1 00:00:00,080 --> 00:00:01,960 Speaker 1: Well, it is Monday after and I don't hope you 2 00:00:01,960 --> 00:00:04,080 Speaker 1: guys having a wonderful drive home woods. You and I 3 00:00:04,120 --> 00:00:08,479 Speaker 1: had the absolute pleasure of catching up with Alec Baldwin. Now, 4 00:00:08,640 --> 00:00:10,159 Speaker 1: I just need to stress before we get into this. 5 00:00:10,320 --> 00:00:12,879 Speaker 1: The chat we had with him was pre the rust shooting, 6 00:00:13,880 --> 00:00:16,200 Speaker 1: that tragedy that happened on the set of one of 7 00:00:16,200 --> 00:00:18,760 Speaker 1: his films. And look, as I said before, I really 8 00:00:18,800 --> 00:00:21,279 Speaker 1: actually think this is First of all, you and I 9 00:00:21,280 --> 00:00:23,400 Speaker 1: we're never going to grill him about that. But second 10 00:00:23,400 --> 00:00:26,320 Speaker 1: of all, the only photo, the only images, a lot 11 00:00:26,320 --> 00:00:28,440 Speaker 1: of it for all some people, the only way you 12 00:00:28,560 --> 00:00:32,440 Speaker 1: know Alec Baldwin is through the lens of that tragedy. 13 00:00:33,479 --> 00:00:35,160 Speaker 1: And so I think this is a really good chance 14 00:00:35,159 --> 00:00:37,480 Speaker 1: when you look at all the news these days about 15 00:00:37,560 --> 00:00:40,040 Speaker 1: him and everything he's going through, just to get a 16 00:00:40,080 --> 00:00:42,239 Speaker 1: glimpse of the guy who is. We do a lot 17 00:00:42,240 --> 00:00:44,640 Speaker 1: of these junkets. We sit down with people, we only 18 00:00:44,640 --> 00:00:46,599 Speaker 1: get ten minutes with them, and they can be as 19 00:00:46,600 --> 00:00:50,760 Speaker 1: dismissive to us as they like. This guy was warm, inviting, 20 00:00:51,240 --> 00:00:54,160 Speaker 1: super friendly with his time. He really was. He really 21 00:00:54,160 --> 00:00:56,760 Speaker 1: made an effort extended the time with us, and I 22 00:00:56,800 --> 00:00:58,520 Speaker 1: hope you guys can hear this and think about that 23 00:00:58,560 --> 00:01:00,400 Speaker 1: when you see him next in the news for something 24 00:01:00,440 --> 00:01:02,720 Speaker 1: that he just no one deserves to go through. He 25 00:01:02,800 --> 00:01:05,800 Speaker 1: is obviously promoting Boss Baby Too, which is in Cinema's Thursday. 26 00:01:06,400 --> 00:01:09,040 Speaker 1: And here we are with Alec Baldwin in my living room. 27 00:01:09,319 --> 00:01:11,840 Speaker 2: All right, we're all set. We are now as Will 28 00:01:11,840 --> 00:01:15,360 Speaker 2: in which one is Woody Will's in a robe? 29 00:01:18,720 --> 00:01:21,160 Speaker 3: And what a stylish robe it is. Look at that? 30 00:01:21,319 --> 00:01:25,000 Speaker 3: Thank you very much? Who makes who makes that robe? Faragama? 31 00:01:28,040 --> 00:01:29,080 Speaker 3: I'll find out for it. 32 00:01:29,640 --> 00:01:32,200 Speaker 1: Oh look, I can't see it. I actually stole it 33 00:01:32,240 --> 00:01:35,000 Speaker 1: off my old house mat. He spent five hundred Australian 34 00:01:35,040 --> 00:01:37,280 Speaker 1: dollars on it. 35 00:01:37,280 --> 00:01:39,040 Speaker 3: It's got to be something really plush. 36 00:01:41,520 --> 00:01:43,800 Speaker 1: I'm neude from the bottom half, so I can't take 37 00:01:43,840 --> 00:01:44,119 Speaker 1: it off. 38 00:01:44,160 --> 00:01:44,600 Speaker 3: I'm sorry. 39 00:01:44,800 --> 00:01:49,040 Speaker 4: I knew that I could sense down energy about you. 40 00:01:49,200 --> 00:01:59,560 Speaker 3: There's a riality about you. It's unmistakable. Well, I'll try 41 00:01:59,600 --> 00:02:02,400 Speaker 3: not to talk. Returning is red as a lobster. 