1 00:00:01,040 --> 00:00:05,560 Speaker 1: I don't entertainment of put on your dance and shit, 2 00:00:05,680 --> 00:00:07,320 Speaker 1: don't give me your best shot. 3 00:00:08,560 --> 00:00:11,400 Speaker 2: I should preface that filling her capable shoes with his 4 00:00:11,480 --> 00:00:14,680 Speaker 2: own talents. That's what I'm trying to say. From the 5 00:00:14,760 --> 00:00:18,040 Speaker 2: Daily Oz, Emma Gillespie is here and a TV show 6 00:00:18,040 --> 00:00:20,880 Speaker 2: that's right in Scott Cam's wheelhouse and is Sex and 7 00:00:20,920 --> 00:00:21,279 Speaker 2: the Scenes. 8 00:00:21,680 --> 00:00:22,000 Speaker 3: Hello. 9 00:00:22,200 --> 00:00:23,680 Speaker 1: Well, yeah, I love Sex and the City. 10 00:00:23,720 --> 00:00:25,880 Speaker 3: I got a message from Scott Cam late last night. 11 00:00:25,920 --> 00:00:28,600 Speaker 4: He said, Emma, I need to talk about my number 12 00:00:28,640 --> 00:00:31,479 Speaker 4: one most favorite show of all time, second only to 13 00:00:31,520 --> 00:00:32,120 Speaker 4: The Block. 14 00:00:31,920 --> 00:00:34,120 Speaker 3: Of course, and just like that, this is the Sex 15 00:00:34,120 --> 00:00:34,920 Speaker 3: and the City. 16 00:00:34,680 --> 00:00:37,800 Speaker 4: Reboot in case Jones he needs a reminder, a refresher, 17 00:00:37,960 --> 00:00:40,680 Speaker 4: thank you. But they're filming the upcoming third season in 18 00:00:40,720 --> 00:00:42,880 Speaker 4: New York City at the moment, of course, at Scott 19 00:00:42,920 --> 00:00:44,920 Speaker 4: would know. New York City is, you know, one of 20 00:00:44,960 --> 00:00:47,800 Speaker 4: the main characters of the show itself. And there are 21 00:00:47,800 --> 00:00:50,440 Speaker 4: these fake notices that have been popping up around the city, 22 00:00:50,479 --> 00:00:53,320 Speaker 4: fake filming notices, so you know when you might be 23 00:00:53,360 --> 00:00:55,520 Speaker 4: in a popular sort of location and you'll see a 24 00:00:55,560 --> 00:00:57,480 Speaker 4: notice saying if you were here on this day. 25 00:00:57,400 --> 00:00:59,880 Speaker 3: At this time, you might be on camera and you 26 00:01:00,120 --> 00:01:00,800 Speaker 3: kind of just. 27 00:01:01,000 --> 00:01:04,000 Speaker 2: The block filming here, Scott cam filming here. 28 00:01:04,200 --> 00:01:06,960 Speaker 1: We don't do that. We've got people at the front 29 00:01:06,959 --> 00:01:08,720 Speaker 1: all the time, and they come by and I wander 30 00:01:08,760 --> 00:01:10,360 Speaker 1: out and we have a few photos and things like that. 31 00:01:10,400 --> 00:01:12,880 Speaker 1: Then I go back inside. Or I've got one of 32 00:01:12,880 --> 00:01:15,240 Speaker 1: those big trucks with the water cannon and I just 33 00:01:15,319 --> 00:01:19,920 Speaker 1: back that up and hose about now date a visit. 34 00:01:21,640 --> 00:01:23,360 Speaker 4: They do that in New York, but with rats, because 35 00:01:23,360 --> 00:01:25,600 Speaker 4: they've got so many rats, they just shoot them at them. 36 00:01:25,640 --> 00:01:27,200 Speaker 3: But these are all fakes anyway. 