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Speaker 1: Everybody cutting room for cutting room, it's time for the podcast.

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Speaker 2: Time for the podcast, and I thought it's start by

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Speaker 2: sharing a new Japanese cafe. This is the place where

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Speaker 2: they have our cafes, capi bara cafes. I've been to

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Speaker 2: one of those underpants cafe.

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Speaker 3: What's that used underpants in the mission?

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Speaker 2: You know what, I think that's an over myth. I've

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Speaker 2: been to Japan many times over many years, and I've

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Speaker 2: never seen that.

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Speaker 3: You've been looking for the use, I mean.

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Speaker 2: Trying to sell mine. They also have cafes, been going

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Speaker 2: pat cats, all kinds of stuff. Actually, it's interesting. I

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Speaker 2: went to the Kapa bara one.

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Speaker 3: What's a kapa bora?

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Speaker 2: Again, it's the South American like the size and shape

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Speaker 2: of a wombat, with like a slightly pointed eye.

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Speaker 3: But they can be a little bit dangerous.

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Speaker 2: Well think the actor Glenn Powell. They look a bit

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Speaker 2: like that, their eyes a little bit close together and

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Speaker 2: on the you know, it looks like it's going to

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Speaker 2: be funny and cute, but when you get there, they're insider,

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Speaker 2: like a a bath that was tiled, and I know

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Speaker 2: they're probably only there for a couple of hours a day.

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Speaker 2: You'd like to think so, but I felt a bit

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Speaker 2: uncomfortable about it. It wasn't the fun experience I thought

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Speaker 2: it would be. I felt sorry for these creatures. There

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Speaker 2: was water and they could sort of lie in that,

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Speaker 2: but people were sitting around patting them and things like that.

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Speaker 2: I don't know, but this is one.

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Speaker 1: That maybe the kapa burrows into it though, you know,

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Speaker 1: because out in the wild it's probably fair pickings.

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Speaker 2: The dreams of a child bars out there.

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Speaker 3: Be fair pickings, and then you know, maybe maybe it's

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Speaker 3: a thing.

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Speaker 2: Maybe it is a thing. Maybe they come back and

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Speaker 2: so their mates. I've been on a holiday in Japan.

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Speaker 2: You're not going to believe how easy it is it

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Speaker 2: someone patch you, you get all this food, you lie

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Speaker 2: in a bath.

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Speaker 3: It's going to be a to worry.

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Speaker 2: Well, what about this cafe?

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Speaker 4: If you're procrastinated, this one's for you because this talk.

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Speaker 4: Your cafe won't let you leave until you finish all

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Speaker 4: your work. When you arrive, you'll write down your work

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Speaker 4: bow and your target completion time. The cafes owner will

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Speaker 4: regularly check up on your progress, offering encouragement and even

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Speaker 4: handing out sweets as a reward for staying on track.

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Speaker 4: A unique and rewarding concept. This is manuscript writing cafe.

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Speaker 3: Right.

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Speaker 2: Yeah, so if you have to do something, you go

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Speaker 2: there and rather than faffing around, they know what your

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Speaker 2: task is and you're not allowed to leave till you've

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Speaker 2: done it. They tell you, look, you've been here an hour.

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Speaker 2: How have you gone? Okay, good girl, here's some lollies. Interesting,

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Speaker 2: isn't it. Are you a procrastinator? Would you need something

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Speaker 2: like this?

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Speaker 1: I am a bit of a procrastinator, But then I

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Speaker 1: shame myself into getting stuff.

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Speaker 2: Because I think you're pretty good. If someone writes you

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Speaker 2: a letter or you need to respond to something, you

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Speaker 2: action it straight away.

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Speaker 3: Yeah. I don't like to leave stuff around.

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Speaker 2: I don't like to, but I do.

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Speaker 3: You do?

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Speaker 2: I do? And then I get angsty about it. I

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Speaker 2: don't return phone calls and then get anxious. Yeah that

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Speaker 2: I haven't returned phone calls. But I feel overwhelmed with

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Speaker 2: the thought of it. If I had just done it

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Speaker 2: first of all, yep, I'd feel a lot better. And

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Speaker 2: did you do? What were you like at school? Do

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Speaker 2: you remember school? Almost finished?

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Speaker 3: I was constantly just always leaving over to the last week.

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Speaker 1: Trying to get some project done and I'd get one

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Speaker 1: project done and then they'd say, well he's another project.

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Speaker 3: Well that's what, but that was done, and so I

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Speaker 3: just finished this one.

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Speaker 2: He gave me one in year one, and that'll do me.

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Speaker 3: Come on, Queasin air what was it? Queisinair Rods, Queason

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Speaker 3: Air Rods.

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Speaker 2: That's where your education stopped.

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Speaker 1: That's where my amazing ability with maths came from.

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Speaker 2: But isn't it funny that when you're at school, you think, oh,

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Speaker 2: once I leave school, I'll never have to do homework

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Speaker 2: ever again. I went to UNI and I thought, once

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Speaker 2: I leave UNI, I'll never have this last minute, late

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Speaker 2: at night homework ever again. Our jobs are filled with

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Speaker 2: homework if you've got whether it's TV, radio, and most

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Speaker 2: people in their jobs, they have things they have to do,

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Speaker 2: and you can put things off and put things off.

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Speaker 2: But the same skill set, the way you would approached

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Speaker 2: it at school, it's the same way I do it now. Terrible.

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Speaker 2: I leave it to the last minute and angst about it.

