WEBVTT - Lachlan Buchanan - WELLMAINIA - Actor

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload.

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<v Speaker 2>The podcast Past Deep Aline. Welcome back guys to TV Reload.

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<v Speaker 2>As you may know, my name is Benjamin Norris and

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<v Speaker 2>this is your podcast to get all the inside goss

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<v Speaker 2>all the popular TV shows you may be watching from

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<v Speaker 2>around the world. Undeniably, our TV sets are still a

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<v Speaker 2>major part of our home entertainment, and yet very little

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<v Speaker 2>is note about how our favorite shows get made. So

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<v Speaker 2>each week I've been finding guests the wanna dive just

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<v Speaker 2>that little bit deeper into the shows they're currently making

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<v Speaker 2>so that you can hear all their exclusive stories and

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<v Speaker 2>gain access to the biggest names in Australian television. I

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<v Speaker 2>want to thank you for downloading or subscribing to this

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<v Speaker 2>podcast however you found it. I love hearing your feedback,

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<v Speaker 2>so make sure you leave a review or a comment

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<v Speaker 2>on your chosen podcast platform. This chat, I'm joined by

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<v Speaker 2>Australian actor Lochlan Buchanan, who is currently in the smash

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<v Speaker 2>hit series well Mania, which is now available on Netflix Australia.

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<v Speaker 2>Lockie takes on the role of actress comedians Celeste Barber's

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<v Speaker 2>brother and he is actually very funny in this series,

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<v Speaker 2>which has actually been out for a few weeks now

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<v Speaker 2>and has been ranking extremely high across Netflix around the world.

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<v Speaker 2>Well Mania is an Australian comedy drama streaming television series

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<v Speaker 2>co created by Bridget Delaney and Benjamin Law for Netflix.

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<v Speaker 2>The series is based on Delaney's memoir Repertoire Hybrid Wellmania

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<v Speaker 2>Misadventures in the Search for Wellness, and it follows live

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<v Speaker 2>herely Celes Barber, a thirty nine year old woman who

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<v Speaker 2>struggles with a major health crisis as she tries various

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<v Speaker 2>methods to reclaim her wellbeing. I will talk to Locke

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<v Speaker 2>about his life in Los Angeles and how he has

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<v Speaker 2>survived for fourteen years trying to crack the biz. Lockie

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<v Speaker 2>will also explain if the show was scripted or if

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<v Speaker 2>they had to improvise a lot of the comedy. We

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<v Speaker 2>will talk about gay culture in television and film, and

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<v Speaker 2>why he thinks this show offers an alternative to some

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<v Speaker 2>of the stereotypes that we've seen over the years. Plus,

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<v Speaker 2>we will get plenty of exclusives from behind the scenes

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<v Speaker 2>of Wellmania, which you can now binge the whole thing

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<v Speaker 2>on Netflix. Anyway, let's bring Lockie into the podcast and

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<v Speaker 2>I really hope you enjoy this chat.

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<v Speaker 3>Hi Lockie, how are you?

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<v Speaker 1>Hi? Good? Thanks man, how are you.

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<v Speaker 2>The worst part of ever talking to anyone I've worked

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<v Speaker 2>out in my real life is ever saying hello to

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<v Speaker 2>someone or saying goodbye, Like I have no authentic way

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<v Speaker 2>of doing it.

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<v Speaker 3>This is like my two hundred.

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<v Speaker 2>And fiftieth podcast, And I still when I say to

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<v Speaker 2>say when I go to say hello, I'm like, hello,

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<v Speaker 2>I'm right there with you.

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<v Speaker 4>I'm as awkward as they come, like I And then goodbye.

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<v Speaker 4>It's like that, and then the weird handshake thing happens.

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<v Speaker 1>Yeah, that's story of my life. So I hear you

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<v Speaker 1>know it's.

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<v Speaker 2>Really weird as well as like when I leave parties,

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<v Speaker 2>I don't say goodbye to anyone.

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<v Speaker 3>I do a runner and it's so it's so rude,

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<v Speaker 3>Like who does that to.

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<v Speaker 2>People have invited you to their house, You're having a

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<v Speaker 2>great time and all you're out with them socializing and

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<v Speaker 2>then you don't even say goodbye to them, and you

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<v Speaker 2>think in your mind at the time, that's better than

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<v Speaker 2>actually going up and having to depart from them properly.

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<v Speaker 1>Do you know what I'm so with you on that.

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<v Speaker 4>I think It depends on the situation, because sometimes it

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<v Speaker 4>can be there are too many people to say goodbye to,

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<v Speaker 4>and it's like I'm going to spend the next thirty

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<v Speaker 4>minutes saying goodbye to people, or I can just duck

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<v Speaker 4>out now, and like are they really going to notice?

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<v Speaker 4>I have this one friend, though, who and I think

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<v Speaker 4>what I've discovered is that he tracks me on his phone,

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<v Speaker 4>like my location and so because within five minutes of

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<v Speaker 4>just disappearing out of a party, I'll get a message

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<v Speaker 4>but you left, like what how does he? How does

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<v Speaker 4>he notice this stuff? But it depends like there's sometimes

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<v Speaker 4>where I'm like, oh that was that was probably a

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<v Speaker 4>bit rude, like genius, a bit a bit rude, and

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<v Speaker 4>then there's other times where I'm like, I'm fine with it.

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<v Speaker 1>So I think it depends. So don't don't be too

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<v Speaker 1>hard with yourself.

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<v Speaker 2>People love to make you feel better and say no,

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<v Speaker 2>stay stay. I don't think they want you to stay either.

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<v Speaker 2>They just am like they're being polite, no you can't go,

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<v Speaker 2>And I hate having to be like, well, you know now,

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<v Speaker 2>I'm looking for some bad reason to leave when actual fact,

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<v Speaker 2>it's as simple as this, I'm done. I'm done, You're

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<v Speaker 2>just done?

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<v Speaker 4>Yeah, well, and then to flip it around though, are

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<v Speaker 4>you then the person that when someone says they leave

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<v Speaker 4>and you go okay.

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<v Speaker 3>I say get out. I say get out. I don't

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<v Speaker 3>want to see you anymore. I'm so weird.

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<v Speaker 2>Even with these pasts, I get so excited about talking

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<v Speaker 2>to people, but it's like food for me, and I

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<v Speaker 2>get so excited about doing the podcast, but then as

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<v Speaker 2>soon as it's done, I just push the plate away

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<v Speaker 2>like I never want to see it again. And like

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<v Speaker 2>with these people, they'll then try and stay friends with

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<v Speaker 2>you afterwards. You know, they'll chat to you on Instagram

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<v Speaker 2>forever or do.

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<v Speaker 3>You want to catch up for coffee? And I'm like, oh,

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<v Speaker 3>I don't ever want to see you again.

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<v Speaker 1>We already talk like.

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<v Speaker 4>I mean, that's how I feel about most of my

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<v Speaker 4>friends after I hang out with them, like okay, we're

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<v Speaker 4>gone for a while, right.

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<v Speaker 3>But it's also because I get so like I'm I'm not.

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<v Speaker 3>I don't know.

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<v Speaker 2>When it comes to being in a podcast, I get

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<v Speaker 2>the license to ask all the questions that you want

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<v Speaker 2>to know, like from these people, and then to sort

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<v Speaker 2>of move from that stage of being able to ask

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<v Speaker 2>all those questions to being social where it's actually kind

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<v Speaker 2>of really intrusive to say, you know, you just one

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<v Speaker 2>Master Chef and you've won two hundred and fifty thousand dollars,

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<v Speaker 2>how are you going to spend it? Like I can

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<v Speaker 2>ask that in a podcast, right, but socially no.

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<v Speaker 1>Yeah, it's a different thing.

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<v Speaker 2>Yeah, with you, all I want to talk to you

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<v Speaker 2>about is how do you look this good?

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<v Speaker 1>Like?

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<v Speaker 2>You are one of the best looking men I've ever

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<v Speaker 2>seen in my entire life. When I was going to

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<v Speaker 2>do this podcast, I looked at your Instagram and I

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<v Speaker 2>basically felt like shutting my Instagram down.

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<v Speaker 3>I was like, I can't throw my face anyway.

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<v Speaker 1>Oh so it must be early there. You must have

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<v Speaker 1>sleeping your eyes still or something.

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<v Speaker 3>No, this is the end of day. I know who

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<v Speaker 3>you are.

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<v Speaker 2>But when the interview came across my desk, I then

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<v Speaker 2>went to the Instagram as the first point of call,

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<v Speaker 2>and I just was like, wow, and I feel like

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<v Speaker 2>this is on brand. It's not me being creepy because

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<v Speaker 2>you know we're talking about the show.

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<v Speaker 1>Wellness, Well, thank you, that's really kind.

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<v Speaker 4>You've made my day. I'm in LA at the moment.

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<v Speaker 4>So it's Monday, afternoon. I was the week's already. This

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<v Speaker 4>is the high point in the week already, so it's

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<v Speaker 4>downhill from here.

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<v Speaker 2>How are you going in Los Angeles? Because I went

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<v Speaker 2>there in two thousand and seven and I have had

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<v Speaker 2>the best time while I was there, and people would

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<v Speaker 2>come from Australia over to see me, and I worked

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<v Speaker 2>out that not a lot of other Rossies loved Los Angeles,

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<v Speaker 2>where I've had a great time, Like, I've really seem

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<v Speaker 2>to find quite easy for me.

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<v Speaker 3>What about yourself, Yeah, that's funny.

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<v Speaker 4>It's you either love it or you hate it. I

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<v Speaker 4>think there's kind of very few reasons to be in between.

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<v Speaker 4>I'm used to it because I've been here for about

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<v Speaker 4>fourteen years now and I just got back a week ago.

