1 00:00:00,200 --> 00:00:03,400 Speaker 1: Happy Monday. It's the jam Nation podcast with Jonesy and Amanda. 2 00:00:03,840 --> 00:00:05,920 Speaker 2: We have a thing at the moment called jam Singles. 3 00:00:05,960 --> 00:00:09,680 Speaker 2: We're trying to match people sincerely with other people who 4 00:00:09,680 --> 00:00:12,200 Speaker 2: are looking for love. And today we met Steve. It 5 00:00:12,240 --> 00:00:13,880 Speaker 2: was his birthday, he turned fifty eighteen. 6 00:00:14,040 --> 00:00:16,880 Speaker 1: Nice fella. We reflected on the life of Barry Humphries 7 00:00:16,960 --> 00:00:19,320 Speaker 1: and we dug up the last time we spoke to him. 8 00:00:20,120 --> 00:00:23,040 Speaker 2: Doud Psychics. I found a beauty that I put on 9 00:00:23,079 --> 00:00:26,320 Speaker 2: my Instagram. We're going to talk about all things weirdo 10 00:00:26,480 --> 00:00:27,600 Speaker 2: in the world of psychics. 11 00:00:27,680 --> 00:00:29,800 Speaker 1: You will all remember where we were when we heard 12 00:00:29,840 --> 00:00:33,880 Speaker 1: the m Rata and Celeste Barber fight. Emma Gillespie fills 13 00:00:33,880 --> 00:00:36,040 Speaker 1: in the blanks about that one and down to the 14 00:00:36,120 --> 00:00:38,640 Speaker 1: Jonesy Demanda rams to the pub test two seats for 15 00:00:38,760 --> 00:00:39,559 Speaker 1: larger bodies. 16 00:00:39,720 --> 00:00:41,320 Speaker 2: Is that past the pub tests? 17 00:00:41,520 --> 00:00:52,680 Speaker 1: Enjoy the podcast, everybody. I won't now about a miracle 18 00:00:52,720 --> 00:00:55,120 Speaker 1: of recording. We have so many requests for them to 19 00:00:55,120 --> 00:00:55,640 Speaker 1: do it again. 20 00:00:55,760 --> 00:00:57,880 Speaker 3: Mistress Amanda's MS killer. 21 00:00:57,520 --> 00:00:59,640 Speaker 4: Amanda doesn't work alone. 22 00:01:01,440 --> 00:01:04,120 Speaker 5: Friend isom making the tools of the train. 23 00:01:04,200 --> 00:01:06,959 Speaker 1: I've heard them describe him as a drunken idiot. 24 00:01:07,600 --> 00:01:11,240 Speaker 5: I've been doing the legendary part Jonesy, Amanda the. 25 00:01:11,280 --> 00:01:16,080 Speaker 2: Actress, Congratulations, Murder. We're ready right now, Jersey and Amanda, 26 00:01:16,160 --> 00:01:17,199 Speaker 2: you're doing a great job. 27 00:01:17,720 --> 00:01:20,560 Speaker 5: It could be for anyone that get selfie giant now 28 00:01:20,640 --> 00:01:22,360 Speaker 5: the good radio. 29 00:01:22,640 --> 00:01:28,760 Speaker 1: Sorry but I a T twist set and Amanda. Shoot 30 00:01:28,840 --> 00:01:30,280 Speaker 1: Timy we're. 31 00:01:30,160 --> 00:01:30,759 Speaker 6: On the air. 32 00:01:31,040 --> 00:01:32,200 Speaker 1: Top of the morning to you, missus. 33 00:01:32,240 --> 00:01:33,679 Speaker 2: Mooins, How are you great? 34 00:01:33,680 --> 00:01:35,240 Speaker 1: How'd you go with the double d You were in 35 00:01:35,280 --> 00:01:35,800 Speaker 1: my head. 36 00:01:35,600 --> 00:01:37,360 Speaker 2: This morning as I was driving in thinking about the 37 00:01:37,400 --> 00:01:40,640 Speaker 2: double demerits. There's a bit where you come out from 38 00:01:41,000 --> 00:01:44,760 Speaker 2: the tunnel and you're driving across the freew I'm guess 39 00:01:44,800 --> 00:01:49,400 Speaker 2: it is and it says roadworks ACTID roadworks sixty k's. 40 00:01:49,840 --> 00:01:52,760 Speaker 2: There's no roadworks at this to five. 41 00:01:52,920 --> 00:01:54,400 Speaker 1: They're doing the works there, but. 42 00:01:54,360 --> 00:01:56,280 Speaker 2: Not during the day. There's no roadworks and were not 43 00:01:56,280 --> 00:01:58,800 Speaker 2: at the time I drive. Do you still have to 44 00:01:58,800 --> 00:02:00,080 Speaker 2: do sixty? 45 00:02:00,600 --> 00:02:05,000 Speaker 1: Yeah you do? Sure, yeah you do, Yeah you do. 46 00:02:05,280 --> 00:02:07,240 Speaker 1: But there's no speed cameras or anything along there. But 47 00:02:07,280 --> 00:02:09,119 Speaker 1: you're just got to be careful, you know, if there's 48 00:02:09,120 --> 00:02:11,200 Speaker 1: a highway patrol coming the other way or well. 49 00:02:11,200 --> 00:02:13,720 Speaker 2: Most of the cars were doing sixty, which. 50 00:02:13,680 --> 00:02:15,320 Speaker 1: It's double demerits you go to lose your license. 51 00:02:15,320 --> 00:02:17,480 Speaker 2: I know, but there's you know that says roadwork. They 52 00:02:17,520 --> 00:02:18,760 Speaker 2: show me where, give. 53 00:02:18,560 --> 00:02:22,919 Speaker 1: Me the show. You want to see the results? Yeah, 54 00:02:22,919 --> 00:02:23,400 Speaker 1: well you know you. 55 00:02:23,480 --> 00:02:24,919 Speaker 2: Just got to And you know what about us, we're 56 00:02:24,919 --> 00:02:26,520 Speaker 2: probably the only people working today. 57 00:02:26,880 --> 00:02:30,680 Speaker 1: Yeah, well, GM, I arise here. He's been complaining about anyone. 58 00:02:32,560 --> 00:02:33,000 Speaker 7: Can I go? 59 00:02:33,280 --> 00:02:37,320 Speaker 1: Sure? You can't stay and do your work here. 60 00:02:37,360 --> 00:02:39,840 Speaker 2: It's kind of scintillating conversation that I ate the last 61 00:02:39,880 --> 00:02:40,960 Speaker 2: of the Easter eggs last night. 62 00:02:41,040 --> 00:02:44,040 Speaker 1: Ah, you're down to the end. Yeah. My wife doesn't 63 00:02:44,080 --> 00:02:47,359 Speaker 1: like the Linked chocolate because I had the little chocolate bunny. 64 00:02:47,400 --> 00:02:48,160 Speaker 2: What's not a lot? 65 00:02:48,280 --> 00:02:49,280 Speaker 1: I don't know. She doesn't like it. 66 00:02:49,440 --> 00:02:51,560 Speaker 2: She's probably sleepers in the universe, doesn't like I. 67 00:02:51,520 --> 00:02:54,200 Speaker 1: Said, what about the chocolate? Is the Link chocolates. They'll 68 00:02:54,240 --> 00:02:56,440 Speaker 1: be crying this morning hearing this news. You said, I 69 00:02:56,480 --> 00:03:00,120 Speaker 1: don't care about the Link chocolates. At the Cabrie. 70 00:03:00,120 --> 00:03:01,760 Speaker 2: Last night, I finished off one of those, you know, 71 00:03:01,800 --> 00:03:05,680 Speaker 2: the thin chocolate, the big egg and that's thin Easter. 72 00:03:07,040 --> 00:03:09,639 Speaker 8: Yeah it's delicious. You buy from hot We got it 73 00:03:09,680 --> 00:03:12,320 Speaker 8: from Woolies. Actually, yeah, it was delicious. Yeah, that's the 74 00:03:12,320 --> 00:03:16,000 Speaker 8: best one. Well, I remember our friend Gary Ek, great comedian. 75 00:03:16,200 --> 00:03:18,200 Speaker 8: His dad at Easter used to buy them just a 76 00:03:18,240 --> 00:03:21,000 Speaker 8: block of chocolate, like not an egg, because it's. 77 00:03:20,919 --> 00:03:23,520 Speaker 1: Much better value. Gary. You get a big two hundred 78 00:03:23,520 --> 00:03:26,000 Speaker 1: and fifty grand block of chocolate for half the price. 79 00:03:26,440 --> 00:03:30,280 Speaker 8: Yeah, well, this is some logic in that it's not briant. 80 00:03:30,320 --> 00:03:30,640 Speaker 3: That is. 81 00:03:33,200 --> 00:03:35,400 Speaker 1: Well, have to talk about Barry Humphries today. 82 00:03:35,480 --> 00:03:38,160 Speaker 2: We will, we will. There's sadness with the loss of Barry. 83 00:03:38,200 --> 00:03:39,840 Speaker 2: Lots of things coming up on our show today. 84 00:03:40,040 --> 00:03:42,600 Speaker 1: Also money with Instagram. 85 00:03:42,320 --> 00:03:44,720 Speaker 2: Worth five thousand dollars for you today. No, well that's 86 00:03:44,720 --> 00:03:47,120 Speaker 2: one thousand dollars for Instagram, five thousand dollars for the 87 00:03:47,160 --> 00:03:48,600 Speaker 2: ten to four payday. 88 00:03:49,080 --> 00:03:50,840 Speaker 1: Yeah, that's it. That's coming up. 89 00:03:50,960 --> 00:03:52,440 Speaker 2: You thought I got the numbers wrong, didn't you? 90 00:03:52,720 --> 00:03:55,120 Speaker 1: And we can't do anything until we do the Magnificent Seven. 91 00:03:55,240 --> 00:03:58,640 Speaker 2: Question one, What substance is Superman's weakness? 92 00:04:01,320 --> 00:04:04,080 Speaker 1: Podcast? We have for you the Magnificent Seven. There are 93 00:04:04,160 --> 00:04:05,880 Speaker 1: seven questions? Can you go all the way and answer 94 00:04:05,880 --> 00:04:08,160 Speaker 1: all seven questions correctly? If you do that, a man will. 95 00:04:07,960 --> 00:04:09,880 Speaker 2: Say, can you run to Paradise? 96 00:04:10,360 --> 00:04:11,600 Speaker 1: But it's about anny questions seven? 97 00:04:11,680 --> 00:04:11,840 Speaker 4: Right? 98 00:04:11,960 --> 00:04:16,680 Speaker 2: It's John f pet Hello, John, how are you very well, 99 00:04:16,720 --> 00:04:19,839 Speaker 2: thank you. Let's get stuck in shower. Question one, which 100 00:04:19,880 --> 00:04:21,760 Speaker 2: substance is Superman's weakness? 101 00:04:24,160 --> 00:04:26,600 Speaker 1: Crypt I quite understood that because he was from Krypton, 102 00:04:27,760 --> 00:04:29,720 Speaker 1: so the planet was indeed made of Kryptoni. 103 00:04:31,680 --> 00:04:34,600 Speaker 2: You make a very good point. Where do we get 104 00:04:34,600 --> 00:04:37,080 Speaker 2: on the phone to discuss it? Is it mister Lee? 105 00:04:37,200 --> 00:04:37,320 Speaker 4: Here? 106 00:04:37,400 --> 00:04:38,080 Speaker 2: Is he the one? 107 00:04:38,360 --> 00:04:38,840 Speaker 1: Mister Lee? 108 00:04:39,279 --> 00:04:43,200 Speaker 2: Wasn't Stan Lee? No, I'm mixing my streams Man and 109 00:04:43,320 --> 00:04:47,640 Speaker 2: all that stuff, and this is Superman. It's all the same, John? 110 00:04:47,720 --> 00:04:48,520 Speaker 1: Is it all the same? 111 00:04:49,839 --> 00:04:50,520 Speaker 4: No? 112 00:04:51,600 --> 00:04:54,880 Speaker 1: Where was the l I V Or Live golf tournament 113 00:04:54,960 --> 00:05:00,680 Speaker 1: played over the weekend? Rad laid later the moment the 114 00:05:00,720 --> 00:05:02,800 Speaker 1: footy's there, the a f l's there, we should get 115 00:05:02,800 --> 00:05:06,520 Speaker 1: adelaide an, we we should Question three. I always had 116 00:05:06,560 --> 00:05:07,240 Speaker 1: fun when I'm there. 117 00:05:07,320 --> 00:05:08,279 Speaker 2: I love Adelaide. 118 00:05:08,320 --> 00:05:08,760 Speaker 1: That's good. 119 00:05:08,960 --> 00:05:10,279 Speaker 2: I know you w into his trip club. That's what 120 00:05:10,320 --> 00:05:13,600 Speaker 2: you're going to I'm crazy, Yes you did well. 121 00:05:13,640 --> 00:05:15,040 Speaker 1: I went there because it was the home of Miss 122 00:05:15,160 --> 00:05:18,080 Speaker 1: Nude Australia and I just wanted to see how much 123 00:05:18,120 --> 00:05:20,799 Speaker 1: wardrobe space she had, because if she's Miss Nude Australia, 124 00:05:20,960 --> 00:05:22,600 Speaker 1: she's not going to have any clothes in there. And 125 00:05:22,640 --> 00:05:24,720 Speaker 1: I've got a lot of motorcycle jackets and stuff. So 126 00:05:24,960 --> 00:05:26,800 Speaker 1: I was just going to say, can I store some jackets? 127 00:05:26,839 --> 00:05:30,240 Speaker 2: So when you were seeing backstage rifling through their little clothes, 128 00:05:30,520 --> 00:05:34,200 Speaker 2: is that what she said? Is this whose tassel? 129 00:05:34,360 --> 00:05:37,159 Speaker 1: Is this your plenty of space here? How about I 130 00:05:37,240 --> 00:05:40,039 Speaker 1: just put a few jackets in here? I very nice question. 131 00:05:40,120 --> 00:05:41,520 Speaker 2: Three, Let's play what's on the box? 132 00:05:43,880 --> 00:05:44,640 Speaker 8: The box on. 133 00:05:46,120 --> 00:05:48,440 Speaker 2: My kids love this show? What TV show has this theme? 134 00:06:01,800 --> 00:06:02,719 Speaker 1: Well that's a tough one. 135 00:06:04,640 --> 00:06:14,960 Speaker 9: Yeah, No, let's got to Michelle. 136 00:06:15,200 --> 00:06:17,560 Speaker 1: Now, let's not get to Michelle. She's gone and I'll 137 00:06:17,600 --> 00:06:19,240 Speaker 1: take the devil to her. Now she's back. 138 00:06:20,120 --> 00:06:21,560 Speaker 2: Michelle is hello, Michelle. 139 00:06:21,640 --> 00:06:22,320 Speaker 1: I look at your watch. 140 00:06:22,880 --> 00:06:24,360 Speaker 2: Well is it okay to take another call? 141 00:06:24,440 --> 00:06:26,640 Speaker 1: Well? Okay, let me just do a bit of scaffolding here. 142 00:06:26,880 --> 00:06:29,279 Speaker 1: It's fourteen past six. We've got an ad break to 143 00:06:29,279 --> 00:06:32,840 Speaker 1: play and another song we can fit Michelle. And if 144 00:06:32,880 --> 00:06:34,560 Speaker 1: Michelle marks this up, it would be great. 145 00:06:34,680 --> 00:06:36,160 Speaker 2: Yeah, because I was going to say, if Michelle gets 146 00:06:36,200 --> 00:06:37,960 Speaker 2: everything right, we get a big fact. And I think 147 00:06:38,000 --> 00:06:39,880 Speaker 2: we've had two of them last week. I've had enough. 148 00:06:40,040 --> 00:06:44,000 Speaker 1: Don't be paddicky pants, Michelle. Do you know this theme? 149 00:06:45,360 --> 00:06:47,200 Speaker 2: Well, I'll say to you Amanda, No, I do not. 150 00:06:47,640 --> 00:06:51,160 Speaker 2: I Well, you were worth going to then, because if 151 00:06:51,160 --> 00:06:52,680 Speaker 2: you did know it, we'd get a big fact. 152 00:06:53,000 --> 00:06:56,360 Speaker 1: Now now it's a quarterble. Now we can all relax. Six. 153 00:06:56,360 --> 00:06:57,919 Speaker 1: We could play this ad break and there'll be no 154 00:06:57,960 --> 00:07:01,159 Speaker 1: big player song and there'll be no big fact. Thirteen 155 00:07:01,279 --> 00:07:03,039 Speaker 1: W S F M. That doesn't mean that this hasn't 156 00:07:03,080 --> 00:07:14,360 Speaker 1: been answered, though? What TV show has this theme? Do 157 00:07:14,400 --> 00:07:18,880 Speaker 1: you know the answer? Give us a call for end 158 00:07:18,920 --> 00:07:21,400 Speaker 1: of the Magnificent Seven and we find ourselves a question 159 00:07:21,480 --> 00:07:21,960 Speaker 1: number three? 