1 00:00:00,960 --> 00:00:04,720 Speaker 1: Houred by the Iharve Radio Waffle from ninety six AIRVM 2 00:00:05,120 --> 00:00:09,959 Speaker 1: to whereever you're listening today, This is Clearsy and Lisa's podcast. 3 00:00:10,240 --> 00:00:13,360 Speaker 2: Coming up on the podcast today, Benochet reviews Don't Worry. 4 00:00:13,200 --> 00:00:16,800 Speaker 3: Darling the Mighty singer songwriter Paul Kelly talking about next 5 00:00:16,880 --> 00:00:17,840 Speaker 3: year's Red Hot Summer Tour. 6 00:00:17,960 --> 00:00:20,400 Speaker 4: We catch up with Shane Jacobson, agt is. 7 00:00:20,360 --> 00:00:22,599 Speaker 3: Back, and a few embarrassed people but not too embarrassed 8 00:00:22,600 --> 00:00:24,400 Speaker 3: to call us about when they accidentally said the wrong 9 00:00:24,400 --> 00:00:25,959 Speaker 3: thing to the wrong person at the right time. 10 00:00:26,400 --> 00:00:29,440 Speaker 2: This story about a Bumbery couple who've been fined for 11 00:00:29,480 --> 00:00:32,000 Speaker 2: stealing more than seven hundred dollars worth of sex toys 12 00:00:32,320 --> 00:00:34,960 Speaker 2: from an adult store in Spencer Street in Bumbriy. They 13 00:00:35,120 --> 00:00:38,480 Speaker 2: entered Bumbrey's Adult Shop dot com back in July, where 14 00:00:38,479 --> 00:00:42,080 Speaker 2: they were caught on CCTV taking products off the shelves, 15 00:00:42,320 --> 00:00:45,839 Speaker 2: removing the package and stuffing them down their pants, just 16 00:00:45,840 --> 00:00:46,880 Speaker 2: cutting out the middle man. 17 00:00:46,920 --> 00:00:49,479 Speaker 5: I guess early start. 18 00:00:49,479 --> 00:00:53,519 Speaker 2: They then left the store making absolutely no attempt to pay. 19 00:00:53,920 --> 00:00:56,200 Speaker 4: Four days later, they were arrested at their home. 20 00:00:56,480 --> 00:01:00,840 Speaker 2: They hadn't left nines Ah and they may full admissions 21 00:01:00,880 --> 00:01:01,480 Speaker 2: to the crime. 22 00:01:02,080 --> 00:01:05,279 Speaker 4: They broke easily. They were both They. 23 00:01:05,120 --> 00:01:07,760 Speaker 2: Both culped fines of six hundred dollars and were ordered 24 00:01:07,800 --> 00:01:09,360 Speaker 2: to fully compensate the store. 25 00:01:09,640 --> 00:01:12,319 Speaker 4: Oh I hope that's in cash. I hope they didn't give. 26 00:01:12,160 --> 00:01:18,480 Speaker 5: The can you resell? I'm thinking a good wipe? Oh yeah, sanitize. 27 00:01:18,120 --> 00:01:20,400 Speaker 2: Just one owner, it'll say on the products if they 28 00:01:20,440 --> 00:01:21,399 Speaker 2: work back on the shelf. 29 00:01:21,800 --> 00:01:22,480 Speaker 5: I liked him. 30 00:01:23,400 --> 00:01:27,039 Speaker 3: That's Christ in a year, of course, marking forty five 31 00:01:27,120 --> 00:01:30,360 Speaker 3: years of forty fifth anniversary of acdc's five times platinum 32 00:01:30,400 --> 00:01:32,000 Speaker 3: selling album, the studio album. 33 00:01:31,840 --> 00:01:32,600 Speaker 5: Let There Be Rock. 34 00:01:33,680 --> 00:01:36,640 Speaker 3: To celebrate this incredible milestone in Aussie rock history, the 35 00:01:36,760 --> 00:01:39,360 Speaker 3: Royalist Trained in Mint is releasing a second coin in 36 00:01:39,400 --> 00:01:42,320 Speaker 3: the set of the ACDC Collection Trilogy. 37 00:01:42,480 --> 00:01:43,720 Speaker 5: In fact, the trilogy has got to. 38 00:01:43,680 --> 00:01:49,040 Speaker 2: He's a fabulous coins though, as you know, collection coins, collection. 39 00:01:48,760 --> 00:01:52,200 Speaker 3: Coins go yeah yeah, so akadaka heads are absolutely stoked. 40 00:01:52,200 --> 00:01:54,160 Speaker 3: There's another one to the set. Now they say trilogy, 41 00:01:54,160 --> 00:01:55,960 Speaker 3: but they're actually going to be six in total. Now 42 00:01:56,000 --> 00:02:00,880 Speaker 3: they're twenty cent pieces. Yeah. Marking Let the Be Rock powerage, 43 00:02:01,120 --> 00:02:04,640 Speaker 3: also flick of the Switch blow Upy video and Black Ice, 44 00:02:04,680 --> 00:02:05,760 Speaker 3: which was the up and that came out. 45 00:02:05,600 --> 00:02:08,160 Speaker 4: In two thousand and eight little vinyl record, a little record. 46 00:02:08,160 --> 00:02:09,679 Speaker 3: They're coming to sleeve and they come in like a 47 00:02:10,040 --> 00:02:12,079 Speaker 3: box that a roadie might have and pack the gear up. 48 00:02:12,040 --> 00:02:12,640 Speaker 5: After a gig. 49 00:02:13,160 --> 00:02:16,160 Speaker 3: Now, in actual fact, the recommended retail price of the 50 00:02:16,200 --> 00:02:18,359 Speaker 3: whole set of coins is one hundred and ten dollars Australian, 51 00:02:18,720 --> 00:02:20,800 Speaker 3: which means you pay over eighteen dollars for a twenty 52 00:02:20,800 --> 00:02:24,280 Speaker 3: cent piece. However, having been someone who's recently sold a 53 00:02:24,320 --> 00:02:26,400 Speaker 3: lot of the vinyl, of a whole lot of music stuff, 54 00:02:26,440 --> 00:02:28,560 Speaker 3: there are two bands that attract people who will buy 55 00:02:28,720 --> 00:02:30,760 Speaker 3: anything because of the love for their band, and that 56 00:02:30,919 --> 00:02:34,200 Speaker 3: is Kiss and ac DC. So Akadaka fans will be 57 00:02:34,240 --> 00:02:36,360 Speaker 3: a bit like Kiss fans. They will buy anything, and 58 00:02:36,400 --> 00:02:39,919 Speaker 3: that includes you know, your bourbon glasses or whatever merch 59 00:02:40,120 --> 00:02:43,160 Speaker 3: is coming out. Yeah, So I would imagine with Christmas 60 00:02:43,240 --> 00:02:45,480 Speaker 3: coming up there'll be a few dads getting thunderstruck. 61 00:02:46,960 --> 00:02:50,240 Speaker 6: More Lisa, More podcasts soon. 62 00:02:50,720 --> 00:02:55,160 Speaker 3: Ninety six Great the Flick with bet O Shame on 63 00:02:55,400 --> 00:02:56,400 Speaker 3: ninety six FM. 64 00:02:57,320 --> 00:02:58,839 Speaker 4: Good Morning Band. 65 00:02:58,680 --> 00:02:59,480 Speaker 6: Good Morning Going. 66 00:03:00,120 --> 00:03:02,440 Speaker 4: The fact that for some reason there's so much talk 67 00:03:02,960 --> 00:03:06,760 Speaker 4: around this movie, don't worry, Darling. 68 00:03:07,080 --> 00:03:09,720 Speaker 6: It's almost refreshing to talk about the actual movie. Itself 69 00:03:09,760 --> 00:03:12,360 Speaker 6: right now, Yes, but do we need to recap some 70 00:03:12,400 --> 00:03:14,640 Speaker 6: of the drama, But just if we can recap it 71 00:03:14,639 --> 00:03:16,240 Speaker 6: really quick, we definitely can. 72 00:03:16,320 --> 00:03:17,040 Speaker 4: Okay. 73 00:03:17,160 --> 00:03:19,680 Speaker 6: So this is a movie directed by Olivia wild who's 74 00:03:19,720 --> 00:03:22,760 Speaker 6: an actor herself. She made her debut feature a couple 75 00:03:22,800 --> 00:03:25,200 Speaker 6: of years ago with Book Smart, which was a really 76 00:03:25,240 --> 00:03:27,400 Speaker 6: cool coming of age film, and everyone thought, Oh, I 77 00:03:27,440 --> 00:03:29,440 Speaker 6: can't wait to see what Olivia wild does next. She 78 00:03:29,680 --> 00:03:32,240 Speaker 6: is a director on the fast track to success, so 79 00:03:32,240 --> 00:03:34,480 Speaker 6: they've given her a bigger budget to make this kind 80 00:03:34,520 --> 00:03:38,640 Speaker 6: of psychological thriller Don't Worry Darling, which everybody was initially 81 00:03:38,720 --> 00:03:41,800 Speaker 6: super excited about. And then this drama started to emerge 82 00:03:41,960 --> 00:03:44,800 Speaker 6: from on set. So after the film wrap there started 83 00:03:44,800 --> 00:03:48,040 Speaker 6: to be rumors that this one of the stars, Florence 84 00:03:48,120 --> 00:03:52,160 Speaker 6: Pew hated Olivia Wilde. They had stoushes on the set 85 00:03:52,200 --> 00:03:56,200 Speaker 6: because Olivia wild may have been hooking up with Florence's 86 00:03:56,240 --> 00:03:59,720 Speaker 6: co star and on screen husband Harry Styles from one direction, 87 00:04:00,560 --> 00:04:02,880 Speaker 6: and now we know Olivia wild is with Harry Styles 88 00:04:02,920 --> 00:04:06,360 Speaker 6: as she's not with Jason