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<v Speaker 1>I was in Australia for a while. It's like a

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<v Speaker 1>home for me. But I love getting out of here.

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<v Speaker 1>You know.

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<v Speaker 4>There's a lot of things about it that I love.

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<v Speaker 4>There's a lot of things about it that I kind

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<v Speaker 4>of hate. But it's weird because it's one of those

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<v Speaker 4>cities where everything happens here in the world first, and

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<v Speaker 4>so that can get a little bit addictive sometimes, and

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<v Speaker 4>I think that's what some people can really love about it.

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<v Speaker 1>But you've just got to remind yourself.

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<v Speaker 4>And as time goes on, you realize more and more

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<v Speaker 4>that's that's not the real world, and that it's not

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<v Speaker 4>how all things go. So yeah, it's good to escape.

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<v Speaker 4>But I'm very happy here. I'm very happy to leave

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<v Speaker 4>here now.

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<v Speaker 2>I had a great time, and I just recommended a

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<v Speaker 2>fellow journalist to go and have ale. Well, he was

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<v Speaker 2>already going there, and I said, look, these are the

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<v Speaker 2>things you've got to do. Run run in canyon every day,

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<v Speaker 2>go to the grove, to the farmers market, get the sushi,

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<v Speaker 2>keep your head on, you know, don't get sort of

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<v Speaker 2>lure it into traps, keep socializing, keep meeting new people,

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<v Speaker 2>and you know, have like a whole schematic. And he's

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<v Speaker 2>there at the moment. He just thinks it's the best

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<v Speaker 2>thing in the world. He's like, Ben, you're so right.

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<v Speaker 2>Los Angeles is the bomb.

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<v Speaker 4>Yeah, because there is, because there's everything at your fingertips,

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<v Speaker 4>and so that's just it's so easy. And it's funny

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<v Speaker 4>when I go back to Australia and you know, even Sydney,

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<v Speaker 4>and Sydney you know it's an international city, but you know,

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<v Speaker 4>everything's fairly easy. But LA is just a different kind

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<v Speaker 4>of easy where there's just everything's there and it's just

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<v Speaker 4>so simple, and you kind of get used to that,

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<v Speaker 4>and then you can kind of confront you when you

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<v Speaker 4>go home or look up from the Sunshine Coast originally

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<v Speaker 4>and it can spect Oh everything closes at five pm?

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<v Speaker 1>Got it? Okay? So yeah, it's a bit of fun,

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<v Speaker 1>but it's great.

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<v Speaker 4>Yeah, Like there's a lot of cool people, people from everywhere,

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<v Speaker 4>and I have to say the last few years, like

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<v Speaker 4>the food and drink scene is off the hook.

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<v Speaker 1>It's really good.

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<v Speaker 2>How do you stand out in a place though, where

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<v Speaker 2>all of the gay men over there look like they've

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<v Speaker 2>been carefully molded out of clay? I mean, you also

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<v Speaker 2>have a body like that, but you know, how do

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<v Speaker 2>you stand out like? Because that was the one thing

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<v Speaker 2>I found while I was there was that I felt

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<v Speaker 2>like I sort of just looked nothing like what the

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<v Speaker 2>gay men look like on the scene.

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<v Speaker 1>Well again, I thank you, but be loud and have

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<v Speaker 1>an Australian accent. I guess I don't know.

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<v Speaker 4>Here's the thing, though, so many of them are too

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<v Speaker 4>worried about what they look like themselves that they're not

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<v Speaker 4>really noticing anybody else.

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<v Speaker 3>So there's also that they're just looking in the mirror.

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<v Speaker 1>Yeah, pretty much, pretty much.

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<v Speaker 4>That's the funny thing is because you know so many

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<v Speaker 4>people here, models, actors and influencers. Everybody's too worried about

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<v Speaker 4>themselves that they don't care.

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<v Speaker 1>What you're doing.

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<v Speaker 2>What's the best advice that you have for actors wanting

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<v Speaker 2>to move from Australia to America, Because you know, there

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<v Speaker 2>was that blitz for a while, like there was the

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<v Speaker 2>Heath Ledger time where you know, all of a sudden,

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<v Speaker 2>it's just seemed so possible with you know, the Hamsworth's

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<v Speaker 2>going over there as well. But like for you, what

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<v Speaker 2>is your best advice for austraands wanting to go over there?

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<v Speaker 4>Well, it's very different now than it was when I

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<v Speaker 4>moved here. I think you've got technology and COVID and

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<v Speaker 4>all these things to sort of blame for that. You

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<v Speaker 4>don't have to be here anymore if you want to

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<v Speaker 4>work in America. No, that sounds weird, but you can.

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<v Speaker 4>You can audition from other places. So I don't think

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<v Speaker 4>people need to have that feeling of like, oh I'm

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<v Speaker 4>going to do it, I have to move to la

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<v Speaker 4>That's not necessarily the case, which is great for a

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<v Speaker 4>lot of people, and it's really handy sometimes, like I

0:09:34.600 --> 0:09:37.400
<v Speaker 4>can be in different cities and still audition for things

0:09:37.559 --> 0:09:39.839
<v Speaker 4>or do meetings. If it's something that you really really

0:09:39.920 --> 0:09:41.840
<v Speaker 4>want to do and that's just your dream is to

0:09:41.920 --> 0:09:44.439
<v Speaker 4>just be here, I mean, go for it. My biggest

0:09:44.640 --> 0:09:47.680
<v Speaker 4>piece of advice they would be to work in Australia,

0:09:48.040 --> 0:09:50.760
<v Speaker 4>your home country, as much as you can first, just

0:09:50.800 --> 0:09:53.760
<v Speaker 4>so that you're kind of coming in at it'll only

0:09:53.760 --> 0:09:56.520
<v Speaker 4>make life easier for you in so many different ways,

0:09:56.520 --> 0:10:00.640
<v Speaker 4>whether that's getting other jobs or even a visa. You know,

0:10:00.760 --> 0:10:03.760
<v Speaker 4>So just take him in it and make sure that

0:10:03.800 --> 0:10:06.280
<v Speaker 4>you haven't exhausted kind of the options that are available

0:10:06.320 --> 0:10:08.560
<v Speaker 4>to you there, because it's also a much bigger pond,

0:10:08.880 --> 0:10:11.640
<v Speaker 4>and if you're in Australia, there's not as many people obviously,

0:10:11.760 --> 0:10:14.280
<v Speaker 4>so chances are better, odds are better, and there's so

0:10:14.360 --> 0:10:16.959
<v Speaker 4>much work heading down there now with the rise of

0:10:16.960 --> 0:10:19.480
<v Speaker 4>all the streaming services and stuff, there's more work than ever.

0:10:19.679 --> 0:10:21.280
<v Speaker 1>But there's so much that film's down.

0:10:21.120 --> 0:10:23.440
<v Speaker 4>There, that there's a ton of great stuff going on

0:10:23.559 --> 0:10:25.800
<v Speaker 4>down there. And one of the mistakes that I think

0:10:25.800 --> 0:10:29.240
<v Speaker 4>some people make is that they'll go to La straight away,

0:10:29.720 --> 0:10:33.599
<v Speaker 4>thinking that they're being clever and bypassing, you know, the homeland.

0:10:33.640 --> 0:10:35.679
<v Speaker 4>But it's it's not going to do you any favors

0:10:35.720 --> 0:10:37.240
<v Speaker 4>because that's what a lot of people do, and there's

0:10:37.520 --> 0:10:39.520
<v Speaker 4>it's just it makes it so much tougher for you.

0:10:39.600 --> 0:10:42.720
<v Speaker 4>But you know, like not to disparage anyone from their dreams.

0:10:42.920 --> 0:10:45.319
<v Speaker 1>It's more just a tip. I guess it.

0:10:45.240 --> 0:10:47.480
<v Speaker 2>Looks good in the first interview if they're you know,

0:10:47.720 --> 0:10:49.720
<v Speaker 2>being nominated from an Academy award, They're like, you know,

0:10:49.960 --> 0:10:51.760
<v Speaker 2>I wasn't on neighbors in home and away in Australia.

0:10:51.800 --> 0:10:55.080
<v Speaker 2>I just came straight here. I guess that's their ego talking,

0:10:55.200 --> 0:10:56.480
<v Speaker 2>you know what I mean, Like they'd love to be

0:10:56.520 --> 0:10:58.360
<v Speaker 2>able to say that. But the truth of the matter

0:10:58.520 --> 0:11:01.319
<v Speaker 2>is we do have a lot of vehicles in Australia

0:11:01.800 --> 0:11:05.520
<v Speaker 2>and also now that are great training and great stomping ground.

0:11:05.679 --> 0:11:07.360
<v Speaker 3>And you know, I wonder whether or not.

0:11:07.320 --> 0:11:09.920
<v Speaker 2>A lot of actors these days feel the allure of

0:11:09.960 --> 0:11:12.839
<v Speaker 2>going over to America as you know, for the work,

0:11:12.920 --> 0:11:16.040
<v Speaker 2>because the work is getting richer, you know, that is

0:11:16.080 --> 0:11:17.400
<v Speaker 2>being here in Australia.

0:11:17.520 --> 0:11:18.439
<v Speaker 1>Yeah, less and less.

