1 00:00:02,400 --> 00:00:03,000 Speaker 1: Showtime. 2 00:00:10,119 --> 00:00:12,440 Speaker 2: If I want something soft, I'll have a cross off. 3 00:00:13,080 --> 00:00:17,079 Speaker 3: No, I'm not chelly, Sir Michael Jack m about one too, 4 00:00:17,160 --> 00:00:24,599 Speaker 3: one two one too, Amalis Gold, Good morning, Jackie Boy, Morning, guys, 5 00:00:24,640 --> 00:00:27,920 Speaker 3: coome Mining, Pats morning. I see a flurry of activity 6 00:00:27,920 --> 00:00:29,800 Speaker 3: already this morning from you on your phone. 7 00:00:29,880 --> 00:00:32,559 Speaker 4: Yeah, I'm messed up already, not even an hour into 8 00:00:32,640 --> 00:00:35,880 Speaker 4: the day, and I've already made a big mistake. Overnight. 9 00:00:37,280 --> 00:00:40,280 Speaker 4: Gordon sleeps great. He's eleven months old now and he 10 00:00:40,560 --> 00:00:41,720 Speaker 4: sometimes he'll sleep right through. 11 00:00:41,800 --> 00:00:43,320 Speaker 3: You've done really well getting on top of that. That 12 00:00:43,400 --> 00:00:45,000 Speaker 3: is amazing. That changes your life. 13 00:00:45,000 --> 00:00:46,479 Speaker 4: But even when he sleeps through, you can sort of 14 00:00:46,479 --> 00:00:48,840 Speaker 4: hear him murmur before we go to bed, hearing murmur, 15 00:00:48,880 --> 00:00:51,199 Speaker 4: and in the mornings I can kind of hear him sometimes. 16 00:00:51,320 --> 00:00:53,239 Speaker 3: Be honest with me, right, do you ever do we 17 00:00:53,280 --> 00:00:55,560 Speaker 3: can talk honestly here. Have you ever pretend to be 18 00:00:55,600 --> 00:00:56,840 Speaker 3: asleep when you do hear him? 19 00:00:57,480 --> 00:00:59,720 Speaker 4: I've pretended so many times that now I actually do 20 00:01:00,080 --> 00:01:02,360 Speaker 4: leap through. Will wake up in the morning and say, did. 21 00:01:02,200 --> 00:01:03,720 Speaker 3: You take it till you actually wake it? 22 00:01:04,400 --> 00:01:07,959 Speaker 4: Make it? You can't? Surely you heard him myself? I didn't. 23 00:01:08,160 --> 00:01:10,119 Speaker 3: You must have known Christmast have done that as well. 24 00:01:11,400 --> 00:01:13,240 Speaker 3: So we go. I know you're not ready to sleep. 25 00:01:14,319 --> 00:01:17,480 Speaker 3: What do I do now? I'm stuck in this character? 26 00:01:21,400 --> 00:01:23,000 Speaker 3: He mumble, worse shoes. 27 00:01:25,000 --> 00:01:26,720 Speaker 2: I was lucky because I was on breakfast. He had 28 00:01:26,760 --> 00:01:29,240 Speaker 2: to get up because I had to get up seper 29 00:01:29,440 --> 00:01:30,479 Speaker 2: So I was a fake sleeper. 30 00:01:30,760 --> 00:01:33,160 Speaker 3: Yes, normally the guy it's all happened. 31 00:01:33,600 --> 00:01:36,720 Speaker 4: So I just didn't hear him at all. And just 32 00:01:36,760 --> 00:01:38,119 Speaker 4: before I left the house, I was like, I want 33 00:01:38,160 --> 00:01:41,679 Speaker 4: to make sure he's okay. So I tiptoed into his 34 00:01:41,880 --> 00:01:44,080 Speaker 4: room just to make sure that he was moving. 35 00:01:44,200 --> 00:01:45,760 Speaker 3: God, but the moment you opened that door, and I 36 00:01:45,800 --> 00:01:47,880 Speaker 3: was a banker ketle Trump, I. 37 00:01:47,960 --> 00:01:50,920 Speaker 4: Moved like a cat burgle, honestly a minute each turn. 38 00:01:51,240 --> 00:01:53,920 Speaker 3: You're a big camburgler. You're a big old tabby. 39 00:01:57,080 --> 00:01:58,880 Speaker 4: And I thought I closed the door and got away. 40 00:01:58,880 --> 00:01:59,080 Speaker 3: Fine. 41 00:01:59,120 --> 00:02:01,040 Speaker 4: I saw him like in his bed, but he was 42 00:02:01,040 --> 00:02:03,320 Speaker 4: still asleep. And then Banks texted me as I got here, 43 00:02:03,720 --> 00:02:04,919 Speaker 4: you woke him up this morning. 44 00:02:05,160 --> 00:02:08,280 Speaker 3: Now it's all because it's literally just a millimeter pimberic of. 45 00:02:08,360 --> 00:02:10,760 Speaker 4: Light is like a spotlight to a baby exactly then 46 00:02:10,800 --> 00:02:13,119 Speaker 4: it has gone to fall light. Yeah, there was enough, 47 00:02:13,160 --> 00:02:15,480 Speaker 4: I guess flowing from the kitchen down the hall. 48 00:02:15,600 --> 00:02:17,560 Speaker 3: That he and when does he normally wake up? So 49 00:02:17,639 --> 00:02:19,560 Speaker 3: now there it's like Domino's. Isn't the rest of the day. 50 00:02:19,560 --> 00:02:20,600 Speaker 3: It's just screwed up. 51 00:02:20,639 --> 00:02:22,280 Speaker 4: So he woke up at five point thirty. He usually 52 00:02:22,320 --> 00:02:23,440 Speaker 4: gets to seven am. 53 00:02:25,760 --> 00:02:26,040 Speaker 3: Laughing. 54 00:02:29,320 --> 00:02:32,600 Speaker 4: He'll throw his routine, got a routine early nap, then 55 00:02:32,880 --> 00:02:33,839 Speaker 4: on his midday nap. 56 00:02:33,960 --> 00:02:36,960 Speaker 3: Yep, that's it. You've done it now, Patsy, please share 57 00:02:36,960 --> 00:02:38,600 Speaker 3: with us after this song on this story about you 58 00:02:38,639 --> 00:02:40,679 Speaker 3: being t boned yesterday, old woman. 59 00:02:40,720 --> 00:02:44,120 Speaker 1: Tell you what the Christian O'Connell show podcast. 60 00:02:44,320 --> 00:02:46,359 Speaker 3: Patsy, please share with us what happened yesterday? And he 61 00:02:46,400 --> 00:02:48,040 Speaker 3: got dear. 62 00:02:48,360 --> 00:02:51,200 Speaker 2: I had to go to the supermarket after work and 63 00:02:51,600 --> 00:02:54,000 Speaker 2: I just had to get like three things. That was 64 00:02:54,040 --> 00:02:56,359 Speaker 2: it for dinner, Just three things. So I got one 65 00:02:56,360 --> 00:03:00,360 Speaker 2: of the little baskets and the supermarket was really quiet actually, 66 00:03:01,040 --> 00:03:02,880 Speaker 2: and so there wasn't many people in there. 67 00:03:03,000 --> 00:03:05,080 Speaker 3: So I was just like the cinema during the days 68 00:03:05,080 --> 00:03:07,239 Speaker 3: and two places that are very cool with the air 69 00:03:07,280 --> 00:03:08,200 Speaker 3: con and quiet. 70 00:03:08,280 --> 00:03:10,239 Speaker 2: Yeah, it's the best time of day to go sort 71 00:03:10,240 --> 00:03:13,280 Speaker 2: of lunchtime because it's you know, school pickup from three 72 00:03:13,440 --> 00:03:14,800 Speaker 2: forget it it's just crazy. 73 00:03:14,960 --> 00:03:17,399 Speaker 3: But the people that are there in the supermarkets during 74 00:03:17,440 --> 00:03:19,800 Speaker 3: the day, the people are are the slowest people because 75 00:03:19,840 --> 00:03:22,800 Speaker 3: it's when the oldies sort of get animated. It's like 76 00:03:22,840 --> 00:03:23,399 Speaker 3: walking dead. 77 00:03:24,240 --> 00:03:26,600 Speaker 4: Like those those old men who go in full suit 78 00:03:26,639 --> 00:03:27,440 Speaker 4: to the supermarket. 79 00:03:29,400 --> 00:03:32,200 Speaker 3: They dress up to go there. Bless them, and it's 80 00:03:32,240 --> 00:03:35,120 Speaker 3: a it's a slow, old sort of carnival procession, isn't it. 81 00:03:35,160 --> 00:03:38,760 Speaker 2: Well, there was an only lady there yesterday at my 82 00:03:38,920 --> 00:03:42,600 Speaker 2: local supermarket, and you know, God bless them, they've got 83 00:03:42,640 --> 00:03:43,640 Speaker 2: all the time in the world. 84 00:03:43,800 --> 00:03:46,440 Speaker 3: I started so genuine two of the old sign anytime 85 00:03:46,440 --> 00:03:48,920 Speaker 3: you're sighing out, and I guess, God, we have to 86 00:03:48,960 --> 00:03:50,640 Speaker 3: say this, God bless them. 87 00:03:50,840 --> 00:03:52,560 Speaker 4: I guess they're allowed at the shops too, but. 88 00:03:53,640 --> 00:03:55,680 Speaker 3: If they have to, they've got all day. 89 00:03:56,440 --> 00:03:58,000 Speaker 2: And I just wanted to get in there and get 90 00:03:58,000 --> 00:04:00,680 Speaker 2: out anyway. This woman she had form, so I had 91 00:04:00,760 --> 00:04:04,800 Speaker 2: three things in my basket. She had a whole trolley full, 92 00:04:05,160 --> 00:04:07,920 Speaker 2: like it was stacked over the top. The grand kids 93 00:04:07,960 --> 00:04:10,440 Speaker 2: must have been coming for a month. It was packed. 94 00:04:10,480 --> 00:04:12,640 Speaker 3: That's ambitious with someone very old, isn't it stocking up 95 00:04:12,680 --> 00:04:13,320 Speaker 3: with all that food? 96 00:04:13,480 --> 00:04:16,599 Speaker 2: Mate? It was so much stuff. Anyway, there was one 97 00:04:17,200 --> 00:04:20,120 Speaker 2: checkout open. I didn't want to go through self checkout 98 00:04:20,120 --> 00:04:22,719 Speaker 2: if I didn't have to, because ultimately it takes you longer. 99 00:04:23,560 --> 00:04:26,200 Speaker 3: It doesn't. 100 00:04:27,320 --> 00:04:28,960 Speaker 4: You don't chick out so easy. 101 00:04:30,440 --> 00:04:35,400 Speaker 2: Always trolley No, oh, you're one of those. I don't 102 00:04:35,400 --> 00:04:37,000 Speaker 2: think you meant to if you've got a full trot 103 00:04:37,120 --> 00:04:37,400 Speaker 2: I do. 104 00:04:37,560 --> 00:04:39,120 Speaker 4: I do turn my nose up at the pin. 105 00:04:40,040 --> 00:04:46,719 Speaker 3: Trolley in there. It's rare. I got to go, hey, 106 00:04:46,839 --> 00:04:51,920 Speaker 3: come overhead this prom with how many lemons to how 107 00:04:51,920 --> 00:04:52,640 Speaker 3: many lemons? 108 00:04:52,920 --> 00:04:55,760 Speaker 2: No, it always says, are you bagging yourself? Like if 109 00:04:55,760 --> 00:04:57,120 Speaker 2: you brought your own bags. 110 00:04:58,440 --> 00:05:00,719 Speaker 4: Area, then they come over and scan it. They never 111 00:05:00,760 --> 00:05:02,680 Speaker 4: looked to see that what the problem is? They bash 112 00:05:02,720 --> 00:05:04,320 Speaker 4: on the street my one. 113 00:05:04,400 --> 00:05:06,479 Speaker 3: Now you know if you if he goes, I don't 114 00:05:06,520 --> 00:05:08,520 Speaker 3: think you out of that up they play some instant 115 00:05:08,600 --> 00:05:16,719 Speaker 3: video replay of you. No, I didn't wow right now replay. 116 00:05:16,640 --> 00:05:18,640 Speaker 2: Well, I have to always call the lady over so 117 00:05:18,720 --> 00:05:20,720 Speaker 2: much so she knows me by my first name. Her 118 00:05:20,800 --> 00:05:23,800 Speaker 2: name is Hazel, and. 119 00:05:24,040 --> 00:05:25,840 Speaker 3: We should do we should do a phone and about 120 00:05:25,880 --> 00:05:28,760 Speaker 3: who you're on first name basis with you should not 121 00:05:28,839 --> 00:05:31,560 Speaker 3: be onetna? 122 00:05:32,560 --> 00:05:33,200 Speaker 2: Is that it again? 123 00:05:33,320 --> 00:05:36,400 Speaker 4: Too many? Like shaving blades through us yes. 124 00:05:38,440 --> 00:05:40,920 Speaker 2: Anyway, So this this lady, she's got a full trolley. 125 00:05:40,960 --> 00:05:44,480 Speaker 2: I had three things and we exchange. We were headed 126 00:05:44,480 --> 00:05:46,840 Speaker 2: for the same checkout. It was obvious. Anyway, there was 127 00:05:46,880 --> 00:05:49,760 Speaker 2: eye contact, and I gave her a little smile because 128 00:05:49,800 --> 00:05:52,640 Speaker 2: I thought she'd say, you know what, you've only got 129 00:05:52,720 --> 00:05:53,440 Speaker 2: three items. 