WEBVTT - Brockhouse!

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<v Speaker 1>The Chris John O'Connell Breakfast Show podcast Noldurn's Gold one

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<v Speaker 1>oh four point three Live from Level two, twenty one

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<v Speaker 1>to thirty one, Goodwood Street.

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<v Speaker 2>Wretchmen, This is.

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<v Speaker 1>The Chris John o'connal Breakfast Show on Nolvin's Gold one

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<v Speaker 1>oh four point three.

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<v Speaker 2>Come on here show one oh three for us this morning.

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<v Speaker 2>How he had a very.

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<v Speaker 3>Good weekend of Come in this morning to a bit

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<v Speaker 3>of a situation between Jack and Pats. There is bad blood.

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<v Speaker 3>So when I left the show Friday, you know, you

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<v Speaker 3>guys were excited going out to see School of Rock.

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<v Speaker 4>How was that awesome?

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<v Speaker 2>It was really It's really really good. It's amazing. Is

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<v Speaker 2>that good? Yeah?

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<v Speaker 3>But the kids just the guy who plays Dewey Finn. Obviously,

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<v Speaker 3>the Jack Black character in the movie. The version I

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<v Speaker 3>saw in London when it first opened last year there

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<v Speaker 3>in the West End was incredible because you know, Jack

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<v Speaker 3>Black's such a charismatic and.

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<v Speaker 2>He is that movie, him and the kids.

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<v Speaker 3>So it's hard then when you go in with that

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<v Speaker 3>expectation you know already what that character is, Jack Black.

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<v Speaker 3>But the guy who did it in London was phenomenal,

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<v Speaker 3>and obviously they've got another superstar here.

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<v Speaker 2>This guy was awesome. Do you a great Patty?

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<v Speaker 5>Yeah?

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<v Speaker 4>It was looking like looking at Jack Blake, it was brilliant.

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<v Speaker 4>Tough act to follow, but he did.

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<v Speaker 2>And instruments and instruments. It's very good and all original songs.

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<v Speaker 3>So obviously in the movie they used some classic rock

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<v Speaker 3>songs that there's a Stevie Nick song Edge of seventeen

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<v Speaker 3>that Jack Black teaches them.

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<v Speaker 2>But they're all original songs and they're great songs, aren't they.

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<v Speaker 4>Yeah, they are. That's great.

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<v Speaker 2>So let's talk about what happened afterwards.

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<v Speaker 4>Yeah, yeah, let's talk about what happened after Jack.

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<v Speaker 3>Well, I think it'd be nice for I saw this morning.

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<v Speaker 3>I just saw Pats crying and I said, what's up?

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<v Speaker 3>She is that Jack stirred up afterwards.

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<v Speaker 6>So they were They went out be anchoring. Jack went

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<v Speaker 6>out for a bye two week before the show. We

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<v Speaker 6>didn't know if we'd get in because of the traffic situation,

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<v Speaker 6>so we said, look, we're just going to head straight there.

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<v Speaker 6>We won't have a drink before we might catch up after.

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<v Speaker 6>That's a nice idea. Yeah, got there and I said, look, Jack,

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<v Speaker 6>I'll grab your tickets if you want.

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<v Speaker 4>The line was around the block. He said, oh, that'd

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<v Speaker 4>be great.

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<v Speaker 2>That's ready. Kind of perhaps you do all that for somebody,

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<v Speaker 2>Thank you for doing.

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<v Speaker 4>That, enjoy their birthday dinner.

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<v Speaker 2>Oh bless you.

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<v Speaker 6>Anyway, got in, saw the show and he brought around

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<v Speaker 6>some chocolates at interval, which was nice. They were half eight,

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<v Speaker 6>but you know, it's the thought that counts. And he said, look,

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<v Speaker 6>let's yeah, let's catch up for a drink. After I said,

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<v Speaker 6>let's that'll be great. We'll meet you in the foyer.

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<v Speaker 6>So anyway, show finished, went out in the foyer. We waited,

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<v Speaker 6>and we waited. We thought, I will go to the bathroom.

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<v Speaker 1>Did that?

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<v Speaker 6>Chris said, oh, look, I might go into the cafe

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<v Speaker 6>next door. We'll wait there for them on the lune.

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<v Speaker 6>Oh nab the lounge.

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<v Speaker 2>It's pretty busy, and obviously your daughter's with you. She's

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<v Speaker 2>probably tired as well.

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<v Speaker 4>She's starting to get a bit some and.

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<v Speaker 2>Consider it a hole that you work with to be

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<v Speaker 2>so roofed.

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<v Speaker 6>So we had a couple of drinks and texted him

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<v Speaker 6>no response.

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<v Speaker 2>I didn't.

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<v Speaker 4>No response. I think I was on my third espresso martini.

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<v Speaker 3>And let's be honest, See, you're not a person to

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<v Speaker 3>make wuk around with.

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<v Speaker 2>Even without alcohol, I would be I wouldn't be doing that.

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<v Speaker 6>Chris is looking at his's what she's going down? Their

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<v Speaker 6>parking is about to expire. I think I think we're

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<v Speaker 6>going to.

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<v Speaker 2>Have to go.

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<v Speaker 7>I'll just say this, I didn't know we were meeting

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<v Speaker 7>in the foyer. That's my first excuse.

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<v Speaker 2>This guy's unbelieva.

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<v Speaker 3>The one second he hang on, Pats, you said he

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<v Speaker 3>texted you the arrangement.

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<v Speaker 4>Did this is the second time in a week christ.

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<v Speaker 2>Actually maybe that.

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<v Speaker 5>No.

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<v Speaker 2>I said, I'd just be the outther front.

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<v Speaker 4>Just let me get my phone please.

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<v Speaker 2>In the meantime, I'll give you a smoking gun Jack.

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<v Speaker 7>My second excuse, Christian will know all about as well.

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<v Speaker 7>I keep my phone on Soilent twenty four to seven

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<v Speaker 7>as a professional of the showdownt want to bring a

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<v Speaker 7>phone on to.

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<v Speaker 2>The radio keep on signing twenty four to seven, and

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<v Speaker 2>so anytime you've tried to ring me, do I pick up? No? No,

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<v Speaker 2>he doesn't, he does screen.

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<v Speaker 3>I was trying to get hold of have the weekend, Pats,

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<v Speaker 3>and my daughter actually said at one point maybe just

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<v Speaker 3>doesn't want to speak to you, you know, just get

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<v Speaker 3>that little wedge of day out in there. Maybe actually

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<v Speaker 3>is just avoiding me.

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<v Speaker 6>So I did write drink after question mark. He responded, Yeah,

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<v Speaker 6>we'll meet you in the foyer. Clamation mark Do you

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<v Speaker 6>want to get a drink? Exclamation mark? Where you're Where

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<v Speaker 6>are you allowed to go with seven year olds?

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<v Speaker 2>And then it just disappears since a night?

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<v Speaker 6>What about here we're in the bar, we have couches

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<v Speaker 6>in theater bar mate photo of Sid Martini.

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<v Speaker 2>Was Patsy a bit boring?

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<v Speaker 6>And then he says, we got jumped by some Hamish

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<v Speaker 6>and Andy.

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<v Speaker 2>Oh that's what happened. I've seen some of those fans.

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<v Speaker 2>I don't jump.

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<v Speaker 4>Anyone signing autographs. He was in the foyer, no doubt.

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<v Speaker 4>Oh come on, what a giving out T shirts.

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<v Speaker 7>Pats The sad thing is we were just out of

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<v Speaker 7>the front. We're probably only ten meters away through.

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<v Speaker 4>You went anywhere I went looking you anywhere?

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<v Speaker 2>Forget it.

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<v Speaker 3>It's embarrassing, terrible. We're to start the show show you jumps.

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<v Speaker 3>I don't know the new thirty one year old Jackpotes

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<v Speaker 3>has changed.

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<v Speaker 1>The Christian O'Connell breakfast show Gold one oh four point

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<v Speaker 1>three all.

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<v Speaker 2>This week at seven thirty. Then your shots to wear.

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<v Speaker 3>Is Maroon five tickets and ten weeks of tickets Week

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<v Speaker 3>ten this week on ten weeks of two ketch. That's

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<v Speaker 3>seven thirty with a brand new quiz which when we

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<v Speaker 3>are practicing it, Yes, we even practiced some parts of

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<v Speaker 3>the show. I think actually this might be the first

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<v Speaker 3>time I've ever done this. We did it on Friday show.

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<v Speaker 3>We were demoing this quiz that you'll be playing at

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<v Speaker 3>seven thirty. People were getting very stressed out. We're going

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<v Speaker 3>to stop stop yelling is when you yell, it's scary.

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<v Speaker 3>So we got a brand new, terrifying quiz at seven thirty.

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<v Speaker 2>This morning of.

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<v Speaker 3>The weekend, I saw up an emails with lots of

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<v Speaker 3>people contacting the show talking about one last dream and

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<v Speaker 3>misheard lyrics.

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<v Speaker 2>We got that just after aight o'klo this morning.

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<v Speaker 3>I couldn't help but notice one of our listeners job

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<v Speaker 3>title or email back going, what is a bone harvester? Oh,

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<v Speaker 3>someone's job a horror film? Yeah, I would say the

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<v Speaker 3>Bone Collector. It's not with Dens of Washington's a great

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<v Speaker 3>movie that one of our listeners catches up with the

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<v Speaker 3>podcast in America is a bone harvester. It is his

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<v Speaker 3>job to literally cut flesh from bones and then get

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<v Speaker 3>the bones and grind them into a paste for surgical use.

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<v Speaker 3>Did you know that a human being actually does this

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<v Speaker 3>for a job?

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<v Speaker 4>Are you talking human blondes or animal bones?

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<v Speaker 2>I didn't.

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<v Speaker 3>I didn't ask you. I'll send them another EMA. Now,

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<v Speaker 3>why you think about getting into this? Are you thinking

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<v Speaker 3>about grinding up jackpost?

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<v Speaker 1>No?

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<v Speaker 4>Like, yeah, human or animal? I'm fascinated.

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<v Speaker 2>I didn't know they made medicine out of bones. Well,

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<v Speaker 2>I guess they use it for bone graphs, don't they?

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<v Speaker 2>When people are doing that? Then why mash it up

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<v Speaker 2>into a paste?

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<v Speaker 3>Because then I think they when they're doing bone graphs. Yeah,

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<v Speaker 3>because it's it's so concentrated, isn't it It helps something

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<v Speaker 3>attached to something else when they're doing surgery.

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<v Speaker 2>I sound like a kid.

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<v Speaker 3>They're trying to explain it. It helps something else grow

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<v Speaker 3>to something else. I think it's the Latin term that

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<v Speaker 3>surgeons must use when explaining what the complicated.

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<v Speaker 2>Procedure they're doing.

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<v Speaker 3>So one on this morning, we're going to run this

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<v Speaker 3>across Today show. Who listening has the most unusual job? Okay,

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<v Speaker 3>if you think you've got an unusual job, please tell

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<v Speaker 3>us I'd love to know who listened this small has

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<v Speaker 3>got an unusual job. Let's try and find the person

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<v Speaker 3>listens to the show here in Melbourne's got the most

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<v Speaker 3>unusual job, starting with someone in America as a bone harvester.

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<v Speaker 1>The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

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<v Speaker 1>point three.

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<v Speaker 2>So how was your birthday? What did you get? It

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<v Speaker 2>was great, We went into Crown for the night on

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<v Speaker 2>Friday night.

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<v Speaker 3>But I get it now, right, so you and your

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<v Speaker 3>wife you were staying away in a hotel room. When

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<v Speaker 3>a couple goes away to a hotel room, I get it.

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<v Speaker 3>Hashtag adult time, fun time. That's why we couldn't see

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<v Speaker 3>pat drink it. If it's you know, if you're looking

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<v Speaker 3>hanging around with Patsy, you know who's drinking heavily and

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<v Speaker 3>a little bit more aggressive and sweary, or back for

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<v Speaker 3>a little bit of fun swinging from the chandeliers. You're

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<v Speaker 3>getting in the cab out of there as quickly as

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<v Speaker 3>possible to go back to the Crown.

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<v Speaker 2>I get it. And then you're what did you get?

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<v Speaker 2>What did you get? I asked Bianca.

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<v Speaker 7>Actually a couple of weeks ago, I said to her,

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<v Speaker 7>don't get anything for me, Like we got the birthday

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<v Speaker 7>coming up, going to Crowns enough for me. Sure we

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<v Speaker 7>got the renovation that's sucking up all our money. Look,

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<v Speaker 7>don't worry about get me anything.

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<v Speaker 3>But being honest, you think you're going to get some

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<v Speaker 3>sort of little gift to open in the morning.

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<v Speaker 7>It is a bit weird to wake up on the

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<v Speaker 7>morning and then I'm looking around genuinely, we got you nothing.

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<v Speaker 2>It was it was nothing.

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<v Speaker 4>Oh, not even a car.

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<v Speaker 2>But I asked for it. So what can I say that?

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<v Speaker 2>But you still think there's work.

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<v Speaker 3>You're going to get something small, something you know you're

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<v Speaker 3>going to hear this phrase.

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<v Speaker 8>Now.

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<v Speaker 3>I know you said get nothing, but I couldn't just

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<v Speaker 3>have you opening nothing on the day.

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<v Speaker 2>So it's just something small. I just got you this.

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<v Speaker 2>Oh thank you. I think I kind of silence, the

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<v Speaker 2>silence and nothing is wow?

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<v Speaker 7>Is she's saying, all right, do you want to go

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<v Speaker 7>down for breakfast? I was hinting it like, isn't there

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<v Speaker 7>anything more that we.

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<v Speaker 2>Taken under the breakfast table? Sure, okay, there's breakfast.

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<v Speaker 3>That's where the car b Look outside, there's the car

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<v Speaker 3>or brand new Uta or whatever it is.

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<v Speaker 7>And eventually because she wasn't bringing out any surprise gifts,

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<v Speaker 7>I said, is.

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<v Speaker 2>There anything for me? Years of age? Not thirty one?

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<v Speaker 7>And I said, oh no, I know I didn't ask

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<v Speaker 7>for anything, but is there anything open?

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<v Speaker 2>There really wasn't anything.

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<v Speaker 7>Except for the present that you gave me and you

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<v Speaker 7>told me not to open it until my birthday. So

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<v Speaker 7>I had the book books that you wrapped me, So

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<v Speaker 7>thank you because that turned out to be the only

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<v Speaker 7>thing I unwrapped on seller.

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<v Speaker 2>And how was Bianca handling this?

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<v Speaker 9>Well?

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<v Speaker 2>She obviously she was saying, Hey, you told me you

0:09:32.240 --> 0:09:34.640
<v Speaker 2>want nothing. I got you what you want to see.

0:09:34.640 --> 0:09:36.040
<v Speaker 3>This happened with my wife a couple of years ago.

0:09:36.080 --> 0:09:38.240
<v Speaker 3>I said, I did the whole classic like you. Oh look,

0:09:38.240 --> 0:09:39.600
<v Speaker 3>because we were really busy, and I said, don't wory

0:09:39.600 --> 0:09:42.040
<v Speaker 3>about geting anything. Still thought, you're going to get something small? Mean,

0:09:42.160 --> 0:09:43.800
<v Speaker 3>does it kill someone to go and get something smaller?

0:09:44.080 --> 0:09:45.959
<v Speaker 2>Sucks or something? You're just a bottle of wine or.

0:09:45.920 --> 0:09:48.920
<v Speaker 3>Something, but nothing, And then it created this really awkward

0:09:48.920 --> 0:09:50.559
<v Speaker 3>tension and my wife and were telling me off and

0:09:50.640 --> 0:09:51.680
<v Speaker 3>making her feel bad.

0:09:52.440 --> 0:09:53.560
<v Speaker 2>Yeah, well that's why I was.

0:09:53.720 --> 0:09:55.760
<v Speaker 7>If I had kept pushing the issue, I would have

0:09:55.800 --> 0:09:58.000
<v Speaker 7>been the bad guy for making her feel guilty.

0:10:00.080 --> 0:10:03.440
<v Speaker 1>The Christian O'Connell breakfast show Melbourne's Gold one oh four

0:10:03.480 --> 0:10:04.120
<v Speaker 1>point three.

