1 00:00:02,840 --> 00:00:05,160 Speaker 1: My name is Lily Madden and I'm a proud Arunda 2 00:00:05,400 --> 00:00:10,200 Speaker 1: Bungelung Calcottin woman from Gadigl Country. The Daily oz acknowledges 3 00:00:10,280 --> 00:00:12,440 Speaker 1: that this podcast is recorded on the lands of the 4 00:00:12,480 --> 00:00:16,000 Speaker 1: Gadighl people and pays respect to all Aboriginal and Torres 5 00:00:16,040 --> 00:00:18,959 Speaker 1: Strait Island and nations. We pay our respects to the 6 00:00:18,960 --> 00:00:21,759 Speaker 1: first peoples of these countries, both past and present. 7 00:00:27,080 --> 00:00:29,760 Speaker 2: Good morning and welcome to the Daily os It's Monday, 8 00:00:29,800 --> 00:00:30,840 Speaker 2: the fifth of December. 9 00:00:30,960 --> 00:00:32,360 Speaker 3: I'm Zara, I'm Sam. 10 00:00:32,479 --> 00:00:35,360 Speaker 2: The International Day of People with the Disability was on 11 00:00:35,440 --> 00:00:39,160 Speaker 2: Saturday this past weekend, and it was also a really 12 00:00:39,200 --> 00:00:41,920 Speaker 2: important day in the history of Australian TV. 13 00:00:42,200 --> 00:00:46,159 Speaker 4: I am the first disabled person as far as we know, 14 00:00:46,920 --> 00:00:49,800 Speaker 4: to do a sex scene on Australian television. 15 00:00:50,120 --> 00:00:52,640 Speaker 2: In today's Deep Dive, I'm going to speak to Hannah Divine, 16 00:00:52,920 --> 00:00:57,800 Speaker 2: star of the new show Latecomers, about representation on screen. First, Sam, 17 00:00:57,920 --> 00:00:59,560 Speaker 2: what is making headlines this morning? 18 00:01:02,120 --> 00:01:04,399 Speaker 3: Zara? It was a very emotional Sunday morning for a 19 00:01:04,440 --> 00:01:07,160 Speaker 3: lot of Australians watching the soccer US go down two 20 00:01:07,160 --> 00:01:10,160 Speaker 3: to one to Argentina in the Round of sixteen clash 21 00:01:10,240 --> 00:01:12,240 Speaker 3: in the FIFA World Cup. It has been called the 22 00:01:12,240 --> 00:01:15,640 Speaker 3: most successful campaign by the Soccer us in World Cup history. 23 00:01:15,720 --> 00:01:20,000 Speaker 3: After defeating both Tunisia and Denmark and giving the Argentinians 24 00:01:20,040 --> 00:01:23,119 Speaker 3: a real run for their money. The Argentinians now move 25 00:01:23,160 --> 00:01:25,800 Speaker 3: on to the quarterfinals, which start in a couple of days. 26 00:01:28,600 --> 00:01:31,560 Speaker 2: A quick trigger warning on this story it discusses sexual assault. 27 00:01:31,920 --> 00:01:34,800 Speaker 2: The trial of Bruce Lherman for the alleged sexual assault 28 00:01:34,880 --> 00:01:37,840 Speaker 2: of Brittany Higgins has been dropped. It comes after the 29 00:01:37,920 --> 00:01:41,199 Speaker 2: jury in the first trial was discharged following the discovery 30 00:01:41,240 --> 00:01:44,320 Speaker 2: of external material in the jury room. Back in October. 