1 00:00:06,120 --> 00:00:10,080 Speaker 1: I was under the impression that the Netflix show Bridgeton 2 00:00:10,200 --> 00:00:13,119 Speaker 1: was meant to be a period drama, But it turns 3 00:00:13,160 --> 00:00:17,720 Speaker 1: out last night, as they released a six minute sex scene, 4 00:00:18,640 --> 00:00:22,200 Speaker 1: the show dipped into the territory of science fiction as 5 00:00:22,200 --> 00:00:24,840 Speaker 1: far as I'm concerned, because. 6 00:00:29,720 --> 00:00:30,360 Speaker 2: No one. 7 00:00:33,960 --> 00:00:39,320 Speaker 1: Is going for six minutes in like a standard midweek 8 00:00:40,000 --> 00:00:40,400 Speaker 1: set up. 9 00:00:40,560 --> 00:00:41,720 Speaker 2: Okay, that's the qualification. 10 00:00:41,720 --> 00:00:43,720 Speaker 3: You need to say earlier, because I'm going to be honest, mate, 11 00:00:43,720 --> 00:00:46,160 Speaker 3: I have lasted more than six minutes before. 12 00:00:46,280 --> 00:00:47,680 Speaker 2: Like, there has been occasions. 13 00:00:47,680 --> 00:00:53,640 Speaker 3: I'm talking to holidays here, the marathon man himself on holidays, 14 00:00:54,480 --> 00:00:58,600 Speaker 3: on holidays and weekends and special occasions, maybe anniversaries, maybe birthdays. 15 00:00:59,120 --> 00:01:00,800 Speaker 3: You and I both know that six minutes can be 16 00:01:00,840 --> 00:01:04,319 Speaker 3: you know, can be beaten. But I would I would 17 00:01:04,319 --> 00:01:07,319 Speaker 3: agree with you midweek when time is tight. You know, 18 00:01:07,360 --> 00:01:09,480 Speaker 3: we're both we're both parents of young children. You know 19 00:01:09,520 --> 00:01:11,640 Speaker 3: time is incredibly tight, and you're thinking to yourself, I 20 00:01:11,640 --> 00:01:14,000 Speaker 3: wouldn't mind watching an episode of Colin from Accounts. So 21 00:01:14,080 --> 00:01:16,480 Speaker 3: if I'm going for longer than six minutes in the bedroom, 22 00:01:16,520 --> 00:01:18,120 Speaker 3: all of a sudden, I'm eating into my Colin from 23 00:01:18,120 --> 00:01:20,840 Speaker 3: Accounts time. And no one wants to be like that 24 00:01:20,880 --> 00:01:23,720 Speaker 3: efficiency is key will when life is so busy. 25 00:01:24,360 --> 00:01:26,280 Speaker 1: I think you're right. I think I think efficiency is 26 00:01:26,319 --> 00:01:28,360 Speaker 1: part of it. And you know, obviously these days you're 27 00:01:28,360 --> 00:01:29,720 Speaker 1: both tired, so you don't want to get to the 28 00:01:29,800 --> 00:01:32,360 Speaker 1: end of the night and you know, and be falling asleep. 29 00:01:32,440 --> 00:01:34,759 Speaker 1: So you know, we're talking about a standard midweek chicken 30 00:01:34,840 --> 00:01:37,119 Speaker 1: casse role on the simmer bit of pre footy show 31 00:01:37,160 --> 00:01:38,640 Speaker 1: going on at the moment. There are still toys on 32 00:01:38,640 --> 00:01:40,520 Speaker 1: the floor from the day, kid crying in the other room, 33 00:01:41,080 --> 00:01:43,399 Speaker 1: sort of set up, right, that's what we're talking about. 34 00:01:43,440 --> 00:01:46,000 Speaker 1: That's less than six minutes. But last night on Bridgeton, 35 00:01:46,040 --> 00:01:48,040 Speaker 1: as we're about to find out from junior producer Analyse, 36 00:01:48,120 --> 00:01:53,120 Speaker 1: they put a six minute sex scene on the television. Analyse, 37 00:01:54,520 --> 00:01:56,360 Speaker 1: I mean, you were one of the vapid millennials who 38 00:01:56,360 --> 00:01:58,160 Speaker 1: stayed up to binge this thing? What did you? I mean, 39 00:01:58,320 --> 00:01:59,400 Speaker 1: did you what did you think of it? 40 00:01:59,440 --> 00:02:04,200 Speaker 4: Absolutely, without giving any spoilers, it was hot. It was hot. 41 00:02:04,520 --> 00:02:09,800 Speaker 4: So I guess what happened was this couple who have 42 00:02:09,880 --> 00:02:13,200 Speaker 4: been like longing for each other for three seasons. We've 43 00:02:13,240 --> 00:02:16,000 Speaker 4: been waiting for them for three seasons. And we get 44 00:02:16,000 --> 00:02:19,239 Speaker 4: into part two, which was released last night of Bridgeton 45 00:02:20,360 --> 00:02:23,239 Speaker 4: and then all of a sudden there is like some 46 00:02:23,280 --> 00:02:24,400 Speaker 4: serious tension happening. 47 00:02:24,600 --> 00:02:27,040 Speaker 1: So I don't want to give you way attention to 48 00:02:27,080 --> 00:02:29,040 Speaker 1: one side, because I mean it does sound interesting and all, 49 00:02:29,080 --> 00:02:30,720 Speaker 1: but like, are you only watching? 50 00:02:31,120 --> 00:02:31,280 Speaker 5: Can? 51 00:02:31,320 --> 00:02:33,920 Speaker 1: I I mentioned this before? Are you only watching the 52 00:02:33,919 --> 00:02:35,959 Speaker 1: show for the sex scenes? Because that's the impression that 53 00:02:35,960 --> 00:02:38,240 Speaker 1: I'm getting off every pretty much every woman that I 54 00:02:38,240 --> 00:02:40,400 Speaker 1: speak to about this, because every because let's face it, 55 00:02:41,000 --> 00:02:43,480 Speaker 1: I mean I spoke about this before. You know, male 56 00:02:43,520 --> 00:02:45,480 Speaker 1: porn addiction is obviously a thing, but this is where 57 00:02:45,480 --> 00:02:47,520 Speaker 1: women are getting there fixed the world over the age 58 00:02:47,560 --> 00:02:50,040 Speaker 1: of over, Like are you because I feel like that's 59 00:02:50,080 --> 00:02:52,200 Speaker 1: that's the only thing that this show has going for it. 60 00:02:52,280 --> 00:02:54,040 Speaker 1: The acting is not great and the outfits a nice 61 00:02:54,440 --> 00:02:56,120 Speaker 1: let's be honest, but that's about it. 62 00:02:56,200 --> 00:02:58,919 Speaker 4: No, the storyline is very good. I mean the sexy scene. 