WEBVTT - Kate goes the full growl

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<v Speaker 1>Imagine, if you will, that you are in a place

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<v Speaker 1>of great beauty. Some teenage boys walk past you, they

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<v Speaker 1>yell out, hey, bitch tits. The world you see is

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<v Speaker 1>a place of paradox of beauty and cruelty. It will

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<v Speaker 1>cut you off with the knees, then gift you a

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<v Speaker 1>pair of easies. And that, my friends, is why you

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<v Speaker 1>always always need a buck up, back up bad.

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<v Speaker 2>Kayline Brook doing the Dinosaur. I thought that was like

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<v Speaker 2>an Egyptian Oh I was doing that. Everybody on the floor.

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<v Speaker 2>I mean, no, no, that song? Who did that? But

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<v Speaker 2>the tin lids? You're on the wrong mic. This is

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<v Speaker 2>what happened.

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<v Speaker 1>Say when we sat down there we go which mike

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<v Speaker 1>should I use? And Valvo said, you'll find out.

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<v Speaker 2>I don't know, we ever know.

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<v Speaker 1>There's too many mics that that came over before.

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<v Speaker 2>Doing her job.

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<v Speaker 1>Who is that? Oh my god, it's Sasa French, the

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<v Speaker 1>world's greatest producer. And that would mean that you are

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<v Speaker 1>Nate Valfou.

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<v Speaker 2>Oh, thank you so much, Kate Lane broke, and I'm

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<v Speaker 2>Kate Lane that you.

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<v Speaker 1>Are and we are the buck up And I tell

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<v Speaker 1>you what you sorely need so much.

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<v Speaker 2>I did happen think that you needed a none of

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<v Speaker 2>it good putting on your lipstick that you've got in Japan,

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<v Speaker 2>talking like an eight year old girl, apparently, saying it

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<v Speaker 2>changes color.

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<v Speaker 1>It changes color, it goes on clear. But it got

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<v Speaker 1>me at the cherry blossom flavor. Love that, And then

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<v Speaker 1>Sash accused me of being an eight year old girl.

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<v Speaker 2>That lipstick does remind me of hypercolor T shirts.

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<v Speaker 1>Don't you love it? Your hypercolor T shirt's terrible because

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<v Speaker 1>of the changing of color underneath your pit. Yeah, in

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<v Speaker 1>all the places and.

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<v Speaker 2>Women got a little sweat line under the booby. It

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<v Speaker 2>was this one line of color.

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<v Speaker 1>Just it was a disagre. You're right, look iod like one.

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<v Speaker 2>But listen to the ninety ninety sixty T shirt designs

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<v Speaker 2>were terrible.

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<v Speaker 1>Don't you love something when it's written in Japlish or

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<v Speaker 1>Chinglish or whatever, right spanglish exactly? The lip arm with

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<v Speaker 1>the greedy cherry perfume is a true natural color developer.

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<v Speaker 2>Greedy cherry. I like that it sounds sexual. Does it's

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<v Speaker 2>a maybe?

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<v Speaker 1>Not go home and tell my husband, Actually, do you

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<v Speaker 1>like my greedy cherry?

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<v Speaker 2>Say what you want about Katelaine Brook, but her cherry

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<v Speaker 2>is Yeah.

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<v Speaker 1>They reacted. The pigments react to the pH of my lips.

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<v Speaker 2>I've always said that about you.

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<v Speaker 1>Anyway, We're very happy to be here. Why are we

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<v Speaker 1>so uncharacteristically low? And why do we need it?

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<v Speaker 2>The last week has been up and down, and we

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<v Speaker 2>had such a high only a week ago at the

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<v Speaker 2>live show.

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<v Speaker 1>With our beautiful buckwits.

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<v Speaker 2>It's not weird seeing that many of them together in

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<v Speaker 2>the wild. Yes, very nice people, and that was we all.

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<v Speaker 1>Loved each other because straight away we know something about

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<v Speaker 1>each other. It might not be good, but and we

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<v Speaker 1>love our own.

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<v Speaker 2>They brought you pineapples, yes, so many.

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<v Speaker 1>Apples, and one of them and I can't remember the

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<v Speaker 1>name of the girl who brought me the pineapple well

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<v Speaker 1>on pineapples, Yeah, blonde girl. What was her name, Kirsty? Anyway,

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<v Speaker 1>I just made that up. It's the sweetest, most delicious pineapple.

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<v Speaker 1>No return.

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<v Speaker 2>I mean, if you did need it to return, it

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<v Speaker 2>complicated through.

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<v Speaker 1>Her exactly have you got the receipt?

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<v Speaker 2>And there was buckheads in home made merch yes, correct,

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<v Speaker 2>heat dog and she dog t shirt. Yes, beautiful better

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<v Speaker 2>than apples, yep, offense, I don't.

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<v Speaker 1>Think better than now. Oh yeah, they had a pink

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<v Speaker 1>dog and a blue dog. So good with a little bit,

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<v Speaker 1>Peter Alexander.

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<v Speaker 2>Got reminded of a buckhead whose name I cannot remember

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<v Speaker 2>him so sorry. Really every particular buckhead came to our

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<v Speaker 2>first Melbourne show and came again. However, at the first

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<v Speaker 2>Melbourne show last year, she bought her husband, who isn't

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<v Speaker 2>a fan of the podcast, remember what it is? I

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<v Speaker 2>met him afterwards and he said, not for me or something.

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<v Speaker 1>He said it was like, if that's your thing. I

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<v Speaker 1>think it was something like that. It's like, which, of

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<v Speaker 1>course I adored, I love like I just love.

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<v Speaker 2>But what was funny was it was a five month

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<v Speaker 2>build up for her to come again without him.

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<v Speaker 1>Stay away.

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<v Speaker 2>It's like if we were a pineapple, he would have

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<v Speaker 2>tried to return us.

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<v Speaker 1>You know what, though, what I think we could win

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<v Speaker 1>him over, I don't know. I don't believe that there's

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<v Speaker 1>anyone that we couldn't win over high Life. He didn't

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<v Speaker 1>come back, No, he didn't come back, but he will.

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<v Speaker 2>He mad it's for a whole hour last year and went,

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<v Speaker 2>you know what, as you say to Sash.

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<v Speaker 1>That's enough, that's enough, that's enough.

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<v Speaker 2>So that was.

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<v Speaker 1>That's enough. Also wouldn't be triaked normally. What's happened in

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<v Speaker 1>this the world is topsy turvy.

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<v Speaker 2>And also when we did the Hello afterwards, we got

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<v Speaker 2>to meet everyone, which which is so awesome. But what

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<v Speaker 2>I'm still laughing how anyone that listened to last week's

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<v Speaker 2>episode heard when I rolled that diacetilling the deck of cards,

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<v Speaker 2>which I'm still talking about. Okay, still.

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<v Speaker 1>I thought about it the other day and I had to.

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<v Speaker 1>I had to smote it from my memory because I

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<v Speaker 1>just there's no look at Sasha's face.

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<v Speaker 2>She hates this the lord, we all hate it. So

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<v Speaker 2>here's what I loved about it.

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<v Speaker 1>You know who liked it?

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<v Speaker 2>Your husband? My husband?

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<v Speaker 1>And you know what that goes to show? You know

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<v Speaker 1>what else he loves what Hitler documentary World War two,

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<v Speaker 1>stories about Napoleon and being grumpy and that they are

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<v Speaker 1>your people.

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<v Speaker 2>Yes, So if you missed the episode very quickly, I

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<v Speaker 2>told you the fact.

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<v Speaker 1>It's an amazing fact.

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<v Speaker 2>A randomly shoft deck. Yeah, has never been done before

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<v Speaker 2>and will never be done again. Yeah, go shuffle a

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<v Speaker 2>deck of cards. You've created history. Yeah crazy. No one

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<v Speaker 2>cares except me and a couple of.

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<v Speaker 1>The eyes there liked it. I do think if we

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<v Speaker 1>can be binary on our pod. I do think that's

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<v Speaker 1>the sort of thing that men are into. But I

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<v Speaker 1>think that you're confused about the buck up. You know,

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<v Speaker 1>he'd love that, Joe Rogan. Joe Rogan, you could discuss

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<v Speaker 1>that with him. I reckon for an hour. He'd get

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<v Speaker 1>right into it.

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<v Speaker 2>I've been on stage for nearly twenty years, Kate, and

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<v Speaker 2>let me tell you tell them that Deck of Cards story.

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<v Speaker 2>I haven't heard of silence like that in my entire career.

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<v Speaker 2>At one point I heard, while I was telling that

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<v Speaker 2>story on stage, someone's cutlery hit their plate out in

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<v Speaker 2>the restaurant, which was not close to the stage. It

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<v Speaker 2>was two closed doors. But then in the line afterwards,

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<v Speaker 2>when I was meeting people, I did a bit of

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<v Speaker 2>a I heard you. I keep saying, what do you

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<v Speaker 2>think about my Deck of Cards?

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<v Speaker 1>You see?

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<v Speaker 2>Person said it just wasn't good, And yes, wasn't grass.

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<v Speaker 1>The girl before me said to you, I wasn't into

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<v Speaker 1>it just but she went no, it was no good,

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<v Speaker 1>like straight away, And I thought, I love the honesty.

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<v Speaker 1>When they send us beautiful messages, we love them.

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<v Speaker 2>Was it about the Deck of Cards?

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<v Speaker 1>No, Nate, try no, pong deodorant. That's what my girlfriend

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<v Speaker 1>Alice uses. Hang on, was this after they met me? No,

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<v Speaker 1>it was because you talked the other week.

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<v Speaker 2>About I tried natural deodorant pain.

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<v Speaker 1>So my girlfriend Alice, and I was surprised that she

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<v Speaker 1>used something called no Pong because I find that name.

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<v Speaker 2>So it's pretty brave to put a product out there

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<v Speaker 2>and have the word pong.

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<v Speaker 1>But people love that. Now you know how everyone got

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<v Speaker 1>into writing like a full Wikipedia page on a shampoo

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<v Speaker 1>bottle and insulting every aspect of you. This will get

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<v Speaker 1>rid of your frizzy, nasty flyway ugly, thinning baldy.

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<v Speaker 2>Had peg shampoo for you, troll.

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<v Speaker 1>The shower ugly, And everyone's like, I must buy this

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<v Speaker 1>on subscription because we're so used to being persecuted by

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<v Speaker 1>our cosmeetings. Yeah, it just became a thing. Bully us now, Yeah,

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<v Speaker 1>they bully. And the more they bully us, the more

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<v Speaker 1>that we because we've been negged. We love it and

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<v Speaker 1>women buy it and women that's apparently how men get

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<v Speaker 1>women is if they need us. But I'll tell you

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<v Speaker 1>what what not Katie Lane No, no.

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<v Speaker 2>One saying no Pong to Kate Lane Brook.

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<v Speaker 1>I don't like to begged, and I don't understand why

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<v Speaker 1>people like it. Anyway. My girlfriend Alice also said, and

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<v Speaker 1>this was from Joe Gaanta. Okay, my girlfriend Alice swears,

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<v Speaker 1>but in fact brought a tin to our house. Oh wow,

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<v Speaker 1>I think my husband, well, he was decluttering.

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<v Speaker 2>I want to know what series of events made your

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<v Speaker 2>friend go. I want to take this to the lame Brooks.

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<v Speaker 1>Because she knew that it was a natural thing, and

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<v Speaker 1>she knows anytime she got anything cook is.

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<v Speaker 2>Of course, there we go. That's the sound of no pong. Yeah,

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<v Speaker 2>let's get a pong on board the pod. Hey pong,

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<v Speaker 2>send us some tin.

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<v Speaker 1>Yeah, send us. We won't throw them out this time.

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<v Speaker 2>It's written on the all.

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<v Speaker 1>Right, now we've got some news. Oh what Oh I

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<v Speaker 1>thought that's what we were talking about. The news, well,

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<v Speaker 1>the bad news. Sorry I forgot Yeah, okay, what's your

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<v Speaker 1>idea poster?

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<v Speaker 2>Well, I know it's a week old, but you know

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<v Speaker 2>we should we should talk about our friends of the project.

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<v Speaker 1>Yes, yes, the project is no more. Anyway, we've done that.

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<v Speaker 1>Now let's rap the.

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<v Speaker 2>Buck upcoming live every night.

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<v Speaker 1>I love the pro on your Tuesday, Yeah I do.

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<v Speaker 1>And also let's implore our listeners.

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<v Speaker 2>To go out and watch the project.

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<v Speaker 1>Unlike how you left school, We're going to go out

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<v Speaker 1>with a bang?

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<v Speaker 2>Hey? Why not?

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<v Speaker 1>Man? How long did you have to wait for?

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<v Speaker 2>What?

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<v Speaker 1>A Bangwo? What?

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<v Speaker 2>Bang? Which bang?

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<v Speaker 1>Have you medicated? No?

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<v Speaker 2>Pong?

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<v Speaker 1>Something? Sad?

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<v Speaker 2>You don't really annoy me about the project announcement? And

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<v Speaker 2>I'm gonna I'm going to this is a This is

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<v Speaker 2>AM radio. Now you can tune into AM radio. Thank you.

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<v Speaker 1>You've got to do your own.

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<v Speaker 2>And no television. Yes, no one is telling you to

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<v Speaker 2>watch a show if you don't like it, general public,

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<v Speaker 2>Why do people get so fired up about a show

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<v Speaker 2>they don't like? Watching TV is not compulsory?

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<v Speaker 1>Oh no you want I've got a theory.

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<v Speaker 2>I have a bunch of shows I don't like on TV,

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<v Speaker 2>but I don't want them to be off the TV

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<v Speaker 2>because I know how many people are employed I have

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<v Speaker 2>that job on the TV.

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<v Speaker 1>Can you imagine if we went to the Patti's Pie

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<v Speaker 1>factory and started agitating for the people inside to lose

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<v Speaker 1>their job, thank you, because we don't like pies, And

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<v Speaker 1>yet people do that to show these people all the

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<v Speaker 1>time morning carrying feathering, good for you? They like? Really

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<v Speaker 1>that the hatred is unbelievables.

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<v Speaker 2>So crazy.

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<v Speaker 1>But I've got a theory. Okay, So you know how

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<v Speaker 1>when you've gone out with someone and you've really liked them,

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<v Speaker 1>and then when you go off them, how you're just

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<v Speaker 1>so filled with discuss.

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<v Speaker 2>All of a sudden everything about them.

