1 00:00:00,880 --> 00:00:06,880 Speaker 1: Fish Will. 2 00:00:13,720 --> 00:00:15,880 Speaker 2: Good afternoon everyone. 3 00:00:16,079 --> 00:00:19,680 Speaker 3: If you haven't heard, there's a huge dispute woods over 4 00:00:19,880 --> 00:00:22,920 Speaker 3: what is being projected on the Sydney Opera House, and 5 00:00:23,000 --> 00:00:24,759 Speaker 3: we're here to save the day. 6 00:00:25,000 --> 00:00:28,520 Speaker 4: Vladimir disputant. Will, there's a huge Vladimir disputant. 7 00:00:28,840 --> 00:00:29,880 Speaker 2: Where do you sit on this? 8 00:00:30,560 --> 00:00:35,680 Speaker 4: It's a PROJECTIONWN of a horse race on our beautiful 9 00:00:35,680 --> 00:00:37,280 Speaker 4: opera house. What do you reckon? 10 00:00:38,040 --> 00:00:41,519 Speaker 3: Well, I'm actually a little bit philosophical about the whole thing. 11 00:00:41,560 --> 00:00:43,879 Speaker 2: Now I feel like we're getting a chance. 12 00:00:43,960 --> 00:00:47,960 Speaker 3: People move to greener pastures right now, greener pastures on 13 00:00:48,080 --> 00:00:52,280 Speaker 3: this show. People can stop arguing. We're going to diffuse 14 00:00:52,320 --> 00:00:54,279 Speaker 3: the arguments. We're going to take the heat out of it. 15 00:00:54,640 --> 00:00:56,840 Speaker 3: We have on this show a little bit later on 16 00:00:56,920 --> 00:01:00,440 Speaker 3: a chance to project and add on another great monument 17 00:01:00,480 --> 00:01:01,600 Speaker 3: in Australia. 18 00:01:01,160 --> 00:01:04,600 Speaker 4: Which I would argue, actually, I can just categorically say 19 00:01:04,720 --> 00:01:07,320 Speaker 4: has more exposure than the Opera House. 20 00:01:07,319 --> 00:01:11,120 Speaker 3: Absolutely well, well, no, okay, Well we've spoken. 21 00:01:10,800 --> 00:01:13,120 Speaker 4: As iconic in Australia. 22 00:01:13,680 --> 00:01:17,880 Speaker 3: Absolutely We've spoken to the people that run it. They're 23 00:01:17,880 --> 00:01:20,120 Speaker 3: happy for it, they're happy for it to go ahead. 24 00:01:20,360 --> 00:01:22,920 Speaker 3: So a chance on this show to project your ad 25 00:01:23,000 --> 00:01:28,720 Speaker 3: on an even more iconic visible. I'm going to say 26 00:01:28,840 --> 00:01:32,280 Speaker 3: majestic icon than the Sydney Opera house. That's happening a 27 00:01:32,319 --> 00:01:33,960 Speaker 3: little bit later on, We've got a brand new segment 28 00:01:34,000 --> 00:01:36,319 Speaker 3: for you guys, where you are willingly throwing your friends 29 00:01:36,360 --> 00:01:38,400 Speaker 3: under the bus who are going for job interviews. We're 30 00:01:38,480 --> 00:01:41,360 Speaker 3: calling them as their perspective employers and getting them to 31 00:01:41,360 --> 00:01:43,000 Speaker 3: do a whole bunch of shit. 32 00:01:43,400 --> 00:01:45,680 Speaker 2: Last week, last week on the show. 33 00:01:45,520 --> 00:01:47,120 Speaker 3: You called a girl who thought she was getting a 34 00:01:47,200 --> 00:01:49,360 Speaker 3: job at Jetstar and you made her jump into a 35 00:01:49,440 --> 00:01:53,240 Speaker 3: hypothetical situation with you, which was just outrageous. 36 00:01:53,800 --> 00:01:55,960 Speaker 4: I'm just going to give us two characters. So you 37 00:01:56,000 --> 00:01:57,800 Speaker 4: and you and I were husband and wife who have 38 00:01:57,880 --> 00:02:00,800 Speaker 4: just divorced. You basically, what the mic away back? Three 39 00:02:00,880 --> 00:02:03,240 Speaker 4: two one in the scene what do you want? 40 00:02:03,560 --> 00:02:04,720 Speaker 2: Prought my microwave back? 41 00:02:07,360 --> 00:02:10,440 Speaker 5: I way hard for the microwave, So you're back, please? 42 00:02:10,840 --> 00:02:13,360 Speaker 4: Well, Bloody bought the thing, Helen, and you know I 43 00:02:13,400 --> 00:02:15,560 Speaker 4: love Mylene Cuisines. You're bitch. 44 00:02:17,720 --> 00:02:19,040 Speaker 5: Can buy me another micro quaves? 45 00:02:19,080 --> 00:02:22,840 Speaker 2: Then I think she gets the job. I think she 46 00:02:22,840 --> 00:02:28,120 Speaker 2: deserves the job, and she kept going. We had a 47 00:02:28,120 --> 00:02:29,720 Speaker 2: brand new one of them, and to play for you 48 00:02:29,840 --> 00:02:30,880 Speaker 2: if you want to throw a mate. 49 00:02:30,720 --> 00:02:32,360 Speaker 3: Who's going for a job into beyond the bus, and 50 00:02:32,400 --> 00:02:34,680 Speaker 3: you know they'll do anything for the job, then please 51 00:02:34,760 --> 00:02:35,120 Speaker 3: hit us. 52 00:02:35,080 --> 00:02:36,440 Speaker 2: Up with them. What are you on the side? Otherwise 53 00:02:36,480 --> 00:02:37,440 Speaker 2: we're gonna geto a chune. 54 00:02:37,280 --> 00:02:39,880 Speaker 3: In here and find out what exactly what we won't 55 00:02:39,880 --> 00:02:42,600 Speaker 3: be covering right up next time to cover the things 56 00:02:42,600 --> 00:02:52,320 Speaker 3: that we probably won't cover. We talk about a lot 57 00:02:52,320 --> 00:02:53,880 Speaker 3: of things in this show, but we don't often talk 58 00:02:53,880 --> 00:02:55,639 Speaker 3: about the things we should be talking about, so we'd 59 00:02:55,639 --> 00:02:57,880 Speaker 3: like to cover them early. One thing we won't be 60 00:02:57,919 --> 00:03:08,240 Speaker 3: talking about, which was huge news yesterday, was the big fight. 61 00:03:10,080 --> 00:03:11,040 Speaker 2: Versus McGregor. 62 00:03:11,480 --> 00:03:15,680 Speaker 1: What I was calling him Caleb DJ karled Sorry it's 63 00:03:15,760 --> 00:03:17,799 Speaker 1: Kabib Kabib Sorry sorry, sorry. 64 00:03:20,280 --> 00:03:22,120 Speaker 2: V versus I think it is. 65 00:03:23,160 --> 00:03:24,480 Speaker 4: That's that's his last name. 66 00:03:25,520 --> 00:03:30,359 Speaker 6: Ner Magmaedov, Yes, Nermagomedov, who was taking on the Irish 67 00:03:30,360 --> 00:03:35,200 Speaker 6: sensation Connor McGregor. That's right, Oh my god, knocked up 68 00:03:35,240 --> 00:03:37,080 Speaker 6: the China because the boys are at it again. 69 00:03:37,200 --> 00:03:38,360 Speaker 4: This got hectic. 70 00:03:38,360 --> 00:03:40,680 Speaker 3: I haven't seen I haven't seen anything like this. This 71 00:03:40,840 --> 00:03:42,000 Speaker 3: was outrageous, So I. 72 00:03:41,960 --> 00:03:42,400 Speaker 2: Have seen it. 73 00:03:42,440 --> 00:03:44,000 Speaker 3: When I haven't seen it, I mean, I haven't seen 74 00:03:44,000 --> 00:03:44,600 Speaker 3: anything like it. 75 00:03:44,800 --> 00:03:47,680 Speaker 2: Yeah, yeah, yeah, crazy, crazy scenes for. 76 00:03:47,560 --> 00:03:49,960 Speaker 4: Those who haven't seen like. The fight itself was obviously epic, 77 00:03:50,000 --> 00:03:53,240 Speaker 4: but then as soon as the fight finished, Kabib started 78 00:03:53,240 --> 00:03:56,600 Speaker 4: giving it to Connor's corner. I mean, I'm not sure 79 00:03:56,640 --> 00:03:59,120 Speaker 4: what insult he went for, but I won't even try 80 00:03:59,160 --> 00:04:02,560 Speaker 4: and do his war. But go on, no, I. 81 00:04:02,560 --> 00:04:04,000 Speaker 2: Think you should give it a guy. 82 00:04:04,400 --> 00:04:04,760 Speaker 4: You don't. 83 00:04:06,280 --> 00:04:07,120 Speaker 2: You don't think go in. 84 00:04:07,760 --> 00:04:12,160 Speaker 4: Well, he's a Russian, isn't it. He's a Russian. 85 00:04:12,320 --> 00:04:13,280 Speaker 2: You don't go in. 86 00:04:13,680 --> 00:04:16,000 Speaker 4: You don't think go in? Well, I get him done. 87 00:04:17,440 --> 00:04:24,400 Speaker 4: So he's giving it to him that on the win. No, no, no, no, 88 00:04:24,640 --> 00:04:27,960 Speaker 4: I've gone Italian. I struggled with voices. But so he's 89 00:04:28,000 --> 00:04:30,600 Speaker 4: giving it to the Connor's corner and. 90 00:04:30,520 --> 00:04:32,960 Speaker 2: Then he jumps. 91 00:04:33,000 --> 00:04:35,200 Speaker 4: He jumps over the fence, jumps into the crowd, fly 92 00:04:35,440 --> 00:04:38,880 Speaker 4: kicks one of Connor's mates in the face. All that 93 00:04:38,960 --> 00:04:39,880 Speaker 4: brawl in the ground. 94 00:04:39,640 --> 00:04:40,839 Speaker 2: Will come for fighting again. 95 00:04:41,400 --> 00:04:42,120 Speaker 4: Everybody was. 96 00:04:42,600 --> 00:04:44,760 Speaker 3: So he's going nuts, keep it going and then get 97 00:04:44,800 --> 00:04:47,280 Speaker 3: his one of nor magnovatives. 98 00:04:47,480 --> 00:04:49,520 Speaker 2: Guys. Buddy climbs over the fence. 99 00:04:50,839 --> 00:04:55,120 Speaker 3: Well, hey, you hurt my friend, and he jumps over 100 00:04:55,160 --> 00:04:57,400 Speaker 3: the bank, climbs up and then hits McGregor in the 101 00:04:57,400 --> 00:04:59,520 Speaker 3: back of the head crazy and then another guy jumps 102 00:04:59,520 --> 00:05:01,240 Speaker 3: in and tries to it's nuts. You've got to go 103 00:05:01,240 --> 00:05:04,400 Speaker 3: and see it. Horrible look for the sport couldn't be worse. 104 00:05:04,560 --> 00:05:06,680 Speaker 3: I mean, for a sport that is as violent as that, 105 00:05:06,760 --> 00:05:10,679 Speaker 3: it has relied repeatedly, and the crux of its entire 106 00:05:10,720 --> 00:05:13,000 Speaker 3: message is on the fact that it is a professional 107 00:05:13,000 --> 00:05:13,760 Speaker 3: thing that occurs in. 108 00:05:13,680 --> 00:05:14,880 Speaker 2: A ring between two people. 109 00:05:15,120 --> 00:05:18,039 Speaker 3: They walk away at the end of that, and it's 110 00:05:18,120 --> 00:05:22,400 Speaker 3: lost huge amounts of credibility. I really that's a nasty 111 00:05:22,440 --> 00:05:24,640 Speaker 3: look for a sport as viol as that, particularly because 112 00:05:24,680 --> 00:05:27,880 Speaker 3: it is I'm a big believer in kids learning martial 113 00:05:27,960 --> 00:05:29,839 Speaker 3: arts and stuff like that. I reckon that's a wonderful 114 00:05:29,839 --> 00:05:31,880 Speaker 3: thing to learn. It's a great defensive skill, et cetera. 115 00:05:32,279 --> 00:05:34,360 Speaker 3: That's in a bad place right now. That's a black eye. 116 00:05:34,360 --> 00:05:35,720 Speaker 3: I don't become the sport's going to be able to 117 00:05:35,720 --> 00:05:36,839 Speaker 3: get rid of for a long time. 118 00:05:37,040 --> 00:05:38,800 Speaker 4: I like to oil up and throw down with a man. 119 00:05:38,880 --> 00:05:46,760 Speaker 4: But I agree with that, and it's funny because it's true. 120 00:05:46,800 --> 00:05:49,479 Speaker 3: Now there's another bit that I want to get to 121 00:05:49,600 --> 00:05:54,000 Speaker 3: before we go to a churin here Woodrow, somebody bought 122 00:05:55,240 --> 00:06:00,920 Speaker 3: a piece of artwork Banksy the street artist, the graffiti artist. Yes, yes, yes, 123 00:06:01,080 --> 00:06:05,040 Speaker 3: very famous graffiti artist does stencils, probably the most the 124 00:06:05,360 --> 00:06:08,120 Speaker 3: most famous graffiti artist or street artist in the world. 125 00:06:08,960 --> 00:06:11,200 Speaker 3: The very famous one of the little girl holding the balloon. 126 00:06:11,240 --> 00:06:11,680 Speaker 2: You know that one? 127 00:06:11,720 --> 00:06:12,479 Speaker 4: Yeah, I know that one. 128 00:06:12,520 --> 00:06:16,320 Speaker 3: So that was bought on the weekend for just over 129 00:06:16,320 --> 00:06:17,480 Speaker 3: a million pounds. 130 00:06:18,000 --> 00:06:19,560 Speaker 4: How do you buy it though, because isn't it on 131 00:06:19,600 --> 00:06:20,240 Speaker 4: like a brick wall. 132 00:06:20,279 --> 00:06:22,360 Speaker 3: So it was in a museum and then the museum 133 00:06:22,400 --> 00:06:25,400 Speaker 3: got permissioned to sell it privately. Someone came in bought 134 00:06:25,400 --> 00:06:28,560 Speaker 3: the artwork. As soon as they bought the artwork at 135 00:06:28,560 --> 00:06:32,720 Speaker 3: the auction in the museum, the artwork proceeded to slide 136 00:06:32,920 --> 00:06:36,479 Speaker 3: through the bottom of the frame and was shredded out 137 00:06:36,520 --> 00:06:37,440 Speaker 3: the bottom of the frame. 138 00:06:40,560 --> 00:06:43,800 Speaker 4: Brilliant. So do you think Banksy had a button at 139 00:06:43,800 --> 00:06:44,560 Speaker 4: home or something. 140 00:06:44,680 --> 00:06:48,240 Speaker 3: Banks He then proceeded to post on his Instagram and 141 00:06:48,279 --> 00:06:52,599 Speaker 3: I quote the urge to destroy is also a creative urge, 142 00:06:52,640 --> 00:06:57,039 Speaker 3: which is Picasso apparently brilliant, and then he revealed a 143 00:06:57,120 --> 00:07:00,600 Speaker 3: video of how he placed a shredder inside the frame. 