1 00:00:00,560 --> 00:00:03,480 Speaker 1: Jack Jones joins the might of the Southern Cross Symphony, 2 00:00:03,520 --> 00:00:06,240 Speaker 1: a killer rock band, three powerhouse vocalists, and a twenty 3 00:00:06,280 --> 00:00:10,680 Speaker 1: person strong youth choir for Eclipse Pink Floyd Orchestrated, which 4 00:00:10,720 --> 00:00:12,960 Speaker 1: is on Friday, August nine at Crown Theater. You can 5 00:00:13,000 --> 00:00:15,120 Speaker 1: get you to get through Pink Floyd Orchestrated dot com 6 00:00:15,160 --> 00:00:17,799 Speaker 1: dot au. Sounds like one hell of a show, and 7 00:00:17,920 --> 00:00:26,840 Speaker 1: Jack's with us now, Hello, this just sounds like every 8 00:00:26,920 --> 00:00:30,440 Speaker 1: box has been tipped for an absolute spectacular. 9 00:00:31,560 --> 00:00:33,879 Speaker 2: It's a great show, it really is. I was I 10 00:00:34,040 --> 00:00:36,360 Speaker 2: was never. I mean, that's probably not a great opener. 11 00:00:37,240 --> 00:00:41,040 Speaker 2: I was never a big Pink Floyd fan, right, I know, 12 00:00:41,320 --> 00:00:45,680 Speaker 2: I never Look I'm a late bloomer, that's all right. 13 00:00:45,720 --> 00:00:49,560 Speaker 2: With the Beatles. I was a late bloomer with Bob Dylan. 14 00:00:49,600 --> 00:00:53,159 Speaker 2: I was a late bloomer with Hendrix. So you know, 15 00:00:53,240 --> 00:00:55,720 Speaker 2: I give myself a bit of leeway with that, because 16 00:00:55,800 --> 00:00:58,760 Speaker 2: you know, sometimes you just miss you just miss things, 17 00:00:58,800 --> 00:01:03,120 Speaker 2: you know. Yeah, and I missed Floyd in the first 18 00:01:03,120 --> 00:01:07,000 Speaker 2: time round. But you know, maybe twenty years ago I 19 00:01:07,560 --> 00:01:10,240 Speaker 2: kind of really did a bit of a diet and 20 00:01:11,600 --> 00:01:16,120 Speaker 2: just gained a new appreciation for the music and these 21 00:01:16,120 --> 00:01:19,240 Speaker 2: shows are real, you know, it's not like a tribute 22 00:01:19,360 --> 00:01:20,759 Speaker 2: and sort of thing. It's more. 23 00:01:22,240 --> 00:01:25,679 Speaker 3: Yeah you know, yeah, yeah. 24 00:01:24,640 --> 00:01:27,440 Speaker 2: So it's a real celebration of the music that's being said. 25 00:01:27,480 --> 00:01:30,960 Speaker 2: You know, it's they're very true to the arrangements obviously, 26 00:01:31,000 --> 00:01:35,240 Speaker 2: and the and all the parts from the man side obviously, 27 00:01:35,280 --> 00:01:37,839 Speaker 2: I'm you know, my contribution is I'm playing a little 28 00:01:37,840 --> 00:01:41,280 Speaker 2: bit of guitar and sing, you know, singing some songs, 29 00:01:41,680 --> 00:01:44,959 Speaker 2: which is which is great. And I've been loving doing 30 00:01:45,040 --> 00:01:50,600 Speaker 2: these shows. They're really really quite special and and they 31 00:01:50,640 --> 00:01:53,400 Speaker 2: always seem to get a great excuse me, a great 32 00:01:53,440 --> 00:01:56,040 Speaker 2: reaction from from people, you know that they've they've gone 33 00:01:56,080 --> 00:01:59,840 Speaker 2: down really well mixed, just just that music in the 34 00:02:00,120 --> 00:02:02,640 Speaker 2: having an orchestra, like a full orchestra as well. 35 00:02:03,040 --> 00:02:04,760 Speaker 3: Yeah, it becomes an eventual. 36 00:02:06,800 --> 00:02:09,200 Speaker 2: Yeah, it surely goes from the performance to sort of 37 00:02:09,240 --> 00:02:14,120 Speaker 2: experience transformation there. So so yeah, look I'm really excited 38 00:02:14,160 --> 00:02:15,800 Speaker 2: about it. And yes, you're right, you got I got 39 00:02:15,840 --> 00:02:19,120 Speaker 2: a little anxious before listening to what I've got coming up. 40 00:02:21,560 --> 00:02:24,880 Speaker 2: Busy man, it's pretty We've got We've got a lot. 41 00:02:24,960 --> 00:02:27,959 Speaker 2: It's going to be a busy like yeah, starting in 42 00:02:28,000 --> 00:02:30,240 Speaker 2: a couple of weeks. So yeah, that's all that thing. 