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Speaker 1: It was hypothetical.

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Speaker 2: It's a hypothetical, Joel's hypothetical.

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Speaker 3: Every week a great man called Joel.

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Speaker 4: Delivers us a delicious hypothetical to engage in.

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Speaker 3: I love this man. Hello, Joel?

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Speaker 5: How you doing?

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Speaker 6: How you doing?

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Speaker 1: Oh?

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Speaker 7: Yeah, you doing? How are you? How you doing?

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Speaker 2: Im?

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Speaker 7: When I said little man, I do imagine you'd be

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Speaker 7: quite little Joel? Hell?

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Speaker 3: Hell, what's what's boy?

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Speaker 2: I actually am. I wouldn't call it extremely little because

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Speaker 2: that would be a sensitive but I am five foot seven.

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Speaker 4: Oh that's that's let's it's reasonably little.

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Speaker 3: That's reasonably little, but not super little anyway.

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Speaker 2: Joel crazy.

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Speaker 7: I wasn't getting too crazy.

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Speaker 2: I'd say it's extremely average, average.

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Speaker 7: Below average, Yeah, just a little bit.

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Speaker 3: But what's your hypathetical?

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Speaker 8: Joel?

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Speaker 7: Give us your hope?

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Speaker 2: All right?

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Speaker 7: So would you rather?

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Speaker 2: It's a would you rather? Would you rather fight a

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Speaker 2: turkey every single time you came in and out your home,

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Speaker 2: whether it's a rental whatever, any single time?

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Speaker 7: What do you mean right there? What do you mean

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Speaker 7: by fight?

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Speaker 9: It?

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Speaker 2: Like?

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Speaker 7: Is it like a like like a bit of a

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Speaker 7: play fight, or is it like is the turkey coming

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Speaker 7: for the jugular? Like? What's the how intense.

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Speaker 2: When you get home, he's angry, he's mad.

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Speaker 7: Turkey is pretty scary.

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Speaker 3: So how fine, So I have to fight the turkey

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Speaker 3: until he like.

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Speaker 2: He knows you're not going to kill the turkey, but

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Speaker 2: you know he knows that you've won, or you know,

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Speaker 2: you want to kill the turkey.

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Speaker 3: I don't want to kill the turkey.

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Speaker 7: I was being I was thinking efficiently, like that's dinner, baby,

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Speaker 7: because your dinner in the door.

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Speaker 3: So he just needs to submit for your meal. He

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Speaker 3: just needs to submit, job.

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Speaker 2: Yeah, and then he runs away.

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Speaker 7: You can never kill Okay, yeah?

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Speaker 9: Nice?

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Speaker 3: What's the other option?

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Speaker 2: Or once every team arms? Yeah, you have to fight

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Speaker 2: a full grown chimpanzee.

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Speaker 7: Oh, Matt, a chimpanzee would be limb from limb literally,

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Speaker 7: I mean, I don't know, I don't know what you.

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Speaker 3: That's the scariest.

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Speaker 7: It's a proper fight. It's not a bloody some more,

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Speaker 7: is it.

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Speaker 2: He can use his feet too, They've seen what they

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Speaker 2: can do with their feet.

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Speaker 7: I don't know what you learned from the movie Blood

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Speaker 7: diamond Woulds. But I learned that a fully grown chimpanzee

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Speaker 7: as the strength of ten men.

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Speaker 3: From Blood Diamonds, you learned that.

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Speaker 7: Yeah, yeah, he hunts chimps.

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Speaker 2: That's the last thing I remember from that movie.

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Speaker 4: Yeah, exactly. It's a weird part of Blood Diamond to remember.

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Speaker 7: It stayed, It stayed with me though. Yeah, I incredibly strong.

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Speaker 4: They are ten to twelve times stronger than a human being.

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Speaker 4: While you're part, I fear that if I choose the

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Speaker 4: chimpanzee option, in two months, I'm dead.

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Speaker 7: Does the chimps have is like? Could you tap out

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Speaker 7: with the chimp as well? Because I think that's you know,

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Speaker 7: if the turkey gets the if the turkey gets to

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Speaker 7: tap the rope, then surely we get to tap the

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Speaker 7: rope against the chimp.

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Speaker 2: Yeah, but I think a chimp would inflict a considerably

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Speaker 2: large amount of damage before you like, but before he

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Speaker 2: go hang on.

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Speaker 7: You know what I really like about this arthathetical, jol

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Speaker 7: is that, like, what you've done, and I suppose this

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Speaker 7: is your brilliance, is you've inadvertently put us in the

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Speaker 7: turkey's shoes. Yeah, you know, so like here we are,

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Speaker 7: you know, you know, here we were initially being like, yeah,

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Speaker 7: i'll fight a turkey, what the hell with that? But

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Speaker 7: now that we're in the turkey shoes, all of a sudden,

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Speaker 7: that's only feel for the turkey. It's actually it's actually

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Speaker 7: a genius Joe.

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Speaker 3: And I'm also starting to bring the factors a lot

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Speaker 3: of the time when I am the.

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Speaker 7: Turkey, that's what the that's how the chimp's looking at me.

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Speaker 3: You were talking about cooking.

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Speaker 7: That, But now I feel for it. I mean, that's

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Speaker 7: the brilliance of the hypothetic.

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Speaker 4: I'm thinking of every single time you walk into your house, right, So, like,

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Speaker 4: do you get weapons against the chimp?

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Speaker 3: That's a good question, Joel. Well no, no, no way, okay,

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Speaker 3: But I trying to think about it.

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Speaker 4: If I go and tell if I take the bins

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Speaker 4: out and then walk back, that that is that's that's

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Speaker 4: a turkey fight.

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Speaker 3: Yep, I go to the mailbox. Turkey fight.

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Speaker 9: Right.

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Speaker 3: I'm trying to think as well, like a lot of

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Speaker 3: times they need to carry my.

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Speaker 7: Daughter in the turkey though, you've got.

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Speaker 4: To carry your daughter into the house and say, if

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Speaker 4: you're really desperated to take a poo, all of a sudden,

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Speaker 4: you're like, there's a turkey guarding the.

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Speaker 7: Door, so train your daughter up. All right, all right, sweetheart,

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Speaker 7: you've got.

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Speaker 2: The here's something you haven't thought about. Imagine your guy,

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Speaker 2: you've got to work and you you're in a suit

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Speaker 2: and time business.

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Speaker 7: If you have a tire business, you have to the

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Speaker 7: front door.

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Speaker 2: You've got to walk out in your suit, and there

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Speaker 2: he is. And he's every time.

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Speaker 3: It every time you exit the house as well.

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Speaker 2: Yeah, every time I live.

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Speaker 4: So if I'm nicely dressed for a dinner with my

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Speaker 4: beautiful partner, I've got to find a turkey before getting

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Speaker 4: into the Uber. Even if I order Uber Eats, I

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Speaker 4: can't get.

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Speaker 7: I look, I think, yeah, because I look, I personally

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Speaker 7: think that, Look, there'd be a couple of months of

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Speaker 7: pain with the turkey, but after a couple of months,

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Speaker 7: you'd be like terror of the turkey, like you were good.

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Speaker 7: You'd be so good.

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Speaker 5: We're going back.

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Speaker 7: Let's go back in time, going back in time. It's

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Speaker 7: are you telling me that you got a time machine?

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Speaker 7: Every week we get wonderful calls from you guys, and

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Speaker 7: you know it's commercial radio, so naturally we go out

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Speaker 7: on the laugh. We don't have a chance to really

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Speaker 7: dive into a lot of the questions and a lot

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Speaker 7: of the PostScript, which great call can generate woods and

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Speaker 7: we sit here in the studio after you've left the show,

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Speaker 7: after we've gone to the traffic and ads and we

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Speaker 7: have a great conversation and we go tee whiz. I

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Speaker 7: would love to get that person back on the show

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Speaker 7: on Friday afternoon, and I would love to talk more about.

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Speaker 3: This, especially when the caller divides us.

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Speaker 4: You and me have had a fight about this phone

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Speaker 4: call since it was received yesterday from a woman called Tagan,

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Speaker 4: who was telling us about a breakup.

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Speaker 5: He left me on my birthday. He got me this

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Speaker 5: necklace for my birthday, but then took it with him

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Speaker 5: and I wanted it back.

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Speaker 3: Yeah, fair enough. So what happened.

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Speaker 5: About a month or two later when he had a

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Speaker 5: new girlfriend.

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Speaker 8: He had posted a photo wearing it.

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Speaker 7: What did you do when you reached out to him?

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Speaker 5: Yeah, I was like, I want my necklace.

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Speaker 4: Last.

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Speaker 7: Did you actually receive the present? Teagan? Did you open

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Speaker 7: the box? Did you put it on?

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Speaker 2: Yeah? Yeah?

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Speaker 10: Yeah. He took me out to dinner in the city,

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Speaker 10: and then the next day he was like, I don't

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Speaker 10: want to do this anymore and he took everything.

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Speaker 3: Tagan, where is the necklace?

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Speaker 11: Now?

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Speaker 5: We're probably on her next still mmmm.

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Speaker 3: Now will yeah?

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Speaker 9: Now? Yes? Now?

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Speaker 3: Woods you think it's okay what he's done.

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Speaker 7: Well, look, I approached these legally as I do all.

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Speaker 3: Of course, go on, Well, I think.

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Speaker 7: That I think that in order for her to claim

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Speaker 7: that it is her necklace, I think that she's got

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Speaker 7: to spend sufficient time with the necklace.

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Speaker 3: She had it around her neck for an entire birthday dinner.

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Speaker 7: How long is a birthday dinner? And more importantly, that's

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Speaker 7: just fine. Four hours. If you have a necklace for

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Speaker 7: four hours in the lifetime of a necklace, that is

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Speaker 7: a drop in the ocean. My friend, think about the

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Speaker 7: necklace and the Titanic. Come on, it.

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Speaker 3: Still roses Rose.

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Speaker 7: Rose deserves that because she had it on for a

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Speaker 7: couple of weeks. There no only a painting painting a painting, No,

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Speaker 7: she had kept it in the safe, but she had

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Speaker 7: it for a nerd painting and it was very special painting.

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Speaker 7: My point is, My point is you're on a So

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Speaker 7: there's one part of it is the time spent with necklace. Sure.

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Speaker 7: The second part about this is that the teagan told

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Speaker 7: us they had a domestic in the breakup or that night.

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Speaker 7: We don't know a fight, yes, we don't know whether

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Speaker 7: that was necklace on necklace off. But they had a fight. Now, legally,

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Speaker 7: if you do something that's going to like you know,

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Speaker 7: I'm going to use a fancy word here, but repudiate

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Speaker 7: the contract. If you're going to do something contract with

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Speaker 7: there is a contract, there is a contract. There's a

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Speaker 7: contract present, there's a contract. It's a gift, right, she's

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Speaker 7: except she's accepted, there's accepted. The necklace is the consideration.