63 00:02:58,960 --> 00:03:01,400 Speaker 4: The sexy scenes are like a bonus, you know, like 64 00:03:01,680 --> 00:03:03,320 Speaker 4: it's kind of like fifty Shades of Gray, Like the 65 00:03:03,320 --> 00:03:04,040 Speaker 4: plot's really good. 66 00:03:04,880 --> 00:03:08,360 Speaker 3: I'm sorry, Shades of Gray, you are only watching fifty 67 00:03:08,360 --> 00:03:15,280 Speaker 3: Shades of Gray to watch the sex Actually said to 68 00:03:15,320 --> 00:03:17,560 Speaker 3: me that she reckons the most recent season there wasn't 69 00:03:17,680 --> 00:03:18,639 Speaker 3: enough sex, would you? 70 00:03:19,040 --> 00:03:21,359 Speaker 4: Well this six minutes? Yeah, the six minute scene was 71 00:03:21,400 --> 00:03:24,679 Speaker 4: actually the double the amount to compensate with double the 72 00:03:24,720 --> 00:03:26,680 Speaker 4: amount that was in the first part of the series. 73 00:03:26,840 --> 00:03:27,480 Speaker 2: Oh is that right? 74 00:03:27,880 --> 00:03:30,400 Speaker 3: I feel like, and why do you think this one 75 00:03:30,440 --> 00:03:33,040 Speaker 3: went for so long? Because six minutes on screen for 76 00:03:33,200 --> 00:03:35,080 Speaker 3: a scene like that feels excessive. 77 00:03:35,200 --> 00:03:38,320 Speaker 2: Yeah, well, it helps develop the characters. I mean, let's 78 00:03:38,320 --> 00:03:39,520 Speaker 2: not get too nerdy here, but. 79 00:03:39,560 --> 00:03:45,520 Speaker 1: Like, shut up enough characters like character development in. 80 00:03:47,080 --> 00:03:50,400 Speaker 2: Silence. No more character development. 81 00:03:52,320 --> 00:03:53,640 Speaker 1: You got to come in here and talk about it 82 00:03:53,680 --> 00:03:55,440 Speaker 1: and you blew it, just like that chick probably did 83 00:03:55,520 --> 00:03:57,680 Speaker 1: last night. Now, look what I'm going to do Woods 84 00:03:58,000 --> 00:04:01,160 Speaker 1: on thirteen one was six ' five. There was a 85 00:04:01,200 --> 00:04:03,240 Speaker 1: low blow, but it was a Friday. It's low hanging fruit. 86 00:04:03,520 --> 00:04:05,080 Speaker 1: What we're going to do on thirty one and six five? 87 00:04:05,280 --> 00:04:08,600 Speaker 1: Because whether or not you watch bridgishit or not, I 88 00:04:08,680 --> 00:04:10,520 Speaker 1: do think we all have an opinion on this, and 89 00:04:10,560 --> 00:04:14,840 Speaker 1: that is a six minute as like a standard for 90 00:04:14,960 --> 00:04:17,359 Speaker 1: how long that should go for is too long and 91 00:04:17,400 --> 00:04:19,480 Speaker 1: I don't think that. I think they've got a responsibility 92 00:04:19,480 --> 00:04:21,440 Speaker 1: to the public, particularly given the number of young women 93 00:04:21,480 --> 00:04:24,560 Speaker 1: who are watching a show like that, to impress upon 94 00:04:24,600 --> 00:04:27,400 Speaker 1: them what is realistic. And I just think, as we've 95 00:04:27,400 --> 00:04:30,239 Speaker 1: discussed woods, six minutes is too long. You were even 96 00:04:30,279 --> 00:04:33,080 Speaker 1: saying beforehand in the song that you were going to 97 00:04:33,120 --> 00:04:35,520 Speaker 1: get your partner Mimon to joke with her about the 98 00:04:35,520 --> 00:04:38,039 Speaker 1: fact that you've never been in around the six minute mark. 99 00:04:38,120 --> 00:04:39,400 Speaker 2: That's why I said to her this morning. 100 00:04:39,440 --> 00:04:42,080 Speaker 3: And she's of the opinion that we always go for 101 00:04:42,240 --> 00:04:45,160 Speaker 3: like way longer than six minutes, So I mean it 102 00:04:45,360 --> 00:04:49,120 Speaker 3: works for me. Clearly, her internal head clock is right off. 103 00:04:49,880 --> 00:04:51,880 Speaker 3: Think she thinks we're going for a very, very long 104 00:04:51,880 --> 00:04:52,680 Speaker 3: time every time. 105 00:04:53,080 --> 00:04:55,000 Speaker 1: And it's almost a bad thing for you, though, isn't it, 106 00:04:55,000 --> 00:04:57,359 Speaker 1: Because the expression time flies when you're having fun, it 107 00:04:57,360 --> 00:04:59,839 Speaker 1: obviously feels like it goes for a lot longer. 108 00:05:00,760 --> 00:05:08,360 Speaker 2: Punishment, it's like, oh god, when will it end? When six? 109 00:05:09,240 --> 00:05:11,800 Speaker 3: You watched it one of those shows, but you don't think, oh, 110 00:05:11,920 --> 00:05:14,120 Speaker 3: come on, that's not one of those shows. Man, it's 111 00:05:14,160 --> 00:05:14,799 Speaker 3: not it's. 112 00:05:14,640 --> 00:05:16,800 Speaker 2: Not hang on, let me explain. You don't think it's 113 00:05:16,839 --> 00:05:17,760 Speaker 2: You don't think you're gonna like it. 114 00:05:17,760 --> 00:05:19,040 Speaker 3: You're like, I'm not going to like this, bridgeton, And 115 00:05:19,040 --> 00:05:20,960 Speaker 3: then your partner's watching it and you're watching over a 116 00:05:21,000 --> 00:05:23,840 Speaker 3: shoulder and all of a sudden you're absorbed, whereas there 117 00:05:23,839 --> 00:05:26,920 Speaker 3: are some