43 00:02:30,320 --> 00:02:32,240 Speaker 2: But but yeah, look I can't wait. And I love 44 00:02:32,280 --> 00:02:34,160 Speaker 2: coming over to that part of the country too, I 45 00:02:34,200 --> 00:02:36,520 Speaker 2: really do. I'm very excited to get on there. 46 00:02:36,520 --> 00:02:38,320 Speaker 3: Well, we love to have you in Perth. 47 00:02:38,400 --> 00:02:42,480 Speaker 2: Jack. Well, you know what, We've always been very I've 48 00:02:42,520 --> 00:02:44,519 Speaker 2: always been very lucky in birth. I always felt that 49 00:02:45,080 --> 00:02:48,440 Speaker 2: we've always been received, regardless of you know, this is 50 00:02:48,480 --> 00:02:51,400 Speaker 2: the competo, the sign of the solo gigs. It's always 51 00:02:51,760 --> 00:02:53,880 Speaker 2: I feel like it's always been a beautiful place for 52 00:02:53,919 --> 00:02:55,760 Speaker 2: me to go. I wait to get back there. 53 00:02:56,040 --> 00:02:58,480 Speaker 4: Yeah, that's good. You did throw away earlier. Let's just 54 00:02:58,520 --> 00:03:00,440 Speaker 4: want the clock bactice to you. You did say a 55 00:03:00,480 --> 00:03:03,280 Speaker 4: bit of guitar. We're talking about David gilmore mate. I mean, 56 00:03:03,360 --> 00:03:05,120 Speaker 4: do you get you get to play that solo? 57 00:03:05,240 --> 00:03:09,640 Speaker 2: Uncomfortably plays Actually, you know what, out of all the 58 00:03:09,680 --> 00:03:11,520 Speaker 2: solos in the show, you pick the one that I'm 59 00:03:11,520 --> 00:03:15,079 Speaker 2: actually playing. So I'm doing I am doing I am 60 00:03:15,120 --> 00:03:17,880 Speaker 2: doing that, singing and playing that, and then at the 61 00:03:17,960 --> 00:03:23,239 Speaker 2: end of it, Joseph does the first half half of 62 00:03:23,480 --> 00:03:27,200 Speaker 2: Dave's solo and then I can't in any handshakes over 63 00:03:27,280 --> 00:03:28,840 Speaker 2: to me and then I just kind of go off. 64 00:03:29,200 --> 00:03:31,840 Speaker 2: So that's a bit of fun. And uh and I 65 00:03:31,919 --> 00:03:35,560 Speaker 2: do a little a little bit of there's a little 66 00:03:35,600 --> 00:03:40,320 Speaker 2: handshake at the end of have a cigar, right, so 67 00:03:40,680 --> 00:03:43,160 Speaker 2: we take yeah, we take that one out, you know, 68 00:03:43,320 --> 00:03:45,640 Speaker 2: take that one a little a little out. So that's yeah, 69 00:03:45,680 --> 00:03:48,600 Speaker 2: that's really really great. It's just lovely to be able 70 00:03:48,640 --> 00:03:51,200 Speaker 2: to again, you know, like when you take a solo 71 00:03:51,240 --> 00:03:53,720 Speaker 2: like comfortably number fact, well you're going to play that 72 00:03:53,880 --> 00:03:58,000 Speaker 2: like that guy solo, you know. But but I always 73 00:03:58,080 --> 00:04:00,000 Speaker 2: like to be able to create a space in the show. 74 00:04:00,000 --> 00:04:03,600 Speaker 2: So anything that I do where I can have an 75 00:04:03,600 --> 00:04:06,320 Speaker 2: opportunity to kind of inject a little I mean it 76 00:04:06,320 --> 00:04:08,480 Speaker 2: may sound a little conceised about that I'm saying it, 77 00:04:08,520 --> 00:04:10,720 Speaker 2: but but where you know, I get to kind of 78 00:04:10,760 --> 00:04:14,720 Speaker 2: just be like, have my little improviser on my own. 79 00:04:16,279 --> 00:04:18,160 Speaker 2: Well a little bit of play. 80 00:04:18,480 --> 00:04:18,720 Speaker 3: I think. 