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Speaker 1: The Will M. Woody Podcast.

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Speaker 2: Pauline Hansen.

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Speaker 3: Anything.

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Speaker 4: So she's the One Nation leader politician. I think everyone

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Speaker 4: knows who she is. If you don't and you just

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Speaker 4: want a little snip of her. Here she is on

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Speaker 4: a fishing boat catching a fish.

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Speaker 1: This is he This is a big one.

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Speaker 2: This is for the girls, this one male dominated boat.

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Speaker 1: But here we go, right, oh, it's coming up now.

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Speaker 5: Long workfas muscles.

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Speaker 2: For the girls. This is for the girls. Long workfas muscles.

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Speaker 4: And she did work those muscles will because so I

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Speaker 4: didn't know this was the thing. But she is currently

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Speaker 4: trying to seduce Barnaby Joyce into moving over to the

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Speaker 4: One Nation party, right. She wants him to join her party.

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Speaker 4: And in the ultimate move of seduction, she invited Barnaby

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Speaker 4: over to her office and she cooked him up a

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Speaker 4: wag you steak.

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Speaker 2: On a sandwich press. Yes, I saw this, saw this.

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Speaker 2: That's sloppy for mine.

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Speaker 4: If you're trying to seduce someone, I reckon using the

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Speaker 4: sandwich press to cook the wage.

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Speaker 3: It look like it's all she had to be honest,

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Speaker 3: I mean, for me, there's points for resourcefulness.

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Speaker 4: Sure, sure, sure, So she cooks the wag you steak

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Speaker 4: on the sandwich press.

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Speaker 2: She has a glass of wine there and then.

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Speaker 4: A bit of a massive thing of sax Assault in

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Speaker 4: the middle of the table, just to finish production to

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Speaker 4: a glass massive sax Assault in the middle there. Now, look,

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Speaker 4: I looked at this and I get it. Resourcefulness, Yeah, resourceful.

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Speaker 2: I'll give her that. She she's in a cabin in Canberra.

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Speaker 2: I mean what she got.

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Speaker 4: Yeah, No one's got a barbecue in their office. Yeah,

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Speaker 4: so yeah, I'll give her that. But I don't think

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Speaker 4: this is the most seductive meal you can make someone.

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Speaker 4: I think people can do better. Thirteen one oh six

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Speaker 4: five is the number?

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Speaker 2: What meal do you serve to seduce?

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Speaker 4: I just love at the end of this, anyone who

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Speaker 4: listens to this show knows that I'm just a shocking cook.

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Speaker 6: Yep.

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Speaker 4: I'm getting a bit better at handling a barbecue, but

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Speaker 4: I think no, I am burnt yourself.

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Speaker 2: The other day I came in, I did a big blister.

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Speaker 4: On my finger and I popped it. Anyway, I would

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Speaker 4: love to learn here, like what is the best meal to.

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Speaker 2: Cook house on fire with a barbecue? Recently as well?

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Speaker 4: Not me, friend of mine, but I there'd be an

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Speaker 4: argument there to say I was responsible.

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Speaker 3: Say you keep saying you're getting better at handing the

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Speaker 3: barbecue you've been burning nearly lit the house on fire.

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Speaker 2: So you can say that sounds getting better, not perfect.

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Speaker 4: So what I want on the end of this though,

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Speaker 4: is I'd love just tell me what the best meal

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Speaker 4: to make.

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Speaker 2: It is to seduce.

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Speaker 4: So what meal would seduce you or what meal have

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Speaker 4: you made in the past to seduce?

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Speaker 2: And then I would love.

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Speaker 7: To try and make that meal for my wife and

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Speaker 7: see how it goes. Oh wow, okay, love to test.

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Speaker 7: You're genuinely going to try this out. Okay, Five, what

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Speaker 7: is the best meal to seduce?

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Speaker 3: If you're trying to seduce? What do you serve normally?

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Speaker 3: Like a meal is the anti the anti sex.

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Speaker 2: I'm not saying sex.

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Speaker 4: I'm saying seduce in a romantic way on a sexual level, Okay,

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Speaker 4: a deeper connection.

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Speaker 3: Okay, Well, normally seduce means get in their pants. But

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Speaker 3: so you're saying, yeah, absolutely, so it.

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Speaker 2: Leads that way, then that's great.

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Speaker 3: But what I'm saying like, often if you make a

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Speaker 3: great meal, you're like, oh, I don't really feel like

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Speaker 3: that now, So I mean the meal for afterwards. But

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Speaker 3: if you're saying to prove that you know, you're a

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Speaker 3: worldly romantic, you know, you know what I mean, then

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Speaker 3: that's different. Now you're trying to like I'm serving to

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Speaker 3: seduce you, trying to seal the deal on the night,

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Speaker 3: then I would save the meal till afterwards, maybe just

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Speaker 3: mention it.

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Speaker 2: But if you mention it, you know, if you go, hey,

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Speaker 2: start paring it.

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Speaker 3: Yeah, why don't we have a glass of wine In

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Speaker 3: the meantime, I'm going to get these lamb lambshanks going, so.

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Speaker 4: I could have or I could have like t tail

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Speaker 4: on the shoulder, just shelling prawn's.

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Speaker 2: Oh yeah, yeah, it on track. Not prawns might smell

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Speaker 2: like fish.

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Speaker 4: Let's go to Susie here, Susie interested to hear the

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Speaker 4: female perspective. Here, what are you serving to seduce?

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Speaker 2: Susie?

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Speaker 8: Oh are you boys? I'm just going to put a

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Speaker 8: nice pizza, a glass of wine, and a big big

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Speaker 8: box of stacks of salts on the table.

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Speaker 4: Azza. We were actually talking about pizza during the song. Susie.

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Speaker 4: Actually it might be nice because do you do you

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Speaker 4: make the pizza together?

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Speaker 2: Do you do you do you need the dough a

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Speaker 2: bit like you've seen in that.

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Speaker 8: Absolutely, Yeah, we've got to make the pizza together and

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Speaker 8: top it up with however little or however much.

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Speaker 2: She watched there you go, Susie, and then to.

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Speaker 8: Get the big sex assault.

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Speaker 3: Let's get in there, Susie together.

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Speaker 2: I do. I love the togetherness of the making the pizza.

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Speaker 3: I think there's a bit if you can have a

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Speaker 3: little bit of showmanship with your meal.

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Speaker 2: I think that's definitely the bit new camaraderie. So mine was.

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Speaker 2: I used to make a risotto. What's the camaraderie there?

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Speaker 2: There's no camaraderie, but there's a bit of it. But

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Speaker 2: they get out of the kitchen. I don't trust come

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Speaker 2: near with risotto.

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Speaker 3: You've got to keep adding like like fluid to it

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Speaker 3: and stirring it.

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Speaker 2: And you can bring them the wooden spoon and taste that.

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Speaker 3: No, I wouldn't do that, but like you know, they

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Speaker 3: you know, have a seat at the bar, have a

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Speaker 3: glass of wine and just work and you're talking.

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Speaker 2: It's gonnaice to have something to do.

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Speaker 3: Yeah, your seasoning as you go, and I think it

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Speaker 3: just looks a bit you know, you've got.

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Speaker 2: Something going on. Yeah, you know what you're doing.

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Speaker 3: Easy there's pressure. Though, there's pressure. You wouldn't handle that.

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Speaker 4: I always my my is in the past, just too sloppy.

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Speaker 4: Let's go to Sarah here, Sarah, what meal do you

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Speaker 4: serve to seduce?

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Speaker 2: You could be the worst cook I've ever met.

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Speaker 9: It covered anything too heavy obviously, right, was seducing weir so?

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Speaker 9: King fish? Yeah, c V yes, a little bit to

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Speaker 9: Stas on the side, a little avro you want to

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Speaker 9: know him like some oysters on the side there too,

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Speaker 9: white wine.

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Speaker 4: If you're cutting kingfish with an incredibly sharp knife, that's

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Speaker 4: gotta be happening.

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Speaker 9: Knife absolutely Japanese knife.

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Speaker 2: Yummy. What do you got? Sorry? What are you garnishing

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Speaker 2: your vice with.

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Speaker 9: No garnish? Usually like mix?

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Speaker 10: Uh?

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Speaker 9: Like some coriander in there, some onion really finely dies

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Speaker 9: like cooking in the lime before.

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Speaker 4: Let me know this is too much, Just give me

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Speaker 4: a and I once saw a sex in the City

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Speaker 4: episode with Samantha. I believe she laid the laid the

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Speaker 4: sushiol over her body.

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Speaker 2: Where does that?

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Speaker 9: Yeah too right?

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Speaker 3: Yeah ruins ben here two different things here though, Samantha

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Speaker 3: is doing sushi on everybody seriously A yeah, As I said,

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Speaker 3: there's no garnish, because there's no garnish with sushi, just

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Speaker 3: needs soy.

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Speaker 2: Sauces by itself. But yeah, why can't I put.

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Speaker 3: Sech lime coconut that on my body? Though it's a

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Speaker 3: bit sloppy because this is a cword by the thing

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Speaker 3: that it's in. So it's in something acidic and then

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Speaker 3: that kind of cures the fish.

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Speaker 2: Do you know what I mean? Yeah?

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Speaker 4: I do. I don't think you do. I get it now,

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Speaker 4: I don't get it before.

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Speaker 3: I don't think any fit of someone's body is necessarily

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Speaker 3: Have you done that before?

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Speaker 2: You would have done it before? Your sick boy Ben's

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Speaker 2: called Ben, Benny? What do you Yeah? That was stopping

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Speaker 2: of your stop, stop and stop. It was a specialty.

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Speaker 2: What are you serving? Seduce? Betty boy?

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Speaker 11: I always love the show.

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Speaker 2: Thanks be mate.

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Speaker 11: I'm telling out and proof is in the pudding here.

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Speaker 11: I'm married with three kids. Now potato noki, now hear

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Speaker 11: me out. Everyone loves a bit of Italian. Yes, a

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Speaker 11: nice glass of red. If you've ever made it, you've

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Speaker 11: got to need it. Similar to Doe, and I'm telling

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Speaker 11: you it is nineties ghost movie, the pottery.

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Speaker 3: Scene, nineties movies reference.

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Speaker 2: You're really hitting to our forehand there.