0:10:04.240 --> 0:10:07.840
<v Speaker 3>So it's a stunning beautiful day yesterday, and so the

0:10:07.880 --> 0:10:10.480
<v Speaker 3>teenager she's just started to get into playing tennis. Sin's

0:10:10.520 --> 0:10:13.000
<v Speaker 3>coming here and she's had her first couple of lessons.

0:10:13.040 --> 0:10:15.439
<v Speaker 3>So I said, hey, listen, you old man used to

0:10:15.440 --> 0:10:17.480
<v Speaker 3>start playing there tennis back in the day, or I can.

0:10:17.520 --> 0:10:20.400
<v Speaker 3>I've still got the old four hands smash. I said,

0:10:20.400 --> 0:10:22.560
<v Speaker 3>why don't we book a court? So but of court

0:10:22.760 --> 0:10:25.680
<v Speaker 3>up up near a denty park and first thing says

0:10:25.679 --> 0:10:26.760
<v Speaker 3>I get on this court.

0:10:26.559 --> 0:10:29.080
<v Speaker 2>I'm thinking, what the hell's was this funny cud of

0:10:29.160 --> 0:10:29.640
<v Speaker 2>dust on.

0:10:29.600 --> 0:10:32.160
<v Speaker 3>The floor, And she goes, oh this clay court, Dad,

0:10:32.320 --> 0:10:34.160
<v Speaker 3>I don't think you've ever played on a clay court before.

0:10:34.160 --> 0:10:37.800
<v Speaker 2>I went, Now, this doesn't affect my performance, no excuses

0:10:37.840 --> 0:10:39.160
<v Speaker 2>are starting already.

0:10:39.440 --> 0:10:42.400
<v Speaker 3>Start to get this horrible cold performance anxiety as a

0:10:42.480 --> 0:10:45.439
<v Speaker 3>warming up, and start to really, I haven't actually played tennis.

0:10:45.480 --> 0:10:48.520
<v Speaker 3>It's about eighteen or nineteen, I remembering at college the

0:10:48.600 --> 0:10:49.400
<v Speaker 3>last time I played.

0:10:49.679 --> 0:10:51.839
<v Speaker 2>I am now not of that age, and I'm thinking, oh,

0:10:51.880 --> 0:10:54.960
<v Speaker 2>this is going to be horrendous. Right, she's young fit.

0:10:55.120 --> 0:10:56.360
<v Speaker 2>She started to have lessons.

0:10:56.600 --> 0:10:58.280
<v Speaker 3>I'm seeing all these other people and there's like a

0:10:58.320 --> 0:11:00.280
<v Speaker 3>tournament going on at on the court's next to us.

0:11:00.320 --> 0:11:03.120
<v Speaker 3>I'm thinking there are other parents there. I'm now really

0:11:03.120 --> 0:11:05.079
<v Speaker 3>thinkuring I should have had a couple of warm up lessons.

0:11:05.080 --> 0:11:07.880
<v Speaker 3>This is going to be horrendous. So I start going,

0:11:08.040 --> 0:11:09.760
<v Speaker 3>I've got that sun's bright. I'll tell you what. I'll

0:11:09.760 --> 0:11:11.400
<v Speaker 3>stand with the sons in my eyes as well. So

0:11:11.440 --> 0:11:14.079
<v Speaker 3>I'm only looking for a couple of excuses. You know,

0:11:14.120 --> 0:11:16.719
<v Speaker 3>I go, I'll take one for the team, so I'll

0:11:16.760 --> 0:11:18.840
<v Speaker 3>make sure that I'm facing the sun, so you know,

0:11:18.880 --> 0:11:22.280
<v Speaker 3>and I say to her, listen, I said, just be careful.

0:11:22.280 --> 0:11:24.520
<v Speaker 3>I said, try not to hit too many onto my

0:11:25.280 --> 0:11:28.120
<v Speaker 3>backhand because it's not very good. I said, it will connect,

0:11:28.160 --> 0:11:30.360
<v Speaker 3>but I can't guarantee where it's going to go. Within

0:11:30.400 --> 0:11:33.719
<v Speaker 3>the first ten minutes, two balls right when I hit

0:11:33.720 --> 0:11:36.120
<v Speaker 3>it with my famed backhand have gone out of the

0:11:36.160 --> 0:11:40.520
<v Speaker 3>court onto the Nepean Highway. So if yesterday ran about

0:11:40.520 --> 0:11:42.720
<v Speaker 3>ten past twelve, your car got hit by one of

0:11:42.720 --> 0:11:45.960
<v Speaker 3>my two tennis balls and Wilson come flying over. Apologies,

0:11:46.080 --> 0:11:48.480
<v Speaker 3>that's me. Okay, this is within the first ten minutes

0:11:48.720 --> 0:11:50.800
<v Speaker 3>to go out of the court, so we ended up

0:11:50.800 --> 0:11:52.920
<v Speaker 3>playing for another hour and it was great fun.

0:11:53.480 --> 0:11:55.160
<v Speaker 2>Gone through twenty balls a lot.

0:11:55.280 --> 0:11:57.960
<v Speaker 3>I was kept looking looking for more balls and it

0:11:58.040 --> 0:12:00.600
<v Speaker 3>was great fun and really willing to I now want

0:12:00.600 --> 0:12:02.600
<v Speaker 3>to have some tennis lessons right because it's a beautiful day.

0:12:02.640 --> 0:12:04.240
<v Speaker 3>Yesterday thought that's been a nice thing for us too.

0:12:04.480 --> 0:12:05.679
<v Speaker 3>She gets a bit better. I need to get a

0:12:05.679 --> 0:12:07.880
<v Speaker 3>hell of a lot better. But I suddenly remember when

0:12:07.880 --> 0:12:10.120
<v Speaker 3>I used to play with my dad any kind of sport.

0:12:10.160 --> 0:12:12.920
<v Speaker 3>My dad was a really competitive all rounder and he

0:12:13.000 --> 0:12:16.200
<v Speaker 3>would have no truck in beating me.

0:12:16.600 --> 0:12:20.520
<v Speaker 2>He never let me ever win. My dad was exactly

0:12:20.559 --> 0:12:22.080
<v Speaker 2>the same. Yeah, what is that.

0:12:22.200 --> 0:12:24.520
<v Speaker 7>I think it's a way to teach you that you

0:12:24.559 --> 0:12:26.719
<v Speaker 7>know that you've got to earn your wins, which I

0:12:26.800 --> 0:12:29.160
<v Speaker 7>never got to experience because he was always my dad

0:12:29.200 --> 0:12:30.880
<v Speaker 7>and whatever we.

0:12:30.920 --> 0:12:34.320
<v Speaker 2>Did, he would always win. I would never get anywhere

0:12:34.360 --> 0:12:34.640
<v Speaker 2>near him.

0:12:34.640 --> 0:12:37.040
<v Speaker 3>I remember as a teenager, I didn't amateur boxing, night

0:12:37.080 --> 0:12:39.040
<v Speaker 3>schoolboard box, and my dad used to box. I remember

0:12:39.040 --> 0:12:41.760
<v Speaker 3>sometimes we spy in the garden and once he just

0:12:41.800 --> 0:12:44.920
<v Speaker 3>smashed me on the nose and there was like blood everywhere,

0:12:44.960 --> 0:12:46.720
<v Speaker 3>and he didn't call time or go hey, look, oh

0:12:46.840 --> 0:12:49.240
<v Speaker 3>that's terribly won't carry on something? And we carried on

0:12:49.280 --> 0:12:51.400
<v Speaker 3>spot I could hardly see because.

0:12:51.120 --> 0:12:54.840
<v Speaker 2>Of blood coming. I'm thinking this is pretty screwed up.

0:12:55.400 --> 0:12:56.480
<v Speaker 2>I don't think this is right.

0:12:56.559 --> 0:12:58.520
<v Speaker 3>I don't think this is what you're supposed to be doing,

0:12:58.720 --> 0:13:01.240
<v Speaker 3>actually punching yourself when he's fourteen years aweak.

0:13:01.320 --> 0:13:02.480
<v Speaker 2>So what do you do with your dad?

0:13:02.559 --> 0:13:05.480
<v Speaker 7>One of my earliest memories actually is my dad teaching

0:13:05.520 --> 0:13:08.440
<v Speaker 7>me how to play cricket. And I'm so young that

0:13:08.480 --> 0:13:11.000
<v Speaker 7>I'm just trying to get the actual function of getting

0:13:11.000 --> 0:13:12.520
<v Speaker 7>the bat, swinging and hitting the ball.

0:13:12.559 --> 0:13:13.839
<v Speaker 2>Well lot your team at the moment r at that

0:13:13.920 --> 0:13:14.480
<v Speaker 2>level as well.

0:13:16.800 --> 0:13:19.200
<v Speaker 7>So I connect with one out of the middle of

0:13:19.200 --> 0:13:22.000
<v Speaker 7>the bat and I'm so happy, really, but go straight

0:13:22.000 --> 0:13:23.840
<v Speaker 7>to dad day catches. I go, I did it like

0:13:23.880 --> 0:13:26.000
<v Speaker 7>I've hit it. He goes, not a good hit. I

0:13:26.040 --> 0:13:26.640
<v Speaker 7>caught you out.

0:13:28.720 --> 0:13:31.960
<v Speaker 4>Dreams crushed, all right?

0:13:32.000 --> 0:13:34.080
<v Speaker 3>So this morning one know what happened when you played

0:13:34.080 --> 0:13:36.160
<v Speaker 3>sport as a kid with mum or dad?

0:13:36.240 --> 0:13:38.520
<v Speaker 2>Nine one four three.

0:13:38.480 --> 0:13:41.560
<v Speaker 1>The Christian o' connell breakfast show Melbourne's Gold one oh

0:13:41.640 --> 0:13:42.520
<v Speaker 1>four point three.

0:13:42.640 --> 0:13:45.240
<v Speaker 3>So this week for one last dream, then the three

0:13:45.320 --> 0:13:47.400
<v Speaker 3>bands that we wieled it down to talk about one

0:13:47.480 --> 0:13:50.040
<v Speaker 3>last dream, this big show Jack, which.

0:13:50.000 --> 0:13:55.160
<v Speaker 7>Is oh No, starting in thirteen days, five hours, eight minutes,

0:13:55.240 --> 0:13:57.080
<v Speaker 7>thirteen seconds I walk on stage.

0:13:58.360 --> 0:14:00.559
<v Speaker 3>Now, it's under two weeks now, it is under two

0:14:00.640 --> 0:14:02.840
<v Speaker 3>weeks to one last stream this big gig. We've got

0:14:02.840 --> 0:14:06.679
<v Speaker 3>the opening spot for the band that you're going to

0:14:06.760 --> 0:14:08.640
<v Speaker 3>find in the next week. It's in front of fifteen

0:14:08.679 --> 0:14:11.440
<v Speaker 3>thousand people for the Angels, Jimmy Barnes and loads more

0:14:11.679 --> 0:14:13.040
<v Speaker 3>So it's under two weeks time.

0:14:13.240 --> 0:14:15.880
<v Speaker 2>We've got the opening spot. We haven't yet found the band,

0:14:15.920 --> 0:14:17.800
<v Speaker 2>but it's down to the final three.

0:14:17.920 --> 0:14:21.160
<v Speaker 3>And this Thursday night at the Labour in Vain in Fitzroy,

0:14:21.200 --> 0:14:24.240
<v Speaker 3>brilliant live music pub prop over our music venue here

0:14:24.240 --> 0:14:28.160
<v Speaker 3>in Melbourne, three bands are going to play live and

0:14:28.200 --> 0:14:30.440
<v Speaker 3>they're all going to do one original song. And these

0:14:30.440 --> 0:14:33.400
<v Speaker 3>are reunited bands that haven't played together in a long time.

0:14:33.440 --> 0:14:36.640
<v Speaker 3>They're doing one original song and then a cover version.

0:14:36.800 --> 0:14:38.360
<v Speaker 3>Each of the three bands is going to do their

0:14:38.360 --> 0:14:41.760
<v Speaker 3>own version of George Michael's Faith and they've been practicing

0:14:41.800 --> 0:14:44.520
<v Speaker 3>over the weekend. Of course, this weekend was their last

0:14:44.560 --> 0:14:46.360
<v Speaker 3>weekend to try and get some practicing kind of the

0:14:46.440 --> 0:14:49.760
<v Speaker 3>big live performance on Thursday night. So after seven you

0:14:49.800 --> 0:14:52.440
<v Speaker 3>can hear how they've been getting on and bear in

0:14:52.480 --> 0:14:56.440
<v Speaker 3>mind these they are rehearsing. However, one of the bands

0:14:56.480 --> 0:14:59.240
<v Speaker 3>has got a major glitch, one of the band members,

0:14:59.280 --> 0:15:02.600
<v Speaker 3>so obviously to them. Friday they were nothing but excited.

0:15:02.920 --> 0:15:05.160
<v Speaker 3>They were down to the final three. Last week there

0:15:05.160 --> 0:15:07.720
<v Speaker 3>were like live eliminations, two bands going up against it

0:15:07.760 --> 0:15:10.040
<v Speaker 3>for your votes, hundreds of people texting you in vote

0:15:10.040 --> 0:15:12.080
<v Speaker 3>for which band you wanted. So on Friday there were

0:15:12.080 --> 0:15:14.480
<v Speaker 3>nothing but excited. You know they've made it through. They're

0:15:14.480 --> 0:15:15.960
<v Speaker 3>going to be playing live on a load of people.

0:15:16.040 --> 0:15:18.360
<v Speaker 3>They're actually doing a gig. They're closer to the big

0:15:18.400 --> 0:15:22.320
<v Speaker 3>winning prize, one last dream opening up for fifteen thousand people. However,

0:15:22.880 --> 0:15:25.240
<v Speaker 3>one of the bands, one of the band members, cannot

0:15:25.320 --> 0:15:28.760
<v Speaker 3>make the gig Thursday night, and I'll let them tell

0:15:28.760 --> 0:15:31.320
<v Speaker 3>you what they need. So after seven months morning one

0:15:31.320 --> 0:15:34.520
<v Speaker 3>of the bands is putting out on SOS.

0:15:33.880 --> 0:15:37.280
<v Speaker 1>The Christian O'Connell breakfast Show, Melbourne's Gold one oh four

0:15:37.320 --> 0:15:37.920
<v Speaker 1>point three.

0:15:38.080 --> 0:15:40.560
<v Speaker 3>So what about half hours time you've been taking part

0:15:40.560 --> 0:15:42.800
<v Speaker 3>in a brand new game. It's week ten and ten

0:15:42.840 --> 0:15:45.520
<v Speaker 3>weeks of tickets and it's Maroon five tickets every single

0:15:45.600 --> 0:15:48.240
<v Speaker 3>day this week that you can win. A warning, now,

0:15:48.320 --> 0:15:52.000
<v Speaker 3>the game is intense, some of you irritating and for

0:15:52.080 --> 0:15:56.240
<v Speaker 3>all of you that play terrifying. However, we played it

0:15:56.760 --> 0:15:57.920
<v Speaker 3>after Friday show.

0:15:58.000 --> 0:15:58.320
<v Speaker 2>It is.

0:15:59.000 --> 0:16:01.600
<v Speaker 3>It hasn't been designed. It's impossible to get a decent score.

0:16:01.880 --> 0:16:05.040
<v Speaker 7>Are you going to do the I can only describe

0:16:05.040 --> 0:16:07.680
<v Speaker 7>it as a distraction method. You're going to perform the

0:16:07.720 --> 0:16:11.040
<v Speaker 7>distraction method today? Yeah, that's going to be that.

0:16:11.200 --> 0:16:12.120
<v Speaker 4>That's going to be last.

0:16:12.320 --> 0:16:13.600
<v Speaker 3>That's going to be the bit that a bit of a

0:16:13.600 --> 0:16:15.800
<v Speaker 3>struggle with. Anyway, we've got that in half an hour's time.

0:16:15.840 --> 0:16:18.200
<v Speaker 3>Before that, let's find out how the top three bands

0:16:18.560 --> 0:16:20.800
<v Speaker 3>in one last stream in getting on over the weekend.