81 00:04:19,040 --> 00:04:22,279 Speaker 1: I think the sound of Pink Floyd does rely quite 82 00:04:22,279 --> 00:04:26,039 Speaker 1: heavily on a little bit of guitar. So just as well, 83 00:04:26,440 --> 00:04:29,080 Speaker 1: just as well, you're handy. Now we should mention you're 84 00:04:29,120 --> 00:04:33,000 Speaker 1: in town. This is August nine. Then you'll be back 85 00:04:33,480 --> 00:04:37,360 Speaker 1: in October with the fabulous Corpredos, and then you'll be 86 00:04:37,360 --> 00:04:42,400 Speaker 1: back in April with the Southern Sons, So I mean 87 00:04:42,480 --> 00:04:43,720 Speaker 1: i'd love to keep track of. 88 00:04:44,960 --> 00:04:48,320 Speaker 2: Yeah, look it is, and I mean, I'm just excited. 89 00:04:48,360 --> 00:04:52,040 Speaker 2: And I know that sort of grateful word gets thrown 90 00:04:52,080 --> 00:04:54,839 Speaker 2: around a lot. I'm so grateful, but I actually really am, 91 00:04:54,880 --> 00:04:58,960 Speaker 2: Like I'm totally I'm totally in the present and it's 92 00:04:59,000 --> 00:05:01,440 Speaker 2: almost on me for a se And how you know, 93 00:05:01,480 --> 00:05:04,640 Speaker 2: we had a little little spell there where you know, 94 00:05:05,080 --> 00:05:08,360 Speaker 2: I mean we don't have to go into detail, but 95 00:05:08,520 --> 00:05:11,280 Speaker 2: you made me a little cranky and I had no 96 00:05:11,400 --> 00:05:14,440 Speaker 2: say about it. But anyway, but you know, it's nice 97 00:05:14,480 --> 00:05:17,640 Speaker 2: to be able to be actually working again. And so 98 00:05:17,680 --> 00:05:20,680 Speaker 2: it's ironic how on one side, like you just you 99 00:05:20,760 --> 00:05:22,920 Speaker 2: can't work, and then the next minute, you know, yeah, 100 00:05:23,040 --> 00:05:25,560 Speaker 2: I almost find myself complaining that. It's like there's so 101 00:05:25,640 --> 00:05:28,159 Speaker 2: much going on, But it really is great to be 102 00:05:28,240 --> 00:05:31,520 Speaker 2: back and you get. 103 00:05:29,400 --> 00:05:32,880 Speaker 1: So you get to work with a great assortment of 104 00:05:33,000 --> 00:05:36,600 Speaker 1: fantastic talents too, by spreading yourself around like this. 105 00:05:37,680 --> 00:05:40,800 Speaker 2: Yeah. Look, and I think when it comes to music, 106 00:05:41,200 --> 00:05:44,599 Speaker 2: at least for me, you know, because I've done things 107 00:05:44,640 --> 00:05:46,359 Speaker 2: like going out and being a hide gun, you know, 108 00:05:46,360 --> 00:05:48,120 Speaker 2: like when I played with John or Tina. 109 00:05:48,560 --> 00:05:55,120 Speaker 1: Yeah you know, yeah. 110 00:05:54,040 --> 00:05:58,640 Speaker 2: Well it's so funny. I mean, but look, I have 111 00:05:58,760 --> 00:06:00,920 Speaker 2: to picture myself too. When I'm standing on stage in 112 00:06:00,960 --> 00:06:03,720 Speaker 2: the cobrettos, I was looking over at us Russ it 113 00:06:03,920 --> 00:06:08,000 Speaker 2: is like they're made of mine. But I'm looking over 114 00:06:08,040 --> 00:06:09,560 Speaker 2: at him, going why am I? 115 00:06:14,400 --> 00:06:14,599 Speaker 4: Yeah? 116 00:06:15,080 --> 00:06:17,760 Speaker 2: Was playing. I'm like that's him. 117 00:06:18,040 --> 00:06:24,080 Speaker 1: Yeah, you go now too, Dave Gleeson And I'm absolutely loving. 