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Speaker 1: The Chris John O'Connell Breakfast Show podcast Noldurn's Gold one

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Speaker 1: oh four point three Live from Level two, twenty one

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Speaker 1: to thirty one, Goodwood Street.

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Speaker 2: Wretchmen, This is.

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Speaker 1: The Chris John o'connal Breakfast Show on Nolvin's Gold one

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Speaker 1: oh four point three.

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Speaker 2: Come on here show one oh three for us this morning.

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Speaker 2: How he had a very.

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Speaker 3: Good weekend of Come in this morning to a bit

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Speaker 3: of a situation between Jack and Pats. There is bad blood.

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Speaker 3: So when I left the show Friday, you know, you

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Speaker 3: guys were excited going out to see School of Rock.

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Speaker 4: How was that awesome?

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Speaker 2: It was really It's really really good. It's amazing. Is

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Speaker 2: that good? Yeah?

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Speaker 3: But the kids just the guy who plays Dewey Finn. Obviously,

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Speaker 3: the Jack Black character in the movie. The version I

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Speaker 3: saw in London when it first opened last year there

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Speaker 3: in the West End was incredible because you know, Jack

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Speaker 3: Black's such a charismatic and.

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Speaker 2: He is that movie, him and the kids.

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Speaker 3: So it's hard then when you go in with that

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Speaker 3: expectation you know already what that character is, Jack Black.

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Speaker 3: But the guy who did it in London was phenomenal,

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Speaker 3: and obviously they've got another superstar here.

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Speaker 2: This guy was awesome. Do you a great Patty?

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Speaker 5: Yeah?

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Speaker 4: It was looking like looking at Jack Blake, it was brilliant.

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Speaker 4: Tough act to follow, but he did.

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Speaker 2: And instruments and instruments. It's very good and all original songs.

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Speaker 3: So obviously in the movie they used some classic rock

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Speaker 3: songs that there's a Stevie Nick song Edge of seventeen

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Speaker 3: that Jack Black teaches them.

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Speaker 2: But they're all original songs and they're great songs, aren't they.

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Speaker 4: Yeah, they are. That's great.

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Speaker 2: So let's talk about what happened afterwards.

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Speaker 4: Yeah, yeah, let's talk about what happened after Jack.

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Speaker 3: Well, I think it'd be nice for I saw this morning.

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Speaker 3: I just saw Pats crying and I said, what's up?

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Speaker 3: She is that Jack stirred up afterwards.

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Speaker 6: So they were They went out be anchoring. Jack went

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Speaker 6: out for a bye two week before the show. We

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Speaker 6: didn't know if we'd get in because of the traffic situation,

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Speaker 6: so we said, look, we're just going to head straight there.

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Speaker 6: We won't have a drink before we might catch up after.

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Speaker 6: That's a nice idea. Yeah, got there and I said, look, Jack,

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Speaker 6: I'll grab your tickets if you want.

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Speaker 4: The line was around the block. He said, oh, that'd

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Speaker 4: be great.

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Speaker 2: That's ready. Kind of perhaps you do all that for somebody,

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Speaker 2: Thank you for doing.

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Speaker 4: That, enjoy their birthday dinner.

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Speaker 2: Oh bless you.

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Speaker 6: Anyway, got in, saw the show and he brought around

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Speaker 6: some chocolates at interval, which was nice. They were half eight,

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Speaker 6: but you know, it's the thought that counts. And he said, look,

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Speaker 6: let's yeah, let's catch up for a drink. After I said,

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Speaker 6: let's that'll be great. We'll meet you in the foyer.

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Speaker 6: So anyway, show finished, went out in the foyer. We waited,

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Speaker 6: and we waited. We thought, I will go to the bathroom.

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Speaker 1: Did that?

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Speaker 6: Chris said, oh, look, I might go into the cafe

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Speaker 6: next door. We'll wait there for them on the lune.

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Speaker 6: Oh nab the lounge.

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Speaker 2: It's pretty busy, and obviously your daughter's with you. She's

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Speaker 2: probably tired as well.

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Speaker 4: She's starting to get a bit some and.

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Speaker 2: Consider it a hole that you work with to be

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Speaker 2: so roofed.

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Speaker 6: So we had a couple of drinks and texted him

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Speaker 6: no response.

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Speaker 2: I didn't.

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Speaker 4: No response. I think I was on my third espresso martini.

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Speaker 3: And let's be honest, See, you're not a person to

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Speaker 3: make wuk around with.

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Speaker 2: Even without alcohol, I would be I wouldn't be doing that.

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Speaker 6: Chris is looking at his's what she's going down? Their

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Speaker 6: parking is about to expire. I think I think we're

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Speaker 6: going to.

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Speaker 2: Have to go.

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Speaker 7: I'll just say this, I didn't know we were meeting

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Speaker 7: in the foyer. That's my first excuse.

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Speaker 2: This guy's unbelieva.

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Speaker 3: The one second he hang on, Pats, you said he

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Speaker 3: texted you the arrangement.

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Speaker 4: Did this is the second time in a week christ.

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Speaker 2: Actually maybe that.

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Speaker 5: No.

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Speaker 2: I said, I'd just be the outther front.

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Speaker 4: Just let me get my phone please.

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Speaker 2: In the meantime, I'll give you a smoking gun Jack.

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Speaker 7: My second excuse, Christian will know all about as well.

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Speaker 7: I keep my phone on Soilent twenty four to seven

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Speaker 7: as a professional of the showdownt want to bring a

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Speaker 7: phone on to.

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Speaker 2: The radio keep on signing twenty four to seven, and

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Speaker 2: so anytime you've tried to ring me, do I pick up? No? No,

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Speaker 2: he doesn't, he does screen.

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Speaker 3: I was trying to get hold of have the weekend, Pats,

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Speaker 3: and my daughter actually said at one point maybe just

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Speaker 3: doesn't want to speak to you, you know, just get

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Speaker 3: that little wedge of day out in there. Maybe actually

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Speaker 3: is just avoiding me.

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Speaker 6: So I did write drink after question mark. He responded, Yeah,

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Speaker 6: we'll meet you in the foyer. Clamation mark Do you

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Speaker 6: want to get a drink? Exclamation mark? Where you're Where

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Speaker 6: are you allowed to go with seven year olds?

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Speaker 2: And then it just disappears since a night?

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Speaker 6: What about here we're in the bar, we have couches

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Speaker 6: in theater bar mate photo of Sid Martini.

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Speaker 2: Was Patsy a bit boring?

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Speaker 6: And then he says, we got jumped by some Hamish

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Speaker 6: and Andy.

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Speaker 2: Oh that's what happened. I've seen some of those fans.

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Speaker 2: I don't jump.

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Speaker 4: Anyone signing autographs. He was in the foyer, no doubt.

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Speaker 4: Oh come on, what a giving out T shirts.

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Speaker 7: Pats The sad thing is we were just out of

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Speaker 7: the front. We're probably only ten meters away through.

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Speaker 4: You went anywhere I went looking you anywhere?

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Speaker 2: Forget it.

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Speaker 3: It's embarrassing, terrible. We're to start the show show you jumps.

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Speaker 3: I don't know the new thirty one year old Jackpotes

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Speaker 3: has changed.

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Speaker 1: The Christian O'Connell breakfast show Gold one oh four point

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Speaker 1: three all.

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Speaker 2: This week at seven thirty. Then your shots to wear.

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Speaker 3: Is Maroon five tickets and ten weeks of tickets Week

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Speaker 3: ten this week on ten weeks of two ketch. That's

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Speaker 3: seven thirty with a brand new quiz which when we

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Speaker 3: are practicing it, Yes, we even practiced some parts of

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Speaker 3: the show. I think actually this might be the first

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Speaker 3: time I've ever done this. We did it on Friday show.

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Speaker 3: We were demoing this quiz that you'll be playing at

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Speaker 3: seven thirty. People were getting very stressed out. We're going

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Speaker 3: to stop stop yelling is when you yell, it's scary.

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Speaker 3: So we got a brand new, terrifying quiz at seven thirty.

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Speaker 2: This morning of.

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Speaker 3: The weekend, I saw up an emails with lots of

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Speaker 3: people contacting the show talking about one last dream and

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Speaker 3: misheard lyrics.

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Speaker 2: We got that just after aight o'klo this morning.

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Speaker 3: I couldn't help but notice one of our listeners job

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Speaker 3: title or email back going, what is a bone harvester? Oh,

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Speaker 3: someone's job a horror film? Yeah, I would say the

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Speaker 3: Bone Collector. It's not with Dens of Washington's a great

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Speaker 3: movie that one of our listeners catches up with the

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Speaker 3: podcast in America is a bone harvester. It is his

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Speaker 3: job to literally cut flesh from bones and then get

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Speaker 3: the bones and grind them into a paste for surgical use.

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Speaker 3: Did you know that a human being actually does this

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Speaker 3: for a job?

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Speaker 4: Are you talking human blondes or animal bones?

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Speaker 2: I didn't.

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Speaker 3: I didn't ask you. I'll send them another EMA. Now,

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Speaker 3: why you think about getting into this? Are you thinking

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Speaker 3: about grinding up jackpost?

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Speaker 1: No?

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Speaker 4: Like, yeah, human or animal? I'm fascinated.

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Speaker 2: I didn't know they made medicine out of bones. Well,

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Speaker 2: I guess they use it for bone graphs, don't they?

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Speaker 2: When people are doing that? Then why mash it up

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Speaker 2: into a paste?

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Speaker 3: Because then I think they when they're doing bone graphs. Yeah,

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Speaker 3: because it's it's so concentrated, isn't it It helps something

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Speaker 3: attached to something else when they're doing surgery.

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Speaker 2: I sound like a kid.

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Speaker 3: They're trying to explain it. It helps something else grow

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Speaker 3: to something else. I think it's the Latin term that

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Speaker 3: surgeons must use when explaining what the complicated.

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Speaker 2: Procedure they're doing.

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Speaker 3: So one on this morning, we're going to run this

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Speaker 3: across Today show. Who listening has the most unusual job? Okay,

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Speaker 3: if you think you've got an unusual job, please tell

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Speaker 3: us I'd love to know who listened this small has

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Speaker 3: got an unusual job. Let's try and find the person

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Speaker 3: listens to the show here in Melbourne's got the most

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Speaker 3: unusual job, starting with someone in America as a bone harvester.

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Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

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Speaker 1: point three.

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Speaker 2: So how was your birthday? What did you get? It

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Speaker 2: was great, We went into Crown for the night on

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Speaker 2: Friday night.

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Speaker 3: But I get it now, right, so you and your

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Speaker 3: wife you were staying away in a hotel room. When

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Speaker 3: a couple goes away to a hotel room, I get it.

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Speaker 3: Hashtag adult time, fun time. That's why we couldn't see

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Speaker 3: pat drink it. If it's you know, if you're looking

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Speaker 3: hanging around with Patsy, you know who's drinking heavily and

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Speaker 3: a little bit more aggressive and sweary, or back for

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Speaker 3: a little bit of fun swinging from the chandeliers. You're

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Speaker 3: getting in the cab out of there as quickly as

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Speaker 3: possible to go back to the Crown.

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Speaker 2: I get it. And then you're what did you get?

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Speaker 2: What did you get? I asked Bianca.

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Speaker 7: Actually a couple of weeks ago, I said to her,

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Speaker 7: don't get anything for me, Like we got the birthday

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Speaker 7: coming up, going to Crowns enough for me. Sure we

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Speaker 7: got the renovation that's sucking up all our money. Look,

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Speaker 7: don't worry about get me anything.

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Speaker 3: But being honest, you think you're going to get some

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Speaker 3: sort of little gift to open in the morning.

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Speaker 7: It is a bit weird to wake up on the

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Speaker 7: morning and then I'm looking around genuinely, we got you nothing.

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Speaker 2: It was it was nothing.

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Speaker 4: Oh, not even a car.

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Speaker 2: But I asked for it. So what can I say that?

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Speaker 2: But you still think there's work.

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Speaker 3: You're going to get something small, something you know you're

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Speaker 3: going to hear this phrase.

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Speaker 8: Now.

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Speaker 3: I know you said get nothing, but I couldn't just

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Speaker 3: have you opening nothing on the day.

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Speaker 2: So it's just something small. I just got you this.

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Speaker 2: Oh thank you. I think I kind of silence, the

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Speaker 2: silence and nothing is wow?

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Speaker 7: Is she's saying, all right, do you want to go

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Speaker 7: down for breakfast? I was hinting it like, isn't there

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Speaker 7: anything more that we.

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Speaker 2: Taken under the breakfast table? Sure, okay, there's breakfast.

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Speaker 3: That's where the car b Look outside, there's the car

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Speaker 3: or brand new Uta or whatever it is.

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Speaker 7: And eventually because she wasn't bringing out any surprise gifts,

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Speaker 7: I said, is.

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Speaker 2: There anything for me? Years of age? Not thirty one?

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Speaker 7: And I said, oh no, I know I didn't ask

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Speaker 7: for anything, but is there anything open?

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Speaker 2: There really wasn't anything.

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Speaker 7: Except for the present that you gave me and you

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Speaker 7: told me not to open it until my birthday. So

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Speaker 7: I had the book books that you wrapped me, So

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Speaker 7: thank you because that turned out to be the only

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Speaker 7: thing I unwrapped on seller.

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Speaker 2: And how was Bianca handling this?

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Speaker 9: Well?

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Speaker 2: She obviously she was saying, Hey, you told me you

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Speaker 2: want nothing. I got you what you want to see.

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Speaker 3: This happened with my wife a couple of years ago.

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Speaker 3: I said, I did the whole classic like you. Oh look,

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Speaker 3: because we were really busy, and I said, don't wory

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Speaker 3: about geting anything. Still thought, you're going to get something small? Mean,

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Speaker 3: does it kill someone to go and get something smaller?

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Speaker 2: Sucks or something? You're just a bottle of wine or.

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Speaker 3: Something, but nothing, And then it created this really awkward

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Speaker 3: tension and my wife and were telling me off and

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Speaker 3: making her feel bad.

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Speaker 2: Yeah, well that's why I was.

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Speaker 7: If I had kept pushing the issue, I would have

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Speaker 7: been the bad guy for making her feel guilty.

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Speaker 1: The Christian O'Connell breakfast show Melbourne's Gold one oh four

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Speaker 1: point three.

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Speaker 3: So it's a stunning beautiful day yesterday, and so the

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Speaker 3: teenager she's just started to get into playing tennis. Sin's

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Speaker 3: coming here and she's had her first couple of lessons.

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Speaker 3: So I said, hey, listen, you old man used to

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Speaker 3: start playing there tennis back in the day, or I can.

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Speaker 3: I've still got the old four hands smash. I said,

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Speaker 3: why don't we book a court? So but of court

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Speaker 3: up up near a denty park and first thing says

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Speaker 3: I get on this court.

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Speaker 2: I'm thinking, what the hell's was this funny cud of

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Speaker 2: dust on.