0:16:20.920 --> 0:16:24.320
<v Speaker 3>So Friday we said to all the three bands and

0:16:24.360 --> 0:16:26.200
<v Speaker 3>you need to be rehearsing this weekend because you've got

0:16:26.200 --> 0:16:29.320
<v Speaker 3>a live pub gig this Thursday night and you can

0:16:29.440 --> 0:16:31.960
<v Speaker 3>win some tickets later on today's show. It's at the

0:16:32.000 --> 0:16:34.800
<v Speaker 3>Labor and Vein in Fitzroy, which is a great pub,

0:16:35.000 --> 0:16:36.680
<v Speaker 3>a lot of great live music. They're a lot of

0:16:36.720 --> 0:16:38.680
<v Speaker 3>free live music they do as well, So if you're

0:16:38.720 --> 0:16:40.720
<v Speaker 3>in the move for some live music, head over to

0:16:40.760 --> 0:16:42.760
<v Speaker 3>the Labor and Vein. They've kind of invited us along

0:16:42.840 --> 0:16:45.040
<v Speaker 3>this Thursday night. We're going to be there and I

0:16:45.040 --> 0:16:46.680
<v Speaker 3>think we can get in quite a few of you

0:16:46.760 --> 0:16:48.600
<v Speaker 3>on Thursday night. It's going to be a squeeze, it's

0:16:48.640 --> 0:16:51.080
<v Speaker 3>going to be intimate. It's a proper live music venue.

0:16:51.160 --> 0:16:52.960
<v Speaker 3>We just thought it's a great way for the three

0:16:53.000 --> 0:16:55.440
<v Speaker 3>bands to get up in front of some people see

0:16:55.440 --> 0:16:57.120
<v Speaker 3>how they are playing live. We can see how they

0:16:57.120 --> 0:16:59.280
<v Speaker 3>are live because one of those bands has to be

0:16:59.360 --> 0:17:02.600
<v Speaker 3>selected this next week to get ready because the one

0:17:02.680 --> 0:17:05.480
<v Speaker 3>last Tream gig in front of fifteen thousand people is

0:17:05.600 --> 0:17:07.080
<v Speaker 3>under two weeks time now.

0:17:07.280 --> 0:17:08.680
<v Speaker 2>It is exactly.

0:17:08.359 --> 0:17:11.879
<v Speaker 7>Thirteen days, four hours, fifty two minutes, forty four seconds.

0:17:12.000 --> 0:17:15.080
<v Speaker 3>All right, So this is this them rehearsing over the weekend.

0:17:15.400 --> 0:17:17.920
<v Speaker 3>Both the bands. It's going to get to do two songs,

0:17:18.119 --> 0:17:20.480
<v Speaker 3>one of their own original songs. And these bands us

0:17:20.520 --> 0:17:24.800
<v Speaker 3>remind ourselves have reunited. They haven't played together for around

0:17:24.880 --> 0:17:27.159
<v Speaker 3>twenty to twenty five years, twenty eight years for one

0:17:27.160 --> 0:17:27.639
<v Speaker 3>of the bands.

0:17:27.680 --> 0:17:29.840
<v Speaker 2>So and bear in mind it's just recorded with.

0:17:29.840 --> 0:17:33.320
<v Speaker 3>Someone's iPhone in And I was about to say rehearsal room.

0:17:33.480 --> 0:17:35.920
<v Speaker 3>That is not the case. The videos you can see

0:17:35.960 --> 0:17:39.040
<v Speaker 3>them all now. They're crammed in spare rooms. One of

0:17:39.080 --> 0:17:41.320
<v Speaker 3>the guys, some Hot Properties, even kept his sunglasses on

0:17:41.359 --> 0:17:44.760
<v Speaker 3>for the rehearsal as well. Try and I guess recapture

0:17:44.760 --> 0:17:46.800
<v Speaker 3>that rock Phil all right, So we said to them,

0:17:46.800 --> 0:17:48.959
<v Speaker 3>you can do one original song and also you all

0:17:48.960 --> 0:17:51.760
<v Speaker 3>got to do the same cover version of George Michael's Faith.

0:17:52.400 --> 0:17:54.880
<v Speaker 3>So this is Hot Property, the band reunited. I haven't

0:17:54.880 --> 0:17:59.520
<v Speaker 3>played together for about twenty eight years from the eighties,

0:18:17.600 --> 0:18:20.679
<v Speaker 3>so played together in the eighties. They're sounding pretty good

0:18:20.720 --> 0:18:23.240
<v Speaker 3>and I forget. They only found out remeb about quarter

0:18:23.240 --> 0:18:25.600
<v Speaker 3>to nine on Friday Show that they had to start

0:18:25.680 --> 0:18:26.879
<v Speaker 3>doing a cover version of Faith.

0:18:27.000 --> 0:18:29.679
<v Speaker 7>I watched his video, which is online at the Facebook page.

0:18:30.040 --> 0:18:33.720
<v Speaker 7>I wonder if you'll have the lyrics sheet up on Thursday, because.

0:18:33.400 --> 0:18:36.480
<v Speaker 2>He has to read all the lyrics after sheet.

0:18:36.560 --> 0:18:40.720
<v Speaker 3>At the moment, this is Bungalow around here in Melbourne

0:18:40.720 --> 0:18:43.000
<v Speaker 3>playing in the two thousands have listened to. This is

0:18:43.040 --> 0:19:04.160
<v Speaker 3>their version of Faith. We also found this band in mind.

0:19:04.200 --> 0:19:06.520
<v Speaker 3>You know they are rehears and haven't played together a

0:19:06.520 --> 0:19:07.160
<v Speaker 3>long long time.

0:19:21.680 --> 0:19:25.119
<v Speaker 2>Dad that ironed out by Thursday. Bungalow will talk out.

0:19:25.119 --> 0:19:26.560
<v Speaker 3>I don't know who's su the drumming, but the drummer

0:19:26.600 --> 0:19:30.880
<v Speaker 3>sounds really now that band there, Bungalow, they really really

0:19:30.920 --> 0:19:33.800
<v Speaker 3>need some help. They sent us an email last night

0:19:33.920 --> 0:19:36.359
<v Speaker 3>like a hell Mary Pass saying when they told us

0:19:36.400 --> 0:19:38.040
<v Speaker 3>the problem, they said, do you want to kick us

0:19:38.040 --> 0:19:39.760
<v Speaker 3>out the competition? We do not want to do that,

0:19:39.800 --> 0:19:42.879
<v Speaker 3>but we do need some help. Bungalow needs some help.

0:19:42.960 --> 0:19:46.359
<v Speaker 1>The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

0:19:46.359 --> 0:19:49.640
<v Speaker 1>point three Rock and More Radio.

0:19:49.520 --> 0:19:54.000
<v Speaker 2>Christian O'Connell's One Last Dream.

0:19:56.359 --> 0:19:58.280
<v Speaker 3>Over the last three weeks from the show, they're asking

0:19:58.359 --> 0:20:02.359
<v Speaker 3>you if you've fancy reunited year old bands. Almost one

0:20:02.440 --> 0:20:05.119
<v Speaker 3>hundred bands stepped forward said yeah, we'd love that, especially

0:20:05.119 --> 0:20:06.760
<v Speaker 3>when they heard about why we'll be doing this. We

0:20:06.880 --> 0:20:09.840
<v Speaker 3>have the opening spot in front of fifteen thousand music

0:20:09.880 --> 0:20:11.040
<v Speaker 3>fans completely.

0:20:10.600 --> 0:20:13.080
<v Speaker 2>Sold out one electric day ad at Werribee.

0:20:13.359 --> 0:20:16.680
<v Speaker 3>You'll be opening up for Jimmy Barnsey, Angels, John Stevenson.

0:20:16.200 --> 0:20:18.560
<v Speaker 2>And loads more. It's not long.

0:20:18.920 --> 0:20:21.520
<v Speaker 3>In fact, it's getting nearer and nearer and nearer. They've

0:20:21.520 --> 0:20:22.800
<v Speaker 3>been passing minute an hour.

0:20:23.840 --> 0:20:27.399
<v Speaker 7>Yeah, it is thirteen days, four hours, forty five minutes,

0:20:27.440 --> 0:20:30.680
<v Speaker 7>thirty seven seconds. You'll say, can the band please come

0:20:30.720 --> 0:20:31.360
<v Speaker 7>on stage?

0:20:31.480 --> 0:20:31.760
<v Speaker 2>Yeah?

0:20:32.000 --> 0:20:35.600
<v Speaker 3>Sighting under two weeks time now, so the top three

0:20:35.680 --> 0:20:38.480
<v Speaker 3>mans that's picked by you, rehearsing over the weekend for

0:20:38.560 --> 0:20:39.760
<v Speaker 3>the big live gig.

0:20:39.600 --> 0:20:41.000
<v Speaker 2>This Thursday night.

0:20:42.480 --> 0:20:45.480
<v Speaker 3>And then I get this email sent to us at

0:20:45.520 --> 0:20:49.760
<v Speaker 3>one fifteen am this morning. One fifteen am this morning.

0:20:49.960 --> 0:20:52.399
<v Speaker 3>When someone sends you an email like that, think, oh no,

0:20:52.520 --> 0:20:59.520
<v Speaker 3>what has happened? This comes from Dal from Bungalow. Hi, guys,

0:20:59.600 --> 0:21:02.200
<v Speaker 3>absolutely gutted to be right in this, but our guitarist

0:21:02.320 --> 0:21:05.800
<v Speaker 3>Jay can't do the gids Thursday night. He lives in

0:21:05.880 --> 0:21:07.840
<v Speaker 3>Hobart and has been with us on this journey all

0:21:07.880 --> 0:21:10.520
<v Speaker 3>the way. He can make the big show, but he

0:21:10.560 --> 0:21:13.439
<v Speaker 3>works as a baggage handler and he can't find an

0:21:13.440 --> 0:21:15.439
<v Speaker 3>early enough flight to get him back in time for

0:21:15.480 --> 0:21:19.520
<v Speaker 3>his shift Friday morning. Sorry to be dumping this on

0:21:19.600 --> 0:21:22.840
<v Speaker 3>you and interrupting your programming. I love it when people

0:21:22.920 --> 0:21:26.800
<v Speaker 3>refer to this inane nonsense as a program. My dad

0:21:26.800 --> 0:21:29.399
<v Speaker 3>does that. He calls them to do an episode the

0:21:29.400 --> 0:21:33.160
<v Speaker 3>other week son. It gives an air of gravity which

0:21:33.200 --> 0:21:34.639
<v Speaker 3>it really really doesn't deserve.

0:21:34.880 --> 0:21:36.760
<v Speaker 2>But anyway, Dale's on the line. Now let's see what

0:21:36.800 --> 0:21:37.159
<v Speaker 2>we can do.

0:21:37.200 --> 0:21:40.040
<v Speaker 8>Good morning Dale, Good morning Christian.

0:21:40.280 --> 0:21:42.399
<v Speaker 3>They listen you sound heavy art of there, first of all,

0:21:42.440 --> 0:21:44.720
<v Speaker 3>before we go any further, sounding great in the rehearsals.

0:21:44.720 --> 0:21:48.639
<v Speaker 8>Mate, Oh thanks, yes, thanks so much.

0:21:50.440 --> 0:21:54.480
<v Speaker 2>Are you all right down? What's up? But this is

0:21:54.520 --> 0:21:56.360
<v Speaker 2>a different guy who I spoke to Friday.

0:21:57.280 --> 0:22:00.200
<v Speaker 8>I'm not good. I've had better days of just I've

0:22:00.240 --> 0:22:02.200
<v Speaker 8>just been I've been under a lot of pressure. I've

0:22:02.200 --> 0:22:06.760
<v Speaker 8>got to admit. And yeah, we just as of Friday,

0:22:06.840 --> 0:22:09.719
<v Speaker 8>we I sort of, you know, passed the message on

0:22:09.760 --> 0:22:12.879
<v Speaker 8>what was happening with a Thursday night thing, and I

0:22:12.960 --> 0:22:15.000
<v Speaker 8>got I was kind of just getting a little bit

0:22:15.000 --> 0:22:18.400
<v Speaker 8>of you know, when I told Jay, you know, it's

0:22:18.400 --> 0:22:20.920
<v Speaker 8>like he's like, oh, it should be good. Should be good.

0:22:21.119 --> 0:22:24.639
<v Speaker 8>And as the weekend sort of went on, it just

0:22:24.760 --> 0:22:26.679
<v Speaker 8>progressively got to the point where I was on the

0:22:26.720 --> 0:22:31.480
<v Speaker 8>phone to him at midnight last night and I just, yeah,

0:22:31.680 --> 0:22:34.640
<v Speaker 8>just the realization that he wasn't going to be able

0:22:34.640 --> 0:22:37.879
<v Speaker 8>to make it Thursday. Just it was just one of

0:22:37.880 --> 0:22:40.840
<v Speaker 8>those situations. So yeah, I send an email through to

0:22:40.880 --> 0:22:44.280
<v Speaker 8>your producer back and yeah, there was a couple of

0:22:44.840 --> 0:22:47.440
<v Speaker 8>couple of glasses of wine involved in that email too.

0:22:47.520 --> 0:22:48.760
<v Speaker 8>So yeah, I'm just just not feeling.

0:22:49.000 --> 0:22:50.600
<v Speaker 3>I don't want to talk about the swearing or bad

0:22:50.680 --> 0:22:53.080
<v Speaker 3>language because I can.

0:22:53.000 --> 0:22:55.280
<v Speaker 2>See this sheep from here. There's a lot of redactive information.

0:22:55.359 --> 0:22:59.040
<v Speaker 2>There smells of share house as well. But no, let's

0:22:59.160 --> 0:23:00.240
<v Speaker 2>leave that list.

0:23:00.960 --> 0:23:03.239
<v Speaker 3>Let us take the pressure off you out because you've

0:23:03.240 --> 0:23:05.639
<v Speaker 3>got enough going on, all right, worrying about all this,

0:23:05.720 --> 0:23:08.280
<v Speaker 3>the rehearsals to gigs Thursday night and maybe even the

0:23:08.280 --> 0:23:11.240
<v Speaker 3>bigger one under two weeks time. You need a guitarist

0:23:11.240 --> 0:23:12.680
<v Speaker 3>for Thursday night's pub gig, don't.

0:23:12.520 --> 0:23:15.400
<v Speaker 8>You we do, We did a lead guitarists.

0:23:15.440 --> 0:23:16.960
<v Speaker 3>Yeah, all right, there's no way we're going to throw

0:23:17.000 --> 0:23:19.040
<v Speaker 3>you out because of this has happened and it's real life.

0:23:19.080 --> 0:23:21.320
<v Speaker 3>And the guy is obviously just trying to do his job,

0:23:21.359 --> 0:23:23.720
<v Speaker 3>which is fair enough. So he's a baggage handler back

0:23:23.720 --> 0:23:24.320
<v Speaker 3>in Hobart.

0:23:25.040 --> 0:23:28.800
<v Speaker 2>Yes, so he flew in for the rehearsals this weekend.

0:23:29.000 --> 0:23:31.920
<v Speaker 8>He well, actually he did it because that was sort

0:23:31.960 --> 0:23:34.560
<v Speaker 8>of that was he couldn't make it for this weekend.

0:23:35.440 --> 0:23:37.480
<v Speaker 8>Just quickly to the weird thing was that if he

0:23:37.560 --> 0:23:39.800
<v Speaker 8>flew back on a Friday morning, he would have actually

0:23:39.800 --> 0:23:41.800
<v Speaker 8>had to unload the bags from the plane that he

0:23:41.880 --> 0:23:47.600
<v Speaker 8>was flying back to hobart On, so I said, I look,

0:23:47.720 --> 0:23:49.280
<v Speaker 8>just when the plane lands, just walk up in the

0:23:49.280 --> 0:23:51.199
<v Speaker 8>front of the plane day lands and Germans, please just

0:23:51.440 --> 0:23:52.800
<v Speaker 8>hang for a second. I'm going to go down and

0:23:52.800 --> 0:23:55.040
<v Speaker 8>get your bag. But he didn't think that was very fun.

0:23:55.080 --> 0:23:57.280
<v Speaker 3>I'm sure this brand new wells, all the spice girls.

0:23:57.280 --> 0:23:59.639
<v Speaker 3>You see them get off the plane then start klugging

0:23:59.680 --> 0:24:00.800
<v Speaker 3>all this cases.

0:24:02.760 --> 0:24:04.960
<v Speaker 2>That's rock and roll. That's how it's done these days.

