1 00:00:08,440 --> 00:00:12,640 Speaker 1: Hello, I'm the talented and gorgeous drag queen Artsimone. I 2 00:00:12,720 --> 00:00:15,200 Speaker 1: want a quest to find regular looking people who live 3 00:00:15,400 --> 00:00:18,800 Speaker 1: ordinary lives but are actually concealing some of the most 4 00:00:18,840 --> 00:00:23,600 Speaker 1: bizarre professions, odd hobbies, and weird secrets. The catch is 5 00:00:23,920 --> 00:00:26,599 Speaker 1: I don't know what they're hiding, and neither will you. 6 00:00:27,040 --> 00:00:29,319 Speaker 1: It's my job to ask the right questions so we 7 00:00:29,400 --> 00:00:32,280 Speaker 1: can find out together. Who knows, We might even find 8 00:00:32,280 --> 00:00:35,240 Speaker 1: out that they're the most interesting person in the room. 9 00:00:35,320 --> 00:00:39,519 Speaker 1: I'm likely this is concealed with art simone. Here's the 10 00:00:39,560 --> 00:00:43,040 Speaker 1: guest roll, the type. 11 00:00:44,720 --> 00:00:45,960 Speaker 2: Hi, my name is Rick. 12 00:00:46,400 --> 00:00:49,200 Speaker 3: I'm in my early forties and I'm a stereotypical Melbourne 13 00:00:49,440 --> 00:00:51,440 Speaker 3: I'm an art nerd, I'm a writer, I'm a music 14 00:00:51,479 --> 00:00:54,560 Speaker 3: obsessive and Rick isn't actually my real name. 15 00:00:55,240 --> 00:00:55,400 Speaker 4: Now. 16 00:00:55,440 --> 00:00:57,520 Speaker 3: The reason you can't see my face and the reason 17 00:00:57,600 --> 00:01:00,280 Speaker 3: I can't tell you what my actual day job is 18 00:01:00,280 --> 00:01:02,240 Speaker 3: is because I have a side project that some people 19 00:01:02,320 --> 00:01:04,120 Speaker 3: might find a little confronting. 20 00:01:07,440 --> 00:01:09,160 Speaker 4: Hello, Rick, how are you? 21 00:01:09,880 --> 00:01:10,240 Speaker 2: How are we? 22 00:01:10,360 --> 00:01:10,520 Speaker 4: Rick? 23 00:01:10,560 --> 00:01:12,280 Speaker 1: If that is your which it isn't your real name. 24 00:01:13,000 --> 00:01:15,399 Speaker 1: So Ever, everyone Rick has walked in and I can't 25 00:01:15,400 --> 00:01:19,120 Speaker 1: see Rick at all. I'm just faced with pixelated things. 26 00:01:19,200 --> 00:01:21,280 Speaker 1: It's just it's like it's like I'm in my own 27 00:01:21,360 --> 00:01:24,080 Speaker 1: segment on sixty minutes. I'm living my fantasy at the moment. 28 00:01:24,120 --> 00:01:26,480 Speaker 1: It's like we've had to conceal your identity for the 29 00:01:26,520 --> 00:01:28,800 Speaker 1: sake of you in this podcast, but we haven't used 30 00:01:28,800 --> 00:01:29,680 Speaker 1: a voice transformer. 31 00:01:29,720 --> 00:01:30,160 Speaker 4: Is that all right? 32 00:01:30,440 --> 00:01:31,479 Speaker 2: That's completely fine? 33 00:01:33,560 --> 00:01:35,960 Speaker 4: Yeah, feel free to mix up your accents throughout this. 34 00:01:36,120 --> 00:01:38,600 Speaker 1: You know, I want British, I want I don't know 35 00:01:38,640 --> 00:01:41,080 Speaker 1: where else you could be, from Russia, whatever, something like that, 36 00:01:41,360 --> 00:01:42,200 Speaker 1: Maybe New Zealand. 37 00:01:42,280 --> 00:01:45,000 Speaker 4: I can't do New Zealand except for saying for shorten chops. 38 00:01:45,000 --> 00:01:45,479 Speaker 4: That's great. 39 00:01:47,600 --> 00:01:51,480 Speaker 1: Now you're hiding something from me, Okay, there's a whole mystery. 40 00:01:51,560 --> 00:01:52,920 Speaker 1: Not only do I not know what you look like, 41 00:01:53,080 --> 00:01:54,320 Speaker 1: I don't know what your real name is, but I 42 00:01:54,360 --> 00:01:57,840 Speaker 1: also don't know this big secret that you are concealing. Okay, 43 00:01:58,040 --> 00:01:59,960 Speaker 1: So what I'm going to do is ask you three questions. 44 00:02:00,160 --> 00:02:02,480 Speaker 1: Let's going and from the answer those three questions, I 45 00:02:02,600 --> 00:02:05,920 Speaker 1: have to see if I can work out whatever it is. 46 00:02:06,280 --> 00:02:08,120 Speaker 4: That you have concealed. 47 00:02:08,200 --> 00:02:12,160 Speaker 1: Okay, So first question I have for you is what 48 00:02:12,880 --> 00:02:14,679 Speaker 1: is your favorite film? 49 00:02:15,280 --> 00:02:18,040 Speaker 3: Look, I'm a bit of a cinema nerd. Right, I 50 00:02:18,080 --> 00:02:20,200 Speaker 3: am very much a Melbourne I who loves art, but 51 00:02:21,120 --> 00:02:23,000 Speaker 3: I am a big Tarantino fan. 52 00:02:23,400 --> 00:02:25,520 Speaker 4: Okay, what's your favorite Tarantino film? 53 00:02:25,600 --> 00:02:25,880 Speaker 2: Oh? 54 00:02:26,000 --> 00:02:28,840 Speaker 4: That's that's hard. Okay, Well I've asked you, so you're 55 00:02:28,840 --> 00:02:30,559 Speaker 4: gonna have to answer, Okay. 56 00:02:30,360 --> 00:02:32,200 Speaker 2: Rick, Right, Okay, I'm gonna lock in. 57 00:02:32,320 --> 00:02:34,400 Speaker 4: That's like answer your question. It's like good question. 58 00:02:35,840 --> 00:02:38,919 Speaker 3: Yeah, what are you lucking at the gay reservoir dots? 59 00:02:39,000 --> 00:02:39,320 Speaker 4: Okay? 60 00:02:39,360 --> 00:02:42,280 Speaker 1: Which is actually about me because I am a bitch. Okay, 61 00:02:42,600 --> 00:02:45,240 Speaker 1: speaking of bitches, what is your pet Peeve? 