1 00:00:00,720 --> 00:00:03,360 Speaker 1: New Jersey and Amanda jam Nation. 2 00:00:04,080 --> 00:00:06,440 Speaker 2: Well, this next guest. She's one of our great friends 3 00:00:06,519 --> 00:00:09,120 Speaker 2: and she's one of Australia's most acclaimed actresses. Of course, 4 00:00:09,119 --> 00:00:11,119 Speaker 2: you know her from Julian Pack to the Rafters and 5 00:00:11,160 --> 00:00:15,360 Speaker 2: a thousand other incredible roles. There's a new one though, 6 00:00:15,440 --> 00:00:18,320 Speaker 2: that I'm so excited about. A new show called prosper 7 00:00:18,480 --> 00:00:21,320 Speaker 2: starts on stand tomorrow. It's a show about a wealthy 8 00:00:21,480 --> 00:00:25,920 Speaker 2: evangelical family whose faith and ambition threatened to tear them apart. 9 00:00:26,000 --> 00:00:31,600 Speaker 2: It sounds fabulous. Rebecca Gibney, Hello, hello, good morning morning. 10 00:00:31,760 --> 00:00:34,080 Speaker 2: Very well, this is a role the likes of which 11 00:00:34,120 --> 00:00:35,560 Speaker 2: I imagine you haven't played before. 12 00:00:36,400 --> 00:00:37,120 Speaker 1: Yeah, totally. 13 00:00:37,320 --> 00:00:39,400 Speaker 3: It's actually been one of the toughest ones for me 14 00:00:39,560 --> 00:00:42,680 Speaker 3: because throughout the course of the series she deals with 15 00:00:42,800 --> 00:00:47,040 Speaker 3: certain things that really do cause major conflict for her 16 00:00:47,280 --> 00:00:51,920 Speaker 3: emotionally and spiritually, and so I was constantly questioning the scripts. 17 00:00:52,240 --> 00:00:54,360 Speaker 3: I kept reading them going oh, why is she doing that? 18 00:00:54,920 --> 00:00:56,360 Speaker 3: And I had to keep going to the writers and 19 00:00:56,400 --> 00:00:57,840 Speaker 3: they kept giving me the right answers. 20 00:00:57,840 --> 00:00:59,480 Speaker 1: And it's because she you know, they're flawed. 21 00:00:59,600 --> 00:01:03,279 Speaker 3: They it might be people with lofty expectations and they 22 00:01:03,280 --> 00:01:05,000 Speaker 3: are the heads of the chip, but they're flawed because 23 00:01:05,000 --> 00:01:06,679 Speaker 3: everyone is, so you're never going to live up to 24 00:01:06,680 --> 00:01:07,560 Speaker 3: those expectations. 25 00:01:07,560 --> 00:01:10,600 Speaker 4: It's interesting you say that. As an actor, I've often 26 00:01:10,640 --> 00:01:12,240 Speaker 4: thought about that. If you're in a movie and say 27 00:01:12,240 --> 00:01:14,440 Speaker 4: you're like, I'm a good guy. You know me, I'm 28 00:01:14,480 --> 00:01:16,600 Speaker 4: a good guy. But imagine Hollywood calls me and they 29 00:01:16,600 --> 00:01:19,600 Speaker 4: say we want you to be a real baddy bad guy. 30 00:01:20,319 --> 00:01:21,920 Speaker 4: And they're, well, I don't know if I could do that, 31 00:01:22,200 --> 00:01:24,760 Speaker 4: but you so. Are you allowed to push back? So 32 00:01:24,840 --> 00:01:26,960 Speaker 4: you get a script? Can you say well, I don't think, 33 00:01:27,400 --> 00:01:29,720 Speaker 4: I don't think my character I don't think, and they'll say, well, yes, 34 00:01:29,840 --> 00:01:30,720 Speaker 4: well you can say that. 35 00:01:30,760 --> 00:01:32,600 Speaker 1: But I mean, the great thing was with this they're 36 00:01:32,640 --> 00:01:33,240 Speaker 1: so layered. 