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<v Speaker 1>Yeah, and towards yourself as well, because you like, how

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<v Speaker 1>could I ever have? But you projected on them? I

0:12:20.520 --> 0:12:22.800
<v Speaker 1>think because for a long time The Project was such

0:12:22.840 --> 0:12:28.680
<v Speaker 1>a well loved show that when the appetite sort of changed,

0:12:28.800 --> 0:12:33.680
<v Speaker 1>people couldn't get on board with their changed feelings because.

0:12:33.480 --> 0:12:36.040
<v Speaker 2>When the show grows, they're asking you to grow with it,

0:12:36.080 --> 0:12:37.360
<v Speaker 2>and some people don't want to do that.

0:12:37.440 --> 0:12:40.960
<v Speaker 1>Well also, and sometimes shows don't grow, sure, so that

0:12:41.000 --> 0:12:42.400
<v Speaker 1>could also be the case.

0:12:42.360 --> 0:12:46.800
<v Speaker 2>Right, But also this is very inside baseball kind of chat.

0:12:46.880 --> 0:12:50.559
<v Speaker 2>But one the Project gave me and many others my

0:12:50.800 --> 0:12:53.679
<v Speaker 2>first ever live TV hosting gig.

0:12:53.960 --> 0:12:56.280
<v Speaker 1>That's their response, that's that's them.

0:12:56.960 --> 0:12:59.480
<v Speaker 2>So they should have been act years ago. And that's

0:12:59.520 --> 0:13:03.160
<v Speaker 2>not enough for a bunch of us to host live TV.

0:13:03.640 --> 0:13:06.960
<v Speaker 2>The taler, the ear pieces, it's an hour long that

0:13:07.000 --> 0:13:09.320
<v Speaker 2>you're on there. There's no safety in there. No, they're

0:13:09.320 --> 0:13:14.680
<v Speaker 2>giving people like me, I know, and others. That's gone. Yeah. There,

0:13:14.800 --> 0:13:16.839
<v Speaker 2>when you're a comedian or a band and.

0:13:16.800 --> 0:13:18.960
<v Speaker 1>You want to promote gone.

0:13:18.800 --> 0:13:21.360
<v Speaker 2>Like your book, play anything. Yeah, no one's going to

0:13:21.440 --> 0:13:23.839
<v Speaker 2>have you on. No one has anyone on anything in

0:13:23.920 --> 0:13:28.760
<v Speaker 2>this country. I said, this country, you're welcome. So that's

0:13:28.840 --> 0:13:29.400
<v Speaker 2>now gone.

0:13:29.600 --> 0:13:33.440
<v Speaker 1>I mean, here's this is the grim reality. The next

0:13:33.440 --> 0:13:36.000
<v Speaker 1>time Robbie Williams comes to this country, you won't know

0:13:36.040 --> 0:13:36.560
<v Speaker 1>about it.

0:13:37.480 --> 0:13:41.920
<v Speaker 2>Devastated, I mean, anyway, but that's project Project. You don't

0:13:41.960 --> 0:13:44.520
<v Speaker 2>have to love a show. You can just like, you know, go,

0:13:44.600 --> 0:13:46.800
<v Speaker 2>oh that sucks. Heaps of people just lost their job.

0:13:46.840 --> 0:13:50.000
<v Speaker 1>Yeah, I know, I know, all right, I know anyway,

0:13:50.080 --> 0:13:51.199
<v Speaker 1>so that was sad.

0:13:51.080 --> 0:13:55.880
<v Speaker 2>Including my co including me, including me. Needs no pong,

0:13:56.200 --> 0:13:56.640
<v Speaker 2>no job.

0:13:56.720 --> 0:14:00.880
<v Speaker 1>Oh yes that's right. What does that? I like what

0:14:01.080 --> 0:14:02.359
<v Speaker 1>I'm about to find.

0:14:02.120 --> 0:14:07.840
<v Speaker 2>Out Bike Up's about to go to seven epps a week. No, no, anyway,

0:14:07.840 --> 0:14:09.760
<v Speaker 2>I love your buck Up. I mean love you Project,

0:14:09.920 --> 0:14:10.640
<v Speaker 2>not the buck Up.

0:14:17.520 --> 0:14:25.480
<v Speaker 1>Speaking of shows that people love to hate, now, I

0:14:25.560 --> 0:14:30.480
<v Speaker 1>have not delved yet. You know, I can't do a

0:14:30.600 --> 0:14:34.240
<v Speaker 1>drip feed one week at a time. And also I

0:14:34.240 --> 0:14:35.880
<v Speaker 1>didn't realize I thought I could watch it on my

0:14:35.920 --> 0:14:37.560
<v Speaker 1>streaming platform. But I had the wrong streaming.

0:14:37.640 --> 0:14:38.840
<v Speaker 2>There's the real reason. There we go.

0:14:39.520 --> 0:14:41.680
<v Speaker 1>You can pretend no, no, I can't watch one week

0:14:41.720 --> 0:14:44.560
<v Speaker 1>at a time. I haven't watched the new series of

0:14:44.600 --> 0:14:47.040
<v Speaker 1>Strife because I've got to wait to gorge myself on it.

0:14:47.120 --> 0:14:49.000
<v Speaker 2>So it's finished. Yeah, I need it.

0:14:49.960 --> 0:14:52.160
<v Speaker 1>But of course we're talking about.

0:14:52.200 --> 0:14:53.840
<v Speaker 2>Well we can't. It's not called sex in the City

0:14:53.880 --> 0:14:55.760
<v Speaker 2>case no, but let's just call it that because I

0:14:55.840 --> 0:14:58.440
<v Speaker 2>was saying that as in to be annoyed already.

0:14:58.560 --> 0:15:01.200
<v Speaker 1>Yeah, because I just like that and just like and

0:15:01.200 --> 0:15:03.480
<v Speaker 1>you have to say it like that, and just like that.

0:15:04.040 --> 0:15:07.360
<v Speaker 1>It Issh has watched it, and of course I've been

0:15:07.400 --> 0:15:08.520
<v Speaker 1>messaging her about it.

0:15:08.600 --> 0:15:11.800
<v Speaker 2>He's the asterisk. He's best shows of all time for

0:15:11.880 --> 0:15:14.160
<v Speaker 2>me in terms of the ones that I love growing up.

0:15:14.640 --> 0:15:16.840
<v Speaker 2>Had the biggest impact on me. I think, Yeah, my

0:15:16.920 --> 0:15:20.000
<v Speaker 2>interests in writing and all of that. It's Sopranos, It's Simpsons,

0:15:20.040 --> 0:15:22.320
<v Speaker 2>it sets in the city. It's much so sexon City

0:15:22.360 --> 0:15:26.040
<v Speaker 2>is an og for me. The early seasons. God, it's good,

0:15:26.600 --> 0:15:27.600
<v Speaker 2>go back and watch them now.

0:15:27.800 --> 0:15:30.920
<v Speaker 1>Yeah, my daughter's been watching it just as entertaining. But

0:15:30.960 --> 0:15:35.120
<v Speaker 1>my daughter watching it through her eyes and just like

0:15:35.200 --> 0:15:38.480
<v Speaker 1>that should not have come as such a surprise, an

0:15:38.600 --> 0:15:40.320
<v Speaker 1>unpleasant surprise.

0:15:39.920 --> 0:15:42.600
<v Speaker 2>However, Kate, one of my least favorite things people do

0:15:42.720 --> 0:15:45.640
<v Speaker 2>is when they watch old things through the lens of today.

0:15:46.280 --> 0:15:48.400
<v Speaker 2>It's like, you can't say that it's this was made

0:15:48.400 --> 0:15:51.640
<v Speaker 2>in nineteen third No, you can't say that, yeah, that's

0:15:51.640 --> 0:15:56.960
<v Speaker 2>around anything anymore. Well, this is a hit the documentary.

0:15:56.520 --> 0:16:00.360
<v Speaker 1>So anyway, so tell me yess for it?

0:16:00.440 --> 0:16:02.160
<v Speaker 2>Which one do you want first? Do you want the

0:16:03.080 --> 0:16:05.640
<v Speaker 2>press tour that I have comments on or the new show?

0:16:05.720 --> 0:16:07.760
<v Speaker 1>Okay? I just want a little bit of a headline

0:16:08.040 --> 0:16:13.680
<v Speaker 1>and permission to speak, okay, because I need to know.

0:16:14.000 --> 0:16:16.400
<v Speaker 2>I will never watch another episode of it. One of

0:16:16.400 --> 0:16:20.240
<v Speaker 2>the worst television shows ever made. And here the call

0:16:20.400 --> 0:16:22.880
<v Speaker 2>hang on, hang on, lecond hang on okay, sorry, no point,

0:16:23.160 --> 0:16:24.400
<v Speaker 2>just no pong.

0:16:24.760 --> 0:16:28.320
<v Speaker 1>Oh my goodness, you can't even hate watching.

0:16:28.120 --> 0:16:30.440
<v Speaker 2>No, it's so bad. I can't finish it.

0:16:30.360 --> 0:16:31.760
<v Speaker 1>All right, sash yep.

0:16:31.840 --> 0:16:35.000
<v Speaker 3>I did all the movies and obviously didn't like them. Yeah,

0:16:35.000 --> 0:16:39.239
<v Speaker 3>but no, note I've done two episodes and you can't.

0:16:39.480 --> 0:16:40.640
<v Speaker 1>Can't we even do it together?

0:16:41.600 --> 0:16:44.880
<v Speaker 2>I don't think so, I don't think. So how about this?

0:16:45.160 --> 0:16:48.560
<v Speaker 2>I will I will bet ten thousand dollars. I don't

0:16:48.640 --> 0:16:51.040
<v Speaker 2>like that, but let's just say it. I'm convinced it's

0:16:51.040 --> 0:16:53.000
<v Speaker 2>written by Ai. I'm convinced.

0:16:53.040 --> 0:16:54.680
<v Speaker 1>Oh my, I'm good.

0:16:55.000 --> 0:16:58.000
<v Speaker 2>I'm listening to some of the scenes going no human

0:16:58.040 --> 0:17:01.000
<v Speaker 2>has written this, like, no person is looking at this going,

0:17:01.120 --> 0:17:02.800
<v Speaker 2>this is a this is a conversation.

0:17:02.960 --> 0:17:06.639
<v Speaker 1>Goodness, But they've always had the sharpest riders, not not

0:17:06.760 --> 0:17:10.000
<v Speaker 1>in the incarnation of and just like that, and in fact,

0:17:10.200 --> 0:17:13.520
<v Speaker 1>in the last series. How many series have there been?

0:17:13.600 --> 0:17:17.120
<v Speaker 1>This is at the because we live through that terrible

0:17:17.480 --> 0:17:19.240
<v Speaker 1>that Cha is not in it?

0:17:19.280 --> 0:17:19.480
<v Speaker 2>Is she?

0:17:20.280 --> 0:17:24.439
<v Speaker 1>They? But yeah, God, because I read an article with

0:17:24.760 --> 0:17:30.879
<v Speaker 1>Sarah Jessica Parker expressing her amaze shocked that people didn't

0:17:31.040 --> 0:17:32.359
<v Speaker 1>like the character of Chad.

0:17:33.480 --> 0:17:36.080
<v Speaker 2>That's my second point. But firstly, just staying on the show.

0:17:36.600 --> 0:17:39.400
<v Speaker 2>It is probably one of the worst shows.

0:17:39.680 --> 0:17:42.119
<v Speaker 1>That instantly you don't know how bad I want to

0:17:42.119 --> 0:17:42.520
<v Speaker 1>watch it.

0:17:42.880 --> 0:17:45.720
<v Speaker 2>But also they're all very good actors, all of them,

0:17:45.840 --> 0:17:48.480
<v Speaker 2>So even they're terrible in it, because they're good in

0:17:48.520 --> 0:17:51.080
<v Speaker 2>other stuff, they're just terrible in this. All right, it's

0:17:51.080 --> 0:17:51.720
<v Speaker 2>not their fault.

0:17:51.920 --> 0:17:54.960
<v Speaker 1>I'm going to Charlotte, is what's happened to Chark?

0:17:55.040 --> 0:17:56.439
<v Speaker 2>I don't think she knows how to act with her

0:17:56.480 --> 0:17:56.920
<v Speaker 2>new face.

0:17:57.520 --> 0:17:58.840
<v Speaker 1>How new is her new face?

0:17:58.840 --> 0:18:00.280
<v Speaker 2>Well, she got a new face, and then she got

0:18:00.320 --> 0:18:02.520
<v Speaker 2>so much the poor thing got so much flak for

0:18:02.560 --> 0:18:04.560
<v Speaker 2>the new face that she tried to deface her new

0:18:04.600 --> 0:18:06.720
<v Speaker 2>face and go back to her old face.

0:18:06.760 --> 0:18:08.680
<v Speaker 1>Hang on with her new face in the last series.

0:18:08.760 --> 0:18:09.800
<v Speaker 2>Yeah, it was two seasons ago.

0:18:09.920 --> 0:18:11.000
<v Speaker 1>I didn't think it was that bad.

0:18:11.119 --> 0:18:13.640
<v Speaker 2>Well, it was a bit lippy, and then she tried

0:18:13.640 --> 0:18:16.040
<v Speaker 2>to deface that face. Oh, and she's kind of gone

0:18:16.080 --> 0:18:16.679
<v Speaker 2>back to her.

0:18:16.600 --> 0:18:18.920
<v Speaker 1>Old face, like people still aren't happy.

0:18:18.800 --> 0:18:20.320
<v Speaker 2>No, because it's not really her old face.

0:18:20.480 --> 0:18:22.680
<v Speaker 1>Is she still married to the guy?

0:18:22.840 --> 0:18:23.000
<v Speaker 2>Yes?

0:18:23.080 --> 0:18:24.720
<v Speaker 1>Yes, yeah, no story.

0:18:25.119 --> 0:18:27.880
<v Speaker 2>There's no story because it's written by Ai.

0:18:28.320 --> 0:18:31.600
<v Speaker 1>Al Right, So what I did notice in the first

0:18:31.760 --> 0:18:34.600
<v Speaker 1>I think even in the first outing of it was

0:18:34.800 --> 0:18:40.400
<v Speaker 1>I have never seen a more AGS show in my life,

0:18:40.800 --> 0:18:44.320
<v Speaker 1>where they kept commenting on the ages of everybody. I

0:18:44.359 --> 0:18:50.760
<v Speaker 1>remember at one point Miranda sorry, impression of Miranda my

0:18:51.240 --> 0:18:55.720
<v Speaker 1>visceral responsible writing I've heard on the show. I remember

0:18:55.720 --> 0:18:59.320
<v Speaker 1>at one stage, Carrie was meeting her on the steps

0:18:59.359 --> 0:19:01.040
<v Speaker 1>and she said, and they're on the phone to each

0:19:01.080 --> 0:19:03.879
<v Speaker 1>other as Miranda was walking up the steps of the university,

0:19:04.240 --> 0:19:07.480
<v Speaker 1>and Miranda goes and carry goes, can you see me?