great love triangles in there and it gets intense, 118 00:05:26,920 --> 00:05:27,320 Speaker 3: well it. 119 00:05:27,279 --> 00:05:30,960 Speaker 1: Does, okay, all right, well, look I won so last 120 00:05:31,080 --> 00:05:33,080 Speaker 1: night obviously there was a we're talking about the fact 121 00:05:33,080 --> 00:05:36,320 Speaker 1: that they played a six minute sex scene in Bridgington, 122 00:05:36,480 --> 00:05:40,880 Speaker 1: which you know, whether you're into the love triangles that 123 00:05:40,920 --> 00:05:43,040 Speaker 1: are going on there, whether or not you know they're 124 00:05:43,120 --> 00:05:45,640 Speaker 1: tolstoy esque or not, that the reality is they played 125 00:05:45,680 --> 00:05:47,400 Speaker 1: a six minute sex scene, and you know, Woods and 126 00:05:47,440 --> 00:05:49,080 Speaker 1: I were talking off there about how the fact that's 127 00:05:49,080 --> 00:05:51,919 Speaker 1: a misrepresentation of what it is in reality, and there 128 00:05:51,920 --> 00:05:54,200 Speaker 1: are a lot of young, impressionable women watching that show, 129 00:05:54,240 --> 00:05:56,240 Speaker 1: and I think that they're setting the bar far too 130 00:05:56,320 --> 00:05:59,320 Speaker 1: high for as we said, what is a mid week 131 00:05:59,360 --> 00:06:01,240 Speaker 1: sort of a setup And as I said, that's kind 132 00:06:01,240 --> 00:06:03,560 Speaker 1: of like a you know, you're having takeaway, you've probably 133 00:06:03,560 --> 00:06:06,880 Speaker 1: both had a big day. It's just six minutes, just outrageous, 134 00:06:07,160 --> 00:06:08,760 Speaker 1: I personally, and I think we all need to be 135 00:06:08,800 --> 00:06:10,120 Speaker 1: honest with each other. And I know there's a lot 136 00:06:10,120 --> 00:06:12,039 Speaker 1: of men joking about the fact that they don't go 137 00:06:12,080 --> 00:06:13,520 Speaker 1: for very long, and there's a lot of women joking 138 00:06:13,560 --> 00:06:15,400 Speaker 1: about the fact they're doing shopping lists in their head, 139 00:06:15,720 --> 00:06:17,240 Speaker 1: and I get all the banter when you get past 140 00:06:17,240 --> 00:06:20,599 Speaker 1: the band to guys, is six minutes too long? Is 141 00:06:20,640 --> 00:06:22,960 Speaker 1: that just not happen? Let's go to Georgia, Georgia? What 142 00:06:23,000 --> 00:06:23,479 Speaker 1: do you reckon? 143 00:06:24,920 --> 00:06:27,520 Speaker 5: I reckon ten minutes at least. 144 00:06:28,320 --> 00:06:32,800 Speaker 2: Jesus every time Georgia. Every time. You expect more than 145 00:06:32,839 --> 00:06:33,400 Speaker 2: ten minutes. 146 00:06:34,560 --> 00:06:36,760 Speaker 6: Oh yeah, you just got to make the most of it. 147 00:06:36,880 --> 00:06:39,680 Speaker 7: Like everyone's busy these days. You got to do it 148 00:06:39,720 --> 00:06:41,200 Speaker 7: when you can do it, make the most of it, 149 00:06:41,240 --> 00:06:41,680 Speaker 7: have fun. 150 00:06:42,920 --> 00:06:45,080 Speaker 1: Yeah, but ten Like it's not about making the most 151 00:06:45,080 --> 00:06:47,520 Speaker 1: of it that really, it's almost like you're making too 152 00:06:47,600 --> 00:06:50,040 Speaker 1: much of the most of it anyway. Roneld Is called 153 00:06:50,520 --> 00:06:53,919 Speaker 1: on thirty one oh six five. I'm really trying to 154 00:06:53,960 --> 00:06:57,560 Speaker 1: delicately walk around what we're talking about here, And that's 155 00:06:57,600 --> 00:06:59,480 Speaker 1: as close as I could get. Ronalder, I'm thirty one 156 00:06:59,520 --> 00:07:04,080 Speaker 1: oh six, let's let's let's talk. Is six minutes as 157 00:07:04,160 --> 00:07:07,880 Speaker 1: like a standard for a midweekmo He. 158 00:07:07,920 --> 00:07:10,480 Speaker 6: Guyes are kidding yourselves. You either want it or you 159 00:07:10,520 --> 00:07:13,160 Speaker 6: don't want it. Half an hour minimal. 160 00:07:13,480 --> 00:07:17,240 Speaker 1: Oh, Jens Cross, Yeah, midweek? 161 00:07:18,560 --> 00:07:21,120 Speaker 6: Maybe maybe me and my husband are just weird. But 162 00:07:21,240 --> 00:07:23,640 Speaker 6: it's like, six minutes isn't worth getting your clothes off? 163 00:07:23,760 --> 00:07:28,440 Speaker 1: Or you're telling me that your husband on a midweeker 164 00:07:28,560 --> 00:07:31,760 Speaker 1: Wednesday night, casserole on the boiled child screaming on the 165 00:07:31,800 --> 00:07:34,840 Speaker 1: other in the other room, he gets two tickets to 166 00:07:34,880 --> 00:07:39,000 Speaker 1: the Shark fin in for half an hour. Yelp, Jesus, 167 00:07:39,760 --> 00:07:42,880 Speaker 1: Natalie is called thirty one O six five. I don't 168 00:07:42,880 --> 00:07:44,640 Speaker 1: know where you're at with this, Woods, but this is 169 00:07:44,720 --> 00:07:45,800 Speaker 1: knocking my socks off. 170 00:07:45,840 --> 00:07:48,000 Speaker 3: Well, my thing is what I'm getting confused about now, 171 00:07:48,160 --> 00:07:50,600 Speaker 3: is her internal body clock? 172 00:07:50,840 --> 00:07:51,040 Speaker 2: Right? 173 00:07:51,360 --> 00:07:53,400 Speaker 3: I just think a lot of people are saying these numbers, 174 00:07:53,880 --> 00:07:55,880 Speaker 3: how many people are actually time in it? Because mim 175 00:07:55,920 --> 00:07:57,720 Speaker 3: seems to think we go for more than six minutes. 