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Speaker 1: I remember you were given an advance to write a book,

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Speaker 1: weren't you, And then and that went for ages.

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Speaker 3: It's like years.

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Speaker 2: I had to well, I had small children, and so

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Speaker 2: when finally the book was finished, I had to go

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Speaker 2: back and change everything about it because I said that

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Speaker 2: their ages were five and seven, and by then they

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Speaker 2: were twelve and.

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Speaker 3: Fourteen exactly facially so did I.

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Speaker 2: By then an old rip van winkle Beard from sitting

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Speaker 2: at my.

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Speaker 3: Desk, Are you ready for onto the cutting room floor?

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Speaker 3: What have we got today?

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Speaker 2: Have you heard of the football team soccer team as

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Speaker 2: we would call it, Nottingham Forest?

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Speaker 3: No?

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Speaker 2: No, and that's because they're not big high achievers. They're

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Speaker 2: sort of middle of the middle of the rankings. I

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Speaker 2: guess they're not big stars. They're known as the low

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Speaker 2: budget overachievers. They try and do their best, but they're

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Speaker 2: not the best paid stars. They're not up there with

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Speaker 2: all the great soccer stars. So there's a pub in

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Speaker 2: UK that thought it was pretty safe to give away

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Speaker 2: a free pint for every goal that they scored against

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Speaker 2: Brighton right over the weekend, because Nottingham Forest were not

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Speaker 2: expected to beat Brighton right. So anyway, what happened is

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Speaker 2: they went on to score seven goals and the poor

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Speaker 2: old caub had to give away three hundred big Oh

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Speaker 2: my goodness, yep, the promotion backfire. They scored seven goals,

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Speaker 2: forcing the family run business to give away, as I said,

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Speaker 2: three hundred pints. It worked out that patrons were able

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Speaker 2: to get a fresh pint every thirteen minutes.

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Speaker 3: Ah, that is terrible.

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Speaker 2: The landlady has said. I was upstairs feeding my baby

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Speaker 2: when I heard the first goal go in, then the

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Speaker 2: second quickly afterwards. I just come downstairs with the third winning,

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Speaker 2: I thought, God, here we go. When the final whistle went,

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Speaker 2: I said, few.

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Speaker 3: Thank the Lord. She would have had to break it

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Speaker 3: out of the breast for the rest of the night.

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Speaker 3: Open you.

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Speaker 2: I'll stand behind them. Everyone gets a squirt.

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Speaker 3: Oh that happens? Is that you ever had anything like that?

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Speaker 2: No, how about you.

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Speaker 1: Well, a friend of mine, she ran a local footy side,

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Speaker 1: and they used to have a man of the match

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Speaker 1: prize and entitled you to some goosman.

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Speaker 3: Anyway, they gave her all these vouchers and she didn't

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Speaker 3: think much of it.

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Speaker 1: And then when the year finished from the football, there

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Speaker 1: was like a bunch of vouchers left. So she just

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Speaker 1: give them to her kids, just take them. She thought

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Speaker 1: that they would use them responsibly.

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Speaker 2: Oh what happened?

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Speaker 3: So much so that.

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Speaker 1: The guy from gusman right up and said, you're going

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Speaker 1: to send me broke. The kids are always coming up.

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Speaker 1: It's not even football season. His kids are coming up

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Speaker 1: with Goosman batches. You're not using it responsible. Well, remember

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Speaker 1: that Gousmin's a door empire.

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Speaker 2: Remember that radio competition where a guy thought he'd try

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Speaker 2: and save the company from having to give out money

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Speaker 2: the birthday wheel.

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Speaker 3: Ah, that was a guy here, yeah, yeah, many.

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Speaker 2: Many years ago, and he was trying to do the

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Speaker 2: right thing because you can't rig this stuff.

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Speaker 3: Yep, yep. So the wheel on the wheel it had.

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Speaker 1: So your birth year and then the month, so you

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Speaker 1: would say, okay, for argument's like you you're born a

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Speaker 1: February twenty five, nineteen sixty two.

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Speaker 2: Yeah, And so I'd say I'd ring.

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Speaker 3: Up yep, and I'd say okay, Amanda, when we're right.

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Speaker 1: So we're eighteen sixty two, So we've got to spin

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Speaker 1: the wheel and if it lands on February, you get

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Speaker 1: some money. Right, Yeah, So spin the wheel and you

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Speaker 1: get like, say a thousand bucks.

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Speaker 3: Were you born in February?

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Speaker 1: Yes, I was. Okay, Now we're playing for ten thousand dollars.

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Speaker 2: And if that's if the date is right.

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Speaker 3: And so spins it up twenty and well, no, no, no, the.

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Speaker 2: Year Okay, So the date didn't matter.

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Speaker 1: The date didn't matter, that was just how you got

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Speaker 1: the person on. Then you spin the web, lands on February,

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Speaker 1: you get a thousand bucks. Right, spin it again. If

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Speaker 1: it goes on your birth year, you get So this

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Speaker 1: guy is sitting there and he's one of those old

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Speaker 1: school Hey radio now's yeah, let's play Quinn the Eskimo.

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Speaker 3: Anyway, so he's shaty his pants.

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Speaker 1: He's thinking that the prize, it's like, it's like it's

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Speaker 1: his money, it's not the radio station can't afford the competition.

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Speaker 2: Having said that, we've all been in situations where money

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Speaker 2: goes off and you give him trouble and you go, well,

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Speaker 2: we're having a competition, WI win.

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Speaker 3: Exactly, And that's what I say to them.