130 00:05:53,440 --> 00:05:55,400 Speaker 3: She's gonna let you think you're gonna let me in. 131 00:05:55,440 --> 00:05:56,360 Speaker 3: I'm going to be months. 132 00:05:56,839 --> 00:05:58,080 Speaker 2: I do it all the time. I did it to 133 00:05:58,120 --> 00:06:00,520 Speaker 2: trades last week. There was two trades with a slab 134 00:06:00,600 --> 00:06:02,480 Speaker 2: of water. It was the middle of the day. They 135 00:06:02,480 --> 00:06:05,560 Speaker 2: were clearly on their lunch break. I had a whole trial. 136 00:06:05,640 --> 00:06:07,479 Speaker 2: I said, you know what, you guys are clearly on 137 00:06:07,520 --> 00:06:09,520 Speaker 2: your lunch break. You go in. They're like no, and I. 138 00:06:09,440 --> 00:06:12,360 Speaker 3: Said, siss amongst. 139 00:06:12,080 --> 00:06:24,719 Speaker 5: Us unless out there it's being kind and courteous in 140 00:06:24,760 --> 00:06:26,200 Speaker 5: your local community. 141 00:06:26,880 --> 00:06:30,159 Speaker 2: Anyway, I looked at her and she had this steely, 142 00:06:30,480 --> 00:06:35,279 Speaker 2: determined expression on her face. Anyway, all of a sudden, 143 00:06:35,440 --> 00:06:39,360 Speaker 2: she could move quick. This old lady looks were deceiving. 144 00:06:39,600 --> 00:06:41,800 Speaker 3: So she quit like I do a double step, mate. 145 00:06:42,120 --> 00:06:46,000 Speaker 2: She turned her trolley to the side, t boned me 146 00:06:46,200 --> 00:06:53,560 Speaker 2: and shoved in front of me. I thought, oh, that 147 00:06:53,720 --> 00:06:58,400 Speaker 2: is just that's plumb out of order. That is not nice, 148 00:06:58,600 --> 00:06:59,840 Speaker 2: and I won't forget it. 149 00:07:00,000 --> 00:07:01,880 Speaker 3: What should we work forgetting? What does that mean? 150 00:07:02,120 --> 00:07:06,200 Speaker 2: Say her again? Push in front of her at the 151 00:07:06,320 --> 00:07:07,000 Speaker 2: check out. 152 00:07:07,920 --> 00:07:09,960 Speaker 3: And you will see her again because I'm guessing it's 153 00:07:10,000 --> 00:07:12,240 Speaker 3: a little community. Wait, you will see her again. 154 00:07:12,400 --> 00:07:14,560 Speaker 4: You'll see her again because you'll be parked out staking 155 00:07:14,560 --> 00:07:15,920 Speaker 4: out the shopping center for. 156 00:07:18,720 --> 00:07:21,560 Speaker 1: The Christian O'Connell show podcast. 157 00:07:24,760 --> 00:07:32,080 Speaker 3: Time waste extra time. We're looking for your sad movies. 158 00:07:33,760 --> 00:07:37,360 Speaker 3: A scientist as we searched thousands of songs to find 159 00:07:37,400 --> 00:07:41,200 Speaker 3: out which is the saddest one ever? And according to science, 160 00:07:41,840 --> 00:07:45,000 Speaker 3: the saddest song ever is actually this from the verb 161 00:07:45,120 --> 00:07:50,760 Speaker 3: the drugs don't work Now, sirs, don't it just make you? 162 00:07:52,000 --> 00:07:59,640 Speaker 3: But again? Nowaday is a heavy song, an amazing song 163 00:07:59,640 --> 00:08:01,960 Speaker 3: about a but I wouldn't say it's the saddest. 164 00:08:01,600 --> 00:08:04,800 Speaker 4: Soilent science, I imagine a guy in a lab coat 165 00:08:05,200 --> 00:08:07,720 Speaker 4: with a clipboard and just measuring. 166 00:08:07,360 --> 00:08:12,080 Speaker 3: Test to people's test. People said, perhapsly, what do you 167 00:08:12,080 --> 00:08:13,320 Speaker 3: think is the saddest song ever? 168 00:08:13,480 --> 00:08:16,240 Speaker 2: It's always for me, Wendy Matthews The Day You Went Away? 169 00:08:16,400 --> 00:08:19,240 Speaker 3: Oh my god, Yeah, it's a real I don't know 170 00:08:19,440 --> 00:08:21,240 Speaker 3: we have to dig some of that out. Actually, it's 171 00:08:21,280 --> 00:08:23,440 Speaker 3: one of those you know most You'll know this as 172 00:08:23,480 --> 00:08:26,520 Speaker 3: a musical manager. What key are most sad songs in? 173 00:08:27,120 --> 00:08:28,120 Speaker 3: There's a certain key. 174 00:08:28,320 --> 00:08:29,920 Speaker 4: Oh, they're done in a minor key. 175 00:08:30,160 --> 00:08:32,400 Speaker 3: That right now? So what does that mean? Because elicits 176 00:08:32,520 --> 00:08:34,760 Speaker 3: a response straight where before even the lyrics come in, 177 00:08:35,160 --> 00:08:38,280 Speaker 3: I'm already starting to get tearful just at the tune. 178 00:08:38,280 --> 00:08:41,199 Speaker 4: It's in great, great question I actually read talking about science. 179 00:08:41,240 --> 00:08:43,439 Speaker 4: I read a study that people trying to figure out 180 00:08:43,440 --> 00:08:46,319 Speaker 4: whether a minor key something inherent about it was sad 181 00:08:46,520 --> 00:08:50,280 Speaker 4: or over years of civilization, we use that kind of 182 00:08:50,600 --> 00:08:53,560 Speaker 4: key to emote sadness and we learn this. 183 00:08:54,559 --> 00:08:57,199 Speaker 3: You have a response to that vibration. I'm sure before 184 00:08:57,240 --> 00:08:59,599 Speaker 3: even the sad lyrics kicking. What do you think is 185 00:08:59,600 --> 00:09:04,439 Speaker 3: the sadest song ever? What of Green Day done the 186 00:09:05,000 --> 00:09:09,200 Speaker 3: deep anguish with some loud, thrashy nay guitars. 187 00:09:08,840 --> 00:09:10,760 Speaker 4: They actually do have. This isn't what I was going 188 00:09:10,800 --> 00:09:12,680 Speaker 4: to pick, but they They're saddest song is a song 189 00:09:12,720 --> 00:09:21,440 Speaker 4: called Walking Alone and it's about No you'll laugh at this, 190 00:09:21,520 --> 00:09:24,840 Speaker 4: but it is sad. It's about after they got famous 191 00:09:24,880 --> 00:09:28,520 Speaker 4: and sold out to the major labels. They weren't allowed 192 00:09:28,559 --> 00:09:30,520 Speaker 4: to play at the punk club where they started. 193 00:09:32,120 --> 00:09:36,400 Speaker 3: About addiction, all right, Trent doing hurt and they couldn't 194 00:09:36,400 --> 00:09:39,599 Speaker 3: play it some POxy time bar. We can have to 195 00:09:39,600 --> 00:09:43,240 Speaker 3: put all this pain to be our listener's game, suffering 196 00:09:43,280 --> 00:09:48,920 Speaker 3: with our art guys to default, all right. So sad movies, 197 00:09:49,040 --> 00:09:52,360 Speaker 3: this is what we're looking for. Surely one of the 198 00:09:52,360 --> 00:09:54,640 Speaker 3: saddest songs ever is I'll be Missing You Puff Daddy 199 00:09:54,640 --> 00:09:55,280 Speaker 3: of Faith Evans. 200 00:09:58,360 --> 00:10:00,640 Speaker 4: That's the one where they that's to the of the police, 201 00:10:00,720 --> 00:10:02,719 Speaker 4: isn't it? 202 00:10:02,800 --> 00:10:05,720 Speaker 3: Santa song ever? Science backed me up here? All right? 203 00:10:05,840 --> 00:10:10,720 Speaker 3: So sad movies. Mel Gibson's one with Danny Glover Leith 204 00:10:10,760 --> 00:10:17,880 Speaker 3: a Weeping Silver plus no Weddings of four funerals. D 205 00:10:18,160 --> 00:10:22,160 Speaker 3: didn't get hitched Field of Broken creams. If you build it, 206 00:10:22,160 --> 00:10:26,720 Speaker 3: they don't. Mostly they don't come horn. Here's a gold 207 00:10:27,600 --> 00:10:29,520 Speaker 3: Jackie Boy. We've got sad movies. 208 00:10:30,000 --> 00:10:34,080 Speaker 4: You me and eulogy is very sad and the gold 209 00:10:35,000 --> 00:10:36,640 Speaker 4: missus self doubt fire. 210 00:10:36,880 --> 00:10:39,199 Speaker 3: Of that anchorish. That's good silver. 211 00:10:39,679 --> 00:10:45,360 Speaker 4: And when Harry met Sullen, oh sullen. 212 00:10:49,120 --> 00:10:51,320 Speaker 3: Word not to sell put that in your iPhone. 213 00:10:51,760 --> 00:10:54,560 Speaker 1: The Christian O'Connell show podcast. 214 00:10:58,440 --> 00:11:01,720 Speaker 3: Time waste extra time right now, theo can feel sad movies, 215 00:11:03,320 --> 00:11:07,080 Speaker 3: Jackuity Tomorrow, Let's go. Diary of a Whimpering Kid, Silver, 216 00:11:08,040 --> 00:11:11,200 Speaker 3: Katrina hand Me down to Nabbey? 217 00:11:12,160 --> 00:11:14,720 Speaker 4: Is that sad? Silver? 218 00:11:15,920 --> 00:11:21,080 Speaker 3: Tough like Alistair, No Kentucky Fried Chicken froll Men. I 219 00:11:21,160 --> 00:11:21,959 Speaker 3: love KFC. 220 00:11:22,160 --> 00:11:25,480 Speaker 2: Oh my dad loves it? Does he really weekly? It's 221 00:11:25,520 --> 00:11:27,480 Speaker 2: like he's addicted to it. 222 00:11:27,840 --> 00:11:30,480 Speaker 4: We had and where I used to live, we didn't 223 00:11:30,480 --> 00:11:32,959 Speaker 4: have a great KFC. They just they wouldn't sold the 224 00:11:33,000 --> 00:11:36,080 Speaker 4: chips properly. They made mistakes. The chicken wasn't great. We 225 00:11:36,160 --> 00:11:39,920 Speaker 4: had a neighbor who drive into three suburbs away to 226 00:11:39,960 --> 00:11:41,360 Speaker 4: go to a different case. Superior. 227 00:11:42,600 --> 00:11:43,439 Speaker 3: That is lazy. 228 00:11:43,960 --> 00:11:44,640 Speaker 4: That is a gold. 229 00:11:44,760 --> 00:11:50,160 Speaker 3: Yeah, well done, Male Melancholy Feet Silver, Drive Hi, Miss 230 00:11:50,240 --> 00:11:53,240 Speaker 3: Daisy to the Morgue. Keep it Light, Ash, keep it 231 00:11:53,320 --> 00:12:01,280 Speaker 3: Light Gold, Sappy Gilmore Silver, Sad Boys Gold, The Island 232 00:12:01,280 --> 00:12:06,680 Speaker 3: of Dr Morose Silver instead of despicable Me, despondent Me, 233 00:12:08,040 --> 00:12:11,559 Speaker 3: Bronze Wah Wah Land gold instead of La La Land. 234 00:12:11,559 --> 00:12:17,760 Speaker 3: We'd on Craig, not Gladiator Sadiator Gold, Timple and effectivemash 235 00:12:18,320 --> 00:12:23,240 Speaker 3: and Cry Another Day from Sharpie Gold Brandy Tyne wats 236 00:12:23,240 --> 00:12:27,040 Speaker 3: A eight thirty This morning is Saucy Songs, condiment Songs. 237 00:12:27,360 --> 00:12:29,040 Speaker 1: The Christian O'Connell Show. 238 00:12:28,960 --> 00:12:31,680 Speaker 3: Podcast time of this week's Naked Out Christian. 239 00:12:31,720 --> 00:12:35,240 Speaker 6: We've got no songs for the whole hour oh Nick 240 00:12:35,360 --> 00:12:43,880 Speaker 6: Nick nig, Nick Nike, nag Naked Our Naked Hour, Ohnck 241 00:12:43,960 --> 00:12:50,640 Speaker 6: Nike Nigg ni Egg Naked Our Naked Hour. 242 00:12:51,800 --> 00:12:54,960 Speaker 3: Every Thursday from seven o'clock till eight o'clock. We clear 243 00:12:55,000 --> 00:12:56,559 Speaker 3: all the songs, we let you pick and we give 244 00:12:56,600 --> 00:13:00,319 Speaker 3: you the theme. This week songs were job title in 245 00:13:00,880 --> 00:13:04,840 Speaker 3: Sorry songs with jobs in the title professions Occupations, jobs 246 00:13:05,000 --> 00:13:07,240 Speaker 3: in the song title. On nine four one four one 247 00:13:07,280 --> 00:13:09,160 Speaker 3: oh four three, Let's built a whole hour on the 248 00:13:09,160 --> 00:13:12,120 Speaker 3: show today of amazing songs with chomps in the title Patsy, 249 00:13:12,160 --> 00:13:13,800 Speaker 3: what are you going for? What should we play? 250 00:13:14,080 --> 00:13:19,600 Speaker 2: Tina Turner Private Dancer. I was having a little chat 251 00:13:19,679 --> 00:13:21,400 Speaker 2: so I've got about this last night and I said, 252 00:13:21,400 --> 00:13:22,680 Speaker 2: you know, that's the oldest. 