1 00:00:00,360 --> 00:00:02,160 Speaker 1: Jonesy and Amanda's. 2 00:00:03,120 --> 00:00:06,400 Speaker 2: So excited to see our next guest in the flesh. 3 00:00:06,440 --> 00:00:09,239 Speaker 2: For those who didn't know Keith Urban's music, we all 4 00:00:09,240 --> 00:00:11,000 Speaker 2: fell in love with him in the first season of 5 00:00:11,000 --> 00:00:16,920 Speaker 2: The Australian Voice. Well he's back again to his TV homeland. 6 00:00:15,920 --> 00:00:20,600 Speaker 3: He is happy belated birthday by the way, thank you. 7 00:00:20,640 --> 00:00:23,560 Speaker 2: Do you celebrate big for your birthdays and your family? 8 00:00:23,760 --> 00:00:28,600 Speaker 4: I'm not a big birthday guy for me, but I 9 00:00:28,640 --> 00:00:30,880 Speaker 4: love putting on a big celebration for others. 10 00:00:31,120 --> 00:00:33,000 Speaker 2: When you have kids, it changes too, doesn't it. So 11 00:00:33,320 --> 00:00:34,280 Speaker 2: birthdays are fun. 12 00:00:34,280 --> 00:00:36,360 Speaker 3: Huge, yes, because you're ten and a half. 13 00:00:36,400 --> 00:00:39,159 Speaker 2: Right, Yeah, yeah, yeah, that's right. It all matters. 14 00:00:39,200 --> 00:00:40,280 Speaker 3: Half is really important. 15 00:00:40,360 --> 00:00:44,239 Speaker 1: Yeah that's Do you go crazy with Nicole as you know? 16 00:00:44,320 --> 00:00:47,560 Speaker 1: Do you buy her expensive gifts or is it thoughtful gifts? 17 00:00:47,640 --> 00:00:49,720 Speaker 3: What sort of just whatever feels right? 18 00:00:50,240 --> 00:00:53,279 Speaker 4: Yeah? No, no, no criteria, just get the right thing right. 19 00:00:53,440 --> 00:00:54,680 Speaker 1: And what about her? Does she like? 20 00:00:54,720 --> 00:00:56,400 Speaker 5: Does she go and buy you a Harley or something 21 00:00:56,440 --> 00:00:59,120 Speaker 5: cool like that? I always imagine that movie star thing, you. 22 00:00:59,040 --> 00:01:00,800 Speaker 4: Know, always knows what to get me, which I'm always 23 00:01:00,800 --> 00:01:03,360 Speaker 4: amazed at because I don't. I don't ever want for anything, 24 00:01:03,400 --> 00:01:06,759 Speaker 4: you know, I'm super happy and grateful and very content. 25 00:01:07,640 --> 00:01:09,240 Speaker 3: So yeah, you know. 26 00:01:09,200 --> 00:01:11,760 Speaker 2: What women like I think is the effort. My husband 27 00:01:12,040 --> 00:01:13,319 Speaker 2: bought a meteorite that was. 28 00:01:13,319 --> 00:01:16,280 Speaker 3: Full what billion years old. 29 00:01:15,720 --> 00:01:17,600 Speaker 2: And he had it made into a necklace. 30 00:01:18,120 --> 00:01:19,440 Speaker 3: And do you buy a meteorite? 31 00:01:19,440 --> 00:01:22,120 Speaker 1: Well, they find so how do they know it's four billions? 32 00:01:22,120 --> 00:01:23,080 Speaker 2: Well they date them. 33 00:01:23,120 --> 00:01:24,720 Speaker 3: He bought it in the. 34 00:01:26,200 --> 00:01:29,040 Speaker 2: Carbon dated like I am. But he bought it in 35 00:01:29,400 --> 00:01:31,920 Speaker 2: Tasmania and they find them in South America. You can 36 00:01:31,920 --> 00:01:35,320 Speaker 2: buy them through specific science sites and things. 37 00:01:35,760 --> 00:01:38,840 Speaker 4: But he had sure there wouldn't be any scamming ones 38 00:01:38,840 --> 00:01:39,120 Speaker 4: out there. 