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Speaker 3: Yeah, you guys, have we got the Righteous Brothers to

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Speaker 3: play in the background.

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Speaker 2: I think it's probably necessary.

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Speaker 3: So Ben a very high degree of difficulty on the

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Speaker 3: nookie though, No.

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Speaker 11: I'm telling it you can. It's just a bit of

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Speaker 11: mash some eggs. It's very very simple even what.

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Speaker 2: You can get it done, mate, I'm up for the challenge.

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Speaker 3: Hey, Ben, have each of your kids been conceived after

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Speaker 3: a plate of nki with your beautiful wife?

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Speaker 2: Is that what you're saying?

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Speaker 11: Well, she's currently giving me a funny look, so I

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Speaker 11: can need a confirm or that I on the radio.

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Speaker 2: We get it. So you're going to give this a go, blood.

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Speaker 2: I love that. So you're going to try and hand

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Speaker 2: making yoki?

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Speaker 3: Yeah, and then pan fry it and cook it for

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Speaker 3: men with that with the Righteous Brothers in the background.

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Speaker 2: Lane, Yeah, it could be a third child on the way. Wow. Okay,

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Speaker 2: good luck, thank you. So when when we find out

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Speaker 2: when are you're doing that? I don't know. I haven't

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Speaker 2: made any plans. Okay, Well we'd like to know. Oh right, okay, yeah.

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Speaker 4: No, I'll be busy tonight to be honest with you.

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Speaker 4: At the moment's bit for long with the new baby.

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Speaker 4: Can you have pat on yoki for breakfast?

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Speaker 3: Where's the worst place for someone to start chatting to you?

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Speaker 3: We're going to take those calls that go an archie

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Speaker 3: footwear voucher because woods, I, this happened to me the

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Speaker 3: other day and I didn't expect it.

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Speaker 2: You didn't expect it.

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Speaker 3: Found a new one because I've got lots of places

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Speaker 3: right like people chatting to me.

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Speaker 2: It's most places for the world.

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Speaker 4: Well, in general, I think I only like to chat

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Speaker 4: when like at a social event where it's like we're

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Speaker 4: coming here to know you're going to be engaged, Ryan, Yeah,

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Speaker 4: all chat outside of that. It's just like I wasn't prepared.

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Speaker 4: I've got I've got places to be and things to do. Yeah,

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Speaker 4: and so gets there's an unwritten rule of just don't talk.

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Speaker 4: Don't talk to me, like when you're an adult, do

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Speaker 4: you know what I mean?

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Speaker 3: Just when you when you're buy yourself, it's like just respect, Yeah,

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Speaker 3: just spect the alone.

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Speaker 4: Time time just becomes chosen to be by myself here, yeah,

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Speaker 4: my only male two kids at home time on the day.

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Speaker 4: The walk from my front gate to my front door

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Speaker 4: is like that's that's me time.

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Speaker 2: For the day. If my neighbor starts.

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Speaker 3: Talking, yeah, yeah, Mike and Mandy beautiful people. But I

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Speaker 3: so I've been taking a lot of parents who can

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Speaker 3: relate to this. I have been taking my daughter to

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Speaker 3: SIM classes for three and a half years.

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Speaker 2: I've been in the water with her.

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Speaker 3: Yeah, and then this Monday, little Maxie got the signal

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Speaker 3: that she was leveling up, so she gets to go

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Speaker 3: in the water by herself.

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Speaker 2: Scary, scary, No, No, she's bactally huge. Max. If you listen,

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Speaker 2: you're ready for it.

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Speaker 3: At the end of the day, it's just water. You

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Speaker 3: know how to do it now, blow bubbles.

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Speaker 2: You're a shark. Max.

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Speaker 3: So so anyway, so I took it to the pool

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Speaker 3: and I realized Sam to this to me on the way.

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Speaker 2: It's like, hey, you know, you know you're.

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Speaker 3: Just going to get like half an hour to just

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Speaker 3: chill out because you're handed to the instructor.

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Speaker 2: Just a pool cafe, go and get a coffee. Well,

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Speaker 2: watch your watch your child. You gotta watch your child.

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Speaker 4: Is an instructor doing that. It's like saying, take your

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Speaker 4: kids the daycare and watch them from the fence.

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Speaker 3: But they're not in, not in, they're not in water

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Speaker 3: life threatening water, so you know you got to watch them.

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Speaker 2: But anyway, I thought the instructor would do that. But anyway, sorry,

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Speaker 2: well they do. But yeah, so you're just ready to

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Speaker 2: go with your bidos on on the side. I actually.

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Speaker 4: Sorry, life guard, surf life saving lifeguard.

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Speaker 2: I've got my bronze, so if I can take you

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Speaker 2: to the pool.

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Speaker 3: There's a little bit of calisthetics going on in the background,

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Speaker 3: but it's a nice fell set up, right, So you've

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Speaker 3: got the old ladies doing their exercise in the background.

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Speaker 3: And I sat down there and I was like, great

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Speaker 3: little bit of time to myself and I'm going to

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Speaker 3: say twenty seconds in.

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Speaker 2: The guy next to me, No, just leans in and

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Speaker 2: goes which one is yours? And I was like, oh,

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Speaker 2: little girl there. He wants to chat. And he was like,

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Speaker 2: how long has she been doing it for?

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Speaker 6: No?

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Speaker 2: Nah, and you're stuck. He knows you've got no.

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Speaker 3: I gave him one more one word answer, which was

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Speaker 3: this is the first lesson, and then put it down

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Speaker 3: and he look.

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Speaker 2: At your phone or something and he guys, you guys

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Speaker 2: live around here.

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Speaker 4: No, obviously, mate, while we come to this pool, if

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Speaker 4: we didn't leave, it's the dumbest question in the world.

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Speaker 4: So people say that daycare as well live around here. Nah, no,

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Speaker 4: we live an hour away. We d we drive an

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Speaker 4: hour every day just because we light the daycare here.

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Speaker 2: You more. Let's go to Jackson on thirty one six

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Speaker 2: five Jackson. What's the worst place for someone to start

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Speaker 2: chatting to you?

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Speaker 11: I was going to say the gym?

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Speaker 4: Yeah, yes, because you've got you've got.

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Speaker 2: Things to do, don't you jack out?

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Speaker 6: You get there, you want to listen to music and

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Speaker 6: random like coming up to your chardon so you just

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Speaker 6: want to get your work out done.

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Speaker 2: Yeah.

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Speaker 3: Yeah.

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Speaker 2: The bid that gets me as well. Jacko has been

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Speaker 2: like you're so clear, you like, you know, take your

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Speaker 2: headphones out and you overdo.

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Speaker 4: The headphone out like this is a big inconvenience, hit

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Speaker 4: my headphone and to go yeah, really good mate, and

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Speaker 4: then you put your headphone back in.

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Speaker 2: They still go for it. You live around here? God,

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Speaker 2: thanks Jackson. Larissa is gold one who sinks five Laris?

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Speaker 2: The worst place for someone to start chatting to you?

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Speaker 10: Yeah?

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Speaker 5: Oh, worst place ever was? I was in those public

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Speaker 5: toilets where it's like male and female all in it. Yeah,

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Speaker 5: And it's one of those lit all shared things on

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Speaker 5: a construction site. Oh and the guy. You know, they's

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Speaker 5: got the stand up little baitings for the blogs to

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Speaker 5: do their peean urinal yeah, urinal. Yeah. They were in

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Speaker 5: the urneral and then they decided to talk to me.

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Speaker 5: Why were they were tea.

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Speaker 2: And next to them very strange like.

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Speaker 10: She was trying to ask me out while I was

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Speaker 10: in the ask you out. Yeah, and it was ranking

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Speaker 10: there too. I was moaning and croning because I was

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Speaker 10: having a hard time.

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Speaker 2: I was like, you're moaning and groaning.

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Speaker 10: Yeah, well, I was a little bit upset because.

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Speaker 2: Get into you don't have to tell us that, you know,

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Speaker 2: it was just.

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Speaker 5: A hard time at the time, at the moment, because

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Speaker 5: I was down to about five pieces of bog roll in.

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Speaker 10: My hands.

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Speaker 2: Somewhere else. That is a hard time, Larissa.

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Speaker 3: You can have yourself one hundred dollars archies about your

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Speaker 3: mate built with signature support actually offers a perfect bounce,

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Speaker 3: a comfort style, and all they were ability.

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Speaker 2: We'll take some wal goals on this up next.

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Speaker 3: They didn't want a six to five worst place for

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Speaker 3: someone to start chatting to you. Anyone's been to a

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Speaker 3: music festival that goes for more than one day. So

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Speaker 3: generally speaking, everyone goes pretty hard on the first night,

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Speaker 3: responsibly hard response. Everyone knows that they will be going

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Speaker 3: hard at some stage on the second day, in the

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Speaker 3: afternoon as of about midday, right, sure, there's this time

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Speaker 3: between when you wake up and the time when you

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Speaker 3: crack your first beer on the second day of a

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Speaker 3: music festival where it's just this general consensus is I

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Speaker 3: need a coffee, and I need someone to eat, and

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Speaker 3: I need to have a shower and I probably need

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Speaker 3: to go to the toilet before I can think of

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Speaker 3: even thinking about vaguely interacting with anyone. To the point

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Speaker 3: where a music festival I go to, oh, I have

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Speaker 3: gone to quite a bit, Meredith or Golden Planes down

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Speaker 3: in Victoria. There's almost like a like even if you

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Speaker 3: see someone that you know, you're just not yeah, yeah, yeah,

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00:16:04,000 --> 00:16:05,520
Speaker 3: we're both here. You know what, I'll speak to you

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Speaker 3: after midday.

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Speaker 2: Yeah, when we're when we're up and running again. I

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Speaker 2: only in the worst place to start.

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Speaker 3: And maybe I can say this in general, a conversation

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Speaker 3: with someone is even outside of the music festival thing.

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Speaker 3: Extrapolating this, but like in the line for the first

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Speaker 3: coffee of the day. Yeah, the worst and yes said

350
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Speaker 3: that is definitely tenfold at music festival, but just in general.

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Speaker 2: If you know, if it's like in.

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00:16:27,280 --> 00:16:28,760
Speaker 3: The round, seven o'clock in the morning, someone's in a

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Speaker 3: line for coffee, it's probably their first.