253 00:13:22,320 --> 00:13:25,320 Speaker 3: Profession there is, dancing. I think it's not that. 254 00:13:25,559 --> 00:13:27,600 Speaker 2: No, it goes excuse me, you go. 255 00:13:27,559 --> 00:13:31,040 Speaker 3: It's emotional when because Chris Burts is on and he 256 00:13:31,120 --> 00:13:33,400 Speaker 3: dances with pats for cash yes. 257 00:13:33,240 --> 00:13:36,600 Speaker 2: It's not about a lady of the niche darling. It's 258 00:13:36,640 --> 00:13:39,400 Speaker 2: about a strip tease dancer. 259 00:13:40,920 --> 00:13:42,240 Speaker 4: Okay, I thought it. 260 00:13:42,160 --> 00:13:46,160 Speaker 3: Was there, Chris Semantics. It was a. 261 00:13:46,120 --> 00:13:49,120 Speaker 2: Different job to what it actually is in the song. 262 00:13:49,240 --> 00:13:51,240 Speaker 3: It's a sad song. This though, it's a great song. 263 00:13:51,280 --> 00:13:55,000 Speaker 3: This all right, Jackie boy, what have you got? 264 00:13:55,080 --> 00:13:56,840 Speaker 4: I've gone for a great song by the Killers that 265 00:13:56,920 --> 00:14:00,360 Speaker 4: hadn't heard in years until we recently got the nyal 266 00:14:00,400 --> 00:14:03,080 Speaker 4: of Hot Fuss. Great album and we've been playing at NonStop. 267 00:14:03,120 --> 00:14:05,160 Speaker 4: This is I've Got Soul, but I'm not a soldier. 268 00:14:11,240 --> 00:14:13,880 Speaker 3: That debut album there's there was a track on him. 269 00:14:13,880 --> 00:14:20,200 Speaker 3: It's such a great album. Alright, So songs with jobs 270 00:14:20,240 --> 00:14:37,720 Speaker 3: in the title I've got Beatles job pop facts. First 271 00:14:37,720 --> 00:14:39,760 Speaker 3: Beatles song to get to number one that wasn't about 272 00:14:39,800 --> 00:14:44,200 Speaker 3: love really and this is a job the Gambler Kenny Rogers, 273 00:14:44,240 --> 00:14:51,680 Speaker 3: you got what a song? King Kenny, nineteen seventy six. 274 00:14:52,120 --> 00:14:54,480 Speaker 3: Al right, what have you got? Then? Songs with jobs 275 00:14:54,480 --> 00:14:55,440 Speaker 3: at the title. 276 00:14:55,800 --> 00:14:58,560 Speaker 1: Christian Connells Show Podcast. 277 00:14:58,520 --> 00:15:02,520 Speaker 3: It's going back to the eighties. Patsy Gloria Estefan I 278 00:15:02,560 --> 00:15:05,800 Speaker 3: think it was, and the Miami Sound Machine dr Beat 279 00:15:06,760 --> 00:15:09,480 Speaker 3: that is a killer eighties song. I remember I had 280 00:15:09,520 --> 00:15:11,440 Speaker 3: the viny of it. I think at the beginning of it, 281 00:15:11,480 --> 00:15:14,680 Speaker 3: there's a bit where there's like they're in an emergency 282 00:15:14,720 --> 00:15:17,120 Speaker 3: ward and there's like sound effects and literally it goes. 283 00:15:17,640 --> 00:15:22,760 Speaker 3: It goes Carling, doctor beat, Carling, duckt to beat. Then 284 00:15:22,760 --> 00:15:24,440 Speaker 3: you hear a sign in an emergency, and then the 285 00:15:24,800 --> 00:15:26,880 Speaker 3: bong goes coming. That's when you know that's the Miami 286 00:15:26,920 --> 00:15:29,360 Speaker 3: sound machine. And then Gloria comes in as well. It's 287 00:15:29,400 --> 00:15:30,080 Speaker 3: ahead of time. 288 00:15:30,160 --> 00:15:31,400 Speaker 4: Sadly the patient didn't make it. 289 00:15:32,920 --> 00:15:36,240 Speaker 3: The music was off the hook. It's beautiful, all right. 290 00:15:36,280 --> 00:15:38,760 Speaker 3: Songs of jobs at the title nine four one for 291 00:15:39,040 --> 00:15:42,760 Speaker 3: one oh four three Christian what about Dr Jones? 292 00:15:43,160 --> 00:15:45,080 Speaker 4: Oh please let's play Wow Jane. 293 00:15:45,560 --> 00:15:47,640 Speaker 3: I feel bad. I feel remissed that we didn't mention 294 00:15:47,720 --> 00:15:53,560 Speaker 3: that one earlier move over the Beatles stand aside, George was. 295 00:15:53,560 --> 00:15:55,080 Speaker 4: First number one that doesn't mention love. 296 00:15:56,480 --> 00:15:58,040 Speaker 3: Let's go to Lazette. 297 00:15:59,160 --> 00:16:00,000 Speaker 1: How are you? 298 00:16:00,520 --> 00:16:03,080 Speaker 3: Yes, I'm good, Welcome to the show. And what is 299 00:16:03,080 --> 00:16:04,880 Speaker 3: the song with the job in the title for you? 300 00:16:06,240 --> 00:16:07,600 Speaker 7: Uh, tony dancer? 301 00:16:08,440 --> 00:16:19,680 Speaker 3: Yes you can be a tiny dancer. Great song. Thank 302 00:16:19,720 --> 00:16:22,040 Speaker 3: you very much, have a good day. Thanks you. On 303 00:16:22,040 --> 00:16:32,400 Speaker 3: the show. Good morning to Kim, yep, Kim. They have 304 00:16:32,480 --> 00:16:46,280 Speaker 3: this one, by the way, is justice grubbing Russian Cat? 305 00:16:48,000 --> 00:16:51,280 Speaker 3: Hi Christian, Hey, Hey, good morning Cat, Welcome to the show. 306 00:16:51,320 --> 00:16:52,920 Speaker 3: What's the song with a job in the title? You 307 00:16:52,960 --> 00:16:55,080 Speaker 3: think we should play if. 308 00:16:54,960 --> 00:16:56,760 Speaker 8: I were a carpenter by Swanny. 309 00:17:01,520 --> 00:17:10,879 Speaker 3: And you would you have? 310 00:17:11,160 --> 00:17:11,320 Speaker 9: Man? 311 00:17:13,560 --> 00:17:15,840 Speaker 3: I don't when songs where they said the word baby, 312 00:17:15,840 --> 00:17:20,040 Speaker 3: but they do it like five parts. That's a great one. 313 00:17:20,119 --> 00:17:22,399 Speaker 3: Thank you very much. Can't have a good day. Sue's 314 00:17:22,440 --> 00:17:26,199 Speaker 3: on the line. Good morning, Sue, Good morning, how are 315 00:17:26,240 --> 00:17:28,120 Speaker 3: you all? We're good, Sue. And what do you think 316 00:17:28,119 --> 00:17:29,600 Speaker 3: we should play this morning? After seven? 317 00:17:31,200 --> 00:17:32,000 Speaker 10: I think you should. 318 00:17:31,760 --> 00:17:33,960 Speaker 7: Play doctor Doctor by Robert Palmer. 319 00:17:34,160 --> 00:17:37,840 Speaker 3: Reaking doctors and surely up there in the most jobs 320 00:17:37,880 --> 00:17:44,880 Speaker 3: and songs, do we do a dtor double a triple blake, 321 00:17:45,840 --> 00:17:48,760 Speaker 3: doctor b. It's a doctor doctor, It's a Dr Jones, 322 00:17:49,480 --> 00:17:53,720 Speaker 3: Maybe it's a Dr Al. This is a great song. 323 00:17:54,640 --> 00:17:56,879 Speaker 3: Nice one, Sue, Thank you very much. Have a good morning. 324 00:17:57,000 --> 00:17:59,160 Speaker 3: And Paul, Paul, what do you think we should play? 325 00:18:00,119 --> 00:18:02,640 Speaker 10: Hey, guys, here I shot the sheriff. 326 00:18:04,680 --> 00:18:12,479 Speaker 3: Shut all right, kid, just coming. You can text us 327 00:18:12,480 --> 00:18:16,119 Speaker 3: on four seventy five three one oh four three Naked 328 00:18:16,200 --> 00:18:18,320 Speaker 3: Hour This morning, coming up to stuff the Patsy's News 329 00:18:18,359 --> 00:18:21,240 Speaker 3: and a whole hour of songs with jobs in the title. 330 00:18:21,520 --> 00:18:24,159 Speaker 1: The Christian O'Connell Show podcast. 331 00:18:23,880 --> 00:18:26,679 Speaker 3: Tax Street Boys Are in Town. Bactually was bringing there 332 00:18:26,720 --> 00:18:30,400 Speaker 3: long away to DNA World Tour to rod Laver Arena 333 00:18:30,760 --> 00:18:33,520 Speaker 3: February the twenty eighth March, the first tickets from Live 334 00:18:33,760 --> 00:18:36,879 Speaker 3: Nation dot com dot au. Jack and I have been 335 00:18:36,920 --> 00:18:39,960 Speaker 3: excited about this for the last three years. It got 336 00:18:40,000 --> 00:18:43,960 Speaker 3: tarvily prepelling with COVID and now it's finally almost here. 337 00:18:44,400 --> 00:18:47,440 Speaker 3: So excited that the March the first one. Next Wednesday night, 338 00:18:47,760 --> 00:18:50,040 Speaker 3: Jack and I going, and you can come to twenty 339 00:18:50,040 --> 00:18:53,480 Speaker 3: four guys would assemble man dragons if you will, and 340 00:18:53,680 --> 00:18:55,880 Speaker 3: we will head to the rod Laver Arena to get 341 00:18:55,880 --> 00:18:58,440 Speaker 3: our Backstreet Boys vibe on taking it back to the nineties. 342 00:19:01,040 --> 00:19:03,800 Speaker 3: You don't remember the actually boys, you will remember the hits. 343 00:19:04,560 --> 00:19:12,880 Speaker 3: So it's our backs Three Boys Boys Night Out. They 344 00:19:12,960 --> 00:19:17,040 Speaker 3: had some hits, do you know? They sold over one 345 00:19:17,119 --> 00:19:20,520 Speaker 3: hundred million albums, biggest selling boy band of all time 346 00:19:21,920 --> 00:19:25,159 Speaker 3: their third album, Millennium in nineteen ninety nine. This is 347 00:19:25,160 --> 00:19:27,160 Speaker 3: one we used to buy albums Actually gone by them? 348 00:19:27,400 --> 00:19:30,640 Speaker 3: Sold twenty four million in one year. Taylor Swift last 349 00:19:30,680 --> 00:19:33,720 Speaker 3: year digital downloads and hard copy sales, biggest selling album 350 00:19:33,720 --> 00:19:35,679 Speaker 3: of last year. Midnights two million. 351 00:19:35,880 --> 00:19:38,600 Speaker 4: Whoos, It's crazy. 352 00:19:38,240 --> 00:19:41,040 Speaker 3: Now how many hours we used to buy compared to them. 353 00:19:41,240 --> 00:19:44,639 Speaker 3: Tailists won the world's Biggest Stars. So Backstree Boys and 354 00:19:44,680 --> 00:19:46,720 Speaker 3: the Boys' Night Out, lots of you want to come 355 00:19:46,720 --> 00:19:49,320 Speaker 3: along twenty four spaces. We're going to go to the pub, 356 00:19:49,320 --> 00:19:52,320 Speaker 3: our local pub here in Richmond, the London seven. Beforehand, 357 00:19:52,720 --> 00:19:55,679 Speaker 3: by the way, produced Tom called me yesterday. Problem with 358 00:19:55,720 --> 00:19:58,720 Speaker 3: the Limos. We did have two limos booked twelve guys 359 00:19:58,720 --> 00:20:01,879 Speaker 3: in each one. Yeah, Limo company of just check their dates. 360 00:20:02,240 --> 00:20:04,920 Speaker 3: They've let us down. It's that annual leave day Audio. 361 00:20:05,600 --> 00:20:08,320 Speaker 4: What it's a Wednesday night? 362 00:20:08,440 --> 00:20:12,439 Speaker 3: What do you mean that Christmas Eve got used to 363 00:20:12,440 --> 00:20:16,280 Speaker 3: coming up? You need a Wednesday night off from Lee? 364 00:20:16,480 --> 00:20:17,720 Speaker 3: That's your annual day off. 365 00:20:17,920 --> 00:20:19,400 Speaker 4: We'll just give us the Limo and I'll drive. 366 00:20:20,359 --> 00:20:23,040 Speaker 3: So we're now in a situation where we do need 367 00:20:23,440 --> 00:20:26,480 Speaker 3: transport to get from the London tavern to get the 368 00:20:26,520 --> 00:20:28,560 Speaker 3: Backstreet Boys Boys Nights Out in style. 