0:11:18.600 --> 0:11:20.640
<v Speaker 4>I think people are wanting to come over here or

0:11:21.000 --> 0:11:23.079
<v Speaker 4>feel like they have to. A lot of friends in

0:11:23.120 --> 0:11:26.120
<v Speaker 4>Australia who are actors used to want to be over here,

0:11:26.200 --> 0:11:27.760
<v Speaker 4>or they'd sort of go back and forth, and now

0:11:27.760 --> 0:11:30.240
<v Speaker 4>they're just like, no, I'm staying around and living my

0:11:30.280 --> 0:11:31.800
<v Speaker 4>best life here because I can do all the same

0:11:31.840 --> 0:11:35.360
<v Speaker 4>stuff from here. I mean right now, auditions are still

0:11:35.400 --> 0:11:38.920
<v Speaker 4>all self tapes or by a zoom even if you're

0:11:38.960 --> 0:11:42.240
<v Speaker 4>in LA. So unless you're working, there's not really much

0:11:42.280 --> 0:11:44.160
<v Speaker 4>point to be here if that's what you're wanting to

0:11:44.200 --> 0:11:44.640
<v Speaker 4>be here for.

0:11:45.640 --> 0:11:48.560
<v Speaker 2>You know, one question I love asking people that you

0:11:48.600 --> 0:11:52.120
<v Speaker 2>know expats living over there is what's your best LA story?

0:11:52.480 --> 0:11:56.400
<v Speaker 2>I feel like everyone has a really unusual story where

0:11:56.400 --> 0:11:58.000
<v Speaker 2>they're like, you know, going to pump some gas and

0:11:58.040 --> 0:12:00.439
<v Speaker 2>Brad Pitt comes over and you know they've forgotten wallet

0:12:00.440 --> 0:12:03.160
<v Speaker 2>and he pays for their petrol. I don't know, there's

0:12:03.200 --> 0:12:06.480
<v Speaker 2>just always some really bizarre things that you know, really

0:12:06.480 --> 0:12:08.440
<v Speaker 2>could only ever happen in that city.

0:12:08.960 --> 0:12:12.680
<v Speaker 4>Yeah, daily, I mean, it's it is bizarre. It's where

0:12:12.720 --> 0:12:14.560
<v Speaker 4>everybody is, and so you never know who you're going

0:12:14.600 --> 0:12:16.559
<v Speaker 4>to run into or what's going to happen.

0:12:16.600 --> 0:12:20.000
<v Speaker 1>It's it's really strange. I'm trying to think of some

0:12:20.160 --> 0:12:21.920
<v Speaker 1>like g rated ones.

0:12:21.840 --> 0:12:24.360
<v Speaker 3>But like I tell us the non ger rated ones.

0:12:27.640 --> 0:12:30.319
<v Speaker 4>A few parties where you see some interesting things happen

0:12:30.360 --> 0:12:32.280
<v Speaker 4>and it's like okay, and you have to remind yourtuff

0:12:32.280 --> 0:12:33.360
<v Speaker 4>like what is my life?

0:12:33.480 --> 0:12:36.319
<v Speaker 1>Like what is going on here? But no, there's you know,

0:12:36.360 --> 0:12:37.199
<v Speaker 1>there's always the fun things.

0:12:37.200 --> 0:12:39.280
<v Speaker 4>Like my older sister came and visited a few years ago,

0:12:39.440 --> 0:12:41.640
<v Speaker 4>and you know, people always want to see famous people

0:12:41.840 --> 0:12:43.160
<v Speaker 4>and I was like, well, the best way to do

0:12:43.160 --> 0:12:45.160
<v Speaker 4>it is just live your daily life and go to

0:12:45.160 --> 0:12:45.880
<v Speaker 4>the supermarket.

0:12:45.920 --> 0:12:47.160
<v Speaker 1>Like you're not going to see them on the star

0:12:47.240 --> 0:12:49.200
<v Speaker 1>tours or on Hollywood Bulevard or any that.

0:12:49.600 --> 0:12:50.960
<v Speaker 4>So we were just going to the gym one day

0:12:51.120 --> 0:12:54.199
<v Speaker 4>and we're taking the elevator up from the parking garage

0:12:54.240 --> 0:12:55.720
<v Speaker 4>like you know, five floors or whatever it was up

0:12:55.760 --> 0:12:57.800
<v Speaker 4>to the gym and we get in and then this

0:12:58.120 --> 0:13:00.320
<v Speaker 4>couple gets in and we've just been talking about how

0:13:00.679 --> 0:13:02.080
<v Speaker 4>it was the first time in LA and she's like,

0:13:02.080 --> 0:13:05.000
<v Speaker 4>I want to see celebrities, and Emily Blunt and John

0:13:05.040 --> 0:13:08.240
<v Speaker 4>Krasinski walk in the elevator and they're just standing there too.

0:13:08.280 --> 0:13:10.600
<v Speaker 4>I'm kind of like, cool, Okay, she's going to love this,

0:13:10.600 --> 0:13:12.160
<v Speaker 4>This is great, this is a good one. We go

0:13:12.280 --> 0:13:14.120
<v Speaker 4>up a couple like, I just assume she'd see there's

0:13:14.120 --> 0:13:15.360
<v Speaker 4>two other people in the elevator.

0:13:15.360 --> 0:13:16.200
<v Speaker 1>You think she noticed.

0:13:16.320 --> 0:13:18.680
<v Speaker 4>We go up two floors, it opens, they get out,

0:13:19.120 --> 0:13:20.760
<v Speaker 4>doors closed, and went, well, there you go.

0:13:20.800 --> 0:13:22.000
<v Speaker 1>You got a good one there. She's like, what are

0:13:22.040 --> 0:13:24.280
<v Speaker 1>you talking about? And it's like the two people that

0:13:24.360 --> 0:13:26.600
<v Speaker 1>just got in the elevator. She's like, oh my god,

0:13:26.800 --> 0:13:29.160
<v Speaker 1>I'm such an idiot. Ah so dumb. A couple of

0:13:29.240 --> 0:13:30.079
<v Speaker 1>missed that. Blah blah blah.

0:13:30.120 --> 0:13:32.840
<v Speaker 4>The doors opened back up and she's standing there shaking

0:13:32.840 --> 0:13:35.280
<v Speaker 4>her head, going god, and they hop back in and

0:13:35.280 --> 0:13:36.400
<v Speaker 4>they go sorry and hop back in.

0:13:36.480 --> 0:13:39.280
<v Speaker 1>I'm like, no worries. We go up again, doors open,

0:13:39.400 --> 0:13:42.000
<v Speaker 1>we all get out, haven't I stare? Are you too cool?

0:13:42.000 --> 0:13:43.599
<v Speaker 1>You're going to go? We got your second chance. She's like,

0:13:43.640 --> 0:13:46.000
<v Speaker 1>what do you mean. I'm like, oh my god, she's

0:13:46.040 --> 0:13:48.960
<v Speaker 1>had no idea, just missed it twice. So I was.

0:13:49.000 --> 0:13:53.400
<v Speaker 2>Probably looking for, like, you know, old school, big Hollywood actors.

0:13:53.440 --> 0:13:56.160
<v Speaker 2>She wanted Julia Roberts, which you know, the funny thing

0:13:56.240 --> 0:13:58.400
<v Speaker 2>is when you see a lot of these big A listers, though,

0:13:58.720 --> 0:14:00.839
<v Speaker 2>I find friends of mine don't notice them because they.

0:14:00.760 --> 0:14:03.200
<v Speaker 3>Don't really look like how they look on television. They

0:14:03.280 --> 0:14:05.599
<v Speaker 3>usually look smaller. They usually look smaller, you know what

0:14:05.640 --> 0:14:05.880
<v Speaker 3>I mean.

0:14:05.920 --> 0:14:08.280
<v Speaker 2>Like, so you can just be like, ah, the best

0:14:08.360 --> 0:14:11.240
<v Speaker 2>one to do is Runyan Canyon. If people came with me,

0:14:11.679 --> 0:14:13.480
<v Speaker 2>I would take them to runy In Canyon because you

0:14:13.520 --> 0:14:15.679
<v Speaker 2>would always see people like I had a friend come

0:14:15.720 --> 0:14:18.240
<v Speaker 2>over and we saw Ellen with Porsche. One day, my

0:14:18.320 --> 0:14:20.320
<v Speaker 2>partner and I were back in Los Angeles not that

0:14:20.440 --> 0:14:23.800
<v Speaker 2>long ago, and awkwardly, what's her name?

0:14:24.600 --> 0:14:25.480
<v Speaker 3>Who's the woman who?

0:14:25.520 --> 0:14:28.320
<v Speaker 2>She's like an activist for the me too movement and

0:14:28.360 --> 0:14:29.880
<v Speaker 2>she was in like the first screen movie.

0:14:30.240 --> 0:14:33.320
<v Speaker 1>Oh, nev Campbell? No, I mean or Corney Cox.

0:14:33.640 --> 0:14:35.160
<v Speaker 2>No, she's kind of she was like one of the

0:14:35.160 --> 0:14:37.560
<v Speaker 2>b part characters. She paid Tatum in the movie. But

0:14:37.560 --> 0:14:39.720
<v Speaker 2>I can't think of it anyway. She had had some

0:14:39.760 --> 0:14:41.880
<v Speaker 2>work done that made her look quite different. And so

0:14:41.960 --> 0:14:43.800
<v Speaker 2>I said to my partner do you know who that is?

0:14:44.080 --> 0:14:46.720
<v Speaker 2>And he was like no, And I was like, we

0:14:46.840 --> 0:14:50.400
<v Speaker 2>sort of the roads on Runyan Canyon can split, but

0:14:50.400 --> 0:14:53.200
<v Speaker 2>then they come back together. So as we split, I

0:14:53.280 --> 0:14:56.040
<v Speaker 2>was like, oh, this is this actress and he was like, oh,

0:14:56.240 --> 0:14:58.640
<v Speaker 2>did she have a car accident? Is that why her face.

0:14:58.440 --> 0:15:01.640
<v Speaker 3>Looks like that? And the roads had come back together.