39 00:01:39,160 --> 00:01:41,039 Speaker 2: There's a certificate written crayon and error. 40 00:01:41,080 --> 00:01:42,039 Speaker 3: Right, Okay, well there you go. 41 00:01:42,360 --> 00:01:44,880 Speaker 2: But it was the idea of top of our place 42 00:01:44,880 --> 00:01:47,520 Speaker 2: in history, and it is the notion of it. And 43 00:01:47,560 --> 00:01:51,040 Speaker 2: as a songwriter, that stuff probably the romance of things 44 00:01:51,120 --> 00:01:51,840 Speaker 2: must touch you. 45 00:01:52,240 --> 00:01:54,960 Speaker 3: Gosh, that was an unusual segue, man, where you were 46 00:01:55,000 --> 00:01:55,280 Speaker 3: going with? 47 00:01:55,360 --> 00:01:56,200 Speaker 2: I don't know either. 48 00:01:58,480 --> 00:01:59,960 Speaker 3: So has he got it on a necklace? 49 00:02:00,200 --> 00:02:02,440 Speaker 2: Yes, he made No, he gave it to me for 50 00:02:02,520 --> 00:02:03,440 Speaker 2: my birthday yesterday. 51 00:02:03,480 --> 00:02:04,760 Speaker 3: Oh that's so nice. Yeah. 52 00:02:05,440 --> 00:02:08,239 Speaker 2: Yeah, So it's that kind of stuff with girls like that. 53 00:02:08,680 --> 00:02:09,400 Speaker 2: He's made an. 54 00:02:09,280 --> 00:02:12,480 Speaker 4: Effort, yes, And there's a connection to it right, So 55 00:02:12,720 --> 00:02:14,200 Speaker 4: you're just endless. 56 00:02:14,360 --> 00:02:15,760 Speaker 3: Galaxy love is what you have. 57 00:02:16,120 --> 00:02:18,880 Speaker 2: Galaxy love. You need to write a song called Galaxy Love. 58 00:02:19,000 --> 00:02:20,160 Speaker 3: Done, that's done. 59 00:02:20,680 --> 00:02:24,640 Speaker 4: I got to cut you in as a rider feet me, yes, 60 00:02:24,680 --> 00:02:26,720 Speaker 4: that's right, feet yeah, and the. 61 00:02:26,720 --> 00:02:29,079 Speaker 1: Voice is coming back. How do you feel about that? 62 00:02:29,480 --> 00:02:30,959 Speaker 1: Obviously really good? Yeah. 63 00:02:31,040 --> 00:02:33,680 Speaker 4: Yeah, we've already shot a little bit and it's going 64 00:02:33,720 --> 00:02:34,160 Speaker 4: really good. 65 00:02:34,320 --> 00:02:36,480 Speaker 1: Do you ever feel someone comes on and they're really 66 00:02:36,520 --> 00:02:39,040 Speaker 1: really good? Do you get jealous? Professionally? Do you say, oh, man, 67 00:02:39,280 --> 00:02:41,239 Speaker 1: that kid is so good. I wish I was that kid. 68 00:02:41,320 --> 00:02:44,480 Speaker 4: I get inspired right way more. It's like, I think 69 00:02:44,480 --> 00:02:46,280 Speaker 4: it's a songwriter. When you hear a great song, I 70 00:02:46,280 --> 00:02:47,880 Speaker 4: think it does one of two things that makes you 71 00:02:47,919 --> 00:02:51,600 Speaker 4: either break your pen or really crack into getting better 72 00:02:51,639 --> 00:02:55,680 Speaker 4: at it. Some of these guys and girls coming through amazing. 