1 00:00:00,480 --> 00:00:04,920 Speaker 1: Jonesy and Amanda in the morning. So I've been watching 2 00:00:04,960 --> 00:00:06,800 Speaker 1: the voice. It's the battle rounds. 3 00:00:06,880 --> 00:00:09,400 Speaker 2: Now, remind me what happens in the battle rounds, because 4 00:00:09,400 --> 00:00:11,880 Speaker 2: I'm I'm zoned into Master Chef. 5 00:00:12,000 --> 00:00:13,480 Speaker 1: This is what I've worked out. What you do in 6 00:00:13,520 --> 00:00:16,560 Speaker 1: the battle rounds. You get two of your artists, as they. 7 00:00:16,520 --> 00:00:19,079 Speaker 2: Like to call them, two of your own ones where you. 8 00:00:19,120 --> 00:00:22,720 Speaker 3: Can separate the wheat from the chaff. So if you've 9 00:00:22,760 --> 00:00:25,280 Speaker 3: picked some chaff throughout the show and you turn too 10 00:00:25,320 --> 00:00:27,280 Speaker 3: early in the blinds and I want to get rid 11 00:00:27,280 --> 00:00:29,840 Speaker 3: of old mate, So what they do is they get 12 00:00:29,840 --> 00:00:31,680 Speaker 3: old Mate and old Mate up against each other and 13 00:00:31,760 --> 00:00:33,440 Speaker 3: then give them an impossible song. 14 00:00:33,680 --> 00:00:35,279 Speaker 1: Then they're not going to win with and you get 15 00:00:35,360 --> 00:00:36,000 Speaker 1: rid of old mate. 16 00:00:36,080 --> 00:00:38,200 Speaker 2: So can I ask you this? So say I've got 17 00:00:38,640 --> 00:00:41,840 Speaker 2: eight in my stable. Yep, I put two of those 18 00:00:41,920 --> 00:00:43,720 Speaker 2: up against each other. Do I vote? 19 00:00:43,760 --> 00:00:46,239 Speaker 1: Who stays yes? So you picked the whole things like 20 00:00:46,280 --> 00:00:47,040 Speaker 1: being men. 21 00:00:47,159 --> 00:00:48,600 Speaker 2: So why are the other judges even there? 22 00:00:48,600 --> 00:00:51,120 Speaker 1: Well, they give you know, I think you're great, and 23 00:00:51,159 --> 00:00:54,080 Speaker 1: you're excellent, and off you go. Don't let the door 24 00:00:54,160 --> 00:00:55,360 Speaker 1: hit you on the bum on the way out. 25 00:00:55,480 --> 00:00:58,320 Speaker 3: So boy Jeorge, for example, had two of his artists, 26 00:00:58,720 --> 00:01:01,680 Speaker 3: and then he picks a Whitney Houston song and it. 27 00:01:01,680 --> 00:01:04,280 Speaker 1: Wasn't even a well known Whitney's Houston song. That's the 28 00:01:04,319 --> 00:01:06,000 Speaker 1: queen of the night. I don't even know it some 29 00:01:06,120 --> 00:01:08,000 Speaker 1: album track from the Bodyguard soundtrack. 30 00:01:08,360 --> 00:01:10,800 Speaker 3: So he gets there's a girl and a guy, so 31 00:01:10,880 --> 00:01:14,480 Speaker 3: he gives the guy a Whitney Houston song to sing, 32 00:01:14,640 --> 00:01:16,560 Speaker 3: and the poor guy you can see him and they go, Okay, well, 33 00:01:16,560 --> 00:01:18,280 Speaker 3: clearly I'm chaff. 34 00:01:18,080 --> 00:01:20,880 Speaker 1: And did he go what do you think? He was? 35 00:01:20,920 --> 00:01:23,400 Speaker 3: Straight out the door. But the big controversy last night 36 00:01:23,920 --> 00:01:26,080 Speaker 3: was guy's throat singer. 37 00:01:25,880 --> 00:01:28,399 Speaker 2: The Mongolian throat, the Mongolian throat singer. 38 00:01:28,720 --> 00:01:32,640 Speaker 3: So he's put the throat singer up against a guy 39 00:01:32,680 --> 00:01:34,880 Speaker 3: that looks like he could win the voice. 40 00:01:35,160 --> 00:01:36,959 Speaker 1: You know, he's got all the goods there. 41 00:01:37,080 --> 00:01:40,040 Speaker 2: So is the controversy, what possible song could suit a 42 00:01:40,120 --> 00:01:43,080 Speaker 2: throat singer? No, he's a whistler, isn't he? Only a 43 00:01:43,160 --> 00:01:47,240 Speaker 2: Roger Whittkert track who actual was a whistler would be appropriate. 44 00:01:47,319 --> 00:01:50,240 Speaker 3: Unless Brian Amams puts whistling in the summer of sixty nine, 45 00:01:50,280 --> 00:01:51,200 Speaker 3: it's not going to happen. 46 00:01:51,400 --> 00:01:54,160 Speaker 1: So he puts him like to see that Michael Jackson. 47 00:01:55,160 --> 00:02:16,120 Speaker 3: Michael Jackson's what about us so throat singer versus old mate. 48 00:02:09,760 --> 00:02:12,840 Speaker 2: Anyway, And so the controversy from what I read is 49 00:02:12,880 --> 00:02:17,480 Speaker 2: that the throat singer was like a backing artist. There 50 00:02:17,720 --> 00:02:19,240 Speaker 2: now the guy saying, hey, I'm doing all the heavy 51 00:02:19,280 --> 00:02:22,480 Speaker 2: lifting here, but then guy saying, well, what song am 52 00:02:22,480 --> 00:02:23,919 Speaker 2: I supposed to give a throat singer? 