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Speaker 3: Take an ownership of.

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Speaker 7: So she's taken whatever she's taken it on. Now, if

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Speaker 7: I gave someone a necklace, I'll make this non legal

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Speaker 7: for everyone. If I've got a gift from someone, I'm sorry.

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Speaker 7: If I've given someone a gift and then I find out,

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Speaker 7: for example, we find out that that night that she'd

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Speaker 7: cheated on me, I probably want the necklace back. Agree,

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Speaker 7: and you agree with me because he said that if

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Speaker 7: it was I think if it was cheating, proven cheating,

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Speaker 7: then I would say, look, I think we all can

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Speaker 7: all agree that I deserve that necklace back. Well, that's

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Speaker 7: all I'm saying here. Because the jurors, the jurors that

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Speaker 7: are listening, that is the audience that are listening to

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Speaker 7: this right now, all I need to do is just

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Speaker 7: plant sufficient doubt in their head. We don't need to

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Speaker 7: know beyond reasonable doubt that there was no cheating or

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Speaker 7: no foul play which would lead to the point that

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Speaker 7: the guy wasn't allowed to take the necklace back. And

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Speaker 7: I don't think we know right now.

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Speaker 3: You need to let go of the face that you're

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Speaker 3: not a lawyer. Just just stop. You're on radio.

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Speaker 7: Thirteen one sixty five is the number I need to

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Speaker 7: hear from some of the people here.

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Speaker 3: Can you take a present back?

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Speaker 7: Well?

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Speaker 9: Can you?

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Speaker 3: But should you be able to take a present back?

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Speaker 7: I reckon you can. I reckon if you found out

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Speaker 7: something really dodgy, or you've had a really nasty fighter,

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Speaker 7: they were really mean to you, I reckon you can

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Speaker 7: take it back.

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Speaker 3: That's what I think, all right, thirteen one oh sixty five.

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Speaker 3: What do you think?

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Speaker 7: Obviously, prosecution rests, no defense, defense rest. I'm defending this guy.

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Speaker 3: You can take you.

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Speaker 7: We never know who these guys. You could be a

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Speaker 7: pig of a man. But I like an argument. I

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Speaker 7: like a fight.

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Speaker 3: Let's see it from taking again.

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Speaker 5: He left me on my birthday. He got me this

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Speaker 5: necklace for my birthday, but then took it with him

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Speaker 5: and I wanted it back.

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Speaker 3: Yeah, fair enough. So what happened.

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Speaker 5: About a month or two later when he had a

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Speaker 5: new girlfriend.

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Speaker 8: He had posted a photo wearing it.

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Speaker 7: What did you do when you reached out to him?

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Speaker 5: Yeah, I was like, I want my necklace.

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Speaker 7: That Did you actually receive the present? Did you open

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Speaker 7: the box? Did you put it on?

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Speaker 10: Yeah?

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Speaker 2: Yeah?

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Speaker 1: Yeah.

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Speaker 10: He took me out to dinner in the city, and

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Speaker 10: then the next day he was like, I don't want

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Speaker 10: to do this anymore and he took everything Tagan.

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Speaker 3: Where is the necklace?

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Speaker 5: Now we're probably on our next Still.

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Speaker 3: He gave it to the next girl friend.

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Speaker 7: No, I don't dispute that. Sorry, I'm trying to step

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Speaker 7: out a legal dragon, but I do. I'm not just

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Speaker 7: I reckon the handing over to somebody else, apparent. I

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Speaker 7: don't like it.

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Speaker 3: I think speaks to the character of the person who

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Speaker 3: has taken back.

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Speaker 7: Now I'm trying to step away from the legal stepping

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Speaker 7: it up.

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Speaker 4: Let's go to Ballina, Pauline. Should you be able to

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Speaker 4: take presents back?

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Speaker 12: No, definitely not. It was given in good faith. There

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Speaker 12: was no contract that they had together saying back they

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Speaker 12: brought up. Yeah, they was to hand back in a gift,

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Speaker 12: so therefore it was given good face. He had no

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Speaker 12: intention of keeping a relationship with her the next day,

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Speaker 12: then why I keep the gift in the first place.

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Speaker 7: That's a great question. But but I reckon. But I

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Speaker 7: reckon Pauline. He obviously And this is this is the

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Speaker 7: point that I'd like to raise to the ladies and

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Speaker 7: gentlemen of the jury. He's gone into the birthday dinner

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Speaker 7: with a beautiful necklace as a present, right, I agree

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Speaker 7: with Pauline. Pauline obviously thinks the relationship is pretty strong,

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Speaker 7: and it thinks at that point that the relationship is strong.

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Speaker 7: Otherwise he's not giving her the necklace. So the big

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Speaker 7: question mark that rests here, which I think is sufficient

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Speaker 7: doubt not to try my client, is the fact that

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Speaker 7: something really cooked happened at that dinner. And Pauline, I'm

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Speaker 7: gonna ask you the same question I've been asking myself.

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Speaker 7: If you gave somebody a really expensive necklace and then

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Speaker 7: you found out that they, I don't know, cheated on.

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Speaker 3: You objection no evidence of call your dog.

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Speaker 7: I don't know, something a bit cooked, Maybe you saw

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Speaker 7: something a bit depraved. Maybe you found out that they'd

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Speaker 7: lit a fire under your couch. I don't know. Would

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Speaker 7: you take the necklace back then.

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Speaker 12: No, because it was still giving us a gift. I'm sorry,

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Speaker 12: but it's a fact that regardless of what somebody does,

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Speaker 12: they can't be held accountable for that because somebody offers

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Speaker 12: to give a gift for a present, especially when it's

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Speaker 12: like a birthday or something like that, in good faith.

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Speaker 12: So why I take it back?

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Speaker 3: Great, great staff.

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Speaker 4: Carlie Pauline may have had gifts taken off her in

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Speaker 4: the vast potentially.

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Speaker 7: Let's go to Calie, sounded, Cali Cally, your daughter did this?

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Speaker 3: Your daughter took a gift back?

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Speaker 7: She did.

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Speaker 5: She bought an extensive basketball jersey and next question and

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Speaker 5: a ring for her then boyfriend. He ended up being

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Speaker 5: a bit of a croc.

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Speaker 13: So then she ended up taking it back.

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Speaker 3: Croc when you say he's a crock.

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Speaker 7: Like a nice way, okay on the grounds of and

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Speaker 7: so like whatever, whatever the dickheadedness was she she she

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Speaker 7: was like, you know what, I bought this stuff for you.

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Speaker 7: Turns out you are a bit of a crock. I

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Speaker 7: don't want you to have them anymore.

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Speaker 5: Yeah, so she just took him back.

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Speaker 7: Don't mind it.

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Speaker 5: He was didn't even say anything about it.

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Speaker 3: So he was such a dickhead that he was just like, yeah,

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Speaker 3: probably fair enough.

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Speaker 7: It almost doesn't make him anymore.

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Speaker 3: Does That's?

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Speaker 4: That's interesting because clearly the woman who called yesterday, Teagan,

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Speaker 4: she wanted it back. What's that Teagan wanted it back?

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Speaker 4: Does that make takeing a dickhead? No, it makes taken

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Speaker 4: not a dickhead. I think it makes you know what

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Speaker 4: I mean? Like he knew the guy who was like,

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Speaker 4: accept it, he's accepting that he's a dickhead.

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Speaker 7: The crossboy, crocboy, he said, he said take it back.

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Speaker 4: He was okay with giving it back because he realized

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Speaker 4: I'm a dickhead. Yes, hegan yesterday. She was like, no,

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Speaker 4: don't take it off me. She's not accepting that she's

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Speaker 4: a dickhead. So I don't think it's My question for you.

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Speaker 7: Is it's the dickheads that can't see that they're dickheads

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Speaker 7: that are the real dickheads.

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Speaker 3: Could be a worse. We're gonna stophead apparently.

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Speaker 14: Christ here, you know what I know what you mean?

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Speaker 7: Wife, Christine? Is it the dickhead?

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Speaker 15: You know?

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Speaker 7: The dickhead you don't know? Christine? Can you can you Christine, Christine,

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Speaker 7: can you take a gift? Can you take the gift back? Christine?

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Speaker 7: Can you take that?

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Speaker 15: Why would you want the gift back? Is my question.

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Speaker 15: I don't understand why. As a woman, if you've been

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Speaker 15: broken up with and the status of the necklace, why

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Speaker 15: would you want it back?

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Speaker 4: It's tainted, isn't it. It's a tainted necklace, So if

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Speaker 4: you wanted to hold on.

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Speaker 15: Unless it's a five thousand dollars necklace, then that's the

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Speaker 15: reason why you want it.

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Speaker 1: Why would you.

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Speaker 7: Want Is she just pouring it off?

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Speaker 3: It's almost a bit spiteful to say I want to

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Speaker 3: keep this because she's not.

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Speaker 7: Going to Christine. Why do you think she wants it

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Speaker 7: back so bad?

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Speaker 15: I think it would be how how expensive the necklace.

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Speaker 6: Would either be? Because if she's.

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Speaker 15: No longer with him and she didn't intend being with him,

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Speaker 15: why else would you.

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Speaker 7: Want I can't think anybody the reason I want less

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Speaker 7: than if somebody gave me a gift and then they

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Speaker 7: broke up with me. Why would I like? That's weird?

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Speaker 3: He still wear that watch mate?

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Speaker 7: No, I don't. We've got the Captain of Australian Cricket

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Speaker 7: Pat Cummins on the show. Welcome Pat, Hey boys, Hey

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Speaker 7: do so well mate. Now let's just get straight down

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Speaker 7: the brass tacks here, because our executive producer, Captain pooh Pants,

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Speaker 7: has been claiming for a very long time that your

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Speaker 7: childhood friends and you've got a very warm, loving relationship,

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Speaker 7: and I just want to He wasn't known as Captain

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Speaker 7: Poopants though when he was a lot younger.

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Speaker 3: His name is Ed Kirkwood. Does that ring any bells, ah.

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Speaker 9: Eddie, yes, Glenborough, Blackson, Stalwart.

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Speaker 7: He's pretty happy about that. He's got two ends in

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Speaker 7: the air. Just made it weird. Could have acted cool,

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Speaker 7: but acted way too happy about it.

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Speaker 4: Unfortunately, you may have fallen into our trap though, now, Pat,

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Speaker 4: because given that you have identified that you know Ed,

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Speaker 4: he has a story about you that is particularly embarrassing.

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Speaker 9: So okay, thanks for having you, guys. Chat lad.

