WEBVTT - Sarah and Henry - Lego® Masters - Reality - TV Contestants

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload, the podcast.

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<v Speaker 2>Part Deep their Life.

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<v Speaker 3>Welcome back TV Reload listeners. My name is Benjamin Norris,

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<v Speaker 3>and this is your podcast to get all the insight

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<v Speaker 3>goss all the popular TV shows you may be watching

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<v Speaker 3>from around the world. Undeniably, our TV sets are a

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<v Speaker 3>major part of our home entertainment, and yet very little

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<v Speaker 3>is known about how our favorite shows get made. However,

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<v Speaker 3>each episode, I've found guests the want to dive just

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<v Speaker 3>that little bit deeper into the shows they're currently making

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<v Speaker 3>so that you can hear all their exclusive stories and

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<v Speaker 3>gain access to the biggest names in television. I want

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<v Speaker 3>to thank you for downloading or subscribing to this podcast.

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<v Speaker 3>I love hearing your feedback, so make sure you leave

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<v Speaker 3>a review or a comment on your chosen podcast platform.

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<v Speaker 3>On today's podcast, I'm going into the world of Lego

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<v Speaker 3>and the minds of Lego Master's contestants. We're currently competing

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<v Speaker 3>on the Channel nine series. I have Sarah and Henry,

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<v Speaker 3>both returning players. Henry known for winning Series one and

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<v Speaker 3>Sarah back from winning Series three. Both family orientated but

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<v Speaker 3>matched for the first time to take on some of

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<v Speaker 3>the best players we have ever seen on the Channel

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<v Speaker 3>nine Lego Building competition. With week one of the competition

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<v Speaker 3>already done and this Sunday Night's episode upon us, I

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<v Speaker 3>have a lot to unpack and these two will certainly

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<v Speaker 3>get you excited for what is to come. I will

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<v Speaker 3>ask Sarah and Henry about the process of being put

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<v Speaker 3>together and if they both said yes straight away. Sarah

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<v Speaker 3>and Henry will explain everything from toilet breaks and stressful

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<v Speaker 3>situations to if the contestants get to keep their lego builds.

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<v Speaker 3>We will also find out what Hamish, Blake and Brickman

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<v Speaker 3>are really like between takes and if Hamish has up

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<v Speaker 3>to the anti since the show began. Plus, we'll get

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<v Speaker 3>plenty of exclusives from behind the scenes of the latest

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<v Speaker 3>series of Lego Masters, which you can now catch up

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<v Speaker 3>on nine. Now anyway, let's bring Sarah and Henry into

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<v Speaker 3>the podcast. I'm a huge fan of theirs, this is

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<v Speaker 3>why I've picked them. Excuse me for having a cold

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<v Speaker 3>this week, but I honestly hope you enjoy this hilarious chat.

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<v Speaker 3>Thank you both for coming on the podcast and talking

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<v Speaker 3>about the fifth series of Lego Masters.

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<v Speaker 2>Oh thanks for having us mate, It's going to be

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<v Speaker 2>a cracking season.

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<v Speaker 1>I think we've done things that we've nobody's ever done

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<v Speaker 1>before with Lego, so that's going to be amazing.

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<v Speaker 3>Sarah, was it a surprise to get a call and

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<v Speaker 3>be asked to return to the show.

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<v Speaker 1>It was a little bit, and I had a lot

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<v Speaker 1>of stuff that I was doing out of Lego, so

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<v Speaker 1>I wasn't one hundred percent sure whether I was able

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<v Speaker 1>to do it. But then I found out that Henry

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<v Speaker 1>was going to be my partner, and that was just

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<v Speaker 1>a given.

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<v Speaker 4>So therefore I dropped everything.

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<v Speaker 2>And ran You're a sweetheart, mate. It wasn't a surprise

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<v Speaker 2>for me though, Ben I am the original in US,

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<v Speaker 2>so not me.

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<v Speaker 4>Henry is also super humble, as you can tell.

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<v Speaker 3>Had there ever been mentioned to either of you that

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<v Speaker 3>there would be an All Stars, I mean, had there

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<v Speaker 3>been conversations at any stage along the way that you know,

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<v Speaker 3>sit tight and maybe you'll get a chance to come back.

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<v Speaker 2>It was always into that, but again, like anything in

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<v Speaker 2>TV land, you're never certain. Then you just can never

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<v Speaker 2>be assured until you're actually there. So until you actually

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<v Speaker 2>step on set and you're like, oh this is happening, now.

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<v Speaker 3>You're going to wait you've got to be there on

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<v Speaker 3>set and actually doing it exactly.

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<v Speaker 1>And there's always all these little whispers in the Lego

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<v Speaker 1>community about what's happening, like there might be a Lego

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<v Speaker 1>Master's kids, there might be a Lego Master's Grandmasters.

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<v Speaker 4>But you're right, we don't know until it happens.

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<v Speaker 3>Well, Sarah, what was your experience like last time from

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<v Speaker 3>being on the show?

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<v Speaker 4>I actually really really enjoyed it.

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<v Speaker 1>It was an opportunity to be super creative because I'm

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<v Speaker 1>a very very creative person, because I'm an artist in

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<v Speaker 1>my normal life, and I met a bunch of really great,

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<v Speaker 1>motivated artistic people as well.

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<v Speaker 4>So I love the whole experience.

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<v Speaker 3>And Henry, what about you. I mean, obviously you had

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<v Speaker 3>a very good experience and the outcome is great. It's

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<v Speaker 3>a bit of a silly question, but what was it

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<v Speaker 3>about your first experience on Lego Masters that made you

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<v Speaker 3>go I want to come back into it again.

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<v Speaker 2>Oh? Look, the first time I went on, I had

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<v Speaker 2>done nothing like it, and I was probably still a

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<v Speaker 2>little bit new to Lego. I wouldn't say that I've

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<v Speaker 2>been a lifelong fan of Lego. I was like anyone

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<v Speaker 2>else who had it as a kid and sort of

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<v Speaker 2>just then got back into it when I had kids.

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<v Speaker 2>That sort of that was my story. But my wife

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<v Speaker 2>was the one who pushed me to go on it

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<v Speaker 2>and said, you know, you'll regret it if you don't.

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<v Speaker 2>Just have a crack. And it was just about having

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<v Speaker 2>the experience, right. I met people that I would never

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<v Speaker 2>meet in normal, my everyday life, my work circles. I

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<v Speaker 2>have a very different job super waring. So it's it

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<v Speaker 2>was a really really wonderful experience for me.

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<v Speaker 3>And you know, mate, I was going to just stay

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<v Speaker 3>with you with this question because being a part of

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<v Speaker 3>the first series and then coming back, but is Hamish

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<v Speaker 3>still the old Hamish? I mean, is he up the

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<v Speaker 3>ante with some of his weird antics because I've watched

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<v Speaker 3>every series and I think he just gets more and

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<v Speaker 3>more stranger.