160 00:07:22,120 --> 00:07:26,760 Speaker 2: What's on the box? I'll turn the box on. We 161 00:07:26,880 --> 00:07:28,080 Speaker 2: want to know this TV theme? 162 00:07:34,360 --> 00:07:37,360 Speaker 1: You know who will know this? Tell me, Richard, of play. 163 00:07:37,600 --> 00:07:45,240 Speaker 2: Richard, what's that show? Question number four? This is multiple choice, Richard. 164 00:07:45,560 --> 00:07:49,320 Speaker 2: The Sherlock Holmes story, a study in Scarlet, features the 165 00:07:49,360 --> 00:07:53,440 Speaker 2: first example of a fictional detective using what forensic device? 166 00:07:53,560 --> 00:07:57,600 Speaker 2: Was it a magnifying glass, B fingerprint dusting brush or 167 00:07:57,680 --> 00:08:05,800 Speaker 2: C binoculars? Burned a whole lot of ants to solve 168 00:08:05,840 --> 00:08:07,360 Speaker 2: the mystery? 169 00:08:07,680 --> 00:08:11,760 Speaker 1: What? What rock formation can be seen from Echo Point 170 00:08:11,800 --> 00:08:13,360 Speaker 1: Katoomba in the Blue Mountains? 171 00:08:14,800 --> 00:08:16,880 Speaker 10: Are three sisters? 172 00:08:17,600 --> 00:08:20,000 Speaker 2: Question six? Come in Spinner is a phrase used in 173 00:08:20,040 --> 00:08:24,160 Speaker 2: which game played on Anzac day two up. 174 00:08:24,240 --> 00:08:27,520 Speaker 1: Will you be down at the cougisel tossing. 175 00:08:27,280 --> 00:08:29,679 Speaker 2: The they're setting up. They're setting up for a big 176 00:08:30,080 --> 00:08:33,679 Speaker 2: dawn service in Couldjie. Lots of more staging and stuff. 177 00:08:33,720 --> 00:08:34,480 Speaker 2: I saw them sitting up. 178 00:08:34,480 --> 00:08:36,040 Speaker 1: Remember that time you threw the coins up and you 179 00:08:36,080 --> 00:08:37,240 Speaker 1: just threw them into the crowd. 180 00:08:37,920 --> 00:08:40,040 Speaker 2: No, Brendan, that wasn't me. Thank you? 181 00:08:40,679 --> 00:08:44,599 Speaker 1: Who played Dame Edna Everidge, Richard. 182 00:08:46,200 --> 00:08:47,200 Speaker 10: Larry Humphrey. 183 00:08:47,480 --> 00:08:50,520 Speaker 2: Yes, we will be discussing Barry throughout the show today. 184 00:08:50,640 --> 00:08:51,480 Speaker 2: Such sad news. 185 00:08:51,600 --> 00:08:54,000 Speaker 1: Congratulations to you, Richard, you've won the jam package. All 186 00:08:54,040 --> 00:08:57,280 Speaker 1: coming away a high tea at the Sea Cruise Cruise 187 00:08:57,400 --> 00:09:01,560 Speaker 1: Sydney Harbour's for Mother's Day, High Time with Captain Cook Cruisers, 188 00:09:03,240 --> 00:09:06,000 Speaker 1: A one hundred and fifty dollars Hurricanes Girl Boutcher Feasted 189 00:09:06,040 --> 00:09:09,120 Speaker 1: Hurricanes Girl Restaurants and Circular Key and Bribon Sands and 190 00:09:09,200 --> 00:09:10,920 Speaker 1: Jonesie and madicate to Jews for the color and some 191 00:09:10,960 --> 00:09:13,400 Speaker 1: sad the pencils. Anything you'd like to add their Richard. 192 00:09:13,720 --> 00:09:15,240 Speaker 6: Oh, thank you, that's that's great. 193 00:09:15,240 --> 00:09:17,040 Speaker 10: Thank you, Jasie, Amanda, You're welcome. 194 00:09:17,120 --> 00:09:20,840 Speaker 11: Richard, Richard, Jonesy and Amanda podcast. 195 00:09:22,600 --> 00:09:23,679 Speaker 2: Couple of them on into you. 196 00:09:23,960 --> 00:09:26,560 Speaker 4: Well, look how fine decided to get out. 197 00:09:26,440 --> 00:09:29,240 Speaker 1: Of there thumbing through the Jarmanac, our big book of 198 00:09:29,320 --> 00:09:31,839 Speaker 1: musical facts. This is a good one. On this day 199 00:09:31,840 --> 00:09:35,080 Speaker 1: in nineteen seventy eight, Cultures will release their self titled 200 00:09:35,080 --> 00:09:38,200 Speaker 1: debut album, which of course featured kay San. 201 00:09:38,800 --> 00:09:40,640 Speaker 2: Those are their debut that was debut. 202 00:09:40,840 --> 00:09:42,439 Speaker 1: We may have one Long Day on it as well, 203 00:09:42,480 --> 00:09:45,240 Speaker 1: do you know one long done? Great song kay San 204 00:09:45,520 --> 00:09:47,800 Speaker 1: was banned on commercial radio, installed in the charts on 205 00:09:47,840 --> 00:09:51,240 Speaker 1: its initial release eight Well, it was probably the blinked 206 00:09:51,320 --> 00:09:54,480 Speaker 1: views of conservative radio programmers of the seventies that didn't 207 00:09:54,520 --> 00:09:58,360 Speaker 1: like references to novacaine and promiscuous women. To me, the 208 00:09:58,400 --> 00:10:01,199 Speaker 1: song tells the story of a returned Vietnam veteran who 209 00:10:01,240 --> 00:10:05,000 Speaker 1: struggles to find his place once returning from a failed war. 210 00:10:05,080 --> 00:10:07,000 Speaker 1: Well that's right, and I think on the eve of 211 00:10:07,080 --> 00:10:10,000 Speaker 1: Anzac Day, this song is as pertinent as ever. And 212 00:10:10,080 --> 00:10:11,240 Speaker 1: let's play it right now. 213 00:10:11,760 --> 00:10:13,360 Speaker 2: Do you have to beep out novacane? 214 00:10:13,520 --> 00:10:17,880 Speaker 1: No, We're going to have novacaine all the way. Baby. 215 00:10:17,960 --> 00:10:20,120 Speaker 2: It seems the whole world is mourning the loss of 216 00:10:20,240 --> 00:10:25,400 Speaker 2: the great Australian Barry Humphreys aka Da Medna aka Sandy 217 00:10:25,400 --> 00:10:30,320 Speaker 2: Stone aka Les Patterson. He was an extraordinary performer and 218 00:10:30,400 --> 00:10:33,600 Speaker 2: such an erudite, smart man and a charming, charming man, 219 00:10:33,880 --> 00:10:38,720 Speaker 2: but particularly with Edna. When Edna first started, she was 220 00:10:38,760 --> 00:10:42,679 Speaker 2: holding up a mirror to our suburban small mindedness, and 221 00:10:44,200 --> 00:10:46,280 Speaker 2: so it was sort of a very a satirist who 222 00:10:46,280 --> 00:10:48,160 Speaker 2: then became a megastar in her own right. 223 00:10:48,240 --> 00:10:51,280 Speaker 1: Really yeah, yeah, And the reviews that he used to 224 00:10:51,320 --> 00:10:54,480 Speaker 1: do when he was in law school all those years ago, 225 00:10:54,559 --> 00:10:57,800 Speaker 1: they didn't use him much. And then it wasn't until 226 00:10:57,920 --> 00:11:00,680 Speaker 1: Edna came out as this sort of small and then 227 00:11:00,679 --> 00:11:03,479 Speaker 1: that went on to the movie Barry Mackenzie. 228 00:11:03,679 --> 00:11:06,480 Speaker 2: So Edna first appeared on screen in a Barry mackenzie film, 229 00:11:06,520 --> 00:11:06,920 Speaker 2: Is that right? 230 00:11:07,080 --> 00:11:09,480 Speaker 1: That's pretty much it? Yeah, in a movie, and the 231 00:11:09,559 --> 00:11:12,360 Speaker 1: movie was made. I think they spent it was like 232 00:11:12,360 --> 00:11:13,680 Speaker 1: two hundred thousand. 233 00:11:13,400 --> 00:11:15,439 Speaker 2: Dollars Adventures of Barry mckenne. 234 00:11:15,000 --> 00:11:17,160 Speaker 1: To make it, and then it ended up making a 235 00:11:17,200 --> 00:11:20,000 Speaker 1: million dollars and all of a sudden it became this. 236 00:11:20,320 --> 00:11:23,480 Speaker 1: It became this hit and also featured Barry mackenzie just 237 00:11:23,520 --> 00:11:27,680 Speaker 1: drinking Foster's lager all the time. And Dame Ednen was 238 00:11:27,720 --> 00:11:29,079 Speaker 1: interviewed about it. 239 00:11:29,360 --> 00:11:31,600 Speaker 5: Why does the film have a fetish about Foster's Lager. 240 00:11:32,200 --> 00:11:36,120 Speaker 12: Well, I think it's because it's the Australia's national drink 241 00:11:36,920 --> 00:11:38,880 Speaker 12: and it caught on in a way and it's become 242 00:11:38,920 --> 00:11:40,560 Speaker 12: a very popular drink. You see it in most of 243 00:11:40,559 --> 00:11:41,800 Speaker 12: the shops now, don't you? 244 00:11:42,520 --> 00:11:44,040 Speaker 2: Are there really for commercial undertones? 245 00:11:44,559 --> 00:11:44,640 Speaker 4: No? 246 00:11:45,120 --> 00:11:48,120 Speaker 12: In fact, Foster's Laga didn't provide any money whatever for 247 00:11:48,160 --> 00:11:50,560 Speaker 12: the making of the film. That many people have thought 248 00:11:50,559 --> 00:11:55,320 Speaker 12: that the film looked like a two hour commercial. In 249 00:11:55,360 --> 00:11:56,040 Speaker 12: fact it isn't. 250 00:11:58,960 --> 00:12:03,320 Speaker 2: That's before the ego went crazy. But she Edna was 251 00:12:03,360 --> 00:12:07,360 Speaker 2: such a fabulous guest on so many fabulous shows. It's 252 00:12:07,400 --> 00:12:09,760 Speaker 2: just here's just a couple of them. Here is Dame 253 00:12:09,920 --> 00:12:11,559 Speaker 2: Edna Everage with Michael Parkinson. 254 00:12:12,040 --> 00:12:12,720 Speaker 6: Ladies and gentlemen. 255 00:12:13,040 --> 00:12:18,640 Speaker 2: So let's it's Les. 256 00:12:18,640 --> 00:12:21,920 Speaker 5: I'm lucky and how are there ladies and gentlemen? 257 00:12:24,640 --> 00:12:27,520 Speaker 1: I must a hand fust So. 258 00:12:29,240 --> 00:12:31,440 Speaker 13: Oh sorry, Mike, what is it? I grew in my hands? 259 00:12:31,440 --> 00:12:36,840 Speaker 3: Oh it's annoyingment. I'm supposed to you. 260 00:12:37,000 --> 00:12:37,320 Speaker 7: I was. 261 00:12:38,040 --> 00:12:41,360 Speaker 5: I was just giving myself a quick application before the show. 262 00:12:44,640 --> 00:12:51,160 Speaker 5: I'm supposed to use an applicator, but I generally do. 263 00:12:51,160 --> 00:12:53,720 Speaker 1: Do you remember the time so Les Patterson was on 264 00:12:53,760 --> 00:12:56,320 Speaker 1: Alan Jones's show. Remember we had that Alan Jones Live 265 00:12:56,720 --> 00:12:59,240 Speaker 1: five o'clock in the afternoon, and it was wrapping up 266 00:13:00,040 --> 00:13:02,520 Speaker 1: a bit where Alan was talking about the next guests 267 00:13:02,559 --> 00:13:05,160 Speaker 1: had come out, and Celestie's I've never heard of any 268 00:13:05,200 --> 00:13:08,920 Speaker 1: of these sea bomb and that went live to wow 269 00:13:09,600 --> 00:13:11,439 Speaker 1: and because he thought his mics were off. 270 00:13:11,480 --> 00:13:13,439 Speaker 2: But also pure Les Patterson, I know, I. 271 00:13:13,440 --> 00:13:15,280 Speaker 1: Just just the way he said. I remember sitting at 272 00:13:15,280 --> 00:13:18,040 Speaker 1: home just watching it. I thought, did he just let's 273 00:13:18,080 --> 00:13:18,720 Speaker 1: just drop the seat? 274 00:13:19,600 --> 00:13:20,760 Speaker 2: Would have soiled himself. 275 00:13:20,840 --> 00:13:24,400 Speaker 1: No one, no one complained, no one said anything. It 276 00:13:24,440 --> 00:13:26,000 Speaker 1: was the In the next day I was looking in 277 00:13:26,000 --> 00:13:27,840 Speaker 1: the newspapers. No one mentioned anything. 278 00:13:27,920 --> 00:13:30,160 Speaker 2: Les Patterson was such a great creation as well, the 279 00:13:30,760 --> 00:13:35,280 Speaker 2: ghost diplomat who was always drunk, food on his tie, 280 00:13:36,080 --> 00:13:36,400 Speaker 2: and his. 281 00:13:36,320 --> 00:13:38,480 Speaker 1: Thing was he'd always come in and shake your hand 282 00:13:38,480 --> 00:13:41,240 Speaker 1: and you have something on his hand, something foul. 283 00:13:42,679 --> 00:13:47,280 Speaker 2: And he's the fabulous Graham Norton having a chat with 284 00:13:47,520 --> 00:13:48,760 Speaker 2: day men. And this is brilliant. 285 00:13:49,040 --> 00:13:52,080 Speaker 5: I had a school, a little drama school at my 286 00:13:52,240 --> 00:13:55,800 Speaker 5: home when I was just a house five before Megastardom 287 00:13:55,880 --> 00:13:56,600 Speaker 5: smiled on me. 288 00:13:56,920 --> 00:13:58,600 Speaker 1: Yes, and it was. 289 00:13:58,520 --> 00:14:02,600 Speaker 5: Called the Dead e a d It was the Dame 290 00:14:02,840 --> 00:14:09,200 Speaker 5: Edna Academy of Drama. I used to hear a little 291 00:14:09,240 --> 00:14:12,040 Speaker 5: knock on the kitchen door, and it was mister and 292 00:14:12,080 --> 00:14:14,800 Speaker 5: missus Gibson a little mile saying could I help him 293 00:14:14,840 --> 00:14:19,400 Speaker 5: teach him some poems? And and then of course mister 294 00:14:19,440 --> 00:14:22,920 Speaker 5: and Missus Minogue brought little Kylie along soon. 295 00:14:22,720 --> 00:14:23,680 Speaker 1: After she was born. 296 00:14:27,840 --> 00:14:30,920 Speaker 5: I used to baby sit little Kylie. As a matter 297 00:14:30,920 --> 00:14:32,480 Speaker 5: of fact, I breastfed her once. 298 00:14:37,840 --> 00:14:43,400 Speaker 2: The royals always loved the Queen, The Queen, Charles King 299 00:14:43,480 --> 00:14:46,920 Speaker 2: Charles huge fans peas Morgan talked about the Royal family. 