0:24:05.200 --> 0:24:08.000
<v Speaker 3>So we need a guitarist of Bungalow for Thursday night,

0:24:08.040 --> 0:24:12.960
<v Speaker 3>a standing yes, yep, right, Okay, well listen, this is

0:24:12.960 --> 0:24:15.080
<v Speaker 3>a big musical city. The fact that one hundred bands

0:24:15.080 --> 0:24:17.800
<v Speaker 3>said they fancied reuniting, there's a lot of people out there.

0:24:17.960 --> 0:24:18.439
<v Speaker 2>At first, I.

0:24:18.440 --> 0:24:20.560
<v Speaker 3>Didn't think about poor old alex On, the band's citizen

0:24:20.640 --> 0:24:24.240
<v Speaker 3>k who was denied the reunion slot.

0:24:24.280 --> 0:24:25.280
<v Speaker 2>But he's a bass player.

0:24:25.560 --> 0:24:27.359
<v Speaker 3>So this is a call out this morning if anyone

0:24:27.440 --> 0:24:31.040
<v Speaker 3>knows a guitarist who's free Thursday night. And I guess

0:24:31.080 --> 0:24:33.840
<v Speaker 3>if you've got time to rehearse with these standing guitarists this.

0:24:33.800 --> 0:24:37.120
<v Speaker 8>Week, yes here definitely would yep, yeah.

0:24:36.920 --> 0:24:39.159
<v Speaker 2>You like to get off the wine for one night?

0:24:39.200 --> 0:24:44.199
<v Speaker 3>And I'm sure a lot of people would buy that.

0:24:44.760 --> 0:24:47.080
<v Speaker 8>I have a laugh, but yeah, I could get off

0:24:47.080 --> 0:24:50.880
<v Speaker 8>the one all right.

0:24:50.920 --> 0:24:53.800
<v Speaker 3>So we need a guitarist. Bungalow needs a guitarist. One

0:24:53.880 --> 0:24:56.600
<v Speaker 3>Last Dream needs you to help out here, So guitarists

0:24:56.640 --> 0:24:57.399
<v Speaker 3>please call in.

0:24:57.520 --> 0:24:59.639
<v Speaker 2>If only I worked with a guitarist.

0:25:00.119 --> 0:25:02.960
<v Speaker 7>I mean, hello, Dale, I would love to do it,

0:25:03.040 --> 0:25:04.880
<v Speaker 7>but I got to say I'm going to remain neutral

0:25:04.920 --> 0:25:07.119
<v Speaker 7>surely across all three bands. If I'm going to be

0:25:07.240 --> 0:25:10.800
<v Speaker 7>judging with you and the audience, I have to I

0:25:10.800 --> 0:25:11.320
<v Speaker 7>can't have.

0:25:11.280 --> 0:25:13.160
<v Speaker 3>You quite right special interest. I mean on those big

0:25:13.160 --> 0:25:16.360
<v Speaker 3>shows like American Idol. You don't see we have got

0:25:16.359 --> 0:25:19.960
<v Speaker 3>a singer, Simon cow Come on, Yeah, I shouldn't really

0:25:20.000 --> 0:25:22.600
<v Speaker 3>do it this, guys. I'm going to play the triangle

0:25:22.640 --> 0:25:22.920
<v Speaker 3>on this.

0:25:22.920 --> 0:25:26.200
<v Speaker 2>Track breaker a break glass.

0:25:26.200 --> 0:25:29.080
<v Speaker 7>In case of emergency, Dale, maybe I could be available

0:25:29.119 --> 0:25:29.880
<v Speaker 7>on Thursday night.

0:25:30.000 --> 0:25:31.879
<v Speaker 2>I'm sure. I'm sure we'll get your great guitar.

0:25:32.640 --> 0:25:33.120
<v Speaker 8>Definitely.

0:25:33.200 --> 0:25:35.000
<v Speaker 3>All right, give us a call. The storm then has

0:25:35.000 --> 0:25:36.760
<v Speaker 3>helped dayl Oud. Okay, Dal, We'll catch up with you

0:25:36.760 --> 0:25:38.560
<v Speaker 3>soon with some good news. Don't worry, buddy, I know

0:25:38.600 --> 0:25:39.440
<v Speaker 3>we can help you out.

0:25:40.040 --> 0:25:41.280
<v Speaker 8>Thanks for other standy guys.

0:25:41.280 --> 0:25:44.320
<v Speaker 3>Thanks doubt Cinderella will go to the ball this Thursday night.

0:25:44.320 --> 0:25:47.760
<v Speaker 3>Don't worry nine four one one four three. We're looking

0:25:47.760 --> 0:25:48.360
<v Speaker 3>for a guitarist.

0:25:48.440 --> 0:25:51.800
<v Speaker 1>The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

0:25:51.840 --> 0:25:57.119
<v Speaker 1>point three Rock and All Radio, Christian O'Connell's.

0:25:56.560 --> 0:26:04.400
<v Speaker 3>One Blast Dream Rock and Roll needs a guitarist right now.

0:26:04.480 --> 0:26:07.680
<v Speaker 3>One of the top three bands or one last tream.

0:26:07.840 --> 0:26:09.760
<v Speaker 3>This mission we've been on the last three weeks asking

0:26:09.760 --> 0:26:11.479
<v Speaker 3>you to reunite your old bands because we've got an

0:26:11.520 --> 0:26:14.639
<v Speaker 3>amazing gig, a second chance opening up for Jimmy Barnes

0:26:14.680 --> 0:26:17.639
<v Speaker 3>the Angels from the fifteen thousand people that at Werriby

0:26:17.720 --> 0:26:22.199
<v Speaker 3>Mansions in just under two weeks time. One of the

0:26:22.200 --> 0:26:25.840
<v Speaker 3>bands needs a guitarist. We're doing this live performance with

0:26:25.920 --> 0:26:28.359
<v Speaker 3>him this Thursday night. All three bands playing live in

0:26:28.400 --> 0:26:30.879
<v Speaker 3>the Labor in Vain in Fitzroy. Your chance to come

0:26:30.920 --> 0:26:32.520
<v Speaker 3>and join us and see the bands in a couple

0:26:32.560 --> 0:26:35.680
<v Speaker 3>of moments before that, we need guitarist. Their guitarist is

0:26:35.680 --> 0:26:38.560
<v Speaker 3>a baggage handler in Hobart. He can't do the gig,

0:26:38.880 --> 0:26:43.000
<v Speaker 3>fly back and start his shift early Friday morning, so

0:26:43.080 --> 0:26:48.040
<v Speaker 3>they need a guitarist. A sap Jason, good morning, Good

0:26:48.040 --> 0:26:49.080
<v Speaker 3>morning man, how are you?

0:26:49.200 --> 0:26:49.800
<v Speaker 2>I'm pretty good.

0:26:49.840 --> 0:26:52.800
<v Speaker 3>Well, thank you very much for responding to our sos.

0:26:52.920 --> 0:26:53.920
<v Speaker 3>You might be to help out.

0:26:54.760 --> 0:26:56.840
<v Speaker 9>Oh look, God, I can't help help meself.

0:26:56.920 --> 0:26:57.359
<v Speaker 8>My book.

0:26:57.400 --> 0:27:00.800
<v Speaker 9>Moy Son is a pretty good guitar, Harris. Might he

0:27:00.840 --> 0:27:04.240
<v Speaker 9>play for a lot of Australian artists that have en around,

0:27:04.280 --> 0:27:06.640
<v Speaker 9>so I'm sure he'd be able to fill in. Might

0:27:06.640 --> 0:27:10.080
<v Speaker 9>if he couldn't, I don't know who could.

0:27:10.119 --> 0:27:15.760
<v Speaker 3>But it was going really well, maw, we're about to

0:27:15.760 --> 0:27:16.240
<v Speaker 3>square one.

0:27:17.200 --> 0:27:19.800
<v Speaker 9>It doesn't it doesn't know about this. Might he still asleep?

0:27:20.000 --> 0:27:22.800
<v Speaker 2>Now? A quick question? How old is your son?

0:27:23.600 --> 0:27:24.400
<v Speaker 9>He's twenty four?

0:27:24.720 --> 0:27:26.920
<v Speaker 3>Oh, I thought you were talking about some teenage boy.

0:27:27.160 --> 0:27:30.000
<v Speaker 3>Can I ask why she's still asleep at seven thirty.

0:27:29.720 --> 0:27:30.280
<v Speaker 2>In the morning?

0:27:31.080 --> 0:27:33.640
<v Speaker 9>He's always asked gigging? Might he's a he's a busy boy.

0:27:33.880 --> 0:27:36.640
<v Speaker 9>He guys all over the fly, gigging and filling in

0:27:36.680 --> 0:27:39.400
<v Speaker 9>and all. He's pretty well known in the area.

0:27:39.440 --> 0:27:41.080
<v Speaker 2>Yeah. And who's he? Who's he played with them? Any

0:27:41.160 --> 0:27:42.160
<v Speaker 2>names that we might know.

0:27:43.280 --> 0:27:49.520
<v Speaker 9>Wendy Stibleton, Russell Morris, Wilbur Wall, Norm Mighty Row. I

0:27:49.520 --> 0:27:52.480
<v Speaker 9>think it is all Normy Row as well. He played

0:27:52.480 --> 0:27:53.400
<v Speaker 9>with guys.

0:27:53.880 --> 0:27:55.919
<v Speaker 2>Jason. Are you like his booking agent. Are you as

0:27:56.160 --> 0:27:56.720
<v Speaker 2>his manager?

0:27:57.359 --> 0:27:57.520
<v Speaker 3>Now?

0:27:57.560 --> 0:27:59.400
<v Speaker 9>I'm just going to work. Might heard her on the radar.

0:27:59.400 --> 0:28:00.640
<v Speaker 9>I thought I'll give a bit of a game.

0:28:00.800 --> 0:28:01.720
<v Speaker 2>Well this is great.

0:28:01.760 --> 0:28:04.600
<v Speaker 3>So he's asleep at the moment, and well hopefully he's

0:28:04.600 --> 0:28:07.000
<v Speaker 3>free Thursday night because he sounds like exact the kind

0:28:07.000 --> 0:28:07.760
<v Speaker 3>of guy we want.

0:28:08.480 --> 0:28:12.080
<v Speaker 9>Yeah, it's providing my book for any of his major gigs.

0:28:12.160 --> 0:28:14.520
<v Speaker 8>So yeah, look, give mccormy.

0:28:14.760 --> 0:28:17.119
<v Speaker 7>I know, Jason, when does he usually wake up? Or

0:28:17.160 --> 0:28:19.240
<v Speaker 7>we know by ten o'clock this morning when we finished

0:28:19.280 --> 0:28:19.640
<v Speaker 7>the show.

0:28:20.760 --> 0:28:21.800
<v Speaker 8>We wake him up.

0:28:21.720 --> 0:28:25.160
<v Speaker 9>Straight away my sleeve. You'll just give McCall might sleeve

0:28:25.200 --> 0:28:25.800
<v Speaker 9>and get him up.

0:28:25.920 --> 0:28:28.280
<v Speaker 3>Do you want us to call your son and go listen,

0:28:29.000 --> 0:28:30.479
<v Speaker 3>I got a gig for your Thursday night?

0:28:30.560 --> 0:28:38.400
<v Speaker 2>Is that what? You're too? Kind? Jason? You too? What

0:28:38.520 --> 0:28:40.840
<v Speaker 2>a city? All right? Jason, thank you very much, and

0:28:40.920 --> 0:28:43.560
<v Speaker 2>cormete Okay, we'll take you up on that. No worry, Mike,

0:28:43.640 --> 0:28:45.960
<v Speaker 2>There we go, see, here we go. You have a

0:28:45.960 --> 0:28:46.800
<v Speaker 2>good day. Thanks a lot.

0:28:46.880 --> 0:28:50.240
<v Speaker 1>The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

0:28:50.280 --> 0:28:50.880
<v Speaker 1>point three.

0:28:52.080 --> 0:28:54.480
<v Speaker 2>The Christian O'Connell Breakfast Shows.

0:28:54.040 --> 0:28:57.480
<v Speaker 10>Ten weeks of tickets every morning at seven thirty am.

0:28:57.560 --> 0:28:59.960
<v Speaker 10>You'll chance to win tickets to the biggest shows in town.

0:29:00.640 --> 0:29:03.160
<v Speaker 3>It is and this week is all about Maroon five

0:29:03.320 --> 0:29:06.400
<v Speaker 3>bringing their Red Pale Blues Tour to the Rod Labor

0:29:06.520 --> 0:29:09.640
<v Speaker 3>Arena for Ebody That twenty second and Friday brought to

0:29:09.680 --> 0:29:12.200
<v Speaker 3>you by Live Nation and we got tickets every single

0:29:12.280 --> 0:29:16.760
<v Speaker 3>day this week. So this game you're going to play

0:29:17.360 --> 0:29:22.240
<v Speaker 3>this week, it's it's pretty easy. Yeah, it might've remind

0:29:22.320 --> 0:29:25.720
<v Speaker 3>some of you of a great game to play categories. However,

0:29:25.880 --> 0:29:30.560
<v Speaker 3>it does come with some extra pressure. I think it's

0:29:30.600 --> 0:29:33.120
<v Speaker 3>best we just play the game like a demo round now, Jack,

0:29:33.120 --> 0:29:34.720
<v Speaker 3>so people get the feeling of what it's going to

0:29:34.800 --> 0:29:37.200
<v Speaker 3>be like. And do you know what I think I'm

0:29:37.240 --> 0:29:42.320
<v Speaker 3>gonna play with producer Beck Beck Good morning, Good morning, Hey,

0:29:42.400 --> 0:29:42.840
<v Speaker 3>how you doing.

0:29:42.880 --> 0:29:43.800
<v Speaker 2>How's your weekend? Mate?

0:29:43.920 --> 0:29:45.040
<v Speaker 4>I'm an amazing weekend.

0:29:45.080 --> 0:29:48.000
<v Speaker 3>Actually, yeah, can you help us out here by being

0:29:48.040 --> 0:29:49.719
<v Speaker 3>like an on air guinea pig for this feature?

0:29:50.080 --> 0:29:50.680
<v Speaker 11>Certainly can.

0:29:50.800 --> 0:29:52.040
<v Speaker 3>Okay, So I'm going to do is I'm going to

0:29:52.080 --> 0:29:54.400
<v Speaker 3>give you a category and you have five seconds to

0:29:54.520 --> 0:29:57.760
<v Speaker 3>simply name as many things in that given category.

0:29:58.520 --> 0:30:00.800
<v Speaker 4>Okay, Yeah, go for it.

0:30:00.880 --> 0:30:02.239
<v Speaker 2>You ready with your element here?

0:30:02.360 --> 0:30:02.600
<v Speaker 8>Jack?

0:30:02.760 --> 0:30:05.400
<v Speaker 2>Yes, I'm ready with my element here. All right?

0:30:05.440 --> 0:30:11.160
<v Speaker 3>Then your category this morning is eighties movies, eighties movies, producer,

0:30:11.160 --> 0:30:11.960
<v Speaker 3>bet go now.

0:30:12.040 --> 0:30:21.720
<v Speaker 2>Panic panic, Panic, Panic, Panic Panic? How many did you get?

0:30:21.720 --> 0:30:22.480
<v Speaker 2>Account of? One?

0:30:23.520 --> 0:30:23.960
<v Speaker 8>Wow?

0:30:24.320 --> 0:30:25.600
<v Speaker 2>Oh dear, what happened? Producer?

0:30:25.640 --> 0:30:25.800
<v Speaker 1>Beout?

0:30:25.840 --> 0:30:26.480
<v Speaker 2>What happened there?

0:30:26.640 --> 0:30:28.240
<v Speaker 1>One? One?

0:30:28.440 --> 0:30:30.320
<v Speaker 2>I did really good on Friday? Right?

0:30:30.400 --> 0:30:32.360
<v Speaker 3>Okay, Patsy?

0:30:32.880 --> 0:30:36.800
<v Speaker 2>How you do? Okay, Patsy? Types of pets go?

0:30:44.320 --> 0:30:46.880
<v Speaker 4>I got three, four four four?

0:30:47.920 --> 0:30:49.960
<v Speaker 3>She is shot proof, Patsy. This is why you bring

0:30:49.960 --> 0:30:51.000
<v Speaker 3>in journalists on the show.