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Speaker 4: At the end of one of your seat there was

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00:16:00,800 --> 00:16:05,520
Speaker 4: like an end of season function and apparently the President,

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Speaker 4: Bob Coates, was dancing with his wife and everyone was

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Speaker 4: kind of watching. He said, it was actually like a

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Speaker 4: bit of an awkward moment, and young Pat decided to

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Speaker 4: get on the dance floor and you were doing that

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Speaker 4: thing where you're lying on the ground but doing the

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Speaker 4: running man and going in circles, and if you can

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Speaker 4: finish the story, Pat, what happened?

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Speaker 1: Yeah, I think I probably would have got a red card,

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Speaker 1: slid the legs out from underneath the bob coats and

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Speaker 1: they hit the deck.

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Speaker 7: When you say day, you mean him and his elderly

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Speaker 7: his elderly wife.

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Speaker 1: I believe, so yeah, yes, yeah, that story does come

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Speaker 1: up quite often actually, so.

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Speaker 9: Yeah, I think mum and Dad were mortified. I thought

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Speaker 9: it was not a bad move.

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Speaker 3: But anyway, are you still a dancer?

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Speaker 10: Pat?

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Speaker 3: Are you still no?

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Speaker 9: That was the last time. That was the one and

402
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Speaker 9: only time.

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00:16:56,760 --> 00:17:02,200
Speaker 7: Hey mate, let's talk about this brand new season of

404
00:17:02,640 --> 00:17:06,320
Speaker 7: The Test. Season three out today on Prime Video. So

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Speaker 7: the first two seasons it's awesome. It really is actually

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00:17:09,760 --> 00:17:12,640
Speaker 7: for people that are listening. I actually watch this with

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Speaker 7: my partner Sem and she's Dutch. She's not an Australian

408
00:17:15,200 --> 00:17:17,520
Speaker 7: cricket fan. But I mean it's the sport version of

409
00:17:17,600 --> 00:17:19,240
Speaker 7: keeping up with the Kardashians in a lot of way,

410
00:17:19,280 --> 00:17:22,040
Speaker 7: like you get a lot of raw, unadulterated footage which

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00:17:22,119 --> 00:17:24,879
Speaker 7: is completely away from your professional lives. So even if

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00:17:24,920 --> 00:17:27,480
Speaker 7: you're not into cricket, it really does give an insight

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00:17:27,520 --> 00:17:30,919
Speaker 7: into who you guys are as people. That being said,

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Speaker 7: the bit that is obviously going to be for me,

415
00:17:34,520 --> 00:17:36,560
Speaker 7: the bit that I want to watch most this season

416
00:17:36,640 --> 00:17:38,359
Speaker 7: ties in with and again, you don't need to be

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00:17:38,400 --> 00:17:42,159
Speaker 7: a cricket fan to have heard about this. What happened

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Speaker 7: at the biggest stage in cricket, which is Lord's and

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Speaker 7: the backlash that occurred after a pretty controversial decision out

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Speaker 7: in the field. You guys effectively had to walk back

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Speaker 7: through the members at the oldest cricketing ground in the

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Speaker 7: world and get a whole bunch of abuse from some

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Speaker 7: do you pompous British guys in candy coats? Can you

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Speaker 7: just talk us through exactly what happened there and kind

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Speaker 7: of how that was from behind the scenes before people

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Speaker 7: watch it tonight.

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Speaker 1: Yeah, it's funny because you know, obviously we're right there

428
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Speaker 1: in the middle of it, and it was super intense

429
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Speaker 1: and all those kind of things, but kind of with

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Speaker 1: time you forget about just how intense it was. So

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Speaker 1: looking back now in this series, you see the cameras

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Speaker 1: kind of following us in the in the long room,

433
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Speaker 1: and then also up in the change room you see

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Speaker 1: kind of the immediate aftermath. Yeah, it kind of brought

435
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Speaker 1: it all back home. So yeah, it's you know, I

436
00:18:33,440 --> 00:18:35,479
Speaker 1: let everyone watch it and have a look at it.

437
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Speaker 1: But yeah, there's some parts of it that now you

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Speaker 1: look back at it and you laugh, you find it

439
00:18:40,000 --> 00:18:40,600
Speaker 1: quite funny.

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Speaker 9: Well I do.

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Speaker 1: Anyway, there's other parts where you kind of like can't

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Speaker 1: believe that that just that just happens.

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Speaker 7: Do you feel any guilts around that moment? Because I

444
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Speaker 7: know that one of the things we're going to see

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Speaker 7: tonight is that you were kind of the architect behind

446
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Speaker 7: that decision. And again I don't want to get too

447
00:18:54,880 --> 00:18:57,960
Speaker 7: technical for our non cricketing listeners, but effectively, you saw

448
00:18:58,000 --> 00:19:00,399
Speaker 7: that Johnny Bess was standing out of his and there

449
00:19:00,400 --> 00:19:03,359
Speaker 7: was an opportunity to catch him off guard, kind of

450
00:19:03,440 --> 00:19:06,520
Speaker 7: outside the school of or the school of orthodox play.

451
00:19:06,800 --> 00:19:09,119
Speaker 7: Do you feel guilt around that or do you is

452
00:19:09,119 --> 00:19:11,520
Speaker 7: that something that kind of like, you know, you captain

453
00:19:11,560 --> 00:19:13,440
Speaker 7: the strainth cricket team, you're looking to win regardless.

454
00:19:14,000 --> 00:19:23,199
Speaker 1: Definitely, no guilt, Yeah, pretty clear cut out. So I

455
00:19:23,200 --> 00:19:26,399
Speaker 1: don't think there's any debate around that. And yeah, I

456
00:19:26,400 --> 00:19:29,720
Speaker 1: don't think there really has been at any point. So nah,

457
00:19:29,880 --> 00:19:32,080
Speaker 1: I mean really really proud. I think you're seeing the

458
00:19:32,119 --> 00:19:35,000
Speaker 1: documentary as well. The way the boys held themselves in

459
00:19:36,040 --> 00:19:37,840
Speaker 1: kind of across the enemy lines.

460
00:19:37,880 --> 00:19:39,800
Speaker 9: It was, Yeah, it was fiery.

461
00:19:40,359 --> 00:19:42,560
Speaker 4: One more Pat, which is more off the field. And

462
00:19:42,720 --> 00:19:45,040
Speaker 4: this definitely didn't get as much media coverage. But a

463
00:19:45,080 --> 00:19:48,639
Speaker 4: friend of mine lives in Couldjie and he happened to

464
00:19:48,680 --> 00:19:52,080
Speaker 4: see yourself having a date at the beach there with

465
00:19:52,119 --> 00:19:55,080
Speaker 4: your beautiful family, and he actually he got a sneaky

466
00:19:55,080 --> 00:19:56,960
Speaker 4: shot of you and sent it into the boys thread,

467
00:19:57,320 --> 00:19:59,440
Speaker 4: and I noticed that you were wearing a particularly tight

468
00:19:59,480 --> 00:20:06,119
Speaker 4: red speed as opposed to a broad short. Now, my

469
00:20:05,440 --> 00:20:09,080
Speaker 4: my wife, my my my partner says that when I

470
00:20:09,119 --> 00:20:10,520
Speaker 4: wear speed As it gives her the ick.

471
00:20:10,720 --> 00:20:12,960
Speaker 3: How does that go with your beautiful partner, Pat?

472
00:20:14,000 --> 00:20:16,800
Speaker 1: Well, the funny thing is I've I've got a few

473
00:20:16,800 --> 00:20:22,480
Speaker 1: pairs of budget smugglers. Yeah, and they're either like Australian ones,

474
00:20:22,520 --> 00:20:24,560
Speaker 1: I have my name on them and I can't wear

475
00:20:24,560 --> 00:20:30,120
Speaker 1: them I forget, or I've got some Nathan Lyon ones

476
00:20:30,160 --> 00:20:33,240
Speaker 1: where Nathan Lyon's faces right where you can imagine.

477
00:20:33,280 --> 00:20:35,960
Speaker 9: So sometimes I.

478
00:20:35,800 --> 00:20:38,960
Speaker 1: Accidentally chucked them on before I noticed, So you probably

479
00:20:38,960 --> 00:20:40,040
Speaker 1: got me on a good day, but I was just

480
00:20:40,080 --> 00:20:41,639
Speaker 1: a plain red pair on.

481
00:20:41,680 --> 00:20:46,360
Speaker 11: The best the red. The red dig stickers were the

482
00:20:46,359 --> 00:20:50,400
Speaker 11: top shelf. Wow, there you go. I didn't expect that.

483
00:20:50,520 --> 00:20:51,960
Speaker 11: I thought that was going to be a bad day.

484
00:20:52,040 --> 00:20:53,240
Speaker 11: But that's as good as it gets.

485
00:20:53,640 --> 00:20:55,560
Speaker 7: Oh wow. I would have known nothing more than to

486
00:20:55,600 --> 00:20:57,280
Speaker 7: see the captain of the Austrai cricket team in his

487
00:20:57,320 --> 00:20:59,880
Speaker 7: stead of branded budget smugglers, though that would have.

488
00:20:59,840 --> 00:21:00,840
Speaker 9: Been something else.

489
00:21:04,920 --> 00:21:08,960
Speaker 1: I'll be wearing board shorts and a rash I reckon, mate.

490
00:21:08,760 --> 00:21:10,280
Speaker 3: Just to send you a pair of mate, We'll send

491
00:21:10,280 --> 00:21:11,840
Speaker 3: you a pair of the full.

492
00:21:11,640 --> 00:21:13,800
Speaker 7: Long sleeve wetsite from now on, I reckon mate. If

493
00:21:13,800 --> 00:21:17,720
Speaker 7: you want to be seen outside, watch on you, Hey, Pat,

494
00:21:17,800 --> 00:21:19,359
Speaker 7: It's some Another thing that I think is going to

495
00:21:19,400 --> 00:21:23,360
Speaker 7: be fascinating for everybody else is obviously touring with fifteen

496
00:21:23,440 --> 00:21:26,479
Speaker 7: sixteen guys for really really long times and people can

497
00:21:26,480 --> 00:21:28,200
Speaker 7: see this in season three of The Test, which is

498
00:21:28,200 --> 00:21:30,280
Speaker 7: out today on Prime Video. But like I mean, obviously

499
00:21:30,280 --> 00:21:32,880
Speaker 7: would and I work one on one all day every day.