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Speaker 4: The worst thing is with the coffee one is often

355
00:16:32,520 --> 00:16:34,040
Speaker 4: you've ordered your coffee and then you've got.

356
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Speaker 2: To you know, when you're like, wait, loitering cattle on

357
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Speaker 2: the side.

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Speaker 4: Yeah, there's no out, like because then the person who

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00:16:39,560 --> 00:16:41,400
Speaker 4: started talking to you, they know that you haven't got

360
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Speaker 4: your coffee yet, so it's like I own you for

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Speaker 4: the next three minutes. I've left my coffee before, I've

362
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Speaker 4: just been like, I'm just going if a late is

363
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Speaker 4: not worth.

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Speaker 2: It, Eva, Well, you wouldn't get a latte mate e.

365
00:16:52,440 --> 00:16:55,680
Speaker 2: My wife didn'tet Eiva.

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00:16:56,280 --> 00:16:59,280
Speaker 3: What's the worst place for someone to start chatting to.

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00:17:00,160 --> 00:17:02,680
Speaker 10: Hey guys, I think the supermarkers.

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00:17:02,880 --> 00:17:04,720
Speaker 2: Yeah, I agree, because you're.

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00:17:04,359 --> 00:17:06,600
Speaker 5: Trying to do and then you see them each.

370
00:17:06,560 --> 00:17:08,720
Speaker 4: Hour or animal time in there and it throws you

371
00:17:09,040 --> 00:17:11,159
Speaker 4: forget something on the list. When someone starts chatting to

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00:17:11,320 --> 00:17:13,399
Speaker 4: you lose your focus and then you don't know what

373
00:17:13,440 --> 00:17:15,560
Speaker 4: you were actually aiming to get. I couldn't agree more.

374
00:17:15,880 --> 00:17:19,119
Speaker 3: I think there might be an ADHD thing, but yes, maybe, yes, maybe,

375
00:17:19,160 --> 00:17:23,199
Speaker 3: but no need to diagnose me on it. Let's it

376
00:17:23,240 --> 00:17:24,919
Speaker 3: does appear as a trend with like if where you

377
00:17:24,920 --> 00:17:27,560
Speaker 3: want to be in and out? Yeah, conversation, job to

378
00:17:27,600 --> 00:17:29,919
Speaker 3: be done, polling booths.

379
00:17:30,200 --> 00:17:33,479
Speaker 2: Oh yeah, I am not here for any longer than

380
00:17:33,520 --> 00:17:35,200
Speaker 2: I need to be. I do not want to talk

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Speaker 2: to you.

382
00:17:35,440 --> 00:17:37,000
Speaker 4: I do say people talking to me when I'm feeling

383
00:17:37,000 --> 00:17:38,800
Speaker 4: out paperwork, Like even when you go to like a

384
00:17:38,840 --> 00:17:40,879
Speaker 4: doctor or something, you when you feeling out paperwork.

385
00:17:40,480 --> 00:17:42,720
Speaker 2: It might be an ADHD and the reception is like, hey,

386
00:17:42,720 --> 00:17:43,119
Speaker 2: how are you going?

387
00:17:43,160 --> 00:17:44,359
Speaker 4: You're like, well, I'm just trying to write my name

388
00:17:44,400 --> 00:17:46,040
Speaker 4: here and I can't do that. You ask me how

389
00:17:46,080 --> 00:17:47,320
Speaker 4: I am?

390
00:17:48,240 --> 00:17:51,199
Speaker 2: You can't do two things at once? Another one for

391
00:17:51,280 --> 00:17:53,800
Speaker 2: me at a gig? Oh, I know when the music's on,

392
00:17:54,560 --> 00:17:55,720
Speaker 2: which generally is it a gig?

393
00:17:57,200 --> 00:18:00,280
Speaker 3: Adam's girl that anyone is to like, Adam, where's worst

394
00:18:00,280 --> 00:18:01,840
Speaker 3: place for someone started chatting to you?

395
00:18:02,200 --> 00:18:05,040
Speaker 6: The worst place? And someone starts chatting to you's got

396
00:18:05,040 --> 00:18:07,680
Speaker 6: to be at the bar. You're lining up to order

397
00:18:07,720 --> 00:18:10,199
Speaker 6: your drinks at the bar. Then a random starts chatting

398
00:18:10,200 --> 00:18:13,679
Speaker 6: to you, and then you're waiting, waiting, waiting, waiting, waiting,

399
00:18:13,920 --> 00:18:15,840
Speaker 6: and then you end up keep chatting. The guy keeps

400
00:18:15,880 --> 00:18:17,720
Speaker 6: chatting to then you miss out your line. Then you

401
00:18:17,760 --> 00:18:19,040
Speaker 6: get your mate, hurry up?

402
00:18:19,080 --> 00:18:20,480
Speaker 11: What are you doing all the wife?

403
00:18:20,640 --> 00:18:21,840
Speaker 6: What's taking you so long?

404
00:18:22,040 --> 00:18:22,280
Speaker 2: Yes?

405
00:18:22,320 --> 00:18:22,359
Speaker 1: You?

406
00:18:23,359 --> 00:18:25,400
Speaker 4: And also when you're catching up with someone at the bar,

407
00:18:25,520 --> 00:18:27,560
Speaker 4: then there's this weird thing that goes on where it's like.

408
00:18:27,520 --> 00:18:29,760
Speaker 2: Am I now ordering your drinks as well?

409
00:18:29,800 --> 00:18:29,879
Speaker 6: Like?

410
00:18:29,960 --> 00:18:32,600
Speaker 2: Has my orders doubled? I just do that now, I

411
00:18:32,720 --> 00:18:34,600
Speaker 2: just do that, do you well? If I know them

412
00:18:34,680 --> 00:18:35,080
Speaker 2: for sure?

413
00:18:35,160 --> 00:18:36,959
Speaker 4: Yes, But then I'm angry about it when I walk

414
00:18:37,000 --> 00:18:39,400
Speaker 4: bay to the table, I'm like, this might be a.

415
00:18:39,520 --> 00:18:42,480
Speaker 2: This might be an unpopular opinion, but I love a

416
00:18:42,480 --> 00:18:45,320
Speaker 2: bit of bar chat. I am, I am.

417
00:18:45,520 --> 00:18:47,520
Speaker 3: That is the place where I am there, and that's

418
00:18:48,400 --> 00:18:50,680
Speaker 3: that's my best chat of the night the bar.

419
00:18:50,720 --> 00:18:53,920
Speaker 4: It depends on the robustness or the amount of people

420
00:18:53,920 --> 00:18:55,880
Speaker 4: around the bar. If it's a busy bar, don't.

421
00:18:55,640 --> 00:18:58,520
Speaker 2: Talk to me. Just shouldn't go out. Craig is quite quiet,

422
00:18:58,600 --> 00:18:59,680
Speaker 2: but love a chat.

423
00:18:59,720 --> 00:18:59,880
Speaker 10: Well.

424
00:19:00,200 --> 00:19:03,040
Speaker 4: Three days we went to one on Friday. It was

425
00:19:03,080 --> 00:19:06,960
Speaker 4: called Older Man or something beautiful chat. It was quiet

426
00:19:06,960 --> 00:19:08,840
Speaker 4: in there. I can have a conversation. When it's loud

427
00:19:08,880 --> 00:19:11,520
Speaker 4: and bustling. Someone tries to talk to me, I can't

428
00:19:11,560 --> 00:19:12,760
Speaker 4: hear you, don't want to hear you.

429
00:19:13,160 --> 00:19:16,359
Speaker 2: Do you know what I mean? No, I don't. You

430
00:19:16,440 --> 00:19:19,679
Speaker 2: are so sheltered, it's crazy. I forget.

431
00:19:20,240 --> 00:19:22,200
Speaker 3: I think this should be a public service and as it.

432
00:19:22,240 --> 00:19:24,280
Speaker 3: If you see Woody outside, just don't talk to him.

433
00:19:24,560 --> 00:19:26,840
Speaker 2: No, no, no, no no no you struggle. Yeah I do.

434
00:19:26,920 --> 00:19:28,480
Speaker 2: We can do the photo and stuff, but don't chat.

435
00:19:28,600 --> 00:19:29,600
Speaker 2: It's got to Craig here.

436
00:19:40,840 --> 00:19:42,720
Speaker 12: Junior producer, analyses in the studio.

437
00:19:42,760 --> 00:19:46,880
Speaker 2: Welcome back at me to have you in here? Just bell?

438
00:19:48,800 --> 00:19:50,080
Speaker 2: What would you like? Bell? Or applause?

439
00:19:50,280 --> 00:19:50,440
Speaker 4: Bell?

440
00:19:50,880 --> 00:19:51,560
Speaker 2: Bell's beautiful?

441
00:19:52,359 --> 00:19:56,080
Speaker 4: And that bell goes off every time someone messages you

442
00:19:56,119 --> 00:19:58,800
Speaker 4: on hinge analse And that has just happened.

443
00:19:59,640 --> 00:20:04,800
Speaker 1: It did it did just happen. Exciting and almost dating guys. Well,

444
00:20:04,840 --> 00:20:06,520
Speaker 1: I'm messaging, I'm not dating yet.

445
00:20:06,880 --> 00:20:09,920
Speaker 2: And you're getting a lot of interest on the daddy apps. Yeah,

446
00:20:11,200 --> 00:20:13,200
Speaker 2: just go with it.

447
00:20:13,600 --> 00:20:15,359
Speaker 4: But there is there is a there is a live

448
00:20:15,840 --> 00:20:18,240
Speaker 4: message exchange going on right now.

449
00:20:18,280 --> 00:20:20,159
Speaker 2: Whether are we saying the guy's name or are we

450
00:20:20,160 --> 00:20:20,880
Speaker 2: going to leave that out?

451
00:20:21,160 --> 00:20:22,160
Speaker 1: Let's just call him Bob.

452
00:20:22,520 --> 00:20:22,760
Speaker 2: Bob.

453
00:20:22,840 --> 00:20:25,320
Speaker 3: Okay, so I really want to know his name now,

454
00:20:26,640 --> 00:20:31,800
Speaker 3: no reason, and you reached out to him, let me check.

