1 00:00:00,400 --> 00:00:03,520 Speaker 1: Jumps with Jonesy and Amanda. 2 00:00:03,520 --> 00:00:05,680 Speaker 2: Grew and it's back on the Telly tonight. We enjoy 3 00:00:05,720 --> 00:00:07,320 Speaker 2: this company so much we've asked him to come and 4 00:00:07,400 --> 00:00:10,760 Speaker 2: join us once more on a Wednesday. Well Anderson, hello. 5 00:00:11,760 --> 00:00:13,600 Speaker 1: Thank you very much for having me, Amanda and Jones. 6 00:00:13,760 --> 00:00:15,600 Speaker 1: It's nice to be here. And I can see you 7 00:00:15,640 --> 00:00:17,919 Speaker 1: this morning through the power of technology, and it is 8 00:00:18,000 --> 00:00:21,560 Speaker 1: so beautiful to see two people so dressed up for 9 00:00:21,760 --> 00:00:24,759 Speaker 1: work this early in the morning, considering that everybody that 10 00:00:24,800 --> 00:00:26,720 Speaker 1: I've talked to in the last six months and one 11 00:00:26,720 --> 00:00:29,440 Speaker 1: of these calls has been in their pajamas. So congratulations 12 00:00:29,480 --> 00:00:30,040 Speaker 1: to you, boat. 13 00:00:30,240 --> 00:00:33,160 Speaker 3: But let's when you do those radio shows with Bong FM. 14 00:00:33,440 --> 00:00:36,320 Speaker 3: You know those guys that wear track sits. They're the 15 00:00:36,360 --> 00:00:38,960 Speaker 3: girls the last place you were working. But look at 16 00:00:39,080 --> 00:00:40,919 Speaker 3: us and we make a and Amanda and I get 17 00:00:40,960 --> 00:00:41,879 Speaker 3: to sit next to each other. 18 00:00:41,920 --> 00:00:42,479 Speaker 1: Do you like this? 19 00:00:42,600 --> 00:00:46,680 Speaker 2: It's very cozy. Now, speaking of dressing, well Oram Williams 20 00:00:47,080 --> 00:00:50,680 Speaker 2: is finally back in the hands of an Australian. How 21 00:00:50,680 --> 00:00:51,640 Speaker 2: do we all feel about that? 22 00:00:51,760 --> 00:00:51,879 Speaker 1: They? 23 00:00:51,920 --> 00:00:54,360 Speaker 2: I know they've got Hugh Jackman sprooking them. What's what 24 00:00:54,440 --> 00:00:55,280 Speaker 2: could be better than that? 25 00:00:56,520 --> 00:00:58,800 Speaker 1: Well, Hugh Jackman have you seen this advertisement that Hugh 26 00:00:58,920 --> 00:01:02,640 Speaker 1: Jackman made Jackman in the Nude wearing nothing but Aaron 27 00:01:02,680 --> 00:01:06,280 Speaker 1: Williams boots, for like well a minute and a half 28 00:01:06,319 --> 00:01:09,160 Speaker 1: because they decided, if they've got you Jackman in the Nude, 29 00:01:09,160 --> 00:01:10,759 Speaker 1: we might as well make an ad. It's a minute 30 00:01:10,760 --> 00:01:13,320 Speaker 1: and a half long and you almost see Hugh Sackman. 31 00:01:13,440 --> 00:01:18,120 Speaker 1: It's a very interesting it's fair to say that they 32 00:01:18,160 --> 00:01:20,600 Speaker 1: got huge jack and work on his shoes and they 33 00:01:20,680 --> 00:01:23,000 Speaker 1: actually you see he's cobblers as well. It's a very 34 00:01:23,280 --> 00:01:26,880 Speaker 1: revealing advertisement. And we asked the question tonight was that 35 00:01:26,920 --> 00:01:29,679 Speaker 1: ad actually made for the public to see, was actually 36 00:01:29,680 --> 00:01:32,000 Speaker 1: made for the sale of Aaron Williams, because it's a 37 00:01:32,000 --> 00:01:34,160 Speaker 1: bit of a theory that they just made this to 38 00:01:34,200 --> 00:01:35,680 Speaker 1: sell the company, not the shoes. 