0:19:07.560 --> 0:19:10.520
<v Speaker 1>And she goes, yeah, you're the only fifty one year

0:19:10.520 --> 0:19:16.119
<v Speaker 1>old sitting on the steps of Stanford. Who's they age

0:19:16.320 --> 0:19:19.760
<v Speaker 1>checked constantly? And I actually thought, because you know, they

0:19:19.760 --> 0:19:24.520
<v Speaker 1>always had these great, sharp, brilliant gay writers, and I

0:19:24.640 --> 0:19:26.879
<v Speaker 1>thought to myself, Oh, the gays don't love a men

0:19:26.920 --> 0:19:27.640
<v Speaker 1>a pausal woman.

0:19:27.760 --> 0:19:30.720
<v Speaker 2>Oh that's what I actually, yeah, that's what I'm The

0:19:30.720 --> 0:19:34.119
<v Speaker 2>AI robots date scists, and they've picked up on it

0:19:34.200 --> 0:19:35.240
<v Speaker 2>camp little AI guy.

0:19:35.320 --> 0:19:38.119
<v Speaker 1>Because of course everyone loves loved them when they were

0:19:38.119 --> 0:19:41.680
<v Speaker 1>all fabulous and desperately unhappy and looking for love and

0:19:41.720 --> 0:19:43.239
<v Speaker 1>looking beautiful.

0:19:42.840 --> 0:19:46.200
<v Speaker 2>Stuff like when you watch the original season. Miranda was

0:19:46.200 --> 0:19:50.600
<v Speaker 2>whip smart lawyer, became partner in the law firm, just

0:19:50.800 --> 0:19:51.960
<v Speaker 2>miles ahead of everyone.

0:19:52.080 --> 0:19:53.760
<v Speaker 1>It was odd, though, when she started going out with

0:19:53.800 --> 0:19:54.320
<v Speaker 1>the dark.

0:19:56.960 --> 0:20:00.280
<v Speaker 2>Season. Doesn't I how to do anything last? And she

0:20:00.280 --> 0:20:03.359
<v Speaker 2>didn't know what Twitter was. She doesn't know what gay means,

0:20:03.400 --> 0:20:04.119
<v Speaker 2>or by means.

0:20:04.320 --> 0:20:06.080
<v Speaker 1>But she's very keen on getting growled.

0:20:07.640 --> 0:20:12.800
<v Speaker 2>She's just a full less Now did you just say crowned.

0:20:13.080 --> 0:20:16.320
<v Speaker 1>Because it doesn't that happen at this Sorry, there's no

0:20:16.480 --> 0:20:17.320
<v Speaker 1>nice way to put it.

0:20:17.440 --> 0:20:21.640
<v Speaker 2>No, she got fingered in the kitchen by that by

0:20:21.680 --> 0:20:25.480
<v Speaker 2>the Shay one that was that it's horrendous.

0:20:25.680 --> 0:20:29.280
<v Speaker 1>For some reason, they've used the person that you least

0:20:29.440 --> 0:20:33.840
<v Speaker 1>want to go with on a sexual exploration. They've used

0:20:33.840 --> 0:20:35.680
<v Speaker 1>her for all the sexual exploration.

0:20:35.880 --> 0:20:40.240
<v Speaker 2>What they've done is Cynthia Nixon her real name. She's

0:20:40.240 --> 0:20:43.720
<v Speaker 2>a latent life lesbian. I know, love or Pearl to

0:20:43.800 --> 0:20:47.000
<v Speaker 2>you Latin life lesbians, but I just don't believe that's Miranda.

0:20:47.080 --> 0:20:48.800
<v Speaker 2>So they've made Miranda Cynthia.

0:20:48.920 --> 0:20:52.560
<v Speaker 1>She's just beating her correct, correct, But I do I believe.

0:20:52.320 --> 0:20:54.000
<v Speaker 2>She rocks up the set and goes. I want to

0:20:54.000 --> 0:20:54.960
<v Speaker 2>be fingered, but.

0:20:57.200 --> 0:20:58.160
<v Speaker 1>I read the script.

0:20:58.480 --> 0:21:01.680
<v Speaker 2>I need a little bit more busy that.

0:21:02.440 --> 0:21:04.879
<v Speaker 1>You know what. I blame Miranda for a lot of

0:21:04.920 --> 0:21:09.280
<v Speaker 1>the ills of this series. And I'll tell you why,

0:21:09.480 --> 0:21:12.840
<v Speaker 1>Miranda or Cynthia. Well, I think Cynthia because also in

0:21:12.880 --> 0:21:15.879
<v Speaker 1>real life, Cynthia is very politically active, and so they've

0:21:16.000 --> 0:21:19.680
<v Speaker 1>sort of dragged all that, all these extraneous themes and

0:21:20.040 --> 0:21:22.240
<v Speaker 1>into the show, into the life of the show. But

0:21:22.400 --> 0:21:26.560
<v Speaker 1>it does need to reflect life. I guess doesn't know anyway.

0:21:26.840 --> 0:21:31.120
<v Speaker 1>But also, you know how nature feels a vacuum. So

0:21:31.280 --> 0:21:35.040
<v Speaker 1>since Samantha left, who was going to go mustling in.

0:21:35.119 --> 0:21:37.359
<v Speaker 1>It wasn't going to be Charlotte A good point. It

0:21:37.520 --> 0:21:40.119
<v Speaker 1>was bloody, Miranda Martin.

0:21:44.240 --> 0:21:48.200
<v Speaker 2>I'll make crowdout, Miranda. I will never stop thinking of

0:21:49.160 --> 0:21:50.280
<v Speaker 2>saying growd out.

0:21:50.960 --> 0:21:52.720
<v Speaker 1>I apologize to people who.

0:21:52.680 --> 0:21:54.000
<v Speaker 2>Are crowd out right now.

0:21:54.200 --> 0:21:56.760
<v Speaker 1>Okay, sorry, I love my I love this by the way,

0:21:56.920 --> 0:21:58.840
<v Speaker 1>Oh this is just delicious.

0:21:59.200 --> 0:22:00.880
<v Speaker 2>So Cody and I go away for a few days

0:22:00.920 --> 0:22:01.400
<v Speaker 2>last week.

0:22:01.480 --> 0:22:04.440
<v Speaker 1>You didn't make him no no, so you.

0:22:04.400 --> 0:22:07.240
<v Speaker 2>Know he's relaxed. I'm not running around board.

0:22:08.680 --> 0:22:11.280
<v Speaker 1>Are you in the country, Yeah, it's a bad place

0:22:11.320 --> 0:22:11.640
<v Speaker 1>for you.

0:22:12.680 --> 0:22:15.440
<v Speaker 2>He's in bed seven forty five bye bye at nat

0:22:15.480 --> 0:22:17.359
<v Speaker 2>as he does. And whereas you're in bed seven forty

0:22:17.400 --> 0:22:20.919
<v Speaker 2>five in the morning. Thank you? What getting out all

0:22:21.000 --> 0:22:21.560
<v Speaker 2>night growling?

0:22:22.960 --> 0:22:23.920
<v Speaker 1>You're still in beat?

0:22:24.240 --> 0:22:28.080
<v Speaker 2>Yes, thank you? Got that? So what I do? Scrolled

0:22:28.160 --> 0:22:30.760
<v Speaker 2>my phone for five hours a night. Algorithm picked up

0:22:30.800 --> 0:22:32.920
<v Speaker 2>pretty quickly that I was the little gay boy Love

0:22:32.960 --> 0:22:34.639
<v Speaker 2>and Sex and the City. So it's just showing me

0:22:34.760 --> 0:22:37.920
<v Speaker 2>clip after clip from the og no of the press

0:22:38.000 --> 0:22:42.199
<v Speaker 2>tour they're currently doing. Oh okay, two things here on

0:22:42.240 --> 0:22:45.880
<v Speaker 2>the buck up. Everyone knows this. We are team control.

0:22:46.240 --> 0:22:52.200
<v Speaker 2>We love her. Hello, couc.

0:22:51.680 --> 0:22:53.040
<v Speaker 1>Do you forget that that that's her.

0:22:53.240 --> 0:22:55.359
<v Speaker 2>I'm team control now. I've always been a bit not

0:22:55.400 --> 0:22:58.800
<v Speaker 2>sure what we are. Right, Something did happen between the cast?

0:22:59.240 --> 0:23:02.080
<v Speaker 2>An interviewer asks a very simple question, what show were

0:23:02.080 --> 0:23:03.800
<v Speaker 2>they on? I don't know, this is some Vogue thing

0:23:03.840 --> 0:23:07.040
<v Speaker 2>or whatever. Right, Yeah, just basically saying to Miranda, your

0:23:07.119 --> 0:23:10.440
<v Speaker 2>character going through this sexual awakening of getting as you say,

0:23:10.520 --> 0:23:14.480
<v Speaker 2>browd out, would obviously text her friend Samantha, who's so

0:23:14.640 --> 0:23:17.720
<v Speaker 2>sexually forward, who even was a lesbian for one of

0:23:17.800 --> 0:23:20.840
<v Speaker 2>the seasons. Yes, yes, has so much to say about

0:23:20.880 --> 0:23:22.679
<v Speaker 2>sexual exploration and all of that.

0:23:23.160 --> 0:23:26.879
<v Speaker 1>She was the sexual energy, she was the cheese.

0:23:27.160 --> 0:23:30.560
<v Speaker 2>It is the most obvious thing that she would text

0:23:30.600 --> 0:23:33.480
<v Speaker 2>one of her good friends who lives overseas. This is

0:23:33.520 --> 0:23:35.280
<v Speaker 2>what her answer was when she was asked that.

0:23:35.760 --> 0:23:39.000
<v Speaker 4>We see Carrie and Samantha testing a lot this season

0:23:39.200 --> 0:23:41.879
<v Speaker 4>and in past seasons. Do you hope, as I do,

0:23:42.040 --> 0:23:45.719
<v Speaker 4>that Miranda and Samantha are testing this season and maybe

0:23:45.880 --> 0:23:48.359
<v Speaker 4>Miranda is reaching out to Samantha for some insight and

0:23:48.480 --> 0:23:57.879
<v Speaker 4>to support as she explores her sexuality. No, now they don't.

0:23:58.320 --> 0:24:03.360
<v Speaker 2>Oh my good, the coldest response you've ever She.

0:24:03.480 --> 0:24:06.800
<v Speaker 1>Even had to go back to her hitro Baby Boys

0:24:07.119 --> 0:24:08.120
<v Speaker 1>to answer that.

0:24:10.520 --> 0:24:15.239
<v Speaker 2>They hate each other. They hate hate someone so much.

0:24:15.320 --> 0:24:17.480
<v Speaker 2>You can't even pretend that your character would.

0:24:17.760 --> 0:24:21.680
<v Speaker 1>Yeah, character character would take Oh my goodness, I've never

0:24:21.720 --> 0:24:28.800
<v Speaker 1>been keener to watch anything stup threat. Oh I love it.

0:24:29.720 --> 0:24:30.399
<v Speaker 2>I thought you would.

0:24:30.440 --> 0:24:32.639
<v Speaker 1>I can't. Is the fashion mad? Did you see the

0:24:32.640 --> 0:24:34.280
<v Speaker 1>episode where she wears the bonnet.

0:24:34.200 --> 0:24:34.680
<v Speaker 2>The big hat?

0:24:34.920 --> 0:24:37.199
<v Speaker 1>The bonnet's ridiculous? Are the clothes all ridiculous?

0:24:38.440 --> 0:24:38.640
<v Speaker 2>Yes?

0:24:39.000 --> 0:24:39.800
<v Speaker 1>Yes, all right?

0:24:49.240 --> 0:24:53.160
<v Speaker 2>So you and I both go on regional last week.

0:24:53.359 --> 0:24:55.440
<v Speaker 2>Good even though we were almost near each other.

0:24:55.960 --> 0:24:59.280
<v Speaker 1>No, because we don't exchange information with each other save

0:24:59.320 --> 0:25:01.800
<v Speaker 1>it for the booth. Well we do. And so you

0:25:01.880 --> 0:25:06.960
<v Speaker 1>and I were both in the country by the beach. Yeah,

0:25:07.119 --> 0:25:09.480
<v Speaker 1>our beach is like half an hour away from each

0:25:09.520 --> 0:25:11.400
<v Speaker 1>other twenty minutes. Oh wow, I didn't know that we're

0:25:11.440 --> 0:25:12.320
<v Speaker 1>country neighbors.

0:25:12.520 --> 0:25:12.960
<v Speaker 2>Wowee.

0:25:13.320 --> 0:25:14.080
<v Speaker 1>Yeah.

0:25:14.280 --> 0:25:17.159
<v Speaker 2>Geraldine Hickey ask me to go down and do a

0:25:18.240 --> 0:25:22.240
<v Speaker 2>do a fundraiser comedy show for a woman called Sue

0:25:23.000 --> 0:25:26.520
<v Speaker 2>who runs a Koala rehabilitation center.

0:25:26.440 --> 0:25:29.440
<v Speaker 1>And who we know from. You know, we don't have

0:25:29.480 --> 0:25:33.000
<v Speaker 1>any rubbish collection. We have to go to the transfer station,

0:25:33.800 --> 0:25:37.600
<v Speaker 1>which enrages my husband because we pay rates the same

0:25:37.680 --> 0:25:39.960
<v Speaker 1>rates as everybody else, but we don't get any free

0:25:40.080 --> 0:25:43.000
<v Speaker 1>visits to the dump, which is quite strange.

0:25:43.200 --> 0:25:46.680
<v Speaker 2>Is a radiot I've ever heard one?

0:25:47.080 --> 0:25:49.600
<v Speaker 1>Anyway? Do the voice?

0:25:50.320 --> 0:25:52.120
<v Speaker 2>The tip is open five days a week.

0:25:52.600 --> 0:25:55.200
<v Speaker 1>It's not, by the way, and also the hours are

0:25:55.200 --> 0:25:58.640
<v Speaker 1>really weird, so it's got open from one till three

0:25:59.000 --> 0:25:59.680
<v Speaker 1>on a Wednesday.

0:25:59.800 --> 0:26:02.320
<v Speaker 2>Talk and about like your bathroom rubbish, your kitchen.

0:26:02.160 --> 0:26:04.879
<v Speaker 1>Rubbish, rubbish that we have no rubbish collection.

0:26:04.920 --> 0:26:07.080
<v Speaker 2>Can't you just make it like an insinuator or something.