42 00:02:02,840 --> 00:02:07,200 Speaker 1: Yeah, I've just got fit into one of the biggest 43 00:02:07,200 --> 00:02:09,160 Speaker 1: sectors in the world. That I'm nude from the west 44 00:02:09,160 --> 00:02:10,760 Speaker 1: down well, speaking to him, so, you. 45 00:02:10,720 --> 00:02:13,760 Speaker 3: Know, tell me a lot of strange things. Let me 46 00:02:13,760 --> 00:02:14,000 Speaker 3: tell you. 47 00:02:14,000 --> 00:02:15,920 Speaker 2: They tell me A lot of the question is a 48 00:02:16,000 --> 00:02:17,840 Speaker 2: you nude from the West down Alec Baldwin. 49 00:02:19,560 --> 00:02:21,120 Speaker 4: You have to pay me a lot of money to 50 00:02:21,240 --> 00:02:25,640 Speaker 4: do that. Usually there's a seventh figure check involved. But 51 00:02:25,800 --> 00:02:28,800 Speaker 4: I think that we can talk about nudity in films 52 00:02:28,840 --> 00:02:29,400 Speaker 4: if you want to. 53 00:02:29,560 --> 00:02:31,919 Speaker 3: You want to do that. Loss Baby is nude. There's 54 00:02:31,919 --> 00:02:33,960 Speaker 3: a nude scene they too. 55 00:02:34,080 --> 00:02:37,519 Speaker 4: Yeah, yeah, boss Baby the original Boss Baby the opening credits, 56 00:02:37,560 --> 00:02:39,799 Speaker 4: he was nude. And my kids would say every time 57 00:02:39,840 --> 00:02:41,679 Speaker 4: the credits would roll we watch the movie. Many times 58 00:02:41,680 --> 00:02:43,040 Speaker 4: they'd be like laughing with. 59 00:02:43,280 --> 00:02:46,359 Speaker 3: Dad, that's your butt, that's your butt. 60 00:02:47,480 --> 00:02:51,560 Speaker 4: So I was so, I've done nude scenes where people 61 00:02:51,560 --> 00:02:54,119 Speaker 4: had been at the nude scenes where people. 62 00:02:53,919 --> 00:02:54,680 Speaker 3: Have been thrilled. 63 00:02:54,840 --> 00:02:58,280 Speaker 1: What's you most been intense nude scene to do? 64 00:02:59,120 --> 00:03:03,160 Speaker 4: I did this movie Malice years ago with Nicole Kidman. 65 00:03:03,720 --> 00:03:06,760 Speaker 4: That Deborah Malowney who was married to Jimmy Farantino. She 66 00:03:06,800 --> 00:03:08,280 Speaker 4: and I had to do a sex scene in the 67 00:03:08,320 --> 00:03:10,440 Speaker 4: movie Wow, and it was one of the most It 68 00:03:10,520 --> 00:03:14,280 Speaker 4: was one of the most exhausting processes of my life. 69 00:03:14,360 --> 00:03:17,000 Speaker 3: Why I want you to because they want you to 70 00:03:17,080 --> 00:03:20,600 Speaker 3: simulate whatever, and you have to really, how long will 71 00:03:20,600 --> 00:03:22,400 Speaker 3: you go there's an art to it. There's an art 72 00:03:22,400 --> 00:03:23,360 Speaker 3: to it. There's an art to it. 73 00:03:23,560 --> 00:03:25,639 Speaker 1: Six pretending to have sex. 74 00:03:28,400 --> 00:03:32,160 Speaker 3: Tell me, well, you haven't figured. 75 00:03:32,440 --> 00:03:34,720 Speaker 4: You're the you're one, you're the one coming to work 76 00:03:34,760 --> 00:03:38,520 Speaker 4: with you know, pants on, what's real and not real? 77 00:03:38,680 --> 00:03:41,000 Speaker 4: So but yeah, no, But doing those scenes when I 78 00:03:41,040 --> 00:03:44,600 Speaker 4: was younger and doing the films, it was really. 79 00:03:44,320 --> 00:03:46,360 Speaker 3: Bizarre, you know, because because you have to commit every 80 00:03:46,400 --> 00:03:46,840 Speaker 3: scene you do. 81 00:03:47,120 --> 00:03:49,000 Speaker 4: If you're gonna kill somebody, if you're gonna love somebody, 82 00:03:49,000 --> 00:03:52,280 Speaker 4: if you're gonna save somebody, if you're gonna give a speech, 83 00:03:52,360 --> 00:03:54,440 Speaker 4: whatever you're asked to do, you got to go for it. 84 00:03:54,800 --> 00:03:57,480 Speaker 3: And you're there with somebody you barely know. And I 85 00:03:57,800 --> 00:03:58,320 Speaker 3: knew Debra. 