62 00:02:46,080 --> 00:02:49,760 Speaker 3: I really don't get along with people who drive the conversation, 63 00:02:49,880 --> 00:02:53,720 Speaker 3: no offense, art who just take up the conversation. But 64 00:02:53,760 --> 00:02:55,840 Speaker 3: this is your job, so that's absolutely fine. 65 00:02:55,960 --> 00:02:57,639 Speaker 1: Oh, Rick, I think we're gonna be fighting by me, 66 00:02:58,520 --> 00:03:02,080 Speaker 1: We're gonna be having a domestic very So is that 67 00:03:02,080 --> 00:03:04,840 Speaker 1: because you prefer to drive the conversation or do you 68 00:03:04,960 --> 00:03:08,239 Speaker 1: like things just like even an equal between participants. 69 00:03:08,440 --> 00:03:11,720 Speaker 3: I like that, you know, back and forth flow of 70 00:03:11,720 --> 00:03:12,440 Speaker 3: a conversation. 71 00:03:12,560 --> 00:03:13,320 Speaker 2: Big fan of them. 72 00:03:13,440 --> 00:03:16,600 Speaker 4: And take dogs bitches. Okay. 73 00:03:16,919 --> 00:03:20,600 Speaker 1: Third question I have for you, Rick, is what is 74 00:03:20,639 --> 00:03:24,240 Speaker 1: something that you cannot leave without music? 75 00:03:24,520 --> 00:03:27,919 Speaker 2: Honestly? Music, I would lose my mind without music. 76 00:03:28,360 --> 00:03:30,640 Speaker 4: Okay, very interesting. 77 00:03:30,960 --> 00:03:35,440 Speaker 1: I'm putting my profile together for you, Melbourne Music Reservoir. 78 00:03:35,560 --> 00:03:40,800 Speaker 1: Dog bitches, other people leading conversations, not the EBB and flow. 79 00:03:40,840 --> 00:03:44,520 Speaker 1: We need to have flow. You know music has flow too, okay, 80 00:03:44,760 --> 00:03:47,040 Speaker 1: genass has flow? What does taps? 81 00:03:47,520 --> 00:03:47,920 Speaker 2: Yes? 82 00:03:48,080 --> 00:03:52,360 Speaker 4: Water? Okay? All right, Okay, you're calling me a dirty plumber? 83 00:03:52,520 --> 00:03:54,560 Speaker 1: No, because I think I've worked out what you're hiding 84 00:03:54,600 --> 00:03:57,640 Speaker 1: from us, because I can't see you right now. So 85 00:03:57,720 --> 00:04:00,480 Speaker 1: what I think you are is I think that you're 86 00:04:00,480 --> 00:04:02,920 Speaker 1: a dentist. I think that you know I can't I 87 00:04:02,960 --> 00:04:05,080 Speaker 1: can't show my face because I'm a dentist and you're 88 00:04:05,120 --> 00:04:08,200 Speaker 1: into water flowing all right, and you like to lead 89 00:04:08,240 --> 00:04:11,000 Speaker 1: the conversation because when the dentist has has someone else 90 00:04:11,000 --> 00:04:12,200 Speaker 1: in the chair, what happens. 91 00:04:12,360 --> 00:04:15,280 Speaker 4: Hands are in the mouth. It's all about you. You're talking, okay. 92 00:04:15,040 --> 00:04:17,479 Speaker 1: Right, and when someone else talks, see I'm doing it 93 00:04:17,560 --> 00:04:20,080 Speaker 1: right now, they'll chump your fingers off if you're a dentist. 94 00:04:20,240 --> 00:04:23,120 Speaker 4: So it's truck. Are you a dentist? 95 00:04:23,640 --> 00:04:25,200 Speaker 2: Art Simon, I am not. 96 00:04:28,080 --> 00:04:31,159 Speaker 3: For the last two years, I've been making respectfully disrespectful 97 00:04:31,360 --> 00:04:34,800 Speaker 3: sex positive audio corn for non sist. Men, I've over 98 00:04:34,920 --> 00:04:37,320 Speaker 3: a twelve million listens, I have a beautiful and supportive 99 00:04:37,320 --> 00:04:42,120 Speaker 3: online community, and everybody there knows me as as my daddy. 100 00:04:44,480 --> 00:04:45,400 Speaker 1: What is going on? 101 00:04:47,160 --> 00:04:47,960 Speaker 4: Oh my god? 102 00:04:49,160 --> 00:04:54,360 Speaker 1: Hello? How are you audio porn? 103 00:04:55,200 --> 00:04:58,280 Speaker 2: Now? Maybe maybe you could have gotten it if I'd 104 00:04:58,279 --> 00:05:00,000 Speaker 2: put my my daddy voice. 105 00:05:00,279 --> 00:05:07,320 Speaker 1: Oh my goodness. So Rick is not a dentist. He's 106 00:05:07,360 --> 00:05:10,560 Speaker 1: in fact an IMR poorn artist? 107 00:05:11,920 --> 00:05:13,120 Speaker 4: What a which? 108 00:05:13,440 --> 00:05:13,760 Speaker 1: Who? 109 00:05:14,120 --> 00:05:15,119 Speaker 4: Where? What? 110 00:05:15,400 --> 00:05:15,640 Speaker 1: How? 111 00:05:16,880 --> 00:05:17,640 Speaker 4: I would love to know. 112 00:05:25,360 --> 00:05:28,960 Speaker 1: I'm here with rig I can still not see his face, 113 00:05:29,040 --> 00:05:32,320 Speaker 1: but I have now discovered that No, Rick is not 114 00:05:32,400 --> 00:05:35,960 Speaker 1: a dentist, is in fact an artist. He is as 115 00:05:36,080 --> 00:05:38,520 Speaker 1: Mr Daddy. I feel like I have to really like 116 00:05:38,680 --> 00:05:40,480 Speaker 1: get to know you again, because it's not it's all lie. 117 00:05:40,560 --> 00:05:42,440 Speaker 1: I was a bit scared of you, right because I 118 00:05:42,480 --> 00:05:44,960 Speaker 1: hate dentists, all right, especially when they're like, we can't 119 00:05:44,960 --> 00:05:45,800 Speaker 1: show you what they look like. 120 00:05:45,839 --> 00:05:47,800 Speaker 4: I'm like you, if you got a criminal for me, 121 00:05:48,080 --> 00:05:48,279 Speaker 4: an a. 122 00:05:48,320 --> 00:05:51,840 Speaker 1: Dentist possibly maybe maybe a dentist that steals crowns and 123 00:05:51,880 --> 00:05:52,719 Speaker 1: sells them on the internet. 