1 00:00:00,200 --> 00:00:04,240 Speaker 1: The Christian O'Connell Breakfast Show Podcast Melbourne's Gold one oh 2 00:00:04,320 --> 00:00:11,920 Speaker 1: four point three, The Christian o'connall Breakfast Show, All Request 3 00:00:12,039 --> 00:00:16,760 Speaker 1: Friday Gold one oh four point three. 4 00:00:18,640 --> 00:00:21,720 Speaker 2: Good morning, It's two minutes Part six. It's show number 5 00:00:21,720 --> 00:00:24,439 Speaker 2: forty eight Friday Morning. It's The Christian O'Connor Breakfast Show 6 00:00:24,440 --> 00:00:25,640 Speaker 2: Gold one oh four point three. 7 00:00:26,040 --> 00:00:30,280 Speaker 3: Hey, listen, Pats Oh testing. 8 00:00:30,360 --> 00:00:30,800 Speaker 4: None at all? 9 00:00:31,040 --> 00:00:33,600 Speaker 5: Just yes rank response again? 10 00:00:34,440 --> 00:00:35,440 Speaker 6: What have I done this time? 11 00:00:35,760 --> 00:00:37,800 Speaker 2: Okay, I think you've done. It's I think you've done. 12 00:00:37,840 --> 00:00:41,559 Speaker 2: It's just that, you know, Aretha Franklin passing away. You know, 13 00:00:41,680 --> 00:00:44,440 Speaker 2: yesterday we were talking the show about these artists that 14 00:00:44,440 --> 00:00:45,760 Speaker 2: we love with these amazing voices. 15 00:00:45,880 --> 00:00:46,960 Speaker 3: Aretha's one of them, you know. 16 00:00:47,600 --> 00:00:49,680 Speaker 2: And I don't know about you, Jack, but what you 17 00:00:49,680 --> 00:00:51,320 Speaker 2: want in the morning is to turn the radio on. 18 00:00:51,440 --> 00:00:54,320 Speaker 2: You want to hear someone talking about putting that voice, 19 00:00:54,400 --> 00:00:56,520 Speaker 2: that talent, what she grew out of, what she became 20 00:00:56,560 --> 00:00:59,680 Speaker 2: in the context. No one better than an orange faced 21 00:00:59,800 --> 00:01:01,800 Speaker 2: wearing fascist. 22 00:01:01,400 --> 00:01:04,800 Speaker 3: Donald Trump, because he speaks for all of us, doesn't 23 00:01:04,800 --> 00:01:08,600 Speaker 3: he He's the world spokesman. Hey, Pat, you take that, idiot. 24 00:01:08,640 --> 00:01:10,759 Speaker 3: I don't want to hear him talking about Retha Franklin. 25 00:01:10,880 --> 00:01:12,200 Speaker 6: Well he jumps on the bandwagon. 26 00:01:12,240 --> 00:01:13,920 Speaker 5: You know what it's like. Was that really a clip 27 00:01:13,920 --> 00:01:15,360 Speaker 5: of Trump talking about Aretha Flame? 28 00:01:16,959 --> 00:01:19,679 Speaker 3: He thinks as Arthur Franklin. It's just he's just no clue. 29 00:01:20,120 --> 00:01:21,600 Speaker 6: Well, she didn't speak it. He's in aauguration. 30 00:01:21,680 --> 00:01:24,200 Speaker 3: Did she know exactly? Pat's You know, no, Normally I 31 00:01:24,240 --> 00:01:26,560 Speaker 3: would never interfere on the news. You don't interfere what 32 00:01:26,600 --> 00:01:28,440 Speaker 3: we do. Actually, you do quite a bit to were 33 00:01:28,440 --> 00:01:30,160 Speaker 3: talking about that the show. 34 00:01:30,280 --> 00:01:34,560 Speaker 6: That's my job. It's not really. 35 00:01:34,400 --> 00:01:36,840 Speaker 2: Church and state. They should be separated. You are Patrina 36 00:01:36,920 --> 00:01:37,480 Speaker 2: during the news. 37 00:01:37,520 --> 00:01:40,039 Speaker 3: This is your area. But when I hear Trump talking 38 00:01:40,080 --> 00:01:41,160 Speaker 3: about Aretha. 39 00:01:43,520 --> 00:01:44,479 Speaker 6: Hey, really funny story. 40 00:01:44,480 --> 00:01:46,160 Speaker 7: When I was a young jock in the bush when 41 00:01:46,160 --> 00:01:48,240 Speaker 7: I was about nineteen, right, I back announced it an 42 00:01:48,280 --> 00:01:49,600 Speaker 7: Aretha Franklin. 43 00:01:49,240 --> 00:01:54,200 Speaker 6: Song, but I said, Urethra, I've never lived it down. 44 00:01:54,640 --> 00:01:55,640 Speaker 3: What a great tribute act. 45 00:01:56,640 --> 00:01:58,920 Speaker 5: That's the clip you should have played during this morning. 46 00:01:59,520 --> 00:02:01,880 Speaker 2: Hey, listen, guys, feels the wrong with me. We've made 47 00:02:01,880 --> 00:02:03,680 Speaker 2: a big mistake. We haven't started the show with our 48 00:02:03,720 --> 00:02:06,200 Speaker 2: new style that we've discovered. One of the stars we've 49 00:02:06,200 --> 00:02:08,400 Speaker 2: discovered this week, and that is Big John. It's time 50 00:02:08,440 --> 00:02:10,080 Speaker 2: for Big John's weather report for Friday. 51 00:02:10,160 --> 00:02:13,960 Speaker 8: Good morning, Christian, Big John here with your roaming weather report. 52 00:02:13,960 --> 00:02:15,040 Speaker 3: Three in the morning. 53 00:02:15,240 --> 00:02:18,760 Speaker 8: Currently it feels like one point seven degrees. 54 00:02:19,240 --> 00:02:20,400 Speaker 3: It is cold. 55 00:02:21,240 --> 00:02:22,799 Speaker 8: We are going to be in for a great day 56 00:02:22,880 --> 00:02:27,600 Speaker 8: sixtly degrees, mostly sunny. There is a high pole count today. 57 00:02:28,000 --> 00:02:31,400 Speaker 8: Looking forward to hearing your show today's weather report. He's 58 00:02:31,440 --> 00:02:33,280 Speaker 8: brought to you by the Underwear. 59 00:02:36,639 --> 00:02:39,360 Speaker 5: What happened to the one word weather that you challenge 60 00:02:39,639 --> 00:02:40,200 Speaker 5: him yesterday? 61 00:02:40,240 --> 00:02:41,640 Speaker 3: No, I know, poor guy. 62 00:02:43,200 --> 00:02:46,079 Speaker 2: We discovered him, like Big Al the private investigator, through 63 00:02:46,120 --> 00:02:48,280 Speaker 2: is WhatsApp group exactly we could go today. 64 00:02:48,320 --> 00:02:50,400 Speaker 3: That gave my mobile number up and I formed this 65 00:02:50,520 --> 00:02:51,360 Speaker 3: WhatsApp group. 66 00:02:51,720 --> 00:02:54,160 Speaker 2: And I think he's been feeding the pressure, Big John, 67 00:02:54,200 --> 00:02:57,000 Speaker 2: because you know, he left the message on Monday morning 68 00:02:57,040 --> 00:02:58,600 Speaker 2: saying what the weather was, and then we made him 69 00:02:58,600 --> 00:03:01,440 Speaker 2: our unofficial man on the street with the weather report. 70 00:03:01,639 --> 00:03:03,919 Speaker 3: But listen to this morning, Christian. 71 00:03:04,040 --> 00:03:05,680 Speaker 8: I'm in a good mood because I don't have to 72 00:03:05,680 --> 00:03:08,080 Speaker 8: do the rhyming weather report for two days. 73 00:03:08,680 --> 00:03:10,960 Speaker 3: It's filling the pressure, all right. 74 00:03:11,000 --> 00:03:14,560 Speaker 2: So Aretha Franklin has sadly passed, and every Friday on 75 00:03:14,560 --> 00:03:16,320 Speaker 2: the show, the way it works is you pick all 76 00:03:16,320 --> 00:03:19,200 Speaker 2: the songs, and I generally mean this, These aren't fake. 77 00:03:19,280 --> 00:03:21,680 Speaker 2: Normally I would just start the show with some Aretha 78 00:03:21,720 --> 00:03:24,880 Speaker 2: Franklin stick or maybe respect. But because they're picked by you, 79 00:03:25,000 --> 00:03:27,840 Speaker 2: we can't do that. And obviously when we plan all 80 00:03:27,840 --> 00:03:29,280 Speaker 2: the songs get them ready, you got to look at 81 00:03:29,280 --> 00:03:31,960 Speaker 2: the flow, and the music team worked very hard. There's 82 00:03:32,000 --> 00:03:34,680 Speaker 2: a yesterday when we were going through all your requests 83 00:03:34,720 --> 00:03:37,600 Speaker 2: and playing them out, Aretha was still alive. So we 84 00:03:38,120 --> 00:03:40,200 Speaker 2: I don't think it's right that we begin the show 85 00:03:40,880 --> 00:03:42,920 Speaker 2: and we just pick an Aretha Franklin song. 86 00:03:43,600 --> 00:03:45,800 Speaker 3: We have respect. It needs to be picked by one 87 00:03:45,800 --> 00:03:46,000 Speaker 3: of you. 88 00:03:46,080 --> 00:03:48,400 Speaker 2: So we're not going to start the show until one 89 00:03:48,440 --> 00:03:51,480 Speaker 2: of you calls in this morning and asks us to 90 00:03:51,520 --> 00:03:54,000 Speaker 2: play Aretha Franklin and respect. 91 00:03:54,280 --> 00:03:55,800 Speaker 3: So we can still have to sit in until. 92 00:03:55,560 --> 00:04:00,160 Speaker 2: Someone calls in our nine four one four three four 93 00:04:00,200 --> 00:04:04,000 Speaker 2: one four one o four three. In the meantime, yesterday 94 00:04:04,360 --> 00:04:06,960 Speaker 2: we interviewed Jimmy Barnes and I was asking about this 95 00:04:07,040 --> 00:04:07,480 Speaker 2: warm up. 96 00:04:07,680 --> 00:04:09,080 Speaker 3: This is Jimmy Barnes warm up. 97 00:04:09,160 --> 00:04:11,480 Speaker 2: This sounds like an alarm clock, like the loudest alarm 98 00:04:11,480 --> 00:04:23,840 Speaker 2: clock in the world, producing back answering the phone. That's 99 00:04:23,839 --> 00:04:27,000 Speaker 2: her quiet voice as well, isn't that amazing. That's how 100 00:04:27,040 --> 00:04:29,240 Speaker 2: he warms up. If I was to do that, we're 101 00:04:29,240 --> 00:04:34,920 Speaker 2: better speak for the next four hours. When I asked 102 00:04:34,960 --> 00:04:36,520 Speaker 2: him do it? Yes, in an interview, he just went 103 00:04:36,560 --> 00:04:36,919 Speaker 2: into it. 104 00:04:36,920 --> 00:04:41,160 Speaker 3: Didn't He didn't even warn us that this shattering noise 105 00:04:41,400 --> 00:04:41,880 Speaker 3: was coming. 106 00:04:41,920 --> 00:04:44,400 Speaker 5: He says, he does that for an hour before every show. 107 00:04:44,520 --> 00:04:46,040 Speaker 3: Yeah, and he's even got some science. Lad on. 108 00:04:46,080 --> 00:04:47,600 Speaker 2: When you hear about of the interview, we're here how 109 00:04:47,640 --> 00:04:49,120 Speaker 2: he does it, how he is how he is able 110 00:04:49,120 --> 00:04:54,760 Speaker 2: to produce its just as a warm up, he goes 111 00:04:54,800 --> 00:04:55,480 Speaker 2: through the notes. 112 00:04:56,040 --> 00:04:59,160 Speaker 3: Get doing that. It's like it's a war cl It's 113 00:04:59,200 --> 00:05:03,960 Speaker 3: not warm all right, we got Laura. Good morning, Good morning, Christian. 114 00:05:04,000 --> 00:05:04,479 Speaker 9: How are you. 115 00:05:05,040 --> 00:05:06,800 Speaker 2: I'm in a great movie this Friday morning. You had 116 00:05:06,800 --> 00:05:08,680 Speaker 2: a good week, Laura, Yes, I have? 117 00:05:08,839 --> 00:05:09,880 Speaker 3: Thank you excellent. 118 00:05:09,920 --> 00:05:12,200 Speaker 2: Now Laura, we need a really important thing today. What 119 00:05:12,240 --> 00:05:14,239 Speaker 2: would you like us to play this morning to start 120 00:05:14,320 --> 00:05:15,040 Speaker 2: Friday show? 121 00:05:15,520 --> 00:05:20,760 Speaker 10: I would like to request request from Rita Franklin. 122 00:05:20,920 --> 00:05:25,000 Speaker 3: Please, there you go, Laura, thanks to starting the show. 123 00:05:25,040 --> 00:05:26,799 Speaker 3: As you now move on. You have a great weekend. 124 00:05:27,120 --> 00:05:30,520 Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four 125 00:05:30,560 --> 00:05:31,200 Speaker 1: point three. 126 00:05:31,240 --> 00:05:32,520 Speaker 3: Aretha Franklin Respects. 127 00:05:32,520 --> 00:05:34,839 Speaker 2: Requested by Laura this morning, No better song, no better 128 00:05:34,880 --> 00:05:37,200 Speaker 2: answer to start today's or request show on Gold one 129 00:05:37,240 --> 00:05:39,240 Speaker 2: O four point three. It's the Christian and Connor Breakfast 130 00:05:39,279 --> 00:05:42,480 Speaker 2: Show Friday morning, ten minutes by six, So a busy 131 00:05:42,520 --> 00:05:44,720 Speaker 2: show today. We've got a little bit of the Barnes 132 00:05:44,800 --> 00:05:48,560 Speaker 2: interview we taped yesterday. The Barnes interview we did yesterday 133 00:05:49,080 --> 00:05:52,080 Speaker 2: was so inspirational for Jack and I. We actually ended 134 00:05:52,120 --> 00:05:54,280 Speaker 2: up going to see last night. On a school night. 135 00:05:54,560 --> 00:05:56,320 Speaker 2: We went to the I didn't actually realize it was 136 00:05:56,360 --> 00:05:59,640 Speaker 2: the world premiere until we approached this theater and it 137 00:05:59,680 --> 00:06:02,280 Speaker 2: was very clear it was the world premiere because there 138 00:06:02,279 --> 00:06:04,560 Speaker 2: was a red carpet and there were people queuing around 139 00:06:04,600 --> 00:06:04,880 Speaker 2: the block. 140 00:06:04,960 --> 00:06:07,359 Speaker 5: This is for the Jimmy Bowns documentary. 141 00:06:06,960 --> 00:06:11,400 Speaker 2: Working Class Boy, and here's the thing, right, So there 142 00:06:11,400 --> 00:06:14,600 Speaker 2: were people queuing and I said, yeah, no know, we've 143 00:06:14,640 --> 00:06:16,359 Speaker 2: got we're on the guest list, so we can just 144 00:06:16,400 --> 00:06:17,359 Speaker 2: go straight in. 145 00:06:17,400 --> 00:06:18,520 Speaker 3: I guess we'll go to the front. 146 00:06:18,800 --> 00:06:21,000 Speaker 2: So we walked past a really big queue around the 147 00:06:21,000 --> 00:06:25,479 Speaker 2: block at the Comedy Theater in the CBD, and we 148 00:06:25,640 --> 00:06:26,320 Speaker 2: just walked straight in. 149 00:06:26,360 --> 00:06:27,720 Speaker 3: I mean, there was security that you did. 150 00:06:27,760 --> 00:06:29,640 Speaker 5: I was ready to ask somebody, hey, where do we 151 00:06:29,720 --> 00:06:32,280 Speaker 5: line up for the guest area? Or Christian's got a 152 00:06:32,279 --> 00:06:34,360 Speaker 5: special email that says he can come in. You just 153 00:06:34,400 --> 00:06:36,280 Speaker 5: saw the velvet ripes and you stepped over like. 154 00:06:37,360 --> 00:06:39,400 Speaker 2: But no one said where are you guys going right? 155 00:06:39,480 --> 00:06:41,599 Speaker 2: There was a line being held back, but no one 156 00:06:41,680 --> 00:06:42,680 Speaker 2: said at any point to. 157 00:06:42,680 --> 00:06:44,040 Speaker 3: Me, what do you do? 158 00:06:44,320 --> 00:06:46,680 Speaker 2: And I do believe it's because this I had a 159 00:06:46,800 --> 00:06:50,520 Speaker 2: very nice silk scarf on that gave me a theatrical air. 160 00:06:50,920 --> 00:06:53,560 Speaker 2: And I think it was they saw the scarff when 161 00:06:53,800 --> 00:06:56,840 Speaker 2: he's obviously of the performing arts you've got. 162 00:06:57,839 --> 00:06:58,760 Speaker 3: And then what do we see? Right? 163 00:06:58,839 --> 00:07:00,799 Speaker 2: Jimmy gets up and he gets up one stage before 164 00:07:00,839 --> 00:07:03,839 Speaker 2: the documentary and he has the director Mark Joffey. 165 00:07:04,120 --> 00:07:05,600 Speaker 3: What does Mark Joffy have around his neck? 166 00:07:05,640 --> 00:07:08,000 Speaker 5: An artistic scarf? There you go up too dissimilar to 167 00:07:08,040 --> 00:07:08,360 Speaker 5: your own. 168 00:07:08,440 --> 00:07:10,400 Speaker 2: The lesson from this, folks, if you want to get 169 00:07:10,440 --> 00:07:13,560 Speaker 2: into a red carpet premier, turn up with a theatrical 170 00:07:13,600 --> 00:07:16,160 Speaker 2: scarf and then just presume you are something to do 171 00:07:16,240 --> 00:07:17,800 Speaker 2: with that world, and then let you on. 172 00:07:18,080 --> 00:07:19,080 Speaker 3: And then then. 173 00:07:19,000 --> 00:07:21,080 Speaker 2: I realized, Jack said, but everyone else has got tickets, 174 00:07:21,120 --> 00:07:23,160 Speaker 2: even these special guests, have got tickets and all add 175 00:07:23,280 --> 00:07:25,200 Speaker 2: was an email and I was holding up to some 176 00:07:25,280 --> 00:07:28,160 Speaker 2: guy who is like scanning the tickets and these bits 177 00:07:28,200 --> 00:07:31,080 Speaker 2: of paper that people are printed off. Uh, And I said, 178 00:07:31,080 --> 00:07:33,160 Speaker 2: I've got this email, and he just went go on, 179 00:07:34,840 --> 00:07:37,280 Speaker 2: just going on. But I'm telling you this. The documentary 180 00:07:37,280 --> 00:07:40,080 Speaker 2: comes out next Thursday. It is incredible. I don't think 181 00:07:40,120 --> 00:07:42,920 Speaker 2: I've been in a We were at this theater and 182 00:07:42,960 --> 00:07:44,760 Speaker 2: I'd never sat through it's a film. I know it's 183 00:07:44,800 --> 00:07:48,160 Speaker 2: a documentary, but it is a film, and I don't 184 00:07:48,200 --> 00:07:51,240 Speaker 2: think I've ever cried so much watching something. It was 185 00:07:51,320 --> 00:07:54,560 Speaker 2: so moving, but not moving where it is heartbreaking at times, 186 00:07:54,600 --> 00:07:55,560 Speaker 2: genuinely heartbreaking. 187 00:07:55,600 --> 00:07:57,360 Speaker 3: His story, Jimmy bar once a story, but. 188 00:07:57,320 --> 00:08:00,440 Speaker 2: There's also something hugely I don't know, life of firming 189 00:08:00,840 --> 00:08:03,760 Speaker 2: and hot swelling about it as well. But Jack and 190 00:08:03,760 --> 00:08:06,160 Speaker 2: I went for drink afterwards when we were both just 191 00:08:06,520 --> 00:08:07,440 Speaker 2: washed out from crying. 192 00:08:07,480 --> 00:08:10,080 Speaker 5: It is incredible. That is so beauty that you had 193 00:08:10,120 --> 00:08:11,440 Speaker 5: with soaking weight. Yeah, ring it. 194 00:08:11,400 --> 00:08:13,680 Speaker 3: Out those tears. It was incredible. 195 00:08:13,720 --> 00:08:15,720 Speaker 2: So we've got a bit of the Jimmy interview on 196 00:08:15,720 --> 00:08:18,960 Speaker 2: this morning show. He says he's helping out with We're 197 00:08:19,000 --> 00:08:21,920 Speaker 2: Jack trying to wrote this brand new anthem for Melbourne. 198 00:08:22,200 --> 00:08:24,480 Speaker 2: But the proper interview will have next week for you 199 00:08:24,800 --> 00:08:27,400 Speaker 2: the Dead movie comes out, which is next Thursday. All right, 200 00:08:27,440 --> 00:08:30,480 Speaker 2: back to your request, what have we got next? Oh no, 201 00:08:30,480 --> 00:08:32,360 Speaker 2: they've added on the old fakes out of it. 202 00:08:32,360 --> 00:08:35,320 Speaker 3: It makes no sense having me ringing out like I 203 00:08:35,400 --> 00:08:38,120 Speaker 3: just randomly cold call people, go would you like a 204 00:08:38,160 --> 00:08:39,120 Speaker 3: song on my radio show? 205 00:08:39,720 --> 00:08:41,040 Speaker 11: Let's go with it at. 206 00:08:40,880 --> 00:08:44,480 Speaker 3: The time, please record your mess just requesting. 207 00:08:44,800 --> 00:08:47,280 Speaker 12: David bowiees, let's go such a great songe to get 208 00:08:47,280 --> 00:08:48,480 Speaker 12: me coumped up from my day ahead. 209 00:08:48,600 --> 00:08:50,480 Speaker 3: Thanks, I'm going to play this song. 210 00:08:50,520 --> 00:08:52,480 Speaker 2: Then I got a great story after this about this 211 00:08:52,559 --> 00:08:55,680 Speaker 2: song and Stevie rayco David Bowie, Let's dance some Gold 212 00:08:55,720 --> 00:08:57,400 Speaker 2: one at four point three, Good morning. 