Sedikis anymore. And then there 89 00:04:06,480 --> 00:04:08,880 Speaker 6: was then so there was the rumors of this kind 90 00:04:08,880 --> 00:04:11,440 Speaker 6: of acrimony on the set and that, and then also 91 00:04:11,520 --> 00:04:15,520 Speaker 6: that Olivia Wild had sacked Shilah Buff who was originally 92 00:04:15,520 --> 00:04:19,520 Speaker 6: in the Harry Styles role, because Florence didn't feel safe 93 00:04:19,560 --> 00:04:22,119 Speaker 6: around Shia, which is he's kind of a method actor, 94 00:04:22,240 --> 00:04:24,480 Speaker 6: so he's kind of a bit of a loose unit. 95 00:04:26,720 --> 00:04:28,480 Speaker 6: And then and then he said no, he wasn't fire 96 00:04:28,520 --> 00:04:30,800 Speaker 6: and so there was that side of it going on. 97 00:04:30,880 --> 00:04:34,760 Speaker 6: And then finally there was spitgate at the film's premiere 98 00:04:34,800 --> 00:04:37,680 Speaker 6: in Europe at a film festival where Harry Styles went 99 00:04:37,720 --> 00:04:40,360 Speaker 6: to sit down next to Chris Pine in the auditorium 100 00:04:40,440 --> 00:04:44,200 Speaker 6: and it looked like maybe he spat on him, but 101 00:04:44,279 --> 00:04:45,920 Speaker 6: then you know, close to look at the footage, maybe 102 00:04:45,920 --> 00:04:48,080 Speaker 6: that didn't happen. Everybody denied it, but one thing is 103 00:04:48,080 --> 00:04:48,640 Speaker 6: for sure. 104 00:04:48,800 --> 00:04:51,040 Speaker 4: You know what a spitgate just dribbling. 105 00:04:51,400 --> 00:04:54,680 Speaker 2: And then Olivia got served custody when she was on 106 00:04:54,760 --> 00:04:57,239 Speaker 2: stage presenting that film at a convention. 107 00:04:57,720 --> 00:05:01,880 Speaker 6: So drama has followed this film film every ever since 108 00:05:02,160 --> 00:05:05,680 Speaker 6: the filming wrapped. But now it's actually in cinemas as 109 00:05:05,720 --> 00:05:07,560 Speaker 6: of today, we can talk about whether the movie is 110 00:05:07,560 --> 00:05:11,240 Speaker 6: any good or not, and so without giving too much away, 111 00:05:11,279 --> 00:05:13,120 Speaker 6: because it's a film that relies on a couple of 112 00:05:13,160 --> 00:05:18,240 Speaker 6: big twists right to really make sense. It's set in 113 00:05:18,279 --> 00:05:22,240 Speaker 6: this sort of nineteen fifties era community in like a 114 00:05:22,279 --> 00:05:24,720 Speaker 6: Palm Springs kind of place in the American desert, right, 115 00:05:24,760 --> 00:05:27,560 Speaker 6: like beautiful architecture, mid century. If you love that sort 116 00:05:27,560 --> 00:05:31,240 Speaker 6: of stuff, you'll just froth over this film. And everybody 117 00:05:31,279 --> 00:05:34,240 Speaker 6: lives in this community a part of something called the 118 00:05:34,320 --> 00:05:38,200 Speaker 6: Victory Project, which is run by this mastermind played by 119 00:05:38,320 --> 00:05:41,920 Speaker 6: Chris Pine. You don't really find out what it's all 120 00:05:41,960 --> 00:05:44,040 Speaker 6: about until towards the end, but all you need to 121 00:05:44,080 --> 00:05:46,760 Speaker 6: know is it's kind of nineteen fifties value. So the 122 00:05:46,839 --> 00:05:50,440 Speaker 6: women's place is in the home, making dinner for a 123 00:05:50,600 --> 00:05:53,440 Speaker 6: husband who leaves every day in like a beautiful kind 124 00:05:53,440 --> 00:05:56,640 Speaker 6: of like you know, nineteen fifties Oldsmobile Cadillac kind of 125 00:05:56,640 --> 00:05:58,680 Speaker 6: a car. They go off to work. No one knows 126 00:05:58,680 --> 00:06:00,800 Speaker 6: what they're doing. It's kind of secret. If they come 127 00:06:00,839 --> 00:06:02,880 Speaker 6: back in the evening, the wife is there with the 128 00:06:02,960 --> 00:06:06,200 Speaker 6: roast dinner on the table, you know, cocktail in hand, 129 00:06:06,400 --> 00:06:11,360 Speaker 6: and everything's just peachy behind the white picket fence. A 130 00:06:11,480 --> 00:06:14,520 Speaker 6: very Stepford Wives Truman show. That's the kind of vibe 131 00:06:14,520 --> 00:06:18,160 Speaker 6: that you're getting here. But then Florence Pugh's character starts 132 00:06:18,200 --> 00:06:21,080 Speaker 6: to realize that maybe there's something wrong with this perfect 133 00:06:21,160 --> 00:06:23,800 Speaker 6: world that she can't quite put her finger on. But 134 00:06:23,839 --> 00:06:26,680 Speaker 6: she becomes obsessed with it in finding out what it is. 135 00:06:26,880 --> 00:06:29,839 Speaker 6: And there's a neighbor who maybe starts acting a little strangely. 136 00:06:30,160 --> 00:06:33,280 Speaker 6: She gets a weird vibe from Chris Pine's character, and 137 00:06:33,320 --> 00:06:36,120 Speaker 6: so she just can't let it go. And even though 138 00:06:36,160 --> 00:06:38,520 Speaker 6: Harry Styles, her husband, keeps saying to a note like, 139 00:06:38,560 --> 00:06:40,120 Speaker 6: you've got to stop this. We're going to get kicked 140 00:06:40,120 --> 00:06:42,240 Speaker 6: out of the Victory project. You're making me look bad 141 00:06:42,440 --> 00:06:44,200 Speaker 6: at the company, even though you have no idea what 142 00:06:44,200 --> 00:06:47,839 Speaker 6: he's doing. And so it creates all this tension between 143 00:06:47,920 --> 00:06:50,200 Speaker 6: Chris Pine and Florence Pugh's character, between Florence Pugh and 144 00:06:50,240 --> 00:06:52,880 Speaker 6: Harry Styles. Olivia Wilde is in the film as well. 145 00:06:52,920 --> 00:06:55,760 Speaker 6: She plays another one of the wives and Florence Pugh's 146 00:06:55,800 --> 00:07:00,520 Speaker 6: character best friend, and so it becomes this psychological thriller 147 00:07:01,200 --> 00:07:03,960 Speaker 6: that at times is really kind of quite art house 148 00:07:04,040 --> 00:07:06,239 Speaker 6: in the way it goes about it, like it's almost surreal, 149 00:07:06,320 --> 00:07:09,120 Speaker 6: like it cuts away to flashbacks and and weird and 150 00:07:09,160 --> 00:07:11,440 Speaker 6: weird kind of stuff, surreal stuff that comes on the 151 00:07:11,480 --> 00:07:15,040 Speaker 6: screen probably a little bit more artsy than people it 152 00:07:15,080 --> 00:07:18,960 Speaker 6: would expect from the trailer. It's kind of like, you know, 153 00:07:19,120 --> 00:07:21,600 Speaker 6: those all those Jordan Peel movies that we've spoken about before, 154 00:07:21,640 --> 00:07:24,680 Speaker 6: like get Out and Us and Nope, most recently, this 155 00:07:24,800 --> 00:07:27,600 Speaker 6: is like a Jordan Peele movie for white people. So 156 00:07:27,720 --> 00:07:30,560 Speaker 6: is that you know what I'm saying. So all the 157 00:07:30,640 --> 00:07:35,320 Speaker 6: characters are white, and it's kind of like almost verging 158 00:07:35,400 --> 00:07:37,960 Speaker 6: on is it kind of a horror movie like it's 159 00:07:37,960 --> 00:07:42,400 Speaker 6: it's but it's kind of like sinister, very sinister undertones. 160 00:07:42,720 --> 00:07:44,200 Speaker 6: And then the twist when it comes at the end, 161 00:07:44,280 --> 00:07:46,240 Speaker 6: it just makes you realize, you know what, everything I've 162 00:07:46,280 --> 00:07:47,760 Speaker 6: been watching for the last hour and a half is 163 00:07:47,840 --> 00:07:49,880 Speaker 6: a complete lie. And I didn't know what this movie 164 00:07:49,920 --> 00:07:51,400 Speaker 6: was about at all. So it's one of those kind 165 00:07:51,400 --> 00:07:54,440 Speaker 6: of twists, like a real big like a like a 166 00:07:54,480 --> 00:08:00,880 Speaker 6: fight club, you know, kind of crying game, little twet. Yeah, yeah, 167 00:08:00,920 --> 00:08:03,280 Speaker 6: and so, and the critics have kind of been really 168 00:08:03,560 --> 00:08:07,000 Speaker 6: savage towards this film because I think they whatever reason 169 00:08:07,400 --> 00:08:09,600 Speaker 6: they have bought into the drama, they don't like Olivia 170 00:08:09,640 --> 00:08:12,600 Speaker 6: Wild anymore after previously saying she was a genius, and 171 00:08:12,680 --> 00:08:15,200 Speaker 6: so they've said that, you know, the film has all 172 00:08:15,240 --> 00:08:17,200 Speaker 6: of these problems. It's actually not that bad. Like, it's 173 00:08:17,520 --> 00:08:18,400 Speaker 6: a really solid film. 174 00:08:18,400 --> 00:08:20,720 Speaker 4: I like Olivia Wild because I think of her from House. 