37 00:01:27,280 --> 00:01:29,200 Speaker 4: So people sort of saw these notices and an on 38 00:01:29,319 --> 00:01:33,280 Speaker 4: closer inspection, they say things like project details, Carry goes 39 00:01:33,319 --> 00:01:35,800 Speaker 4: on a bad date with mister Bean and then accidentally 40 00:01:35,800 --> 00:01:38,400 Speaker 4: sends him a nude. Another one says after getting hit 41 00:01:38,440 --> 00:01:40,480 Speaker 4: by a line bike, Carrie retains. 42 00:01:40,120 --> 00:01:41,679 Speaker 3: Fletcher Reese as her lawyer. 43 00:01:41,959 --> 00:01:45,120 Speaker 4: That's Jim Carrey's character from the movie Liar Liar, and 44 00:01:45,160 --> 00:01:48,080 Speaker 4: another includes a fake plot about Carry, which is Sarah 45 00:01:48,120 --> 00:01:51,120 Speaker 4: Jessica Parker's character revealing to her friends that sheers. 46 00:01:50,840 --> 00:01:53,800 Speaker 3: Garfield the cat. So people saw these they look pretty. 47 00:01:53,640 --> 00:01:55,360 Speaker 4: Legit, but then you zoom in on the fine print 48 00:01:55,400 --> 00:01:59,160 Speaker 4: and they're obviously fakes. But they've narrowed it down to 49 00:01:59,160 --> 00:02:01,320 Speaker 4: who they think it is. Is this Brooklyn writer. Her 50 00:02:01,400 --> 00:02:04,680 Speaker 4: name's Cat Tech and she's done this before. Similarly, she 51 00:02:04,720 --> 00:02:07,800 Speaker 4: tried to parody a King of Queen's reboot that never 52 00:02:07,880 --> 00:02:10,400 Speaker 4: came of being, but everyone sort of speculated that that 53 00:02:10,480 --> 00:02:12,760 Speaker 4: was coming back because she put these fake notices up. 54 00:02:13,040 --> 00:02:14,120 Speaker 3: There's some really good ones. 55 00:02:14,200 --> 00:02:16,200 Speaker 4: My favorite one which I think you might get the 56 00:02:16,240 --> 00:02:19,480 Speaker 4: reference Carrie buys a severed horsehead so she can do 57 00:02:19,560 --> 00:02:23,440 Speaker 4: a Godfather's. But it got me thinking, you know, these big, 58 00:02:23,520 --> 00:02:26,600 Speaker 4: high profile shows, there's always so much speculation with and 59 00:02:26,720 --> 00:02:28,880 Speaker 4: just like that and Sex and the City, but the 60 00:02:28,880 --> 00:02:31,919 Speaker 4: block's got to be you know, Australia's Sex and the City. 61 00:02:31,960 --> 00:02:33,120 Speaker 3: You would have to argue. 62 00:02:33,560 --> 00:02:36,680 Speaker 4: So, I mean, Scottie Cam, how do you hold those 63 00:02:37,040 --> 00:02:40,560 Speaker 4: filming secrets close to your chest? Are we talking NDA's legally? 64 00:02:40,600 --> 00:02:43,280 Speaker 4: What can you disclose here and now exclusively to Jonesy 65 00:02:43,360 --> 00:02:44,240 Speaker 4: and Emma. 66 00:02:44,120 --> 00:02:46,600 Speaker 1: Well, I just sort of like we get when people 67 00:02:46,600 --> 00:02:49,519 Speaker 1: are there from the public coming in to be part 68 00:02:49,560 --> 00:02:51,639 Speaker 1: of the show. I just make a little speech and 69 00:02:51,680 --> 00:02:53,600 Speaker 1: say can you turn your fanes off, don't take any 70 00:02:53,600 --> 00:02:55,560 Speaker 1: photos and keep your trap shut? 71 