455
00:20:31,880 --> 00:20:34,879
Speaker 2: No, we know that you did. Otherwise you would have said, okay,

456
00:20:34,920 --> 00:20:36,560
Speaker 2: so so you you matched with Bob.

457
00:20:37,160 --> 00:20:40,360
Speaker 1: Yes, I'm matched. So I'm matched with Bob. And we've

458
00:20:40,359 --> 00:20:43,320
Speaker 1: been communicating a little bit on and off for the

459
00:20:43,359 --> 00:20:45,320
Speaker 1: past couple of days, like send a message and leave

460
00:20:45,359 --> 00:20:47,800
Speaker 1: it a fiew days, just unintentionally life. You know I'm

461
00:20:47,800 --> 00:20:49,040
Speaker 1: not clicking on him every day.

462
00:20:49,280 --> 00:20:53,879
Speaker 2: Sure you're busy, I definitely am. So you are playing

463
00:20:53,880 --> 00:20:56,399
Speaker 2: the game a little A little, no.

464
00:20:56,040 --> 00:20:59,480
Speaker 1: Not, but sometimes I'm just like I get distracted, Like

465
00:20:59,480 --> 00:21:01,520
Speaker 1: I barely can reply to my own text messages, let

466
00:21:01,560 --> 00:21:03,920
Speaker 1: alone some new guy on the scene, you know.

467
00:21:03,920 --> 00:21:07,520
Speaker 2: Any busy at work producer? Who are you kidding? You

468
00:21:07,640 --> 00:21:10,600
Speaker 2: like you? Like you are very quick with your text replies.

469
00:21:10,720 --> 00:21:12,760
Speaker 1: Eight hundred and eighty seven unread messages.

470
00:21:12,800 --> 00:21:15,520
Speaker 2: Wouldn't have thought so wow that reflex.

471
00:21:15,720 --> 00:21:18,040
Speaker 3: Yeah, but you but you would if he if you,

472
00:21:18,720 --> 00:21:21,280
Speaker 3: this would be priority number one for you.

473
00:21:20,720 --> 00:21:22,160
Speaker 2: But don't you know, I know.

474
00:21:22,119 --> 00:21:24,280
Speaker 3: You don't a game, but we're amongst friends. He doesn't

475
00:21:24,280 --> 00:21:25,920
Speaker 3: know that you're on the radio right now. We're calling

476
00:21:26,000 --> 00:21:26,680
Speaker 3: him a different name.

477
00:21:26,720 --> 00:21:27,400
Speaker 2: His name is Bob.

478
00:21:27,560 --> 00:21:29,639
Speaker 3: Now you've come to us because he's written your message

479
00:21:29,640 --> 00:21:31,080
Speaker 3: and you would like us to decode it for you.

480
00:21:31,160 --> 00:21:32,760
Speaker 1: Yes, okay, so we.

481
00:21:32,600 --> 00:21:35,080
Speaker 2: Too experienced men in your life. We can give the

482
00:21:35,119 --> 00:21:35,880
Speaker 2: mail perspective.

483
00:21:35,920 --> 00:21:38,800
Speaker 4: We understand what men mean when they send you certain

484
00:21:38,840 --> 00:21:41,440
Speaker 4: things where we are breaking bro code here for sure.

485
00:21:41,720 --> 00:21:43,119
Speaker 2: So what did he send you?

486
00:21:43,240 --> 00:21:45,399
Speaker 1: Okay, so I for a little bit of context. I

487
00:21:45,480 --> 00:21:47,720
Speaker 1: had said that I had a nineteen on Saturday night,

488
00:21:47,800 --> 00:21:49,720
Speaker 1: which I did to a degree when had a few

489
00:21:49,720 --> 00:21:51,879
Speaker 1: casual drinks and then I came home and had an

490
00:21:51,880 --> 00:21:54,600
Speaker 1: early night, and so I was just recounting my weekend

491
00:21:54,600 --> 00:21:56,520
Speaker 1: to him about how I had it to all night

492
00:21:56,640 --> 00:21:59,840
Speaker 1: and then la la la, and he responded with an

493
00:22:00,040 --> 00:22:03,399
Speaker 1: emoji that I need you guys to help me know

494
00:22:03,440 --> 00:22:04,160
Speaker 1: what this means.

495
00:22:04,600 --> 00:22:06,680
Speaker 2: This could be a generational thing as opposed to just

496
00:22:06,720 --> 00:22:07,360
Speaker 2: a gender thing.

497
00:22:07,680 --> 00:22:09,240
Speaker 4: I think I'm still in touch with the kids, so

498
00:22:09,359 --> 00:22:11,040
Speaker 4: I will get it. So what was the emogen?

499
00:22:11,160 --> 00:22:14,639
Speaker 1: He said something, and then he sent me the monkey

500
00:22:14,680 --> 00:22:16,480
Speaker 1: emoji with the hands covering the eyes.

501
00:22:16,560 --> 00:22:19,480
Speaker 4: Oh yeah, cheeky, really cheeky. I think it's cheeky. I

502
00:22:19,480 --> 00:22:22,159
Speaker 4: think it's fun. Absolutely. I'm gonna need a little bit

503
00:22:22,200 --> 00:22:24,280
Speaker 4: more context though. What did he say before doing the

504
00:22:24,320 --> 00:22:27,480
Speaker 4: monkey with the hands, because I think in isolation it's

505
00:22:27,480 --> 00:22:28,360
Speaker 4: too hard to decipher.

506
00:22:28,600 --> 00:22:32,400
Speaker 1: He said, responsible girl, cheeky hand emoji.

507
00:22:33,040 --> 00:22:40,400
Speaker 3: Responsible girls, hairy cheek, very flirty. Yeah, it's very flirty,

508
00:22:40,680 --> 00:22:44,440
Speaker 3: responsible girl double hand over the eyes, playful.

509
00:22:44,800 --> 00:22:48,800
Speaker 4: He's suggesting that, like maybe, like usually you can be

510
00:22:48,840 --> 00:22:50,119
Speaker 4: a bit on the naughtier side.

511
00:22:50,240 --> 00:22:52,160
Speaker 2: I think he's going, like, you're a responsible girl.

512
00:22:52,320 --> 00:22:55,399
Speaker 1: That could make sense because we did have some I

513
00:22:55,400 --> 00:22:59,160
Speaker 1: did have some casual drinks on Friday, and we drinks

514
00:22:59,160 --> 00:23:01,119
Speaker 1: with you. Yes, yeah, yeah, I didn't know if we

515
00:23:01,119 --> 00:23:03,160
Speaker 1: were talking about it, but yeah, we had we talk

516
00:23:03,200 --> 00:23:07,800
Speaker 1: about drinks on Friday. And I did message him that

517
00:23:07,880 --> 00:23:08,800
Speaker 1: night as well.

518
00:23:09,359 --> 00:23:11,760
Speaker 3: Okay, yeah, on Friday, would send him.

519
00:23:12,600 --> 00:23:14,000
Speaker 1: I don't know, I haven't read it yet.

520
00:23:14,200 --> 00:23:16,680
Speaker 2: I think it's worth I think it's worth getting.

521
00:23:16,359 --> 00:23:18,639
Speaker 1: This, Okay. So on Friday, I think I said that

522
00:23:20,200 --> 00:23:22,120
Speaker 1: we were trying to work out a nickname for him

523
00:23:22,640 --> 00:23:25,879
Speaker 1: and then him for Bob. Yep, we're trying to work

524
00:23:25,920 --> 00:23:29,840
Speaker 1: out a nickname for Bob fun Banter. And then I

525
00:23:29,840 --> 00:23:32,320
Speaker 1: think I was just saying I actually gave my exact

526
00:23:32,400 --> 00:23:34,800
Speaker 1: location as where I was.

527
00:23:39,800 --> 00:23:40,600
Speaker 2: I've dropped a pin.

528
00:23:42,080 --> 00:23:51,080
Speaker 3: That is really great, and then I am right here community.

529
00:23:51,119 --> 00:23:57,640
Speaker 2: Wow, conversation, that's really great. It was to drop into

530
00:23:57,640 --> 00:23:58,240
Speaker 2: at the moment.

531
00:23:58,280 --> 00:23:59,399
Speaker 1: But we're doing anything.

532
00:23:59,600 --> 00:24:01,119
Speaker 2: This is where Yeah, now we get it. Mane, we

533
00:24:01,160 --> 00:24:03,199
Speaker 2: know what you're trying to say. So we were at

534
00:24:03,200 --> 00:24:05,000
Speaker 2: the drinks with you, so we didn't we didn't meet Bob.

535
00:24:05,160 --> 00:24:06,480
Speaker 2: We can de sigh for that one.

536
00:24:06,560 --> 00:24:08,240
Speaker 3: But what we're trying to decipher and I think it

537
00:24:08,320 --> 00:24:09,960
Speaker 3: is I think you're nowhere near it Woods, and I

538
00:24:09,960 --> 00:24:12,399
Speaker 3: think it is a little bit confusing. Maybe we shouldnt

539
00:24:12,400 --> 00:24:15,080
Speaker 3: take some calls on this people who are interested in Yeah,

540
00:24:15,440 --> 00:24:19,040
Speaker 3: Bob has said to Anale's responsible girl and then emoji

541
00:24:19,080 --> 00:24:21,919
Speaker 3: with monkey with hands over eyes, also known as the

542
00:24:22,240 --> 00:24:26,480
Speaker 3: see no Evil emoji, Yeah, thirteen one oh six five.

543
00:24:27,600 --> 00:24:28,400
Speaker 2: What does that mean?

544
00:24:29,760 --> 00:24:33,399
Speaker 1: Just the monkey emoji in general, Like, I feel like

545
00:24:33,440 --> 00:24:35,160
Speaker 1: it's giving so many different messages.

546
00:24:35,200 --> 00:24:37,680
Speaker 2: Let's see code this bro, what's he going for here?

547
00:24:38,040 --> 00:24:40,960
Speaker 2: It's gotta be positive, you were saying. And this is interesting.

548
00:24:41,000 --> 00:24:43,400
Speaker 3: I think in general that emojis have kind of gone

549
00:24:43,440 --> 00:24:46,240
Speaker 3: the way of the fifty five to seven year old woman.