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Speaker 1: So he's spun the wheel and he's looked at it

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Speaker 1: and it's landed on nineteen sixty two, and he said, this.

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Speaker 3: Lady sounds older than nineteen sixty two.

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Speaker 1: I'm gonna I'm going to change it to nineteen fifty eight.

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Speaker 1: So he says, okay, Amanda of Amnitan, were you born

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Speaker 1: on February twenty five, nineteen fifty eight, what are the

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Speaker 1: chances that's landed on nineteen sixty two, And she says, yes,

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Speaker 1: I was so it was.

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Speaker 2: He'd gone out of his way to save the company.

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Speaker 3: And instead torpedoed himself, torpedoed himself. What a damn idiot,

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Speaker 3: What a damn idiot. He doesn't work in the business anymore.

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Speaker 2: No, And there are so many carpetis There are so

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Speaker 2: many checks and balances this day. These days, remember when

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Speaker 2: we used to have a radio competition and we'd get

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Speaker 2: people of studios next used to be next door to

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Speaker 2: the Bible Society. We'd get them to come in and

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Speaker 2: verify what we were doing. You have to legally take

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Speaker 2: all this stuff so clearly now.

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Speaker 3: Oh the amount of dodgy competitions I've been involved in.

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Speaker 1: One radio stage, I worked out the manager rigged it

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Speaker 1: so he would win the Big Screen King. And he

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Speaker 1: said to us, so he got caught. And one night,

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Speaker 1: it's like Thursday night, and he called me into his office.

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Speaker 1: So I used to do the drive show and he said, look,

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Speaker 1: there was there's been a bit of a kerfuffle with

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Speaker 1: the McDonald's secret code word TV. I went, oh what,

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Speaker 1: And then I'm instantly thinking something I've done wrong. You know,

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Speaker 1: you haven't written down because you'd have to answer the

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Speaker 1: phone yourself, and you'd write down the code number of

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Speaker 1: the person's respective address. And there's a lot of mucking around.

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Speaker 1: So I just whatever. And so, as it turned out,

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Speaker 1: this very started a conversation. He said, last year's Christmas

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Speaker 1: party was dreadful, and I said, oh, yea, it wasn't

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Speaker 1: that bad.

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Speaker 3: There was no beers and there was no food.

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Speaker 1: And he said, So what I thought I'd do was

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Speaker 1: I'd rig the competition.

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Speaker 2: And then put that money back towards the Bartie.

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Speaker 3: Towards you guys.

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Speaker 1: Yeah, I'd sell the big screen rear projection TV.

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Speaker 2: Big bag of cheesels.

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Speaker 3: The cheesels are on me. So at that point I

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Speaker 3: put my feet on his desk. And because he.

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Speaker 1: Has he been called, well mate, you've got yourself an

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Speaker 1: interesting pickle.

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Speaker 3: I was quite happy to keep.

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Speaker 1: It all on the download, but the girls in the

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Speaker 1: office hated him, so they rated him out and got

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Speaker 1: the sack, and then I left the radio station. Anyway,

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Speaker 1: this man, you no goodness. I have never in my life,

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Speaker 1: I have never been dodgy with a competition.

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Speaker 3: I can't afford to we have to have known what

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Speaker 3: the secret sound is.

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Speaker 1: I've known what the mystery amound is, all those things.

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Speaker 2: It's so much easier to tell people you don't because

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Speaker 2: you just don't want to be asked.

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Speaker 3: I do. I just I got no idea as if

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Speaker 3: they tell me and people actually.

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Speaker 2: Accept that he's an idiot. Seen the biggest TV is.

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Speaker 3: It's time to check out the categ room floor, Manda.

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Speaker 2: What's on the cunning room floor today? I've given it

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Speaker 2: a buff along with my pelvic floor. So where does

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Speaker 2: that leave us?

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Speaker 3: You've got a very buff pelvic.

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Speaker 2: Floor, That's what's been said.

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Speaker 3: You know, there should be.

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Speaker 1: A bodybuilding competition for that your pelvic floor.

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Speaker 2: People lift with their pelvic floor.

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Speaker 1: Yeah, or maybe just show it off. I'm not coming

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Speaker 1: on anything.

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Speaker 2: What have we got?

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Speaker 3: When you see dinosaurs, I'm not that old.

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Speaker 1: When you see dinosaurs in the movies and the like,

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Speaker 1: and you see them jumping into stuff, do you recall.

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Speaker 3: What their what their meat color is? What when a

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Speaker 3: dinosaur bike? Recall when the dinosaur bites into another one?

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Speaker 3: I was just thinking in Jurassic Park and the like, like.

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Speaker 2: You're saying if you sawed a dinosaur in half, what

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Speaker 2: color meat?

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Speaker 3: What color would the meat be?

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Speaker 2: Would be red meat?

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Speaker 1: Well, this is the online debait at the moment. Dinosaurs

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Speaker 1: red meat or are they white meat?

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Speaker 2: Some of them have come from the birds.

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Speaker 3: Yeah, that's what I mean, and that's the Abian variety.

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Speaker 2: That would be white meat. But there's not all of

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Speaker 2: them are birds. I think they're not all the same thing,

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Speaker 2: are they. I mean, a t rex is different to

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Speaker 2: a tyranne, to a pterodactyl, a pterodactyl. Pterodactyl would be

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Speaker 2: terribly That's what I mean. Not all of them are birds.