86 00:03:58,560 --> 00:04:02,240 Speaker 4: I knew Deborah, I knew we're as an actress, and 87 00:04:02,240 --> 00:04:02,960 Speaker 4: I'd run into her. 88 00:04:03,520 --> 00:04:05,400 Speaker 3: We had to do this scene and it was really. 89 00:04:05,200 --> 00:04:09,360 Speaker 1: Really have you ever had any tension in those scenes? Like, 90 00:04:09,560 --> 00:04:11,520 Speaker 1: you know, you sort of get there and you're like, wow, 91 00:04:11,560 --> 00:04:12,800 Speaker 1: this is just too much for me. 92 00:04:13,440 --> 00:04:17,200 Speaker 3: You realize the movie we're here to sell us absolutely sorry. 93 00:04:19,360 --> 00:04:21,600 Speaker 4: You know, really, with your pants off, I'm sure if 94 00:04:21,640 --> 00:04:23,159 Speaker 4: you had your pants on, you wouldn't be. 95 00:04:23,120 --> 00:04:24,000 Speaker 3: Asking these questions. 96 00:04:24,000 --> 00:04:26,520 Speaker 4: But your pants off has made you feel like you 97 00:04:26,520 --> 00:04:29,560 Speaker 4: have a license to just kind of gamble into this 98 00:04:29,800 --> 00:04:31,880 Speaker 4: orchard of perversion and sex. 99 00:04:32,200 --> 00:04:33,440 Speaker 3: Which is kind of amazing to me. 100 00:04:34,120 --> 00:04:36,719 Speaker 4: But this is a children's film, cor Boss Baby Family, 101 00:04:37,680 --> 00:04:39,000 Speaker 4: the kids. 102 00:04:38,720 --> 00:04:42,719 Speaker 2: And spoiler, there's no sex scenes in zero. 103 00:04:43,160 --> 00:04:49,960 Speaker 3: It isn't what sexual innuendo whatsoever an orchard of perversion. 104 00:04:50,160 --> 00:04:55,640 Speaker 1: You gamble into an orchard of perversion. Yeah, on may 105 00:04:55,680 --> 00:04:58,040 Speaker 1: ask him about sex scenes whilst I was nude from 106 00:04:58,040 --> 00:05:00,000 Speaker 1: the waist down in a robe in my living room. 107 00:05:00,320 --> 00:05:01,520 Speaker 2: You never thought you'd say that, did you? 108 00:05:01,600 --> 00:05:04,800 Speaker 3: Absolutely not? Got more with the one and only Alec. 109 00:05:04,600 --> 00:05:07,960 Speaker 1: Baldwin right up next, So Millan Moody, it's kiss good 110 00:05:08,000 --> 00:05:10,400 Speaker 1: afternoon everyone in his will and Moody, I hope you're 111 00:05:10,400 --> 00:05:14,080 Speaker 1: having a wonderful Monday afternoon. You just joining us, So 112 00:05:14,200 --> 00:05:16,040 Speaker 1: you have joined us at a great time. It's our 113 00:05:16,080 --> 00:05:19,120 Speaker 1: sit down chat with the one and only Alec Baldwin. 114 00:05:19,960 --> 00:05:22,520 Speaker 1: Now this chat happened before Rust got the Russ shooting. 115 00:05:22,520 --> 00:05:23,800 Speaker 1: I've got to stress that, guys, why don't he to 116 00:05:23,839 --> 00:05:25,560 Speaker 1: grill him about Rust shooting? As I said before, though, 117 00:05:25,560 --> 00:05:27,440 Speaker 1: I hope this is a really good insight into how 118 00:05:27,480 --> 00:05:30,279 Speaker 1: decent this dirt is Woods, and I do lots of 119 00:05:30,279 --> 00:05:32,640 Speaker 1: these interviews, and just the fact that he's so generous 120 00:05:32,640 --> 00:05:34,760 Speaker 1: with his time, so playful on it, like he's just 121 00:05:34,800 --> 00:05:36,040 Speaker 1: a lot of people. A lot of the big, big, 122 00:05:36,080 --> 00:05:37,760 Speaker 1: big celebs can be quite closed off. 123 00:05:37,760 --> 00:05:38,560 Speaker 3: This guy not at all. 124 00:05:38,600 --> 00:05:40,640 Speaker 1: And hopefully that helps you paint a bit of a 125 00:05:40,680 --> 00:05:42,880 Speaker 1: picture of the man behind all those awful photos at 126 00:05:42,880 --> 00:05:44,320 Speaker 1: the moment and all the grief is going. 