550
00:24:46,400 --> 00:24:48,560
Speaker 1: Yeah, it's sometimes I get like, I saw that emoji,

551
00:24:48,520 --> 00:24:50,560
Speaker 1: and I'm not gonna lie. I've got to push through

552
00:24:50,600 --> 00:24:51,560
Speaker 1: the ick like.

553
00:24:51,560 --> 00:24:52,600
Speaker 2: You didn't love from Bob.

554
00:24:52,720 --> 00:24:55,160
Speaker 1: I got like, ooh, and is that all.

555
00:24:54,840 --> 00:24:58,240
Speaker 2: Emojis that there isn't a sexy emoji or no?

556
00:24:58,359 --> 00:25:00,000
Speaker 1: I think look so laughy face emoji.

557
00:25:00,280 --> 00:25:02,760
Speaker 2: Fine, you just use it as a reaction. You're not

558
00:25:03,480 --> 00:25:06,200
Speaker 2: a fresh message. Laughing face. Is that it's just commonplace?

559
00:25:06,240 --> 00:25:11,000
Speaker 4: That's just like I'm laughing obviously, obviously.

560
00:25:12,520 --> 00:25:14,440
Speaker 2: I find ha ha ha a little bit better. I

561
00:25:16,680 --> 00:25:17,040
Speaker 2: used to be.

562
00:25:18,560 --> 00:25:21,199
Speaker 1: That's cheek that was he He's cheeky.

563
00:25:21,320 --> 00:25:22,560
Speaker 2: Oh is it?

564
00:25:23,880 --> 00:25:26,639
Speaker 1: He's blurdy cheeky if you're receiving he heat from anyone,

565
00:25:26,760 --> 00:25:29,159
Speaker 1: but like your partner or like the person you're interested in.

566
00:25:30,600 --> 00:25:33,960
Speaker 2: Really, I feel personally I was heating everyone.

567
00:25:34,280 --> 00:25:36,600
Speaker 1: You mentioned that the emoji you used to use woody

568
00:25:36,720 --> 00:25:39,000
Speaker 1: was like just the plain smiley face emoji.

569
00:25:39,200 --> 00:25:41,119
Speaker 2: I would draw it, so I'm sure you do.

570
00:25:41,200 --> 00:25:44,919
Speaker 1: Colin Racket, Yeah, okay, because there's another emoji that's just

571
00:25:44,960 --> 00:25:47,600
Speaker 1: a plain smiley face and the eyes.

572
00:25:48,040 --> 00:25:51,760
Speaker 2: Also, what about sunglass? What about sunglasses smiley?

573
00:25:52,040 --> 00:25:54,840
Speaker 1: I mean, depending the circumstances, but I would probably go

574
00:25:54,920 --> 00:25:56,080
Speaker 1: I throw that around a bit.

575
00:25:56,400 --> 00:25:57,480
Speaker 12: Yeah, makes.

576
00:25:59,400 --> 00:26:00,720
Speaker 2: Let's go to gifts as well.

577
00:26:00,760 --> 00:26:08,360
Speaker 4: So what are your thoughts Liz on a the monkey

578
00:26:08,560 --> 00:26:11,200
Speaker 4: emoticon covering the eyes?

579
00:26:11,280 --> 00:26:12,800
Speaker 2: Is it fluty Liz? What does it mean?

580
00:26:13,440 --> 00:26:15,280
Speaker 8: Hello, guys, I love the show.

581
00:26:15,280 --> 00:26:15,760
Speaker 6: By the way.

582
00:26:16,480 --> 00:26:18,720
Speaker 5: Look, my first thoughts on it.

583
00:26:18,600 --> 00:26:21,000
Speaker 8: Is that he's actually fishing and trying to get you

584
00:26:21,280 --> 00:26:22,879
Speaker 8: or actually sorry, he's trying to get you to fish.

585
00:26:22,960 --> 00:26:26,680
Speaker 8: So he wants he's saying that he had a wilder.

586
00:26:26,400 --> 00:26:33,000
Speaker 4: Night because what came with the monkey was the responsible

587
00:26:33,040 --> 00:26:34,320
Speaker 4: girl covering.

588
00:26:34,000 --> 00:26:37,360
Speaker 9: The going, oh you were responsible?

589
00:26:38,359 --> 00:26:39,560
Speaker 13: Like me.

590
00:26:41,040 --> 00:26:42,760
Speaker 12: Here seeing three other people.

591
00:26:43,880 --> 00:26:46,880
Speaker 8: I'm also old he's not in the game anymore.

592
00:26:47,840 --> 00:26:49,000
Speaker 2: I think you've broken it wide open.

593
00:26:49,040 --> 00:26:49,200
Speaker 9: Though.

594
00:26:49,359 --> 00:26:51,240
Speaker 4: I think that's exactly right. He was doing that because

595
00:26:51,240 --> 00:26:53,240
Speaker 4: he's embarrassed because he's on That makes.

596
00:26:53,080 --> 00:26:53,919
Speaker 1: A lot of sense.

597
00:26:54,200 --> 00:26:54,920
Speaker 2: Did he go out?

598
00:26:55,200 --> 00:26:58,920
Speaker 1: He sure, he also had casual drinks, but I think

599
00:26:58,960 --> 00:27:00,359
Speaker 1: mine were a bit more fun.

600
00:27:01,000 --> 00:27:02,919
Speaker 2: Yours were more fun, because how do you know that?

601
00:27:03,520 --> 00:27:03,919
Speaker 2: All right?

602
00:27:03,960 --> 00:27:06,200
Speaker 3: Okay, So just to just to give everyone the backstory

603
00:27:06,240 --> 00:27:08,280
Speaker 3: of just sitting in Analyst, we're trying to decode this bro.

604
00:27:08,440 --> 00:27:11,560
Speaker 3: This guy that's been messaging it called Bob. He's been

605
00:27:11,560 --> 00:27:12,480
Speaker 3: messaging on a hinge.

606
00:27:12,840 --> 00:27:14,360
Speaker 2: He's hot, is he? Yeah?

607
00:27:14,480 --> 00:27:16,000
Speaker 1: I don't want to give you Yeah, yeah he's hot.

608
00:27:16,440 --> 00:27:18,360
Speaker 1: Yeah he's hot a message in him.

609
00:27:18,400 --> 00:27:19,800
Speaker 2: Well it might not be I don't know.

610
00:27:19,960 --> 00:27:21,760
Speaker 1: Yeah, well yeah no, he's hot, I think, is you?

611
00:27:21,960 --> 00:27:25,080
Speaker 1: I'm really nervous, guy, I haven't done like dating in

612
00:27:25,119 --> 00:27:25,800
Speaker 1: like a long time.

613
00:27:25,880 --> 00:27:28,119
Speaker 2: I haven't said you never for five years. Do you

614
00:27:28,160 --> 00:27:30,240
Speaker 2: want to se him in real life?

615
00:27:30,600 --> 00:27:36,600
Speaker 1: Maybe? Yeah, but I'm nervous just talking about it. Oh

616
00:27:36,600 --> 00:27:38,560
Speaker 1: my god, I'm gonna have to get like like really

617
00:27:38,600 --> 00:27:42,040
Speaker 1: strong deodorant, really stressful.

618
00:27:42,119 --> 00:27:44,000
Speaker 4: You could wear a pad like pad people sometimes we

619
00:27:44,400 --> 00:27:45,280
Speaker 4: will used to wear pads.

620
00:27:45,320 --> 00:27:47,639
Speaker 3: So you think I got the botox in the end,

621
00:27:48,520 --> 00:27:51,280
Speaker 3: So you've been messaging Bob for a week.

622
00:27:51,359 --> 00:27:53,600
Speaker 1: Yeah, but like not like we haven't gotten deep, Like

623
00:27:53,600 --> 00:27:55,439
Speaker 1: we haven't. I don't know, he's deep stuck segrets and

624
00:27:55,480 --> 00:27:58,120
Speaker 1: it's more been like casual day, been cool and then like.

625
00:27:58,160 --> 00:27:59,639
Speaker 3: Latest after it was you said you went out for

626
00:27:59,680 --> 00:28:01,960
Speaker 3: a drink, and then he said, but kept it pretty casual.

627
00:28:02,000 --> 00:28:03,359
Speaker 2: Then he said.

628
00:28:03,320 --> 00:28:08,760
Speaker 3: Responsible girl, responsible girl, monkey with hands over eyes, responsible girl.

629
00:28:09,000 --> 00:28:11,560
Speaker 3: I'm trying to think what responsible. Maybe he's saying, like

630
00:28:12,359 --> 00:28:14,640
Speaker 3: responsible girl, don't make me look at.

631
00:28:14,520 --> 00:28:16,919
Speaker 4: That nose's cheeky than that because you can do an

632
00:28:16,920 --> 00:28:19,399
Speaker 4: emoji with a person covering their face.

633
00:28:19,760 --> 00:28:21,760
Speaker 3: Oh, they're looking through their little gap in their fingers

634
00:28:21,800 --> 00:28:22,680
Speaker 3: out scheeky as well.

635
00:28:22,760 --> 00:28:23,479
Speaker 1: That's cheeky.

636
00:28:23,560 --> 00:28:25,359
Speaker 2: It's a very cheeky. It's all cheeky.

637
00:28:25,480 --> 00:28:28,040
Speaker 3: I think if responsib maybe is he saying like, head

638
00:28:28,040 --> 00:28:29,359
Speaker 3: in hands, responsible girl?

639
00:28:29,560 --> 00:28:33,960
Speaker 2: Oh, not a responsible one. I think there's a god

640
00:28:34,280 --> 00:28:37,520
Speaker 2: take my take my eyes. Not a responsible girl. There's

641
00:28:41,200 --> 00:28:44,280
Speaker 2: John Johnny responsible before we go to John, and what

642
00:28:44,320 --> 00:28:45,120
Speaker 2: do you think it is?

643
00:28:45,560 --> 00:28:47,720
Speaker 1: I think he's been like a little bit cheeky. I

644
00:28:47,800 --> 00:28:50,560
Speaker 1: agree with you. I think he's going responsible girl. Haha.

645
00:28:50,760 --> 00:28:55,480
Speaker 1: Like but like you're you're like cute, but.

646
00:28:55,760 --> 00:28:57,400
Speaker 2: You are amazingly good.