300 00:14:47,240 --> 00:14:50,360 Speaker 14: That's true, and actually Charles is a very charming, intelligent man. 301 00:14:50,360 --> 00:14:53,600 Speaker 5: When you and a very hard working man, don't you 302 00:14:54,280 --> 00:14:57,239 Speaker 5: run away with the idea of my little American possums 303 00:14:57,760 --> 00:14:59,400 Speaker 5: That Prince Charles is idol. 304 00:15:00,280 --> 00:15:04,560 Speaker 14: Whatever he's mention there's always been a slightly mischievous clint 305 00:15:04,600 --> 00:15:06,400 Speaker 14: in his eye. Did you ever think things could have 306 00:15:06,400 --> 00:15:07,320 Speaker 14: panned out differently? 307 00:15:08,000 --> 00:15:11,720 Speaker 5: I think he was attractive to me, and he likes 308 00:15:11,760 --> 00:15:15,320 Speaker 5: with the old woman. Look at Camilla, and I think 309 00:15:15,920 --> 00:15:18,120 Speaker 5: he likes the older lady. He likes an old lady 310 00:15:18,160 --> 00:15:21,360 Speaker 5: with plenty of hair in the right places. 311 00:15:24,520 --> 00:15:27,560 Speaker 2: You may have seen a sketch that was part of 312 00:15:27,600 --> 00:15:30,680 Speaker 2: a Royal Command performance. This was being played over the weekend. 313 00:15:30,680 --> 00:15:33,840 Speaker 2: It's just so brilliant. So there's Camilla, there's Charles. I 314 00:15:33,920 --> 00:15:35,920 Speaker 2: keep going to say, in the Corporate Box eating. 315 00:15:35,680 --> 00:15:36,480 Speaker 1: Pies and half done. 316 00:15:36,720 --> 00:15:41,240 Speaker 2: There they are in the Royal Box with Pus and 317 00:15:41,600 --> 00:15:45,720 Speaker 2: Brendan Jones drunk, and then day Medno is brought in 318 00:15:46,560 --> 00:15:48,600 Speaker 2: and then she sits down and says hello, and then 319 00:15:48,600 --> 00:15:50,400 Speaker 2: there's a tap on her shoulder and a page gives 320 00:15:50,400 --> 00:15:51,280 Speaker 2: her a piece of paper. 321 00:15:55,000 --> 00:15:58,800 Speaker 5: They've found me a better seat. 322 00:15:58,800 --> 00:16:03,240 Speaker 2: She get some guys, but I've been part. I met 323 00:16:03,280 --> 00:16:05,440 Speaker 2: Barry Humphries the number of times, but the first time 324 00:16:05,480 --> 00:16:07,800 Speaker 2: I met him was at a royal wedding. It was 325 00:16:07,840 --> 00:16:11,200 Speaker 2: Fergie and Andrew's wedding. We had to mention Andrew without 326 00:16:11,280 --> 00:16:15,440 Speaker 2: being tased, of course, so Fergie and Andrew. The Channel 327 00:16:15,520 --> 00:16:17,960 Speaker 2: nine was covering the wedding and I was working at 328 00:16:17,960 --> 00:16:18,520 Speaker 2: the midday show. 329 00:16:18,560 --> 00:16:20,120 Speaker 1: Was Honest when You're in the bosom of Night. 330 00:16:20,560 --> 00:16:23,200 Speaker 2: Was a research for the Midday Show with Ray Martin, 331 00:16:23,240 --> 00:16:25,880 Speaker 2: but also doing occasional stories. It was the most thrilling 332 00:16:25,920 --> 00:16:29,280 Speaker 2: time and we were covering the Royal wedding, so along 333 00:16:29,320 --> 00:16:31,480 Speaker 2: the Royal I don't want to say root because I 334 00:16:31,520 --> 00:16:36,440 Speaker 2: know that you'll raise an eyebrow. The Royal Route. I 335 00:16:36,520 --> 00:16:39,280 Speaker 2: knew you'd say it. So we had a double decker 336 00:16:39,320 --> 00:16:42,520 Speaker 2: bus where we were broadcasting from and watching all the 337 00:16:42,640 --> 00:16:45,200 Speaker 2: royal family and all the dignitaries and all the guests 338 00:16:45,440 --> 00:16:47,200 Speaker 2: make their way. I think it was to the abbey. 339 00:16:47,560 --> 00:16:51,040 Speaker 2: So I'm standing next to Barry Humphreys. I watched him 340 00:16:51,080 --> 00:16:55,560 Speaker 2: transform into Barry when the week goes on into day Medna. Sorry, 341 00:16:55,560 --> 00:16:58,040 Speaker 2: when the wig goes on, he's Edna. And so I'm 342 00:16:58,040 --> 00:17:00,720 Speaker 2: standing next to day Medna. And there's a carriage with 343 00:17:00,760 --> 00:17:03,640 Speaker 2: Diana and Charles. It comes up the road, up the road, 344 00:17:04,000 --> 00:17:09,040 Speaker 2: and Diana looks up seese. Barry sees Edna, squeals and waves, 345 00:17:09,359 --> 00:17:12,600 Speaker 2: and I thought, what a pinch me moment, and I 346 00:17:12,680 --> 00:17:15,119 Speaker 2: what a brilliant, brilliant time. And I just I mean 347 00:17:15,160 --> 00:17:17,000 Speaker 2: the whole world, as I said, is morning. The loss 348 00:17:17,440 --> 00:17:18,360 Speaker 2: of Barry Humphries. 349 00:17:18,440 --> 00:17:20,480 Speaker 1: We had a great chat with him. We'll see if 350 00:17:20,520 --> 00:17:23,239 Speaker 1: we can dig it up. I don't know when cow 351 00:17:23,280 --> 00:17:26,000 Speaker 1: many years ago. Was that just a couple of years, 352 00:17:26,160 --> 00:17:27,600 Speaker 1: It could be ten years ago, it could have been 353 00:17:27,640 --> 00:17:28,280 Speaker 1: last we'll. 354 00:17:28,160 --> 00:17:29,760 Speaker 2: Try and find the interview we did with him because 355 00:17:29,760 --> 00:17:30,400 Speaker 2: it was great. 356 00:17:31,400 --> 00:17:34,840 Speaker 1: Because he was doing a show as himself without any 357 00:17:34,840 --> 00:17:38,160 Speaker 1: of the characters, just explaining his life and so. 358 00:17:38,119 --> 00:17:40,240 Speaker 2: Why did he still have ointment on his hands? Brendan, 359 00:17:41,119 --> 00:17:41,639 Speaker 2: We'll look. 360 00:17:41,520 --> 00:17:41,960 Speaker 1: For that. 361 00:17:43,960 --> 00:17:45,680 Speaker 2: Podcast time. 362 00:17:46,400 --> 00:17:48,080 Speaker 1: So who. 363 00:17:49,480 --> 00:17:53,200 Speaker 4: So woam no need to feel sad and gloom? 364 00:17:53,480 --> 00:17:55,560 Speaker 2: Let Jones and a man to find love for here. 365 00:17:55,680 --> 00:17:58,359 Speaker 1: We watched Barry at First Sight and quite frankly, you 366 00:17:58,400 --> 00:18:01,919 Speaker 1: didn't watch didn't I watched it because I felt that 367 00:18:02,000 --> 00:18:04,080 Speaker 1: I had something that I needed to talk about around 368 00:18:04,119 --> 00:18:06,760 Speaker 1: the water cooler and I didn't want you to look 369 00:18:06,800 --> 00:18:10,000 Speaker 1: foolish around the water cooler, so I brought the information in. 370 00:18:10,040 --> 00:18:13,320 Speaker 1: But what we gone from Marredith first Sight? Anyone could 371 00:18:13,320 --> 00:18:15,080 Speaker 1: be an expert and put someone together, but. 372 00:18:15,040 --> 00:18:17,040 Speaker 2: They weren't being sincere, and that's the thing. They're putting 373 00:18:17,040 --> 00:18:21,080 Speaker 2: people together for drama. We proposed the idea of jam singles, 374 00:18:21,080 --> 00:18:22,840 Speaker 2: where we see what we can do for people who 375 00:18:22,840 --> 00:18:25,480 Speaker 2: are looking for love. In Sydney. We've been inundated with 376 00:18:25,560 --> 00:18:28,639 Speaker 2: the responses from really lovely people who've been cheated on, 377 00:18:28,760 --> 00:18:30,679 Speaker 2: had their hearts broken, want to get back out. There 378 00:18:30,720 --> 00:18:32,639 Speaker 2: was someone sincere. They don't want to go through all 379 00:18:32,640 --> 00:18:34,359 Speaker 2: the apps. Let's see if we can help you. 380 00:18:34,400 --> 00:18:37,560 Speaker 1: We're creating our own little terrarium, n't we. Just Steve 381 00:18:37,680 --> 00:18:39,480 Speaker 1: is in the Shire, Hello, say Steve. 382 00:18:40,440 --> 00:18:42,440 Speaker 10: Good morning Amanda and James. Are you nice to speak 383 00:18:42,440 --> 00:18:42,960 Speaker 10: with your guys? 384 00:18:43,000 --> 00:18:47,440 Speaker 2: Happy birthday mate fifty eight today, Steve, congratulations, Thank you 385 00:18:47,560 --> 00:18:49,600 Speaker 2: very much, Amanda. Wouldn't it be amazing if this time 386 00:18:49,640 --> 00:18:51,960 Speaker 2: next year you had someone special to go out to 387 00:18:52,000 --> 00:18:52,359 Speaker 2: dinner with. 388 00:18:53,760 --> 00:18:55,800 Speaker 10: All you called yesterday and I was fifty seven? 389 00:18:56,600 --> 00:19:03,920 Speaker 2: Yeah, so you had Have you been alone. 390 00:19:04,119 --> 00:19:04,880 Speaker 10: Six years now? 391 00:19:05,080 --> 00:19:05,240 Speaker 8: Mm? 392 00:19:05,320 --> 00:19:05,399 Speaker 6: Hm? 393 00:19:06,040 --> 00:19:08,600 Speaker 2: And tell us the Steve story. I know you're divorced, 394 00:19:08,680 --> 00:19:10,879 Speaker 2: but you have a very good relationship with your ex wife. 395 00:19:12,560 --> 00:19:14,960 Speaker 10: I do, Yeah, a very good relationship. I just to 396 00:19:15,000 --> 00:19:19,040 Speaker 10: clarify I'm separated. The divorces down the track, I guess, 397 00:19:19,119 --> 00:19:26,600 Speaker 10: but yeah, yeah, a really healthy, respectful relationship on all levels. 398 00:19:26,640 --> 00:19:30,520 Speaker 10: Really that's pretty important to us for our family, children, etc. 399 00:19:31,119 --> 00:19:34,920 Speaker 10: And just looking forward, there's no point being bitter. Bisness 400 00:19:34,920 --> 00:19:36,399 Speaker 10: is just a massive hurdle. 401 00:19:36,680 --> 00:19:39,199 Speaker 1: Well, it's true, divorces are very expensive and the lawyers 402 00:19:39,200 --> 00:19:40,720 Speaker 1: get all the money, so you've got to put that 403 00:19:41,400 --> 00:19:43,119 Speaker 1: into top of mind when that happens. 404 00:19:43,520 --> 00:19:46,080 Speaker 2: But I'm glad that you can navigate this without bitterness, 405 00:19:46,080 --> 00:19:49,200 Speaker 2: because not everyone's capable of that. How have you found 406 00:19:49,240 --> 00:19:51,200 Speaker 2: the dating scene in the last six years. 407 00:19:53,200 --> 00:19:56,360 Speaker 10: It hasn't happened. I don't know. This is all brand new. 408 00:19:56,680 --> 00:19:58,359 Speaker 2: Oh okay, so you're just starting now. Do you think 409 00:19:58,400 --> 00:19:59,879 Speaker 2: it's time to open up your heart again? 410 00:20:00,960 --> 00:20:01,240 Speaker 15: Yeah? 411 00:20:01,400 --> 00:20:06,560 Speaker 10: Because I did look at one or two things online 412 00:20:07,320 --> 00:20:10,080 Speaker 10: it was just too hard to navigate and freaking out 413 00:20:10,119 --> 00:20:12,720 Speaker 10: a bit. And then then this platform. By the way, 414 00:20:12,760 --> 00:20:16,200 Speaker 10: congratulations on the day for you guys and your team. 415 00:20:16,560 --> 00:20:19,840 Speaker 10: I'm providing this this workable platform. 416 00:20:20,359 --> 00:20:22,240 Speaker 2: Well, look, let's see what we can we can do. 417 00:20:22,280 --> 00:20:24,000 Speaker 2: We're meeting a whole lot of people at the moment 418 00:20:24,200 --> 00:20:27,680 Speaker 2: and trying to work out how we're going to move 419 00:20:27,760 --> 00:20:30,720 Speaker 2: the behemoth that is JAM Singles. But tell us what 420 00:20:30,800 --> 00:20:32,120 Speaker 2: sort of woman you're looking for? 421 00:20:34,440 --> 00:20:38,880 Speaker 10: That's an interesting question, I guess at the end of it, 422 00:20:39,000 --> 00:20:42,159 Speaker 10: to share the quality time with I know it's a 423 00:20:42,160 --> 00:20:45,879 Speaker 10: bit soft, but I'm just keeping it simple right now, 424 00:20:46,400 --> 00:20:53,240 Speaker 10: and you know, no super expectations anywhere and in line 425 00:20:53,320 --> 00:20:55,920 Speaker 10: see how it all goes. A lot of people. 426 00:20:56,040 --> 00:20:59,000 Speaker 1: You've got a collection of motorcycles. You've got ten motorcycles, 427 00:20:59,040 --> 00:21:01,080 Speaker 1: I think Jones wants to h Steve. 428 00:21:02,280 --> 00:21:04,880 Speaker 10: You were talking about this Jogy well and. 429 00:21:04,960 --> 00:21:08,840 Speaker 1: Their eighties spikes as well. So what are we talking about? Japanese? 430 00:21:08,840 --> 00:21:10,480 Speaker 1: Are they English? Are they American? 431 00:21:11,560 --> 00:21:11,800 Speaker 3: Yeah? 432 00:21:11,880 --> 00:21:18,760 Speaker 10: Japanese? So like eighty four of the Honda, Yeah, Suzuki 433 00:21:18,960 --> 00:21:21,480 Speaker 10: six are eighty six, eighty eight that that sort of 434 00:21:21,520 --> 00:21:24,159 Speaker 10: thing right, Yeah, you got. 435 00:21:24,000 --> 00:21:26,800 Speaker 2: A Gaitara will be around in half an hour. 436 00:21:26,880 --> 00:21:30,359 Speaker 1: Oh, they're they're their old gas axes. Oh that's great, 437 00:21:30,480 --> 00:21:33,199 Speaker 1: mane nice. You haven't got a said nine hundred KAWASARKI 438 00:21:33,280 --> 00:21:34,200 Speaker 1: have you any chance? 439 00:21:36,640 --> 00:21:38,920 Speaker 10: GPS nine hundred cale. 440 00:21:38,920 --> 00:21:41,359 Speaker 1: That's fair enough. A bit of it's a new bi Amanda. 441 00:21:42,359 --> 00:21:45,159 Speaker 1: Amanda's eyes are studying, glad a new one. No, the 442 00:21:45,240 --> 00:21:47,560 Speaker 1: GPS was you know in the nineties. 443 00:21:47,600 --> 00:21:51,640 Speaker 2: Well, I could listen to this all day. Steve, you 444 00:21:51,680 --> 00:21:55,280 Speaker 2: sound lovely, you do. You sound great, And it's your birthday, 445 00:21:55,320 --> 00:21:59,040 Speaker 2: and it's your birthday, Happy birthday. We are still putting 446 00:21:59,040 --> 00:22:00,919 Speaker 2: it all together. If you would like to apply for 447 00:22:01,000 --> 00:22:03,840 Speaker 2: JAM singles, please head to our website. As Steve has 448 00:22:03,880 --> 00:22:06,320 Speaker 2: done and filled out a form. He's been so vulnerable 449 00:22:06,320 --> 00:22:08,199 Speaker 2: and honest with this. He sounds just lovely. 450 00:22:08,400 --> 00:22:12,080 Speaker 1: We will look after you. Thank you, Steve, thank. 