0:26:07.800 --> 0:26:10.359
<v Speaker 1>I wonder if you could know you couldn't well, you

0:26:10.400 --> 0:26:11.399
<v Speaker 1>could do something.

0:26:11.480 --> 0:26:14.040
<v Speaker 2>We had one when we were kids. Dad had one

0:26:14.040 --> 0:26:16.320
<v Speaker 2>in the backyard one did I think the concrete?

0:26:16.800 --> 0:26:20.400
<v Speaker 1>Yeah, the best of block one. It can I tell

0:26:20.400 --> 0:26:21.200
<v Speaker 1>you something about.

0:26:21.119 --> 0:26:24.160
<v Speaker 2>Just like fifty black piles of smoke.

0:26:24.440 --> 0:26:29.359
<v Speaker 1>My ties sister in law b all Right, her twin

0:26:29.440 --> 0:26:33.199
<v Speaker 1>sister a still in Thailand, but Be's married Peter's older

0:26:33.200 --> 0:26:37.840
<v Speaker 1>brother Mark. They've got a son together. When Bee first

0:26:38.000 --> 0:26:41.040
<v Speaker 1>came to Australia and she came camping with the whole family.

0:26:41.080 --> 0:26:44.680
<v Speaker 1>You know, we go camping every year at Nanay, peter'smum's caravan.

0:26:45.480 --> 0:26:49.320
<v Speaker 1>Bee started to make a fire and she set fire

0:26:49.560 --> 0:26:55.119
<v Speaker 1>to a plastic bottle and Marie, everyone was like, what

0:26:55.160 --> 0:26:57.240
<v Speaker 1>are you doing? What are you doing? She said, that's

0:26:57.280 --> 0:27:01.120
<v Speaker 1>what we do, mum, that's what we do entire land.

0:27:00.720 --> 0:27:05.240
<v Speaker 1>The plastic burns all day always, plenty of plastic.

0:27:05.200 --> 0:27:08.040
<v Speaker 2>Was out there with kids dad burning.

0:27:08.240 --> 0:27:10.199
<v Speaker 1>There must have been so much plastic then. I mean,

0:27:10.240 --> 0:27:12.560
<v Speaker 1>it wasn't very safe, but if you wanted a really

0:27:12.560 --> 0:27:15.000
<v Speaker 1>good one, you would you drag a tire onto it

0:27:16.400 --> 0:27:18.800
<v Speaker 1>and go all t would steal one. Anyway.

0:27:18.920 --> 0:27:24.440
<v Speaker 2>We don't have teflon, I mean suck Forever gammicals, and.

0:27:25.040 --> 0:27:27.679
<v Speaker 1>We don't have any rubbish collections, so we have to

0:27:27.680 --> 0:27:30.919
<v Speaker 1>go to this dump. And Sue works at the dump.

0:27:31.000 --> 0:27:36.720
<v Speaker 1>And often she's got like a little baby, not a koala.

0:27:36.840 --> 0:27:39.359
<v Speaker 1>She's had what she had in her little like a

0:27:39.400 --> 0:27:41.399
<v Speaker 1>bum bag. It's got an animal in it.

0:27:41.480 --> 0:27:44.880
<v Speaker 2>Normally wear one with like drugs and cat.

0:27:45.000 --> 0:27:49.760
<v Speaker 1>Well, not Sue. She's had a baby wombat, I think

0:27:49.760 --> 0:27:53.639
<v Speaker 1>a baby possum. And once she got angry at us

0:27:53.680 --> 0:27:56.080
<v Speaker 1>because we saw a tiger snake dying on the beach

0:27:56.160 --> 0:27:59.520
<v Speaker 1>and no one came and told her. And I'm like,

0:27:59.880 --> 0:28:06.080
<v Speaker 1>you know what, I was like, I was ripped a snake.

0:28:06.160 --> 0:28:07.960
<v Speaker 2>But also look after the cute k.

0:28:08.520 --> 0:28:12.520
<v Speaker 1>Yeah, exactly, we're all the whole world is rushing to

0:28:12.600 --> 0:28:15.080
<v Speaker 1>the aid of a Koala or a beautiful woe bat Oh.

0:28:15.040 --> 0:28:17.240
<v Speaker 2>My god, Soue tells me this story. She gets his

0:28:17.320 --> 0:28:20.840
<v Speaker 2>call once this guy nowhere near her house, like an

0:28:20.880 --> 0:28:23.639
<v Speaker 2>hour and a half, two hours away. Yeah, country dead

0:28:23.920 --> 0:28:26.720
<v Speaker 2>Koala unfortunately is a mother because it's got its baby

0:28:26.760 --> 0:28:30.400
<v Speaker 2>with it. Soue's like, I'm coming, goes all the way

0:28:30.440 --> 0:28:34.440
<v Speaker 2>out there, gets the baby Koala, takes it back all

0:28:34.480 --> 0:28:38.720
<v Speaker 2>the way home. Realizes that for this baby Koala to survive,

0:28:39.200 --> 0:28:42.200
<v Speaker 2>it needs this thing, this food or this something.

0:28:41.920 --> 0:28:44.520
<v Speaker 1>The colosstrum from the mother needs.

0:28:44.320 --> 0:28:46.520
<v Speaker 2>That, and so she has to go back and operate

0:28:46.560 --> 0:28:48.160
<v Speaker 2>on the mum to get it out of the mum

0:28:48.280 --> 0:28:51.000
<v Speaker 2>so she can physically give it to the baby Koala,

0:28:51.080 --> 0:28:53.480
<v Speaker 2>so she can like.

0:28:53.600 --> 0:28:58.080
<v Speaker 1>She knew how to operate on themosyphon petrol not to

0:28:58.080 --> 0:29:01.040
<v Speaker 1>start with the hose, and then gets in the car,

0:29:01.880 --> 0:29:05.000
<v Speaker 1>goes all the way back out to collect the dead mum.

0:29:05.760 --> 0:29:08.080
<v Speaker 1>Gets there to pick up the mum and the mum

0:29:08.160 --> 0:29:09.120
<v Speaker 1>turns its head.

0:29:09.080 --> 0:29:14.720
<v Speaker 2>It's still alive, grabs the mum, takes them alive. Mum

0:29:14.920 --> 0:29:19.160
<v Speaker 2>all the way back to her place, reunites them, rehabilitates them,

0:29:19.400 --> 0:29:25.360
<v Speaker 2>lets them back go a month later. That's beautiful, bloody story.

0:29:25.520 --> 0:29:29.800
<v Speaker 1>Oh that's beautiful. Yeah.

0:29:29.920 --> 0:29:31.640
<v Speaker 2>So when you're told me that, I was like, well,

0:29:31.680 --> 0:29:33.760
<v Speaker 2>now I'm more than happy to driven out here for

0:29:33.840 --> 0:29:35.880
<v Speaker 2>this fundraiser for her because that's crazy.

0:29:35.960 --> 0:29:38.480
<v Speaker 1>Oh yeah, I love that if that happen. By the way,

0:29:39.200 --> 0:29:46.360
<v Speaker 1>speaking of Laura Quintinilla, Hello Laura, haha. I used the

0:29:46.360 --> 0:29:50.600
<v Speaker 1>lily bit voice and said I think it's beautiful, and

0:29:50.640 --> 0:29:57.040
<v Speaker 1>my cat almost shut himself proceeds.

0:29:57.080 --> 0:29:58.280
<v Speaker 2>I thought you were going to take us to a

0:29:58.280 --> 0:29:58.960
<v Speaker 2>Megan story.

0:29:59.040 --> 0:30:01.680
<v Speaker 1>No, no, Mae, I'm desperate. You know there's a bit

0:30:01.720 --> 0:30:02.760
<v Speaker 1>of Megan over here.

0:30:02.800 --> 0:30:04.880
<v Speaker 2>I did not know that. Well, there always is with.

0:30:04.840 --> 0:30:06.520
<v Speaker 1>You, It's always a bit of Meghan. But I know

0:30:06.600 --> 0:30:09.280
<v Speaker 1>I have to spend it carefully, Ruin. It's like I've

0:30:09.280 --> 0:30:12.320
<v Speaker 1>been put on a budget, a Megan budget, and am

0:30:12.360 --> 0:30:12.800
<v Speaker 1>I over?

0:30:14.640 --> 0:30:17.360
<v Speaker 2>Yes? Okay, well over. But then at the live show,

0:30:17.440 --> 0:30:20.920
<v Speaker 2>I did, hey, we live in a democracy, and the

0:30:21.000 --> 0:30:24.080
<v Speaker 2>response from the crowd on the day told me that

0:30:24.440 --> 0:30:26.040
<v Speaker 2>I may be wrong in this may.

0:30:26.040 --> 0:30:30.680
<v Speaker 1>Okay, you may be. But also it's always important when

0:30:30.680 --> 0:30:33.320
<v Speaker 1>you're measuring something to have a control to measure it

0:30:33.400 --> 0:30:37.160
<v Speaker 1>next to. And the control was your deck of cards.

0:30:39.680 --> 0:30:41.280
<v Speaker 2>Or you know what I say to that deck of guards.

0:30:44.280 --> 0:30:47.440
<v Speaker 2>It just freaked you out, though I had I had

0:30:47.440 --> 0:30:47.960
<v Speaker 2>an anxiety.

0:30:48.080 --> 0:30:49.760
<v Speaker 1>Yeah, good, and that should be a sign.

0:30:50.240 --> 0:30:50.960
<v Speaker 2>Did not do it?

0:30:51.880 --> 0:30:54.400
<v Speaker 1>Just let it go. It's not for you. Leave it

0:30:54.440 --> 0:30:56.440
<v Speaker 1>to one of those guys who does q I. Or

0:30:56.440 --> 0:30:59.720
<v Speaker 1>one of those shows with the English shadow scene where

0:30:59.720 --> 0:31:07.000
<v Speaker 1>they got the bag of goal was marked. Why what

0:31:08.600 --> 0:31:11.600
<v Speaker 1>was that? And then someone goes, well, the soldiers all

0:31:11.680 --> 0:31:17.160
<v Speaker 1>are there and woo woo breastplates wooven out of their

0:31:17.160 --> 0:31:22.320
<v Speaker 1>wine hair. That's those English shows.

0:31:22.360 --> 0:31:25.120
<v Speaker 2>So I'm at this gig. They did two shows because

0:31:25.160 --> 0:31:27.440
<v Speaker 2>they sold out so quickly, which great, So we did

0:31:27.480 --> 0:31:31.160
<v Speaker 2>back to back shows that she must have been thrilled, stoked.

0:31:31.280 --> 0:31:34.400
<v Speaker 1>Did she bring any animals? No, no, no she brings

0:31:34.480 --> 0:31:36.960
<v Speaker 1>She bought snacks and you know why because she's so

0:31:37.240 --> 0:31:39.360
<v Speaker 1>properly into loving the animals.

0:31:38.920 --> 0:31:42.320
<v Speaker 2>And photographed of some of her famous koalas in the

0:31:42.400 --> 0:31:44.960
<v Speaker 2>frame for me and well, I mean.

0:31:44.840 --> 0:31:45.800
<v Speaker 1>Straight, it's.

0:31:47.720 --> 0:31:50.520
<v Speaker 2>Gum tree three pieces at one of the markets. You're

0:31:50.560 --> 0:31:56.240
<v Speaker 2>there to pick up some emi oil whatever you're getting, Okay,

0:31:56.280 --> 0:32:00.520
<v Speaker 2>So then that gig finish at like nine. I have

0:32:00.560 --> 0:32:02.640
<v Speaker 2>a drive to get home, no matter what the time.

0:32:02.520 --> 0:32:04.080
<v Speaker 1>Is, I am a three hour drive.

0:32:04.160 --> 0:32:05.840
<v Speaker 2>And I said, well I'm going I'm going home.

0:32:06.040 --> 0:32:09.640
<v Speaker 1>Yeah, Higgy and twelve two.

0:32:09.640 --> 0:32:12.840
<v Speaker 2>Lesbians plus Sue Yeah, and others had this like gap.

0:32:12.920 --> 0:32:16.440
<v Speaker 2>They're like, we're hiding your keys. Oh, we are not

0:32:16.560 --> 0:32:19.720
<v Speaker 2>letting you drunk. No, they were just like just because

0:32:19.720 --> 0:32:23.560
<v Speaker 2>I don't know what I'm like Yeah, concentration wise, yes, yes.

0:32:23.600 --> 0:32:25.440
<v Speaker 2>And then someone made a really good point and said

0:32:26.320 --> 0:32:31.040
<v Speaker 2>a lot of the animals that Sue looks after road accidents,

0:32:31.400 --> 0:32:34.200
<v Speaker 2>the people hit the wom bats and people hit the koalas. Yes,

0:32:34.480 --> 0:32:36.880
<v Speaker 2>they're like, you're going to do this gig twice and

0:32:36.920 --> 0:32:40.840
<v Speaker 2>then get in the car and kill a one bat.

0:32:41.920 --> 0:32:45.080
<v Speaker 2>Good points. So I stayed the night at hickeys. Oh

0:32:45.160 --> 0:32:47.840
<v Speaker 2>did you and a guest room?

0:32:47.920 --> 0:32:48.560
<v Speaker 1>Yes? What was it?

0:32:48.680 --> 0:32:48.800
<v Speaker 2>Like?

0:32:48.800 --> 0:32:49.840
<v Speaker 1>What's the vibe like?

0:32:50.120 --> 0:32:51.040
<v Speaker 2>Lesbian chic?

0:32:51.240 --> 0:32:52.920
<v Speaker 1>Oh yeah, chic? You know love it?

0:32:53.080 --> 0:32:53.480
<v Speaker 2>Flyer?

0:32:53.800 --> 0:32:55.280
<v Speaker 1>Yeah you know what their roof would be?

0:32:55.320 --> 0:32:58.160
<v Speaker 2>Watertime Broadcast, another great comic was also on the lineup.

0:32:58.240 --> 0:33:00.680
<v Speaker 2>She was there with her partner in the ge ano

0:33:00.720 --> 0:33:03.480
<v Speaker 2>the other guest room a lot of dogs. I love

0:33:03.800 --> 0:33:08.440
<v Speaker 2>the dog hicking, cast dogs and three dogs. It sounds

0:33:08.480 --> 0:33:10.200
<v Speaker 2>like the name of a cafe, doesn't it. Three dogs.

0:33:10.320 --> 0:33:13.440
<v Speaker 2>It's took a photo of me on the just be

0:33:13.520 --> 0:33:15.200
<v Speaker 2>with all the lesbian dogs on the couch.

