1 00:00:01,440 --> 00:00:03,360 Speaker 1: And Amanda gem Nation. 2 00:00:03,800 --> 00:00:06,120 Speaker 2: One Love is in cinemas today. It's a story of 3 00:00:06,120 --> 00:00:09,480 Speaker 2: Bob Marley and his son Ziggy, a musician in his 4 00:00:09,520 --> 00:00:12,600 Speaker 2: own right. Along with a variety of Ziggy's siblings, have 5 00:00:12,720 --> 00:00:13,920 Speaker 2: produced this movie. 6 00:00:14,560 --> 00:00:15,800 Speaker 3: Yeah, Ziggy's with us. 7 00:00:15,880 --> 00:00:18,720 Speaker 1: Hello come in Ziggy, Yeah, Hello, Hello. 8 00:00:18,840 --> 00:00:22,400 Speaker 2: Hi, great to talk to you. Fabulous film. What an 9 00:00:22,440 --> 00:00:25,919 Speaker 2: interesting project for you and your siblings to take on. 10 00:00:26,079 --> 00:00:29,040 Speaker 2: Was a bit of sweet diving into your dad's life 11 00:00:29,040 --> 00:00:29,920 Speaker 2: in this way. 12 00:00:30,520 --> 00:00:34,959 Speaker 1: Bitter sweet. I don't think about it like that. 13 00:00:35,000 --> 00:00:38,800 Speaker 4: I think for me, we know, we know our lives, 14 00:00:38,840 --> 00:00:40,040 Speaker 4: we know our father lives. 15 00:00:40,040 --> 00:00:43,040 Speaker 1: So it was more of an adventure for us. 16 00:00:43,080 --> 00:00:47,800 Speaker 4: It was something that was overly emotional because we already 17 00:00:47,840 --> 00:00:49,800 Speaker 4: dealt with the emotions of this we lived in it, 18 00:00:49,840 --> 00:00:52,680 Speaker 4: you know. So for Recreated, it was more like a 19 00:00:53,479 --> 00:00:54,560 Speaker 4: joyful adventure. 20 00:00:54,720 --> 00:00:59,000 Speaker 3: Oh good, great, because living in Jamaica in nineteen seventy 21 00:00:59,040 --> 00:01:01,640 Speaker 3: six it looked like a pretty dangerous place for a 22 00:01:01,680 --> 00:01:02,280 Speaker 3: little kid. 23 00:01:03,200 --> 00:01:06,280 Speaker 4: Oh no, well, no, Red, I mean it's the djurious, 24 00:01:06,360 --> 00:01:09,400 Speaker 4: but it is what we're used to, so we're not 25 00:01:09,520 --> 00:01:11,480 Speaker 4: really think We didn't even think about it. I mean 26 00:01:12,040 --> 00:01:14,040 Speaker 4: it was the durerous when you're look in retrospect, But 27 00:01:14,080 --> 00:01:15,600 Speaker 4: at the time, it was just life. 28 00:01:16,240 --> 00:01:18,560 Speaker 2: Because there's so much of your dad's life that I 29 00:01:18,600 --> 00:01:21,840 Speaker 2: didn't know. I knew the music, but his story is 30 00:01:21,880 --> 00:01:23,640 Speaker 2: so interesting. Is that one of the things that you 31 00:01:23,720 --> 00:01:26,240 Speaker 2: wanted to why you wanted to make this film. 32 00:01:26,760 --> 00:01:32,920 Speaker 4: Yeah, we wanted to give people a more introspective side 33 00:01:32,959 --> 00:01:35,760 Speaker 4: above a more emotional side about that people don't really 34 00:01:35,959 --> 00:01:36,479 Speaker 4: know people. 35 00:01:36,920 --> 00:01:37,720 Speaker 1: You know, people think. 36 00:01:37,600 --> 00:01:40,120 Speaker 4: Of him as a as a I kind of legend, 37 00:01:40,560 --> 00:01:43,720 Speaker 4: as like, you know, one of those Greek mythologists sometimes. 38 00:01:44,200 --> 00:01:47,360 Speaker 1: And he was so young when he passed Why so young? 39 00:01:47,440 --> 00:01:47,880 Speaker 1: So young? 40 00:01:47,960 --> 00:01:50,280 Speaker 4: I mean when I look back now, I realized that, 41 00:01:50,360 --> 00:01:51,720 Speaker 4: you know what I'm saying. When I was when I 42 00:01:51,760 --> 00:01:54,200 Speaker 4: was about twelve when he passed away, I didn't think 43 00:01:54,240 --> 00:01:56,240 Speaker 4: about it. But no, I'm so much old. I'm like 44 00:01:56,320 --> 00:01:59,360 Speaker 4: more than twenty years older than he was. Like, it's 45 00:01:59,400 --> 00:02:00,480 Speaker 4: you know, it's crazy. 46 00:02:00,960 --> 00:02:03,840 Speaker 2: And how was it doing this with your siblings? Have 47 00:02:03,920 --> 00:02:06,240 Speaker 2: you worked as a team before or was this new 48 00:02:06,280 --> 00:02:07,360 Speaker 2: to you? 49 00:02:07,360 --> 00:02:09,880 Speaker 4: No, we used to have our group work together. We 50 00:02:09,919 --> 00:02:12,680 Speaker 4: all worked together from before. You know, we grew up 51 00:02:12,720 --> 00:02:14,519 Speaker 4: as a family. You want it really and we were 52 00:02:14,560 --> 00:02:16,880 Speaker 4: tired that we love each other. You know what I 53 00:02:16,919 --> 00:02:21,240 Speaker 4: mean even my father had children with outside of marriage, 54 00:02:21,280 --> 00:02:21,800 Speaker 4: and we weren't. 55 00:02:21,840 --> 00:02:23,320 Speaker 1: We were tired to love them. We were tired to 56 00:02:23,360 --> 00:02:24,400 Speaker 1: love just love each other. 