0:30:51.480 --> 0:30:53.480
<v Speaker 2>She just steamed through that. Wow.

0:30:53.600 --> 0:30:55.600
<v Speaker 3>We all right, then let's see how you get on

0:30:55.680 --> 0:30:57.520
<v Speaker 3>Corn now to play night We. You don't even have

0:30:57.520 --> 0:30:59.480
<v Speaker 3>a name for this game yet, they simply called it panic.

0:31:00.200 --> 0:31:02.680
<v Speaker 7>Yeah, Penny Groom pad to be honest with the yelling

0:31:02.720 --> 0:31:05.120
<v Speaker 7>and the panny distracting.

0:31:04.720 --> 0:31:06.760
<v Speaker 4>No, because I just shut you out, both of you.

0:31:06.680 --> 0:31:09.760
<v Speaker 3>You must six to ten so it's an easy one

0:31:09.960 --> 0:31:12.160
<v Speaker 3>nine one four one o four three give au school

0:31:12.160 --> 0:31:14.600
<v Speaker 3>to play nine one four three.

0:31:14.560 --> 0:31:18.360
<v Speaker 1>The Christian O'Connell breakfast Show, Melbourne's Gold one oh four point.

0:31:18.240 --> 0:31:21.040
<v Speaker 3>Three ten with the tickets plan this game this week,

0:31:21.160 --> 0:31:23.280
<v Speaker 3>you'd a winning way to go and see Maroon five

0:31:23.520 --> 0:31:29.200
<v Speaker 3>Welcome to panic. All right, So we will have two contestants.

0:31:29.240 --> 0:31:30.680
<v Speaker 3>We just get five seconds each.

0:31:30.720 --> 0:31:32.880
<v Speaker 2>I'll give you a category, and then Jack and I'll

0:31:32.880 --> 0:31:35.000
<v Speaker 2>do our best to try and intimidate you. That's basically

0:31:35.040 --> 0:31:37.920
<v Speaker 2>how the game works. Ross, you're up first this morning.

0:31:38.160 --> 0:31:39.320
<v Speaker 3>Good Bye, Yeah, good morning.

0:31:39.480 --> 0:31:40.720
<v Speaker 5>Nice to meet you over the phone.

0:31:41.080 --> 0:31:43.200
<v Speaker 2>Nice to meet you over the phone.

0:31:43.680 --> 0:31:47.840
<v Speaker 10>The Christian O'Connell Breakfast shows ten weeks of tickets every

0:31:47.840 --> 0:31:50.240
<v Speaker 10>morning at seven thirty am. Your chance to win tickets

0:31:50.240 --> 0:31:53.080
<v Speaker 10>to the biggest shows in town. All right, Ross, are

0:31:53.120 --> 0:31:54.880
<v Speaker 10>you ready to find out your category?

0:31:55.080 --> 0:31:57.200
<v Speaker 6>I'm going to give it my best guy, good.

0:31:57.000 --> 0:32:03.320
<v Speaker 3>Man, Ross, good luck, buddy hockey. All right, Ross, five

0:32:03.400 --> 0:32:06.800
<v Speaker 3>seconds on Australian cities Panic.

0:32:13.880 --> 0:32:15.200
<v Speaker 2>How do you do? Six?

0:32:15.840 --> 0:32:16.120
<v Speaker 11>Wow?

0:32:16.240 --> 0:32:18.040
<v Speaker 2>Wow, well done, Roth Fross.

0:32:18.080 --> 0:32:21.320
<v Speaker 3>That is a high school and we played this ourselves.

0:32:21.600 --> 0:32:22.880
<v Speaker 3>No one got anywhere near that.

0:32:23.240 --> 0:32:23.880
<v Speaker 8>Oh, thank you.

0:32:23.920 --> 0:32:26.960
<v Speaker 3>I'll give it try Man.

0:32:27.000 --> 0:32:29.720
<v Speaker 2>All right, stay there, Ross, all right, taking Ross on

0:32:29.800 --> 0:32:34.320
<v Speaker 2>the slaughter. We have Rebecca. Hi, I'm pretty good. You

0:32:34.320 --> 0:32:36.960
<v Speaker 2>have a good weekend, mate, Yeah, it wasn't too bad.

0:32:37.160 --> 0:32:40.360
<v Speaker 3>All right, Okay, so your category Thenion, you also get

0:32:40.440 --> 0:32:49.600
<v Speaker 3>five seconds. I'm looking for famous Australians. Panic Panic, Panic, Panic.

0:32:56.080 --> 0:32:59.720
<v Speaker 2>Three I think three. Hey listen, that's still pretty good.

0:32:59.760 --> 0:33:01.200
<v Speaker 2>But this morning to when I get in the room,

0:33:01.280 --> 0:33:03.400
<v Speaker 2>five tickets, is you Ross? Well done?

0:33:03.560 --> 0:33:05.800
<v Speaker 6>Thank you very much, Thank you very much.

0:33:05.840 --> 0:33:08.200
<v Speaker 2>Hey listen, Ron Ross, you run the tickets? Do you

0:33:08.200 --> 0:33:09.800
<v Speaker 2>want another quick category? Yeah?

0:33:09.800 --> 0:33:17.680
<v Speaker 3>Sure, all types of chocolates, fie, pani, honey, honey.

0:33:23.720 --> 0:33:25.640
<v Speaker 2>Hey, well mate, all right, then enjoy the gig.

0:33:25.920 --> 0:33:27.520
<v Speaker 3>Thank you so much. I appreciate it.

0:33:27.560 --> 0:33:30.680
<v Speaker 2>All right. Then keep listening all day long, ten till five.

0:33:30.720 --> 0:33:32.640
<v Speaker 3>You could be winning Gold one oh four point three's

0:33:32.720 --> 0:33:35.840
<v Speaker 3>Golden Tickets, your one bass to go and see the Eagles,

0:33:35.840 --> 0:33:38.600
<v Speaker 3>Phil Connors, Brian Ferry, the Red Hot Summer Talk, Kylie

0:33:38.640 --> 0:33:40.800
<v Speaker 3>and Banana Rama. All you got to do is keep

0:33:40.800 --> 0:33:43.440
<v Speaker 3>listening from ten am this morning for the Golden Song every.

0:33:43.280 --> 0:33:46.680
<v Speaker 1>Hour, the Christian O'Connell Breakfast Show, Melbourne's Gold one oh

0:33:46.720 --> 0:33:47.600
<v Speaker 1>four point three.

0:33:47.720 --> 0:33:50.920
<v Speaker 3>So, Patsy, you must have been down to Pellegrini. Such

0:33:50.960 --> 0:33:52.800
<v Speaker 3>a big part of Melbourne life there and you must

0:33:52.800 --> 0:33:54.040
<v Speaker 3>have met Sister himself.

0:33:54.320 --> 0:33:57.880
<v Speaker 6>I was a beautiful man and so popular with the locals.

0:33:57.880 --> 0:33:59.080
<v Speaker 6>He was a Melbourne institution.

0:33:59.360 --> 0:33:59.880
<v Speaker 4>So sad.

0:34:00.400 --> 0:34:02.520
<v Speaker 3>Yeah, it's really really sad, and one of the big

0:34:02.560 --> 0:34:04.760
<v Speaker 3>things we were looking to when we moved over here

0:34:04.800 --> 0:34:07.200
<v Speaker 3>to Melbourne and sady. London's one of the most targeted

0:34:07.280 --> 0:34:09.440
<v Speaker 3>terrorist cities as well, and sadly there have been moments

0:34:09.440 --> 0:34:11.680
<v Speaker 3>of terrorist attacks as well. And even though it was

0:34:11.719 --> 0:34:14.120
<v Speaker 3>so horrific on Friday night, and the whole world saw

0:34:14.160 --> 0:34:16.279
<v Speaker 3>it as well, and it's so sad the circumstances, well,

0:34:16.320 --> 0:34:18.919
<v Speaker 3>how Cisto lost his life as well, going to help

0:34:19.000 --> 0:34:21.480
<v Speaker 3>somebody out to look like he was in a car accident.

0:34:22.160 --> 0:34:22.960
<v Speaker 2>It's heartbreaking.

0:34:23.000 --> 0:34:24.719
<v Speaker 3>But the amazing thing that really I've only lived he

0:34:24.760 --> 0:34:27.160
<v Speaker 3>is seven months. The amazing thing I took away from

0:34:27.200 --> 0:34:29.160
<v Speaker 3>that despite seeing the very you know, the worst of

0:34:29.160 --> 0:34:31.759
<v Speaker 3>what people can do. I thought also Friday night, and

0:34:31.760 --> 0:34:33.440
<v Speaker 3>it says so much about the city. And I was

0:34:33.440 --> 0:34:35.480
<v Speaker 3>sending this to my dad last night. I was saying,

0:34:35.520 --> 0:34:37.920
<v Speaker 3>it really shows what big heart there isn't in the city.

0:34:38.360 --> 0:34:40.960
<v Speaker 3>First of all, in the brave and cealesish acts of

0:34:41.200 --> 0:34:43.759
<v Speaker 3>the police. Those policemen, I think they've only just been

0:34:43.800 --> 0:34:45.000
<v Speaker 3>in the job like three.

0:34:44.800 --> 0:34:46.720
<v Speaker 4>Months, yeah, one of them, yeah, twelve weeks.

0:34:46.840 --> 0:34:49.200
<v Speaker 3>Yeah, and they did absolutely everything they good to try

0:34:49.200 --> 0:34:52.400
<v Speaker 3>and talk that guy down before using their weapons. And

0:34:52.400 --> 0:34:55.359
<v Speaker 3>then there's a guy who's become knowing like the superhero now.

0:34:55.840 --> 0:34:58.600
<v Speaker 3>Trolley Man, yes, and trolly Man is someone that you've

0:34:58.600 --> 0:35:01.200
<v Speaker 3>probably all been around that are and all you've seen

0:35:01.280 --> 0:35:03.440
<v Speaker 3>is a homeless person. And we've all done that where

0:35:03.480 --> 0:35:05.480
<v Speaker 3>you see a homeless person and you don't see the person,

0:35:05.480 --> 0:35:07.080
<v Speaker 3>you just see, oh my god, it's a homeless person.

0:35:07.480 --> 0:35:10.320
<v Speaker 3>And that's a guy. And his name is Michael Rogers.

0:35:10.800 --> 0:35:13.120
<v Speaker 3>Michael Rodgers is a homeless guy in and out of

0:35:13.520 --> 0:35:15.520
<v Speaker 3>how he's been in trouble with the police, but then

0:35:15.600 --> 0:35:18.759
<v Speaker 3>does something. He steps up with a trolley and goes

0:35:18.800 --> 0:35:21.200
<v Speaker 3>to help the police and come to their aid. And

0:35:21.200 --> 0:35:23.160
<v Speaker 3>I think there's something really really special about that. It

0:35:23.160 --> 0:35:26.280
<v Speaker 3>says a lot about in those moments and the brave

0:35:26.320 --> 0:35:28.239
<v Speaker 3>and selfless out of what the police did. You see

0:35:28.280 --> 0:35:30.279
<v Speaker 3>the very best of us in this city as well.

0:35:30.360 --> 0:35:32.239
<v Speaker 3>So I just want to take a few moments as well.

0:35:32.239 --> 0:35:35.560
<v Speaker 3>I'm new here, but I've just seen the outpouring of

0:35:35.640 --> 0:35:38.439
<v Speaker 3>grief and people who've been to Pellegrines as kids, maybe

0:35:38.960 --> 0:35:42.000
<v Speaker 3>some cheesecake there or got into some Italian coffee, and so.

0:35:42.040 --> 0:35:44.160
<v Speaker 2>Many of you really really knew sister as well.

0:35:44.200 --> 0:35:45.520
<v Speaker 3>I just thought we just want to take a moment

0:35:45.560 --> 0:35:47.520
<v Speaker 3>to talk about that and also just to play a

0:35:47.560 --> 0:35:49.719
<v Speaker 3>little song this morning as well for trolley Man, for

0:35:49.880 --> 0:35:51.880
<v Speaker 3>Sister and those people that we know that show the

0:35:51.960 --> 0:35:53.360
<v Speaker 3>very best of us as well.

0:36:02.480 --> 0:36:05.919
<v Speaker 1>The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

0:36:05.920 --> 0:36:06.520
<v Speaker 1>point three.

0:36:06.640 --> 0:36:08.919
<v Speaker 3>Early on we were talking about one last stream, one

0:36:08.920 --> 0:36:11.040
<v Speaker 3>of the three bands I think's of a symbol in life,

0:36:11.080 --> 0:36:15.239
<v Speaker 3>is it? One of the three bands rehearsing of the

0:36:15.239 --> 0:36:18.520
<v Speaker 3>weekend and they're called Bungalow and they've got a guitarist

0:36:18.560 --> 0:36:21.560
<v Speaker 3>and heez over in Hobart and obviously Friday on the show,

0:36:21.600 --> 0:36:23.279
<v Speaker 3>they're very excited to find out they were in the

0:36:23.280 --> 0:36:25.279
<v Speaker 3>top three and then sudden we hit them within the news.

0:36:25.360 --> 0:36:27.239
<v Speaker 3>Listen this Thursday night, you've got a pub gig. You're

0:36:27.239 --> 0:36:30.320
<v Speaker 3>playing in Fitzroy, Labor and Vain, all three bands playing

0:36:30.360 --> 0:36:33.319
<v Speaker 3>live for the first time, I don't know, twenty to

0:36:33.360 --> 0:36:35.480
<v Speaker 3>twenty five years going around the top three bands.

0:36:35.800 --> 0:36:37.359
<v Speaker 2>The guitarist though, he's got a real job.

0:36:37.600 --> 0:36:40.160
<v Speaker 3>He's a baggage handler over in Hobart and he's got

0:36:40.239 --> 0:36:43.160
<v Speaker 3>shift starting Friday morning. And at one point it was

0:36:43.160 --> 0:36:44.960
<v Speaker 3>looking at the flight that was going to be taking

0:36:45.040 --> 0:36:48.759
<v Speaker 3>him back to Hobart from Melbourne after the gig. He'd

0:36:48.760 --> 0:36:50.439
<v Speaker 3>have to get off the flight and then leg get

0:36:50.480 --> 0:36:54.040
<v Speaker 3>under the plane to start lugging the luggage. So he

0:36:54.120 --> 0:36:56.600
<v Speaker 3>can't make that happen. So they need a guitarist. He

0:36:56.600 --> 0:37:00.560
<v Speaker 3>sent us an email one fifteen am this morning, almost

0:37:00.560 --> 0:37:03.120
<v Speaker 3>breaking down, saying, you're obviously gonna have to throw us

0:37:03.120 --> 0:37:04.600
<v Speaker 3>out the competition. We're not going to do that. I'm

0:37:04.600 --> 0:37:07.560
<v Speaker 3>sure we can find a guitarist. A guy called Jason

0:37:07.560 --> 0:37:10.279
<v Speaker 3>calls in and he's not a guitarist, but his son is.

0:37:10.640 --> 0:37:12.480
<v Speaker 3>He's twenty five and he's still in bed.

0:37:12.680 --> 0:37:13.479
<v Speaker 2>It's Temba stay.

0:37:13.520 --> 0:37:15.360
<v Speaker 3>His son's finally got out of bed and he plays

0:37:15.360 --> 0:37:16.799
<v Speaker 3>on a lot of different bands. He's obviously a very

0:37:16.800 --> 0:37:21.000
<v Speaker 3>good guitarist. Culong story short. His son Aaron can't now

0:37:21.160 --> 0:37:23.319
<v Speaker 3>make the gig Thursday night. He didn't get now about

0:37:23.320 --> 0:37:25.959
<v Speaker 3>his old man is pimping him out for work. He's

0:37:25.960 --> 0:37:29.080
<v Speaker 3>got gig, So we're back to square one. An hour later,

0:37:29.120 --> 0:37:32.040
<v Speaker 3>we've gained nothing. We still need a guitarist who is

0:37:32.120 --> 0:37:35.440
<v Speaker 3>available to play. It's just two songs. It's available to

0:37:35.440 --> 0:37:37.920
<v Speaker 3>play this Thursday night in Fitzroy. So if you do

0:37:38.000 --> 0:37:39.799
<v Speaker 3>know anyone please give us a called nine four one

0:37:39.840 --> 0:37:41.520
<v Speaker 3>four one four three.