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<v Speaker 2>Oh yeah, he's It's funny to watch how much the

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<v Speaker 2>gags have evolved. You would have never seen Hamish in

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<v Speaker 2>Amurmaan costume in season one. You would have I don't

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<v Speaker 2>think you would have been game to do it. And

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<v Speaker 2>then now it's just like, oh yeah, I'm wearing a

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<v Speaker 2>murmaid costume.

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<v Speaker 1>Doing the Murmuran costume in season five is what's he

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<v Speaker 1>going to do in season sticks It could be a

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<v Speaker 1>Noodi run, no Lego involved.

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<v Speaker 3>I heard a rumor that he wanted to do the

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<v Speaker 3>Mermaid thing in series one, but it's took him five

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<v Speaker 3>seasons to get his body looking like Sophie Monks, so

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<v Speaker 3>they had to delay it.

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<v Speaker 2>I've seen the Daily Mail article about Hamish's beach body,

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<v Speaker 2>so you can tell he's been putt in the work.

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<v Speaker 3>When he was on goggle Box, they really went to

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<v Speaker 3>town about his what do they call it, man spreading.

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<v Speaker 3>They said his legs were too far apart throughout the

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<v Speaker 3>goggle Box couch moments, and I was like, oh my god.

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<v Speaker 3>Well the Daily Mail will write about Hamish doing basically

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<v Speaker 3>anything they will.

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<v Speaker 1>I mean, he's popular. He could be eating a cake

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<v Speaker 1>and they'd love.

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<v Speaker 3>Him exactly, right, Sarah, what was the process like informing

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<v Speaker 3>you both into one team?

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<v Speaker 1>It was interesting because we've never worked together before.

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<v Speaker 4>We both knew of each other.

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<v Speaker 1>It was a few phone calls before we actually started

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<v Speaker 1>to try and sort of have a chat and see where.

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<v Speaker 4>We're both at. But we got on really really well,

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<v Speaker 4>and I think that really helped.

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<v Speaker 3>I mean you can see that the two of you

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<v Speaker 3>get along, which is great, But I thought, do they

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<v Speaker 3>send photos of potential people? Did they send you like

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<v Speaker 3>a list of three and said pick one of these

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<v Speaker 3>men out of a lineup?

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<v Speaker 1>I think you're maybe thinking of, you know, that other

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<v Speaker 1>show Married at First Sight. But definitely, if there were

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<v Speaker 1>three photos, I definitely would have picked Henry because obviously

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<v Speaker 1>he is the best looking, most intelligent, and has the

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<v Speaker 1>most going for him out of any other contestant.

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<v Speaker 2>There would have been three photos of me. Then they

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<v Speaker 2>would have been three photos of me different angles.

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<v Speaker 3>We're giving you options, and they've got three photos of Henry,

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<v Speaker 3>maybe with like really cheap disguise on, you know, to

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<v Speaker 3>make him look a little different in all of them.

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<v Speaker 1>Henry with different haircut, Yes, different haircut Henry I've got.

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<v Speaker 2>I've had the same haircut for about fifteen years. I

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<v Speaker 2>love it.

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<v Speaker 3>I love it. But I can still imagine them getting

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<v Speaker 3>out some you know, lego wigs for you to.

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<v Speaker 2>The lego hair right on the minifing. You know, you

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<v Speaker 2>just put a cap on and it's just like snaps on.

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<v Speaker 4>It's like pick the Henry.

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<v Speaker 3>I had no idea I was going to have this

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<v Speaker 3>much fun chatting to the both of you. No offense

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<v Speaker 3>to the pre pregame chat, but you guys are both hilarious.

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<v Speaker 3>Did you spend a lot of time together to have

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<v Speaker 3>this kind of chemistry?

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<v Speaker 2>Yeah, I think we spent like we would have post

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<v Speaker 2>episode dinners and talk like you know, so we and

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<v Speaker 2>we actually have a lot of similarities in our personal lives.

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<v Speaker 2>Like we both have three kids and they're all a

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<v Speaker 2>similar ages, and we both have like a younger one

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<v Speaker 2>that sort of came a little bit later than we

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<v Speaker 2>wanted to both have.

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<v Speaker 4>One of the accidental children.

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<v Speaker 2>Yeah, so we were like, oh, you have one of

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<v Speaker 2>those as well. I love it.

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<v Speaker 3>It's in the DNA. It's the lego DNA that is

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<v Speaker 3>keeping you both together and living the sliding doors life.

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<v Speaker 2>I think it's great.

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<v Speaker 3>It's brought it together. You know, what are the similarities

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<v Speaker 3>between your builds? I mean, do you both have a

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<v Speaker 3>similar type of interest in building things.

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<v Speaker 2>I think what my interests are outside of the show

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<v Speaker 2>in terms of lego building is really different to what

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<v Speaker 2>we build on the show. My specialty is like I

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<v Speaker 2>love Japanese culture, right, I love anime all those sort

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<v Speaker 2>of things, And it's probably a lot more accepted now

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<v Speaker 2>in terms of anime is pretty much mainstream now, like

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<v Speaker 2>with a lot of you know, a younger generation in that,

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<v Speaker 2>whereas it was a little bit of a niche hobby

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<v Speaker 2>when I was a kid. And so I love building

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<v Speaker 2>massive Japanese robots. That's my thing, that's my niche, right,

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<v Speaker 2>And so building a lot of the things on the

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<v Speaker 2>show is the first time I've done it a lot

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<v Speaker 2>of the times, right, because I just don't do it,

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<v Speaker 2>but it just sort of And I think for Sarah

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<v Speaker 2>as well, she's an artist and she's an amazing artist.

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<v Speaker 2>I'll let you speak for Sarah. Like the same thing, like.

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<v Speaker 1>Right, Like a lot of the stuff that we did

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<v Speaker 1>I've never built before, exactly the same as Henry. The

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<v Speaker 1>only thing I think that we both like is we

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<v Speaker 1>both like a lot of color, yes, And I think

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<v Speaker 1>we're pretty clever with our color choices and our color decisions.

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<v Speaker 1>And I think that's where we're compatible on what we build.

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<v Speaker 5>But our building styles are totally different.

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<v Speaker 3>What would you say the differences? I mean, do you

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<v Speaker 3>both clash at any point, like you're both having to

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<v Speaker 3>work out how to compromise with the way in which

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<v Speaker 3>we are building.

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<v Speaker 1>Not really, it's just I think it was a massive

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<v Speaker 1>learning curve for both of us, and we just work

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<v Speaker 1>together really really well. Henry's building styles different, my building

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<v Speaker 1>style difference, so we kind of had to blend both in.

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<v Speaker 1>But we got on with that really really well. And

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<v Speaker 1>I kind of trust Henry's experience and he trusted me

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<v Speaker 1>with decisions I made, and that's why I think it

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<v Speaker 1>worked really well.

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<v Speaker 3>I can imagine for me if I was wanting to

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<v Speaker 3>stop someone from doing something, I'd be slowly, you know,

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<v Speaker 3>moving the red pieces away if I didn't want that

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<v Speaker 3>to be used Henry.