124 00:05:52,760 --> 00:05:55,880 Speaker 4: I don't know. Okay, am I in safe hands? You? 125 00:05:56,080 --> 00:05:59,080 Speaker 2: You are in very safe okay, very very safe hands? 126 00:05:59,240 --> 00:05:59,600 Speaker 4: All right? 127 00:05:59,640 --> 00:06:01,760 Speaker 1: Then, how how did this begin because you said on 128 00:06:01,800 --> 00:06:03,159 Speaker 1: your thing about audio porn. 129 00:06:03,320 --> 00:06:05,960 Speaker 4: Yes, okay, I had porn, and I went, oh what. 130 00:06:07,160 --> 00:06:09,120 Speaker 1: But then I was like, oh, wait, im up, because 131 00:06:09,160 --> 00:06:11,840 Speaker 1: you know they say things are like audio porn, but 132 00:06:11,960 --> 00:06:12,800 Speaker 1: what does it start with? 133 00:06:13,000 --> 00:06:15,479 Speaker 4: Are you saying dirty things? Is that what you're doing? 134 00:06:15,680 --> 00:06:17,239 Speaker 2: So it really started. 135 00:06:17,240 --> 00:06:18,840 Speaker 3: So this this began like two years ago at the 136 00:06:18,839 --> 00:06:22,160 Speaker 3: start of Lockdown, right, yes, And I was on a 137 00:06:22,240 --> 00:06:26,080 Speaker 3: zoom call with one of my friends and she was lamenting, 138 00:06:26,320 --> 00:06:29,000 Speaker 3: you know, how bad mainstream porn was. This was like 139 00:06:29,040 --> 00:06:32,599 Speaker 3: at the start when everyone was starting to get sexually frustrated. 140 00:06:33,040 --> 00:06:35,839 Speaker 1: This was the bit of like solo only fans content, 141 00:06:35,880 --> 00:06:38,040 Speaker 1: but that's like everyone was like, I'm stuck at home, 142 00:06:38,080 --> 00:06:39,159 Speaker 1: I'm going to wank in a mirror. 143 00:06:39,200 --> 00:06:42,640 Speaker 4: So you know, there was a saturation at the time. 144 00:06:42,680 --> 00:06:45,760 Speaker 3: There was a lot, right, But so she was lamenting 145 00:06:45,839 --> 00:06:47,960 Speaker 3: like how bad mainstream porn was. And one of the 146 00:06:47,960 --> 00:06:50,720 Speaker 3: things that really drove her nuts was the men were 147 00:06:50,720 --> 00:06:54,440 Speaker 3: all quiet, right, Like the men in mainstream porn are 148 00:06:54,480 --> 00:06:58,120 Speaker 3: all quiet because it's created by sissent men for sissient men, 149 00:06:58,240 --> 00:06:59,200 Speaker 3: and so on. 150 00:06:59,360 --> 00:07:02,360 Speaker 2: None of the men him men. Right. So we've been 151 00:07:02,480 --> 00:07:05,080 Speaker 2: partners in the past She knew that I had a 152 00:07:05,360 --> 00:07:08,920 Speaker 2: talent for talking dirty, and so she was like, look, 153 00:07:08,920 --> 00:07:09,920 Speaker 2: can you just send me. 154 00:07:09,880 --> 00:07:13,560 Speaker 3: A couple of audios just to get me through this drought? 155 00:07:13,640 --> 00:07:14,360 Speaker 2: This is killing me. 156 00:07:14,760 --> 00:07:17,400 Speaker 3: So I sent her a few things off like later 157 00:07:17,440 --> 00:07:19,400 Speaker 3: that week, didn't really think twice about it. 158 00:07:19,520 --> 00:07:22,240 Speaker 4: So you said some things, yes, and she said they're 159 00:07:22,280 --> 00:07:23,160 Speaker 4: quite nice actually. 160 00:07:23,240 --> 00:07:25,360 Speaker 3: So it was a couple of weeks later we're on 161 00:07:25,400 --> 00:07:29,080 Speaker 3: his another zoom chat, just catching up and she was like, so, 162 00:07:29,240 --> 00:07:31,520 Speaker 3: I have to tell you something and I'm like, okay. 163 00:07:31,600 --> 00:07:33,520 Speaker 3: She's like, and I'm really sorry. I should have asked 164 00:07:33,560 --> 00:07:36,360 Speaker 3: for your consent. And I'm like, what is going on? 165 00:07:36,520 --> 00:07:36,800 Speaker 2: Sorry? 166 00:07:36,800 --> 00:07:40,200 Speaker 3: What She's like, I dropped the audios in the group 167 00:07:40,280 --> 00:07:44,560 Speaker 3: chat with the girls, and now we have requests. 168 00:07:46,120 --> 00:07:47,760 Speaker 4: And that's on this stage. 169 00:07:47,880 --> 00:07:49,400 Speaker 3: Look, there's a little part of me that was like, 170 00:07:49,440 --> 00:07:51,400 Speaker 3: I wish you asked for permission. But then there's another 171 00:07:51,440 --> 00:07:52,280 Speaker 3: party that was like. 172 00:07:52,560 --> 00:07:55,800 Speaker 2: Tell me more. Yes, this fill's kind of hot, tell 173 00:07:55,840 --> 00:07:56,840 Speaker 2: me a little bit more. 174 00:07:56,720 --> 00:07:59,040 Speaker 1: So when they say they've got requests, so like that, 175 00:07:59,160 --> 00:08:03,040 Speaker 1: what more like joe Ane, Yeah, you look good today? 176 00:08:03,200 --> 00:08:05,760 Speaker 1: Is it like names or they're like fantasies? 177 00:08:06,200 --> 00:08:09,520 Speaker 3: It was very specific, kind of fantasies that they that 178 00:08:09,560 --> 00:08:12,760 Speaker 3: they wanted. So I made a few more and then 179 00:08:12,840 --> 00:08:14,440 Speaker 3: this friend was the one who really kind of like 180 00:08:14,560 --> 00:08:16,600 Speaker 3: got the ball rolling was like, I think you should 181 00:08:16,600 --> 00:08:18,440 Speaker 3: get this out there publicly. This is like a public 182 00:08:18,560 --> 00:08:21,400 Speaker 3: service for for NONSI said, Man, get it out there. 183 00:08:21,440 --> 00:08:24,240 Speaker 4: Where would you first upload your first audio? 