0:15:01.680 --> 0:15:03.440
<v Speaker 2>This is probably good that I haven't mentioned her name

0:15:03.640 --> 0:15:05.440
<v Speaker 2>and the roads came back together, and we were still

0:15:05.480 --> 0:15:07.480
<v Speaker 2>talking about whether or not she'd had a car accident,

0:15:07.480 --> 0:15:09.480
<v Speaker 2>and that's why her face looked like that while using

0:15:09.520 --> 0:15:12.160
<v Speaker 2>her name, and she was less than a meter away

0:15:12.160 --> 0:15:12.440
<v Speaker 2>from us.

0:15:12.480 --> 0:15:16.760
<v Speaker 1>Oh, that's so awkward. Hopefully she just couldn't hear for

0:15:16.960 --> 0:15:21.000
<v Speaker 1>whatever reason, she looked a few people. She looked at you. Okay,

0:15:21.040 --> 0:15:22.920
<v Speaker 1>well there you go. You can't come back for a minute.

0:15:22.960 --> 0:15:24.240
<v Speaker 3>Look at that anyway.

0:15:24.880 --> 0:15:27.040
<v Speaker 2>People be like, shut the hell up, and you know,

0:15:27.040 --> 0:15:29.320
<v Speaker 2>we want to hear more about well Mania. I want

0:15:29.320 --> 0:15:31.760
<v Speaker 2>to ask you, how did this show come about for you?

0:15:31.800 --> 0:15:35.200
<v Speaker 2>I mean, it's it's brilliant, it's so amazing, It is

0:15:35.240 --> 0:15:38.960
<v Speaker 2>so funny, and everyone in it is firing on all cannons.

0:15:39.320 --> 0:15:41.520
<v Speaker 4>First of all, it's been so exciting the response to it,

0:15:41.600 --> 0:15:44.240
<v Speaker 4>Like people have just really fallen in love with it,

0:15:44.320 --> 0:15:46.320
<v Speaker 4>and it's been pretty overwhelming. We weren't expecting it to

0:15:46.400 --> 0:15:51.240
<v Speaker 4>be such a hit. Really, it's really cool. The pretty

0:15:51.280 --> 0:15:54.560
<v Speaker 4>normal story for me, I was shooting another show over

0:15:54.600 --> 0:15:56.600
<v Speaker 4>here and I just got set an audition from my

0:15:56.600 --> 0:15:59.560
<v Speaker 4>Aussie agent to do a tape, threw that down. Two

0:15:59.560 --> 0:16:02.000
<v Speaker 4>months get a call from then go hey, they want

0:16:02.000 --> 0:16:04.320
<v Speaker 4>you to chemistry to Celeste Barber and I was like,

0:16:04.400 --> 0:16:07.800
<v Speaker 4>oh that isn't did the motions and did that and

0:16:07.840 --> 0:16:10.160
<v Speaker 4>it was wonderful and then I got the job. But

0:16:10.240 --> 0:16:12.640
<v Speaker 4>like I first, when I read the script, I loved it.

0:16:12.640 --> 0:16:14.200
<v Speaker 4>It was one of those jobs that, oh, this is

0:16:14.280 --> 0:16:16.520
<v Speaker 4>so funny and has so much heart and it's such

0:16:16.520 --> 0:16:18.960
<v Speaker 4>a beautiful story, like cool, would love to be a

0:16:18.960 --> 0:16:20.360
<v Speaker 4>part of it, but you know, you just always wait

0:16:20.400 --> 0:16:23.560
<v Speaker 4>and wait and see. And then when it actually came around,

0:16:23.680 --> 0:16:26.200
<v Speaker 4>I was thrilled because it was a this job that

0:16:26.560 --> 0:16:28.480
<v Speaker 4>sounded so cool and I was really wanting to do

0:16:28.880 --> 0:16:31.440
<v Speaker 4>and then be working back in Australia again for the

0:16:31.440 --> 0:16:33.000
<v Speaker 4>first time in like fifteen years.

0:16:33.280 --> 0:16:37.200
<v Speaker 2>So I'll stoke tell me about that chemistry test with Celeste,

0:16:37.200 --> 0:16:39.720
<v Speaker 2>because I think, you know, the chemistry between the two

0:16:39.760 --> 0:16:42.840
<v Speaker 2>of you is palpable, Like it actually is so believable

0:16:42.880 --> 0:16:44.720
<v Speaker 2>that the two of you are related, even though you

0:16:44.760 --> 0:16:47.040
<v Speaker 2>don't really look that much alike. How did that chemistry

0:16:47.080 --> 0:16:48.880
<v Speaker 2>test go down? Because you must have both nailed it

0:16:49.000 --> 0:16:50.680
<v Speaker 2>or they must just there must be something in the

0:16:50.680 --> 0:16:51.840
<v Speaker 2>minutia between the two of you.

0:16:53.000 --> 0:16:56.160
<v Speaker 4>I mean, she's so she's awesome, Like she's just so easy.

0:16:56.240 --> 0:16:57.400
<v Speaker 4>She's one of these people that you could just talk

0:16:57.440 --> 0:17:00.320
<v Speaker 4>too straight away. And I think that, Well, I have

0:17:00.360 --> 0:17:02.240
<v Speaker 4>a sister who's the exact same age as her, and

0:17:02.280 --> 0:17:04.479
<v Speaker 4>we have a really similar relationship that's just sort of

0:17:04.600 --> 0:17:06.640
<v Speaker 4>back and forth and joking around and so that kind

0:17:06.640 --> 0:17:08.480
<v Speaker 4>of and you know, she's got hers that she's really

0:17:08.480 --> 0:17:10.440
<v Speaker 4>close with and they kind of have that jokey sort

0:17:10.440 --> 0:17:12.640
<v Speaker 4>of vibe. And I think we very quickly figured out

0:17:12.680 --> 0:17:15.159
<v Speaker 4>that we both have that, and it just kind of

0:17:15.400 --> 0:17:18.840
<v Speaker 4>works like it was via zoom. The chemistry read so

0:17:18.960 --> 0:17:21.680
<v Speaker 4>that's always weird and awkward, but meeting for the first

0:17:21.680 --> 0:17:23.639
<v Speaker 4>time in person, it was just a big love fest.

0:17:23.680 --> 0:17:26.239
<v Speaker 4>And then the whole way through filming it was it

0:17:26.280 --> 0:17:27.800
<v Speaker 4>was a blast and it was just easy. It just

0:17:27.800 --> 0:17:30.160
<v Speaker 4>felt so real, like you don't have to force it,

0:17:30.160 --> 0:17:30.840
<v Speaker 4>it's just there.

0:17:31.119 --> 0:17:33.280
<v Speaker 2>Do you get to go to her comedy shows for

0:17:33.320 --> 0:17:35.440
<v Speaker 2>free for the rest of your life? Like, are you

0:17:35.680 --> 0:17:39.480
<v Speaker 2>is there some nepotism there through your character association?

0:17:39.880 --> 0:17:39.960
<v Speaker 1>No?

0:17:40.080 --> 0:17:43.960
<v Speaker 4>I went and saw her show in Chicago. Actually the

0:17:44.040 --> 0:17:45.919
<v Speaker 4>fine thanks to her when she was over in the

0:17:45.960 --> 0:17:48.040
<v Speaker 4>States and I had a few options of places to

0:17:48.040 --> 0:17:49.560
<v Speaker 4>see it, but I sort of part lived in Chicago

0:17:49.600 --> 0:17:51.440
<v Speaker 4>as well, and so I went and saw it there

0:17:51.480 --> 0:17:53.560
<v Speaker 4>and she got us in and I was I wanted

0:17:53.560 --> 0:17:54.960
<v Speaker 4>to support by the tickets, but.

0:17:54.960 --> 0:17:57.359
<v Speaker 1>She was like, that'd be STRAPID just take it, okay.

0:17:57.480 --> 0:17:59.679
<v Speaker 2>You know it was with this show the thing that

0:17:59.720 --> 0:18:02.240
<v Speaker 2>I can thinking about was the bouncing back between the

0:18:02.240 --> 0:18:04.800
<v Speaker 2>two of you was so realistic. Were you reading a

0:18:05.000 --> 0:18:07.280
<v Speaker 2>word for word off the scripts or was there a

0:18:07.280 --> 0:18:10.880
<v Speaker 2>lot of improvised moments that were happening between the two

0:18:10.920 --> 0:18:11.080
<v Speaker 2>of you.

0:18:11.920 --> 0:18:12.360
<v Speaker 1>It was both.

0:18:12.440 --> 0:18:16.040
<v Speaker 4>Yeah, I mean you had the writing was fantastic on

0:18:16.080 --> 0:18:17.760
<v Speaker 4>this show, so there was a lot of it that

0:18:17.880 --> 0:18:20.240
<v Speaker 4>was there, and then it just made it really easy

0:18:20.280 --> 0:18:22.119
<v Speaker 4>for us to build on. So some of the scenes

0:18:22.160 --> 0:18:25.080
<v Speaker 4>definitely we've just kept going and they kept filming and

0:18:25.119 --> 0:18:27.639
<v Speaker 4>added things, or we'd go, oh, let's make this a

0:18:27.640 --> 0:18:30.240
<v Speaker 4>little stupid, or once to sort of figured out each

0:18:30.240 --> 0:18:33.280
<v Speaker 4>other's kind of vibe and quirks. It was like, oh cool,

0:18:33.280 --> 0:18:34.560
<v Speaker 4>I know what I can say to you and get

0:18:34.600 --> 0:18:36.239
<v Speaker 4>away with and what I can do to you and

0:18:36.440 --> 0:18:38.399
<v Speaker 4>get away with. And she's someone who's so quick on

0:18:38.400 --> 0:18:40.800
<v Speaker 4>her feet as well that she'll just do things without

0:18:40.840 --> 0:18:43.240
<v Speaker 4>even telling you, which is really fun. Then to play

0:18:43.280 --> 0:18:45.040
<v Speaker 4>off like that's just candy for an actor to go

0:18:45.160 --> 0:18:47.240
<v Speaker 4>like awesome, Like I can just feed off what you're doing,

0:18:47.280 --> 0:18:49.120
<v Speaker 4>and we could just keep doing things back and forth.