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Speaker 2: Pterodactyl i reckon would still be red meat, and it

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Speaker 2: would be terrible eating, be gamey and be bone. I

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Speaker 2: think you get quite a bit of flesh from a

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Speaker 2: t rex, big thighs.

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Speaker 3: At Christmas time? Is anyone eating the leg?

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Speaker 2: I'd skin it first, so fatty, But I.

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Speaker 3: Just find that curious.

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Speaker 2: Some people think it'd be white meat.

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Speaker 3: Yeah, there's a debate online debate, there's an online debate about.

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Speaker 2: What do you think?

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Speaker 1: Well, I thought straight away our red meat, But then

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Speaker 1: I thought, is that when you cook it? So when

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Speaker 1: you cook turkey or chicken or poultry products, it does

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Speaker 1: come out white.

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Speaker 2: I think it'd be like a cow. I think I

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Speaker 2: think a dinosaur would be like a cow. Or maybe

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Speaker 2: some of them are white, some of them are red.

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Speaker 2: The birdish ones would go the ones that aren't.

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Speaker 1: Birdied Brontosaurus to me, that doesn't seem BIRDI which one's

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Speaker 1: theron that's the one that's like Fred Flintstone slides down.

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Speaker 2: That would be red meat. That would be red meat.

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Speaker 2: The stegosaurus would be red meat. A big t rex

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Speaker 2: would be red meat. If the loss of raptor would

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Speaker 2: be red meat, okay, I still think the pterodactyl might

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Speaker 2: be red meat.

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Speaker 3: Okay.

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Speaker 1: So it's like if you saw a giraffe and it

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Speaker 1: was off to work wearing a neck red meat.

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Speaker 3: No, I can forget about the red meat for a minute.

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Speaker 3: Where would a giraffe wear a necktie.

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Speaker 2: To an official function? I'm being obtuse, bringing do you

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Speaker 2: mean wear it at the top of its neck or

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Speaker 2: at the bottom of its neck?

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Speaker 3: Yeah?

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Speaker 2: I think it would wear it at the top of

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Speaker 2: its neck under its chin.

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Speaker 1: No, because you don't wear a necktie under your chin.

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Speaker 1: You don't look. See if I do this up here,

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Speaker 1: that's where it would be. At the bottom my my

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Speaker 1: neck do you see what I'm saying?

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Speaker 2: Well, no, I think it's made to be worn up

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Speaker 2: around the face rather than the chest. What if who's

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Speaker 2: Who's a human with a very long neck? Naomi can.

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Speaker 3: Does she wear a necktie?

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Speaker 2: No? But if she did, I know what you mean.

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Speaker 2: It's probably worn with the collar. Yeah, yeah, okay. What

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Speaker 2: about this? If you were to put a pair of

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Speaker 2: pants on a horse, is the waistband around the middle

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Speaker 2: and the pants are just on the back two legs

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Speaker 2: or do all four legs have pants and the belt

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Speaker 2: goes halfway up their body?

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Speaker 1: It's all about the coverage of the genitalia, so it

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Speaker 1: would be all from the waistband, from the waist down.

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Speaker 1: If a horse could walk on two legs, that's how

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Speaker 1: it wear it's pants. What you're proposing is preposterous, right

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Speaker 1: because it can't happen.

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Speaker 2: It's all about modesty.

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Speaker 1: Well yeah, it's all about modesty, so what would happen?

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Speaker 1: And also impractical as well?

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Speaker 3: How is the horse? How is the horse?

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Speaker 1: You know? If it jumps out of a fence something,

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Speaker 1: You know what I'm saying? Yeah, the bit in between

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Speaker 1: and at the local habitashery like tailors would kill them

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Speaker 1: to make it because.

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Speaker 2: You wouldn't there's nothing. Actually, even a belt would not

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Speaker 2: hold it up, like putting a belt around a potato.

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Speaker 3: And the belt, Yeah exactly.

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Speaker 1: And also the back of the pant has to go

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Speaker 1: over the horse's bumhole. Yeah yeah, and then you've got

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Speaker 1: the tail which would pop out of the back of

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Speaker 1: the pant Yours.

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Speaker 2: Pants make no sense. The pants would have to have

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Speaker 2: an area for the toileting situation.

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Speaker 3: Yeah.

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Speaker 2: So it's really just to keep the nether regions hidden.

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Speaker 3: So if you think about an elephant, for example, and

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Speaker 3: the only clothed helephant I can think of is what

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Speaker 3: does he wear? What?

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Speaker 2: A bow tie?

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Speaker 3: Yeah? And a suit.

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Speaker 1: But he's a king, so he's a king of whatever

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00:15:52,920 --> 00:15:55,960
Speaker 1: the country is from. I'm pursuing some sort of African cory.

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Speaker 2: He's in a full suit.

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Speaker 3: He wears a full suit suit.

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Speaker 1: But what I mean is the suit's not deign to

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Speaker 1: wear her half way up the suit.

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Speaker 3: He's got pants round.

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Speaker 2: Captain Stuby Yeah yeah.

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00:16:06,440 --> 00:16:10,320
Speaker 1: And because elephants have very large penises, so like Captain

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Speaker 1: Stupid Bars, Taylor would have to work around it.

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Speaker 3: You have to work around a lot.

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Speaker 2: Yeah.

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Speaker 3: Yeah, it would be a big night on the fath.

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Speaker 2: I wonder if when, when animals are drawn in this

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00:16:26,480 --> 00:16:30,240
Speaker 2: way and putting on suits, anyone gives thought to the

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Speaker 2: actual anatomy of an animal.