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Speaker 3: The floor, And she goes, oh this clay court, Dad,

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Speaker 3: I don't think you've ever played on a clay court before.

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Speaker 2: I went, Now, this doesn't affect my performance, no excuses

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Speaker 2: are starting already.

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Speaker 3: Start to get this horrible cold performance anxiety as a

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Speaker 3: warming up, and start to really, I haven't actually played tennis.

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Speaker 3: It's about eighteen or nineteen, I remembering at college the

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Speaker 3: last time I played.

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Speaker 2: I am now not of that age, and I'm thinking, oh,

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Speaker 2: this is going to be horrendous. Right, she's young fit.

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Speaker 2: She started to have lessons.

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Speaker 3: I'm seeing all these other people and there's like a

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Speaker 3: tournament going on at on the court's next to us.

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Speaker 3: I'm thinking there are other parents there. I'm now really

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Speaker 3: thinkuring I should have had a couple of warm up lessons.

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Speaker 3: This is going to be horrendous. So I start going,

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Speaker 3: I've got that sun's bright. I'll tell you what. I'll

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Speaker 3: stand with the sons in my eyes as well. So

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Speaker 3: I'm only looking for a couple of excuses. You know,

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Speaker 3: I go, I'll take one for the team, so I'll

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Speaker 3: make sure that I'm facing the sun, so you know,

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Speaker 3: and I say to her, listen, I said, just be careful.

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Speaker 3: I said, try not to hit too many onto my

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Speaker 3: backhand because it's not very good. I said, it will connect,

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Speaker 3: but I can't guarantee where it's going to go. Within

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Speaker 3: the first ten minutes, two balls right when I hit

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Speaker 3: it with my famed backhand have gone out of the

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Speaker 3: court onto the Nepean Highway. So if yesterday ran about

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Speaker 3: ten past twelve, your car got hit by one of

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Speaker 3: my two tennis balls and Wilson come flying over. Apologies,

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Speaker 3: that's me. Okay, this is within the first ten minutes

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Speaker 3: to go out of the court, so we ended up

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Speaker 3: playing for another hour and it was great fun.

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Speaker 2: Gone through twenty balls a lot.

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Speaker 3: I was kept looking looking for more balls and it

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Speaker 3: was great fun and really willing to I now want

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Speaker 3: to have some tennis lessons right because it's a beautiful day.

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Speaker 3: Yesterday thought that's been a nice thing for us too.

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Speaker 3: She gets a bit better. I need to get a

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Speaker 3: hell of a lot better. But I suddenly remember when

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Speaker 3: I used to play with my dad any kind of sport.

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Speaker 3: My dad was a really competitive all rounder and he

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Speaker 3: would have no truck in beating me.

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Speaker 2: He never let me ever win. My dad was exactly

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Speaker 2: the same. Yeah, what is that.

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Speaker 7: I think it's a way to teach you that you

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Speaker 7: know that you've got to earn your wins, which I

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Speaker 7: never got to experience because he was always my dad

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Speaker 7: and whatever we.

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Speaker 2: Did, he would always win. I would never get anywhere

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Speaker 2: near him.

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Speaker 3: I remember as a teenager, I didn't amateur boxing, night

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Speaker 3: schoolboard box, and my dad used to box. I remember

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Speaker 3: sometimes we spy in the garden and once he just

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Speaker 3: smashed me on the nose and there was like blood everywhere,

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Speaker 3: and he didn't call time or go hey, look, oh

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Speaker 3: that's terribly won't carry on something? And we carried on

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Speaker 3: spot I could hardly see because.

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Speaker 2: Of blood coming. I'm thinking this is pretty screwed up.

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Speaker 2: I don't think this is right.

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Speaker 3: I don't think this is what you're supposed to be doing,

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Speaker 3: actually punching yourself when he's fourteen years aweak.

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Speaker 2: So what do you do with your dad?

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Speaker 7: One of my earliest memories actually is my dad teaching

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Speaker 7: me how to play cricket. And I'm so young that

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Speaker 7: I'm just trying to get the actual function of getting

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Speaker 7: the bat, swinging and hitting the ball.

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Speaker 2: Well lot your team at the moment r at that

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Speaker 2: level as well.

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Speaker 7: So I connect with one out of the middle of

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Speaker 7: the bat and I'm so happy, really, but go straight

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Speaker 7: to dad day catches. I go, I did it like

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Speaker 7: I've hit it. He goes, not a good hit. I

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Speaker 7: caught you out.

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Speaker 4: Dreams crushed, all right?

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Speaker 3: So this morning one know what happened when you played

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Speaker 3: sport as a kid with mum or dad?

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Speaker 2: Nine one four three.

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Speaker 1: The Christian o' connell breakfast show Melbourne's Gold one oh

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Speaker 1: four point three.

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Speaker 3: So this week for one last dream, then the three

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Speaker 3: bands that we wieled it down to talk about one

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Speaker 3: last dream, this big show Jack, which.

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Speaker 7: Is oh No, starting in thirteen days, five hours, eight minutes,

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Speaker 7: thirteen seconds I walk on stage.

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Speaker 3: Now, it's under two weeks now, it is under two

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Speaker 3: weeks to one last stream this big gig. We've got

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Speaker 3: the opening spot for the band that you're going to

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Speaker 3: find in the next week. It's in front of fifteen

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Speaker 3: thousand people for the Angels, Jimmy Barnes and loads more

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Speaker 3: So it's under two weeks time.

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Speaker 2: We've got the opening spot. We haven't yet found the band,

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Speaker 2: but it's down to the final three.

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Speaker 3: And this Thursday night at the Labour in Vain in Fitzroy,

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Speaker 3: brilliant live music pub prop over our music venue here

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Speaker 3: in Melbourne, three bands are going to play live and

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Speaker 3: they're all going to do one original song. And these

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Speaker 3: are reunited bands that haven't played together in a long time.

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Speaker 3: They're doing one original song and then a cover version.

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Speaker 3: Each of the three bands is going to do their

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Speaker 3: own version of George Michael's Faith and they've been practicing

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Speaker 3: over the weekend. Of course, this weekend was their last

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Speaker 3: weekend to try and get some practicing kind of the

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Speaker 3: big live performance on Thursday night. So after seven you

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Speaker 3: can hear how they've been getting on and bear in

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Speaker 3: mind these they are rehearsing. However, one of the bands

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Speaker 3: has got a major glitch, one of the band members,

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Speaker 3: so obviously to them. Friday they were nothing but excited.

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Speaker 3: They were down to the final three. Last week there

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Speaker 3: were like live eliminations, two bands going up against it

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Speaker 3: for your votes, hundreds of people texting you in vote

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Speaker 3: for which band you wanted. So on Friday there were

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Speaker 3: nothing but excited. You know they've made it through. They're

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Speaker 3: going to be playing live on a load of people.

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Speaker 3: They're actually doing a gig. They're closer to the big

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Speaker 3: winning prize, one last dream opening up for fifteen thousand people. However,

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Speaker 3: one of the bands, one of the band members, cannot

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Speaker 3: make the gig Thursday night, and I'll let them tell

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Speaker 3: you what they need. So after seven months morning one

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Speaker 3: of the bands is putting out on SOS.

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Speaker 1: The Christian O'Connell breakfast Show, Melbourne's Gold one oh four

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Speaker 1: point three.

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Speaker 3: So what about half hours time you've been taking part

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Speaker 3: in a brand new game. It's week ten and ten

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Speaker 3: weeks of tickets and it's Maroon five tickets every single

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Speaker 3: day this week that you can win. A warning, now,

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Speaker 3: the game is intense, some of you irritating and for

390
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Speaker 3: all of you that play terrifying. However, we played it

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Speaker 3: after Friday show.

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Speaker 2: It is.

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Speaker 3: It hasn't been designed. It's impossible to get a decent score.

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Speaker 7: Are you going to do the I can only describe

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Speaker 7: it as a distraction method. You're going to perform the

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Speaker 7: distraction method today? Yeah, that's going to be that.

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Speaker 4: That's going to be last.

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Speaker 3: That's going to be the bit that a bit of a

399
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Speaker 3: struggle with. Anyway, we've got that in half an hour's time.

400
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Speaker 3: Before that, let's find out how the top three bands

401
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Speaker 3: in one last stream in getting on over the weekend.

402
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Speaker 3: So Friday we said to all the three bands and

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Speaker 3: you need to be rehearsing this weekend because you've got

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Speaker 3: a live pub gig this Thursday night and you can

405
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Speaker 3: win some tickets later on today's show. It's at the

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Speaker 3: Labor and Vein in Fitzroy, which is a great pub,

407
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Speaker 3: a lot of great live music. They're a lot of

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Speaker 3: free live music they do as well, So if you're

409
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Speaker 3: in the move for some live music, head over to

410
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Speaker 3: the Labor and Vein. They've kind of invited us along

411
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Speaker 3: this Thursday night. We're going to be there and I

412
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Speaker 3: think we can get in quite a few of you

413
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Speaker 3: on Thursday night. It's going to be a squeeze, it's

414
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Speaker 3: going to be intimate. It's a proper live music venue.

415
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Speaker 3: We just thought it's a great way for the three

416
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Speaker 3: bands to get up in front of some people see

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Speaker 3: how they are playing live. We can see how they

418
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Speaker 3: are live because one of those bands has to be

419
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Speaker 3: selected this next week to get ready because the one

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Speaker 3: last Tream gig in front of fifteen thousand people is

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Speaker 3: under two weeks time now.

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Speaker 2: It is exactly.

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Speaker 7: Thirteen days, four hours, fifty two minutes, forty four seconds.

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Speaker 3: All right, So this is this them rehearsing over the weekend.

425
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Speaker 3: Both the bands. It's going to get to do two songs,

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Speaker 3: one of their own original songs. And these bands us

427
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Speaker 3: remind ourselves have reunited. They haven't played together for around

428
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Speaker 3: twenty to twenty five years, twenty eight years for one

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Speaker 3: of the bands.

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Speaker 2: So and bear in mind it's just recorded with.

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Speaker 3: Someone's iPhone in And I was about to say rehearsal room.

432
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Speaker 3: That is not the case. The videos you can see

433
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Speaker 3: them all now. They're crammed in spare rooms. One of

434
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Speaker 3: the guys, some Hot Properties, even kept his sunglasses on

435
00:17:41,359 --> 00:17:44,760
Speaker 3: for the rehearsal as well. Try and I guess recapture

436
00:17:44,760 --> 00:17:46,800
Speaker 3: that rock Phil all right, So we said to them,

437
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Speaker 3: you can do one original song and also you all

438
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Speaker 3: got to do the same cover version of George Michael's Faith.

439
00:17:52,400 --> 00:17:54,880
Speaker 3: So this is Hot Property, the band reunited. I haven't

440
00:17:54,880 --> 00:17:59,520
Speaker 3: played together for about twenty eight years from the eighties,

441
00:18:17,600 --> 00:18:20,679
Speaker 3: so played together in the eighties. They're sounding pretty good

442
00:18:20,720 --> 00:18:23,240
Speaker 3: and I forget. They only found out remeb about quarter

443
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Speaker 3: to nine on Friday Show that they had to start

444
00:18:25,680 --> 00:18:26,879
Speaker 3: doing a cover version of Faith.

445
00:18:27,000 --> 00:18:29,679
Speaker 7: I watched his video, which is online at the Facebook page.

446
00:18:30,040 --> 00:18:33,720
Speaker 7: I wonder if you'll have the lyrics sheet up on Thursday, because.

447
00:18:33,400 --> 00:18:36,480
Speaker 2: He has to read all the lyrics after sheet.

448
00:18:36,560 --> 00:18:40,720
Speaker 3: At the moment, this is Bungalow around here in Melbourne

449
00:18:40,720 --> 00:18:43,000
Speaker 3: playing in the two thousands have listened to. This is

450
00:18:43,040 --> 00:19:04,160
Speaker 3: their version of Faith. We also found this band in mind.

451
00:19:04,200 --> 00:19:06,520
Speaker 3: You know they are rehears and haven't played together a

452
00:19:06,520 --> 00:19:07,160
Speaker 3: long long time.

453
00:19:21,680 --> 00:19:25,119
Speaker 2: Dad that ironed out by Thursday. Bungalow will talk out.

454
00:19:25,119 --> 00:19:26,560
Speaker 3: I don't know who's su the drumming, but the drummer

455
00:19:26,600 --> 00:19:30,880
Speaker 3: sounds really now that band there, Bungalow, they really really

456
00:19:30,920 --> 00:19:33,800
Speaker 3: need some help. They sent us an email last night

457
00:19:33,920 --> 00:19:36,359
Speaker 3: like a hell Mary Pass saying when they told us

458
00:19:36,400 --> 00:19:38,040
Speaker 3: the problem, they said, do you want to kick us

459
00:19:38,040 --> 00:19:39,760
Speaker 3: out the competition? We do not want to do that,

460
00:19:39,800 --> 00:19:42,879
Speaker 3: but we do need some help. Bungalow needs some help.

461
00:19:42,960 --> 00:19:46,359
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

462
00:19:46,359 --> 00:19:49,640
Speaker 1: point three Rock and More Radio.

463
00:19:49,520 --> 00:19:54,000
Speaker 2: Christian O'Connell's One Last Dream.

464
00:19:56,359 --> 00:19:58,280
Speaker 3: Over the last three weeks from the show, they're asking

465
00:19:58,359 --> 00:20:02,359
Speaker 3: you if you've fancy reunited year old bands. Almost one

466
00:20:02,440 --> 00:20:05,119
Speaker 3: hundred bands stepped forward said yeah, we'd love that, especially

467
00:20:05,119 --> 00:20:06,760
Speaker 3: when they heard about why we'll be doing this. We

468
00:20:06,880 --> 00:20:09,840
Speaker 3: have the opening spot in front of fifteen thousand music

469
00:20:09,880 --> 00:20:11,040
Speaker 3: fans completely.

470
00:20:10,600 --> 00:20:13,080
Speaker 2: Sold out one electric day ad at Werribee.

471
00:20:13,359 --> 00:20:16,680
Speaker 3: You'll be opening up for Jimmy Barnsey, Angels, John Stevenson.

472
00:20:16,200 --> 00:20:18,560
Speaker 2: And loads more. It's not long.

473
00:20:18,920 --> 00:20:21,520
Speaker 3: In fact, it's getting nearer and nearer and nearer. They've

474
00:20:21,520 --> 00:20:22,800
Speaker 3: been passing minute an hour.

475
00:20:23,840 --> 00:20:27,399
Speaker 7: Yeah, it is thirteen days, four hours, forty five minutes,

476
00:20:27,440 --> 00:20:30,680
Speaker 7: thirty seven seconds. You'll say, can the band please come

477
00:20:30,720 --> 00:20:31,360
Speaker 7: on stage?

478
00:20:31,480 --> 00:20:31,760
Speaker 2: Yeah?

479
00:20:32,000 --> 00:20:35,600
Speaker 3: Sighting under two weeks time now, so the top three

480
00:20:35,680 --> 00:20:38,480
Speaker 3: mans that's picked by you, rehearsing over the weekend for

481
00:20:38,560 --> 00:20:39,760
Speaker 3: the big live gig.