647
00:28:58,440 --> 00:29:03,640
Speaker 4: Nice man monkey emoji means well you're attractive, Like I

648
00:29:03,840 --> 00:29:04,400
Speaker 4: can't even look.

649
00:29:04,560 --> 00:29:04,680
Speaker 10: No.

650
00:29:04,720 --> 00:29:06,680
Speaker 3: One's very close to this and we can't begure out.

651
00:29:06,800 --> 00:29:08,440
Speaker 3: I think he's I think he's not. I don't know

652
00:29:08,480 --> 00:29:10,320
Speaker 3: what he's I think he's stuffed it.

653
00:29:11,000 --> 00:29:13,520
Speaker 2: I'm honest, let's got a jump, John, What do you reckon? John?

654
00:29:13,600 --> 00:29:14,200
Speaker 2: Help us out?

655
00:29:14,920 --> 00:29:18,360
Speaker 14: No, I know he's he's testing the ward and he's

656
00:29:18,440 --> 00:29:23,080
Speaker 14: going responsible girl, and he's waiting for you giving him

657
00:29:23,080 --> 00:29:26,080
Speaker 14: a queue as are you girl.

658
00:29:28,520 --> 00:29:31,920
Speaker 2: And John hang on, hang on hand? What would you

659
00:29:31,960 --> 00:29:32,880
Speaker 2: ride back to that? John?

660
00:29:33,600 --> 00:29:36,920
Speaker 14: Yeah, I would ride back. Sounds like you don't want

661
00:29:36,960 --> 00:29:44,880
Speaker 14: me to be responsible? God Jo.

662
00:29:47,800 --> 00:29:50,560
Speaker 2: We're doing Final Line, Yeah, and a story before that that.

663
00:29:50,560 --> 00:29:52,880
Speaker 4: It's a very special edition of Final Line is it's

664
00:29:52,920 --> 00:29:55,240
Speaker 4: been inspired by a story out of Italy, wilbur not

665
00:29:55,240 --> 00:29:59,440
Speaker 4: about from there. Hold your horse, give forty just give

666
00:29:59,480 --> 00:30:02,280
Speaker 4: me the opener will bring the opening later.

667
00:30:02,480 --> 00:30:04,680
Speaker 2: So let's go to Italy because this is all time.

668
00:30:04,800 --> 00:30:08,040
Speaker 4: So an Italian man has been accused of dressing up

669
00:30:08,080 --> 00:30:12,600
Speaker 4: as his dead mum to claim her pension. It's just

670
00:30:12,720 --> 00:30:14,880
Speaker 4: this is just the best story I've ever seen. So

671
00:30:14,920 --> 00:30:17,200
Speaker 4: there's a photo obviously of him. He's got the wig,

672
00:30:17,760 --> 00:30:21,920
Speaker 4: he's got one of his mum's dresses on, and he

673
00:30:22,120 --> 00:30:27,680
Speaker 4: for two years, two years, has been trying to do so.

674
00:30:27,720 --> 00:30:30,719
Speaker 4: He's unemployed, doesn't have a job. She had a pension,

675
00:30:31,080 --> 00:30:34,600
Speaker 4: and so his mom dies, right, he goes, I haven't

676
00:30:34,600 --> 00:30:37,000
Speaker 4: no idea, I'm going to hide the fact that she's dead.

677
00:30:37,480 --> 00:30:40,120
Speaker 4: That's what he's done. He's like, the body is in

678
00:30:40,160 --> 00:30:42,840
Speaker 4: the house still, and he's like, he's still got the body.

679
00:30:42,880 --> 00:30:46,240
Speaker 2: I'm not He mummified the body of his mother. What

680
00:30:46,520 --> 00:30:48,720
Speaker 2: because he was just thinking doles and sense. He's just

681
00:30:48,760 --> 00:30:49,720
Speaker 2: thinking doles and sense.

682
00:30:49,800 --> 00:30:52,320
Speaker 4: Okay, So he does that and then he just starts

683
00:30:52,400 --> 00:30:55,640
Speaker 4: rocking up to the pension office as his mum just

684
00:30:55,680 --> 00:30:56,240
Speaker 4: being like.

685
00:30:56,160 --> 00:30:57,760
Speaker 2: Oh, who did you do?

686
00:30:59,040 --> 00:31:04,680
Speaker 4: The only thing they said they gave him away was

687
00:31:04,720 --> 00:31:07,360
Speaker 4: the dark hair on the back of his neck, his hands,

688
00:31:07,440 --> 00:31:08,120
Speaker 4: and his gin.

689
00:31:11,480 --> 00:31:14,239
Speaker 2: They've got it. How much did he get? You know,

690
00:31:14,800 --> 00:31:17,200
Speaker 2: didn't say, didn't say they was.

691
00:31:17,280 --> 00:31:18,800
Speaker 4: I think that he went through the whole thing and

692
00:31:18,840 --> 00:31:20,840
Speaker 4: they think they oldest were like, yep, this is all

693
00:31:20,920 --> 00:31:24,400
Speaker 4: all in order, and they followed him home and then.

694
00:31:24,280 --> 00:31:27,600
Speaker 2: They found they found the body in a sleeping bag.

695
00:31:29,200 --> 00:31:38,720
Speaker 13: It's too funny, along you do want to giggle, Like,

696
00:31:38,840 --> 00:31:40,400
Speaker 13: do google the story and just have a look at

697
00:31:40,400 --> 00:31:41,560
Speaker 13: the The.

698
00:31:41,560 --> 00:31:44,960
Speaker 2: Photo of him trying to pull it off is It's great, Emily.

699
00:31:44,960 --> 00:31:46,200
Speaker 2: Emily is going to try and pull it off now

700
00:31:46,240 --> 00:31:48,560
Speaker 2: as well. Emily. Are you in the in the car

701
00:31:48,840 --> 00:31:53,480
Speaker 2: with your mum? Yes? Beautiful? Okay? Great? Where are you

702
00:31:53,480 --> 00:31:54,160
Speaker 2: and mom going?

703
00:31:55,560 --> 00:31:56,520
Speaker 5: Going home?

704
00:31:57,160 --> 00:31:57,360
Speaker 6: Going?

705
00:31:57,640 --> 00:31:59,840
Speaker 2: Okay? Can we can we chat to your mom? Please?

706
00:32:01,720 --> 00:32:01,920
Speaker 10: Hi?

707
00:32:03,400 --> 00:32:10,880
Speaker 2: Hello, Emily's mum. What's your what's your birth name? Gee see.

708
00:32:12,640 --> 00:32:20,640
Speaker 3: See see T H I oh T G T And

709
00:32:20,680 --> 00:32:21,640
Speaker 3: what's for tea T?

710
00:32:23,920 --> 00:32:24,600
Speaker 2: What's for dinner?

711
00:32:25,840 --> 00:32:26,360
Speaker 6: Oh?

712
00:32:26,600 --> 00:32:27,160
Speaker 5: For dinner?

713
00:32:27,200 --> 00:32:28,440
Speaker 10: We're having lasagna?

714
00:32:29,480 --> 00:32:31,880
Speaker 2: Nice Ta? Can you check Emily back on the phone?

715
00:32:34,080 --> 00:32:37,400
Speaker 4: Hi, Emily, what are your thoughts on mum's lasagna? Is

716
00:32:37,400 --> 00:32:38,400
Speaker 4: that siying to look forward to?

717
00:32:39,440 --> 00:32:39,760
Speaker 11: Yep?

718
00:32:40,400 --> 00:32:42,760
Speaker 9: She makes the best lasagna and the best dinner ever.

719
00:32:46,680 --> 00:32:48,600
Speaker 2: Right? Can I hear from from your mammy again? Can

720
00:32:48,640 --> 00:32:54,520
Speaker 2: I from T again? Bye? Hy hey, t any deserves

721
00:32:54,640 --> 00:32:56,040
Speaker 2: any deserves for the lasagna?

722
00:32:57,000 --> 00:32:59,680
Speaker 10: We're having ice cream with sprinkles.

723
00:33:01,240 --> 00:33:02,680
Speaker 2: Surely Emily is by yourself?

724
00:33:03,360 --> 00:33:03,600
Speaker 1: Not one?

725
00:33:04,720 --> 00:33:08,640
Speaker 2: No, come on, I am onder here from Emily one

726
00:33:08,680 --> 00:33:12,360
Speaker 2: more time. Hand the phone back over, please, I want

727
00:33:12,400 --> 00:33:13,040
Speaker 2: to hear from Emily.

728
00:33:14,480 --> 00:33:17,560
Speaker 3: I think you just gave yourself away. Apparently that guy

729
00:33:17,600 --> 00:33:26,920
Speaker 3: got away with ninety thousand euros. We'll jow so now

730
00:33:27,040 --> 00:33:31,200
Speaker 3: brand new bit here. This is I don't know, just

731
00:33:31,320 --> 00:33:33,280
Speaker 3: something that's come up. I don't know how, I don't

732
00:33:33,280 --> 00:33:34,720
Speaker 3: know how to best explain this, but I think there

733
00:33:34,720 --> 00:33:37,000
Speaker 3: are a lot of things in society where we all

734
00:33:37,080 --> 00:33:39,160
Speaker 3: subconsciously think that, you know, they've just got to go,

735
00:33:39,320 --> 00:33:41,480
Speaker 3: but no one really says it. Yep, yep, you know,

736
00:33:41,520 --> 00:33:43,480
Speaker 3: because they're in vogue, but we're all sort of getting

737
00:33:43,480 --> 00:33:43,959
Speaker 3: sick of them.

738
00:33:44,520 --> 00:33:46,520
Speaker 2: I think it's my job right now, you do this

739
00:33:46,640 --> 00:33:49,560
Speaker 2: a lot. Well, I just have enough of things. I'm

740
00:33:49,600 --> 00:33:50,880
Speaker 2: done with that, and you verbalize it.

741
00:33:50,880 --> 00:33:53,360
Speaker 4: I think a lot of segments that come on their eventually,

742
00:33:53,600 --> 00:33:55,440
Speaker 4: just if you keep doing something in the in the

743
00:33:55,480 --> 00:33:57,280
Speaker 4: team room and we're like, can we just make.

744
00:33:57,200 --> 00:34:00,520
Speaker 3: This a bit because I've had enough, You've enough of

745
00:34:00,960 --> 00:34:02,880
Speaker 3: most of Like, well, no, that's not fair.