73 00:02:55,880 --> 00:02:56,079 Speaker 1: Yeah. 74 00:02:56,200 --> 00:02:58,480 Speaker 5: Yeah, because when you write like the Fighter, I just 75 00:02:58,480 --> 00:03:00,560 Speaker 5: love that song when I first heard it, you know, 76 00:03:00,600 --> 00:03:02,639 Speaker 5: and I've been in radio for a long long time, 77 00:03:03,160 --> 00:03:06,440 Speaker 5: and there's songs you certain here and you go, whoa, 78 00:03:06,480 --> 00:03:08,560 Speaker 5: that is a really great song. 79 00:03:08,639 --> 00:03:11,520 Speaker 1: Thank you. When you're writing, does that have the. 80 00:03:11,520 --> 00:03:14,040 Speaker 4: Same Yeah, some of them have that really fast flow. 81 00:03:14,639 --> 00:03:16,959 Speaker 4: And The Fighter was definitely like that. It was written 82 00:03:17,000 --> 00:03:19,800 Speaker 4: in probably twenty minutes or something. It's very fast to 83 00:03:19,840 --> 00:03:22,120 Speaker 4: write another ones. You can spend days and weeks and 84 00:03:22,160 --> 00:03:23,760 Speaker 4: months on and they never quite come together. 85 00:03:23,840 --> 00:03:25,920 Speaker 5: And do you feel Come on, guys, this is a 86 00:03:25,960 --> 00:03:28,120 Speaker 5: great song. I spent all this time writing it, and 87 00:03:28,160 --> 00:03:29,760 Speaker 5: everyone's going, yeah, but I like that one. 88 00:03:29,760 --> 00:03:31,040 Speaker 1: It only took five minutes to right. 89 00:03:31,160 --> 00:03:31,280 Speaker 3: Well. 90 00:03:31,320 --> 00:03:33,600 Speaker 4: Actually, the day we wrote the Fighter, the day before that, 91 00:03:33,639 --> 00:03:36,840 Speaker 4: we were writing another song, my co writer Busby and myself. 92 00:03:37,160 --> 00:03:40,160 Speaker 4: We were in London and we'd spent all day on 93 00:03:40,200 --> 00:03:42,400 Speaker 4: this song and we were coming back the second day 94 00:03:43,000 --> 00:03:46,280 Speaker 4: to finish that great song that we'd work so hard on. 95 00:03:46,680 --> 00:03:48,480 Speaker 4: And on the uber ride to the studio, I had 96 00:03:48,520 --> 00:03:50,920 Speaker 4: this idea for this duet in my head, the sort 97 00:03:50,960 --> 00:03:53,360 Speaker 4: of girl saying something, the guy saying something back and forward, 98 00:03:53,400 --> 00:03:55,080 Speaker 4: and I had the chorus, and I walked in and 99 00:03:55,120 --> 00:03:56,920 Speaker 4: I'm going, can you play this chord progression? And we 100 00:03:57,400 --> 00:04:00,360 Speaker 4: made the track really fast, and then I wrote first 101 00:04:00,480 --> 00:04:02,720 Speaker 4: verse and sang the chorus, and then we think I 102 00:04:02,720 --> 00:04:05,280 Speaker 4: wrote the second verse, and we put it all down quickly, 103 00:04:05,960 --> 00:04:07,680 Speaker 4: and then we're like, oh, cool, that was good. All right, 104 00:04:07,720 --> 00:04:09,720 Speaker 4: let's get back to that other song. It was literally 105 00:04:09,800 --> 00:04:11,520 Speaker 4: like that, and that other one never went anywhere. 106 00:04:12,240 --> 00:04:12,600 Speaker 3: Crazy. 107 00:04:12,720 --> 00:04:15,400 Speaker 2: Most musicians don't want their audiences to fall asleep. But 108 00:04:15,440 --> 00:04:17,000 Speaker 2: this is actually something that you're. 109 00:04:17,600 --> 00:04:19,200 Speaker 3: Asking seed into the car. 110 00:04:19,920 --> 00:04:20,520 Speaker 1: That's right. 111 00:04:20,720 --> 00:04:23,880 Speaker 3: Yeah, how did this come about? It's unusual. I've never 112 00:04:23,920 --> 00:04:25,320 Speaker 3: done anything like it. It's crazy. 