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Speaker 3: It's like you when you do your pelvic floor show.

374
00:16:37,760 --> 00:16:39,720
Speaker 2: Yeah, I'm not doing a pelvic floor.

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Speaker 1: Showone got a pair of pants.

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Speaker 3: Down on the cutting room floor.

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00:16:51,000 --> 00:16:53,840
Speaker 2: Well, it's only a few days ago that the world

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00:16:54,360 --> 00:16:56,720
Speaker 2: looked at Kane and his wife on the red carpet

379
00:16:56,800 --> 00:17:00,240
Speaker 2: at the Grammys and said, what the hell? What the hell?

380
00:17:00,560 --> 00:17:04,359
Speaker 2: It seems that people are divided between being supportive disturbed,

381
00:17:04,400 --> 00:17:07,320
Speaker 2: but supportive of the two saying they are trying to

382
00:17:07,440 --> 00:17:11,919
Speaker 2: do living art. It's an art installation. His curation of

383
00:17:11,960 --> 00:17:14,800
Speaker 2: her look is an art installation. Other people are saying

384
00:17:14,920 --> 00:17:18,560
Speaker 2: it's subversive, coercive control. You can see when she's standing

385
00:17:18,560 --> 00:17:20,400
Speaker 2: on the carpet. He's the one whispering to her or

386
00:17:20,400 --> 00:17:22,480
Speaker 2: telling her when to drop a coat. I read something

387
00:17:22,480 --> 00:17:25,600
Speaker 2: this morning, someone close to her, who knows whether this

388
00:17:25,680 --> 00:17:28,200
Speaker 2: is made up or not, said that she was extremely nervous.

389
00:17:28,440 --> 00:17:32,200
Speaker 2: The being nervous, being nervous, being nude in the great

390
00:17:32,240 --> 00:17:34,639
Speaker 2: outdoors is one thing on the red carpet. That's the

391
00:17:34,640 --> 00:17:37,520
Speaker 2: stuff people have nightmares about and she actively did it.

392
00:17:38,200 --> 00:17:40,639
Speaker 2: So I don't know how into this she is, but

393
00:17:40,800 --> 00:17:44,840
Speaker 2: this is the repercussions of that. He's reportedly. This is Karne.

394
00:17:44,880 --> 00:17:48,360
Speaker 2: He has reportedly lost a twenty million dollar deal. According

395
00:17:48,440 --> 00:17:51,160
Speaker 2: to the Daily Mail, he signed a very lucrative deal

396
00:17:51,200 --> 00:17:53,520
Speaker 2: to perform two shows at the Tokyo Dome in May.

397
00:17:53,600 --> 00:17:56,040
Speaker 2: He's been living in Tokyo apparently for years. So really

398
00:17:56,359 --> 00:17:58,480
Speaker 2: he's going to do two shows at the Tokyo Dome

399
00:17:59,320 --> 00:18:03,520
Speaker 2: and he's under estimated Tokyo's distaste for full public nudity.

400
00:18:03,720 --> 00:18:06,879
Speaker 2: What a surprise. There's someone who has been quoted here

401
00:18:06,880 --> 00:18:09,920
Speaker 2: is saying he's greatly misjudged. The tolerance of the Japanese

402
00:18:09,960 --> 00:18:14,280
Speaker 2: people towards his activities is not welcome anymore, and so

403
00:18:14,320 --> 00:18:17,360
Speaker 2: they're thinking it's looking like the investors will pull out

404
00:18:17,400 --> 00:18:20,280
Speaker 2: from that deal. They said, this is a big blow

405
00:18:20,320 --> 00:18:22,199
Speaker 2: for him. He's been living in Japan for around a

406
00:18:22,240 --> 00:18:24,440
Speaker 2: year now, almost full time, and I guess he didn't

407
00:18:24,440 --> 00:18:26,760
Speaker 2: see it coming, interestingly, because we saw everything else.

408
00:18:26,880 --> 00:18:28,119
Speaker 3: We saw it all coming there.

409
00:18:28,440 --> 00:18:31,440
Speaker 1: You might remember a few years ago Hugh hefna Playboy

410
00:18:31,480 --> 00:18:34,399
Speaker 1: Mansion Boss for his birthday. I think it was his

411
00:18:34,520 --> 00:18:39,160
Speaker 1: eightieth birthday something like that. Pamela Anderson showed up. All

412
00:18:39,240 --> 00:18:42,240
Speaker 1: these people are just standing around the cakes there. Pamela

413
00:18:42,359 --> 00:18:43,920
Speaker 1: just walked into the room totally.

414
00:18:43,680 --> 00:18:45,800
Speaker 2: Naked, and High Hills gives him a cake.

415
00:18:45,960 --> 00:18:46,160
Speaker 3: Yeah.

416
00:18:46,200 --> 00:18:48,720
Speaker 1: I just but I just, you know, and Pamela just

417
00:18:48,880 --> 00:18:50,800
Speaker 1: pulled it off as it were, you know, just walked

418
00:18:50,800 --> 00:18:51,520
Speaker 1: straight into the room.

419
00:18:51,600 --> 00:18:53,320
Speaker 2: That's a private party, I know, but.

420
00:18:53,280 --> 00:18:56,120
Speaker 1: Still have a still filmed. People saw it and people

421
00:18:56,119 --> 00:18:58,000
Speaker 1: were just standing there and then she is naked.

422
00:18:58,040 --> 00:18:59,640
Speaker 3: She's comfortable with her nudity.