0:18:49.160 --> 0:18:50.919
<v Speaker 4>So we had a lot of fun, and with all

0:18:50.960 --> 0:18:53.200
<v Speaker 4>of us really we'd just sort of add things whenever

0:18:53.240 --> 0:18:55.439
<v Speaker 4>we could, with being as respectful as you could to

0:18:55.920 --> 0:18:58.479
<v Speaker 4>the writers. But yeah, it's always fun to improve a bit.

0:18:58.720 --> 0:19:00.520
<v Speaker 2>Did you spend a lot of time with the writers?

0:19:00.560 --> 0:19:03.240
<v Speaker 2>I mean, how much do they know really your personalities?

0:19:03.640 --> 0:19:06.880
<v Speaker 2>The writing book is amazing. Benjamin Law and Bridget Delaney

0:19:07.480 --> 0:19:10.920
<v Speaker 2>just geniuses. But I wonder how wonderful if they spend

0:19:10.920 --> 0:19:12.840
<v Speaker 2>a bit of time with you before writing the scripts

0:19:12.920 --> 0:19:14.359
<v Speaker 2>or like how did that sort of come to?

0:19:14.520 --> 0:19:15.520
<v Speaker 3>How did that all come together?

0:19:15.800 --> 0:19:19.159
<v Speaker 4>No, by the time, well, look, Celeste was sitting with

0:19:19.200 --> 0:19:20.720
<v Speaker 4>it for a lot longer than us, and she was

0:19:20.760 --> 0:19:24.639
<v Speaker 4>developing it. So definitely her character, the relationships, she was

0:19:24.680 --> 0:19:27.040
<v Speaker 4>definitely very privy to and spent a lot of time

0:19:27.040 --> 0:19:29.800
<v Speaker 4>with the writers. For me, I came in like I

0:19:29.800 --> 0:19:33.040
<v Speaker 4>had to finish shooting something, so I came into the

0:19:33.080 --> 0:19:35.920
<v Speaker 4>show a week before we started filming and then kind

0:19:35.920 --> 0:19:38.040
<v Speaker 4>of got to meet everybody in person and they just

0:19:38.080 --> 0:19:39.959
<v Speaker 4>go from there. But the way the character was written,

0:19:40.040 --> 0:19:42.720
<v Speaker 4>it wasn't too big of a leap for me because

0:19:42.720 --> 0:19:44.280
<v Speaker 4>there was so much that was so true to me

0:19:44.320 --> 0:19:45.800
<v Speaker 4>that I was like, oh my god, this is great.

0:19:46.119 --> 0:19:48.480
<v Speaker 4>Now I just get to play with things and have fun.

0:19:48.840 --> 0:19:51.440
<v Speaker 4>And then there'd be times where I'd say, hey, could

0:19:51.480 --> 0:19:53.760
<v Speaker 4>maybe can we do this? Maybe like this will just

0:19:54.119 --> 0:19:56.600
<v Speaker 4>work better I think for the character or me, and

0:19:56.840 --> 0:19:58.440
<v Speaker 4>we'll just see what happens. And they were so great

0:19:58.480 --> 0:20:02.280
<v Speaker 4>and open to allowing us to make those changes in additions,

0:20:02.720 --> 0:20:04.399
<v Speaker 4>so I know some of the others spent a bit

0:20:04.440 --> 0:20:06.480
<v Speaker 4>more time because they were there and were able to

0:20:06.840 --> 0:20:09.320
<v Speaker 4>but thankfully it worked out pretty well. But I'm looking

0:20:09.359 --> 0:20:11.840
<v Speaker 4>forward to, you know, fingers Cross the season two where

0:20:12.960 --> 0:20:15.959
<v Speaker 4>we could get into that even more and learn more

0:20:15.960 --> 0:20:16.600
<v Speaker 4>about each other.

0:20:16.760 --> 0:20:18.960
<v Speaker 2>Do we not know if there's a season two? I mean,

0:20:19.000 --> 0:20:21.879
<v Speaker 2>come on, I mean this show. For anyone that's not

0:20:22.200 --> 0:20:25.359
<v Speaker 2>aware of this, the ranking for it on Netflix around

0:20:25.359 --> 0:20:28.719
<v Speaker 2>the world is mind blowing because it's got Australian actors

0:20:28.720 --> 0:20:31.960
<v Speaker 2>made here in Australia, but it is on the so

0:20:32.119 --> 0:20:34.400
<v Speaker 2>high up on the rankings around the world on Netflix

0:20:34.440 --> 0:20:37.040
<v Speaker 2>because here in Australia I think it was number two.

0:20:37.160 --> 0:20:39.399
<v Speaker 2>It was sort of floated around that space. But even

0:20:39.440 --> 0:20:41.960
<v Speaker 2>globally it was in the top ten charts the whole

0:20:42.000 --> 0:20:44.280
<v Speaker 2>time that it was being released, which I mean, that's

0:20:44.280 --> 0:20:45.880
<v Speaker 2>a money making TV show, right.

0:20:46.119 --> 0:20:50.119
<v Speaker 4>Yeah, I'm not in the decision room, but I'm hoping

0:20:50.320 --> 0:20:53.280
<v Speaker 4>so again, yeah, we were blown away with the response

0:20:53.359 --> 0:20:56.480
<v Speaker 4>to it. We hoped that it would just at least

0:20:56.520 --> 0:20:58.560
<v Speaker 4>do well in Australia and New Zealand, and then it

0:20:58.600 --> 0:21:00.760
<v Speaker 4>just sort of picked up from there is everywhere and

0:21:00.800 --> 0:21:04.000
<v Speaker 4>it's just constantly, just constantly getting people just falling in

0:21:04.040 --> 0:21:05.639
<v Speaker 4>love with it and wanting more and more and more.

0:21:05.840 --> 0:21:07.920
<v Speaker 4>I mean it's only been three weeks I think since

0:21:07.920 --> 0:21:10.040
<v Speaker 4>it came out, so they have a bit of time

0:21:10.080 --> 0:21:12.560
<v Speaker 4>that they'll just you know, cross alytes, not all the

0:21:12.600 --> 0:21:16.200
<v Speaker 4>eyes and just see and yeah, hopefully hopefully we'll have

0:21:16.240 --> 0:21:17.199
<v Speaker 4>some good news sometimes.

0:21:17.240 --> 0:21:19.399
<v Speaker 2>So people are loving it as well. Like if I

0:21:19.440 --> 0:21:22.280
<v Speaker 2>was reading the comments internationally, you know, it wasn't that

0:21:22.359 --> 0:21:25.000
<v Speaker 2>people were like, oh wow, like Australia's a freak show

0:21:25.160 --> 0:21:28.840
<v Speaker 2>and they were talking about it being Australian centric. They

0:21:28.880 --> 0:21:31.480
<v Speaker 2>were talking about it on a relatable level, like this

0:21:31.600 --> 0:21:34.080
<v Speaker 2>series could be said anywhere in the world, which I

0:21:34.080 --> 0:21:37.359
<v Speaker 2>think is quite amazing because for so long in Australia

0:21:37.440 --> 0:21:39.359
<v Speaker 2>we had to be like, well, this is an Australian

0:21:39.359 --> 0:21:41.600
<v Speaker 2>movie where we're all Australian and this is what it's

0:21:41.680 --> 0:21:44.840
<v Speaker 2>like here, and here's a kangaroo, and you know some

0:21:44.920 --> 0:21:47.199
<v Speaker 2>of our tourist attractions, you know, it all had to

0:21:47.200 --> 0:21:49.119
<v Speaker 2>sort of be built into it, where for me, this

0:21:49.200 --> 0:21:52.080
<v Speaker 2>feels like a very colloquial story where yes, it is

0:21:52.080 --> 0:21:53.520
<v Speaker 2>said in Australia and that I guess he is a

0:21:53.520 --> 0:21:56.040
<v Speaker 2>little bit important, But these characters could be anywhere in

0:21:56.040 --> 0:21:57.119
<v Speaker 2>the world. These are real people.

0:21:57.400 --> 0:21:59.760
<v Speaker 1>I'm glad you noticed that and then you feel that.

0:22:00.040 --> 0:22:02.040
<v Speaker 4>And that's one of the things that I was not

0:22:02.200 --> 0:22:05.240
<v Speaker 4>concerned but curious about while we were doing it, because

0:22:05.760 --> 0:22:07.480
<v Speaker 4>you know, most things that have ever done in Australia,

0:22:07.480 --> 0:22:09.480
<v Speaker 4>they don't go further than in Australia because it's such

0:22:09.480 --> 0:22:11.600
<v Speaker 4>a set thing. But yeah, I think just a lot

0:22:11.600 --> 0:22:15.159
<v Speaker 4>of the issues in it and storylines, we're just so

0:22:15.280 --> 0:22:18.640
<v Speaker 4>relatable to people everywhere. Everyone can relate to these kinds

0:22:18.640 --> 0:22:20.320
<v Speaker 4>of things. And the fact that it's just that in

0:22:20.320 --> 0:22:23.720
<v Speaker 4>Australia just gives it this kind of sweet, innocent kind

0:22:23.760 --> 0:22:26.600
<v Speaker 4>of vibe. And it's a different view of Australia than

0:22:26.600 --> 0:22:28.320
<v Speaker 4>what you normally do get, you know, like you don't

0:22:28.359 --> 0:22:30.919
<v Speaker 4>have the Harbor Bridge in every shot and kangaroos bouncing

0:22:30.960 --> 0:22:33.800
<v Speaker 4>around and spiders and snakes and all of that. Like

0:22:33.840 --> 0:22:39.199
<v Speaker 4>it's very obviously Australian, but it's for everybody. That's one

0:22:39.200 --> 0:22:41.760
<v Speaker 4>of the big struggles, you know, is accessibility, and I

0:22:41.800 --> 0:22:43.919
<v Speaker 4>think it's a very accessible show. A lot of people

0:22:44.000 --> 0:22:46.360
<v Speaker 4>don't even speak English watching it with subtitles and going,

0:22:46.480 --> 0:22:47.920
<v Speaker 4>oh my god, I love this. I can relate to

0:22:48.000 --> 0:22:50.280
<v Speaker 4>your character so much or you know your mum's character

0:22:50.359 --> 0:22:51.439
<v Speaker 4>so much or whatever.