184 00:08:26,360 --> 00:08:28,200 Speaker 3: So the first one that I put up and I 185 00:08:28,200 --> 00:08:30,200 Speaker 3: don't know if we can use brand names or anything, 186 00:08:30,200 --> 00:08:32,480 Speaker 3: but it was to a porn hub. 187 00:08:32,559 --> 00:08:35,760 Speaker 4: Oh yes, yes, what but isn't that video? What could 188 00:08:35,760 --> 00:08:36,320 Speaker 4: you do? Audio? 189 00:08:36,440 --> 00:08:40,240 Speaker 3: So it was basically a video with like pretty kind 190 00:08:40,240 --> 00:08:43,040 Speaker 3: of looping images, just colors and just the audio. 191 00:08:43,160 --> 00:08:44,800 Speaker 4: And what did that? Did someone find to go? This 192 00:08:44,880 --> 00:08:45,800 Speaker 4: is quite nice? 193 00:08:46,080 --> 00:08:49,559 Speaker 3: I remember like getting the first ones up and then 194 00:08:49,640 --> 00:08:51,960 Speaker 3: like two weeks later it hit ten thousand views and 195 00:08:51,960 --> 00:08:55,440 Speaker 3: I'm like, oh okay, and it just kind of kept 196 00:08:55,480 --> 00:08:56,160 Speaker 3: going from there. 197 00:08:56,679 --> 00:08:59,160 Speaker 1: Okay, So when you say it kept coming from there, 198 00:08:59,200 --> 00:09:01,920 Speaker 1: what what level are you at in terms of asma 199 00:09:02,080 --> 00:09:02,960 Speaker 1: artists right now? 200 00:09:03,080 --> 00:09:05,920 Speaker 2: Like? Yeah, Like I mean, so what am I up to? 201 00:09:06,040 --> 00:09:08,800 Speaker 3: I think it's like eleven million kind of listens across 202 00:09:08,840 --> 00:09:12,240 Speaker 3: like multiple platforms now, like it's a podcast. You can 203 00:09:12,320 --> 00:09:15,200 Speaker 3: actually find it on Spotify I've got a Patreon and 204 00:09:15,240 --> 00:09:18,440 Speaker 3: I've got like hundreds of community members who support the 205 00:09:18,559 --> 00:09:22,200 Speaker 3: art through that, and it just kind of keeps going, 206 00:09:22,320 --> 00:09:25,560 Speaker 3: like like became visual in the last like six months 207 00:09:25,559 --> 00:09:28,679 Speaker 3: in terms of graphic for you, well just photos as 208 00:09:28,679 --> 00:09:32,080 Speaker 3: well on the Instagram. And I've very much become a 209 00:09:32,120 --> 00:09:35,480 Speaker 3: member of this kind of like sex worker sex positive 210 00:09:35,480 --> 00:09:38,000 Speaker 3: community that exists, especially on Instagram. 211 00:09:38,080 --> 00:09:39,680 Speaker 2: So I have Covid to think for. 212 00:09:39,760 --> 00:09:41,800 Speaker 4: It is one of the good things that we can 213 00:09:41,880 --> 00:09:42,760 Speaker 4: thank covid for. 214 00:09:42,880 --> 00:09:45,679 Speaker 1: But because I've actually never I've heard of ASMR, right, 215 00:09:45,720 --> 00:09:49,120 Speaker 1: but I've never heard of it within this. Yeah, it's 216 00:09:49,160 --> 00:09:52,079 Speaker 1: it's almost like an audiobook or it's like a less 217 00:09:52,120 --> 00:09:56,520 Speaker 1: personalized phone sex hotline. It's like, oh baby, but I 218 00:09:56,520 --> 00:09:59,120 Speaker 1: guess that's more interactive. This is like one side. It's 219 00:09:59,120 --> 00:10:00,480 Speaker 1: almost like a romance novels. 220 00:10:00,679 --> 00:10:03,480 Speaker 3: It's interesting you say that because I think I think 221 00:10:03,520 --> 00:10:07,240 Speaker 3: one of the reasons that it became popular is because 222 00:10:07,280 --> 00:10:09,920 Speaker 3: without the visuals, you do have to kind of engage 223 00:10:09,920 --> 00:10:12,320 Speaker 3: with them, or you have to use your imagination. I 224 00:10:12,320 --> 00:10:16,079 Speaker 3: think visual porn, I don't know, it's kind of force 225 00:10:16,120 --> 00:10:18,199 Speaker 3: feeds you what's sexy, right, It's like shoves it down 226 00:10:18,240 --> 00:10:19,160 Speaker 3: your throat and it's like this. 227 00:10:19,040 --> 00:10:26,559 Speaker 1: Is what's hot and other places too. It's so exciting, 228 00:10:26,720 --> 00:10:28,160 Speaker 1: but it is okay. 229 00:10:28,360 --> 00:10:31,120 Speaker 3: But but with audio, like I guess, it leaves space 230 00:10:31,120 --> 00:10:32,600 Speaker 3: for you to kind of like fill in the gaps 231 00:10:32,600 --> 00:10:33,560 Speaker 3: of the fantasy yourself. 232 00:10:33,600 --> 00:10:37,080 Speaker 4: What do you call them? Episodes or pieces or how 233 00:10:37,120 --> 00:10:38,439 Speaker 4: would you call what do you call it? 234 00:10:38,559 --> 00:10:40,800 Speaker 3: So I like a year ago I just started calling 235 00:10:40,800 --> 00:10:44,440 Speaker 3: it art. I literally was like, because I despise the 236 00:10:44,440 --> 00:10:46,440 Speaker 3: word content, and I think you get a lot of 237 00:10:46,480 --> 00:10:48,280 Speaker 3: that in like the only fantasy. 238 00:10:48,000 --> 00:10:50,800 Speaker 4: Content creator I find that, really. 239 00:10:52,400 --> 00:10:53,839 Speaker 2: But you are art. 240 00:10:54,440 --> 00:10:54,840 Speaker 4: It's true. 241 00:10:54,880 --> 00:10:56,400 Speaker 1: I can't say art on top of art because it 242 00:10:56,400 --> 00:11:00,000 Speaker 1: gets very confusing for everyone. Okay, So with a typical 243 00:11:00,080 --> 00:11:02,360 Speaker 1: piece of yours, if I was to tune in, what 244 00:11:02,520 --> 00:11:06,160 Speaker 1: should I expect? Is it you speaking to that person 245 00:11:06,320 --> 00:11:10,199 Speaker 1: or you narrating a scene like Sandra has walked in 246 00:11:10,400 --> 00:11:12,320 Speaker 1: and she has blonde. 