500
00:21:33,320 --> 00:21:35,360
Speaker 7: We've kind of worked really hard on, you know, sort

501
00:21:35,400 --> 00:21:38,560
Speaker 7: of sharing, making sure we're sharing our relationships and sharing

502
00:21:38,560 --> 00:21:40,240
Speaker 7: our feelings. And talking about how we are just to

503
00:21:40,240 --> 00:21:43,320
Speaker 7: make sure that our relationship is solid. How does that

504
00:21:43,400 --> 00:21:45,879
Speaker 7: go for like a bunch of guys who get raised

505
00:21:45,920 --> 00:21:52,959
Speaker 7: as jocks? Effectively, I can't think of a harder place

506
00:21:53,040 --> 00:21:57,560
Speaker 7: to kind of instill attitudes of vulnerability and openness and

507
00:21:57,600 --> 00:22:01,440
Speaker 7: honesty than amongst a bunch of ball obsessed men.

508
00:22:03,600 --> 00:22:05,600
Speaker 1: Yeah. I think that's one thing that has changed over

509
00:22:05,640 --> 00:22:07,960
Speaker 1: the years. You know, I debut twenty eleven, so it's

510
00:22:08,240 --> 00:22:11,400
Speaker 1: twelve to thirteen years ago. I think that is one

511
00:22:11,440 --> 00:22:14,480
Speaker 1: thing that's changed is just you know this proper players.

512
00:22:14,880 --> 00:22:17,640
Speaker 1: Most of the guys coming through now are a bit

513
00:22:17,640 --> 00:22:20,679
Speaker 1: more open to that. They understand they can't just travel

514
00:22:20,880 --> 00:22:23,520
Speaker 1: twelve months of the year and pretend that everything's just

515
00:22:23,720 --> 00:22:26,800
Speaker 1: totally normal. Yeah, okay, so there is a sense that

516
00:22:26,840 --> 00:22:29,919
Speaker 1: we're all in it together. You know, we're lucky this

517
00:22:29,960 --> 00:22:33,240
Speaker 1: particulars team like really close mates. We know each other

518
00:22:33,320 --> 00:22:36,920
Speaker 1: really well, So we spend a lot of time obviously

519
00:22:36,920 --> 00:22:39,119
Speaker 1: add the cricket field together, but outside of that, just

520
00:22:39,200 --> 00:22:43,359
Speaker 1: dinner's golf whatever. It is totally separate to I guess,

521
00:22:43,400 --> 00:22:45,760
Speaker 1: you know, cricket or work as you'd call it. So yeah,

522
00:22:45,800 --> 00:22:47,840
Speaker 1: something we try and kind of look after each other

523
00:22:47,880 --> 00:22:50,480
Speaker 1: a little bit. Everyone goes through different things. You normally

524
00:22:50,520 --> 00:22:52,000
Speaker 1: get a bit of a feeling because you know the

525
00:22:52,040 --> 00:22:55,199
Speaker 1: guys so well if something's up, and yeah, try and

526
00:22:55,240 --> 00:22:56,560
Speaker 1: be there when we need to.

527
00:22:56,960 --> 00:22:59,240
Speaker 4: And you've said sort of broadly that you love everyone

528
00:22:59,280 --> 00:23:02,280
Speaker 4: on the in the team there mate, you play golf together,

529
00:23:02,280 --> 00:23:03,200
Speaker 4: go to restaurants together.

530
00:23:03,400 --> 00:23:04,840
Speaker 3: But who is the most annoying teammate?

531
00:23:05,119 --> 00:23:10,560
Speaker 1: A couple of good contenders. I think you know, Davy

532
00:23:10,760 --> 00:23:16,760
Speaker 1: on his day can be high energy. Marnus the same, love.

533
00:23:16,680 --> 00:23:17,320
Speaker 9: And but to death.

534
00:23:17,400 --> 00:23:19,800
Speaker 7: But is Marna still putting his toasties in the fridge?

535
00:23:20,520 --> 00:23:22,480
Speaker 9: I'd say so. Yeah.

536
00:23:22,560 --> 00:23:24,040
Speaker 7: Yeah, he's so strange.

537
00:23:24,359 --> 00:23:26,640
Speaker 9: Whatever you think would be normal, he'll do the opposite.

538
00:23:28,400 --> 00:23:32,240
Speaker 7: He's so weird. I cannot believe how strange that guy is.

539
00:23:32,760 --> 00:23:35,440
Speaker 9: He's great. Yeah, you need them in your team.

540
00:23:35,520 --> 00:23:39,360
Speaker 4: Are there any other bizarre superstitions or bizarre behaviors from

541
00:23:39,400 --> 00:23:41,560
Speaker 4: players around playing the game?

542
00:23:41,840 --> 00:23:42,040
Speaker 9: Yeah?

543
00:23:42,160 --> 00:23:47,680
Speaker 1: Always, and it's always the batters. I think the funniest ones.

544
00:23:48,240 --> 00:23:51,960
Speaker 1: I think like Steve Smith wears for his socks and

545
00:23:52,000 --> 00:23:55,040
Speaker 1: then he doesn't like seeing his shoelaces, so he ties

546
00:23:55,080 --> 00:24:01,480
Speaker 1: his shoelaces around his ankles, like it's trapping tape. So

547
00:24:01,480 --> 00:24:03,320
Speaker 1: so there's a few of those kind of weird quirks.

548
00:24:03,680 --> 00:24:05,160
Speaker 3: Could you do a prank on Steve Smith?

549
00:24:05,200 --> 00:24:06,800
Speaker 4: So if I found out Steve Smith was in a

550
00:24:06,840 --> 00:24:09,400
Speaker 4: particular room and I threw shoelaces in his room, would

551
00:24:09,400 --> 00:24:10,080
Speaker 4: that scare him?

552
00:24:10,200 --> 00:24:12,760
Speaker 9: If he has had the bat, Yeah, he would freaks

553
00:24:12,800 --> 00:24:13,640
Speaker 9: him out.

554
00:24:13,960 --> 00:24:17,320
Speaker 7: Yeah, that's awesome, mate. I don't know how you do it.

555
00:24:17,520 --> 00:24:20,440
Speaker 7: I congratulations annoy your success, Pat Woods, and I have

556
00:24:20,480 --> 00:24:22,520
Speaker 7: actually been really pumped to speak to you, mate. It's

557
00:24:22,560 --> 00:24:23,919
Speaker 7: been great to see the team going a whole new

558
00:24:23,960 --> 00:24:26,720
Speaker 7: direction with you. Congratulations on all your success and I'm

559
00:24:26,720 --> 00:24:28,240
Speaker 7: sure all the success which is yet to come people

560
00:24:28,280 --> 00:24:29,640
Speaker 7: can catch up. Season three of The Test is out

561
00:24:29,640 --> 00:24:31,280
Speaker 7: today on Prime Video. If you honestly all the inner

562
00:24:31,280 --> 00:24:33,480
Speaker 7: workings of the Eusy cricket team in and among some

563
00:24:33,520 --> 00:24:35,440
Speaker 7: of the biggest challenges they've had yet under the leadership

564
00:24:35,440 --> 00:24:37,600
Speaker 7: of Pat Cummings. It's been a pleasure, mate, Thanks much

565
00:24:37,600 --> 00:24:38,280
Speaker 7: for joining us on with them.

566
00:24:38,560 --> 00:24:39,920
Speaker 9: These guys see down to the beach.

567
00:24:45,480 --> 00:24:46,639
Speaker 3: They take our life.

568
00:24:52,840 --> 00:24:57,760
Speaker 7: Look, all of our ideas get adulterated by the producers. Unfortunately,

569
00:24:57,880 --> 00:25:00,119
Speaker 7: it's a shocking situation, but they've got to produce to

570
00:25:00,119 --> 00:25:01,879
Speaker 7: show it, which means we have to we get this, guys.

571
00:25:01,960 --> 00:25:03,520
Speaker 7: Just this is the use of the word. The words

572
00:25:03,480 --> 00:25:06,360
Speaker 7: says it all. We have to pitch our ideas at

573
00:25:06,359 --> 00:25:09,359
Speaker 7: the producers like they're the gatekeepers of the chronicles of content,

574
00:25:09,480 --> 00:25:12,159
Speaker 7: like it really does. It's it's I don't know how

575
00:25:12,200 --> 00:25:14,159
Speaker 7: we've ended up in this situation. Would our name's on

576
00:25:14,200 --> 00:25:17,400
Speaker 7: the door, it's Will and Woody, not producers and Will

577
00:25:17,480 --> 00:25:19,239
Speaker 7: and Woody. But anyway, they choose the bits to get

578
00:25:19,280 --> 00:25:21,080
Speaker 7: in the show. So we've fought tooth and now to

579
00:25:21,080 --> 00:25:22,640
Speaker 7: get a bit in our contract, which says for ten

580
00:25:22,640 --> 00:25:24,200
Speaker 7: minutes on a Friday, we get to day say whatever

581
00:25:24,200 --> 00:25:26,520
Speaker 7: the buddy hell we want, which is what freedom Fridays

582
00:25:26,560 --> 00:25:28,119
Speaker 7: is all about. What have you got this week? Well,

583
00:25:28,160 --> 00:25:32,320
Speaker 7: I mean I think this is absolutely brilliant, Like I

584
00:25:32,320 --> 00:25:35,000
Speaker 7: actually think this could be like the New Beat, the

585
00:25:35,000 --> 00:25:35,600
Speaker 7: Bomb or.

586
00:25:35,560 --> 00:25:39,040
Speaker 4: Secret Sound like truly wow. So no, I know that

587
00:25:39,160 --> 00:25:39,879
Speaker 4: they're big words.

588
00:25:39,920 --> 00:25:42,480
Speaker 7: They're them big fighting words in the radio industry, but

589
00:25:42,560 --> 00:25:43,160
Speaker 7: here it is.

590
00:25:43,119 --> 00:25:46,040
Speaker 3: Well can you feel time?

591
00:25:46,359 --> 00:25:48,879
Speaker 7: Oh my god, can you feel it? I think we

592
00:25:48,920 --> 00:25:49,600
Speaker 7: all feel time?

593
00:25:49,760 --> 00:25:50,800
Speaker 3: Okay, but wait for it?

594
00:25:50,920 --> 00:25:53,840
Speaker 7: So the game is this we all just you know,

595
00:25:53,880 --> 00:25:56,480
Speaker 7: there's like a like a scientist of like qualified a sense.

596
00:25:56,520 --> 00:25:57,440
Speaker 7: It's like a sense of time.

597
00:25:58,600 --> 00:26:00,520
Speaker 3: The game is just called can you feel all right,

598
00:26:00,560 --> 00:26:02,960
Speaker 3: and we'd play that song. Can you feel it?

599
00:26:03,600 --> 00:26:06,000
Speaker 7: Can you feel the song we played for? Can you

600
00:26:06,040 --> 00:26:06,359
Speaker 7: hear it?

601
00:26:06,960 --> 00:26:07,160
Speaker 2: Yeah?