423
00:19:00,040 --> 00:19:03,160
Speaker 2: Interesting. I read how recently, like a couple of weeks ago,

424
00:19:03,240 --> 00:19:05,680
Speaker 2: how she actually felt about that, I think, and I

425
00:19:05,720 --> 00:19:09,600
Speaker 2: can't remember what she said. That's useful, isn't it. Google it, Brendan,

426
00:19:09,840 --> 00:19:14,200
Speaker 2: Google the pictures, google the vision, Google it because that

427
00:19:14,320 --> 00:19:18,240
Speaker 2: was a couple of years ago, and she seems to well, no, Google,

428
00:19:18,280 --> 00:19:20,600
Speaker 2: don't google that. Google how she feels about it now.

429
00:19:20,880 --> 00:19:22,879
Speaker 2: Don't just google the pictures from them, because that's of

430
00:19:22,920 --> 00:19:26,560
Speaker 2: no use to us. Know how she feels now about

431
00:19:26,600 --> 00:19:30,280
Speaker 2: Hugh hef no nudity. She I can watch you type

432
00:19:30,320 --> 00:19:34,719
Speaker 2: all day, it feels now put your tongue about walking

433
00:19:34,920 --> 00:19:42,960
Speaker 2: Hughes nude when she walked into Heppner's party, And what's

434
00:19:42,960 --> 00:19:43,280
Speaker 2: it saying?

435
00:19:43,320 --> 00:19:46,800
Speaker 1: I just would save search of see what's the saying?

436
00:19:47,359 --> 00:19:51,560
Speaker 1: It says you Hena watched the bedroom routine, Sex with Secrets,

437
00:19:52,920 --> 00:19:57,160
Speaker 1: the Orgies, X raytit you a hepno moment.

438
00:19:58,880 --> 00:19:59,959
Speaker 2: I'm not getting any closer.

439
00:20:01,119 --> 00:20:02,280
Speaker 3: I got to do some more research.

440
00:20:02,359 --> 00:20:03,639
Speaker 2: Okay, so we will get back to you on that.

441
00:20:04,040 --> 00:20:07,240
Speaker 2: But you know, there's a lot of interest into how

442
00:20:07,680 --> 00:20:11,480
Speaker 2: Biankersen's sorry eyes to me, Brendan Banker sen sorry will

443
00:20:11,520 --> 00:20:16,320
Speaker 2: feel years from now looking back at this the role

444
00:20:16,480 --> 00:20:19,919
Speaker 2: she has played, which looks terrified, because terrifying.

445
00:20:20,240 --> 00:20:23,440
Speaker 1: The stuff you do when you're young is a lot

446
00:20:23,480 --> 00:20:25,880
Speaker 1: different to you know, when you're older, isn't it.

447
00:20:26,240 --> 00:20:26,640
Speaker 2: Yeah?

448
00:20:26,880 --> 00:20:29,280
Speaker 3: You know, and Palma just looking at that picture.

449
00:20:29,000 --> 00:20:32,040
Speaker 1: Of her walking in now see she was younger then

450
00:20:32,280 --> 00:20:34,240
Speaker 1: and now she's a fifty something year.

451
00:20:34,080 --> 00:20:36,720
Speaker 2: Old who was morphed into wanting to take her acting

452
00:20:36,760 --> 00:20:39,000
Speaker 2: more seriously, wanted to take her life more seriously.

453
00:20:39,200 --> 00:20:42,639
Speaker 1: And it's a bigger discussion for all these only fans

454
00:20:42,680 --> 00:20:46,280
Speaker 1: people Bonnie Blue and Australia's most sexy what is it

455
00:20:46,400 --> 00:20:49,760
Speaker 1: sexually active woman? I've got a name and there's you

456
00:20:50,240 --> 00:20:52,480
Speaker 1: but all these these people that do this when they're young,

457
00:20:52,480 --> 00:20:54,040
Speaker 1: and I think, well, you know, in years to come,

458
00:20:54,359 --> 00:20:55,920
Speaker 1: how do you feel about that?

459
00:20:56,800 --> 00:20:59,800
Speaker 3: How will you look back at yourself through that prism hindsight.

460
00:21:00,000 --> 00:21:02,520
Speaker 2: Don't think anyone can tell you that at the time. Yeah,

461
00:21:02,520 --> 00:21:03,520
Speaker 2: it'd be interesting to see.

462
00:21:03,680 --> 00:21:06,200
Speaker 3: Yeah, I mean when I stripped off, I always feel that.

463
00:21:06,240 --> 00:21:08,600
Speaker 2: Oh God, that's right. You stripped off, pretended it was

464
00:21:08,640 --> 00:21:10,960
Speaker 2: for a good cause. You didn't even know there's a

465
00:21:11,040 --> 00:21:13,000
Speaker 2: charity angle. You all saw the angle.

466
00:21:13,040 --> 00:21:17,960
Speaker 3: Who was it good for? Absolutely nobody? Now excuse me,

467
00:21:18,000 --> 00:21:18,879
Speaker 3: I've got to keep googling.

468
00:21:19,119 --> 00:21:20,119
Speaker 2: I'm sorry I brought it up.

469
00:21:20,640 --> 00:21:28,320
Speaker 5: Yeah, yeah, yeah, that's cutting room for yeah, yeah, yeahs

470
00:21:28,359 --> 00:21:31,200
Speaker 5: cutting room for what's on the cutting room floor.

471
00:21:31,240 --> 00:21:33,520
Speaker 3: Always some good pickens on a Friday.