0:22:51.680 --> 0:22:55.280
<v Speaker 1>So I'm so happy that it worked out that way,

0:22:55.280 --> 0:22:57.320
<v Speaker 1>that we pulled it off well.

0:22:57.359 --> 0:23:00.359
<v Speaker 2>Your storylines are so well written, and even most as

0:23:00.400 --> 0:23:03.040
<v Speaker 2>a gay man, I found myself being seen in a

0:23:03.080 --> 0:23:05.640
<v Speaker 2>really good way. Like I'm like, oh wow. And I think,

0:23:05.720 --> 0:23:08.240
<v Speaker 2>you know, for years, there's been you know, like a

0:23:08.280 --> 0:23:11.080
<v Speaker 2>slow progression of gay characters creeping on screen, you know,

0:23:11.119 --> 0:23:13.680
<v Speaker 2>into sitcoms with like Will and Grace, like twenty years ago.

0:23:13.840 --> 0:23:16.760
<v Speaker 2>But again that was kind of very stereotypical, and I

0:23:16.800 --> 0:23:19.000
<v Speaker 2>have you know, I've stopped sort of saying, oh wow,

0:23:19.040 --> 0:23:22.600
<v Speaker 2>there's a gay person on television to seeing this series

0:23:22.720 --> 0:23:26.400
<v Speaker 2>and thinking to myself, I'm actually learning. What I'm trying

0:23:26.400 --> 0:23:28.320
<v Speaker 2>to say is like, it was really interesting with your character.

0:23:28.400 --> 0:23:30.639
<v Speaker 2>I felt like I not only saw a game person

0:23:30.640 --> 0:23:33.560
<v Speaker 2>on screen, but I I felt seen and I and

0:23:33.600 --> 0:23:34.600
<v Speaker 2>I and it helped me.

0:23:34.680 --> 0:23:36.760
<v Speaker 4>No, I understand, I understand what you're saying. And that's

0:23:36.760 --> 0:23:38.640
<v Speaker 4>one of the things that attracted me to the role

0:23:38.800 --> 0:23:40.680
<v Speaker 4>was that it's not because you know, you watch a

0:23:40.720 --> 0:23:43.840
<v Speaker 4>lot of these these shows, these movies, and it's great

0:23:43.840 --> 0:23:46.760
<v Speaker 4>to have gay representation on screen, but it's kind of

0:23:47.080 --> 0:23:49.760
<v Speaker 4>a lot of the time the same things, like there's

0:23:50.040 --> 0:23:53.400
<v Speaker 4>have been coming out as a you know, dating scene thing,

0:23:53.960 --> 0:23:55.439
<v Speaker 4>and that's all good and great, and we need to

0:23:55.480 --> 0:23:58.159
<v Speaker 4>have that, of course, because everyone's at their own stage.

0:23:57.960 --> 0:24:00.520
<v Speaker 1>Going through their own things, learning what they to learn.

0:24:00.560 --> 0:24:03.880
<v Speaker 4>But I liked this because it just goes straight into

0:24:03.880 --> 0:24:06.120
<v Speaker 4>a life that's already set up that's just normal. It's

0:24:06.160 --> 0:24:07.800
<v Speaker 4>not even it's not a thing like, it's just this

0:24:07.880 --> 0:24:10.200
<v Speaker 4>is just life, Like this is how it works. There's

0:24:10.200 --> 0:24:13.680
<v Speaker 4>no big coming out story or the difficulties of being gay.

0:24:13.320 --> 0:24:16.920
<v Speaker 4>It's a relationship and it's family, and it's the same

0:24:16.960 --> 0:24:21.240
<v Speaker 4>issues that people have and real issues that any couples

0:24:21.440 --> 0:24:25.320
<v Speaker 4>will have. It didn't fall into those kind of cliches

0:24:25.359 --> 0:24:28.800
<v Speaker 4>that can happen a lot. It just felt sort of

0:24:28.880 --> 0:24:31.800
<v Speaker 4>very real and it was already set up so for

0:24:31.880 --> 0:24:34.159
<v Speaker 4>people who are living that sort of life, whether in

0:24:34.160 --> 0:24:37.480
<v Speaker 4>long term relationships or whatever, it's like, Oh, that's that's me,

0:24:37.640 --> 0:24:40.719
<v Speaker 4>Like finally, like wow, that's my story, Like where does

0:24:40.720 --> 0:24:43.120
<v Speaker 4>it go from here? And I've been getting a lot

0:24:43.119 --> 0:24:44.679
<v Speaker 4>of that from people going I want to know what

0:24:44.720 --> 0:24:47.640
<v Speaker 4>happens next with your characters, like this is so interesting,

0:24:47.720 --> 0:24:49.639
<v Speaker 4>like what do you do from this point?

0:24:49.960 --> 0:24:50.960
<v Speaker 1>Without bling anything?

0:24:51.000 --> 0:24:53.280
<v Speaker 2>But yeah, for so long I'd be like, you know,

0:24:53.920 --> 0:24:56.600
<v Speaker 2>with my sister to the movies, to see an LGBTYE

0:24:56.600 --> 0:25:00.159
<v Speaker 2>film and feel really uncomfortable because like, yes, sex is

0:25:00.200 --> 0:25:03.600
<v Speaker 2>really important to the story, to the elgin, to anyone.

0:25:03.640 --> 0:25:05.840
<v Speaker 2>Sex is important to everybody. But it just felt for

0:25:05.840 --> 0:25:08.040
<v Speaker 2>a long time when you'd watch like a gay film,

0:25:08.320 --> 0:25:11.400
<v Speaker 2>that it came with like gratuitous gay sex, or there

0:25:11.440 --> 0:25:14.439
<v Speaker 2>was some sort of uncomfortableness to it, which you know

0:25:14.560 --> 0:25:16.800
<v Speaker 2>doesn't really exist in a relationship between me and my

0:25:16.840 --> 0:25:19.879
<v Speaker 2>sister and myself, or even my best friend and myself,

0:25:19.880 --> 0:25:22.159
<v Speaker 2>we don't necessarily talk about that kind of stuff. Not

0:25:22.200 --> 0:25:25.399
<v Speaker 2>to say that I'm approved, but sex doesn't need to

0:25:25.440 --> 0:25:27.359
<v Speaker 2>be so in your face. So it was really nice

0:25:27.359 --> 0:25:30.159
<v Speaker 2>to be able to see this story between you and

0:25:30.200 --> 0:25:33.760
<v Speaker 2>your partner in this series and just and have it

0:25:33.800 --> 0:25:35.119
<v Speaker 2>be like everyday people.

0:25:35.160 --> 0:25:36.840
<v Speaker 3>Do you know what I mean, Like it doesn't need

0:25:36.880 --> 0:25:37.879
<v Speaker 3>to be a focal point.

0:25:38.160 --> 0:25:39.680
<v Speaker 1>Yeah, exactly what you're saying.

0:25:39.960 --> 0:25:43.200
<v Speaker 4>It's not just this one dimensional kind of thing anymore

0:25:43.240 --> 0:25:46.480
<v Speaker 4>where it's like two people meet, they hook up, it's wonderful.

0:25:46.600 --> 0:25:48.280
<v Speaker 1>Cue the slow music and the dim lighting.

0:25:48.320 --> 0:25:51.919
<v Speaker 4>You know, it's it's actually just living and real relationships

0:25:51.920 --> 0:25:55.240
<v Speaker 4>and how they react with other people and what goes

0:25:55.280 --> 0:25:58.000
<v Speaker 4>on in their own lives, but real life problems.

0:25:58.040 --> 0:25:59.399
<v Speaker 1>It's yeah, all of that.

0:25:59.720 --> 0:26:01.640
<v Speaker 4>That's one of the things that I just really I liked,

0:26:01.640 --> 0:26:03.800
<v Speaker 4>and I think that, you know, the stage in the

0:26:03.800 --> 0:26:07.080
<v Speaker 4>world twenty twenty three that were kind of nudging towards

0:26:07.119 --> 0:26:08.720
<v Speaker 4>more of that where it's like who care?

0:26:09.680 --> 0:26:11.639
<v Speaker 2>Yeah, But I felt like, you know, the lack of

0:26:11.680 --> 0:26:15.000
<v Speaker 2>success for that first big gay movie at the cinemas,

0:26:15.000 --> 0:26:18.000
<v Speaker 2>the first big gay rom com you know, I was like, yeah, that.

0:26:18.040 --> 0:26:19.280
<v Speaker 3>Could have worked a little bit better.

0:26:19.320 --> 0:26:21.880
<v Speaker 2>I felt if the sex wasn't so much a part

0:26:21.920 --> 0:26:24.680
<v Speaker 2>of that story. But then again, that was the comedy

0:26:24.720 --> 0:26:27.000
<v Speaker 2>of it, you know, they were trying to do like that.

0:26:27.800 --> 0:26:28.520
<v Speaker 3>I don't want to throw that.