144 00:07:01,560 --> 00:07:03,960 Speaker 4: Oh my, that is so brilliant. 145 00:07:03,800 --> 00:07:07,720 Speaker 3: And destroyed the art that the person thought that they 146 00:07:07,760 --> 00:07:08,200 Speaker 3: had bought. 147 00:07:08,560 --> 00:07:10,720 Speaker 4: Is this a stupid but what what set off the shredder? 148 00:07:10,760 --> 00:07:12,640 Speaker 4: Is that a stupid question? What do you mean how 149 00:07:12,680 --> 00:07:14,600 Speaker 4: did they know when when the shredder would work? 150 00:07:16,000 --> 00:07:18,360 Speaker 2: Great question, It is a good question. Great question, it's 151 00:07:18,360 --> 00:07:18,920 Speaker 2: a great question. 152 00:07:19,920 --> 00:07:24,280 Speaker 3: They realized that there had to have been somebody inside 153 00:07:24,760 --> 00:07:26,000 Speaker 3: the museum at the time. 154 00:07:26,520 --> 00:07:26,960 Speaker 4: Brilliant. 155 00:07:26,960 --> 00:07:28,760 Speaker 3: And there is now footage of a man weaving with 156 00:07:28,760 --> 00:07:30,560 Speaker 3: a hood on and glasses brilli. 157 00:07:30,680 --> 00:07:34,240 Speaker 2: Yeah he was there for the sale. Hit it again, dicker, brilliant. 158 00:07:34,520 --> 00:07:37,920 Speaker 4: It's like Clive Owen's inside job. He was inside the 159 00:07:37,920 --> 00:07:40,480 Speaker 4: whole No, no, no going. It was inside the whole time. 160 00:07:40,600 --> 00:07:42,800 Speaker 2: Is that Clive Owen? Isn't There's a lot more of 161 00:07:42,800 --> 00:07:43,960 Speaker 2: the Thomas Crown affair to it. 162 00:07:44,800 --> 00:07:48,120 Speaker 4: Yeah, now you've got me there. It's classic crowd, classic 163 00:07:48,160 --> 00:07:49,280 Speaker 4: Brozman and Crown affair. 164 00:07:50,840 --> 00:07:52,840 Speaker 2: Is there be Nina Simone? And who's the houses in 165 00:07:52,880 --> 00:07:53,480 Speaker 2: the movie with him? 166 00:07:54,120 --> 00:07:54,320 Speaker 7: Oh? 167 00:07:54,920 --> 00:07:55,840 Speaker 4: Now, don't do this to me. 168 00:07:55,880 --> 00:08:00,600 Speaker 3: Rene Russo, Hey, you and I were talking in the 169 00:08:00,600 --> 00:08:03,280 Speaker 3: studio the other day about a guy in Holland who 170 00:08:03,360 --> 00:08:06,800 Speaker 3: lost his wallet twenty three years ago and found his 171 00:08:06,840 --> 00:08:09,080 Speaker 3: wallet again. Yeah, it was a great moment, but it 172 00:08:09,120 --> 00:08:10,480 Speaker 3: was a great moment, and then you and I hit 173 00:08:10,520 --> 00:08:12,320 Speaker 3: a bit of a snag in the conversation because we 174 00:08:12,400 --> 00:08:16,800 Speaker 3: disagreed about something. Classic ass But Dutch blow lost his 175 00:08:16,880 --> 00:08:20,920 Speaker 3: wallet and found it. Yeah, twenty three years later, the 176 00:08:21,000 --> 00:08:23,760 Speaker 3: currency in the wallet wouldn't be usable anymore. 177 00:08:24,720 --> 00:08:27,720 Speaker 4: From twenty three years Yeah, how many times has Holland 178 00:08:27,760 --> 00:08:28,680 Speaker 4: change their currency? 179 00:08:28,840 --> 00:08:32,400 Speaker 2: You're right, well, the euro, the euro came in. 180 00:08:32,559 --> 00:08:38,360 Speaker 4: Yeah, ah, when did that happen? That happened within. 181 00:08:38,440 --> 00:08:43,480 Speaker 3: About the turn of the century, nine two thousand, So 182 00:08:43,600 --> 00:08:44,760 Speaker 3: his currency. 183 00:08:44,280 --> 00:08:47,720 Speaker 4: And his wallet would no longer be effective. Will could 184 00:08:47,720 --> 00:08:48,679 Speaker 4: come back, Woody. 185 00:08:50,679 --> 00:08:51,679 Speaker 2: So you conceded that. 186 00:08:51,760 --> 00:08:53,760 Speaker 3: And I've been thinking about this a little bit, mate, 187 00:08:54,480 --> 00:08:57,320 Speaker 3: that you have some serious weak points in your general knowledge. 188 00:08:57,840 --> 00:08:59,880 Speaker 4: That's fair. There are some strong points, though there are 189 00:09:00,040 --> 00:09:04,800 Speaker 4: trial is a strong point. I've got strong areas, but 190 00:09:05,160 --> 00:09:07,800 Speaker 4: I've got some floors. Human, Okay. 191 00:09:08,160 --> 00:09:11,000 Speaker 3: I think that you would not be able to pick 192 00:09:11,800 --> 00:09:12,840 Speaker 3: a foreign currency. 193 00:09:13,600 --> 00:09:17,600 Speaker 4: Oh, dis is a floor. This is a floor, and 194 00:09:17,640 --> 00:09:20,360 Speaker 4: it's practically cooked me a couple of. 195 00:09:20,320 --> 00:09:23,720 Speaker 3: Times out of a range of other names that could 196 00:09:23,720 --> 00:09:26,280 Speaker 3: be other things within Europe. I don't think that you 197 00:09:26,320 --> 00:09:30,240 Speaker 3: would be able to pick the currency. In fact, I 198 00:09:30,280 --> 00:09:32,000 Speaker 3: don't think that you would be able to pick the 199 00:09:32,040 --> 00:09:34,680 Speaker 3: currency if I gave you four options. 200 00:09:35,440 --> 00:09:37,240 Speaker 4: Okay, and you give me four options and one of 201 00:09:37,240 --> 00:09:38,800 Speaker 4: them is a real currency. 202 00:09:38,440 --> 00:09:40,400 Speaker 2: That's right. One of them used to be a real currency. 203 00:09:40,720 --> 00:09:43,080 Speaker 3: And if I give you four options in a quiz 204 00:09:43,120 --> 00:09:44,720 Speaker 3: style of scenario, what does it. 205 00:09:44,640 --> 00:09:47,360 Speaker 4: Sound like we're not doing? Who Wants to Be a Millionaire? 206 00:09:47,360 --> 00:09:47,520 Speaker 2: Oh? 207 00:09:47,559 --> 00:09:47,760 Speaker 4: God? 208 00:09:52,840 --> 00:09:55,240 Speaker 1: I believe it's a video rolling around with me online 209 00:09:55,240 --> 00:09:56,520 Speaker 1: which has gone quite viral. 210 00:09:56,720 --> 00:10:00,079 Speaker 3: There's a video on Facebook which our digital guy the 211 00:10:00,080 --> 00:10:02,880 Speaker 3: whiz time before has three point four million hits. 212 00:10:04,040 --> 00:10:06,079 Speaker 4: Because I didn't know where the Great Wall of China. 213 00:10:05,880 --> 00:10:10,600 Speaker 3: Was because you called your dad to ask him where 214 00:10:10,640 --> 00:10:12,160 Speaker 3: the Great Wall of China was. 215 00:10:12,760 --> 00:10:14,880 Speaker 1: Okay, Dad, I've got to be really quick here. I'm 216 00:10:14,880 --> 00:10:15,920 Speaker 1: on Who wants to be a Millionaire? 217 00:10:16,720 --> 00:10:20,560 Speaker 4: Dad? Yep? Okay? So where is the Great Wall of China? 218 00:10:21,200 --> 00:10:22,840 Speaker 3: Not South Korea? Not Japan? 219 00:10:23,160 --> 00:10:25,040 Speaker 2: Yeah, could be bordering on India. 220 00:10:25,280 --> 00:10:26,440 Speaker 8: It could be a trick question. 221 00:10:26,760 --> 00:10:28,280 Speaker 4: Okay, good Dad, this is good. 222 00:10:28,480 --> 00:10:30,480 Speaker 2: India or China. 223 00:10:30,760 --> 00:10:34,000 Speaker 4: The obvious answer is China. Yeah, it probably bordered on India. 224 00:10:34,080 --> 00:10:36,880 Speaker 4: I was going to cheat, but the phone call came 225 00:10:36,920 --> 00:10:43,679 Speaker 4: in before I could goog Okay, wow, damn it. 226 00:10:45,480 --> 00:10:48,040 Speaker 2: The White More boys. Take this seriously? Do you think 227 00:10:48,080 --> 00:10:49,160 Speaker 2: he actually know you're. 228 00:10:53,360 --> 00:10:56,000 Speaker 3: A great moment you went on to decide that the 229 00:10:56,000 --> 00:10:58,000 Speaker 3: Great Wall of China was in India. 230 00:10:59,480 --> 00:11:01,640 Speaker 4: Yep, the white Wall family is still trying to play 231 00:11:01,640 --> 00:11:04,040 Speaker 4: that one down. Reputation has never been worse. 232 00:11:06,200 --> 00:11:08,200 Speaker 2: We've got a brand new moment for you, though, mate. 233 00:11:07,960 --> 00:11:09,040 Speaker 4: Great is that available? 234 00:11:11,800 --> 00:11:16,280 Speaker 2: I don't know. I actually don't know he is available. 235 00:11:18,040 --> 00:11:19,200 Speaker 2: Contacted him. 236 00:11:19,679 --> 00:11:21,720 Speaker 3: If you're listening down to need you, I am willing 237 00:11:21,760 --> 00:11:24,360 Speaker 3: to give you the phone of friend option though. Yep, 238 00:11:24,640 --> 00:11:26,160 Speaker 3: we'll do it up next. We're going to go into 239 00:11:26,240 --> 00:11:30,800 Speaker 3: a song. Okay, thirteen one oh six five. He's Woody. 240 00:11:30,920 --> 00:11:32,160 Speaker 3: I don't think Wood's going to would he? 241 00:11:32,160 --> 00:11:32,439 Speaker 2: Actually? 242 00:11:32,440 --> 00:11:34,720 Speaker 3: I can say his categorically, Woody is not going to 243 00:11:34,760 --> 00:11:35,319 Speaker 3: be able to do. 244 00:11:35,280 --> 00:11:35,959 Speaker 2: This by himself. 245 00:11:36,720 --> 00:11:38,360 Speaker 4: I think I will need some assistance. 246 00:11:38,440 --> 00:11:39,880 Speaker 2: Yes, thirty one oh six five. 247 00:11:39,920 --> 00:11:42,200 Speaker 3: If you would like to be his phone of friend option, 248 00:11:43,040 --> 00:11:44,240 Speaker 3: I'm opening up to everyone. 249 00:11:44,320 --> 00:11:50,720 Speaker 1: Okay, so Dad, if you're in the car, mate, because 250 00:11:50,760 --> 00:11:51,959 Speaker 1: Dad needs his time in the sun. 251 00:11:52,080 --> 00:11:54,280 Speaker 4: He was embarrassed last time. 252 00:11:56,440 --> 00:11:58,280 Speaker 2: We'll do Millionaire up next. If you want to be 253 00:11:58,320 --> 00:11:59,680 Speaker 2: Woody's phone of friend option. 254 00:12:00,320 --> 00:12:03,800 Speaker 3: We are in the midst of a millionaire redemption round. 255 00:12:03,840 --> 00:12:05,800 Speaker 3: I'm not sure we've got the millionaire theme music again, 256 00:12:09,200 --> 00:12:11,800 Speaker 3: We've got our Facebook page or Instagram, Will and Muddy. 257 00:12:11,840 --> 00:12:14,240 Speaker 3: There is a video which is easily the most vonderable 258 00:12:14,640 --> 00:12:17,360 Speaker 3: I've done, which is you and your dad coming to 259 00:12:17,400 --> 00:12:20,040 Speaker 3: the conclusion in a classic millionaire format. I gave you 260 00:12:20,120 --> 00:12:22,679 Speaker 3: options that the Great Wall of China was in India. 261 00:12:22,800 --> 00:12:24,559 Speaker 2: Now we've got. 262 00:12:24,600 --> 00:12:26,560 Speaker 4: A big slip up for the White Law family and 263 00:12:26,600 --> 00:12:28,920 Speaker 4: we're trying to build our reputation back up one brick 264 00:12:28,960 --> 00:12:29,400 Speaker 4: at a time. 265 00:12:29,679 --> 00:12:31,000 Speaker 2: Now we can't get on to your dad. But I 266 00:12:31,080 --> 00:12:32,080 Speaker 2: think this is a good thing because I. 267 00:12:32,040 --> 00:12:42,640 Speaker 3: Think the nightmares every night. So look what we've got 268 00:12:42,679 --> 00:12:44,760 Speaker 3: here is playing at home. 269 00:12:44,760 --> 00:12:47,000 Speaker 2: The question stands that. 270 00:12:50,080 --> 00:12:53,120 Speaker 3: This really seriously, the question or what we're talking about 271 00:12:53,280 --> 00:12:57,280 Speaker 3: is before the Euro came in, countries in Europe obviously 272 00:12:57,480 --> 00:13:00,640 Speaker 3: had specific countries, specific currencies. 273 00:13:00,679 --> 00:13:02,280 Speaker 2: I should say, yes, right. 274 00:13:03,720 --> 00:13:05,600 Speaker 3: I don't think you're going to be able to pick 275 00:13:07,920 --> 00:13:10,840 Speaker 3: which of these four options I'm about to give you 276 00:13:10,960 --> 00:13:12,079 Speaker 3: used to be a currency. 277 00:13:12,520 --> 00:13:13,840 Speaker 4: And I hope I can prove you wrong. 278 00:13:14,920 --> 00:13:18,880 Speaker 2: I hope you can't. All right, I've asked people to 279 00:13:18,880 --> 00:13:19,160 Speaker 2: call up. 280 00:13:19,120 --> 00:13:20,640 Speaker 3: Thirty one U sixty five if they want to be 281 00:13:20,679 --> 00:13:22,000 Speaker 3: your phone a friend option, yep. 282 00:13:22,040 --> 00:13:22,920 Speaker 2: But you're ready for your. 283 00:13:22,840 --> 00:13:25,040 Speaker 4: Question definitely, and I will just We've got a whole 284 00:13:25,040 --> 00:13:26,240 Speaker 4: bunch of people on the line here. I'm just going 285 00:13:26,320 --> 00:13:27,640 Speaker 4: to pick one of them to be my phone a 286 00:13:27,679 --> 00:13:29,840 Speaker 4: friend if I do decide to find a friend. 287 00:13:30,320 --> 00:13:31,760 Speaker 2: If you decide to find a friend. 