472
00:21:33,600 --> 00:21:36,720
Speaker 2: Well, a couple of stories from Japan. It's no surprise

473
00:21:36,800 --> 00:21:41,280
Speaker 2: that loneliness is a huge scourge in our societies, but

474
00:21:41,320 --> 00:21:43,320
Speaker 2: it seems that a couple of examples here of what's

475
00:21:43,320 --> 00:21:45,480
Speaker 2: going on in Japan. It seems that they are things

476
00:21:45,520 --> 00:21:49,719
Speaker 2: are particularly hard for them. What about this? In Japan?

477
00:21:49,880 --> 00:21:52,720
Speaker 2: You can hire a man yep to wipe your tears

478
00:21:52,800 --> 00:21:54,919
Speaker 2: when you're watching movies. I mean wiping your tears is

479
00:21:54,920 --> 00:21:57,080
Speaker 2: one thing. But you can hire a man, an attractive man,

480
00:21:57,119 --> 00:22:00,359
Speaker 2: it says, who offers you emotional support and sits side

481
00:22:00,400 --> 00:22:03,200
Speaker 2: you as you watch a movie. This is part of

482
00:22:03,720 --> 00:22:08,200
Speaker 2: a unique therapy and companionship service. You can meet for coffee,

483
00:22:08,560 --> 00:22:10,399
Speaker 2: you can ask them to accompany you in groups for

484
00:22:10,480 --> 00:22:14,199
Speaker 2: good conversation or spiritual comfort, or sit beside you on

485
00:22:14,240 --> 00:22:16,160
Speaker 2: the couch and watch a.

486
00:22:16,119 --> 00:22:18,280
Speaker 3: Good weepy What about other comforts?

487
00:22:18,359 --> 00:22:23,199
Speaker 2: You know, no, what comforts of thee of the what

488
00:22:24,280 --> 00:22:28,159
Speaker 2: you're doing hand motions. See, this is problem. This is

489
00:22:28,200 --> 00:22:32,520
Speaker 2: the problem, Brendan is many women are looking for comfort

490
00:22:32,520 --> 00:22:34,679
Speaker 2: that isn't just sexual. It may surprise you to hear

491
00:22:34,720 --> 00:22:36,240
Speaker 2: that your thoughts go straight to sexual.

492
00:22:36,320 --> 00:22:36,840
Speaker 3: Not at all.

493
00:22:36,880 --> 00:22:40,160
Speaker 2: These people, and men and women, i imagine, are looking for

494
00:22:40,480 --> 00:22:45,720
Speaker 2: a sense of community, a sense of commitment, not commitment

495
00:22:45,800 --> 00:22:49,280
Speaker 2: so much as content. They're looking for a sense of

496
00:22:49,800 --> 00:22:52,480
Speaker 2: community and a sense of connection that they're not getting.

497
00:22:52,640 --> 00:22:56,480
Speaker 2: Doesn't mean sex necessarily. It means friendship, people to do

498
00:22:56,560 --> 00:22:58,320
Speaker 2: things with. So you're not doing the stuff you like

499
00:22:58,440 --> 00:23:01,480
Speaker 2: just on your own, which goes back to your point.

500
00:23:01,680 --> 00:23:05,280
Speaker 1: Well, yeah, I guess I'm a simple guy. I just

501
00:23:05,359 --> 00:23:07,840
Speaker 1: like to ask the questions. But I suppose you just

502
00:23:07,920 --> 00:23:09,639
Speaker 1: hire a sex worker, wouldn't you?

503
00:23:09,680 --> 00:23:09,920
Speaker 3: Really?

504
00:23:10,560 --> 00:23:12,960
Speaker 2: Is that what you'd do if I needed that? And

505
00:23:13,040 --> 00:23:14,520
Speaker 2: ask them to sit down and watch this a weepy

506
00:23:14,600 --> 00:23:17,840
Speaker 2: movie with you? What about this part of the story.

507
00:23:18,359 --> 00:23:23,960
Speaker 2: In Japan, Johtsu refers to people who disappear due to

508
00:23:24,040 --> 00:23:28,200
Speaker 2: pressures like failed marriages, debt, job loss. They abandoned their

509
00:23:28,240 --> 00:23:31,399
Speaker 2: lives and they live anonymously off the grid. There are

510
00:23:31,440 --> 00:23:35,760
Speaker 2: even specialized companies called night movers that assist them in

511
00:23:35,840 --> 00:23:41,120
Speaker 2: vanishing completely. Your hatsu, it said with a j jahatsu jahatsu.

512
00:23:41,320 --> 00:23:42,919
Speaker 3: I thought it was a brand of outboard motor.

513
00:23:43,160 --> 00:23:44,840
Speaker 2: Don't make that mistake. You think you're going to buy

514
00:23:44,840 --> 00:23:49,320
Speaker 2: an outboard motor. Suddenly you're living in Venezuela. And there's

515
00:23:49,359 --> 00:23:49,880
Speaker 2: one more.

516
00:23:49,960 --> 00:23:51,360
Speaker 3: Oh, I love japan stories.

517
00:23:52,480 --> 00:23:54,480
Speaker 2: This is a really sad one. A lot of elderly,

518
00:23:54,520 --> 00:23:58,040
Speaker 2: particularly women in Japan, are struggling with loneliness, and they're

519
00:23:58,119 --> 00:24:02,280
Speaker 2: choosing a huge number of people are choosing to go

520
00:24:02,359 --> 00:24:05,600
Speaker 2: to prison rather than live alone. They have found a

521
00:24:05,720 --> 00:24:09,080
Speaker 2: huge sense of community in prison. There's a couple of examples.