175 00:08:21,080 --> 00:08:24,920 Speaker 2: Yeah, and I loved how he performances. 176 00:08:24,080 --> 00:08:25,080 Speaker 5: And she looks good on the camera. 177 00:08:25,640 --> 00:08:29,160 Speaker 2: Harry, how many give it a breaks? 178 00:08:29,160 --> 00:08:31,440 Speaker 6: Look? I would give this three. Give it a break. 179 00:08:31,880 --> 00:08:34,040 Speaker 6: It's a very solid film. Go check it out. Take 180 00:08:34,080 --> 00:08:36,320 Speaker 6: your mind up. Don't buy into the drama, all right, Yeah, no, 181 00:08:36,400 --> 00:08:36,840 Speaker 6: you've got me. 182 00:08:37,120 --> 00:08:39,920 Speaker 5: Ignore all that. Ignore the off cameras, no the noise. Yeah, 183 00:08:40,160 --> 00:08:40,960 Speaker 5: and Doug gets bad. 184 00:08:40,800 --> 00:08:45,839 Speaker 1: On more Lisa More podcasts Soon ninety six. 185 00:08:47,280 --> 00:08:50,400 Speaker 2: The Red Hot Summer Tour is on at Sanderford Wine Saturday, 186 00:08:50,400 --> 00:08:55,120 Speaker 2: March eighteen. Tickets are through ticket Master and the lineup 187 00:08:55,240 --> 00:08:58,600 Speaker 2: is incredible. Bernard Fanning, Mister Higgins, Mark Seymour, Vicker and Linda. 188 00:08:58,760 --> 00:09:01,599 Speaker 2: They need no surname in more, do they in? Marstroycassa 189 00:09:01,640 --> 00:09:02,160 Speaker 2: Daly and. 190 00:09:03,640 --> 00:09:05,760 Speaker 4: Kelly. 191 00:09:05,880 --> 00:09:06,560 Speaker 7: How are you going? 192 00:09:06,920 --> 00:09:08,280 Speaker 4: Very good? Very good? 193 00:09:09,120 --> 00:09:11,560 Speaker 2: I guess you've worked with most of this line up 194 00:09:11,600 --> 00:09:13,920 Speaker 2: over the years on different things before. 195 00:09:14,240 --> 00:09:17,160 Speaker 7: Every one of them. Everyone quite a bit of history 196 00:09:17,200 --> 00:09:19,560 Speaker 7: with them all, and so it's going to be good 197 00:09:19,600 --> 00:09:22,800 Speaker 7: to all get together put a bit of work into 198 00:09:22,800 --> 00:09:25,120 Speaker 7: getting the right combination of people can go out and 199 00:09:25,200 --> 00:09:26,760 Speaker 7: I'm really happy with the way it's turned out. 200 00:09:26,920 --> 00:09:28,280 Speaker 4: I think it's a great combination. 201 00:09:28,360 --> 00:09:30,880 Speaker 2: Actually, the two of this time is taking in a 202 00:09:30,920 --> 00:09:32,200 Speaker 2: lot of regional areas. 203 00:09:32,920 --> 00:09:35,480 Speaker 4: What is the most remote gig you've ever performed. 204 00:09:35,080 --> 00:09:40,640 Speaker 7: Paul well Holidays. I played at Kalka Nji two weeks 205 00:09:40,640 --> 00:09:45,720 Speaker 7: ago for the Freedom Day Festival, jack O, about six 206 00:09:45,800 --> 00:09:53,599 Speaker 7: hours drive from Catherine and Northern Territory O cattle country 207 00:09:54,679 --> 00:09:57,199 Speaker 7: and that's they have a festival there of a year 208 00:09:57,200 --> 00:10:01,439 Speaker 7: to commemorate the walk off Wayfield Station Ooriginal Stockman and 209 00:10:01,480 --> 00:10:05,240 Speaker 7: their families, the Greenia people in nineteen sixty six story 210 00:10:05,240 --> 00:10:07,280 Speaker 7: of the song from the Little Things Big Things Grow. 211 00:10:07,640 --> 00:10:09,640 Speaker 5: Yes, I think they have. 212 00:10:10,080 --> 00:10:11,840 Speaker 7: They have a little festival there every year and they 213 00:10:12,440 --> 00:10:15,320 Speaker 7: do a part of part of commemorate the walk off. 214 00:10:15,360 --> 00:10:17,640 Speaker 7: They do they do part of the walk and they 215 00:10:17,640 --> 00:10:20,160 Speaker 7: have bands. So I've been out there just the third 216 00:10:20,160 --> 00:10:22,400 Speaker 7: time I've been there over the years. In a great trip. 217 00:10:22,960 --> 00:10:25,280 Speaker 7: It's a long way to get there, A long way. 218 00:10:25,520 --> 00:10:28,760 Speaker 3: What an incredible reward that probably a rough road, yeah 219 00:10:28,840 --> 00:10:31,520 Speaker 3: you need the right tires, but whatever reward that location 220 00:10:31,600 --> 00:10:32,199 Speaker 3: for a gig Poll. 221 00:10:32,360 --> 00:10:34,880 Speaker 7: Yeah, it's really really beautiful country. 222 00:10:35,040 --> 00:10:37,360 Speaker 3: Hey, Paul Lesard, I grew up in we're of a 223 00:10:37,440 --> 00:10:39,199 Speaker 3: generation where there was a bit of the sound of 224 00:10:39,240 --> 00:10:41,920 Speaker 3: the seekers in our lives as Little East and I 225 00:10:42,000 --> 00:10:45,280 Speaker 3: know that you're at Judith Theorem's state memorial recently. 226 00:10:46,000 --> 00:10:49,080 Speaker 5: What a legacy she leaves. What what a beautiful voice. 227 00:10:49,200 --> 00:10:51,880 Speaker 7: Oh yeah, You've been thinking about it a lot lately especially, 228 00:10:52,040 --> 00:10:55,240 Speaker 7: it was a really great, great send off. I've been 229 00:10:55,240 --> 00:10:57,800 Speaker 7: playing playing around some of these songs around the house, 230 00:10:57,800 --> 00:11:00,640 Speaker 7: some of the secret songs. Yeah, when the Carnival is over. Yes, 231 00:11:01,120 --> 00:11:03,360 Speaker 7: I think that's I think that's my favorite morning Gen 232 00:11:03,440 --> 00:11:04,240 Speaker 7: writ Yeah, I. 233 00:11:04,240 --> 00:11:05,600 Speaker 4: Like that one. 234 00:11:06,559 --> 00:11:06,719 Speaker 8: Now. 235 00:11:06,760 --> 00:11:09,319 Speaker 2: Of course, most people see you as one of Australia's 236 00:11:09,320 --> 00:11:13,720 Speaker 2: most prolific songwriters. Paul Kelly, do any budding songwriters listening 237 00:11:13,920 --> 00:11:16,839 Speaker 2: do you have any tips for them? 238 00:11:16,880 --> 00:11:20,240 Speaker 7: Not? Not really, not really, no, I think all I 239 00:11:20,280 --> 00:11:22,480 Speaker 7: think people write songs in all different ways. I don't 240 00:11:22,480 --> 00:11:24,720 Speaker 7: think there's well, I don't think there's in a formula 241 00:11:24,880 --> 00:11:26,680 Speaker 7: or special way to go about it, you know. I 242 00:11:26,679 --> 00:11:29,960 Speaker 7: think for me, songwriting is a lot of the time 243 00:11:30,360 --> 00:11:32,840 Speaker 7: nothing happens and then suddenly something happened. 244 00:11:32,880 --> 00:11:34,679 Speaker 9: So yeah, but it does. 245 00:11:34,840 --> 00:11:37,400 Speaker 7: It doesn't happen unless you go to your instrument. So 246 00:11:37,960 --> 00:11:41,360 Speaker 7: I've got a piano and guitar and just fall around. 247 00:11:42,679 --> 00:11:45,760 Speaker 7: Something happens, But you don't know. It's not like you 248 00:11:45,760 --> 00:11:49,080 Speaker 7: can go to work each day today I'm going to 249 00:11:49,080 --> 00:11:50,480 Speaker 7: write a song. Yeah, I mean you can go to 250 00:11:50,520 --> 00:11:53,200 Speaker 7: work day. It doesn't mean ifendis the day and you don't, 251 00:11:53,360 --> 00:11:54,840 Speaker 7: you don't have a song. You might just sort of 252 00:11:54,960 --> 00:11:58,719 Speaker 7: be playing you know, it's just been playing around making 253 00:11:58,800 --> 00:12:03,160 Speaker 7: some music where another good way that sort of when 254 00:12:03,200 --> 00:12:05,400 Speaker 7: you're stuck. I think sometimes I haven't written a song 255 00:12:05,440 --> 00:12:08,120 Speaker 7: for I was just go back to learning other people's songs. 256 00:12:08,600 --> 00:12:10,880 Speaker 7: And that's something I do all this all the time. 257 00:12:11,000 --> 00:12:13,720 Speaker 7: So yeah, I learned. I learned when the carnival is 258 00:12:13,720 --> 00:12:18,840 Speaker 7: over yesterday worked at the chords family could be for 259 00:12:18,880 --> 00:12:21,280 Speaker 7: me to sing it in and so that's that's sort 260 00:12:21,320 --> 00:12:23,679 Speaker 7: of part of the you know, everyday thing that I do. 261 00:12:23,840 --> 00:12:25,439 Speaker 3: Yeah, it always fastinated to me, Paul. You know that 262 00:12:25,520 --> 00:12:27,920 Speaker 3: Brital Building in New York, and like some Neil Diamond 263 00:12:27,960 --> 00:12:29,839 Speaker 3: and Jerry Goffin and Carol King go in as a 264 00:12:29,920 --> 00:12:32,880 Speaker 3: job and write songs. It sounds a bit pork sausage factory. 