602
00:26:07,200 --> 00:26:13,480
Speaker 3: But keep the original word. So this is the game? Yeah,

603
00:26:13,560 --> 00:26:14,400
Speaker 3: so can you feel time?

604
00:26:14,520 --> 00:26:17,840
Speaker 7: Okay? You were me played time? Just wait by wait,

605
00:26:18,440 --> 00:26:19,080
Speaker 7: we can play.

606
00:26:18,880 --> 00:26:21,040
Speaker 3: Around with it. We just go quiet.

607
00:26:21,160 --> 00:26:25,600
Speaker 4: You were me to go sent, so just bring everything down. Okay,

608
00:26:25,640 --> 00:26:28,560
Speaker 4: we do that for a certain amount of time with

609
00:26:28,680 --> 00:26:30,959
Speaker 4: someone on the line, right, and then we just go

610
00:26:31,080 --> 00:26:32,520
Speaker 4: we go okay, we'll start talking again.

611
00:26:33,119 --> 00:26:37,640
Speaker 3: How long was that? Can you feel time?

612
00:26:40,640 --> 00:26:43,199
Speaker 7: I don't. I don't dislike it. What if they have

613
00:26:43,240 --> 00:26:43,920
Speaker 7: a stop watch?

614
00:26:44,000 --> 00:26:44,200
Speaker 9: Yeah?

615
00:26:44,320 --> 00:26:46,080
Speaker 4: So I think that the part of the whole game

616
00:26:46,240 --> 00:26:48,919
Speaker 4: is just like just use this word against come up

617
00:26:48,920 --> 00:26:50,560
Speaker 4: a lot, but don't be a dicket like it's not.

618
00:26:50,680 --> 00:26:52,800
Speaker 3: This is really fun. This is really fun.

619
00:26:52,800 --> 00:26:55,159
Speaker 7: If you don't you is it that fun? I was

620
00:26:55,200 --> 00:26:58,640
Speaker 7: playing with mim oh Jesus in bed.

621
00:26:58,520 --> 00:27:02,200
Speaker 3: Last night, right? Is that we loved it? We loved

622
00:27:02,240 --> 00:27:05,920
Speaker 3: it very rarely will we write because.

623
00:27:06,200 --> 00:27:07,480
Speaker 7: Is there anything to do with the fact that you

624
00:27:07,480 --> 00:27:09,200
Speaker 7: had a few wines at a team dinner last night.

625
00:27:09,440 --> 00:27:11,560
Speaker 4: I don't think so. I think it's unrelated. Because what

626
00:27:11,600 --> 00:27:13,679
Speaker 4: gets interesting is you think it's you think it's ages.

627
00:27:13,720 --> 00:27:15,240
Speaker 4: Do you think it's ages? But you're like, that was

628
00:27:15,240 --> 00:27:16,080
Speaker 4: only three seconds?

629
00:27:16,760 --> 00:27:19,080
Speaker 7: Your bloody oh we cut in them all after three seconds? Well,

630
00:27:19,080 --> 00:27:20,560
Speaker 7: I think it'd be like a two minute okay, and

631
00:27:20,560 --> 00:27:21,639
Speaker 7: that varies. I like it.

632
00:27:21,640 --> 00:27:23,680
Speaker 3: That's the beauty of the game. It varies. Poop pens.

633
00:27:24,040 --> 00:27:25,920
Speaker 7: It's very similar to a radio bit on one of

634
00:27:25,960 --> 00:27:27,840
Speaker 7: our rival shows.

635
00:27:27,920 --> 00:27:28,480
Speaker 3: What do they do?

636
00:27:29,280 --> 00:27:31,000
Speaker 7: It's called the time game and you have to guess

637
00:27:31,000 --> 00:27:32,760
Speaker 7: as close to five seconds as.

638
00:27:34,000 --> 00:27:36,560
Speaker 3: Who does that? That's God's a good idea. We won't

639
00:27:36,600 --> 00:27:36,879
Speaker 3: mention that.

640
00:27:37,000 --> 00:27:38,600
Speaker 7: No, give me the shot. We do only gives you.

641
00:27:38,680 --> 00:27:41,960
Speaker 7: We all know the different shows out there carrying.

642
00:27:41,680 --> 00:27:43,840
Speaker 3: Tony same time as well.

643
00:27:44,280 --> 00:27:47,040
Speaker 7: Yeah, oh wow, so they're doing that. Well they could

644
00:27:47,040 --> 00:27:47,840
Speaker 7: be doing that right now.

645
00:27:48,040 --> 00:27:48,480
Speaker 10: I'm sorry.

646
00:27:48,800 --> 00:27:50,400
Speaker 7: They probably do a better version of it.

647
00:27:50,440 --> 00:27:52,439
Speaker 3: Well, hang on a second, we haven't done my version,

648
00:27:52,520 --> 00:27:54,520
Speaker 3: so we'll never know. So we'll never know. Well, we

649
00:27:54,560 --> 00:27:55,880
Speaker 3: probably have to just back off.

650
00:27:55,920 --> 00:27:57,680
Speaker 7: It sounds like, you know, if the time games out

651
00:27:57,680 --> 00:27:59,280
Speaker 7: and about people are loving it. I mean if they're

652
00:27:59,280 --> 00:28:02,159
Speaker 7: loving it on seeing tea fine is slightly loving it

653
00:28:02,240 --> 00:28:05,800
Speaker 7: on w and you know that, how do you know that?

654
00:28:05,960 --> 00:28:06,760
Speaker 9: A bit simpler?

655
00:28:07,200 --> 00:28:09,520
Speaker 4: Yeah, but simple? Yeah, but that's that's the problem with

656
00:28:09,600 --> 00:28:12,399
Speaker 4: you poop pens. You're always going after simple. Make it

657
00:28:12,440 --> 00:28:15,160
Speaker 4: a bit more diverse. We're gonna hear your idea, though,

658
00:28:15,160 --> 00:28:16,399
Speaker 4: well just in case we don't want to.

659
00:28:16,600 --> 00:28:18,159
Speaker 7: I was going to hear my idea. But now that

660
00:28:18,200 --> 00:28:21,840
Speaker 7: I know that, you know this is going to ruffle

661
00:28:21,840 --> 00:28:23,399
Speaker 7: a few feathers. You know, this is a bit of

662
00:28:23,400 --> 00:28:24,440
Speaker 7: a red rag to a ball for me.

663
00:28:24,640 --> 00:28:27,000
Speaker 3: It's a different name. It's just it's just can you

664
00:28:27,040 --> 00:28:27,399
Speaker 3: feel it?

665
00:28:27,480 --> 00:28:29,000
Speaker 7: I'm can you feel it?

666
00:28:29,200 --> 00:28:29,400
Speaker 16: Yeah?

667
00:28:30,040 --> 00:28:33,240
Speaker 7: We can't have that because that's the theme. Can you

668
00:28:33,320 --> 00:28:33,560
Speaker 7: hear it?

669
00:28:33,600 --> 00:28:35,080
Speaker 3: I've already been over that. If we call it the

670
00:28:35,080 --> 00:28:38,600
Speaker 3: sound of silence, I like that. I like that end

671
00:28:38,640 --> 00:28:39,080
Speaker 3: of silence.

672
00:28:39,120 --> 00:28:42,080
Speaker 4: We go silent up next, and you have to guess

673
00:28:42,080 --> 00:28:43,200
Speaker 4: how long we were silent for?

674
00:28:44,680 --> 00:28:45,040
Speaker 3: Great?

675
00:28:45,920 --> 00:28:47,320
Speaker 7: I mean, I'm in, I'm in.

676
00:28:47,800 --> 00:28:48,600
Speaker 3: Who wants to play?

677
00:28:48,960 --> 00:28:51,600
Speaker 7: Just judging by your face, you're in, which is huge.

678
00:28:52,200 --> 00:28:52,760
Speaker 2: I'm not in.

679
00:28:53,000 --> 00:28:58,280
Speaker 7: Well, it doesn't matter because it's freedom Fridays. We've got

680
00:28:58,280 --> 00:28:58,560
Speaker 7: a theme.

681
00:28:58,640 --> 00:29:01,280
Speaker 4: I'm already so thirty one if you missed out on

682
00:29:01,360 --> 00:29:06,800
Speaker 4: plane it on the other show, burning six five is.

683
00:29:06,800 --> 00:29:10,200
Speaker 3: The number we go silent. You just have to guess

684
00:29:10,280 --> 00:29:13,520
Speaker 3: how long are we silent? For? Nothing to do with

685
00:29:13,560 --> 00:29:14,680
Speaker 3: that five seconds.

686
00:29:14,960 --> 00:29:16,640
Speaker 7: Earlier on the other show and you didn't come back

687
00:29:16,680 --> 00:29:23,600
Speaker 7: for more? So what did I get? Programming of the

688
00:29:23,640 --> 00:29:27,080
Speaker 7: show for ten minutes? No producer changes.

689
00:29:26,840 --> 00:29:27,320
Speaker 3: Up in here.

690
00:29:27,360 --> 00:29:29,200
Speaker 7: This is just you and I raw ideas, and if

691
00:29:29,200 --> 00:29:31,320
Speaker 7: you listen to the last spot before the song, you

692
00:29:31,360 --> 00:29:33,920
Speaker 7: would know this is very much just one of our

693
00:29:33,960 --> 00:29:37,640
Speaker 7: ideas and also carrying top Bees.

694
00:29:37,600 --> 00:29:40,760
Speaker 3: It slightly different. It's a completely original tweet.

695
00:29:41,960 --> 00:29:46,840
Speaker 7: It's called this Time.

696
00:29:52,840 --> 00:29:55,400
Speaker 3: We do all our own production and Freedom Fridays as well.

697
00:29:56,280 --> 00:30:00,080
Speaker 7: Yeah we do. Yeah, we are working on a a

698
00:30:00,120 --> 00:30:02,040
Speaker 7: theme song for can You Feel Time? I feel like

699
00:30:02,080 --> 00:30:03,680
Speaker 7: can You? I feel like that was a hit I.

700
00:30:03,720 --> 00:30:05,600
Speaker 3: Love can You? Can You Feel the Time? Tonight? I

701
00:30:05,600 --> 00:30:07,720
Speaker 3: think is a perfect name of this game.

702
00:30:07,760 --> 00:30:09,720
Speaker 4: So look, basically, guys, if you haven't heard it on

703
00:30:09,760 --> 00:30:13,440
Speaker 4: another radio show, We're going to go real silent for

704
00:30:13,520 --> 00:30:16,560
Speaker 4: a certain amount of time. Yep, yep, okay, and then

705
00:30:16,600 --> 00:30:18,400
Speaker 4: we'll start talking again and then we'll go how long

706
00:30:18,520 --> 00:30:20,640
Speaker 4: was that? And if you can guess it to the second.