176 00:07:57,760 --> 00:08:00,520 Speaker 3: I think it's always under five. So I I don't know. 177 00:08:00,560 --> 00:08:02,280 Speaker 3: I just don't know how accurate these head cans out. 178 00:08:02,320 --> 00:08:04,160 Speaker 3: Let's go to Natalie though, Natalie, what are your thoughts 179 00:08:04,200 --> 00:08:05,080 Speaker 3: on six minutes? 180 00:08:06,080 --> 00:08:08,440 Speaker 6: Is your way off? I've been with my partner for 181 00:08:08,480 --> 00:08:10,960 Speaker 6: fourteen years and I can guarantee you we go at 182 00:08:11,040 --> 00:08:16,480 Speaker 6: least forty five minutes each time. Shut up, honestly, I'm 183 00:08:16,600 --> 00:08:18,920 Speaker 6: dead sert serious. You've got to get the fun at 184 00:08:18,960 --> 00:08:19,600 Speaker 6: the start as well. 185 00:08:19,680 --> 00:08:23,560 Speaker 1: Yeah, okay, this is will be inclusing, are we Yeah, 186 00:08:23,720 --> 00:08:25,000 Speaker 1: that I agree with. 187 00:08:25,280 --> 00:08:28,960 Speaker 6: But the end part is at least I would go 188 00:08:29,040 --> 00:08:29,680 Speaker 6: twenty minutes. 189 00:08:31,360 --> 00:08:35,200 Speaker 1: Ye, But hang on, hang on, Natalie, Natalie, I think 190 00:08:35,240 --> 00:08:38,319 Speaker 1: you've just you've just kind of convoluted the debate a 191 00:08:38,360 --> 00:08:40,600 Speaker 1: little bit here because all of a sudden, you're talking 192 00:08:40,640 --> 00:08:44,400 Speaker 1: about introducing Charlie, but we're talking about exclusively spearing the 193 00:08:44,440 --> 00:08:47,800 Speaker 1: bearded clam. So like I feel like you're you know, 194 00:08:47,840 --> 00:08:49,640 Speaker 1: you're just mixing things up a little bit. We're just 195 00:08:49,679 --> 00:08:54,560 Speaker 1: talking about just exclusively planting the passnip, right, that's just 196 00:08:54,679 --> 00:08:56,080 Speaker 1: that nothing else before that. 197 00:08:56,960 --> 00:09:00,679 Speaker 6: Definitely at least twenty five, yes, twenty five twenty minutes, 198 00:09:00,800 --> 00:09:02,040 Speaker 6: that's that bit right there. 199 00:09:02,120 --> 00:09:04,480 Speaker 3: So she's come down twenty minutes there, so she's staying 200 00:09:04,480 --> 00:09:06,679 Speaker 3: the whole the whole gambit is forty five minutes, but 201 00:09:06,679 --> 00:09:09,120 Speaker 3: planting of the pasty is about twenty minutes. 202 00:09:10,040 --> 00:09:11,200 Speaker 2: Like would you stretch before that? 203 00:09:12,240 --> 00:09:13,640 Speaker 1: Like tw Yeah, it's a great question. 204 00:09:13,640 --> 00:09:16,679 Speaker 3: Twenty minutes of aerobic exercise that's sometimes high intensity. I mean, 205 00:09:16,679 --> 00:09:19,840 Speaker 3: injuries can happen there will it's going to Sam. Now though, Sam, 206 00:09:19,840 --> 00:09:23,280 Speaker 3: what are your thoughts. 207 00:09:21,840 --> 00:09:24,280 Speaker 7: Look for science fiction in Bridgitta. Isn't the fact that 208 00:09:24,320 --> 00:09:26,080 Speaker 7: he went to six minutes. It was the fact that 209 00:09:26,120 --> 00:09:32,760 Speaker 7: it was her first time and she has an orgasm. 210 00:09:32,960 --> 00:09:36,840 Speaker 1: Woods and yesterday your mom, Will you try to get 211 00:09:36,880 --> 00:09:42,320 Speaker 1: your mom to reveal a secret on the show. 212 00:09:43,400 --> 00:09:45,720 Speaker 5: Swill and Woody's Secret Week. 213 00:09:48,360 --> 00:09:50,400 Speaker 2: Yeah, I didn't really expect this to get so intense. 214 00:09:50,440 --> 00:09:54,280 Speaker 3: Well, but my mom said something at the playground a 215 00:09:54,280 --> 00:09:56,800 Speaker 3: couple of days ago when I had to hang with her. 216 00:09:57,760 --> 00:09:59,920 Speaker 3: Her and my dad and my daughter were all hanging together. 217 00:10:00,080 --> 00:10:03,720 Speaker 3: She said something just right off. If I'm being honest 218 00:10:03,760 --> 00:10:07,360 Speaker 3: and I just got an inspiration of Secret Week, you 219 00:10:07,400 --> 00:10:11,000 Speaker 3: know mom would be happy to reveal what she said 220 00:10:11,160 --> 00:10:11,959 Speaker 3: at the playground. 221 00:10:12,000 --> 00:10:16,600 Speaker 2: And this was her response, Oh yes, I heard. 222 00:10:16,440 --> 00:10:21,120 Speaker 7: It saying that on the radio? 223 00:10:21,280 --> 00:10:27,040 Speaker 5: Or are you sign you as my son? Wow? You 224 00:10:28,480 --> 00:10:30,000 Speaker 5: if you put that on the radio? 225 00:10:30,360 --> 00:10:31,160 Speaker 2: What if if? 226 00:10:31,200 --> 00:10:34,040 Speaker 3: And when we have a second child, the middle name 227 00:10:34,080 --> 00:10:36,160 Speaker 3: will be Melissa. If you say what you said on 228 00:10:36,200 --> 00:10:37,600 Speaker 3: the seesaw, I don't care. 229 00:10:38,200 --> 00:10:39,720 Speaker 7: Wow, what do you trust me? 230 00:10:39,960 --> 00:10:40,959 Speaker 5: It is not appropriate? 