53 00:02:24,080 --> 00:02:25,720 Speaker 1: Exactly? That's not a battle. 54 00:02:26,280 --> 00:02:26,960 Speaker 4: That's not fair. 55 00:02:27,880 --> 00:02:29,440 Speaker 3: We're all talking about battles. 56 00:02:29,480 --> 00:02:33,440 Speaker 1: Guy, it felt like Bookoo was your backing player. 57 00:02:33,720 --> 00:02:36,040 Speaker 4: Buku doesn't put his hand up and say that he's 58 00:02:36,080 --> 00:02:39,880 Speaker 4: a pop singer. So what's unfair is if I get 59 00:02:39,960 --> 00:02:42,560 Speaker 4: Buku to sing up against Johnny. 60 00:02:42,000 --> 00:02:44,000 Speaker 3: But then we have to do every other battle the 61 00:02:44,040 --> 00:02:44,440 Speaker 3: same way. 62 00:02:44,680 --> 00:02:46,679 Speaker 1: So that's all I'm saying, No, we don't because we 63 00:02:46,919 --> 00:02:47,280 Speaker 1: have we do. 64 00:02:47,480 --> 00:02:49,080 Speaker 4: I don't have a Mongolian throat. 65 00:02:49,480 --> 00:02:51,160 Speaker 3: I'm not gonna I'm not going back and forth, but 66 00:02:51,240 --> 00:02:51,400 Speaker 3: you do. 67 00:02:51,960 --> 00:02:54,120 Speaker 1: I'm not doing I'm not doing Nique. 68 00:02:54,160 --> 00:02:55,040 Speaker 2: I'm not doing it. 69 00:02:55,280 --> 00:02:55,799 Speaker 1: Not doing it. 70 00:02:55,840 --> 00:02:56,800 Speaker 3: That didn't even work him. 71 00:02:56,960 --> 00:02:59,919 Speaker 4: What's a walk off going to do? It's so disrespect 72 00:03:00,040 --> 00:03:08,640 Speaker 4: fool like, you don't together. It's a circus to me, So. 73 00:03:08,880 --> 00:03:11,440 Speaker 1: I say I walked off last year. Sometimes you just 74 00:03:11,480 --> 00:03:14,240 Speaker 1: need to take a break. What the hell is that about? 75 00:03:14,360 --> 00:03:15,239 Speaker 2: What is going on? 76 00:03:15,280 --> 00:03:15,840 Speaker 1: I don't know it? 77 00:03:15,880 --> 00:03:20,360 Speaker 3: As an orchestra just behind them, it's the biddiest walk off. 78 00:03:20,480 --> 00:03:22,760 Speaker 3: Although boy George didn't mention his walk off. Do you 79 00:03:22,760 --> 00:03:27,040 Speaker 3: remember last he's tomed off because his gormless kid in 80 00:03:27,120 --> 00:03:30,560 Speaker 3: a beanie comes out and says that no one cares 81 00:03:30,560 --> 00:03:31,600 Speaker 3: if he plays guitar. 82 00:03:32,680 --> 00:03:33,400 Speaker 1: Do you play guitar? 83 00:03:34,360 --> 00:03:36,760 Speaker 3: I can play guitar, but no one really cares if 84 00:03:36,760 --> 00:03:37,400 Speaker 3: I play guitar. 85 00:03:38,120 --> 00:03:38,960 Speaker 1: No one cares. 86 00:03:41,000 --> 00:03:41,320 Speaker 3: I do. 87 00:03:43,000 --> 00:03:49,280 Speaker 1: The orchestra. After that comment, go with altar, George, Okay, 88 00:03:50,320 --> 00:03:51,080 Speaker 1: don't follow me. 89 00:03:51,280 --> 00:03:51,680 Speaker 3: What's up? 90 00:03:51,760 --> 00:03:55,680 Speaker 1: What's going on? I'm annoyed? Turned out to me? He goes, 91 00:03:55,720 --> 00:03:56,680 Speaker 1: who cares? I playing guitar? 92 00:03:56,760 --> 00:03:57,160 Speaker 4: Really? 93 00:03:57,640 --> 00:03:58,320 Speaker 1: That's not cool. 94 00:03:58,760 --> 00:04:00,280 Speaker 2: Okay, let's go back up. 95 00:04:00,720 --> 00:04:06,840 Speaker 1: I'm kind of stop stows up, George. I'm gonna come back, 96 00:04:10,160 --> 00:04:13,600 Speaker 1: you know, come on, come on, come on here. Okay, 97 00:04:13,600 --> 00:04:14,920 Speaker 1: here's the news flash. 98 00:04:15,000 --> 00:04:17,080 Speaker 3: If you go on the Voice, the best you can 99 00:04:17,160 --> 00:04:20,680 Speaker 3: hope for is you'll be performing in some plaza next 100 00:04:20,680 --> 00:04:22,640 Speaker 3: to a guy that's dressed up as a statue. 101 00:04:23,080 --> 00:04:24,800 Speaker 1: Okay, but you. 102 00:04:24,800 --> 00:04:25,960 Speaker 2: Might be a throat warbler. 103 00:04:26,400 --> 00:04:26,960 Speaker 1: You might be. 104 00:04:27,200 --> 00:04:28,680 Speaker 3: It might be, But you know what, I'm happy to 105 00:04:28,720 --> 00:04:31,279 Speaker 3: throw two bucks into your hat when I walk past 106 00:04:31,920 --> 00:04:33,160 Speaker 3: on a winter afternoon. 107 00:04:33,839 --> 00:04:35,680 Speaker 1: That's that's the best you're gonna get. 108 00:04:35,960 --> 00:04:37,680 Speaker 3: Join the End, Amanda. In the morning. 109 00:04:37,800 --> 00:04:39,200 Speaker 2: One tell you