127 00:05:44,120 --> 00:05:46,880 Speaker 5: Through if you missed the first half. Actually he didn't 128 00:05:46,880 --> 00:05:49,000 Speaker 5: need to do this, but he fully engaged with our 129 00:05:49,080 --> 00:05:52,480 Speaker 5: questions about sex scenes that he's been in while promoting, 130 00:05:52,520 --> 00:05:55,080 Speaker 5: by the way, a movie called Boss Baby Too, which 131 00:05:55,120 --> 00:05:57,160 Speaker 5: has no sex scenes, and then you also revealed to 132 00:05:57,200 --> 00:05:58,560 Speaker 5: him that you were nude under your robe. It was 133 00:05:58,560 --> 00:06:00,680 Speaker 5: all pretty outrageous stuff. If you want to get it, 134 00:06:00,720 --> 00:06:03,680 Speaker 5: get it on a rerevegat podcasts from Will and Woody. 135 00:06:04,080 --> 00:06:05,599 Speaker 5: But it's so rare. 136 00:06:05,720 --> 00:06:06,600 Speaker 2: But I feel like I had. 137 00:06:06,560 --> 00:06:10,280 Speaker 5: To salvage the situation by actually asking any question about. 138 00:06:09,960 --> 00:06:10,760 Speaker 2: Boss Baby Too. 139 00:06:11,120 --> 00:06:11,560 Speaker 3: Here we go. 140 00:06:12,520 --> 00:06:15,440 Speaker 2: Something that the film does focus on, and I love 141 00:06:15,480 --> 00:06:18,800 Speaker 2: this theme is getting in touch with your inner child. 142 00:06:19,000 --> 00:06:21,320 Speaker 2: And I wanted to ask you, Aleck, how do you 143 00:06:21,400 --> 00:06:24,280 Speaker 2: in your life get in touch with you in a child. 144 00:06:24,160 --> 00:06:27,479 Speaker 4: Well, because I have so many kids. Yeah, my wife 145 00:06:27,520 --> 00:06:30,640 Speaker 4: and I have six children. I have seven children. I 146 00:06:30,640 --> 00:06:33,200 Speaker 4: have an older daughter. But our little children, you. 147 00:06:33,200 --> 00:06:36,400 Speaker 3: Can't help but stay in the place. Just to communicate 148 00:06:36,480 --> 00:06:36,720 Speaker 3: to them. 149 00:06:36,839 --> 00:06:41,240 Speaker 4: Everything has to be the fist inside the velvet glove 150 00:06:41,600 --> 00:06:45,640 Speaker 4: of play and silliness and grooping around. And my kids 151 00:06:45,720 --> 00:06:48,320 Speaker 4: just like that's all they want. So I have a 152 00:06:48,440 --> 00:06:52,200 Speaker 4: terrible fear that's going to come time to fill in 153 00:06:52,200 --> 00:06:54,679 Speaker 4: applications for college and we wouldn't even be able. 154 00:06:54,480 --> 00:06:56,600 Speaker 3: To write anything down. We wouldn't even know what to say. 155 00:06:56,880 --> 00:06:59,320 Speaker 4: They're going to be complete idiots as a result of 156 00:06:59,320 --> 00:07:00,280 Speaker 4: the way I've raised them. 157 00:07:00,279 --> 00:07:01,680 Speaker 3: So i'm do. 158 00:07:01,760 --> 00:07:03,320 Speaker 2: They follow you funny, elec? 159 00:07:03,440 --> 00:07:04,280 Speaker 3: Or are they critical of you? 160 00:07:04,920 --> 00:07:07,760 Speaker 4: When my wife's not around, they think I'm funny, right, 161 00:07:08,320 --> 00:07:10,160 Speaker 4: And when I'm alone with my kids, they love me. 162 00:07:10,200 --> 00:07:13,119 Speaker 4: They think I'm funny. When my wife, my wife doesn't 163 00:07:13,160 --> 00:07:15,800 Speaker 4: think I'm funny. Oh, she comes home, and my wife's 164 00:07:15,840 --> 00:07:17,520 Speaker 4: kind of bored with all that. She's like, she's seen 165 00:07:17,600 --> 00:07:19,840 Speaker 4: all the yea, So when she's around, they kind of 166 00:07:19,840 --> 00:07:23,000 Speaker 4: take their cues from her. You know that that i'm um, 167 00:07:23,160 --> 00:07:25,720 Speaker 4: I'm my wife has kind of seen that done that, 168 00:07:25,840 --> 00:07:30,320 Speaker 4: you know, But the kids are all kids are the same. 169 00:07:30,680 --> 00:07:32,720 Speaker 4: They want to play, they want to just have All 170 00:07:32,720 --> 00:07:34,320 Speaker 4: they want to do is have fun and laugh. And 171 00:07:34,360 --> 00:07:37,120 Speaker 4: some of the things they say and some of the 172 00:07:37,160 --> 00:07:40,000 Speaker 4: things they do, it's becoming really shocking. 