0:26:28.560 --> 0:26:30.719
<v Speaker 2>I mean I had those boys on both the leads

0:26:30.920 --> 0:26:32.920
<v Speaker 2>on the podcast, so I don't want to say that

0:26:33.000 --> 0:26:36.680
<v Speaker 2>it didn't work, but I just felt like maybe that's

0:26:36.720 --> 0:26:38.719
<v Speaker 2>why that film wasn't as successful.

0:26:38.880 --> 0:26:41.960
<v Speaker 4>Well yeah, and also it's like who are you targeting?

0:26:42.000 --> 0:26:44.679
<v Speaker 4>I mean, if you just want a gay just a

0:26:44.720 --> 0:26:47.719
<v Speaker 4>gay audience, then fine, like you know, you can all

0:26:47.720 --> 0:26:50.400
<v Speaker 4>relate to that, but if you want to for everybody,

0:26:50.920 --> 0:26:54.000
<v Speaker 4>it can't just be so much about gay sex because it.

0:26:54.320 --> 0:26:56.520
<v Speaker 1>Like not everybody can relate to that. So I don't

0:26:56.560 --> 0:26:56.840
<v Speaker 1>think it.

0:26:57.240 --> 0:26:59.479
<v Speaker 4>Yeah, I think that that was maybe a bit of

0:26:59.520 --> 0:27:02.440
<v Speaker 4>the Roblin was a problem, but like the issue there

0:27:02.520 --> 0:27:05.639
<v Speaker 4>that's it just was inaccessible to everybody. I mean, like,

0:27:05.680 --> 0:27:07.439
<v Speaker 4>would you want to watch a movie that's still about

0:27:07.520 --> 0:27:09.520
<v Speaker 4>a straight couple having sex every five minutes?

0:27:09.560 --> 0:27:09.720
<v Speaker 1>You know?

0:27:10.080 --> 0:27:12.119
<v Speaker 2>No I don't, But I mean maybe that says more

0:27:12.160 --> 0:27:15.240
<v Speaker 2>about me than anybody else. Maybe maybe that's just my

0:27:15.320 --> 0:27:18.240
<v Speaker 2>vox pop of the situation. But I do think, I

0:27:18.280 --> 0:27:21.680
<v Speaker 2>do think targeting a gay audience specifically is also quite

0:27:21.760 --> 0:27:26.480
<v Speaker 2>dangerous because gay men themselves, there's just so many different

0:27:26.560 --> 0:27:29.080
<v Speaker 2>stories and different ways of being gay that if you

0:27:29.160 --> 0:27:31.359
<v Speaker 2>are specifically saying this is a gay movie and this

0:27:31.400 --> 0:27:33.920
<v Speaker 2>is what gay people look like, that is the biggest

0:27:33.920 --> 0:27:38.280
<v Speaker 2>way to turn off an LGBTI audience, where they go, no, no, no,

0:27:38.400 --> 0:27:41.399
<v Speaker 2>you can't speak for me, you know, you can't summarize

0:27:41.480 --> 0:27:44.000
<v Speaker 2>us into one person. So that can be dangerous in

0:27:44.040 --> 0:27:47.800
<v Speaker 2>itself as well, where I think for me watching you

0:27:47.840 --> 0:27:51.040
<v Speaker 2>on this show, it allowed your character to be more

0:27:51.040 --> 0:27:54.480
<v Speaker 2>accessible to multiple different gay men. There was so many

0:27:54.960 --> 0:27:56.800
<v Speaker 2>entry points, which I thought was really clever.

0:27:57.160 --> 0:27:59.879
<v Speaker 4>Yeah, totally I agree with you on that, because everyone's

0:28:00.160 --> 0:28:02.879
<v Speaker 4>of very protective of their own journey and their own story,

0:28:02.920 --> 0:28:05.119
<v Speaker 4>aren't they, And so if you're sort of just told like,

0:28:05.320 --> 0:28:08.560
<v Speaker 4>here's this movie that's meant to be a representation of

0:28:08.600 --> 0:28:10.840
<v Speaker 4>all of us, and just you know, just this way,

0:28:11.400 --> 0:28:13.480
<v Speaker 4>the smallest thing can throw somebody off.

0:28:13.600 --> 0:28:15.200
<v Speaker 1>You know, it's like, why don't know clubbing that much?

0:28:15.240 --> 0:28:17.520
<v Speaker 1>So that's not me. I don't want it. That's just stupid. Like, oh,

0:28:17.560 --> 0:28:20.080
<v Speaker 1>here we go again. So yeah, that's that's kind of again.

0:28:20.280 --> 0:28:22.560
<v Speaker 2>That was what are you working on at the moment? Like,

0:28:22.600 --> 0:28:24.639
<v Speaker 2>what's coming up? You're allowed to tell me? I mean actors,

0:28:24.680 --> 0:28:26.600
<v Speaker 2>you can never ask them because they are like, well,

0:28:26.600 --> 0:28:28.920
<v Speaker 2>I'm you know, something really big and then six months

0:28:29.000 --> 0:28:30.960
<v Speaker 2>later they're in a movie with Nicole Kidman.

0:28:31.040 --> 0:28:33.840
<v Speaker 3>But what's going on? Is there is there something coming up?

0:28:34.160 --> 0:28:35.919
<v Speaker 4>Well right now, I've just got back to La so

0:28:36.040 --> 0:28:38.040
<v Speaker 4>kind of getting settled in here again. There is a

0:28:38.080 --> 0:28:43.080
<v Speaker 4>looming writer's strike, so there is nothing set in stone

0:28:43.080 --> 0:28:45.880
<v Speaker 4>at the moment, which is fine. So I'm just hanging

0:28:45.880 --> 0:28:48.000
<v Speaker 4>out for the minute and hoping we get a season

0:28:48.040 --> 0:28:50.080
<v Speaker 4>two pick up of Well Maine here and a couple

0:28:50.080 --> 0:28:53.240
<v Speaker 4>of things that I'm waiting to see what happens with

0:28:53.280 --> 0:28:55.560
<v Speaker 4>here about. But yeah, we're just there's there's all this

0:28:56.040 --> 0:28:58.160
<v Speaker 4>craziness happening over here at the moment that kind of

0:28:58.360 --> 0:28:59.360
<v Speaker 4>puts a pin in it all.

0:28:59.400 --> 0:29:02.560
<v Speaker 1>So I'm just hanging out and hoping that it gets warm.

0:29:03.400 --> 0:29:05.360
<v Speaker 2>I was living in Los Angeles in two thousand and

0:29:05.400 --> 0:29:08.520
<v Speaker 2>seven through the last writers strike, the last really big

0:29:08.520 --> 0:29:11.920
<v Speaker 2>one that really affected a lot of the scripted dramas

0:29:11.960 --> 0:29:14.440
<v Speaker 2>over there. I remember, you know, Gray's Anatomy and Brothers

0:29:14.520 --> 0:29:17.680
<v Speaker 2>and Sisters that all of these shows were extremely popular

0:29:17.720 --> 0:29:19.840
<v Speaker 2>at the time in two thousand and seven, and they

0:29:19.840 --> 0:29:21.280
<v Speaker 2>were supposed to be like a you know, a twenty

0:29:21.320 --> 0:29:24.120
<v Speaker 2>four twenty four part series that was cut down to

0:29:24.200 --> 0:29:28.360
<v Speaker 2>like sixteen episodes for that series during the writer strike. Yeah,

0:29:28.600 --> 0:29:30.560
<v Speaker 2>how big is that is that? A? I didn't know

0:29:30.600 --> 0:29:32.920
<v Speaker 2>anything about it. What's what's the deal?

0:29:33.440 --> 0:29:36.880
<v Speaker 4>Well, it's looming and I think they just got approval

0:29:36.920 --> 0:29:39.640
<v Speaker 4>to strike today and so we'll find out. I think

0:29:39.680 --> 0:29:43.680
<v Speaker 4>May first is when the contracts or something are up,

0:29:43.680 --> 0:29:45.320
<v Speaker 4>and so we'll find out if it's going to go

0:29:45.360 --> 0:29:47.800
<v Speaker 4>ahead or not. I mean, look, you know, if they

0:29:47.840 --> 0:29:50.200
<v Speaker 4>need to strike, they need to strike. But I just

0:29:50.240 --> 0:29:53.680
<v Speaker 4>hope that it can get resolved in a manner that

0:29:53.720 --> 0:29:56.640
<v Speaker 4>everyone is happy with so everyone can get back to work.

0:29:56.880 --> 0:29:58.720
<v Speaker 2>Well, I think that, you know, once that's over, get

0:29:58.760 --> 0:30:00.240
<v Speaker 2>that out of the way. I'm sure you'll get picked

0:30:00.320 --> 0:30:02.240
<v Speaker 2>up for a lot of things. With so many eyeballs

0:30:02.280 --> 0:30:04.520
<v Speaker 2>on Netflix, so I think, you know, this will be

0:30:04.520 --> 0:30:06.440
<v Speaker 2>a great opportunity for people to see or work and

0:30:06.440 --> 0:30:09.440
<v Speaker 2>see how clever you are. And interestingly enough, you know,

0:30:09.800 --> 0:30:14.480
<v Speaker 2>mister Barton's just being cast in Neighbors, so maybe successful people,

0:30:14.960 --> 0:30:16.040
<v Speaker 2>maybe they're Yes, did.

0:30:15.960 --> 0:30:16.520
<v Speaker 3>You not know this?

0:30:17.040 --> 0:30:18.280
<v Speaker 1>No? What yeh?

0:30:18.400 --> 0:30:20.320
<v Speaker 3>Mischa Button has a main role.