213 00:08:57,160 --> 00:09:01,040 Speaker 1: The Christian O'Connell Breakfast Show. Melbourne's Gold four point. 214 00:09:00,840 --> 00:09:02,240 Speaker 3: Three between now and ten. 215 00:09:02,120 --> 00:09:04,800 Speaker 2: Am on the Christian O'Connor Reckford Show from Mercedes Benz 216 00:09:04,920 --> 00:09:10,360 Speaker 2: wadily turned out familiar are with amazing guitarists. One of 217 00:09:10,360 --> 00:09:13,960 Speaker 2: the world's greatest guitarist, Stevie Ray Vaughn, amazing guitarist. 218 00:09:14,000 --> 00:09:15,960 Speaker 3: Right. I was lucky enough to interview him a couple 219 00:09:16,000 --> 00:09:16,480 Speaker 3: of years ago. 220 00:09:16,640 --> 00:09:19,559 Speaker 2: It was in London doing something and I was talking 221 00:09:19,600 --> 00:09:23,160 Speaker 2: about collaborations and how we never hear the story of 222 00:09:23,520 --> 00:09:26,120 Speaker 2: who says no. They're always talking about some collaboration and 223 00:09:26,200 --> 00:09:28,760 Speaker 2: two musical asses. We go, ah, that's not for me. 224 00:09:29,320 --> 00:09:31,560 Speaker 2: And he was going how he was going to be 225 00:09:31,559 --> 00:09:33,600 Speaker 2: in David Bowie's band all. 226 00:09:33,600 --> 00:09:36,000 Speaker 5: Right, not as a collaboration as the four guitarist. 227 00:09:36,320 --> 00:09:37,920 Speaker 2: Yeah, I Mentionine that you're gonna be a guitarist. This 228 00:09:37,920 --> 00:09:39,360 Speaker 2: is quite a few years ago and. 229 00:09:39,400 --> 00:09:41,040 Speaker 3: It would have been a life changing event to being 230 00:09:41,120 --> 00:09:44,600 Speaker 3: David Bowie's band as its main guitarist. And they were 231 00:09:44,600 --> 00:09:47,600 Speaker 3: doing Let's Dance and he was checking the head that 232 00:09:47,640 --> 00:09:49,839 Speaker 3: he had the guitar parts right that Dabie Bowie liked it. 233 00:09:49,880 --> 00:09:52,320 Speaker 3: And then afterwards Dave Bowie said, right, that's great, you've 234 00:09:52,320 --> 00:09:52,719 Speaker 3: got that. 235 00:09:53,320 --> 00:09:56,439 Speaker 2: Now we need to What I want is for when 236 00:09:56,440 --> 00:09:59,079 Speaker 2: we do this live, to have like a choreographed dance 237 00:09:59,160 --> 00:10:01,640 Speaker 2: move that we all do. Stevie Aywall was, I'm not 238 00:10:01,720 --> 00:10:02,480 Speaker 2: learning no dance with. 239 00:10:03,400 --> 00:10:07,280 Speaker 3: Stevie Rayvaughn quit David Bowie's band in rehearsals. 240 00:10:07,559 --> 00:10:10,280 Speaker 2: I'm not learning any dances and you have to because 241 00:10:10,280 --> 00:10:12,080 Speaker 2: it's Let's dance. You know, and that's that's the kind 242 00:10:12,120 --> 00:10:14,200 Speaker 2: of look an aesthetic go on from. I'm not learning 243 00:10:14,200 --> 00:10:14,640 Speaker 2: any dance. 244 00:10:14,679 --> 00:10:17,120 Speaker 3: Goodbye. Yeah, that's it. I'm out, sorry, mister Bowie Quinn. 245 00:10:17,240 --> 00:10:21,080 Speaker 1: The Christian O'Connell Breakfast Show on Gold one oh four 246 00:10:21,120 --> 00:10:21,640 Speaker 1: point three. 247 00:10:21,880 --> 00:10:23,959 Speaker 2: What a great band, what a brilliant song. Thank you 248 00:10:24,040 --> 00:10:25,920 Speaker 2: very much Tom for request in that. Who needs R 249 00:10:25,960 --> 00:10:28,079 Speaker 2: and B Friday? When you got that? The Hoodoo Gurus, 250 00:10:28,160 --> 00:10:30,840 Speaker 2: awesome man, Miss free Love. If you had to guess 251 00:10:30,840 --> 00:10:32,280 Speaker 2: a year that that was out, what do you. 252 00:10:32,280 --> 00:10:34,320 Speaker 5: Go for nineteen eighty seven? 253 00:10:34,800 --> 00:10:38,199 Speaker 6: That's later, I'd say like ninety one bang, perhaps. 254 00:10:38,000 --> 00:10:42,800 Speaker 2: Sister winner ninety one came. All right, it's time for this. 255 00:10:43,120 --> 00:10:44,640 Speaker 3: I'm a movie. I'm a movie. 256 00:10:44,800 --> 00:10:45,440 Speaker 12: I'm a movie. 257 00:10:45,559 --> 00:10:46,400 Speaker 3: I'm a movie too? 258 00:10:46,520 --> 00:10:48,320 Speaker 11: What movie? 259 00:10:49,360 --> 00:10:52,360 Speaker 2: Good morning Friday Morning on the Christian O'Connor rect for Show, Melbourne. 260 00:10:52,400 --> 00:10:54,720 Speaker 2: It is now time for you to try and stump 261 00:10:54,760 --> 00:10:56,200 Speaker 2: the show. I'm a movie, I'm a movie. 262 00:10:56,200 --> 00:10:56,600 Speaker 3: What movie? 263 00:10:56,679 --> 00:10:59,080 Speaker 2: Min This is where you call us. You give us 264 00:10:59,080 --> 00:11:01,960 Speaker 2: a cryptic one line clue to a movie. We take 265 00:11:02,000 --> 00:11:03,960 Speaker 2: each other on trying to guess what the movie is. 266 00:11:04,000 --> 00:11:06,480 Speaker 2: If we don't guess in ten seconds, you win. 267 00:11:06,640 --> 00:11:11,120 Speaker 5: Can I give you one here, Yeah, Basement TV show, 268 00:11:11,840 --> 00:11:12,480 Speaker 5: Wayne's World. 269 00:11:12,559 --> 00:11:19,120 Speaker 3: Yes, yeah, great movie, awesome movie. All right, So that's 270 00:11:19,120 --> 00:11:19,520 Speaker 3: that works. 271 00:11:19,520 --> 00:11:21,480 Speaker 2: You just get It's not a please don't call in 272 00:11:21,559 --> 00:11:24,000 Speaker 2: with a quote from the movie. It's just a cryptic 273 00:11:24,040 --> 00:11:26,240 Speaker 2: clue to the movie itself, and we've got to try 274 00:11:26,280 --> 00:11:29,120 Speaker 2: and work out what the movie is within ten seconds. Now, 275 00:11:29,280 --> 00:11:31,000 Speaker 2: what do you win if you don't If we don't 276 00:11:31,000 --> 00:11:32,640 Speaker 2: get your movie this week? 277 00:11:34,120 --> 00:11:35,200 Speaker 3: Some amazing prizes. 278 00:11:35,800 --> 00:11:39,840 Speaker 2: George Michael Greatest Hits on CD, the format the world 279 00:11:40,000 --> 00:11:40,880 Speaker 2: has turned its back on. 280 00:11:40,920 --> 00:11:41,960 Speaker 5: It's not even greatest hits. 281 00:11:42,080 --> 00:11:44,800 Speaker 3: It it's just just listen without projecting prejudice. It's not 282 00:11:44,840 --> 00:11:49,240 Speaker 3: just an album. There's no more, George. We've had a 283 00:11:49,320 --> 00:11:50,680 Speaker 3: rush on these, George Michael CD. 284 00:11:50,800 --> 00:11:52,200 Speaker 5: So I can see you holding one in your. 285 00:11:52,080 --> 00:11:56,080 Speaker 2: Head, says post it note from producer Bets to sign. 286 00:11:56,360 --> 00:11:59,000 Speaker 2: Do you want to sign it as George? 287 00:11:59,800 --> 00:12:02,040 Speaker 3: From the other side, George says high. Have a great weekend. 288 00:12:03,840 --> 00:12:08,959 Speaker 2: Now it's Ellen John's Greatest Hits double CD, Sandy. No 289 00:12:09,000 --> 00:12:11,080 Speaker 2: one has answered them this sweet, So there's a couple 290 00:12:11,160 --> 00:12:13,280 Speaker 2: left over, so bye. You gotta win them. First of 291 00:12:13,280 --> 00:12:16,000 Speaker 2: all you do is get CDs in twenty eighteen. You've 292 00:12:16,000 --> 00:12:16,720 Speaker 2: got to win the c. 293 00:12:16,960 --> 00:12:18,360 Speaker 5: O get CDs in twenty eighteen. 294 00:12:20,640 --> 00:12:22,120 Speaker 3: All right, give us cool lines? Are of it now? 295 00:12:22,200 --> 00:12:24,520 Speaker 3: Nine four one four one O four three nine four 296 00:12:24,520 --> 00:12:25,880 Speaker 3: one four one O four three. 297 00:12:25,800 --> 00:12:29,680 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point. 298 00:12:29,480 --> 00:12:31,760 Speaker 3: Three, Love the Boy and God one O four point. 299 00:12:31,480 --> 00:12:36,680 Speaker 2: Three for lou In Deer Parks All request Friday. 300 00:12:36,760 --> 00:12:37,400 Speaker 3: I'm a movie. 301 00:12:37,480 --> 00:12:39,040 Speaker 12: I'm a movie. I'm a movie. 302 00:12:39,160 --> 00:12:40,000 Speaker 3: I'm a movie too? 303 00:12:40,120 --> 00:12:41,360 Speaker 5: What movie am I? 304 00:12:41,840 --> 00:12:42,000 Speaker 3: Yes? 305 00:12:45,679 --> 00:12:48,280 Speaker 2: Just were around to see what Jack's doing on his computer? 306 00:12:48,320 --> 00:12:51,120 Speaker 2: Over theyse that can it's some information about polycarbonet roofing. 307 00:12:53,720 --> 00:12:56,800 Speaker 5: It's so sometimes this house for renovation is so boring 308 00:12:57,240 --> 00:12:59,920 Speaker 5: reading about like what kind of u V rays can 309 00:13:00,120 --> 00:13:01,440 Speaker 5: get through the poly cabinet roof. 310 00:13:01,600 --> 00:13:03,520 Speaker 2: You can become an innocent expert because you don't want 311 00:13:03,520 --> 00:13:05,120 Speaker 2: to get ripped on and make a mistake. 312 00:13:05,760 --> 00:13:09,040 Speaker 3: You're actually putting a house together. It's too much. Sometimes 313 00:13:09,160 --> 00:13:11,600 Speaker 3: ask you to sing a song once a week. Worry. 314 00:13:11,600 --> 00:13:14,160 Speaker 3: Will we ever come around this comedy house and it's 315 00:13:14,160 --> 00:13:15,200 Speaker 3: going to fall in us? 316 00:13:16,120 --> 00:13:16,280 Speaker 1: Card? 317 00:13:16,480 --> 00:13:17,040 Speaker 3: Yes? It wouldn't. 318 00:13:17,040 --> 00:13:19,439 Speaker 2: We end up in your news people trapped in the 319 00:13:19,480 --> 00:13:21,000 Speaker 2: house today? 320 00:13:21,600 --> 00:13:23,480 Speaker 3: All right, let's dowo, I'm a movie, our movie, one 321 00:13:23,480 --> 00:13:24,880 Speaker 3: movie mine. This is our Friday game. 322 00:13:24,880 --> 00:13:27,040 Speaker 2: It's about you giving us a call and you give 323 00:13:27,120 --> 00:13:29,360 Speaker 2: us a cryptic one line clue to a movie. 324 00:13:29,360 --> 00:13:29,800 Speaker 3: We've got to. 325 00:13:29,760 --> 00:13:31,920 Speaker 2: Guess in ten seconds what the movie is. If we 326 00:13:31,920 --> 00:13:34,839 Speaker 2: don't guess right, you win a prize. Elton John's greatest 327 00:13:34,920 --> 00:13:36,720 Speaker 2: hits on CD is sur prize this morning. 328 00:13:37,080 --> 00:13:38,719 Speaker 3: All right, let's get a Sean to kick us off. 329 00:13:38,720 --> 00:13:42,240 Speaker 3: Come on, is Shawnee pretty good? Sewan? I hope you will, 330 00:13:42,520 --> 00:13:45,760 Speaker 3: And off you go. Rock and roll perpective. 331 00:13:46,400 --> 00:13:51,880 Speaker 7: Oh a spinerer, No, not a spiner fair Lane, Ford Fairlane. 332 00:13:51,679 --> 00:13:54,400 Speaker 5: Blues Brothers for Fairline. 333 00:13:54,840 --> 00:13:57,480 Speaker 3: Do you remember that? Hats that's amazing. It's a cult 334 00:13:57,520 --> 00:13:58,079 Speaker 3: movie and. 335 00:13:59,240 --> 00:14:00,000 Speaker 6: Chris has all here. 336 00:14:00,080 --> 00:14:04,640 Speaker 7: His videos are very disgraced to say, oh my, is. 337 00:14:04,520 --> 00:14:05,800 Speaker 5: That your first point in the game. 338 00:14:05,920 --> 00:14:09,720 Speaker 3: Yes, she's never gone. I think it's such a rare 339 00:14:09,840 --> 00:14:10,440 Speaker 3: unknown movie. 340 00:14:10,559 --> 00:14:12,720 Speaker 2: In fact, I don't know anyone who knows about Ford 341 00:14:13,600 --> 00:14:16,600 Speaker 2: Dice Clay cult movie. That was he was a detective 342 00:14:16,640 --> 00:14:19,480 Speaker 2: and his beat was the LA music scene. 343 00:14:19,280 --> 00:14:20,680 Speaker 6: Yes, and his rhymes. 344 00:14:20,680 --> 00:14:23,720 Speaker 7: He's a comedian, isn't he? He was out a few 345 00:14:23,760 --> 00:14:27,640 Speaker 7: years ago in Melbourne. Yeah, did a tour, right, Chris, 346 00:14:27,880 --> 00:14:28,360 Speaker 7: what do you. 347 00:14:28,280 --> 00:14:33,680 Speaker 6: Think I had to meet him and he doesn't. 348 00:14:34,520 --> 00:14:35,960 Speaker 5: Howd he meet him? 349 00:14:36,080 --> 00:14:37,880 Speaker 7: Well, he did a stand up I think it was 350 00:14:37,920 --> 00:14:40,320 Speaker 7: the Palms at Crown and then he did a signing afterwards, 351 00:14:40,320 --> 00:14:40,920 Speaker 7: and I set up. 352 00:14:41,320 --> 00:14:43,840 Speaker 6: I was wife of the Year. I organized for him 353 00:14:43,840 --> 00:14:44,520 Speaker 6: to meet him. 354 00:14:45,520 --> 00:14:48,560 Speaker 3: He was such a great wife Christmas spin in Heaven. 355 00:14:48,560 --> 00:14:50,360 Speaker 3: Then meeting the dicemurn. 356 00:14:52,960 --> 00:14:54,800 Speaker 6: He's got the T shirt and the program. 357 00:14:56,440 --> 00:14:58,960 Speaker 5: First, I imagine, Chris, because your husband's huge. He's six 358 00:14:59,000 --> 00:15:02,800 Speaker 5: foot five waiting outside the stage door for Dice play 359 00:15:02,800 --> 00:15:03,800 Speaker 5: with his autographic book. 360 00:15:04,360 --> 00:15:07,320 Speaker 6: And he's not very tall. Andrew Dice Clay is quite short, but. 361 00:15:07,360 --> 00:15:09,000 Speaker 3: He's wide these days, right he. 362 00:15:08,960 --> 00:15:10,640 Speaker 6: Yeah, he doesn't look so good. He looks like a 363 00:15:10,640 --> 00:15:11,240 Speaker 6: wax figure. 364 00:15:11,440 --> 00:15:16,400 Speaker 3: Listen, you don't starting whoa that's his dice man said, 365 00:15:17,280 --> 00:15:17,560 Speaker 3: I do. 366 00:15:18,800 --> 00:15:20,080 Speaker 5: I think he does jokes as well. 367 00:15:20,280 --> 00:15:23,760 Speaker 6: He does very sexist rude jokes. 368 00:15:24,120 --> 00:15:24,360 Speaker 13: Yes. 369 00:15:25,640 --> 00:15:29,480 Speaker 5: Pause, Okay, Jane, good morning. 370 00:15:29,680 --> 00:15:30,880 Speaker 3: Sorry, we're just breaking the show down. 371 00:15:30,880 --> 00:15:33,160 Speaker 2: There to a little tit about the dice really about 372 00:15:33,160 --> 00:15:34,080 Speaker 2: one person listening. 373 00:15:34,120 --> 00:15:36,360 Speaker 3: He knows about the dice man. Hey, Jane, howp was 374 00:15:36,400 --> 00:15:43,680 Speaker 3: out there? What's the clue ing, ghosts, Casper visiting? What 375 00:15:43,720 --> 00:15:43,840 Speaker 3: was that? 376 00:15:43,960 --> 00:15:45,280 Speaker 6: Nicole Kidman the others? 377 00:15:45,400 --> 00:15:49,000 Speaker 5: Ah no, no, the hours. 378 00:15:49,320 --> 00:15:57,240 Speaker 2: No, mister ghosts at the door, ghosts. No times up, folks, 379 00:15:57,240 --> 00:15:58,240 Speaker 2: we're out of ten seconds. 380 00:15:58,240 --> 00:15:59,920 Speaker 3: What is it? Jane true? 381 00:16:00,000 --> 00:16:00,640 Speaker 10: Are we madly? 382 00:16:00,800 --> 00:16:01,200 Speaker 14: Deeply? 383 00:16:02,520 --> 00:16:03,040 Speaker 3: Of course? 384 00:16:03,880 --> 00:16:04,720 Speaker 5: What's that? Who's in that? 385 00:16:04,880 --> 00:16:05,240 Speaker 3: I don't know? 386 00:16:07,120 --> 00:16:12,600 Speaker 15: Alan and Emma thom Thompson And it's it's a love story. 387 00:16:12,840 --> 00:16:15,320 Speaker 5: Because people like the great Alan Rickman have passed on, 388 00:16:15,400 --> 00:16:17,400 Speaker 5: can't you don't you have to respect all their work. 389 00:16:17,320 --> 00:16:20,240 Speaker 2: Now, No, not that, not that one, amazing actor Alan Rickman, 390 00:16:20,320 --> 00:16:22,600 Speaker 2: but that one is a stinker. One of the best 391 00:16:22,640 --> 00:16:25,040 Speaker 2: die hard baddies him and Jeremy Ironds. 392 00:16:25,120 --> 00:16:29,000 Speaker 3: Yeah, Alan Ritman was my favorite diehard baddy. He's amazing that. Hey, listen, 393 00:16:29,000 --> 00:16:32,880 Speaker 3: you've won the CD world and Jeff, good morning, good morning. 394 00:16:33,640 --> 00:16:35,280 Speaker 2: I'm good Jeff. I know, hope you've had a good week. 395 00:16:35,320 --> 00:16:37,800 Speaker 2: If you go, what's your clue? 396 00:16:38,320 --> 00:16:39,760 Speaker 10: You didn't you? 397 00:16:41,280 --> 00:16:42,800 Speaker 15: You saw didn't you? 398 00:16:44,680 --> 00:16:48,200 Speaker 5: Dumb and dumbers? Because we went saw it, dumb and dumber. 399 00:16:49,720 --> 00:16:51,480 Speaker 6: You just said, no, that's a hard one. 400 00:16:51,800 --> 00:16:57,160 Speaker 3: You saw it, didn't you? The heels of eyes? No, watching. 401 00:16:58,280 --> 00:16:59,120 Speaker 6: I's white shirt? 402 00:17:02,200 --> 00:17:06,640 Speaker 16: What is it puld of change. 403 00:17:08,000 --> 00:17:10,320 Speaker 5: This is a field you made it Media year twelve. 404 00:17:11,040 --> 00:17:14,400 Speaker 16: What's the movie, Jeffrey Bold of change. 405 00:17:18,440 --> 00:17:20,760 Speaker 2: I'm not giving you a prize. Rubbish, stinky old clue. 406 00:17:20,800 --> 00:17:22,560 Speaker 2: Does it sound like he was having a big old slash. 407 00:17:22,560 --> 00:17:25,200 Speaker 7: There was his chances if you said build it and 408 00:17:25,240 --> 00:17:26,240 Speaker 7: they will come, I would have known. 409 00:17:26,280 --> 00:17:29,520 Speaker 3: That's it. That's a quote, though, but that's the only rule. 410 00:17:29,560 --> 00:17:35,800 Speaker 3: We have, no quotes. Trevor, good morning, Good morning, you go. 411 00:17:36,160 --> 00:17:41,640 Speaker 3: We're going, Trevor, what's your clue? Rough end far rough 412 00:17:41,680 --> 00:17:45,000 Speaker 3: and fart Yeah, far. 413 00:17:44,400 --> 00:17:48,520 Speaker 6: Rough, far fast and the furious fast time. 414 00:17:48,680 --> 00:17:59,000 Speaker 3: Ridgemont high no rough and gone in sixty seconds. Now 415 00:17:59,359 --> 00:18:00,600 Speaker 3: we're out of time. What is it? 416 00:18:01,520 --> 00:18:06,480 Speaker 17: Ropping on Apple Fast Express? 417 00:18:07,160 --> 00:18:11,760 Speaker 3: Terrible? Terrible? Producers, stop putting through these. It's not Trevor's fault. Okay, 418 00:18:11,800 --> 00:18:13,880 Speaker 3: he calls up. I've asked him to. But that does 419 00:18:13,960 --> 00:18:19,520 Speaker 3: two bad clues. Way, come on, producers, fringer out of 420 00:18:19,560 --> 00:18:21,320 Speaker 3: your backsides, Dion. 421 00:18:22,680 --> 00:18:25,879 Speaker 16: There a boy on the beach with a bit of 422 00:18:25,920 --> 00:18:26,840 Speaker 16: a friendly sort of bird. 423 00:18:27,560 --> 00:18:34,359 Speaker 18: It's done, boy, I've got nothing, passes, got one, Jack's 424 00:18:34,400 --> 00:18:36,679 Speaker 18: got one, all right, one last clue and this bit 425 00:18:36,760 --> 00:18:39,080 Speaker 18: then to save this feature this morning nine four one 426 00:18:39,119 --> 00:18:40,680 Speaker 18: for one oh four three. 427 00:18:40,760 --> 00:18:43,439 Speaker 2: Who's it going to be? Who's it going to be? 428 00:18:43,480 --> 00:18:47,959 Speaker 2: He said the producers, How there we go? David, Hello, David, 429 00:18:48,000 --> 00:18:52,240 Speaker 2: what's the clue? Conic Snakes on a plane? 430 00:18:52,560 --> 00:18:53,080 Speaker 3: Force one? 431 00:18:54,960 --> 00:18:57,359 Speaker 5: I think I think we look at the photo finished. 