369 00:20:28,680 --> 00:20:30,119 Speaker 4: So how many can fit in one limit? 370 00:20:30,560 --> 00:20:33,200 Speaker 3: Well, I think it's only about ten or eleven or twelve. 371 00:20:33,200 --> 00:20:35,960 Speaker 3: So we need what about this there must be with 372 00:20:36,000 --> 00:20:37,680 Speaker 3: our listeners. You remember we had to try and find 373 00:20:37,680 --> 00:20:40,200 Speaker 3: that hard that impossible to find car a couple of 374 00:20:40,240 --> 00:20:42,479 Speaker 3: weeks ago with the billboards another limo. What about if 375 00:20:42,480 --> 00:20:45,280 Speaker 3: we didn't like the wacky races. There's different amazing ways 376 00:20:45,280 --> 00:20:47,760 Speaker 3: to get to rodin Naver. There's a limo. There's a 377 00:20:47,800 --> 00:20:51,080 Speaker 3: horse drong cart and carriage. What beautiful way if you 378 00:20:51,160 --> 00:20:54,240 Speaker 3: know you were night to arrive to deport a horse 379 00:20:54,320 --> 00:20:55,000 Speaker 3: drong carriage. 380 00:20:55,119 --> 00:20:57,160 Speaker 4: We're only going eight hundred exactly, but. 381 00:20:57,200 --> 00:20:59,960 Speaker 3: What a way to travel? Or we all scooter the 382 00:21:01,240 --> 00:21:03,600 Speaker 3: let's get in a dragon formation. 383 00:21:05,119 --> 00:21:07,720 Speaker 4: That's a scooter, because the scooters might go the trial. 384 00:21:07,760 --> 00:21:08,960 Speaker 4: I heard them. 385 00:21:09,440 --> 00:21:10,600 Speaker 3: I love those scooters. 386 00:21:10,640 --> 00:21:13,320 Speaker 4: We heard the trials. Those lime scooters. 387 00:21:13,400 --> 00:21:15,919 Speaker 3: Oh, I think they're amazing, all right. So people are 388 00:21:15,920 --> 00:21:18,080 Speaker 3: desperate to come and join us on our Backstreet Boys 389 00:21:18,200 --> 00:21:19,080 Speaker 3: Boys Nights out. 390 00:21:19,920 --> 00:21:22,639 Speaker 11: Hey, Christian Jack and Pats. It's Aaron here and I 391 00:21:22,720 --> 00:21:26,280 Speaker 11: need to be part of the Backstreet Boys Boys night out. Look, 392 00:21:26,440 --> 00:21:28,000 Speaker 11: I've got to be a bit greedy here and ask 393 00:21:28,080 --> 00:21:30,600 Speaker 11: for four tickets if you can spare them. The reason 394 00:21:30,720 --> 00:21:33,160 Speaker 11: is I went on a Kenticki tour back in twenty nineteen. 395 00:21:33,680 --> 00:21:37,160 Speaker 11: Didn't know anyone. They met three awesome blokes and we 396 00:21:37,160 --> 00:21:39,399 Speaker 11: were known as the Backstreet Boys for the rest of 397 00:21:39,440 --> 00:21:42,600 Speaker 11: the entire tour. Way too long since we last caught up, 398 00:21:42,680 --> 00:21:44,720 Speaker 11: and that last time we did sing a bit of 399 00:21:44,760 --> 00:21:47,399 Speaker 11: Backstreet Boys together. So yeah, mate, get us on the 400 00:21:47,440 --> 00:21:49,640 Speaker 11: tour and you won't regret it. It will be heaps 401 00:21:49,680 --> 00:21:51,280 Speaker 11: and eats for fun. We'll do a bit of a 402 00:21:51,359 --> 00:21:53,200 Speaker 11: dance for you, have a bit of a sing along. 403 00:21:53,280 --> 00:21:54,840 Speaker 4: Let's do it, okay. 404 00:21:55,119 --> 00:21:57,919 Speaker 3: So it's four spots. That's that's a lot of tickets 405 00:21:57,960 --> 00:22:00,400 Speaker 3: taking up straight away. But it's a good story. Aaron 406 00:22:00,440 --> 00:22:01,120 Speaker 3: and his boys, I. 407 00:22:01,080 --> 00:22:02,480 Speaker 4: Like the Kentigie Backstreet Boys. 408 00:22:02,480 --> 00:22:04,240 Speaker 3: Bring him along, all right, Aaron and the crew. You 409 00:22:04,240 --> 00:22:06,080 Speaker 3: can come along too. By the way, it's not a tour, 410 00:22:06,119 --> 00:22:08,320 Speaker 3: he kept saying, come along to our tour. I got 411 00:22:08,320 --> 00:22:10,560 Speaker 3: an email yesterday from a Backsi Boys day out. It's 412 00:22:10,560 --> 00:22:13,600 Speaker 3: not a day out. I must have a spy in 413 00:22:13,640 --> 00:22:16,240 Speaker 3: the afternoon, get our head fake short. 414 00:22:16,240 --> 00:22:18,760 Speaker 4: Or do we become groupies and follow the tour city 415 00:22:18,800 --> 00:22:20,240 Speaker 4: to city. 416 00:22:20,240 --> 00:22:24,439 Speaker 12: That Christian mate, Come on, please let me come to 417 00:22:24,520 --> 00:22:27,360 Speaker 12: the Backstreet Boys concert I was going to get tickets 418 00:22:27,359 --> 00:22:29,960 Speaker 12: for Backstreet Boys twelve months ago and none of my 419 00:22:30,040 --> 00:22:32,760 Speaker 12: mates wanted to go, so I just left it. And 420 00:22:32,840 --> 00:22:35,240 Speaker 12: now you've got this boys' night out that would be 421 00:22:35,400 --> 00:22:36,159 Speaker 12: bloody epic. 422 00:22:36,400 --> 00:22:37,920 Speaker 1: We can get loose. 423 00:22:38,760 --> 00:22:39,520 Speaker 3: Sorry. 424 00:22:42,320 --> 00:22:45,160 Speaker 1: The Christian O'Connell show podcast. 425 00:22:44,680 --> 00:22:47,720 Speaker 3: All right, Backstreet Boys Boys Night Out, Come and join 426 00:22:47,800 --> 00:22:51,119 Speaker 3: us next Wednesday Nights twenty four Guys, Me and Jackie 427 00:22:51,119 --> 00:22:53,840 Speaker 3: Boy are taking you out the. 428 00:22:53,600 --> 00:22:57,880 Speaker 6: Back Street Boys back in town. 429 00:22:59,080 --> 00:23:01,880 Speaker 3: Christian thoughts are out of the town. 430 00:23:03,840 --> 00:23:10,679 Speaker 4: Christian O'Connell presents the Backstreet Boys Boys Night count not aged. 431 00:23:10,720 --> 00:23:12,960 Speaker 3: Well, this is it. I've gotta be honest. I accidentally 432 00:23:13,000 --> 00:23:13,520 Speaker 3: played that one. 433 00:23:13,560 --> 00:23:16,720 Speaker 4: I thought it was I actually saw the disappointment. 434 00:23:18,480 --> 00:23:21,000 Speaker 3: Why can't we have under on a radio show just 435 00:23:21,040 --> 00:23:21,919 Speaker 3: two or three seconds? 436 00:23:23,440 --> 00:23:24,919 Speaker 4: Hey, the more I think about it, I think we 437 00:23:24,920 --> 00:23:27,360 Speaker 4: should ride the East scooters from the pub to the. 438 00:23:27,320 --> 00:23:29,560 Speaker 3: Gearney twenty four. So, well, how do we make that 439 00:23:29,640 --> 00:23:31,040 Speaker 3: happen so that no one's left down? 440 00:23:31,080 --> 00:23:33,480 Speaker 4: I think we get Street teamers from the radio station 441 00:23:33,560 --> 00:23:35,560 Speaker 4: to go and spen the day. Yes, why not collect 442 00:23:35,600 --> 00:23:37,600 Speaker 4: them from the sub, bring them to the park. 443 00:23:37,520 --> 00:23:39,320 Speaker 3: Line them up, have a few beers and then get 444 00:23:39,359 --> 00:23:41,880 Speaker 3: on our scooters and scooter our way to the Backstreet Boys. 445 00:23:41,920 --> 00:23:44,720 Speaker 4: The scooters trial ends March thirty first, so maybe we 446 00:23:44,760 --> 00:23:45,920 Speaker 4: won't have the scooters forever. 447 00:23:46,080 --> 00:23:47,840 Speaker 3: That's a shame. I like them, all right. Do you 448 00:23:47,840 --> 00:23:51,720 Speaker 3: want to come into our Backstreet Boys Boys Nights out Leaders? Christian? 449 00:23:51,760 --> 00:23:53,840 Speaker 3: When New Kids on the Block and Backstreet Boys were 450 00:23:53,880 --> 00:23:56,280 Speaker 3: here on their reunion tourn I couldn't get tickets, and 451 00:23:56,320 --> 00:23:58,760 Speaker 3: my wife hasn't spoken to me since. However, we still 452 00:23:58,760 --> 00:24:01,680 Speaker 3: managed to effectively raise our two kids using a combination 453 00:24:01,760 --> 00:24:04,880 Speaker 3: of guttural noises and hand gestures. I'm entering night. You're 454 00:24:04,920 --> 00:24:07,879 Speaker 3: the second half century of my life in March coulories 455 00:24:07,920 --> 00:24:10,359 Speaker 3: before you, and would love nothing more to be serenaded 456 00:24:10,600 --> 00:24:13,280 Speaker 3: by similarly middle aged men singing about our many past 457 00:24:13,359 --> 00:24:17,359 Speaker 3: loves lost. Christian. When my spotified summary tells me that 458 00:24:17,359 --> 00:24:20,040 Speaker 3: I've listened to more Backstreet Boys than anything else, it 459 00:24:20,119 --> 00:24:21,919 Speaker 3: means that I have to come along with you guys 460 00:24:22,240 --> 00:24:26,680 Speaker 3: on Wednesday nights. That's from Lee in Lee. 461 00:24:26,800 --> 00:24:28,600 Speaker 4: But it doesn't really solve the problem with his wife. 462 00:24:29,040 --> 00:24:31,040 Speaker 4: If his wife's mad at him, then he didn't get tickers. 463 00:24:31,280 --> 00:24:38,880 Speaker 4: She's not coming Along's. 464 00:24:35,440 --> 00:24:39,639 Speaker 3: Probably Lee is in all right? So Aaron and his 465 00:24:39,760 --> 00:24:42,879 Speaker 3: Kinky Boys. They're coming because what we're doing. Everyone who 466 00:24:42,880 --> 00:24:46,000 Speaker 3: comes on, we're giving a nickname. Jackie Boy introduced a gang. 467 00:24:46,040 --> 00:24:47,120 Speaker 3: Who have we got so far? 468 00:24:47,280 --> 00:24:50,359 Speaker 4: We've got faces currently working on his thesis. We've got 469 00:24:50,400 --> 00:24:54,520 Speaker 4: available currently divorced. We've got the voice Bobbie, beautiful voice, 470 00:24:54,560 --> 00:24:55,440 Speaker 4: a cappella man. 471 00:24:56,000 --> 00:25:02,440 Speaker 8: Surely just kill. 472 00:25:02,600 --> 00:25:10,160 Speaker 1: We do hang with Christians boys. Tell me why kill? 473 00:25:10,280 --> 00:25:12,959 Speaker 3: Join him with his night up? 474 00:25:15,240 --> 00:25:17,600 Speaker 1: Just gim Dalban missing now. 475 00:25:17,920 --> 00:25:19,600 Speaker 3: All right, so that's Bobby the Boys. Who have we 476 00:25:19,680 --> 00:25:20,360 Speaker 3: got Jackie Boys. 477 00:25:20,400 --> 00:25:22,480 Speaker 4: We've got jack coming over from Perth. He says he 478 00:25:22,560 --> 00:25:24,400 Speaker 4: has no friends in Melbourne. 479 00:25:24,440 --> 00:25:26,720 Speaker 3: We said maybe ten months ago. 480 00:25:26,800 --> 00:25:29,080 Speaker 4: Yeah, his name might be no friends, but his name 481 00:25:29,160 --> 00:25:31,639 Speaker 4: is actually many friends. Gonna have twenty three friends. 482 00:25:31,680 --> 00:25:32,879 Speaker 3: Yeah, still on scooters. 483 00:25:33,000 --> 00:25:37,240 Speaker 4: Liam the Butterflies coming out as a closeted Backstreet Boys fan. 484 00:25:37,880 --> 00:25:40,280 Speaker 4: Chris the Og was the first one two years ago 485 00:25:40,280 --> 00:25:41,840 Speaker 4: when we suggested this. He was the first one to 486 00:25:41,840 --> 00:25:44,840 Speaker 4: get in touch. We've got Glenn Funny Tummy who in 487 00:25:44,880 --> 00:25:47,199 Speaker 4: the two thousand and five Backstreet Boys who have had 488 00:25:47,240 --> 00:25:50,640 Speaker 4: too many Vodkas and got her self confirmed Funny Tummy. 