0:37:41.480 --> 0:37:44.879
<v Speaker 1>The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

0:37:44.880 --> 0:37:45.520
<v Speaker 1>point three.

0:37:45.680 --> 0:37:47.480
<v Speaker 3>So every Monday on the show we do this is

0:37:47.520 --> 0:37:51.359
<v Speaker 3>called misheard lyrics and it's started because a guy who

0:37:51.360 --> 0:37:53.920
<v Speaker 3>listens to this show on the podcast catch Up with

0:37:53.920 --> 0:37:57.080
<v Speaker 3>the podcast over in Scotland. He had us talking one

0:37:57.080 --> 0:37:59.759
<v Speaker 3>morning about misheard lyrics and I don't realize this guy's

0:37:59.760 --> 0:38:01.399
<v Speaker 3>step Forward said, I'm obsessed with him.

0:38:01.640 --> 0:38:02.439
<v Speaker 2>On his hard drive.

0:38:02.520 --> 0:38:05.880
<v Speaker 3>He's got three hundred separate sound files of various songs

0:38:06.200 --> 0:38:09.160
<v Speaker 3>with mishard lyrics. I said, please, once a week, can

0:38:09.200 --> 0:38:11.480
<v Speaker 3>you email me a top five? And so that's what

0:38:11.520 --> 0:38:14.279
<v Speaker 3>we started doing. Last week we found one of our

0:38:14.280 --> 0:38:17.600
<v Speaker 3>favorite ones, Selene Dion. You'll have heard this line many

0:38:17.719 --> 0:38:28.080
<v Speaker 3>times the honers. We're about to ruin this huge, huge

0:38:28.120 --> 0:38:31.400
<v Speaker 3>platinum Selim song from a massive movie, Titanic. Okay you

0:38:31.440 --> 0:38:33.400
<v Speaker 3>hear that, Yes, he's talking about the heart will go on?

0:38:33.719 --> 0:38:35.600
<v Speaker 3>Or is it the hot dogs go on.

0:38:38.960 --> 0:38:40.040
<v Speaker 2>The hoag?

0:38:42.200 --> 0:38:44.239
<v Speaker 3>You can't unhear that.

0:38:44.239 --> 0:38:48.640
<v Speaker 2>That's it now, that's all you'll ever hear. But the

0:38:48.680 --> 0:38:50.960
<v Speaker 2>hot dogs go on the hockag.

0:38:54.360 --> 0:38:56.560
<v Speaker 3>I prefer that version there when they're talking about getting

0:38:56.719 --> 0:38:59.120
<v Speaker 3>a really beautiful song about you know, a barbecue, basically

0:38:59.160 --> 0:39:01.640
<v Speaker 3>when you put the hot dogs on the Beatles. When

0:39:01.640 --> 0:39:04.000
<v Speaker 3>we started doing this top five as well, now ruined

0:39:04.000 --> 0:39:05.400
<v Speaker 3>forever this line.

0:39:07.160 --> 0:39:07.960
<v Speaker 2>My baby don't care?

0:39:08.000 --> 0:39:08.319
<v Speaker 8>What is it?

0:39:08.360 --> 0:39:14.560
<v Speaker 3>My baby donkey? All right, So the guy is called

0:39:14.760 --> 0:39:17.560
<v Speaker 3>John Lily. Here's his brand new top five. So let's

0:39:17.600 --> 0:39:20.799
<v Speaker 3>go through these. First of all, black Sabbath crazy train.

0:39:25.600 --> 0:39:25.960
<v Speaker 2>All right.

0:39:26.000 --> 0:39:29.239
<v Speaker 3>So Ozzie there is mumbling his way through I know

0:39:29.320 --> 0:39:32.200
<v Speaker 3>that things are going wrong for me. Or is Ossie

0:39:32.239 --> 0:39:36.040
<v Speaker 3>actually saying I know that pizza go with broccoli.

0:39:45.120 --> 0:39:49.520
<v Speaker 2>John in Scotland. That is genius. That's a new favorite one.

0:39:49.560 --> 0:39:50.279
<v Speaker 2>Haven't listened again.

0:39:50.360 --> 0:39:59.000
<v Speaker 3>Then I know that pizza go with broccoli, Ozzy strength

0:39:59.080 --> 0:39:59.640
<v Speaker 3>Hall of Fame.

0:40:00.200 --> 0:40:03.000
<v Speaker 2>Here it the other way. All right, let's go to

0:40:03.840 --> 0:40:05.440
<v Speaker 2>Charlie Booth and attention.

0:40:06.280 --> 0:40:09.360
<v Speaker 11>You run around, running around, running around, throwing that dirt

0:40:09.480 --> 0:40:10.360
<v Speaker 11>al on money.

0:40:10.840 --> 0:40:11.160
<v Speaker 2>Okay.

0:40:11.200 --> 0:40:13.480
<v Speaker 3>Now, first of all, I'm sorry for even playing something

0:40:13.520 --> 0:40:15.239
<v Speaker 3>like this. It feels like I've dropped a big old,

0:40:15.280 --> 0:40:17.200
<v Speaker 3>stinky floater and the toilet of this show.

0:40:17.440 --> 0:40:20.319
<v Speaker 2>But anyway, it's for the feature. Okay. So he's meant

0:40:20.320 --> 0:40:20.560
<v Speaker 2>to be.

0:40:20.520 --> 0:40:23.279
<v Speaker 3>Saying, you've been running around, running, running, running, thrown all

0:40:23.320 --> 0:40:26.080
<v Speaker 3>that on my name? Or is it you've been running, running,

0:40:26.120 --> 0:40:28.600
<v Speaker 3>running around, throwing that turtle on my name?

0:40:28.800 --> 0:40:31.880
<v Speaker 11>You running around, running around, running around, throwing that dirt

0:40:32.000 --> 0:40:37.080
<v Speaker 11>al on money to me, running around, running around, running around,

0:40:37.080 --> 0:40:39.080
<v Speaker 11>throwing that dirt al on money.

0:40:39.640 --> 0:40:46.719
<v Speaker 3>All right, Tom Jones, Big old Tom Jones, all right,

0:40:46.760 --> 0:40:48.799
<v Speaker 3>so that's wrong. Mama told me not to come. That

0:40:48.880 --> 0:40:51.160
<v Speaker 3>ain't the way to have fun, son, is what Tom's

0:40:51.440 --> 0:40:53.840
<v Speaker 3>supposed to be saying. Or is it marry the waiter,

0:40:54.400 --> 0:40:55.640
<v Speaker 3>have fun son?

0:41:00.080 --> 0:41:02.239
<v Speaker 2>Yeah, I could just about here. Marry the way to

0:41:02.400 --> 0:41:07.799
<v Speaker 2>have fun son? All right?

0:41:07.800 --> 0:41:10.280
<v Speaker 3>Now, band of the Moment, Number one movie of the weekend,

0:41:10.360 --> 0:41:11.640
<v Speaker 3>Bohemian Rhapsody.

0:41:11.760 --> 0:41:18.320
<v Speaker 2>This is I want it all a great Freddie.

0:41:18.320 --> 0:41:22.040
<v Speaker 3>They're saying, adventure seeker on an empty street? Or is

0:41:22.080 --> 0:41:30.400
<v Speaker 3>it adventure seagull on an empty street? Kind kind of

0:41:30.600 --> 0:41:33.040
<v Speaker 3>here again, adventure seagull on an empty street?

0:41:33.040 --> 0:41:39.960
<v Speaker 2>That we hear that? All right, let's go to Shanaia Twain.

0:41:40.520 --> 0:41:41.280
<v Speaker 1>Looks slack.

0:41:41.440 --> 0:41:44.799
<v Speaker 3>We made it, looks like we made it from You'll

0:41:44.840 --> 0:41:49.120
<v Speaker 3>store the one? Or is it looks like we made it?

0:41:49.120 --> 0:41:49.880
<v Speaker 1>Looks slack?

0:41:50.040 --> 0:41:54.360
<v Speaker 3>We made it different song.

0:41:54.840 --> 0:41:58.480
<v Speaker 2>It looks slack. We're going to get some low roll.

0:41:58.520 --> 0:42:00.879
<v Speaker 2>Clear it all up. Okay, we got too much.

0:42:01.000 --> 0:42:03.280
<v Speaker 3>We've got some more coming up next on Monday's Misheard

0:42:03.360 --> 0:42:05.680
<v Speaker 3>lyrics on God one four point three John, those were great.

0:42:05.719 --> 0:42:06.319
<v Speaker 2>Thank you, the.

0:42:06.320 --> 0:42:10.080
<v Speaker 1>Christian O'Connell Breakfast Show Melbourne's Gold one oh four point three.

0:42:10.200 --> 0:42:13.040
<v Speaker 3>We're doing our Monday Misheard lyrics. If you've got any

0:42:13.080 --> 0:42:15.960
<v Speaker 3>for next week, email me Christian at Gold one four

0:42:16.040 --> 0:42:18.719
<v Speaker 3>three dot com dot au so father this morning then

0:42:19.160 --> 0:42:21.640
<v Speaker 3>and our top five by listener John that he sends

0:42:21.640 --> 0:42:24.040
<v Speaker 3>to us every week. We've had a new favorite one

0:42:24.080 --> 0:42:25.600
<v Speaker 3>Ozzy Osborne Crazy Train.

0:42:25.719 --> 0:42:26.400
<v Speaker 2>This lyric.

0:42:31.120 --> 0:42:32.640
<v Speaker 3>No longer will you know it is? I know that

0:42:32.680 --> 0:42:34.560
<v Speaker 3>things that going wrong for me. You know we'll hear

0:42:34.600 --> 0:42:36.800
<v Speaker 3>it as I know that pizza go with broccoli.

0:42:41.800 --> 0:42:43.879
<v Speaker 2>There you go. It's a very different Blacks song.

0:42:44.000 --> 0:42:46.120
<v Speaker 3>Now, all right, then let's go through some of that

0:42:46.160 --> 0:42:51.440
<v Speaker 3>have coming from you, christianis comes from Phil Macy Gray.

0:42:51.680 --> 0:42:53.040
<v Speaker 2>I try remember this song.

0:42:56.120 --> 0:42:59.160
<v Speaker 3>What happened to Macy Grich A huge one just everywhere

0:42:59.320 --> 0:43:01.920
<v Speaker 3>My world rumbles when you are not here? Or is

0:43:01.960 --> 0:43:09.000
<v Speaker 3>it I wear goggles when you are not here? Almost

0:43:09.880 --> 0:43:19.360
<v Speaker 3>let's go back to her nineties now, Katie Lang constant craving,

0:43:19.440 --> 0:43:25.840
<v Speaker 3>right or is she singing that she can't stand gravy?

0:43:29.560 --> 0:43:29.840
<v Speaker 11>Yes?

0:43:30.360 --> 0:43:39.960
<v Speaker 3>Yes, you would accept that one from Adrian Yep, all

0:43:40.040 --> 0:43:43.440
<v Speaker 3>right like that one. This comes from Ewin in Carton,

0:43:43.920 --> 0:43:48.920
<v Speaker 3>Stevie Winwood, High Love, bri It's song. I almost don't

0:43:48.960 --> 0:43:50.640
<v Speaker 3>want to play this because I really like this song.

0:43:50.680 --> 0:43:51.759
<v Speaker 3>It's going to irritate me.

0:43:51.840 --> 0:43:54.399
<v Speaker 2>Now take me to a high Love or is it

0:43:54.480 --> 0:44:00.800
<v Speaker 2>Bake me a pie of love? Ruined Stevie?

0:44:01.840 --> 0:44:08.160
<v Speaker 3>I'm so sorry, bake me a pie of love? You went,

0:44:08.840 --> 0:44:10.080
<v Speaker 3>Britney Spears.

0:44:10.239 --> 0:44:10.759
<v Speaker 2>Piece of me?

0:44:11.080 --> 0:44:11.160
<v Speaker 3>You?

0:44:13.239 --> 0:44:14.440
<v Speaker 2>Do you want a piece of me? Or is it

0:44:14.480 --> 0:44:15.800
<v Speaker 2>do you want a piece of meat?

0:44:16.440 --> 0:44:16.520
<v Speaker 3>You?

0:44:19.160 --> 0:44:23.359
<v Speaker 2>Does sound like meat? You? Yeah, I'll take that one.

0:44:23.440 --> 0:44:27.040
<v Speaker 3>Jilly Okay, final couple here fand the man Morrison, brown

0:44:27.080 --> 0:44:27.440
<v Speaker 3>eyed girl?

0:44:28.239 --> 0:44:28.399
<v Speaker 8>Here?

0:44:28.440 --> 0:44:32.759
<v Speaker 2>Where did we go? Okay? So, hey, where do we go?

0:44:32.960 --> 0:44:37.239
<v Speaker 2>Or is it? Hey there? Rodrigo? He where did we go?

0:44:38.200 --> 0:44:45.239
<v Speaker 3>Almost stambered this from the eighties. Buddy Davis size. Now

0:44:45.320 --> 0:44:47.239
<v Speaker 3>is that she's got Buddy Davis size? Or is that

0:44:47.280 --> 0:44:50.640
<v Speaker 3>she's got better days to decide?

0:44:51.480 --> 0:44:54.560
<v Speaker 2>Dave sad? She got better day decide?

0:44:58.400 --> 0:44:58.719
<v Speaker 8>All right?

0:44:58.840 --> 0:45:01.279
<v Speaker 3>Now I'm not sure about this. I wasn't even sure

0:45:01.320 --> 0:45:02.759
<v Speaker 3>we should play out on air. But it's very much

0:45:02.840 --> 0:45:05.960
<v Speaker 3>Jack's kind of humor. This is a classic rock and

0:45:06.080 --> 0:45:07.640
<v Speaker 3>roll song. This is not going to be the last

0:45:07.640 --> 0:45:09.920
<v Speaker 3>one this morning, right, This is a classic rock and

0:45:10.040 --> 0:45:11.279
<v Speaker 3>roll song, Bill Haley.

0:45:11.360 --> 0:45:15.960
<v Speaker 2>When the parts Darke's Trap Wheel when the clock strikes

0:45:15.960 --> 0:45:17.239
<v Speaker 2>twelve were call off?

0:45:17.280 --> 0:45:17.440
<v Speaker 8>Then?

0:45:18.000 --> 0:45:24.719
<v Speaker 2>Or is it when the clock strikes twelve we poo

0:45:24.800 --> 0:45:34.000
<v Speaker 2>our pants? When the carts stakes trap it is I'm

0:45:34.040 --> 0:45:39.560
<v Speaker 2>afraid to say, when the Hart darkes trap, it is,

0:45:41.280 --> 0:45:42.200
<v Speaker 2>cart strikes trap.

0:45:43.680 --> 0:45:45.600
<v Speaker 3>All right, let's call it a day there for those

0:45:45.719 --> 0:45:49.080
<v Speaker 3>if you've got some misheard lyrics for next Monday, Christian

0:45:49.120 --> 0:45:51.800
<v Speaker 3>at Gold one O four three dot com dot au.

0:45:51.920 --> 0:45:55.879
<v Speaker 2>But for now, when the cart darkes trap, win our.

0:45:55.800 --> 0:45:58.920
<v Speaker 1>Ten years of age the Christian O'Connell Breakfast Show, Melbourne's

0:45:58.960 --> 0:45:59.919
<v Speaker 1>Gold one oh four.

0:46:00.800 --> 0:46:05.040
<v Speaker 3>So yesterday, beautiful sunny day, gorgeous day here Melbourne for

0:46:05.239 --> 0:46:09.120
<v Speaker 3>us pommies, that was boiling hot, baking hot. Heat wave

0:46:09.200 --> 0:46:11.719
<v Speaker 3>could fry an egg out there in three seconds.

0:46:11.960 --> 0:46:13.560
<v Speaker 2>I'm actually a little bit off. You notice a little

0:46:13.560 --> 0:46:14.960
<v Speaker 2>bit burnt today.

0:46:14.600 --> 0:46:15.480
<v Speaker 4>You've got a bit of color.