0:33:15.800 --> 0:33:17.920
<v Speaker 1>Like, that's so gorgeous.

0:33:19.080 --> 0:33:21.360
<v Speaker 2>Why that's me with the beanie and a hoodie on

0:33:21.640 --> 0:33:22.520
<v Speaker 2>free It doesn't.

0:33:22.280 --> 0:33:23.320
<v Speaker 1>Even look like you.

0:33:23.360 --> 0:33:23.920
<v Speaker 2>I'm cold.

0:33:24.120 --> 0:33:26.120
<v Speaker 1>You know what that looks like? That looks actually looks

0:33:26.160 --> 0:33:29.720
<v Speaker 1>like a Renaissance painting, doesn't it? And you look like

0:33:29.760 --> 0:33:33.480
<v Speaker 1>a night of the Templar surrounded by hunting dogs.

0:33:33.560 --> 0:33:35.280
<v Speaker 2>I'll chuck that on the instagrat And someone has that

0:33:35.320 --> 0:33:36.760
<v Speaker 2>comment the other day that what does that mean because

0:33:36.760 --> 0:33:38.840
<v Speaker 2>they can't find it. It means we put it in

0:33:38.880 --> 0:33:42.160
<v Speaker 2>our stories. It's over twenty four hours later you click

0:33:42.200 --> 0:33:44.480
<v Speaker 2>on twenty twenty five and you can see every story

0:33:44.720 --> 0:33:45.160
<v Speaker 2>put up.

0:33:45.240 --> 0:33:46.400
<v Speaker 1>I didn't know that.

0:33:46.280 --> 0:33:47.840
<v Speaker 2>You can highlight all your stories.

0:33:48.000 --> 0:33:50.920
<v Speaker 1>Love it. I can know that. Yeah, granny who But it's.

0:33:50.760 --> 0:33:52.600
<v Speaker 2>Been a while because we spoke about this last year

0:33:53.000 --> 0:33:55.120
<v Speaker 2>and then it was time for bed, very cold.

0:33:55.760 --> 0:33:56.920
<v Speaker 1>Had you brought pajamas?

0:33:57.040 --> 0:33:59.920
<v Speaker 2>There was some stuff from the car. Yeah, all right,

0:34:00.240 --> 0:34:08.239
<v Speaker 2>and Cass his wife goes, we've put the electric blanket on, and.

0:34:08.200 --> 0:34:11.040
<v Speaker 1>It's been many, many years since.

0:34:10.880 --> 0:34:14.640
<v Speaker 2>An electric blanket, and I was like, oh, it's a

0:34:14.680 --> 0:34:19.920
<v Speaker 2>weird thing to do. Goodness, let's talk about the heaven

0:34:20.120 --> 0:34:25.160
<v Speaker 2>getting into a bed. Oh my goodness, electric blanket had

0:34:25.200 --> 0:34:25.560
<v Speaker 2>been on.

0:34:26.000 --> 0:34:30.720
<v Speaker 1>Yes, it is insanely good.

0:34:30.920 --> 0:34:33.239
<v Speaker 2>Yes, it sort of feels like someone's pissed the bed.

0:34:33.360 --> 0:34:34.879
<v Speaker 2>But at the same time.

0:34:34.800 --> 0:34:37.239
<v Speaker 1>You're happy for them to have pissed it because it's

0:34:37.280 --> 0:34:38.680
<v Speaker 1>so sash. Have you done it?

0:34:39.880 --> 0:34:41.320
<v Speaker 2>Bottle? Okay, water bottle.

0:34:41.400 --> 0:34:43.919
<v Speaker 1>So when I was filming that My Mum Your Dad

0:34:44.040 --> 0:34:47.359
<v Speaker 1>TV show, I was staying in the country in New

0:34:47.360 --> 0:34:50.759
<v Speaker 1>South Wales and I stayed at this airbnb with this

0:34:50.920 --> 0:34:54.719
<v Speaker 1>really nosy couple who were really irritating.

0:34:56.040 --> 0:34:56.360
<v Speaker 2>Listening.

0:34:56.520 --> 0:34:59.960
<v Speaker 1>But they ran they need to know, but they ran

0:35:00.320 --> 0:35:03.640
<v Speaker 1>a beautiful Airbnb, of course, like a nosy couple would.

0:35:03.680 --> 0:35:05.400
<v Speaker 2>As I used to say, three worst words on the

0:35:05.400 --> 0:35:09.520
<v Speaker 2>internet on an Airbnb booking host greets you. How about

0:35:09.560 --> 0:35:13.239
<v Speaker 2>you don't greet me and I'll pay another thousand dollars.

0:35:12.760 --> 0:35:16.279
<v Speaker 1>Anyway, leave the key in the tree. Tonight I arrived,

0:35:17.120 --> 0:35:20.200
<v Speaker 1>she had put the electric blanket on. And I don't

0:35:20.200 --> 0:35:22.359
<v Speaker 1>think I've had an electric blanket since I was a kid,

0:35:23.160 --> 0:35:29.440
<v Speaker 1>and I have not experienced the heaven. Oh it was

0:35:30.480 --> 0:35:31.440
<v Speaker 1>like darning.

0:35:31.640 --> 0:35:33.759
<v Speaker 2>I pretend that I was a little seven month old

0:35:33.760 --> 0:35:36.520
<v Speaker 2>in the Oh, it was beautiful. I did have one

0:35:36.600 --> 0:35:38.840
<v Speaker 2>a couple of years ago at a motal in the regions.

0:35:39.160 --> 0:35:39.880
<v Speaker 2>Moti would be.

0:35:39.880 --> 0:35:43.320
<v Speaker 1>A bit creepier because in a motel you feel the wire.

0:35:43.520 --> 0:35:47.480
<v Speaker 1>May yeah, you don't even want to feel the wires,

0:35:47.600 --> 0:35:48.640
<v Speaker 1>that's the secret.

0:35:48.840 --> 0:35:52.320
<v Speaker 2>But my god, what happened to us as a society

0:35:52.360 --> 0:35:54.640
<v Speaker 2>that we have stopped electric blanket?

0:35:54.680 --> 0:35:55.720
<v Speaker 1>Well, obviously we haven't.

0:35:55.800 --> 0:35:57.120
<v Speaker 2>Yes, we have. Do you have one?

0:35:57.200 --> 0:35:57.359
<v Speaker 1>No?

0:35:57.680 --> 0:35:58.239
<v Speaker 2>I have one?

0:35:58.280 --> 0:36:00.960
<v Speaker 1>And I thought there's something about you know, because I'm

0:36:00.960 --> 0:36:03.880
<v Speaker 1>thinking about getting an earthing wire from the bed.

0:36:04.040 --> 0:36:04.360
<v Speaker 2>Took it.

0:36:04.719 --> 0:36:08.719
<v Speaker 1>But it's problematic because apparently you have to run it.

0:36:08.760 --> 0:36:11.440
<v Speaker 1>We're on the first floor. We have to you have

0:36:11.480 --> 0:36:13.080
<v Speaker 1>to run it out the window and it has to

0:36:13.080 --> 0:36:16.720
<v Speaker 1>touch the ground. And Peter Allen Lewis is not on board.

0:36:16.760 --> 0:36:22.160
<v Speaker 2>Three words wire bed window? What is wrong with you?

0:36:22.360 --> 0:36:25.360
<v Speaker 1>Anyway? So I think an electric blanket is the opposite

0:36:25.400 --> 0:36:25.719
<v Speaker 1>of that.

0:36:25.800 --> 0:36:27.839
<v Speaker 2>But they're safer, mate, you.

0:36:27.840 --> 0:36:29.200
<v Speaker 1>Know, it's not the safe. I don't want to be

0:36:29.280 --> 0:36:31.759
<v Speaker 1>sleeping the same way when we go down to our

0:36:31.840 --> 0:36:34.960
<v Speaker 1>house in the country. We have the best sleep because

0:36:34.960 --> 0:36:36.279
<v Speaker 1>there's no Wi Fi down there.

0:36:36.400 --> 0:36:39.960
<v Speaker 2>Okay, it's just good because there's no I want two things.

0:36:40.120 --> 0:36:42.160
<v Speaker 2>I want Wi Fi an electric Now.

0:36:42.040 --> 0:36:43.719
<v Speaker 1>I know you do cook me up.

0:36:43.880 --> 0:36:48.600
<v Speaker 2>I want to sleep holding teflon. Yeah, I know.

0:36:48.760 --> 0:36:51.360
<v Speaker 1>I know how you are. I know how you are anyway,

0:36:51.600 --> 0:36:53.840
<v Speaker 1>So because of that, it always feels weird to me

0:36:53.880 --> 0:36:55.279
<v Speaker 1>to be sleeping on electricity.

0:36:56.480 --> 0:36:58.840
<v Speaker 2>It is an odd feeling. But then I had this

0:36:59.120 --> 0:37:02.600
<v Speaker 2>really insane dreams that I was like, really hot.

0:37:02.640 --> 0:37:05.000
<v Speaker 1>Did you leave it on all nights? I fell asleep

0:37:05.080 --> 0:37:09.200
<v Speaker 1>all right, So this is the rookies mistake, which the lady,

0:37:09.280 --> 0:37:13.279
<v Speaker 1>the nosey Airbnb lady explained to me. Do you don't

0:37:13.400 --> 0:37:14.760
<v Speaker 1>leave it on when you go to sleep?

0:37:14.800 --> 0:37:16.919
<v Speaker 2>I did in the middle of the night. I worked.

0:37:17.560 --> 0:37:20.080
<v Speaker 2>It was a mess, Burke and Will. I had some

0:37:20.280 --> 0:37:23.680
<v Speaker 2>insane nightmare about burning. I remember that.

0:37:23.760 --> 0:37:24.680
<v Speaker 1>Like it was bad.

0:37:24.840 --> 0:37:26.960
<v Speaker 2>I had a nightmare. I had a very bad you

0:37:27.040 --> 0:37:28.960
<v Speaker 2>were hot. I was like it as bad as the

0:37:28.960 --> 0:37:29.920
<v Speaker 2>Deck of Card segment.

0:37:30.360 --> 0:37:31.920
<v Speaker 1>You were cooking yourself.

0:37:31.960 --> 0:37:33.120
<v Speaker 2>And then I had my arm going.

0:37:33.400 --> 0:37:34.760
<v Speaker 1>Yes to try and work out.

0:37:34.640 --> 0:37:37.239
<v Speaker 2>What to do, Crankett, there can't but that first couple

0:37:37.280 --> 0:37:39.759
<v Speaker 2>of hours, So what have I been doing. I've been

0:37:39.760 --> 0:37:40.239
<v Speaker 2>looking them.

0:37:40.160 --> 0:37:43.680
<v Speaker 1>Up on what would Cody want one?

0:37:44.280 --> 0:37:47.439
<v Speaker 2>Well, we have a very separate, two separate societies going

0:37:47.440 --> 0:37:51.240
<v Speaker 2>on in our very separate systems, divided by everything.

0:37:51.239 --> 0:37:53.920
<v Speaker 1>And mattress you mattresses pushed together.

0:37:53.960 --> 0:37:57.880
<v Speaker 2>I know, so mattress, different pillows, different blankets. Sometimes he

0:37:57.960 --> 0:38:00.520
<v Speaker 2>creates a fort like his six years old, which is

0:38:00.640 --> 0:38:01.080
<v Speaker 2>very odd.

0:38:01.120 --> 0:38:02.960
<v Speaker 1>That well, that's that Peter's got the hump to keep

0:38:02.960 --> 0:38:03.719
<v Speaker 1>me away from here.

0:38:03.920 --> 0:38:05.799
<v Speaker 2>Sometimes I jumped and I'm like, I'm sorry, you're having

0:38:05.800 --> 0:38:08.359
<v Speaker 2>a sleep over with your cousins.

0:38:09.239 --> 0:38:10.680
<v Speaker 1>Pillow is a lined.

0:38:10.520 --> 0:38:13.600
<v Speaker 2>Up four pillows and the twenty seven you a lot

0:38:13.600 --> 0:38:16.040
<v Speaker 2>of pillow and the twenty seven kilo dog is also

0:38:16.280 --> 0:38:21.319
<v Speaker 2>stretched pillows in our bed A comfortable locks for my

0:38:21.440 --> 0:38:27.520
<v Speaker 2>pillow four max. Anyway, I'm saying a buck up to

0:38:27.640 --> 0:38:30.440
<v Speaker 2>electric plate, bring them back a.

0:38:30.480 --> 0:38:35.839
<v Speaker 1>Bit bit bit bit bo So when we were down

0:38:35.880 --> 0:38:39.319
<v Speaker 1>at the beach, so we went on the weekend and

0:38:40.360 --> 0:38:44.719
<v Speaker 1>I made or not made, actually I started making I

0:38:44.760 --> 0:38:47.080
<v Speaker 1>go for a swim every time we're down there, no

0:38:47.120 --> 0:38:50.520
<v Speaker 1>matter what I started before we went to Italy, which

0:38:50.600 --> 0:38:52.439
<v Speaker 1>was five five years ago.

0:38:52.480 --> 0:38:55.239
<v Speaker 2>When you say swim, it's an ocean, it's an it's

0:38:55.239 --> 0:38:58.280
<v Speaker 2>a bay. Okay, it's going to say, there, I attached.

0:38:57.840 --> 0:39:02.400
<v Speaker 1>The ocean and the water comes straight from Antarctica.

0:39:01.400 --> 0:39:02.719
<v Speaker 2>And how far out do you go?

0:39:03.239 --> 0:39:05.319
<v Speaker 1>Oh no, I do a plunge. So I'm not one

0:39:05.320 --> 0:39:08.600
<v Speaker 1>of those people who's wearing the ironic rubber thing with

0:39:08.640 --> 0:39:11.400
<v Speaker 1>the little flowers on it and swimming and I'm not

0:39:11.440 --> 0:39:11.640
<v Speaker 1>doing it.

0:39:11.680 --> 0:39:14.240
<v Speaker 2>Sometimes you look out into I love that group bodies

0:39:14.239 --> 0:39:17.279
<v Speaker 2>of water and there's always some local man who's like

0:39:17.480 --> 0:39:21.439
<v Speaker 2>ninety who five yes, swimming and they're like, I don't.

0:39:21.640 --> 0:39:24.560
<v Speaker 2>That's Barry Yes, been doing that every day since nineteen

0:39:24.640 --> 0:39:27.239
<v Speaker 2>thirty six, and I just feel get back in, No,

0:39:27.719 --> 0:39:28.320
<v Speaker 2>get burried.

0:39:28.400 --> 0:39:30.000
<v Speaker 1>That's five Barries Like.