451 00:22:11,920 --> 00:22:12,680 Speaker 2: You, thanks Steve. 452 00:22:13,480 --> 00:22:14,680 Speaker 4: Sure vision. 453 00:22:17,880 --> 00:22:23,960 Speaker 2: Money instance, and Amanda's here. 454 00:22:23,960 --> 00:22:27,240 Speaker 1: It is ten questions, sixty seconds on the clock. You 455 00:22:27,240 --> 00:22:29,400 Speaker 1: can pass if you don't know an answer. We'll come 456 00:22:29,440 --> 00:22:32,240 Speaker 1: back to that question if time permits. Sixty seconds is 457 00:22:32,240 --> 00:22:34,320 Speaker 1: a hell of a lot of time. You got plenty 458 00:22:34,280 --> 00:22:34,720 Speaker 1: of your time. 459 00:22:34,800 --> 00:22:36,879 Speaker 2: If you get all ten questions right, you get one 460 00:22:36,880 --> 00:22:38,800 Speaker 2: thousand dollars. You can leave it at that and people 461 00:22:38,840 --> 00:22:41,160 Speaker 2: have they said, thank you, I'm off, but we will 462 00:22:41,200 --> 00:22:43,520 Speaker 2: tempt you for one more question. Do you want to 463 00:22:43,520 --> 00:22:45,600 Speaker 2: double your money? However, if you go for the two 464 00:22:45,680 --> 00:22:47,760 Speaker 2: grand and you don't get it right, we'll see you later. 465 00:22:47,880 --> 00:22:49,200 Speaker 1: We've got a long way to go on a short 466 00:22:49,200 --> 00:22:51,760 Speaker 1: time to get there. Let's get Sue from Putney. 467 00:22:51,880 --> 00:22:55,240 Speaker 5: Hi, Sue, so I'm quoting Smoky and Amanda. 468 00:22:55,320 --> 00:22:55,639 Speaker 2: Hello. 469 00:22:55,960 --> 00:22:56,720 Speaker 1: Okay, Sue. 470 00:22:56,800 --> 00:22:59,560 Speaker 2: Now the thing to remember here is if you don't 471 00:22:59,560 --> 00:23:02,199 Speaker 2: know an you're not sure, say passed, because if you 472 00:23:02,240 --> 00:23:03,720 Speaker 2: get it wrong, the game is over. 473 00:23:03,760 --> 00:23:05,760 Speaker 1: Okay, keep your powder dry suit. 474 00:23:06,119 --> 00:23:08,560 Speaker 2: All right, Sue. We've given you enough cliches to be 475 00:23:08,600 --> 00:23:09,119 Speaker 2: getting on with. 476 00:23:09,520 --> 00:23:10,480 Speaker 1: Do you want to check one in? 477 00:23:10,560 --> 00:23:11,000 Speaker 2: Sue? 478 00:23:12,119 --> 00:23:12,479 Speaker 1: Why not? 479 00:23:12,960 --> 00:23:13,320 Speaker 2: All right? 480 00:23:13,400 --> 00:23:14,440 Speaker 11: I have no idea? 481 00:23:14,680 --> 00:23:17,360 Speaker 2: Well, look, let's see how we go. We've got sixty seconds. 482 00:23:17,359 --> 00:23:18,760 Speaker 2: Ten questions? Are you ready to start? 483 00:23:19,480 --> 00:23:19,920 Speaker 10: Let's go? 484 00:23:20,119 --> 00:23:20,680 Speaker 1: So good luck? 485 00:23:20,720 --> 00:23:23,399 Speaker 2: Here we go. Question one? How many holes are on 486 00:23:23,440 --> 00:23:28,159 Speaker 2: a standard golf course? Question two? Darwin is the capital 487 00:23:28,200 --> 00:23:29,480 Speaker 2: of which state or territory? 488 00:23:30,240 --> 00:23:31,080 Speaker 6: Mordn territory. 489 00:23:31,160 --> 00:23:33,440 Speaker 2: Question three. If you mix red and white, what color 490 00:23:33,480 --> 00:23:38,160 Speaker 2: do you get? Question four? Jeff Bezos founded which online retailer? 491 00:23:40,119 --> 00:23:42,679 Speaker 2: Question five. Daniel Ricardo is known for which sport? 492 00:23:43,800 --> 00:23:44,280 Speaker 4: Nottor et? 493 00:23:44,560 --> 00:23:46,760 Speaker 2: Question six? What operation did I recently have? 494 00:23:47,720 --> 00:23:48,520 Speaker 10: Keep replacement? 495 00:23:48,640 --> 00:23:51,920 Speaker 2: Question seven? Finish this popular saying honesty is the best? 496 00:23:52,119 --> 00:23:53,080 Speaker 6: What pol? 497 00:23:53,560 --> 00:23:56,440 Speaker 2: Question eight? Sharon Strazleki is a character from which TV 498 00:23:56,520 --> 00:24:00,280 Speaker 2: show Katin Kim? Question nine? Are In Williams? Found it? 499 00:24:00,320 --> 00:24:00,399 Speaker 4: In? 500 00:24:00,400 --> 00:24:01,080 Speaker 2: Which country? 501 00:24:01,840 --> 00:24:02,399 Speaker 6: Australia? 502 00:24:02,680 --> 00:24:04,720 Speaker 2: Question ten? Nick Jagger was the lead singer of which 503 00:24:04,800 --> 00:24:09,440 Speaker 2: rock band? Back to question four, Jeff Bezos founded which 504 00:24:09,480 --> 00:24:10,480 Speaker 2: online retailer? 505 00:24:12,480 --> 00:24:20,680 Speaker 6: Oh gosh, contrailer. 506 00:24:22,800 --> 00:24:27,480 Speaker 2: Oh so it's Amazon. 507 00:24:28,480 --> 00:24:29,000 Speaker 5: Amazon. 508 00:24:29,080 --> 00:24:31,840 Speaker 6: I knew it thinking it was beginning with A and 509 00:24:32,160 --> 00:24:33,359 Speaker 6: just didn't come into my head. 510 00:24:33,520 --> 00:24:39,400 Speaker 2: Oh so you could have even googled it in that Still, 511 00:24:39,440 --> 00:24:41,560 Speaker 2: I'm sorry you get one hundred bucks for your groceries. 512 00:24:41,560 --> 00:24:44,879 Speaker 1: But oh we were so close disappointment. 513 00:24:44,960 --> 00:24:50,600 Speaker 2: That was oh, so all take a deep breath. Well, 514 00:24:50,720 --> 00:24:53,560 Speaker 2: I found this footage that I put on my Insta 515 00:24:53,640 --> 00:24:56,600 Speaker 2: the other day. It's so strange. How do you feel 516 00:24:56,600 --> 00:24:57,600 Speaker 2: about psychic sprendon? 517 00:24:59,040 --> 00:25:02,720 Speaker 1: After I watched the ment List, that TV show that 518 00:25:02,840 --> 00:25:05,960 Speaker 1: had it's not a psychic, No, they tell you what 519 00:25:06,000 --> 00:25:08,360 Speaker 1: you want to hear. I reckon, I could be a psychic. 520 00:25:08,400 --> 00:25:10,760 Speaker 1: You sort of you look at someone and you get 521 00:25:10,800 --> 00:25:12,719 Speaker 1: a vibe of what they're about. So I look at 522 00:25:12,720 --> 00:25:14,280 Speaker 1: you and I say, oh, you know, if you look 523 00:25:14,280 --> 00:25:15,600 Speaker 1: at you, you, what is. 524 00:25:15,600 --> 00:25:16,240 Speaker 2: That sentence going? 525 00:25:16,240 --> 00:25:19,600 Speaker 1: You're like jewels? And and then I say your mother 526 00:25:19,720 --> 00:25:20,920 Speaker 1: was into jewelry, and. 527 00:25:20,840 --> 00:25:22,920 Speaker 2: You'd say, oh, yeah, actually no she wasn't. 528 00:25:23,760 --> 00:25:26,200 Speaker 1: But then I'd say, well, your mother wasn't into jewelry. 529 00:25:26,480 --> 00:25:29,760 Speaker 1: That's right. She wasn't into jewelry. She was into tennis. 530 00:25:29,840 --> 00:25:32,440 Speaker 2: But also, they often tell you stuff that's already happened. 531 00:25:32,680 --> 00:25:36,160 Speaker 2: I think, well, I know what's happened. I was there. Yeah, 532 00:25:36,520 --> 00:25:39,480 Speaker 2: I'm a little freaked by psychics. I don't believe them. 533 00:25:39,480 --> 00:25:41,840 Speaker 2: I don't think, but I don't. I don't go to psychics. 534 00:25:41,840 --> 00:25:43,879 Speaker 2: I've got a variety of friends who go to psychics, 535 00:25:44,000 --> 00:25:46,199 Speaker 2: but have a listened to this one. This one is 536 00:25:46,240 --> 00:25:49,200 Speaker 2: a TV psychic and someone stands up in the TV 537 00:25:49,320 --> 00:25:53,200 Speaker 2: studio to ask her a question. And here's how it goes. 538 00:25:53,480 --> 00:25:55,080 Speaker 1: My mom passed away three years ago. 539 00:25:55,440 --> 00:25:59,399 Speaker 4: And she was a beautiful woman, by the way, thank you. 540 00:25:59,640 --> 00:26:03,199 Speaker 4: She was very flamboyant, Yes she was. Yes, she was 541 00:26:03,240 --> 00:26:04,800 Speaker 4: sort of a gypsy type of woman. 542 00:26:04,960 --> 00:26:05,840 Speaker 2: Yes, yes. 543 00:26:07,000 --> 00:26:10,479 Speaker 13: And before she passed away, she tried several times to 544 00:26:10,520 --> 00:26:12,840 Speaker 13: tell me something in the hospital and I could not 545 00:26:13,040 --> 00:26:15,639 Speaker 13: understand because of the tube she had in her mouth 546 00:26:15,680 --> 00:26:19,120 Speaker 13: and yeah, the tricky all that, and I just didn't 547 00:26:19,160 --> 00:26:21,919 Speaker 13: understand it. And so this dage still bothers me that 548 00:26:21,960 --> 00:26:23,440 Speaker 13: I couldn't understand my own mother. 549 00:26:23,760 --> 00:26:26,160 Speaker 4: She didn't. You know, this is really hard to tell 550 00:26:26,200 --> 00:26:27,800 Speaker 4: you your father is not your father? 551 00:26:29,320 --> 00:26:29,600 Speaker 7: Wow? 552 00:26:31,040 --> 00:26:32,880 Speaker 4: But who cares you love? Who you love? 553 00:26:33,000 --> 00:26:36,000 Speaker 2: Oh? Absolutely absolutely okay. 554 00:26:35,600 --> 00:26:37,960 Speaker 4: But she wanted to get that off her chass. Who 555 00:26:38,000 --> 00:26:39,880 Speaker 4: cares you know? But I mean that was her thing. 556 00:26:39,960 --> 00:26:42,720 Speaker 2: Okay, Okay, thank you. I was just wanting with she 557 00:26:42,840 --> 00:26:45,360 Speaker 2: left the silver. But that's great information, and thank you. 558 00:26:45,480 --> 00:26:46,879 Speaker 1: Shut up and take my money. 559 00:26:46,920 --> 00:26:48,960 Speaker 2: You do need to follow up with some DNA tests 560 00:26:48,960 --> 00:26:51,320 Speaker 2: and maybe let's not just assume that she's correct. 561 00:26:51,480 --> 00:26:53,639 Speaker 1: I don't think there's any further investigation need. 562 00:26:53,640 --> 00:26:55,760 Speaker 2: Thank you for the information. Let's leave it at. 563 00:26:55,640 --> 00:26:58,280 Speaker 1: That, Let's move I remember where John Edward come in, Yeah, 564 00:26:58,480 --> 00:27:01,040 Speaker 1: and he said, I see you too doing TV show together. 565 00:27:01,880 --> 00:27:03,640 Speaker 1: Well you know there's a good chance that that could 566 00:27:03,680 --> 00:27:04,439 Speaker 1: possibly happen. 567 00:27:05,240 --> 00:27:09,119 Speaker 2: Well, this, I mean, that's prosaic information, it's basic information. 568 00:27:09,760 --> 00:27:14,199 Speaker 2: Friend of mine had a work colleague and that they 569 00:27:14,240 --> 00:27:16,719 Speaker 2: went to see a psychic who said, and they listed 570 00:27:16,760 --> 00:27:19,600 Speaker 2: some terrible things that might before them. They can say 571 00:27:19,600 --> 00:27:22,439 Speaker 2: exactly what they'd be, but terrible career things, blah blah, 572 00:27:22,440 --> 00:27:24,760 Speaker 2: but said at the end, you'll always have a good parking. 573 00:27:25,640 --> 00:27:29,439 Speaker 2: And when my friends saw her years later and things 574 00:27:29,480 --> 00:27:32,479 Speaker 2: had happened, not great things and all, she just had 575 00:27:32,520 --> 00:27:34,760 Speaker 2: to stop herself saying, but what about the park? 576 00:27:34,880 --> 00:27:36,960 Speaker 1: When do I get the parking? When does that happen? 577 00:27:37,240 --> 00:27:40,600 Speaker 2: So the tribal drum is going to beat for dud psychic. 578 00:27:40,400 --> 00:27:43,160 Speaker 4: And your father is not your father? But who cares 579 00:27:43,280 --> 00:27:43,600 Speaker 4: you love? 580 00:27:43,640 --> 00:27:46,639 Speaker 2: Who you love? They told you something massive, Maybe they 581 00:27:46,680 --> 00:27:49,840 Speaker 2: told you something ridiculous like that you'll always have good parking. 582 00:27:49,920 --> 00:27:51,520 Speaker 1: We don't want, we don't want accurate stuff. 583 00:27:51,560 --> 00:27:51,840 Speaker 6: We don't. 584 00:27:52,040 --> 00:27:53,960 Speaker 2: We don't want something that changed your life in a 585 00:27:54,000 --> 00:27:55,800 Speaker 2: great way. We want to hear the dumb, the stupid, 586 00:27:55,840 --> 00:27:56,719 Speaker 2: the overwrought. 587 00:27:57,080 --> 00:28:02,840 Speaker 1: Good Parking is what we're talking about, or Bad Parking podcast. 588 00:28:02,960 --> 00:28:04,919 Speaker 1: And that is very funny though. That psychic that you've 589 00:28:04,920 --> 00:28:06,880 Speaker 1: put up on your Instagram TV psychic. 590 00:28:06,920 --> 00:28:09,320 Speaker 2: A woman stands up just to ask her a question 591 00:28:09,400 --> 00:28:12,639 Speaker 2: about when my mother was passing. I didn't understand what 592 00:28:12,680 --> 00:28:14,000 Speaker 2: she was trying to tell me, And he's what the 593 00:28:14,000 --> 00:28:14,680 Speaker 2: psychic said. 594 00:28:14,920 --> 00:28:17,720 Speaker 4: Your father is not your father, But who cares you? 595 00:28:17,800 --> 00:28:18,560 Speaker 2: Love who you love? 596 00:28:18,600 --> 00:28:22,120 Speaker 1: Love who you love? The tribal dramas beating for this psychic. 597 00:28:22,720 --> 00:28:24,920 Speaker 2: Kayla's with us. Tell us about the dud psychic. 598 00:28:25,000 --> 00:28:29,800 Speaker 6: Kayla, good morning guys. Okay, Well, when I was seventeen, 599 00:28:30,680 --> 00:28:32,920 Speaker 6: my friends and I all decided we'd go and see 600 00:28:32,960 --> 00:28:35,120 Speaker 6: a psychic and you know, find out what the pitch 601 00:28:35,200 --> 00:28:38,400 Speaker 6: I sold for us. And I walked out and she 602 00:28:38,520 --> 00:28:41,280 Speaker 6: had told me I was going to have numerous miscarriages 603 00:28:41,920 --> 00:28:46,640 Speaker 6: and lots of fertility issues. And to the seventeen year 604 00:28:46,640 --> 00:28:49,160 Speaker 6: old me, who was so maternal and always wanted to 605 00:28:49,200 --> 00:28:52,560 Speaker 6: be a mom and love kids, I was absolutely gutted. 