0:46:15.640 --> 0:46:17.440
<v Speaker 3>Well, yeah, I fell asleep in the sun and my

0:46:17.880 --> 0:46:20.160
<v Speaker 3>face lod one way and an have lotion on that

0:46:20.160 --> 0:46:21.799
<v Speaker 3>side of my face. So if you if I move

0:46:21.800 --> 0:46:23.320
<v Speaker 3>around sunny because it was a little bit burned, but

0:46:23.360 --> 0:46:26.520
<v Speaker 3>beautiful day. And so I said, you know, it's barbecue. Okay,

0:46:26.560 --> 0:46:28.239
<v Speaker 3>this We're in the land of barbecue. So we had

0:46:28.239 --> 0:46:31.120
<v Speaker 3>a barbecue for lunch yesterday. And then my wife said

0:46:31.960 --> 0:46:34.279
<v Speaker 3>for tea in the evening. She went all sort out

0:46:34.640 --> 0:46:37.360
<v Speaker 3>a tea for us. We all sit down and she

0:46:37.520 --> 0:46:39.960
<v Speaker 3>brings over You know, I did lunch, so she did tea.

0:46:40.120 --> 0:46:42.040
<v Speaker 3>She brings over for all of us, me and the kids.

0:46:42.640 --> 0:46:44.880
<v Speaker 3>What are unmistakably bowls of soup?

0:46:45.719 --> 0:46:52.959
<v Speaker 2>Oh now we got into ing gong, how about you guys?

0:46:53.040 --> 0:46:55.960
<v Speaker 3>And I'm happy to say sorry if I got this wrong,

0:46:56.440 --> 0:46:59.960
<v Speaker 3>but I don't really believe that soup is a meal.

0:47:00.200 --> 0:47:03.359
<v Speaker 7>Oh well, I would have been sort of peering over

0:47:03.360 --> 0:47:05.839
<v Speaker 7>to the kitchen going okay, this is a nice appetizer,

0:47:05.880 --> 0:47:08.840
<v Speaker 7>but what what's going on for the main.

0:47:08.719 --> 0:47:10.560
<v Speaker 2>Where's the actual food? You know?

0:47:10.800 --> 0:47:12.640
<v Speaker 3>I mean, you don't go to a restaurant and then

0:47:12.880 --> 0:47:15.800
<v Speaker 3>show you the menu. You know, under mat it's this soup.

0:47:15.960 --> 0:47:20.440
<v Speaker 2>You go. We're leaving, darling, So do you, I am

0:47:20.480 --> 0:47:20.960
<v Speaker 2>I wrong.

0:47:21.400 --> 0:47:24.640
<v Speaker 4>It's a typical Sunday night meal, though we'll sometimes have pigs.

0:47:25.239 --> 0:47:26.960
<v Speaker 2>Sunday night like a Sunday road.

0:47:27.600 --> 0:47:30.279
<v Speaker 4>But you had your main meal of the day for lunch.

0:47:30.040 --> 0:47:34.000
<v Speaker 2>Correct, Yes, burgers.

0:47:33.640 --> 0:47:36.080
<v Speaker 4>Yes, there you go, so you have something light, but

0:47:36.200 --> 0:47:36.600
<v Speaker 4>it's not.

0:47:36.840 --> 0:47:39.000
<v Speaker 2>See the argument we had was that souper is a meal.

0:47:39.440 --> 0:47:40.760
<v Speaker 2>I don't believe it is a meal.

0:47:41.000 --> 0:47:46.560
<v Speaker 7>Actually, depending on level of chunkiness. It's very very chunky,

0:47:46.719 --> 0:47:49.799
<v Speaker 7>like if there's more if there's less water than like

0:47:50.239 --> 0:47:50.800
<v Speaker 7>the fodder.

0:47:50.920 --> 0:47:53.640
<v Speaker 2>Now you're talking about some kind of you know, like

0:47:53.719 --> 0:47:57.399
<v Speaker 2>a noodle bowl. Yes, this was soup. Soup, that's soup.

0:47:57.680 --> 0:48:01.319
<v Speaker 4>Was it homemade? Christian? What are you complaining about? She's

0:48:01.440 --> 0:48:02.439
<v Speaker 4>a beautiful pot of soup.

0:48:02.560 --> 0:48:05.360
<v Speaker 3>Lovely, I'm not complaining about that. Let's focus on what

0:48:05.400 --> 0:48:07.520
<v Speaker 3>the thing was. The debate was whether or not soup

0:48:07.719 --> 0:48:11.560
<v Speaker 3>is a meal. Was it satisfying, so delicious homemade soup?

0:48:11.560 --> 0:48:11.879
<v Speaker 2>Of course?

0:48:12.000 --> 0:48:13.319
<v Speaker 4>Were you hungry after it?

0:48:13.600 --> 0:48:14.000
<v Speaker 2>Yes?

0:48:14.480 --> 0:48:16.439
<v Speaker 4>Right? What about the girls?

0:48:16.840 --> 0:48:18.680
<v Speaker 3>They signed it with me as well? You know they

0:48:18.719 --> 0:48:21.279
<v Speaker 3>were rudy as well. Beck, you believe that soup is

0:48:21.320 --> 0:48:21.640
<v Speaker 3>a meal.

0:48:21.920 --> 0:48:23.439
<v Speaker 4>Soup is one meal?

0:48:24.120 --> 0:48:26.560
<v Speaker 2>Now, how do you how do you classify that.

0:48:26.600 --> 0:48:29.000
<v Speaker 12>Because you have you make your toast and maybe melt

0:48:29.040 --> 0:48:30.719
<v Speaker 12>some cheese and your toast to have that withzard, or

0:48:30.800 --> 0:48:32.200
<v Speaker 12>you put cheese on top of the set.

0:48:32.480 --> 0:48:34.680
<v Speaker 3>You talk about a gorgeous French soup which is very

0:48:34.800 --> 0:48:36.640
<v Speaker 3>very nice. They grate the cheese on top and have

0:48:36.760 --> 0:48:39.000
<v Speaker 3>the little gorgeous crotons in there as well.

0:48:39.920 --> 0:48:42.200
<v Speaker 2>You can add so much your bowl of souper such

0:48:42.239 --> 0:48:44.200
<v Speaker 2>it and you know what, you're adding the food meal

0:48:44.239 --> 0:48:48.680
<v Speaker 2>bitch to bulk up the lightweight non meal.

0:48:49.000 --> 0:48:51.200
<v Speaker 3>If you've got to add stuff to it, you're saying

0:48:51.239 --> 0:48:52.320
<v Speaker 3>this is really weak.

0:48:52.400 --> 0:48:53.480
<v Speaker 2>It's not enough less.

0:48:53.320 --> 0:48:57.360
<v Speaker 3>Chuck, bread, cheese and other actual bits to bulk up it.

0:48:57.400 --> 0:49:01.160
<v Speaker 3>So it almost becomes like a meal. It's not a meal,

0:49:01.400 --> 0:49:02.080
<v Speaker 3>it's a meal.

0:49:02.200 --> 0:49:03.200
<v Speaker 2>It's definitely a meal.

0:49:03.400 --> 0:49:06.040
<v Speaker 3>No, because sometimes in restaurance they bring out something before

0:49:06.080 --> 0:49:07.480
<v Speaker 3>the meal, don't they appetizer?

0:49:07.680 --> 0:49:08.880
<v Speaker 2>An appetizer there.

0:49:08.920 --> 0:49:10.759
<v Speaker 3>Anyway, if I got this wrong, please join in the

0:49:10.760 --> 0:49:13.480
<v Speaker 3>big debate this morning on soup gape is super meal.

0:49:13.680 --> 0:49:17.640
<v Speaker 1>The Christian O'Connell breakfast show Melbourne's Gold one oh four point.

0:49:17.360 --> 0:49:19.520
<v Speaker 2>Three, the radio station with the Golden Ticket.

0:49:19.560 --> 0:49:22.560
<v Speaker 3>It starts today, Gold one of four point three's Golden Ticket.

0:49:22.640 --> 0:49:23.439
<v Speaker 2>Be listening every hour.

0:49:23.480 --> 0:49:26.319
<v Speaker 3>What's the Breakfast show finishes starting at ten right through

0:49:26.400 --> 0:49:29.560
<v Speaker 3>till five with Gavin Miller. Tonight one ticket, You and

0:49:29.600 --> 0:49:31.680
<v Speaker 3>a friend get Golden Boss to go and see he

0:49:31.680 --> 0:49:34.399
<v Speaker 3>shows like the Eagles, Phil Connor's, Brian Ferry, Red Hot,

0:49:34.480 --> 0:49:36.800
<v Speaker 3>Summer Talk, Kylie and Banana Ama.

0:49:37.000 --> 0:49:37.960
<v Speaker 2>Very easy to try and win.

0:49:38.000 --> 0:49:40.120
<v Speaker 3>It just keep listening for And this is the clever bit.

0:49:41.040 --> 0:49:43.799
<v Speaker 3>This is why the Boss gets her own office. You'd

0:49:43.840 --> 0:49:47.040
<v Speaker 3>be listening for the It's a Golden ticket, all right?

0:49:47.040 --> 0:49:48.480
<v Speaker 3>Would you have thought of this? I wouldn't have done.

0:49:48.800 --> 0:49:51.160
<v Speaker 3>It's a golden ticket on gold one of four point three.

0:49:52.360 --> 0:49:54.799
<v Speaker 3>Be listening for the Golden Song every hour?

0:49:55.080 --> 0:50:00.560
<v Speaker 2>Oh what a player words? Right, it's right there.

0:50:01.080 --> 0:50:03.600
<v Speaker 3>But it's easy to say once someone else, a genius

0:50:03.680 --> 0:50:07.400
<v Speaker 3>in virtuoso comes up and goes gold gold Gold Gold's

0:50:07.400 --> 0:50:11.560
<v Speaker 3>the station, the Golden Ticket, bang the Golden Song. And

0:50:11.600 --> 0:50:14.160
<v Speaker 3>also it's a famous phrase that we all know the

0:50:14.200 --> 0:50:14.839
<v Speaker 3>Golden Song.

0:50:15.200 --> 0:50:18.640
<v Speaker 2>You know, yes, I use it every day. That movie for.

0:50:18.640 --> 0:50:20.200
<v Speaker 3>Them in the end, didn't they Golden Song one, two

0:50:20.239 --> 0:50:23.200
<v Speaker 3>and three? You always say that, what's your favorite Golden song?

0:50:23.600 --> 0:50:27.400
<v Speaker 3>It makes sense. It's genius Boss okay. Anyway that starts

0:50:27.400 --> 0:50:30.680
<v Speaker 3>at ten o'clock with listening out to that golden song

0:50:31.320 --> 0:50:31.959
<v Speaker 3>might get fine.

0:50:32.239 --> 0:50:35.040
<v Speaker 2>I don't know. In fact, I have an eye line

0:50:35.080 --> 0:50:36.200
<v Speaker 2>to sees office from.

0:50:36.320 --> 0:50:38.120
<v Speaker 3>She asked that on purpose, You're the only person she

0:50:38.160 --> 0:50:40.640
<v Speaker 3>can see in the studio, not the head master, going yeah,

0:50:40.719 --> 0:50:44.480
<v Speaker 3>I see you, knuckle down post all right, then, soup?

0:50:44.719 --> 0:50:46.080
<v Speaker 2>Is it a meal? Yes or no?

0:50:46.239 --> 0:50:48.239
<v Speaker 3>A little dingong last night at tea time when I

0:50:48.280 --> 0:50:51.040
<v Speaker 3>thought my meal's here and a bowl of soup turns up.

0:50:51.400 --> 0:50:53.480
<v Speaker 3>I've got one one line email here from one of

0:50:53.480 --> 0:50:56.680
<v Speaker 3>our listeners, Aaron Brockhouse. If you've got a name, not

0:50:56.800 --> 0:50:58.799
<v Speaker 3>that you're a man of strong opinions, because you've got

0:50:58.800 --> 0:51:00.640
<v Speaker 3>a surname that rhymes with roadhouse.

0:51:00.760 --> 0:51:04.160
<v Speaker 2>Brock House even sounds like a TV detective. We need

0:51:04.200 --> 0:51:11.000
<v Speaker 2>to call brock House. Uh. Soup is for pensioners and prisoners.

0:51:11.239 --> 0:51:11.640
<v Speaker 2>That's it.

0:51:15.200 --> 0:51:19.319
<v Speaker 3>That's what he says, not hello, goodbye, Simply soup is

0:51:19.400 --> 0:51:22.840
<v Speaker 3>for pensioners and prisoners.

0:51:23.200 --> 0:51:29.319
<v Speaker 2>Thank you, brock House. Ozzie, good morning, Good you mate,

0:51:29.360 --> 0:51:32.120
<v Speaker 2>I'm very good, Ozzie. What do you reckon? Welcome to soup? Gape?

0:51:32.160 --> 0:51:33.480
<v Speaker 2>Is it a meal? Yes or no?

0:51:34.480 --> 0:51:34.680
<v Speaker 8>Right?

0:51:34.760 --> 0:51:36.480
<v Speaker 12>It is momm used to make it used to take

0:51:36.480 --> 0:51:39.600
<v Speaker 12>two to three days to make a may cause of soup,

0:51:40.040 --> 0:51:43.040
<v Speaker 12>and it was just it was a diple, so.

0:51:42.920 --> 0:51:44.719
<v Speaker 2>She'd make it like a homemade one for two or

0:51:44.719 --> 0:51:45.520
<v Speaker 2>three days.

0:51:45.920 --> 0:51:47.439
<v Speaker 12>Check your lamb in there, the wait till the lamb

0:51:47.440 --> 0:51:49.719
<v Speaker 12>comes off on the bone. Here's your lamb.

0:51:50.480 --> 0:51:53.160
<v Speaker 3>Milk for trees and everything else in there sounds beautiful,

0:51:53.520 --> 0:51:55.680
<v Speaker 3>But it's a meal because of your good friend in there,

0:51:55.960 --> 0:51:56.520
<v Speaker 3>mister lamb.

0:51:56.600 --> 0:51:59.160
<v Speaker 12>Oh right, yeah, I think it was a milk because

0:51:59.160 --> 0:51:59.960
<v Speaker 12>my mother might have for me.

0:52:00.160 --> 0:52:02.359
<v Speaker 2>Yeah, but no, you love me, but it's not soup.

0:52:02.480 --> 0:52:07.040
<v Speaker 2>Is it soup? You don't get a can of lamb anyway.

0:52:08.600 --> 0:52:11.640
<v Speaker 12>He can't go down safely, or WI buy him show

0:52:11.760 --> 0:52:12.719
<v Speaker 12>soup and that's what you get.

0:52:14.840 --> 0:52:18.520
<v Speaker 3>I'll see, Thank you very much, as Cale. I'm still

0:52:18.520 --> 0:52:21.920
<v Speaker 3>with aarons and prisoner. He summed up for me, Vicky.

0:52:23.000 --> 0:52:26.000
<v Speaker 5>Good morning, Christian. I love your morning show. I listen

0:52:26.000 --> 0:52:29.359
<v Speaker 5>to you every single morning without a fail. And I

0:52:29.480 --> 0:52:32.640
<v Speaker 5>agree with rock Health. We'll call him Sergeant brock Health

0:52:32.640 --> 0:52:34.879
<v Speaker 5>because he sounds like you should be on a show

0:52:34.960 --> 0:52:37.440
<v Speaker 5>like the Bill rock House. And I come from an

0:52:37.440 --> 0:52:40.640
<v Speaker 5>English family and I'm all with you. There and Nope,

0:52:40.760 --> 0:52:44.040
<v Speaker 5>it's not a meal. It's my father. We go out

0:52:44.040 --> 0:52:46.799
<v Speaker 5>for a meal. My father's seventy five years old, and

0:52:46.840 --> 0:52:50.359
<v Speaker 5>he'll get a soup and then he'll get a roast exactly.

0:52:50.040 --> 0:52:50.960
<v Speaker 2>Because he's seventy five.

0:52:51.000 --> 0:52:58.520
<v Speaker 3>He's a prisoner, he's a Well there you go, all right, Vicky,

0:52:58.560 --> 0:53:00.920
<v Speaker 3>thanks it not for your cool Thank you.

0:53:01.440 --> 0:53:04.920
<v Speaker 2>Jeffrey Coome morning, Jeff, Yeah, pretty good, Jeff. What do

0:53:04.960 --> 0:53:06.640
<v Speaker 2>you reckon? Soup? Gape? Is it in a meal?