0:39:30.000 --> 0:39:32.719
<v Speaker 2>That ways alive because he's out there.

0:39:32.920 --> 0:39:35.359
<v Speaker 1>Anytime you're see an old cock by the beach, And

0:39:35.440 --> 0:39:37.800
<v Speaker 1>even growing up in Queensland at Burly Heads, you'd always

0:39:37.800 --> 0:39:41.480
<v Speaker 1>see some grizzled You'd be like, what is this russet

0:39:41.520 --> 0:39:46.160
<v Speaker 1>autumn leaf that has discovered kinetic power is walking along

0:39:46.200 --> 0:39:50.200
<v Speaker 1>the beach? Oh No, that desicated, dried up husk of

0:39:50.280 --> 0:39:55.719
<v Speaker 1>a human is a healthy old person swimming living by

0:39:55.800 --> 0:39:56.240
<v Speaker 1>the beach.

0:39:57.920 --> 0:39:58.080
<v Speaker 3>Dad.

0:39:58.160 --> 0:39:59.920
<v Speaker 2>I just get nervous for him when he's that far

0:40:00.320 --> 0:40:03.600
<v Speaker 2>don't worry about Barry. He shouldn't be past the boy

0:40:03.880 --> 0:40:05.600
<v Speaker 2>I know, get back.

0:40:05.760 --> 0:40:09.680
<v Speaker 1>Yeah, no, Barry's got to go anyway. So when I

0:40:09.880 --> 0:40:14.680
<v Speaker 1>first started, because it's very I started in like August,

0:40:15.320 --> 0:40:20.200
<v Speaker 1>I said to my husband, very hot, every cold, cold,

0:40:20.280 --> 0:40:23.239
<v Speaker 1>swimming winter. Why did That's not very hot?

0:40:23.320 --> 0:40:26.799
<v Speaker 2>In my head, I thought I finished in July's move on.

0:40:27.280 --> 0:40:29.520
<v Speaker 2>Not big on the seasons. You know what, I don't

0:40:29.520 --> 0:40:30.160
<v Speaker 2>see seasons.

0:40:30.880 --> 0:40:34.640
<v Speaker 1>I knew that. I knew something has a very it's

0:40:34.640 --> 0:40:38.719
<v Speaker 1>a calaurette. Anyway, So when I first started, everyone was

0:40:38.760 --> 0:40:41.280
<v Speaker 1>really reluctant to come in with me. Peter never would

0:40:41.360 --> 0:40:45.839
<v Speaker 1>he's not a cold person. But now everyone comes in

0:40:45.880 --> 0:40:49.160
<v Speaker 1>with me. It was amazing, and it had been raining,

0:40:49.520 --> 0:40:51.440
<v Speaker 1>but we all went down the beach. It was me,

0:40:51.640 --> 0:40:55.040
<v Speaker 1>Peter and the two younger boys, and we all went

0:40:55.080 --> 0:40:57.279
<v Speaker 1>down and there were a few people on the beach,

0:40:57.480 --> 0:41:00.760
<v Speaker 1>all wearing parkers and hoodies and rugged up and kids

0:41:00.760 --> 0:41:04.200
<v Speaker 1>with beanies and scarves and dogs and whatever. And if

0:41:04.239 --> 0:41:07.880
<v Speaker 1>there is one thing, they're very busy, guaranteed. Well, there

0:41:07.920 --> 0:41:10.880
<v Speaker 1>were about ten people on the beach, ten people. But

0:41:10.880 --> 0:41:13.640
<v Speaker 1>there's never anyone on the beach down there. So anyway,

0:41:14.040 --> 0:41:16.000
<v Speaker 1>except for this time when there was ten. Well, it's

0:41:16.000 --> 0:41:20.720
<v Speaker 1>impossible for people to see people on the beach swimming

0:41:21.080 --> 0:41:24.560
<v Speaker 1>when they're rugged up and not comment to them. So

0:41:24.680 --> 0:41:28.600
<v Speaker 1>we're looking past them. We're wet and dripping and wrapped

0:41:28.640 --> 0:41:30.840
<v Speaker 1>in towels, and there.

0:41:30.800 --> 0:41:31.399
<v Speaker 2>I guess one.

0:41:31.920 --> 0:41:34.440
<v Speaker 1>Well, yeah, go on, get going.

0:41:35.400 --> 0:41:36.040
<v Speaker 2>Cold enough?

0:41:36.840 --> 0:41:38.000
<v Speaker 1>No, but close?

0:41:38.120 --> 0:41:38.760
<v Speaker 2>How was that?

0:41:39.320 --> 0:41:41.680
<v Speaker 1>Yeah? How is that? You're braver than I am?

0:41:42.239 --> 0:41:42.600
<v Speaker 2>Goode?

0:41:43.160 --> 0:41:45.680
<v Speaker 1>How is the water water? How is the water?

0:41:45.760 --> 0:41:46.000
<v Speaker 2>Dog?

0:41:46.760 --> 0:41:48.920
<v Speaker 1>With us? He came swimming as well, and then it

0:41:49.000 --> 0:41:50.759
<v Speaker 1>was terrible because then when we got back to the

0:41:50.800 --> 0:41:54.400
<v Speaker 1>house he was so wet and dripping, and of course anyway,

0:41:54.960 --> 0:41:58.080
<v Speaker 1>so we dive in the so I run straight away.

0:41:58.120 --> 0:42:08.759
<v Speaker 1>Peter's a slow entree her so and tell Miranda.

0:42:06.080 --> 0:42:08.680
<v Speaker 2>But you go the form I go, I just go.

0:42:08.800 --> 0:42:12.160
<v Speaker 1>I'm straighting. There's no four play for me. I'm just

0:42:13.360 --> 0:42:16.880
<v Speaker 1>in eepop right. And it was uncharacteristically a bit of

0:42:16.880 --> 0:42:19.160
<v Speaker 1>a wave, which is normally is it it's very still

0:42:19.200 --> 0:42:21.600
<v Speaker 1>down there? And I went, what was that in the water?

0:42:21.760 --> 0:42:25.879
<v Speaker 1>Was that seaweed or was that a sting ray? There's

0:42:25.880 --> 0:42:28.280
<v Speaker 1>a couple of big stingrays that swim up and down

0:42:28.360 --> 0:42:30.000
<v Speaker 1>all the time, and you always see them with the

0:42:30.040 --> 0:42:34.759
<v Speaker 1>fishermen are cleaning their barry human rops barry and I

0:42:34.840 --> 0:42:37.680
<v Speaker 1>think one of the stingrays is called barring actually anyway,

0:42:38.560 --> 0:42:40.600
<v Speaker 1>and so I went, oh, that's weird. And the dog

0:42:40.640 --> 0:42:42.520
<v Speaker 1>came running in after me. He's always like trying to

0:42:42.560 --> 0:42:43.400
<v Speaker 1>rescue people.

0:42:44.120 --> 0:42:45.960
<v Speaker 2>My dog does that, I think you're drowning.

0:42:46.080 --> 0:42:47.799
<v Speaker 1>He swims from one of us to the other.

0:42:48.120 --> 0:42:48.400
<v Speaker 2>Panic.

0:42:48.560 --> 0:42:51.680
<v Speaker 1>Yeah, we're panicking. I think he's maybe he's so big.

0:42:53.160 --> 0:42:54.399
<v Speaker 2>He's actually pushing you down.

0:42:55.040 --> 0:42:57.320
<v Speaker 1>Just one pour on a head should do it, anyway,

0:42:58.280 --> 0:43:00.760
<v Speaker 1>And I thought to myself, that's sweet. And an artie

0:43:00.840 --> 0:43:03.120
<v Speaker 1>who wanted to be the first one in came running

0:43:03.120 --> 0:43:06.760
<v Speaker 1>down the beach past me and plunged into the waves.

0:43:06.800 --> 0:43:08.440
<v Speaker 1>So he beat me. He was the first one in.

0:43:08.760 --> 0:43:12.000
<v Speaker 1>And then Peter starts running into the water as well,

0:43:12.560 --> 0:43:16.440
<v Speaker 1>yelling something at me, yelling, and I see a flip

0:43:16.719 --> 0:43:20.279
<v Speaker 1>of Bearsky in the water right in front of us,

0:43:20.480 --> 0:43:22.319
<v Speaker 1>like as far away as Sah.

0:43:22.360 --> 0:43:23.720
<v Speaker 2>Just turned into a horror movie.

0:43:24.880 --> 0:43:28.920
<v Speaker 1>A stingray barb pokes up out of the water. There's

0:43:28.960 --> 0:43:32.719
<v Speaker 1>like a flip, and Peter's yelling a sting ray the

0:43:32.960 --> 0:43:38.200
<v Speaker 1>sting ray, and Barsky was like like probably No, I'm

0:43:38.239 --> 0:43:41.160
<v Speaker 1>not that close, but like a meter away from a

0:43:41.239 --> 0:43:43.880
<v Speaker 1>stingray barb and I.

0:43:43.880 --> 0:43:47.839
<v Speaker 2>First I know, but also me too, I mean sorry and.

0:43:47.760 --> 0:43:52.839
<v Speaker 1>You, but we're How unbelievable is that? And then I

0:43:52.920 --> 0:43:56.720
<v Speaker 1>also thought if it wasn't for Steve Irwin, beautiful Steve

0:43:56.719 --> 0:43:59.560
<v Speaker 1>Irwin rip and probably would have none of us. I

0:43:59.600 --> 0:44:06.239
<v Speaker 1>think we're ever worried about stingraysse we No, No, he

0:44:06.320 --> 0:44:09.919
<v Speaker 1>used to swing happened? I don't think No, I don't

0:44:09.920 --> 0:44:10.560
<v Speaker 1>think we knew.

0:44:10.760 --> 0:44:14.200
<v Speaker 2>Isn't there family photos of people patting them at SeaWorld.

0:44:14.880 --> 0:44:18.280
<v Speaker 1>Swimming like people going, oh I swam with rays. Yeah,

0:44:18.360 --> 0:44:21.680
<v Speaker 1>I think people loved it. Now, of course we're all terrified,

0:44:21.840 --> 0:44:27.440
<v Speaker 1>but seeing his stick poke up popped, and then of

0:44:27.440 --> 0:44:29.120
<v Speaker 1>course we had You know how my husband will never

0:44:29.160 --> 0:44:33.239
<v Speaker 1>take my side in anything. If it was up to him,

0:44:33.320 --> 0:44:37.920
<v Speaker 1>we'd be eating unripe pineapple even now. Right anyway, I

0:44:37.960 --> 0:44:41.200
<v Speaker 1>said to him, what would have happened if I'd got

0:44:41.239 --> 0:44:44.920
<v Speaker 1>stung by a barbe or bearskid got stung by a barbe?

0:44:45.440 --> 0:44:48.719
<v Speaker 1>And he said, you go first, Okay, So I said

0:44:48.760 --> 0:44:51.080
<v Speaker 1>to him, because we deserted, we're in the middle of

0:44:51.120 --> 0:44:54.120
<v Speaker 1>this deserted beach, and we're miles from anywhere, as you know,

0:44:54.120 --> 0:44:56.719
<v Speaker 1>we've got no rubbish collection, we've got no town, water,

0:44:56.840 --> 0:44:59.600
<v Speaker 1>town gas. We're like the nearest ambulance would be like

0:44:59.600 --> 0:45:04.600
<v Speaker 1>an hour away. And I said, he said, well, you'd

0:45:04.760 --> 0:45:07.960
<v Speaker 1>have to pull the barb out. And I said, you

0:45:08.040 --> 0:45:11.320
<v Speaker 1>can't pull the barb out because it's got the spines

0:45:11.360 --> 0:45:14.040
<v Speaker 1>that go that way. It's like a spear of someone.

0:45:14.000 --> 0:45:16.800
<v Speaker 2>Like guinea, yeah, fishing.

0:45:17.000 --> 0:45:19.319
<v Speaker 1>And he goes, no, no, you can pull it out.

0:45:19.440 --> 0:45:22.399
<v Speaker 1>I said, no, you can't. So there we have an

0:45:22.560 --> 0:45:27.759
<v Speaker 1>argument about the imaginary barbing on the beach of me.

0:45:28.120 --> 0:45:30.319
<v Speaker 2>Or our dog, an imaginary fight.

0:45:30.760 --> 0:45:32.879
<v Speaker 1>So then we decided, what a.

0:45:32.840 --> 0:45:36.400
<v Speaker 2>Peaceful weekend away, what a thrill for the ten strangers

0:45:36.440 --> 0:45:36.920
<v Speaker 2>on the beach.

0:45:38.239 --> 0:45:42.080
<v Speaker 1>Then we decided that you'd have to snap it off somehow,

0:45:42.200 --> 0:45:44.560
<v Speaker 1>chop it off, chop it off, and that he'd have

0:45:44.680 --> 0:45:48.640
<v Speaker 1>to carry me with the barb out, yeah, or the dog.

0:45:50.040 --> 0:45:52.759
<v Speaker 1>I didn't even ask him about how carrying me would go,

0:45:53.120 --> 0:45:55.160
<v Speaker 1>because at that stage I was, I was.

0:45:55.560 --> 0:45:59.480
<v Speaker 2>I would have called Sue soon. It would have come. Now,

0:45:59.760 --> 0:46:02.160
<v Speaker 2>she would have come, You would have had something to do. Come.

0:46:02.239 --> 0:46:04.680
<v Speaker 1>But how's that she would have loved the nature. No,

0:46:04.920 --> 0:46:07.480
<v Speaker 1>Sue wouldn't have come if I had cut the barb

0:46:07.640 --> 0:46:09.200
<v Speaker 1>off the sting but.

0:46:09.160 --> 0:46:11.160
<v Speaker 2>If you kept the sting ray intact, So like if

0:46:11.200 --> 0:46:13.880
<v Speaker 2>your son held the stingray, what and me and your

0:46:13.920 --> 0:46:14.600
<v Speaker 2>husband had.

0:46:14.480 --> 0:46:15.800
<v Speaker 1>You in the gas.

0:46:15.800 --> 0:46:17.720
<v Speaker 2>He's in your guts but carried you together.

0:46:19.880 --> 0:46:22.160
<v Speaker 1>Like the song from the line, did you google.

0:46:21.880 --> 0:46:24.680
<v Speaker 2>It and figure out who was right? I reckon there'd

0:46:24.680 --> 0:46:27.800
<v Speaker 2>be some of this happens.

0:46:28.080 --> 0:46:30.000
<v Speaker 1>Yeah, don't pull out a bar When.

0:46:29.880 --> 0:46:32.920
<v Speaker 2>We watched our YouTube video about what to do in quicksand.