39 00:01:36,200 --> 00:01:38,919 Speaker 3: Well, you got ten million dollars for that? Is that true? 40 00:01:39,920 --> 00:01:42,360 Speaker 1: He got ten million dollars. He wants to be a millionaire, 41 00:01:42,480 --> 00:01:44,760 Speaker 1: and he actually was in line to get about twenty 42 00:01:44,760 --> 00:01:46,520 Speaker 1: five million dollars because they wanted to sell it for 43 00:01:46,600 --> 00:01:50,680 Speaker 1: much more than they did. Andrew Twiggy Forrest, the Australian billionaire, 44 00:01:50,720 --> 00:01:52,880 Speaker 1: bought it for one hundred and ninety million dollars. The 45 00:01:52,920 --> 00:01:57,560 Speaker 1: sale price was actually five hundred I believe originally, so 46 00:01:57,960 --> 00:01:59,520 Speaker 1: he's got it for a bit of a bargain. And 47 00:01:59,600 --> 00:02:01,520 Speaker 1: all the shit use are still made in Adelaide Australia. 48 00:02:01,600 --> 00:02:03,440 Speaker 1: A lot of the other stuff has been made offshore. 49 00:02:03,480 --> 00:02:05,920 Speaker 1: But they're going to try to reclaim that luxury Australian 50 00:02:05,960 --> 00:02:07,680 Speaker 1: brand are and Williamson. 51 00:02:07,240 --> 00:02:11,079 Speaker 3: Speaking of luxury Australian brands, Bunnings, that's a big thing 52 00:02:11,120 --> 00:02:11,959 Speaker 3: on the show tonight. 53 00:02:13,000 --> 00:02:18,480 Speaker 1: Bunnings Warehouse now Australia's most trusted brand, even higher than 54 00:02:18,520 --> 00:02:20,920 Speaker 1: the ABC if you can believe that, which you can't 55 00:02:21,000 --> 00:02:23,840 Speaker 1: because I told people that on the ABC allegedly so 56 00:02:24,520 --> 00:02:27,560 Speaker 1: Bunning's Warehouse despite the fact that they are a major corporation. 57 00:02:27,720 --> 00:02:30,079 Speaker 1: Let's be honest, that's what they are. It's West Farmers, right, 58 00:02:30,120 --> 00:02:32,960 Speaker 1: They're this major multinational corporation that have come in and 59 00:02:33,000 --> 00:02:35,960 Speaker 1: taken over these local mum and pop stores and yet 60 00:02:36,000 --> 00:02:38,960 Speaker 1: they are so beloved in Australia and so we try 61 00:02:39,000 --> 00:02:41,600 Speaker 1: to unpick that tonight. What is the secret? Is it 62 00:02:41,600 --> 00:02:44,600 Speaker 1: the sausage sizzle? Because might a ten have a sausage sizzle, 63 00:02:44,760 --> 00:02:46,960 Speaker 1: but might a ten never get any press for their 64 00:02:47,000 --> 00:02:50,959 Speaker 1: sausage sizzle? Is it the jingle who wrote that jingle? Well, 65 00:02:51,000 --> 00:02:55,400 Speaker 1: tonight on grum we find the guy. We tracked him down. 66 00:02:55,600 --> 00:02:58,840 Speaker 1: It took us in a week of investigation to find 67 00:02:58,880 --> 00:03:01,520 Speaker 1: the guy who wrote the Bunning warehouse jingle and we 68 00:03:01,680 --> 00:03:05,959 Speaker 1: have him on tonight's show. And when we finally got 69 00:03:06,000 --> 00:03:08,920 Speaker 1: onto him, he literally his first words were I knew 70 00:03:08,960 --> 00:03:09,799 Speaker 1: this day would cover. 71 00:03:11,080 --> 00:03:12,320 Speaker 2: Is he happy to be out? 72 00:03:13,600 --> 00:03:15,799 Speaker 1: Oh? He loves it because for the last twenty five 73 00:03:15,880 --> 00:03:18,400 Speaker 1: years he's been living in Western Australia, walking around his 74 00:03:18,480 --> 00:03:21,320 Speaker 1: local Bunnings whistling the little jingle and realizing that every 75 00:03:21,320 --> 00:03:24,160 Speaker 1: time he does he gets royalties. He's been dining out 76 00:03:24,200 --> 00:03:26,440 Speaker 1: on this and so he shows us how he wrote 77 00:03:26,480 --> 00:03:27,720 Speaker 1: it on the show tonight. 