288 00:13:31,520 --> 00:13:33,520 Speaker 4: I might just go, you know, shoot from the hip, mate, 289 00:13:33,679 --> 00:13:37,480 Speaker 4: you might and we'd all like that. So let's go. 290 00:13:37,559 --> 00:13:38,200 Speaker 2: Are you ready to go? 291 00:13:38,320 --> 00:13:38,520 Speaker 4: Yeah? 292 00:13:38,679 --> 00:13:40,959 Speaker 2: Okay, to go over? We got like a drone or 293 00:13:40,960 --> 00:13:44,920 Speaker 2: something like that when I ask him the question? Mate, Okay, 294 00:13:45,080 --> 00:13:45,520 Speaker 2: here we go. 295 00:13:47,720 --> 00:13:53,480 Speaker 3: Which of the following used to be a currency in Europe? 296 00:13:54,240 --> 00:13:55,640 Speaker 4: So we're just saying Europe. You're not going to give 297 00:13:55,679 --> 00:13:57,080 Speaker 4: me the country. You're not going to give me like 298 00:13:57,160 --> 00:14:02,880 Speaker 4: currency and country. It's just it's in Europe, Like. 299 00:14:02,800 --> 00:14:04,400 Speaker 2: You're gonna You're not gonna say Rupiah. 300 00:14:05,000 --> 00:14:10,120 Speaker 4: Yeah, but are you going to say like France Franks? No, 301 00:14:10,200 --> 00:14:13,280 Speaker 4: I'm just saying, do you impress that on youw what 302 00:14:13,320 --> 00:14:16,520 Speaker 4: Frank's worth? You will? 303 00:14:20,280 --> 00:14:20,520 Speaker 8: Okay? 304 00:14:20,560 --> 00:14:20,920 Speaker 2: You ready? 305 00:14:20,960 --> 00:14:22,760 Speaker 4: So which ones were real currencies in Europe? 306 00:14:22,760 --> 00:14:25,600 Speaker 2: Go? Which one of these used to be a currency 307 00:14:25,600 --> 00:14:26,040 Speaker 2: in Europe? 308 00:14:26,640 --> 00:14:32,320 Speaker 4: A Stein B star hang on stein, yeah, B. 309 00:14:34,040 --> 00:14:37,120 Speaker 2: This isn't spelling, be mate, it's millionaire. You get. I'll read, 310 00:14:37,240 --> 00:14:39,960 Speaker 2: I'll read, I'll read the options you absorb. 311 00:14:40,920 --> 00:14:50,160 Speaker 3: Is it A Stein, B Franco, see calzone, calzone? C? 312 00:14:52,240 --> 00:14:58,080 Speaker 4: You did? You did two c's D hang on a second? 313 00:14:58,760 --> 00:15:08,479 Speaker 4: A Stein, B Franco, D pisato, pisto, piss ato, pisato. 314 00:15:08,800 --> 00:15:10,240 Speaker 2: Yeah, that's that's silly. 315 00:15:11,040 --> 00:15:16,280 Speaker 3: Okay, ay, Stein, B Franco, see calzone, D pisato. Okay, 316 00:15:16,720 --> 00:15:18,280 Speaker 3: one of them used to be a currency. 317 00:15:18,520 --> 00:15:21,160 Speaker 4: I'll tell you what I'm thinking immediately. I'm thinking that 318 00:15:21,320 --> 00:15:23,880 Speaker 4: B Franco. I think you're trying to make me look silly. 319 00:15:24,520 --> 00:15:26,920 Speaker 4: I know that James Franco is an actor, ye, and 320 00:15:26,960 --> 00:15:28,760 Speaker 4: I think you're trying to pull my pants down there, 321 00:15:28,760 --> 00:15:29,560 Speaker 4: So I don't think it's B. 322 00:15:29,920 --> 00:15:30,560 Speaker 2: You sure about that? 323 00:15:30,720 --> 00:15:35,080 Speaker 4: I also know that C. Calzone is like a rolled 324 00:15:35,120 --> 00:15:37,600 Speaker 4: up pizza, and I had one of them in Spain 325 00:15:38,480 --> 00:15:41,240 Speaker 4: after a couple of margarita's and it was delicious, and 326 00:15:41,560 --> 00:15:43,640 Speaker 4: it might not be it might not remember that I 327 00:15:43,680 --> 00:15:47,400 Speaker 4: came home and said, I I a calzone tonight. 328 00:15:47,640 --> 00:15:49,040 Speaker 2: And is it definitely a pizza? 329 00:15:49,080 --> 00:15:50,200 Speaker 4: Though I wrote that in my diary. 330 00:15:50,240 --> 00:15:51,280 Speaker 2: Is it definitely just a pizza. 331 00:15:51,720 --> 00:15:54,280 Speaker 4: I wasn't I wasn't eating money, but it could. 332 00:15:54,080 --> 00:15:58,080 Speaker 3: Have been named in honor of the money, could have been. 333 00:15:58,320 --> 00:15:59,760 Speaker 4: Okay, I'm gonna need to find a friend. I'm always 334 00:15:59,760 --> 00:16:04,960 Speaker 4: going to but but I am thinking it's either Stein 335 00:16:05,880 --> 00:16:09,560 Speaker 4: or Piseto. Yep, Piseto sounds silly, but you know, maybe 336 00:16:09,600 --> 00:16:11,680 Speaker 4: you're trying to throw me off there as well. Okay, 337 00:16:11,720 --> 00:16:13,880 Speaker 4: my friend, I'm gonna you're going to photo a friend 338 00:16:13,960 --> 00:16:16,000 Speaker 4: I have to yeah, yeah, yeah, okay, and I'm picking 339 00:16:16,000 --> 00:16:16,400 Speaker 4: one of these. 340 00:16:16,520 --> 00:16:19,960 Speaker 3: You've got four options, yeah, yeah, We've had to whittle 341 00:16:19,960 --> 00:16:21,320 Speaker 3: it down before. I'm sorry for the other people that 342 00:16:21,360 --> 00:16:22,600 Speaker 3: couldn't get through. There was a lot of you that 343 00:16:22,600 --> 00:16:23,800 Speaker 3: wanted to be your friend. A friend option. 344 00:16:24,440 --> 00:16:25,360 Speaker 4: I'm going to go with Ali. 345 00:16:25,520 --> 00:16:27,000 Speaker 2: Okay, Well you can't speak to her yet. You want 346 00:16:27,000 --> 00:16:27,720 Speaker 2: to get three seconds? 347 00:16:27,720 --> 00:16:30,080 Speaker 4: Okay, okay, yeah, yeah, alright, Well when there's my time's dat. 348 00:16:31,800 --> 00:16:34,760 Speaker 2: We'll say hello to Ali first. Say hello to Ali first. Hey, guys, 349 00:16:36,520 --> 00:16:38,520 Speaker 2: how are we You're pretty good nervous. 350 00:16:40,240 --> 00:16:41,720 Speaker 4: We're going to set up a thirty second time with 351 00:16:41,720 --> 00:16:44,480 Speaker 4: the maren Okay, are you ready? And go? Okay, Ali, 352 00:16:44,640 --> 00:16:47,720 Speaker 4: you there now, okay, what used to what used to 353 00:16:47,720 --> 00:16:51,520 Speaker 4: be a currency A steine in Europe, a stein, a franco, 354 00:16:51,600 --> 00:16:53,840 Speaker 4: a calzone, or a pisatoto. 355 00:16:53,960 --> 00:16:56,400 Speaker 9: Okay, it's definitely not your c It's a ord. 356 00:16:56,720 --> 00:16:57,600 Speaker 4: Yes, that's what I was thinking. 357 00:16:57,920 --> 00:17:02,400 Speaker 7: I'm almost positive at ae is a type of sauces 358 00:17:02,440 --> 00:17:02,880 Speaker 7: in Italy. 359 00:17:03,000 --> 00:17:06,400 Speaker 4: I'm literally almost positive. It's like but it's like. 360 00:17:06,320 --> 00:17:06,880 Speaker 2: From the south. 361 00:17:07,119 --> 00:17:07,959 Speaker 4: You think it's a salsa. 362 00:17:08,760 --> 00:17:11,639 Speaker 2: It's it's like a ya, I'm gonna go with you. 363 00:17:12,160 --> 00:17:19,400 Speaker 4: You're walking yep. Okay, wow, Ali, Wow, what a session. Thanks, 364 00:17:19,400 --> 00:17:19,679 Speaker 4: thank you. 365 00:17:20,480 --> 00:17:23,080 Speaker 1: If you can hear me, I really appreciate it. She 366 00:17:23,280 --> 00:17:26,640 Speaker 1: thinks a pisato is a sorcer like a like a 367 00:17:26,680 --> 00:17:30,920 Speaker 1: pasta sauce. She confirmed for me that a franco and 368 00:17:31,000 --> 00:17:38,800 Speaker 1: a calzone is not. But I think the way you 369 00:17:38,800 --> 00:17:40,560 Speaker 1: you don't want me to go piss ato because you 370 00:17:40,600 --> 00:17:41,719 Speaker 1: know it sounds a bit silly. 371 00:17:41,800 --> 00:17:42,720 Speaker 4: Now, I think you're. 372 00:17:42,560 --> 00:17:45,240 Speaker 2: No, no, no, no, you made you. Can I come to you? 373 00:17:45,240 --> 00:17:48,960 Speaker 3: You you turned it into piss ato. That's just you 374 00:17:49,040 --> 00:17:52,320 Speaker 3: being a silly man. I've said that. I said that 375 00:17:52,359 --> 00:17:52,840 Speaker 3: from the start. 376 00:17:52,880 --> 00:17:54,320 Speaker 4: Can I have my drone back to go? Please? 377 00:17:54,359 --> 00:17:55,080 Speaker 2: You haven't long. 378 00:17:57,480 --> 00:17:59,879 Speaker 4: I'm going to watch it go for she went for stein, 379 00:18:00,520 --> 00:18:04,080 Speaker 4: she met with a stein. You know, I just don't know, 380 00:18:04,320 --> 00:18:06,000 Speaker 4: you know, she thinks the soulser I don't know. I've 381 00:18:06,040 --> 00:18:07,080 Speaker 4: never heard of. 382 00:18:08,480 --> 00:18:10,200 Speaker 2: No, you're calling it. 383 00:18:10,200 --> 00:18:15,760 Speaker 3: It's it's up to you, mate, it's. 384 00:18:15,640 --> 00:18:16,680 Speaker 2: Either A or D. 385 00:18:16,880 --> 00:18:19,560 Speaker 4: Obviously, I don't think I can go against Ali. I 386 00:18:19,720 --> 00:18:20,160 Speaker 4: like Alie. 387 00:18:20,200 --> 00:18:22,400 Speaker 1: She's handed, very intelligent. She handed herself on the phone. 388 00:18:22,400 --> 00:18:23,720 Speaker 1: We're going to lock in a stein. 389 00:18:29,080 --> 00:18:35,560 Speaker 3: So for the question of which of these used to 390 00:18:35,640 --> 00:18:40,240 Speaker 3: be a foreign currency in Europe, you've gone for a. 391 00:18:42,119 --> 00:18:43,800 Speaker 2: Stein and the double. 392 00:18:43,520 --> 00:18:48,240 Speaker 4: Points, I'll say it was German. I have a beer 393 00:18:48,280 --> 00:18:50,640 Speaker 4: for a couple of steine. I mean, I'm not going 394 00:18:50,640 --> 00:18:51,520 Speaker 4: to try and do a German extent. 395 00:18:52,960 --> 00:18:55,399 Speaker 3: You'll have a beer for a couple of stein, ye, 396 00:18:56,920 --> 00:19:00,800 Speaker 3: or if you're in Germany, you'll probably you have a stein? 397 00:19:01,640 --> 00:19:17,080 Speaker 2: Which is a beer? The answer is and as steine is. 398 00:19:16,320 --> 00:19:22,520 Speaker 4: A damn it. 399 00:19:23,440 --> 00:19:32,160 Speaker 1: The Bachelorette Baby returns this Wednesdays, Fresh Fresh will off 400 00:19:32,200 --> 00:19:33,200 Speaker 1: the double rejection. 401 00:19:33,280 --> 00:19:35,000 Speaker 4: We're onto the Bachelorette. 402 00:19:35,040 --> 00:19:39,640 Speaker 1: Ali Uchin is uh the Bachelorette and they've released today 403 00:19:40,480 --> 00:19:42,280 Speaker 1: is it which we chin? 404 00:19:44,080 --> 00:19:44,320 Speaker 7: Huh? 405 00:19:45,040 --> 00:19:48,800 Speaker 3: Which it's a well she's ready to take another chance 406 00:19:48,800 --> 00:19:49,479 Speaker 3: on Live anyway. 407 00:19:49,800 --> 00:19:53,240 Speaker 4: Bloody oath she is, and it's bloody exciting. And they've 408 00:19:53,320 --> 00:19:58,560 Speaker 4: released William the Boys. They've released a snap of all 409 00:19:58,600 --> 00:20:03,439 Speaker 4: the lads that are be vine for Misswegian's heart, and 410 00:20:03,680 --> 00:20:06,639 Speaker 4: I think we just leave it Ali's heart, sorry, Ali's heart. 411 00:20:07,080 --> 00:20:10,560 Speaker 4: And there's one person in this shot that has drawn 412 00:20:10,600 --> 00:20:12,200 Speaker 4: the eye and. 413 00:20:12,600 --> 00:20:14,600 Speaker 2: Drawn the public eye. Just drawn your eye. 414 00:20:14,680 --> 00:20:16,640 Speaker 4: Well, I think the public's talking about it as well. 415 00:20:17,440 --> 00:20:18,040 Speaker 2: Just your eye. 416 00:20:18,240 --> 00:20:19,399 Speaker 4: It could just be my eye. 417 00:20:20,240 --> 00:20:25,600 Speaker 3: Ben from Northern Territory looks like Matt Prudis from the 418 00:20:25,640 --> 00:20:26,040 Speaker 3: West Coast. 419 00:20:26,040 --> 00:20:31,000 Speaker 4: Hegles or or he looks exactly like the honey Badger. 420 00:20:32,160 --> 00:20:34,840 Speaker 2: Oh he does about him? 421 00:20:34,880 --> 00:20:38,240 Speaker 4: A lot of tweets flying around. Really that Ben from 422 00:20:38,320 --> 00:20:39,360 Speaker 4: Northern Territory, What. 423 00:20:39,640 --> 00:20:43,879 Speaker 3: Is the honey Badger's going around again? 424 00:20:44,320 --> 00:20:46,920 Speaker 2: That's where he disappeared. When you don't get a little 425 00:20:46,960 --> 00:20:48,800 Speaker 2: bit of work done so I can come back and 426 00:20:48,920 --> 00:20:50,240 Speaker 2: slip through the crakes. 427 00:20:50,520 --> 00:20:54,199 Speaker 4: No, no, I'm pretty confident it's not the real. But 428 00:20:54,600 --> 00:20:58,040 Speaker 4: that is a phenomenal dopple gang pretty the honey Badger. 429 00:20:58,160 --> 00:21:00,639 Speaker 4: And I would go as far to say, and I 430 00:21:00,720 --> 00:21:04,919 Speaker 4: know I'm making an assumption here, I would suggest that Ben, 431 00:21:05,800 --> 00:21:09,720 Speaker 4: given he looks so much like the honey Badger, would 432 00:21:09,960 --> 00:21:14,159 Speaker 4: use that when he goes out to assist him in picking. 