231 00:10:41,400 --> 00:10:43,800 Speaker 1: No, Melissa, what about one hundred dollars red roost? About 232 00:10:43,800 --> 00:10:45,000 Speaker 1: you happy to give you? 233 00:10:45,000 --> 00:10:47,040 Speaker 5: You said a million dollars cash I'll take it. 234 00:10:52,679 --> 00:10:54,360 Speaker 3: I thought we'd get her with the red roost about you. 235 00:10:54,720 --> 00:10:57,800 Speaker 3: Unfortunately not. But look what we heard at the start 236 00:10:57,840 --> 00:11:01,240 Speaker 3: of that audio. Was my dad confirmed mean that he 237 00:11:01,240 --> 00:11:02,480 Speaker 3: heard what she said? 238 00:11:03,520 --> 00:11:04,280 Speaker 1: Oh? 239 00:11:04,559 --> 00:11:05,320 Speaker 5: Yes, I. 240 00:11:09,880 --> 00:11:12,920 Speaker 2: Now, well I think dad is our way in. 241 00:11:13,559 --> 00:11:17,760 Speaker 1: Oh, there's no doubt he's the rat that we need 242 00:11:18,200 --> 00:11:20,600 Speaker 1: to put in the trap. I mean he and we 243 00:11:20,720 --> 00:11:25,160 Speaker 1: know that he loves cheese, cookies amongst free things. Yes, 244 00:11:25,320 --> 00:11:27,920 Speaker 1: I mean he's the most amenable rat I reckon on 245 00:11:27,960 --> 00:11:28,400 Speaker 1: the planet. 246 00:11:28,440 --> 00:11:28,719 Speaker 5: This guy. 247 00:11:28,720 --> 00:11:30,000 Speaker 1: We're going to be able to get him with free 248 00:11:30,040 --> 00:11:33,640 Speaker 1: tickets to something? Can I just ask something? I realized 249 00:11:33,840 --> 00:11:37,200 Speaker 1: just then. So we're getting your dad to try and 250 00:11:37,280 --> 00:11:41,880 Speaker 1: reveal the secret, right, yes, okay, you also know the secret? 251 00:11:42,160 --> 00:11:46,120 Speaker 2: Right I'm not doing it though I can't the audio. 252 00:11:49,160 --> 00:11:51,720 Speaker 1: Isn't this just I know I heard that. I heard that, 253 00:11:51,840 --> 00:11:53,680 Speaker 1: but I just it just kind of dawned on me 254 00:11:53,720 --> 00:11:57,199 Speaker 1: then where I was like, hang on, what he also. 255 00:11:57,000 --> 00:11:57,920 Speaker 2: Knows this secret? 256 00:11:58,360 --> 00:12:00,520 Speaker 1: So right now, what we've got is you've just got 257 00:12:00,600 --> 00:12:03,720 Speaker 1: a Mexican standoff between two men who are terrified of 258 00:12:03,720 --> 00:12:04,360 Speaker 1: the same woman. 259 00:12:04,640 --> 00:12:08,319 Speaker 2: Yes, which is which is pretty much family getting for us, 260 00:12:08,480 --> 00:12:09,240 Speaker 2: to be honest. 261 00:12:09,000 --> 00:12:09,600 Speaker 8: I know, I know, that. 262 00:12:09,880 --> 00:12:12,520 Speaker 1: I know that, but you're getting on the front foot 263 00:12:12,559 --> 00:12:13,960 Speaker 1: to make your dad accountable. 264 00:12:14,040 --> 00:12:16,680 Speaker 2: First, that is one happening. 265 00:12:16,760 --> 00:12:19,680 Speaker 3: Are going to a one hundred dollars red rooster voucher 266 00:12:19,800 --> 00:12:21,320 Speaker 3: in his face to dry and get him to do it? 267 00:12:21,679 --> 00:12:23,640 Speaker 1: So what are we What are we actually dangling in 268 00:12:23,679 --> 00:12:25,719 Speaker 1: front of him? I think the red rooster, the red 269 00:12:25,800 --> 00:12:27,719 Speaker 1: rooster voucher. Obviously he'll fall for that. 270 00:12:27,960 --> 00:12:28,520 Speaker 8: I'm up. 271 00:12:28,720 --> 00:12:30,240 Speaker 1: I'm able to throw down a couple of red roost 272 00:12:30,240 --> 00:12:32,440 Speaker 1: of vouchers. The guy's a cheap ass and he loves food. 273 00:12:32,480 --> 00:12:35,439 Speaker 1: So I feel like, hell, get I Steve. 274 00:12:37,440 --> 00:12:42,040 Speaker 3: My guys, how you you didn't hear any. 275 00:12:40,920 --> 00:12:43,040 Speaker 5: No, I heard nothing. I heard nothing. 276 00:12:43,200 --> 00:12:48,080 Speaker 2: Perfect. That's great, you're on air. You've got Will and 277 00:12:48,120 --> 00:12:48,480 Speaker 2: I here. 278 00:12:48,760 --> 00:12:53,439 Speaker 3: First question is if Mum is in the current vicinity. 279 00:12:53,720 --> 00:12:57,800 Speaker 3: Just say hi, Greg, let me go to another room. 280 00:12:58,040 --> 00:13:02,680 Speaker 2: She's not okay, perfect, perfect, perfect, perfect. 281 00:13:01,520 --> 00:13:05,679 Speaker 5: Get about the high Greg, it's too complicated for me. 282 00:13:06,240 --> 00:13:09,920 Speaker 1: Sure to think about it. She's not here. 283 00:13:10,320 --> 00:13:13,760 Speaker 3: So look, yesterday we were trying to extract what Mum 284 00:13:13,840 --> 00:13:16,520 Speaker 3: said on the seesaw when she was doing that with 285 00:13:16,559 --> 00:13:20,559 Speaker 3: my daughter, your granddaughter. It's secret week. I know you're 286 00:13:20,559 --> 00:13:23,000 Speaker 3: a supporter of the show. Would you be willing to 287 00:13:23,040 --> 00:13:24,800 Speaker 3: tell Australia what she said on the sea. 288 00:13:24,679 --> 00:13:28,280 Speaker 5: Saw I love life? 289 00:13:32,080 --> 00:13:32,520 Speaker 9: No way? 290 00:13:32,840 --> 00:13:35,160 Speaker 2: I mean, are you serious? 291 00:13:34,679 --> 00:13:37,920 Speaker 3: But Dad, you and I both know she doesn't listen 292 00:13:37,920 --> 00:13:39,679 Speaker 3: to the radio show. I think I think we can 293 00:13:39,679 --> 00:13:41,640 Speaker 3: get away with one here. If you're just willing to 294 00:13:41,640 --> 00:13:44,200 Speaker 3: put the body on the line here and repeat what 295 00:13:44,280 --> 00:13:44,680 Speaker 3: she said. 296 00:13:44,960 --> 00:13:45,520 Speaker 2: She won't hear it. 297 00:13:46,880 --> 00:13:51,040 Speaker 5: Aliones would cease wood if it's ever got out. And 298 00:13:51,120 --> 00:13:55,200 Speaker 5: I feel very, very uncomfortable about this, and I'm trying 299 00:13:55,200 --> 00:13:59,720 Speaker 5: to weigh it up advantages versus the disadvantages. Five minutes 300 00:13:59,760 --> 00:14:02,640 Speaker 5: of I'm on your radio program? Is it worth twenty 301 00:14:02,760 --> 00:14:06,920 Speaker 5: years of misery in our real lives? 