265 00:12:33,040 --> 00:12:36,000 Speaker 7: Yeah, it's great. I mean that, you know, I would 266 00:12:36,080 --> 00:12:37,880 Speaker 7: love to be able to sort of be part part 267 00:12:37,920 --> 00:12:39,840 Speaker 7: of that. I think that, you know, that was they 268 00:12:40,000 --> 00:12:43,160 Speaker 7: just turned up and went to work. I think it 269 00:12:43,360 --> 00:12:45,920 Speaker 7: was something about, you know, I had the often were 270 00:12:46,000 --> 00:12:48,440 Speaker 7: in change so that they always had someone to bounce off. 271 00:12:48,520 --> 00:12:50,920 Speaker 8: Yeah, but I'm sure they had their days when they 272 00:12:50,920 --> 00:12:54,760 Speaker 8: turned up there. And I know there's nothing happened, of course, 273 00:12:54,840 --> 00:12:57,679 Speaker 8: but that's the thing they turned up. I think that's 274 00:12:57,840 --> 00:13:01,800 Speaker 8: probably there's any advice to any writer, turn up, turn 275 00:13:01,880 --> 00:13:04,200 Speaker 8: up to your desk, turn up to your instrument, just 276 00:13:04,240 --> 00:13:04,679 Speaker 8: turn up. 277 00:13:04,760 --> 00:13:04,960 Speaker 10: Well. 278 00:13:05,000 --> 00:13:08,400 Speaker 2: I've heard recently a few stories about making Gravy being 279 00:13:08,400 --> 00:13:10,840 Speaker 2: made into a what was a TV show or a 280 00:13:10,880 --> 00:13:11,960 Speaker 2: movie or something like that. 281 00:13:12,000 --> 00:13:14,160 Speaker 4: Is that true? Is it actually happening. 282 00:13:14,160 --> 00:13:17,959 Speaker 7: Yes, it is happening the right Yeah. Megan Washington and 283 00:13:18,679 --> 00:13:23,360 Speaker 7: their husband next the rights and they've had a process 284 00:13:23,400 --> 00:13:25,160 Speaker 7: a couple of years ago for the rights to make 285 00:13:25,200 --> 00:13:28,080 Speaker 7: a movie. Yeah, and you know, it's just moving along, 286 00:13:28,320 --> 00:13:32,880 Speaker 7: moving along slowly as as often as movies do. They've 287 00:13:32,880 --> 00:13:35,120 Speaker 7: got I haven't got a stop yet, but they've got 288 00:13:35,160 --> 00:13:37,080 Speaker 7: They seem to have a pretty good team around them, 289 00:13:37,120 --> 00:13:39,840 Speaker 7: so we were just going step by step, but they're 290 00:13:39,880 --> 00:13:41,040 Speaker 7: hoping to shoot next year. 291 00:13:41,920 --> 00:13:44,120 Speaker 3: They often amble along those projects, aren't they. Usually the 292 00:13:44,120 --> 00:13:46,000 Speaker 3: word funding pops up regularly. 293 00:13:46,080 --> 00:13:48,400 Speaker 7: Yeah, yeah, yeah, I'd. 294 00:13:48,160 --> 00:13:49,400 Speaker 4: Like to ask you a question. 295 00:13:49,720 --> 00:13:52,640 Speaker 2: We had the great pleasure of recently interviewing dvance Joy 296 00:13:52,760 --> 00:13:56,480 Speaker 2: and he's we're talking about fantasy lineups for music festivals, 297 00:13:56,679 --> 00:13:58,320 Speaker 2: and he puts you right at the top of his 298 00:13:59,400 --> 00:14:03,200 Speaker 2: what three bands would you have as your fantasy festival 299 00:14:03,240 --> 00:14:05,480 Speaker 2: lineup that could be from any time. 300 00:14:05,800 --> 00:14:08,319 Speaker 4: They don't have to still be going. 301 00:14:07,440 --> 00:14:13,240 Speaker 7: Oh, the Kinks, k okay, Gillian Welsh, Yes, oh, they 302 00:14:13,280 --> 00:14:14,120 Speaker 7: need to do one more. 303 00:14:14,280 --> 00:14:19,520 Speaker 3: Yeah, Prince Prince, are you talking about some h Raymond 304 00:14:19,520 --> 00:14:20,160 Speaker 3: Douglas Davis. 305 00:14:20,560 --> 00:14:22,400 Speaker 7: I know I like that if you ask me that 306 00:14:22,440 --> 00:14:23,360 Speaker 7: one question tomorrow. 307 00:14:25,320 --> 00:14:27,200 Speaker 4: It does depend on the doesn't. 308 00:14:29,280 --> 00:14:29,800 Speaker 5: On the days? 309 00:14:30,520 --> 00:14:32,680 Speaker 4: Yeah, mine, very but I think led Zeppelin. 310 00:14:32,520 --> 00:14:35,440 Speaker 2: Always on it because I never had the pleasure of Sayingpplin. 311 00:14:36,080 --> 00:14:37,000 Speaker 4: But anyway, I don't know. 312 00:14:37,000 --> 00:14:39,200 Speaker 3: If we've asked you the other question, Paul at any stage, 313 00:14:39,200 --> 00:14:42,360 Speaker 3: but the last band or artist T shirt you wore 314 00:14:42,480 --> 00:14:44,760 Speaker 3: you were a merch wearing T shirt guy? 315 00:14:45,080 --> 00:14:47,880 Speaker 7: Not really, I do get you know, I wear them 316 00:14:48,000 --> 00:14:50,320 Speaker 7: when I play sports. So if you get you get 317 00:14:50,320 --> 00:14:53,160 Speaker 7: a T shirt, give me to you. Yeah, what was 318 00:14:53,200 --> 00:14:59,040 Speaker 7: the last one? What's the last one? T shirt? Sometimes? 319 00:14:59,360 --> 00:15:04,000 Speaker 2: Yeah, Well they will be with you at the Red 320 00:15:04,000 --> 00:15:08,560 Speaker 2: Hot Summer Tour Sanderford, Wines Saturday March eighteen. Tickets are 321 00:15:08,960 --> 00:15:12,040 Speaker 2: available through Ticketmaster. Paul Kelly lovely to chat with you 322 00:15:12,160 --> 00:15:12,800 Speaker 2: all the best. 323 00:15:12,640 --> 00:15:14,520 Speaker 7: Note Yeah, my pleasure. Thanks guys. 324 00:15:16,120 --> 00:15:23,920 Speaker 3: The Sure Report on ninety six AIRFM. 325 00:15:21,200 --> 00:15:24,040 Speaker 2: Alec Baldwin has reached a settlement regarding the rush shooting 326 00:15:24,080 --> 00:15:27,720 Speaker 2: which killed cinematographer Helena Hutchins. As part of the deal, 327 00:15:27,920 --> 00:15:33,200 Speaker 2: her husband, Helena's husband, Matthew Hutchins, will executive produce Rust, 328 00:15:33,640 --> 00:15:36,560 Speaker 2: which will return to production in January next year with 329 00:15:36,600 --> 00:15:39,880 Speaker 2: the original cast. Now, this might be the most unsavory 330 00:15:39,880 --> 00:15:42,320 Speaker 2: settlement I've ever heard. Did this guy just say, oh, 331 00:15:42,400 --> 00:15:44,360 Speaker 2: let it go as long as I can be executive producer? 332 00:15:44,520 --> 00:15:46,280 Speaker 5: Is a filmmaker ready? I think he has? 333 00:15:46,360 --> 00:15:46,960 Speaker 4: Think he did? 334 00:15:47,120 --> 00:15:47,800 Speaker 5: Yeah? Yeah. 335 00:15:48,160 --> 00:15:51,560 Speaker 2: Meantime, this civil suit settlement will have no impact on 336 00:15:51,600 --> 00:15:56,160 Speaker 2: the District attorneys ongoing investigation into whether defile criminal charges. 337 00:15:56,760 --> 00:16:00,000 Speaker 2: Will Smith's new movie Emancipation, is coming out in December. 338 00:16:00,280 --> 00:16:02,440 Speaker 2: Word is it might be Oscar Worthy, but it's going 339 00:16:02,520 --> 00:16:05,960 Speaker 2: to be interesting to see if Academy voters give him 340 00:16:05,960 --> 00:16:09,280 Speaker 2: any love. After the infamous Chris Rock slap, Smith resigned 341 00:16:09,320 --> 00:16:12,360 Speaker 2: from the Academy and can't go to any awards show 342 00:16:12,440 --> 00:16:15,480 Speaker 2: for ten years, but that doesn't stop the film being 343 00:16:15,480 --> 00:16:18,520 Speaker 2: on it now. When The Hollywood Reporter asked anonymous Academy 344 00:16:18,520 --> 00:16:22,680 Speaker 2: members about possibly voting for Smith, the opinions were fairly varied, 345 00:16:23,040 --> 00:16:25,880 Speaker 2: with some pointing out rightly so that he's not the 346 00:16:25,920 --> 00:16:29,440 Speaker 2: only one working on the movie, but one answered f him, 347 00:16:29,560 --> 00:16:34,240 Speaker 2: so that's a noo. Another voter said, I don't care 348 00:16:34,280 --> 00:16:36,960 Speaker 2: that Emancipation is being released. I wouldn't vote for him 349 00:16:36,960 --> 00:16:41,360 Speaker 2: in any category ever. Kelsey Grammer has finally confirmed Fraser 350 00:16:41,560 --> 00:16:43,160 Speaker 2: We'll be back in a brand new series. 