432 00:18:57,359 --> 00:19:00,879 Speaker 3: I was there, so we had that one half a 433 00:19:00,960 --> 00:19:01,480 Speaker 3: point each. 434 00:19:01,760 --> 00:19:06,400 Speaker 1: The Christian O'Connell Breakfast Show one o four point three fine. 435 00:19:06,200 --> 00:19:08,760 Speaker 3: A round of our Friday morning Early Morning game. I'm 436 00:19:08,760 --> 00:19:11,280 Speaker 3: a movie. I'm a movie in the movie. I'm a 437 00:19:11,320 --> 00:19:11,760 Speaker 3: movie too? 438 00:19:11,880 --> 00:19:13,720 Speaker 11: What movie? 439 00:19:15,560 --> 00:19:16,359 Speaker 3: So I've got nothing? 440 00:19:16,480 --> 00:19:19,479 Speaker 2: You and Pats are the only players this week so 441 00:19:19,600 --> 00:19:20,840 Speaker 2: far with scores and the doors. 442 00:19:21,359 --> 00:19:30,640 Speaker 5: I'm two points winning to know you ever got to Jack? 443 00:19:30,800 --> 00:19:31,400 Speaker 3: You have nine? 444 00:19:31,480 --> 00:19:32,880 Speaker 5: Jackson one and Patterson one. 445 00:19:34,600 --> 00:19:36,720 Speaker 3: Let me ask you again? Have I got one? Why? 446 00:19:36,880 --> 00:19:37,320 Speaker 3: Why do we? 447 00:19:37,680 --> 00:19:42,600 Speaker 7: Why do we defer to bear because you always cheat? 448 00:19:44,000 --> 00:19:45,639 Speaker 5: What else do I get back on it? 449 00:19:48,359 --> 00:19:48,880 Speaker 3: Storm boy? 450 00:19:49,000 --> 00:19:53,000 Speaker 5: Got I get an extra point for Troy? 451 00:19:53,119 --> 00:19:58,040 Speaker 3: Good morning? Pretty good? Falling out over the scoring, but yeah, 452 00:19:58,040 --> 00:19:59,200 Speaker 3: pretty good. Other than that. 453 00:20:01,119 --> 00:20:07,760 Speaker 2: One last Troy. 454 00:20:04,840 --> 00:20:05,960 Speaker 3: What's your clue for us? 455 00:20:06,760 --> 00:20:10,280 Speaker 1: My clue is invasion, Ruins, National Holiday. 456 00:20:10,040 --> 00:20:12,960 Speaker 3: Christmas vacation, Independence. 457 00:20:12,440 --> 00:20:15,440 Speaker 10: Yeah, Independence Day. 458 00:20:15,600 --> 00:20:16,560 Speaker 6: We all get a point to that. 459 00:20:16,680 --> 00:20:19,360 Speaker 3: No way, who was first? 460 00:20:19,640 --> 00:20:21,760 Speaker 5: Becky is not in the No. 461 00:20:21,880 --> 00:20:23,240 Speaker 3: One fairer fairer. 462 00:20:24,160 --> 00:20:26,320 Speaker 2: Always, so that's quite right. 463 00:20:26,359 --> 00:20:29,640 Speaker 3: Troy is right, yeah, okay, final say is Christian? 464 00:20:29,760 --> 00:20:35,120 Speaker 2: Well, that's that independent. We must trustpects always one last 465 00:20:35,160 --> 00:20:38,560 Speaker 2: one there from Tracy. Good morning, Tracy, Good morning guys. 466 00:20:38,560 --> 00:20:41,040 Speaker 3: How are you Yeah, we're going Tracy wash your clue, mate? 467 00:20:41,680 --> 00:20:46,719 Speaker 19: Okay, Traveling with the carnival, Yeah, national lampoons, European vacation, 468 00:20:46,920 --> 00:20:48,159 Speaker 19: Christmas vacation. 469 00:20:49,600 --> 00:20:50,680 Speaker 5: Walking with dinosaurs? 470 00:20:50,960 --> 00:20:51,640 Speaker 3: What's that going doing? 471 00:20:51,760 --> 00:20:52,840 Speaker 5: What are you traveling? 472 00:20:53,320 --> 00:20:55,560 Speaker 3: What a great carnival where they've got dinosaurs. 473 00:20:56,160 --> 00:20:59,920 Speaker 5: It's a carnival. Wait is a carnival or carnival trade? 474 00:21:00,840 --> 00:21:01,080 Speaker 8: Oh? 475 00:21:01,760 --> 00:21:05,600 Speaker 3: Carnival? We're out of time. What's the what's the movie? 476 00:21:06,440 --> 00:21:07,680 Speaker 10: Dances with Wolves? 477 00:21:07,840 --> 00:21:08,040 Speaker 13: Oh? 478 00:21:10,040 --> 00:21:12,600 Speaker 5: Traveling is not dancing. No, traveling is not dancing. 479 00:21:12,640 --> 00:21:17,040 Speaker 3: No, you don't travel anywhere via dance. Again, the producers. 480 00:21:16,760 --> 00:21:18,720 Speaker 5: Should have said jigging with carnivores. 481 00:21:19,000 --> 00:21:19,320 Speaker 13: Chigging? 482 00:21:19,440 --> 00:21:20,760 Speaker 5: Do you agree? Tracy Yell? 483 00:21:20,800 --> 00:21:21,760 Speaker 3: On moonwalking? 484 00:21:21,840 --> 00:21:23,919 Speaker 2: Tracy, you get the Elton John CD whether you like 485 00:21:23,960 --> 00:21:25,200 Speaker 2: it or not, it's coming in the post. 486 00:21:26,800 --> 00:21:29,840 Speaker 1: The Christian Who Connell Breakfast Show, Melbourne's Gold one oh 487 00:21:29,960 --> 00:21:30,720 Speaker 1: four point three. 488 00:21:31,840 --> 00:21:32,280 Speaker 3: Good morning. 489 00:21:32,320 --> 00:21:33,960 Speaker 2: It's a Christian O'Conor backless show. 490 00:21:33,840 --> 00:21:35,960 Speaker 3: Friday morning on Gold one a four point three. 491 00:21:36,000 --> 00:21:38,399 Speaker 2: This song is the song that will be played again 492 00:21:38,480 --> 00:21:40,760 Speaker 2: between now and ten am and. 493 00:21:40,760 --> 00:21:43,040 Speaker 1: It will win you ten thousand dollars to keep listening 494 00:21:43,200 --> 00:21:46,320 Speaker 1: the Christian who Connell Breakfast Show, Melbourne's Gold one oh 495 00:21:46,400 --> 00:21:47,320 Speaker 1: four point three. 496 00:21:47,680 --> 00:21:50,399 Speaker 2: All requests, every song picked by you, Melbourne are the 497 00:21:50,480 --> 00:21:53,240 Speaker 2: Christian O'Connor rect for show every Friday. Cydey Lauper Girls, 498 00:21:53,280 --> 00:21:55,560 Speaker 2: This one a half fun for jure ran in Tellamarine. 499 00:21:55,880 --> 00:21:58,240 Speaker 3: That is this morning song. We're gonna play twice. 500 00:21:58,280 --> 00:22:00,520 Speaker 2: You will hear it once more between now ten o'clock 501 00:22:00,520 --> 00:22:01,959 Speaker 2: at the end of the show, and that's where we're 502 00:22:01,960 --> 00:22:04,440 Speaker 2: going to give away the ten thousand dollars. It falls 503 00:22:04,720 --> 00:22:09,439 Speaker 2: back to us. Hugg He had the station's best winner, 504 00:22:09,680 --> 00:22:12,320 Speaker 2: radios best winner, the best winner I've heard on any 505 00:22:12,400 --> 00:22:15,679 Speaker 2: radio station in the world in years, and this was it. 506 00:22:15,680 --> 00:22:17,920 Speaker 3: If you miss it, this was Emma winning last week 507 00:22:17,960 --> 00:22:18,639 Speaker 3: with Huggy. 508 00:22:18,800 --> 00:22:20,680 Speaker 12: Stream because you played footloose and. 509 00:22:20,600 --> 00:22:21,320 Speaker 3: What does that mean? 510 00:22:21,640 --> 00:22:30,240 Speaker 4: Oh my god, shoes, I really wanted yes, yes, Thank. 511 00:22:30,080 --> 00:22:35,359 Speaker 9: You so much, Emma, you have won ten thousand dollars 512 00:22:35,200 --> 00:22:35,840 Speaker 9: a machine. 513 00:22:35,840 --> 00:22:40,400 Speaker 19: Listen to am, I literally hearing tears. 514 00:22:41,359 --> 00:22:44,760 Speaker 3: What have we had this? You won ten thousand dollars? 515 00:22:45,320 --> 00:22:46,359 Speaker 13: Oh good? 516 00:22:46,600 --> 00:22:51,080 Speaker 3: Oh gee? Really we cannot have that this morning because 517 00:22:51,160 --> 00:22:53,760 Speaker 3: Huggy I never live it down. I can't want me 518 00:22:53,840 --> 00:22:54,200 Speaker 3: to look at. 519 00:22:54,200 --> 00:22:56,360 Speaker 5: Him starting around the station now. 520 00:22:57,520 --> 00:22:59,520 Speaker 2: And he even said he sent me a text yesterday 521 00:22:59,560 --> 00:23:02,359 Speaker 2: going after six o'clock when he knew obviously he was 522 00:23:02,400 --> 00:23:03,800 Speaker 2: going to have to be paid off this morning, and 523 00:23:03,800 --> 00:23:06,080 Speaker 2: the breakfast show went over to you, big boy, and 524 00:23:06,200 --> 00:23:09,560 Speaker 2: it was a passive aggressive way it's on. Basically, he 525 00:23:09,680 --> 00:23:15,160 Speaker 2: was saying, dance pommy monkey. So please, if you're winning 526 00:23:15,200 --> 00:23:21,480 Speaker 2: the money, go nuts, be like Jimmy Bart. All right, 527 00:23:21,520 --> 00:23:24,280 Speaker 2: So this morning show, we've got ham miss McLaughlin on. 528 00:23:24,400 --> 00:23:26,359 Speaker 2: He's on later on this morning with the phraser pays 529 00:23:26,359 --> 00:23:27,920 Speaker 2: any brand new phrase for us? 530 00:23:28,200 --> 00:23:31,199 Speaker 3: Are we still going to go with you? I want to? 531 00:23:31,400 --> 00:23:34,320 Speaker 3: I want Are you up for that? I'm up for it? Yeah? 532 00:23:34,480 --> 00:23:41,639 Speaker 3: Are we still gonna? Are we going to get her 533 00:23:41,640 --> 00:23:42,000 Speaker 3: to do this? 534 00:23:45,280 --> 00:23:49,960 Speaker 5: Mommy shocked it, Mommy shocked it. I'm still waking up 535 00:23:50,000 --> 00:23:50,639 Speaker 5: with it every morning. 536 00:23:50,920 --> 00:23:53,280 Speaker 2: I woke up this morning, I thought, are we really 537 00:23:53,320 --> 00:23:55,160 Speaker 2: going to get Hey mish to do this. I say yes, 538 00:23:55,400 --> 00:23:57,560 Speaker 2: and here's what I also, But he won't ever do 539 00:23:57,640 --> 00:23:59,359 Speaker 2: the phrase that pays this when we do the one 540 00:23:59,400 --> 00:24:03,800 Speaker 2: that breaks a mission. McLoughlin, I can't necessarily work. 541 00:24:03,800 --> 00:24:06,080 Speaker 3: Okay, let me put someone else in. That's better thing. 542 00:24:08,840 --> 00:24:09,199 Speaker 3: There we go. 543 00:24:09,280 --> 00:24:11,359 Speaker 2: Our minds are all cleansed. Okay, so we've got that 544 00:24:11,400 --> 00:24:14,000 Speaker 2: this morning. And also we were yesterday how do we 545 00:24:14,119 --> 00:24:17,080 Speaker 2: end up chatting to that woman who rapped? And I said, 546 00:24:17,080 --> 00:24:18,800 Speaker 2: come in and rap the week Jack normally does this. 547 00:24:18,840 --> 00:24:19,600 Speaker 3: What were we talking about? 548 00:24:19,640 --> 00:24:22,960 Speaker 5: We were asking for rhymes for Melbourne because I found 549 00:24:23,040 --> 00:24:26,360 Speaker 5: Melbourne a difficult word to rhyme for this song I'm 550 00:24:26,359 --> 00:24:27,280 Speaker 5: writing about the city. 551 00:24:27,359 --> 00:24:28,399 Speaker 3: Yeah, this is a big mission. 552 00:24:28,400 --> 00:24:30,560 Speaker 2: Then Jack has been commission I've commission him, but a 553 00:24:30,680 --> 00:24:32,720 Speaker 2: higher power than me, and that is the Lord Mayor 554 00:24:32,760 --> 00:24:34,840 Speaker 2: here Sully cap has agreed that you know, this week 555 00:24:34,920 --> 00:24:36,919 Speaker 2: big news. Then Melbourne not the most Liverpool city in 556 00:24:36,920 --> 00:24:38,960 Speaker 2: the world and number two one of the most liberal 557 00:24:39,080 --> 00:24:40,480 Speaker 2: cities in the world and number. 558 00:24:40,280 --> 00:24:44,480 Speaker 3: One now Ostro Vienna, some dull town in Vienna. And 559 00:24:44,800 --> 00:24:45,080 Speaker 3: I was. 560 00:24:45,000 --> 00:24:46,720 Speaker 2: Thinking of maybe one of the reasons I did tip 561 00:24:46,760 --> 00:24:48,359 Speaker 2: them and the judges gave them a few more points 562 00:24:48,400 --> 00:24:51,000 Speaker 2: than this great city. Maybe the song They've got a 563 00:24:51,040 --> 00:24:54,560 Speaker 2: song that older eighties dreary song, Vienna, So I thought 564 00:24:54,680 --> 00:24:57,320 Speaker 2: Jack could try and write an anthem for this great city. 565 00:24:57,640 --> 00:25:00,439 Speaker 2: Now the Lord Mayor Sullly Cap has a spoken to 566 00:25:00,480 --> 00:25:03,240 Speaker 2: us yesterday wanting a progress update, which I'll played to 567 00:25:03,240 --> 00:25:04,840 Speaker 2: you in a couple of minutes time. But before that, 568 00:25:05,680 --> 00:25:09,239 Speaker 2: we interviewed Jimmy Barnes after yesterday's show, and it's an 569 00:25:09,240 --> 00:25:11,159 Speaker 2: amazing interview. It's actually one of the most interesting and 570 00:25:11,200 --> 00:25:15,120 Speaker 2: inspirational interviews I've ever done. I've found him fascinating. I've 571 00:25:15,119 --> 00:25:17,320 Speaker 2: known of Jimmy's story and I read his book at 572 00:25:17,359 --> 00:25:19,960 Speaker 2: the beginning of the year, but actually meeting him and 573 00:25:20,000 --> 00:25:21,480 Speaker 2: hearing what he's got to say about his life and 574 00:25:21,480 --> 00:25:23,440 Speaker 2: what he's learned from it and the message that although 575 00:25:23,440 --> 00:25:24,879 Speaker 2: you won't call it message and what he's got to 576 00:25:24,920 --> 00:25:28,280 Speaker 2: share is incredible and so much though Jack, when I 577 00:25:28,359 --> 00:25:31,879 Speaker 2: was so impressed with him yesterday's charisma and his energy 578 00:25:32,080 --> 00:25:34,480 Speaker 2: and what he's got to say about life. We went 579 00:25:34,520 --> 00:25:37,960 Speaker 2: to see is the premiere last night of this new documentary. 580 00:25:38,240 --> 00:25:41,200 Speaker 2: It's called Working Class Boy, comes out next Thursday. It's 581 00:25:41,240 --> 00:25:44,119 Speaker 2: in cinemas all over Australia. You owe it to yourself 582 00:25:44,119 --> 00:25:46,439 Speaker 2: to go and see it. I'll say this about it. 583 00:25:46,440 --> 00:25:49,000 Speaker 2: It is heartbreaking at times. I mean Jack and I 584 00:25:49,119 --> 00:25:51,479 Speaker 2: were crying our eyes out along with everybody else there 585 00:25:51,560 --> 00:25:54,760 Speaker 2: last night. It will break your heart, however, it will 586 00:25:54,800 --> 00:25:57,960 Speaker 2: break your heart, but there's something really really amazingly healing 587 00:25:58,000 --> 00:25:59,760 Speaker 2: about it as well. And when I talk about healing, 588 00:25:59,840 --> 00:26:02,680 Speaker 2: you see the healing through the damage that's happened to 589 00:26:02,760 --> 00:26:03,760 Speaker 2: him and his family. 590 00:26:04,080 --> 00:26:06,320 Speaker 3: You see it on screen. There's nothing that don't shy 591 00:26:06,320 --> 00:26:07,640 Speaker 3: away from. There's a scene. 592 00:26:07,640 --> 00:26:09,399 Speaker 2: I don't want to ruin it for you because we 593 00:26:09,480 --> 00:26:11,679 Speaker 2: know too much these days. There is a scene between 594 00:26:11,760 --> 00:26:12,720 Speaker 2: him and his son. 595 00:26:12,920 --> 00:26:15,439 Speaker 3: Yeah. Wow, it's one of the most powerful bits of cinema. 596 00:26:15,480 --> 00:26:16,040 Speaker 3: Forget the factor. 597 00:26:16,040 --> 00:26:19,000 Speaker 2: It's a documentary that I've ever seen. It is beautiful. 598 00:26:19,280 --> 00:26:20,280 Speaker 2: It's just incredible. 599 00:26:20,280 --> 00:26:20,879 Speaker 3: I loved it. 600 00:26:20,920 --> 00:26:22,760 Speaker 2: I will go and see it again. It is out 601 00:26:22,840 --> 00:26:27,080 Speaker 2: next Thursday right around Australia. Go and see Working Class Board. 602 00:26:27,119 --> 00:26:30,320 Speaker 2: You won't be disappointed. It is sad, however, there's also 603 00:26:30,440 --> 00:26:32,760 Speaker 2: life affirming as well. There's a lot of joy in 604 00:26:32,800 --> 00:26:35,080 Speaker 2: it as well. But there's some amazing stuff in there 605 00:26:35,119 --> 00:26:37,160 Speaker 2: and you leave with so much respect for Jimmy Barnes 606 00:26:37,359 --> 00:26:40,160 Speaker 2: and also his beautiful family as well. 607 00:26:40,240 --> 00:26:43,320 Speaker 5: Yeah, his wife is amazing. Yeah, his kids are amazing. 608 00:26:43,440 --> 00:26:45,840 Speaker 2: Yeah, there's something really special about it. It will be one 609 00:26:45,840 --> 00:26:47,560 Speaker 2: of those things that will go I'm sure we're on 610 00:26:47,640 --> 00:26:49,520 Speaker 2: a load of awards. This incredible and it is so 611 00:26:49,600 --> 00:26:51,639 Speaker 2: well made as well, the music in it as well. 612 00:26:51,680 --> 00:26:53,399 Speaker 2: You got to what Jimmy barns about talking about that 613 00:26:53,480 --> 00:26:55,520 Speaker 2: voice and this yesterday we found out. 614 00:26:55,440 --> 00:27:01,000 Speaker 3: This is how the dude warms up. I do that 615 00:27:01,040 --> 00:27:02,600 Speaker 3: before the start of the show. There's no more speaking 616 00:27:02,600 --> 00:27:04,040 Speaker 3: for the rest of the year from me. I don't 617 00:27:04,080 --> 00:27:05,639 Speaker 3: know how he does it. He's not human. 618 00:27:05,920 --> 00:27:07,800 Speaker 2: But anyway, we're going to play the full interview next 619 00:27:07,840 --> 00:27:09,879 Speaker 2: week when the movie is out next Thursday. But what 620 00:27:09,920 --> 00:27:11,080 Speaker 2: it was in I thought, you know, we might as 621 00:27:11,080 --> 00:27:13,720 Speaker 2: well ask him, Jimmy Barnes, who's written a few anthems, 622 00:27:14,000 --> 00:27:16,040 Speaker 2: how do you write an anthem? So that Jack can 623 00:27:16,119 --> 00:27:19,160 Speaker 2: learn some lessons here, so he asked. Jimmy asked yesterday 624 00:27:19,200 --> 00:27:21,159 Speaker 2: during the interview, how do you go about writing an anthem? 625 00:27:21,800 --> 00:27:22,480 Speaker 11: Ah? 626 00:27:22,520 --> 00:27:24,280 Speaker 17: Well, really, if I knew that, I'd be writing them 627 00:27:24,320 --> 00:27:27,359 Speaker 17: every day. You know, I've been a part of a few. 628 00:27:27,480 --> 00:27:29,199 Speaker 17: I mean, I think it's going to going to be 629 00:27:29,200 --> 00:27:31,439 Speaker 17: a chorus at Lives Your Spirits. It's going to be 630 00:27:31,440 --> 00:27:32,280 Speaker 17: a chorus. 631 00:27:32,000 --> 00:27:32,760 Speaker 3: Are you writing this down? 632 00:27:32,920 --> 00:27:34,840 Speaker 13: It's going to be a chorus that lives Spirits. 633 00:27:35,760 --> 00:27:38,000 Speaker 17: It's always great, you know, when the chorus comes and 634 00:27:38,400 --> 00:27:41,040 Speaker 17: you feel like, you know, throwing your buddy your beer 635 00:27:41,080 --> 00:27:41,520 Speaker 17: in the air. 636 00:27:42,119 --> 00:27:44,560 Speaker 13: It's a good thing. And it really the truth is 637 00:27:44,600 --> 00:27:45,720 Speaker 13: that if you ATTRACTI write. 