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<v Speaker 4>Henry did not do that to me once, not at all.

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<v Speaker 3>Imagine that he'd be like, all of a sudden, Henry's

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<v Speaker 3>got all the red bits in his pocket, just giving

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<v Speaker 3>it away.

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<v Speaker 2>Honest.

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<v Speaker 1>Henry at times did it like the way that I

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<v Speaker 1>built things, and may have altered them slightly.

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<v Speaker 2>Okay, Sarah would come back and go, oh that's changed.

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<v Speaker 3>I'll be like, yeah, this is like pulling the small

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<v Speaker 3>brick from the bottom and watching it all collapse, you know,

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<v Speaker 3>for people listening to this at home.

0:09:51.120 --> 0:09:53.480
<v Speaker 1>He would make the smallest like when we did our

0:09:53.520 --> 0:09:56.640
<v Speaker 1>build with the Monster and we had all the little

0:09:56.679 --> 0:10:00.400
<v Speaker 1>shipping containers where the monster was coming out of the ground.

0:10:00.480 --> 0:10:01.640
<v Speaker 5>I used a certain part.

0:10:01.800 --> 0:10:03.320
<v Speaker 4>He didn't like that certain part.

0:10:03.440 --> 0:10:05.280
<v Speaker 1>So I go to the brick pit and I've come

0:10:05.320 --> 0:10:07.680
<v Speaker 1>back and that certain part wasn't there before, and I'd look.

0:10:07.520 --> 0:10:10.839
<v Speaker 5>At it and I go hmm. But I totally didn't mind.

0:10:10.880 --> 0:10:13.199
<v Speaker 5>I mean to be honest, the things that he changed

0:10:13.200 --> 0:10:14.160
<v Speaker 5>were better than what I did.

0:10:14.200 --> 0:10:16.080
<v Speaker 4>So we're all good with that anyways.

0:10:15.679 --> 0:10:18.960
<v Speaker 3>Right, and both still talking, so you know, the friendship

0:10:18.960 --> 0:10:20.839
<v Speaker 3>hasn't crumbled. It's totally fun.

0:10:21.360 --> 0:10:24.120
<v Speaker 2>And I'm a massive perfectionist and I think Sarah is too,

0:10:24.280 --> 0:10:26.679
<v Speaker 2>as being an artist, like a work's never done right,

0:10:26.760 --> 0:10:29.160
<v Speaker 2>like a piece of arts never finished. So you have

0:10:29.240 --> 0:10:31.960
<v Speaker 2>to be a perfectionist in those situations because being on

0:10:32.040 --> 0:10:34.920
<v Speaker 2>Grand Masters, every single little detail matters.

0:10:35.200 --> 0:10:35.880
<v Speaker 4>It does.

0:10:36.360 --> 0:10:39.360
<v Speaker 3>Yeah, well, we've seen three builds so far. We saw

0:10:39.440 --> 0:10:42.600
<v Speaker 3>the shipping container city attack. I think I'm remembering that

0:10:42.640 --> 0:10:44.080
<v Speaker 3>off the top of my head. And then there was

0:10:44.120 --> 0:10:49.600
<v Speaker 3>the duck smash yep. Then we had the coat hanger. Yeah,

0:10:49.640 --> 0:10:52.199
<v Speaker 3>that's right, like a game of memory, you know where

0:10:52.240 --> 0:10:53.160
<v Speaker 3>they moved them all around.

0:10:53.400 --> 0:10:54.400
<v Speaker 4>But he's done very well.

0:10:54.600 --> 0:10:56.480
<v Speaker 3>I've seen five episodes, so I kind of have to

0:10:56.520 --> 0:10:59.079
<v Speaker 3>remember what you've done before you know, what was your

0:10:59.120 --> 0:11:01.040
<v Speaker 3>favorite out of the three of them, Sarah, did you

0:11:01.040 --> 0:11:02.800
<v Speaker 3>have a particular favor that you were really proud of?

0:11:03.120 --> 0:11:06.880
<v Speaker 1>Okay, I'm going to say that the closed rack probably

0:11:07.280 --> 0:11:09.720
<v Speaker 1>was the one that I would be most proud of,

0:11:10.120 --> 0:11:14.199
<v Speaker 1>only because now I'm not a great technical lego builder,

0:11:14.360 --> 0:11:18.400
<v Speaker 1>so for me, that was super challenging. But the fact

0:11:18.440 --> 0:11:20.920
<v Speaker 1>of it was a pole and it was really really heavy,

0:11:20.920 --> 0:11:24.080
<v Speaker 1>and it was suspended off the ground, and Henry needed

0:11:24.080 --> 0:11:27.200
<v Speaker 1>to kind of work out the engineering to get those

0:11:27.240 --> 0:11:29.599
<v Speaker 1>four legs, which were on an angle, to actually be

0:11:29.679 --> 0:11:31.960
<v Speaker 1>strong enough to hold the pole up. It was a

0:11:32.000 --> 0:11:34.880
<v Speaker 1>massive engineering challenge, and I don't think that they showed

0:11:34.960 --> 0:11:37.560
<v Speaker 1>enough of that because he did. I made the pieces

0:11:37.840 --> 0:11:39.480
<v Speaker 1>and he essentially put them together.

0:11:39.640 --> 0:11:41.440
<v Speaker 5>It was amazing what he actually did and then it

0:11:41.440 --> 0:11:44.480
<v Speaker 5>actually worked. It was cool.

0:11:44.880 --> 0:11:47.120
<v Speaker 3>Do you both get frustrated on what we don't get

0:11:47.200 --> 0:11:49.640
<v Speaker 3>to see, because you know, like I have to say,

0:11:49.640 --> 0:11:52.240
<v Speaker 3>I'm going to admit I've watched the first three episodes twice,

0:11:52.280 --> 0:11:54.040
<v Speaker 3>and that was only because the second time I went back,

0:11:54.080 --> 0:11:56.800
<v Speaker 3>it was because I was preparing for this interview, so

0:11:56.920 --> 0:11:59.760
<v Speaker 3>I was scooping the episodes to go back, and only

0:11:59.760 --> 0:12:02.920
<v Speaker 3>watch your parts, and then I was thinking as I

0:12:03.000 --> 0:12:05.360
<v Speaker 3>was doing that, I was thinking, God, these contestants would

0:12:05.400 --> 0:12:08.600
<v Speaker 3>get really confused or frustrated sometimes with not having the

0:12:08.640 --> 0:12:11.600
<v Speaker 3>whole story put together for us to completely understand as

0:12:11.600 --> 0:12:14.040
<v Speaker 3>an audience, because I really only picked that up when

0:12:14.080 --> 0:12:15.920
<v Speaker 3>I went back to rewatch them, you know what I mean.