351 00:16:43,400 --> 00:16:44,080 Speaker 4: Rumors of a. 352 00:16:44,080 --> 00:16:46,880 Speaker 2: Revival have been knocking about for a few years, and 353 00:16:46,920 --> 00:16:50,440 Speaker 2: it has now been confirmed Fraser will return on Paramount Plus. 354 00:16:50,560 --> 00:16:51,760 Speaker 1: This is Doctor Fraser Creen. 355 00:16:52,120 --> 00:16:52,840 Speaker 5: I'm listening. 356 00:16:53,000 --> 00:16:54,360 Speaker 6: I can't wait so good. 357 00:16:54,680 --> 00:16:56,320 Speaker 4: Shane Jacobson is joining us now. 358 00:16:56,360 --> 00:17:00,440 Speaker 2: Australia's Got Talent is back on Sunday Night on seven 359 00:17:00,760 --> 00:17:01,560 Speaker 2: at seven. 360 00:17:01,720 --> 00:17:03,800 Speaker 4: And when I say back, it's back after a three 361 00:17:03,880 --> 00:17:06,960 Speaker 4: year hiatus from the screen. Hello, shape, do. 362 00:17:07,000 --> 00:17:07,359 Speaker 5: You take it? 363 00:17:08,280 --> 00:17:09,320 Speaker 1: How are we going good? 364 00:17:09,359 --> 00:17:10,280 Speaker 5: How are you good? 365 00:17:10,640 --> 00:17:13,600 Speaker 1: Well? Good? You know I've been sitting around doing absolutely 366 00:17:13,600 --> 00:17:15,080 Speaker 1: nothing for three years and now I'm back. 367 00:17:15,400 --> 00:17:16,600 Speaker 4: You been the only one. 368 00:17:16,760 --> 00:17:18,000 Speaker 5: Its great anywhere. 369 00:17:18,119 --> 00:17:20,760 Speaker 4: Look, it's not your first radio working as a judge. 370 00:17:21,040 --> 00:17:23,199 Speaker 4: How would you describe the style? 371 00:17:24,400 --> 00:17:25,800 Speaker 1: What was that? What's my judging story? 372 00:17:25,920 --> 00:17:27,080 Speaker 4: What's your judging style? 373 00:17:28,359 --> 00:17:30,280 Speaker 1: Well, I'm not attractive to look at, so I try 374 00:17:30,320 --> 00:17:34,919 Speaker 1: and be kind in words. It's my judging store, to 375 00:17:34,960 --> 00:17:36,960 Speaker 1: be honest. It's the same as I guess for most 376 00:17:37,000 --> 00:17:39,679 Speaker 1: of the judges, which is you kind of have to start. 377 00:17:40,040 --> 00:17:42,320 Speaker 1: Every actor that walks out on stage. You have to 378 00:17:42,400 --> 00:17:45,399 Speaker 1: empty your sponge and be ready to absorb whatever kind 379 00:17:45,440 --> 00:17:48,399 Speaker 1: of emotion or feeling they give you, and you have 380 00:17:48,520 --> 00:17:50,600 Speaker 1: to shake off whatever you've just seen. So if you've 381 00:17:50,880 --> 00:17:53,359 Speaker 1: had something else that was amazing or something else that 382 00:17:53,440 --> 00:17:56,000 Speaker 1: was terrible, you have to shake that off because everything 383 00:17:56,040 --> 00:17:58,760 Speaker 1: that comes on the stage is completely different from whatever 384 00:17:58,840 --> 00:18:01,280 Speaker 1: came out of it before. There's no way that an 385 00:18:01,320 --> 00:18:03,239 Speaker 1: act that walks out can inform you what you're going 386 00:18:03,280 --> 00:18:05,680 Speaker 1: to see next or have seen before that, because they're 387 00:18:05,680 --> 00:18:08,240 Speaker 1: all so incredibly different. Which is the which is what 388 00:18:08,320 --> 00:18:10,399 Speaker 1: I think is the beauty of the AGT brand is 389 00:18:10,440 --> 00:18:12,239 Speaker 1: that you know, our show is just anything. I mean, 390 00:18:12,280 --> 00:18:14,800 Speaker 1: you can come and juggle set prior to yourself the magic. 391 00:18:15,000 --> 00:18:17,440 Speaker 1: It's not that you can do anything. So my job 392 00:18:17,480 --> 00:18:20,040 Speaker 1: is just to sit there and their job is to 393 00:18:20,160 --> 00:18:22,240 Speaker 1: make me feel something. If it's a comedian, I should laugh. 394 00:18:22,520 --> 00:18:25,080 Speaker 1: If it's a singer, they should make me feel woman fuzzy. 395 00:18:25,119 --> 00:18:27,280 Speaker 1: If it's a magician, I should be shocked and confused. 396 00:18:27,880 --> 00:18:29,760 Speaker 1: And if it's supposed to be dangerous, I should be scared. 397 00:18:29,760 --> 00:18:31,360 Speaker 1: But as long as I feel something, then they've done 398 00:18:31,359 --> 00:18:31,760 Speaker 1: their job. 399 00:18:32,440 --> 00:18:34,200 Speaker 2: I do love that they're not just singing a song 400 00:18:34,280 --> 00:18:37,199 Speaker 2: or something. They're folding themselves into a box or just 401 00:18:37,240 --> 00:18:39,120 Speaker 2: doing something really random. 402 00:18:39,280 --> 00:18:43,400 Speaker 4: And you know, you can't turn away from There's some. 403 00:18:43,560 --> 00:18:44,960 Speaker 1: Things that we do turn away from. 404 00:18:44,960 --> 00:18:45,080 Speaker 11: There. 405 00:18:45,160 --> 00:18:49,200 Speaker 1: There's an accent India that I honestly thought someone was 406 00:18:49,240 --> 00:18:54,439 Speaker 1: going to get really seriously injured or worse. And you know, 407 00:18:54,640 --> 00:18:57,040 Speaker 1: is that worth doing for entertainment? You know, I keep 408 00:18:57,040 --> 00:18:57,320 Speaker 1: saying it. 409 00:18:57,960 --> 00:18:58,160 Speaker 2: Yes. 410 00:19:02,200 --> 00:19:03,800 Speaker 3: The one on the promo, Shane, we've seen a bit 411 00:19:03,840 --> 00:19:06,440 Speaker 3: of was was a cracking a coconut on someone's head 412 00:19:06,480 --> 00:19:06,800 Speaker 3: or something. 413 00:19:06,920 --> 00:19:11,280 Speaker 1: Oh, gosh with a massive hammer that there was. At 414 00:19:11,280 --> 00:19:14,560 Speaker 1: one point one of those guys rubbed the cords salt 415 00:19:14,600 --> 00:19:18,600 Speaker 1: in his eyes. I'd like a bandage around so the 416 00:19:18,640 --> 00:19:20,639 Speaker 1: salt couldn't leave his eyes, and then gave him a 417 00:19:20,640 --> 00:19:23,280 Speaker 1: massive hammer, and then he ran around smashing stuff and 418 00:19:23,400 --> 00:19:25,120 Speaker 1: Humpkin's roside his mate. 419 00:19:27,240 --> 00:19:28,800 Speaker 5: It was it was. 420 00:19:28,840 --> 00:19:32,280 Speaker 1: Genuinely and I'm not just saying this him was terrifying. 421 00:19:32,320 --> 00:19:35,240 Speaker 1: I went, this is going to be a story. I'll 422 00:19:35,280 --> 00:19:37,080 Speaker 1: be telling him for a hundred you know, maybe not 423 00:19:37,119 --> 00:19:41,199 Speaker 1: one hundred, hopefully at least fifty years. Yeah, I was. 424 00:19:41,480 --> 00:19:43,280 Speaker 1: I was there the day the guy died. 425 00:19:43,320 --> 00:19:44,320 Speaker 5: Blood on the stage. 426 00:19:45,680 --> 00:19:49,359 Speaker 2: There is there is talk of a world first twist. 427 00:19:50,160 --> 00:19:51,919 Speaker 2: Can you say anything about that? 428 00:19:53,280 --> 00:19:56,359 Speaker 1: A world first twist? Well, you might have to watch. 429 00:19:56,520 --> 00:19:59,320 Speaker 4: Like, look, that's a fair answer. I just thought I 430 00:19:59,320 --> 00:19:59,720 Speaker 4: would ask. 431 00:19:59,840 --> 00:20:01,879 Speaker 2: It's if it's a twist, you hardly can give away 432 00:20:01,880 --> 00:20:02,320 Speaker 2: the twist. 