433 00:21:13,960 --> 00:21:17,960 Speaker 2: Up What are you mean and what's what's he saying? 434 00:21:18,200 --> 00:21:21,600 Speaker 4: I am saying that he would deliberately try and look 435 00:21:21,720 --> 00:21:24,359 Speaker 4: like the honey badger to try and get the attention 436 00:21:24,440 --> 00:21:25,080 Speaker 4: of females. 437 00:21:25,520 --> 00:21:26,919 Speaker 2: But he is not the honey badger. 438 00:21:27,400 --> 00:21:30,160 Speaker 4: No, I know, And that's the whole point. 439 00:21:31,520 --> 00:21:35,199 Speaker 2: You'll look like so you're saying. They see him from 440 00:21:35,200 --> 00:21:36,119 Speaker 2: a distance. 441 00:21:37,840 --> 00:21:39,440 Speaker 4: And he would be trying to look at the honey badger, 442 00:21:40,800 --> 00:21:44,240 Speaker 4: try and work were on or something, or they walk 443 00:21:44,320 --> 00:21:46,199 Speaker 4: over to him, but then he's not the honey badger. 444 00:21:46,320 --> 00:21:49,280 Speaker 4: But then they go, oh, well you're pretty close. Can 445 00:21:49,320 --> 00:21:53,040 Speaker 4: I buy you a drink? Now you're laughing, I am, 446 00:21:53,200 --> 00:21:54,080 Speaker 4: I know you're laughing. 447 00:21:54,240 --> 00:21:56,600 Speaker 3: I'm I'm doubtful because I think it would definitely work 448 00:21:56,640 --> 00:21:57,080 Speaker 3: the other way. 449 00:21:57,119 --> 00:21:58,520 Speaker 2: They might go, I think it's the honey badger. 450 00:21:58,600 --> 00:21:59,040 Speaker 4: The rock up. 451 00:21:59,080 --> 00:22:01,720 Speaker 2: They get there and then they go, it's not true. 452 00:22:03,000 --> 00:22:05,440 Speaker 4: It could go badly good. I think there are people 453 00:22:05,440 --> 00:22:07,600 Speaker 4: out there. Thirteen one oh six five is our number. 454 00:22:07,720 --> 00:22:07,880 Speaker 2: YEP. 455 00:22:08,200 --> 00:22:10,160 Speaker 4: I think there are people out there that can confirm 456 00:22:10,200 --> 00:22:13,760 Speaker 4: this assumption that I'm making, Do you look like someone 457 00:22:13,880 --> 00:22:18,840 Speaker 4: famous and then really try to amp up how much 458 00:22:18,880 --> 00:22:21,560 Speaker 4: you look like this person and use it to get 459 00:22:21,600 --> 00:22:22,520 Speaker 4: the attention of people. 460 00:22:23,280 --> 00:22:23,840 Speaker 2: Surely not. 461 00:22:24,520 --> 00:22:27,639 Speaker 4: I put to you that you used to try and 462 00:22:27,680 --> 00:22:30,560 Speaker 4: look like Leonardo. It's true. Will thought he looked a 463 00:22:30,560 --> 00:22:34,040 Speaker 4: little bit like Leonardo DiCaprio when he was younger. I 464 00:22:34,160 --> 00:22:36,679 Speaker 4: never thought I looked, And then all of a sudden, 465 00:22:36,680 --> 00:22:38,720 Speaker 4: you were dressing like him in inception. 466 00:22:39,280 --> 00:22:43,159 Speaker 2: Mate, that is not the slice of that's true. You 467 00:22:43,200 --> 00:22:44,280 Speaker 2: squinted your eyes a lot. 468 00:22:44,440 --> 00:22:47,439 Speaker 3: Is true. Was very contentious for a long time, was 469 00:22:47,480 --> 00:22:49,920 Speaker 3: the fact that you copied Nat Five's haircut and started 470 00:22:49,960 --> 00:22:51,920 Speaker 3: hanging out in Fremantle for a while we were in Perth. 471 00:22:53,280 --> 00:22:57,200 Speaker 4: Now we all know that five copied my The only 472 00:22:57,240 --> 00:23:01,159 Speaker 4: person I look like is Ellen degenerous, unfortunately, and that 473 00:23:01,240 --> 00:23:03,080 Speaker 4: doesn't work very well unfortunately on the streets. 474 00:23:03,160 --> 00:23:05,240 Speaker 1: Yeah, thirty one six five is the number I want 475 00:23:05,240 --> 00:23:07,000 Speaker 1: to know. Do you look like someone. 476 00:23:06,760 --> 00:23:09,320 Speaker 4: Really famous and then use it to get the attention 477 00:23:09,359 --> 00:23:12,800 Speaker 4: of people. We've got Josh here, Josh made your friend 478 00:23:12,880 --> 00:23:14,080 Speaker 4: looks like a sports player. 479 00:23:15,160 --> 00:23:17,720 Speaker 8: That's it, mate, Yeah, I got it. Mate, who looks 480 00:23:17,760 --> 00:23:20,120 Speaker 8: like Kurt Tippet you to play for the Sydney One. 481 00:23:20,240 --> 00:23:22,040 Speaker 4: Oh wow roaster, Yeah very good. 482 00:23:22,119 --> 00:23:24,359 Speaker 2: Yeah wow, same as well because he's a he's a 483 00:23:24,359 --> 00:23:24,760 Speaker 2: big blow. 484 00:23:25,680 --> 00:23:26,640 Speaker 4: Yeah yeah, similar. 485 00:23:27,600 --> 00:23:30,120 Speaker 8: But we're on a footy trip three or four years ago, 486 00:23:30,960 --> 00:23:32,879 Speaker 8: and you know, mate, still on the right thing we 487 00:23:33,320 --> 00:23:35,800 Speaker 8: pretended to, you know, go up and get autographs for 488 00:23:35,920 --> 00:23:37,000 Speaker 8: him in front of girls and. 489 00:23:36,960 --> 00:23:40,840 Speaker 3: Get so you've built you've built the mystery and that 490 00:23:40,840 --> 00:23:44,200 Speaker 3: that helps, and then Josh and then yeah. 491 00:23:44,000 --> 00:23:45,920 Speaker 8: And then uh, you know, I worked straight for him, 492 00:23:45,920 --> 00:23:47,199 Speaker 8: So all the girls have come up to. 493 00:23:47,240 --> 00:23:50,960 Speaker 2: Him and you know, wow about job. 494 00:23:51,040 --> 00:23:53,080 Speaker 4: Was there ever a moment though Josh Burry goes, hey, 495 00:23:53,119 --> 00:23:55,639 Speaker 4: by the way, I'm not actually Kurt Tippet or. 496 00:23:56,480 --> 00:23:57,520 Speaker 8: Nah, no, none of that. 497 00:24:01,960 --> 00:24:02,280 Speaker 4: About it? 498 00:24:02,560 --> 00:24:04,680 Speaker 2: Better one who vives the number, if you know. 499 00:24:04,880 --> 00:24:07,200 Speaker 3: Of or if you are somebody who looks so much 500 00:24:07,359 --> 00:24:09,359 Speaker 3: like a celebrity that you've been able to trade in 501 00:24:09,440 --> 00:24:09,720 Speaker 3: off it. 502 00:24:09,880 --> 00:24:10,879 Speaker 2: We're taking those calls. 503 00:24:10,960 --> 00:24:12,919 Speaker 4: He got Nellie here, Nelly, who do you look like 504 00:24:14,359 --> 00:24:15,480 Speaker 4: Scarlet Johansson. 505 00:24:15,560 --> 00:24:19,199 Speaker 3: I've been told wow, but Nellie, not so much that 506 00:24:19,280 --> 00:24:20,679 Speaker 3: somebody thought you were Scarlet. 507 00:24:20,680 --> 00:24:21,199 Speaker 2: You're Hansen. 508 00:24:21,320 --> 00:24:22,520 Speaker 9: No to that extent. 509 00:24:23,400 --> 00:24:25,840 Speaker 7: At some point it started, maybe when I was eighteen. 510 00:24:26,280 --> 00:24:28,919 Speaker 7: Every time i'd meet someone new, well, you look like 511 00:24:29,000 --> 00:24:34,280 Speaker 7: Scarlett Johanson. So when the Avengers movie came out, Black Widow, Yeah, 512 00:24:34,400 --> 00:24:36,359 Speaker 7: my best friend and I did a bet. I cut 513 00:24:36,359 --> 00:24:39,040 Speaker 7: my hair short, put the red in it, went to 514 00:24:39,080 --> 00:24:42,040 Speaker 7: walk around Crown. I mean, it wasn't like I had 515 00:24:42,160 --> 00:24:44,840 Speaker 7: people approach me and then go to say something and 516 00:24:44,840 --> 00:24:46,040 Speaker 7: then realize I'm not her. 517 00:24:46,440 --> 00:24:50,399 Speaker 2: Wow, but then walk up to you, Scarlet your handsen, Nelly? 518 00:24:50,640 --> 00:24:51,440 Speaker 4: Yeah wow. 519 00:24:52,160 --> 00:24:54,480 Speaker 10: I've had someone go oh, she's. 520 00:24:54,320 --> 00:25:00,080 Speaker 2: Like international souse. Jeez, jeez, wow, Nellie. Can you can 521 00:25:00,080 --> 00:25:00,520 Speaker 2: you do as. 522 00:25:00,400 --> 00:25:02,679 Speaker 3: A favorite because I've got to see this, like, not 523 00:25:02,680 --> 00:25:03,840 Speaker 3: that I don't take your word for it, but I 524 00:25:03,840 --> 00:25:05,200 Speaker 3: think everybody else would like to see it. Can you 525 00:25:05,240 --> 00:25:07,480 Speaker 3: send us a photo to William Woody on Instagram or Facebook? 526 00:25:07,480 --> 00:25:09,199 Speaker 4: Please, no problem. 527 00:25:09,200 --> 00:25:12,480 Speaker 3: Whichever photo, whichever you can curate, whichever photo you want. 528 00:25:12,600 --> 00:25:15,560 Speaker 4: Maybe in the blow like the Black Widow outfit. Maybe 529 00:25:16,760 --> 00:25:18,159 Speaker 4: I do have one photo. 530 00:25:18,359 --> 00:25:19,400 Speaker 2: Maybe not in the Blackwidow outfit. 531 00:25:19,440 --> 00:25:26,320 Speaker 3: I think that sounds a bit creepy, creepy whatever, something safe? Sorry, Yeah, 532 00:25:26,359 --> 00:25:28,399 Speaker 3: like you know, just go for jeans and a jumper. 533 00:25:29,000 --> 00:25:30,600 Speaker 2: Sure, I've actually got. 534 00:25:30,440 --> 00:25:33,240 Speaker 7: A photo sitting around somewhere with my room and air 535 00:25:33,280 --> 00:25:34,280 Speaker 7: and a black dress. 536 00:25:34,359 --> 00:25:36,360 Speaker 2: No, no, no, you know we're not requesting the bake 537 00:25:36,440 --> 00:25:37,399 Speaker 2: dress though that I. 538 00:25:37,440 --> 00:25:39,080 Speaker 4: Already got it. She's already got it. So we're all 539 00:25:39,119 --> 00:25:43,240 Speaker 4: you know, we're all safe here, and we'll put that 540 00:25:43,280 --> 00:25:46,159 Speaker 4: photo on our instagram. That's that's fine, thank you, Nellie. 541 00:25:50,800 --> 00:25:54,040 Speaker 4: I'll admit its creepy when I requested the black widow 542 00:25:54,080 --> 00:25:59,359 Speaker 4: outfit and I revoked. 543 00:25:57,920 --> 00:26:01,560 Speaker 1: Could we get you in the she overed up the 544 00:26:01,560 --> 00:26:03,240 Speaker 1: black dress and I've. 545 00:26:02,760 --> 00:26:04,160 Speaker 2: Seen the movie. 546 00:26:06,880 --> 00:26:09,080 Speaker 3: I don't want to see the photo though our instagrams 547 00:26:09,080 --> 00:26:13,040 Speaker 3: and placement where you can check that out, hopefully, very 548 00:26:13,080 --> 00:26:17,639 Speaker 3: surely would throw really controversial stuff this afternoon all across today. 549 00:26:17,720 --> 00:26:21,000 Speaker 3: Really the Sydney Opera House, which is really just a 550 00:26:21,080 --> 00:26:22,359 Speaker 3: symbol of our nation if. 551 00:26:22,400 --> 00:26:24,840 Speaker 2: You're not from Sydney. In fact, I'm going to say. 552 00:26:24,800 --> 00:26:27,560 Speaker 3: If people foreigners, if they're going to mention one thing 553 00:26:27,560 --> 00:26:29,160 Speaker 3: in Australia, it's got to be in the top three 554 00:26:29,280 --> 00:26:31,600 Speaker 3: five things that people mention when they talk about Australia. 555 00:26:32,440 --> 00:26:34,520 Speaker 2: Absolutely, it's iconic. 556 00:26:34,280 --> 00:26:39,600 Speaker 4: Big pineapple, big banana, opera house. Universally, they are the 557 00:26:39,600 --> 00:26:40,320 Speaker 4: three things of people. 558 00:26:40,400 --> 00:26:42,040 Speaker 2: That's right, that's right. 559 00:26:42,520 --> 00:26:44,520 Speaker 1: Nay, all mentioned to the Big Lobster which is in 560 00:26:44,600 --> 00:26:45,680 Speaker 1: South Australia. 561 00:26:45,400 --> 00:26:48,399 Speaker 3: Big Marino and Victoria, all these wonderful objects. 562 00:26:48,440 --> 00:26:51,600 Speaker 2: But the Opera House probably takes the case. Yes that 563 00:26:51,760 --> 00:26:54,679 Speaker 2: and maybe Ularu Yeah, great barrier reef. I mean we 564 00:26:54,720 --> 00:26:55,239 Speaker 2: could go on. 565 00:26:55,320 --> 00:26:57,640 Speaker 4: Okay, it's top ten. It's surely in the top ten. 566 00:26:57,840 --> 00:26:59,960 Speaker 2: Just mal Boys in there somewhere as well, but huge, 567 00:27:00,320 --> 00:27:00,760 Speaker 2: no doubt. 568 00:27:02,240 --> 00:27:06,400 Speaker 3: But the point is that it's an iconic, iconic structure 569 00:27:06,640 --> 00:27:08,840 Speaker 3: which has heritage, which has history, which is. 570 00:27:08,800 --> 00:27:09,960 Speaker 2: Devoted to the arts. 571 00:27:10,600 --> 00:27:13,520 Speaker 3: And today the government in New South Wales or over 572 00:27:13,520 --> 00:27:15,280 Speaker 3: the weekend the Government New South Wales, it was revealed 573 00:27:15,320 --> 00:27:19,879 Speaker 3: that they have ordered ordered the Opera House to accept 574 00:27:19,920 --> 00:27:23,359 Speaker 3: an application from Racing New South Wales to put up Essentially, 575 00:27:23,800 --> 00:27:25,960 Speaker 3: I'm not it is an ad. It's a promotion for 576 00:27:26,000 --> 00:27:28,320 Speaker 3: the Everest Cup, which is obviously a race, a race 577 00:27:28,520 --> 00:27:29,440 Speaker 3: or horse racing race. 578 00:27:29,480 --> 00:27:32,879 Speaker 2: I should say not happy. 