0:12:16.000 --> 0:12:19.840
<v Speaker 2>Yeah, absolutely, you know, a ten hour build being condensed

0:12:19.840 --> 0:12:21.760
<v Speaker 2>into five minutes of screen time, You're always going to

0:12:21.760 --> 0:12:24.040
<v Speaker 2>struggle to get the parts that you want, you know,

0:12:24.080 --> 0:12:26.040
<v Speaker 2>and you just have to trust the process of the

0:12:26.080 --> 0:12:29.520
<v Speaker 2>show to show you in the best light. And ultimately

0:12:29.600 --> 0:12:32.320
<v Speaker 2>that's what happens, right, you know, I do. I do

0:12:32.360 --> 0:12:34.960
<v Speaker 2>get the feedback a lot that you know, the audience

0:12:35.000 --> 0:12:37.560
<v Speaker 2>wants to see more building, more building, you know. You know,

0:12:37.600 --> 0:12:39.320
<v Speaker 2>one are the techniques that you use from the you know,

0:12:40.320 --> 0:12:42.680
<v Speaker 2>the proper I'll call them Lego nerds. They'll say, oh,

0:12:42.800 --> 0:12:43.960
<v Speaker 2>we'd love to see more of them.

0:12:45.120 --> 0:12:47.080
<v Speaker 3>I'm not Look, I'm just going to say this right

0:12:47.080 --> 0:12:49.120
<v Speaker 3>off the bat. I'm not a big Lego nerd. I

0:12:49.160 --> 0:12:51.400
<v Speaker 3>had Lego as a kid, but I have to agree

0:12:51.440 --> 0:12:53.480
<v Speaker 3>with the Lego nerds on this one. And I think

0:12:53.520 --> 0:12:55.240
<v Speaker 3>as if you were you know, I think that is

0:12:55.280 --> 0:12:58.599
<v Speaker 3>what we're interested in seeing more of, you know. But

0:12:59.120 --> 0:13:01.200
<v Speaker 3>we are absolutely talking about the same thing in the

0:13:01.240 --> 0:13:03.920
<v Speaker 3>sense that it's such a short time to compare so

0:13:04.080 --> 0:13:06.199
<v Speaker 3>much into so it's a hard job for them to

0:13:06.240 --> 0:13:07.959
<v Speaker 3>put it all together. But absolutely I agree with you.

0:13:08.000 --> 0:13:10.079
<v Speaker 3>I'd love to see more of the actual techniques and

0:13:10.360 --> 0:13:11.680
<v Speaker 3>the decisions. Why are you doing that?

0:13:12.000 --> 0:13:14.319
<v Speaker 2>And I think as the teams, as you get less teams,

0:13:14.360 --> 0:13:17.480
<v Speaker 2>you get more of that. But when everyone's on the

0:13:17.520 --> 0:13:19.320
<v Speaker 2>floor still, it's a bit hard because you have to

0:13:19.559 --> 0:13:23.040
<v Speaker 2>share the screen time with eight other teams or sorry,

0:13:23.200 --> 0:13:24.720
<v Speaker 2>seven other teams, including yourself.

0:13:24.920 --> 0:13:28.200
<v Speaker 1>It's interesting doing the interviews as well, because Henry is very,

0:13:28.280 --> 0:13:31.400
<v Speaker 1>very reserved and I never ever think about what's coming

0:13:31.440 --> 0:13:32.960
<v Speaker 1>out of my mouth and all of a sudden it

0:13:33.000 --> 0:13:36.360
<v Speaker 1>pops out. So we'd be doing interviews and Henry would

0:13:36.360 --> 0:13:38.400
<v Speaker 1>be going, don't say that, don't say that, and I'd

0:13:38.440 --> 0:13:38.719
<v Speaker 1>be like.

0:13:38.760 --> 0:13:40.640
<v Speaker 5>Like, they screened something the other night.

0:13:40.800 --> 0:13:43.840
<v Speaker 1>I think it was what's the inspiration behind the monster

0:13:43.920 --> 0:13:47.440
<v Speaker 1>that you're building? And I flippantly said, oh, obviously my mother,

0:13:47.840 --> 0:13:49.600
<v Speaker 1>And then I thought, oh.

0:13:49.520 --> 0:13:52.480
<v Speaker 2>My god, oh I've had those moments as well. I've

0:13:52.480 --> 0:13:54.040
<v Speaker 2>had those room.

0:13:54.760 --> 0:13:57.200
<v Speaker 3>It's the best reality TV is all the stuff that

0:13:57.280 --> 0:14:00.720
<v Speaker 3>you say without thinking, you know, because it's the relatable

0:14:00.720 --> 0:14:03.319
<v Speaker 3>moment to the audience, because we all do that. We're

0:14:03.360 --> 0:14:05.840
<v Speaker 3>all watching the show and we all go I've said

0:14:05.880 --> 0:14:08.959
<v Speaker 3>that before, you know. I always talk to my mum

0:14:09.040 --> 0:14:11.040
<v Speaker 3>about this. My mum and I share the same thing.

0:14:11.040 --> 0:14:12.880
<v Speaker 3>We go to bed at night time and we think

0:14:12.920 --> 0:14:14.720
<v Speaker 3>about all the dumb things that we said that we

0:14:14.720 --> 0:14:15.280
<v Speaker 3>shouldn't have.

0:14:16.040 --> 0:14:19.680
<v Speaker 4>Oh yeah, you're talking about my entire life at the moment.

0:14:20.400 --> 0:14:20.840
<v Speaker 3>Oh wow.

0:14:21.080 --> 0:14:23.000
<v Speaker 2>There was a funny one that we had where we

0:14:23.040 --> 0:14:26.120
<v Speaker 2>will be interviewed by a current affair and they said

0:14:26.200 --> 0:14:28.560
<v Speaker 2>what's your you know, and they said what's your secret

0:14:28.600 --> 0:14:31.160
<v Speaker 2>weapon to me and Sarah, And straight away I just

0:14:31.200 --> 0:14:40.200
<v Speaker 2>blurted out diversity. I just said, diversity is our secrets.

0:14:37.440 --> 0:14:39.160
<v Speaker 5>Because we're really good looking as well.

0:14:41.000 --> 0:14:43.160
<v Speaker 3>That question has to be a stitch up because there

0:14:43.200 --> 0:14:45.280
<v Speaker 3>are so many things that are wrong that you could

0:14:45.320 --> 0:14:47.800
<v Speaker 3>say with that. So, you know, look that you know.

0:14:47.840 --> 0:14:49.520
<v Speaker 3>I think you both did well to answer.

0:14:49.280 --> 0:14:49.680
<v Speaker 2>What you did.

0:14:51.240 --> 0:14:51.520
<v Speaker 4>I think.

0:14:51.560 --> 0:14:53.880
<v Speaker 1>So I didn't think that the diversity one would actually

0:14:53.880 --> 0:14:54.880
<v Speaker 1>make it to air.

0:14:55.120 --> 0:14:58.280
<v Speaker 2>And I was like, that's too good not to go on.

0:14:59.280 --> 0:15:00.960
<v Speaker 4>I loved it. It was very very cool.