31 00:01:45,000 --> 00:01:49,120 Speaker 2: The Act's Director of Public Prosecutions, Shane Drumgold, said a 32 00:01:49,160 --> 00:01:53,080 Speaker 2: retrial would present a quote significant and unacceptable risk to 33 00:01:53,160 --> 00:01:54,080 Speaker 2: Higgins's life. 34 00:01:56,080 --> 00:01:59,560 Speaker 3: Accused Islamic State fighter Neil Prakash has been extradited to 35 00:01:59,640 --> 00:02:03,640 Speaker 3: Melbourne from Turkey under federal police escort, charged with six 36 00:02:03,800 --> 00:02:07,760 Speaker 3: terrorism related offenses. Procash will be charged with crimes including 37 00:02:07,800 --> 00:02:10,640 Speaker 3: engaging in the hostile activity in a foreign state, being 38 00:02:10,639 --> 00:02:14,280 Speaker 3: a member of a terrorist organization, and entering or remaining 39 00:02:14,320 --> 00:02:17,680 Speaker 3: in a declared area. Lawyers acting for Prakash made no 40 00:02:17,760 --> 00:02:20,160 Speaker 3: application for bail and the matter will front the courts 41 00:02:20,200 --> 00:02:21,799 Speaker 3: at the end of February. 42 00:02:24,200 --> 00:02:27,680 Speaker 2: And the good news. French referee Stephanie Frappar became the 43 00:02:27,720 --> 00:02:30,480 Speaker 2: first woman to take charge of a men's World Cup 44 00:02:30,520 --> 00:02:34,640 Speaker 2: game when she officiated Germany's game against Costa Rica. She 45 00:02:34,919 --> 00:02:38,040 Speaker 2: was also backed up by two female assistant referees to 46 00:02:38,120 --> 00:02:41,240 Speaker 2: form the first all female team. She's one of three 47 00:02:41,240 --> 00:02:43,520 Speaker 2: women on FIFA's list to be a lead referee at 48 00:02:43,560 --> 00:02:44,520 Speaker 2: this year's World Cup. 49 00:02:49,919 --> 00:02:53,400 Speaker 4: Hold still sure, let me just pause in my cerebral walls. 50 00:02:53,440 --> 00:02:55,000 Speaker 4: You way, don't I that'd be great. 51 00:02:55,600 --> 00:02:58,720 Speaker 2: Hannah Diviny has become the first person with a disability 52 00:02:58,800 --> 00:03:00,880 Speaker 2: to have a sex scene on Australian TV. 53 00:03:01,800 --> 00:03:04,239 Speaker 4: I think the real reason you called me unsuckable is 54 00:03:04,280 --> 00:03:06,000 Speaker 4: because that's how you feel about yourself. 55 00:03:06,639 --> 00:03:10,120 Speaker 2: She's also an amazing person, a really, really dear friend 56 00:03:10,160 --> 00:03:12,239 Speaker 2: of mine. So I asked her to come on the 57 00:03:12,280 --> 00:03:15,960 Speaker 2: pod and to talk about this major milestone in representation 58 00:03:16,280 --> 00:03:18,519 Speaker 2: and how she became an actor by accident. 59 00:03:19,320 --> 00:03:23,359 Speaker 4: So hi everyone, I'm Hannah Diviny, and I'm a writer, 60 00:03:24,880 --> 00:03:28,560 Speaker 4: disability advocate, the editor in chief of this really cool 61 00:03:28,600 --> 00:03:34,000 Speaker 4: platform called Missing Perspectives, and officially, I guess now I 62 00:03:34,040 --> 00:03:35,600 Speaker 4: am an actor as well. 63 00:03:35,800 --> 00:03:39,040 Speaker 2: She is a woman of many talents. It's just the 64 00:03:39,080 --> 00:03:42,200 Speaker 2: longest list ever and for every reason, because you are 65 00:03:42,440 --> 00:03:45,280 Speaker 2: the most talented person I know. Can you talk me 66 00:03:45,320 --> 00:03:49,120 Speaker 2: through how Late Comers really came into your life? 67 00:03:49,240 --> 00:03:52,560 Speaker 4: Yet that was something of a happy accident. It's not 68 00:03:52,680 --> 00:03:57,000 Speaker 4: something I intended to happen, but basically I got a 69 00:03:57,040 --> 00:04:00,640 Speaker 4: random email from one of our incredible producers, Liam, who 70 00:04:00,680 --> 00:04:05,240 Speaker 4: basically said, Hey, there's a show called