489 00:25:50,840 --> 00:25:54,520 Speaker 4: We got strong Man Damien aka tiny. We've got Aaron 490 00:25:54,560 --> 00:25:56,880 Speaker 4: and the Boys, the Kenticki Boys, and we got Chris 491 00:25:57,080 --> 00:25:59,119 Speaker 4: who is simply called loose Chris. 492 00:25:59,160 --> 00:26:02,560 Speaker 3: They're all that's see what ours is joining them this 493 00:26:02,600 --> 00:26:05,160 Speaker 3: morning on Name four one four one oh four three. 494 00:26:05,640 --> 00:26:08,359 Speaker 10: Matt, Good morning team. 495 00:26:08,680 --> 00:26:12,160 Speaker 3: Okay, Matt, why do you want to come along? Look? 496 00:26:13,280 --> 00:26:15,840 Speaker 10: Well, I've got a bit of a story on it 497 00:26:15,880 --> 00:26:18,360 Speaker 10: that I've I've got a CD single here from when 498 00:26:19,280 --> 00:26:22,600 Speaker 10: back in ninety nine, two and two thousand, I used 499 00:26:22,600 --> 00:26:25,840 Speaker 10: to actually be in a boy band in Melbourne. We 500 00:26:25,840 --> 00:26:28,440 Speaker 10: were called Track five and we. 501 00:26:28,400 --> 00:26:29,440 Speaker 3: Used to Diday. 502 00:26:31,880 --> 00:26:34,040 Speaker 10: Look. I don't even know if Google would go back, 503 00:26:34,400 --> 00:26:39,040 Speaker 10: but look, we used to play regularly on a Friday 504 00:26:39,080 --> 00:26:42,200 Speaker 10: and Saturday night at the Palace nightclub, which used to 505 00:26:42,280 --> 00:26:46,040 Speaker 10: be located next to the Palais Theater before it got 506 00:26:46,040 --> 00:26:49,560 Speaker 10: burnt down mysteriously. It wasn't us, but yeah. 507 00:26:49,600 --> 00:26:51,200 Speaker 11: And we were. 508 00:26:51,240 --> 00:26:53,840 Speaker 3: We were your original songs? So are we doing covers? 509 00:26:53,840 --> 00:26:54,640 Speaker 3: What was what be doing? 510 00:26:55,240 --> 00:26:59,200 Speaker 10: Look? At the nightclub? It was mainly more covers and 511 00:27:00,040 --> 00:27:02,520 Speaker 10: we did do our originals as well, and we even 512 00:27:02,520 --> 00:27:06,159 Speaker 10: went on Radio one stage and did an a cappella 513 00:27:06,280 --> 00:27:08,080 Speaker 10: version of Better Be Home Soon? 514 00:27:09,440 --> 00:27:13,320 Speaker 3: So yeah, no, what was the show what show did 515 00:27:13,359 --> 00:27:13,480 Speaker 3: you go? 516 00:27:14,760 --> 00:27:15,280 Speaker 10: What show? 517 00:27:15,920 --> 00:27:16,240 Speaker 3: Look at? 518 00:27:16,240 --> 00:27:21,680 Speaker 10: It was? It was just a Melbourne based creation, so 519 00:27:22,200 --> 00:27:25,040 Speaker 10: we had to audition for it, and yeah, it was 520 00:27:25,080 --> 00:27:27,560 Speaker 10: one of the well should I say lucky ones they 521 00:27:27,720 --> 00:27:32,479 Speaker 10: got through. And yeah, but time has changed. So we 522 00:27:32,560 --> 00:27:35,280 Speaker 10: used to sell CD singles there and I've still got 523 00:27:35,280 --> 00:27:37,359 Speaker 10: one of the CD singles here which I could probably 524 00:27:37,400 --> 00:27:42,960 Speaker 10: bribe you with. And yeah, that's that's the story of 525 00:27:43,040 --> 00:27:46,359 Speaker 10: Father of Four now and yeah, times have changed. 526 00:27:46,800 --> 00:27:49,880 Speaker 4: I'm looking at the Wikipedia entry for track five they've 527 00:27:49,880 --> 00:27:54,480 Speaker 4: got they have a very short end. You've got to 528 00:27:55,040 --> 00:27:57,120 Speaker 4: you've got to go in and edit this list band 529 00:27:57,200 --> 00:27:59,640 Speaker 4: members Adam Paul and krasule. 530 00:28:00,720 --> 00:28:03,439 Speaker 10: On there oh no, fell down to three. Now if 531 00:28:03,480 --> 00:28:05,639 Speaker 10: you go on the Christian O'Connell page, you'll see a 532 00:28:05,640 --> 00:28:09,960 Speaker 10: picture that I've posted a track five and on the first. 533 00:28:10,119 --> 00:28:13,640 Speaker 3: Page, don't get on. Yes, I'm gonna go on your 534 00:28:13,680 --> 00:28:16,480 Speaker 3: page and so that I was in the band. 535 00:28:17,160 --> 00:28:19,399 Speaker 4: So, Matt, did you leave the band early join the 536 00:28:19,440 --> 00:28:20,840 Speaker 4: band late wine? You listed on. 537 00:28:22,640 --> 00:28:29,560 Speaker 10: I was the Robbie Williams of the band and yeah, 538 00:28:29,600 --> 00:28:32,639 Speaker 10: so yeah, I'm still doing my own music but on 539 00:28:32,720 --> 00:28:33,720 Speaker 10: the side as a hobby. 540 00:28:33,760 --> 00:28:37,159 Speaker 3: But for you, yeah, well, do you know what you're coming? 541 00:28:37,280 --> 00:28:41,680 Speaker 3: And you're nickname? Track five? Come on in track five. 542 00:28:43,720 --> 00:28:46,760 Speaker 1: Well, Christian Connells Show Podcast. 543 00:28:46,680 --> 00:28:49,160 Speaker 3: Looking for your weakest claim to fame about your dad 544 00:28:49,160 --> 00:28:51,479 Speaker 3: on nine four one four one O four three. I 545 00:28:51,520 --> 00:28:54,120 Speaker 3: know we say no claim to fame is two week, 546 00:28:54,160 --> 00:28:56,520 Speaker 3: but Andrew called up just told us that his dad 547 00:28:56,520 --> 00:29:01,440 Speaker 3: had never swore once in his life. Come on, you 548 00:29:01,480 --> 00:29:05,560 Speaker 3: know when I say that, what that really means? Good 549 00:29:05,600 --> 00:29:11,000 Speaker 3: on him, Andrew? O all right, nine four one four 550 00:29:11,120 --> 00:29:13,920 Speaker 3: one o four three. Let's go to Jeff right now, 551 00:29:13,960 --> 00:29:14,800 Speaker 3: Good morning, Jeff. 552 00:29:15,480 --> 00:29:16,479 Speaker 13: How are you Christian? 553 00:29:16,600 --> 00:29:18,200 Speaker 3: I'm good, Jeff, and thanks for cool on the show. 554 00:29:18,200 --> 00:29:19,840 Speaker 3: What is your dad's claim to fame? 555 00:29:21,400 --> 00:29:25,000 Speaker 13: My dad with a drummer in the band, and they 556 00:29:25,240 --> 00:29:28,920 Speaker 13: Hoyd and Lois Newton John and I didn't like a 557 00:29:29,000 --> 00:29:31,560 Speaker 13: survice sector they. 558 00:29:31,520 --> 00:29:34,680 Speaker 3: Find Olivia Newton John. That is some claim to fame. 559 00:29:35,840 --> 00:29:38,880 Speaker 13: Yeah, with the jazz band. And apparently I didn't lord 560 00:29:38,880 --> 00:29:41,520 Speaker 13: the way she sung jazz, so they got wheel her. 561 00:29:42,000 --> 00:29:44,840 Speaker 3: Nobody hear star? Was it? You know? Living in John Jazz? 562 00:29:45,960 --> 00:29:50,600 Speaker 13: No, Well, apparently she couldn't see it properly, so I got. 563 00:29:50,440 --> 00:29:53,360 Speaker 3: With her, right, gotcha? All right? Jeff, thank you, very 564 00:29:53,440 --> 00:29:54,880 Speaker 3: much for your story mate. You have a good day. 565 00:29:55,520 --> 00:29:58,920 Speaker 13: No worries, mate, So you see you, Jeff uh. 566 00:29:58,760 --> 00:30:01,400 Speaker 3: Sam, good morning, good morning. 567 00:30:01,480 --> 00:30:01,760 Speaker 7: Question? 568 00:30:02,160 --> 00:30:05,160 Speaker 3: Good morning Sam? And how old are you Sam? 569 00:30:05,160 --> 00:30:05,960 Speaker 7: Seven years old? 570 00:30:06,120 --> 00:30:08,000 Speaker 3: Seven years old? My gosh, you sound so good on 571 00:30:08,040 --> 00:30:10,920 Speaker 3: the phone. All right, Sam. What is your dad's weakest 572 00:30:10,960 --> 00:30:11,640 Speaker 3: claim to fame? 573 00:30:12,200 --> 00:30:15,120 Speaker 14: My dad's weakest claim to fame is he wants sold 574 00:30:15,160 --> 00:30:18,320 Speaker 14: some cow watched the daisy when he was working an 575 00:30:18,360 --> 00:30:19,000 Speaker 14: auto vine. 576 00:30:19,240 --> 00:30:21,520 Speaker 3: Oh wow, that's a great one, I adabs from I cell. 577 00:30:21,640 --> 00:30:23,400 Speaker 3: So what did he send him? Some car parts? 578 00:30:24,320 --> 00:30:24,960 Speaker 7: Car wash? 579 00:30:25,120 --> 00:30:27,760 Speaker 3: A car wash? So sorry, I have to make you 580 00:30:27,840 --> 00:30:30,440 Speaker 3: yell at me there, Sam, car wash? Oh man on 581 00:30:30,480 --> 00:30:38,760 Speaker 3: the radio. That's a great one. All right, Sam, thank 582 00:30:38,800 --> 00:30:42,040 Speaker 3: you very much and cool, have a good day at school. Okay, 583 00:30:42,120 --> 00:30:46,040 Speaker 3: thank you now, job done. His dad's glaring him, isn't it? 584 00:30:46,480 --> 00:30:49,800 Speaker 3: Thank you? Did you get price? I told you? Asked? 585 00:30:50,080 --> 00:30:57,840 Speaker 3: Flipping back boy ticket call back, Nathan, I'm good, Nathan. 586 00:30:57,920 --> 00:30:59,760 Speaker 3: What is your dad's weakest claim to fame? 587 00:31:00,520 --> 00:31:02,440 Speaker 8: My dad Lucas came to fame. He was back in 588 00:31:02,480 --> 00:31:05,120 Speaker 8: the early seventies. See kick out of his house. 589 00:31:05,320 --> 00:31:07,640 Speaker 3: A lot of people being kicked out. Dad's kicking stuff 590 00:31:07,640 --> 00:31:08,600 Speaker 3: out grumpy old men. 591 00:31:08,800 --> 00:31:13,200 Speaker 10: Basically, I'm making too much noise and they he had 592 00:31:13,200 --> 00:31:14,080 Speaker 10: to start working early. 593 00:31:13,960 --> 00:31:17,560 Speaker 3: In the morning. Okay, have you alture are going to. 594 00:31:17,600 --> 00:31:22,959 Speaker 9: Start working before they started out the Christian O'Connell show podcast, 595 00:31:23,200 --> 00:31:24,000 Speaker 9: Christian of the Team. 596 00:31:24,080 --> 00:31:26,120 Speaker 3: It's Sam's dad, you know, little Sam. We just spoke 597 00:31:26,200 --> 00:31:28,240 Speaker 3: to Yes, this old man, Matt just texted and say 598 00:31:28,240 --> 00:31:30,120 Speaker 3: thank you for chatting to him. Let's put a massive 599 00:31:30,160 --> 00:31:33,600 Speaker 3: smile on his face. You've made his day. That's very polite, Dad, Matt, 600 00:31:33,640 --> 00:31:36,240 Speaker 3: thank you. All right? So what is your dad's weakest 601 00:31:36,320 --> 00:31:38,880 Speaker 3: claim to fame? We started Monday saying we were going 602 00:31:38,960 --> 00:31:42,280 Speaker 3: to try and build the ultimate. Maybe maybe that was 603 00:31:42,320 --> 00:31:45,440 Speaker 3: aiming too high. Maybe she's just gone for family tree. 604 00:31:45,760 --> 00:31:48,680 Speaker 3: It's an ultimate of some sort, ultimate family tree made 605 00:31:48,760 --> 00:31:51,080 Speaker 3: up of various family members weakest claims to fame. So 606 00:31:51,160 --> 00:31:54,840 Speaker 3: we kicked off with the uncles on Monday, aunties on Tuesday, 607 00:31:55,480 --> 00:31:58,760 Speaker 3: then tough one yesterday on the phones were the moms. 608 00:31:59,000 --> 00:32:00,800 Speaker 4: We the lead start to wither. 609 00:32:00,680 --> 00:32:05,560 Speaker 3: On the word. We may need to get the chainsaw 610 00:32:05,760 --> 00:32:08,440 Speaker 3: and chop down the tree. Let's find out though, all right, 611 00:32:08,560 --> 00:32:11,320 Speaker 3: nine four one four one o four three weakest clean 612 00:32:11,360 --> 00:32:15,720 Speaker 3: to fame involving your dad. Uh, Sue, Ane, good morning. 