173 00:07:40,040 --> 00:07:42,280 Speaker 3: I mean there's some words that complying out of their mouths. 174 00:07:42,320 --> 00:07:45,680 Speaker 1: Now, you've obviously been I don't know if it's been 175 00:07:45,720 --> 00:07:47,600 Speaker 1: the same in the US, but as you said, you've 176 00:07:47,600 --> 00:07:51,080 Speaker 1: got six kids, you've obviously been living with them quite 177 00:07:51,120 --> 00:07:53,240 Speaker 1: intensively like the parents here in Australia. 178 00:07:53,440 --> 00:08:02,000 Speaker 6: Yeah, oh yeah, Well you inspired through your intense experiences 179 00:08:02,040 --> 00:08:04,320 Speaker 6: with your children to do boss Baby too. 180 00:08:04,320 --> 00:08:07,440 Speaker 1: Like if you've drawn on some of them, I would. 181 00:08:07,240 --> 00:08:09,680 Speaker 4: Basically I would basically have gotten a job as a 182 00:08:09,680 --> 00:08:11,520 Speaker 4: crossing guard and that got me out of my house. 183 00:08:13,800 --> 00:08:19,480 Speaker 4: I needed to get out of the house some regularity 184 00:08:19,280 --> 00:08:21,840 Speaker 4: for these kids. But the no, I love my kids, 185 00:08:21,880 --> 00:08:23,320 Speaker 4: and I love being with my kids, and I spend 186 00:08:23,320 --> 00:08:25,720 Speaker 4: a lot of time with my kids. But I described 187 00:08:26,440 --> 00:08:30,040 Speaker 4: I've used the same tired phrase now to describe what 188 00:08:30,080 --> 00:08:32,520 Speaker 4: the pandemic was like with our house. I said, it's 189 00:08:32,559 --> 00:08:35,560 Speaker 4: like the little rascals meets the shining every day. 190 00:08:37,840 --> 00:08:38,520 Speaker 2: That's terrifying. 191 00:08:39,200 --> 00:08:39,680 Speaker 3: That's true. 192 00:08:40,000 --> 00:08:42,760 Speaker 4: So you were kids who are going around the hotel 193 00:08:43,360 --> 00:08:47,600 Speaker 4: and acts chopping everything up and blood shooting all over 194 00:08:47,640 --> 00:08:48,080 Speaker 4: the house. 195 00:08:48,120 --> 00:08:51,040 Speaker 3: You know, it was horrible, horrible, it's tough. 196 00:08:51,720 --> 00:08:56,560 Speaker 2: Well, what isn't horrible is Boss Baby too. There's no access, 197 00:08:57,040 --> 00:08:59,920 Speaker 2: there's no sex scenes. There is a note of you 198 00:09:00,160 --> 00:09:01,320 Speaker 2: though as a baby. 199 00:09:01,480 --> 00:09:04,160 Speaker 3: Yes, my butt looks great. My butt looks great. 200 00:09:04,559 --> 00:09:07,120 Speaker 4: It's never I'm complete. I have a full on nude 201 00:09:07,120 --> 00:09:10,840 Speaker 4: scene in Boss Baby one. It's glorious, but I'm going 202 00:09:10,880 --> 00:09:14,120 Speaker 4: to do my I don't think people really want me 203 00:09:14,160 --> 00:09:14,880 Speaker 4: to do nude. 204 00:09:15,000 --> 00:09:17,440 Speaker 1: I was gonna say, you're also a nude baby, so 205 00:09:17,600 --> 00:09:18,479 Speaker 1: maybe we should. 206 00:09:19,320 --> 00:09:21,040 Speaker 3: Let leave it at that. I'm going to call that 207 00:09:21,080 --> 00:09:21,480 Speaker 3: a picture. 208 00:09:22,640 --> 00:09:25,480 Speaker 4: I'm nude and I look great in Boss I'm nude 209 00:09:25,480 --> 00:09:27,880 Speaker 4: in my latest film. 210 00:09:28,040 --> 00:09:29,080 Speaker 3: Anyway, Thank you both,