0:15:01.400 --> 0:15:02.880
<v Speaker 3>You know, Henry, I was going to ask you about

0:15:02.920 --> 0:15:05.680
<v Speaker 3>the duck smash. Brickman gave you some advice about that,

0:15:05.960 --> 0:15:07.320
<v Speaker 3>and I thought, you know, it could have been a

0:15:07.360 --> 0:15:10.000
<v Speaker 3>little bit harsh. But how do you go with Brickman

0:15:10.120 --> 0:15:12.920
<v Speaker 3>offering you that advice? Can that be sometimes quite frustrating?

0:15:12.960 --> 0:15:15.120
<v Speaker 3>And do you always agree with what he's saying?

0:15:15.400 --> 0:15:17.880
<v Speaker 2>I think he always comes from a good place, And

0:15:17.920 --> 0:15:20.800
<v Speaker 2>I think it's always hard to put yourself, even for

0:15:20.840 --> 0:15:25.000
<v Speaker 2>Brickman to put himself in your shoes, because I guess

0:15:25.000 --> 0:15:27.520
<v Speaker 2>it's a little bit different pressure, right, Like you're the

0:15:27.560 --> 0:15:30.239
<v Speaker 2>only one that feels that pressure at the moment. And

0:15:30.400 --> 0:15:33.840
<v Speaker 2>the way a build starts, where you start, that's where

0:15:33.880 --> 0:15:37.600
<v Speaker 2>it'll like, you know, like an exponential curve. Where you start,

0:15:37.880 --> 0:15:40.840
<v Speaker 2>you'll end up somewhere totally different depending on where you start.

0:15:40.880 --> 0:15:42.800
<v Speaker 2>So if you go too big at the start, it

0:15:42.840 --> 0:15:46.560
<v Speaker 2>could be way too big and then you've compromised your

0:15:46.560 --> 0:15:48.600
<v Speaker 2>build because you've run out of time. So and that

0:15:48.720 --> 0:15:50.520
<v Speaker 2>was only a two. So Sarah and I were still

0:15:50.560 --> 0:15:52.280
<v Speaker 2>getting to know each other as well and sort of

0:15:52.280 --> 0:15:55.080
<v Speaker 2>going out how do we work on different components and

0:15:55.120 --> 0:15:58.040
<v Speaker 2>still make sure that we're comfortable in what we're doing.

0:15:58.080 --> 0:16:01.240
<v Speaker 2>And that's why By at three see us just go, look,

0:16:01.280 --> 0:16:03.480
<v Speaker 2>we've got two episodes together. Let's just swing for the

0:16:03.520 --> 0:16:06.400
<v Speaker 2>fences and build this giant hat stand. That's and that's

0:16:06.600 --> 0:16:08.920
<v Speaker 2>sort of like we go, oh, look, we're really happy

0:16:08.960 --> 0:16:12.000
<v Speaker 2>with the duck. But yeah, I think By we sort

0:16:12.040 --> 0:16:14.040
<v Speaker 2>of took Brickman's advice and said, you know, maybe we

0:16:14.080 --> 0:16:15.520
<v Speaker 2>do need to go a bit big. And that's what

0:16:16.240 --> 0:16:17.720
<v Speaker 2>the biggest object in the room.

0:16:18.280 --> 0:16:19.120
<v Speaker 4>The thing with Brickman.

0:16:19.240 --> 0:16:21.800
<v Speaker 1>Every time Brickman gives you some advice, you pretty much

0:16:21.800 --> 0:16:24.720
<v Speaker 1>have to do it right. So if he says, you know,

0:16:24.840 --> 0:16:27.160
<v Speaker 1>I don't like the color, you change it because you

0:16:27.280 --> 0:16:29.280
<v Speaker 1>know that he's going to pick up on that in

0:16:29.320 --> 0:16:32.760
<v Speaker 1>the end when judging comes. But sometimes he leaves the

0:16:32.840 --> 0:16:35.560
<v Speaker 1>advice right to the last minute, so you've got like

0:16:36.160 --> 0:16:37.920
<v Speaker 1>half oh.

0:16:37.800 --> 0:16:39.880
<v Speaker 5>It's great TV, but you've got half an hour to

0:16:39.920 --> 0:16:43.160
<v Speaker 5>go and you're like, oh my god.

0:16:42.680 --> 0:16:43.480
<v Speaker 4>What are we going to do?

0:16:43.600 --> 0:16:45.720
<v Speaker 1>So you've got to kind of work out whether you

0:16:45.880 --> 0:16:48.360
<v Speaker 1>change something or whether you just leave it because you've

0:16:48.360 --> 0:16:49.280
<v Speaker 1>got no time to finish.

0:16:49.280 --> 0:16:51.520
<v Speaker 4>And it makes amazing TV because everybody's rushing.

0:16:51.560 --> 0:16:54.840
<v Speaker 3>Obviously, are there other influencing voices or anything else that

0:16:54.880 --> 0:16:56.880
<v Speaker 3>happens through the production of the show. I mean, are

0:16:56.880 --> 0:16:58.760
<v Speaker 3>they out the contestants of bring you any advice? Or

0:16:58.760 --> 0:17:00.360
<v Speaker 3>only the producers saying thing?

0:17:00.560 --> 0:17:02.560
<v Speaker 2>I think the first time you go on, and Sarah,

0:17:02.600 --> 0:17:04.840
<v Speaker 2>you probably agree, right. The first time you go on,

0:17:04.920 --> 0:17:07.840
<v Speaker 2>it's like you're sort of unaware of all those aspects,

0:17:07.880 --> 0:17:10.320
<v Speaker 2>Like you don't really pick up on the cues because

0:17:10.359 --> 0:17:13.399
<v Speaker 2>you're new to it, right, But then we've both actually

0:17:13.440 --> 0:17:15.640
<v Speaker 2>been on three times now, and so you just sort

0:17:15.640 --> 0:17:17.440
<v Speaker 2>of go you get a bit of a sixth sense

0:17:17.480 --> 0:17:19.840
<v Speaker 2>about you know, Oh, look, I think they're trying to

0:17:19.840 --> 0:17:21.639
<v Speaker 2>tell me something, and you pick up on all the

0:17:21.680 --> 0:17:23.920
<v Speaker 2>different viues, and it sort of ruins it in a

0:17:23.960 --> 0:17:25.879
<v Speaker 2>little in a way because you're like, oh, I know

0:17:25.920 --> 0:17:27.639
<v Speaker 2>what you mean. Sure, I'll do it, you know what

0:17:27.680 --> 0:17:30.680
<v Speaker 2>I mean. Whereas whereas on the first time you do it,

0:17:30.680 --> 0:17:33.399
<v Speaker 2>it's like seeing a magic trick being revealed. You know,

0:17:33.680 --> 0:17:35.160
<v Speaker 2>that's the best way to put it. You know, it's

0:17:35.200 --> 0:17:38.359
<v Speaker 2>like you know how the trick's done. So yeah, I

0:17:38.359 --> 0:17:40.200
<v Speaker 2>would say, act a little bit differently and you're probably

0:17:40.280 --> 0:17:43.080
<v Speaker 2>more aware of some of the little acuse that's the

0:17:43.160 --> 0:17:44.320
<v Speaker 2>right word. Yeah, what do you.