707
00:30:21,440 --> 00:30:23,520
Speaker 4: You win nothing, but you just be like god it.

708
00:30:23,560 --> 00:30:24,320
Speaker 4: That feels good.

709
00:30:24,920 --> 00:30:27,360
Speaker 3: So we've got Michael here, who wants to play. Michael,

710
00:30:27,360 --> 00:30:28,720
Speaker 3: first time you've heard this game?

711
00:30:29,240 --> 00:30:32,160
Speaker 5: Oh yeah, first time? It sounds horrendous. I thought, geez,

712
00:30:32,160 --> 00:30:32,840
Speaker 5: I have to call in.

713
00:30:35,760 --> 00:30:36,040
Speaker 9: Miel.

714
00:30:36,080 --> 00:30:36,520
Speaker 3: I love it.

715
00:30:37,400 --> 00:30:40,480
Speaker 4: Okay, mate, So we're about to go silent. Whatever you

716
00:30:40,600 --> 00:30:43,000
Speaker 4: got to do, mate, to feel that time you do it?

717
00:30:43,000 --> 00:30:58,560
Speaker 4: But here we go three two one and stopping there

718
00:30:58,680 --> 00:31:01,440
Speaker 4: and stopping there. How long was that, Michael?

719
00:31:01,880 --> 00:31:03,520
Speaker 5: It felt like eleven seconds?

720
00:31:04,040 --> 00:31:05,680
Speaker 9: Oh, Michael.

721
00:31:06,520 --> 00:31:07,000
Speaker 7: Seconds.

722
00:31:07,640 --> 00:31:14,160
Speaker 3: Well, it's great to start. Let's go to Sarah. It

723
00:31:14,280 --> 00:31:16,960
Speaker 3: was good, It was good, he was good. It's exciting,

724
00:31:17,200 --> 00:31:19,480
Speaker 3: is it? Yeah?

725
00:31:19,600 --> 00:31:23,440
Speaker 4: Sarah? Sarah, you'd like to play the Can you feel

726
00:31:23,480 --> 00:31:24,240
Speaker 4: the time tonight?

727
00:31:26,560 --> 00:31:26,920
Speaker 9: Okay?

728
00:31:27,000 --> 00:31:31,440
Speaker 3: Perfect? Okay, time starts now?

729
00:31:47,720 --> 00:31:48,760
Speaker 7: And time?

730
00:31:49,240 --> 00:31:49,600
Speaker 5: Sorry?

731
00:31:49,720 --> 00:31:49,880
Speaker 6: Now?

732
00:31:49,960 --> 00:31:51,720
Speaker 7: How they got to be?

733
00:31:52,120 --> 00:31:54,600
Speaker 3: You're you're gonna let it go to build it up?

734
00:31:54,800 --> 00:31:55,120
Speaker 9: Sarah?

735
00:31:55,160 --> 00:31:55,920
Speaker 3: How long was that?

736
00:31:56,960 --> 00:31:58,160
Speaker 12: Sixteen seconds?

737
00:31:58,520 --> 00:31:58,640
Speaker 11: What?

738
00:31:59,080 --> 00:31:59,760
Speaker 9: Seventeen?

739
00:32:02,920 --> 00:32:07,400
Speaker 7: I have signed the question if people are cheating? Are

740
00:32:07,440 --> 00:32:09,760
Speaker 7: you cheating? Sarah? To be honest, be honest.

741
00:32:09,920 --> 00:32:11,240
Speaker 12: No, I was counting it in here.

742
00:32:11,360 --> 00:32:12,000
Speaker 13: That was it?

743
00:32:12,200 --> 00:32:15,520
Speaker 7: Oh wow, like Mississippi.

744
00:32:15,920 --> 00:32:18,320
Speaker 3: Yeah, nice, let's finish with Lauren. I'd love to finish a.

745
00:32:18,240 --> 00:32:20,160
Speaker 7: Winny second guy as well. For the record, I love

746
00:32:20,200 --> 00:32:22,200
Speaker 7: to are you really how do you count your seconds?

747
00:32:22,240 --> 00:32:24,760
Speaker 3: One? Captain dog, two captain dog dog.

748
00:32:24,920 --> 00:32:27,440
Speaker 7: Everyone does a different don't they? Cat and dog?

749
00:32:27,880 --> 00:32:29,120
Speaker 3: Yeah, Lauren?

750
00:32:29,160 --> 00:32:31,160
Speaker 7: You want to play in Mississippi to Mississippi?

751
00:32:31,560 --> 00:32:33,040
Speaker 17: Yes, hello, William Woody.

752
00:32:33,280 --> 00:32:35,200
Speaker 7: Lauren, Lauren, welcome to an original?

753
00:32:35,480 --> 00:32:36,840
Speaker 12: Is so my tactic?

754
00:32:38,080 --> 00:32:38,200
Speaker 1: Oh?

755
00:32:38,320 --> 00:32:39,960
Speaker 7: You a cat and dog? You in Mississippi? Yes?

756
00:32:40,000 --> 00:32:41,160
Speaker 5: I was going to cat and dog.

757
00:32:41,280 --> 00:32:42,120
Speaker 7: You're going to cat and dog?

758
00:32:42,120 --> 00:32:44,120
Speaker 3: Interesting? Okay, well, whatever you got to do.

759
00:32:44,360 --> 00:32:45,520
Speaker 5: Now I'm feeling the pressure.

760
00:32:46,160 --> 00:32:47,640
Speaker 7: Okay, do you have a dog and cat?

761
00:32:47,680 --> 00:32:47,720
Speaker 11: It?

762
00:32:48,560 --> 00:32:51,600
Speaker 3: Just now? I always capt'n dog, never the dog before

763
00:32:51,600 --> 00:32:54,520
Speaker 3: the cat. All right, Lauren? I mean I'd love a winner.

764
00:32:54,720 --> 00:32:57,560
Speaker 3: So just you focus now I will cut you off again.

765
00:32:57,960 --> 00:33:03,000
Speaker 3: Don't what is my I know? Three carrying tops, three,

766
00:33:03,520 --> 00:33:05,520
Speaker 3: two ononderies.

767
00:33:17,920 --> 00:33:20,480
Speaker 7: And stopping there and stopping there and stopping there.

768
00:33:20,480 --> 00:33:23,640
Speaker 3: We'll take it to the closest second. How long was that, Lauren?

769
00:33:24,640 --> 00:33:27,640
Speaker 17: Ten captain dogs, way.

770
00:33:27,360 --> 00:33:32,280
Speaker 3: Off, way off? I was thirteen seconds. I was thirteen seconds.

771
00:33:32,320 --> 00:33:33,800
Speaker 7: You should have put the dog before the cat.

772
00:33:34,040 --> 00:33:34,280
Speaker 12: One.

773
00:33:36,880 --> 00:33:38,080
Speaker 3: Do we go one more time?

774
00:33:38,200 --> 00:33:38,400
Speaker 12: No?

775
00:33:38,600 --> 00:33:42,720
Speaker 7: Pat Covins is up next to the Captain Australian Cricket is willing,

776
00:33:43,360 --> 00:33:44,320
Speaker 7: willing what he.

777
00:33:45,800 --> 00:33:46,000
Speaker 11: Guy?

778
00:33:46,760 --> 00:33:50,240
Speaker 1: Disney Pixars Inside Out two only in cinemas, Dune thirteen,

779
00:33:52,080 --> 00:33:52,640
Speaker 1: who are doing.

780
00:33:52,480 --> 00:33:53,160
Speaker 3: This with Disney.

781
00:33:53,560 --> 00:33:55,960
Speaker 7: Unbelievable, What a privilege, what an honor.

782
00:33:56,040 --> 00:33:57,400
Speaker 3: Great to co lab with Disney.

783
00:33:57,560 --> 00:33:59,400
Speaker 4: Finally just get in the bordero and with him and

784
00:33:59,440 --> 00:34:01,959
Speaker 4: just be like on around ideas and together we've come

785
00:34:02,040 --> 00:34:03,800
Speaker 4: up with this idea and we think it's going to

786
00:34:03,840 --> 00:34:05,560
Speaker 4: be a blood jats crack. Yeah, we're also working on

787
00:34:05,560 --> 00:34:09,880
Speaker 4: Avengers three, but you know, sha mate, keep quiet very

788
00:34:09,840 --> 00:34:10,399
Speaker 4: Avengers four.

789
00:34:10,400 --> 00:34:15,520
Speaker 7: I think Avenge three. But anyway, the idea I think

790
00:34:15,640 --> 00:34:18,680
Speaker 7: is great woods But I think there's a part of

791
00:34:18,719 --> 00:34:21,560
Speaker 7: it which which maybe we haven't touched on yet, because

792
00:34:21,560 --> 00:34:24,760
Speaker 7: we're talking about filling the art the gallery with kids artwork,

793
00:34:24,800 --> 00:34:26,080
Speaker 7: and I think whether you're a kid or whether you're

794
00:34:26,080 --> 00:34:28,000
Speaker 7: an adult, and if you're doing a gallery, it needs

795
00:34:28,000 --> 00:34:32,920
Speaker 7: a theme like it needs stimulus. Yeah, sure for the artists,

796
00:34:33,239 --> 00:34:36,840
Speaker 7: and you and I aren't artists, but there's been a

797
00:34:36,880 --> 00:34:39,680
Speaker 7: kid that's been listening this whole time and they've got

798
00:34:39,719 --> 00:34:42,160
Speaker 7: a great idea. So I'm going to welcome Joel to

799
00:34:42,200 --> 00:34:42,839
Speaker 7: the radio show.

800
00:34:42,880 --> 00:34:46,640
Speaker 13: Hey Joel, Hi, why boys, I love listening to the show,

801
00:34:47,040 --> 00:34:49,160
Speaker 13: and I've got I've got a brilliant idea.

802
00:34:49,560 --> 00:34:51,359
Speaker 3: Please please share, Joe Joel.

803
00:34:51,440 --> 00:34:53,120
Speaker 7: Joel, First of all, how old are you?

804
00:34:53,880 --> 00:34:54,440
Speaker 5: I'm eleven?

805
00:34:54,600 --> 00:34:56,719
Speaker 7: Okay, great, all right, so you're right in the right

806
00:34:56,800 --> 00:34:59,760
Speaker 7: in the wheelhouse. Okay, cool, Joel. What's what's your idea?

807
00:34:59,840 --> 00:35:00,000
Speaker 11: Mate?