638 00:27:45,560 --> 00:27:46,879 Speaker 17: A song about a place like Melbourne, it's got so 639 00:27:47,000 --> 00:27:47,840 Speaker 17: much grind for it. 640 00:27:48,200 --> 00:27:50,040 Speaker 13: You just got to know. Ask a few people a few. 641 00:27:49,960 --> 00:27:52,040 Speaker 17: Lanes and they'll and they'll you know, they'll plump them 642 00:27:52,040 --> 00:27:53,240 Speaker 17: out to you. There's a lot of great things to 643 00:27:53,240 --> 00:27:54,000 Speaker 17: write about this town. 644 00:27:54,040 --> 00:27:55,920 Speaker 3: You know. Do you think it's worth going and getting 645 00:27:55,920 --> 00:27:59,360 Speaker 3: a kid's quiet in a rock song? Is that too much? Kids? 646 00:27:59,400 --> 00:28:03,399 Speaker 13: Kids quite well worked there in the living years. Yes, kids. 647 00:28:03,400 --> 00:28:04,880 Speaker 17: Crent is always good. I use them on a couple 648 00:28:04,920 --> 00:28:07,000 Speaker 17: of things. Yeah, you know, and it helps if you 649 00:28:07,080 --> 00:28:08,159 Speaker 17: get fun and sing it. 650 00:28:09,480 --> 00:28:12,520 Speaker 5: Yeah, I'm thinking I'm hoping that we'll get another singer 651 00:28:12,560 --> 00:28:15,680 Speaker 5: for it, because I give myself a C plus. 652 00:28:16,000 --> 00:28:16,720 Speaker 13: Plus is pretty good. 653 00:28:16,880 --> 00:28:18,280 Speaker 17: You know what if you tell the story and it's 654 00:28:18,320 --> 00:28:20,280 Speaker 17: your story. Then you're the best singer in the job. 655 00:28:20,440 --> 00:28:21,560 Speaker 17: You're the best one for the job. 656 00:28:21,600 --> 00:28:25,040 Speaker 2: So you talk about the listeners have been suggesting lyrics 657 00:28:25,080 --> 00:28:26,520 Speaker 2: and Jack and I know you've got one there which 658 00:28:26,520 --> 00:28:29,800 Speaker 2: has come from one there is lyric here is very raw, 659 00:28:29,880 --> 00:28:31,720 Speaker 2: it's from the heart. But this this came in on 660 00:28:31,720 --> 00:28:34,640 Speaker 2: this morning show? Is it from Anthony listener of the show. 661 00:28:34,680 --> 00:28:36,600 Speaker 2: He works in a car yard. You know, he sounds 662 00:28:36,640 --> 00:28:38,160 Speaker 2: like a Bruce Brings sing song. To be honest, he 663 00:28:38,160 --> 00:28:45,240 Speaker 2: works in a car yard and channel yeah. 664 00:28:43,360 --> 00:28:47,360 Speaker 3: But yeah, well you know, listen, how would you deliver 665 00:28:47,520 --> 00:28:49,520 Speaker 3: a line like that? How would you do it? You 666 00:28:49,720 --> 00:28:52,360 Speaker 3: do you? Is it? Guttural scream? What is it? Jimmy? 667 00:28:52,520 --> 00:28:55,000 Speaker 3: We are we. 668 00:28:57,160 --> 00:29:02,600 Speaker 13: You're gonna have a bit? We are there, you know, 669 00:29:02,680 --> 00:29:04,040 Speaker 13: And it's good if you can just stop. 670 00:29:06,040 --> 00:29:09,200 Speaker 3: And if you can what an amazing energy that was. 671 00:29:09,240 --> 00:29:11,600 Speaker 3: It's like a lightning bulb coming. That's good. 672 00:29:11,640 --> 00:29:14,000 Speaker 13: If you can distort the mic to helps you, it's great. 673 00:29:14,000 --> 00:29:16,920 Speaker 3: Could you give us a warning next to one? It's incredible. 674 00:29:16,960 --> 00:29:18,000 Speaker 3: It was amazing. 675 00:29:18,160 --> 00:29:20,120 Speaker 13: So you just got and make sure someone sings it 676 00:29:20,200 --> 00:29:20,600 Speaker 13: with gusto? 677 00:29:21,400 --> 00:29:22,920 Speaker 3: Do you not wreck your voice? When you do that. 678 00:29:22,960 --> 00:29:24,400 Speaker 3: If I said that you I want to speak for 679 00:29:24,440 --> 00:29:25,680 Speaker 3: us for a year, I SUEE. 680 00:29:26,040 --> 00:29:28,320 Speaker 13: I've got there's a trick. I don't know how. I've 681 00:29:28,320 --> 00:29:30,720 Speaker 13: taught myself this. And the guy, this doctor who did 682 00:29:30,760 --> 00:29:31,120 Speaker 13: all these. 683 00:29:31,040 --> 00:29:33,720 Speaker 17: Operations on singers, on Elton John, and he put a 684 00:29:33,760 --> 00:29:35,440 Speaker 17: camera down my throat once and he worked out that 685 00:29:35,640 --> 00:29:38,000 Speaker 17: when I sing, I don't use my main vocal cords. 686 00:29:38,200 --> 00:29:41,200 Speaker 17: I use my secondary chords, and the secondary chords don't 687 00:29:41,240 --> 00:29:42,880 Speaker 17: get nodules or nodes or. 688 00:29:43,320 --> 00:29:44,719 Speaker 3: So I talked, did you know any of this? Were 689 00:29:44,720 --> 00:29:45,040 Speaker 3: you try? 690 00:29:45,120 --> 00:29:45,200 Speaker 14: No? 691 00:29:45,280 --> 00:29:48,920 Speaker 13: I know, just using bad bad and singing over a 692 00:29:48,960 --> 00:29:50,680 Speaker 13: loud bay. I taught myself to do it. 693 00:29:50,680 --> 00:29:52,320 Speaker 17: And that means, you know, I get up some days 694 00:29:52,360 --> 00:29:53,840 Speaker 17: and I can't speak, but I can still sing. 695 00:29:54,000 --> 00:29:55,480 Speaker 3: And what is your warm up? Then? What do you 696 00:29:55,520 --> 00:29:56,440 Speaker 3: actually do? Backstay? 697 00:29:56,600 --> 00:30:03,920 Speaker 13: You're not gonna do no, no, no no, And I did that. 698 00:30:04,000 --> 00:30:05,040 Speaker 13: I did that for about an hour. 699 00:30:05,640 --> 00:30:07,400 Speaker 3: Car a lot. I want that to be my car 700 00:30:07,440 --> 00:30:07,920 Speaker 3: a lot. There is that. 701 00:30:08,000 --> 00:30:10,040 Speaker 17: There's a lamb clock I've got, but I just do it, 702 00:30:10,040 --> 00:30:13,240 Speaker 17: and I'll change the pitch lightly up up every time 703 00:30:13,240 --> 00:30:15,040 Speaker 17: I do it, and it just and it just starts 704 00:30:15,080 --> 00:30:16,280 Speaker 17: going it's like a mac truck. 705 00:30:16,360 --> 00:30:18,360 Speaker 13: Once you get it going the cant it's insane. 706 00:30:19,440 --> 00:30:20,440 Speaker 3: It's incredible. 707 00:30:20,720 --> 00:30:22,760 Speaker 5: I think if the band before you is playing and 708 00:30:22,800 --> 00:30:25,960 Speaker 5: you're warming up backstage, you'll drown out the band. 709 00:30:26,320 --> 00:30:28,720 Speaker 13: A couple of bands I have, and a couple of 710 00:30:28,720 --> 00:30:29,520 Speaker 13: times I freaked people. 711 00:30:29,600 --> 00:30:31,560 Speaker 17: I remember once I was doing like the State of 712 00:30:31,560 --> 00:30:33,160 Speaker 17: Origin and uh, and I was in. 713 00:30:33,040 --> 00:30:34,520 Speaker 13: The tunnel ready to go out. 714 00:30:34,560 --> 00:30:35,080 Speaker 3: What a gig? 715 00:30:35,200 --> 00:30:36,680 Speaker 13: And I thought I better warm up. 716 00:30:36,680 --> 00:30:38,880 Speaker 17: I've got a warm and I start screaming and one 717 00:30:38,920 --> 00:30:40,400 Speaker 17: of these old guys and the white coats and the 718 00:30:40,400 --> 00:30:40,880 Speaker 17: hat came out. 719 00:30:40,920 --> 00:30:44,080 Speaker 13: He keep it down there scaring the rugby players. 720 00:30:46,440 --> 00:30:47,720 Speaker 3: He's great. So that's a bit of our chat with 721 00:30:47,800 --> 00:30:48,240 Speaker 3: Jimmy Barnes. 722 00:30:48,280 --> 00:30:50,320 Speaker 2: Here the full thing next Thursday on the show when 723 00:30:50,320 --> 00:30:53,760 Speaker 2: his documentaries movie is out Working Class Boy, it's out 724 00:30:53,840 --> 00:30:56,640 Speaker 2: all over Australia. Go and sit. Uh, let's go back 725 00:30:56,640 --> 00:30:58,880 Speaker 2: to your request. Now, that's what we do every Friday. 726 00:30:59,400 --> 00:30:59,920 Speaker 13: At the time. 727 00:31:00,040 --> 00:31:03,840 Speaker 3: Please record. I'm a botherm of these pretending my Friday 728 00:31:03,920 --> 00:31:05,239 Speaker 3: request is London called him by. 729 00:31:05,240 --> 00:31:06,680 Speaker 16: The Clash is a very good song. 730 00:31:07,600 --> 00:31:09,640 Speaker 2: It is my family. It is the Clash Gold one 731 00:31:09,760 --> 00:31:12,520 Speaker 2: four point three. Good morning, it's seventeen minutes last seven. 732 00:31:12,440 --> 00:31:16,200 Speaker 1: Friday, the Christian O'Connell breakfast Show, Melbourne's Gold one oh 733 00:31:16,240 --> 00:31:17,040 Speaker 1: four point. 734 00:31:16,760 --> 00:31:19,880 Speaker 2: Three one is to play that the Clash London Calling, 735 00:31:20,360 --> 00:31:22,720 Speaker 2: one of the greatest rock and roll bands, that is brilliant. 736 00:31:22,840 --> 00:31:25,040 Speaker 2: The last time I played that song, I wasn't that 737 00:31:25,200 --> 00:31:27,000 Speaker 2: to say it was four as a request friend of 738 00:31:27,000 --> 00:31:29,800 Speaker 2: mine who used to be in the London Police that's 739 00:31:29,840 --> 00:31:33,480 Speaker 2: called the met Police Metrolitan Police of London, and she 740 00:31:33,680 --> 00:31:35,680 Speaker 2: used to be in this armed response. You know, obviously 741 00:31:35,680 --> 00:31:38,120 Speaker 2: police officers in the UK they're not arms, but there 742 00:31:38,120 --> 00:31:39,960 Speaker 2: are some that are armed, and they were about to 743 00:31:39,960 --> 00:31:41,640 Speaker 2: go on a really big raid six point thirty on 744 00:31:41,640 --> 00:31:44,840 Speaker 2: a Thursday morning, and she rang me beforehand from one 745 00:31:44,840 --> 00:31:47,680 Speaker 2: of the eight vans, eight vans of big coppers that 746 00:31:47,760 --> 00:31:49,680 Speaker 2: go and kick in this big high rise right and 747 00:31:49,680 --> 00:31:51,560 Speaker 2: the rest of the people, and she said, listen, I 748 00:31:51,600 --> 00:31:53,280 Speaker 2: know you don't normally do request, can you play the 749 00:31:53,280 --> 00:31:55,840 Speaker 2: Clash in London Calling. All the boys in the eight 750 00:31:55,960 --> 00:31:57,880 Speaker 2: vans were all listening to the show, so I couldn't 751 00:31:57,880 --> 00:32:00,080 Speaker 2: say it was four, but I played them that and 752 00:32:00,080 --> 00:32:01,680 Speaker 2: then listening to Yeah. 753 00:32:01,560 --> 00:32:05,560 Speaker 3: As they were all getting getting ready. That literally ended 754 00:32:05,640 --> 00:32:08,040 Speaker 3: as they pulled in outside this house and came running. 755 00:32:07,760 --> 00:32:09,160 Speaker 2: Out and kicked the doors in and they took down 756 00:32:09,200 --> 00:32:11,320 Speaker 2: the guys. So now it can actually ask for you. 757 00:32:11,320 --> 00:32:13,920 Speaker 2: Bobby's us for that song. So listen, we need a 758 00:32:13,960 --> 00:32:17,880 Speaker 2: progress update from you. How is the Melbourne anthem coming along? 759 00:32:17,920 --> 00:32:19,680 Speaker 2: So you've been commissioned to do it. Jimmy Barnes has 760 00:32:19,720 --> 00:32:22,080 Speaker 2: given you some advice. The Lord Mayor we're going to 761 00:32:22,120 --> 00:32:24,320 Speaker 2: hear from her again. She was on Wednesday show giving 762 00:32:24,320 --> 00:32:25,040 Speaker 2: her thumbs up. 763 00:32:25,240 --> 00:32:28,320 Speaker 5: I'll hold up a page of what I've done so far. 764 00:32:29,080 --> 00:32:30,280 Speaker 5: Can you describe the page? 765 00:32:30,320 --> 00:32:31,080 Speaker 3: There's nothing there. 766 00:32:31,400 --> 00:32:32,000 Speaker 6: It's blank. 767 00:32:32,120 --> 00:32:34,160 Speaker 5: It's a blank canvas, which is kind of the best 768 00:32:34,160 --> 00:32:35,520 Speaker 5: way to hours. 769 00:32:35,200 --> 00:32:38,720 Speaker 2: On the only the listeners are working harder for this. 770 00:32:38,720 --> 00:32:40,480 Speaker 2: This is the only line we have at the moment 771 00:32:40,480 --> 00:32:41,440 Speaker 2: for our friend Anthony. 772 00:32:41,520 --> 00:32:45,720 Speaker 8: We are Melbourne, we are we are up there and 773 00:32:45,920 --> 00:32:50,360 Speaker 8: number one, we can keep keep people's houses if we want. 774 00:32:50,440 --> 00:32:53,520 Speaker 3: But we are said not even though I've. 775 00:32:53,440 --> 00:32:56,360 Speaker 5: Done nothing, I've decided that that sadly hasn't made the cut. 776 00:32:56,480 --> 00:32:59,800 Speaker 2: Now it is it is, It stays in the song. Well, 777 00:33:00,040 --> 00:33:02,800 Speaker 2: the Lord Mayor, Sally cap has left some messages. 778 00:33:03,000 --> 00:33:05,200 Speaker 5: Hello, Jacket's the Lord Mayor of Melbourne. 779 00:33:05,240 --> 00:33:08,760 Speaker 12: Here's Sally cap Now that you've been officially commissioned to 780 00:33:08,840 --> 00:33:11,640 Speaker 12: prepare a song capturing the essence of Melbourne. 781 00:33:11,800 --> 00:33:13,360 Speaker 6: I'm checking in to see how you're going. 782 00:33:14,360 --> 00:33:15,360 Speaker 5: If you need any help. 783 00:33:15,560 --> 00:33:19,680 Speaker 7: Right outside my window, the trams go by, bicycles, pedestrians, 784 00:33:19,760 --> 00:33:23,040 Speaker 7: there are shows, buskers, cafes, restaurants. 785 00:33:23,560 --> 00:33:25,200 Speaker 13: Let me know if you need some help. 786 00:33:26,520 --> 00:33:28,959 Speaker 5: Maybe maybe one of the buskers could help me do 787 00:33:29,000 --> 00:33:33,640 Speaker 5: the Come on, No, I'm a last quarter player. I 788 00:33:33,720 --> 00:33:35,840 Speaker 5: always was in high school. I'd leave my homework to 789 00:33:35,880 --> 00:33:38,920 Speaker 5: the night before and then magic occurs. 790 00:33:39,480 --> 00:33:41,320 Speaker 3: Okay, so what deadline do you need from me? What 791 00:33:41,360 --> 00:33:41,880 Speaker 3: would help pair? 792 00:33:41,920 --> 00:33:44,360 Speaker 5: Okay if you want something by monday? 793 00:33:44,480 --> 00:33:47,240 Speaker 3: Ye, he's learning everyone. 794 00:33:47,600 --> 00:33:51,440 Speaker 1: The Christian O'Connell breakfast Show Melbourne's Gold one oh four point. 795 00:33:51,320 --> 00:33:55,080 Speaker 2: Three, yesterday's Jack was trying to outsource every element of 796 00:33:55,080 --> 00:33:56,040 Speaker 2: what he does on the show. 797 00:33:57,280 --> 00:33:59,680 Speaker 3: We were chatting to Christina. Christina called in. 798 00:33:59,760 --> 00:34:03,160 Speaker 2: She had some inspiration, some lyrics for Jack and this 799 00:34:03,280 --> 00:34:06,640 Speaker 2: Melbourne anthem that he's supposed to be writing, and not 800 00:34:06,960 --> 00:34:09,880 Speaker 2: just the odd line she'd start. She broke into a 801 00:34:10,040 --> 00:34:12,520 Speaker 2: rap that she must have written in twenty minutes of 802 00:34:12,600 --> 00:34:15,000 Speaker 2: just hearing us talking about it, and then we get Channing. 803 00:34:15,040 --> 00:34:19,080 Speaker 2: Turns out she's in an improv rap group called Rhyme Zone, 804 00:34:19,160 --> 00:34:21,160 Speaker 2: and I said, look, why don't you come in on 805 00:34:21,480 --> 00:34:24,680 Speaker 2: tomorrow's show. That's now today and instead of Jack sings 806 00:34:24,719 --> 00:34:26,759 Speaker 2: the Week. Jack obviously got very excited because it means 807 00:34:26,800 --> 00:34:29,200 Speaker 2: he didn't have to sing the week. You guys rap 808 00:34:29,280 --> 00:34:31,120 Speaker 2: the week, and that is what's happening Rhyme Zone. 809 00:34:31,160 --> 00:34:31,319 Speaker 3: Here. 810 00:34:31,320 --> 00:34:33,360 Speaker 2: They're warming up right now and they're going to be 811 00:34:33,440 --> 00:34:35,960 Speaker 2: rapping the week in five minutes time. 812 00:34:36,040 --> 00:34:38,160 Speaker 3: The story of the Breakfast Show to rap. 813 00:34:38,280 --> 00:34:41,680 Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four 814 00:34:41,719 --> 00:34:42,960 Speaker 1: point three. 815 00:34:42,719 --> 00:34:45,920 Speaker 2: Neil Diamond Live, Cranchy Granola, Sweet on Gold one and 816 00:34:46,000 --> 00:34:48,560 Speaker 2: four point three all request every single Friday on the 817 00:34:48,640 --> 00:34:51,160 Speaker 2: Christian O'Connor Breakfast Shows is coming up for twenty to eight. 818 00:34:51,520 --> 00:34:52,959 Speaker 3: So this is a great thing about this city. 819 00:34:52,960 --> 00:34:55,799 Speaker 2: All right, yesterday we're talking about how can we help 820 00:34:55,880 --> 00:34:58,080 Speaker 2: Jack out? Can you come up with some more ideas 821 00:34:58,080 --> 00:35:01,359 Speaker 2: and lyrics? What rhymes with Melbourne? Christina calls in and 822 00:35:01,640 --> 00:35:03,439 Speaker 2: she does a rap over the phone. 823 00:35:03,560 --> 00:35:05,960 Speaker 3: It's so good. I said, Christina, can you come in 824 00:35:06,080 --> 00:35:08,080 Speaker 3: when I find that she's gone improv. 825 00:35:07,840 --> 00:35:11,000 Speaker 2: Rap group called Rhyme Zone. Good morning, Christina, welcome back 826 00:35:11,040 --> 00:35:11,479 Speaker 2: to the show. 827 00:35:11,560 --> 00:35:13,200 Speaker 12: Good morning Christian, how are you good? 828 00:35:13,200 --> 00:35:14,719 Speaker 3: So what would you normally be doing getting ready for 829 00:35:14,719 --> 00:35:15,720 Speaker 3: work or are you at college? 830 00:35:16,160 --> 00:35:16,319 Speaker 4: Yeah? 831 00:35:16,360 --> 00:35:18,959 Speaker 12: I'd probably be dragging myself out of bed around about 832 00:35:18,960 --> 00:35:21,560 Speaker 12: this time, upset that I have to wake up. So 833 00:35:21,760 --> 00:35:23,680 Speaker 12: thank you so much for getting me here so early. 834 00:35:24,880 --> 00:35:27,920 Speaker 3: What a treat? And who is this gun you've got 835 00:35:27,960 --> 00:35:28,440 Speaker 3: with you here? 836 00:35:28,719 --> 00:35:28,799 Speaker 1: So? 837 00:35:28,960 --> 00:35:31,200 Speaker 12: This is Jeremy, He's my partner in. 838 00:35:31,280 --> 00:35:34,680 Speaker 3: Rhyme Hello, Good morning Jeremy. 839 00:35:34,840 --> 00:35:37,319 Speaker 12: Yes, Jeremy and I are in an improv rap group 840 00:35:37,360 --> 00:35:38,120 Speaker 12: called Rhyme Zone. 841 00:35:38,239 --> 00:35:39,760 Speaker 3: How did you form? How does this come about? 842 00:35:39,920 --> 00:35:43,239 Speaker 12: So about a year ago, we were doing classes at 843 00:35:43,360 --> 00:35:47,000 Speaker 12: a theater called The Improv Conspiracy, and we met during 844 00:35:47,040 --> 00:35:50,279 Speaker 12: one of those classes it's learning improv comedy, and we 845 00:35:50,400 --> 00:35:52,840 Speaker 12: got the idea one day that we should try and 846 00:35:52,880 --> 00:35:56,799 Speaker 12: form an indie team where we do improvised rap as 847 00:35:56,880 --> 00:36:00,200 Speaker 12: well as just normal improv because because. 848 00:36:00,080 --> 00:36:03,600 Speaker 5: We both love the hip hop rap musical Hamilton. Yes 849 00:36:04,160 --> 00:36:04,800 Speaker 5: the main reason. 850 00:36:04,960 --> 00:36:07,160 Speaker 12: Yeah, that's the main reason why that ended up happening. 851 00:36:07,200 --> 00:36:09,560 Speaker 5: So and so what you've done today is not similar 852 00:36:09,560 --> 00:36:11,560 Speaker 5: to what you do if you improv everything you've written 853 00:36:11,600 --> 00:36:12,560 Speaker 5: out today's song. 854 00:36:12,680 --> 00:36:15,680 Speaker 12: Yeah, so writing isn't generally part of the improv process, 855 00:36:15,840 --> 00:36:18,600 Speaker 12: but we wanted to come prepared this morning for something 856 00:36:18,680 --> 00:36:21,320 Speaker 12: that we thought would be somewhat half decent. 