482
00:20:39,600 --> 00:20:41,000
Speaker 2: This Thursday night.

483
00:20:42,480 --> 00:20:45,480
Speaker 3: And then I get this email sent to us at

484
00:20:45,520 --> 00:20:49,760
Speaker 3: one fifteen am this morning. One fifteen am this morning.

485
00:20:49,960 --> 00:20:52,399
Speaker 3: When someone sends you an email like that, think, oh no,

486
00:20:52,520 --> 00:20:59,520
Speaker 3: what has happened? This comes from Dal from Bungalow. Hi, guys,

487
00:20:59,600 --> 00:21:02,200
Speaker 3: absolutely gutted to be right in this, but our guitarist

488
00:21:02,320 --> 00:21:05,800
Speaker 3: Jay can't do the gids Thursday night. He lives in

489
00:21:05,880 --> 00:21:07,840
Speaker 3: Hobart and has been with us on this journey all

490
00:21:07,880 --> 00:21:10,520
Speaker 3: the way. He can make the big show, but he

491
00:21:10,560 --> 00:21:13,439
Speaker 3: works as a baggage handler and he can't find an

492
00:21:13,440 --> 00:21:15,439
Speaker 3: early enough flight to get him back in time for

493
00:21:15,480 --> 00:21:19,520
Speaker 3: his shift Friday morning. Sorry to be dumping this on

494
00:21:19,600 --> 00:21:22,840
Speaker 3: you and interrupting your programming. I love it when people

495
00:21:22,920 --> 00:21:26,800
Speaker 3: refer to this inane nonsense as a program. My dad

496
00:21:26,800 --> 00:21:29,399
Speaker 3: does that. He calls them to do an episode the

497
00:21:29,400 --> 00:21:33,160
Speaker 3: other week son. It gives an air of gravity which

498
00:21:33,200 --> 00:21:34,639
Speaker 3: it really really doesn't deserve.

499
00:21:34,880 --> 00:21:36,760
Speaker 2: But anyway, Dale's on the line. Now let's see what

500
00:21:36,800 --> 00:21:37,159
Speaker 2: we can do.

501
00:21:37,200 --> 00:21:40,040
Speaker 8: Good morning Dale, Good morning Christian.

502
00:21:40,280 --> 00:21:42,399
Speaker 3: They listen you sound heavy art of there, first of all,

503
00:21:42,440 --> 00:21:44,720
Speaker 3: before we go any further, sounding great in the rehearsals.

504
00:21:44,720 --> 00:21:48,639
Speaker 8: Mate, Oh thanks, yes, thanks so much.

505
00:21:50,440 --> 00:21:54,480
Speaker 2: Are you all right down? What's up? But this is

506
00:21:54,520 --> 00:21:56,360
Speaker 2: a different guy who I spoke to Friday.

507
00:21:57,280 --> 00:22:00,200
Speaker 8: I'm not good. I've had better days of just I've

508
00:22:00,240 --> 00:22:02,200
Speaker 8: just been I've been under a lot of pressure. I've

509
00:22:02,200 --> 00:22:06,760
Speaker 8: got to admit. And yeah, we just as of Friday,

510
00:22:06,840 --> 00:22:09,719
Speaker 8: we I sort of, you know, passed the message on

511
00:22:09,760 --> 00:22:12,879
Speaker 8: what was happening with a Thursday night thing, and I

512
00:22:12,960 --> 00:22:15,000
Speaker 8: got I was kind of just getting a little bit

513
00:22:15,000 --> 00:22:18,400
Speaker 8: of you know, when I told Jay, you know, it's

514
00:22:18,400 --> 00:22:20,920
Speaker 8: like he's like, oh, it should be good. Should be good.

515
00:22:21,119 --> 00:22:24,639
Speaker 8: And as the weekend sort of went on, it just

516
00:22:24,760 --> 00:22:26,679
Speaker 8: progressively got to the point where I was on the

517
00:22:26,720 --> 00:22:31,480
Speaker 8: phone to him at midnight last night and I just, yeah,

518
00:22:31,680 --> 00:22:34,640
Speaker 8: just the realization that he wasn't going to be able

519
00:22:34,640 --> 00:22:37,879
Speaker 8: to make it Thursday. Just it was just one of

520
00:22:37,880 --> 00:22:40,840
Speaker 8: those situations. So yeah, I send an email through to

521
00:22:40,880 --> 00:22:44,280
Speaker 8: your producer back and yeah, there was a couple of

522
00:22:44,840 --> 00:22:47,440
Speaker 8: couple of glasses of wine involved in that email too.

523
00:22:47,520 --> 00:22:48,760
Speaker 8: So yeah, I'm just just not feeling.

524
00:22:49,000 --> 00:22:50,600
Speaker 3: I don't want to talk about the swearing or bad

525
00:22:50,680 --> 00:22:53,080
Speaker 3: language because I can.

526
00:22:53,000 --> 00:22:55,280
Speaker 2: See this sheep from here. There's a lot of redactive information.

527
00:22:55,359 --> 00:22:59,040
Speaker 2: There smells of share house as well. But no, let's

528
00:22:59,160 --> 00:23:00,240
Speaker 2: leave that list.

529
00:23:00,960 --> 00:23:03,239
Speaker 3: Let us take the pressure off you out because you've

530
00:23:03,240 --> 00:23:05,639
Speaker 3: got enough going on, all right, worrying about all this,

531
00:23:05,720 --> 00:23:08,280
Speaker 3: the rehearsals to gigs Thursday night and maybe even the

532
00:23:08,280 --> 00:23:11,240
Speaker 3: bigger one under two weeks time. You need a guitarist

533
00:23:11,240 --> 00:23:12,680
Speaker 3: for Thursday night's pub gig, don't.

534
00:23:12,520 --> 00:23:15,400
Speaker 8: You we do, We did a lead guitarists.

535
00:23:15,440 --> 00:23:16,960
Speaker 3: Yeah, all right, there's no way we're going to throw

536
00:23:17,000 --> 00:23:19,040
Speaker 3: you out because of this has happened and it's real life.

537
00:23:19,080 --> 00:23:21,320
Speaker 3: And the guy is obviously just trying to do his job,

538
00:23:21,359 --> 00:23:23,720
Speaker 3: which is fair enough. So he's a baggage handler back

539
00:23:23,720 --> 00:23:24,320
Speaker 3: in Hobart.

540
00:23:25,040 --> 00:23:28,800
Speaker 2: Yes, so he flew in for the rehearsals this weekend.

541
00:23:29,000 --> 00:23:31,920
Speaker 8: He well, actually he did it because that was sort

542
00:23:31,960 --> 00:23:34,560
Speaker 8: of that was he couldn't make it for this weekend.

543
00:23:35,440 --> 00:23:37,480
Speaker 8: Just quickly to the weird thing was that if he

544
00:23:37,560 --> 00:23:39,800
Speaker 8: flew back on a Friday morning, he would have actually

545
00:23:39,800 --> 00:23:41,800
Speaker 8: had to unload the bags from the plane that he

546
00:23:41,880 --> 00:23:47,600
Speaker 8: was flying back to hobart On, so I said, I look,

547
00:23:47,720 --> 00:23:49,280
Speaker 8: just when the plane lands, just walk up in the

548
00:23:49,280 --> 00:23:51,199
Speaker 8: front of the plane day lands and Germans, please just

549
00:23:51,440 --> 00:23:52,800
Speaker 8: hang for a second. I'm going to go down and

550
00:23:52,800 --> 00:23:55,040
Speaker 8: get your bag. But he didn't think that was very fun.

551
00:23:55,080 --> 00:23:57,280
Speaker 3: I'm sure this brand new wells, all the spice girls.

552
00:23:57,280 --> 00:23:59,639
Speaker 3: You see them get off the plane then start klugging

553
00:23:59,680 --> 00:24:00,800
Speaker 3: all this cases.

554
00:24:02,760 --> 00:24:04,960
Speaker 2: That's rock and roll. That's how it's done these days.

555
00:24:05,200 --> 00:24:08,000
Speaker 3: So we need a guitarist of Bungalow for Thursday night,

556
00:24:08,040 --> 00:24:12,960
Speaker 3: a standing yes, yep, right, Okay, well listen, this is

557
00:24:12,960 --> 00:24:15,080
Speaker 3: a big musical city. The fact that one hundred bands

558
00:24:15,080 --> 00:24:17,800
Speaker 3: said they fancied reuniting, there's a lot of people out there.

559
00:24:17,960 --> 00:24:18,439
Speaker 2: At first, I.

560
00:24:18,440 --> 00:24:20,560
Speaker 3: Didn't think about poor old alex On, the band's citizen

561
00:24:20,640 --> 00:24:24,240
Speaker 3: k who was denied the reunion slot.

562
00:24:24,280 --> 00:24:25,280
Speaker 2: But he's a bass player.

563
00:24:25,560 --> 00:24:27,359
Speaker 3: So this is a call out this morning if anyone

564
00:24:27,440 --> 00:24:31,040
Speaker 3: knows a guitarist who's free Thursday night. And I guess

565
00:24:31,080 --> 00:24:33,840
Speaker 3: if you've got time to rehearse with these standing guitarists this.

566
00:24:33,800 --> 00:24:37,120
Speaker 8: Week, yes here definitely would yep, yeah.

567
00:24:36,920 --> 00:24:39,159
Speaker 2: You like to get off the wine for one night?

568
00:24:39,200 --> 00:24:44,199
Speaker 3: And I'm sure a lot of people would buy that.

569
00:24:44,760 --> 00:24:47,080
Speaker 8: I have a laugh, but yeah, I could get off

570
00:24:47,080 --> 00:24:50,880
Speaker 8: the one all right.

571
00:24:50,920 --> 00:24:53,800
Speaker 3: So we need a guitarist. Bungalow needs a guitarist. One

572
00:24:53,880 --> 00:24:56,600
Speaker 3: Last Dream needs you to help out here, So guitarists

573
00:24:56,640 --> 00:24:57,399
Speaker 3: please call in.

574
00:24:57,520 --> 00:24:59,639
Speaker 2: If only I worked with a guitarist.

575
00:25:00,119 --> 00:25:02,960
Speaker 7: I mean, hello, Dale, I would love to do it,

576
00:25:03,040 --> 00:25:04,880
Speaker 7: but I got to say I'm going to remain neutral

577
00:25:04,920 --> 00:25:07,119
Speaker 7: surely across all three bands. If I'm going to be

578
00:25:07,240 --> 00:25:10,800
Speaker 7: judging with you and the audience, I have to I

579
00:25:10,800 --> 00:25:11,320
Speaker 7: can't have.

580
00:25:11,280 --> 00:25:13,160
Speaker 3: You quite right special interest. I mean on those big

581
00:25:13,160 --> 00:25:16,360
Speaker 3: shows like American Idol. You don't see we have got

582
00:25:16,359 --> 00:25:19,960
Speaker 3: a singer, Simon cow Come on, Yeah, I shouldn't really

583
00:25:20,000 --> 00:25:22,600
Speaker 3: do it this, guys. I'm going to play the triangle

584
00:25:22,640 --> 00:25:22,920
Speaker 3: on this.

585
00:25:22,920 --> 00:25:26,200
Speaker 2: Track breaker a break glass.

586
00:25:26,200 --> 00:25:29,080
Speaker 7: In case of emergency, Dale, maybe I could be available

587
00:25:29,119 --> 00:25:29,880
Speaker 7: on Thursday night.

588
00:25:30,000 --> 00:25:31,879
Speaker 2: I'm sure. I'm sure we'll get your great guitar.

589
00:25:32,640 --> 00:25:33,120
Speaker 8: Definitely.

590
00:25:33,200 --> 00:25:35,000
Speaker 3: All right, give us a call. The storm then has

591
00:25:35,000 --> 00:25:36,760
Speaker 3: helped dayl Oud. Okay, Dal, We'll catch up with you

592
00:25:36,760 --> 00:25:38,560
Speaker 3: soon with some good news. Don't worry, buddy, I know

593
00:25:38,600 --> 00:25:39,440
Speaker 3: we can help you out.

594
00:25:40,040 --> 00:25:41,280
Speaker 8: Thanks for other standy guys.

595
00:25:41,280 --> 00:25:44,320
Speaker 3: Thanks doubt Cinderella will go to the ball this Thursday night.

596
00:25:44,320 --> 00:25:47,760
Speaker 3: Don't worry nine four one one four three. We're looking

597
00:25:47,760 --> 00:25:48,360
Speaker 3: for a guitarist.

598
00:25:48,440 --> 00:25:51,800
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

599
00:25:51,840 --> 00:25:57,119
Speaker 1: point three Rock and All Radio, Christian O'Connell's.

600
00:25:56,560 --> 00:26:04,400
Speaker 3: One Blast Dream Rock and Roll needs a guitarist right now.

601
00:26:04,480 --> 00:26:07,680
Speaker 3: One of the top three bands or one last tream.

602
00:26:07,840 --> 00:26:09,760
Speaker 3: This mission we've been on the last three weeks asking

603
00:26:09,760 --> 00:26:11,479
Speaker 3: you to reunite your old bands because we've got an

604
00:26:11,520 --> 00:26:14,639
Speaker 3: amazing gig, a second chance opening up for Jimmy Barnes

605
00:26:14,680 --> 00:26:17,639
Speaker 3: the Angels from the fifteen thousand people that at Werriby

606
00:26:17,720 --> 00:26:22,199
Speaker 3: Mansions in just under two weeks time. One of the

607
00:26:22,200 --> 00:26:25,840
Speaker 3: bands needs a guitarist. We're doing this live performance with

608
00:26:25,920 --> 00:26:28,359
Speaker 3: him this Thursday night. All three bands playing live in

609
00:26:28,400 --> 00:26:30,879
Speaker 3: the Labor in Vain in Fitzroy. Your chance to come

610
00:26:30,920 --> 00:26:32,520
Speaker 3: and join us and see the bands in a couple

611
00:26:32,560 --> 00:26:35,680
Speaker 3: of moments before that, we need guitarist. Their guitarist is

612
00:26:35,680 --> 00:26:38,560
Speaker 3: a baggage handler in Hobart. He can't do the gig,

613
00:26:38,880 --> 00:26:43,000
Speaker 3: fly back and start his shift early Friday morning, so

614
00:26:43,080 --> 00:26:48,040
Speaker 3: they need a guitarist. A sap Jason, good morning, Good

615
00:26:48,040 --> 00:26:49,080
Speaker 3: morning man, how are you?

616
00:26:49,200 --> 00:26:49,800
Speaker 2: I'm pretty good.

617
00:26:49,840 --> 00:26:52,800
Speaker 3: Well, thank you very much for responding to our sos.

618
00:26:52,920 --> 00:26:53,920
Speaker 3: You might be to help out.

619
00:26:54,760 --> 00:26:56,840
Speaker 9: Oh look, God, I can't help help meself.