433 00:20:02,880 --> 00:20:04,879 Speaker 1: We'll probably not, And look, it may actually be the 434 00:20:04,880 --> 00:20:08,200 Speaker 1: fact that someone there is incredibly twisted. It's you know, yes, 435 00:20:09,760 --> 00:20:12,720 Speaker 1: there was a contortions. She features in one of the ads. 436 00:20:13,080 --> 00:20:16,800 Speaker 1: She does contortion type work and arrows with her feet. 437 00:20:18,960 --> 00:20:20,760 Speaker 5: People with a rubber spine that should be in sircus 438 00:20:20,760 --> 00:20:21,000 Speaker 5: il A. 439 00:20:21,600 --> 00:20:21,840 Speaker 12: I know. 440 00:20:21,880 --> 00:20:24,280 Speaker 1: We did say at one point, how flexible are you? 441 00:20:24,320 --> 00:20:25,879 Speaker 1: And she said, look, to be honest, I can't do 442 00:20:26,000 --> 00:20:32,400 Speaker 1: thursdays from we had the strum on a Wednesday's. 443 00:20:31,640 --> 00:20:36,080 Speaker 2: Contortions are interesting because I always think, well, the first time, 444 00:20:36,320 --> 00:20:37,080 Speaker 2: what made you go? 445 00:20:37,160 --> 00:20:39,920 Speaker 4: I'm going to give this a go. 446 00:20:42,840 --> 00:20:45,000 Speaker 1: For the rest of us, especially all of us over 447 00:20:45,000 --> 00:20:47,040 Speaker 1: the age of fifties. If I drop a pencil on 448 00:20:47,080 --> 00:20:49,920 Speaker 1: the ground, that's already going to be the worst part 449 00:20:49,960 --> 00:20:51,760 Speaker 1: of my day. I'm going to get stand there and grab. 450 00:20:51,560 --> 00:20:53,760 Speaker 5: That to get up. 451 00:20:54,320 --> 00:20:57,800 Speaker 1: This is this is the truth. This morning, I picked 452 00:20:57,880 --> 00:21:01,879 Speaker 1: up a little box that had all these pencils in 453 00:21:01,920 --> 00:21:03,600 Speaker 1: it and they all fell to the ground. 454 00:21:03,920 --> 00:21:05,080 Speaker 5: Yeah, I called. 455 00:21:05,119 --> 00:21:07,760 Speaker 1: One of the ways to pick them up was a 456 00:21:07,840 --> 00:21:10,080 Speaker 1: bit sore. And I saw one of the kids and 457 00:21:10,080 --> 00:21:13,200 Speaker 1: I said, we'll make a camera health can you help 458 00:21:13,240 --> 00:21:15,160 Speaker 1: you pick up those pins. I bent down and picked 459 00:21:15,200 --> 00:21:17,320 Speaker 1: up one because I realized at this point this is 460 00:21:17,359 --> 00:21:19,200 Speaker 1: a bit unfair that he's picking up like twenty five 461 00:21:19,240 --> 00:21:20,359 Speaker 1: people box. 462 00:21:20,560 --> 00:21:25,680 Speaker 3: Oh yeah, he's child in Well, no visit anywhere. They've 463 00:21:25,680 --> 00:21:27,760 Speaker 3: got flat packs for you know, visit for you, Shane, 464 00:21:28,440 --> 00:21:30,920 Speaker 3: you do it. Forever, Shane, can you tell us. 465 00:21:30,800 --> 00:21:33,159 Speaker 4: If there are any w a acts for us to 466 00:21:33,200 --> 00:21:33,679 Speaker 4: look out for? 467 00:21:34,840 --> 00:21:37,479 Speaker 1: Oh, you got me gifting Now we've got that from everywhere. 468 00:21:38,119 --> 00:21:40,719 Speaker 1: This from now, I mean there literally from everyone. I'm 469 00:21:40,720 --> 00:21:42,760 Speaker 1: trying to think. I'm going back through my brain there game. 470 00:21:43,440 --> 00:21:45,359 Speaker 4: Well, they are from all over the world, so it 471 00:21:45,480 --> 00:21:45,880 Speaker 4: is a bit. 472 00:21:46,400 --> 00:21:53,480 Speaker 1: Word as Germany, you know, from India. We've got from Ukraine, 473 00:21:53,880 --> 00:21:56,600 Speaker 1: some amazing acts from Ukraine. So we we had actions. 474 00:21:56,600 --> 00:21:58,760 Speaker 1: Remember I'm sure we haven't first, but it literally we 475 00:21:58,760 --> 00:22:02,439 Speaker 1: saw hundreds. We saw hundreds, many from everywhere. And the 476 00:22:02,480 --> 00:22:05,479 Speaker 1: thing is, you know, I know he saw some. I 477 00:22:05,480 --> 00:22:09,000 Speaker 1: can't tell you which ones kind of got through only 478 00:22:09,040 --> 00:22:11,000 Speaker 1: because my memory kind of loses whether they're from w A, 479 00:22:11,040 --> 00:22:14,600 Speaker 1: New South Wales, Victoria in a hurry, the os Ones 480 00:22:14,640 --> 00:22:15,919 Speaker 1: I remember because they've got an accent. 481 00:22:16,520 --> 00:22:19,360 Speaker 3: Funny. Hey, Shane, we know we know a lot about 482 00:22:19,440 --> 00:22:21,639 Speaker 3: David Williams, the Judge and Kate Richie. Tell us more 483 00:22:21,640 --> 00:22:23,280 Speaker 3: about Alicia Dixon. We know she was in a band 484 00:22:23,280 --> 00:22:24,600 Speaker 3: called Mystic at one stage. 485 00:22:24,600 --> 00:22:26,879 Speaker 1: What was she like, Yeah, yeah, she I'm not just 486 00:22:26,920 --> 00:22:28,960 Speaker 1: saying this, I'm just trying to put sugar on a 487 00:22:29,000 --> 00:22:31,680 Speaker 1: brick head. Here. She's genuinely I'm putting sugar on a cake. 488 00:22:31,960 --> 00:22:35,720 Speaker 1: She's genuinely a fantastic woman and a whole lot of fun. 489 00:22:37,080 --> 00:22:40,240 Speaker 1: She's she's definitely after a laugh, there's no doubt about it. 490 00:22:40,480 --> 00:22:43,679 Speaker 1: And she she couldn't wait to learn more about Australian culture. 491 00:22:43,840 --> 00:22:46,400 Speaker 1: I had to explain that. She's like, tell me some stuff, 492 00:22:46,440 --> 00:22:47,960 Speaker 1: you know, tell me some lingo that I don't know. 493 00:22:48,800 --> 00:22:52,760 Speaker 1: So I taught her chuck a YUEI yeah, well, you said, 494 00:22:52,840 --> 00:22:54,560 Speaker 1: you know, I've been to other countries. And they talked 495 00:22:54,560 --> 00:22:56,320 Speaker 1: for about a minute, going with when you get up here, 496 00:22:56,359 --> 00:22:58,280 Speaker 1: what's going to want to do is move over to 497 00:22:58,280 --> 00:22:59,919 Speaker 1: the Ragan side and we're going to go back to 498 00:23:00,040 --> 00:23:02,160 Speaker 1: where we just came. We want to bedding north out. 499 00:23:03,320 --> 00:23:06,800 Speaker 1: Just chuck, and it's done. I said, you don't have 500 00:23:06,840 --> 00:23:09,080 Speaker 1: to explain anything on Australia. We're going back the way 501 00:23:09,080 --> 00:23:12,080 Speaker 1: we came back to. Just Chucky. You soon as you can. 502 00:23:12,240 --> 00:23:16,240 Speaker 1: Let's get that done. And Chucky doesn't meany five but 503 00:23:16,280 --> 00:23:19,360 Speaker 1: it's just the surge you can. So she she's under that. 504 00:23:20,359 --> 00:23:24,920 Speaker 1: I said, I'll probably saved hours of her life. Yeah, yeah, 505 00:23:25,000 --> 00:23:28,960 Speaker 1: And I explained to her the beauty of NA. She 506 00:23:29,040 --> 00:23:32,640 Speaker 1: had NA and she said, coming, how it works? I said, 507 00:23:32,680 --> 00:23:36,520 Speaker 1: so it's yes and no together. He said, isn't that impossible? 508 00:23:36,520 --> 00:23:38,720 Speaker 1: And I said, no, it's not. It's the nicest no 509 00:23:39,280 --> 00:23:42,960 Speaker 1: you'll ever care. And she, I said, it's it's it's 510 00:23:43,000 --> 00:23:46,200 Speaker 1: a no. She said, so isn't no. I said, oh, yeah, definitely. 511 00:23:48,560 --> 00:23:51,000 Speaker 4: I can't wait to see the show. 512 00:23:51,440 --> 00:23:51,920 Speaker 5: And she's gone. 513 00:23:51,920 --> 00:23:54,320 Speaker 3: For Assi, it's either you or Brian Brown, right, So 514 00:23:54,400 --> 00:23:57,200 Speaker 3: she came to the right place you've got. 515 00:23:57,520 --> 00:23:59,640 Speaker 1: But I don't think Brandy be yeah kind of guy 516 00:23:59,680 --> 00:24:02,040 Speaker 1: and I year, that kind of guy, yes or no. 517 00:24:02,080 --> 00:24:05,119 Speaker 1: But but she she did use it. She's going, so 518 00:24:05,200 --> 00:24:06,879 Speaker 1: how do I use it? And I said, but if 519 00:24:06,880 --> 00:24:09,720 Speaker 1: you've got a friend that says, you know, do you 520 00:24:09,800 --> 00:24:11,520 Speaker 1: mind if I pop rand tonight just for a couple 521 00:24:11,520 --> 00:24:13,800 Speaker 1: of wines and you're already died? You go, yeah, no, 522 00:24:13,800 --> 00:24:17,120 Speaker 1: not tonight. And what that means is and she dare 523 00:24:17,200 --> 00:24:17,960 Speaker 1: come to my door. 524 00:24:18,600 --> 00:24:20,280 Speaker 4: Yes it does, it does. 525 00:24:20,800 --> 00:24:22,879 Speaker 1: Solid no, but it's the nicest one you're going to. 526 00:24:26,320 --> 00:24:28,760 Speaker 2: Yesterday, when we were talking about you being on the 527 00:24:28,800 --> 00:24:32,560 Speaker 2: show today, our producer Susie shared a story about how 528 00:24:32,600 --> 00:24:35,080 Speaker 2: one time, when she was working at another station, you 529 00:24:35,200 --> 00:24:38,040 Speaker 2: had just completed an on air phone interview, and she 530 00:24:38,119 --> 00:24:40,119 Speaker 2: picked up the phone afterwards to say thank you, but 531 00:24:40,200 --> 00:24:42,520 Speaker 2: completely forgot she was talking to a celebrity and not 532 00:24:42,600 --> 00:24:43,880 Speaker 2: her parents, because she. 533 00:24:43,840 --> 00:24:45,160 Speaker 4: Said, okay, but I love you. 534 00:24:48,160 --> 00:24:50,399 Speaker 2: I don't know if you remember it, but she is 535 00:24:50,560 --> 00:24:52,120 Speaker 2: mortified to this day. 536 00:24:53,080 --> 00:24:56,359 Speaker 1: But can you let him know I've been in trouble 537 00:24:56,400 --> 00:25:00,800 Speaker 1: before for oversharing. I love you, mate, but because I do, 538 00:25:00,920 --> 00:25:04,080 Speaker 1: I do that to my male female. So yeah, it 539 00:25:04,119 --> 00:25:09,520 Speaker 1: wouldn't have made me link or about nihledg. I trym out, 540 00:25:10,119 --> 00:25:10,840 Speaker 1: you know, like I work. 541 00:25:11,000 --> 00:25:14,000 Speaker 4: That's a lovely way to start the day. I random 542 00:25:14,080 --> 00:25:15,280 Speaker 4: love you from a stranger. 