579 00:27:32,960 --> 00:27:36,560 Speaker 3: Jan one hundred and seventy thousand signatures. They've got to 580 00:27:36,640 --> 00:27:38,080 Speaker 3: try and petition against this thing. 581 00:27:38,240 --> 00:27:39,000 Speaker 4: Plenty of backlash. 582 00:27:39,080 --> 00:27:42,640 Speaker 2: Yes, Gomo reckons it's not a bad idea. 583 00:27:42,760 --> 00:27:44,960 Speaker 11: Why not put it on the biggest billboard Sydney has 584 00:27:45,160 --> 00:27:47,600 Speaker 11: this is about advertising one of the biggest events that 585 00:27:47,680 --> 00:27:50,320 Speaker 11: New South Wales holds. I frankly I thought it was 586 00:27:50,359 --> 00:27:52,160 Speaker 11: a bit of a no brainer. I can't work out 587 00:27:52,160 --> 00:27:53,119 Speaker 11: what all the fuss is about. 588 00:27:53,240 --> 00:27:55,119 Speaker 4: And Scimo's actually talked to me around I mean, I 589 00:27:55,160 --> 00:27:59,360 Speaker 4: agree with him. He very quickly got me and well 590 00:27:59,400 --> 00:28:02,360 Speaker 4: done Schimo, because he's right, you know, like it's it's 591 00:28:02,359 --> 00:28:04,720 Speaker 4: a huge landmark and why not make a bit of 592 00:28:04,800 --> 00:28:08,159 Speaker 4: cagey by selling enough to promote something. 593 00:28:08,280 --> 00:28:10,560 Speaker 3: So I think it also depends what you're promoting. Though 594 00:28:10,680 --> 00:28:14,000 Speaker 3: it's a horse race, I mean sigeanically, I do ethically 595 00:28:14,400 --> 00:28:18,480 Speaker 3: a bit challenging. It's also challenging the Heritage Act. Alan 596 00:28:18,600 --> 00:28:20,760 Speaker 3: Jones has been petitioning for it. I don't know if 597 00:28:20,800 --> 00:28:23,679 Speaker 3: you want to position yourself all our show in that place. 598 00:28:23,840 --> 00:28:26,320 Speaker 2: Okay, so I don't condone wood his comments. 599 00:28:26,320 --> 00:28:30,720 Speaker 4: Okay, all right, well maybe I revoke my comments. But look, 600 00:28:31,760 --> 00:28:34,719 Speaker 4: I think it's awful that they're putting I actually I've 601 00:28:34,720 --> 00:28:38,600 Speaker 4: flipped again and then stuff yourko. I think it's absolutely deplorable. 602 00:28:38,640 --> 00:28:42,240 Speaker 1: Will it's the Heritage Act, it's an icon of Australia 603 00:28:42,280 --> 00:28:43,720 Speaker 1: and how dare they bloody yourself? 604 00:28:43,800 --> 00:28:47,360 Speaker 3: And it's the vibe, but it has inspired me and 605 00:28:47,800 --> 00:28:50,960 Speaker 3: what I'm offering right now our numbers thirteen one oh 606 00:28:51,040 --> 00:28:51,680 Speaker 3: six five. 607 00:28:53,040 --> 00:28:57,480 Speaker 1: One of the greatest bits of real estate for marketing 608 00:28:57,640 --> 00:29:02,800 Speaker 1: in all of Australia is your forehead. It is a 609 00:29:03,000 --> 00:29:06,120 Speaker 1: massive forehead. You've got one of the biggest foreheads in Australia. 610 00:29:06,200 --> 00:29:10,520 Speaker 3: I think I have scientifically the largest head of anyone 611 00:29:10,560 --> 00:29:11,920 Speaker 3: I've ever met. 612 00:29:12,040 --> 00:29:12,800 Speaker 2: I've ever met. 613 00:29:12,960 --> 00:29:14,560 Speaker 4: Yeah, it's a real pumpkinhead. 614 00:29:14,800 --> 00:29:17,160 Speaker 3: I went and buy some fresh goggles today and the 615 00:29:17,240 --> 00:29:20,720 Speaker 3: guy looked at me apologetically and genuinely said. 616 00:29:21,360 --> 00:29:24,720 Speaker 4: Sorry, mate, none again. I can't do it. We don't 617 00:29:24,760 --> 00:29:25,200 Speaker 4: have the strength. 618 00:29:27,480 --> 00:29:30,640 Speaker 2: I have a huge piece of real estate above. 619 00:29:30,360 --> 00:29:34,640 Speaker 3: My eyes and it is as broad and it is 620 00:29:34,680 --> 00:29:36,320 Speaker 3: as visible as the opera house. 621 00:29:36,520 --> 00:29:38,360 Speaker 4: Yeah, apparently you can see it from the moon. It's 622 00:29:38,360 --> 00:29:39,720 Speaker 4: one of the few things you can see from the moon. 623 00:29:39,760 --> 00:29:42,880 Speaker 4: Thirty five. If you're a company, or if you're just 624 00:29:42,960 --> 00:29:47,040 Speaker 4: wanting to promote something, I've brought in me projector from home. 625 00:29:47,080 --> 00:29:50,680 Speaker 4: I've brought it into the studio. Here we will project 626 00:29:51,160 --> 00:29:55,840 Speaker 4: whatever you want to promote on Will's forehead for the 627 00:29:55,840 --> 00:29:56,680 Speaker 4: rest of the show. 628 00:29:57,680 --> 00:30:00,800 Speaker 2: How hot is this thing? Because it's about inderously off. 629 00:30:01,360 --> 00:30:03,600 Speaker 3: Just paint the picture from this is thirty centimators from 630 00:30:03,600 --> 00:30:04,120 Speaker 3: my face. 631 00:30:04,320 --> 00:30:07,600 Speaker 4: You will probably get sunburnt. Do you have sunscreen? We'll 632 00:30:07,600 --> 00:30:08,800 Speaker 4: put some sunscreen on you. 633 00:30:08,880 --> 00:30:10,080 Speaker 2: I've got sunglasses. 634 00:30:10,160 --> 00:30:13,040 Speaker 4: Maybe you just want to promote your Tinder profile. If 635 00:30:13,080 --> 00:30:15,840 Speaker 4: you've got a tender profile, you send it to us 636 00:30:15,840 --> 00:30:17,440 Speaker 4: and we will put it on Will's fore head. 637 00:30:17,520 --> 00:30:19,760 Speaker 3: If you've got a gum tree ad, if you've got 638 00:30:19,760 --> 00:30:21,320 Speaker 3: a party this weekend. 639 00:30:21,040 --> 00:30:26,240 Speaker 4: Trying to sell a car, we'll promote that on Wills. 640 00:30:26,640 --> 00:30:29,320 Speaker 2: If you haven't added that, you would lying on my forheage. 641 00:30:30,240 --> 00:30:30,760 Speaker 2: We will. 642 00:30:32,120 --> 00:30:35,400 Speaker 3: Take calls and then we're going to project them because look, 643 00:30:35,600 --> 00:30:39,240 Speaker 3: the Opera House, it's just it's too controversial right now. 644 00:30:39,240 --> 00:30:42,280 Speaker 2: Guys. We're not sure whether the Everest. 645 00:30:41,960 --> 00:30:44,240 Speaker 3: Cup's even going to get up there, but we've gotten 646 00:30:44,320 --> 00:30:45,920 Speaker 3: alternative to diffuse the situation. 647 00:30:46,080 --> 00:30:47,320 Speaker 2: If Racing New South. 648 00:30:47,080 --> 00:30:48,560 Speaker 3: Wales want to get in touch with this and the 649 00:30:48,600 --> 00:30:51,600 Speaker 3: Opera House has shut them down, give us a tinkle. 650 00:30:51,920 --> 00:30:53,920 Speaker 3: I'll put the bloody Everest cup on my face. 651 00:30:54,040 --> 00:30:55,320 Speaker 4: It's not controversial at all. 652 00:30:55,400 --> 00:30:57,360 Speaker 2: I'll put the everesk. I'll put a cup on my face. 653 00:30:57,440 --> 00:30:58,960 Speaker 4: Well, you put a cup on your face. Put a 654 00:30:58,960 --> 00:31:01,480 Speaker 4: horse on my face, on your face, Will, I would, 655 00:31:01,520 --> 00:31:03,800 Speaker 4: and that's what we're saying. We're complete. So Will's forehead 656 00:31:03,880 --> 00:31:05,960 Speaker 4: is a sellout. It is, let's explain it. 657 00:31:06,040 --> 00:31:07,920 Speaker 3: I'm only take, We're only taking. I mean, this is 658 00:31:07,960 --> 00:31:09,280 Speaker 3: gonna be a bit of a competition here. You've got 659 00:31:09,320 --> 00:31:11,640 Speaker 3: to tell us why you want my face of course, yeah, yeah, 660 00:31:11,680 --> 00:31:13,920 Speaker 3: thirty one and sixty five, we've got the projector the 661 00:31:14,000 --> 00:31:17,080 Speaker 3: Opera House appears to be unavailable, but an equally iconic 662 00:31:17,120 --> 00:31:19,200 Speaker 3: Australian icon is my forehead. 663 00:31:19,560 --> 00:31:24,240 Speaker 4: It's huge, absolute, it's yeah. 664 00:31:23,840 --> 00:31:26,000 Speaker 2: We're going to take calls up next. What would you 665 00:31:26,080 --> 00:31:27,280 Speaker 2: like to project. 666 00:31:26,880 --> 00:31:30,560 Speaker 3: On my phone and we can see this, we'll put 667 00:31:30,600 --> 00:31:32,480 Speaker 3: it on Instagram with them, would be very very shortly, 668 00:31:32,520 --> 00:31:33,520 Speaker 3: which I've gone a. 669 00:31:33,520 --> 00:31:37,040 Speaker 4: Huge head, one of the biggest foreheads in all of 670 00:31:37,160 --> 00:31:38,840 Speaker 4: the world. And well, look, we just thought with all 671 00:31:38,840 --> 00:31:42,560 Speaker 4: this controversy that is erupting over the Sydney Opera House 672 00:31:42,600 --> 00:31:47,520 Speaker 4: potentially getting some advertisement for a horse race projected onto it, 673 00:31:47,560 --> 00:31:50,040 Speaker 4: which we're both just confirmed we are very against it. 674 00:31:50,280 --> 00:31:52,760 Speaker 2: Well you weren't previously, but any. 675 00:31:52,560 --> 00:31:54,640 Speaker 4: Words that were said to the effect of me supporting 676 00:31:54,640 --> 00:31:58,160 Speaker 4: the idea prior to the song completely revoked. Yeah, but 677 00:31:58,200 --> 00:32:01,520 Speaker 4: it has still inspired us that. But what's not controversial 678 00:32:01,600 --> 00:32:03,760 Speaker 4: is projecting an advertisement on your forehead. 679 00:32:03,960 --> 00:32:06,680 Speaker 3: Well, look, the Sydney Opera House is a Heritage listed 680 00:32:07,520 --> 00:32:10,480 Speaker 3: and a real hallmark. 681 00:32:10,640 --> 00:32:11,920 Speaker 2: Of the arts. 682 00:32:11,760 --> 00:32:15,000 Speaker 3: It's a beautiful building, which is which is not shouldn't 683 00:32:15,040 --> 00:32:21,280 Speaker 3: be used. We don't think for commercialation. However, your forehead, 684 00:32:21,400 --> 00:32:24,200 Speaker 3: my forehead hasn't really ever had a purpose. 685 00:32:24,440 --> 00:32:26,600 Speaker 4: So on thirteen one oh sixty five. 686 00:32:27,920 --> 00:32:30,400 Speaker 2: We didn't advertise enough on the show anyway, I don't 687 00:32:30,440 --> 00:32:30,680 Speaker 2: think so. 688 00:32:31,320 --> 00:32:34,560 Speaker 4: Perst time, we took advantage of your forehead thirteen one 689 00:32:34,560 --> 00:32:37,760 Speaker 4: oh sixty five. If you want to promote anything, we're 690 00:32:37,800 --> 00:32:40,240 Speaker 4: taking those calls now. We will only choose one thing though, 691 00:32:40,280 --> 00:32:43,360 Speaker 4: to project onto your forehead for the rest of the show. 692 00:32:43,400 --> 00:32:44,920 Speaker 4: And this can be anything, can be a company, it 693 00:32:44,920 --> 00:32:47,320 Speaker 4: can be your tender profile. Maybe you're trying to sell 694 00:32:47,360 --> 00:32:51,000 Speaker 4: your car, gum tree items, whatever. Thirteen one oh sixty 695 00:32:51,040 --> 00:32:52,080 Speaker 4: five is the number. 696 00:32:51,960 --> 00:32:53,920 Speaker 3: You might just be proud of something woulds like you 697 00:32:54,000 --> 00:32:56,560 Speaker 3: might have just, you know, put together a veggie patch 698 00:32:56,600 --> 00:32:58,080 Speaker 3: over the weekend. Maybe you want to take a photo 699 00:32:58,120 --> 00:33:00,280 Speaker 3: of the veggie patch and send it to us. I'll 700 00:33:00,320 --> 00:33:02,000 Speaker 3: projected buddy Vegie patch on my forehead. 701 00:33:02,040 --> 00:33:03,520 Speaker 4: Of course. Well, you don't have a choice in the matter. 702 00:33:03,600 --> 00:33:07,680 Speaker 4: We will project anything onto your forehead. We've got Olivia 703 00:33:07,760 --> 00:33:08,760 Speaker 4: who's given us her ring. 704 00:33:08,760 --> 00:33:10,160 Speaker 3: Olivia, I'm going to say this has go on our 705 00:33:10,200 --> 00:33:12,720 Speaker 3: Instagram as well, so you'll be able to sproak whatever 706 00:33:12,760 --> 00:33:13,200 Speaker 3: it is there. 707 00:33:13,640 --> 00:33:18,080 Speaker 4: Yeah, Olivia, what do you want projected onto Will's forehead? 708 00:33:18,920 --> 00:33:23,880 Speaker 5: I'd love to have put my bright, hot pink business sign, 709 00:33:23,920 --> 00:33:24,920 Speaker 5: which is Sugar. 710 00:33:24,640 --> 00:33:27,920 Speaker 2: Princess, shame craft of the cake, Sugar Princess. 711 00:33:28,600 --> 00:33:32,840 Speaker 5: Yeah, we make specially cakes. 