613 00:32:16,160 --> 00:32:17,440 Speaker 7: Good morning Christian and gang. 614 00:32:17,480 --> 00:32:17,959 Speaker 1: How are you. 615 00:32:18,080 --> 00:32:19,640 Speaker 3: We're good, Sue, I knowpe you having a good week 616 00:32:19,720 --> 00:32:21,600 Speaker 3: so far. What can you tell us about your dad? 617 00:32:22,560 --> 00:32:25,560 Speaker 7: Yes, well, we used to live behind Johnny Farnham's parents, 618 00:32:25,680 --> 00:32:28,400 Speaker 7: and Johnny Farnham's brother Stephen threw a cat who lit 619 00:32:28,480 --> 00:32:29,920 Speaker 7: at my brother and cut his hand open. 620 00:32:29,960 --> 00:32:31,680 Speaker 10: Sodad stumped over there and yelled. 621 00:32:31,440 --> 00:32:37,560 Speaker 3: At them, we're sucking the game. Yesterday we had a 622 00:32:37,600 --> 00:32:41,080 Speaker 3: cool involving John Farnham's dogs. This is amazing. You're gonna 623 00:32:41,080 --> 00:32:43,160 Speaker 3: have to rewind just in case people miss this setup 624 00:32:43,200 --> 00:32:46,600 Speaker 3: to this amazing story. So your place used to back onto. 625 00:32:47,760 --> 00:32:51,120 Speaker 7: Yes, diagonally across at the back was Johnny Fannham's parents. 626 00:32:51,160 --> 00:32:53,120 Speaker 7: They had a pool and the duck and everything. And 627 00:32:53,160 --> 00:32:55,040 Speaker 7: he used to go over there with his girlfriend and 628 00:32:55,440 --> 00:32:57,400 Speaker 7: swim in the pool, and he bought his mum and 629 00:32:57,440 --> 00:32:59,520 Speaker 7: Mercedes one year and uh. 630 00:32:59,640 --> 00:33:03,320 Speaker 3: But not another just that one lone duck. 631 00:33:04,200 --> 00:33:07,800 Speaker 7: Yes, And they used to, as I said, live over there, 632 00:33:07,800 --> 00:33:09,800 Speaker 7: and Stephen came around in our street one day and 633 00:33:09,840 --> 00:33:12,000 Speaker 7: threw something in my brother Kats Woodle and cut his 634 00:33:12,040 --> 00:33:14,000 Speaker 7: hand open. So Dad went over there and yelled at. 635 00:33:13,880 --> 00:33:16,080 Speaker 3: Them what we yelled at Phansie's dad. 636 00:33:15,920 --> 00:33:18,520 Speaker 7: Or at the parents and at Stephen. 637 00:33:21,960 --> 00:33:25,280 Speaker 3: This not only is his story physically involved a property diagonal, 638 00:33:25,600 --> 00:33:28,240 Speaker 3: this story is diagonal itself. Think about this as at 639 00:33:28,280 --> 00:33:31,080 Speaker 3: an angle. I love the sewer. It's a great story. 640 00:33:31,120 --> 00:33:31,840 Speaker 3: Thank you very. 641 00:33:31,800 --> 00:33:34,600 Speaker 7: Much, pleasures for sharing. Have a great day, guys. 642 00:33:34,600 --> 00:33:42,920 Speaker 3: All right, and you mel Mel, Yes, yes, week is 643 00:33:42,960 --> 00:33:46,200 Speaker 3: claim to Hello. Week is claimifying involving your dad. 644 00:33:46,680 --> 00:33:49,320 Speaker 15: Okay, So when my dad was eight his name is Yan, 645 00:33:49,880 --> 00:33:53,440 Speaker 15: he played in a chess tournament and he ended up 646 00:33:53,480 --> 00:33:57,360 Speaker 15: beating the person who became a chess champion of the world, 647 00:33:57,800 --> 00:34:00,360 Speaker 15: and he refused to ever play him again because he 648 00:34:00,440 --> 00:34:02,600 Speaker 15: knew he was great. And he said, one day, I 649 00:34:02,680 --> 00:34:04,600 Speaker 15: want to be able to brag that I've beaten the 650 00:34:04,640 --> 00:34:05,960 Speaker 15: greatest chess player in the world. 651 00:34:06,680 --> 00:34:09,680 Speaker 3: Wow, this is some story. You don't happen to know 652 00:34:09,719 --> 00:34:12,839 Speaker 3: who this sort of future world champion was. 653 00:34:13,400 --> 00:34:16,000 Speaker 15: I think he said the name once and we all 654 00:34:16,000 --> 00:34:20,960 Speaker 15: said yeah, right, So we didn't look it up. But 655 00:34:21,120 --> 00:34:22,920 Speaker 15: it was just a bit of the legend in our 656 00:34:22,960 --> 00:34:25,520 Speaker 15: family that he once beat the greatest chess champion in 657 00:34:25,520 --> 00:34:26,200 Speaker 15: the world. 658 00:34:26,440 --> 00:34:29,680 Speaker 3: When he was eight and so the future world champion. 659 00:34:29,719 --> 00:34:31,239 Speaker 3: He was a young kid as well. 660 00:34:31,719 --> 00:34:33,080 Speaker 15: Yes, he was in a chess club. 661 00:34:33,600 --> 00:34:35,359 Speaker 3: Gotcha. Who was it? Do you think it was like 662 00:34:35,400 --> 00:34:38,720 Speaker 3: Gary one of the Russias, like Gary Kasparov or we all. 663 00:34:38,640 --> 00:34:41,799 Speaker 15: Thought so, but he sadly he's not alive anymore, so 664 00:34:41,840 --> 00:34:45,520 Speaker 15: he can't check the fact check that, but it's something 665 00:34:45,520 --> 00:34:47,120 Speaker 15: that he always thought was pretty good. He had a 666 00:34:47,120 --> 00:34:50,319 Speaker 15: little trophy as well, which I ended up getting, which 667 00:34:50,360 --> 00:34:51,120 Speaker 15: is pretty special. 668 00:34:51,360 --> 00:34:54,520 Speaker 3: So yeah, Jack's gone quiet. I know you're a big 669 00:34:54,600 --> 00:34:57,080 Speaker 3: chess fan. Who do you think it might be? Who's 670 00:34:57,080 --> 00:34:57,480 Speaker 3: a goat? 671 00:34:58,000 --> 00:34:59,719 Speaker 4: I guess that Kasparov is all like I really think 672 00:34:59,760 --> 00:35:00,760 Speaker 4: of it in terms of world. 673 00:35:00,600 --> 00:35:02,960 Speaker 3: Chair that and IBM blue that's I run out of it, 674 00:35:03,000 --> 00:35:04,200 Speaker 3: which was a computer. 675 00:35:03,960 --> 00:35:06,319 Speaker 4: Magnus Carlson is the kind of you mind was the 676 00:35:06,320 --> 00:35:07,239 Speaker 4: world's strongest man. 677 00:35:08,440 --> 00:35:11,440 Speaker 15: He did grow up in Denmark, so also it was 678 00:35:11,480 --> 00:35:14,120 Speaker 15: probably a European champion is. 679 00:35:14,040 --> 00:35:16,560 Speaker 4: From Norway, but he was going to be he would 680 00:35:16,560 --> 00:35:16,879 Speaker 4: be in his. 681 00:35:16,880 --> 00:35:19,040 Speaker 10: Thirties now, so definitely. 682 00:35:19,080 --> 00:35:19,120 Speaker 8: No. 683 00:35:20,360 --> 00:35:22,040 Speaker 3: All right, mal that is a great one though. Thank 684 00:35:22,040 --> 00:35:24,200 Speaker 3: you very much for giving us a call. No worry, 685 00:35:24,280 --> 00:35:26,719 Speaker 3: thank you, Lisa, Good morning. 686 00:35:27,360 --> 00:35:29,799 Speaker 8: Good morning, Christian and team Hey, guing so. 687 00:35:29,840 --> 00:35:31,719 Speaker 3: Weak is claim to fame evolving your dad? 688 00:35:32,560 --> 00:35:34,919 Speaker 8: So my dad's week is claim to fame. My dad 689 00:35:34,960 --> 00:35:37,440 Speaker 8: Frank was one of the plumbers or the dunny Men 690 00:35:37,840 --> 00:35:39,680 Speaker 8: that the movie Kenny was based on. 691 00:35:40,640 --> 00:35:43,360 Speaker 3: This is huge. That is a legendary Aussie movie with 692 00:35:43,360 --> 00:35:45,840 Speaker 3: Shane Jacobson. How did this all come to be? 693 00:35:47,320 --> 00:35:50,879 Speaker 8: So Shane didn't know my dad, but I did calisthenics 694 00:35:51,360 --> 00:35:54,320 Speaker 8: and knew his mum through calisthenics and we got talking 695 00:35:54,400 --> 00:35:56,880 Speaker 8: one day and she mentioned about a short film he 696 00:35:56,880 --> 00:35:59,360 Speaker 8: had done and we sort of got them in connection 697 00:35:59,560 --> 00:36:02,520 Speaker 8: and yeah, they flew my dad down and got some 698 00:36:02,560 --> 00:36:04,680 Speaker 8: of his stories and a lot of those stories are 699 00:36:04,680 --> 00:36:07,120 Speaker 8: in the movie this is. 700 00:36:06,160 --> 00:36:11,040 Speaker 4: He was a portally consultant for the film. Is amazing. 701 00:36:11,600 --> 00:36:12,719 Speaker 4: That is amazing. 702 00:36:13,120 --> 00:36:14,759 Speaker 3: This is the best song we've had a week. 703 00:36:16,920 --> 00:36:19,160 Speaker 8: Yes, so it wasn't so cool as a teenage girl 704 00:36:19,200 --> 00:36:21,600 Speaker 8: being driven to high school with a Johnny on the back. 705 00:36:22,239 --> 00:36:25,600 Speaker 3: I can imagine, I can imagine. But that is amazing. 706 00:36:26,640 --> 00:36:28,640 Speaker 8: Yes, to fame, it's a. 707 00:36:28,600 --> 00:36:30,160 Speaker 3: Great plane to fame. The other thing as well as 708 00:36:30,239 --> 00:36:33,480 Speaker 3: the phrase calistenetics as well, that is from like is 709 00:36:33,520 --> 00:36:35,200 Speaker 3: it was it the nineties? That was like the big 710 00:36:35,239 --> 00:36:36,200 Speaker 3: thing that tibo. 711 00:36:37,800 --> 00:36:41,719 Speaker 8: Yeah, kalisnic in Australia is actually different. It's a form 712 00:36:41,719 --> 00:36:45,680 Speaker 8: of dancing. In America, it's more like fitness and stuff 713 00:36:45,719 --> 00:36:49,680 Speaker 8: like that and more your strength. But in Australia it's 714 00:36:49,719 --> 00:36:50,280 Speaker 8: more dancing. 715 00:36:50,840 --> 00:36:53,719 Speaker 3: What is an amazing story about your dad? Thank you 716 00:36:53,880 --> 00:36:57,160 Speaker 3: very you saved the ultimate family tree with your golden story. 717 00:36:57,160 --> 00:37:02,040 Speaker 3: It's a great one and thank you very much. Do 718 00:37:02,120 --> 00:37:05,360 Speaker 3: we leave the tree as it is now okay? Or 719 00:37:05,440 --> 00:37:07,480 Speaker 3: are we moving on tomorrow to another branch? 720 00:37:07,560 --> 00:37:09,360 Speaker 4: I think cousins has to get a go. 721 00:37:10,400 --> 00:37:14,600 Speaker 3: Cousins your weakest claim to fame of owing cousins tomorrow. 722 00:37:14,719 --> 00:37:18,560 Speaker 1: On the show The Christian O'Connell Show podcast. 723 00:37:18,320 --> 00:37:20,640 Speaker 3: Jack's moved into a new neighborhood and he's found a 724 00:37:20,640 --> 00:37:23,840 Speaker 3: new local character, a kind of nosy noisy neighbor. 725 00:37:24,239 --> 00:37:27,160 Speaker 4: Not a kind of noisy neighbor, the noisiest of the name. 726 00:37:27,600 --> 00:37:30,680 Speaker 4: We have a bagpiper who practices outdoors. 727 00:37:31,520 --> 00:37:34,480 Speaker 3: Wow. And when at least he's taking it outdoors. 728 00:37:34,560 --> 00:37:37,160 Speaker 4: To keep it indoors, keep it contained. 729 00:37:36,800 --> 00:37:39,239 Speaker 3: But surely with his indoors it's even loud. He's thinking 730 00:37:39,280 --> 00:37:41,279 Speaker 3: of his neighbors, So what does he go to and oval. 731 00:37:41,120 --> 00:37:43,279 Speaker 4: It sounds so loud that at first Bianka thought he 732 00:37:43,360 --> 00:37:46,040 Speaker 4: was next door. I said, no, the pipes. The pipes 733 00:37:46,080 --> 00:37:49,120 Speaker 4: are so annoying. They travel, they travel really far. I 734 00:37:49,160 --> 00:37:51,560 Speaker 4: think we think he's in the park, but we've never 735 00:37:51,600 --> 00:37:52,040 Speaker 4: seen him. 736 00:37:52,160 --> 00:37:54,120 Speaker 3: Are you need to follow the sounds like the pied 737 00:37:54,160 --> 00:37:55,399 Speaker 3: pipe we see where he is. 738 00:37:55,440 --> 00:37:59,120 Speaker 4: We tried. Bianca suggested that he might be in a tree, because. 