543 00:25:16,359 --> 00:25:19,719 Speaker 1: But look, I don't take that. I mean, gosh, if 544 00:25:19,760 --> 00:25:21,440 Speaker 1: I had that said to me at primary school, I'd 545 00:25:21,440 --> 00:25:24,119 Speaker 1: go read and probably and probably want to do my 546 00:25:24,160 --> 00:25:27,160 Speaker 1: life game. I found someone that actually likes this look. 547 00:25:27,240 --> 00:25:29,120 Speaker 1: And this is hard. To get someone to like this look. 548 00:25:29,320 --> 00:25:31,920 Speaker 1: Pretty's easy. Try try pulling the look I've got off. 549 00:25:31,960 --> 00:25:34,400 Speaker 1: It's hard work. You've got to it takes a lot, 550 00:25:34,480 --> 00:25:37,400 Speaker 1: like years of years of district But you're. 551 00:25:37,280 --> 00:25:38,880 Speaker 4: Getting a lot of disagreement in here. 552 00:25:39,440 --> 00:25:42,920 Speaker 6: Let me tell you, well, well, Hanks. 553 00:25:42,680 --> 00:25:43,960 Speaker 1: The fact I was going to say when someone goes 554 00:25:43,960 --> 00:25:45,639 Speaker 1: I love you, I just automatically assumed, you know, I 555 00:25:45,640 --> 00:25:50,080 Speaker 1: love your work, I love what you're doing. But but 556 00:25:50,800 --> 00:25:53,240 Speaker 1: just because my wife's not listening, if she meant something 557 00:25:53,560 --> 00:25:56,840 Speaker 1: to let me know, right, you know, because that would 558 00:25:56,880 --> 00:26:01,200 Speaker 1: be very surprising demand well, I might have said, would 559 00:26:01,240 --> 00:26:02,800 Speaker 1: love you to get off the phone and we've had enough. 560 00:26:06,680 --> 00:26:10,399 Speaker 2: The bottom line is she does love you, and we 561 00:26:10,560 --> 00:26:12,679 Speaker 2: look forward to seeing you back on our Telly on 562 00:26:12,800 --> 00:26:15,520 Speaker 2: Sunday Night on seven. And I mean that we look 563 00:26:15,600 --> 00:26:18,200 Speaker 2: forward to seeing you because you're a beautiful man. 564 00:26:18,320 --> 00:26:20,080 Speaker 5: Stop it change, Stop putting yourself down? Mate? 565 00:26:20,960 --> 00:26:24,239 Speaker 1: Works, didn't I that all that all worked out really well? 566 00:26:24,280 --> 00:26:26,240 Speaker 1: That little a little ploy. 567 00:26:26,080 --> 00:26:27,680 Speaker 5: For me to get the reverse psychology. 568 00:26:28,359 --> 00:26:31,159 Speaker 4: Well done, Shane, lovely to talk to you as always. 569 00:26:35,720 --> 00:26:37,000 Speaker 1: Hi, I love you. 570 00:26:40,000 --> 00:26:43,320 Speaker 2: I'm just talking to Shane Jacobson judge on Australia's Got Talent, 571 00:26:43,400 --> 00:26:45,720 Speaker 2: which returns this weekend. And we were talking about the 572 00:26:45,960 --> 00:26:49,399 Speaker 2: time where our producer Susie forgot where she was for 573 00:26:49,480 --> 00:26:51,080 Speaker 2: a moment and at the end of the phone call 574 00:26:51,119 --> 00:26:53,359 Speaker 2: where she was thanking him for being, you know, for 575 00:26:53,480 --> 00:26:55,720 Speaker 2: doing an interview, said okay, thanks by I love you 576 00:26:56,080 --> 00:26:58,040 Speaker 2: because I think she'sought she was talking to her mom, 577 00:26:58,400 --> 00:27:02,520 Speaker 2: and we want to ask, you know, around that question, 578 00:27:02,640 --> 00:27:05,800 Speaker 2: what have you accidentally said the wrong thing to the wrong. 579 00:27:05,680 --> 00:27:07,600 Speaker 4: Person or you sort of forgot where you were for a. 580 00:27:07,640 --> 00:27:10,360 Speaker 5: Moment and quite yeah, and then we're whoops. 581 00:27:10,880 --> 00:27:12,480 Speaker 4: That might not have been the right thing to say 582 00:27:12,560 --> 00:27:12,880 Speaker 4: to them. 583 00:27:13,119 --> 00:27:15,720 Speaker 3: Yeah, at least we know that nepotism makes people uncomfortable 584 00:27:15,720 --> 00:27:17,560 Speaker 3: in a workplace, right, because you know, for all the 585 00:27:17,560 --> 00:27:19,480 Speaker 3: obvious reasons. So I might have gotten a job just 586 00:27:19,520 --> 00:27:21,600 Speaker 3: because of that link to someone else. But I remember, 587 00:27:22,359 --> 00:27:25,480 Speaker 3: I remember talking about someone who was working with me, 588 00:27:25,840 --> 00:27:29,119 Speaker 3: and I remember bagging out her brother big time before 589 00:27:29,160 --> 00:27:32,000 Speaker 3: not knowing it was her brother, before I realized I'm 590 00:27:32,040 --> 00:27:34,800 Speaker 3: talking about her brother in sales, and because she only 591 00:27:34,840 --> 00:27:36,960 Speaker 3: just started working at this place, and then had to 592 00:27:37,040 --> 00:27:38,960 Speaker 3: backtrack in my whole conversation, and she had that look 593 00:27:39,000 --> 00:27:40,879 Speaker 3: in her face like I know exactly what you're doing. 594 00:27:40,960 --> 00:27:42,200 Speaker 3: You're trying to get yourself out of trouble. 595 00:27:44,400 --> 00:27:46,280 Speaker 4: Yeah, Sabin wanneroo, Hello. 596 00:27:47,520 --> 00:27:48,840 Speaker 1: Good morning, How are you going good? 597 00:27:48,920 --> 00:27:49,520 Speaker 4: What happened? 598 00:27:50,600 --> 00:27:52,520 Speaker 12: So I normally talked to my wife and I finished 599 00:27:52,520 --> 00:27:55,320 Speaker 12: off the conversation on the phone where I love you before. 600 00:27:55,080 --> 00:27:56,160 Speaker 4: We hang up nice. 601 00:27:56,400 --> 00:27:58,720 Speaker 12: Just something that I've done for the last ever since 602 00:27:58,760 --> 00:28:02,280 Speaker 12: we've been married. But now it's basically become a bit 603 00:28:02,320 --> 00:28:04,919 Speaker 12: of a safety issue when I talk to any other 604 00:28:05,000 --> 00:28:08,200 Speaker 12: female on the phone, or even my sister in law. Oh, 605 00:28:09,000 --> 00:28:12,080 Speaker 12: and ended up actually saying I love you to her once. 606 00:28:14,160 --> 00:28:17,159 Speaker 12: And there's cases where I just about to say to 607 00:28:17,280 --> 00:28:18,119 Speaker 12: my boss as well. 608 00:28:19,280 --> 00:28:21,320 Speaker 4: Out that I love you. Is just willy nilly. 609 00:28:21,440 --> 00:28:22,320 Speaker 5: That's an HR issue. 610 00:28:22,400 --> 00:28:23,760 Speaker 1: Yeah, it is. 611 00:28:23,960 --> 00:28:26,000 Speaker 8: And that's what your sister in law. 612 00:28:26,040 --> 00:28:28,640 Speaker 5: It might be worse even if you do love the boss, 613 00:28:29,359 --> 00:28:30,119 Speaker 5: and you probably do, like. 614 00:28:33,560 --> 00:28:33,880 Speaker 1: My wife. 615 00:28:34,080 --> 00:28:36,520 Speaker 5: No, of course it's close to the Marc sometimes said. 616 00:28:36,520 --> 00:28:37,119 Speaker 4: Are the twins? 617 00:28:37,320 --> 00:28:45,200 Speaker 1: No, No, thank you, sir, thank you. That's what we want. 618 00:28:45,720 --> 00:28:46,200 Speaker 5: That kind of thing. 619 00:28:46,280 --> 00:28:49,040 Speaker 2: Where did you accidentally say the wrong thing to the 620 00:28:49,120 --> 00:28:51,040 Speaker 2: wrong person? Picking sterling? 