302 00:14:06,760 --> 00:14:08,720 Speaker 3: With a long sentence? It is a long sentence that 303 00:14:08,760 --> 00:14:11,040 Speaker 3: you'll be facing. What if we sweetened the deal for 304 00:14:11,040 --> 00:14:12,800 Speaker 3: you a little bit? So I appreciate that you said there, 305 00:14:12,800 --> 00:14:14,240 Speaker 3: it's just a five minutes of fun on the rain. 306 00:14:14,360 --> 00:14:17,240 Speaker 3: You're talking what if what if we dangled a one 307 00:14:17,320 --> 00:14:19,120 Speaker 3: hundred dollars red rooster V out of your way? 308 00:14:20,360 --> 00:14:23,920 Speaker 5: That's not going to cut Yeah, fair enough, that's the 309 00:14:23,960 --> 00:14:25,640 Speaker 5: best you can do, Bud. 310 00:14:28,000 --> 00:14:30,160 Speaker 1: What well have we got will that we can throw 311 00:14:30,200 --> 00:14:31,600 Speaker 1: in a will and woody mug. Let me just go 312 00:14:31,640 --> 00:14:36,080 Speaker 1: to the showcase here. Hey, we've got to sign Jack 313 00:14:36,160 --> 00:14:38,480 Speaker 1: Black poster and a copy of the new Kung Fu 314 00:14:38,560 --> 00:14:39,160 Speaker 1: Panda four. 315 00:14:40,280 --> 00:14:46,520 Speaker 5: Okay, it's really impressive, really impressive, but I still signs boys. 316 00:14:46,840 --> 00:14:48,800 Speaker 5: I mean, I'd like to I'd like to participate in 317 00:14:48,800 --> 00:14:51,920 Speaker 5: your show. I like doing it. But I crossed this 318 00:14:52,080 --> 00:14:54,920 Speaker 5: line as I said their lives would be over in Sea. 319 00:14:55,080 --> 00:14:56,680 Speaker 1: We'll be able to get you like a safe house 320 00:14:56,760 --> 00:14:59,040 Speaker 1: or something, Steve. I mean if you were revealing to 321 00:14:59,240 --> 00:15:01,440 Speaker 1: you know, turn in the secrets and then come in. 322 00:15:03,480 --> 00:15:03,800 Speaker 10: Terrible. 323 00:15:04,480 --> 00:15:06,680 Speaker 5: It was a terrible. It's quite a shock when she 324 00:15:06,800 --> 00:15:07,120 Speaker 5: said it. 325 00:15:07,200 --> 00:15:11,280 Speaker 1: Yeah, oh right, oh yeah really Okay, can I ask, like, 326 00:15:11,440 --> 00:15:12,840 Speaker 1: what sort of genre does it sit in? 327 00:15:14,280 --> 00:15:14,680 Speaker 5: Horror? 328 00:15:15,840 --> 00:15:20,400 Speaker 3: It's horror, Yeah, horror, it's definitely horror. It's definitely har 329 00:15:20,680 --> 00:15:22,920 Speaker 3: I've lived in this family for thirty five years. I 330 00:15:22,960 --> 00:15:25,560 Speaker 3: know than anyone what you're talking about. As far as 331 00:15:25,560 --> 00:15:28,000 Speaker 3: the punishment that we would receive for a Villian said secret. 332 00:15:28,160 --> 00:15:31,360 Speaker 3: I do feel like Australia now needs a secret though, 333 00:15:31,480 --> 00:15:32,840 Speaker 3: and I can give you time to think about this. 334 00:15:33,080 --> 00:15:35,360 Speaker 2: Is there a secret about Mum that you would be 335 00:15:35,400 --> 00:15:38,600 Speaker 2: willing to reveal? On the radio show. 336 00:15:40,240 --> 00:15:44,280 Speaker 5: Gee, you'd have to give me a little bit of time. 337 00:15:44,400 --> 00:15:47,840 Speaker 5: I had to for obvious reasons. I don't want to 338 00:15:47,880 --> 00:15:50,880 Speaker 5: make sure that it's not going to be the incrimination 339 00:15:51,000 --> 00:15:52,880 Speaker 5: is not going to be overpowering. 340 00:15:53,120 --> 00:15:58,800 Speaker 1: Sure, christ you two were talking about the furor in 341 00:15:58,920 --> 00:15:59,640 Speaker 1: Nazi Germany. 342 00:15:59,680 --> 00:16:03,760 Speaker 2: Right now, you've got the weekend. 343 00:16:03,920 --> 00:16:06,040 Speaker 5: I won't let you down. Boys, I won't let you down. 344 00:16:06,440 --> 00:16:09,160 Speaker 1: Thanks, Steve. I appreciate that your work. If you go 345 00:16:09,320 --> 00:16:12,160 Speaker 1: missing at some stage next week, we know exactly what's happened. 346 00:16:12,200 --> 00:16:16,840 Speaker 1: So I have an adventurous spirits. 347 00:16:16,960 --> 00:16:19,160 Speaker 5: Yeah good, I'll prove it. I'll prove it. 348 00:16:19,680 --> 00:16:22,960 Speaker 1: I'm surprised you still have any spirit after that long 349 00:16:23,000 --> 00:16:33,560 Speaker 1: in that marriage. Great to hear me said, this show 350 00:16:33,600 --> 00:16:36,520 Speaker 1: is produced, there are a bunch of evil, insidious people 351 00:16:36,560 --> 00:16:38,680 Speaker 1: who sit behind laptops and stare at us in this 352 00:16:38,760 --> 00:16:42,520 Speaker 1: glass box, and they pull strings and they hurt us, 353 00:16:42,560 --> 00:16:44,600 Speaker 1: and they say things that will harm us. It's all 354 00:16:44,640 --> 00:16:46,600 Speaker 1: in the vein of trying to make the show sound better. 355 00:16:46,640 --> 00:16:48,000 Speaker 1: But at the end of the day, would they are 356 00:16:48,040 --> 00:16:50,080 Speaker 1: the cork on the bottle of some great ideas that 357 00:16:50,160 --> 00:16:54,360 Speaker 1: never quite reach the show? And so on a Friday 358 00:16:54,800 --> 00:16:58,360 Speaker 1: we have contractually carved out an Ireland for ten minutes 359 00:16:58,400 --> 00:17:01,440 Speaker 1: where we get to take over the airwaves for ten minutes. 