Latecomers. It's written 71 00:04:05,280 --> 00:04:07,280 Speaker 4: by people with cerebral palsy. It's going to be starring 72 00:04:07,320 --> 00:04:10,440 Speaker 4: people with cerebral palsy. We've noticed your advocacy work on 73 00:04:10,480 --> 00:04:13,520 Speaker 4: Instagram and we think you'd be great for a read through, 74 00:04:13,560 --> 00:04:18,320 Speaker 4: which is basically like there's there's generally no expectation that 75 00:04:19,960 --> 00:04:23,719 Speaker 4: anyone involved in the read through will actually have anything 76 00:04:23,720 --> 00:04:26,360 Speaker 4: to do with the show and its final four. And 77 00:04:26,400 --> 00:04:31,800 Speaker 4: then Mad's are incredible director and Danny Long, who is 78 00:04:32,000 --> 00:04:36,400 Speaker 4: our head of casting, came up to me and we're like, okay, 79 00:04:37,000 --> 00:04:40,479 Speaker 4: so you're auditioning for the show, and they phrased it 80 00:04:40,520 --> 00:04:43,440 Speaker 4: as a statement, not a question, and I was like 81 00:04:45,839 --> 00:04:50,600 Speaker 4: I am, and they're like, ah, yes, because you can act, 82 00:04:50,960 --> 00:04:56,520 Speaker 4: And I was like, what happens? What happens if I 83 00:04:56,560 --> 00:04:59,279 Speaker 4: actually get this. And then like a couple of months later, 84 00:04:59,320 --> 00:05:01,200 Speaker 4: I got an email that was like, we would like 85 00:05:01,240 --> 00:05:03,840 Speaker 4: to offer you the role of Sarah, and I was like, shit, 86 00:05:04,160 --> 00:05:05,680 Speaker 4: that wasn't supposed to happen. 87 00:05:05,920 --> 00:05:09,080 Speaker 2: Not in the plan. But here we are an actress. Yes, 88 00:05:09,680 --> 00:05:14,600 Speaker 2: so talk to me about your experience as playing Sarah 89 00:05:14,800 --> 00:05:18,520 Speaker 2: and what it meant for you, what the portrayal, what 90 00:05:18,560 --> 00:05:21,600 Speaker 2: the representation. I want to get to it all. 91 00:05:21,800 --> 00:05:26,040 Speaker 4: So this is a huge deal because we and I 92 00:05:26,080 --> 00:05:30,560 Speaker 4: say we meaning generally like Australia, I can't really think 93 00:05:30,600 --> 00:05:34,800 Speaker 4: of too many situations where a disabled character has been 94 00:05:34,800 --> 00:05:40,440 Speaker 4: given the space to like be considered as a full person. 95 00:05:40,600 --> 00:05:43,840 Speaker 4: And I think that's part of what makes Late Comers 96 00:05:44,160 --> 00:05:48,479 Speaker 4: so groundbreaking is that both Frank and Sarah, the two 97 00:05:48,480 --> 00:05:52,960 Speaker 4: main characters, have cerebral palsy. And part of the reason 98 00:05:53,000 --> 00:05:55,440 Speaker 4: for that is because two of the show's creators, in 99 00:05:55,520 --> 00:05:59,200 Speaker 4: Angus Thompson and Emma Mayers, have cerebral palsy themselves, so 100 00:05:59,279 --> 00:06:01,800 Speaker 4: they were able to from their own experiences. 