808
00:35:00,920 --> 00:35:03,880
Speaker 13: My idea is that we get the kids to paint

809
00:35:03,960 --> 00:35:07,279
Speaker 13: their emotions, because I heard that you guys are doing

810
00:35:08,120 --> 00:35:11,040
Speaker 13: there's a new Moon movie inside Out too coming out,

811
00:35:11,280 --> 00:35:14,160
Speaker 13: which is like based on emotions. So we can use

812
00:35:14,200 --> 00:35:16,759
Speaker 13: the kids to paint their emotions. And I have some

813
00:35:16,960 --> 00:35:18,040
Speaker 13: emotions in mind.

814
00:35:18,520 --> 00:35:20,160
Speaker 3: That's actually genius, genius.

815
00:35:20,320 --> 00:35:21,520
Speaker 7: Have you got emotions in mind?

816
00:35:21,800 --> 00:35:22,200
Speaker 3: Is that is?

817
00:35:22,239 --> 00:35:22,520
Speaker 7: Wow?

818
00:35:22,719 --> 00:35:23,960
Speaker 3: Joel, that's absolutely genius.

819
00:35:24,239 --> 00:35:26,360
Speaker 4: I assume that you're very advanced for your age and

820
00:35:26,400 --> 00:35:28,040
Speaker 4: you've actually finished high school.

821
00:35:29,960 --> 00:35:30,920
Speaker 13: No, I haven't.

822
00:35:30,960 --> 00:35:32,560
Speaker 3: Well that shocks me, that genuinely shocks me.

823
00:35:33,320 --> 00:35:36,239
Speaker 4: But Joel, what are some emotions that maybe some of

824
00:35:36,320 --> 00:35:37,600
Speaker 4: the kids could be painting.

825
00:35:38,200 --> 00:35:45,600
Speaker 13: They could paint fear, happiness, sadness. I've got one for sadness.

826
00:35:45,800 --> 00:35:48,920
Speaker 3: Oh yeah, So what would be your idea of sadness.

827
00:35:48,920 --> 00:35:50,960
Speaker 7: That these do sound like the emotions in Inside Out

828
00:35:50,960 --> 00:35:53,880
Speaker 7: too as well, Joel, So double tick for integration.

829
00:35:54,080 --> 00:35:55,560
Speaker 3: Well done, done.

830
00:35:55,719 --> 00:35:59,960
Speaker 7: What you've done a painting on sadness yourself? Before?

831
00:36:01,040 --> 00:36:05,319
Speaker 4: Yes, I have an abstract one before before you tell

832
00:36:05,360 --> 00:36:07,759
Speaker 4: us what you actually painted there? When was the last

833
00:36:07,760 --> 00:36:11,960
Speaker 4: time you felt sadness? If you do feel comfortable sharing, Joel, the.

834
00:36:11,960 --> 00:36:14,840
Speaker 13: Last time I felt sadness was I was at a

835
00:36:14,920 --> 00:36:18,799
Speaker 13: soccer training and it was a tie and I was

836
00:36:19,000 --> 00:36:20,520
Speaker 13: I thought I was in front of the goal. I

837
00:36:20,520 --> 00:36:22,120
Speaker 13: thought I was going to score because there was no

838
00:36:22,160 --> 00:36:24,759
Speaker 13: one else in front of me, and I missed it.

839
00:36:24,960 --> 00:36:25,959
Speaker 13: Like went the other way.

840
00:36:26,320 --> 00:36:28,040
Speaker 3: I went the other went to the other way.

841
00:36:28,520 --> 00:36:30,560
Speaker 17: Yeah, the way I didn't want it to.

842
00:36:31,160 --> 00:36:33,879
Speaker 4: Oh I'm sorry to hear that, Joel. Okay, so that's

843
00:36:33,920 --> 00:36:35,320
Speaker 4: the emotion of sadness.

844
00:36:35,320 --> 00:36:36,880
Speaker 3: You've felt that. So what does it look like on

845
00:36:36,920 --> 00:36:37,320
Speaker 3: a canvas?

846
00:36:37,400 --> 00:36:40,160
Speaker 7: Yeah? Good question, because I love the idea, Joel, but

847
00:36:41,520 --> 00:36:44,120
Speaker 7: trying to get kids to paint sadness feels tough.

848
00:36:45,040 --> 00:36:45,279
Speaker 6: Yeah.

849
00:36:46,120 --> 00:36:50,160
Speaker 13: So you could start by putting a portrait and adding

850
00:36:50,400 --> 00:36:56,480
Speaker 13: dark navy blue lines like drooping down the canvas representing tears,

851
00:36:57,080 --> 00:37:01,719
Speaker 13: adding different shades of blue, under it to represent you're

852
00:37:01,719 --> 00:37:02,840
Speaker 13: feeling a tiny bit.

853
00:37:02,719 --> 00:37:05,440
Speaker 6: Better, you're feeling worse more depressed.

854
00:37:05,880 --> 00:37:10,560
Speaker 7: Oh, Joe, you hey on Joel. So you know you

855
00:37:10,600 --> 00:37:12,759
Speaker 7: sound like you're very in touch with your emotions, Joel,

856
00:37:12,760 --> 00:37:17,200
Speaker 7: And it feels this this is you and you know it.

857
00:37:17,840 --> 00:37:19,480
Speaker 7: Do you think other kids are going to be able

858
00:37:19,520 --> 00:37:22,200
Speaker 7: to do that? Like? Like, do you think all kids

859
00:37:22,239 --> 00:37:26,720
Speaker 7: are going to be able to paint emotions or the emotions?

860
00:37:27,080 --> 00:37:27,440
Speaker 6: Yes?

861
00:37:27,680 --> 00:37:30,840
Speaker 13: I think they will be able to because if it's abstract,

862
00:37:31,040 --> 00:37:37,040
Speaker 13: they can like express their angryness by adding dark black

863
00:37:37,239 --> 00:37:41,520
Speaker 13: or red, big spots, sharp lines, or happiness lots of

864
00:37:41,760 --> 00:37:42,680
Speaker 13: bright colors.

865
00:37:43,080 --> 00:37:45,320
Speaker 3: Joel, I feel like you should just do the whole gallery.

866
00:37:45,600 --> 00:37:48,640
Speaker 3: I feel like Joel's got all the emotions covered. But

867
00:37:48,640 --> 00:37:50,480
Speaker 3: but if we can't do that, why don't we ask?

868
00:37:50,600 --> 00:37:54,160
Speaker 4: Now, thirty five is our number on an exhibition.

869
00:37:54,239 --> 00:37:57,799
Speaker 7: I don't want to hear mate with thirty pieces of

870
00:37:57,880 --> 00:38:00,480
Speaker 7: art by next week. I kinda want to hear there

871
00:38:00,480 --> 00:38:02,080
Speaker 7: are other kids out there who are in touch with

872
00:38:02,120 --> 00:38:04,040
Speaker 7: their emotion enough to paint that.

873
00:38:06,000 --> 00:38:08,440
Speaker 4: Okay, So thirteen one oh sixty five. If you're a

874
00:38:08,480 --> 00:38:12,560
Speaker 4: kid out there, so under twelve, what emotion would you paint?

875
00:38:12,880 --> 00:38:15,480
Speaker 7: And how would you paint it?

876
00:38:15,640 --> 00:38:17,520
Speaker 3: Yeah, because and we might need you next week.

877
00:38:18,880 --> 00:38:21,200
Speaker 7: Yeah, all right, Well this is the test because I

878
00:38:21,239 --> 00:38:23,480
Speaker 7: supposed if this doesn't work, then Joel's idea is I mean,

879
00:38:23,520 --> 00:38:25,480
Speaker 7: no bad idea in a brainstorm, Joel. But could be

880
00:38:25,480 --> 00:38:27,120
Speaker 7: a stinker. And I realize it's a bit of a

881
00:38:27,120 --> 00:38:29,279
Speaker 7: tall order, particularly that it's called a past four and

882
00:38:29,400 --> 00:38:31,400
Speaker 7: part afternoon. But if you're a child, if you're only

883
00:38:31,400 --> 00:38:35,759
Speaker 7: the adre of twelve, and you think you can paint, now,

884
00:38:35,880 --> 00:38:38,319
Speaker 7: I understand this is a stretch, and I understand that

885
00:38:38,520 --> 00:38:40,960
Speaker 7: this might be too much for you guys, But thirty

886
00:38:41,000 --> 00:38:43,040
Speaker 7: one and sixty five, are you a child and you

887
00:38:43,120 --> 00:38:46,759
Speaker 7: think you could paint your emotions? Please give us a

888
00:38:46,760 --> 00:38:50,600
Speaker 7: call because we've had an idea. Woods, you have a

889
00:38:50,640 --> 00:38:54,200
Speaker 7: prank of a grand scale. We put on this epic

890
00:38:54,360 --> 00:38:57,280
Speaker 7: art exhibition, elaborate cannipace, an underground DJ.

891
00:38:57,400 --> 00:38:59,719
Speaker 3: We invite the arts, he folks. All of the art

892
00:39:00,160 --> 00:39:02,680
Speaker 3: been done by children. We then sell the art for

893
00:39:02,920 --> 00:39:05,840
Speaker 3: hundreds of thousands of dollars. They signed the check. We

894
00:39:05,920 --> 00:39:06,920
Speaker 3: bring the kid out.

895
00:39:06,960 --> 00:39:10,080
Speaker 7: And laugh at the world. What do we do with

896
00:39:10,080 --> 00:39:11,000
Speaker 7: the cash?

897
00:39:11,280 --> 00:39:14,359
Speaker 3: Keep it? Buy a boat?

898
00:39:16,800 --> 00:39:19,319
Speaker 7: Now, Woods, it's a great idea. We didn't have any

899
00:39:19,360 --> 00:39:21,400
Speaker 7: stimulus for the kids in terms of what they're painting.

900
00:39:21,440 --> 00:39:23,839
Speaker 7: They can't just rock o'melli, here's my family, here's my dog,

901
00:39:23,880 --> 00:39:26,040
Speaker 7: because you know, artsy people are going to see through that.

902
00:39:26,120 --> 00:39:26,520
Speaker 3: Absolutely.

903
00:39:26,560 --> 00:39:28,840
Speaker 7: Now we're doing this with Disney, with Disney and Pixel

904
00:39:28,920 --> 00:39:31,399
Speaker 7: Inside Out to in Cinema's June thirteen, and this kid

905
00:39:31,440 --> 00:39:36,319
Speaker 7: called Joel called us up just before and had an

906
00:39:36,400 --> 00:39:39,839
Speaker 7: idea which involved the movie Inside Out too. If you've

907
00:39:39,840 --> 00:39:42,080
Speaker 7: anyone seen Inside Out, it's about the emotions that the

908
00:39:42,160 --> 00:39:44,320
Speaker 7: kid goes through. Inside Out two is going to be

909
00:39:44,320 --> 00:39:46,880
Speaker 7: the same thing. Joel, what was your idea for the

910
00:39:46,960 --> 00:39:47,520
Speaker 7: art gallery?