712 00:33:30,360 --> 00:33:34,240 Speaker 2: And all right, so Sugar Princess like, yeah. 713 00:33:34,040 --> 00:33:36,160 Speaker 4: All right, so it'll be it'll be hot. 714 00:33:36,200 --> 00:33:37,960 Speaker 2: Pin the Sugar Princess for it. 715 00:33:38,040 --> 00:33:38,440 Speaker 4: It'll be hot. 716 00:33:38,640 --> 00:33:40,920 Speaker 3: We've got the projector in the studio. By the way, guys, 717 00:33:40,920 --> 00:33:43,800 Speaker 3: this is it's hot. It's thirty centimeters from my face 718 00:33:43,880 --> 00:33:44,280 Speaker 3: right now. 719 00:33:44,320 --> 00:33:45,880 Speaker 4: I am worried you're going to get a sunburn. 720 00:33:45,920 --> 00:33:48,240 Speaker 3: You can see this online Will and Woody very very 721 00:33:48,240 --> 00:33:49,320 Speaker 3: shortly thanks to the call live. 722 00:33:49,360 --> 00:33:49,760 Speaker 7: I like that. 723 00:33:50,600 --> 00:33:52,560 Speaker 4: Sugar Princess is a nice touch. I think pink would 724 00:33:52,560 --> 00:33:53,520 Speaker 4: look good on your forehead. 725 00:33:53,640 --> 00:33:55,520 Speaker 2: Thanks man, Sugar Princess. 726 00:33:55,520 --> 00:33:58,240 Speaker 4: It'll match the sunburn that you've got after a projector 727 00:33:58,520 --> 00:33:59,840 Speaker 4: is on your forehead. 728 00:33:59,480 --> 00:34:00,000 Speaker 2: For half an hour. 729 00:34:00,440 --> 00:34:05,920 Speaker 4: We've got Renee here, Renee. What's your company? My company 730 00:34:06,120 --> 00:34:08,279 Speaker 4: is a hot sauce called shit. 731 00:34:08,160 --> 00:34:08,840 Speaker 3: The bed. 732 00:34:10,680 --> 00:34:11,520 Speaker 2: Oh, Renee. 733 00:34:11,800 --> 00:34:14,600 Speaker 12: I've made some of your hot source that is hot, 734 00:34:14,800 --> 00:34:17,920 Speaker 12: that is so you would like on you would like 735 00:34:18,040 --> 00:34:23,359 Speaker 12: on my forehead shah, which is brilliant, that is very 736 00:34:23,400 --> 00:34:24,520 Speaker 12: funny in company. 737 00:34:24,800 --> 00:34:26,239 Speaker 2: Yeah, I think it'd look great. 738 00:34:26,320 --> 00:34:26,880 Speaker 5: Yeah. 739 00:34:26,920 --> 00:34:28,879 Speaker 2: I think the beds currently in the lead. 740 00:34:29,000 --> 00:34:30,960 Speaker 4: I also think that would look amazing, brilliant. 741 00:34:30,960 --> 00:34:32,800 Speaker 3: Thanks for the coren A man will take a photos 742 00:34:32,800 --> 00:34:34,080 Speaker 3: and put it on Instagram as well. 743 00:34:34,719 --> 00:34:39,000 Speaker 2: Benadette's given us called Benedette. Hi guy, Okay, going good mates, 744 00:34:39,040 --> 00:34:40,560 Speaker 2: We've got the projector in the studio. 745 00:34:40,920 --> 00:34:45,239 Speaker 3: A chance to project something onto my forehead because you 746 00:34:45,239 --> 00:34:46,480 Speaker 3: won't get this in the opera house. 747 00:34:46,800 --> 00:34:47,319 Speaker 2: What do you want? 748 00:34:47,880 --> 00:34:49,400 Speaker 5: This is much better than your opera house. I mean, 749 00:34:49,400 --> 00:34:51,839 Speaker 5: you're the most gorgeous face in the world, so what better. 750 00:34:51,880 --> 00:34:56,479 Speaker 5: Everyone's going to be looking at your face. So we've 751 00:34:56,480 --> 00:34:59,959 Speaker 5: got our sank Justin's Country Fair. On the twenty seven 752 00:35:00,160 --> 00:35:03,439 Speaker 5: of October, we're in Iron Park. I'm just giving a 753 00:35:03,480 --> 00:35:04,000 Speaker 5: free plug. 754 00:35:04,040 --> 00:35:04,400 Speaker 2: There you go. 755 00:35:04,440 --> 00:35:05,600 Speaker 5: Everyone at the same time. 756 00:35:08,600 --> 00:35:11,439 Speaker 3: So you would like on my forehead Saint Justin's country Fair. 757 00:35:12,160 --> 00:35:12,880 Speaker 5: I would love it. 758 00:35:12,960 --> 00:35:15,120 Speaker 2: Is there a picture or just just a word, a 759 00:35:15,160 --> 00:35:16,000 Speaker 2: slogan or something. 760 00:35:16,760 --> 00:35:18,640 Speaker 5: I've got a logo. If you make up any slogan 761 00:35:18,719 --> 00:35:20,440 Speaker 5: you want for it, as long as it gets us 762 00:35:20,440 --> 00:35:21,440 Speaker 5: a good plug. I don't care. 763 00:35:21,560 --> 00:35:23,239 Speaker 3: Sounds like you're just given a good plug on national 764 00:35:23,360 --> 00:35:26,920 Speaker 3: radio anyway. But Justin's Country Fair, all right? Thanks to 765 00:35:26,960 --> 00:35:29,759 Speaker 3: the call, Bernadette Woods. You want ship to bet on 766 00:35:29,760 --> 00:35:31,239 Speaker 3: my throat? I do. 767 00:35:32,080 --> 00:35:35,880 Speaker 4: We're getting a photo and thank you Renee. That is 768 00:35:35,880 --> 00:35:40,080 Speaker 4: this is a huge opportunity for Renee's company. So we've 769 00:35:40,120 --> 00:35:43,160 Speaker 4: got to go to the traffic going to get this. 770 00:35:44,040 --> 00:35:45,799 Speaker 4: But we're going to make sure that we get a 771 00:35:45,800 --> 00:35:48,359 Speaker 4: photo of the hot sauce, which is called Ship the bed, 772 00:35:48,920 --> 00:35:49,600 Speaker 4: and then you're going. 773 00:35:49,600 --> 00:35:54,080 Speaker 2: To have it's going to be projected on it. 774 00:35:54,120 --> 00:35:56,640 Speaker 3: You can check it out Willow Woody Instagram with a photo. 775 00:35:57,040 --> 00:36:01,600 Speaker 3: Very very surely I have projected on my forehead in 776 00:36:01,719 --> 00:36:05,000 Speaker 3: lieu of the Sydney Opera House, I should say Woods. 777 00:36:05,040 --> 00:36:08,680 Speaker 4: That's right where we're very against any projection on the 778 00:36:08,719 --> 00:36:10,920 Speaker 4: Sydney Opera House. But what we are very four is 779 00:36:11,040 --> 00:36:14,520 Speaker 4: selling anything onto your humongous forehead. 780 00:36:14,080 --> 00:36:17,120 Speaker 3: Which is equally as large as one of the sales 781 00:36:17,440 --> 00:36:18,319 Speaker 3: on the opera house. 782 00:36:18,360 --> 00:36:20,160 Speaker 2: So this is a fair trade people. 783 00:36:20,000 --> 00:36:22,839 Speaker 4: It definitely is. And congratulations to Renee from a hot 784 00:36:22,880 --> 00:36:26,680 Speaker 4: sauce that is called shit the Bed, So we have 785 00:36:26,760 --> 00:36:30,160 Speaker 4: projected that onto your forehead, Bunster, Shit the Bed hot 786 00:36:30,160 --> 00:36:33,440 Speaker 4: sauce is plastered across my forehead. 787 00:36:34,040 --> 00:36:36,439 Speaker 3: You can check that out on our Instagram Facebook, Will 788 00:36:36,480 --> 00:36:39,080 Speaker 3: and Woody very very shortly if you wanted to see 789 00:36:39,239 --> 00:36:43,960 Speaker 3: that one. But Woods, yeah, we've got an absolute pleasure 790 00:36:44,640 --> 00:36:47,480 Speaker 3: to play for you guys. 791 00:36:49,000 --> 00:36:51,440 Speaker 2: A bit of a gram from a phone call. 792 00:36:51,320 --> 00:36:55,000 Speaker 3: We made last week right now, now, there was somebody 793 00:36:55,080 --> 00:36:57,440 Speaker 3: contacted us to say that their friend was applying. 794 00:36:57,040 --> 00:36:57,640 Speaker 4: For a job. 795 00:36:57,960 --> 00:37:03,000 Speaker 3: Yes, and we realize that when you are applying for 796 00:37:03,000 --> 00:37:05,280 Speaker 3: a job, you'll do anything together job right, Yes. 797 00:37:05,200 --> 00:37:07,879 Speaker 4: So we call this person who was applying for the job, 798 00:37:07,920 --> 00:37:10,759 Speaker 4: pretending to be someone from the company, yep, to ask 799 00:37:10,800 --> 00:37:13,440 Speaker 4: them curly questions or make them do ridiculous things like 800 00:37:13,600 --> 00:37:16,440 Speaker 4: engage in a hypothetical. I'm just going to give us 801 00:37:16,440 --> 00:37:19,000 Speaker 4: two characters. So you and you and I were husband 802 00:37:19,000 --> 00:37:21,360 Speaker 4: and wife who have just divorced. You basically want the 803 00:37:21,360 --> 00:37:24,520 Speaker 4: microwave back three two one in the scene what do 804 00:37:24,560 --> 00:37:25,320 Speaker 4: you want. 805 00:37:25,400 --> 00:37:27,720 Speaker 2: Put my microwave back? Anyone? 806 00:37:29,160 --> 00:37:32,520 Speaker 5: I worked hard for the microwave, so pluck you're back, please. 807 00:37:32,640 --> 00:37:35,160 Speaker 4: Well Bloody bought the thing, Helen, and you know I 808 00:37:35,200 --> 00:37:37,360 Speaker 4: love Mylene Cuisines. You're bitch. 809 00:37:39,760 --> 00:37:43,640 Speaker 5: Buy me another microwaves then. 810 00:37:43,160 --> 00:37:43,799 Speaker 2: It's so good. 811 00:37:43,880 --> 00:37:46,200 Speaker 3: Well. The reality is that if you're going for a job, 812 00:37:46,280 --> 00:37:50,279 Speaker 3: you're going to do anything on the phone. And more importantly, 813 00:37:50,560 --> 00:37:52,719 Speaker 3: because you're in the position of thinking that it is 814 00:37:52,760 --> 00:37:54,919 Speaker 3: your employee, you're never going to say, hey, I don't 815 00:37:54,960 --> 00:37:56,800 Speaker 3: think that this is you calling. 816 00:37:57,000 --> 00:37:58,960 Speaker 4: That's right. So we have a new number to call 817 00:37:59,160 --> 00:38:01,920 Speaker 4: up next and person stitching up a friend And I 818 00:38:02,239 --> 00:38:07,799 Speaker 4: bet you that you cannot make them sing. Sing that 819 00:38:07,880 --> 00:38:09,759 Speaker 4: is all you have to try and make them sing 820 00:38:10,120 --> 00:38:16,719 Speaker 4: in this faux phone job interview. Sing anything, Jay whis Yeah, I. 821 00:38:16,719 --> 00:38:19,279 Speaker 2: Mean do anything? All right, good luck. 822 00:38:19,680 --> 00:38:23,120 Speaker 3: We have a brand news segment for you guys, which 823 00:38:23,160 --> 00:38:26,879 Speaker 3: is just an absolute blast at the expense of somebody else, 824 00:38:26,920 --> 00:38:27,480 Speaker 3: which is what. 825 00:38:27,480 --> 00:38:28,720 Speaker 2: Our show is really all about. 826 00:38:28,880 --> 00:38:29,400 Speaker 4: Absolutely. 827 00:38:29,480 --> 00:38:32,480 Speaker 2: It's called what would you do for the job? Y 828 00:38:33,440 --> 00:38:36,719 Speaker 2: m job? The position has been filmed. 829 00:38:40,400 --> 00:38:43,920 Speaker 3: Incredible opportunity right now if you've got a friend who's 830 00:38:44,000 --> 00:38:47,840 Speaker 3: going for a job. We all know how much pressure 831 00:38:47,880 --> 00:38:49,440 Speaker 3: they put on themselves. 832 00:38:48,920 --> 00:38:51,080 Speaker 2: And we all know that they are willing to do 833 00:38:51,520 --> 00:38:52,439 Speaker 2: anything for the job. 834 00:38:52,719 --> 00:38:54,759 Speaker 4: And we really are finding that out as well. So 835 00:38:54,800 --> 00:38:57,080 Speaker 4: if you do have a friend, whether it's your partner, 836 00:38:57,080 --> 00:38:58,560 Speaker 4: it might be your son, it might be a mum 837 00:38:58,560 --> 00:39:01,520 Speaker 4: who's going for a job. Tact Us, Facebook, Instagram, Will 838 00:39:01,560 --> 00:39:07,040 Speaker 4: and Woody for everything. And that's exactly what Alisha did. Yes, 839 00:39:07,400 --> 00:39:10,160 Speaker 4: Alisha got into contact with us and said that her 840 00:39:10,239 --> 00:39:16,440 Speaker 4: friend Ashley was going for a job at Jetstar. So 841 00:39:17,239 --> 00:39:23,279 Speaker 4: we have Ashley's number we do here, which is outstanding. 842 00:39:23,600 --> 00:39:24,920 Speaker 4: And my challenge to you before. 843 00:39:24,760 --> 00:39:26,880 Speaker 3: The show, we're about to read the number out which 844 00:39:26,960 --> 00:39:29,279 Speaker 3: is and we can't do can't we can't do that, 845 00:39:29,400 --> 00:39:29,759 Speaker 3: We can't do. 846 00:39:30,160 --> 00:39:34,520 Speaker 4: The challenge for you is to try and make Ashley 847 00:39:34,920 --> 00:39:39,279 Speaker 4: sing sing. Yeah, you can do whatever. 848 00:39:39,400 --> 00:39:40,600 Speaker 2: I thought you were going to change your mind in 849 00:39:40,600 --> 00:39:41,480 Speaker 2: the song to be honest and. 850 00:39:41,400 --> 00:39:42,880 Speaker 4: That you can do whatever you want to try and 851 00:39:42,920 --> 00:39:44,520 Speaker 4: do that, but you have to try and make her sing. 852 00:39:44,920 --> 00:39:47,839 Speaker 2: Singing is tough, but she wants the job. 853 00:39:47,920 --> 00:39:51,520 Speaker 3: And if our method, if our method is proven here sorry, 854 00:39:51,520 --> 00:39:55,120 Speaker 3: if our reasoning is proven here this she shall do 855 00:39:55,160 --> 00:40:00,680 Speaker 3: it and singings pretty here, We've got a number them. 856 00:40:00,880 --> 00:40:07,160 Speaker 2: I'll be Jered Jared Stevens from HR. 857 00:40:07,640 --> 00:40:10,680 Speaker 4: Going, it's Jared Stevens here from my char deep serious 858 00:40:11,480 --> 00:40:12,320 Speaker 4: here jet Star. 859 00:40:12,640 --> 00:40:17,920 Speaker 2: Could actually it's Jaed Yeah, ok, we'll give it a go. 860 00:40:17,920 --> 00:40:27,960 Speaker 2: Good luck, Okay, here we go. Hello, yeah, gooda there 861 00:40:28,000 --> 00:40:28,560 Speaker 2: is that? Actually? 