101 00:06:02,000 --> 00:06:07,720 Speaker 2: So that lived experience obviously then translated to representation like 102 00:06:07,839 --> 00:06:10,320 Speaker 2: we haven't seen and hopefully we will see a lot 103 00:06:10,360 --> 00:06:13,359 Speaker 2: more in the future fastly. If people haven't watched it, 104 00:06:13,400 --> 00:06:16,080 Speaker 2: can you talk about what that actually looks like and 105 00:06:16,120 --> 00:06:17,800 Speaker 2: then also what that means to you? 106 00:06:18,680 --> 00:06:22,960 Speaker 4: Okay, So Latecomers is basically a show where to people 107 00:06:23,040 --> 00:06:26,800 Speaker 4: with cerebral palsy Frank and Sarah, who don't know each 108 00:06:26,839 --> 00:06:30,200 Speaker 4: other contrary to popular belief that all disabled people must 109 00:06:30,200 --> 00:06:36,680 Speaker 4: know each other in some sort of monolithic network, they 110 00:06:36,760 --> 00:06:40,760 Speaker 4: kind of get stuck together because their cares. Brandy and 111 00:06:41,440 --> 00:06:44,599 Speaker 4: Elliott hook up with each other at a bar and 112 00:06:45,120 --> 00:06:49,440 Speaker 4: chaos ensues. If you've seen the show, then you know 113 00:06:49,520 --> 00:06:52,680 Speaker 4: exactly what kind of chaos I'm referring to. But if 114 00:06:52,680 --> 00:06:56,320 Speaker 4: you haven't yet, all I will say is that this 115 00:06:56,480 --> 00:07:04,320 Speaker 4: is a show that very clearly explores sexuality, explores relationships, 116 00:07:04,480 --> 00:07:10,600 Speaker 4: explores identity, and all of the ways that being disabled 117 00:07:13,080 --> 00:07:20,200 Speaker 4: it intersects with that which is very rare, and I 118 00:07:20,240 --> 00:07:22,000 Speaker 4: guess like in terms of what it means to me, 119 00:07:24,080 --> 00:07:25,720 Speaker 4: this is the kind of show that would have been 120 00:07:25,800 --> 00:07:28,160 Speaker 4: very helpful when I was a teenager. It would have 121 00:07:28,280 --> 00:07:35,840 Speaker 4: hopefully made it less impossible for me to imagine a 122 00:07:35,960 --> 00:07:41,640 Speaker 4: future where I got to have those experiences. It would 123 00:07:41,640 --> 00:07:48,239 Speaker 4: have also meant that hopefully, like the experience of having 124 00:07:48,360 --> 00:07:54,400 Speaker 4: boys asked me out as a joke, or to know that, 125 00:07:54,600 --> 00:07:59,600 Speaker 4: like my friends, thought that the only person the only 126 00:07:59,600 --> 00:08:02,760 Speaker 4: people who could possibly want to date me were of 127 00:08:02,800 --> 00:08:06,680 Speaker 4: course other disabled people, because who who would who would 128 00:08:06,680 --> 00:08:10,640 Speaker 4: want to take on dating the disabled person? Hopefully it 129 00:08:10,680 --> 00:08:14,000 Speaker 4: would have made those blows a little softer and a 130 00:08:14,040 --> 00:08:20,040 Speaker 4: little bit less terrifying, because instead of like the being 131 00:08:20,040 --> 00:08:22,680 Speaker 4: a blank page only to be filled in with like 132 00:08:22,880 --> 00:08:28,000 Speaker 4: the horrific horrors of my imagination and anxiety spirals at 133 00:08:28,000 --> 00:08:33,760 Speaker 4: their worst, I would have actually had a quite literal 134 00:08:34,120 --> 00:08:36,880 Speaker 4: frame of reference for what it might look like. 135 00:08:38,280 --> 00:08:42,280 Speaker 2: And you've now provided that frame of reference for so 136 00:08:42,440 --> 00:08:45,319 Speaker 2: many young people in this country who are going to 137 00:08:45,400 --> 00:08:50,120 Speaker 2: watch your show and understand, and for anyone that's listening you, Hannah, 138 00:08:50,160 --> 00:08:51,800 Speaker 2: and correct me if I'm wrong. But this is the 139 00:08:51,840 --> 00:08:55,640 