739 00:37:58,840 --> 00:38:00,400 Speaker 3: We want to see a tree. 740 00:38:00,760 --> 00:38:02,800 Speaker 4: We couldn't see him anywhere, but we know the sound 741 00:38:02,840 --> 00:38:03,720 Speaker 4: is coming from the park. 742 00:38:04,200 --> 00:38:08,480 Speaker 3: How often is it's not a beautiful your baby's trying 743 00:38:08,480 --> 00:38:09,560 Speaker 3: to sleep during the day. 744 00:38:09,760 --> 00:38:13,080 Speaker 4: It's not like is it a very unique taste of 745 00:38:13,120 --> 00:38:16,839 Speaker 4: a sound. I think you really are putting your foot 746 00:38:16,840 --> 00:38:19,640 Speaker 4: down in the suburb and saying, like the noise of 747 00:38:19,680 --> 00:38:22,240 Speaker 4: the suburbs practicing, there's. 748 00:38:22,040 --> 00:38:23,839 Speaker 3: No getting away from it. Like I guess if you're 749 00:38:23,840 --> 00:38:26,520 Speaker 3: practicing your drums or something. It's a couple of houses. 750 00:38:26,560 --> 00:38:29,040 Speaker 3: You can hear that the bag pipes is everywhere. 751 00:38:29,040 --> 00:38:31,920 Speaker 4: Well, you just reminded me I came from I left Coburg, 752 00:38:31,920 --> 00:38:35,080 Speaker 4: where I had that drumming teenager. You would wait until 753 00:38:35,080 --> 00:38:39,480 Speaker 4: after day. I got away from him, and now I'm sitting. 754 00:38:39,239 --> 00:38:40,960 Speaker 3: With the bag What time of the day is he 755 00:38:41,040 --> 00:38:45,840 Speaker 3: crank yesterday it was mid day, that big old wingze box, 756 00:38:46,520 --> 00:38:48,840 Speaker 3: especially because it takes a while to sort of get 757 00:38:48,880 --> 00:38:49,360 Speaker 3: it kind. 758 00:38:54,480 --> 00:38:57,319 Speaker 4: With bagpipes? Can you not practice at half volume or 759 00:38:57,480 --> 00:38:58,200 Speaker 4: lesser volume? 760 00:38:58,320 --> 00:39:00,560 Speaker 2: You have to he hasn't got a volume switch on. 761 00:39:01,000 --> 00:39:02,600 Speaker 3: No, you're right headphones. 762 00:39:02,640 --> 00:39:04,120 Speaker 4: How did you do like a half blow? 763 00:39:04,160 --> 00:39:06,880 Speaker 2: Like you can just do the chanter, which is like 764 00:39:06,920 --> 00:39:08,439 Speaker 2: the record a bit of it and take the bag 765 00:39:08,680 --> 00:39:09,080 Speaker 2: I forgot. 766 00:39:09,080 --> 00:39:11,200 Speaker 3: We've got expert on the of course. 767 00:39:11,400 --> 00:39:13,200 Speaker 2: Of course I did learn the bagpipes. 768 00:39:14,200 --> 00:39:16,080 Speaker 3: It must It looks very hard to learn. 769 00:39:16,440 --> 00:39:19,600 Speaker 4: Impossible instant to try you play the bagpipe. 770 00:39:20,040 --> 00:39:22,440 Speaker 2: I didn't get very far. I did two lessons in Quinn. 771 00:39:23,680 --> 00:39:25,400 Speaker 3: So how many times a week is he cranking up 772 00:39:25,400 --> 00:39:25,959 Speaker 3: the old bag? 773 00:39:26,200 --> 00:39:28,000 Speaker 4: I've heard him three times in the last two weeks. 774 00:39:28,040 --> 00:39:31,800 Speaker 4: Oh my god. He loves the weekends. 775 00:39:31,800 --> 00:39:34,480 Speaker 3: Come the weekend, kill the pipes and he's out. How 776 00:39:34,520 --> 00:39:36,840 Speaker 3: long is he out there practicing Saturday? 777 00:39:37,120 --> 00:39:41,440 Speaker 4: Four hours? No way, it is constant. I thought it 778 00:39:41,520 --> 00:39:44,920 Speaker 4: might be a CD Jerry Springsteen. 779 00:39:44,360 --> 00:39:47,239 Speaker 3: In the EA Street Band, who requires four hours of bagpipe? 780 00:39:47,280 --> 00:39:49,760 Speaker 4: He's on his own. Yesterday was an hour for lunch, 781 00:39:50,120 --> 00:39:52,000 Speaker 4: but on the weekends, he just goes. 782 00:39:51,880 --> 00:39:53,560 Speaker 3: Where do you think you could go and practice that 783 00:39:53,600 --> 00:39:58,040 Speaker 3: where no one could hear you? Are the aquarium underwater? Rio? 784 00:39:57,520 --> 00:39:59,000 Speaker 3: Who have you got? Then? 785 00:39:59,160 --> 00:40:01,840 Speaker 16: I live next door to an experimental and this is 786 00:40:01,880 --> 00:40:05,200 Speaker 16: what he's described himself to us as the sound artist. 787 00:40:05,360 --> 00:40:10,640 Speaker 16: So he's just he makes like experimental scores from like 788 00:40:11,040 --> 00:40:12,520 Speaker 16: weird Niche. 789 00:40:13,400 --> 00:40:22,360 Speaker 3: Headphones into the keyboard. It's so this is from Rio's bedroom. 790 00:40:22,400 --> 00:40:27,440 Speaker 3: That's awful. This is like some awful kind of escape room. 791 00:40:28,080 --> 00:40:28,840 Speaker 4: How long will this go? 792 00:40:29,800 --> 00:40:35,000 Speaker 3: As the room? That is too much? What's this being 793 00:40:35,080 --> 00:40:38,000 Speaker 3: scored to as well? Saw nine? 794 00:40:42,200 --> 00:40:44,880 Speaker 4: That's hard to be I think I'll actually take the 795 00:40:44,920 --> 00:40:45,759 Speaker 4: bagpipes over that. 796 00:40:47,160 --> 00:40:52,239 Speaker 3: Maybe they should join up together. What from the day 797 00:40:52,280 --> 00:40:53,400 Speaker 3: is he cranking up? That? 798 00:40:53,520 --> 00:40:56,399 Speaker 16: He normally does it around six pm after he gets 799 00:40:56,400 --> 00:40:58,719 Speaker 16: home from school, but he can go deep into the night. 800 00:40:58,880 --> 00:41:00,000 Speaker 4: Normally cuts off about ten. 801 00:41:01,360 --> 00:41:02,960 Speaker 3: You ever had a noisy neighbor? 802 00:41:02,960 --> 00:41:05,160 Speaker 2: Pats just when he puts his bin out at eleven 803 00:41:05,160 --> 00:41:08,160 Speaker 2: o'clock everything it's Thursday, He'll do it tonight. I'll sit 804 00:41:08,239 --> 00:41:10,560 Speaker 2: my clock onto it. He'll put his beIN out at eleven, 805 00:41:10,719 --> 00:41:16,880 Speaker 2: make real up a mild dropping his wine bottle it's. 806 00:41:18,560 --> 00:41:19,200 Speaker 3: All right if you. 807 00:41:19,560 --> 00:41:23,800 Speaker 1: Had a noisy neighbor The Christian O'Connell show. 808 00:41:23,680 --> 00:41:26,040 Speaker 3: Podcast, Christian, I have a noisy neighbor, and I have 809 00:41:26,120 --> 00:41:31,399 Speaker 3: been the noisy labor one apartment on my floor. Some 810 00:41:31,480 --> 00:41:35,880 Speaker 3: guy in there practice at the tuba. 811 00:41:35,960 --> 00:41:37,240 Speaker 4: A big old base, the tuber. 812 00:41:40,840 --> 00:41:45,520 Speaker 3: It's such a guttural sound, isn't it the tuba? How 813 00:41:45,560 --> 00:41:47,319 Speaker 3: would we make the sound of a tuber? Is that? 814 00:41:47,520 --> 00:41:52,319 Speaker 3: Is that that big? Imagine that practicing that you can 815 00:41:52,360 --> 00:41:55,680 Speaker 3: hear all the way down the hallway. Then I was 816 00:41:55,680 --> 00:41:57,719 Speaker 3: a noisy one, Christian. I left the window open and 817 00:41:57,760 --> 00:42:00,880 Speaker 3: a blind was knocking against it. I got a phone 818 00:42:00,920 --> 00:42:05,080 Speaker 3: call through the landlord. A neighborhood called my neighb would 819 00:42:05,080 --> 00:42:08,160 Speaker 3: called the landlord because the blinds was knocking against the 820 00:42:08,160 --> 00:42:10,880 Speaker 3: window frame and disturbing a neighbor next door. 821 00:42:11,320 --> 00:42:17,000 Speaker 4: And you got cuba guy down the hall. I would 822 00:42:17,040 --> 00:42:19,480 Speaker 4: love it was the tuba guy who put in nick complaint. 823 00:42:21,040 --> 00:42:22,880 Speaker 3: Question. I know Jack said about this guy. Now the 824 00:42:23,200 --> 00:42:26,200 Speaker 3: pipe mister piper in the park. If you're in Brunswick, 825 00:42:26,239 --> 00:42:29,040 Speaker 3: there is a piper who practices at least three times 826 00:42:29,080 --> 00:42:32,000 Speaker 3: a week in Clifton Park uses the stage there, which 827 00:42:32,040 --> 00:42:37,840 Speaker 3: is like a music bowl, So it traveled, Christian, trust 828 00:42:37,920 --> 00:42:41,160 Speaker 3: me tell Jack outside. It is better than practicing indoors. 829 00:42:41,400 --> 00:42:43,320 Speaker 3: My dad used to have badpipes, used to practice in 830 00:42:43,360 --> 00:42:46,839 Speaker 3: the garage. The noise was even worse in there, all right, 831 00:42:46,960 --> 00:42:50,400 Speaker 3: nine four one four one oh four three Nicole, good morning. 832 00:42:51,120 --> 00:42:56,200 Speaker 13: Good morning, Christian, Pat and Jack. My neighbor is now 833 00:42:56,280 --> 00:42:58,440 Speaker 13: known as mister commodore Redhead. 834 00:42:58,719 --> 00:43:01,319 Speaker 3: Oh no, what time did you start riving up the 835 00:43:01,320 --> 00:43:01,840 Speaker 3: old beast? 836 00:43:02,880 --> 00:43:04,640 Speaker 14: Well, my partner and I look at each other and 837 00:43:04,640 --> 00:43:05,439 Speaker 14: go here we go. 838 00:43:05,880 --> 00:43:07,440 Speaker 15: And it usually. 839 00:43:07,040 --> 00:43:13,480 Speaker 14: Starts around ten, go to eleven thirty on a weekday, and. 840 00:43:12,520 --> 00:43:15,560 Speaker 8: Then he starts, and then the owner across the road, 841 00:43:15,600 --> 00:43:16,759 Speaker 8: he's got another commodore. 842 00:43:17,000 --> 00:43:18,640 Speaker 15: He starts, so they closely in a. 843 00:43:18,600 --> 00:43:24,239 Speaker 3: Band together jam rev jams. They get it on. 844 00:43:26,160 --> 00:43:27,800 Speaker 15: And I moved to the country. 845 00:43:27,960 --> 00:43:33,160 Speaker 14: I moved to regional Victoria for peace and quiet, and 846 00:43:33,160 --> 00:43:33,600 Speaker 14: and quiet. 847 00:43:33,600 --> 00:43:38,839 Speaker 3: I can assure you just escape mister Redhead and his commodorees. 848 00:43:39,960 --> 00:43:42,160 Speaker 14: Well, no, mister Redhead moved in a year and a 849 00:43:42,160 --> 00:43:42,920 Speaker 14: half ago. 850 00:43:42,840 --> 00:43:45,120 Speaker 13: So no, it didn't happen. 851 00:43:45,239 --> 00:43:47,480 Speaker 3: Oh that's awful, Nicole, thank you very much for giving 852 00:43:47,520 --> 00:43:52,160 Speaker 3: us a cool have a good day. Let's go to NICKI, Hello, 853 00:43:52,440 --> 00:43:54,480 Speaker 3: Hello Nicky. So who have you got? Who is your 854 00:43:54,760 --> 00:43:55,440 Speaker 3: noisy neighbor? 855 00:43:56,200 --> 00:43:59,440 Speaker 14: Well, I know that this doesn't necessarily sound like it's 856 00:43:59,440 --> 00:44:01,319 Speaker 14: going to be a true story, but it really is. 857 00:44:01,400 --> 00:44:04,520 Speaker 14: I genuinely promise. We have got a gentleman. We live 858 00:44:04,520 --> 00:44:06,800 Speaker 14: in an apartment, and we've got a gentleman that lives 859 00:44:06,840 --> 00:44:11,879 Speaker 14: across the way. And he is the loudest person I've 860 00:44:11,920 --> 00:44:16,920 Speaker 14: ever heard past wind. He lives alone, and sometimes we 861 00:44:16,960 --> 00:44:19,520 Speaker 14: can be in our apartment we can hear him, and 862 00:44:19,560 --> 00:44:21,680 Speaker 14: then he does a little giggle afterwards. 