0:53:06.760 --> 0:53:11.120
<v Speaker 12>Even though the word the soup is disgusting.

0:53:11.280 --> 0:53:12.440
<v Speaker 2>You got no teeth.

0:53:12.800 --> 0:53:17.320
<v Speaker 9>We're a good lips.

0:53:17.719 --> 0:53:19.200
<v Speaker 8>You can't digest anything.

0:53:19.960 --> 0:53:20.800
<v Speaker 5>You can have soup.

0:53:22.120 --> 0:53:25.080
<v Speaker 2>You're right. Will they give people in the hospital soup?

0:53:25.440 --> 0:53:28.960
<v Speaker 7>Yeah, Jeff, we're still allow a like soup. We're just saying,

0:53:29.040 --> 0:53:29.880
<v Speaker 7>is it a meal or not?

0:53:30.320 --> 0:53:33.600
<v Speaker 3>Don't get Jeff or Brockhouse on the subject of super

0:53:33.719 --> 0:53:34.759
<v Speaker 3>case Fighting tool.

0:53:35.040 --> 0:53:36.680
<v Speaker 2>Jeff, thank you. Maybe I should call have a good

0:53:36.719 --> 0:53:37.160
<v Speaker 2>day mate.

0:53:38.080 --> 0:53:38.319
<v Speaker 8>Yeah.

0:53:39.000 --> 0:53:39.160
<v Speaker 2>Oh.

0:53:39.200 --> 0:53:43.279
<v Speaker 1>He came down the Christian O'Connell breakfast show Gold one

0:53:43.520 --> 0:53:48.160
<v Speaker 1>four point three, All.

0:53:48.120 --> 0:53:51.560
<v Speaker 3>Right, time for this week's at works time waster. There's

0:53:51.560 --> 0:53:53.560
<v Speaker 3>no way to sort of say why this makes sense

0:53:53.640 --> 0:53:55.239
<v Speaker 3>or I just get straight into it. We're just looking

0:53:55.239 --> 0:53:56.040
<v Speaker 3>for fish movies.

0:53:56.320 --> 0:53:56.600
<v Speaker 8>All right.

0:53:56.640 --> 0:53:59.279
<v Speaker 3>It isn't National Carp Day or anything like that. We're

0:53:59.320 --> 0:54:04.160
<v Speaker 3>just looking for fish movies because we're looking for fish movies. Dude,

0:54:04.239 --> 0:54:10.680
<v Speaker 3>where's my carp? The Codfather still a great start. Uh,

0:54:11.000 --> 0:54:13.000
<v Speaker 3>Requiem for a Bream.

0:54:13.080 --> 0:54:15.040
<v Speaker 2>Oh, that's good. And I remember from I think we

0:54:15.080 --> 0:54:17.279
<v Speaker 2>did fish bands last time. I learned the brain as

0:54:17.280 --> 0:54:18.600
<v Speaker 2>a fish. Yep, that's right now.

0:54:18.600 --> 0:54:20.799
<v Speaker 7>I have that known knowledge and I can find that

0:54:20.800 --> 0:54:22.640
<v Speaker 7>funny trout of Africa.

0:54:23.560 --> 0:54:31.320
<v Speaker 2>I don't know it out of Africa like a classic movie.

0:54:31.320 --> 0:54:35.840
<v Speaker 3>Boy in the Striped Piranhas. That's yeah, you knows Barana's everyone.

0:54:36.360 --> 0:54:37.600
<v Speaker 3>I bet you never heard of this one.

0:54:37.680 --> 0:54:41.840
<v Speaker 2>I'm going with it anyway. Get Tatar, for get Carter Michael.

0:54:41.680 --> 0:54:47.080
<v Speaker 3>K movie Roach House, an underwater bouncer, little roach and the.

0:54:47.600 --> 0:54:48.920
<v Speaker 2>Roach I think of a cockroach.

0:54:49.680 --> 0:54:52.480
<v Speaker 3>It's also a top of fish here and the breakfast

0:54:52.560 --> 0:55:00.799
<v Speaker 3>Chub that's not my favorite, the breakfast job. All right,

0:55:00.800 --> 0:55:02.080
<v Speaker 3>what have you got fish movies?

0:55:03.120 --> 0:55:09.600
<v Speaker 2>Missus? Troutfire Ah, I love it very good. Zero Shark thirty.

0:55:10.760 --> 0:55:15.480
<v Speaker 7>And Luck Stuck and two Smoking Barrel Mundy Lock Stuck

0:55:15.600 --> 0:55:18.000
<v Speaker 7>and two Smoking Barrel Monday. You know how I asked

0:55:18.040 --> 0:55:19.799
<v Speaker 7>to do fish movies because I have a good one

0:55:19.800 --> 0:55:21.479
<v Speaker 7>and that was my I.

0:55:21.400 --> 0:55:22.880
<v Speaker 2>Was waiting for. I just left a gap there for

0:55:22.960 --> 0:55:24.799
<v Speaker 2>the good one to turn up. Turns up.

0:55:24.840 --> 0:55:28.480
<v Speaker 3>It's been gone all right then, So fish movies Texas

0:55:28.520 --> 0:55:31.719
<v Speaker 3>Jaws On four seven five o three one oh four three.

0:55:31.840 --> 0:55:33.360
<v Speaker 2>This week is an extra incentive.

0:55:33.920 --> 0:55:36.720
<v Speaker 3>We got a Village Cinema Gold Class pass.

0:55:36.760 --> 0:55:38.040
<v Speaker 2>You can win that for the best one.

0:55:38.160 --> 0:55:41.280
<v Speaker 3>Jackmonk's in ten minutes time fish movies Oh four seven.

0:55:41.120 --> 0:55:43.160
<v Speaker 2>Five o three one oh four three.

0:55:43.400 --> 0:55:46.759
<v Speaker 1>The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

0:55:46.800 --> 0:55:47.319
<v Speaker 1>point three.

0:55:47.520 --> 0:55:50.839
<v Speaker 3>All right, today's that work time waste fish movies. That's

0:55:50.880 --> 0:55:52.440
<v Speaker 3>what we've been asking to get involved with today.

0:55:52.480 --> 0:55:53.839
<v Speaker 2>You're ready to mark, I am.

0:55:53.760 --> 0:55:56.520
<v Speaker 7>Ready, And there is a Village Gold Class boucher to

0:55:56.520 --> 0:55:59.759
<v Speaker 7>give away. So I'll be giving away gold classes. Is

0:56:00.120 --> 0:56:01.680
<v Speaker 7>of just regular golds.

0:56:02.800 --> 0:56:04.640
<v Speaker 2>But they but I should say, they won't all win

0:56:04.680 --> 0:56:05.839
<v Speaker 2>the voucher. Only one will win.

0:56:06.600 --> 0:56:11.640
<v Speaker 3>Silence of the Clams not a fish Silver, still funny though,

0:56:11.800 --> 0:56:18.160
<v Speaker 3>Guppy Gilmore sil plus Cod Air one of my favorite films.

0:56:18.160 --> 0:56:22.640
<v Speaker 3>Gold Brendan, well done, a few good mackerel. Oh yeah,

0:56:27.080 --> 0:56:30.480
<v Speaker 3>that's silver plus I'm Mary and in summary, the karate.

0:56:30.200 --> 0:56:33.040
<v Speaker 2>Squid that's our first gold.

0:56:33.560 --> 0:56:37.240
<v Speaker 3>Stratos is back nothing last week he is back Stratos.

0:56:37.280 --> 0:56:42.040
<v Speaker 2>No country for old salmon salmon. Oh yeah, took me

0:56:42.080 --> 0:56:43.919
<v Speaker 2>a while to get the pun, but that's your fault,

0:56:44.000 --> 0:56:45.120
<v Speaker 2>not Lee in Melbourne.

0:56:45.480 --> 0:56:48.560
<v Speaker 7>It's actually the delivery as well.

0:56:50.200 --> 0:56:51.080
<v Speaker 2>And then it's so funny.

0:56:51.120 --> 0:56:56.080
<v Speaker 3>So brons kill Krill said of kill Bill silver Saw

0:56:56.440 --> 0:57:02.319
<v Speaker 3>Chris a starfish is born gold worldne Pete Eat Love,

0:57:02.560 --> 0:57:05.800
<v Speaker 3>Cray Oliver and Berrick.

0:57:06.440 --> 0:57:11.400
<v Speaker 2>Is crayfish fish? The keyword there fish in the cray crayfish.

0:57:11.640 --> 0:57:13.880
<v Speaker 2>It doesn't look like fish. It's not your business. What

0:57:13.880 --> 0:57:17.520
<v Speaker 2>are you? God, you're going to go down reclassifying silver

0:57:17.640 --> 0:57:24.840
<v Speaker 2>fur confusion, Bridget Jones story. That's a gold class frying Nemo.

0:57:27.200 --> 0:57:30.880
<v Speaker 3>That's the Gold Raiders of the Lost Shark Gold lu

0:57:30.960 --> 0:57:34.240
<v Speaker 3>Cup and Noosa. You've got Mail Becomes, You've got Mullet,

0:57:34.400 --> 0:57:44.520
<v Speaker 3>Danny and Preston Bronze, Edward Salmon Hans Gold Class Class

0:57:45.280 --> 0:57:50.320
<v Speaker 3>World done, Harley, Willie Wonka and the Fish Factory. Come on,

0:57:51.360 --> 0:57:59.160
<v Speaker 3>Wendy and Magic Pike, Magic Mike Bronze. Okay, what are

0:57:59.200 --> 0:58:00.000
<v Speaker 3>we giving the tickets?

0:58:00.440 --> 0:58:02.480
<v Speaker 2>It's not it's not the best we've ever had.

0:58:02.320 --> 0:58:05.280
<v Speaker 3>But Edward Salmon Hans gets that one.

0:58:05.480 --> 0:58:08.360
<v Speaker 2>Well done, Harley, Thank you very much everyone.

0:58:08.040 --> 0:58:11.439
<v Speaker 1>The Christian O'Connell Breakfast Show, Melbourn's Gold one oh four

0:58:11.480 --> 0:58:11.920
<v Speaker 1>point three.

0:58:12.200 --> 0:58:13.480
<v Speaker 2>How are things with you guys?

0:58:13.640 --> 0:58:14.240
<v Speaker 4>You're not good?

0:58:14.400 --> 0:58:17.280
<v Speaker 7>No, I can tell he needs to suck up. Pat

0:58:17.400 --> 0:58:19.560
<v Speaker 7>You obviously have a problem with you today. Is that

0:58:19.600 --> 0:58:21.760
<v Speaker 7>why you wore camos? Because it came in like a

0:58:21.800 --> 0:58:22.560
<v Speaker 7>soldier and you're.

0:58:22.400 --> 0:58:24.160
<v Speaker 4>Going to put some black paint on my face?

0:58:24.880 --> 0:58:27.200
<v Speaker 3>So you planning some sort of militia or something you

0:58:27.320 --> 0:58:28.880
<v Speaker 3>take into the streets to keep us all since you

0:58:28.920 --> 0:58:29.720
<v Speaker 3>and Johnny.

0:58:29.360 --> 0:58:32.800
<v Speaker 4>Man actually takes some pride in how I present myself.

0:58:33.320 --> 0:58:35.000
<v Speaker 3>I mean you look, I didn't say anything. Why am

0:58:35.000 --> 0:58:38.080
<v Speaker 3>I being told off and giving the old stink? I

0:58:38.080 --> 0:58:39.760
<v Speaker 3>didn't do anything. I'm not the one that texted you

0:58:39.880 --> 0:58:41.600
<v Speaker 3>let's go for a drink after School of Rock on

0:58:41.640 --> 0:58:42.160
<v Speaker 3>Friday night?

0:58:42.280 --> 0:58:43.320
<v Speaker 2>And he just bug it off.

0:58:43.520 --> 0:58:48.120
<v Speaker 7>Actually never seen camo and then the has like studded

0:58:48.200 --> 0:58:51.040
<v Speaker 7>jewels looking Friday night forgot but.

0:58:51.040 --> 0:58:53.840
<v Speaker 2>Come on, forget it. We need a guitarist.

0:58:53.920 --> 0:58:55.640
<v Speaker 3>There's a band in one Last Dream and then in

0:58:55.680 --> 0:58:57.640
<v Speaker 3>the final three they've got a gig Thursday night. All

0:58:57.640 --> 0:58:59.840
<v Speaker 3>the bands are playing live on Thursday night in fits

0:59:00.200 --> 0:59:02.640
<v Speaker 3>at Labor in Vain. More Chelsea to come and join

0:59:02.720 --> 0:59:05.480
<v Speaker 3>us tomorrow the show. But today we need the guitarist.

0:59:05.800 --> 0:59:07.400
<v Speaker 3>All we're doing is getting phone calls from a lot

0:59:07.440 --> 0:59:10.720
<v Speaker 3>of you saying my husband is a guitarist.

0:59:10.840 --> 0:59:12.800
<v Speaker 2>We haven't heard from a single person who.

0:59:12.640 --> 0:59:15.640
<v Speaker 3>Is a guitarist. There's something about this elusive band member.

0:59:15.840 --> 0:59:18.720
<v Speaker 3>They're either asleep right now or they don't want to

0:59:18.800 --> 0:59:19.560
<v Speaker 3>use the phone.

0:59:19.760 --> 0:59:21.840
<v Speaker 7>I just thought of somebody who we've had on the

0:59:21.840 --> 0:59:24.720
<v Speaker 7>show before, Patter's daughter Audrey.

0:59:25.840 --> 0:59:27.920
<v Speaker 4>Yeah, no, slave Labor.

0:59:28.360 --> 0:59:29.040
<v Speaker 2>He's having a tick.

0:59:30.760 --> 0:59:31.880
<v Speaker 4>What kids are out of bound?

0:59:34.040 --> 0:59:36.880
<v Speaker 2>Camo is going to get you. If you know a guitarist,

0:59:36.920 --> 0:59:39.160
<v Speaker 2>so you are one, email me Christian at Gold one

0:59:39.280 --> 0:59:40.920
<v Speaker 2>four three dot com dot au the.

0:59:40.920 --> 0:59:44.160
<v Speaker 1>Christian who Connell Breakfast Show, Melbourne's Gold one oh four

0:59:44.160 --> 0:59:44.640
<v Speaker 1>point three.

0:59:44.960 --> 0:59:47.960
<v Speaker 3>What an exciting day ahead of us, all of us.

0:59:47.960 --> 0:59:50.040
<v Speaker 3>Today we've canceled planers. We're going to gather around a

0:59:50.160 --> 0:59:55.720
<v Speaker 3>radio and we're going to play the Golden Ticket. Mom, Dad, Gampa, Grandma,

0:59:56.320 --> 0:59:58.040
<v Speaker 3>all of our friends will go and we we'd love

0:59:58.080 --> 0:59:59.080
<v Speaker 3>you to play a love as well.

0:59:59.200 --> 0:59:59.680
<v Speaker 2>We're going to do.

1:00:00.720 --> 1:00:03.720
<v Speaker 3>And how it works is you keep listening and every

1:00:03.720 --> 1:00:06.200
<v Speaker 3>single hour there will be a golden song. You listen

1:00:06.240 --> 1:00:08.160
<v Speaker 3>out for the golden song. Why are you doing this

1:00:08.240 --> 1:00:11.160
<v Speaker 3>to get the golden ticket? Surely everyone knows about this

1:00:11.560 --> 1:00:13.840
<v Speaker 3>right now? Your golden ticket you and to make getting

1:00:13.880 --> 1:00:16.200
<v Speaker 3>to go to all the big shows the Eagles Field, Connins,

1:00:16.240 --> 1:00:20.200
<v Speaker 3>Brian Ferry, the Red Hot Summer Tour, Kylie and Banana Rama.

1:00:20.320 --> 1:00:21.720
<v Speaker 2>It starts with Huggy.

1:00:22.320 --> 1:00:27.080
<v Speaker 3>Next tunn of today's show is simply Brockhouse exclamation mark.

1:00:27.200 --> 1:00:30.520
<v Speaker 1>The Christian O'Connell Breakfast Show, Melbourne's gold one oh four

1:00:30.600 --> 1:00:31.080
<v Speaker 1>point three