620
00:26:56,920 --> 00:26:57,359
Speaker 8: My book.

621
00:26:57,400 --> 00:27:00,800
Speaker 9: Moy Son is a pretty good guitar, Harris. Might he

622
00:27:00,840 --> 00:27:04,240
Speaker 9: play for a lot of Australian artists that have en around,

623
00:27:04,280 --> 00:27:06,640
Speaker 9: so I'm sure he'd be able to fill in. Might

624
00:27:06,640 --> 00:27:10,080
Speaker 9: if he couldn't, I don't know who could.

625
00:27:10,119 --> 00:27:15,760
Speaker 3: But it was going really well, maw, we're about to

626
00:27:15,760 --> 00:27:16,240
Speaker 3: square one.

627
00:27:17,200 --> 00:27:19,800
Speaker 9: It doesn't it doesn't know about this. Might he still asleep?

628
00:27:20,000 --> 00:27:22,800
Speaker 2: Now? A quick question? How old is your son?

629
00:27:23,600 --> 00:27:24,400
Speaker 9: He's twenty four?

630
00:27:24,720 --> 00:27:26,920
Speaker 3: Oh, I thought you were talking about some teenage boy.

631
00:27:27,160 --> 00:27:30,000
Speaker 3: Can I ask why she's still asleep at seven thirty.

632
00:27:29,720 --> 00:27:30,280
Speaker 2: In the morning?

633
00:27:31,080 --> 00:27:33,640
Speaker 9: He's always asked gigging? Might he's a he's a busy boy.

634
00:27:33,880 --> 00:27:36,640
Speaker 9: He guys all over the fly, gigging and filling in

635
00:27:36,680 --> 00:27:39,400
Speaker 9: and all. He's pretty well known in the area.

636
00:27:39,440 --> 00:27:41,080
Speaker 2: Yeah. And who's he? Who's he played with them? Any

637
00:27:41,160 --> 00:27:42,160
Speaker 2: names that we might know.

638
00:27:43,280 --> 00:27:49,520
Speaker 9: Wendy Stibleton, Russell Morris, Wilbur Wall, Norm Mighty Row. I

639
00:27:49,520 --> 00:27:52,480
Speaker 9: think it is all Normy Row as well. He played

640
00:27:52,480 --> 00:27:53,400
Speaker 9: with guys.

641
00:27:53,880 --> 00:27:55,919
Speaker 2: Jason. Are you like his booking agent. Are you as

642
00:27:56,160 --> 00:27:56,720
Speaker 2: his manager?

643
00:27:57,359 --> 00:27:57,520
Speaker 3: Now?

644
00:27:57,560 --> 00:27:59,400
Speaker 9: I'm just going to work. Might heard her on the radar.

645
00:27:59,400 --> 00:28:00,640
Speaker 9: I thought I'll give a bit of a game.

646
00:28:00,800 --> 00:28:01,720
Speaker 2: Well this is great.

647
00:28:01,760 --> 00:28:04,600
Speaker 3: So he's asleep at the moment, and well hopefully he's

648
00:28:04,600 --> 00:28:07,000
Speaker 3: free Thursday night because he sounds like exact the kind

649
00:28:07,000 --> 00:28:07,760
Speaker 3: of guy we want.

650
00:28:08,480 --> 00:28:12,080
Speaker 9: Yeah, it's providing my book for any of his major gigs.

651
00:28:12,160 --> 00:28:14,520
Speaker 8: So yeah, look, give mccormy.

652
00:28:14,760 --> 00:28:17,119
Speaker 7: I know, Jason, when does he usually wake up? Or

653
00:28:17,160 --> 00:28:19,240
Speaker 7: we know by ten o'clock this morning when we finished

654
00:28:19,280 --> 00:28:19,640
Speaker 7: the show.

655
00:28:20,760 --> 00:28:21,800
Speaker 8: We wake him up.

656
00:28:21,720 --> 00:28:25,160
Speaker 9: Straight away my sleeve. You'll just give McCall might sleeve

657
00:28:25,200 --> 00:28:25,800
Speaker 9: and get him up.

658
00:28:25,920 --> 00:28:28,280
Speaker 3: Do you want us to call your son and go listen,

659
00:28:29,000 --> 00:28:30,479
Speaker 3: I got a gig for your Thursday night?

660
00:28:30,560 --> 00:28:38,400
Speaker 2: Is that what? You're too? Kind? Jason? You too? What

661
00:28:38,520 --> 00:28:40,840
Speaker 2: a city? All right? Jason, thank you very much, and

662
00:28:40,920 --> 00:28:43,560
Speaker 2: cormete Okay, we'll take you up on that. No worry, Mike,

663
00:28:43,640 --> 00:28:45,960
Speaker 2: There we go, see, here we go. You have a

664
00:28:45,960 --> 00:28:46,800
Speaker 2: good day. Thanks a lot.

665
00:28:46,880 --> 00:28:50,240
Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

666
00:28:50,280 --> 00:28:50,880
Speaker 1: point three.

667
00:28:52,080 --> 00:28:54,480
Speaker 2: The Christian O'Connell Breakfast Shows.

668
00:28:54,040 --> 00:28:57,480
Speaker 10: Ten weeks of tickets every morning at seven thirty am.

669
00:28:57,560 --> 00:28:59,960
Speaker 10: You'll chance to win tickets to the biggest shows in town.

670
00:29:00,640 --> 00:29:03,160
Speaker 3: It is and this week is all about Maroon five

671
00:29:03,320 --> 00:29:06,400
Speaker 3: bringing their Red Pale Blues Tour to the Rod Labor

672
00:29:06,520 --> 00:29:09,640
Speaker 3: Arena for Ebody That twenty second and Friday brought to

673
00:29:09,680 --> 00:29:12,200
Speaker 3: you by Live Nation and we got tickets every single

674
00:29:12,280 --> 00:29:16,760
Speaker 3: day this week. So this game you're going to play

675
00:29:17,360 --> 00:29:22,240
Speaker 3: this week, it's it's pretty easy. Yeah, it might've remind

676
00:29:22,320 --> 00:29:25,720
Speaker 3: some of you of a great game to play categories. However,

677
00:29:25,880 --> 00:29:30,560
Speaker 3: it does come with some extra pressure. I think it's

678
00:29:30,600 --> 00:29:33,120
Speaker 3: best we just play the game like a demo round now, Jack,

679
00:29:33,120 --> 00:29:34,720
Speaker 3: so people get the feeling of what it's going to

680
00:29:34,800 --> 00:29:37,200
Speaker 3: be like. And do you know what I think I'm

681
00:29:37,240 --> 00:29:42,320
Speaker 3: gonna play with producer Beck Beck Good morning, Good morning, Hey,

682
00:29:42,400 --> 00:29:42,840
Speaker 3: how you doing.

683
00:29:42,880 --> 00:29:43,800
Speaker 2: How's your weekend? Mate?

684
00:29:43,920 --> 00:29:45,040
Speaker 4: I'm an amazing weekend.

685
00:29:45,080 --> 00:29:48,000
Speaker 3: Actually, yeah, can you help us out here by being

686
00:29:48,040 --> 00:29:49,719
Speaker 3: like an on air guinea pig for this feature?

687
00:29:50,080 --> 00:29:50,680
Speaker 11: Certainly can.

688
00:29:50,800 --> 00:29:52,040
Speaker 3: Okay, So I'm going to do is I'm going to

689
00:29:52,080 --> 00:29:54,400
Speaker 3: give you a category and you have five seconds to

690
00:29:54,520 --> 00:29:57,760
Speaker 3: simply name as many things in that given category.

691
00:29:58,520 --> 00:30:00,800
Speaker 4: Okay, Yeah, go for it.

692
00:30:00,880 --> 00:30:02,239
Speaker 2: You ready with your element here?

693
00:30:02,360 --> 00:30:02,600
Speaker 8: Jack?

694
00:30:02,760 --> 00:30:05,400
Speaker 2: Yes, I'm ready with my element here. All right?

695
00:30:05,440 --> 00:30:11,160
Speaker 3: Then your category this morning is eighties movies, eighties movies, producer,

696
00:30:11,160 --> 00:30:11,960
Speaker 3: bet go now.

697
00:30:12,040 --> 00:30:21,720
Speaker 2: Panic panic, Panic, Panic, Panic Panic? How many did you get?

698
00:30:21,720 --> 00:30:22,480
Speaker 2: Account of? One?

699
00:30:23,520 --> 00:30:23,960
Speaker 8: Wow?

700
00:30:24,320 --> 00:30:25,600
Speaker 2: Oh dear, what happened? Producer?

701
00:30:25,640 --> 00:30:25,800
Speaker 1: Beout?

702
00:30:25,840 --> 00:30:26,480
Speaker 2: What happened there?

703
00:30:26,640 --> 00:30:28,240
Speaker 1: One? One?

704
00:30:28,440 --> 00:30:30,320
Speaker 2: I did really good on Friday? Right?

705
00:30:30,400 --> 00:30:32,360
Speaker 3: Okay, Patsy?

706
00:30:32,880 --> 00:30:36,800
Speaker 2: How you do? Okay, Patsy? Types of pets go?

707
00:30:44,320 --> 00:30:46,880
Speaker 4: I got three, four four four?

708
00:30:47,920 --> 00:30:49,960
Speaker 3: She is shot proof, Patsy. This is why you bring

709
00:30:49,960 --> 00:30:51,000
Speaker 3: in journalists on the show.

710
00:30:51,480 --> 00:30:53,480
Speaker 2: She just steamed through that. Wow.

711
00:30:53,600 --> 00:30:55,600
Speaker 3: We all right, then let's see how you get on

712
00:30:55,680 --> 00:30:57,520
Speaker 3: Corn now to play night We. You don't even have

713
00:30:57,520 --> 00:30:59,480
Speaker 3: a name for this game yet, they simply called it panic.

714
00:31:00,200 --> 00:31:02,680
Speaker 7: Yeah, Penny Groom pad to be honest with the yelling

715
00:31:02,720 --> 00:31:05,120
Speaker 7: and the panny distracting.

716
00:31:04,720 --> 00:31:06,760
Speaker 4: No, because I just shut you out, both of you.

717
00:31:06,680 --> 00:31:09,760
Speaker 3: You must six to ten so it's an easy one

718
00:31:09,960 --> 00:31:12,160
Speaker 3: nine one four one o four three give au school

719
00:31:12,160 --> 00:31:14,600
Speaker 3: to play nine one four three.

720
00:31:14,560 --> 00:31:18,360
Speaker 1: The Christian O'Connell breakfast Show, Melbourne's Gold one oh four point.

721
00:31:18,240 --> 00:31:21,040
Speaker 3: Three ten with the tickets plan this game this week,

722
00:31:21,160 --> 00:31:23,280
Speaker 3: you'd a winning way to go and see Maroon five

723
00:31:23,520 --> 00:31:29,200
Speaker 3: Welcome to panic. All right, So we will have two contestants.

724
00:31:29,240 --> 00:31:30,680
Speaker 3: We just get five seconds each.

725
00:31:30,720 --> 00:31:32,880
Speaker 2: I'll give you a category, and then Jack and I'll

726
00:31:32,880 --> 00:31:35,000
Speaker 2: do our best to try and intimidate you. That's basically

727
00:31:35,040 --> 00:31:37,920
Speaker 2: how the game works. Ross, you're up first this morning.

728
00:31:38,160 --> 00:31:39,320
Speaker 3: Good Bye, Yeah, good morning.

729
00:31:39,480 --> 00:31:40,720
Speaker 5: Nice to meet you over the phone.

730
00:31:41,080 --> 00:31:43,200
Speaker 2: Nice to meet you over the phone.

731
00:31:43,680 --> 00:31:47,840
Speaker 10: The Christian O'Connell Breakfast shows ten weeks of tickets every

732
00:31:47,840 --> 00:31:50,240
Speaker 10: morning at seven thirty am. Your chance to win tickets

733
00:31:50,240 --> 00:31:53,080
Speaker 10: to the biggest shows in town. All right, Ross, are

734
00:31:53,120 --> 00:31:54,880
Speaker 10: you ready to find out your category?

735
00:31:55,080 --> 00:31:57,200
Speaker 6: I'm going to give it my best guy, good.

736
00:31:57,000 --> 00:32:03,320
Speaker 3: Man, Ross, good luck, buddy hockey. All right, Ross, five

737
00:32:03,400 --> 00:32:06,800
Speaker 3: seconds on Australian cities Panic.

738
00:32:13,880 --> 00:32:15,200
Speaker 2: How do you do? Six?

739
00:32:15,840 --> 00:32:16,120
Speaker 11: Wow?

740
00:32:16,240 --> 00:32:18,040
Speaker 2: Wow, well done, Roth Fross.

741
00:32:18,080 --> 00:32:21,320
Speaker 3: That is a high school and we played this ourselves.

742
00:32:21,600 --> 00:32:22,880
Speaker 3: No one got anywhere near that.

743
00:32:23,240 --> 00:32:23,880
Speaker 8: Oh, thank you.

744
00:32:23,920 --> 00:32:26,960
Speaker 3: I'll give it try Man.

745
00:32:27,000 --> 00:32:29,720
Speaker 2: All right, stay there, Ross, all right, taking Ross on

746
00:32:29,800 --> 00:32:34,320
Speaker 2: the slaughter. We have Rebecca. Hi, I'm pretty good. You

747
00:32:34,320 --> 00:32:36,960
Speaker 2: have a good weekend, mate, Yeah, it wasn't too bad.

748
00:32:37,160 --> 00:32:40,360
Speaker 3: All right, Okay, so your category Thenion, you also get

749
00:32:40,440 --> 00:32:49,600
Speaker 3: five seconds. I'm looking for famous Australians. Panic Panic, Panic, Panic.

750
00:32:56,080 --> 00:32:59,720
Speaker 2: Three I think three. Hey listen, that's still pretty good.

751
00:32:59,760 --> 00:33:01,200
Speaker 2: But this morning to when I get in the room,

752
00:33:01,280 --> 00:33:03,400
Speaker 2: five tickets, is you Ross? Well done?

753
00:33:03,560 --> 00:33:05,800
Speaker 6: Thank you very much, Thank you very much.

754
00:33:05,840 --> 00:33:08,200
Speaker 2: Hey listen, Ron Ross, you run the tickets? Do you

755
00:33:08,200 --> 00:33:09,800
Speaker 2: want another quick category? Yeah?

756
00:33:09,800 --> 00:33:17,680
Speaker 3: Sure, all types of chocolates, fie, pani, honey, honey.

757
00:33:23,720 --> 00:33:25,640
Speaker 2: Hey, well mate, all right, then enjoy the gig.

758
00:33:25,920 --> 00:33:27,520
Speaker 3: Thank you so much. I appreciate it.

759
00:33:27,560 --> 00:33:30,680
Speaker 2: All right. Then keep listening all day long, ten till five.