522
00:24:09,080 --> 00:24:11,240
Speaker 2: He c and ended a story on it. It's an

523
00:24:11,240 --> 00:24:14,399
Speaker 2: eighty one year old inmate. She knows the burden of

524
00:24:14,440 --> 00:24:18,560
Speaker 2: isolation and poverty. She's been to prison twice. She steals

525
00:24:18,680 --> 00:24:22,920
Speaker 2: food deliberately to get caught, and because that's her second offense,

526
00:24:23,240 --> 00:24:25,919
Speaker 2: she's in prison, so she re offends, so she'll end

527
00:24:25,960 --> 00:24:28,439
Speaker 2: up back in prison where she has a band of

528
00:24:28,440 --> 00:24:31,919
Speaker 2: friends in there who are doing similar things. So she

529
00:24:32,040 --> 00:24:35,040
Speaker 2: found herself living off a very small pension. She said,

530
00:24:35,720 --> 00:24:38,679
Speaker 2: I didn't have any friends and all of this no

531
00:24:38,840 --> 00:24:43,880
Speaker 2: family support or very little family support. So she now pays.

532
00:24:45,160 --> 00:24:46,960
Speaker 2: She now is in prison, and there are some people

533
00:24:46,960 --> 00:24:49,680
Speaker 2: who will even pay to live in prison. They'll pay

534
00:24:49,680 --> 00:24:52,440
Speaker 2: a small stipend to be in prison. There's a huge

535
00:24:52,480 --> 00:24:58,000
Speaker 2: society of elderly women finding their community in a Japanese prison.

536
00:24:58,160 --> 00:25:01,320
Speaker 3: Can you hire someone to wipe your tear drop tattoo?

537
00:25:03,240 --> 00:25:06,080
Speaker 2: It's an interesting prison story. It's like Midnight Express meats

538
00:25:06,119 --> 00:25:09,320
Speaker 2: driving Miss Daisy. A little bit from Colum Mane, a

539
00:25:09,359 --> 00:25:10,359
Speaker 2: little bit from column be.

540
00:25:10,560 --> 00:25:12,400
Speaker 3: This is a little bit too homo erotic for.

541
00:25:12,400 --> 00:25:14,639
Speaker 2: Mind elderly Japanese women.

542
00:25:14,840 --> 00:25:19,360
Speaker 1: No, No, the The Midnight Express.

543
00:25:19,720 --> 00:25:21,400
Speaker 2: I never Actually.

544
00:25:21,160 --> 00:25:21,919
Speaker 3: You haven't seen it.

545
00:25:22,040 --> 00:25:24,199
Speaker 2: No, it's a great movie, is it. It sounds like

546
00:25:24,200 --> 00:25:24,720
Speaker 2: you've loved it.

547
00:25:25,000 --> 00:25:26,000
Speaker 3: No, it's great, but it is.

548
00:25:26,119 --> 00:25:28,800
Speaker 1: I saw it when I was young, and I probably

549
00:25:28,800 --> 00:25:33,040
Speaker 1: can watch homosexual scenes are probably better with watching it,

550
00:25:33,119 --> 00:25:33,960
Speaker 1: But back then I.

551
00:25:33,920 --> 00:25:35,800
Speaker 2: Was like, that's one of the first times you'd seen it.

552
00:25:35,880 --> 00:25:38,000
Speaker 1: Yeah, yeah, yeah, And it wasn't like full on graphic,

553
00:25:38,040 --> 00:25:40,679
Speaker 1: but it was you know, the protagonist who was in

554
00:25:40,720 --> 00:25:44,840
Speaker 1: the jail for the hash and then a Swiss backpacker

555
00:25:44,880 --> 00:25:46,400
Speaker 1: and they you know, they're both there.

556
00:25:46,200 --> 00:25:46,720
Speaker 2: Both willing.

557
00:25:47,240 --> 00:25:47,400
Speaker 1: Yeah.

558
00:25:47,480 --> 00:25:50,080
Speaker 3: Yeah, it's like they just have a chemistry.

559
00:25:50,119 --> 00:25:52,359
Speaker 2: Oh okay, So it wasn't like one being attacked by that.

560
00:25:52,600 --> 00:25:53,400
Speaker 3: No, no, no, it's not.

561
00:25:53,680 --> 00:25:55,760
Speaker 1: No, it's it's quite and that's then it's quite a

562
00:25:55,800 --> 00:25:57,080
Speaker 1: soft romantic.

563
00:25:57,160 --> 00:25:59,600
Speaker 3: If you will see what the tea is away.

564
00:26:00,280 --> 00:26:03,760
Speaker 1: Well, if you've got a Japanese attractive man, that might

565
00:26:03,800 --> 00:26:06,240
Speaker 1: be okay, although I wouldn't say I would go into

566
00:26:06,240 --> 00:26:07,919
Speaker 1: a prison now and then say I'm just here for

567
00:26:07,920 --> 00:26:11,080
Speaker 1: the company because my skin's too sold.

568
00:26:11,359 --> 00:26:12,720
Speaker 2: That's why I've hidden the soap.

569
00:26:14,320 --> 00:26:15,359
Speaker 3: That says for today, come

570
00:26:15,400 --> 00:26:18,600
Speaker 1: Back tomorrow from more Chelsea and a man discutted room

571
00:26:18,680 --> 00:26:19,000
Speaker 1: floor