857 00:36:21,600 --> 00:36:23,680 Speaker 3: I don't think we half decent is what we aim for. 858 00:36:24,760 --> 00:36:26,480 Speaker 3: So you're on the right seat, You're on the right show. 859 00:36:26,520 --> 00:36:29,440 Speaker 12: Confident we'd be able to improvise a song about everything 860 00:36:29,480 --> 00:36:31,359 Speaker 12: that happened in the week and get everything in there. 861 00:36:31,440 --> 00:36:34,640 Speaker 12: So yeah, we've put something a little together, a little 862 00:36:34,640 --> 00:36:38,640 Speaker 12: parody of a well known hip hop. 863 00:36:38,560 --> 00:36:40,160 Speaker 2: Tune that you guys might do you want me to 864 00:36:40,200 --> 00:36:43,360 Speaker 2: play in you guys ready, this is Rhyme Zone and 865 00:36:43,400 --> 00:36:46,719 Speaker 2: they're going to rap the week Rap Live and Gold 866 00:36:46,760 --> 00:36:49,800 Speaker 2: one in four point three. There'll be complaints, all right, guys, 867 00:36:50,200 --> 00:36:50,880 Speaker 2: bring it. 868 00:36:56,160 --> 00:36:56,560 Speaker 12: All right? 869 00:36:57,200 --> 00:36:57,439 Speaker 1: Yeah? 870 00:36:57,840 --> 00:37:03,520 Speaker 12: Yeah, So first thing on Monday, we were definitely listening 871 00:37:03,680 --> 00:37:06,560 Speaker 12: when that possum cage fell and it frightened Christian. He 872 00:37:06,719 --> 00:37:09,520 Speaker 12: is from the UK. Won't hold that against him. Later 873 00:37:09,560 --> 00:37:11,800 Speaker 12: he went shopping to go buy some bedding. 874 00:37:12,040 --> 00:37:16,000 Speaker 19: Doesn't get that bread down mean, yo, as someone counting 875 00:37:16,200 --> 00:37:18,719 Speaker 19: every single string though, John A. L J couched you 876 00:37:18,960 --> 00:37:21,560 Speaker 19: and an otto man yet now a fallen empire? 877 00:37:21,760 --> 00:37:23,640 Speaker 5: UNTREDI anyway. 878 00:37:23,680 --> 00:37:26,480 Speaker 12: On Tuesday, Rubies in despair air she learned from the 879 00:37:26,560 --> 00:37:28,320 Speaker 12: zoo that wombats who's a square? 880 00:37:28,520 --> 00:37:29,640 Speaker 6: She couldn't stop to think. 881 00:37:29,680 --> 00:37:33,000 Speaker 12: You couldn't ask him why before her poor classmate killed 882 00:37:33,000 --> 00:37:33,680 Speaker 12: a butterfly. 883 00:37:34,120 --> 00:37:35,400 Speaker 3: But you've heard the room is. 884 00:37:35,560 --> 00:37:36,680 Speaker 5: There's been an upheaval. 885 00:37:36,880 --> 00:37:39,680 Speaker 19: Melbourne is not top dog no longer mostly be Bo. 886 00:37:39,680 --> 00:37:40,920 Speaker 3: Who will help us fix this? 887 00:37:41,080 --> 00:37:41,319 Speaker 5: Lord? 888 00:37:41,320 --> 00:37:46,120 Speaker 12: Miss Ellie cap Pi big Al the power of rap now. 889 00:37:48,760 --> 00:37:49,520 Speaker 6: No longer? 890 00:37:49,719 --> 00:38:04,160 Speaker 19: Most livable Sity finds some duncanmity now now inspired, we 891 00:38:04,239 --> 00:38:05,080 Speaker 19: still love you. 892 00:38:06,360 --> 00:38:07,200 Speaker 3: Let's hear it. 893 00:38:07,440 --> 00:38:13,920 Speaker 5: The mound now Ben Now we're halfway through the week. 894 00:38:14,040 --> 00:38:16,840 Speaker 12: Now we live in the glory our own Cacklin Jack's 895 00:38:16,840 --> 00:38:19,720 Speaker 12: acting Davy Wan true story. He is such a natural 896 00:38:19,840 --> 00:38:22,960 Speaker 12: wear in total off, just like when Natasha sneezed on 897 00:38:23,040 --> 00:38:24,000 Speaker 12: Bobby Hawk. 898 00:38:23,960 --> 00:38:27,120 Speaker 19: Beause they had a caller reminded us of Harry Sarah. 899 00:38:27,200 --> 00:38:30,400 Speaker 19: Jessica Parker afrayed for her friend's marriage, followed around. 900 00:38:30,160 --> 00:38:32,120 Speaker 3: Her husband thinking she was calming. 901 00:38:32,320 --> 00:38:34,560 Speaker 5: Turned out that he just loves sausage. 902 00:38:34,200 --> 00:38:37,160 Speaker 12: Just from baldy Christians feeling sheepish kind of hit rock 903 00:38:37,239 --> 00:38:39,080 Speaker 12: boton the song from his own wedding. 904 00:38:39,120 --> 00:38:40,360 Speaker 5: His memory had forgotten. 905 00:38:40,640 --> 00:38:42,000 Speaker 6: But it's not all bad news. 906 00:38:42,040 --> 00:38:44,400 Speaker 12: He's still a good dad and he loves Prince Ali 907 00:38:44,440 --> 00:38:46,000 Speaker 12: from the musical Aladdin. 908 00:38:46,080 --> 00:38:48,800 Speaker 19: It's been a busy week, so many things have happened. 909 00:38:48,800 --> 00:38:50,960 Speaker 19: But now we're at the end of bra Cappin. We're 910 00:38:50,960 --> 00:38:51,520 Speaker 19: a rapping. 911 00:38:51,719 --> 00:38:54,680 Speaker 12: So much going on here in radio recording and here 912 00:38:54,719 --> 00:38:55,560 Speaker 12: behind the scenes. 913 00:38:55,600 --> 00:38:57,160 Speaker 3: We know who's the most important. 914 00:38:57,680 --> 00:38:58,640 Speaker 14: Tan yea. 915 00:39:01,480 --> 00:39:06,400 Speaker 6: At this Rady sent you soon be present. 916 00:39:08,800 --> 00:39:09,840 Speaker 5: May see. 917 00:39:12,880 --> 00:39:14,320 Speaker 3: These guys are rop. 918 00:39:15,680 --> 00:39:16,719 Speaker 12: You soon have that. 919 00:39:18,360 --> 00:39:25,919 Speaker 3: Let's see the Tan? Yeah, may see ten Yeah, may see. 920 00:39:26,560 --> 00:39:27,680 Speaker 3: I'll just fad there. 921 00:39:27,719 --> 00:39:32,239 Speaker 20: I can't believe the working perience, John, she get a 922 00:39:32,360 --> 00:39:33,640 Speaker 20: nature experience. 923 00:39:34,200 --> 00:39:35,200 Speaker 12: They were very good. 924 00:39:35,320 --> 00:39:41,040 Speaker 3: They were guys. It was incredible in what talent you 925 00:39:41,120 --> 00:39:45,000 Speaker 3: are to put that together in twenty four hours. 926 00:39:46,080 --> 00:39:48,040 Speaker 6: I wish we had twenty four hours a week. 927 00:39:48,880 --> 00:39:53,520 Speaker 5: We were all done very late last night. Well done. 928 00:39:53,640 --> 00:39:56,040 Speaker 3: Oh my god. You know what? Do you want to 929 00:39:56,040 --> 00:39:57,480 Speaker 3: come back next Friday? And a new one? 930 00:39:58,320 --> 00:39:59,200 Speaker 5: Yeah? 931 00:39:59,320 --> 00:40:03,439 Speaker 2: You get next frid the opposit? How can people find 932 00:40:03,440 --> 00:40:05,480 Speaker 2: out more? If they want to hire you? Are you 933 00:40:05,480 --> 00:40:06,400 Speaker 2: available for high. 934 00:40:06,800 --> 00:40:11,880 Speaker 12: I mean, look, if people want to pay us faces that. 935 00:40:12,400 --> 00:40:14,480 Speaker 2: Should you know what if they were businesses listening right 936 00:40:14,480 --> 00:40:16,680 Speaker 2: now and you want to motivate your workforce, they could 937 00:40:16,719 --> 00:40:19,640 Speaker 2: get Rhyme Zone to come in right and and do 938 00:40:19,800 --> 00:40:20,359 Speaker 2: and and and do. 939 00:40:20,360 --> 00:40:22,960 Speaker 18: A motivational wrap for you've seen or like a Gorilla 940 00:40:23,000 --> 00:40:25,840 Speaker 18: Graham that you can send for somebody's birthday on somebody's 941 00:40:25,880 --> 00:40:27,360 Speaker 18: door and do a wrap for their birth. 942 00:40:27,320 --> 00:40:30,160 Speaker 12: Yes, open the door, just give us a word one 943 00:40:30,200 --> 00:40:31,400 Speaker 12: word suggestion. 944 00:40:31,160 --> 00:40:33,279 Speaker 3: And hang on, hang on, hang on. 945 00:40:33,880 --> 00:40:35,640 Speaker 2: Should we do this next week? Should we find out 946 00:40:35,719 --> 00:40:37,960 Speaker 2: a listener's got a birthday next week and you will. 947 00:40:37,880 --> 00:40:40,920 Speaker 3: Go round and do a live on air birthday? Should 948 00:40:40,920 --> 00:40:44,040 Speaker 3: we do that? Yes? Okay, so we do that next week? Okay. 949 00:40:44,480 --> 00:40:46,120 Speaker 3: If you've got a website. 950 00:40:45,640 --> 00:40:48,680 Speaker 12: Facebook, So we've got a Facebook page, Facebook dot com 951 00:40:48,719 --> 00:40:52,239 Speaker 12: slash rhyme Zone improv. It's spelled exactly how it sounds. 952 00:40:52,239 --> 00:40:53,399 Speaker 5: I don't know how you get that right. 953 00:40:53,480 --> 00:40:55,839 Speaker 3: I think you too awesome. That has really really made 954 00:40:55,840 --> 00:40:56,360 Speaker 3: the week for it. 955 00:40:56,719 --> 00:40:59,879 Speaker 5: Thank you, and matching jumpsuits as well on the back. 956 00:41:00,719 --> 00:41:04,600 Speaker 3: Yet, wow, rhyme Zone, that's why you're. 957 00:41:04,560 --> 00:41:06,520 Speaker 5: Up so late writing the song is because you spent 958 00:41:06,640 --> 00:41:09,480 Speaker 5: most of the time with the see my sister who's. 959 00:41:09,239 --> 00:41:09,920 Speaker 3: Here watching us. 960 00:41:09,960 --> 00:41:12,200 Speaker 12: She actually helped out with that, so thank you very much. 961 00:41:12,280 --> 00:41:12,640 Speaker 3: Julius. 962 00:41:12,800 --> 00:41:15,319 Speaker 2: Great, we'll get you on next week then, thank you 963 00:41:15,400 --> 00:41:17,400 Speaker 2: very much. Rhyme Zone have an awesome weekend. 964 00:41:17,480 --> 00:41:17,919 Speaker 3: Well done. 965 00:41:18,400 --> 00:41:22,520 Speaker 1: Christian O'Connell Breakfast Show on Gold one oh four point three. 966 00:41:22,680 --> 00:41:24,239 Speaker 3: Fine jung dars all days and God. 967 00:41:24,280 --> 00:41:26,360 Speaker 2: One of four point three is to Christian O'Connell Breakfast 968 00:41:26,360 --> 00:41:28,200 Speaker 2: Show to John in whereabe. 969 00:41:29,400 --> 00:41:31,920 Speaker 3: Coming up there next hour? There we are back in 970 00:41:31,960 --> 00:41:32,520 Speaker 3: the court. 971 00:41:33,280 --> 00:41:35,839 Speaker 2: Christian's court is here in five minutes time. Hey, miss 972 00:41:35,920 --> 00:41:38,120 Speaker 2: mcgot cleaner's will see me getting a brand new phrase 973 00:41:38,160 --> 00:41:40,680 Speaker 2: that pays. We've got to tell him to his face 974 00:41:40,719 --> 00:41:43,280 Speaker 2: as well. He's hearing the studio the song the last 975 00:41:43,320 --> 00:41:45,359 Speaker 2: he could walk this morning til the next hour, and 976 00:41:45,600 --> 00:41:48,400 Speaker 2: one of you will be winning ten thousand dollars in 977 00:41:48,440 --> 00:41:50,120 Speaker 2: the some point in the next two hours when you 978 00:41:50,160 --> 00:41:53,120 Speaker 2: hear Cindy Lauper played again, that is your track today 979 00:41:53,120 --> 00:41:55,160 Speaker 2: that is going to be worth ten thousand dollars. 980 00:41:55,280 --> 00:41:58,640 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 981 00:41:58,680 --> 00:41:59,600 Speaker 1: point three put. 982 00:41:59,600 --> 00:42:00,960 Speaker 3: It request this morning from youw Melbourne. 983 00:42:00,960 --> 00:42:03,920 Speaker 2: That's underworld underneath the radar, Come on in Friday morning 984 00:42:03,920 --> 00:42:06,120 Speaker 2: and it's Tempost tight on Gold one O four point three. 985 00:42:06,160 --> 00:42:07,719 Speaker 2: It's to Christian O'Connell Breakfast show. 986 00:42:08,120 --> 00:42:11,840 Speaker 3: We are out live in our courts. The people are real, 987 00:42:12,320 --> 00:42:13,480 Speaker 3: the fines are real. 988 00:42:13,960 --> 00:42:18,319 Speaker 5: Now Presiding Judge Christian O'Connell and Jacket. 989 00:42:20,360 --> 00:42:23,680 Speaker 2: We hear every Friday and open courts. This is me 990 00:42:23,880 --> 00:42:27,560 Speaker 2: Judge Christian Abe assisted by Bailiff Jackpost. 991 00:42:28,000 --> 00:42:32,680 Speaker 5: We're back in our outfits, our very almost see through robes. 992 00:42:32,480 --> 00:42:36,960 Speaker 2: More like a negligee. Two guys in black robes slash neglige. 993 00:42:37,000 --> 00:42:42,240 Speaker 3: It looks like a nineties with white sort of powdered wigs. 994 00:42:42,400 --> 00:42:44,560 Speaker 5: And do you think I don't know if our wigs 995 00:42:44,560 --> 00:42:47,239 Speaker 5: are the same as your weig your week every week, 996 00:42:47,280 --> 00:42:49,600 Speaker 5: because I don't want to be wearing your wig efforts. 997 00:42:49,800 --> 00:42:51,799 Speaker 2: Now I've got I've got knits in the moment as well, 998 00:42:51,920 --> 00:42:54,120 Speaker 2: so we know which ones which. If you get nits 999 00:42:54,160 --> 00:42:55,759 Speaker 2: over the weekend, that's probably come from my work. 1000 00:42:55,880 --> 00:42:57,480 Speaker 5: Can we label the wigs for next week? 1001 00:42:58,640 --> 00:43:01,080 Speaker 2: One nine in two stories this week with Hamish and Andy. 1002 00:43:01,160 --> 00:43:03,239 Speaker 2: Now you want your wig labeled up? 1003 00:43:03,480 --> 00:43:04,920 Speaker 5: We got to tell you the ratings went up on 1004 00:43:04,960 --> 00:43:06,279 Speaker 5: Tuesday for True Story. 1005 00:43:07,320 --> 00:43:08,800 Speaker 2: He's not making us up and diy. He told me 1006 00:43:08,840 --> 00:43:11,480 Speaker 2: this official jack post brings the heat. You bring, you 1007 00:43:11,480 --> 00:43:14,279 Speaker 2: bring the numbers, all right, So we got a case 1008 00:43:14,320 --> 00:43:16,840 Speaker 2: to preside over right now, Please bring. 1009 00:43:16,680 --> 00:43:22,080 Speaker 3: To the court Kathleen. Hello, Hello, are you Judge Christian. 1010 00:43:23,440 --> 00:43:24,200 Speaker 21: Judge Christian. 1011 00:43:26,400 --> 00:43:27,520 Speaker 3: I've actually broken a face. 1012 00:43:28,080 --> 00:43:31,680 Speaker 5: But I knew that hammer was a bad idea or 1013 00:43:31,800 --> 00:43:33,480 Speaker 5: gavel as they call it in the court. 1014 00:43:35,160 --> 00:43:39,920 Speaker 3: Smashed one of the lights come off. Yeah, get the 1015 00:43:39,960 --> 00:43:43,120 Speaker 3: engineer's sorry, Kathleen, it's in the courthouse. 1016 00:43:43,760 --> 00:43:46,279 Speaker 2: Kathleen, please tell us about the case that we're going 1017 00:43:46,320 --> 00:43:47,239 Speaker 2: to be presiding over. 1018 00:43:48,280 --> 00:43:51,160 Speaker 21: Okay, the case has been going for over two years. 1019 00:43:51,239 --> 00:43:56,680 Speaker 21: To love, my husband agreed to help my mum and 1020 00:43:56,719 --> 00:43:59,880 Speaker 21: fix the room her leaking roof every time it range 1021 00:44:00,120 --> 00:44:04,120 Speaker 21: buckets out because at least and every time he has 1022 00:44:04,200 --> 00:44:06,600 Speaker 21: to go out, he's always you know, he's got to 1023 00:44:06,640 --> 00:44:09,440 Speaker 21: stew back or you know, she can't do it, or 1024 00:44:09,440 --> 00:44:11,080 Speaker 21: he's got to pick up the kids from school. 1025 00:44:11,400 --> 00:44:12,360 Speaker 10: But then my mum. 1026 00:44:12,239 --> 00:44:15,600 Speaker 21: Takes it the other way. I was always making excuses 1027 00:44:15,840 --> 00:44:18,040 Speaker 21: and you know, I need it fixed, and I'm the 1028 00:44:18,080 --> 00:44:20,160 Speaker 21: middle person. Before I hear it at home, then I 1029 00:44:20,200 --> 00:44:20,839 Speaker 21: hear it at work. 1030 00:44:21,000 --> 00:44:23,000 Speaker 3: This court hears you. This court hears you. 1031 00:44:23,200 --> 00:44:25,040 Speaker 2: I think you know when you emailed me last week, 1032 00:44:25,080 --> 00:44:27,080 Speaker 2: I said it would be my pleasure to preside over 1033 00:44:27,120 --> 00:44:29,840 Speaker 2: this most pressing of cases. And I don't like what 1034 00:44:29,880 --> 00:44:31,680 Speaker 2: I'm hearing. So you're saying this has been dragging on 1035 00:44:31,760 --> 00:44:33,120 Speaker 2: for two years. 1036 00:44:33,160 --> 00:44:36,080 Speaker 5: Over two years, that does seem like a lot of excuses. 1037 00:44:36,200 --> 00:44:39,040 Speaker 2: Yeah, the power of this court can give you instant 1038 00:44:39,160 --> 00:44:41,640 Speaker 2: justice this morning, instant brutal justice. 1039 00:44:41,880 --> 00:44:43,120 Speaker 3: Bring on this lay about? 1040 00:44:43,160 --> 00:44:45,720 Speaker 2: Oh no, no no, And I don't know the sun Jason, 1041 00:44:45,760 --> 00:44:48,799 Speaker 2: not the not the mother, because the mama. 1042 00:44:50,920 --> 00:44:53,520 Speaker 3: You're gonna have your backside of vixen Jason. 1043 00:44:55,000 --> 00:44:57,279 Speaker 10: There you go on, Jeorge Christians, thank you very much. 1044 00:44:57,480 --> 00:45:01,040 Speaker 3: Defendant Jason. Defendant Jason. Is what we've just hurt? True? 1045 00:45:01,080 --> 00:45:02,880 Speaker 3: Has it taken you two years to do nothing? 1046 00:45:04,040 --> 00:45:04,520 Speaker 4: Oh? 1047 00:45:04,560 --> 00:45:08,680 Speaker 22: Pretty much? Basically a little bit more than I can chew. 1048 00:45:08,800 --> 00:45:12,200 Speaker 5: Yeah, are you chewing nothing at the moment? Are you 1049 00:45:12,239 --> 00:45:15,040 Speaker 5: actually a ruf for Jason or are you a DIY 1050 00:45:15,200 --> 00:45:16,120 Speaker 5: handyman type? 1051 00:45:16,800 --> 00:45:17,000 Speaker 11: Oh? 1052 00:45:17,040 --> 00:45:18,120 Speaker 22: Pretty much a handyman. 1053 00:45:18,480 --> 00:45:20,319 Speaker 2: But you know what you are, my friend, You are 1054 00:45:20,440 --> 00:45:22,239 Speaker 2: a son in law. It is up to you son 1055 00:45:22,239 --> 00:45:24,080 Speaker 2: in law to step up sometimes. 1056 00:45:24,840 --> 00:45:30,680 Speaker 3: Yeah, strong words from the un, Let's get Sylvia on 1057 00:45:30,719 --> 00:45:33,680 Speaker 3: now to hear her. Okay, Sylvia, good morning, Good. 1058 00:45:33,600 --> 00:45:35,719 Speaker 14: Morning, Judge Christian O'Connor, and. 1059 00:45:35,719 --> 00:45:42,239 Speaker 2: Jack, Sylvia, let's hear it from you as well. So 1060 00:45:42,440 --> 00:45:44,680 Speaker 2: two years have been waiting to have this leaky roof fixed. 1061 00:45:45,280 --> 00:45:48,600 Speaker 14: Two long years he's been. He's been dragging this for 1062 00:45:48,640 --> 00:45:50,360 Speaker 14: two long years. I can't believe it. 1063 00:45:51,080 --> 00:45:52,120 Speaker 3: And is it leaky now? 1064 00:45:52,800 --> 00:45:55,560 Speaker 14: Oh, so it's leaking. You always have buckets, say out, 1065 00:45:55,719 --> 00:45:58,680 Speaker 14: My buckets haven't been put away for over two years. 1066 00:45:58,880 --> 00:46:01,600 Speaker 2: What I want to hear this, Sylvia? At any point, 1067 00:46:01,680 --> 00:46:03,719 Speaker 2: as he said, look, this is dragged on. I'm going 1068 00:46:03,800 --> 00:46:05,680 Speaker 2: to get an expert in order to just giving you 1069 00:46:05,719 --> 00:46:07,080 Speaker 2: more lies upon lines. 1070 00:46:07,200 --> 00:46:07,359 Speaker 4: Yeah. 1071 00:46:07,480 --> 00:46:10,360 Speaker 14: No, No, he's spent stringing, spen stringing me along for 1072 00:46:10,400 --> 00:46:13,359 Speaker 14: two long years. He's spent signing things like, oh it's 1073 00:46:13,400 --> 00:46:16,440 Speaker 14: too cold, Oh it's going to rhin, I can't come. 1074 00:46:16,840 --> 00:46:19,200 Speaker 14: Oh I got to saw back. Oh I have to 1075 00:46:19,239 --> 00:46:21,480 Speaker 14: pick up the kids. Well I've got to tag him 1076 00:46:21,480 --> 00:46:25,239 Speaker 14: to school. I'll come tomorrow. Tomorrow never comes. 