37 00:01:33,400 --> 00:01:36,759 Speaker 3: Every every episode of this series, you peel back another 38 00:01:36,840 --> 00:01:39,760 Speaker 3: layer of each character and you discover why they're behaving 39 00:01:39,800 --> 00:01:41,839 Speaker 3: the way they are or why they're doing and every 40 00:01:41,880 --> 00:01:45,160 Speaker 3: one of them is completely relatable, even though they're flawed. 41 00:01:45,200 --> 00:01:47,080 Speaker 3: I think the great thing about this series is that 42 00:01:47,120 --> 00:01:50,160 Speaker 3: people will be able to like someone then dislike them. 43 00:01:50,440 --> 00:01:53,080 Speaker 3: They might not like what they're doing, but they'll understand 44 00:01:53,080 --> 00:01:55,000 Speaker 3: why they're doing it. So I think that's the writing 45 00:01:55,320 --> 00:01:56,320 Speaker 3: is fantastic in the. 46 00:01:56,320 --> 00:01:59,760 Speaker 2: Series, and Richard Roxborough plays your husband, the sort of 47 00:02:00,240 --> 00:02:03,840 Speaker 2: evangelical showman. From what I can see, that's an interesting 48 00:02:03,920 --> 00:02:05,520 Speaker 2: role for him too. Was it fun. 49 00:02:06,840 --> 00:02:08,920 Speaker 3: You know at the end of every day because we 50 00:02:09,160 --> 00:02:13,680 Speaker 3: very rarely had fun together as characters because we're constantly 51 00:02:13,720 --> 00:02:16,239 Speaker 3: battling each other. We kept saying at the end of 52 00:02:16,320 --> 00:02:17,880 Speaker 3: the day, you know, we're great to do a comedy 53 00:02:17,919 --> 00:02:22,359 Speaker 3: after this. This, I think from active my perspective, is 54 00:02:22,400 --> 00:02:26,400 Speaker 3: one of his best performances because he is constantly challenged 55 00:02:26,440 --> 00:02:30,160 Speaker 3: throughout this whole series. He is unraveling, So there's not 56 00:02:30,160 --> 00:02:32,520 Speaker 3: a lot of laughs for Richard, and he's the only 57 00:02:32,560 --> 00:02:34,560 Speaker 3: person I think that could have played it because he 58 00:02:34,639 --> 00:02:38,320 Speaker 3: is so charismatic and he is so watchable and believable. 59 00:02:38,360 --> 00:02:40,519 Speaker 3: When you see him start to unravel and you see 60 00:02:40,560 --> 00:02:43,079 Speaker 3: him start to do certain things, you understand why he's 61 00:02:43,120 --> 00:02:43,600 Speaker 3: doing it. 62 00:02:43,680 --> 00:02:46,600 Speaker 4: They all start with the best intentions, don't they. You 63 00:02:46,600 --> 00:02:50,760 Speaker 4: look at Jonestown Jim Jones, he started with really good intentions. 64 00:02:50,760 --> 00:02:52,440 Speaker 4: But how does it go from you want to help 65 00:02:52,480 --> 00:02:54,640 Speaker 4: out everyone and live in this great world to all 66 00:02:54,680 --> 00:02:57,080 Speaker 4: of a sudden you're all drinking poison kool aid. 67 00:02:57,160 --> 00:03:00,360 Speaker 2: But whether you're evangelical. Whether you're a politician, you're a 68 00:03:00,360 --> 00:03:03,040 Speaker 2: business person, it's the same thing, isn't it. You know, 69 00:03:03,080 --> 00:03:05,800 Speaker 2: you start somewhere and suddenly you look back and you 70 00:03:05,840 --> 00:03:07,920 Speaker 2: see a path you don't recognize anymore. 