247 00:11:12,000 --> 00:11:15,160 Speaker 4: Hair, or you're like, hey, baby, black your hair? 248 00:11:15,320 --> 00:11:17,760 Speaker 2: What's It's very much as though I'm talking to you. 249 00:11:18,200 --> 00:11:23,079 Speaker 3: So some are like instructionals where I'm like telling you 250 00:11:23,080 --> 00:11:24,000 Speaker 3: to do that. 251 00:11:25,080 --> 00:11:26,880 Speaker 2: Some are scenarios. 252 00:11:27,080 --> 00:11:30,800 Speaker 3: So like one of my most popular is the student 253 00:11:31,200 --> 00:11:35,679 Speaker 3: college university lecturer one being out at a restaurant and 254 00:11:35,720 --> 00:11:39,400 Speaker 3: we go into the alleyway, So would. 255 00:11:39,240 --> 00:11:42,319 Speaker 4: You like to pop outside for a moment. I've got 256 00:11:42,360 --> 00:11:45,880 Speaker 4: something you can enrapp. I wouldn't be very good at it, actually. 257 00:11:46,000 --> 00:11:48,640 Speaker 2: Not, kid, aren't keep going. 258 00:11:52,800 --> 00:11:55,679 Speaker 1: I'll get good at it one day. What is your 259 00:11:55,679 --> 00:11:56,640 Speaker 1: most popular piece? 260 00:11:56,920 --> 00:12:00,439 Speaker 3: So the one that's been listened to the most is 261 00:12:00,440 --> 00:12:03,559 Speaker 3: is literally it's just called Daddy's Masturbation Instructions. 262 00:12:05,360 --> 00:12:09,640 Speaker 4: It's a nice book, actually, And where could we find? Yeah? 263 00:12:09,679 --> 00:12:12,160 Speaker 3: Okay, and yeah, I think like a couple of the 264 00:12:12,880 --> 00:12:15,160 Speaker 3: scenario ones are really popular, the one, the one in 265 00:12:15,160 --> 00:12:17,840 Speaker 3: the restaurant, the one in the train, the one in 266 00:12:17,960 --> 00:12:20,920 Speaker 3: the university lecturer's office. 267 00:12:20,920 --> 00:12:21,720 Speaker 2: They're very popular. 268 00:12:21,960 --> 00:12:27,040 Speaker 4: It's good. Actually, what do you see past? Daddy? You know? 269 00:12:27,080 --> 00:12:29,440 Speaker 4: Where do you think this could lead you? You know what? 270 00:12:29,520 --> 00:12:30,360 Speaker 4: I have no idea. 271 00:12:30,720 --> 00:12:34,920 Speaker 3: I've really just been trying to enjoy the journey because 272 00:12:35,400 --> 00:12:36,800 Speaker 3: I don't know, Like there's a part of me that 273 00:12:36,840 --> 00:12:39,720 Speaker 3: thinks if I start treating it like a like a job, job, 274 00:12:39,920 --> 00:12:43,679 Speaker 3: like I'll lose that passion for it and and the 275 00:12:43,720 --> 00:12:46,280 Speaker 3: beauty of it. So yeah, I'm not sure, but like, 276 00:12:46,720 --> 00:12:49,640 Speaker 3: like I honestly I listen a lot to whoever's you know, 277 00:12:49,880 --> 00:12:51,959 Speaker 3: the community that's listening to it, and just trying to 278 00:12:52,000 --> 00:12:54,440 Speaker 3: take those suggestions. Like, for example, I had a lot 279 00:12:54,480 --> 00:12:57,440 Speaker 3: of calls for to make gay audios yes, and I 280 00:12:57,480 --> 00:12:58,640 Speaker 3: was like, yeah, I'm going to give this a go. 281 00:12:58,800 --> 00:13:01,720 Speaker 3: But it felt that felt performative and. 282 00:13:01,600 --> 00:13:03,080 Speaker 4: It's a big guy for pars. 283 00:13:04,360 --> 00:13:06,400 Speaker 3: And there's a part of me that goes, well, I 284 00:13:06,400 --> 00:13:09,360 Speaker 3: don't want to take up space for you know, lgbt 285 00:13:09,520 --> 00:13:10,120 Speaker 3: q A A. 286 00:13:11,640 --> 00:13:15,559 Speaker 1: You've come across any que AMR porn that's a. 287 00:13:15,480 --> 00:13:18,000 Speaker 4: Gap in the mark. Look there is because what did 288 00:13:18,040 --> 00:13:19,079 Speaker 4: someone say? Gap? Hello? 289 00:13:20,360 --> 00:13:21,360 Speaker 2: What I ended up. 290 00:13:21,280 --> 00:13:25,000 Speaker 3: Doing is I started making non binary stuff because that works, 291 00:13:25,080 --> 00:13:28,280 Speaker 3: like I can strip away gender, yes, and just play 292 00:13:28,320 --> 00:13:29,640 Speaker 3: with terms that that. 293 00:13:30,160 --> 00:13:31,880 Speaker 4: Across the board. Okay, yes, And. 294 00:13:32,200 --> 00:13:35,320 Speaker 3: That's been received really really well, Like goodness, yeah you 295 00:13:35,360 --> 00:13:35,680 Speaker 3: said that. 296 00:13:36,000 --> 00:13:38,560 Speaker 4: You know, traditional poor men don't really say much. 297 00:13:39,000 --> 00:13:45,960 Speaker 1: Have you ever considered dubbing a porn. 298 00:13:45,120 --> 00:13:49,120 Speaker 3: That's a genius that's actually a genius idea. 299 00:13:50,360 --> 00:13:52,840 Speaker 1: I fixed it for you and you can put it 300 00:13:52,880 --> 00:13:55,320 Speaker 1: all in there and their heads aren't even in the 301 00:13:55,320 --> 00:13:56,040 Speaker 1: frame most of the time. 302 00:13:56,080 --> 00:13:57,720 Speaker 4: Anyways, a full conversation. 