Speaker 2: first sex scene of its kind? Is that correct? Can 140 00:08:55,640 --> 00:08:56,240 Speaker 2: you talk me here? 141 00:08:56,400 --> 00:08:56,439 Speaker 1: That? 142 00:08:57,280 --> 00:09:02,120 Speaker 4: So? I have the incredible pre of now earning a 143 00:09:02,160 --> 00:09:05,480 Speaker 4: piece of television history, which is that I am the 144 00:09:05,640 --> 00:09:10,640 Speaker 4: first disabled person as far as we know, to do 145 00:09:10,679 --> 00:09:14,680 Speaker 4: a sex scene on Australian television. That is not something 146 00:09:15,120 --> 00:09:18,280 Speaker 4: I ever thought I would lay cling to. It's not 147 00:09:18,480 --> 00:09:23,440 Speaker 4: something that I expected but it is definitely also not 148 00:09:23,600 --> 00:09:27,640 Speaker 4: something that I take lightly by by any means, and 149 00:09:28,440 --> 00:09:35,280 Speaker 4: neither did my costar, neither did any of the people 150 00:09:35,320 --> 00:09:38,319 Speaker 4: involved in making that scene happen. We were all extremely 151 00:09:38,360 --> 00:09:41,560 Speaker 4: conscious of how important it was to get it right. 152 00:09:42,080 --> 00:09:44,320 Speaker 4: If you've seen it, hopefully you feel like we did that, 153 00:09:44,480 --> 00:09:49,600 Speaker 4: because to me, it's definitely a very beautiful scene, and 154 00:09:50,000 --> 00:09:53,360 Speaker 4: we made some very conscious choices with our incredible director 155 00:09:53,720 --> 00:09:57,320 Speaker 4: to not just insinuate that it was happening, but to 156 00:09:57,360 --> 00:10:03,360 Speaker 4: actually make the view a scene with me and us 157 00:10:03,600 --> 00:10:07,920 Speaker 4: as we explored it, and also not to shy away 158 00:10:08,679 --> 00:10:14,199 Speaker 4: from showing you that a disabled body, particularly my disabled body, 159 00:10:14,240 --> 00:10:19,200 Speaker 4: obviously doesn't look exactly how we've necessarily been told a 160 00:10:19,240 --> 00:10:23,800 Speaker 4: body should look in those types of scenes, like there 161 00:10:23,840 --> 00:10:27,760 Speaker 4: are parts of my body that have curves where they 162 00:10:27,760 --> 00:10:32,360 Speaker 4: shouldn't be because of scoliosis, or I've got scars, I've 163 00:10:32,400 --> 00:10:38,680 Speaker 4: got all sorts of kind of little bodily idiosyncrasies that 164 00:10:38,720 --> 00:10:43,000 Speaker 4: have been captured beautifully by the camera. And while that 165 00:10:43,120 --> 00:10:46,720 Speaker 4: was really really intimidating, it was also really important because 166 00:10:47,920 --> 00:10:49,760 Speaker 4: it's not been seen before, and I figured that if 167 00:10:49,800 --> 00:10:51,640 Speaker 4: we're going to do it well, we're going to make 168 00:10:51,679 --> 00:10:52,440 Speaker 4: sure we do it right. 169 00:10:54,040 --> 00:10:56,640 Speaker 2: We'll be back in just a moment, but first a 170 00:10:56,679 --> 00:11:01,000 Speaker 2: message from our sponsor before you go. I just want 171 00:11:01,000 --> 00:11:03,360 Speaker 2: to ask one more question, and it's sure. I've heard 172 00:11:03,360 --> 00:11:05,800 Speaker 2: you speak about this quite a bit before, and it's 173 00:11:05,880 --> 00:11:09,680 Speaker 2: the idea that in the past, the portrayal of people 174 00:11:10,160 --> 00:11:14,640 Speaker 2: with disability