746
00:34:03,280 --> 00:34:06,160
Speaker 2: I love my daughter. I'm not saying people. I'm saying

747
00:34:06,200 --> 00:34:07,480
Speaker 2: like trends and like.

748
00:34:07,720 --> 00:34:11,400
Speaker 3: Yeah, get a bit of noise. Yeah, he's going. So

749
00:34:12,200 --> 00:34:14,120
Speaker 3: we've got a brand new bit here, which you know,

750
00:34:14,480 --> 00:34:15,960
Speaker 3: it's not just me that's going to decide. I think

751
00:34:15,960 --> 00:34:17,480
Speaker 3: it's going to be everyone else that's going to decide.

752
00:34:18,560 --> 00:34:20,000
Speaker 2: But the segment is called what's got to Go?

753
00:34:22,400 --> 00:34:23,080
Speaker 10: Got it? Girl?

754
00:34:25,280 --> 00:34:28,279
Speaker 2: All right? So few things here that I think a

755
00:34:28,360 --> 00:34:32,000
Speaker 2: few these are runners up. Okay, honorable mentions.

756
00:34:32,040 --> 00:34:35,759
Speaker 3: These are honorable mentions for today. Hand sanitizers that aren't

757
00:34:35,800 --> 00:34:38,920
Speaker 3: being used anymore. Every office place just has an empty

758
00:34:38,920 --> 00:34:40,399
Speaker 3: bottle of hand sanitizer in there.

759
00:34:40,400 --> 00:34:42,160
Speaker 2: That's because you had it, guys. COVID happen a while ago.

760
00:34:42,239 --> 00:34:42,799
Speaker 2: Just put it in the bin.

761
00:34:43,480 --> 00:34:46,600
Speaker 3: There's one downstairs that's been there for at least three years.

762
00:34:46,800 --> 00:34:51,160
Speaker 3: We all know, we've we've got boxes of hand And also,

763
00:34:51,200 --> 00:34:52,680
Speaker 3: you don't want to look like that deal, which I

764
00:34:52,840 --> 00:34:54,560
Speaker 3: often do, where you put your hands in that thing

765
00:34:54,640 --> 00:34:55,919
Speaker 3: and there's nothing that comes out.

766
00:34:56,440 --> 00:34:59,040
Speaker 2: It's a shocking moment. When you're walking there, you're like, oh, quick,

767
00:34:59,040 --> 00:35:02,799
Speaker 2: glea to their heads. Nothing in there, get rid of it. Yeah, yeah, yeah,

768
00:35:02,880 --> 00:35:04,760
Speaker 2: they bought it, you know, they bought the proper stand

769
00:35:04,880 --> 00:35:06,759
Speaker 2: for it and everything in the shopping malls you walk

770
00:35:06,800 --> 00:35:10,240
Speaker 2: in there that's got to go. I agree with that one. Goodbye.

771
00:35:11,480 --> 00:35:13,439
Speaker 3: Now, this isn't a cracky gingey produce around the least,

772
00:35:13,480 --> 00:35:16,880
Speaker 3: but in visi line, it's serving the purpose.

773
00:35:16,880 --> 00:35:17,200
Speaker 2: Gotta go.

774
00:35:17,560 --> 00:35:19,800
Speaker 1: It's taking that personally, it's got to go.

775
00:35:20,040 --> 00:35:22,480
Speaker 2: But it's straightening her teeth. That's fine. But you hear

776
00:35:22,520 --> 00:35:23,120
Speaker 2: a lot about it.

777
00:35:23,960 --> 00:35:26,279
Speaker 4: Got to pull in, con got to pull in, gotta

778
00:35:26,280 --> 00:35:28,200
Speaker 4: put out because it is a it's a bit of

779
00:35:28,239 --> 00:35:30,000
Speaker 4: a procedure when she rules.

780
00:35:31,080 --> 00:35:33,719
Speaker 2: And everything gets the screwdriver out. Excuse me, let me

781
00:35:33,800 --> 00:35:35,960
Speaker 2: take it out. You've got to go do it in

782
00:35:36,000 --> 00:35:38,000
Speaker 2: your own time because we're all snacking so much. She's

783
00:35:38,080 --> 00:35:40,359
Speaker 2: constantly taking it. There should I take Should I take

784
00:35:40,400 --> 00:35:42,080
Speaker 2: him out for that? Is it worth it? Is it

785
00:35:42,200 --> 00:35:42,440
Speaker 2: worth it?

786
00:35:42,560 --> 00:35:42,600
Speaker 3: What?

787
00:35:44,640 --> 00:35:45,480
Speaker 2: Shall I take them out?

788
00:35:46,600 --> 00:35:49,719
Speaker 3: Spotify rapped. I don't care what songs you listened to

789
00:35:49,920 --> 00:35:52,640
Speaker 3: this year. I don't care people sharing their Spotify I

790
00:35:52,680 --> 00:35:54,640
Speaker 3: don't care, or even just bring it up in conversation.

791
00:35:54,719 --> 00:35:56,680
Speaker 3: That was my number one Songe's Spotify rap. I don't

792
00:35:56,719 --> 00:35:58,520
Speaker 3: care who. I don't care unless it's good for me.

793
00:35:59,120 --> 00:36:01,520
Speaker 2: Yeah you care. I'd like to know my own, but

794
00:36:01,640 --> 00:36:04,279
Speaker 2: I don't care. Yes, yeah, yeah, I agree with that's

795
00:36:04,280 --> 00:36:07,720
Speaker 2: got to go. It's good. This is good. iTunes vouchers,

796
00:36:08,600 --> 00:36:11,440
Speaker 2: no one's using them anymore. Do you use an iTunes?

797
00:36:11,480 --> 00:36:14,640
Speaker 3: I don't know, but I get the supermarket now there's

798
00:36:14,640 --> 00:36:16,320
Speaker 3: still like a whole hook, which is like get yourself

799
00:36:16,360 --> 00:36:17,600
Speaker 3: a twenty dollars iTunes voucher?

800
00:36:17,920 --> 00:36:19,680
Speaker 2: Who the hell is using that? I've been there for

801
00:36:19,680 --> 00:36:22,000
Speaker 2: twenty years. That's got to go? Someone buy, got to go?

802
00:36:22,400 --> 00:36:23,720
Speaker 2: What do you buy on iTunes?

803
00:36:24,280 --> 00:36:26,359
Speaker 3: You can buy songs by movies, but you're not buying

804
00:36:26,400 --> 00:36:28,160
Speaker 3: songs anymore because listen to them on Spotify and then

805
00:36:28,160 --> 00:36:29,120
Speaker 3: you get them wrapped.

806
00:36:28,840 --> 00:36:30,239
Speaker 2: At the end of the year. Oh yeah, who they

807
00:36:30,239 --> 00:36:32,120
Speaker 2: who would buy some another honorable mention?

808
00:36:32,239 --> 00:36:36,080
Speaker 3: Final one for today Ariana Grande and Cyndia Evo whoa

809
00:36:36,520 --> 00:36:37,759
Speaker 3: And they've got to go now.

810
00:36:38,200 --> 00:36:40,000
Speaker 2: But they're all they're just honorables.

811
00:36:41,040 --> 00:36:44,560
Speaker 3: We're going to explain the system of seeing them bits

812
00:36:44,719 --> 00:36:46,440
Speaker 3: between the promo for a new film made.

813
00:36:46,480 --> 00:36:50,640
Speaker 2: It'll I'm on it, Zen Pick whatever the hell that is. Oh,

814
00:36:50,680 --> 00:36:53,680
Speaker 2: that's everywhere. It's got to go. Sick of hearing about that,

815
00:36:54,239 --> 00:36:57,680
Speaker 2: sick of it in bed or seeing people doing it everything. Yeah,

816
00:36:57,840 --> 00:36:58,480
Speaker 2: I just gotta go.

817
00:36:59,040 --> 00:37:00,719
Speaker 4: I don't know why it started popping off so much

818
00:37:00,760 --> 00:37:03,000
Speaker 4: as them picked, done with it, with it? Yeah, okay,

819
00:37:03,040 --> 00:37:05,399
Speaker 4: all right, all got to go? All right, Yeah, what's

820
00:37:05,600 --> 00:37:06,880
Speaker 4: so which one are we focusing on?

821
00:37:06,920 --> 00:37:10,440
Speaker 2: Oh yeah today today? Yeah, today, tell you what I

822
00:37:10,480 --> 00:37:14,480
Speaker 2: think's got to go? Do you think this one's particularly debatable? Yeah?

823
00:37:14,800 --> 00:37:16,920
Speaker 3: Third one, six five, because I want other people to

824
00:37:17,040 --> 00:37:18,400
Speaker 3: join in here, whether they think it's got to go

825
00:37:18,520 --> 00:37:21,080
Speaker 3: on celebrity memoirs.

826
00:37:22,440 --> 00:37:25,440
Speaker 4: Oh yeah, it's a it's a cash grap They've got it.

827
00:37:27,560 --> 00:37:29,759
Speaker 4: Someone does the memoir when they're like a quarter into

828
00:37:29,800 --> 00:37:32,040
Speaker 4: their career. It's like you're twenty five, How could you

829
00:37:32,120 --> 00:37:35,279
Speaker 4: be doing a memoir? Now, wait fifty years and.

830
00:37:35,400 --> 00:37:36,160
Speaker 2: Then do a memoir.

831
00:37:36,239 --> 00:37:37,880
Speaker 3: If someone came to in there like we want you

832
00:37:37,880 --> 00:37:40,279
Speaker 3: to write a memoir, I'll be like, I've got enough

833
00:37:40,360 --> 00:37:42,239
Speaker 3: to share. What am I going to say? I mean,

834
00:37:42,280 --> 00:37:44,600
Speaker 3: the probably stuff that everyone's been through. I had a child,

835
00:37:44,880 --> 00:37:47,120
Speaker 3: I got a career. But like, you know, sure, I've

836
00:37:47,120 --> 00:37:47,960
Speaker 3: got a couple of stories.

837
00:37:48,120 --> 00:37:49,960
Speaker 2: But a good friend of hers did a memoir.