606 00:28:52,640 --> 00:28:56,120 Speaker 6: And it stuck with me all through my twenties, and 607 00:28:56,160 --> 00:28:58,640 Speaker 6: as it turned out, it didn't happen at all, and 608 00:28:58,680 --> 00:29:01,480 Speaker 6: I had no fertility issue and ended up with two 609 00:29:01,520 --> 00:29:02,440 Speaker 6: beautiful children. 610 00:29:02,600 --> 00:29:03,080 Speaker 1: There you go. 611 00:29:03,240 --> 00:29:05,480 Speaker 6: It's hard around that at all. 612 00:29:05,640 --> 00:29:07,400 Speaker 2: What a hard thing to be told. 613 00:29:08,360 --> 00:29:10,840 Speaker 6: Yeah, it hung around with me even when I was pregnant. 614 00:29:10,920 --> 00:29:12,320 Speaker 6: I was like, oh my gosh, I really need to 615 00:29:12,320 --> 00:29:15,160 Speaker 6: look after myself, you know. Yeah, and I have all 616 00:29:15,200 --> 00:29:16,200 Speaker 6: these miscarriages. 617 00:29:16,480 --> 00:29:17,320 Speaker 2: That's terrible. 618 00:29:17,440 --> 00:29:19,080 Speaker 6: It really played with my mind. 619 00:29:19,080 --> 00:29:22,680 Speaker 2: It was horrible, Yes it is. Oh kaylor Look, I'm 620 00:29:22,680 --> 00:29:24,560 Speaker 2: glad it all went well, and thank you for sharing 621 00:29:24,560 --> 00:29:26,920 Speaker 2: your story. And if you've been told something that spooked 622 00:29:26,960 --> 00:29:29,480 Speaker 2: you pointing a bone, isn't it If you told something 623 00:29:29,560 --> 00:29:31,880 Speaker 2: spooked you, don't don't be spooked. 624 00:29:31,960 --> 00:29:35,120 Speaker 1: Don't be spooked. Don't go to that stuff more. You 625 00:29:35,200 --> 00:29:37,880 Speaker 1: called thirteen WSFM is our number? Why didn't you give 626 00:29:37,920 --> 00:29:38,400 Speaker 1: us call less? 627 00:29:38,600 --> 00:29:40,840 Speaker 2: Can I say school zones are not in affecturing school hold? 628 00:29:40,880 --> 00:29:43,320 Speaker 1: Yes, Brendon, but today is not a school holiday. 629 00:29:43,480 --> 00:29:44,800 Speaker 2: Well you didn't answer my question. 630 00:29:45,000 --> 00:29:47,920 Speaker 1: No, school zones are not in fact during school holidays. 631 00:29:48,200 --> 00:29:50,120 Speaker 2: Just so we're clear, and school's back today? 632 00:29:50,160 --> 00:29:52,400 Speaker 1: Is school is back today? But I don't think they 633 00:29:52,480 --> 00:29:54,840 Speaker 1: go to school. Hence the whole let's have a free 634 00:29:54,880 --> 00:29:56,680 Speaker 1: pupil day, that thing I was ranting about. 635 00:29:56,720 --> 00:29:58,720 Speaker 2: Hence you're not sure, No, I'm sure. 636 00:29:58,760 --> 00:30:00,400 Speaker 1: It's like some day where they don't you know, they 637 00:30:00,440 --> 00:30:02,120 Speaker 1: go and warm up the photo copy or what do 638 00:30:02,240 --> 00:30:08,280 Speaker 1: they do? Sit on it? That's what do. 639 00:30:09,800 --> 00:30:12,040 Speaker 2: Pass it on? 640 00:30:13,760 --> 00:30:17,640 Speaker 11: Look at that seat, go outside the Lawnes Jonesy and 641 00:30:17,680 --> 00:30:19,600 Speaker 11: Amanda podcast. 642 00:30:22,520 --> 00:30:24,600 Speaker 4: All you got to do is pressing. 643 00:30:26,840 --> 00:30:28,960 Speaker 1: It's very good that dud's psychic you put up on 644 00:30:29,000 --> 00:30:30,040 Speaker 1: your Instagram feed. 645 00:30:30,200 --> 00:30:31,920 Speaker 2: Well, we don't know if she's a dud, but she's 646 00:30:31,960 --> 00:30:33,000 Speaker 2: as blunt as hell. 647 00:30:33,760 --> 00:30:36,200 Speaker 13: My mom passed away three years ago, and. 648 00:30:36,760 --> 00:30:39,760 Speaker 4: She was a beautiful woman, by the way, thank you. 649 00:30:39,960 --> 00:30:43,440 Speaker 4: She was very flamboyant, Yes she was. Yes, she was 650 00:30:43,520 --> 00:30:45,080 Speaker 4: sort of a gypsy type of woman. 651 00:30:45,240 --> 00:30:46,160 Speaker 2: Yes, yes. 652 00:30:47,320 --> 00:30:50,760 Speaker 13: And before she passed away, she tried several times to 653 00:30:50,840 --> 00:30:53,160 Speaker 13: tell me something in the hospital and I could not 654 00:30:53,320 --> 00:30:55,280 Speaker 13: understand because of the tube she. 655 00:30:55,200 --> 00:30:58,520 Speaker 4: Had in her mouth and yeah, the tricky all that, and. 656 00:30:58,880 --> 00:31:00,200 Speaker 13: I just didn't understand it. 657 00:31:00,320 --> 00:31:01,000 Speaker 1: Until this day. 658 00:31:01,160 --> 00:31:03,720 Speaker 13: Still bothers me that I couldn't understand my own mother. 659 00:31:04,040 --> 00:31:06,480 Speaker 4: She didn't. You know, this is really hard to tell 660 00:31:06,480 --> 00:31:11,680 Speaker 4: you your father is not your father? Wow? But who 661 00:31:11,720 --> 00:31:13,520 Speaker 4: cares you love? Who you love? Oh? 662 00:31:13,560 --> 00:31:15,040 Speaker 1: Absolutely, absolutely? 663 00:31:15,400 --> 00:31:18,040 Speaker 4: Okay, but she wanted to get that off her chests. 664 00:31:18,080 --> 00:31:19,960 Speaker 4: Who cares you know? But I mean that was her thing. 665 00:31:20,280 --> 00:31:22,560 Speaker 2: Okay, Okay, give that information. 666 00:31:22,720 --> 00:31:24,200 Speaker 1: Any further investigation is need. 667 00:31:24,320 --> 00:31:26,880 Speaker 2: No, I think we just accept that psychic is said. 668 00:31:27,000 --> 00:31:27,440 Speaker 9: There you go. 669 00:31:27,680 --> 00:31:30,080 Speaker 2: I just wanted to know where mom had left the spoons. 670 00:31:31,320 --> 00:31:33,840 Speaker 1: No Father's Day gift for you, dad, tribal. 671 00:31:33,600 --> 00:31:35,760 Speaker 2: Drum is beating for Dad's psychic your. 672 00:31:35,640 --> 00:31:38,440 Speaker 4: Father is not your father? But who cares you love? 673 00:31:38,480 --> 00:31:39,000 Speaker 2: Who you love? 674 00:31:39,240 --> 00:31:39,680 Speaker 1: My dad? 675 00:31:39,720 --> 00:31:40,560 Speaker 2: We just mean weird. 676 00:31:41,040 --> 00:31:42,120 Speaker 1: Linda has joined us. 677 00:31:42,200 --> 00:31:43,920 Speaker 2: Hello, Linda, tell us about the psychic. 678 00:31:45,200 --> 00:31:45,360 Speaker 3: Hi. 679 00:31:45,520 --> 00:31:47,880 Speaker 15: Yes, well it's not my story, it's my friend's mother 680 00:31:47,920 --> 00:31:50,480 Speaker 15: had happened to So it's a long long time ago. 681 00:31:50,680 --> 00:31:54,600 Speaker 15: This lady married very young, had four children, but sadly 682 00:31:54,640 --> 00:32:01,560 Speaker 15: she actually married an alcoholic so he after hospital during 683 00:32:01,680 --> 00:32:05,640 Speaker 15: his alcoholism, and Pam decided to divorce him, had taken 684 00:32:05,640 --> 00:32:08,880 Speaker 15: off her wedding band, had four young children, who just thought, 685 00:32:08,920 --> 00:32:11,360 Speaker 15: I can't do this anyway. She went to a psarkic 686 00:32:12,400 --> 00:32:15,480 Speaker 15: whilst her husband was in the hospital dying of alcoholism, 687 00:32:16,080 --> 00:32:19,680 Speaker 15: and the first thing. She walked into the pharkic. He 688 00:32:19,720 --> 00:32:22,080 Speaker 15: didn't say high. And the first thing he said to 689 00:32:22,120 --> 00:32:26,800 Speaker 15: her was, don't want bother serving the divorce papers. He'll 690 00:32:26,840 --> 00:32:29,960 Speaker 15: be dead within the week. And it was true in 691 00:32:30,000 --> 00:32:32,960 Speaker 15: a week. So yeah, the first thing, because she had 692 00:32:33,000 --> 00:32:35,760 Speaker 15: the divorce papers all drawn up, I'm not going to 693 00:32:35,800 --> 00:32:38,719 Speaker 15: do this anymore. And he said that to her first thing. 694 00:32:39,320 --> 00:32:41,520 Speaker 2: And he had no sense of who she was, or 695 00:32:41,520 --> 00:32:42,520 Speaker 2: what she'd been through. 696 00:32:42,400 --> 00:32:45,120 Speaker 6: Or a thing as far as I'm aware. 697 00:32:45,320 --> 00:32:49,920 Speaker 15: No, she had taken her wedding band off, so maybe 698 00:32:49,960 --> 00:32:51,920 Speaker 15: there was a mark on her fingers from a wedding band. 699 00:32:51,920 --> 00:32:55,520 Speaker 15: But yeah, just said, don't mother serving the divorce papers. 700 00:32:55,520 --> 00:32:58,840 Speaker 15: He'll be dead within the week, and in that week. 701 00:32:59,080 --> 00:33:01,920 Speaker 2: This conflicts me because I don't want to believe that 702 00:33:02,000 --> 00:33:03,320 Speaker 2: they can know that stuff. 703 00:33:03,560 --> 00:33:04,719 Speaker 1: But we all want to believe. 704 00:33:05,080 --> 00:33:07,280 Speaker 2: I don't. I don't want to believe. I don't want 705 00:33:07,280 --> 00:33:14,800 Speaker 2: to believe. Pretty good, Wow, I can't tell who we love, 706 00:33:14,840 --> 00:33:17,680 Speaker 2: we love who we love? Your dad is nudge your father. 707 00:33:19,600 --> 00:33:21,560 Speaker 1: Let's get on down to the jonesy amount of arms 708 00:33:21,560 --> 00:33:24,600 Speaker 1: to the pub test and today two seats for larger 709 00:33:24,680 --> 00:33:27,000 Speaker 1: bodies on planes. Does it pass the pub test? 710 00:33:27,080 --> 00:33:30,320 Speaker 2: It's a controversial one. There's an international carrier, a budget 711 00:33:30,360 --> 00:33:34,600 Speaker 2: international carrier called Scoot that has added a note to 712 00:33:34,640 --> 00:33:37,480 Speaker 2: its policy saying that if you're a guest of size 713 00:33:37,560 --> 00:33:41,040 Speaker 2: who requires two seats, fares and fees for two guests 714 00:33:41,040 --> 00:33:44,000 Speaker 2: supply when they say requires two seats, you may not 715 00:33:44,040 --> 00:33:46,280 Speaker 2: nominate that you need two seats. So I guess someone's 716 00:33:46,280 --> 00:33:48,920 Speaker 2: going to tell you you're too big to fly in one seat. 717 00:33:48,960 --> 00:33:50,760 Speaker 2: You make it uncomfortable for the passenger next to you. 718 00:33:50,800 --> 00:33:53,320 Speaker 2: It's quite arbitrary, isn't it. And this is where the 719 00:33:53,360 --> 00:33:56,280 Speaker 2: opposition is coming because other airlines are looking at this. Emirates, 720 00:33:56,360 --> 00:34:00,120 Speaker 2: United Airlines Jetstar are among those requiring some passengers to 721 00:34:00,160 --> 00:34:01,120 Speaker 2: pay for two sets on. 722 00:34:01,280 --> 00:34:02,560 Speaker 1: Jet start cutting costs. 723 00:34:03,600 --> 00:34:06,600 Speaker 2: Also, what they're saying here, well, not cutting costs. What 724 00:34:06,600 --> 00:34:08,080 Speaker 2: do you mean they're getting two seats. 725 00:34:07,960 --> 00:34:09,359 Speaker 1: Not in jets Star to get more money. 726 00:34:09,920 --> 00:34:11,239 Speaker 2: What they are getting more money? 727 00:34:11,239 --> 00:34:12,920 Speaker 1: Where they make the seats so small so you can 728 00:34:12,920 --> 00:34:15,080 Speaker 1: put the more people on the plane. Next I'll be judging. Oh, 729 00:34:15,120 --> 00:34:17,320 Speaker 1: excuse me, sir, I noticed it. You've got two arms 730 00:34:17,320 --> 00:34:20,080 Speaker 1: and two legs. I'm afraid that's one of the points here. 731 00:34:20,080 --> 00:34:21,760 Speaker 1: You're going to have to pay extra over the years. 732 00:34:21,800 --> 00:34:23,800 Speaker 2: If look at the trends, our bodies are getting bigger 733 00:34:23,840 --> 00:34:26,360 Speaker 2: and the seats are getting smaller. And what they're saying 734 00:34:26,400 --> 00:34:28,800 Speaker 2: is that the new science, this is what advocacy groups, 735 00:34:29,040 --> 00:34:32,520 Speaker 2: the Obesity Collective is calling out for a mandatory cove 736 00:34:32,600 --> 00:34:35,440 Speaker 2: to deal with this kind of discrimination, because they're saying 737 00:34:35,520 --> 00:34:38,440 Speaker 2: new science is showing it's not just a lifestyle choice 738 00:34:38,440 --> 00:34:40,640 Speaker 2: if you're overweight. There are a whole lot of issues 739 00:34:40,640 --> 00:34:43,200 Speaker 2: of terms of metabolism and blah blah blah that go 740 00:34:43,320 --> 00:34:45,279 Speaker 2: into it. So it's not just a case of it's 741 00:34:45,320 --> 00:34:48,280 Speaker 2: your fault. Therefore you buy two seats. 742 00:34:49,040 --> 00:34:50,640 Speaker 1: Maybe they should weigh you. Like when you go to 743 00:34:50,680 --> 00:34:53,920 Speaker 1: Fiji and you got to fly, Yeah, you got to 744 00:34:53,920 --> 00:34:55,560 Speaker 1: stand on the scales. I remember one time, this is 745 00:34:55,560 --> 00:34:57,480 Speaker 1: when I was one hundred and twenty kilos, when I 746 00:34:57,520 --> 00:34:58,520 Speaker 1: was really heavy crops. 747 00:34:58,520 --> 00:34:59,920 Speaker 2: You're the only one allowed on board. 748 00:35:00,120 --> 00:35:02,200 Speaker 1: The scales and the feed and said, oh my god, 749 00:35:02,200 --> 00:35:03,640 Speaker 1: we're gonna have to get another plane. 750 00:35:04,040 --> 00:35:06,799 Speaker 2: Okay, but that's humiliating. And that's what they're saying here 751 00:35:06,920 --> 00:35:08,920 Speaker 2: is it's going to be harder for people to be 752 00:35:09,400 --> 00:35:11,880 Speaker 2: to check into flights. It could be very humiliating. 