0:30:20.400 --> 0:30:24.040
<v Speaker 2>She's moving to Melbourne and Neighbors was rebooted and started

0:30:24.040 --> 0:30:27.080
<v Speaker 2>filming again yesterday and mister Button's one of the main

0:30:27.160 --> 0:30:27.880
<v Speaker 2>characters in it.

0:30:28.840 --> 0:30:31.320
<v Speaker 3>So what do you think about.

0:30:32.680 --> 0:30:36.520
<v Speaker 4>Shock? I have questions. I have questions then or her?

0:30:37.880 --> 0:30:40.080
<v Speaker 4>I mean, she's she's not coming back as Misha Barton.

0:30:40.160 --> 0:30:42.240
<v Speaker 4>She's not coming as Misha Barton right, like she's just

0:30:42.280 --> 0:30:42.880
<v Speaker 4>going to be.

0:30:43.120 --> 0:30:46.080
<v Speaker 2>She's Mischa Barton's in Neighbors as a character called Reese

0:30:47.200 --> 0:30:51.040
<v Speaker 2>for her. But you know, with Freebie working with Fremantle

0:30:51.080 --> 0:30:54.120
<v Speaker 2>in this series now needing to have more eyeballs around

0:30:54.160 --> 0:30:56.560
<v Speaker 2>the world like Neighbors with a reboot means that it

0:30:56.640 --> 0:30:59.520
<v Speaker 2>is going to be in America in some parts of America.

0:30:59.640 --> 0:31:02.880
<v Speaker 2>So they were wanting to attract somebody, and mister Barton

0:31:02.920 --> 0:31:05.160
<v Speaker 2>has said yes and she's The press release was out

0:31:05.200 --> 0:31:07.880
<v Speaker 2>this morning and I just think it's amazing. You know,

0:31:08.080 --> 0:31:11.520
<v Speaker 2>Hollywood actors are giving up. It's reversed. You know, back

0:31:11.520 --> 0:31:14.320
<v Speaker 2>in the day in Australia, you'd be like Harley Minogo, Margo, Robbie.

0:31:14.360 --> 0:31:16.240
<v Speaker 2>You know, I gotta go on neighbors to get there, and

0:31:16.280 --> 0:31:18.760
<v Speaker 2>now people are like, well, you know they're working their

0:31:18.760 --> 0:31:20.520
<v Speaker 2>whole lives to get onto neighbors.

0:31:20.880 --> 0:31:24.120
<v Speaker 1>Hey people people, people just want to work. But I mean,

0:31:24.160 --> 0:31:27.520
<v Speaker 1>that's cool. I didn't know any of that. Wow, that's

0:31:27.600 --> 0:31:29.680
<v Speaker 1>that's blow my mind a little bit. Who knew?

0:31:30.240 --> 0:31:30.640
<v Speaker 3>Who knew?

0:31:30.680 --> 0:31:33.320
<v Speaker 2>Maybe I can come back to Australia and beyond neighbors

0:31:33.360 --> 0:31:35.480
<v Speaker 2>my friend and be going out with mister Barton.

0:31:35.680 --> 0:31:36.719
<v Speaker 1>I was, I was home.

0:31:36.800 --> 0:31:38.440
<v Speaker 4>I was home and away back in the day. So

0:31:38.480 --> 0:31:41.080
<v Speaker 4>I feel like I'm i to have to stay in

0:31:41.120 --> 0:31:41.680
<v Speaker 4>the family there.

0:31:41.680 --> 0:31:42.560
<v Speaker 3>You've gotta be loyal to that.

0:31:42.680 --> 0:31:45.360
<v Speaker 2>Everyone who joins the podcast, I get to ask this question,

0:31:45.440 --> 0:31:47.920
<v Speaker 2>and that is, you know, what is something from behind

0:31:47.960 --> 0:31:50.240
<v Speaker 2>the scenes, something that we did not get to see

0:31:50.440 --> 0:31:53.680
<v Speaker 2>watching well Mania that you can maybe share as like

0:31:53.680 --> 0:31:55.840
<v Speaker 2>a bit of a tidbit, a bit of a behind

0:31:55.880 --> 0:31:58.320
<v Speaker 2>the scene secret to what it was like to work

0:31:58.360 --> 0:31:58.880
<v Speaker 2>on that you.

0:31:59.000 --> 0:32:00.560
<v Speaker 1>Couldn't stop laughing at the time.

0:32:01.160 --> 0:32:05.120
<v Speaker 4>So like there's a scene where celest Barber's character farts,

0:32:05.560 --> 0:32:09.120
<v Speaker 4>we're not having a very serious, slightly angry discussion the

0:32:09.240 --> 0:32:12.560
<v Speaker 4>take that made it to air. That's the only take

0:32:12.640 --> 0:32:17.600
<v Speaker 4>that we weren't laughing because we're serious professionals. No, you look,

0:32:17.640 --> 0:32:20.360
<v Speaker 4>it was a really quick, quick bick shoot because of COVID,

0:32:20.360 --> 0:32:22.120
<v Speaker 4>because of Selest schedules to go on a world tour.

0:32:22.240 --> 0:32:25.320
<v Speaker 4>So some of the scenes were filmed in one take. Wow,

0:32:25.520 --> 0:32:27.200
<v Speaker 4>you know a few different angles, but like one take,

0:32:27.240 --> 0:32:30.480
<v Speaker 4>Like there was one where we're walking around the store

0:32:31.040 --> 0:32:35.160
<v Speaker 4>scanning registry gifts and stuff. We filmed that in one take,

0:32:35.280 --> 0:32:36.480
<v Speaker 4>which is always scary to watch.

0:32:36.480 --> 0:32:39.120
<v Speaker 1>It's like, we've done that differently. Maybe I would have

0:32:39.280 --> 0:32:40.800
<v Speaker 1>kind of done things a little You.

0:32:40.800 --> 0:32:45.600
<v Speaker 3>Only need one take that is it the best one?

0:32:46.040 --> 0:32:48.520
<v Speaker 1>That's sure, Sure, we'll go with that.

0:32:48.360 --> 0:32:50.400
<v Speaker 4>But that's where all that soap opera training comes and

0:32:50.400 --> 0:32:53.000
<v Speaker 4>you're like, oh, what take. It was also during the

0:32:53.160 --> 0:32:56.040
<v Speaker 4>La Nina rain, you know, all the rain stuff that

0:32:56.080 --> 0:32:58.960
<v Speaker 4>was happening last year, and so we were pissed down

0:32:59.040 --> 0:33:01.360
<v Speaker 4>raining the entire I think we had ten days where

0:33:01.360 --> 0:33:04.280
<v Speaker 4>it didn't rain, so it was pouring rain. There are

0:33:04.280 --> 0:33:06.600
<v Speaker 4>a lot of scenes we're inside and it is pouring

0:33:06.680 --> 0:33:09.080
<v Speaker 4>rain outside and it's just really well lit to make

0:33:09.120 --> 0:33:09.560
<v Speaker 4>it look.

0:33:09.400 --> 0:33:12.320
<v Speaker 1>Like it's a nice sunny Sydney day. It's all smoky mirrors,

0:33:12.320 --> 0:33:14.720
<v Speaker 1>all lies. This industry. I tell you, well, that is

0:33:14.800 --> 0:33:15.560
<v Speaker 1>in you.

0:33:15.600 --> 0:33:17.440
<v Speaker 2>No, I think that that's good behind the scenes. It's

0:33:17.440 --> 0:33:19.440
<v Speaker 2>good behind the scenes. We're lying to everyone around the

0:33:19.440 --> 0:33:21.920
<v Speaker 2>world to come to Australia because it's always sunny. It's

0:33:22.000 --> 0:33:24.680
<v Speaker 2>raining outside in Melbourne right now, but it's always.

0:33:24.400 --> 0:33:24.960
<v Speaker 3>Sunny, Wenny.

0:33:26.760 --> 0:33:27.960
<v Speaker 1>Yeah, yeah, exactly.

0:33:28.280 --> 0:33:29.160
<v Speaker 3>I wash away.

0:33:29.480 --> 0:33:31.520
<v Speaker 4>But that's the same thing with La Like you know,

0:33:31.600 --> 0:33:34.520
<v Speaker 4>everyone it's just seventy four degrees and sunny all year round.

0:33:34.840 --> 0:33:35.360
<v Speaker 1>No, it's not.

0:33:35.640 --> 0:33:38.720
<v Speaker 4>It's about twelve degrees here today and it's like cloudy,

0:33:38.760 --> 0:33:40.800
<v Speaker 4>and it's been this way for weeks.

0:33:40.840 --> 0:33:43.400
<v Speaker 1>It's yeah, you know. Advertising, it's out of control.

0:33:43.720 --> 0:33:45.840
<v Speaker 2>It's just the way they package it up. Thank you

0:33:45.920 --> 0:33:47.800
<v Speaker 2>so much for being so generous with your time and

0:33:47.880 --> 0:33:50.560
<v Speaker 2>chatting with me today. I was so excited about this.

0:33:50.760 --> 0:33:53.880
<v Speaker 2>I woke up an extra hour earlier, you know, like Christmas,

0:33:53.920 --> 0:33:55.479
<v Speaker 2>getting so excited to talk to you.

0:33:55.560 --> 0:33:57.840
<v Speaker 3>So in your audience.

0:33:58.240 --> 0:34:00.000
<v Speaker 2>Well, mating a season, So I have my fingers crossed,

0:34:00.080 --> 0:34:02.400
<v Speaker 2>but I also disguise the limit for you, my friend.

0:34:02.480 --> 0:34:04.000
<v Speaker 3>I think that there's so much coming for you.

0:34:04.520 --> 0:34:07.120
<v Speaker 4>I'm just so thrilled and humbled that it's that it's

0:34:07.320 --> 0:34:09.640
<v Speaker 4>had the reaction that it's had, so thank you.