862 00:40:29,360 --> 00:40:29,560 Speaker 4: Yeah? 863 00:40:29,760 --> 00:40:32,520 Speaker 3: Actually Jared Stevens from the CHAR department at Jet Start, 864 00:40:32,600 --> 00:40:34,080 Speaker 3: just wondering if you had a second have a chat. 865 00:40:34,640 --> 00:40:35,279 Speaker 13: Yeah, what's up? 866 00:40:36,040 --> 00:40:37,799 Speaker 2: You came in forward interview a couple of weeks ago, 867 00:40:37,840 --> 00:40:38,239 Speaker 2: Is that right? 868 00:40:39,480 --> 00:40:39,680 Speaker 8: Yes? 869 00:40:40,400 --> 00:40:40,800 Speaker 2: Beautiful? 870 00:40:40,800 --> 00:40:41,840 Speaker 3: All right, but we're just doing a bit of a 871 00:40:41,880 --> 00:40:45,239 Speaker 3: standard follow up procedure here, as I said through HR, 872 00:40:45,440 --> 00:40:47,200 Speaker 3: just testing your lateral thinking. 873 00:40:47,239 --> 00:40:49,360 Speaker 2: It just for us to place you a little. 874 00:40:49,160 --> 00:40:51,160 Speaker 3: Bit more easily in terms of where we might put 875 00:40:51,160 --> 00:40:54,520 Speaker 3: you here within jet Star going forward. 876 00:40:54,560 --> 00:40:55,360 Speaker 2: Does that make sense. 877 00:40:57,080 --> 00:40:59,400 Speaker 13: I'm meant to be starting training next week. 878 00:40:59,719 --> 00:41:05,600 Speaker 3: Yeah, beautiful, So this is essentially after your training. Oh okay, 879 00:41:05,800 --> 00:41:08,120 Speaker 3: where we can put you. Don't worry, mate, you've got 880 00:41:08,160 --> 00:41:08,560 Speaker 3: the job. 881 00:41:09,040 --> 00:41:11,440 Speaker 2: Worry. We're welcome to Jet Start. 882 00:41:11,080 --> 00:41:12,120 Speaker 8: I don't get it. 883 00:41:12,719 --> 00:41:14,880 Speaker 3: Cool, No, No, you're in, You're in. I'll see your 884 00:41:14,880 --> 00:41:18,719 Speaker 3: team drinks on Friday. Don't worry, all right, So let's 885 00:41:18,719 --> 00:41:21,840 Speaker 3: get into it, shall we. So again, pretty broad questions. 886 00:41:21,880 --> 00:41:23,839 Speaker 3: These might seem a little bit alarming, but just try 887 00:41:23,880 --> 00:41:25,879 Speaker 3: and think on your food if you can, and we'll 888 00:41:25,920 --> 00:41:27,320 Speaker 3: move forward as quickly as possible. 889 00:41:27,560 --> 00:41:27,960 Speaker 2: All right. 890 00:41:28,120 --> 00:41:31,279 Speaker 3: So first question, a customer comes up to you right 891 00:41:31,320 --> 00:41:33,480 Speaker 3: on the plane. I'm actually going to play the customer 892 00:41:33,520 --> 00:41:36,360 Speaker 3: all right, quite quickly, and then I need you to 893 00:41:36,360 --> 00:41:38,479 Speaker 3: just respond to me in the in the moment. 894 00:41:38,520 --> 00:41:39,280 Speaker 2: Okay, are you ready? 895 00:41:39,520 --> 00:41:39,960 Speaker 5: Okay? 896 00:41:40,120 --> 00:41:42,680 Speaker 2: Yeah, customer comes up to you on a plane. 897 00:41:43,800 --> 00:41:48,280 Speaker 3: He's having a panic attack, right, He's terrified of flying, okay, 898 00:41:48,600 --> 00:41:50,359 Speaker 3: and the only thing that's going to calm him down 899 00:41:50,440 --> 00:41:50,880 Speaker 3: is singing. 900 00:41:52,520 --> 00:41:55,360 Speaker 2: Okay, okay, yeah, are you ready? 901 00:41:56,440 --> 00:41:56,720 Speaker 9: Yeah? 902 00:41:56,800 --> 00:41:57,239 Speaker 2: All right? 903 00:41:58,760 --> 00:42:01,400 Speaker 3: Oh my god, I'm having such a I'm having such 904 00:42:01,400 --> 00:42:02,400 Speaker 3: a name here on the plane. 905 00:42:02,520 --> 00:42:04,960 Speaker 2: Can you can you send me a song? Please? Can 906 00:42:05,040 --> 00:42:10,120 Speaker 2: you please sing me a song? I'm sure I need 907 00:42:10,160 --> 00:42:13,120 Speaker 2: a song there? Any music will do, please. 908 00:42:16,160 --> 00:42:17,120 Speaker 5: I don't know what to sing. 909 00:42:18,440 --> 00:42:20,799 Speaker 9: Mary had a little little. 910 00:42:20,560 --> 00:42:21,200 Speaker 5: Lamp lit. 911 00:42:26,000 --> 00:42:28,279 Speaker 3: Beautiful mate, Well done. And you know the tough thing, 912 00:42:28,320 --> 00:42:30,760 Speaker 3: isn't that situation? That's the thing that everyone comes up against, 913 00:42:30,760 --> 00:42:33,200 Speaker 3: is what song am I going to sing so you 914 00:42:33,880 --> 00:42:36,239 Speaker 3: and I know it's tough, but it's just about thinking 915 00:42:36,239 --> 00:42:37,640 Speaker 3: about what comes to your head. In the first thing 916 00:42:37,680 --> 00:42:41,759 Speaker 3: is thinking on your feet, right, Okay, I probably need 917 00:42:41,840 --> 00:42:44,240 Speaker 3: to tell you at this stage that I'm I'm calling 918 00:42:44,400 --> 00:42:45,800 Speaker 3: from a radio station. 919 00:42:50,080 --> 00:42:55,719 Speaker 4: Actually this is William Woody speaking. Your friend Alisha puts 920 00:42:55,719 --> 00:42:56,200 Speaker 4: you up to this. 921 00:42:56,840 --> 00:42:59,879 Speaker 2: O my god, Alicia, let us. 922 00:42:59,800 --> 00:43:02,279 Speaker 4: Know that you've been You've had a job interview with 923 00:43:02,360 --> 00:43:08,239 Speaker 4: Jet Star. Can I ask you when? How are you 924 00:43:08,320 --> 00:43:10,440 Speaker 4: feeling when you're singing? Mary had a little lamb of 925 00:43:10,520 --> 00:43:11,160 Speaker 4: having on the phone. 926 00:43:11,160 --> 00:43:13,920 Speaker 2: There was so stressed. 927 00:43:16,880 --> 00:43:18,719 Speaker 13: I was like, oh my god, I have to sing 928 00:43:18,800 --> 00:43:19,200 Speaker 13: a song. 929 00:43:19,280 --> 00:43:20,840 Speaker 5: What the hell is going on? 930 00:43:22,400 --> 00:43:25,160 Speaker 3: You handled yourself, buddy, Well, Ashley, make sure you get 931 00:43:25,160 --> 00:43:26,399 Speaker 3: Alicia back from us. 932 00:43:26,520 --> 00:43:28,520 Speaker 2: Oh my god, that's going. 933 00:43:30,800 --> 00:43:30,960 Speaker 4: Right. 934 00:43:31,000 --> 00:43:32,719 Speaker 2: You're a ripper. Good luck with jet Star. 935 00:43:32,920 --> 00:43:35,000 Speaker 3: I sincerely hope that I get to see you on 936 00:43:35,040 --> 00:43:37,280 Speaker 3: a plane sometime in the future and we'll be panicked 937 00:43:37,320 --> 00:43:38,560 Speaker 3: in asking you to sing this song. 938 00:43:41,200 --> 00:43:44,279 Speaker 4: The night in on Friday night, wilbur I chose not 939 00:43:44,320 --> 00:43:49,080 Speaker 4: to go out. My girlfriend did go out, but I 940 00:43:49,200 --> 00:43:52,920 Speaker 4: received a message from my girlfriend when she was that 941 00:43:53,040 --> 00:43:54,920 Speaker 4: I think it's the greatest message you can ever receive 942 00:43:55,200 --> 00:43:55,960 Speaker 4: voice message. 943 00:43:56,160 --> 00:43:59,919 Speaker 3: No, okay, it was just she's out and about she's 944 00:44:00,080 --> 00:44:00,840 Speaker 3: you're at home. 945 00:44:01,400 --> 00:44:03,400 Speaker 4: I was at home now. 946 00:44:03,480 --> 00:44:05,560 Speaker 1: I was watching the Truth about the Harry Colbert affair, 947 00:44:05,640 --> 00:44:11,160 Speaker 1: which outrageously good. And Patrick Dempsey, yes, yes and all 948 00:44:11,160 --> 00:44:12,800 Speaker 1: the yes. It's he's the sexiest man alive. 949 00:44:12,880 --> 00:44:14,799 Speaker 2: Yeah, okay, but enough about it. You prefer him with 950 00:44:14,880 --> 00:44:16,080 Speaker 2: your girlfriend one night only? 951 00:44:16,800 --> 00:44:18,160 Speaker 4: Well if well, hang on, it's. 952 00:44:18,000 --> 00:44:18,560 Speaker 2: One night only. 953 00:44:18,600 --> 00:44:20,680 Speaker 4: No my girlfriend, of course, my girlfriend. I love her. 954 00:44:21,760 --> 00:44:25,440 Speaker 4: Patrick Dempsey, though, if we can get him involved somehow outstanding. 955 00:44:26,520 --> 00:44:30,319 Speaker 4: I received a message from my girlfriend, and I will 956 00:44:30,320 --> 00:44:36,040 Speaker 4: tell you exactly that message. Now, I'm just out of 957 00:44:36,040 --> 00:44:37,440 Speaker 4: the blue. By the while, I've just you know, I've 958 00:44:37,440 --> 00:44:39,600 Speaker 4: had a bit of Nando's. I'm in my pajamas, like 959 00:44:39,640 --> 00:44:42,000 Speaker 4: you know, I'm done for the night, she says to me. 960 00:44:43,800 --> 00:44:44,800 Speaker 4: When I get home. 961 00:44:45,000 --> 00:44:49,640 Speaker 3: Oh wow, sorry, exciting, exciting, that's my mind as well. 962 00:44:49,800 --> 00:44:50,600 Speaker 2: Read the first line. 963 00:44:50,680 --> 00:44:53,520 Speaker 4: When I get home, maybe we can have some fun. 964 00:44:53,840 --> 00:44:54,480 Speaker 3: Wow. 965 00:44:54,800 --> 00:44:58,440 Speaker 2: Wow, wow to paint the picture. 966 00:44:58,560 --> 00:44:58,799 Speaker 3: Wow. 967 00:44:59,480 --> 00:45:01,720 Speaker 4: We've been in relationship for four years. 968 00:45:01,719 --> 00:45:03,719 Speaker 1: We've been going out for a very long time, so 969 00:45:03,800 --> 00:45:05,200 Speaker 1: this is not a weekly occurrence. 970 00:45:05,480 --> 00:45:07,160 Speaker 2: I'm excited. That's great. 971 00:45:07,239 --> 00:45:10,279 Speaker 4: I was very excited. But here's my question, and I 972 00:45:10,320 --> 00:45:15,240 Speaker 4: want to hear people's opinions here. Thirteen one oh sixty 973 00:45:15,320 --> 00:45:16,640 Speaker 4: five Are. 974 00:45:16,560 --> 00:45:18,800 Speaker 3: You calling Nando's again and getting a bit of extra sauce? 975 00:45:19,560 --> 00:45:22,200 Speaker 3: That's not the question I'm asking the question I'm asked, Right, 976 00:45:23,120 --> 00:45:24,719 Speaker 3: you be known to have fun with source before. 977 00:45:24,719 --> 00:45:25,399 Speaker 2: That's all I'm saying. 978 00:45:25,440 --> 00:45:28,680 Speaker 4: Then that doesn't need to be said. Okay, when I 979 00:45:28,760 --> 00:45:31,560 Speaker 4: receive that message or when you receive that message, what 980 00:45:31,640 --> 00:45:34,640 Speaker 4: are you supposed to do to like? 981 00:45:35,320 --> 00:45:35,840 Speaker 2: Get ready? 982 00:45:35,960 --> 00:45:36,439 Speaker 4: Get ready? 983 00:45:37,280 --> 00:45:38,080 Speaker 2: What great question? 984 00:45:38,160 --> 00:45:41,719 Speaker 4: What position? How should I be in? 985 00:45:41,760 --> 00:45:44,120 Speaker 2: And you've got a time it as well, because that's wrong. 986 00:45:43,920 --> 00:45:46,640 Speaker 4: Because she's going to come in the front door, And 987 00:45:47,760 --> 00:45:53,120 Speaker 4: how should I present myself to be super sexy when 988 00:45:53,160 --> 00:45:54,200 Speaker 4: she comes in the door? 989 00:45:54,320 --> 00:45:56,759 Speaker 2: Do you do the naked man? Do you do you 990 00:45:56,800 --> 00:45:58,800 Speaker 2: do the naked man? Where was that? Will and Grace? 991 00:45:59,120 --> 00:45:59,719 Speaker 2: The naked man? 992 00:46:00,160 --> 00:46:03,480 Speaker 4: That was friends? Not sure Seinfeld one of those incredibly 993 00:46:03,520 --> 00:46:06,000 Speaker 4: relatable TV shows. Thirteen one oh sixty five. How should 994 00:46:06,040 --> 00:46:08,279 Speaker 4: you present yourself when you receive a message like that? 995 00:46:08,400 --> 00:46:11,200 Speaker 3: And I will tell you are thinking? 996 00:46:11,320 --> 00:46:12,680 Speaker 4: I will tell you what I did. 997 00:46:12,719 --> 00:46:13,719 Speaker 2: Did you have a time frame? 998 00:46:13,760 --> 00:46:16,560 Speaker 3: Because that's important part of the question for everyone calling 999 00:46:16,640 --> 00:46:19,759 Speaker 3: up because you know you can got two hours. I mean, 1000 00:46:19,800 --> 00:46:22,160 Speaker 3: I'm going out and picking some roses and getting some 1001 00:46:22,200 --> 00:46:22,880 Speaker 3: pedals happening. 1002 00:46:22,960 --> 00:46:25,719 Speaker 4: Okay, I was within an hour. I was within an hour. Okay, 1003 00:46:25,800 --> 00:46:27,399 Speaker 4: so it's a pretty short turn around. She was only 1004 00:46:27,480 --> 00:46:29,600 Speaker 4: she was at a bar, only two streets away. Okay, 1005 00:46:30,360 --> 00:46:31,080 Speaker 4: how should I be? 1006 00:46:31,520 --> 00:46:31,920 Speaker 2: Jesus? 