911
00:39:48,960 --> 00:39:52,560
Speaker 13: My idea was for the kids to pay it to

912
00:39:52,640 --> 00:39:54,760
Speaker 13: paint their emotions on a canvas.

913
00:39:55,360 --> 00:39:55,680
Speaker 9: Gie.

914
00:39:55,680 --> 00:39:58,960
Speaker 3: Brilliant your Joel, actually brilliant, unbelievable idea.

915
00:39:59,040 --> 00:40:01,920
Speaker 7: Okay, it's amazing. It's taken an eleven year old to

916
00:40:01,920 --> 00:40:04,680
Speaker 7: come up with that with that's embarrassing. Brown Storm had

917
00:40:04,680 --> 00:40:07,160
Speaker 7: the best of Disney creatives, the best of us. It's

918
00:40:07,160 --> 00:40:09,000
Speaker 7: taken eleven year old to drop this bomb on us.

919
00:40:09,120 --> 00:40:10,160
Speaker 7: It's a great idea, But.

920
00:40:10,239 --> 00:40:13,239
Speaker 4: The question is can kids do they have the capacity

921
00:40:13,640 --> 00:40:14,880
Speaker 4: to paint emotions?

922
00:40:15,040 --> 00:40:16,480
Speaker 7: Yes? Great, questions.

923
00:40:16,520 --> 00:40:18,600
Speaker 4: So we've got writer here, who's brought on thirteen one

924
00:40:18,600 --> 00:40:19,399
Speaker 4: oh sixty five high?

925
00:40:19,400 --> 00:40:19,600
Speaker 3: Writer?

926
00:40:20,640 --> 00:40:22,719
Speaker 7: Hi, so do you writer?

927
00:40:23,840 --> 00:40:24,160
Speaker 17: Five?

928
00:40:24,800 --> 00:40:28,200
Speaker 3: Five? Nice? You you think you could paint an emotion

929
00:40:29,719 --> 00:40:30,879
Speaker 3: with which emotion? Writer?

930
00:40:32,239 --> 00:40:32,600
Speaker 5: Happy?

931
00:40:33,239 --> 00:40:36,280
Speaker 3: Happy? Yep? Nice? Or joy? From the film of course?

932
00:40:37,840 --> 00:40:44,840
Speaker 4: So how would you paint joy?

933
00:40:45,000 --> 00:40:48,280
Speaker 7: How would you paint happiness? Right, let's stick with happiness? Sorry,

934
00:40:49,440 --> 00:40:52,239
Speaker 7: writers back, I understand what you're trying to do there,

935
00:40:52,239 --> 00:40:54,960
Speaker 7: But writer, if you had to paint happy, how would

936
00:40:54,960 --> 00:40:55,640
Speaker 7: you paint happy?

937
00:40:56,400 --> 00:40:58,279
Speaker 17: Oh? Happy?

938
00:40:57,200 --> 00:40:58,560
Speaker 5: Happy?

939
00:40:58,640 --> 00:41:05,480
Speaker 7: What husky dog like? If you have you got a husky? Rider?

940
00:41:06,280 --> 00:41:08,680
Speaker 5: No, I have ducks, ducks?

941
00:41:08,800 --> 00:41:09,520
Speaker 3: You have ducks.

942
00:41:09,640 --> 00:41:13,279
Speaker 7: Why not paint the ducks, dude, that the ducks are happy?

943
00:41:14,000 --> 00:41:18,080
Speaker 7: Would you not paint the ducks as happiness?

944
00:41:19,600 --> 00:41:20,320
Speaker 6: Dog person?

945
00:41:21,600 --> 00:41:22,120
Speaker 17: Obviously?

946
00:41:22,920 --> 00:41:27,320
Speaker 4: Dog do you're a dog person with ducks?

947
00:41:28,239 --> 00:41:28,759
Speaker 3: Amazing?

948
00:41:28,760 --> 00:41:33,600
Speaker 16: Writer, I mean it sounds like a tortured artist to me.

949
00:41:33,760 --> 00:41:38,880
Speaker 16: Get him in there, hates the ducks, loves his dogs.

950
00:41:39,320 --> 00:41:41,600
Speaker 7: Ironically, I said beforehand, we can't just get kids in too,

951
00:41:41,600 --> 00:41:44,040
Speaker 7: come and back dogs. But you know, if a husky

952
00:41:44,120 --> 00:41:45,799
Speaker 7: is happiness to rider.

953
00:41:46,120 --> 00:41:48,120
Speaker 3: Then and who knows, maybe it's going to be a

954
00:41:48,120 --> 00:41:49,040
Speaker 3: metaphorical husky.

955
00:41:49,560 --> 00:41:51,040
Speaker 4: I think I think we can play in this whole

956
00:41:51,120 --> 00:41:53,759
Speaker 4: metaphorical space to try and convince people that there's are

957
00:41:53,800 --> 00:41:54,640
Speaker 4: genuine artists.

958
00:41:54,400 --> 00:41:57,080
Speaker 7: That have done and we can guy says yesterday, if

959
00:41:57,080 --> 00:42:01,000
Speaker 7: we start calling the exhibition like the kid in the canvas.

960
00:42:01,160 --> 00:42:02,239
Speaker 3: Oh, I love that.

961
00:42:02,840 --> 00:42:04,520
Speaker 4: Like that, so we lean into the fact they look

962
00:42:04,640 --> 00:42:07,920
Speaker 4: like children's bits of art. But the quality actually was

963
00:42:07,920 --> 00:42:09,920
Speaker 4: the fact that this professional artist could make it look

964
00:42:10,000 --> 00:42:10,600
Speaker 4: like a child.

965
00:42:10,480 --> 00:42:13,520
Speaker 7: And they're painting the emotions of a child through a

966
00:42:13,600 --> 00:42:17,239
Speaker 7: child's eyes. Then all of a sudden, it's I mean,

967
00:42:17,360 --> 00:42:19,920
Speaker 7: it doesn't matter what they put down, don't I mean,

968
00:42:19,960 --> 00:42:22,279
Speaker 7: although I'm sure it'll be great. Dante has called on

969
00:42:22,320 --> 00:42:26,440
Speaker 7: thirty and one of six Dante, how old are you? Okay?

970
00:42:26,480 --> 00:42:29,080
Speaker 7: And you think if we said to you, paint an emotion,

971
00:42:29,320 --> 00:42:30,120
Speaker 7: you could paint that?

972
00:42:30,920 --> 00:42:31,640
Speaker 13: Yeah?

973
00:42:31,719 --> 00:42:32,920
Speaker 7: What would you paint? Mate?

974
00:42:33,800 --> 00:42:37,759
Speaker 6: I'm pretty feeling I'm pretty I'm pretty, I'm feeling pretty good,

975
00:42:37,800 --> 00:42:39,080
Speaker 6: so I'll probably.

976
00:42:38,800 --> 00:42:40,640
Speaker 7: Pick joy, also happiness.

977
00:42:40,760 --> 00:42:42,239
Speaker 3: All right, how would you do it?

978
00:42:42,320 --> 00:42:45,240
Speaker 7: Sounding a bit one dimensional the gallery at the moment, Yeah, okay,

979
00:42:45,239 --> 00:42:46,320
Speaker 7: how would you do that? Mate?

980
00:42:46,840 --> 00:42:51,040
Speaker 6: Ill do a funny background, and I'll draw a couple

981
00:42:51,080 --> 00:42:55,080
Speaker 6: of people, nice trees, and I'll put speech robbles and

982
00:42:55,160 --> 00:43:01,800
Speaker 6: throwing expressions of excitement and happiness and and positive.

983
00:43:03,680 --> 00:43:07,520
Speaker 7: Dante, that's happiness amazing. I mean, you know, if I

984
00:43:07,560 --> 00:43:09,520
Speaker 7: was his mentor, would probably lose the speech bubbles. But

985
00:43:09,640 --> 00:43:11,360
Speaker 7: you know, I like the speech bubbles.

986
00:43:11,360 --> 00:43:13,440
Speaker 4: It's an insight into the people in the in the

987
00:43:13,480 --> 00:43:15,160
Speaker 4: in the in the painting.

988
00:43:15,360 --> 00:43:19,720
Speaker 3: Let's go to Bronzi, now, Bronti, how old are you Bronti?

989
00:43:20,560 --> 00:43:21,880
Speaker 17: I'm eleven eleven?

990
00:43:21,960 --> 00:43:24,160
Speaker 3: Okay, and you think you can paint an emotion?

991
00:43:25,200 --> 00:43:25,399
Speaker 1: Yes?

992
00:43:25,600 --> 00:43:26,120
Speaker 3: Which one?

993
00:43:27,360 --> 00:43:28,440
Speaker 17: Anger?

994
00:43:28,000 --> 00:43:30,840
Speaker 7: Okay? Here we go. Okay, how would you do that? Bronti?

995
00:43:31,560 --> 00:43:35,280
Speaker 17: I punched the canvas and then get dark red paints

996
00:43:35,440 --> 00:43:37,160
Speaker 17: and make splotches on it.

997
00:43:38,040 --> 00:43:43,480
Speaker 4: I like that an aggressive Well, it's anger, absolutely it is.

998
00:43:43,520 --> 00:43:45,360
Speaker 7: Have you ever punched a canvas before, Bronti?

999
00:43:46,480 --> 00:43:46,600
Speaker 8: Uh?

1000
00:43:46,840 --> 00:43:49,480
Speaker 17: Not really, but I'll give it a try, first.

1001
00:43:49,200 --> 00:43:51,600
Speaker 4: Time punching the canvas. So can I ask you, Bronnie,

1002
00:43:51,600 --> 00:43:53,080
Speaker 4: when was the last time you were angry? When did

1003
00:43:53,120 --> 00:43:53,880
Speaker 4: you feel an emotion?

1004
00:43:54,040 --> 00:43:59,320
Speaker 17: Last night when I lost well, I didn't really lose

1005
00:43:59,320 --> 00:44:02,160
Speaker 17: my dog. We found her in the end, but I

1006
00:44:02,239 --> 00:44:03,200
Speaker 17: was mad at myself.

1007
00:44:03,920 --> 00:44:06,760
Speaker 4: Oh you let the gate open?

1008
00:44:08,200 --> 00:44:14,480
Speaker 17: Oh no, so she I think she actually flung flung

1009
00:44:14,520 --> 00:44:15,759
Speaker 17: it open but

1010
00:44:20,960 --> 00:44:23,440
Speaker 4: Up on her back legs, and she opened the gate

1011
00:44:23,840 --> 00:44:24,719
Speaker 4: and walked down