in the media and in film and in TV. 175 00:11:15,360 --> 00:11:18,600 Speaker 2: You know that you grew up only seeing ads about 176 00:11:19,000 --> 00:11:22,000 Speaker 2: car crashes and that that or the Paralympics, and that 177 00:11:22,080 --> 00:11:24,640 Speaker 2: was kind of the only two representations you saw. I 178 00:11:24,720 --> 00:11:27,000 Speaker 2: wonder do you think we're now moving towards the time 179 00:11:27,000 --> 00:11:30,320 Speaker 2: where we can actually celebrate and you know, shows like 180 00:11:30,400 --> 00:11:35,200 Speaker 2: Latecomers can actually celebrate and really give space for nuanced 181 00:11:35,240 --> 00:11:38,560 Speaker 2: relationships and beautiful scenes. And do you feel like that 182 00:11:38,640 --> 00:11:39,520 Speaker 2: shift is happening. 183 00:11:40,480 --> 00:11:44,040 Speaker 4: I really hope so, because I think it's long overdue, 184 00:11:44,120 --> 00:11:46,559 Speaker 4: and like you said, I grew up with that very 185 00:11:46,600 --> 00:11:52,360 Speaker 4: binary view of disability. It was either absolutely inspiring or 186 00:11:52,440 --> 00:11:55,240 Speaker 4: the worst thing that could happen to you. I hope 187 00:11:55,240 --> 00:11:57,559 Speaker 4: that we get to a point where people can I 188 00:11:57,760 --> 00:12:03,839 Speaker 4: can understand that like being disabled, this so is so nuanced, 189 00:12:04,040 --> 00:12:12,719 Speaker 4: Like there's moments of extreme sadness and frustration and discrimination 190 00:12:12,840 --> 00:12:16,320 Speaker 4: and struggle, but all of those sit alongside moments of 191 00:12:16,360 --> 00:12:23,680 Speaker 4: incredible joy and creativity and like thinking outside the box 192 00:12:24,040 --> 00:12:33,680 Speaker 4: and being bold and being strong and hell, all of 193 00:12:33,720 --> 00:12:36,920 Speaker 4: those things can exist on the same day. It doesn't. 194 00:12:37,559 --> 00:12:40,080 Speaker 4: It doesn't have to be one way or the other. 195 00:12:40,240 --> 00:12:44,400 Speaker 4: Like I don't want people to assume that I'm sad 196 00:12:44,440 --> 00:12:46,760 Speaker 4: all the time, but I don't want people to assume 197 00:12:47,160 --> 00:12:49,440 Speaker 4: that because I'm not sad all the time, I must 198 00:12:49,440 --> 00:12:52,600 Speaker 4: think having a disability is the best thing in the world. 199 00:12:53,720 --> 00:12:56,560 Speaker 4: Like it's somewhere in the middle, and I hope that 200 00:12:56,600 --> 00:13:02,560 Speaker 4: we kind of allow of that to exist fully very soon. 201 00:13:02,840 --> 00:13:08,080 Speaker 4: But it also feels extremely revolutionary because of that binary 202 00:13:08,080 --> 00:13:11,720 Speaker 4: of inspirational sadness. Whenever I do feel a moment of joy, 203 00:13:11,760 --> 00:13:18,960 Speaker 4: it feels like I'm kind of existing outside the systems 204 00:13:18,960 --> 00:13:23,360 Speaker 4: that I'm supposed to fit into, and I'm very lucky 205 00:13:23,360 --> 00:13:27,959 Speaker 4: that I've gotten to create like my own boxyste Yeah, 206 00:13:28,160 --> 00:13:30,840 Speaker 4: but it's taken a lot of work, and it's taken 207 00:13:30,920 --> 00:13:33,640 Speaker 4: a lot of therapy and a lot of kind of 208 00:13:33,679 --> 00:13:37,200 Speaker 4: self introspection and all of those sorts of things. I 209 00:13:37,240 --> 00:13:41,840 Speaker 4: am constantly processing and working with the fact that I 210 00:13:41,880 --> 00:13:47,120 Speaker 4: will forever be disabled, because as my life changes, the 211 00:13:47,200 --> 00:13:51,160 Speaker 4: meaning and ramifications of that fact change too. I mean, 212 00:13:52,040 --> 00:13:54,360 Speaker 4: as a kid, you think forever is like a week, 213 00:13:54,559 --> 00:13:56,800 Speaker 4: But as you get older, obviously your concept of forever 214 00:13:57,320 --> 00:14:00,839 Speaker 4: stretches out a little bit a little bit, and then 215 00:14:00,880 --> 00:14:02,520 Speaker 4: you kind of get to the point where you realize 216 00:14:03,600 --> 00:14:07,360 Speaker 4: sometimes you have more in common with your ninety year 217 00:14:07,400 --> 00:14:10,679 Speaker 4: old grandparents than you do with other people your own age, 218 00:14:10,800 --> 00:14:15,200 Speaker 4: and that's very strange. But it's also like accepting that 219 00:14:16,720 --> 00:14:20,120 Speaker 4: things will happen for me and for anyone like on 220 00:14:20,160 --> 00:14:26,000 Speaker 4: their own time. And if I am continually trying to 221 00:14:26,080 --> 00:14:31,360 Speaker 4: hold myself to enable bodied standard or enable bodied timeline, 222 00:14:31,760 --> 00:14:35,480 Speaker 4: the kind of being enjoyed by the majority of my friends, 223 00:14:35,520 --> 00:14:38,640 Speaker 4: my sisters, my cousins, basically a lot of the people 224 00:14:38,640 --> 00:14:41,880 Speaker 4: around me, then I'm essentially setting myself up to fail 225 00:14:42,000 --> 00:14:45,280 Speaker 4: because no matter how hard I try, or no matter 226 00:14:45,280 --> 00:14:47,640 Speaker 4: how hard I might have once wanted to be, I'm 227 00:14:47,680 --> 00:14:50,440 Speaker 4: never going to be able bodied. So I kind of 228 00:14:52,200 --> 00:14:55,720 Speaker 4: have gotten used to that idea in so many ways, 229 00:14:55,800 --> 00:14:58,560 Speaker 4: and now I'm getting to the point where I feel 230 00:14:59,360 --> 00:15:03,760 Speaker 4: comfortable and to start building my own timeline and sort 231 00:15:03,760 --> 00:15:08,040 Speaker 4: of ignoring what other people are doing in the sense that, 232 00:15:08,200 --> 00:15:12,720 Speaker 4: like my life will will still be still be valuable 233 00:15:12,760 --> 00:15:16,880 Speaker 4: and beautiful and big, even if it doesn't look like 234 00:15:17,000 --> 00:15:18,440 Speaker 4: everyone else's. 235 00:15:18,240 --> 00:15:22,080 Speaker 2: It certainly will. And you are doing such amazing work 236 00:15:22,120 --> 00:15:26,720 Speaker 2: as a friend, watching you grow and blossom, it's just beautiful. 237 00:15:26,800 --> 00:15:30,400 Speaker 2: And thank you for always teaching me something new every 238 00:15:30,400 --> 00:15:38,240 Speaker 2: time we chat. So thank you, Hannah, Thank you Sarah. 239 00:15:38,280 --> 00:15:40,600 Speaker 2: Thank you for joining us on the Daily Odds. If 240 00:15:40,640 --> 00:15:43,280 Speaker 2: you learned something from today's episode, don't forget to hit 241 00:15:43,320 --> 00:15:46,680 Speaker 2: subscribe so there's a TDA episode waiting for you every morning. 242 00:15:47,120 --> 00:15:49,440 Speaker 2: We'll be back again tomorrow, but until then, have a 243 00:15:49,480 --> 00:15:57,200 Speaker 2: great day.