1007 00:46:32,560 --> 00:46:36,239 Speaker 4: Yeah, but how should I present myself? And I will 1008 00:46:36,239 --> 00:46:38,919 Speaker 4: tell you what I did on Friday night? 1009 00:46:39,000 --> 00:46:41,520 Speaker 2: What do you go for that? It's fascinating stuff, isn't that. 1010 00:46:41,800 --> 00:46:43,839 Speaker 4: It's been in a relationship for four years and I 1011 00:46:43,880 --> 00:46:46,280 Speaker 4: received a message when my girlfriend was out on Friday 1012 00:46:46,320 --> 00:46:47,080 Speaker 4: night that said this. 1013 00:46:47,880 --> 00:46:51,640 Speaker 1: I was at home just chilling. Yeah, quite sad actually 1014 00:46:51,640 --> 00:46:52,200 Speaker 1: by myself. 1015 00:46:52,560 --> 00:46:54,480 Speaker 2: On Friday night, I received a message. 1016 00:46:54,160 --> 00:46:57,279 Speaker 4: From my girlfriend saying when I get home, maybe we 1017 00:46:57,320 --> 00:47:03,880 Speaker 4: can have some fun. Wow. I fell off the couch. 1018 00:47:03,920 --> 00:47:06,200 Speaker 4: I had to pause the truth behind the Harry Corbert 1019 00:47:06,200 --> 00:47:07,640 Speaker 4: affair and I fell off the couch. 1020 00:47:07,760 --> 00:47:11,480 Speaker 3: Why sure he's not that rallying, you know? She surely 1021 00:47:11,880 --> 00:47:13,399 Speaker 3: Courtney spices things up every now. 1022 00:47:13,440 --> 00:47:15,840 Speaker 4: Oh no, we get spicy. But my god, a message 1023 00:47:15,840 --> 00:47:18,319 Speaker 4: from from out you know, if that's from wayback? You know, 1024 00:47:18,400 --> 00:47:20,400 Speaker 4: the mailman has called a hail Mary there, and I 1025 00:47:20,440 --> 00:47:23,239 Speaker 4: was excited. But I'm wondering on thirteen one oh sixty five, 1026 00:47:23,760 --> 00:47:25,120 Speaker 4: and I think I've got a few girls who have 1027 00:47:25,200 --> 00:47:30,160 Speaker 4: called here. What should I do to present myself when 1028 00:47:30,200 --> 00:47:31,719 Speaker 4: she comes out? I know she's coming home. 1029 00:47:31,760 --> 00:47:33,840 Speaker 2: I know you go for the acting casual angle. 1030 00:47:33,920 --> 00:47:36,080 Speaker 3: That's what I do, you know, but pay a little 1031 00:47:36,080 --> 00:47:37,480 Speaker 3: bit hard to get Well, we're gonna have some fun, 1032 00:47:37,520 --> 00:47:40,319 Speaker 3: are we, Because you and we've discussed this before, and 1033 00:47:40,360 --> 00:47:45,200 Speaker 3: this came up when you were when you recorded yourself 1034 00:47:45,960 --> 00:47:48,480 Speaker 3: trying to pick up Courtney one time. Yeah, we discovered 1035 00:47:48,480 --> 00:47:49,960 Speaker 3: that you came on a bit too hot. 1036 00:47:50,200 --> 00:47:52,799 Speaker 4: Okay, interesting, and I obviously will reveal what I actually did. 1037 00:47:52,800 --> 00:47:55,560 Speaker 2: Again, that's the issue here. And you bit off more 1038 00:47:55,600 --> 00:47:56,280 Speaker 2: than you can chew. 1039 00:47:56,120 --> 00:47:59,240 Speaker 4: Again and I may have slipped up again. We've got Olivia, 1040 00:47:59,239 --> 00:48:00,360 Speaker 4: who's given using Olivia? 1041 00:48:00,400 --> 00:48:00,520 Speaker 3: What? 1042 00:48:00,520 --> 00:48:03,960 Speaker 4: What what should I have done to you know, present myself? 1043 00:48:05,080 --> 00:48:08,320 Speaker 9: I think that you should have you should get a shire, 1044 00:48:08,719 --> 00:48:13,400 Speaker 9: or you should have got a shire, had a toilet 1045 00:48:14,560 --> 00:48:16,920 Speaker 9: like really low you can kind of see a bit 1046 00:48:16,960 --> 00:48:20,160 Speaker 9: of something but not really And I reckon you should 1047 00:48:20,200 --> 00:48:22,440 Speaker 9: still have kind of being kind of wet and wash 1048 00:48:22,480 --> 00:48:24,959 Speaker 9: your hear me through your fresh all about it after 1049 00:48:25,000 --> 00:48:27,760 Speaker 9: shaver round the neck and when you hear that door open, 1050 00:48:27,800 --> 00:48:30,920 Speaker 9: when she walks in, like walk towards her and should 1051 00:48:30,920 --> 00:48:31,279 Speaker 9: the legs. 1052 00:48:31,560 --> 00:48:36,960 Speaker 10: Holy Jesus, Holy jese Jesus. I couldn't actually understand what 1053 00:48:37,000 --> 00:48:38,640 Speaker 10: you were saying at the start. But you're saying, tow 1054 00:48:38,840 --> 00:48:42,279 Speaker 10: so come out of the that you've got to tell. 1055 00:48:42,040 --> 00:48:46,000 Speaker 2: On olive you irish, that's correct. What can you say. 1056 00:48:45,880 --> 00:48:49,200 Speaker 3: Towel again for us? 1057 00:48:49,000 --> 00:48:51,160 Speaker 2: That what I didn't get I did lose. So he 1058 00:48:51,280 --> 00:48:54,359 Speaker 2: walks out of the shower with a towel and. 1059 00:48:55,280 --> 00:48:58,160 Speaker 9: It off or to drop it or maybe even drop it. 1060 00:48:58,520 --> 00:49:00,040 Speaker 2: Drop it, drop it. 1061 00:49:00,760 --> 00:49:04,480 Speaker 4: Okay, really good suggestion. I didn't do that, but thank you. 1062 00:49:04,680 --> 00:49:05,640 Speaker 4: I think that's pretty good. 1063 00:49:05,719 --> 00:49:08,319 Speaker 3: So but then you know, the question arises, and this 1064 00:49:08,360 --> 00:49:10,560 Speaker 3: is again the issue you and I have discussed on 1065 00:49:10,600 --> 00:49:14,120 Speaker 3: this show but multiple times, that you and I aren't 1066 00:49:14,200 --> 00:49:16,600 Speaker 3: sexy when we're trying to be sexy. And if you're 1067 00:49:16,600 --> 00:49:21,040 Speaker 3: having a shower at ten thirty at night, right after 1068 00:49:21,080 --> 00:49:23,880 Speaker 3: you've been watching the Truth The Truth of Ben Harry Corbett, 1069 00:49:23,920 --> 00:49:24,120 Speaker 3: was it? 1070 00:49:24,200 --> 00:49:26,240 Speaker 4: Yeah, I was watching that one. Yeah, I watched all fives. 1071 00:49:26,880 --> 00:49:29,319 Speaker 3: If you've been watching that and you've had a shower 1072 00:49:29,320 --> 00:49:30,880 Speaker 3: at tenth and at night, and she's going, hang on, 1073 00:49:31,280 --> 00:49:33,239 Speaker 3: I'm smelling a set up here, which is not what 1074 00:49:33,280 --> 00:49:34,240 Speaker 3: you want. True. 1075 00:49:34,760 --> 00:49:36,200 Speaker 4: Yeah, and I know I've. 1076 00:49:36,080 --> 00:49:37,400 Speaker 2: Just had a shower. What are the chances you've just 1077 00:49:37,400 --> 00:49:39,400 Speaker 2: walked home and to drop my tail? That's a turn off. 1078 00:49:39,440 --> 00:49:41,279 Speaker 4: I've been guilty before. I'm trying too hard. We've got 1079 00:49:41,360 --> 00:49:43,480 Speaker 4: Hannah here, Hannah, what would you do? 1080 00:49:44,600 --> 00:49:47,839 Speaker 13: Hey, guys, So I'm in the same situation as you. 1081 00:49:48,320 --> 00:49:50,719 Speaker 13: My planner and I have been together for four years now, 1082 00:49:51,200 --> 00:49:52,880 Speaker 13: so I totally understand. 1083 00:49:52,600 --> 00:49:57,279 Speaker 3: Its stale Bitsdale sometimes Hannah, Rightale. 1084 00:49:56,320 --> 00:49:58,280 Speaker 4: I didn't use the word stale, just for the record, 1085 00:49:58,320 --> 00:49:59,919 Speaker 4: but go on like a savoy. 1086 00:49:59,640 --> 00:50:02,040 Speaker 2: Without No, that's so good. 1087 00:50:02,360 --> 00:50:04,600 Speaker 13: But yeah, sometimes I go out sometimes too, and I'll 1088 00:50:04,600 --> 00:50:07,600 Speaker 13: message my boyfriend the same thing that your girlfriend did. 1089 00:50:08,200 --> 00:50:10,640 Speaker 13: I think the sexiest way to approach it would be, Yeah, 1090 00:50:10,719 --> 00:50:14,040 Speaker 13: just to wear something really nice and that she likes. Obviously, 1091 00:50:14,280 --> 00:50:17,799 Speaker 13: something casual but still sexy because obviously this is late 1092 00:50:17,800 --> 00:50:18,160 Speaker 13: at night. 1093 00:50:18,280 --> 00:50:20,640 Speaker 3: Yeah, okay, what about the overset up thing? He can't 1094 00:50:20,680 --> 00:50:22,319 Speaker 3: be in like a suit when she gets home. It's 1095 00:50:22,320 --> 00:50:23,120 Speaker 3: going to be casually. 1096 00:50:23,560 --> 00:50:25,880 Speaker 13: No, it's something casual that she likes you wearing like 1097 00:50:25,880 --> 00:50:27,279 Speaker 13: something that you usually wear. 1098 00:50:27,280 --> 00:50:30,080 Speaker 2: That really, would you go for a hand? You need 1099 00:50:30,120 --> 00:50:30,360 Speaker 2: to give this. 1100 00:50:30,440 --> 00:50:32,759 Speaker 3: It's not an option here, I'm really because I'm right. 1101 00:50:32,800 --> 00:50:33,959 Speaker 3: I'm taking notes here as well. 1102 00:50:34,600 --> 00:50:37,520 Speaker 13: Okay, So my boyfriend like, I like it when he 1103 00:50:37,560 --> 00:50:45,760 Speaker 13: wears long t shirts and like Chino shorts sleeve T shirt. 1104 00:50:46,520 --> 00:50:46,680 Speaker 4: Check. 1105 00:50:47,840 --> 00:50:51,160 Speaker 1: I've been here on the couch watching TV and Chinos 1106 00:50:51,200 --> 00:50:52,200 Speaker 1: and long sleeve shirt. 1107 00:50:54,239 --> 00:50:57,719 Speaker 2: Okay, sorry, that's fair. You know, horses for courses. So 1108 00:50:57,840 --> 00:50:59,000 Speaker 2: woods gets in a in. 1109 00:50:58,880 --> 00:51:04,640 Speaker 4: A in a Chino. 1110 00:51:04,160 --> 00:51:06,160 Speaker 2: Okay, hands. So you get home, he's. 1111 00:51:06,040 --> 00:51:11,719 Speaker 13: In the cheet up something casual. Again, you don't want 1112 00:51:11,760 --> 00:51:13,799 Speaker 13: to try too hard. That is a turn off, and 1113 00:51:13,880 --> 00:51:16,040 Speaker 13: you want to play a bit hard to get. Okay, 1114 00:51:16,600 --> 00:51:18,640 Speaker 13: as soon as she'll come on to you first obviously 1115 00:51:18,680 --> 00:51:22,480 Speaker 13: because she messages you, yeah, hard to get, play hard 1116 00:51:22,520 --> 00:51:24,960 Speaker 13: to get, and then when she least expected, I reckon, 1117 00:51:25,040 --> 00:51:26,000 Speaker 13: just go for it. 1118 00:51:26,719 --> 00:51:31,840 Speaker 4: Okay, Okay, Wow against the wall? Can I leave you 1119 00:51:31,880 --> 00:51:33,320 Speaker 4: on the line here, Hannah, I want to talk to you. 1120 00:51:33,400 --> 00:51:35,279 Speaker 4: I'm going to tell you exactly what I did. What 1121 00:51:35,320 --> 00:51:36,600 Speaker 4: do you think of it? Okay? 1122 00:51:37,000 --> 00:51:38,000 Speaker 13: Okay? Sounds good? 1123 00:51:38,120 --> 00:51:42,879 Speaker 4: Okay, Okay, So will knows I own this. I have 1124 00:51:43,800 --> 00:51:45,120 Speaker 4: no I think I had too much time to think 1125 00:51:45,160 --> 00:51:48,280 Speaker 4: about it. But it's not the sailor moon. 1126 00:51:48,120 --> 00:51:51,759 Speaker 2: Out, not the red string I've got. 1127 00:51:51,920 --> 00:51:55,760 Speaker 4: I've got a few things in Hannah. I put on 1128 00:51:55,840 --> 00:51:58,560 Speaker 4: my matching leopard print. 1129 00:51:58,760 --> 00:52:00,640 Speaker 2: Oh my god, bad. 1130 00:52:01,120 --> 00:52:05,320 Speaker 4: Okay, wait for it, like no, no, no, it's like matching 1131 00:52:05,360 --> 00:52:09,160 Speaker 4: shorts and and sh shorten a shirt leopard. It's all 1132 00:52:09,160 --> 00:52:13,120 Speaker 4: full leopard prints. And I was leaning. I was leaning 1133 00:52:13,280 --> 00:52:18,960 Speaker 4: against my doorframe. Oh okay. And then I said, hey, 1134 00:52:19,000 --> 00:52:21,120 Speaker 4: court Mee, Tarzan you Jane. 1135 00:52:22,520 --> 00:52:23,719 Speaker 6: You didn't do that. 1136 00:52:23,920 --> 00:52:29,840 Speaker 4: Oh my god, yep, no, I did to go. We 1137 00:52:29,880 --> 00:52:31,200 Speaker 4: went just like we went, just like. 1138 00:52:35,280 --> 00:52:37,040 Speaker 2: We're going to get out of here tomorrow. 1139 00:52:37,160 --> 00:52:38,959 Speaker 3: I'm actually going to get our instagram Will and Woody 1140 00:52:38,960 --> 00:52:41,080 Speaker 3: if you want to see the projection on my forehead, 1141 00:52:41,080 --> 00:52:43,480 Speaker 3: which is which has existed for the duration of the 1142 00:52:43,520 --> 00:52:46,040 Speaker 3: last half hours, there's a photo of that. Who needs 1143 00:52:46,080 --> 00:52:47,360 Speaker 3: to sit in your opera house? But you've got a 1144 00:52:47,440 --> 00:52:49,520 Speaker 3: landmark as big as this year. We'll see you tomorrow, 1145 00:52:49,520 --> 00:52:50,279 Speaker 3: Will Woody get a 1146 00:52:50,320 --> 00:52:53,120 Speaker 2: Young did a Fresh Way to drives home with Will 1147 00:52:53,200 --> 00:52:53,600 Speaker 2: and Woody