360 00:17:02,080 --> 00:17:09,840 Speaker 2: We take our life now. 361 00:17:09,880 --> 00:17:12,879 Speaker 3: Well, usually we both throw ideas at each other, but 362 00:17:12,960 --> 00:17:15,040 Speaker 3: we had a chat during the song just before and 363 00:17:15,080 --> 00:17:17,800 Speaker 3: we've both agreed that the idea that I wanted to 364 00:17:17,840 --> 00:17:21,239 Speaker 3: do that the producers absolutely hate is absolutely the one 365 00:17:21,280 --> 00:17:25,400 Speaker 3: we want to talk about. Yes, and it's our favorite 366 00:17:25,440 --> 00:17:28,760 Speaker 3: person in the world. It's about Russell Crowe and. 367 00:17:28,960 --> 00:17:33,240 Speaker 11: It's about why he's spoken today for the first time 368 00:17:33,240 --> 00:17:38,359 Speaker 11: ever about why he absolutely hated the first draft of 369 00:17:38,400 --> 00:17:40,240 Speaker 11: the script for the movie Gladiator. 370 00:17:40,760 --> 00:17:42,439 Speaker 1: Oh wow, okay, right. 371 00:17:42,359 --> 00:17:45,000 Speaker 2: Okay, now, producer l Jane, I didn't know that. I 372 00:17:45,000 --> 00:17:47,760 Speaker 2: didn't know that, by the way, exactly, so it's amazing. 373 00:17:47,960 --> 00:17:50,720 Speaker 3: Obviously Australia wants to hear why he hated the first 374 00:17:50,760 --> 00:17:53,600 Speaker 3: draft of the script. I love Russell, You love Russell 375 00:17:53,920 --> 00:17:57,159 Speaker 3: L Jane anymore. Why wasn't this put straight into the 376 00:17:57,240 --> 00:18:01,760 Speaker 3: radio show because nobody cares up of thirty years ago 377 00:18:01,960 --> 00:18:03,760 Speaker 3: in a script that we got the film. 378 00:18:04,760 --> 00:18:11,200 Speaker 1: Strong argument, strong words. 379 00:18:11,760 --> 00:18:14,199 Speaker 3: But this is freedom Friday, so we get to do 380 00:18:14,280 --> 00:18:16,960 Speaker 3: whatever the blundy hell we want, and hopefully some people 381 00:18:17,000 --> 00:18:17,960 Speaker 3: do care about. 382 00:18:17,680 --> 00:18:19,600 Speaker 2: A movie that was made fifty years ago. 383 00:18:20,240 --> 00:18:23,399 Speaker 3: So well, he did this interview with GQ, was like 384 00:18:23,440 --> 00:18:26,280 Speaker 3: and asked me anything, and I think the question was 385 00:18:26,320 --> 00:18:30,000 Speaker 3: just like, did you did you always love Gladiator? 386 00:18:30,000 --> 00:18:31,560 Speaker 2: Did you know it was going to be a banging movie? 387 00:18:31,600 --> 00:18:32,680 Speaker 2: And he basically said no. 388 00:18:33,080 --> 00:18:36,280 Speaker 3: The first script was actually really crap, and he wanted 389 00:18:36,320 --> 00:18:36,800 Speaker 3: to say no. 390 00:18:37,040 --> 00:18:40,960 Speaker 1: And this is why gladiators in the Arena would occasionally 391 00:18:41,480 --> 00:18:45,040 Speaker 1: take on endorsements for products and stuff like olive oil 392 00:18:45,080 --> 00:18:45,680 Speaker 1: and everything. 393 00:18:46,560 --> 00:18:51,760 Speaker 2: So in the original script of Gladiator, Maximus would promote 394 00:18:51,920 --> 00:18:56,280 Speaker 2: olive oil after his fights. 395 00:18:55,400 --> 00:18:58,080 Speaker 1: So what brought to you bright brand power? 396 00:18:58,480 --> 00:19:00,720 Speaker 2: What do you mean exactly? 397 00:19:00,760 --> 00:19:02,600 Speaker 3: So he'd be like he'd have an epic fight and 398 00:19:02,600 --> 00:19:05,160 Speaker 3: then be walking in the streets with olive oil, selling 399 00:19:05,280 --> 00:19:08,040 Speaker 3: olive oil to make a bit of money on the side. 400 00:19:08,080 --> 00:19:10,439 Speaker 3: So obviously Russell saw that and was like, that is 401 00:19:10,680 --> 00:19:13,880 Speaker 3: just the worst thing I have ever seen. So thankfully, yeah, 402 00:19:13,960 --> 00:19:16,040 Speaker 3: they did take that out of the film that is 403 00:19:16,080 --> 00:19:19,080 Speaker 3: now one of the greatest movies ever. But well, you know, 404 00:19:19,160 --> 00:19:21,359 Speaker 3: I've just got far too much time on my hands 405 00:19:21,400 --> 00:19:23,600 Speaker 3: at the moment. So I did a little bit of 406 00:19:23,600 --> 00:19:26,320 Speaker 3: work and I've put together something which which is just 407 00:19:26,320 --> 00:19:29,120 Speaker 3: going to show what the movie could have actually sounded 408 00:19:29,240 --> 00:19:32,600 Speaker 3: like if they went with the original script. 409 00:19:33,760 --> 00:19:37,400 Speaker 9: My name is Maximus Decimus Meridius, Commander of the Armies 410 00:19:37,440 --> 00:19:41,639 Speaker 9: of the North, General of the Felix Spegions, loyal servant 411 00:19:41,680 --> 00:19:46,640 Speaker 9: to the true Emperor Marcus Aurelius, father to a murdered son, 412 00:19:47,800 --> 00:19:51,119 Speaker 9: husband to a murdered wife. And I will have my 413 00:19:51,160 --> 00:19:52,720 Speaker 9: olive in the slave. 414 00:19:52,560 --> 00:20:02,439 Speaker 10: For the next I know, a twenty second build up 415 00:20:02,480 --> 00:20:03,680 Speaker 10: for a half a second joke. 416 00:20:03,720 --> 00:20:09,399 Speaker 1: You know, I'm all for it. Would joined by a 417 00:20:09,440 --> 00:20:11,880 Speaker 1: great man with another great hypothetical. 418 00:20:12,680 --> 00:20:14,280 Speaker 8: It was a hypothetical. 419 00:20:14,640 --> 00:20:17,800 Speaker 4: It's a hypothetical, Joel's hypothetical. 