760
00:33:30,720 --> 00:33:32,640
Speaker 3: You could be winning Gold one oh four point three's

761
00:33:32,720 --> 00:33:35,840
Speaker 3: Golden Tickets, your one bass to go and see the Eagles,

762
00:33:35,840 --> 00:33:38,600
Speaker 3: Phil Connors, Brian Ferry, the Red Hot Summer Talk, Kylie

763
00:33:38,640 --> 00:33:40,800
Speaker 3: and Banana Rama. All you got to do is keep

764
00:33:40,800 --> 00:33:43,440
Speaker 3: listening from ten am this morning for the Golden Song every.

765
00:33:43,280 --> 00:33:46,680
Speaker 1: Hour, the Christian O'Connell Breakfast Show, Melbourne's Gold one oh

766
00:33:46,720 --> 00:33:47,600
Speaker 1: four point three.

767
00:33:47,720 --> 00:33:50,920
Speaker 3: So, Patsy, you must have been down to Pellegrini. Such

768
00:33:50,960 --> 00:33:52,800
Speaker 3: a big part of Melbourne life there and you must

769
00:33:52,800 --> 00:33:54,040
Speaker 3: have met Sister himself.

770
00:33:54,320 --> 00:33:57,880
Speaker 6: I was a beautiful man and so popular with the locals.

771
00:33:57,880 --> 00:33:59,080
Speaker 6: He was a Melbourne institution.

772
00:33:59,360 --> 00:33:59,880
Speaker 4: So sad.

773
00:34:00,400 --> 00:34:02,520
Speaker 3: Yeah, it's really really sad, and one of the big

774
00:34:02,560 --> 00:34:04,760
Speaker 3: things we were looking to when we moved over here

775
00:34:04,800 --> 00:34:07,200
Speaker 3: to Melbourne and sady. London's one of the most targeted

776
00:34:07,280 --> 00:34:09,440
Speaker 3: terrorist cities as well, and sadly there have been moments

777
00:34:09,440 --> 00:34:11,680
Speaker 3: of terrorist attacks as well. And even though it was

778
00:34:11,719 --> 00:34:14,120
Speaker 3: so horrific on Friday night, and the whole world saw

779
00:34:14,160 --> 00:34:16,279
Speaker 3: it as well, and it's so sad the circumstances, well,

780
00:34:16,320 --> 00:34:18,919
Speaker 3: how Cisto lost his life as well, going to help

781
00:34:19,000 --> 00:34:21,480
Speaker 3: somebody out to look like he was in a car accident.

782
00:34:22,160 --> 00:34:22,960
Speaker 2: It's heartbreaking.

783
00:34:23,000 --> 00:34:24,719
Speaker 3: But the amazing thing that really I've only lived he

784
00:34:24,760 --> 00:34:27,160
Speaker 3: is seven months. The amazing thing I took away from

785
00:34:27,200 --> 00:34:29,160
Speaker 3: that despite seeing the very you know, the worst of

786
00:34:29,160 --> 00:34:31,759
Speaker 3: what people can do. I thought also Friday night, and

787
00:34:31,760 --> 00:34:33,440
Speaker 3: it says so much about the city. And I was

788
00:34:33,440 --> 00:34:35,480
Speaker 3: sending this to my dad last night. I was saying,

789
00:34:35,520 --> 00:34:37,920
Speaker 3: it really shows what big heart there isn't in the city.

790
00:34:38,360 --> 00:34:40,960
Speaker 3: First of all, in the brave and cealesish acts of

791
00:34:41,200 --> 00:34:43,759
Speaker 3: the police. Those policemen, I think they've only just been

792
00:34:43,800 --> 00:34:45,000
Speaker 3: in the job like three.

793
00:34:44,800 --> 00:34:46,720
Speaker 4: Months, yeah, one of them, yeah, twelve weeks.

794
00:34:46,840 --> 00:34:49,200
Speaker 3: Yeah, and they did absolutely everything they good to try

795
00:34:49,200 --> 00:34:52,400
Speaker 3: and talk that guy down before using their weapons. And

796
00:34:52,400 --> 00:34:55,359
Speaker 3: then there's a guy who's become knowing like the superhero now.

797
00:34:55,840 --> 00:34:58,600
Speaker 3: Trolley Man, yes, and trolly Man is someone that you've

798
00:34:58,600 --> 00:35:01,200
Speaker 3: probably all been around that are and all you've seen

799
00:35:01,280 --> 00:35:03,440
Speaker 3: is a homeless person. And we've all done that where

800
00:35:03,480 --> 00:35:05,480
Speaker 3: you see a homeless person and you don't see the person,

801
00:35:05,480 --> 00:35:07,080
Speaker 3: you just see, oh my god, it's a homeless person.

802
00:35:07,480 --> 00:35:10,320
Speaker 3: And that's a guy. And his name is Michael Rogers.

803
00:35:10,800 --> 00:35:13,120
Speaker 3: Michael Rodgers is a homeless guy in and out of

804
00:35:13,520 --> 00:35:15,520
Speaker 3: how he's been in trouble with the police, but then

805
00:35:15,600 --> 00:35:18,759
Speaker 3: does something. He steps up with a trolley and goes

806
00:35:18,800 --> 00:35:21,200
Speaker 3: to help the police and come to their aid. And

807
00:35:21,200 --> 00:35:23,160
Speaker 3: I think there's something really really special about that. It

808
00:35:23,160 --> 00:35:26,280
Speaker 3: says a lot about in those moments and the brave

809
00:35:26,320 --> 00:35:28,239
Speaker 3: and selfless out of what the police did. You see

810
00:35:28,280 --> 00:35:30,279
Speaker 3: the very best of us in this city as well.

811
00:35:30,360 --> 00:35:32,239
Speaker 3: So I just want to take a few moments as well.

812
00:35:32,239 --> 00:35:35,560
Speaker 3: I'm new here, but I've just seen the outpouring of

813
00:35:35,640 --> 00:35:38,439
Speaker 3: grief and people who've been to Pellegrines as kids, maybe

814
00:35:38,960 --> 00:35:42,000
Speaker 3: some cheesecake there or got into some Italian coffee, and so.

815
00:35:42,040 --> 00:35:44,160
Speaker 2: Many of you really really knew sister as well.

816
00:35:44,200 --> 00:35:45,520
Speaker 3: I just thought we just want to take a moment

817
00:35:45,560 --> 00:35:47,520
Speaker 3: to talk about that and also just to play a

818
00:35:47,560 --> 00:35:49,719
Speaker 3: little song this morning as well for trolley Man, for

819
00:35:49,880 --> 00:35:51,880
Speaker 3: Sister and those people that we know that show the

820
00:35:51,960 --> 00:35:53,360
Speaker 3: very best of us as well.

821
00:36:02,480 --> 00:36:05,919
Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

822
00:36:05,920 --> 00:36:06,520
Speaker 1: point three.

823
00:36:06,640 --> 00:36:08,919
Speaker 3: Early on we were talking about one last stream, one

824
00:36:08,920 --> 00:36:11,040
Speaker 3: of the three bands I think's of a symbol in life,

825
00:36:11,080 --> 00:36:15,239
Speaker 3: is it? One of the three bands rehearsing of the

826
00:36:15,239 --> 00:36:18,520
Speaker 3: weekend and they're called Bungalow and they've got a guitarist

827
00:36:18,560 --> 00:36:21,560
Speaker 3: and heez over in Hobart and obviously Friday on the show,

828
00:36:21,600 --> 00:36:23,279
Speaker 3: they're very excited to find out they were in the

829
00:36:23,280 --> 00:36:25,279
Speaker 3: top three and then sudden we hit them within the news.

830
00:36:25,360 --> 00:36:27,239
Speaker 3: Listen this Thursday night, you've got a pub gig. You're

831
00:36:27,239 --> 00:36:30,320
Speaker 3: playing in Fitzroy, Labor and Vain, all three bands playing

832
00:36:30,360 --> 00:36:33,319
Speaker 3: live for the first time, I don't know, twenty to

833
00:36:33,360 --> 00:36:35,480
Speaker 3: twenty five years going around the top three bands.

834
00:36:35,800 --> 00:36:37,359
Speaker 2: The guitarist though, he's got a real job.

835
00:36:37,600 --> 00:36:40,160
Speaker 3: He's a baggage handler over in Hobart and he's got

836
00:36:40,239 --> 00:36:43,160
Speaker 3: shift starting Friday morning. And at one point it was

837
00:36:43,160 --> 00:36:44,960
Speaker 3: looking at the flight that was going to be taking

838
00:36:45,040 --> 00:36:48,759
Speaker 3: him back to Hobart from Melbourne after the gig. He'd

839
00:36:48,760 --> 00:36:50,439
Speaker 3: have to get off the flight and then leg get

840
00:36:50,480 --> 00:36:54,040
Speaker 3: under the plane to start lugging the luggage. So he

841
00:36:54,120 --> 00:36:56,600
Speaker 3: can't make that happen. So they need a guitarist. He

842
00:36:56,600 --> 00:37:00,560
Speaker 3: sent us an email one fifteen am this morning, almost

843
00:37:00,560 --> 00:37:03,120
Speaker 3: breaking down, saying, you're obviously gonna have to throw us

844
00:37:03,120 --> 00:37:04,600
Speaker 3: out the competition. We're not going to do that. I'm

845
00:37:04,600 --> 00:37:07,560
Speaker 3: sure we can find a guitarist. A guy called Jason

846
00:37:07,560 --> 00:37:10,279
Speaker 3: calls in and he's not a guitarist, but his son is.

847
00:37:10,640 --> 00:37:12,480
Speaker 3: He's twenty five and he's still in bed.

848
00:37:12,680 --> 00:37:13,479
Speaker 2: It's Temba stay.

849
00:37:13,520 --> 00:37:15,360
Speaker 3: His son's finally got out of bed and he plays

850
00:37:15,360 --> 00:37:16,799
Speaker 3: on a lot of different bands. He's obviously a very

851
00:37:16,800 --> 00:37:21,000
Speaker 3: good guitarist. Culong story short. His son Aaron can't now

852
00:37:21,160 --> 00:37:23,319
Speaker 3: make the gig Thursday night. He didn't get now about

853
00:37:23,320 --> 00:37:25,959
Speaker 3: his old man is pimping him out for work. He's

854
00:37:25,960 --> 00:37:29,080
Speaker 3: got gig, So we're back to square one. An hour later,

855
00:37:29,120 --> 00:37:32,040
Speaker 3: we've gained nothing. We still need a guitarist who is

856
00:37:32,120 --> 00:37:35,440
Speaker 3: available to play. It's just two songs. It's available to

857
00:37:35,440 --> 00:37:37,920
Speaker 3: play this Thursday night in Fitzroy. So if you do

858
00:37:38,000 --> 00:37:39,799
Speaker 3: know anyone please give us a called nine four one

859
00:37:39,840 --> 00:37:41,520
Speaker 3: four one four three.

860
00:37:41,480 --> 00:37:44,879
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

861
00:37:44,880 --> 00:37:45,520
Speaker 1: point three.

862
00:37:45,680 --> 00:37:47,480
Speaker 3: So every Monday on the show we do this is

863
00:37:47,520 --> 00:37:51,359
Speaker 3: called misheard lyrics and it's started because a guy who

864
00:37:51,360 --> 00:37:53,920
Speaker 3: listens to this show on the podcast catch Up with

865
00:37:53,920 --> 00:37:57,080
Speaker 3: the podcast over in Scotland. He had us talking one

866
00:37:57,080 --> 00:37:59,759
Speaker 3: morning about misheard lyrics and I don't realize this guy's

867
00:37:59,760 --> 00:38:01,399
Speaker 3: step Forward said, I'm obsessed with him.

868
00:38:01,640 --> 00:38:02,439
Speaker 2: On his hard drive.

869
00:38:02,520 --> 00:38:05,880
Speaker 3: He's got three hundred separate sound files of various songs

870
00:38:06,200 --> 00:38:09,160
Speaker 3: with mishard lyrics. I said, please, once a week, can

871
00:38:09,200 --> 00:38:11,480
Speaker 3: you email me a top five? And so that's what

872
00:38:11,520 --> 00:38:14,279
Speaker 3: we started doing. Last week we found one of our

873
00:38:14,280 --> 00:38:17,600
Speaker 3: favorite ones, Selene Dion. You'll have heard this line many

874
00:38:17,719 --> 00:38:28,080
Speaker 3: times the honers. We're about to ruin this huge, huge

875
00:38:28,120 --> 00:38:31,400
Speaker 3: platinum Selim song from a massive movie, Titanic. Okay you

876
00:38:31,440 --> 00:38:33,400
Speaker 3: hear that, Yes, he's talking about the heart will go on?

877
00:38:33,719 --> 00:38:35,600
Speaker 3: Or is it the hot dogs go on.

878
00:38:38,960 --> 00:38:40,040
Speaker 2: The hoag?

879
00:38:42,200 --> 00:38:44,239
Speaker 3: You can't unhear that.

880
00:38:44,239 --> 00:38:48,640
Speaker 2: That's it now, that's all you'll ever hear. But the

881
00:38:48,680 --> 00:38:50,960
Speaker 2: hot dogs go on the hockag.

882
00:38:54,360 --> 00:38:56,560
Speaker 3: I prefer that version there when they're talking about getting

883
00:38:56,719 --> 00:38:59,120
Speaker 3: a really beautiful song about you know, a barbecue, basically

884
00:38:59,160 --> 00:39:01,640
Speaker 3: when you put the hot dogs on the Beatles. When

885
00:39:01,640 --> 00:39:04,000
Speaker 3: we started doing this top five as well, now ruined

886
00:39:04,000 --> 00:39:05,400
Speaker 3: forever this line.

887
00:39:07,160 --> 00:39:07,960
Speaker 2: My baby don't care?

888
00:39:08,000 --> 00:39:08,319
Speaker 8: What is it?

889
00:39:08,360 --> 00:39:14,560
Speaker 3: My baby donkey? All right, So the guy is called

890
00:39:14,760 --> 00:39:17,560
Speaker 3: John Lily. Here's his brand new top five. So let's

891
00:39:17,600 --> 00:39:20,799
Speaker 3: go through these. First of all, black Sabbath crazy train.

892
00:39:25,600 --> 00:39:25,960
Speaker 2: All right.

893
00:39:26,000 --> 00:39:29,239
Speaker 3: So Ozzie there is mumbling his way through I know

894
00:39:29,320 --> 00:39:32,200
Speaker 3: that things are going wrong for me. Or is Ossie

895
00:39:32,239 --> 00:39:36,040
Speaker 3: actually saying I know that pizza go with broccoli.

896
00:39:45,120 --> 00:39:49,520
Speaker 2: John in Scotland. That is genius. That's a new favorite one.

897
00:39:49,560 --> 00:39:50,279
Speaker 2: Haven't listened again.

898
00:39:50,360 --> 00:39:59,000
Speaker 3: Then I know that pizza go with broccoli, Ozzy strength

899
00:39:59,080 --> 00:39:59,640
Speaker 3: Hall of Fame.