753 00:35:11,920 --> 00:35:13,719 Speaker 1: Maybe they should put you one of those racks, you know, 754 00:35:13,840 --> 00:35:16,040 Speaker 1: the racks out the front where you put your luggas, 755 00:35:16,480 --> 00:35:19,719 Speaker 1: so you're stuffing Auntie into it to make sure she 756 00:35:19,719 --> 00:35:20,160 Speaker 1: fits on that. 757 00:35:20,320 --> 00:35:23,719 Speaker 2: I get that it's embarrassing and humiliating, but if you're 758 00:35:23,920 --> 00:35:26,120 Speaker 2: squished next to someone who's taking up really one and 759 00:35:26,200 --> 00:35:28,960 Speaker 2: a half seats, is that fair? What do you think 760 00:35:29,040 --> 00:35:32,000 Speaker 2: two seats for larger bodies on planes? Does it pass 761 00:35:32,080 --> 00:35:32,640 Speaker 2: the pub test? 762 00:35:32,680 --> 00:35:35,160 Speaker 1: Thirteen WSFM is a number. We'll have that for you 763 00:35:35,200 --> 00:35:37,520 Speaker 1: at eight o'clock. In the meantime, Emma Gillespie's going to 764 00:35:37,520 --> 00:35:40,440 Speaker 1: be joining us. I love a feud and the feud 765 00:35:40,480 --> 00:35:42,640 Speaker 1: between I think we'll all remember where we were when 766 00:35:42,640 --> 00:35:47,560 Speaker 1: the feard between m Rata Rata Rata and our Celeste 767 00:35:47,560 --> 00:35:48,640 Speaker 1: Barber ignited. 768 00:35:48,880 --> 00:35:56,120 Speaker 2: Well, we're going to discuss all of that next Comcast Entertainment. 769 00:35:57,640 --> 00:35:58,759 Speaker 2: Put on your dance and shift. 770 00:35:58,840 --> 00:36:02,279 Speaker 1: Don't give me your fast remember me dot com toa you. 771 00:36:02,360 --> 00:36:03,360 Speaker 1: It's Emma Gillespie. 772 00:36:03,600 --> 00:36:07,360 Speaker 2: Good morning. Well hello Emma. This is a fascinating one 773 00:36:07,680 --> 00:36:09,960 Speaker 2: and on the surface it looks like a social media spat, 774 00:36:10,000 --> 00:36:11,080 Speaker 2: but there's more to it than that. 775 00:36:11,280 --> 00:36:13,600 Speaker 11: Yeah, it's a little deeper than that. But we can 776 00:36:13,840 --> 00:36:16,319 Speaker 11: roll our eyes at some moments of this beef. Let's 777 00:36:16,360 --> 00:36:20,560 Speaker 11: get into it. Celeste Barber, we all know her, Australian comedian. 778 00:36:20,880 --> 00:36:23,160 Speaker 11: She really blew up a few years ago, and her 779 00:36:23,200 --> 00:36:27,080 Speaker 11: whole stick has been on Instagram, you know, posing in 780 00:36:27,120 --> 00:36:32,040 Speaker 11: a spoof or a reappropriation of supermodels doing their things, So. 781 00:36:32,160 --> 00:36:34,960 Speaker 2: A girl in a bikini, legs apart, eating a big 782 00:36:35,040 --> 00:36:37,160 Speaker 2: pizza saying this is how my weekend's going. 783 00:36:37,480 --> 00:36:40,040 Speaker 11: Yeah, or a photo shoot with a leotard made of 784 00:36:40,080 --> 00:36:42,239 Speaker 11: duct tape, that kind of thing. And Celestie's, you know, 785 00:36:42,320 --> 00:36:46,520 Speaker 11: the every woman, and she spoofs other unattainably beautiful women. 786 00:36:46,920 --> 00:36:50,319 Speaker 11: One of those women is m Rudder aka Emily Radikowski. 787 00:36:50,440 --> 00:36:52,120 Speaker 2: This is radio. We don't have time. We call her 788 00:36:52,239 --> 00:36:56,239 Speaker 2: m Ruda. Okay, she has she flame, we have no time. 789 00:36:56,560 --> 00:36:59,800 Speaker 2: She came to fame as the in the Blurred Lines video. 790 00:37:00,120 --> 00:37:01,839 Speaker 1: Yes, so that Robin Thick song. 791 00:37:02,080 --> 00:37:05,960 Speaker 2: She was like the girl in the video. She's very beautiful. 792 00:37:06,239 --> 00:37:09,279 Speaker 11: She is feminist advocate as well. She's written a book, 793 00:37:09,320 --> 00:37:11,120 Speaker 11: she does essays, she has a podcast. 794 00:37:11,160 --> 00:37:11,719 Speaker 2: She's very deep. 795 00:37:11,760 --> 00:37:13,359 Speaker 11: She wants you to know that she's more than just 796 00:37:13,400 --> 00:37:14,799 Speaker 11: a beautiful face. 797 00:37:14,640 --> 00:37:17,040 Speaker 1: And passed on with Harry Styles recently. 798 00:37:17,239 --> 00:37:20,200 Speaker 11: She did recently kiss Harry Styles in Tokyo. 799 00:37:20,200 --> 00:37:22,680 Speaker 2: But she wants you to know she's got a book. Okay, yeah, 800 00:37:22,760 --> 00:37:24,920 Speaker 2: she's got a book about feminism. Anyway. 801 00:37:25,000 --> 00:37:27,520 Speaker 11: She's been fighting with Celeste Barber for many years because 802 00:37:27,560 --> 00:37:31,680 Speaker 11: Celeste has spoofed em Rada's pics and videos in a 803 00:37:31,719 --> 00:37:34,319 Speaker 11: lot of her posts. In twenty twenty one, though, it 804 00:37:34,400 --> 00:37:37,239 Speaker 11: really came to a head. Celeste recreated a video of 805 00:37:37,280 --> 00:37:40,720 Speaker 11: em Rada posing in a g string she was underwater shower, 806 00:37:41,160 --> 00:37:45,279 Speaker 11: and she posted it with the caption she said something 807 00:37:45,320 --> 00:37:49,840 Speaker 11: about women stop objectifying women's bodies. Sorry, but here's a 808 00:37:49,840 --> 00:37:53,480 Speaker 11: photo of my ass. So em took offense to that. 809 00:37:53,719 --> 00:37:56,479 Speaker 2: Interesting, isn't it? And then she called her out. 810 00:37:56,560 --> 00:37:58,640 Speaker 11: There was this big sort of i suppose, like a 811 00:37:58,680 --> 00:38:01,480 Speaker 11: mini cancelation of Celel Barber for about a week or so, 812 00:38:02,360 --> 00:38:05,919 Speaker 11: and the conversation about internalized misogyny came out of that. 813 00:38:05,920 --> 00:38:11,239 Speaker 11: That does that mean should women be being mean to 814 00:38:11,320 --> 00:38:13,360 Speaker 11: other women because of their bodies? Or should we be 815 00:38:13,440 --> 00:38:17,680 Speaker 11: reducing women based on how they present themselves or how 816 00:38:17,760 --> 00:38:19,920 Speaker 11: clothed or scandally clad they seem to be? 817 00:38:20,040 --> 00:38:22,759 Speaker 2: So big debate isn't it that, you know, we look 818 00:38:22,800 --> 00:38:25,680 Speaker 2: at models and assume they're dumb, and we look at 819 00:38:25,680 --> 00:38:27,800 Speaker 2: models and think you should put clothes on if you 820 00:38:27,800 --> 00:38:31,240 Speaker 2: want to be taken seriously. Should they have to exactly? 821 00:38:31,680 --> 00:38:33,680 Speaker 1: Well, this is the let's how you get more followers though, 822 00:38:34,160 --> 00:38:37,480 Speaker 1: You put a girl in a bikini, and then you 823 00:38:37,520 --> 00:38:37,919 Speaker 1: get more. 824 00:38:37,800 --> 00:38:39,400 Speaker 2: Followed on the job is to be a model. But 825 00:38:39,480 --> 00:38:42,000 Speaker 2: she is saying, I also am more than my bum, 826 00:38:42,320 --> 00:38:44,319 Speaker 2: And what's wrong if I show my bum and write 827 00:38:44,360 --> 00:38:44,680 Speaker 2: a book? 828 00:38:44,719 --> 00:38:47,759 Speaker 11: Yeah, that there should be a currency in both of 829 00:38:47,760 --> 00:38:49,760 Speaker 11: those things or all of those things. And I suppose 830 00:38:49,800 --> 00:38:52,960 Speaker 11: it was that, oh, the sisterhood feels let down. You know, 831 00:38:53,040 --> 00:38:55,200 Speaker 11: this is what the internet was saying, that Celeste Barber 832 00:38:55,320 --> 00:38:57,520 Speaker 11: is sort of punching down and that isn't it easy 833 00:38:57,560 --> 00:39:00,120 Speaker 11: to make fun of women without their clothes on? And 834 00:39:00,239 --> 00:39:02,839 Speaker 11: you know the world has big issues at play. Interesting 835 00:39:03,200 --> 00:39:06,040 Speaker 11: since then, they've just been I suppose enemies. 836 00:39:06,320 --> 00:39:07,799 Speaker 2: M Rudd blocked Celeste. 837 00:39:08,480 --> 00:39:11,640 Speaker 11: But this week em Rutter has a podcast it's called 838 00:39:11,800 --> 00:39:14,759 Speaker 11: High Low, and em addressed the whole thing and she 839 00:39:14,760 --> 00:39:17,160 Speaker 11: said it's been blown out of proportion, that it was 840 00:39:17,239 --> 00:39:20,800 Speaker 11: more about feminism than it was about Celeste that she 841 00:39:20,840 --> 00:39:23,680 Speaker 11: doesn't necessarily have a problem with Celeste as a person, 842 00:39:24,280 --> 00:39:27,080 Speaker 11: but that she didn't really give her consent to use 843 00:39:27,080 --> 00:39:29,560 Speaker 11: those images, and that it was a very specific time 844 00:39:29,600 --> 00:39:33,000 Speaker 11: where she thinks that we love to pick on female influences. 845 00:39:33,080 --> 00:39:35,919 Speaker 11: They're considered, you know, the lamest, the lowest, the most 846 00:39:35,920 --> 00:39:40,080 Speaker 11: cringe most embarrassing people on the planet, and that fundamentally 847 00:39:40,120 --> 00:39:44,000 Speaker 11: she finds that to be sexist, like that women influencers 848 00:39:44,040 --> 00:39:47,360 Speaker 11: are hustling, they're making money, they're successful, and was that 849 00:39:47,480 --> 00:39:49,319 Speaker 11: fair for celest to be a part of. But I 850 00:39:49,400 --> 00:39:51,680 Speaker 11: feel like what is interesting and what I maybe haven't 851 00:39:51,680 --> 00:39:54,600 Speaker 11: heard of in this argument before, is that she didn't 852 00:39:54,640 --> 00:39:58,240 Speaker 11: give her consent to use those images, and then maybe 853 00:39:58,280 --> 00:40:02,839 Speaker 11: Celeste has repurposed images and has profited off them. What 854 00:40:02,880 --> 00:40:04,680 Speaker 11: do you think in comedy, it's always a sort of 855 00:40:04,680 --> 00:40:05,600 Speaker 11: gray area here, But. 856 00:40:05,760 --> 00:40:08,759 Speaker 1: That's part of satire. But it's like us using any 857 00:40:08,760 --> 00:40:10,640 Speaker 1: of the stuff from a cart affair or anything that 858 00:40:10,680 --> 00:40:13,840 Speaker 1: we do on this radio show and giving them money 859 00:40:13,880 --> 00:40:16,080 Speaker 1: for it, And you know, I guess what is fair 860 00:40:16,200 --> 00:40:17,080 Speaker 1: or christ for the meal? 861 00:40:17,480 --> 00:40:20,120 Speaker 2: But also were those images put up by em Rata 862 00:40:20,160 --> 00:40:22,840 Speaker 2: on her socials, because then yes, they are public property. 863 00:40:23,320 --> 00:40:25,320 Speaker 1: Once out there, it's out there, true. 864 00:40:25,120 --> 00:40:27,839 Speaker 11: I guess, yeah, I suppose we get so caught up 865 00:40:27,840 --> 00:40:30,160 Speaker 11: in the Oh look there's the two women fighting each other. 866 00:40:30,280 --> 00:40:33,320 Speaker 11: Argument that I hadn't even considered that. Well, yeah, Celeste 867 00:40:33,320 --> 00:40:37,000 Speaker 11: Barber has millions of followers. If she's resharing Emrata's images 868 00:40:37,040 --> 00:40:38,000 Speaker 11: and making money. 869 00:40:37,719 --> 00:40:38,000 Speaker 1: That's right. 870 00:40:38,239 --> 00:40:40,560 Speaker 2: She puts her image up as well. But if it's 871 00:40:40,560 --> 00:40:43,239 Speaker 2: on social media, I think it's it's public property. But 872 00:40:43,280 --> 00:40:45,359 Speaker 2: I wonder what this is for the bigger picture of 873 00:40:45,960 --> 00:40:49,040 Speaker 2: Celeste Barber's act, such as it is. Yeah, because once 874 00:40:49,080 --> 00:40:51,319 Speaker 2: you start thinking like that, you go, well, does em 875 00:40:51,400 --> 00:40:53,080 Speaker 2: Rata have a point exactly? 876 00:40:53,120 --> 00:40:55,560 Speaker 11: And it has been several years that Celeste's been doing 877 00:40:55,600 --> 00:40:59,800 Speaker 11: the same thing. She's obviously a hugely successful and famous comedian. 878 00:40:59,840 --> 00:41:02,480 Speaker 11: Now she has a Netflix show, stand up specials. She 879 00:41:02,560 --> 00:41:06,279 Speaker 11: has definitely diversified. I suppose what it is that she does. 880 00:41:06,360 --> 00:41:08,759 Speaker 11: But a lot of her critics have kind of pointed out, 881 00:41:08,880 --> 00:41:10,759 Speaker 11: kind of pointed out that, you know, maybe she needs 882 00:41:10,800 --> 00:41:13,480 Speaker 11: to switch up the act. Maybe she needs to stop 883 00:41:13,560 --> 00:41:15,000 Speaker 11: doing the same old trick. 884 00:41:15,120 --> 00:41:17,600 Speaker 1: Well, maybe she should start spoofing people like The Rock 885 00:41:18,000 --> 00:41:21,680 Speaker 1: and Nolesy when they're bench pressing and time someone went 886 00:41:21,719 --> 00:41:23,879 Speaker 1: for the rock. Because you look at Nasey, he's bench 887 00:41:23,920 --> 00:41:26,440 Speaker 1: pressing a car block, an engine car block, and you 888 00:41:26,640 --> 00:41:27,000 Speaker 1: good on you. 889 00:41:27,680 --> 00:41:30,840 Speaker 2: He is a national treasure. 890 00:41:31,000 --> 00:41:31,840 Speaker 1: Hands off Nolesy. 891 00:41:32,920 --> 00:41:34,360 Speaker 2: Hasn't he been through or nothing? 892 00:41:36,160 --> 00:41:37,920 Speaker 1: You say anything about Nosy? You say it to me? 893 00:41:38,080 --> 00:41:38,719 Speaker 2: I think we are. 894 00:41:38,920 --> 00:41:40,320 Speaker 1: I'm part of the noisy gang. 895 00:41:40,840 --> 00:41:41,560 Speaker 2: What about me? 896 00:41:42,640 --> 00:41:43,320 Speaker 1: Well done? 897 00:41:43,600 --> 00:41:44,600 Speaker 11: Thanks for having me. 898 00:41:45,120 --> 00:41:47,680 Speaker 1: That's when you've got what we aim for. That nothing 899 00:41:48,520 --> 00:41:49,280 Speaker 1: You got a coffee? 900 00:41:49,280 --> 00:41:49,600 Speaker 2: Coffee? 