113 00:04:26,080 --> 00:04:28,680 Speaker 4: Calm the calm app that a lot of people know 114 00:04:28,720 --> 00:04:30,680 Speaker 4: about the folks that Calm asked me if I would 115 00:04:30,680 --> 00:04:34,200 Speaker 4: write something original for them, And I don't even know 116 00:04:34,240 --> 00:04:35,160 Speaker 4: where to begin with that? 117 00:04:35,240 --> 00:04:35,919 Speaker 3: What do you like? 118 00:04:36,160 --> 00:04:36,600 Speaker 1: What it's? 119 00:04:36,680 --> 00:04:39,360 Speaker 4: Because you don't I assume that you don't want a song, right, 120 00:04:39,360 --> 00:04:41,039 Speaker 4: you don't want people singing along. 121 00:04:40,760 --> 00:04:43,080 Speaker 3: When they're trying to fall asleep. So what do you do? 122 00:04:43,160 --> 00:04:43,240 Speaker 5: So? 123 00:04:43,279 --> 00:04:45,520 Speaker 4: I said, have started with a lot of ambient music 124 00:04:45,600 --> 00:04:48,760 Speaker 4: and some ethereal lyrics and crafted this. 125 00:04:48,880 --> 00:04:57,760 Speaker 2: It's a snippet of it here. Maybe we shouldn't play 126 00:04:57,760 --> 00:04:58,440 Speaker 2: so people are drying. 127 00:04:58,600 --> 00:04:59,760 Speaker 1: I was just thinking that I understand. 128 00:05:02,440 --> 00:05:04,480 Speaker 4: I knew that it was the first time, this first 129 00:05:04,520 --> 00:05:06,160 Speaker 4: time I'd ever been in a studio where I went. 130 00:05:06,200 --> 00:05:08,080 Speaker 4: If I look up and see the engineer asleep, I 131 00:05:08,120 --> 00:05:13,400 Speaker 4: will have succeeded. I don't know how people make that 132 00:05:13,480 --> 00:05:15,360 Speaker 4: music all day long. I don't know how you do it. 133 00:05:15,800 --> 00:05:17,839 Speaker 3: Literally, if you're good at it, you fall asleep. 134 00:05:17,880 --> 00:05:18,720 Speaker 1: Well, how does Enya go? 135 00:05:20,279 --> 00:05:21,839 Speaker 3: She's been asleep for a long she would have driven 136 00:05:21,839 --> 00:05:22,279 Speaker 3: off the road. 137 00:05:22,640 --> 00:05:24,600 Speaker 2: I haven't heard from And every time I hear that music, 138 00:05:24,600 --> 00:05:31,440 Speaker 2: I think I'm getting my legs. He was there for hours. 139 00:05:31,960 --> 00:05:34,120 Speaker 5: We were talking about standing ovations at the pub test 140 00:05:34,200 --> 00:05:35,880 Speaker 5: you recently had the trouble at the opera. 141 00:05:35,960 --> 00:05:38,279 Speaker 1: Was that as big as purported to be. 142 00:05:38,440 --> 00:05:40,039 Speaker 3: I didn't know you're not allowed to stand at the opera. 143 00:05:40,360 --> 00:05:41,640 Speaker 1: So you're not allowed to stand at the opera. 144 00:05:41,720 --> 00:05:43,640 Speaker 4: I think there's a bit of an ongoing discussion about 145 00:05:43,640 --> 00:05:46,680 Speaker 4: whether you should or could or shouldn't or everything's honoring tradition. 146 00:05:46,720 --> 00:05:47,040 Speaker 3: I get it. 147 00:05:47,080 --> 00:05:49,560 Speaker 4: We've never been at the opera before. All I know 148 00:05:49,640 --> 00:05:52,400 Speaker 4: is if someone on stage is phenomenal. 149 00:05:51,880 --> 00:05:53,760 Speaker 3: Which it was a great show, you just have. 150 00:05:54,920 --> 00:05:57,159 Speaker 4: What happened was I was sitting there and we're looking around, 151 00:05:57,160 --> 00:05:59,560 Speaker 4: and I'm thinking, were cheering, cheering, And I thought, do 152 00:05:59,600 --> 00:05:59,960 Speaker 4: you stand? 