900
00:40:00,200 --> 00:40:03,000
Speaker 2: Here it the other way. All right, let's go to

901
00:40:03,840 --> 00:40:05,440
Speaker 2: Charlie Booth and attention.

902
00:40:06,280 --> 00:40:09,360
Speaker 11: You run around, running around, running around, throwing that dirt

903
00:40:09,480 --> 00:40:10,360
Speaker 11: al on money.

904
00:40:10,840 --> 00:40:11,160
Speaker 2: Okay.

905
00:40:11,200 --> 00:40:13,480
Speaker 3: Now, first of all, I'm sorry for even playing something

906
00:40:13,520 --> 00:40:15,239
Speaker 3: like this. It feels like I've dropped a big old,

907
00:40:15,280 --> 00:40:17,200
Speaker 3: stinky floater and the toilet of this show.

908
00:40:17,440 --> 00:40:20,319
Speaker 2: But anyway, it's for the feature. Okay. So he's meant

909
00:40:20,320 --> 00:40:20,560
Speaker 2: to be.

910
00:40:20,520 --> 00:40:23,279
Speaker 3: Saying, you've been running around, running, running, running, thrown all

911
00:40:23,320 --> 00:40:26,080
Speaker 3: that on my name? Or is it you've been running, running,

912
00:40:26,120 --> 00:40:28,600
Speaker 3: running around, throwing that turtle on my name?

913
00:40:28,800 --> 00:40:31,880
Speaker 11: You running around, running around, running around, throwing that dirt

914
00:40:32,000 --> 00:40:37,080
Speaker 11: al on money to me, running around, running around, running around,

915
00:40:37,080 --> 00:40:39,080
Speaker 11: throwing that dirt al on money.

916
00:40:39,640 --> 00:40:46,719
Speaker 3: All right, Tom Jones, Big old Tom Jones, all right,

917
00:40:46,760 --> 00:40:48,799
Speaker 3: so that's wrong. Mama told me not to come. That

918
00:40:48,880 --> 00:40:51,160
Speaker 3: ain't the way to have fun, son, is what Tom's

919
00:40:51,440 --> 00:40:53,840
Speaker 3: supposed to be saying. Or is it marry the waiter,

920
00:40:54,400 --> 00:40:55,640
Speaker 3: have fun son?

921
00:41:00,080 --> 00:41:02,239
Speaker 2: Yeah, I could just about here. Marry the way to

922
00:41:02,400 --> 00:41:07,799
Speaker 2: have fun son? All right?

923
00:41:07,800 --> 00:41:10,280
Speaker 3: Now, band of the Moment, Number one movie of the weekend,

924
00:41:10,360 --> 00:41:11,640
Speaker 3: Bohemian Rhapsody.

925
00:41:11,760 --> 00:41:18,320
Speaker 2: This is I want it all a great Freddie.

926
00:41:18,320 --> 00:41:22,040
Speaker 3: They're saying, adventure seeker on an empty street? Or is

927
00:41:22,080 --> 00:41:30,400
Speaker 3: it adventure seagull on an empty street? Kind kind of

928
00:41:30,600 --> 00:41:33,040
Speaker 3: here again, adventure seagull on an empty street?

929
00:41:33,040 --> 00:41:39,960
Speaker 2: That we hear that? All right, let's go to Shanaia Twain.

930
00:41:40,520 --> 00:41:41,280
Speaker 1: Looks slack.

931
00:41:41,440 --> 00:41:44,799
Speaker 3: We made it, looks like we made it from You'll

932
00:41:44,840 --> 00:41:49,120
Speaker 3: store the one? Or is it looks like we made it?

933
00:41:49,120 --> 00:41:49,880
Speaker 1: Looks slack?

934
00:41:50,040 --> 00:41:54,360
Speaker 3: We made it different song.

935
00:41:54,840 --> 00:41:58,480
Speaker 2: It looks slack. We're going to get some low roll.

936
00:41:58,520 --> 00:42:00,879
Speaker 2: Clear it all up. Okay, we got too much.

937
00:42:01,000 --> 00:42:03,280
Speaker 3: We've got some more coming up next on Monday's Misheard

938
00:42:03,360 --> 00:42:05,680
Speaker 3: lyrics on God one four point three John, those were great.

939
00:42:05,719 --> 00:42:06,319
Speaker 2: Thank you, the.

940
00:42:06,320 --> 00:42:10,080
Speaker 1: Christian O'Connell Breakfast Show Melbourne's Gold one oh four point three.

941
00:42:10,200 --> 00:42:13,040
Speaker 3: We're doing our Monday Misheard lyrics. If you've got any

942
00:42:13,080 --> 00:42:15,960
Speaker 3: for next week, email me Christian at Gold one four

943
00:42:16,040 --> 00:42:18,719
Speaker 3: three dot com dot au so father this morning then

944
00:42:19,160 --> 00:42:21,640
Speaker 3: and our top five by listener John that he sends

945
00:42:21,640 --> 00:42:24,040
Speaker 3: to us every week. We've had a new favorite one

946
00:42:24,080 --> 00:42:25,600
Speaker 3: Ozzy Osborne Crazy Train.

947
00:42:25,719 --> 00:42:26,400
Speaker 2: This lyric.

948
00:42:31,120 --> 00:42:32,640
Speaker 3: No longer will you know it is? I know that

949
00:42:32,680 --> 00:42:34,560
Speaker 3: things that going wrong for me. You know we'll hear

950
00:42:34,600 --> 00:42:36,800
Speaker 3: it as I know that pizza go with broccoli.

951
00:42:41,800 --> 00:42:43,879
Speaker 2: There you go. It's a very different Blacks song.

952
00:42:44,000 --> 00:42:46,120
Speaker 3: Now, all right, then let's go through some of that

953
00:42:46,160 --> 00:42:51,440
Speaker 3: have coming from you, christianis comes from Phil Macy Gray.

954
00:42:51,680 --> 00:42:53,040
Speaker 2: I try remember this song.

955
00:42:56,120 --> 00:42:59,160
Speaker 3: What happened to Macy Grich A huge one just everywhere

956
00:42:59,320 --> 00:43:01,920
Speaker 3: My world rumbles when you are not here? Or is

957
00:43:01,960 --> 00:43:09,000
Speaker 3: it I wear goggles when you are not here? Almost

958
00:43:09,880 --> 00:43:19,360
Speaker 3: let's go back to her nineties now, Katie Lang constant craving,

959
00:43:19,440 --> 00:43:25,840
Speaker 3: right or is she singing that she can't stand gravy?

960
00:43:29,560 --> 00:43:29,840
Speaker 11: Yes?

961
00:43:30,360 --> 00:43:39,960
Speaker 3: Yes, you would accept that one from Adrian Yep, all

962
00:43:40,040 --> 00:43:43,440
Speaker 3: right like that one. This comes from Ewin in Carton,

963
00:43:43,920 --> 00:43:48,920
Speaker 3: Stevie Winwood, High Love, bri It's song. I almost don't

964
00:43:48,960 --> 00:43:50,640
Speaker 3: want to play this because I really like this song.

965
00:43:50,680 --> 00:43:51,759
Speaker 3: It's going to irritate me.

966
00:43:51,840 --> 00:43:54,399
Speaker 2: Now take me to a high Love or is it

967
00:43:54,480 --> 00:44:00,800
Speaker 2: Bake me a pie of love? Ruined Stevie?

968
00:44:01,840 --> 00:44:08,160
Speaker 3: I'm so sorry, bake me a pie of love? You went,

969
00:44:08,840 --> 00:44:10,080
Speaker 3: Britney Spears.

970
00:44:10,239 --> 00:44:10,759
Speaker 2: Piece of me?

971
00:44:11,080 --> 00:44:11,160
Speaker 3: You?

972
00:44:13,239 --> 00:44:14,440
Speaker 2: Do you want a piece of me? Or is it

973
00:44:14,480 --> 00:44:15,800
Speaker 2: do you want a piece of meat?

974
00:44:16,440 --> 00:44:16,520
Speaker 3: You?

975
00:44:19,160 --> 00:44:23,359
Speaker 2: Does sound like meat? You? Yeah, I'll take that one.

976
00:44:23,440 --> 00:44:27,040
Speaker 3: Jilly Okay, final couple here fand the man Morrison, brown

977
00:44:27,080 --> 00:44:27,440
Speaker 3: eyed girl?

978
00:44:28,239 --> 00:44:28,399
Speaker 8: Here?

979
00:44:28,440 --> 00:44:32,759
Speaker 2: Where did we go? Okay? So, hey, where do we go?

980
00:44:32,960 --> 00:44:37,239
Speaker 2: Or is it? Hey there? Rodrigo? He where did we go?

981
00:44:38,200 --> 00:44:45,239
Speaker 3: Almost stambered this from the eighties. Buddy Davis size. Now

982
00:44:45,320 --> 00:44:47,239
Speaker 3: is that she's got Buddy Davis size? Or is that

983
00:44:47,280 --> 00:44:50,640
Speaker 3: she's got better days to decide?

984
00:44:51,480 --> 00:44:54,560
Speaker 2: Dave sad? She got better day decide?

985
00:44:58,400 --> 00:44:58,719
Speaker 8: All right?

986
00:44:58,840 --> 00:45:01,279
Speaker 3: Now I'm not sure about this. I wasn't even sure

987
00:45:01,320 --> 00:45:02,759
Speaker 3: we should play out on air. But it's very much

988
00:45:02,840 --> 00:45:05,960
Speaker 3: Jack's kind of humor. This is a classic rock and

989
00:45:06,080 --> 00:45:07,640
Speaker 3: roll song. This is not going to be the last

990
00:45:07,640 --> 00:45:09,920
Speaker 3: one this morning, right, This is a classic rock and

991
00:45:10,040 --> 00:45:11,279
Speaker 3: roll song, Bill Haley.

992
00:45:11,360 --> 00:45:15,960
Speaker 2: When the parts Darke's Trap Wheel when the clock strikes

993
00:45:15,960 --> 00:45:17,239
Speaker 2: twelve were call off?

994
00:45:17,280 --> 00:45:17,440
Speaker 8: Then?

995
00:45:18,000 --> 00:45:24,719
Speaker 2: Or is it when the clock strikes twelve we poo

996
00:45:24,800 --> 00:45:34,000
Speaker 2: our pants? When the carts stakes trap it is I'm

997
00:45:34,040 --> 00:45:39,560
Speaker 2: afraid to say, when the Hart darkes trap, it is,

998
00:45:41,280 --> 00:45:42,200
Speaker 2: cart strikes trap.

999
00:45:43,680 --> 00:45:45,600
Speaker 3: All right, let's call it a day there for those

1000
00:45:45,719 --> 00:45:49,080
Speaker 3: if you've got some misheard lyrics for next Monday, Christian

1001
00:45:49,120 --> 00:45:51,800
Speaker 3: at Gold one O four three dot com dot au.

1002
00:45:51,920 --> 00:45:55,879
Speaker 2: But for now, when the cart darkes trap, win our.

1003
00:45:55,800 --> 00:45:58,920
Speaker 1: Ten years of age the Christian O'Connell Breakfast Show, Melbourne's

1004
00:45:58,960 --> 00:45:59,919
Speaker 1: Gold one oh four.

1005
00:46:00,800 --> 00:46:05,040
Speaker 3: So yesterday, beautiful sunny day, gorgeous day here Melbourne for

1006
00:46:05,239 --> 00:46:09,120
Speaker 3: us pommies, that was boiling hot, baking hot. Heat wave

1007
00:46:09,200 --> 00:46:11,719
Speaker 3: could fry an egg out there in three seconds.

1008
00:46:11,960 --> 00:46:13,560
Speaker 2: I'm actually a little bit off. You notice a little

1009
00:46:13,560 --> 00:46:14,960
Speaker 2: bit burnt today.

1010
00:46:14,600 --> 00:46:15,480
Speaker 4: You've got a bit of color.

1011
00:46:15,640 --> 00:46:17,440
Speaker 3: Well, yeah, I fell asleep in the sun and my

1012
00:46:17,880 --> 00:46:20,160
Speaker 3: face lod one way and an have lotion on that

1013
00:46:20,160 --> 00:46:21,799
Speaker 3: side of my face. So if you if I move

1014
00:46:21,800 --> 00:46:23,320
Speaker 3: around sunny because it was a little bit burned, but

1015
00:46:23,360 --> 00:46:26,520
Speaker 3: beautiful day. And so I said, you know, it's barbecue. Okay,

1016
00:46:26,560 --> 00:46:28,239
Speaker 3: this We're in the land of barbecue. So we had

1017
00:46:28,239 --> 00:46:31,120
Speaker 3: a barbecue for lunch yesterday. And then my wife said

1018
00:46:31,960 --> 00:46:34,279
Speaker 3: for tea in the evening. She went all sort out

1019
00:46:34,640 --> 00:46:37,360
Speaker 3: a tea for us. We all sit down and she

1020
00:46:37,520 --> 00:46:39,960
Speaker 3: brings over You know, I did lunch, so she did tea.

1021
00:46:40,120 --> 00:46:42,040
Speaker 3: She brings over for all of us, me and the kids.

1022
00:46:42,640 --> 00:46:44,880
Speaker 3: What are unmistakably bowls of soup?

1023
00:46:45,719 --> 00:46:52,959
Speaker 2: Oh now we got into ing gong, how about you guys?

1024
00:46:53,040 --> 00:46:55,960
Speaker 3: And I'm happy to say sorry if I got this wrong,

1025
00:46:56,440 --> 00:46:59,960
Speaker 3: but I don't really believe that soup is a meal.

1026
00:47:00,200 --> 00:47:03,359
Speaker 7: Oh well, I would have been sort of peering over

1027
00:47:03,360 --> 00:47:05,839
Speaker 7: to the kitchen going okay, this is a nice appetizer,

1028
00:47:05,880 --> 00:47:08,840
Speaker 7: but what what's going on for the main.

1029
00:47:08,719 --> 00:47:10,560
Speaker 2: Where's the actual food? You know?

1030
00:47:10,800 --> 00:47:12,640
Speaker 3: I mean, you don't go to a restaurant and then

1031
00:47:12,880 --> 00:47:15,800
Speaker 3: show you the menu. You know, under mat it's this soup.

1032
00:47:15,960 --> 00:47:20,440
Speaker 2: You go. We're leaving, darling, So do you, I am

1033
00:47:20,480 --> 00:47:20,960
Speaker 2: I wrong.

1034
00:47:21,400 --> 00:47:24,640
Speaker 4: It's a typical Sunday night meal, though we'll sometimes have pigs.

1035
00:47:25,239 --> 00:47:26,960
Speaker 2: Sunday night like a Sunday road.

1036
00:47:27,600 --> 00:47:30,279
Speaker 4: But you had your main meal of the day for lunch.

1037
00:47:30,040 --> 00:47:34,000
Speaker 2: Correct, Yes, burgers.

1038
00:47:33,640 --> 00:47:36,080
Speaker 4: Yes, there you go, so you have something light, but

1039
00:47:36,200 --> 00:47:36,600
Speaker 4: it's not.