1077 00:46:25,719 --> 00:46:26,840 Speaker 3: Jason, let's go back to you. 1078 00:46:26,960 --> 00:46:29,200 Speaker 2: Let's have the defender backup, please, Jason, what do you 1079 00:46:29,200 --> 00:46:30,600 Speaker 2: say to these allegations? 1080 00:46:31,960 --> 00:46:34,680 Speaker 22: The job she's a very fussy woman, and the job's 1081 00:46:34,719 --> 00:46:36,440 Speaker 22: probably a little bit more than I can handle, so 1082 00:46:36,760 --> 00:46:40,000 Speaker 22: I sort of try and push it aside. I think 1083 00:46:40,080 --> 00:46:42,160 Speaker 22: two years is becoming a bit too long now, so 1084 00:46:42,400 --> 00:46:44,160 Speaker 22: I might have finded over to somebody else. 1085 00:46:44,640 --> 00:46:45,000 Speaker 3: All right. 1086 00:46:45,080 --> 00:46:48,560 Speaker 2: So there's Jason's making his case, Sylvia is making her case. 1087 00:46:48,640 --> 00:46:50,480 Speaker 2: Katherine stuck in the middle of this. I now appeal 1088 00:46:50,560 --> 00:46:52,799 Speaker 2: to you, members of the jury. That's the listeners I'm 1089 00:46:52,800 --> 00:46:54,880 Speaker 2: talking to here. You are now the members of the jury. 1090 00:46:55,080 --> 00:46:57,160 Speaker 2: How do you find Do you find in the case 1091 00:46:57,239 --> 00:47:00,359 Speaker 2: of Sylvia, that's how we make it ruin he has 1092 00:47:00,400 --> 00:47:01,319 Speaker 2: to put his finger out and. 1093 00:47:01,239 --> 00:47:01,919 Speaker 3: Fix this roof. 1094 00:47:02,239 --> 00:47:04,840 Speaker 2: Or do you go for the side of Jason that 1095 00:47:04,920 --> 00:47:07,520 Speaker 2: he's a busy guy, he's a dad. Members of the jury, 1096 00:47:07,520 --> 00:47:10,280 Speaker 2: please call us now with your verdict guilty and not guilty, 1097 00:47:10,360 --> 00:47:12,960 Speaker 2: and how you're ruling in favor of nine four one 1098 00:47:13,000 --> 00:47:15,399 Speaker 2: four one oh four three. Members of the jury, you're 1099 00:47:15,440 --> 00:47:18,280 Speaker 2: chart to call out and decide and give instant justice 1100 00:47:18,600 --> 00:47:20,680 Speaker 2: nine four one four one oh four three. 1101 00:47:24,600 --> 00:47:24,759 Speaker 3: Oh. 1102 00:47:24,880 --> 00:47:27,080 Speaker 2: No one told us that someone's requested shirt. 1103 00:47:27,320 --> 00:47:29,439 Speaker 3: Oh dear, this is a bad moment for the show. 1104 00:47:29,680 --> 00:47:33,080 Speaker 1: The Christian O'Connell Breakfast Show. Melbourne's Gold one oh four 1105 00:47:33,120 --> 00:47:33,760 Speaker 1: point three. 1106 00:47:33,920 --> 00:47:36,399 Speaker 2: Shure, I believe on God one oh four point three. 1107 00:47:36,440 --> 00:47:38,640 Speaker 2: That's for Sam in Elwood. 1108 00:47:39,320 --> 00:47:41,520 Speaker 5: Your face looks like you want to call objection to 1109 00:47:41,600 --> 00:47:43,120 Speaker 5: that song too. 1110 00:47:43,200 --> 00:47:45,759 Speaker 3: It's it's listen. I'm playing people's songs and if someone 1111 00:47:45,800 --> 00:47:49,240 Speaker 3: wants to hear that horror, good on. Then the people 1112 00:47:49,280 --> 00:47:53,960 Speaker 3: are real, the fines are real. Now presiding Judge Christian 1113 00:47:53,960 --> 00:47:57,839 Speaker 3: O'Connell and Jack, all right, this is a messy one. 1114 00:47:57,880 --> 00:48:01,800 Speaker 2: It's three people involved, really this Kathleen, there's Sylvia, there's Jason. 1115 00:48:01,800 --> 00:48:03,920 Speaker 3: There's a leaking roof. Just to recap. 1116 00:48:03,960 --> 00:48:06,600 Speaker 2: Then, this week's case that Jack and I are presiding over, 1117 00:48:07,440 --> 00:48:09,279 Speaker 2: it's a son in law who's been promising his mother 1118 00:48:09,320 --> 00:48:10,919 Speaker 2: in law for two years and he's going to mend 1119 00:48:10,920 --> 00:48:11,719 Speaker 2: her leaking roof. 1120 00:48:12,080 --> 00:48:14,399 Speaker 3: His wife, Kathleen stuck in the middle of this. She's 1121 00:48:14,400 --> 00:48:15,759 Speaker 3: the one who brought this case, a. 1122 00:48:15,760 --> 00:48:18,880 Speaker 2: Class action lawsuit between a son in law and her 1123 00:48:18,880 --> 00:48:21,160 Speaker 2: mother in law. Is a powerful family members, the son 1124 00:48:21,239 --> 00:48:23,600 Speaker 2: in law and the mother in law. How do you 1125 00:48:23,680 --> 00:48:25,520 Speaker 2: rule though, Melbourne, Let's go to lines. You are the 1126 00:48:25,600 --> 00:48:29,120 Speaker 2: jury this morning, Martin, Jury member Martin, Good morning. 1127 00:48:29,560 --> 00:48:31,000 Speaker 16: Good morning, you're worship. 1128 00:48:32,239 --> 00:48:35,440 Speaker 3: Promoted John doing sure, Martin, which were you ruling? 1129 00:48:36,000 --> 00:48:38,480 Speaker 16: I'm bomb with him, mate, he said he get around 1130 00:48:38,480 --> 00:48:40,440 Speaker 16: to it, and he'll get around to it. There's no 1131 00:48:40,800 --> 00:48:47,239 Speaker 16: there was no expored. Don't he'll do it when when he. 1132 00:48:47,160 --> 00:48:50,240 Speaker 5: Gets to it. It's been two years, it does seem 1133 00:48:50,239 --> 00:48:50,920 Speaker 5: like a little while. 1134 00:48:50,920 --> 00:48:56,319 Speaker 3: But Debbie, he a Christian and Jack good morning jury. 1135 00:48:56,360 --> 00:48:59,600 Speaker 2: Remember Debbie, please show some respect. It's actually bailiff Jack 1136 00:48:59,600 --> 00:49:00,520 Speaker 2: and judge Christian. 1137 00:49:00,960 --> 00:49:01,960 Speaker 22: Oh, I'm so sorry. 1138 00:49:02,280 --> 00:49:04,960 Speaker 3: That's okay? All right, then, Debbie, wish where you're going. 1139 00:49:05,600 --> 00:49:07,640 Speaker 10: Sylvia all the way? 1140 00:49:08,040 --> 00:49:09,200 Speaker 3: Two years? 1141 00:49:09,600 --> 00:49:09,920 Speaker 23: Sorry? 1142 00:49:10,120 --> 00:49:12,160 Speaker 22: Yeah, two years is way too long. He's dave his 1143 00:49:12,239 --> 00:49:14,600 Speaker 22: feet for for so long. And he should pay for 1144 00:49:14,640 --> 00:49:15,919 Speaker 22: a professional. 1145 00:49:15,560 --> 00:49:17,640 Speaker 3: Pay for professional. Is there got to shut out money? 1146 00:49:18,320 --> 00:49:23,360 Speaker 10: Carol Well, I believe that I go for Cathleene in 1147 00:49:23,360 --> 00:49:29,160 Speaker 10: the middle because she's had to suffer either side of 1148 00:49:29,200 --> 00:49:31,720 Speaker 10: the whole case. 1149 00:49:31,840 --> 00:49:33,120 Speaker 3: True, she's the real victim here. 1150 00:49:33,880 --> 00:49:34,399 Speaker 14: She is the. 1151 00:49:34,400 --> 00:49:40,200 Speaker 15: Victim because Sylvia should have just organized a trade person 1152 00:49:40,719 --> 00:49:43,040 Speaker 15: and Jace should have just manned up and said I 1153 00:49:43,080 --> 00:49:46,120 Speaker 15: can't do it and maybe organize it for his mother 1154 00:49:46,120 --> 00:49:48,560 Speaker 15: in law. Really, Cathleen needs to. 1155 00:49:48,480 --> 00:49:50,759 Speaker 3: Win here, and does anyone really, there's something about the 1156 00:49:50,840 --> 00:49:53,719 Speaker 3: name Jase. Does anyone really have a good experience with 1157 00:49:53,760 --> 00:49:57,120 Speaker 3: the name Jase? You know there's something about that name. 1158 00:49:57,160 --> 00:49:59,840 Speaker 3: Those people there behind the eyes, there's something there. You 1159 00:49:59,880 --> 00:50:02,160 Speaker 3: know you have had a good experience with the Jason. 1160 00:50:02,320 --> 00:50:03,440 Speaker 5: I've known some good Jasons. 1161 00:50:03,520 --> 00:50:06,000 Speaker 3: Yet I doubt that very much. They can turn at 1162 00:50:06,000 --> 00:50:10,319 Speaker 3: any moment, Kathleen. Yes, Kathleen, you listen to all this. 1163 00:50:10,400 --> 00:50:12,120 Speaker 2: You bought the case. How do you feel it's a 1164 00:50:12,160 --> 00:50:15,480 Speaker 2: hung jewelry? Really at the moment, I'm in the middle. 1165 00:50:15,680 --> 00:50:18,960 Speaker 21: I can't take side. I'm getting the way. 1166 00:50:19,520 --> 00:50:19,840 Speaker 3: Do you know what? 1167 00:50:19,880 --> 00:50:21,520 Speaker 2: I think the best thing is if we could find 1168 00:50:21,560 --> 00:50:24,480 Speaker 2: a roofer that will do this well. 1169 00:50:26,440 --> 00:50:30,520 Speaker 5: Is this text worth anything to you, Kathleen? All together? 1170 00:50:30,680 --> 00:50:33,600 Speaker 5: Roofing Murray, he said, happy to do it for free. 1171 00:50:33,640 --> 00:50:35,080 Speaker 5: If it's a tile roof. 1172 00:50:34,960 --> 00:50:37,200 Speaker 3: Big question. Let's find out from Sylvia. Is it a 1173 00:50:37,239 --> 00:50:38,360 Speaker 3: tile roof, Sylvia? 1174 00:50:39,000 --> 00:50:40,200 Speaker 14: No, it's a tin roof. 1175 00:50:40,320 --> 00:50:45,120 Speaker 2: Sorry, no wiser. Now, Jason, are you hearing all this? 1176 00:50:45,440 --> 00:50:47,840 Speaker 2: Some people who are on your side, some people are against. 1177 00:50:49,400 --> 00:50:50,080 Speaker 22: I'm hearing it. 1178 00:50:51,200 --> 00:50:52,279 Speaker 3: Here's what I think we need to do. 1179 00:50:52,320 --> 00:50:53,840 Speaker 2: Then, I think the court needs to appeal to the 1180 00:50:53,880 --> 00:50:56,759 Speaker 2: good roofers of this city, if there's anyone that can 1181 00:50:56,840 --> 00:50:57,279 Speaker 2: do this. 1182 00:50:57,719 --> 00:51:00,640 Speaker 3: So it's a tin roof, Sylvia. Yeah, and what does 1183 00:51:00,640 --> 00:51:02,120 Speaker 3: the whole roof need to replacing? 1184 00:51:04,080 --> 00:51:05,719 Speaker 4: I don't really know. 1185 00:51:05,920 --> 00:51:10,120 Speaker 14: It's it's a large room. A half is a family room. 1186 00:51:10,120 --> 00:51:12,160 Speaker 14: The other half is where we eat, where we have 1187 00:51:12,239 --> 00:51:15,640 Speaker 14: the table needs. So I've got two buckets near around 1188 00:51:15,640 --> 00:51:18,840 Speaker 14: the table and the other two in the family side. 1189 00:51:19,120 --> 00:51:20,799 Speaker 3: It really is there's a leaking roof? 1190 00:51:20,800 --> 00:51:25,880 Speaker 14: Then, yes, yes, it's that bad that I even want 1191 00:51:25,920 --> 00:51:28,960 Speaker 14: ice House tickets last year and I couldn't even go 1192 00:51:29,160 --> 00:51:31,840 Speaker 14: because it was raining that night. I had to stay 1193 00:51:31,840 --> 00:51:33,080 Speaker 14: home and watch my buckets. 1194 00:51:33,360 --> 00:51:35,479 Speaker 2: Well, in a minute, you couldn't go and see ice 1195 00:51:35,520 --> 00:51:37,680 Speaker 2: House because of your buckets and the leaking roof. 1196 00:51:38,000 --> 00:51:39,640 Speaker 14: Yes, because I didn't want to come home to. 1197 00:51:39,800 --> 00:51:42,920 Speaker 5: A flooded house flying bucket of course. Okay, how do 1198 00:51:42,920 --> 00:51:43,640 Speaker 5: you feel about that? 1199 00:51:45,280 --> 00:51:45,839 Speaker 10: Pretty bad? 1200 00:51:46,320 --> 00:51:51,120 Speaker 3: Pretty bad? It doesn't sound it no remorse whatsoever. All right, guys, 1201 00:51:51,160 --> 00:51:52,400 Speaker 3: stay there, then listen. 1202 00:51:52,440 --> 00:51:54,399 Speaker 2: If you're a roofer hearing all this and you can 1203 00:51:54,440 --> 00:51:56,440 Speaker 2: help out, please give me a call nine four one 1204 00:51:56,480 --> 00:51:57,240 Speaker 2: four one four. 1205 00:51:57,440 --> 00:52:01,279 Speaker 1: The Christian O'Connell Breakfast Show on Gold one oh four 1206 00:52:01,320 --> 00:52:05,040 Speaker 1: point three, the Christian O'Connell breakfast show, Melvin's Gold one 1207 00:52:05,040 --> 00:52:06,000 Speaker 1: oh four point three. 1208 00:52:06,120 --> 00:52:07,840 Speaker 2: It's found up about it to cut a long story 1209 00:52:07,880 --> 00:52:10,200 Speaker 2: short on Gold one oh four point three. So we 1210 00:52:10,280 --> 00:52:13,080 Speaker 2: need to now make our ruling. And it's been a 1211 00:52:13,080 --> 00:52:17,040 Speaker 2: complicated case this morning. In this week's Christians Court, we've 1212 00:52:17,040 --> 00:52:20,759 Speaker 2: had Kathleen bringing a case about her husband who's also 1213 00:52:20,800 --> 00:52:24,040 Speaker 2: a son in law to Sylvia. Sylvia's ruth leaky for 1214 00:52:24,080 --> 00:52:25,680 Speaker 2: two years. The son law chas and said he get 1215 00:52:25,680 --> 00:52:27,359 Speaker 2: around to fix and it's a busy guys, a dad. 1216 00:52:27,560 --> 00:52:29,600 Speaker 2: He hasn't had time yet. That's the case at the moment. 1217 00:52:29,920 --> 00:52:32,680 Speaker 2: We are appealing now for a rufer they can come 1218 00:52:32,800 --> 00:52:33,480 Speaker 2: and sort this out. 1219 00:52:34,000 --> 00:52:37,760 Speaker 3: Nathan's on the line. Good morning, Nathan, good morning. Hey buddy. 1220 00:52:37,800 --> 00:52:41,840 Speaker 2: So you're a professional rufer, Yes, good man, and apparently 1221 00:52:41,840 --> 00:52:42,280 Speaker 2: you reckon. 1222 00:52:42,320 --> 00:52:45,839 Speaker 3: You know the defendants and the accused, Yes, I do. 1223 00:52:46,120 --> 00:52:47,960 Speaker 3: So who do you know? I know? 1224 00:52:48,320 --> 00:52:50,520 Speaker 11: Sylvia, Kathleen and Jason and. 1225 00:52:50,400 --> 00:52:52,760 Speaker 3: Sylvia son John? So how do you know them? 1226 00:52:54,080 --> 00:52:55,719 Speaker 16: I'm best friends of John. 1227 00:52:57,520 --> 00:52:59,960 Speaker 3: Sylvia, Sylvia. Do you know Nathan? 1228 00:53:00,760 --> 00:53:01,160 Speaker 4: I do. 1229 00:53:04,080 --> 00:53:07,960 Speaker 5: Here's my plumber, Sylvia. I don't understand if you've had 1230 00:53:08,000 --> 00:53:10,200 Speaker 5: this contact in the family for so long. Why didn't 1231 00:53:10,200 --> 00:53:11,240 Speaker 5: you start with Nathan. 1232 00:53:12,200 --> 00:53:18,440 Speaker 4: I didn't know he could six through. He would just 1233 00:53:18,520 --> 00:53:20,840 Speaker 4: come and just six my lake in type or just 1234 00:53:20,920 --> 00:53:22,480 Speaker 4: little tight jobs. 1235 00:53:23,320 --> 00:53:31,239 Speaker 3: Nathan, so much more than that, only nath Yes, I 1236 00:53:31,280 --> 00:53:35,080 Speaker 3: can't believe. Nathan. Can you help Sylvia out here and 1237 00:53:35,520 --> 00:53:36,640 Speaker 3: the son in law? Jason? 1238 00:53:38,280 --> 00:53:39,160 Speaker 16: Yeah, I can help it. 1239 00:53:39,280 --> 00:53:41,080 Speaker 22: Jason can give you a hand if I need to help. 1240 00:53:42,120 --> 00:53:45,400 Speaker 3: All right, let's get Jason on now. Hey, Jason, do 1241 00:53:45,840 --> 00:53:49,759 Speaker 3: you know now? I sure do? Do you do you 1242 00:53:49,800 --> 00:53:52,640 Speaker 3: want to say that to each other? Jason? Here's Nathan again. 1243 00:53:53,480 --> 00:53:54,040 Speaker 3: What's going on? 1244 00:53:54,120 --> 00:53:54,319 Speaker 5: Brother? 1245 00:53:57,000 --> 00:53:58,000 Speaker 3: Oh? Fun stuff. 1246 00:54:00,320 --> 00:54:02,440 Speaker 22: I'll give you a hand man if we can do it. Yeah, 1247 00:54:02,480 --> 00:54:03,600 Speaker 22: we'll please, please something. 1248 00:54:03,800 --> 00:54:07,600 Speaker 3: We'll sit down the door for them. Nathan. Give you 1249 00:54:07,640 --> 00:54:10,040 Speaker 3: a business a plug? What's your what's your outfit called 1250 00:54:11,160 --> 00:54:16,600 Speaker 3: Plumbing Services mn S? Yes, go with M and S. 1251 00:54:16,840 --> 00:54:24,799 Speaker 3: They're the best. Call Nathan today, don't call Jason. All right, 1252 00:54:24,880 --> 00:54:27,200 Speaker 3: nice one, guys. Let's get Kathleen on it. So, Kathleen, 1253 00:54:27,200 --> 00:54:29,080 Speaker 3: there you go. Hopefully we've given you some instant just 1254 00:54:29,120 --> 00:54:30,400 Speaker 3: this morning after two years. 1255 00:54:31,080 --> 00:54:35,600 Speaker 21: Yes, hopefully, hopefully, hopefully we won't be in the same 1256 00:54:35,640 --> 00:54:38,960 Speaker 21: situation because now we've got my husband and we've got 1257 00:54:38,960 --> 00:54:41,440 Speaker 21: a fring so we can see it. 1258 00:54:41,480 --> 00:54:43,480 Speaker 5: And Kathleen, you even had the judge clapping. I don't 1259 00:54:43,480 --> 00:54:44,120 Speaker 5: think I've ever seen. 1260 00:54:44,120 --> 00:54:47,600 Speaker 2: It's most professional, all the backing. 1261 00:54:47,640 --> 00:54:49,919 Speaker 3: Cool. Please, Okay, Kathleen, thank you very much for bringing 1262 00:54:49,920 --> 00:54:50,319 Speaker 3: this case. 1263 00:54:50,960 --> 00:54:52,200 Speaker 21: Okay, thank you very much. 1264 00:54:52,280 --> 00:54:53,959 Speaker 2: All Right, if you've got a case for next week, 1265 00:54:53,960 --> 00:54:56,399 Speaker 2: email me Christian at gold one o four three dot 1266 00:54:56,440 --> 00:54:57,160 Speaker 2: com dot au. 1267 00:54:57,400 --> 00:55:01,400 Speaker 1: The Christian O'Connell Breakfast Show one four point three. 1268 00:55:01,680 --> 00:55:04,600 Speaker 3: It's time for Phrase that pays. 1269 00:55:04,640 --> 00:55:07,520 Speaker 2: This is where Hamus macgotwin guts give it a phrase 1270 00:55:07,600 --> 00:55:08,600 Speaker 2: and he has to pay it of. 1271 00:55:10,080 --> 00:55:14,160 Speaker 3: Live on TV. Do you hate this feature? Just just 1272 00:55:14,239 --> 00:55:15,920 Speaker 3: look me in the eye and tell me how you 1273 00:55:15,960 --> 00:55:16,839 Speaker 3: really feel about it. 1274 00:55:16,960 --> 00:55:19,360 Speaker 11: I love Robert Palmer. I dislike this feature. 1275 00:55:21,920 --> 00:55:23,320 Speaker 3: We kind of guess, didn't we. 1276 00:55:23,760 --> 00:55:25,799 Speaker 5: I mean I don't have been doing well though. That's 1277 00:55:25,840 --> 00:55:29,120 Speaker 5: the thing. In the last three weeks you've you've nailed it. 1278 00:55:29,239 --> 00:55:31,840 Speaker 23: I don't dislike it. It just makes me very nervous. 1279 00:55:32,600 --> 00:55:33,560 Speaker 23: My wife now loves you. 1280 00:55:33,760 --> 00:55:34,560 Speaker 13: What's the phrase? This week? 1281 00:55:34,600 --> 00:55:37,040 Speaker 11: People walk in the Channel seven? I said during the night, 1282 00:55:37,320 --> 00:55:41,080 Speaker 11: this is the phrase. And you see this silence that's. 1283 00:55:40,920 --> 00:55:41,560 Speaker 3: Going to be ugly. 1284 00:55:41,640 --> 00:55:43,279 Speaker 2: All right, So if you just joined us and you 1285 00:55:43,320 --> 00:55:45,120 Speaker 2: don't know what's been happening last couple of weeks, here's 1286 00:55:45,160 --> 00:55:45,799 Speaker 2: what's going on. 1287 00:55:45,920 --> 00:55:47,640 Speaker 3: To Christian O'Connell breakfast show. 1288 00:55:47,840 --> 00:55:51,440 Speaker 23: The phrase that pays each week Christian gets Hamis McLaughlin 1289 00:55:51,520 --> 00:55:53,960 Speaker 23: to say a phrase on the Channel seven football coverage, 1290 00:55:54,000 --> 00:55:54,799 Speaker 23: But does it pay? 1291 00:55:55,120 --> 00:55:56,360 Speaker 3: Flying monkeys? 