153 00:06:00,160 --> 00:06:00,600 Speaker 3: What do you do? 154 00:06:00,680 --> 00:06:00,880 Speaker 4: You know? 155 00:06:00,920 --> 00:06:02,880 Speaker 3: And I looked around peripherally. 156 00:06:02,480 --> 00:06:04,839 Speaker 4: And saw four people standing, and then I saw another 157 00:06:04,880 --> 00:06:07,559 Speaker 4: couple standing, and then I saw like a six, seventh, 158 00:06:07,640 --> 00:06:10,720 Speaker 4: eighth person just scattered around. I went, okay, cool, cool, 159 00:06:10,760 --> 00:06:14,120 Speaker 4: So I stood up and yeah, then it all went 160 00:06:14,160 --> 00:06:14,800 Speaker 4: a bit pecial and. 161 00:06:15,320 --> 00:06:17,320 Speaker 1: Nick stood up as well, and the old old mate 162 00:06:17,320 --> 00:06:18,440 Speaker 1: with his program. 163 00:06:18,120 --> 00:06:21,600 Speaker 3: Going behind, sit down you feel there? Yeah, he had 164 00:06:21,640 --> 00:06:23,640 Speaker 3: some words, he had some language on him. 165 00:06:23,680 --> 00:06:25,960 Speaker 1: What he had language at the opera? Oh yeah, it's 166 00:06:25,960 --> 00:06:27,160 Speaker 1: not a Metallica concert. 167 00:06:27,279 --> 00:06:29,760 Speaker 3: It was for him apparently. Yeah. Yeah, I think he 168 00:06:29,800 --> 00:06:31,719 Speaker 3: was ready to marsh which was pretty. 169 00:06:31,400 --> 00:06:33,680 Speaker 2: Crazy what with the fat lady on stage. 170 00:06:34,839 --> 00:06:37,480 Speaker 5: Anyway, I just thought at an opera crack because I 171 00:06:37,520 --> 00:06:39,760 Speaker 5: always feel, you know, when you go, like it's like 172 00:06:39,760 --> 00:06:41,320 Speaker 5: when I go and see the Rolling Stones. I think 173 00:06:41,360 --> 00:06:43,799 Speaker 5: I'm not going to bet any trouble because the medium 174 00:06:43,839 --> 00:06:46,280 Speaker 5: audience is a lot older than me. Yeah, but if 175 00:06:46,320 --> 00:06:48,520 Speaker 5: you get a one Metallica concert or an eminem sure 176 00:06:48,720 --> 00:06:50,239 Speaker 5: you know you've. 177 00:06:49,600 --> 00:06:52,120 Speaker 1: Got to be prepared. There could be some trouble. Yes, 178 00:06:52,200 --> 00:06:54,560 Speaker 1: you know what I mean. Yes, there's that like a 179 00:06:54,640 --> 00:06:57,680 Speaker 1: Keith Urban show. There's a mixture of like a bit 180 00:06:57,720 --> 00:06:59,919 Speaker 1: of a mix. They've got a broad spectra. 181 00:07:00,000 --> 00:07:02,120 Speaker 4: It's all based on the intoxicants that are involved. I 182 00:07:02,200 --> 00:07:05,560 Speaker 4: think half the time, isn't it go to the Willing 183 00:07:05,600 --> 00:07:06,839 Speaker 4: Nelson concert. 184 00:07:08,800 --> 00:07:12,680 Speaker 1: Conditions there's three teeth in the front row. That's terrible. 185 00:07:13,400 --> 00:07:15,600 Speaker 5: Keith, it's great to talk to you. The voices coming 186 00:07:15,760 --> 00:07:18,600 Speaker 5: soon to seven. Looking forward to seeing you and it's 187 00:07:18,640 --> 00:07:19,520 Speaker 5: just great to see. 188 00:07:19,320 --> 00:07:22,160 Speaker 3: Thank you mate always Yeah you too, you too, Thank 189 00:07:22,200 --> 00:07:24,680 Speaker 3: you very much. Enjoy the wax legs. Thank you. 190 00:07:25,480 --> 00:07:26,840 Speaker 1: Jonesy and Amanda's GA