901 00:41:49,880 --> 00:41:53,879 Speaker 1: Do you a coffee and a cuddleisie mama mea dot 902 00:41:53,920 --> 00:41:54,960 Speaker 1: com dot au. 903 00:41:59,800 --> 00:42:00,799 Speaker 16: To go right now? 904 00:42:02,719 --> 00:42:06,560 Speaker 5: Now go to your windows, stick your head on a yell. 905 00:42:06,760 --> 00:42:12,640 Speaker 1: All down to the Jonesy demand realms for the pub test. 906 00:42:12,719 --> 00:42:15,680 Speaker 1: Two seats for larger bodies on planes. Does this pass 907 00:42:15,719 --> 00:42:16,640 Speaker 1: the pub test? 908 00:42:16,880 --> 00:42:17,000 Speaker 3: Well? 909 00:42:17,080 --> 00:42:19,440 Speaker 2: Larger bodied passengers are being forced to buy two seats 910 00:42:19,480 --> 00:42:22,840 Speaker 2: to fly on some airlines, and a budget international carrier, Scoot, 911 00:42:23,239 --> 00:42:25,920 Speaker 2: has just added this and other airlines apparently around the 912 00:42:25,920 --> 00:42:29,720 Speaker 2: world are doing it too. There are ob City Collective 913 00:42:29,760 --> 00:42:35,480 Speaker 2: it's called. These are advocates against discrimination for larger people, 914 00:42:35,880 --> 00:42:39,160 Speaker 2: saying that seats are getting smaller. That's not fair. Also, 915 00:42:39,400 --> 00:42:41,160 Speaker 2: we are now the science is telling us it's not 916 00:42:41,239 --> 00:42:43,880 Speaker 2: just a matter of people overeating. It's not their lifestyle choice. 917 00:42:43,880 --> 00:42:46,680 Speaker 2: It's made people overweight. Lots of other factors go into it, 918 00:42:46,719 --> 00:42:49,000 Speaker 2: so it shouldn't be seen as your fault. There you go, 919 00:42:49,719 --> 00:42:52,040 Speaker 2: having said that, if you're sitting next to a larger person, 920 00:42:52,080 --> 00:42:54,319 Speaker 2: it's like seeing next to someone who's really tall and long. 921 00:42:54,400 --> 00:42:56,800 Speaker 2: They might have to buy a business class seat so 922 00:42:56,840 --> 00:42:58,000 Speaker 2: they can fit on a plane. 923 00:42:58,320 --> 00:43:00,560 Speaker 1: That's why Naomi Campbell always travel was up the front 924 00:43:00,600 --> 00:43:01,120 Speaker 1: of the plane. 925 00:43:01,160 --> 00:43:03,880 Speaker 2: That is why christ bikes are too long. 926 00:43:03,840 --> 00:43:05,640 Speaker 1: Long neck pope on up there. That's why they've got 927 00:43:05,640 --> 00:43:07,480 Speaker 1: to be hump on the top of the seven four sevens. 928 00:43:07,480 --> 00:43:09,480 Speaker 2: But what does this mean though? In terms of you 929 00:43:09,480 --> 00:43:11,120 Speaker 2: turn up at an airline you might be told you 930 00:43:11,200 --> 00:43:13,920 Speaker 2: too big. It could lead to huge humiliation. How do 931 00:43:13,920 --> 00:43:16,279 Speaker 2: you feel two seats for larger bodies on planes? Is 932 00:43:16,280 --> 00:43:17,280 Speaker 2: it past the pub test? 933 00:43:17,640 --> 00:43:19,399 Speaker 15: It absolutely past the pubb test. 934 00:43:19,440 --> 00:43:21,040 Speaker 10: I was waged in next to a hip. 935 00:43:20,920 --> 00:43:22,800 Speaker 15: Ones all the way to Adelaide and ended up putting 936 00:43:22,840 --> 00:43:24,600 Speaker 15: them back out and it spent a week in hospital, 937 00:43:24,680 --> 00:43:26,000 Speaker 15: So yes, it makes it. 938 00:43:26,400 --> 00:43:28,480 Speaker 6: I don't think it's really fair for everyone else, So 939 00:43:28,560 --> 00:43:30,160 Speaker 6: I just think you know, if. 940 00:43:30,080 --> 00:43:31,000 Speaker 3: You're a bigger person. 941 00:43:31,080 --> 00:43:31,719 Speaker 5: That's on you. 942 00:43:32,120 --> 00:43:33,399 Speaker 3: I don't think it's yeah. 943 00:43:33,560 --> 00:43:35,279 Speaker 6: I don't think that you shouldn't be able to do 944 00:43:35,360 --> 00:43:35,879 Speaker 6: that at all. 945 00:43:36,000 --> 00:43:38,520 Speaker 16: Look, I was a big guy myself, and I need 946 00:43:38,640 --> 00:43:42,520 Speaker 16: bigger shoes. I need bigger clothes. It's not my fault 947 00:43:42,800 --> 00:43:45,560 Speaker 16: because of any ailment or anything. It's just a set 948 00:43:45,600 --> 00:43:48,640 Speaker 16: of my size. But the fact is you big people. 949 00:43:49,040 --> 00:43:50,920 Speaker 16: And I've flown many times and there's a lot of 950 00:43:50,920 --> 00:43:54,040 Speaker 16: people there and experienced it. I have bought a seat 951 00:43:54,800 --> 00:43:57,279 Speaker 16: and people are invaded in my space. If it's half 952 00:43:57,440 --> 00:43:59,239 Speaker 16: in a small seat, you know the bigger seat and 953 00:43:59,280 --> 00:44:01,399 Speaker 16: it's a big seat. Small money, you're playing more money, 954 00:44:01,880 --> 00:44:02,759 Speaker 16: go yes. 955 00:44:02,960 --> 00:44:04,960 Speaker 6: Last time I flew this huge right next to me 956 00:44:05,280 --> 00:44:07,680 Speaker 6: put enough of his DNA all over me. I could 957 00:44:07,680 --> 00:44:09,320 Speaker 6: have been accused of his murder. 958 00:44:09,719 --> 00:44:10,680 Speaker 3: When I've got off the. 959 00:44:10,600 --> 00:44:13,239 Speaker 6: Plane and killed someone. The DNA was everywhere. 960 00:44:13,640 --> 00:44:15,440 Speaker 1: It's like ray fines on a plane. 961 00:44:16,880 --> 00:44:18,600 Speaker 2: Yeah, to go into the toilets to get some more 962 00:44:18,640 --> 00:44:21,680 Speaker 2: space with that flight attendant, DNA was everywhere. 963 00:44:24,440 --> 00:44:28,040 Speaker 1: Podcast. With the passing of Barry Humphreys, it's with sadness 964 00:44:28,040 --> 00:44:31,040 Speaker 1: as well. We've lost Dame Edna. We've lost Les Patterson 965 00:44:31,040 --> 00:44:33,640 Speaker 1: as well. All those characters are now gone. 966 00:44:33,920 --> 00:44:37,960 Speaker 2: There's been out pourings of respect and love and just 967 00:44:38,080 --> 00:44:40,040 Speaker 2: sharing stories from all around the world. Some of the 968 00:44:40,040 --> 00:44:45,320 Speaker 2: world's most famous comedians, politicians, prime ministers are huge outpor you. 969 00:44:45,560 --> 00:44:48,719 Speaker 1: What about you and your encounter with Barry and the 970 00:44:48,800 --> 00:44:50,640 Speaker 1: Royals back in nineteen eighty six. 971 00:44:50,600 --> 00:44:52,000 Speaker 2: Would have been eighty six. I was working at the 972 00:44:52,040 --> 00:44:55,720 Speaker 2: Midday Show as a researcher and doing a couple of stories. 973 00:44:55,320 --> 00:44:57,360 Speaker 1: Here and so when you were the Dungrees. 974 00:44:57,200 --> 00:45:01,279 Speaker 2: Probably and we were covering fergie wedding to Andrew. So 975 00:45:01,360 --> 00:45:04,680 Speaker 2: there we were on a double decker bus overlooking the 976 00:45:04,800 --> 00:45:09,960 Speaker 2: Royal Route where all the carriages and all the famous 977 00:45:10,000 --> 00:45:12,799 Speaker 2: people and all the dignitaries were making their way to 978 00:45:13,000 --> 00:45:15,480 Speaker 2: I think it was the abbey for the wedding. And 979 00:45:15,520 --> 00:45:18,799 Speaker 2: so Diana drives past. I'm saying next to Edna. She 980 00:45:18,880 --> 00:45:21,319 Speaker 2: looks up, she's in this carriage. She sees Edna and 981 00:45:21,400 --> 00:45:25,240 Speaker 2: waves and squeals, and I'm standing there next to Barry Humphreys, 982 00:45:25,239 --> 00:45:28,600 Speaker 2: next to Edna. Fergie comes past in her royal carriage. 983 00:45:28,600 --> 00:45:30,800 Speaker 2: It was so exciting. It was a huge pinch me moment. 984 00:45:30,920 --> 00:45:33,719 Speaker 1: There was something disarming about Dame Edna as well. I 985 00:45:33,760 --> 00:45:37,360 Speaker 1: always just love the scene at the Royal Variety performance 986 00:45:37,400 --> 00:45:39,600 Speaker 1: and you've got Charles and Camilla. This is only recently, 987 00:45:39,640 --> 00:45:42,479 Speaker 1: I suppose to about twenty fifteen, twenty sixteen, and they're 988 00:45:42,480 --> 00:45:45,760 Speaker 1: in the box at the Command performance and Edna comes 989 00:45:45,840 --> 00:45:48,480 Speaker 1: into the box and of course everyone's laughing and all 990 00:45:48,640 --> 00:45:51,239 Speaker 1: that sort of staff and she's, oh, hello, how are you? 991 00:45:51,239 --> 00:45:54,400 Speaker 1: You know, sitting down? And then this aid comes along 992 00:45:54,520 --> 00:45:57,240 Speaker 1: with an invitation or it looks like a ticket. 993 00:46:01,000 --> 00:46:02,840 Speaker 5: They've found me a better season. 994 00:46:04,480 --> 00:46:07,320 Speaker 2: And that's a simple, simple, brilliant. 995 00:46:07,520 --> 00:46:09,799 Speaker 1: Oh you know what we found. The last chat that 996 00:46:09,840 --> 00:46:12,640 Speaker 1: we had with Barry Humphreys was it? This was twenty 997 00:46:12,680 --> 00:46:15,440 Speaker 1: eighteen and it was when Barry's about to embark on 998 00:46:15,480 --> 00:46:19,279 Speaker 1: a tour as Barry Humphreys. And it's a great chat. 999 00:46:20,480 --> 00:46:23,640 Speaker 3: Morning, Amanda. It is my great pleasure to talk to 1000 00:46:23,680 --> 00:46:27,480 Speaker 3: you both, and I'm looking forward to doing this. It's 1001 00:46:27,520 --> 00:46:30,280 Speaker 3: the first to me. I've never appeared on the stages 1002 00:46:30,360 --> 00:46:31,840 Speaker 3: myself ever before. 1003 00:46:32,120 --> 00:46:35,399 Speaker 2: Wow, will you feel naked? You think? Will it feel strange? 1004 00:46:35,880 --> 00:46:39,200 Speaker 3: I'm working out what to wear, well, what do you wear? Well? 1005 00:46:39,239 --> 00:46:42,239 Speaker 3: I think I might wear something rather what you would 1006 00:46:42,280 --> 00:46:44,520 Speaker 3: wear to going to the theater, But these days. You know, 1007 00:46:45,239 --> 00:46:49,000 Speaker 3: it's amazing what people do wear to the theater, dirty 1008 00:46:49,040 --> 00:46:53,880 Speaker 3: old clothes, filled the trainers. Sometimes they put in the 1009 00:46:53,920 --> 00:46:56,000 Speaker 3: front row. They put their feet on the stage. 1010 00:46:56,239 --> 00:46:57,040 Speaker 2: Oh, brilliant. 1011 00:46:57,320 --> 00:46:59,640 Speaker 3: In the old days, you'd kind of dress out with 1012 00:46:59,880 --> 00:47:00,839 Speaker 3: you the night out. 1013 00:47:01,360 --> 00:47:02,120 Speaker 2: Well, it's true. 1014 00:47:02,120 --> 00:47:03,239 Speaker 1: In the old days, when I was a kid and 1015 00:47:03,320 --> 00:47:04,879 Speaker 1: used to fly on a plane, you had to wear 1016 00:47:05,360 --> 00:47:08,160 Speaker 1: nice clothes. These days you just need a single neck 1017 00:47:08,239 --> 00:47:09,239 Speaker 1: tattoo and that's it. 1018 00:47:10,120 --> 00:47:12,640 Speaker 3: Oh, I've seen people asked to leave the plane because 1019 00:47:12,640 --> 00:47:13,800 Speaker 3: they're wearing thongs. 1020 00:47:14,360 --> 00:47:19,600 Speaker 1: The pilots wear thongs now. 1021 00:47:20,320 --> 00:47:23,279 Speaker 2: So, Barry, what was it about the timing that made 1022 00:47:23,360 --> 00:47:26,200 Speaker 2: you think now is the time to be Barry? 1023 00:47:26,880 --> 00:47:32,040 Speaker 3: Well, the timing is essential, of course, Amanda, because I 1024 00:47:32,120 --> 00:47:37,239 Speaker 3: am reaching an interesting age, and I've had all lots 1025 00:47:37,280 --> 00:47:39,640 Speaker 3: of medical checkups because I'm going to do this tour 1026 00:47:39,920 --> 00:47:42,680 Speaker 3: and the producers rather like to know that you're not 1027 00:47:42,680 --> 00:47:46,279 Speaker 3: going to drop dead on the stage. So I had 1028 00:47:46,280 --> 00:47:48,319 Speaker 3: all these checkups and I said, well, what's the bad 1029 00:47:48,400 --> 00:47:52,920 Speaker 3: news doctrine? He said, there isn't any. He said, you 1030 00:47:52,960 --> 00:47:55,399 Speaker 3: could probably do several more shows. 1031 00:47:55,680 --> 00:47:55,960 Speaker 1: Wow. 1032 00:47:56,320 --> 00:48:01,120 Speaker 3: First of all, I'm feeling very well and very excited 1033 00:48:01,320 --> 00:48:05,719 Speaker 3: about appearing for this production. And also I did a 1034 00:48:05,760 --> 00:48:09,160 Speaker 3: farewell show last year. It wasn't that rationally to announce 1035 00:48:09,160 --> 00:48:14,040 Speaker 3: a farewell show, a bit like Johnny Farnum, So I thought, 1036 00:48:14,400 --> 00:48:17,799 Speaker 3: you can't follow a farewell show with another farewell show. 1037 00:48:18,880 --> 00:48:23,000 Speaker 3: So I decided to do something completely different than father 1038 00:48:23,719 --> 00:48:28,000 Speaker 3: out of a Limb and tell my story, which is 1039 00:48:28,680 --> 00:48:35,640 Speaker 3: pretty interesting. I've had a really very funny, amusing, entertaining life, 1040 00:48:36,120 --> 00:48:40,680 Speaker 3: and most of it has been postponing doing something serious. 1041 00:48:41,080 --> 00:48:43,799 Speaker 3: I mean, my parents would say, when are you going 1042 00:48:43,840 --> 00:48:45,160 Speaker 3: to get a real job. 1043 00:48:45,600 --> 00:48:47,560 Speaker 2: I get it all the time from me. 1044 00:48:48,000 --> 00:48:49,879 Speaker 1: Yeah, I get a real job. 1045 00:48:50,560 --> 00:48:52,719 Speaker 3: You're not. It's not a real job. What you're doing 1046 00:48:52,800 --> 00:48:54,200 Speaker 3: is no, it's not. 1047 00:48:54,719 --> 00:48:55,879 Speaker 1: This is a jike. 1048 00:48:55,960 --> 00:48:59,200 Speaker 3: You just play clogorbike. It's another mess. 1049 00:49:00,239 --> 00:49:03,359 Speaker 1: There is that well, Barry, it's always great to talk 1050 00:49:03,400 --> 00:49:06,480 Speaker 1: to you say Hi, Celeis and Damien average for us, 1051 00:49:08,360 --> 00:49:11,480 Speaker 1: all those characters are now gone. It's like all my 1052 00:49:11,680 --> 00:49:12,480 Speaker 1: characters that I do. 1053 00:49:13,080 --> 00:49:13,800 Speaker 2: You know who's that? 1054 00:49:14,080 --> 00:49:16,360 Speaker 1: Well? You know I've got Koshi, you got Mike Whitney. 