00:02:56,160 --> 00:02:58,799 Speaker 3: And how basically that worked out, works pretty good. 72 00:02:58,800 --> 00:03:02,120 Speaker 2: So for sas in, I love seeing you when you 73 00:03:02,160 --> 00:03:04,800 Speaker 2: tell someone off, when you sit on it, you do. 74 00:03:04,880 --> 00:03:08,320 Speaker 2: I love it on that show, on the show and 75 00:03:08,360 --> 00:03:10,960 Speaker 2: you sit there and go, look mate, it's not your show, 76 00:03:11,320 --> 00:03:12,040 Speaker 2: it's our show. 77 00:03:12,320 --> 00:03:15,400 Speaker 1: If you don't like it, you can less nippy, bit 78 00:03:15,440 --> 00:03:16,679 Speaker 1: more chippy. 79 00:03:16,600 --> 00:03:18,720 Speaker 3: Very like deputy principal energy. 80 00:03:18,760 --> 00:03:21,240 Speaker 4: I always think when I watch the Block and huge fan, 81 00:03:21,280 --> 00:03:22,959 Speaker 4: I got to say a little bit star struck today. 82 00:03:23,200 --> 00:03:25,160 Speaker 4: But you sit there and you think, God, I wouldn't 83 00:03:25,160 --> 00:03:28,000 Speaker 4: want to disappoint him. No, it's like you know, you're 84 00:03:28,040 --> 00:03:30,200 Speaker 4: not angry, you're just disappointed and you feel like. 85 00:03:30,160 --> 00:03:31,560 Speaker 3: I don't I wouldn't want to let him. 86 00:03:31,520 --> 00:03:35,360 Speaker 2: If you see Scott something like the logis come into the. 87 00:03:35,320 --> 00:03:37,160 Speaker 3: Red carpet, the whole team from the Block. 88 00:03:37,440 --> 00:03:40,280 Speaker 2: You're like the dad, Dad, I'm right, dad, let's get 89 00:03:40,280 --> 00:03:42,920 Speaker 2: on the red carpet, get the picture taken and get 90 00:03:42,960 --> 00:03:43,320 Speaker 2: a beer. 91 00:03:43,800 --> 00:03:45,400 Speaker 4: Grown up in the room, and you just know he's 92 00:03:45,400 --> 00:03:47,960 Speaker 4: looking around and all those young blokes with the suits 93 00:03:47,960 --> 00:03:50,240 Speaker 4: on with no socks, you know, the cropped pant and 94 00:03:50,280 --> 00:03:53,520 Speaker 4: the dress shoe but no sock. You know he's going over. 95 00:03:53,560 --> 00:03:55,160 Speaker 4: He's grabbing them on the shoulder and that he's saying, 96 00:03:55,200 --> 00:03:56,840 Speaker 4: what have you done? Would you embarrassed yourself? 97 00:03:56,840 --> 00:03:58,520 Speaker 2: You'd be wearing no sock. 98 00:04:00,360 --> 00:04:02,560 Speaker 1: I've never want to no sock set up when I 99 00:04:02,600 --> 00:04:04,839 Speaker 1: do something. Marty Fox is a judge on the show 100 00:04:04,920 --> 00:04:06,880 Speaker 1: this year, and you judge, he's a nose sock sort 101 00:04:06,920 --> 00:04:08,600 Speaker 1: of a fellow. And I'll put the hat around. And 102 00:04:08,840 --> 00:04:09,880 Speaker 1: I bought him a pair of socks. 103 00:04:12,600 --> 00:04:15,920 Speaker 3: I had no prior knowledge for this segment about that information. 104 00:04:16,120 --> 00:04:18,680 Speaker 3: There you go, Well, m thank you for joining us. 105 00:04:18,720 --> 00:04:22,520 Speaker 2: Thank you check around with the Daily Eyes Wall. Talk 106 00:04:22,520 --> 00:04:23,239 Speaker 2: to you next week.