0:46:32.480 --> 0:46:37.160
<v Speaker 1>Quicksand don't struggle, don't struggle, crawl across the very slowly.

0:46:38.120 --> 0:46:39.960
<v Speaker 3>Removing the barb yourself can be risky.

0:46:40.120 --> 0:46:42.600
<v Speaker 1>Oh you are, thank you. Can you send that to

0:46:42.640 --> 0:46:45.240
<v Speaker 1>Peter Allen Lewis's risky? We get him on the phone.

0:46:45.360 --> 0:46:51.520
<v Speaker 2>It's risky. This is what this body is. Is you

0:46:51.560 --> 0:46:53.799
<v Speaker 2>and I our way to come in and this vent

0:46:55.640 --> 0:46:57.040
<v Speaker 2>just prove our husbands wrong.

0:46:57.880 --> 0:47:01.479
<v Speaker 1>If anyone's had arguments that they'd like settled, please do

0:47:01.960 --> 0:47:03.160
<v Speaker 1>How do they contact our.

0:47:03.239 --> 0:47:06.080
<v Speaker 3>Sash dms on and stuff.

0:47:06.760 --> 0:47:09.239
<v Speaker 1>Which is at the buck Up podcast.

0:47:10.160 --> 0:47:13.000
<v Speaker 2>God, you're good, that's where you paid the big box.

0:47:14.239 --> 0:47:15.200
<v Speaker 1>The Big buck Ups.

0:47:16.239 --> 0:47:19.360
<v Speaker 2>We're calling your husband he might not answer.

0:47:24.239 --> 0:47:34.680
<v Speaker 1>It's a strange dream. Oh hell am I darling, very unusual.

0:47:34.719 --> 0:47:35.640
<v Speaker 1>Guess what we're doing?

0:47:41.040 --> 0:47:42.360
<v Speaker 2>Yes, well done.

0:47:42.520 --> 0:47:47.239
<v Speaker 1>Yes, anyway, I was telling Valvo and Sash about the

0:47:47.400 --> 0:47:50.319
<v Speaker 1>argument we had about one of us being stung by

0:47:50.360 --> 0:47:55.880
<v Speaker 1>the stingray that we saw down at the beach. Yes, none,

0:47:57.520 --> 0:48:05.440
<v Speaker 1>remember the stingray and Bearsky is near it. Okay, I'll refresh.

0:48:05.200 --> 0:48:06.600
<v Speaker 2>You on the out of all the ones that you

0:48:06.719 --> 0:48:10.440
<v Speaker 2>had down there on your romantic weekend. Exactly.

0:48:10.480 --> 0:48:16.680
<v Speaker 1>It was a pretty tumultuous week all right. No, remember

0:48:16.760 --> 0:48:18.600
<v Speaker 1>when we were talking about what would have happened if

0:48:18.600 --> 0:48:25.000
<v Speaker 1>one of us had got barbed. I understand the words. See,

0:48:25.080 --> 0:48:26.080
<v Speaker 1>this is the attitude.

0:48:26.080 --> 0:48:27.239
<v Speaker 2>I get that teacher coming.

0:48:27.480 --> 0:48:35.800
<v Speaker 1>Yeah, there's the teacher. Oh, mister Lewis, Mister Lewis, mister okay,

0:48:35.840 --> 0:48:39.680
<v Speaker 1>So the stingray protects itself from the shark. What so

0:48:39.719 --> 0:48:42.240
<v Speaker 1>it sticks itself in the shark and then gets dragged

0:48:42.239 --> 0:48:43.160
<v Speaker 1>around by the shark.

0:48:43.200 --> 0:48:45.920
<v Speaker 2>For he's got a good point.

0:48:46.080 --> 0:48:48.799
<v Speaker 1>Well that's yeah, that's what it does, because then it

0:48:48.880 --> 0:48:51.640
<v Speaker 1>kills the shark. Then the other stingrays come and eat

0:48:51.640 --> 0:48:56.040
<v Speaker 1>the dead shark. Are you comparing me to a shark?

0:48:57.600 --> 0:49:00.440
<v Speaker 1>Could have been worse anyway. You never take my side.

0:49:00.440 --> 0:49:03.520
<v Speaker 1>But guess what, Sasha French has got something to share

0:49:03.600 --> 0:49:06.720
<v Speaker 1>with you. Yeah what Google?

0:49:07.440 --> 0:49:10.160
<v Speaker 3>Removing the barb yourself can be risky as it may

0:49:10.320 --> 0:49:14.320
<v Speaker 3>not be completely removed, leaving behind pieces and venom.

0:49:14.680 --> 0:49:21.120
<v Speaker 1>Bye. Hang up, hang up. That's how you get the

0:49:21.280 --> 0:49:22.120
<v Speaker 1>last words.

0:49:22.280 --> 0:49:25.480
<v Speaker 2>Just hang up on them. Just hang upcas. Next time

0:49:25.520 --> 0:49:28.040
<v Speaker 2>you have an argument with your partner, start a podcast.

0:49:28.320 --> 0:49:31.719
<v Speaker 1>Yes, call them from the shop, yes, yes, and then

0:49:31.800 --> 0:49:34.880
<v Speaker 1>hang up on them or send us the argument. We'll

0:49:34.920 --> 0:49:41.120
<v Speaker 1>call them the settlers the setlist. Oh, it's brilliant.

0:49:41.520 --> 0:49:43.040
<v Speaker 2>This is like the one Cody and I've been having

0:49:43.120 --> 0:49:45.279
<v Speaker 2>for fifteen years about the petrol. Hell, don't fill it

0:49:45.360 --> 0:49:47.520
<v Speaker 2>up to the top. I don't feel the take up.

0:49:47.560 --> 0:49:49.279
<v Speaker 1>No no, no no.

0:49:49.239 --> 0:49:51.680
<v Speaker 2>Or I'm not discussing this, or how I put chocolate

0:49:51.719 --> 0:49:52.240
<v Speaker 2>in the fridge.

0:49:52.480 --> 0:49:56.160
<v Speaker 1>Yeah wrong? Does he not like chocolate in the fridge? No,

0:49:56.200 --> 0:49:58.160
<v Speaker 1>maybe it's a queen same thing, because I don't like

0:49:58.239 --> 0:50:00.560
<v Speaker 1>chocolate in the fridge like a crunch. I like it

0:50:00.680 --> 0:50:04.759
<v Speaker 1>soft and melty, snap like. Nothing's better than when I

0:50:04.800 --> 0:50:09.560
<v Speaker 1>discover some chocolate in the glove box of and you

0:50:09.719 --> 0:50:14.400
<v Speaker 1>open it and it's just all pocket check old pockets.

0:50:17.840 --> 0:50:21.320
<v Speaker 1>I'd be like going at that chocolate, like Miranda's girlfriend

0:50:21.400 --> 0:50:24.839
<v Speaker 1>dish ripping open that little.

0:50:24.560 --> 0:50:31.040
<v Speaker 2>Packet made In episode one, it's Rosie o'donald playing a

0:50:31.160 --> 0:50:35.279
<v Speaker 2>virgin lesbian nun who goes to the big smoke of

0:50:35.400 --> 0:50:37.439
<v Speaker 2>New York City to have her first pause, and it's

0:50:37.440 --> 0:50:44.240
<v Speaker 2>Miranda's how can you hate that show?

0:50:45.719 --> 0:50:49.000
<v Speaker 1>Honestly, it's true, it's true, and that's how can you?

0:50:50.160 --> 0:50:54.240
<v Speaker 1>Oh my goodness, Rosy o'donald, who's gone to live in Ireland.

0:50:55.239 --> 0:50:57.560
<v Speaker 1>And you know what, It's not very often I say this,

0:50:57.680 --> 0:51:01.919
<v Speaker 1>but I pity the Irish because that's a lot to get.

0:51:02.040 --> 0:51:04.719
<v Speaker 1>Rosy O'Donnell washing up on your shoes. That's a lot,

0:51:04.880 --> 0:51:17.680
<v Speaker 1>isn't it too much? It's a text from mum.

0:51:17.800 --> 0:51:18.840
<v Speaker 2>It's been so long.

0:51:19.400 --> 0:51:22.560
<v Speaker 1>Oh my goodness, we've probably lost a few in this time.

0:51:22.680 --> 0:51:25.160
<v Speaker 2>I mean a few people that have lived old. Yes,

0:51:26.800 --> 0:51:31.160
<v Speaker 2>so funny you bring this up because Broncass, great comedian,

0:51:31.239 --> 0:51:33.640
<v Speaker 2>go follow her. She has a bit in a stand

0:51:33.680 --> 0:51:35.680
<v Speaker 2>up that I heard at this fundraiser the other night.

0:51:35.920 --> 0:51:39.200
<v Speaker 2>Minch was telling me about afterwards. Apparently there's some dodgy

0:51:39.200 --> 0:51:41.640
<v Speaker 2>stuff with these blue zones are you ready for this.

0:51:42.239 --> 0:51:44.879
<v Speaker 2>So blue trains for the uneducated. These are the parts

0:51:44.920 --> 0:51:49.120
<v Speaker 2>of the world. So on this particular topic, I think,

0:51:49.120 --> 0:51:51.280
<v Speaker 2>excuse me, I thought someone was in August.

0:51:52.280 --> 0:51:56.440
<v Speaker 1>That's all right, So say for my people, for my people.

0:51:56.560 --> 0:51:59.360
<v Speaker 2>Who's the firth the uneducated on this particular topic.

0:51:59.400 --> 0:52:04.160
<v Speaker 1>Okay, I still I find that language very pejorative. Rose

0:52:04.239 --> 0:52:07.600
<v Speaker 1>O'donnald wouldn't like it. I would not like.

0:52:09.239 --> 0:52:11.399
<v Speaker 2>People in blue zones live longer than anyone else. Yes,

0:52:11.480 --> 0:52:13.040
<v Speaker 2>and they've been studying their do And I.

0:52:13.040 --> 0:52:15.920
<v Speaker 1>Just say Okinawa or somewhere.

0:52:15.600 --> 0:52:18.719
<v Speaker 2>In Japan, European countries, in Greece, sard.

0:52:18.880 --> 0:52:24.040
<v Speaker 1>Sardinia in Italy, an island of Greece, an island of Greece, some.

0:52:23.880 --> 0:52:25.640
<v Speaker 3>Weird CULTI thing in the middle of America.

0:52:25.880 --> 0:52:29.080
<v Speaker 1>I don't have any want.

0:52:28.920 --> 0:52:34.080
<v Speaker 2>To chime in here and say asterix asterisk, asterisk, asteris,

0:52:34.160 --> 0:52:35.840
<v Speaker 2>asteris as terrible.

0:52:35.840 --> 0:52:39.040
<v Speaker 1>I don't know what I'm saying, saying the cartoon, but

0:52:39.080 --> 0:52:39.800
<v Speaker 1>everyone says.

0:52:39.640 --> 0:52:40.879
<v Speaker 2>A patronizing one.

0:52:41.239 --> 0:52:43.560
<v Speaker 1>I just I'm just trying to help you in case

0:52:43.960 --> 0:52:46.120
<v Speaker 1>you ever meet asterisks.

0:52:48.080 --> 0:52:51.360
<v Speaker 2>You might meet him asterisk.

0:52:51.520 --> 0:52:54.160
<v Speaker 1>It's impossible to say forget I said anything. It's there

0:52:54.200 --> 0:52:57.080
<v Speaker 1>now to the record, let's just have a Okay, this

0:52:57.120 --> 0:53:00.840
<v Speaker 1>is a good dilemma. What do you care? Direct people?

0:53:01.920 --> 0:53:06.520
<v Speaker 1>If this is my policy. If I love them enough,

0:53:06.920 --> 0:53:07.719
<v Speaker 1>i'll correct them.

0:53:07.760 --> 0:53:08.480
<v Speaker 2>That's nice.

0:53:08.560 --> 0:53:11.120
<v Speaker 1>If I don't love them, I don't care. It's just

0:53:11.160 --> 0:53:14.480
<v Speaker 1>like generally you can let them walk around going saying

0:53:14.480 --> 0:53:16.680
<v Speaker 1>I'll have a cup of Chino, and you like, go

0:53:16.840 --> 0:53:17.720
<v Speaker 1>for it, go.

0:53:17.640 --> 0:53:19.640
<v Speaker 2>For it, have a cup of their favorite espresso.

0:53:20.000 --> 0:53:23.840
<v Speaker 1>Yes, exactly right. Anyway, do you ever correct I'm.

0:53:23.719 --> 0:53:30.279
<v Speaker 2>Not listening, so if someone is talking, I'm just.

0:53:30.239 --> 0:53:33.400
<v Speaker 1>Not Yeah, I'm not true, that's true. Past do you

0:53:33.440 --> 0:53:39.120
<v Speaker 1>correct the children? Confident enough? The children? Children are yeah, children. Yeah.

0:53:39.160 --> 0:53:42.720
<v Speaker 2>The only reason I cannot do that is I'm quite

0:53:42.719 --> 0:53:46.239
<v Speaker 2>good with the word, with the written word. But for

0:53:46.320 --> 0:53:48.880
<v Speaker 2>the life of me, at forty years old, I cannot

0:53:48.880 --> 0:53:50.600
<v Speaker 2>do there and theirs right.

0:53:50.760 --> 0:53:54.360
<v Speaker 1>Oh, no, of course that's very hard. There'll only be one.

0:53:54.200 --> 0:53:56.520
<v Speaker 2>There, but it's too many theirs, and so I'm so

0:53:56.600 --> 0:53:59.080
<v Speaker 2>bad with that theirs. I can't. I can't go anyone

0:53:59.080 --> 0:54:01.359
<v Speaker 2>else about any other world, Yeah, because it's the wrong there.

0:54:01.840 --> 0:54:05.880
<v Speaker 1>Yeah, it's like here, too many years and I think

0:54:05.920 --> 0:54:06.839
<v Speaker 1>there's only two of them.

0:54:06.920 --> 0:54:10.120
<v Speaker 2>Yeah, the other way, too many, always always do the

0:54:10.160 --> 0:54:14.920
<v Speaker 2>wrong waist, the wrong way, you waste or waste.

0:54:14.719 --> 0:54:17.760
<v Speaker 1>Oh yeah, I can't. All right, it's the wrong waist. Okay,

0:54:17.840 --> 0:54:18.800
<v Speaker 1>hit me with the old people.

0:54:18.840 --> 0:54:20.839
<v Speaker 2>You know it feels when I send your teest girl

0:54:20.840 --> 0:54:22.880
<v Speaker 2>and your waist was looking good tonight. You'll be like,

0:54:22.920 --> 0:54:25.200
<v Speaker 2>but you have you see my rubbish the way I spelt.