0:17:44.280 --> 0:17:46.119
<v Speaker 3>Guys, think about that. I mean, you know, having so

0:17:46.200 --> 0:17:48.360
<v Speaker 3>much to do with the show over the five years,

0:17:48.760 --> 0:17:51.160
<v Speaker 3>is there an understanding because you'd be the best people

0:17:51.200 --> 0:17:52.959
<v Speaker 3>ask this question. Is there a way they could up

0:17:52.960 --> 0:17:55.120
<v Speaker 3>the ante with it? I mean, it is a very

0:17:55.200 --> 0:17:57.640
<v Speaker 3>tight show of it is quite familiar to go back

0:17:57.640 --> 0:18:00.840
<v Speaker 3>to it. I think that there's obviously some nostalgia and popularity,

0:18:00.840 --> 0:18:02.760
<v Speaker 3>and that are there ways of looking at doing this

0:18:02.800 --> 0:18:03.760
<v Speaker 3>show a little bit differently.

0:18:04.040 --> 0:18:06.040
<v Speaker 2>More prize money, actually.

0:18:05.800 --> 0:18:08.119
<v Speaker 4>I agree with that. I wreckon more prize money and

0:18:08.200 --> 0:18:09.440
<v Speaker 4>free cars for everyone.

0:18:09.680 --> 0:18:11.720
<v Speaker 2>You get a car, you get a car, You get

0:18:11.720 --> 0:18:12.119
<v Speaker 2>a car.

0:18:13.119 --> 0:18:15.840
<v Speaker 1>Now, guys, somebody's got a car under their chair today,

0:18:15.880 --> 0:18:17.919
<v Speaker 1>but we're not going to tell you who it is.

0:18:19.160 --> 0:18:20.480
<v Speaker 4>That would so much better for me.

0:18:20.760 --> 0:18:23.879
<v Speaker 2>Actually, you know what, Ben I thought about this as well,

0:18:23.920 --> 0:18:27.320
<v Speaker 2>like to up the ante? What would be like it's

0:18:27.359 --> 0:18:29.199
<v Speaker 2>already done for this season, but like I mean, what

0:18:29.240 --> 0:18:31.840
<v Speaker 2>would be funny is if you brought people on like

0:18:31.880 --> 0:18:35.320
<v Speaker 2>the Grand Masters, And I thought this could happen where

0:18:35.320 --> 0:18:37.000
<v Speaker 2>we all walk in the room, sixteen of us and

0:18:37.000 --> 0:18:39.960
<v Speaker 2>they just go, you're all switching partners. Now, Yeah, that

0:18:40.000 --> 0:18:41.120
<v Speaker 2>would be Antie.

0:18:41.040 --> 0:18:43.080
<v Speaker 3>The old married at first sight. You're meant to be

0:18:43.119 --> 0:18:45.000
<v Speaker 3>with that person. But we'll start you off married with

0:18:45.000 --> 0:18:47.000
<v Speaker 3>this one, and you will definitely end up with that one.

0:18:47.640 --> 0:18:51.120
<v Speaker 1>Yeah, build do to builds with your partner, and all

0:18:51.160 --> 0:18:52.600
<v Speaker 1>of a sudden you've got a partner swap.

0:18:52.720 --> 0:18:54.199
<v Speaker 4>I don't know how people would cope with that.

0:18:54.680 --> 0:18:57.600
<v Speaker 3>I actually think that that would be quite amazing television.

0:18:57.720 --> 0:18:59.520
<v Speaker 3>I think they would add a different dynamic to it,

0:18:59.680 --> 0:19:01.760
<v Speaker 3>you know, it would How long are they shooting these

0:19:01.760 --> 0:19:03.399
<v Speaker 3>episodes for? I think you might have revealed this a

0:19:03.400 --> 0:19:05.399
<v Speaker 3>little bit earlier. One of you might have let out

0:19:05.440 --> 0:19:07.480
<v Speaker 3>a little squeal about this. But from the time you

0:19:07.520 --> 0:19:09.440
<v Speaker 3>get on set to the time they let you go home,

0:19:09.640 --> 0:19:10.600
<v Speaker 3>how long are you there for?

0:19:10.920 --> 0:19:14.439
<v Speaker 1>Well, it's a long day because you start relatively early.

0:19:14.800 --> 0:19:20.280
<v Speaker 1>So we were getting picked up sometimes at five thirty Henry,

0:19:20.760 --> 0:19:24.840
<v Speaker 1>and occasional nights we get back about nine nine thirty.

0:19:25.160 --> 0:19:29.120
<v Speaker 3>Oh, that's too much lego. That's too much lego for anyone.

0:19:29.240 --> 0:19:31.800
<v Speaker 5>You've got all the set up as well, and obviously

0:19:31.840 --> 0:19:32.879
<v Speaker 5>we eat in between that.

0:19:33.000 --> 0:19:34.959
<v Speaker 1>But you know, you've got all the setup and all

0:19:35.000 --> 0:19:37.680
<v Speaker 1>the mic up, and you know, walking through the door

0:19:37.840 --> 0:19:40.199
<v Speaker 1>and getting all the right angles, so things can be

0:19:40.280 --> 0:19:43.439
<v Speaker 1>done multiple times. So with the filming and also the

0:19:43.520 --> 0:19:45.680
<v Speaker 1>Lego they are really really long days.

0:19:45.840 --> 0:19:48.120
<v Speaker 3>Does everyone have to stop to take a bathroom break?

0:19:48.160 --> 0:19:50.160
<v Speaker 3>If like just one person stops for a bathroom break,

0:19:50.160 --> 0:19:52.360
<v Speaker 3>did they stop the clock or what do they do?

0:19:52.359 --> 0:19:54.320
<v Speaker 3>Do they kind of get you to all hold on

0:19:54.400 --> 0:19:56.199
<v Speaker 3>and then just go at the same time. What's the

0:19:56.200 --> 0:19:56.880
<v Speaker 3>toilet rule?

0:19:57.160 --> 0:20:00.720
<v Speaker 2>Oh Ben, There's there's so many funny stories about toilet rule,

0:20:01.000 --> 0:20:03.720
<v Speaker 2>Like we all get so accustomed to going to the toilet.

0:20:03.760 --> 0:20:06.359
<v Speaker 2>When you're allowed to, you know, everyone's like, you know,

0:20:06.440 --> 0:20:09.480
<v Speaker 2>the production managers like okay, now you can all go

0:20:09.520 --> 0:20:11.639
<v Speaker 2>to the toilet, and everyone's like okay, cool, and then

0:20:11.680 --> 0:20:13.560
<v Speaker 2>you come back on the floor and then when you

0:20:13.640 --> 0:20:16.880
<v Speaker 2>go home, you're like, oh am I allowed to go? Now?