838
00:37:50,360 --> 00:37:52,320
Speaker 3: Mate, Lots of people have done memoirs, and look, some

839
00:37:52,400 --> 00:37:54,439
Speaker 3: of them are very good. Some of them are very good,

840
00:37:54,719 --> 00:37:56,239
Speaker 3: but I'm a little bit sick of seeing them.

841
00:37:56,600 --> 00:37:58,920
Speaker 2: I'll see you. So the number one memoir at the

842
00:37:58,960 --> 00:37:59,399
Speaker 2: moment they.

843
00:37:59,360 --> 00:38:02,680
Speaker 3: Think for twenty two twenty five is Come, Come Kamala

844
00:38:02,719 --> 00:38:04,480
Speaker 3: Harris or Kamala Harris's memoir.

845
00:38:04,600 --> 00:38:06,759
Speaker 2: Yeah, one hundred and seven days, that's what it's called.

846
00:38:07,400 --> 00:38:08,400
Speaker 2: And what was that referring to?

847
00:38:08,480 --> 00:38:12,480
Speaker 3: It's how long her presidential campaign was, right, it's just

848
00:38:12,560 --> 00:38:14,520
Speaker 3: a memoir about her losing the presidency.

849
00:38:14,680 --> 00:38:17,360
Speaker 2: It's too so it's the number one memoir. Yeah, I agree.

850
00:38:17,360 --> 00:38:19,080
Speaker 2: I agree. It's cash crap, there's no doubt about it.

851
00:38:19,440 --> 00:38:22,080
Speaker 2: But people buy them. But again, Pamela Anderson's going one.

852
00:38:22,080 --> 00:38:25,000
Speaker 2: It's called Love Love by Pamela. I think she's at

853
00:38:25,040 --> 00:38:27,680
Speaker 2: a stage where she's memoir areas. Yeah, no, okay, okay,

854
00:38:27,760 --> 00:38:28,239
Speaker 2: no good.

855
00:38:28,480 --> 00:38:32,319
Speaker 4: I'm sick of memoirs pre thirty, pre forty years old,

856
00:38:32,400 --> 00:38:34,040
Speaker 4: doing a memoir way too soon?

857
00:38:34,239 --> 00:38:37,440
Speaker 2: Yeah, so yeah, we'll call it. Yeah, and again, we

858
00:38:37,520 --> 00:38:38,960
Speaker 2: do love some of the people that have brought out

859
00:38:39,000 --> 00:38:39,920
Speaker 2: memoirs recently.

860
00:38:39,719 --> 00:38:42,160
Speaker 3: That we could friends of her in the media, we

861
00:38:42,200 --> 00:38:44,239
Speaker 3: could get on and get her on the show. Good

862
00:38:44,280 --> 00:38:45,520
Speaker 3: for them, they put a lot of work into it

863
00:38:46,200 --> 00:38:50,320
Speaker 3: and I'm proud of them. But for everyone else, you

864
00:38:50,440 --> 00:38:52,359
Speaker 3: get them all on the show up next, Like David

865
00:38:52,360 --> 00:38:53,320
Speaker 3: Attenber's memoir.

866
00:38:53,160 --> 00:38:56,480
Speaker 2: Yes, perfect, I love to read that perfect. Mick Jagger

867
00:38:56,760 --> 00:38:58,480
Speaker 2: perfoh you know what I mean.

868
00:38:58,560 --> 00:39:00,920
Speaker 4: But like, yeah, I think when you're in your mid

869
00:39:01,040 --> 00:39:04,160
Speaker 4: thirties or even under thirty and you're releasing a memoir, yeah,

870
00:39:05,040 --> 00:39:07,440
Speaker 4: it's not sure, it's not It shouldn't be a memoir

871
00:39:07,480 --> 00:39:07,960
Speaker 4: at this stage.

872
00:39:08,040 --> 00:39:09,880
Speaker 3: It's just like a life update. So I've got a

873
00:39:09,880 --> 00:39:11,680
Speaker 3: few here to read out. We'll get to your calls

874
00:39:11,719 --> 00:39:13,560
Speaker 3: on thirty and one and six. Five are feeling about

875
00:39:13,560 --> 00:39:15,160
Speaker 3: celebrity memoirs at the moment because a lot of them

876
00:39:15,200 --> 00:39:18,960
Speaker 3: out there. Would you read this memoir Woods A Different

877
00:39:19,080 --> 00:39:23,040
Speaker 3: Kind of Power, a memoir by Kiwi former Kiwi Prime

878
00:39:23,080 --> 00:39:23,800
Speaker 3: Minister j Cinda A.

879
00:39:23,920 --> 00:39:25,239
Speaker 2: Durn I'm not.

880
00:39:25,800 --> 00:39:27,520
Speaker 4: I think she's got obviously a bit to say. I'm

881
00:39:27,560 --> 00:39:29,399
Speaker 4: not a huge fan of politics, so no, I'm not reading.

882
00:39:29,480 --> 00:39:32,520
Speaker 2: She's interesting, she's very interesting, said she.

883
00:39:32,560 --> 00:39:35,239
Speaker 4: Would be give some insights in some huge moments, such

884
00:39:35,239 --> 00:39:38,720
Speaker 4: as I couldn't name them now, I'd be here for weeks.

885
00:39:40,000 --> 00:39:44,680
Speaker 3: Miley Cyrus released her first celebrity memoir when she was seventeen.

886
00:39:45,040 --> 00:39:50,640
Speaker 4: It was called Miles to Go. At least she's leaned in.

887
00:39:51,400 --> 00:39:53,040
Speaker 4: You open the book, there's one chapter and then just

888
00:39:53,239 --> 00:39:56,840
Speaker 4: bank pages. I would read that because you'd read it.

889
00:39:56,880 --> 00:40:00,759
Speaker 2: You read that. I love Marley Cyrus. Snooky Snooky from

890
00:40:01,600 --> 00:40:02,480
Speaker 2: from Geordie.

891
00:40:02,239 --> 00:40:06,240
Speaker 3: Show, Jersey one of the sure confessions of a guide

892
00:40:06,239 --> 00:40:09,720
Speaker 3: Debt Snookie. I wouldn't read that one. Okay, I wouldn't

893
00:40:09,719 --> 00:40:11,319
Speaker 3: read that, But she's done it, and that's the point.

894
00:40:11,600 --> 00:40:14,239
Speaker 3: There's ter many out there, occasionally good. I mean, I'm

895
00:40:14,280 --> 00:40:15,439
Speaker 3: a big fan of a sports memoir.

896
00:40:15,480 --> 00:40:17,839
Speaker 2: I've read Steve. Steve Wall's memoir has a good one.

897
00:40:18,000 --> 00:40:21,800
Speaker 3: Yeah, James Hurd memoir reading reading the play Nathan Buckley,

898
00:40:22,360 --> 00:40:23,240
Speaker 3: I haven't read buses?

899
00:40:23,280 --> 00:40:24,920
Speaker 2: Have you read boxes? Read? So?

900
00:40:25,520 --> 00:40:27,719
Speaker 3: I mean I think after at what point do you

901
00:40:27,760 --> 00:40:31,480
Speaker 3: think the celebrity memoir? So, at what point do you

902
00:40:31,520 --> 00:40:34,759
Speaker 3: think the the memoir is like memoirble?

903
00:40:35,200 --> 00:40:38,320
Speaker 4: I think I think you have to be at least

904
00:40:38,480 --> 00:40:41,439
Speaker 4: over the age of forty to release a member.

905
00:40:41,520 --> 00:40:43,400
Speaker 3: What if you've what if you've what if you've sailed

906
00:40:43,440 --> 00:40:45,759
Speaker 3: around the world by yourself? You know that probably did

907
00:40:45,800 --> 00:40:48,320
Speaker 3: you know? It's always that you have to have completed defeat.

908
00:40:48,800 --> 00:40:50,760
Speaker 3: That is memoirble you that's.

909
00:40:50,640 --> 00:40:51,200
Speaker 2: Not a memoir.

910
00:40:51,280 --> 00:40:52,759
Speaker 4: That's like if you if you sail around the world

911
00:40:52,760 --> 00:40:54,479
Speaker 4: and write a book about that experience, that's.

912
00:40:54,400 --> 00:40:56,400
Speaker 2: A great book. I'm all for that. Yeah, okay, but

913
00:40:56,480 --> 00:40:58,560
Speaker 2: what I don't like is going, Hey, I sailed around

914
00:40:58,560 --> 00:41:01,600
Speaker 2: the world. Who wants to hear about mine? Alive? Yeah,

915
00:41:02,560 --> 00:41:04,480
Speaker 2: let's go to the sailing because they always start off

916
00:41:04,520 --> 00:41:07,160
Speaker 2: at like, you know, the day I was born, I

917
00:41:07,280 --> 00:41:09,000
Speaker 2: was a lonely kid. It's like, I'll get to the

918
00:41:09,120 --> 00:41:12,200
Speaker 2: sailing mate. Yeah, there's a lot of that going on.

919
00:41:12,600 --> 00:41:14,560
Speaker 3: There's a lot of that going on, all right, Yeah,

920
00:41:14,600 --> 00:41:16,799
Speaker 3: we have we have some thirteen one O six five,

921
00:41:17,040 --> 00:41:18,680
Speaker 3: if you would like to tell us what you think

922
00:41:18,719 --> 00:41:22,319
Speaker 3: about celebrity memoirs and a lot a lot of people

923
00:41:22,360 --> 00:41:27,680
Speaker 3: are called Shannon hung up Kevin Kevin Spacey My Good Side,

924
00:41:28,080 --> 00:41:29,960
Speaker 3: a memoir by Kevin Spacey recently?

925
00:41:30,040 --> 00:41:31,719
Speaker 2: Did he do that? They released that? Really? I think so?

926
00:41:31,880 --> 00:41:35,200
Speaker 4: Yeah, since all the things, so yeah, yeah, man, I'm

927
00:41:35,239 --> 00:41:37,880
Speaker 4: not reading. No, I'm not reading that, Okay, read or

928
00:41:37,880 --> 00:41:38,360
Speaker 4: watch anything?

929
00:41:38,360 --> 00:41:42,480
Speaker 2: Givens? Is that a principle? Uh well, well, I'm not

930
00:41:42,560 --> 00:41:43,879
Speaker 2: sure what it is. I'm just not reading it. Well,