303 00:13:58,160 --> 00:13:59,800 Speaker 1: Oh my god, you could be a voice actor for 304 00:13:59,840 --> 00:14:03,280 Speaker 1: like a porn studio because you know, you know, the 305 00:14:03,360 --> 00:14:05,800 Speaker 1: men there sometimes not much go on. There's one thing 306 00:14:05,840 --> 00:14:08,760 Speaker 1: they're good at, all right, the other stuff not so much. 307 00:14:08,840 --> 00:14:09,600 Speaker 2: What is that one thing? 308 00:14:09,880 --> 00:14:11,119 Speaker 4: Oh, you know, inserting? 309 00:14:11,559 --> 00:14:14,680 Speaker 1: But yeah, maybe you could be like out of frame, 310 00:14:14,720 --> 00:14:17,120 Speaker 1: you could be doing the voice of being like whatever 311 00:14:17,200 --> 00:14:17,480 Speaker 1: you do. 312 00:14:19,080 --> 00:14:21,080 Speaker 4: I'm clearly out of the two things that I'm good at. 313 00:14:21,080 --> 00:14:22,320 Speaker 4: I'm clearly good at the other thing. 314 00:14:23,200 --> 00:14:26,040 Speaker 2: But because look, you're you're very good at talking. 315 00:14:26,520 --> 00:14:30,480 Speaker 3: So why aren't do you feel you have a I 316 00:14:30,520 --> 00:14:31,800 Speaker 3: could have a talent for dirty talk? 317 00:14:31,880 --> 00:14:33,280 Speaker 2: Or is this something you haven't explored? 318 00:14:33,480 --> 00:14:34,960 Speaker 4: Oh no, I'm not very good at it. 319 00:14:35,000 --> 00:14:38,840 Speaker 1: Because the thing is, I talk all the time, and 320 00:14:38,920 --> 00:14:40,520 Speaker 1: I love to not have to talk. 321 00:14:40,400 --> 00:14:43,680 Speaker 4: Sometimes and I can just shut up for a little bit. 322 00:14:44,480 --> 00:14:46,840 Speaker 1: My mouth's usually busy doing other things, so there's no 323 00:14:46,880 --> 00:14:48,280 Speaker 1: time for talking because you just be. 324 00:14:48,280 --> 00:14:55,920 Speaker 4: Like you It wouldn't be very nice, you know, busy 325 00:14:55,960 --> 00:14:56,760 Speaker 4: mouth can't talk. 326 00:14:56,800 --> 00:15:00,640 Speaker 1: But you know, have you ever ventured out into other 327 00:15:00,920 --> 00:15:03,920 Speaker 1: types of ASMR if you try? Because it's not more 328 00:15:03,920 --> 00:15:07,080 Speaker 1: than just the audio pull. That's true because also, like 329 00:15:07,200 --> 00:15:10,160 Speaker 1: regular AMR is kind of like porny for some people, 330 00:15:10,240 --> 00:15:12,560 Speaker 1: they're like, oh yeah, she wing a pickle for me. 331 00:15:12,960 --> 00:15:17,080 Speaker 2: Muck bang is muck bang. People really get into. 332 00:15:16,880 --> 00:15:19,120 Speaker 4: It, like I put a brush through your hair. 333 00:15:19,480 --> 00:15:23,960 Speaker 3: Oh so Gord, it's true that potato in your mouth. 334 00:15:24,080 --> 00:15:24,800 Speaker 4: It's so crazy. 335 00:15:25,040 --> 00:15:27,200 Speaker 1: My favorite is yeah, the lady that types in the 336 00:15:27,280 --> 00:15:28,840 Speaker 1: keyboard and needs to pickle at the same time, with 337 00:15:28,920 --> 00:15:29,680 Speaker 1: long nails, and. 338 00:15:29,640 --> 00:15:32,600 Speaker 4: It's I always watch you betapairs. 339 00:15:32,640 --> 00:15:34,680 Speaker 1: Last night it was her with like an icy pole 340 00:15:34,720 --> 00:15:38,480 Speaker 1: and she was like. 341 00:15:38,080 --> 00:15:43,320 Speaker 3: Call you send me a link for research. Look, I'll 342 00:15:43,320 --> 00:15:45,320 Speaker 3: make you one of those. If that's your thing, I 343 00:15:45,360 --> 00:15:49,960 Speaker 3: will make you one with you to pickle type on 344 00:15:50,000 --> 00:15:50,520 Speaker 3: a keyboard. 345 00:15:52,160 --> 00:15:57,000 Speaker 4: She choose, and it's like, it's crazy. 346 00:15:57,040 --> 00:16:00,280 Speaker 3: Like I have I've made like calming audio was like, 347 00:16:00,320 --> 00:16:02,200 Speaker 3: because I got a few requests for those like I've 348 00:16:02,240 --> 00:16:05,440 Speaker 3: read Like the strangest one I did is I read 349 00:16:05,520 --> 00:16:09,800 Speaker 3: Red Green Eggs and ham Close. I read I read 350 00:16:09,840 --> 00:16:12,440 Speaker 3: like Carl Marx for like forty five minutes. 351 00:16:13,120 --> 00:16:14,240 Speaker 2: And for some. 352 00:16:14,080 --> 00:16:16,880 Speaker 3: Reason, a lot of the socialist Devians who follow me 353 00:16:16,920 --> 00:16:17,440 Speaker 3: really like that. 354 00:16:17,480 --> 00:16:20,400 Speaker 4: I bet you who ordered that originally car marks. 355 00:16:23,120 --> 00:16:25,040 Speaker 1: Like my audio book. I want to see what this 356 00:16:25,120 --> 00:16:27,480 Speaker 1: sounds like. This sounds a bit better. Actually, I'll take that. 357 00:16:28,240 --> 00:16:31,240 Speaker 1: Oh my goodness. Have you met or run into any 358 00:16:31,240 --> 00:16:32,720 Speaker 1: people that know you're working? 359 00:16:32,760 --> 00:16:37,840 Speaker 3: You're like, there has been a couple of incidents now where. 360 00:16:38,520 --> 00:16:40,760 Speaker 4: People are like sound familiar. 361 00:16:41,560 --> 00:16:45,040 Speaker 3: No, I have actually had that, Like I had somebody 362 00:16:45,120 --> 00:16:47,680 Speaker 3: hit me up on the social media going, I think 363 00:16:47,720 --> 00:16:51,280 Speaker 3: I heard you in Blank Suburbs the other day walking 364 00:16:51,280 --> 00:16:52,960 Speaker 3: down the street and was that you? 365 00:16:53,360 --> 00:16:57,240 Speaker 2: And I was like, what time? And it was It 366 00:16:57,280 --> 00:16:58,200 Speaker 2: was definitely. 