1292 00:55:56,560 --> 00:56:00,600 Speaker 11: God, come on flying feeling there a. 1293 00:56:00,680 --> 00:56:06,279 Speaker 3: Chance I'd sooner see flying monkeys and cost Phrase number two, Oh, 1294 00:56:06,760 --> 00:56:10,360 Speaker 3: missus Miggins, that is actually I think it just impossible. 1295 00:56:10,400 --> 00:56:12,680 Speaker 5: He's been terrific, grinds, a bit of an unheralded hero. 1296 00:56:13,160 --> 00:56:16,120 Speaker 23: He's like, well, missus Meiggans and Blackadder's. 1297 00:56:15,640 --> 00:56:16,759 Speaker 11: Important part of it all. 1298 00:56:16,960 --> 00:56:19,000 Speaker 3: Phrase three Gandalf's beard. 1299 00:56:19,400 --> 00:56:22,320 Speaker 23: It's writing that down on the list of ridiculous things 1300 00:56:22,360 --> 00:56:23,880 Speaker 23: to say during a broadcast. 1301 00:56:24,160 --> 00:56:25,400 Speaker 13: Gandalf's Beard. 1302 00:56:25,600 --> 00:56:28,640 Speaker 23: Nick Boston heading home, man, it's looking like he's trying 1303 00:56:28,680 --> 00:56:30,560 Speaker 23: to match a Gandolf's beard from Lord of the Rings 1304 00:56:30,760 --> 00:56:33,200 Speaker 23: playing unbelievable foot in a good football team. 1305 00:56:33,280 --> 00:56:35,440 Speaker 2: Phrase four, how can you have any putting if you 1306 00:56:35,560 --> 00:56:37,719 Speaker 2: don't eat your meat? I reckon, that's the easiest one 1307 00:56:37,719 --> 00:56:38,239 Speaker 2: we've given you. 1308 00:56:39,640 --> 00:56:40,320 Speaker 3: How would you do that? 1309 00:56:41,200 --> 00:56:42,120 Speaker 13: How would that be easy? 1310 00:56:42,360 --> 00:56:44,719 Speaker 23: Interesting you here, Luke Beverbridge to talk about it's all 1311 00:56:44,760 --> 00:56:46,360 Speaker 23: about contested football and intensity. 1312 00:56:46,400 --> 00:56:47,800 Speaker 11: I mean, how can you have any pudding if you 1313 00:56:47,840 --> 00:56:49,719 Speaker 11: don't eat your meat. What he's basically saying is it's 1314 00:56:49,760 --> 00:56:51,400 Speaker 11: all about reward for effort. 1315 00:56:51,480 --> 00:56:52,040 Speaker 5: Phrase five. 1316 00:56:52,160 --> 00:56:54,640 Speaker 2: Next weekend you've got to work in four fried chickens 1317 00:56:54,680 --> 00:56:55,200 Speaker 2: and a coke. 1318 00:56:55,560 --> 00:56:58,000 Speaker 23: Seems pretty simple. I mean just a natural fit with football, 1319 00:56:58,000 --> 00:57:00,400 Speaker 23: isn't it. Yeah, whoever you speak to the he's been 1320 00:57:00,440 --> 00:57:02,919 Speaker 23: the ultimate professional. We never sat on the couch ordered 1321 00:57:02,960 --> 00:57:05,359 Speaker 23: four fried chickens and a clake and giving up. He's 1322 00:57:05,360 --> 00:57:08,000 Speaker 23: always been committed to getting to where he's going to 1323 00:57:08,040 --> 00:57:08,560 Speaker 23: be tomorrow. 1324 00:57:08,680 --> 00:57:12,560 Speaker 3: Phrase six did anyone just hear a weasel? You want 1325 00:57:12,560 --> 00:57:14,840 Speaker 3: to make it easier, harder hard? 1326 00:57:15,360 --> 00:57:17,840 Speaker 11: So we'll be discussing how many weeks after for him? 1327 00:57:18,360 --> 00:57:20,480 Speaker 3: We'll see you soon, you know. 1328 00:57:20,520 --> 00:57:21,360 Speaker 5: And just hear a weasel? 1329 00:57:21,600 --> 00:57:23,960 Speaker 11: Tend like Adam Kinney slash a weasel. 1330 00:57:24,560 --> 00:57:26,360 Speaker 13: Then he picks at a type operation. 1331 00:57:27,080 --> 00:57:27,360 Speaker 3: Come on? 1332 00:57:27,440 --> 00:57:27,800 Speaker 1: We oh? 1333 00:57:29,240 --> 00:57:32,080 Speaker 3: Hearing all that back, I'm like, how there's another one? 1334 00:57:32,440 --> 00:57:34,360 Speaker 3: How many do we We've done? Seven? Now? 1335 00:57:34,520 --> 00:57:36,520 Speaker 5: How hasn't someone at Channel seven not said to you 1336 00:57:36,840 --> 00:57:37,440 Speaker 5: stop doing that? 1337 00:57:38,680 --> 00:57:39,000 Speaker 3: They have. 1338 00:57:41,400 --> 00:57:43,560 Speaker 23: Did I did get help from Adam Kearney last week 1339 00:57:43,600 --> 00:57:46,040 Speaker 23: because did anyone just hear a weasel was complicated? 1340 00:57:46,040 --> 00:57:47,720 Speaker 11: I said, as you're doing the cross, could you just 1341 00:57:47,880 --> 00:57:49,680 Speaker 11: randomly in the background. 1342 00:57:49,520 --> 00:57:52,360 Speaker 3: You're now dragging in your other professional commentations. 1343 00:57:52,520 --> 00:57:54,920 Speaker 11: Yeah, they're all disappointed with me and themselves. 1344 00:57:56,240 --> 00:57:58,960 Speaker 3: So are you up for a new one? Yeah? Yeah? 1345 00:57:59,280 --> 00:58:03,680 Speaker 2: Are you up for your biggest challenge? Forget what's just happened? 1346 00:58:03,720 --> 00:58:06,680 Speaker 2: I mean that's just like, that's just like basic level stuff. 1347 00:58:06,960 --> 00:58:08,880 Speaker 2: We're now this This could be the one that I 1348 00:58:08,920 --> 00:58:09,560 Speaker 2: think finishes. 1349 00:58:09,640 --> 00:58:14,880 Speaker 11: It finishes my career, because that is a concern. 1350 00:58:16,160 --> 00:58:18,480 Speaker 3: Do you want to you brought the sort of show yesterday. 1351 00:58:18,480 --> 00:58:20,360 Speaker 5: We had something come to us this week. We didn't 1352 00:58:20,400 --> 00:58:22,280 Speaker 5: have to go to find it. It's a song that's 1353 00:58:22,320 --> 00:58:25,040 Speaker 5: been stuck in my head and intimate and internet meme 1354 00:58:25,080 --> 00:58:27,280 Speaker 5: that's been going around. I couldn't get out of my head. 1355 00:58:27,400 --> 00:58:29,400 Speaker 5: I played it to Christian the other day. He can't 1356 00:58:29,400 --> 00:58:31,520 Speaker 5: get it out of his head. Everybody here has been 1357 00:58:31,560 --> 00:58:31,960 Speaker 5: singing it. 1358 00:58:33,040 --> 00:58:38,520 Speaker 3: It's awful. Have a listen to this, baby. 1359 00:58:38,400 --> 00:58:53,080 Speaker 9: Shocked Baby Shocky Channels, Evan fort Cover, Rerench Bomb, Bye Bye, Dusty. 1360 00:58:56,640 --> 00:59:02,120 Speaker 3: Bombers. I guess that's I goes Amies gets the ball? 1361 00:59:05,680 --> 00:59:05,800 Speaker 1: Is it? 1362 00:59:06,640 --> 00:59:06,680 Speaker 23: So? 1363 00:59:06,800 --> 00:59:06,840 Speaker 20: What? 1364 00:59:07,120 --> 00:59:09,320 Speaker 3: What is? Isn't it awful? 1365 00:59:10,080 --> 00:59:10,440 Speaker 10: Terrible? 1366 00:59:10,840 --> 00:59:13,000 Speaker 2: Just so you know, if there's a gan, if they 1367 00:59:13,040 --> 00:59:16,560 Speaker 2: want those people to speak, tell us about the plans 1368 00:59:16,720 --> 00:59:17,320 Speaker 2: or more of this? 1369 00:59:21,560 --> 00:59:23,440 Speaker 3: So what is the phrase that pays for Hamish? 1370 00:59:23,560 --> 00:59:28,320 Speaker 5: Baby shark? Do baby Shark? But I think the increased 1371 00:59:28,400 --> 00:59:30,760 Speaker 5: pressure is to do it in song? 1372 00:59:31,120 --> 00:59:36,320 Speaker 3: What you're normally one that urges me to rein it 1373 00:59:36,440 --> 00:59:40,040 Speaker 3: in even I'm going, no, we can't do that in song. 1374 00:59:40,440 --> 00:59:43,480 Speaker 5: Baby, just give it to me on the type baby shocked, 1375 00:59:43,720 --> 00:59:49,560 Speaker 5: do do do Baby shocked? DoD baby shocked, Baby shark. 1376 00:59:49,640 --> 00:59:51,280 Speaker 3: You can't do all of them. You can finish there, 1377 00:59:51,960 --> 00:59:52,960 Speaker 3: finish his career. 1378 00:59:53,520 --> 00:59:56,800 Speaker 11: That is going to be complicated. I'll be honest with that. 1379 00:59:57,080 --> 01:00:01,760 Speaker 3: I think two lines baby Shark. The song is. 1380 01:00:03,240 --> 01:00:05,840 Speaker 5: This is how I imagined it. You started baby shocked 1381 01:00:05,880 --> 01:00:07,840 Speaker 5: it Bruce, Baby. 1382 01:00:07,640 --> 01:00:10,840 Speaker 13: Shot Dyce and. 1383 01:00:14,000 --> 01:00:16,040 Speaker 23: So I can imagine I'm walking because tonight I've got 1384 01:00:16,120 --> 01:00:18,320 Speaker 23: to interview John Worsfold as he's coming up the race. 1385 01:00:20,080 --> 01:00:24,440 Speaker 20: You've got kids, baby, that is the way to do it, though, 1386 01:00:24,520 --> 01:00:26,840 Speaker 20: have you heard this? Will get it out of my head? 1387 01:00:27,080 --> 01:00:31,840 Speaker 20: You've got kids, baby, shock that I could possibly. 1388 01:00:31,760 --> 01:00:34,240 Speaker 11: With Linging and Wayne Kerry, who both have children. 1389 01:00:35,120 --> 01:00:37,280 Speaker 5: And then if you're really struggling, are you interviewing an? 1390 01:00:37,320 --> 01:00:38,440 Speaker 3: I was kick Kid at. 1391 01:00:38,400 --> 01:00:39,760 Speaker 11: Half Times, my last one of the year. 1392 01:00:40,440 --> 01:00:42,360 Speaker 13: Baby, baby, there you go. 1393 01:00:42,560 --> 01:00:51,360 Speaker 3: This will be on their radaris. I don't know. 1394 01:00:51,400 --> 01:00:52,439 Speaker 5: We'll leave it in your court. 1395 01:00:53,440 --> 01:00:56,040 Speaker 2: Oh yeah, we'll just create this big stinking poop and 1396 01:00:56,120 --> 01:00:58,120 Speaker 2: then you deal with it. Okay, you fix it live 1397 01:00:58,200 --> 01:00:59,080 Speaker 2: on TV tonight. 1398 01:00:59,280 --> 01:01:03,680 Speaker 23: Yeah, okay, it is the most complicated you yep, okay. 1399 01:01:03,760 --> 01:01:06,520 Speaker 23: Can I just bring up something for tomorrow quickly? 1400 01:01:07,040 --> 01:01:08,280 Speaker 3: Weeks we've got. 1401 01:01:08,240 --> 01:01:09,240 Speaker 11: To do a wink, you know, winks? 1402 01:01:09,800 --> 01:01:12,360 Speaker 3: Yeah, legendary. We're never they're talking about horse racing in 1403 01:01:12,400 --> 01:01:14,080 Speaker 3: that we never tor. 1404 01:01:14,280 --> 01:01:15,840 Speaker 11: Thirty five stars. She's won twenty nine. 1405 01:01:15,920 --> 01:01:18,360 Speaker 23: She's going for twenty six in her row tomorrow, she's 1406 01:01:18,520 --> 01:01:20,600 Speaker 23: going for nineteen. Group Once, I was having this thought 1407 01:01:20,640 --> 01:01:22,040 Speaker 23: coming in and Bruce and I were talking about it 1408 01:01:22,080 --> 01:01:24,160 Speaker 23: because we're doing a half hour special on her tomorrow 1409 01:01:24,160 --> 01:01:27,000 Speaker 23: and we extraordinary really that we're even doing a half 1410 01:01:27,040 --> 01:01:27,560 Speaker 23: hour special. 1411 01:01:27,720 --> 01:01:29,480 Speaker 5: Another phrase for tomorrow. 1412 01:01:31,360 --> 01:01:32,080 Speaker 3: Is it possible? 1413 01:01:36,400 --> 01:01:40,440 Speaker 11: Is it possible? Jag that she is the most popular 1414 01:01:40,520 --> 01:01:41,840 Speaker 11: sports performer in Australia. 1415 01:01:41,920 --> 01:01:42,200 Speaker 3: Right now. 1416 01:01:42,800 --> 01:01:45,480 Speaker 5: Yeah, well you won't find anybody who dislikes wings. 1417 01:01:45,560 --> 01:01:48,960 Speaker 23: No, so you've got a favorite footballer, but only Essendon 1418 01:01:48,960 --> 01:01:51,360 Speaker 23: supporters probably have he is there? 1419 01:01:51,440 --> 01:01:54,040 Speaker 11: Yeah, tricketer. No one's as popular as Winks at the moment. 1420 01:01:54,040 --> 01:01:55,880 Speaker 11: Where don't have a Kathy Freeman or a Susian yell 1421 01:01:55,880 --> 01:01:56,200 Speaker 11: at the moment. 1422 01:01:56,840 --> 01:02:00,600 Speaker 5: Our tennis stars are horizing all rising. 1423 01:02:00,840 --> 01:02:02,880 Speaker 2: But all those people you talk about, they no one 1424 01:02:02,880 --> 01:02:05,600 Speaker 2: has been personalities, aren't they? Sometimes they transcend a sport 1425 01:02:05,640 --> 01:02:07,800 Speaker 2: with horse racing, it doesn't normally work the way because 1426 01:02:07,800 --> 01:02:09,200 Speaker 2: the train is all the horses themselves. 1427 01:02:09,320 --> 01:02:11,520 Speaker 23: Yeah, so she has her own half hour special tomorrow. 1428 01:02:11,560 --> 01:02:14,240 Speaker 23: We are breaking programming to cover her race, and we 1429 01:02:14,320 --> 01:02:17,560 Speaker 23: will cover her race up until the coxplate where she's 1430 01:02:17,600 --> 01:02:19,120 Speaker 23: trying to win Foreigner row. No horses ever done that. 1431 01:02:19,360 --> 01:02:21,320 Speaker 23: It is extraordinary that an animal right now is the 1432 01:02:21,360 --> 01:02:24,000 Speaker 23: most followed sports former austraint. 1433 01:02:23,720 --> 01:02:26,160 Speaker 5: And is she? Is she going tomorrow for the most 1434 01:02:26,200 --> 01:02:29,280 Speaker 5: straight winds ever to beat Black Caviro Later on twenty 1435 01:02:29,320 --> 01:02:33,480 Speaker 5: six tomorrow, Jackassive. 1436 01:02:31,920 --> 01:02:34,960 Speaker 2: Recall, have you got I formed as a horse whisperer 1437 01:02:35,080 --> 01:02:36,320 Speaker 2: so that you can interview the horse? 1438 01:02:36,480 --> 01:02:39,680 Speaker 5: Yes, we do not pretty much. 1439 01:02:39,680 --> 01:02:41,680 Speaker 11: But what I will say to her when she comes back. 1440 01:02:41,800 --> 01:02:44,439 Speaker 5: Is baby shocked. 1441 01:02:46,960 --> 01:02:49,920 Speaker 3: To drive Melbourne nuts? Good luck tonight? 1442 01:02:50,000 --> 01:02:52,400 Speaker 5: No, should be simple, great to see birth have come 1443 01:02:52,440 --> 01:02:53,280 Speaker 5: down at the game tonight. 1444 01:02:53,320 --> 01:02:55,640 Speaker 11: It's come into the commentry box. Well, because you're coming, 1445 01:02:55,760 --> 01:02:56,520 Speaker 11: you know what you should be saying. 1446 01:03:00,200 --> 01:03:01,760 Speaker 3: Okay, Amos, just see it tonight the. 1447 01:03:01,840 --> 01:03:05,040 Speaker 1: Christian oh' connell Breakfast Show, Melbourne's Gold one oh four 1448 01:03:05,120 --> 01:03:05,560 Speaker 1: point three. 1449 01:03:07,240 --> 01:03:09,880 Speaker 2: What a great Friday song Casey in the Sunshine Band 1450 01:03:09,960 --> 01:03:12,280 Speaker 2: picked by you, like every single song every Friday on 1451 01:03:12,320 --> 01:03:15,040 Speaker 2: the Christian O'connorbecker's Show on Gold one oh four point three. 1452 01:03:16,000 --> 01:03:18,880 Speaker 2: Amos mcgochlin's has left the studio. Catch him live tonight 1453 01:03:18,920 --> 01:03:21,360 Speaker 2: on Channel seven. One thing I realized, you know where 1454 01:03:21,360 --> 01:03:23,840 Speaker 2: the after he wears a very very distinctive after shave. 1455 01:03:24,240 --> 01:03:27,200 Speaker 3: I know what it is now. It's brute. Do you 1456 01:03:27,280 --> 01:03:29,200 Speaker 3: get that close to it? I do, Yeah, Yeah, it's 1457 01:03:29,200 --> 01:03:32,000 Speaker 3: an aura, but it is brute. He washes him, brute 1458 01:03:32,080 --> 01:03:33,720 Speaker 3: everything he is, he is coming out. I think he's 1459 01:03:33,760 --> 01:03:36,040 Speaker 3: left this boy. It is brute, isn't it. It is 1460 01:03:36,120 --> 01:03:36,600 Speaker 3: not true. 1461 01:03:37,640 --> 01:03:38,960 Speaker 11: It's never one after shave. 1462 01:03:39,640 --> 01:03:45,200 Speaker 3: There's nothing embarrassed about tell the newspaper's now Harold's Sun Exclusive. Okay, 1463 01:03:45,400 --> 01:03:46,800 Speaker 3: stick it in brute, it's brutal. 1464 01:03:47,560 --> 01:03:49,160 Speaker 5: Actually, Hamries the kind of guy who will have his 1465 01:03:49,240 --> 01:03:51,200 Speaker 5: own Chemists Warehouse cologne coming out. 1466 01:03:51,240 --> 01:03:53,120 Speaker 2: You're right, yeah, yeah, okay, right, we got the news 1467 01:03:53,360 --> 01:03:54,600 Speaker 2: on the way, Juel. The next hour, one of you 1468 01:03:54,720 --> 01:03:57,800 Speaker 2: will win ten thousand dollars. The no repeat guarantee has 1469 01:03:57,840 --> 01:03:58,960 Speaker 2: to be broken due the next hour. 1470 01:03:59,080 --> 01:04:02,200 Speaker 1: The Christian who Conn Breakfast Show, Melbourne's Gold one oh 1471 01:04:02,280 --> 01:04:09,840 Speaker 1: four point three, The Christian O'Connell Breakfast Show, All Request 1472 01:04:10,040 --> 01:04:12,480 Speaker 1: Friday Gold one oh four point three. 1473 01:04:13,200 --> 01:04:15,560 Speaker 2: Just made a note to myself. Do you go down 1474 01:04:15,600 --> 01:04:19,120 Speaker 2: at Audi this weekend? I need a new helmets. Yes, 1475 01:04:19,160 --> 01:04:21,360 Speaker 2: that's right. Seven minutes past nine, See Christian, I've got 1476 01:04:21,400 --> 01:04:24,680 Speaker 2: a Breakford show. We're here for another hour playing your requests. 1477 01:04:24,840 --> 01:04:26,040 Speaker 2: Got some great music lined up. 1478 01:04:26,080 --> 01:04:28,280 Speaker 3: You'll be happy. There's even a Green Day song chunk. 1479 01:04:28,640 --> 01:04:31,920 Speaker 3: The next fifty minutes is it when I come around? Well, 1480 01:04:31,960 --> 01:04:34,720 Speaker 3: what are you gonna ruin it? DJ Train? 1481 01:04:35,920 --> 01:04:37,120 Speaker 5: I don't bring in next week, I'm. 1482 01:04:37,200 --> 01:04:40,160 Speaker 2: Bring eleven weeks in. You're having to go at the 1483 01:04:40,240 --> 01:04:43,720 Speaker 2: format right on the wall for the diva post. 1484 01:04:45,040 --> 01:04:47,200 Speaker 3: Yeah exactly. You know they want to hear show. I 1485 01:04:47,280 --> 01:04:50,560 Speaker 3: can't stand that songwhat it's their song, it's there four hours, 1486 01:04:50,800 --> 01:04:51,760 Speaker 3: you can't rain on it. 1487 01:04:52,560 --> 01:04:54,320 Speaker 5: I'll bring in another Green Day song next week. 1488 01:04:55,040 --> 01:04:57,360 Speaker 2: No, it's not called Jack brings something in from home. 1489 01:04:58,040 --> 01:05:00,440 Speaker 2: Right till the next hour we're we are going to 1490 01:05:00,440 --> 01:05:01,240 Speaker 2: play Cindy Lauper. 1491 01:05:01,640 --> 01:05:03,560 Speaker 3: Girls just want to have fun again, and that's your 1492 01:05:03,640 --> 01:05:06,440 Speaker 3: chance to win ten thousand dollars. To make sure you're 1493 01:05:06,640 --> 01:05:09,040 Speaker 3: listening right now. Then let's go back to the music 1494 01:05:09,120 --> 01:05:12,920 Speaker 3: picked by you. Ron in Windom Velle wants to hear 1495 01:05:12,960 --> 01:05:15,240 Speaker 3: this brilliant on by Poison Alice. 