118 00:06:24,160 --> 00:06:26,719 Speaker 2: I mean, we all love Daz. Yeah, well love you 119 00:06:26,760 --> 00:06:30,000 Speaker 2: know the horses, and I'll tell you what, but but 120 00:06:30,279 --> 00:06:34,719 Speaker 2: Dave has really injected a certain just a whole different 121 00:06:35,040 --> 00:06:38,400 Speaker 2: energy and he's such a great guy. I mean, I've 122 00:06:38,480 --> 00:06:41,240 Speaker 2: always loved Dave and I've never had the opportunity to 123 00:06:41,240 --> 00:06:43,720 Speaker 2: really work with him. We've hung out plenty of times 124 00:06:43,760 --> 00:06:48,200 Speaker 2: and you know, drunk other people's riders at festivals and stuff, 125 00:06:48,279 --> 00:06:51,440 Speaker 2: but we've never really had the opportunity to sort of 126 00:06:51,480 --> 00:06:54,680 Speaker 2: hang out just as as as guys. And he's a 127 00:06:54,720 --> 00:06:59,680 Speaker 2: spectActor as human you know. Yeah, he's hilarious. 128 00:07:00,080 --> 00:07:03,120 Speaker 4: Say like you said, you say, Jack, I mean, it's 129 00:07:03,200 --> 00:07:04,960 Speaker 4: much better to be busy and have a full diary 130 00:07:05,000 --> 00:07:06,400 Speaker 4: than the other way around, isn't it. 131 00:07:06,400 --> 00:07:09,320 Speaker 3: And you're gonna have appreciation yeah yeah, yeah. 132 00:07:09,200 --> 00:07:12,160 Speaker 2: And and and in respect to what you were saying before, 133 00:07:12,200 --> 00:07:15,560 Speaker 2: Like it's just nice to have a variety of things 134 00:07:15,600 --> 00:07:18,800 Speaker 2: to do because when you come back and like even 135 00:07:18,840 --> 00:07:22,320 Speaker 2: when I go back to write and create create new material, 136 00:07:22,400 --> 00:07:25,880 Speaker 2: it's it's you've got something, You've got something to talk about, 137 00:07:25,960 --> 00:07:30,400 Speaker 2: like you've been doing things. So so look, it's that's 138 00:07:30,440 --> 00:07:33,320 Speaker 2: really great. And I believe that for our shows in 139 00:07:34,120 --> 00:07:40,240 Speaker 2: her we may be having an extra carpredo. 140 00:07:39,840 --> 00:07:46,520 Speaker 1: Okay, there may be a surprise credo, a surprise. 141 00:07:47,840 --> 00:07:51,280 Speaker 2: And Harley and Rose, Oh. 142 00:07:52,800 --> 00:08:00,720 Speaker 3: Wow that sounds all right. Way I round a good 143 00:08:00,720 --> 00:08:10,440 Speaker 3: time to Yeah, that's good. Look Canada bag now, haven't we. Well, 144 00:08:10,480 --> 00:08:12,000 Speaker 3: it's going to do it. 145 00:08:12,000 --> 00:08:15,480 Speaker 1: It's going to be the season of Jack Jones starting 146 00:08:15,760 --> 00:08:18,040 Speaker 1: August nine, not long to wait, right through till April 147 00:08:18,040 --> 00:08:22,000 Speaker 1: next year. Tickets for Pink Floyd orchestrated through Pink Floyd 148 00:08:22,080 --> 00:08:25,080 Speaker 1: Orchestrated dot Com, dot you for the corpredos, they're through 149 00:08:25,120 --> 00:08:29,000 Speaker 1: Ticketmaster and through Southern Signs. At the ASTA just one 150 00:08:29,040 --> 00:08:31,360 Speaker 1: of the great venues to I drive past the Astro 151 00:08:31,400 --> 00:08:34,120 Speaker 1: on my way home Jack, and they have this digital 152 00:08:34,160 --> 00:08:37,000 Speaker 1: billboard and while I'm waiting at the lights, I see 153 00:08:37,040 --> 00:08:41,000 Speaker 1: your face flash give you a little wave. 154 00:08:41,160 --> 00:08:43,920 Speaker 3: I didn't realize it was April. Yeah, all right, and 155 00:08:44,000 --> 00:08:45,400 Speaker 3: those tickets are through ticket Tech. 156 00:08:46,520 --> 00:08:49,320 Speaker 2: Yeah. And if anyone wants to know Sun's dates, they 157 00:08:49,360 --> 00:08:52,160 Speaker 2: can go dot com. 158 00:08:53,880 --> 00:08:58,160 Speaker 4: All thanks jack forget about so much to get Eddie mcguimot. 159 00:08:58,160 --> 00:09:02,719 Speaker 3: You're Jackie everywhere we'll see said, I'm great to take