03,360
Speaker 11: P three because yeah, I'm starting to collect fine now,

1308
01:00:03,400 --> 01:00:05,640
Speaker 11: but it's a different experience.

1309
01:00:05,920 --> 01:00:06,160
Speaker 1: Yeah.

1310
01:00:06,320 --> 01:00:11,000
Speaker 2: Remember Rip for seventy six, No, the compilation album and

1311
01:00:11,040 --> 01:00:12,560
Speaker 2: had a picture on the front of a girl with

1312
01:00:12,840 --> 01:00:16,040
Speaker 2: her pants ripped and the songs were written on her

1313
01:00:16,120 --> 01:00:18,880
Speaker 2: bom in liquid paper. It seemed no way thought of

1314
01:00:18,960 --> 01:00:19,360
Speaker 2: that one.

1315
01:00:19,480 --> 01:00:21,440
Speaker 1: And then there was Rip Snorter and it just had

1316
01:00:21,480 --> 01:00:25,840
Speaker 1: like pig's head or was that full ball rip? So

1317
01:00:25,960 --> 01:00:28,600
Speaker 1: each year you'd have the so you would have been torn,

1318
01:00:28,640 --> 01:00:31,600
Speaker 1: would have been on the hits of ninety seven whatever

1319
01:00:31,640 --> 01:00:32,040
Speaker 1: that was.

1320
01:00:32,280 --> 01:00:37,200
Speaker 11: Okay, you got the compilations, Yeah, yeah, God remember mixtapes?

1321
01:00:37,560 --> 01:00:42,160
Speaker 2: Yes, indeed, yeah, and that's for another naturally.

1322
01:00:42,160 --> 01:00:53,560
Speaker 12: Great to see you, Thankful to seeing thank you.

1323
01:00:54,880 --> 01:00:56,720
Speaker 2: Only a few days to go to get your ghoulies.

1324
01:00:56,760 --> 01:00:58,560
Speaker 2: In nine oh six months of a nine eighty four

1325
01:00:59,040 --> 01:01:00,640
Speaker 2: you could win it all. What have we got?

1326
01:01:01,360 --> 01:01:04,439
Speaker 6: No gets world rulies. People playing a ten thousand dollars

1327
01:01:04,520 --> 01:01:06,880
Speaker 6: question and they don't know the answer, but they shit

1328
01:01:06,960 --> 01:01:10,920
Speaker 6: there going, oh my god, I don't know the answer.

1329
01:01:11,200 --> 01:01:13,640
Speaker 6: You don't know the answer, say pass and move on,

1330
01:01:13,960 --> 01:01:15,600
Speaker 6: d'n make around around?

1331
01:01:15,680 --> 01:01:16,160
Speaker 2: What else?

1332
01:01:16,840 --> 01:01:19,320
Speaker 13: It really gets my ghoolies when someone calls me a

1333
01:01:19,320 --> 01:01:22,520
Speaker 13: clean freak? Why am I a freak because I can

1334
01:01:22,560 --> 01:01:26,280
Speaker 13: pick up after myself, tidy up, wipe things down when

1335
01:01:26,280 --> 01:01:28,720
Speaker 13: I've made a mess. Why are you not a freak

1336
01:01:28,920 --> 01:01:32,080
Speaker 13: when you live in a pigsty? Why am I the freak?

1337
01:01:32,320 --> 01:01:35,960
Speaker 2: Good question? Good question. See that's what we like for good.

1338
01:01:36,080 --> 01:01:38,040
Speaker 1: Nothing freaky about cleanliness that.

1339
01:01:38,000 --> 01:01:40,640
Speaker 2: Can get you twenty thousand dollars cash and you supply

1340
01:01:40,680 --> 01:01:45,560
Speaker 2: of chocolate from Darryl Lee a favorite caller, email or

1341
01:01:45,560 --> 01:01:48,480
Speaker 2: Facebook friend. When's a starlight dinner cruise on the Sydney

1342
01:01:48,520 --> 01:01:51,880
Speaker 2: two thousand Great Sydney Harbor are board Captain Cook cruises

1343
01:01:51,880 --> 01:01:54,160
Speaker 2: with a starlight dinner for two? You also get the

1344
01:01:54,200 --> 01:01:56,880
Speaker 2: Jones Demanda t Talent fridge Magnet. A woman has outed

1345
01:01:56,920 --> 01:01:58,640
Speaker 2: her ex boyfriend as being a bit of a tidy.

1346
01:01:58,680 --> 01:02:01,440
Speaker 2: He kept a spreadsheet of everything they spent. He put

1347
01:02:01,440 --> 01:02:03,040
Speaker 2: down three dollars twenty when she had a piece of

1348
01:02:03,080 --> 01:02:05,560
Speaker 2: toast and a banana at his mother's house. So the

1349
01:02:05,600 --> 01:02:08,600
Speaker 2: tribal dramas beating for dobbin a tidy leave the money

1350
01:02:08,600 --> 01:02:10,840
Speaker 2: on the fridge. Here's Paul from Albion.

1351
01:02:10,480 --> 01:02:15,160
Speaker 8: Park me Dad God loving use of judge, Mum firebars

1352
01:02:15,200 --> 01:02:20,320
Speaker 8: to learn how to drive and every WEEKO come on,

1353
01:02:20,480 --> 01:02:23,920
Speaker 8: go for it up five bucks and yeah.

1354
01:02:23,720 --> 01:02:26,280
Speaker 13: And it took her to age sixty.

1355
01:02:26,440 --> 01:02:27,560
Speaker 8: She actually finally got a.

1356
01:02:27,560 --> 01:02:33,919
Speaker 2: License because father was loaded by then. Right, ay too enough?

1357
01:02:34,280 --> 01:02:37,000
Speaker 2: Well likely Fill is up next with wsfm's Box Office.

1358
01:02:37,480 --> 01:02:39,800
Speaker 1: We'll be back from six to nine for jam Nation.

1359
01:02:39,880 --> 01:02:42,919
Speaker 2: See you then, good you well, thank god that's over.

1360
01:02:43,080 --> 01:02:48,320
Speaker 2: Good bite, good bite, wipe the two from your right.

1361
01:02:48,560 --> 01:02:51,920
Speaker 7: Catch Jonesy and Amanda's podcast on the iHeartRadio app or

1362
01:02:51,960 --> 01:02:53,440
Speaker 7: wherever you get your podcasts.

1363
01:02:58,680 --> 01:03:03,200
Speaker 2: Good Bye Jonesy and Amanda podcast.

1364
01:03:03,400 --> 01:03:06,040
Speaker 11: Catch up on what you've missed on the free iHeartRadio

1365
01:03:06,160 --> 01:03:06,400
Speaker 11: app