57 00:02:25,120 --> 00:02:27,919 Speaker 4: My brother Steven is the music supervisor and make sure 58 00:02:27,960 --> 00:02:30,960 Speaker 4: the music's son good. My sister said that she came 59 00:02:30,960 --> 00:02:35,360 Speaker 4: in and she and Lashana was advocating for more proactiveness 60 00:02:35,400 --> 00:02:39,200 Speaker 4: in our mother's character and making sure, you know, some 61 00:02:39,280 --> 00:02:41,600 Speaker 4: of the cut, some of the costume designs and stuff 62 00:02:41,639 --> 00:02:41,919 Speaker 4: was right. 63 00:02:41,960 --> 00:02:43,600 Speaker 1: So we all had all different rules. 64 00:02:44,240 --> 00:02:47,639 Speaker 3: I like that scene where Bob ends up in London 65 00:02:48,000 --> 00:02:50,600 Speaker 3: in the seventies, right in the middle of that punk 66 00:02:50,680 --> 00:02:53,800 Speaker 3: the punk era, which is the furthest thing away from reggae, 67 00:02:54,080 --> 00:02:56,840 Speaker 3: and he's just wandering around Trafalgar Square, smoking a bit 68 00:02:56,880 --> 00:03:00,360 Speaker 3: of weed and just living life. But he it just 69 00:03:00,440 --> 00:03:03,639 Speaker 3: it looks so cool against the punks and stuff like that. 70 00:03:04,520 --> 00:03:07,480 Speaker 4: Yeah, well, I think you know what I understand was 71 00:03:07,520 --> 00:03:10,880 Speaker 4: that my father felt a comaraderie with the punks at 72 00:03:10,880 --> 00:03:14,960 Speaker 4: the time because they were like anti system, like the 73 00:03:15,000 --> 00:03:17,600 Speaker 4: same thing, like what Rasta was in Jamaica, the punk 74 00:03:17,720 --> 00:03:20,480 Speaker 4: was in England. Sam felt a comaragi and he had 75 00:03:20,480 --> 00:03:24,080 Speaker 4: this song hero called Punk to Reggae Party, which was 76 00:03:24,080 --> 00:03:28,280 Speaker 4: about its punks and reggae together in a in a 77 00:03:28,360 --> 00:03:29,720 Speaker 4: kind of revolutionary way. 78 00:03:30,440 --> 00:03:34,160 Speaker 2: Was there anything when you went about putting this project together, 79 00:03:34,720 --> 00:03:37,840 Speaker 2: anything you load about your dad that surprised you. 80 00:03:37,840 --> 00:03:38,480 Speaker 1: No, I don't. 81 00:03:38,520 --> 00:03:40,200 Speaker 4: I wouldn't put it that way or the way I 82 00:03:40,200 --> 00:03:42,200 Speaker 4: would put it is that it made me think about 83 00:03:42,200 --> 00:03:46,160 Speaker 4: things that surprise men, probably and thinking it made me 84 00:03:46,160 --> 00:03:49,520 Speaker 4: think about things that I never really thought about on 85 00:03:49,560 --> 00:03:54,840 Speaker 4: a deep level until now, which is what what you 86 00:03:54,880 --> 00:03:57,040 Speaker 4: know when when you see your father? I guess it's 87 00:03:57,080 --> 00:03:59,760 Speaker 4: a typical thing, your father to a son, to a 88 00:03:59,760 --> 00:04:03,400 Speaker 4: young child. The father is like this giant, you know, 89 00:04:03,480 --> 00:04:07,880 Speaker 4: this stone, this like you know, infallible type of person, 90 00:04:08,080 --> 00:04:11,520 Speaker 4: No farce, no thing. But what this film made me 91 00:04:11,560 --> 00:04:14,640 Speaker 4: think about was, Wow, the emotional thing that he must 92 00:04:14,680 --> 00:04:18,800 Speaker 4: have went through during this period of time, assassination, attempt, 93 00:04:18,839 --> 00:04:22,480 Speaker 4: his wife, getting shut in the head, leaving his homeland, 94 00:04:23,440 --> 00:04:26,599 Speaker 4: being diagnosed with cancer, having to move and having to work, 95 00:04:26,640 --> 00:04:29,200 Speaker 4: having to make music, having to come make a decision 96 00:04:29,240 --> 00:04:31,760 Speaker 4: to come back to Jamaica after all of that, For 97 00:04:31,839 --> 00:04:33,480 Speaker 4: him to come out that end of it and say 98 00:04:34,240 --> 00:04:37,280 Speaker 4: that if his life is for him, he doesn't want it. 99 00:04:38,320 --> 00:04:40,880 Speaker 4: I mean for human being to come to that conclusion. 100 00:04:41,760 --> 00:04:44,480 Speaker 4: You have to go through some stuff that is much 101 00:04:44,520 --> 00:04:47,280 Speaker 4: more inside than it is on the outside. 102 00:04:47,279 --> 00:04:50,000 Speaker 3: You know, certainly, and your dad certainly lived it, but 103 00:04:50,160 --> 00:04:52,800 Speaker 3: also his legacy just lives on. And it's such a 104 00:04:52,800 --> 00:04:55,640 Speaker 3: great movie. I really enjoyed it. One Lover is in 105 00:04:55,720 --> 00:04:58,200 Speaker 3: cinemas now. It's so great to talk. 106 00:04:58,040 --> 00:05:00,000 Speaker 1: To you, Sy. I'm good to talk to you guys. 107 00:05:00,080 --> 00:05:01,359 Speaker 2: Thank you, take care, thank you.