367 00:16:58,960 --> 00:17:01,640 Speaker 3: They walked past me in the street and recognize me 368 00:17:02,000 --> 00:17:03,320 Speaker 3: from my loud, booming voice. 369 00:17:03,320 --> 00:17:04,760 Speaker 4: Oh my god. It was like me. 370 00:17:04,880 --> 00:17:07,679 Speaker 1: I was calling my doctor the other day and there 371 00:17:07,720 --> 00:17:09,560 Speaker 1: was a different person the reception and halfway through this 372 00:17:09,600 --> 00:17:13,199 Speaker 1: phone call, they're like, you seeund really Familia And I 373 00:17:13,240 --> 00:17:15,240 Speaker 1: was like, oh, yes, I hit it all the time, 374 00:17:15,280 --> 00:17:16,960 Speaker 1: getting ready to be like yes, I'm a drag queen, 375 00:17:17,280 --> 00:17:23,359 Speaker 1: and she goes, are you on TikTok? I was like, yes, 376 00:17:23,520 --> 00:17:26,239 Speaker 1: but that's not where you'd know me from anyway. I'm 377 00:17:26,280 --> 00:17:29,040 Speaker 1: a table stream my legs. So do you want to 378 00:17:29,080 --> 00:17:31,679 Speaker 1: be anonymous or do you feel like you have to 379 00:17:31,680 --> 00:17:33,440 Speaker 1: be anonymous because of your job. 380 00:17:33,680 --> 00:17:34,040 Speaker 4: I don't know. 381 00:17:34,080 --> 00:17:35,480 Speaker 3: There's a part of me that's like I don't want 382 00:17:35,480 --> 00:17:38,240 Speaker 3: to be idolized. I like the anonymity because I don't 383 00:17:38,240 --> 00:17:40,120 Speaker 3: want to feed my ego too much. 384 00:17:41,800 --> 00:17:45,400 Speaker 1: That's a rare thing to say, an ego, what is that? 385 00:17:47,520 --> 00:17:50,200 Speaker 1: Oh sorry, if my head doesn't shot in the room anymore, 386 00:17:50,280 --> 00:17:52,520 Speaker 1: that's me. Well are two different people. 387 00:17:55,720 --> 00:17:57,760 Speaker 2: I mean, look, if I was worrying that weik Yeah. 388 00:17:57,600 --> 00:17:58,040 Speaker 4: You got it. 389 00:17:58,280 --> 00:18:00,400 Speaker 1: The weak hides have big my head actually it makes 390 00:18:00,400 --> 00:18:03,280 Speaker 1: it look like a normal size, because that's something I 391 00:18:03,280 --> 00:18:04,399 Speaker 1: don't have personally anymore. 392 00:18:04,440 --> 00:18:06,080 Speaker 4: I used to have with drag. I used to have 393 00:18:06,119 --> 00:18:09,320 Speaker 4: a nom during the day. 394 00:18:09,359 --> 00:18:11,920 Speaker 1: I could, you know, walk around and people would be like, oh, hello, 395 00:18:12,200 --> 00:18:14,439 Speaker 1: I don't have that anymore, and a part of. 396 00:18:14,480 --> 00:18:15,520 Speaker 4: Me misses it. 397 00:18:15,600 --> 00:18:17,280 Speaker 1: But part of me also loves being stopped in the 398 00:18:17,280 --> 00:18:19,160 Speaker 1: graveyisle to take a photo with an old lady. 399 00:18:19,280 --> 00:18:20,200 Speaker 4: I think it's fun. 400 00:18:21,080 --> 00:18:27,240 Speaker 1: It's so started this segments by grave Box Hello beautiful barrel. Yes, 401 00:18:28,080 --> 00:18:30,679 Speaker 1: but yeah, there is there any other circumstances where you're like, 402 00:18:31,640 --> 00:18:33,840 Speaker 1: I may be outed as the one and only. 403 00:18:34,280 --> 00:18:37,440 Speaker 3: Yeah, look there was There was one incident that definitely 404 00:18:37,440 --> 00:18:40,000 Speaker 3: crossed a line. Somebody was able to kind of find 405 00:18:40,200 --> 00:18:44,359 Speaker 3: my my actual in real life Instagram and it was 406 00:18:44,359 --> 00:18:47,399 Speaker 3: bizarre because they did it by finding a tattooist. 407 00:18:47,640 --> 00:18:50,080 Speaker 2: They saw a tattoo that I had and they kind 408 00:18:50,080 --> 00:18:52,080 Speaker 2: of tracked me down through that and tried to add 409 00:18:52,119 --> 00:18:53,880 Speaker 2: me and I had to let them know, like, this 410 00:18:53,920 --> 00:18:55,359 Speaker 2: is kind of crossing a line. 411 00:18:55,960 --> 00:18:59,440 Speaker 4: Yes, he's crossing a line. I'm just a human being. 412 00:19:00,040 --> 00:19:03,879 Speaker 1: You are infatuated with the art, with the product, but 413 00:19:03,960 --> 00:19:04,679 Speaker 1: it is not me. 414 00:19:04,920 --> 00:19:08,520 Speaker 4: Okay, correct, chill axe, dude. I get it the same. 415 00:19:08,560 --> 00:19:09,840 Speaker 1: Like people come up to me and they'd be like, 416 00:19:09,880 --> 00:19:13,920 Speaker 1: say my real name to me, Like that's cool, why. 417 00:19:14,160 --> 00:19:15,399 Speaker 2: Now get out of my present. 418 00:19:15,440 --> 00:19:18,040 Speaker 1: They'd be like, hello, nice to meet you, Jack, and 419 00:19:18,080 --> 00:19:22,399 Speaker 1: I'm like cool, Well, like four hours in the mirror 420 00:19:22,400 --> 00:19:23,760 Speaker 1: today looking like art for you? 421 00:19:23,880 --> 00:19:26,760 Speaker 4: So shut the fuck, rude bitch. 422 00:19:27,240 --> 00:19:29,680 Speaker 1: Yeah, how do you say? You have a work a 423 00:19:29,680 --> 00:19:33,000 Speaker 1: lot on Instagram and everything. Instagram is notorious for censorship. 424 00:19:33,160 --> 00:19:34,560 Speaker 1: How does that work for you? 425 00:19:34,600 --> 00:19:38,359 Speaker 3: Look, Instagram is It's terrible. It's like I've been banned twice. 