621 00:28:51,120 --> 00:28:51,360 Speaker 4: Hello? 622 00:28:52,160 --> 00:28:52,400 Speaker 1: Hello? 623 00:28:52,600 --> 00:28:53,480 Speaker 9: How are we good? 624 00:28:53,600 --> 00:28:54,360 Speaker 4: What did you say? 625 00:28:55,280 --> 00:28:55,320 Speaker 1: So? 626 00:28:55,440 --> 00:28:57,880 Speaker 9: I'm just a young bloke working in a warehouse there 627 00:28:57,960 --> 00:29:00,920 Speaker 9: and a regular delivery driver didn't broke up? Was a 628 00:29:00,960 --> 00:29:04,920 Speaker 9: different guy. Where's John? He's had his foot run over. 629 00:29:04,880 --> 00:29:05,320 Speaker 6: By a fork. 630 00:29:05,400 --> 00:29:07,960 Speaker 9: List is no good? So I was talking through the 631 00:29:08,040 --> 00:29:11,200 Speaker 9: window to the driver. I said, that's no good. Anyway, 632 00:29:11,240 --> 00:29:12,880 Speaker 9: he gets out there, gets out of the truck and 633 00:29:13,000 --> 00:29:14,880 Speaker 9: he starts walking to the back and he's got a limp. 634 00:29:15,080 --> 00:29:17,760 Speaker 9: So don't tell me had your foot run over by 635 00:29:17,760 --> 00:29:21,240 Speaker 9: a fort list too? Is not born with the dodgy foot. 636 00:29:21,280 --> 00:29:27,080 Speaker 9: I had seven operations. Oh that's no good, So my 637 00:29:27,240 --> 00:29:28,040 Speaker 9: foot in my mouth. 638 00:29:29,960 --> 00:29:31,840 Speaker 5: He wanted to crack in the ground. 639 00:29:34,000 --> 00:29:37,600 Speaker 9: Yeah, I wasn't. I wasn't to try to hide under 640 00:29:37,640 --> 00:29:38,000 Speaker 9: a rock. 641 00:29:37,920 --> 00:29:40,440 Speaker 5: Auto hoping. 642 00:29:40,520 --> 00:29:44,760 Speaker 4: The other guy healed quickly. Thank you, let's run. 643 00:29:44,920 --> 00:29:47,560 Speaker 5: Get your foot run over by forklift. That's got going 644 00:29:47,600 --> 00:29:48,720 Speaker 5: to be a lot of fun in the workplace. 645 00:29:49,200 --> 00:29:50,680 Speaker 4: Com Lisa and can Wick. 646 00:29:50,680 --> 00:29:52,880 Speaker 10: Hello, Hello, Hell, are you good? 647 00:29:52,920 --> 00:29:53,479 Speaker 4: What happened? 648 00:29:53,920 --> 00:29:56,160 Speaker 10: It was when my daughter was in primary school. They 649 00:29:56,240 --> 00:29:58,880 Speaker 10: have the end of school trip, the camping trip, and 650 00:29:58,960 --> 00:30:02,560 Speaker 10: then all the year seventh had all their sleeping bags 651 00:30:02,640 --> 00:30:05,840 Speaker 10: and pillows and that in like the quadrangle area. The 652 00:30:05,920 --> 00:30:08,120 Speaker 10: gardener had just been doing all the edging and mowing 653 00:30:08,200 --> 00:30:10,280 Speaker 10: and everything, and he's blowing it off the paths all 654 00:30:10,520 --> 00:30:14,560 Speaker 10: over the year seven stuff, and I'm thinking they're all 655 00:30:14,600 --> 00:30:16,960 Speaker 10: going to end up with allergies and all sorts of Anyway, 656 00:30:17,000 --> 00:30:19,480 Speaker 10: I went into the classroom and said to my daughter's 657 00:30:19,560 --> 00:30:22,480 Speaker 10: teacher that that garden is an absolute idiot. He's just 658 00:30:22,520 --> 00:30:24,800 Speaker 10: blown all that grass all over this, you know, like 659 00:30:24,920 --> 00:30:27,840 Speaker 10: you're thinking the teacher. The teacher turns around and goes, oh, 660 00:30:27,880 --> 00:30:33,240 Speaker 10: that's my father. All I could think. I was good 661 00:30:33,280 --> 00:30:34,720 Speaker 10: to see you got all the brains in the family. 662 00:30:34,760 --> 00:30:42,600 Speaker 4: Then awkward, it was an idiotic thing. 663 00:30:42,960 --> 00:30:45,360 Speaker 5: It was pretty sucre. Yeah you had he. 664 00:30:47,200 --> 00:30:52,160 Speaker 4: Anyway, never mind, I love it. 665 00:30:52,240 --> 00:30:54,239 Speaker 3: There's no shortage of people quite happy to share their 666 00:30:54,240 --> 00:30:55,280 Speaker 3: embarrassing moments like this. 667 00:30:56,160 --> 00:31:00,440 Speaker 2: Janet in Mariua, Hello, Hello, when have you accidentally said 668 00:31:00,480 --> 00:31:02,120 Speaker 2: the wrong thing to the wrong person? 669 00:31:03,120 --> 00:31:06,120 Speaker 13: Okay, it wasn't actually me. It was my fiante at 670 00:31:06,160 --> 00:31:10,360 Speaker 13: the time, his manager. I wasn't living in Path at 671 00:31:10,400 --> 00:31:13,320 Speaker 13: the time and my dad had passed away, so my 672 00:31:13,400 --> 00:31:16,840 Speaker 13: family rang me overnight to tell me. We were pretty distraught. 673 00:31:17,000 --> 00:31:20,120 Speaker 13: We went into his work really early to catch the 674 00:31:20,200 --> 00:31:22,240 Speaker 13: manager there to let him know we were heading down 675 00:31:22,280 --> 00:31:25,480 Speaker 13: to pat We both looked like crap, and he turned 676 00:31:25,480 --> 00:31:27,280 Speaker 13: around and said, what's wrong with you too? You look 677 00:31:27,320 --> 00:31:28,000 Speaker 13: like someone died. 678 00:31:28,520 --> 00:31:31,640 Speaker 1: Oh no, this. 679 00:31:33,120 --> 00:31:35,400 Speaker 5: Is before you told him? 680 00:31:35,960 --> 00:31:42,080 Speaker 9: Yeah, yeah, yeah, yeah. 681 00:31:42,120 --> 00:31:44,840 Speaker 13: I think we kind of laughed about it for absolutely 682 00:31:45,040 --> 00:31:48,080 Speaker 13: years and I still laugh about it, and I think 683 00:31:48,240 --> 00:31:51,240 Speaker 13: he organized probably the biggest rates for the funeral. 684 00:31:51,280 --> 00:31:51,560 Speaker 1: I ever. 685 00:31:57,240 --> 00:31:58,040 Speaker 5: Embarrassing. 686 00:31:59,320 --> 00:32:02,120 Speaker 4: That was probably the little lightness of the in the 687 00:32:02,200 --> 00:32:07,160 Speaker 4: moment that you need. Yes, thank you, Janet. They're probably 688 00:32:07,200 --> 00:32:07,880 Speaker 4: still suffering. 689 00:32:08,640 --> 00:32:09,920 Speaker 12: Oh probably it's been. 690 00:32:09,840 --> 00:32:10,840 Speaker 13: About twenty one years. 691 00:32:10,960 --> 00:32:12,000 Speaker 1: I remember his name. 692 00:32:12,480 --> 00:32:15,440 Speaker 5: It's been a fortune on therapy here. Thanks Jet. 693 00:32:16,360 --> 00:32:20,400 Speaker 4: But Christine in Marangaroo, Hello Christine, good. 694 00:32:20,240 --> 00:32:21,400 Speaker 11: Morning, So are you good? 695 00:32:21,720 --> 00:32:22,320 Speaker 4: What happened? 696 00:32:23,520 --> 00:32:27,400 Speaker 11: I work in a little gift shop and a little 697 00:32:27,480 --> 00:32:30,600 Speaker 11: lady came in and she says, Oh, I'm looking for 698 00:32:30,760 --> 00:32:37,440 Speaker 11: this really nice box or something, you know, like ornate 699 00:32:37,680 --> 00:32:39,720 Speaker 11: or it's got felt in it, you know, and it's 700 00:32:39,800 --> 00:32:44,160 Speaker 11: to carry or it's to put my husband's And she 701 00:32:44,280 --> 00:32:46,640 Speaker 11: sort of like hesitated a bit and she couldn't get 702 00:32:46,680 --> 00:32:50,000 Speaker 11: it out, and I said to her, oh, ashes, and 703 00:32:50,120 --> 00:32:52,959 Speaker 11: she goes, no remote controls. 704 00:32:56,320 --> 00:33:02,720 Speaker 5: Channel, and we just sort of went all stood. 705 00:33:02,520 --> 00:33:04,760 Speaker 13: Back and I started changing the subject. 706 00:33:05,280 --> 00:33:07,440 Speaker 11: And when she left the shop, she didn't buy anything. 707 00:33:07,560 --> 00:33:10,280 Speaker 11: She couldn't find what she wanted. And when she left, 708 00:33:10,320 --> 00:33:12,520 Speaker 11: we just all just cracked up laughing. 709 00:33:13,640 --> 00:33:14,880 Speaker 5: We're trying to end the sentence and. 710 00:33:14,920 --> 00:33:17,880 Speaker 11: Help her my dad because she couldn't get it out. 711 00:33:18,120 --> 00:33:20,400 Speaker 11: So I thought, oh, I'll just say it for her, she. 712 00:33:20,480 --> 00:33:25,560 Speaker 4: Said, Nate start lying natural compression. 713 00:33:25,800 --> 00:33:28,160 Speaker 11: Of course, it's so funny. 714 00:33:28,640 --> 00:33:30,520 Speaker 4: Thank you, Christy all right, no 715 00:33:30,600 --> 00:33:35,920 Speaker 1: Worries Bloody six airm Crazzie and Lisa