1055 00:49:16,560 --> 00:49:19,719 Speaker 2: Are you saying that the great Barrier phrase is just 1056 00:49:19,800 --> 00:49:22,320 Speaker 2: a voice man? Because you don't have an act. You 1057 00:49:22,360 --> 00:49:24,160 Speaker 2: don't have an act that goes with any of the voices, 1058 00:49:24,360 --> 00:49:25,839 Speaker 2: and all the voices are the same. 1059 00:49:26,280 --> 00:49:30,160 Speaker 1: I've got an act. Excuse me, well. 1060 00:49:30,120 --> 00:49:31,880 Speaker 2: When we interview you, when you bring them all on 1061 00:49:31,960 --> 00:49:36,040 Speaker 2: to stage, Let's wait and see, shall we. It seems 1062 00:49:36,040 --> 00:49:39,680 Speaker 2: we've hit a rich scene with Sylvia Celeste Brown, an 1063 00:49:39,680 --> 00:49:42,960 Speaker 2: American author who became to be a medium with psychic abilities. 1064 00:49:43,000 --> 00:49:44,600 Speaker 2: You heard a snippet of her earlier. She loves to 1065 00:49:44,640 --> 00:49:47,040 Speaker 2: go on all these TV shows and give everyone very 1066 00:49:47,200 --> 00:49:48,600 Speaker 2: blunt psychic information. 1067 00:49:49,280 --> 00:49:52,319 Speaker 4: Your father is not your father, But who cares you love? 1068 00:49:52,360 --> 00:49:53,000 Speaker 2: Who you love? 1069 00:49:53,320 --> 00:49:54,239 Speaker 1: You love who you love? 1070 00:49:54,320 --> 00:49:54,880 Speaker 2: Get over it? 1071 00:49:55,080 --> 00:49:55,239 Speaker 8: Yea. 1072 00:49:55,680 --> 00:49:59,160 Speaker 2: So she's frequently made lots of predictions. Look, I'll give 1073 00:49:59,440 --> 00:50:02,360 Speaker 2: the information about her afterwards about the veracity of some 1074 00:50:02,520 --> 00:50:05,359 Speaker 2: of these predictions. But she used to appear on Larry 1075 00:50:05,440 --> 00:50:08,640 Speaker 2: King Live, The Montelle Williams Show. She had a radio show. 1076 00:50:09,440 --> 00:50:12,319 Speaker 2: Here's one about a girl who was wondering about her 1077 00:50:12,400 --> 00:50:13,360 Speaker 2: social anxiety. 1078 00:50:13,680 --> 00:50:14,000 Speaker 4: I have. 1079 00:50:15,480 --> 00:50:17,719 Speaker 6: A really bad problem with social anxiety. 1080 00:50:18,600 --> 00:50:20,160 Speaker 16: I can't freaking out. 1081 00:50:22,120 --> 00:50:22,479 Speaker 3: I can't. 1082 00:50:22,480 --> 00:50:25,160 Speaker 4: You're doing pretty good now, but let me tell you 1083 00:50:25,239 --> 00:50:28,520 Speaker 4: where this comes from. You were accused of being a 1084 00:50:28,600 --> 00:50:31,960 Speaker 4: witch in a past life. You were put in a 1085 00:50:32,040 --> 00:50:39,120 Speaker 4: circle and you had to name two people, so that 1086 00:50:39,680 --> 00:50:43,160 Speaker 4: supposedly you wouldn't die, except they didn't tell you that. 1087 00:50:43,320 --> 00:50:46,359 Speaker 4: They just said, tell us two people. You need two people, 1088 00:50:46,440 --> 00:50:47,279 Speaker 4: and all three of. 1089 00:50:47,320 --> 00:50:47,799 Speaker 6: You were hung. 1090 00:50:48,680 --> 00:50:50,680 Speaker 4: So now when you have social anxiety. 1091 00:50:52,560 --> 00:50:57,480 Speaker 2: Come reasonable, completely reasonable. She does love the idea though, 1092 00:50:57,520 --> 00:51:00,920 Speaker 2: of past lives. Ma'am, you had a question to show them, Hi, Sylvia. 1093 00:51:01,600 --> 00:51:03,800 Speaker 13: I was just wondering if I had any past lives 1094 00:51:03,840 --> 00:51:04,600 Speaker 13: and what they were. 1095 00:51:06,480 --> 00:51:15,280 Speaker 4: Yeah, you've had thirty seven past lives and your last 1096 00:51:15,440 --> 00:51:23,960 Speaker 4: life was in Jerusalem and it was about one hundred 1097 00:51:24,040 --> 00:51:28,040 Speaker 4: years ago and you were a rabbi. 1098 00:51:29,480 --> 00:51:34,520 Speaker 2: Okay, thank you. She's say what about this one? But 1099 00:51:34,640 --> 00:51:38,840 Speaker 2: people you say, there's no dangeroum being told that you 1100 00:51:38,960 --> 00:51:41,000 Speaker 2: had a past life. But imagine if you ask a 1101 00:51:41,160 --> 00:51:44,600 Speaker 2: question that has always been very important to you, like 1102 00:51:44,680 --> 00:51:47,000 Speaker 2: that first woman. What was my mother's final words? What 1103 00:51:47,160 --> 00:51:48,920 Speaker 2: was she trying to say? Have listened to this one? 1104 00:51:49,200 --> 00:51:52,680 Speaker 7: Hi, Sylvia, my name is Hessena and I'm about eighteen 1105 00:51:52,719 --> 00:51:54,759 Speaker 7: years ago. My father went on a business trip and 1106 00:51:54,840 --> 00:51:58,200 Speaker 7: never returned. The day that he's was supposed to come, 1107 00:51:58,280 --> 00:52:02,840 Speaker 7: he called and never came. My family serves tylo, no results. 1108 00:52:02,920 --> 00:52:03,960 Speaker 7: I just want to know if his dad. 1109 00:52:05,000 --> 00:52:06,640 Speaker 4: He is alive in Florida. 1110 00:52:07,760 --> 00:52:10,440 Speaker 1: Does it makes sense? O, thank you. 1111 00:52:15,560 --> 00:52:16,759 Speaker 2: You know that's like going out for. 1112 00:52:16,800 --> 00:52:18,560 Speaker 4: A pack of cigarettes and not coming down. 1113 00:52:18,840 --> 00:52:20,480 Speaker 2: Oh my god, she's so glead. 1114 00:52:20,719 --> 00:52:21,799 Speaker 1: We should get her on the show. 1115 00:52:22,000 --> 00:52:24,200 Speaker 2: She's dead. Let me tell you the story. 1116 00:52:24,400 --> 00:52:27,920 Speaker 1: I get the station week of Sylvia Brown. 1117 00:52:28,440 --> 00:52:30,920 Speaker 2: So she frequently made predictions that were later found to 1118 00:52:30,960 --> 00:52:34,560 Speaker 2: be false, often about missing persons. Listen to this terrible one. 1119 00:52:35,160 --> 00:52:37,719 Speaker 2: She told the mother of a kidnap victim who disappeared 1120 00:52:37,800 --> 00:52:41,080 Speaker 2: nineteen months earlier, she's not alive, honey. She also said 1121 00:52:41,120 --> 00:52:44,200 Speaker 2: that the girl was in water. I saw a jacket 1122 00:52:44,280 --> 00:52:46,919 Speaker 2: in the garbage with DNA on it. So the mother 1123 00:52:47,040 --> 00:52:49,400 Speaker 2: died two years later, believing her daughter had been killed. 1124 00:52:49,560 --> 00:52:51,920 Speaker 2: Her daughter was found alive in twenty thirteen. It's a 1125 00:52:52,000 --> 00:52:54,960 Speaker 2: couple of stories like this where she has been accused 1126 00:52:55,160 --> 00:52:59,359 Speaker 2: of upsetting people and giving them incorrect information. On Larry 1127 00:52:59,440 --> 00:53:02,040 Speaker 2: King Live, in two thousand and three, she predicted she 1128 00:53:02,080 --> 00:53:04,680 Speaker 2: would die at the age of eighty eight. She died 1129 00:53:04,719 --> 00:53:08,000 Speaker 2: in twenty thirteen at the age of seventy seven. But 1130 00:53:08,120 --> 00:53:10,960 Speaker 2: it's okay, honey, It's okay. You love who you love, 1131 00:53:11,080 --> 00:53:14,040 Speaker 2: Oh you love honey. Like going out for cigarettes and 1132 00:53:14,160 --> 00:53:15,080 Speaker 2: never coming back. 1133 00:53:15,160 --> 00:53:17,520 Speaker 1: When this all fails, and it will, I'm going to 1134 00:53:17,560 --> 00:53:20,200 Speaker 1: set up a tent, get myself a crystal ball, wear 1135 00:53:20,280 --> 00:53:24,000 Speaker 1: some sort of scarf arrange. You've got enough earings, say okay, 1136 00:53:24,200 --> 00:53:27,080 Speaker 1: this is my this is your future. So easy. It's 1137 00:53:27,120 --> 00:53:28,360 Speaker 1: like shooting fish in a barrel. 1138 00:53:28,680 --> 00:53:37,759 Speaker 2: Jonesy and Amanda Germ podcast, WSFMS fifty K ten two four, 1139 00:53:37,960 --> 00:53:38,640 Speaker 2: three days. 1140 00:53:39,640 --> 00:53:41,640 Speaker 1: How good is this? Carlie of Blacktown? 1141 00:53:41,920 --> 00:53:42,520 Speaker 9: Are you here? 1142 00:53:43,800 --> 00:53:43,960 Speaker 7: Yes? 1143 00:53:44,040 --> 00:53:44,839 Speaker 1: I am good? 1144 00:53:44,960 --> 00:53:48,200 Speaker 2: Step one done? Tick off that Carly, be here, car 1145 00:53:48,560 --> 00:53:50,600 Speaker 2: All right, now we need to know the three songs 1146 00:53:50,640 --> 00:53:52,960 Speaker 2: that were played on Friday. What was the song was 1147 00:53:53,000 --> 00:53:54,040 Speaker 2: played at ten am. 1148 00:53:55,600 --> 00:53:58,480 Speaker 6: I Come Girl by Billy Girls one of. 1149 00:53:58,480 --> 00:53:59,080 Speaker 1: The great. 1150 00:54:00,600 --> 00:54:02,279 Speaker 2: And how about it too? What do we play it? 1151 00:54:02,360 --> 00:54:02,520 Speaker 7: Two? 1152 00:54:04,320 --> 00:54:07,560 Speaker 6: I Want to break Free by Queens do you Callie? 1153 00:54:10,480 --> 00:54:13,439 Speaker 2: I Want? And what about the song that was played 1154 00:54:13,440 --> 00:54:13,839 Speaker 2: at four? 1155 00:54:15,320 --> 00:54:15,919 Speaker 6: Working Class? 1156 00:54:18,800 --> 00:54:20,680 Speaker 2: Well, Carly, Carly, do you know what this means? This 1157 00:54:20,800 --> 00:54:23,000 Speaker 2: means you've won five thousand dollars? 1158 00:54:24,000 --> 00:54:25,960 Speaker 3: Oh my god, that's so excellent. 1159 00:54:26,440 --> 00:54:27,640 Speaker 1: That is so excellent. 1160 00:54:27,640 --> 00:54:29,040 Speaker 2: Are you going to blow it all tomorrow on tour? 1161 00:54:29,160 --> 00:54:31,279 Speaker 1: Yeah? Put it on, put it all on heads. 1162 00:54:32,280 --> 00:54:33,080 Speaker 5: Heads all right? 1163 00:54:33,239 --> 00:54:33,800 Speaker 6: No, worries. 1164 00:54:33,920 --> 00:54:35,320 Speaker 4: Jose, I'll take to it. 1165 00:54:35,560 --> 00:54:39,280 Speaker 2: Just some conditions apply, Carly read the small print. 1166 00:54:40,920 --> 00:54:41,800 Speaker 1: That's the spirit. 1167 00:54:42,520 --> 00:54:45,040 Speaker 2: Well, we're back with it again today. This is not 1168 00:54:45,120 --> 00:54:46,640 Speaker 2: for the songs. We play at ten, at two and 1169 00:54:46,680 --> 00:54:48,719 Speaker 2: at four and this time tomorrow win one thousand bucks. 1170 00:54:48,800 --> 00:54:50,799 Speaker 1: It's the fifty K ten to two four pay day 1171 00:54:50,880 --> 00:54:52,160 Speaker 1: only on WSFM. 1172 00:54:56,160 --> 00:54:58,360 Speaker 2: As a caller, Emil Facebook friend wins a set of 1173 00:54:58,520 --> 00:55:02,360 Speaker 2: Yah Yamaha noise handling earbuds. This is courtesy of the 1174 00:55:02,400 --> 00:55:05,120 Speaker 2: Australian High five Show. It's in Sydney, happening the twenty 1175 00:55:05,280 --> 00:55:06,080 Speaker 2: to thirtyth of April. 1176 00:55:06,200 --> 00:55:08,360 Speaker 1: You also get that Jonesy demand of tetail and eighteenth 1177 00:55:08,400 --> 00:55:09,200 Speaker 1: birthday key ring. 1178 00:55:09,400 --> 00:55:12,759 Speaker 2: Tomorrow is Anzac Day and Kelly Ferrett has stepped up 1179 00:55:12,800 --> 00:55:16,120 Speaker 2: to the plate. She's a fabulously loyal listener who every 1180 00:55:16,200 --> 00:55:18,080 Speaker 2: year makes her famous Anzac bistos. 1181 00:55:18,080 --> 00:55:19,800 Speaker 1: I've got a batch here and as a rule we 1182 00:55:19,840 --> 00:55:25,160 Speaker 1: don't usually eat listener food because but Kelly nellsd But Kelly, 1183 00:55:25,360 --> 00:55:26,160 Speaker 1: We've always. 1184 00:55:25,920 --> 00:55:27,319 Speaker 2: Bit Nelloste is my favorite part. 1185 00:55:27,640 --> 00:55:31,399 Speaker 1: We do like spit Nellst biscuits, but we always test 1186 00:55:31,480 --> 00:55:34,760 Speaker 1: them first. On Ryan, Ryan happens, He's got a runny Bottom. 1187 00:55:34,800 --> 00:55:37,440 Speaker 1: It's about timing you guys. Davis his food. What do 1188 00:55:37,520 --> 00:55:37,799 Speaker 1: you think? 1189 00:55:39,320 --> 00:55:39,480 Speaker 15: Good? 1190 00:55:40,920 --> 00:55:45,239 Speaker 2: She well, I'd like one too, Please talk on there? 1191 00:55:45,719 --> 00:55:47,400 Speaker 2: What about you? More god. 1192 00:55:49,640 --> 00:55:50,120 Speaker 1: On stuff? 1193 00:55:50,719 --> 00:55:51,080 Speaker 2: Thank you? 1194 00:55:51,480 --> 00:55:52,279 Speaker 6: That's enough. 1195 00:55:52,400 --> 00:55:54,840 Speaker 2: Kelly's man of the match. Ugly fills up next with 1196 00:55:54,920 --> 00:55:57,200 Speaker 2: the fifty dollars ten to four payday. 1197 00:55:57,560 --> 00:55:59,440 Speaker 1: Have a good an Zac Day. We'll be back Wednesday. 1198 00:55:59,640 --> 00:56:00,839 Speaker 2: No, well, so see tonight for jam. 1199 00:56:01,280 --> 00:56:03,399 Speaker 1: Yeah, there's that. See you then, good day to you. Well, 1200 00:56:03,760 --> 00:56:04,960 Speaker 1: thank god, that's over. 1201 00:56:05,080 --> 00:56:09,560 Speaker 12: Hood bite, good bite, wipe the tube baby. 1202 00:56:09,760 --> 00:56:12,400 Speaker 2: From You're right. You catch Jonesy and Amanda's podcast on 1203 00:56:12,480 --> 00:56:23,640 Speaker 2: the iHeartRadio app or wherever you get your podcasts. Jonesy 1204 00:56:23,719 --> 00:56:27,160 Speaker 2: and Amanda podcast. Catch up on what you've missed on 1205 00:56:27,239 --> 00:56:28,919 Speaker 2: the free iHeartRadio app