1040
00:47:36,840 --> 00:47:39,000
Speaker 2: See the argument we had was that souper is a meal.

1041
00:47:39,440 --> 00:47:40,760
Speaker 2: I don't believe it is a meal.

1042
00:47:41,000 --> 00:47:46,560
Speaker 7: Actually, depending on level of chunkiness. It's very very chunky,

1043
00:47:46,719 --> 00:47:49,799
Speaker 7: like if there's more if there's less water than like

1044
00:47:50,239 --> 00:47:50,800
Speaker 7: the fodder.

1045
00:47:50,920 --> 00:47:53,640
Speaker 2: Now you're talking about some kind of you know, like

1046
00:47:53,719 --> 00:47:57,399
Speaker 2: a noodle bowl. Yes, this was soup. Soup, that's soup.

1047
00:47:57,680 --> 00:48:01,319
Speaker 4: Was it homemade? Christian? What are you complaining about? She's

1048
00:48:01,440 --> 00:48:02,439
Speaker 4: a beautiful pot of soup.

1049
00:48:02,560 --> 00:48:05,360
Speaker 3: Lovely, I'm not complaining about that. Let's focus on what

1050
00:48:05,400 --> 00:48:07,520
Speaker 3: the thing was. The debate was whether or not soup

1051
00:48:07,719 --> 00:48:11,560
Speaker 3: is a meal. Was it satisfying, so delicious homemade soup?

1052
00:48:11,560 --> 00:48:11,879
Speaker 2: Of course?

1053
00:48:12,000 --> 00:48:13,319
Speaker 4: Were you hungry after it?

1054
00:48:13,600 --> 00:48:14,000
Speaker 2: Yes?

1055
00:48:14,480 --> 00:48:16,439
Speaker 4: Right? What about the girls?

1056
00:48:16,840 --> 00:48:18,680
Speaker 3: They signed it with me as well? You know they

1057
00:48:18,719 --> 00:48:21,279
Speaker 3: were rudy as well. Beck, you believe that soup is

1058
00:48:21,320 --> 00:48:21,640
Speaker 3: a meal.

1059
00:48:21,920 --> 00:48:23,439
Speaker 4: Soup is one meal?

1060
00:48:24,120 --> 00:48:26,560
Speaker 2: Now, how do you how do you classify that.

1061
00:48:26,600 --> 00:48:29,000
Speaker 12: Because you have you make your toast and maybe melt

1062
00:48:29,040 --> 00:48:30,719
Speaker 12: some cheese and your toast to have that withzard, or

1063
00:48:30,800 --> 00:48:32,200
Speaker 12: you put cheese on top of the set.

1064
00:48:32,480 --> 00:48:34,680
Speaker 3: You talk about a gorgeous French soup which is very

1065
00:48:34,800 --> 00:48:36,640
Speaker 3: very nice. They grate the cheese on top and have

1066
00:48:36,760 --> 00:48:39,000
Speaker 3: the little gorgeous crotons in there as well.

1067
00:48:39,920 --> 00:48:42,200
Speaker 2: You can add so much your bowl of souper such

1068
00:48:42,239 --> 00:48:44,200
Speaker 2: it and you know what, you're adding the food meal

1069
00:48:44,239 --> 00:48:48,680
Speaker 2: bitch to bulk up the lightweight non meal.

1070
00:48:49,000 --> 00:48:51,200
Speaker 3: If you've got to add stuff to it, you're saying

1071
00:48:51,239 --> 00:48:52,320
Speaker 3: this is really weak.

1072
00:48:52,400 --> 00:48:53,480
Speaker 2: It's not enough less.

1073
00:48:53,320 --> 00:48:57,360
Speaker 3: Chuck, bread, cheese and other actual bits to bulk up it.

1074
00:48:57,400 --> 00:49:01,160
Speaker 3: So it almost becomes like a meal. It's not a meal,

1075
00:49:01,400 --> 00:49:02,080
Speaker 3: it's a meal.

1076
00:49:02,200 --> 00:49:03,200
Speaker 2: It's definitely a meal.

1077
00:49:03,400 --> 00:49:06,040
Speaker 3: No, because sometimes in restaurance they bring out something before

1078
00:49:06,080 --> 00:49:07,480
Speaker 3: the meal, don't they appetizer?

1079
00:49:07,680 --> 00:49:08,880
Speaker 2: An appetizer there.

1080
00:49:08,920 --> 00:49:10,759
Speaker 3: Anyway, if I got this wrong, please join in the

1081
00:49:10,760 --> 00:49:13,480
Speaker 3: big debate this morning on soup gape is super meal.

1082
00:49:13,680 --> 00:49:17,640
Speaker 1: The Christian O'Connell breakfast show Melbourne's Gold one oh four point.

1083
00:49:17,360 --> 00:49:19,520
Speaker 2: Three, the radio station with the Golden Ticket.

1084
00:49:19,560 --> 00:49:22,560
Speaker 3: It starts today, Gold one of four point three's Golden Ticket.

1085
00:49:22,640 --> 00:49:23,439
Speaker 2: Be listening every hour.

1086
00:49:23,480 --> 00:49:26,319
Speaker 3: What's the Breakfast show finishes starting at ten right through

1087
00:49:26,400 --> 00:49:29,560
Speaker 3: till five with Gavin Miller. Tonight one ticket, You and

1088
00:49:29,600 --> 00:49:31,680
Speaker 3: a friend get Golden Boss to go and see he

1089
00:49:31,680 --> 00:49:34,399
Speaker 3: shows like the Eagles, Phil Connor's, Brian Ferry, Red Hot,

1090
00:49:34,480 --> 00:49:36,800
Speaker 3: Summer Talk, Kylie and Banana Ama.

1091
00:49:37,000 --> 00:49:37,960
Speaker 2: Very easy to try and win.

1092
00:49:38,000 --> 00:49:40,120
Speaker 3: It just keep listening for And this is the clever bit.

1093
00:49:41,040 --> 00:49:43,799
Speaker 3: This is why the Boss gets her own office. You'd

1094
00:49:43,840 --> 00:49:47,040
Speaker 3: be listening for the It's a Golden ticket, all right?

1095
00:49:47,040 --> 00:49:48,480
Speaker 3: Would you have thought of this? I wouldn't have done.

1096
00:49:48,800 --> 00:49:51,160
Speaker 3: It's a golden ticket on gold one of four point three.

1097
00:49:52,360 --> 00:49:54,799
Speaker 3: Be listening for the Golden Song every hour?

1098
00:49:55,080 --> 00:50:00,560
Speaker 2: Oh what a player words? Right, it's right there.

1099
00:50:01,080 --> 00:50:03,600
Speaker 3: But it's easy to say once someone else, a genius

1100
00:50:03,680 --> 00:50:07,400
Speaker 3: in virtuoso comes up and goes gold gold Gold Gold's

1101
00:50:07,400 --> 00:50:11,560
Speaker 3: the station, the Golden Ticket, bang the Golden Song. And

1102
00:50:11,600 --> 00:50:14,160
Speaker 3: also it's a famous phrase that we all know the

1103
00:50:14,200 --> 00:50:14,839
Speaker 3: Golden Song.

1104
00:50:15,200 --> 00:50:18,640
Speaker 2: You know, yes, I use it every day. That movie for.

1105
00:50:18,640 --> 00:50:20,200
Speaker 3: Them in the end, didn't they Golden Song one, two

1106
00:50:20,239 --> 00:50:23,200
Speaker 3: and three? You always say that, what's your favorite Golden song?

1107
00:50:23,600 --> 00:50:27,400
Speaker 3: It makes sense. It's genius Boss okay. Anyway that starts

1108
00:50:27,400 --> 00:50:30,680
Speaker 3: at ten o'clock with listening out to that golden song

1109
00:50:31,320 --> 00:50:31,959
Speaker 3: might get fine.

1110
00:50:32,239 --> 00:50:35,040
Speaker 2: I don't know. In fact, I have an eye line

1111
00:50:35,080 --> 00:50:36,200
Speaker 2: to sees office from.

1112
00:50:36,320 --> 00:50:38,120
Speaker 3: She asked that on purpose, You're the only person she

1113
00:50:38,160 --> 00:50:40,640
Speaker 3: can see in the studio, not the head master, going yeah,

1114
00:50:40,719 --> 00:50:44,480
Speaker 3: I see you, knuckle down post all right, then, soup?

1115
00:50:44,719 --> 00:50:46,080
Speaker 2: Is it a meal? Yes or no?

1116
00:50:46,239 --> 00:50:48,239
Speaker 3: A little dingong last night at tea time when I

1117
00:50:48,280 --> 00:50:51,040
Speaker 3: thought my meal's here and a bowl of soup turns up.

1118
00:50:51,400 --> 00:50:53,480
Speaker 3: I've got one one line email here from one of

1119
00:50:53,480 --> 00:50:56,680
Speaker 3: our listeners, Aaron Brockhouse. If you've got a name, not

1120
00:50:56,800 --> 00:50:58,799
Speaker 3: that you're a man of strong opinions, because you've got

1121
00:50:58,800 --> 00:51:00,640
Speaker 3: a surname that rhymes with roadhouse.

1122
00:51:00,760 --> 00:51:04,160
Speaker 2: Brock House even sounds like a TV detective. We need

1123
00:51:04,200 --> 00:51:11,000
Speaker 2: to call brock House. Uh. Soup is for pensioners and prisoners.

1124
00:51:11,239 --> 00:51:11,640
Speaker 2: That's it.

1125
00:51:15,200 --> 00:51:19,319
Speaker 3: That's what he says, not hello, goodbye, Simply soup is

1126
00:51:19,400 --> 00:51:22,840
Speaker 3: for pensioners and prisoners.

1127
00:51:23,200 --> 00:51:29,319
Speaker 2: Thank you, brock House. Ozzie, good morning, Good you mate,

1128
00:51:29,360 --> 00:51:32,120
Speaker 2: I'm very good, Ozzie. What do you reckon? Welcome to soup? Gape?

1129
00:51:32,160 --> 00:51:33,480
Speaker 2: Is it a meal? Yes or no?

1130
00:51:34,480 --> 00:51:34,680
Speaker 8: Right?

1131
00:51:34,760 --> 00:51:36,480
Speaker 12: It is momm used to make it used to take

1132
00:51:36,480 --> 00:51:39,600
Speaker 12: two to three days to make a may cause of soup,

1133
00:51:40,040 --> 00:51:43,040
Speaker 12: and it was just it was a diple, so.

1134
00:51:42,920 --> 00:51:44,719
Speaker 2: She'd make it like a homemade one for two or

1135
00:51:44,719 --> 00:51:45,520
Speaker 2: three days.

1136
00:51:45,920 --> 00:51:47,439
Speaker 12: Check your lamb in there, the wait till the lamb

1137
00:51:47,440 --> 00:51:49,719
Speaker 12: comes off on the bone. Here's your lamb.

1138
00:51:50,480 --> 00:51:53,160
Speaker 3: Milk for trees and everything else in there sounds beautiful,

1139
00:51:53,520 --> 00:51:55,680
Speaker 3: But it's a meal because of your good friend in there,

1140
00:51:55,960 --> 00:51:56,520
Speaker 3: mister lamb.

1141
00:51:56,600 --> 00:51:59,160
Speaker 12: Oh right, yeah, I think it was a milk because

1142
00:51:59,160 --> 00:51:59,960
Speaker 12: my mother might have for me.

1143
00:52:00,160 --> 00:52:02,359
Speaker 2: Yeah, but no, you love me, but it's not soup.

1144
00:52:02,480 --> 00:52:07,040
Speaker 2: Is it soup? You don't get a can of lamb anyway.

1145
00:52:08,600 --> 00:52:11,640
Speaker 12: He can't go down safely, or WI buy him show

1146
00:52:11,760 --> 00:52:12,719
Speaker 12: soup and that's what you get.

1147
00:52:14,840 --> 00:52:18,520
Speaker 3: I'll see, Thank you very much, as Cale. I'm still

1148
00:52:18,520 --> 00:52:21,920
Speaker 3: with aarons and prisoner. He summed up for me, Vicky.

1149
00:52:23,000 --> 00:52:26,000
Speaker 5: Good morning, Christian. I love your morning show. I listen

1150
00:52:26,000 --> 00:52:29,359
Speaker 5: to you every single morning without a fail. And I

1151
00:52:29,480 --> 00:52:32,640
Speaker 5: agree with rock Health. We'll call him Sergeant brock Health

1152
00:52:32,640 --> 00:52:34,879
Speaker 5: because he sounds like you should be on a show

1153
00:52:34,960 --> 00:52:37,440
Speaker 5: like the Bill rock House. And I come from an

1154
00:52:37,440 --> 00:52:40,640
Speaker 5: English family and I'm all with you. There and Nope,

1155
00:52:40,760 --> 00:52:44,040
Speaker 5: it's not a meal. It's my father. We go out

1156
00:52:44,040 --> 00:52:46,799
Speaker 5: for a meal. My father's seventy five years old, and

1157
00:52:46,840 --> 00:52:50,359
Speaker 5: he'll get a soup and then he'll get a roast exactly.

1158
00:52:50,040 --> 00:52:50,960
Speaker 2: Because he's seventy five.

1159
00:52:51,000 --> 00:52:58,520
Speaker 3: He's a prisoner, he's a Well there you go, all right, Vicky,

1160
00:52:58,560 --> 00:53:00,920
Speaker 3: thanks it not for your cool Thank you.

1161
00:53:01,440 --> 00:53:04,920
Speaker 2: Jeffrey Coome morning, Jeff, Yeah, pretty good, Jeff. What do

1162
00:53:04,960 --> 00:53:06,640
Speaker 2: you reckon? Soup? Gape? Is it in a meal?

1163
00:53:06,760 --> 00:53:11,120
Speaker 12: Even though the word the soup is disgusting.

1164
00:53:11,280 --> 00:53:12,440
Speaker 2: You got no teeth.

1165
00:53:12,800 --> 00:53:17,320
Speaker 9: We're a good lips.

1166
00:53:17,719 --> 00:53:19,200
Speaker 8: You can't digest anything.

1167
00:53:19,960 --> 00:53:20,800
Speaker 5: You can have soup.

1168
00:53:22,120 --> 00:53:25,080
Speaker 2: You're right. Will they give people in the hospital soup?

1169
00:53:25,440 --> 00:53:28,960
Speaker 7: Yeah, Jeff, we're still allow a like soup. We're just saying,

1170
00:53:29,040 --> 00:53:29,880
Speaker 7: is it a meal or not?

1171
00:53:30,320 --> 00:53:33,600
Speaker 3: Don't get Jeff or Brockhouse on the subject of super

1172
00:53:33,719 --> 00:53:34,759
Speaker 3: case Fighting tool.

1173
00:53:35,040 --> 00:53:36,680
Speaker 2: Jeff, thank you. Maybe I should call have a good

1174
00:53:36,719 --> 00:53:37,160
Speaker 2: day mate.

1175
00:53:38,080 --> 00:53:38,319
Speaker 8: Yeah.