0:20:17.280 --> 0:20:18.200
<v Speaker 2>Do you want need to ask someone?

0:20:18.920 --> 0:20:23.359
<v Speaker 1>It's like being in primary school and going it.

0:20:23.240 --> 0:20:25.439
<v Speaker 2>Takes about Yeah, it takes about eight weeks to adjust

0:20:25.560 --> 0:20:28.280
<v Speaker 2>your bladder to Lego mast off the Lego master's clock.

0:20:29.080 --> 0:20:31.159
<v Speaker 1>It takes about eight weeks to get someone to notice it.

0:20:31.240 --> 0:20:32.320
<v Speaker 1>You need to go to the louver.

0:20:33.680 --> 0:20:36.160
<v Speaker 5>And when you're my age and you've had four thousand

0:20:36.280 --> 0:20:39.600
<v Speaker 5>children going to the loo, it has to be I

0:20:39.680 --> 0:20:41.920
<v Speaker 5>need to go within five minutes because if I don't

0:20:41.920 --> 0:20:44.560
<v Speaker 5>go between five minutes, then everything's off the table.

0:20:44.560 --> 0:20:47.879
<v Speaker 3>From that point, it's just yellow blocks across around the

0:20:47.880 --> 0:20:51.919
<v Speaker 3>ground where you've been standing, just like yellow blocks.

0:20:52.119 --> 0:20:54.320
<v Speaker 5>And I've never run as fast in my life, let

0:20:54.359 --> 0:20:55.200
<v Speaker 5>me tell you that much.

0:20:56.359 --> 0:20:58.919
<v Speaker 3>I also have to ask you about these builds, because

0:20:59.240 --> 0:21:01.600
<v Speaker 3>I've been watching this for five seasons and I've wanted

0:21:01.600 --> 0:21:03.520
<v Speaker 3>to note, do you get to keep some of these

0:21:03.600 --> 0:21:05.679
<v Speaker 3>lego builds? I mean, obviously not the ones that you smash,

0:21:05.760 --> 0:21:08.200
<v Speaker 3>but are you allowed to keep some of these builds

0:21:08.200 --> 0:21:09.240
<v Speaker 3>because they're quite amazing?

0:21:09.520 --> 0:21:13.560
<v Speaker 2>Unfortunately not, because it seems the brick pit is unlimited,

0:21:13.760 --> 0:21:16.679
<v Speaker 2>but it's not. You need to restock it. So this

0:21:16.880 --> 0:21:19.840
<v Speaker 2>was something that was quite evident on grand Masters because

0:21:19.960 --> 0:21:22.760
<v Speaker 2>we're all using very similar techniques because we're all I

0:21:22.800 --> 0:21:27.040
<v Speaker 2>guess grand masters. Yeah, Like we're all using similar bricks,

0:21:27.040 --> 0:21:30.320
<v Speaker 2>similar things. So we would chew through certain type of

0:21:30.359 --> 0:21:32.440
<v Speaker 2>bricks and we'd be like, we need them from our

0:21:32.440 --> 0:21:35.440
<v Speaker 2>old build. Go smash it, just get it, like that

0:21:35.440 --> 0:21:35.960
<v Speaker 2>sort of thing.

0:21:36.359 --> 0:21:39.119
<v Speaker 1>I think we used every brown tile that was in

0:21:39.160 --> 0:21:40.639
<v Speaker 1>the brick pit to do our hatstand.

0:21:41.000 --> 0:21:42.840
<v Speaker 3>I just want to quickly say that hatstand was so

0:21:43.000 --> 0:21:46.760
<v Speaker 3>amazing because my mum has the same hatstand in her house,

0:21:46.840 --> 0:21:49.239
<v Speaker 3>and it was just quite surreal. People be like, Ben,

0:21:49.280 --> 0:21:52.280
<v Speaker 3>stop talking about yourself. No one cares. But I don't

0:21:52.359 --> 0:21:54.160
<v Speaker 3>mention that your mum's got the hatstand. But she had

0:21:54.160 --> 0:21:57.280
<v Speaker 3>the exact same hatstand at her house. So I was like,

0:21:57.920 --> 0:22:00.639
<v Speaker 3>it was unbelievable. What you guys meant to do with that.

0:22:01.119 --> 0:22:03.119
<v Speaker 5>We actually modeled that off your mum's hat stand.

0:22:03.240 --> 0:22:04.600
<v Speaker 3>Oh you went there first, Yeah.

0:22:04.680 --> 0:22:05.640
<v Speaker 5>We did.

0:22:05.640 --> 0:22:07.320
<v Speaker 4>We took her hat stand. We took it.

0:22:07.400 --> 0:22:08.600
<v Speaker 5>We took it to Lego Masses.

0:22:08.640 --> 0:22:09.760
<v Speaker 4>We use that as our model.

0:22:09.800 --> 0:22:12.399
<v Speaker 3>Hell, mum, that hat stand is gone, and I noticed

0:22:12.440 --> 0:22:15.200
<v Speaker 3>took it. They're on television. They're probably going to win,

0:22:15.280 --> 0:22:18.680
<v Speaker 3>they might get more money. They owe your hat stand goodbye.

0:22:20.880 --> 0:22:22.960
<v Speaker 3>I guess another good question to ask you, guys is

0:22:23.000 --> 0:22:26.000
<v Speaker 3>about the relationship that you have with the other contestants.

0:22:26.240 --> 0:22:28.280
<v Speaker 3>You know, some seasons it looks like there's more of

0:22:28.280 --> 0:22:31.160
<v Speaker 3>a camaraderie than others. You know, with the game being

0:22:31.200 --> 0:22:34.520
<v Speaker 3>at this next level, what was the vibe between all

0:22:34.560 --> 0:22:37.280
<v Speaker 3>of you? Was it hyper competitive and were you getting

0:22:37.320 --> 0:22:39.159
<v Speaker 3>along or was there a bit of tension?

0:22:39.720 --> 0:22:42.639
<v Speaker 2>I think there was. We all definitely were fans of

0:22:42.680 --> 0:22:45.400
<v Speaker 2>each other, like definitely, like you know, we will all

0:22:45.400 --> 0:22:48.240
<v Speaker 2>be like, oh wow, like I love this thing you

0:22:48.280 --> 0:22:49.880
<v Speaker 2>do or I love this you know, like we're all

0:22:49.880 --> 0:22:52.480
<v Speaker 2>fans of each other. The funny thing was, and Sarah

0:22:52.520 --> 0:22:55.120
<v Speaker 2>will attest to it, because there was an age gap

0:22:55.119 --> 0:22:57.800
<v Speaker 2>between a lot of our the contestants. There's definitely an

0:22:57.800 --> 0:22:59.280
<v Speaker 2>adults table and a kid's table.

0:23:00.080 --> 0:23:03.320
<v Speaker 1>Yeah, I totally agree with that. There wasn't an adult kids table. Yeah,

0:23:03.400 --> 0:23:05.240
<v Speaker 1>they just had chips and nuggets and we had like

0:23:05.280 --> 0:23:06.359
<v Speaker 1>the seil on Stak.