426 00:19:39,640 --> 00:19:43,800 Speaker 3: A bunch of sex workers and sex positive educators that 427 00:19:43,880 --> 00:19:45,760 Speaker 3: I know and am friends with have been banned as well. 428 00:19:45,760 --> 00:19:48,560 Speaker 3: They've really been cracking down in the past like three, 429 00:19:48,880 --> 00:19:49,680 Speaker 3: three and four months. 430 00:19:49,800 --> 00:19:50,240 Speaker 4: Especially. 431 00:19:50,720 --> 00:19:54,440 Speaker 3: Look, I'm I'm privileged enough that I don't rely on 432 00:19:54,520 --> 00:19:56,720 Speaker 3: this for my soulsals of income. But you know a 433 00:19:56,720 --> 00:19:57,520 Speaker 3: lot of sex workers do. 434 00:19:58,080 --> 00:20:00,680 Speaker 4: Whether that's safe space is Twitter? Twitter? 435 00:20:00,440 --> 00:20:00,680 Speaker 2: Twitter? 436 00:20:01,200 --> 00:20:03,640 Speaker 4: Anything goes on Twitter. Job. 437 00:20:04,560 --> 00:20:07,720 Speaker 1: It's crazy you can, especially in the gay world. I 438 00:20:07,720 --> 00:20:10,160 Speaker 1: can probably find every one of my friend's nudes on Twitter. 439 00:20:10,680 --> 00:20:13,800 Speaker 1: They just put it all out there under their alts. 440 00:20:13,840 --> 00:20:16,040 Speaker 1: But it's like, Babe, you've got tattoos. I know what 441 00:20:16,040 --> 00:20:18,880 Speaker 1: your tattoos look like. I know that it's you raw 442 00:20:18,880 --> 00:20:21,439 Speaker 1: dog and three dicks at the moment. But now I 443 00:20:21,480 --> 00:20:24,520 Speaker 1: know why you canceled lunch. Okay, because you can't do 444 00:20:24,640 --> 00:20:27,679 Speaker 1: that after lunch. Okay, so it makes sense, But just 445 00:20:27,720 --> 00:20:30,200 Speaker 1: tell me. I hate to find out like this when 446 00:20:30,200 --> 00:20:34,159 Speaker 1: I'm on the train next to your grandmother. I hate Yes, sorry, 447 00:20:34,160 --> 00:20:36,280 Speaker 1: Beryl again, we did do the gravy photo, but yes, 448 00:20:36,320 --> 00:20:40,000 Speaker 1: this is my friend in an orgy, you know. And 449 00:20:40,040 --> 00:20:42,520 Speaker 1: I never turned the sound on for those because they 450 00:20:42,640 --> 00:20:46,120 Speaker 1: sometimes have too much talking. It's like, okay, all right, 451 00:20:46,320 --> 00:20:51,240 Speaker 1: let's put that pearl necklace away. Yeah, so Twitter, maybe maybe, 452 00:20:51,320 --> 00:20:56,560 Speaker 1: maybe we're trying to say yes, Tweter could be good. Okay, 453 00:20:56,680 --> 00:20:59,119 Speaker 1: Now I want you to coach me through, like the 454 00:20:59,119 --> 00:21:00,920 Speaker 1: best way to close this. I want you to coach 455 00:21:01,000 --> 00:21:05,440 Speaker 1: me through my first AMR audio poem. How how should 456 00:21:05,440 --> 00:21:08,000 Speaker 1: I start it off? I'm talking directly to the person. Yes, 457 00:21:08,480 --> 00:21:11,680 Speaker 1: so if you're listening to this, this is for you. 458 00:21:12,800 --> 00:21:15,920 Speaker 4: Was that good? Maybe not? Okay? 459 00:21:16,040 --> 00:21:17,800 Speaker 3: You know, I think I think we can work with that. 460 00:21:17,880 --> 00:21:21,440 Speaker 3: I think we can work with like be really direct, 461 00:21:21,520 --> 00:21:22,520 Speaker 3: be like, oh. 462 00:21:22,760 --> 00:21:23,600 Speaker 4: Yo, this is you. 463 00:21:23,840 --> 00:21:27,520 Speaker 1: Now listen, I'm talking to you. Yeah, go with the 464 00:21:27,560 --> 00:21:32,760 Speaker 1: head virgine. Yeah, no, it's pretty good, is it? Yeah? 465 00:21:33,119 --> 00:21:35,200 Speaker 4: Things are getting hot and steamy here. 466 00:21:35,680 --> 00:21:37,720 Speaker 2: Look I I do drop my voice a. 467 00:21:37,600 --> 00:21:38,680 Speaker 4: Couple of octaves. 468 00:21:39,520 --> 00:21:44,159 Speaker 2: Ah and hello. Let's how about how about we do 469 00:21:44,200 --> 00:21:44,919 Speaker 2: a repeat after me? 470 00:21:45,240 --> 00:21:49,000 Speaker 3: How about we go about half a Yeah, okay, you're ready? 471 00:21:49,560 --> 00:21:56,320 Speaker 2: Oh, hello there, big boy? 472 00:21:58,480 --> 00:22:06,760 Speaker 1: Oh and like Darth Vader, Oh, big. 473 00:22:06,560 --> 00:22:13,240 Speaker 4: Boy, that's quite a frank and phurt. You're a footy 474 00:22:13,280 --> 00:22:21,560 Speaker 4: frank in your pocket? Or yeah? All right, well your 475 00:22:21,640 --> 00:22:24,160 Speaker 4: industry is safe okay for now. 476 00:22:32,280 --> 00:22:34,719 Speaker 1: So even though Rick had to conceal his identity, it 477 00:22:34,760 --> 00:22:36,800 Speaker 1: turns out it wasn't because he was a dentist. 478 00:22:37,240 --> 00:22:39,480 Speaker 4: Damn really thought I nailed that one. 479 00:22:39,960 --> 00:22:43,240 Speaker 1: No, instead, he is an audio as Mr porn Artist. 480 00:22:43,600 --> 00:22:45,840 Speaker 4: Turns out it's much harder than it sounds. 481 00:22:46,400 --> 00:22:48,439 Speaker 1: I found out some of us are better talkers and 482 00:22:48,840 --> 00:22:51,640 Speaker 1: some of us, well, we're better at doing the deed. 483 00:22:54,520 --> 00:22:55,520 Speaker 4: You've been listening to an. 484 00:22:55,480 --> 00:22:59,720 Speaker 1: iHeart and Kiss production concealed with Artsimone. You can check 485 00:22:59,760 --> 00:23:02,879 Speaker 1: out my really good ASMR in our socials, and you 486 00:23:02,920 --> 00:23:05,119 Speaker 1: can listen for free on the iHeartRadio app