1496 01:05:14,960 --> 01:05:18,680 Speaker 1: Cooper, the Christian O'Connell Breakfast Show, Melbourne's Gold one oh 1497 01:05:18,840 --> 01:05:19,680 Speaker 1: four point three. 1498 01:05:20,400 --> 01:05:23,200 Speaker 2: Pre on that's requested by Lynn in Geelong wants to 1499 01:05:23,240 --> 01:05:24,200 Speaker 2: hear that Mustang Sally. 1500 01:05:24,280 --> 01:05:27,240 Speaker 3: What a great film and movie it's from. Have you 1501 01:05:27,280 --> 01:05:28,840 Speaker 3: seen the Commitments? Nope? 1502 01:05:29,840 --> 01:05:30,520 Speaker 6: What a surprise. 1503 01:05:31,080 --> 01:05:32,200 Speaker 3: So where was the cast of there? 1504 01:05:32,200 --> 01:05:35,120 Speaker 2: Weren't like mega stars in it, but it made them 1505 01:05:35,360 --> 01:05:36,880 Speaker 2: Andrew strong, especially Mega. 1506 01:05:36,920 --> 01:05:39,600 Speaker 3: So it's this great music movie. What do they do 1507 01:05:40,000 --> 01:05:40,240 Speaker 3: in it? 1508 01:05:40,960 --> 01:05:41,439 Speaker 6: They sing? 1509 01:05:41,760 --> 01:05:42,360 Speaker 3: Ye? 1510 01:05:42,600 --> 01:05:44,680 Speaker 2: And before that the Jackson's blaming on the boogie for 1511 01:05:44,760 --> 01:05:47,680 Speaker 2: Jade in Bondora. I want to hear that in her 1512 01:05:47,720 --> 01:05:50,200 Speaker 2: office and Ron kicked us off with Alice Cooper and poison. 1513 01:05:50,600 --> 01:05:50,760 Speaker 14: Well. 1514 01:05:50,880 --> 01:05:51,960 Speaker 3: I'm pleased to say that. 1515 01:05:52,040 --> 01:05:55,400 Speaker 2: A young sixteen year old listener to the show back 1516 01:05:55,560 --> 01:05:58,360 Speaker 2: in England has come back once again with a feature 1517 01:05:58,400 --> 01:06:00,760 Speaker 2: that he started last week. Someone he used to listen 1518 01:06:00,760 --> 01:06:02,240 Speaker 2: to my show and be part of it. He generally 1519 01:06:02,320 --> 01:06:04,240 Speaker 2: is doing his exams at the moment. He's called Sam 1520 01:06:04,560 --> 01:06:07,000 Speaker 2: and I called him the Samsta and he's been listening 1521 01:06:07,040 --> 01:06:08,640 Speaker 2: to the podcast. And if you're making a note of 1522 01:06:08,760 --> 01:06:10,400 Speaker 2: the odd things that Jack Post says. 1523 01:06:10,720 --> 01:06:12,200 Speaker 5: I can't wait till he gets sick of doing this. 1524 01:06:12,320 --> 01:06:12,880 Speaker 5: Sure he won't. 1525 01:06:13,320 --> 01:06:16,040 Speaker 3: He won't. I'm now going to pay him so he yeah, 1526 01:06:16,080 --> 01:06:16,320 Speaker 3: I am. 1527 01:06:17,080 --> 01:06:19,480 Speaker 2: Well, he's going to listen to, you know, five podcasts 1528 01:06:19,560 --> 01:06:21,440 Speaker 2: to make this, so I'm going to pay him anyway. 1529 01:06:21,480 --> 01:06:22,920 Speaker 3: He sends it and makes it in the top ten. 1530 01:06:23,000 --> 01:06:25,080 Speaker 2: This is a sixteen year old kid doing this listening 1531 01:06:25,120 --> 01:06:26,000 Speaker 2: back in the UK. 1532 01:06:27,880 --> 01:06:28,200 Speaker 3: Christian. 1533 01:06:28,280 --> 01:06:30,680 Speaker 2: Here is this week second of a Jack Post. Did 1534 01:06:30,720 --> 01:06:32,520 Speaker 2: he really say that? Let's count them down? 1535 01:06:32,720 --> 01:06:36,120 Speaker 3: At ten, Scott, you must have an inside knowledge of 1536 01:06:36,240 --> 01:06:41,360 Speaker 3: vending machines. At nine, I'm not a hero. I'm just 1537 01:06:41,400 --> 01:06:41,760 Speaker 3: a man. 1538 01:06:43,080 --> 01:06:43,880 Speaker 11: Yep, that's true. 1539 01:06:44,080 --> 01:06:47,760 Speaker 3: At eight, give us another clue. I don't feel like guessing. Clue, cluck, clu. 1540 01:06:49,160 --> 01:06:50,360 Speaker 5: I don't even remember saying that. 1541 01:06:50,640 --> 01:06:53,720 Speaker 3: At seven, I know it should call it Christians soundbag. 1542 01:06:53,960 --> 01:06:54,640 Speaker 3: We didn't call it that. 1543 01:06:54,920 --> 01:06:56,320 Speaker 5: Yes, that would have been a good name. 1544 01:06:56,440 --> 01:06:58,480 Speaker 3: Maybe next week this could have been number one for me. 1545 01:06:58,560 --> 01:07:00,560 Speaker 2: But at six this week Jack posted really say that 1546 01:07:00,680 --> 01:07:04,800 Speaker 2: I've gone to a Christmas breakfast without shoes accidentally. 1547 01:07:05,400 --> 01:07:08,120 Speaker 5: Yes, my wife still brings that up. It was with 1548 01:07:08,240 --> 01:07:08,760 Speaker 5: her family. 1549 01:07:09,720 --> 01:07:11,640 Speaker 3: At five we're in the top five. Now if you 1550 01:07:11,720 --> 01:07:17,920 Speaker 3: see a snake go the other way. At four you 1551 01:07:18,120 --> 01:07:18,960 Speaker 3: have watered me. 1552 01:07:22,160 --> 01:07:23,560 Speaker 5: I don't know the context of that. 1553 01:07:24,240 --> 01:07:28,000 Speaker 3: At three, it's not comedy, it's just something that is. 1554 01:07:30,760 --> 01:07:33,280 Speaker 2: At two, do you have another poppert ingram? At two 1555 01:07:33,440 --> 01:07:35,200 Speaker 2: does England even have swimming balls? 1556 01:07:36,680 --> 01:07:37,120 Speaker 11: Fair enough? 1557 01:07:37,200 --> 01:07:38,480 Speaker 5: It's not hard enough though, And. 1558 01:07:38,720 --> 01:07:41,360 Speaker 2: Number one this week for the top ten Jack posts, 1559 01:07:41,360 --> 01:07:44,160 Speaker 2: did he really say that sheep is not a goat? 1560 01:07:47,880 --> 01:07:50,320 Speaker 2: Sam's the great work, Well done, thanks for doing that, 1561 01:07:50,600 --> 01:07:51,320 Speaker 2: Jack vost World. 1562 01:07:51,360 --> 01:07:52,040 Speaker 3: I'm for saying all that. 1563 01:07:52,240 --> 01:07:56,000 Speaker 1: The Christian O'Connell breakfast show on Gold one oh four 1564 01:07:56,080 --> 01:07:56,720 Speaker 1: point three. 1565 01:07:57,920 --> 01:07:59,960 Speaker 3: Second lay this morning a silly loper girl. 1566 01:08:00,040 --> 01:08:02,200 Speaker 2: I just want to have fun, which means we're going 1567 01:08:02,280 --> 01:08:04,120 Speaker 2: to give away ten thousand dollars. 1568 01:08:04,160 --> 01:08:06,360 Speaker 3: We won't go to the lines until the song ends 1569 01:08:07,160 --> 01:08:11,480 Speaker 3: in nine seconds time. Why is pass filming me right now? 1570 01:08:12,480 --> 01:08:17,760 Speaker 3: I just saw a taurus? There is she going to 1571 01:08:17,800 --> 01:08:18,400 Speaker 3: show this too? 1572 01:08:19,000 --> 01:08:20,800 Speaker 5: I bet maybe she's getting their husband to call up 1573 01:08:20,840 --> 01:08:21,240 Speaker 5: for the song. 1574 01:08:21,360 --> 01:08:23,720 Speaker 2: Ah, that's what it is, right, Okay, we've got to 1575 01:08:23,880 --> 01:08:25,519 Speaker 2: accounts a couple of seconds and we're going to pick 1576 01:08:25,600 --> 01:08:27,960 Speaker 2: line one. Let's not forget the last time the ten 1577 01:08:28,040 --> 01:08:29,280 Speaker 2: thousand dollars was given away. 1578 01:08:29,360 --> 01:08:31,559 Speaker 3: Huggy had this winner because. 1579 01:08:31,360 --> 01:08:33,320 Speaker 5: You played footloose and what does that mean? 1580 01:08:33,720 --> 01:08:34,920 Speaker 14: Oh my god, shoes. 1581 01:08:38,520 --> 01:08:44,679 Speaker 3: Yes, and then we found out that was Huggy playing 1582 01:08:44,720 --> 01:08:47,840 Speaker 3: both parts. You know, we all felt a little bit cheated, 1583 01:08:47,920 --> 01:08:48,960 Speaker 3: So naughty Huggy on. 1584 01:08:49,240 --> 01:08:51,439 Speaker 5: Fair He got a good winner and used to have 1585 01:08:51,560 --> 01:08:52,240 Speaker 5: a bad record. 1586 01:08:52,360 --> 01:08:55,280 Speaker 2: So my fut is the dollars that go have? I 1587 01:08:55,439 --> 01:08:58,360 Speaker 2: really I'm breaking the duck. This is it now, the 1588 01:08:58,479 --> 01:09:00,720 Speaker 2: end of week eleven on shown. I'm a forty nine. 1589 01:09:00,720 --> 01:09:01,759 Speaker 2: We're going to get a screamer. 1590 01:09:02,040 --> 01:09:02,680 Speaker 3: I can feel it. 1591 01:09:02,760 --> 01:09:03,080 Speaker 23: I know it. 1592 01:09:03,160 --> 01:09:05,280 Speaker 5: Seeming you ready Jack good? Like I said, I am ready? 1593 01:09:06,000 --> 01:09:08,160 Speaker 3: All right? Brian put the call through I'm gonna go 1594 01:09:08,200 --> 01:09:13,599 Speaker 3: straight to line one. Good morning. Who's this it's ever Amber. 1595 01:09:13,840 --> 01:09:17,599 Speaker 14: Turn the radio down, can you tell them radio Jenny? 1596 01:09:18,400 --> 01:09:24,880 Speaker 3: Jenny, turned the radio down. Turn the radio, Amber, You've 1597 01:09:24,920 --> 01:09:30,680 Speaker 3: won ten thousand dollars. Oh my god, no, Amber, No, 1598 01:09:30,880 --> 01:09:32,800 Speaker 3: that's not what you say when someone gives you ten 1599 01:09:32,880 --> 01:09:36,240 Speaker 3: thousand dollars. You go crazy, go nuts, you go Amber. 1600 01:09:36,439 --> 01:09:39,320 Speaker 22: Okay, I'm really Jenny's. 1601 01:09:39,680 --> 01:09:42,479 Speaker 3: Jenny's should be the one they wins. Hand the phone 1602 01:09:42,560 --> 01:09:50,240 Speaker 3: to Jenny, give me the phone. Come on, Jenny, Jenny, Jenny, 1603 01:09:50,320 --> 01:09:52,760 Speaker 3: your mates. You want ten thousand dollars. 1604 01:09:52,560 --> 01:09:54,160 Speaker 5: Be careful with your word of your else we're going 1605 01:09:54,200 --> 01:09:55,679 Speaker 5: to give you to here with ten thousand dollars. 1606 01:09:55,960 --> 01:09:59,360 Speaker 4: Whole lot is playing, the whole loses, is playing in 1607 01:09:59,479 --> 01:10:00,599 Speaker 4: one of the A great. 1608 01:10:01,120 --> 01:10:03,080 Speaker 3: So what does it mean now? Are you sharing the money? 1609 01:10:03,960 --> 01:10:09,800 Speaker 4: Well, the person that wins, the person that won. The 1610 01:10:09,960 --> 01:10:12,760 Speaker 4: person that won gives everyone. 1611 01:10:12,479 --> 01:10:15,160 Speaker 14: A cat like I think one hundred dollars or five 1612 01:10:15,240 --> 01:10:18,880 Speaker 14: hundred dollars, five hundred dollars, he gets the risk this. 1613 01:10:18,960 --> 01:10:20,120 Speaker 3: Is this is going to be the end of that. 1614 01:10:20,280 --> 01:10:22,439 Speaker 5: I know the fact that you haven't sorted out maybe 1615 01:10:22,479 --> 01:10:25,200 Speaker 5: one hundred, maybe five hundred you've got issues ahead. You've 1616 01:10:25,200 --> 01:10:26,000 Speaker 5: got issues ahead. 1617 01:10:26,280 --> 01:10:29,040 Speaker 14: So I think it's just made for five hundred four hundred. 1618 01:10:30,080 --> 01:10:31,720 Speaker 3: So how many people are playing this? 1619 01:10:32,200 --> 01:10:35,639 Speaker 4: Oh my god? So there's one, two, three four. 1620 01:10:36,920 --> 01:10:41,000 Speaker 3: That's someone in reception. 1621 01:10:42,520 --> 01:10:44,879 Speaker 4: He wasn't going to give us a cat, so he Now. 1622 01:10:47,360 --> 01:10:48,120 Speaker 3: I need a lawyer. 1623 01:10:48,360 --> 01:10:49,320 Speaker 5: What's the where do you work? 1624 01:10:50,479 --> 01:10:50,759 Speaker 3: Lawyer? 1625 01:10:51,520 --> 01:10:52,160 Speaker 4: Oh my god? 1626 01:10:52,360 --> 01:10:54,519 Speaker 3: Where is the office? Where are you? 1627 01:10:55,479 --> 01:10:55,720 Speaker 17: Hang on? 1628 01:10:55,800 --> 01:10:58,519 Speaker 4: Michelle? One shot? 1629 01:10:58,600 --> 01:11:02,599 Speaker 3: Actually, we've got to get them back. We can't leave. 1630 01:11:02,880 --> 01:11:03,760 Speaker 3: What a cliffhanger. 1631 01:11:05,040 --> 01:11:07,639 Speaker 5: Maybe they've got their money, they don't care, superstar. 1632 01:11:07,960 --> 01:11:08,640 Speaker 3: Hang on? Who's this? 1633 01:11:09,760 --> 01:11:10,559 Speaker 6: My name is Michelle? 1634 01:11:12,640 --> 01:11:20,760 Speaker 3: So just cut them off? Yeah, chaos here? Hello? Is 1635 01:11:20,800 --> 01:11:21,360 Speaker 3: that Michelle? 1636 01:11:22,040 --> 01:11:23,840 Speaker 22: No, it's Amber, the winner of this thing? 1637 01:11:24,880 --> 01:11:28,000 Speaker 3: Just do you work with a Michelle? Do you work 1638 01:11:28,040 --> 01:11:29,120 Speaker 3: with anyone there called Michelle? 1639 01:11:29,600 --> 01:11:29,800 Speaker 2: Yeah? 1640 01:11:29,840 --> 01:11:30,759 Speaker 14: I work with a Michelle? 1641 01:11:30,880 --> 01:11:33,240 Speaker 3: Right? Okay, but you're Amber? So and what is the 1642 01:11:33,360 --> 01:11:35,160 Speaker 3: name of the office. Who's just won this money? 1643 01:11:36,320 --> 01:11:36,360 Speaker 14: Me? 1644 01:11:36,720 --> 01:11:37,000 Speaker 3: Amber? 1645 01:11:37,240 --> 01:11:37,720 Speaker 5: Total lie? 1646 01:11:38,120 --> 01:11:38,280 Speaker 3: Right? 1647 01:11:38,400 --> 01:11:41,080 Speaker 2: So you're the winner? Yes, I out right, So we'll 1648 01:11:41,120 --> 01:11:42,880 Speaker 2: be making the check pable to you, and then are 1649 01:11:42,880 --> 01:11:44,320 Speaker 2: you given listen, you can be honest with me. 1650 01:11:44,439 --> 01:11:48,280 Speaker 3: Right, okay? Are you really going to give them any money? 1651 01:11:49,360 --> 01:11:49,519 Speaker 20: Oh? 1652 01:11:51,600 --> 01:11:57,920 Speaker 3: God? Morning? At your workplace, Amber, tell me what was 1653 01:11:58,000 --> 01:12:00,920 Speaker 3: the deal? Have you been playing collectively? Yeah? 1654 01:12:01,080 --> 01:12:04,080 Speaker 10: So it was everyone's going to give everyone else. 1655 01:12:03,960 --> 01:12:06,320 Speaker 3: Five hundred five hundred, So you're going to give you 1656 01:12:06,360 --> 01:12:10,040 Speaker 3: what makes going to play their everyone? So you're going 1657 01:12:10,080 --> 01:12:11,280 Speaker 3: to get them five hundred bucks each? 1658 01:12:11,720 --> 01:12:12,920 Speaker 5: Yeah, of course, well done. 1659 01:12:13,160 --> 01:12:15,320 Speaker 3: But I think that's not many people do that. But 1660 01:12:15,400 --> 01:12:17,439 Speaker 3: because ten thousand dollars there's a lot of money a 1661 01:12:17,520 --> 01:12:18,080 Speaker 3: good person. 1662 01:12:18,960 --> 01:12:20,720 Speaker 2: Are you going to get like five thousand of it 1663 01:12:20,800 --> 01:12:22,599 Speaker 2: and then divvy up a couple of five hundred? 1664 01:12:22,680 --> 01:12:24,040 Speaker 3: Ye, something like that's going to happen. 1665 01:12:24,120 --> 01:12:27,680 Speaker 5: I think something like that until you get home and 1666 01:12:27,800 --> 01:12:28,400 Speaker 5: it sets in. 1667 01:12:29,040 --> 01:12:31,920 Speaker 3: Yeah, you know what I would like the family start 1668 01:12:32,040 --> 01:12:32,519 Speaker 3: calling you. 1669 01:12:33,160 --> 01:12:33,720 Speaker 15: It could be good. 1670 01:12:34,080 --> 01:12:37,960 Speaker 3: Is anything written down? Well, then screw them? Where is 1671 01:12:37,960 --> 01:12:39,040 Speaker 3: it you work? What do you guys do? 1672 01:12:41,120 --> 01:12:41,280 Speaker 14: Oh? 1673 01:12:41,439 --> 01:12:44,880 Speaker 12: Where it's some total lineage air conditioning, refrigeration? 1674 01:12:45,520 --> 01:12:47,840 Speaker 3: Right? Gotcha? Okay? Is it all women in that office? 1675 01:12:48,520 --> 01:12:48,560 Speaker 11: No? 1676 01:12:49,120 --> 01:12:49,160 Speaker 23: No? 1677 01:12:50,840 --> 01:12:51,400 Speaker 21: Both playing? 1678 01:12:52,080 --> 01:12:54,200 Speaker 5: I heard we won in the background. So everyone's already 1679 01:12:54,200 --> 01:12:55,360 Speaker 5: counting their five hundred dollars. 1680 01:12:56,080 --> 01:12:56,920 Speaker 3: So what are you going to do now? 1681 01:12:56,960 --> 01:12:58,479 Speaker 2: You're going to go out out for lunch and then 1682 01:12:58,520 --> 01:13:01,280 Speaker 2: not come back to work. Maybe I would I go 1683 01:13:01,360 --> 01:13:03,960 Speaker 2: and knock off early today. Well listen, well done, but 1684 01:13:04,000 --> 01:13:04,720 Speaker 2: you've been great fun. 1685 01:13:04,800 --> 01:13:09,920 Speaker 3: Okay, thank you. All right, there we go everyone, ladies. 1686 01:13:10,160 --> 01:13:13,519 Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four 1687 01:13:13,560 --> 01:13:14,040 Speaker 1: point three. 1688 01:13:14,479 --> 01:13:16,280 Speaker 2: That is the last song for us. What are you 1689 01:13:16,439 --> 01:13:18,559 Speaker 2: up to this weekend? Thank you very much for listening 1690 01:13:18,600 --> 01:13:21,240 Speaker 2: to the show. We are back Monday morning. And when 1691 01:13:21,320 --> 01:13:25,200 Speaker 2: we are back Monday morning and anthem on this show. 1692 01:13:26,360 --> 01:13:30,680 Speaker 5: I'm going away and essentially a writing retreat. Oh, I'm 1693 01:13:30,720 --> 01:13:32,720 Speaker 5: going out of town this weekend, so I'll tell you. 1694 01:13:33,640 --> 01:13:35,800 Speaker 3: Like a log cabin somewhere, you know, like Bob Dinning 1695 01:13:35,840 --> 01:13:36,920 Speaker 3: you said, just take yourself off. 1696 01:13:37,840 --> 01:13:39,799 Speaker 5: Yes, I'm airbnb up in Kilmore. 1697 01:13:40,320 --> 01:13:40,360 Speaker 14: So. 1698 01:13:40,960 --> 01:13:43,000 Speaker 5: Oh you'll get enough with the open. 1699 01:13:42,840 --> 01:13:45,120 Speaker 3: Fire on and in a minute, hang on a minute. 1700 01:13:45,160 --> 01:13:47,479 Speaker 3: I know what you're up to, you dirty little doggie. 1701 01:13:48,760 --> 01:13:51,040 Speaker 3: You're back living with your parents at the moment, obviously 1702 01:13:51,040 --> 01:13:53,599 Speaker 3: it's hard to get some loving it. You know, mom 1703 01:13:53,640 --> 01:13:55,000 Speaker 3: and dad are watching TV. 1704 01:13:55,200 --> 01:13:57,800 Speaker 2: You know, the old man's watching those late night European movies. 1705 01:13:57,880 --> 01:14:00,760 Speaker 2: You like, you know, you're trying to wait wait him 1706 01:14:00,760 --> 01:14:03,800 Speaker 2: out to go to bed. Chi get yeah, get it 1707 01:14:03,880 --> 01:14:04,679 Speaker 2: on the on the couch. 1708 01:14:04,800 --> 01:14:07,759 Speaker 3: Or something, and now you're actually shelling out money for loving. 1709 01:14:08,560 --> 01:14:10,400 Speaker 5: So I'm going away to focus on the show. 1710 01:14:10,439 --> 01:14:12,439 Speaker 3: Yeah, you'll be pucking your banjo strings one way, and 1711 01:14:12,479 --> 01:14:15,479 Speaker 3: it won't be for this song. No, it's too much. Okay, 1712 01:14:16,680 --> 01:14:19,880 Speaker 3: Well see what's got to get written over the weekend. 1713 01:14:20,000 --> 01:14:21,599 Speaker 3: We're about Monday morning. Have a top weekend. 1714 01:14:21,640 --> 01:14:24,720 Speaker 2: Thanks for listening everyone, Tyler Today's show, This sums it 1715 01:14:24,800 --> 01:14:25,840 Speaker 2: up really half decent. 1716 01:14:26,000 --> 01:14:29,360 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 1717 01:14:29,400 --> 01:14:29,880 Speaker 1: point three