0:23:06.240 --> 0:23:07.920
<v Speaker 3>The boys that won last year. What are their names?

0:23:08.119 --> 0:23:10.080
<v Speaker 2>Johssin Henry picked them last.

0:23:09.920 --> 0:23:12.440
<v Speaker 3>Year to do this chat, you know, as the first

0:23:12.440 --> 0:23:15.640
<v Speaker 3>week happened, So you can't reveal anything because I'll get

0:23:15.640 --> 0:23:18.000
<v Speaker 3>myself into trouble and so were you. But I wonder

0:23:18.040 --> 0:23:20.200
<v Speaker 3>whether or not picking you guys means that I've picked

0:23:20.200 --> 0:23:21.080
<v Speaker 3>the winners again.

0:23:21.520 --> 0:23:24.520
<v Speaker 5>Totally obviously obviously obviously.

0:23:27.080 --> 0:23:29.800
<v Speaker 3>Well, just before we go, every time everyone that joins

0:23:29.840 --> 0:23:32.840
<v Speaker 3>the podcast asked this question, what is something And I

0:23:32.840 --> 0:23:34.520
<v Speaker 3>don't know which one of you wants to answer this?

0:23:34.720 --> 0:23:37.080
<v Speaker 3>What is something from behind the scenes, something that fans

0:23:37.119 --> 0:23:40.480
<v Speaker 3>of Lego Masters wouldn't necessarily know, Maybe a funny story,

0:23:40.560 --> 0:23:43.560
<v Speaker 3>something that happened behind the scenes that might be like

0:23:43.600 --> 0:23:44.600
<v Speaker 3>a funny anecdote.

0:23:45.160 --> 0:23:48.840
<v Speaker 2>I've got one right, you know how Sarah was saying that,

0:23:48.960 --> 0:23:50.560
<v Speaker 2>you know, the bus would pick us up at five

0:23:50.560 --> 0:23:53.960
<v Speaker 2>point thirty in the morning and that sort of think.

0:23:54.720 --> 0:23:58.040
<v Speaker 2>Usually it's a really drab, you know, community service bus,

0:23:58.119 --> 0:23:59.680
<v Speaker 2>right that just comes and picks you up and says

0:23:59.680 --> 0:24:03.720
<v Speaker 2>takes you set. For some unknown reason, this party bus

0:24:03.760 --> 0:24:05.640
<v Speaker 2>picked us up and it was like a full on

0:24:05.880 --> 0:24:08.720
<v Speaker 2>party bus. And the guy that was driving it at

0:24:08.760 --> 0:24:11.560
<v Speaker 2>five thirty in the morning was proper lit and he

0:24:12.119 --> 0:24:14.000
<v Speaker 2>just said like he must have picked up that we

0:24:14.000 --> 0:24:16.280
<v Speaker 2>were all asleep or something, and he was just like, guys,

0:24:16.400 --> 0:24:18.239
<v Speaker 2>you need to get more energy. And he's just like

0:24:18.680 --> 0:24:21.600
<v Speaker 2>turns on the smoke machine, turns on the disco lights

0:24:21.640 --> 0:24:22.720
<v Speaker 2>in this bus, and.

0:24:22.680 --> 0:24:24.200
<v Speaker 4>All of the time o'clock in the morning.

0:24:24.240 --> 0:24:27.360
<v Speaker 2>At five o'clock in the morning, Owen picks like some

0:24:27.520 --> 0:24:31.560
<v Speaker 2>full techno hardcore song to put on the bluetooth speaker

0:24:31.560 --> 0:24:33.800
<v Speaker 2>on the bus and it's like a full on dance

0:24:33.840 --> 0:24:35.919
<v Speaker 2>party in the bus at like five thirty in the morning,

0:24:36.400 --> 0:24:39.320
<v Speaker 2>and we were just like everyone was just going off

0:24:39.480 --> 0:24:41.560
<v Speaker 2>like it was like wow, this is a full on

0:24:41.720 --> 0:24:44.040
<v Speaker 2>like party right now that.

0:24:44.000 --> 0:24:46.600
<v Speaker 3>It makes me want to leave phill It was funny

0:24:46.600 --> 0:24:47.679
<v Speaker 3>because we kind of enjoyed it.

0:24:47.680 --> 0:24:49.359
<v Speaker 5>But he never came back after that city.

0:24:49.800 --> 0:24:53.000
<v Speaker 2>No, he did it. It was just like, was he

0:24:53.040 --> 0:24:54.719
<v Speaker 2>actually meant to pick us up? Or was he just

0:24:54.720 --> 0:24:55.720
<v Speaker 2>some guy that just took it.

0:24:56.560 --> 0:24:58.159
<v Speaker 3>No, Henry, you've got a lot of pool. You've got

0:24:58.200 --> 0:24:59.600
<v Speaker 3>a lot of pool. You've put in a letter. You

0:24:59.640 --> 0:25:01.360
<v Speaker 3>put it a letter of complaint.

0:25:02.880 --> 0:25:03.399
<v Speaker 2>To the wise.

0:25:03.720 --> 0:25:05.320
<v Speaker 3>Never do that to me again. Goodbye.

0:25:05.720 --> 0:25:09.400
<v Speaker 1>Another funny thing is we also always used to be tired,

0:25:09.480 --> 0:25:11.800
<v Speaker 1>so when we're in our green room, some of us

0:25:11.880 --> 0:25:15.320
<v Speaker 1>would actually pull asleep, and Scotty would go around and

0:25:15.400 --> 0:25:17.760
<v Speaker 1>take photos of people when they were asleep.

0:25:17.920 --> 0:25:19.080
<v Speaker 4>Did you get one, Henry?

0:25:19.280 --> 0:25:21.160
<v Speaker 2>I did? I did, and I slept a lot.

0:25:21.320 --> 0:25:24.840
<v Speaker 3>Like I said, he's been twelve months. You know the

0:25:24.840 --> 0:25:26.520
<v Speaker 3>twelve month calendar of Henry sleeping?

0:25:26.560 --> 0:25:27.600
<v Speaker 2>Now you probably could.

0:25:28.920 --> 0:25:31.119
<v Speaker 3>Can I just say, I've had so much fun talking

0:25:31.160 --> 0:25:33.040
<v Speaker 3>to the both of you. I knew this would be

0:25:33.080 --> 0:25:34.800
<v Speaker 3>a good chat, So don't listen to what I was

0:25:34.800 --> 0:25:37.680
<v Speaker 3>saying before. I can't wait to watch the rest of

0:25:37.720 --> 0:25:39.520
<v Speaker 3>this series. It seems like a lot of fun and

0:25:39.600 --> 0:25:41.840
<v Speaker 3>I hope I am right. I hope I am right,

0:25:41.880 --> 0:25:44.800
<v Speaker 3>and then you guys take out the competition, banks bed

0:25:45.280 --> 0:25:45.920
<v Speaker 3>banks bed