78 00:03:27,800 --> 00:03:31,560 Speaker 3: It's extraordinary. Bunnings didn't work in the UK, did it that? 79 00:03:31,560 --> 00:03:33,679 Speaker 3: They had big plans to expand over into the UK 80 00:03:33,800 --> 00:03:34,640 Speaker 3: and it just didn't work. 81 00:03:35,880 --> 00:03:38,440 Speaker 1: So the number one, you know business based down Australia 82 00:03:38,480 --> 00:03:41,040 Speaker 1: and they took that entire model, including the advertisements. So 83 00:03:41,040 --> 00:03:42,520 Speaker 1: we're going to play one of the British ads. So 84 00:03:42,560 --> 00:03:44,360 Speaker 1: it's like one of those traditional Bunnings ads with the 85 00:03:44,400 --> 00:03:47,360 Speaker 1: staff that you'd see. They've just got British accents. It's 86 00:03:47,400 --> 00:03:50,920 Speaker 1: the worst BBC adaptation you've ever seen in your life. 87 00:03:51,040 --> 00:03:53,280 Speaker 1: And it didn't work over there. A because they already 88 00:03:53,280 --> 00:03:55,440 Speaker 1: had a pretty good existing brand that people like. But 89 00:03:55,520 --> 00:03:58,920 Speaker 1: secondly because British people are not into home improvements in 90 00:03:58,960 --> 00:04:02,000 Speaker 1: the way Australian people are into home improvements. They don't 91 00:04:02,040 --> 00:04:04,600 Speaker 1: have the block. They don't want to see people knocking 92 00:04:04,600 --> 00:04:07,440 Speaker 1: down a house and rebuilding it again. They have changing rooms. 93 00:04:07,520 --> 00:04:09,520 Speaker 1: That's as far as they want to go. They just say, 94 00:04:09,680 --> 00:04:11,800 Speaker 1: just put a cushion in that room. That's our version 95 00:04:11,840 --> 00:04:12,720 Speaker 1: of home improvements. 96 00:04:12,760 --> 00:04:15,080 Speaker 3: I'll ask you guys to wrap this up. What question 97 00:04:15,640 --> 00:04:18,920 Speaker 3: what what favorite aisle of Bunnings is yours? And what's 98 00:04:18,920 --> 00:04:19,760 Speaker 3: your favorite Bunnings are? 99 00:04:20,040 --> 00:04:21,560 Speaker 2: I like the one I used to go to the 100 00:04:21,560 --> 00:04:23,839 Speaker 2: one with the chains because it looks like jewelry. 101 00:04:23,440 --> 00:04:24,080 Speaker 3: The chain one. 102 00:04:24,160 --> 00:04:27,400 Speaker 1: Yeah, what about you will barbecue isle? 103 00:04:28,760 --> 00:04:32,520 Speaker 3: I like the wheels and aisle, the wheels and castroile. 104 00:04:33,279 --> 00:04:34,160 Speaker 2: Why, I don't know. 105 00:04:34,160 --> 00:04:36,640 Speaker 3: It's just there's one that's just got wheels and casters. 106 00:04:36,680 --> 00:04:39,080 Speaker 3: And so what I've taken to doing at home so 107 00:04:39,120 --> 00:04:41,279 Speaker 3: you don't scratch the floor, I'm putting on my furniture 108 00:04:41,600 --> 00:04:46,000 Speaker 3: gradually on wheels and your bed not the bed. It 109 00:04:46,040 --> 00:04:48,080 Speaker 3: does not bed. You are not. No. 110 00:04:48,200 --> 00:04:50,400 Speaker 1: I am putting everything wheels, the whole. 111 00:04:50,440 --> 00:04:52,280 Speaker 3: I'm going to move it. I'm going to be into 112 00:04:52,320 --> 00:04:52,920 Speaker 3: a train. 113 00:04:52,839 --> 00:04:54,920 Speaker 1: Like living in a caravan, and you've just put every 114 00:04:54,960 --> 00:04:56,560 Speaker 1: bit of furnisure on wheels instead. 115 00:04:57,000 --> 00:04:59,840 Speaker 3: Exactly, it's like that movie Mortal Engines. 116 00:05:00,160 --> 00:05:02,840 Speaker 1: It was gold. You've lost great, you'll never get old 117 00:05:02,920 --> 00:05:04,520 Speaker 1: enough to be in a wheelchair because you're already in 118 00:05:04,520 --> 00:05:05,120 Speaker 1: a wheelchair. 119 00:05:05,160 --> 00:05:07,839 Speaker 3: Well done, it's happening by stealth. Well, it's always a 120 00:05:07,839 --> 00:05:09,640 Speaker 3: treat to talk to you. It's on tonight gru and 121 00:05:09,760 --> 00:05:12,080 Speaker 3: back at eight point thirty on ABC and I view 122 00:05:12,279 --> 00:05:14,640 Speaker 3: Will Anderson. It's good to see you in the flesh. 123 00:05:15,400 --> 00:05:17,080 Speaker 1: My pleasure. Lovely to see your faces. 124 00:05:17,120 --> 00:05:20,839 Speaker 2: See you next week. Bye with join Z and Amanda