420 00:20:18,359 --> 00:20:20,680 Speaker 2: We love these jeels. It's the highlight of my week, 421 00:20:20,720 --> 00:20:21,440 Speaker 2: that is for sure. 422 00:20:21,480 --> 00:20:24,320 Speaker 8: Welcome mate, Oh, thank you so much. 423 00:20:25,080 --> 00:20:27,639 Speaker 2: What is a last what's that? Mate? 424 00:20:28,640 --> 00:20:29,800 Speaker 8: Oh no, it's just thunking in. 425 00:20:30,119 --> 00:20:30,239 Speaker 5: Oh. 426 00:20:30,240 --> 00:20:32,439 Speaker 2: I appreciate it, and I appreciate it. Appreciate it. 427 00:20:33,760 --> 00:20:36,840 Speaker 1: We're not actually paying you, so it's okay, it's all right. 428 00:20:37,600 --> 00:20:39,720 Speaker 8: I actually have something to bring up about that you 429 00:20:39,760 --> 00:20:42,679 Speaker 8: want to be paying for you? Yeah, no, no. On 430 00:20:42,800 --> 00:20:46,560 Speaker 8: the first time I came on the show, yeah, I 431 00:20:46,600 --> 00:20:48,879 Speaker 8: was promised a red Roosta voucher. 432 00:20:49,560 --> 00:20:51,359 Speaker 2: Did you never get your red rooster voucher? 433 00:20:51,960 --> 00:20:54,360 Speaker 8: Never haven't had red rot I've never had red rust 434 00:20:54,400 --> 00:20:54,840 Speaker 8: in my life. 435 00:20:54,920 --> 00:20:57,640 Speaker 2: I make there jawls dropping outside. That is outrageous. 436 00:20:58,000 --> 00:21:00,359 Speaker 3: I promise you, mate, we have got the best people 437 00:21:00,440 --> 00:21:01,280 Speaker 3: on that right now. 438 00:21:01,320 --> 00:21:03,159 Speaker 2: You will have your red rooster a Vancher by the 439 00:21:03,240 --> 00:21:03,920 Speaker 2: end of the weekend. 440 00:21:04,720 --> 00:21:07,000 Speaker 8: No, don't worry about it. I'm feeling passive aggressive. 441 00:21:07,040 --> 00:21:07,680 Speaker 5: Don't worry about it. 442 00:21:10,200 --> 00:21:14,720 Speaker 2: You can just hold that over us. That job, all right, mate, 443 00:21:15,240 --> 00:21:16,760 Speaker 2: greg into you hope with any then? 444 00:21:17,800 --> 00:21:22,120 Speaker 8: All right? All right, So your your best friend has 445 00:21:22,240 --> 00:21:22,680 Speaker 8: just died. 446 00:21:22,960 --> 00:21:23,880 Speaker 5: I guess for you too. 447 00:21:23,960 --> 00:21:26,520 Speaker 8: That's a bit of a challenge. But yeah, your best 448 00:21:26,520 --> 00:21:28,639 Speaker 8: friend's just died, and he's got two million in the 449 00:21:28,680 --> 00:21:32,480 Speaker 8: will for you. Yeah, but he's decided to sit you 450 00:21:32,560 --> 00:21:34,400 Speaker 8: up and if you accept the two million, all your 451 00:21:34,400 --> 00:21:40,400 Speaker 8: internet history becomes accessible to everyone since since since you started, 452 00:21:40,880 --> 00:21:44,640 Speaker 8: you know, your internet journey, which usually starts out pretty crazy. 453 00:21:44,880 --> 00:21:49,159 Speaker 3: Yeah yeah, yeah, okay, yeah, okay, So this is so 454 00:21:49,200 --> 00:21:51,199 Speaker 3: when you say it gets released like this is like 455 00:21:51,280 --> 00:21:52,000 Speaker 3: world news. 456 00:21:52,040 --> 00:21:54,679 Speaker 2: So so everyone around the world can click on my 457 00:21:54,760 --> 00:21:55,560 Speaker 2: Internet history. 458 00:21:56,080 --> 00:21:58,840 Speaker 8: Yeah, I'm going I'm going will and Woody and I'm gone, 459 00:21:59,160 --> 00:22:02,440 Speaker 8: and like you know, it's probably categorized by most interesting, 460 00:22:02,440 --> 00:22:03,959 Speaker 8: the least interesting. 461 00:22:04,440 --> 00:22:08,119 Speaker 1: And categories canes because I was kind of relying on 462 00:22:08,119 --> 00:22:09,320 Speaker 1: the fact that it was just going to be too 463 00:22:09,400 --> 00:22:11,560 Speaker 1: much information and people are like, geez, that's boring. I 464 00:22:11,560 --> 00:22:15,000 Speaker 1: can't be on the shifting through. But categorizing really kills 465 00:22:15,000 --> 00:22:16,480 Speaker 1: me in this right out. 466 00:22:16,840 --> 00:22:18,199 Speaker 2: Where are you okay? Where are you? 467 00:22:19,080 --> 00:22:19,240 Speaker 9: Well? 468 00:22:19,240 --> 00:22:21,960 Speaker 1: I was thinking more about where you are maybe I think, 469 00:22:22,080 --> 00:22:24,040 Speaker 1: you know, we just live in a space where this 470 00:22:24,160 --> 00:22:26,600 Speaker 1: has happened. What are you I mean, what are you 471 00:22:26,640 --> 00:22:28,720 Speaker 1: most worried about? I mean, I can table a couple 472 00:22:28,800 --> 00:22:30,640 Speaker 1: for you. Sidney Sweeny is going to be out there 473 00:22:30,680 --> 00:22:34,800 Speaker 1: and in all sorts of forms for you. And you know, 474 00:22:34,840 --> 00:22:37,719 Speaker 1: there's probably some very weird searches in and around, you know, 475 00:22:37,840 --> 00:22:40,720 Speaker 1: dietying and a few other fetishes that we can't sayd 476 00:22:40,720 --> 00:22:42,800 Speaker 1: on the radio. But at the end of the day, mate, 477 00:22:42,920 --> 00:22:45,000 Speaker 1: you know, once people know that you spend fifty percent 478 00:22:45,040 --> 00:22:48,120 Speaker 1: of your time looking at Sydney Sweeney and gut trends, 479 00:22:48,160 --> 00:22:49,320 Speaker 1: who cares it's out there. 480 00:22:50,040 --> 00:22:52,600 Speaker 2: I appreciate you just talking about my history in this part. 481 00:22:54,800 --> 00:22:56,920 Speaker 2: That's lovely, So I get my two million bucks now,