71 00:03:08,400 --> 00:03:10,480 Speaker 1: That's the thing. And I think what this series is 72 00:03:10,480 --> 00:03:13,440 Speaker 1: trying to say is that power and wealth can. 73 00:03:13,320 --> 00:03:16,440 Speaker 3: Corrupt even the faithful. And that's what that's what this 74 00:03:16,560 --> 00:03:17,240 Speaker 3: show is all about. 75 00:03:17,400 --> 00:03:19,680 Speaker 2: Love it Do you live in New Zealand? How do 76 00:03:19,800 --> 00:03:21,800 Speaker 2: you make that work for yourself? So if you film 77 00:03:21,840 --> 00:03:25,280 Speaker 2: something like prosper for example, you just pack your bag 78 00:03:25,360 --> 00:03:26,880 Speaker 2: and you stay in a hotel, you film it, and 79 00:03:26,880 --> 00:03:29,240 Speaker 2: then you come home again. You work in chunks. 80 00:03:29,320 --> 00:03:32,720 Speaker 1: Now I've probably most of last year away from here. 81 00:03:33,080 --> 00:03:34,639 Speaker 3: I was in Sydney for about four and a half 82 00:03:34,680 --> 00:03:37,000 Speaker 3: months in an apartment so and then I've been in 83 00:03:37,080 --> 00:03:39,880 Speaker 3: Queenstown recently shooting Under the Vine series three. 84 00:03:40,000 --> 00:03:41,840 Speaker 1: So I'm very rarely at home. 85 00:03:41,960 --> 00:03:43,760 Speaker 3: I mean, and the reason we you know, we love 86 00:03:43,800 --> 00:03:45,520 Speaker 3: New Zealand, but we're also still here, as we were 87 00:03:45,560 --> 00:03:47,440 Speaker 3: talking about before, because our son. 88 00:03:47,280 --> 00:03:50,600 Speaker 1: Still lives here. So wherever he goes, I will I'm 89 00:03:50,600 --> 00:03:53,200 Speaker 1: going to be the stroker mom. We've only got once well. 90 00:03:53,120 --> 00:03:55,320 Speaker 2: He's a budding actor, so he could go anywhere. 91 00:03:56,160 --> 00:03:58,040 Speaker 1: Yeah, exactly. So if he ends up like I said 92 00:03:58,080 --> 00:04:01,480 Speaker 1: and Katmandu, I'll be there on what you're watching. 93 00:04:01,560 --> 00:04:03,240 Speaker 2: You have to guide him to go somewhere that you 94 00:04:03,240 --> 00:04:03,640 Speaker 2: want to go. 95 00:04:03,800 --> 00:04:06,720 Speaker 4: Yeah, it's kind of go to get him to go 96 00:04:06,760 --> 00:04:09,000 Speaker 4: to cool places like why why is great? 97 00:04:09,400 --> 00:04:09,520 Speaker 3: Oh? 98 00:04:09,560 --> 00:04:13,080 Speaker 1: Yeah is great? Okay, I'll ask him some stuff. Got 99 00:04:13,120 --> 00:04:14,360 Speaker 1: a job yet, he's still he's. 100 00:04:14,240 --> 00:04:18,080 Speaker 4: Still well, so he'll be He'll be hanging around for 101 00:04:18,120 --> 00:04:18,560 Speaker 4: some time. 102 00:04:18,640 --> 00:04:21,719 Speaker 1: Then, I think, so what is in Wellington? So we 103 00:04:21,839 --> 00:04:23,360 Speaker 1: just keep I keep popping it. Well. 104 00:04:23,360 --> 00:04:25,440 Speaker 4: I'm looking forward to watch you get Prosperous out tomorrow 105 00:04:25,560 --> 00:04:28,600 Speaker 4: only on stand. Rebecca Given, thank you for joining. 106 00:04:28,400 --> 00:04:31,279 Speaker 1: Us, Thanks for having me. I'll see you in the 107 00:04:31,279 --> 00:04:32,560 Speaker 1: studio sometimes. 108 00:04:32,440 --> 00:04:33,719 Speaker 2: We love that. Yes, please