863 00:44:23,719 --> 00:44:24,080 Speaker 3: I am. 864 00:44:24,200 --> 00:44:26,759 Speaker 14: I am dead set serious. My daughter and I have 865 00:44:26,840 --> 00:44:29,719 Speaker 14: taken to calling him mister gassy. I don't know if 866 00:44:29,760 --> 00:44:32,160 Speaker 14: he knows we know, but when we see him in 867 00:44:32,200 --> 00:44:35,680 Speaker 14: the streets or in the common area, he's very sheepish. 868 00:44:36,840 --> 00:44:39,680 Speaker 3: He knows, he must know. 869 00:44:39,760 --> 00:44:42,160 Speaker 14: It is the loudest. I hate the F words, so 870 00:44:42,160 --> 00:44:44,600 Speaker 14: I won't use that, but he is the loudest person 871 00:44:45,160 --> 00:44:47,879 Speaker 14: passing Wind. I don't know what his diet contains. 872 00:44:48,000 --> 00:44:54,520 Speaker 3: It must be there's that much that noisy apartment. 873 00:44:54,680 --> 00:44:55,840 Speaker 14: These walls are solid. 874 00:44:55,920 --> 00:44:57,799 Speaker 3: Oh it's not a new one of those flimsy ones. 875 00:44:57,800 --> 00:45:00,759 Speaker 14: No, no, no, no, old school built in the like 876 00:45:00,840 --> 00:45:02,280 Speaker 14: thirties forties. 877 00:45:01,880 --> 00:45:03,520 Speaker 3: Sold solid wolves. 878 00:45:03,880 --> 00:45:04,080 Speaker 7: Yep. 879 00:45:04,160 --> 00:45:06,439 Speaker 14: And it's not a shared corridor. It's actually I've got 880 00:45:06,440 --> 00:45:10,840 Speaker 14: a door. There's like a Paris and then he's placed 881 00:45:11,440 --> 00:45:13,839 Speaker 14: it is so interested and then. 882 00:45:13,760 --> 00:45:15,799 Speaker 3: He has oh one of those sort of real sort 883 00:45:15,840 --> 00:45:16,440 Speaker 3: of rippers. 884 00:45:16,520 --> 00:45:16,680 Speaker 7: Yeah. 885 00:45:16,760 --> 00:45:21,719 Speaker 14: Yeah, he really gets into it, leaning into it. Yep, 886 00:45:21,880 --> 00:45:24,439 Speaker 14: oh big time because he thinks he's alone. And there's 887 00:45:24,480 --> 00:45:29,440 Speaker 14: a little giggle, I don't know, giggle. My daughter and 888 00:45:29,520 --> 00:45:33,040 Speaker 14: I had to stifle our giggle because it's just like 889 00:45:33,200 --> 00:45:37,239 Speaker 14: if he hears up back, then that's even worse. Yeah, 890 00:45:37,320 --> 00:45:38,000 Speaker 14: mister gassy. 891 00:45:38,600 --> 00:45:41,480 Speaker 1: The Christian O'Connell show podcast. 892 00:45:47,400 --> 00:45:50,120 Speaker 3: Christian, we used to be the noisy neighbor. My son 893 00:45:50,200 --> 00:45:52,680 Speaker 3: was doing a Bachelor of Music and he was a drummer. 894 00:45:53,000 --> 00:45:55,680 Speaker 3: Nothing like him, practicing Black Sabbath over and over in 895 00:45:55,719 --> 00:45:59,040 Speaker 3: suburbia to get the neighbors up and about. Christian noisy neighbors. 896 00:45:59,040 --> 00:46:03,200 Speaker 3: My neighbor uses an electric leaf blower three times a 897 00:46:03,320 --> 00:46:06,560 Speaker 3: day for at least forty minutes each time. What is 898 00:46:06,600 --> 00:46:07,080 Speaker 3: he blowing? 899 00:46:07,160 --> 00:46:09,839 Speaker 4: Yes, leaves don't even forall that fast. 900 00:46:10,800 --> 00:46:16,000 Speaker 3: All right, today it is Australian condiment day. 901 00:46:16,200 --> 00:46:17,080 Speaker 4: Yum. 902 00:46:17,120 --> 00:46:18,000 Speaker 3: What's your favorite? 903 00:46:18,680 --> 00:46:20,320 Speaker 4: I like barbecue sauce at the moment. 904 00:46:21,239 --> 00:46:22,800 Speaker 3: Have you got a particularly when you go to Baby 905 00:46:22,880 --> 00:46:25,800 Speaker 3: Ray's or Baby Rays. Yeah, it's the best Patsy mayonnaise. 906 00:46:26,440 --> 00:46:31,799 Speaker 2: No, no, I think I agree with Jack. Actually I 907 00:46:31,880 --> 00:46:34,000 Speaker 2: love that when you do a slow cook on there, 908 00:46:34,680 --> 00:46:35,560 Speaker 2: Barbie at the bed. 909 00:46:35,840 --> 00:46:37,239 Speaker 3: Just a quick answer was up to I don't know 910 00:46:37,280 --> 00:46:39,400 Speaker 3: if you've seen the Times, Ed Shearing. It's a breakfast 911 00:46:39,400 --> 00:46:42,759 Speaker 3: shut ed Shearon always been moving on, Ed Shearon is 912 00:46:42,800 --> 00:46:47,520 Speaker 3: launching it. Ketch up, come hot sauce called tingly teds Oh, 913 00:46:48,560 --> 00:46:49,680 Speaker 3: he's getting under too much. 914 00:46:50,239 --> 00:46:54,960 Speaker 4: He's overexposed exactly with you, brand ed Shearon. 915 00:46:55,480 --> 00:46:58,440 Speaker 3: All right, So we're looking for your saucy songs, condiment 916 00:46:58,520 --> 00:47:04,640 Speaker 3: songs smack my ketchup god plus well they don't last 917 00:47:04,680 --> 00:47:11,760 Speaker 3: like that. It must have been love, must have been gold, 918 00:47:12,480 --> 00:47:17,000 Speaker 3: Cranberry bray, the silver, like I said, and everybody was 919 00:47:17,080 --> 00:47:21,680 Speaker 3: kung po fighting nice kung po sauce with that. I 920 00:47:21,760 --> 00:47:25,160 Speaker 3: warned you, I warned you the tail it's strong, Jack, 921 00:47:25,200 --> 00:47:26,560 Speaker 3: What have you got? Condiment songs? 922 00:47:28,239 --> 00:47:33,120 Speaker 4: Dips don't lie? 923 00:47:33,840 --> 00:47:34,160 Speaker 3: Silver? 924 00:47:34,880 --> 00:47:35,839 Speaker 4: Do Johnny be Good? 925 00:47:35,960 --> 00:47:36,080 Speaker 11: Oh? 926 00:47:36,160 --> 00:47:39,680 Speaker 3: That's gold? Did Johnny be Good? Is very good? Saucy songs? 927 00:47:41,080 --> 00:47:43,719 Speaker 4: Elvis is uh I'm not sure if he wants to 928 00:47:43,760 --> 00:47:44,720 Speaker 4: use the tomato sauce. 929 00:47:44,800 --> 00:47:49,680 Speaker 3: No, yeah, he's unsure. Suspicious hinds Gold plus your best 930 00:47:49,840 --> 00:47:56,680 Speaker 3: of the week. The sets up for once was tight 931 00:47:56,080 --> 00:47:57,879 Speaker 3: a What have you got? 932 00:47:58,480 --> 00:48:00,680 Speaker 1: Christian Connell's show podcast. 933 00:48:01,080 --> 00:48:04,800 Speaker 3: Let's see what you've got for your saucy songs condiment songs? 934 00:48:10,800 --> 00:48:13,640 Speaker 3: All right, Luke Scott, all I want for Christmas? Is 935 00:48:13,719 --> 00:48:23,239 Speaker 3: you silver sauce? Luke, like a virgin oil silver. Yeah, 936 00:48:26,120 --> 00:48:32,160 Speaker 3: get out of my bottle, get onto my snack. That 937 00:48:32,200 --> 00:48:35,880 Speaker 3: a lot, Steve, But is it enough to see Billy 938 00:48:35,920 --> 00:48:39,439 Speaker 3: by the Ocean? Siri Archill? Wish your girlfriend was hot 939 00:48:39,560 --> 00:48:39,840 Speaker 3: like me? 940 00:48:40,200 --> 00:48:40,439 Speaker 13: Yes? 941 00:48:40,640 --> 00:48:41,600 Speaker 3: Gold, very good? 942 00:48:44,000 --> 00:48:44,239 Speaker 13: Oh? 943 00:48:44,280 --> 00:48:47,640 Speaker 3: What on justin calling me mad, I'm gonna source you 944 00:48:47,719 --> 00:48:54,280 Speaker 3: up silver? Oops, I dijon again. That's very good, Anthony. 945 00:48:55,239 --> 00:49:03,399 Speaker 3: Everybody squirts, Ari m you know when that the bottle squeeze, 946 00:49:04,080 --> 00:49:08,480 Speaker 3: get that sauce out. Lover is in the tatar Silver, Stuart, 947 00:49:10,960 --> 00:49:14,160 Speaker 3: the person isai that. Everybody's quite anonymous. I don't know 948 00:49:14,239 --> 00:49:19,280 Speaker 3: what that's intentional? Intentional? Michael's got so looking for saucy 949 00:49:19,320 --> 00:49:23,040 Speaker 3: songs condiment songs. You make me feel like a natural yogurt. 950 00:49:23,680 --> 00:49:31,200 Speaker 3: Gold Gold, Michael em Burwood, Very good, Kathy and Safety 951 00:49:31,239 --> 00:49:35,880 Speaker 3: Beach has got Holland Days to Remember, Silver, Red Red Hines, 952 00:49:36,800 --> 00:49:44,680 Speaker 3: Silver Mayonnaisey, Shade of Winter, Bronze, catch up the Kazali 953 00:49:47,880 --> 00:49:53,360 Speaker 3: Gold Today is a brilliant world on simonstead of My Sharona, 954 00:49:53,480 --> 00:49:57,800 Speaker 3: My Siri Archer fro We peaked with the guys. 955 00:49:58,080 --> 00:50:07,000 Speaker 9: The Christian O'Connell Show podcast Tomorrow shows. 956 00:50:04,080 --> 00:50:11,799 Speaker 3: Yes, the Ultimate Family Dream may or may not be 957 00:50:11,840 --> 00:50:15,080 Speaker 3: going tomorrow show. We'll see. Let's revisit in the morning. 958 00:50:15,160 --> 00:50:17,719 Speaker 3: Let's not make any fun plans at the moment. Penslet 959 00:50:17,719 --> 00:50:23,160 Speaker 3: in listeners. Penslett and David Diary are very faint pencil cousins. 960 00:50:23,239 --> 00:50:25,359 Speaker 3: We'll see what we get today from you. It is 961 00:50:25,400 --> 00:50:28,640 Speaker 3: the weakest claim to fame involving your cousins. Let's see 962 00:50:28,640 --> 00:50:31,240 Speaker 3: what comes in today. Email me Christian at Christian O'Connell 963 00:50:31,400 --> 00:50:34,359 Speaker 3: dot com dot AU tomorrow. So, Patsy are you an 964 00:50:34,360 --> 00:50:35,799 Speaker 3: audio Harry stars as well? 965 00:50:35,960 --> 00:50:37,919 Speaker 2: Yeah, we're going Saturday night. I can't wait. 966 00:50:38,520 --> 00:50:40,560 Speaker 3: I was going with two daughters. 967 00:50:41,480 --> 00:50:42,040 Speaker 4: What happened? 968 00:50:42,160 --> 00:50:44,560 Speaker 3: I'm now going alone? 969 00:50:44,840 --> 00:50:45,040 Speaker 13: Oh? 970 00:50:45,080 --> 00:50:47,719 Speaker 3: Why they're not? Buny we got I'll be that guy well, 971 00:50:48,400 --> 00:50:50,759 Speaker 3: eldest daughter is now at university. A couple of days 972 00:50:50,760 --> 00:50:53,560 Speaker 3: into oh week has has gone. See how I've got 973 00:50:53,600 --> 00:50:56,080 Speaker 3: better things to do. My youngest daughter is going with 974 00:50:56,160 --> 00:50:57,879 Speaker 3: her mate, so I just presume one of the three 975 00:50:57,880 --> 00:51:00,920 Speaker 3: of us could go together. She's obviously sixteen. She showed 976 00:51:00,920 --> 00:51:05,720 Speaker 3: me the hand. I'm now sitting alone, forty nine, almost 977 00:51:05,800 --> 00:51:10,200 Speaker 3: fifty alone at a Harry Stars gig, screaming to Watermelon Sugar. 978 00:51:10,280 --> 00:51:13,360 Speaker 4: I don't even know that I let you. 979 00:51:13,719 --> 00:51:15,520 Speaker 3: We just wait there. When we find someone else, you 980 00:51:15,600 --> 00:51:18,680 Speaker 3: can take him in. Is he on a lit Why? 981 00:51:18,800 --> 00:51:21,000 Speaker 3: What do you mean there's no one here with you? 982 00:51:21,000 --> 00:51:22,879 Speaker 3: You come alone on a Friday night, sir? 983 00:51:23,360 --> 00:51:25,479 Speaker 4: What good luck? 984 00:51:25,640 --> 00:51:25,839 Speaker 13: Yeah? 985 00:51:26,360 --> 00:51:29,400 Speaker 3: Yeah, no, no, not with hair, with all the fellow 986 00:51:29,560 --> 00:51:29,920 Speaker 3: Harry 987 00:51:31,800 --> 00:51:34,279 Speaker 1: Well Christian O'Connell's show podcast