0:54:24.840 --> 0:54:28.160
<v Speaker 1>It that I dropped off at the transfer station and

0:54:28.280 --> 0:54:30.600
<v Speaker 1>had to pay despite the fact that we get no

0:54:30.880 --> 0:54:31.640
<v Speaker 1>rubbish collection.

0:54:31.920 --> 0:54:34.239
<v Speaker 2>There is a transfer station in my suburbs, or I

0:54:34.280 --> 0:54:36.200
<v Speaker 2>get it for free because the post code is where

0:54:36.200 --> 0:54:39.759
<v Speaker 2>the transfer station is. Twenty four to seven free transfer

0:54:39.880 --> 0:54:42.719
<v Speaker 2>what you can drop off anything, anything, anytime I'm coming

0:54:42.719 --> 0:54:46.520
<v Speaker 2>to visit you free. We go so often I know

0:54:46.560 --> 0:54:49.200
<v Speaker 2>what number of the bit the things are. I'll be like, yeah,

0:54:49.200 --> 0:54:55.000
<v Speaker 2>I've got the cardboard. It's number eight, number eight.

0:54:55.160 --> 0:54:57.920
<v Speaker 1>I go, oh that's luxury.

0:54:58.120 --> 0:55:02.000
<v Speaker 2>Yeah yeah, yeah, real good. All right. What was I saying? Oh,

0:55:02.160 --> 0:55:03.920
<v Speaker 2>I'm talking about old people.

0:55:04.360 --> 0:55:05.680
<v Speaker 1>Yeah, about the police zones.

0:55:05.840 --> 0:55:10.440
<v Speaker 2>Oh yeah, they think some of the places it's a

0:55:10.440 --> 0:55:14.200
<v Speaker 2>bit skewed because people are lying to the government about

0:55:14.239 --> 0:55:17.960
<v Speaker 2>people being alive so they keep getting the pension. So

0:55:18.239 --> 0:55:21.040
<v Speaker 2>in some of these places, people are saying Oh, yes,

0:55:21.080 --> 0:55:25.120
<v Speaker 2>my grandma's still alive. Give us that check please, And

0:55:25.120 --> 0:55:27.560
<v Speaker 2>then you find out that Nana died twenty five years.

0:55:28.160 --> 0:55:31.239
<v Speaker 1>Just off the top of my scorn, I know what

0:55:31.440 --> 0:55:36.600
<v Speaker 1>country that would be happening in. It wouldn't be in Japan, Okay,

0:55:37.000 --> 0:55:38.040
<v Speaker 1>I trust society.

0:55:38.040 --> 0:55:39.600
<v Speaker 2>She has a great bit about it.

0:55:39.640 --> 0:55:43.600
<v Speaker 1>But that's amazing. We know where it would be happening. Yes,

0:55:44.120 --> 0:55:46.759
<v Speaker 1>but because why not?

0:55:47.000 --> 0:55:51.879
<v Speaker 2>Why not? I'll be doing it. I'm doing it now.

0:55:52.560 --> 0:55:54.120
<v Speaker 1>Wow. So they're not living longer.

0:55:54.360 --> 0:55:56.200
<v Speaker 2>They're not living longer, they're just getting lied to.

0:55:56.440 --> 0:55:58.440
<v Speaker 1>His name went there? Who?

0:55:58.760 --> 0:55:59.040
<v Speaker 2>Who?

0:55:59.080 --> 0:56:01.520
<v Speaker 1>Who? Are not the one with the what?

0:56:02.280 --> 0:56:02.879
<v Speaker 2>The dead one?

0:56:03.239 --> 0:56:09.359
<v Speaker 1>Grenier Adrian the actor. Yeah, he did a docco about them.

0:56:09.640 --> 0:56:12.680
<v Speaker 1>When you watched it, yeah, we were in lockdown and

0:56:12.760 --> 0:56:13.640
<v Speaker 1>he actually was.

0:56:13.920 --> 0:56:14.799
<v Speaker 2>He's insufferable.

0:56:15.000 --> 0:56:18.680
<v Speaker 1>Also, he's really I don't want to say, what's a

0:56:18.760 --> 0:56:21.759
<v Speaker 1>nice word for dumb, but he's really.

0:56:21.400 --> 0:56:23.240
<v Speaker 2>Do you know that? Like Winters not in August?

0:56:23.640 --> 0:56:26.120
<v Speaker 1>No, But that's not dumb. That's just like something you

0:56:26.160 --> 0:56:29.480
<v Speaker 1>don't know, do you know what I mean? That's I

0:56:29.480 --> 0:56:32.279
<v Speaker 1>think the world's full of things that we don't know.

0:56:32.800 --> 0:56:35.279
<v Speaker 1>But the your ability to proceed.

0:56:34.960 --> 0:56:36.960
<v Speaker 2>How to get his own show about Blue Zone.

0:56:37.320 --> 0:56:41.719
<v Speaker 1>It's really weird, strange do I advocate watching and I

0:56:41.719 --> 0:56:45.120
<v Speaker 1>can't remember much about it. I don't know why I

0:56:45.160 --> 0:56:50.040
<v Speaker 1>meant you anyway, quite fascinating. No, he met them and

0:56:50.080 --> 0:56:51.200
<v Speaker 1>they walk up stairs.

0:56:51.480 --> 0:56:53.560
<v Speaker 2>I feel like there's too many people in the world

0:56:53.600 --> 0:56:56.400
<v Speaker 2>who believe they deserve their own sort of travel slash

0:56:56.440 --> 0:56:59.440
<v Speaker 2>food show. One said too many. I didn't say not

0:56:59.480 --> 0:57:01.880
<v Speaker 2>everyone does, as I just don't have one, I know,

0:57:01.920 --> 0:57:02.640
<v Speaker 2>but too many people.

0:57:02.719 --> 0:57:03.759
<v Speaker 1>I don't think I deserve one.

0:57:03.760 --> 0:57:07.560
<v Speaker 2>Too many actors and oh yeah, people to think going

0:57:07.600 --> 0:57:09.080
<v Speaker 2>to that coastal town.

0:57:09.200 --> 0:57:14.960
<v Speaker 1>Right, talking about Peter, Peter Alan lewis right, but you've

0:57:15.000 --> 0:57:18.760
<v Speaker 1>got a glimpse of him before. Sometimes he's prone to pomposity,

0:57:19.680 --> 0:57:24.960
<v Speaker 1>right for a guy like from a working class family,

0:57:25.240 --> 0:57:28.920
<v Speaker 1>beautiful family, but like nowheres and graces with his family.

0:57:29.080 --> 0:57:30.200
<v Speaker 2>I'm a teacher at fifty.

0:57:30.400 --> 0:57:34.919
<v Speaker 1>Yeah, anyway, we've been trying to watch that travel show

0:57:34.960 --> 0:57:39.920
<v Speaker 1>with Stanley Tucci. Right, he won't. Yes, he won't either,

0:57:40.320 --> 0:57:43.160
<v Speaker 1>and you know what got him. Within the first thirty

0:57:43.280 --> 0:57:47.840
<v Speaker 1>seconds of the show, when it opens, Stanley Tucci says,

0:57:48.400 --> 0:57:52.520
<v Speaker 1>I'm Italian on both sides of my family, and Peter.

0:57:53.000 --> 0:57:57.600
<v Speaker 2>Was like nut done an Italian finish of full Italian.

0:57:57.640 --> 0:57:58.280
<v Speaker 1>He's American.

0:57:58.400 --> 0:57:58.600
<v Speaker 3>You know.

0:57:58.640 --> 0:58:00.720
<v Speaker 1>Americans always like to say am Irish.

0:58:00.880 --> 0:58:04.920
<v Speaker 2>Yeah, you know ro It's yeah, me and Pete on

0:58:05.360 --> 0:58:08.760
<v Speaker 2>t Pete on this one. I don't get the Tucci thing. No, anyway,

0:58:08.800 --> 0:58:10.000
<v Speaker 2>it was one that I was thinking about.

0:58:10.080 --> 0:58:12.360
<v Speaker 1>Okay, well Peter just won't so now we can't even

0:58:12.400 --> 0:58:14.640
<v Speaker 1>watch it. But Sange has watched it quite like it.

0:58:14.680 --> 0:58:17.960
<v Speaker 2>They're also find at his new one.

0:58:18.000 --> 0:58:20.200
<v Speaker 1>He's lost me on the new one. But how does

0:58:20.240 --> 0:58:22.560
<v Speaker 1>someone lose you on her food and trouble? Very hard

0:58:22.560 --> 0:58:25.080
<v Speaker 1>to lose Sanche. I've been trying for twenty years and

0:58:25.200 --> 0:58:28.120
<v Speaker 1>it is nearly impossible. You know what. It's like. She's

0:58:28.720 --> 0:58:31.840
<v Speaker 1>she's got the stingray barb through her guts and does

0:58:31.920 --> 0:58:34.680
<v Speaker 1>not know how to pull it out. So both of

0:58:34.760 --> 0:58:38.280
<v Speaker 1>us are just going through last one day much. No

0:58:38.400 --> 0:58:43.320
<v Speaker 1>you'll miss me, No, you'll miss me. It's me. I'm

0:58:43.400 --> 0:58:44.840
<v Speaker 1>going somewhere before you are.

0:58:45.000 --> 0:58:52.400
<v Speaker 2>Can I leave this? It's like it's going on. Okay,

0:58:52.800 --> 0:58:56.280
<v Speaker 2>what is hay? I like standing to touch an actor?

0:58:56.320 --> 0:58:59.120
<v Speaker 2>By the way, I don't want to watch him a

0:58:59.400 --> 0:59:08.480
<v Speaker 2>spaghetti actually watched him in a very.

0:59:07.560 --> 0:59:08.520
<v Speaker 1>Yeah, he's fabulous.

0:59:08.920 --> 0:59:14.200
<v Speaker 2>He's also really good in this movie we watched about

0:59:14.240 --> 0:59:16.320
<v Speaker 2>him and this gay guy. They're both gay and one

0:59:16.320 --> 0:59:20.360
<v Speaker 2>of them dies. It's actually very good anyway, better than

0:59:20.440 --> 0:59:21.680
<v Speaker 2>him making past.

0:59:21.600 --> 0:59:25.480
<v Speaker 1>Yeah, I don't care. Oh I love Are you a chef?

0:59:25.720 --> 0:59:27.280
<v Speaker 2>No? Then don't make pasta?

0:59:27.600 --> 0:59:27.800
<v Speaker 1>Yeah?

0:59:27.840 --> 0:59:30.160
<v Speaker 2>But the TV show, Yeah, I get it, I get it.

0:59:30.560 --> 0:59:31.160
<v Speaker 2>What's happening?

0:59:32.280 --> 0:59:33.160
<v Speaker 1>How to look along one?

0:59:33.200 --> 0:59:36.440
<v Speaker 2>Oh? Yes, Bhead sent us this one? Okay, Sarah, Thank

0:59:36.480 --> 0:59:38.040
<v Speaker 2>you Sarah by Sarah.

0:59:38.080 --> 0:59:41.040
<v Speaker 1>I love Sarah to end up. I think she's buckwheat.

0:59:41.320 --> 0:59:42.320
<v Speaker 2>It's good news for one.

0:59:42.840 --> 0:59:43.360
<v Speaker 1>Good you.

0:59:43.640 --> 0:59:47.760
<v Speaker 2>We're not talking veggies. We're not being kind to one another.

0:59:48.080 --> 0:59:50.800
<v Speaker 1>Really, we're not talking about not drinking, not smoking, not.

0:59:51.200 --> 0:59:54.280
<v Speaker 2>We want to you want to live long? You live

0:59:54.400 --> 0:59:57.720
<v Speaker 2>till one hundred and three? When you live on brand.

1:00:00.120 --> 1:00:01.720
<v Speaker 1>Do you have a bit of brandy? Do you have

1:00:01.720 --> 1:00:03.400
<v Speaker 1>a bit of brandy every single day?

1:00:03.520 --> 1:00:04.240
<v Speaker 2>Everything else?

1:00:04.440 --> 1:00:06.120
<v Speaker 1>And have you got a boyfriend or anything?

1:00:06.520 --> 1:00:07.439
<v Speaker 2>No, that's wrong.

1:00:07.480 --> 1:00:08.520
<v Speaker 1>I'm living this long.

1:00:12.840 --> 1:00:13.760
<v Speaker 2>Brandy and Puss.

1:00:15.880 --> 1:00:20.120
<v Speaker 1>Miranda is gonna live series eighteen, Bad.

1:00:20.120 --> 1:00:23.520
<v Speaker 2>Bad, Bad Branda is going to live out outlive us all.

1:00:23.440 --> 1:00:27.680
<v Speaker 1>Outlived, bad bad bad. Don't you think we'll die first?

1:00:28.560 --> 1:00:29.560
<v Speaker 2>Oh? My god?

1:00:30.200 --> 1:00:31.760
<v Speaker 1>That because I think you'll miss me.

1:00:32.080 --> 1:00:32.920
<v Speaker 2>No, you're okay.

1:00:33.040 --> 1:00:34.480
<v Speaker 1>I think you're not doing it for me.

1:00:34.640 --> 1:00:36.200
<v Speaker 2>I think you're going to die for I can't live

1:00:36.200 --> 1:00:38.640
<v Speaker 2>without you. You're going to die first, I think because

1:00:39.200 --> 1:00:41.640
<v Speaker 2>ten minutes ago you spoke about getting a device that's

1:00:41.680 --> 1:00:44.520
<v Speaker 2>a wire that is in your bed. It has to

1:00:44.520 --> 1:00:47.840
<v Speaker 2>be out the window and touching brass.

1:00:47.360 --> 1:00:51.640
<v Speaker 1>And touching earth an earthing wire. Bye bye, gay. There

1:00:51.640 --> 1:00:53.680
<v Speaker 1>you can get ship by.

1:00:53.680 --> 1:00:56.080
<v Speaker 2>First you killed the project, and then.

1:00:57.480 --> 1:01:01.720
<v Speaker 1>I'm want to kill yourself with the wire. The buck

1:01:01.800 --> 1:01:05.080
<v Speaker 1>Up podcast is hosted by me Kate Langbrook and him

1:01:05.240 --> 1:01:10.960
<v Speaker 1>Nathan Valvo. It's produced by the brilliant Sasha French. Audio

1:01:11.000 --> 1:01:16.680
<v Speaker 1>and sound by the magnificent Jack Lawrence you might call

1:01:16.760 --> 1:01:20.760
<v Speaker 1>him Jack. And Dom Evans. Oh we're lucky.