1176
00:53:39,000 --> 00:53:39,160
Speaker 2: Oh.

1177
00:53:39,200 --> 00:53:43,279
Speaker 1: He came down the Christian O'Connell breakfast show Gold one

1178
00:53:43,520 --> 00:53:48,160
Speaker 1: four point three, All.

1179
00:53:48,120 --> 00:53:51,560
Speaker 3: Right, time for this week's at works time waster. There's

1180
00:53:51,560 --> 00:53:53,560
Speaker 3: no way to sort of say why this makes sense

1181
00:53:53,640 --> 00:53:55,239
Speaker 3: or I just get straight into it. We're just looking

1182
00:53:55,239 --> 00:53:56,040
Speaker 3: for fish movies.

1183
00:53:56,320 --> 00:53:56,600
Speaker 8: All right.

1184
00:53:56,640 --> 00:53:59,279
Speaker 3: It isn't National Carp Day or anything like that. We're

1185
00:53:59,320 --> 00:54:04,160
Speaker 3: just looking for fish movies because we're looking for fish movies. Dude,

1186
00:54:04,239 --> 00:54:10,680
Speaker 3: where's my carp? The Codfather still a great start. Uh,

1187
00:54:11,000 --> 00:54:13,000
Speaker 3: Requiem for a Bream.

1188
00:54:13,080 --> 00:54:15,040
Speaker 2: Oh, that's good. And I remember from I think we

1189
00:54:15,080 --> 00:54:17,279
Speaker 2: did fish bands last time. I learned the brain as

1190
00:54:17,280 --> 00:54:18,600
Speaker 2: a fish. Yep, that's right now.

1191
00:54:18,600 --> 00:54:20,799
Speaker 7: I have that known knowledge and I can find that

1192
00:54:20,800 --> 00:54:22,640
Speaker 7: funny trout of Africa.

1193
00:54:23,560 --> 00:54:31,320
Speaker 2: I don't know it out of Africa like a classic movie.

1194
00:54:31,320 --> 00:54:35,840
Speaker 3: Boy in the Striped Piranhas. That's yeah, you knows Barana's everyone.

1195
00:54:36,360 --> 00:54:37,600
Speaker 3: I bet you never heard of this one.

1196
00:54:37,680 --> 00:54:41,840
Speaker 2: I'm going with it anyway. Get Tatar, for get Carter Michael.

1197
00:54:41,680 --> 00:54:47,080
Speaker 3: K movie Roach House, an underwater bouncer, little roach and the.

1198
00:54:47,600 --> 00:54:48,920
Speaker 2: Roach I think of a cockroach.

1199
00:54:49,680 --> 00:54:52,480
Speaker 3: It's also a top of fish here and the breakfast

1200
00:54:52,560 --> 00:55:00,799
Speaker 3: Chub that's not my favorite, the breakfast job. All right,

1201
00:55:00,800 --> 00:55:02,080
Speaker 3: what have you got fish movies?

1202
00:55:03,120 --> 00:55:09,600
Speaker 2: Missus? Troutfire Ah, I love it very good. Zero Shark thirty.

1203
00:55:10,760 --> 00:55:15,480
Speaker 7: And Luck Stuck and two Smoking Barrel Mundy Lock Stuck

1204
00:55:15,600 --> 00:55:18,000
Speaker 7: and two Smoking Barrel Monday. You know how I asked

1205
00:55:18,040 --> 00:55:19,799
Speaker 7: to do fish movies because I have a good one

1206
00:55:19,800 --> 00:55:21,479
Speaker 7: and that was my I.

1207
00:55:21,400 --> 00:55:22,880
Speaker 2: Was waiting for. I just left a gap there for

1208
00:55:22,960 --> 00:55:24,799
Speaker 2: the good one to turn up. Turns up.

1209
00:55:24,840 --> 00:55:28,480
Speaker 3: It's been gone all right then, So fish movies Texas

1210
00:55:28,520 --> 00:55:31,719
Speaker 3: Jaws On four seven five o three one oh four three.

1211
00:55:31,840 --> 00:55:33,360
Speaker 2: This week is an extra incentive.

1212
00:55:33,920 --> 00:55:36,720
Speaker 3: We got a Village Cinema Gold Class pass.

1213
00:55:36,760 --> 00:55:38,040
Speaker 2: You can win that for the best one.

1214
00:55:38,160 --> 00:55:41,280
Speaker 3: Jackmonk's in ten minutes time fish movies Oh four seven.

1215
00:55:41,120 --> 00:55:43,160
Speaker 2: Five o three one oh four three.

1216
00:55:43,400 --> 00:55:46,759
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

1217
00:55:46,800 --> 00:55:47,319
Speaker 1: point three.

1218
00:55:47,520 --> 00:55:50,839
Speaker 3: All right, today's that work time waste fish movies. That's

1219
00:55:50,880 --> 00:55:52,440
Speaker 3: what we've been asking to get involved with today.

1220
00:55:52,480 --> 00:55:53,839
Speaker 2: You're ready to mark, I am.

1221
00:55:53,760 --> 00:55:56,520
Speaker 7: Ready, And there is a Village Gold Class boucher to

1222
00:55:56,520 --> 00:55:59,759
Speaker 7: give away. So I'll be giving away gold classes. Is

1223
00:56:00,120 --> 00:56:01,680
Speaker 7: of just regular golds.

1224
00:56:02,800 --> 00:56:04,640
Speaker 2: But they but I should say, they won't all win

1225
00:56:04,680 --> 00:56:05,839
Speaker 2: the voucher. Only one will win.

1226
00:56:06,600 --> 00:56:11,640
Speaker 3: Silence of the Clams not a fish Silver, still funny though,

1227
00:56:11,800 --> 00:56:18,160
Speaker 3: Guppy Gilmore sil plus Cod Air one of my favorite films.

1228
00:56:18,160 --> 00:56:22,640
Speaker 3: Gold Brendan, well done, a few good mackerel. Oh yeah,

1229
00:56:27,080 --> 00:56:30,480
Speaker 3: that's silver plus I'm Mary and in summary, the karate.

1230
00:56:30,200 --> 00:56:33,040
Speaker 2: Squid that's our first gold.

1231
00:56:33,560 --> 00:56:37,240
Speaker 3: Stratos is back nothing last week he is back Stratos.

1232
00:56:37,280 --> 00:56:42,040
Speaker 2: No country for old salmon salmon. Oh yeah, took me

1233
00:56:42,080 --> 00:56:43,919
Speaker 2: a while to get the pun, but that's your fault,

1234
00:56:44,000 --> 00:56:45,120
Speaker 2: not Lee in Melbourne.

1235
00:56:45,480 --> 00:56:48,560
Speaker 7: It's actually the delivery as well.

1236
00:56:50,200 --> 00:56:51,080
Speaker 2: And then it's so funny.

1237
00:56:51,120 --> 00:56:56,080
Speaker 3: So brons kill Krill said of kill Bill silver Saw

1238
00:56:56,440 --> 00:57:02,319
Speaker 3: Chris a starfish is born gold worldne Pete Eat Love,

1239
00:57:02,560 --> 00:57:05,800
Speaker 3: Cray Oliver and Berrick.

1240
00:57:06,440 --> 00:57:11,400
Speaker 2: Is crayfish fish? The keyword there fish in the cray crayfish.

1241
00:57:11,640 --> 00:57:13,880
Speaker 2: It doesn't look like fish. It's not your business. What

1242
00:57:13,880 --> 00:57:17,520
Speaker 2: are you? God, you're going to go down reclassifying silver

1243
00:57:17,640 --> 00:57:24,840
Speaker 2: fur confusion, Bridget Jones story. That's a gold class frying Nemo.

1244
00:57:27,200 --> 00:57:30,880
Speaker 3: That's the Gold Raiders of the Lost Shark Gold lu

1245
00:57:30,960 --> 00:57:34,240
Speaker 3: Cup and Noosa. You've got Mail Becomes, You've got Mullet,

1246
00:57:34,400 --> 00:57:44,520
Speaker 3: Danny and Preston Bronze, Edward Salmon Hans Gold Class Class

1247
00:57:45,280 --> 00:57:50,320
Speaker 3: World done, Harley, Willie Wonka and the Fish Factory. Come on,

1248
00:57:51,360 --> 00:57:59,160
Speaker 3: Wendy and Magic Pike, Magic Mike Bronze. Okay, what are

1249
00:57:59,200 --> 00:58:00,000
Speaker 3: we giving the tickets?

1250
00:58:00,440 --> 00:58:02,480
Speaker 2: It's not it's not the best we've ever had.

1251
00:58:02,320 --> 00:58:05,280
Speaker 3: But Edward Salmon Hans gets that one.

1252
00:58:05,480 --> 00:58:08,360
Speaker 2: Well done, Harley, Thank you very much everyone.

1253
00:58:08,040 --> 00:58:11,439
Speaker 1: The Christian O'Connell Breakfast Show, Melbourn's Gold one oh four

1254
00:58:11,480 --> 00:58:11,920
Speaker 1: point three.

1255
00:58:12,200 --> 00:58:13,480
Speaker 2: How are things with you guys?

1256
00:58:13,640 --> 00:58:14,240
Speaker 4: You're not good?

1257
00:58:14,400 --> 00:58:17,280
Speaker 7: No, I can tell he needs to suck up. Pat

1258
00:58:17,400 --> 00:58:19,560
Speaker 7: You obviously have a problem with you today. Is that

1259
00:58:19,600 --> 00:58:21,760
Speaker 7: why you wore camos? Because it came in like a

1260
00:58:21,800 --> 00:58:22,560
Speaker 7: soldier and you're.

1261
00:58:22,400 --> 00:58:24,160
Speaker 4: Going to put some black paint on my face?

1262
00:58:24,880 --> 00:58:27,200
Speaker 3: So you planning some sort of militia or something you

1263
00:58:27,320 --> 00:58:28,880
Speaker 3: take into the streets to keep us all since you

1264
00:58:28,920 --> 00:58:29,720
Speaker 3: and Johnny.

1265
00:58:29,360 --> 00:58:32,800
Speaker 4: Man actually takes some pride in how I present myself.

1266
00:58:33,320 --> 00:58:35,000
Speaker 3: I mean you look, I didn't say anything. Why am

1267
00:58:35,000 --> 00:58:38,080
Speaker 3: I being told off and giving the old stink? I

1268
00:58:38,080 --> 00:58:39,760
Speaker 3: didn't do anything. I'm not the one that texted you

1269
00:58:39,880 --> 00:58:41,600
Speaker 3: let's go for a drink after School of Rock on

1270
00:58:41,640 --> 00:58:42,160
Speaker 3: Friday night?

1271
00:58:42,280 --> 00:58:43,320
Speaker 2: And he just bug it off.

1272
00:58:43,520 --> 00:58:48,120
Speaker 7: Actually never seen camo and then the has like studded

1273
00:58:48,200 --> 00:58:51,040
Speaker 7: jewels looking Friday night forgot but.

1274
00:58:51,040 --> 00:58:53,840
Speaker 2: Come on, forget it. We need a guitarist.

1275
00:58:53,920 --> 00:58:55,640
Speaker 3: There's a band in one Last Dream and then in

1276
00:58:55,680 --> 00:58:57,640
Speaker 3: the final three they've got a gig Thursday night. All

1277
00:58:57,640 --> 00:58:59,840
Speaker 3: the bands are playing live on Thursday night in fits

1278
00:59:00,200 --> 00:59:02,640
Speaker 3: at Labor in Vain. More Chelsea to come and join

1279
00:59:02,720 --> 00:59:05,480
Speaker 3: us tomorrow the show. But today we need the guitarist.

1280
00:59:05,800 --> 00:59:07,400
Speaker 3: All we're doing is getting phone calls from a lot

1281
00:59:07,440 --> 00:59:10,720
Speaker 3: of you saying my husband is a guitarist.

1282
00:59:10,840 --> 00:59:12,800
Speaker 2: We haven't heard from a single person who.

1283
00:59:12,640 --> 00:59:15,640
Speaker 3: Is a guitarist. There's something about this elusive band member.

1284
00:59:15,840 --> 00:59:18,720
Speaker 3: They're either asleep right now or they don't want to

1285
00:59:18,800 --> 00:59:19,560
Speaker 3: use the phone.

1286
00:59:19,760 --> 00:59:21,840
Speaker 7: I just thought of somebody who we've had on the

1287
00:59:21,840 --> 00:59:24,720
Speaker 7: show before, Patter's daughter Audrey.

1288
00:59:25,840 --> 00:59:27,920
Speaker 4: Yeah, no, slave Labor.

1289
00:59:28,360 --> 00:59:29,040
Speaker 2: He's having a tick.

1290
00:59:30,760 --> 00:59:31,880
Speaker 4: What kids are out of bound?

1291
00:59:34,040 --> 00:59:36,880
Speaker 2: Camo is going to get you. If you know a guitarist,

1292
00:59:36,920 --> 00:59:39,160
Speaker 2: so you are one, email me Christian at Gold one

1293
00:59:39,280 --> 00:59:40,920
Speaker 2: four three dot com dot au the.

1294
00:59:40,920 --> 00:59:44,160
Speaker 1: Christian who Connell Breakfast Show, Melbourne's Gold one oh four

1295
00:59:44,160 --> 00:59:44,640
Speaker 1: point three.

1296
00:59:44,960 --> 00:59:47,960
Speaker 3: What an exciting day ahead of us, all of us.

1297
00:59:47,960 --> 00:59:50,040
Speaker 3: Today we've canceled planers. We're going to gather around a

1298
00:59:50,160 --> 00:59:55,720
Speaker 3: radio and we're going to play the Golden Ticket. Mom, Dad, Gampa, Grandma,

1299
00:59:56,320 --> 00:59:58,040
Speaker 3: all of our friends will go and we we'd love

1300
00:59:58,080 --> 00:59:59,080
Speaker 3: you to play a love as well.

1301
00:59:59,200 --> 00:59:59,680
Speaker 2: We're going to do.

1302
01:00:00,720 --> 01:00:03,720
Speaker 3: And how it works is you keep listening and every

1303
01:00:03,720 --> 01:00:06,200
Speaker 3: single hour there will be a golden song. You listen

1304
01:00:06,240 --> 01:00:08,160
Speaker 3: out for the golden song. Why are you doing this

1305
01:00:08,240 --> 01:00:11,160
Speaker 3: to get the golden ticket? Surely everyone knows about this

1306
01:00:11,560 --> 01:00:13,840
Speaker 3: right now? Your golden ticket you and to make getting

1307
01:00:13,880 --> 01:00:16,200
Speaker 3: to go to all the big shows the Eagles Field, Connins,

1308
01:00:16,240 --> 01:00:20,200
Speaker 3: Brian Ferry, the Red Hot Summer Tour, Kylie and Banana Rama.

1309
01:00:20,320 --> 01:00:21,720
Speaker 2: It starts with Huggy.

1310
01:00:22,320 --> 01:00:27,080
Speaker 3: Next tunn of today's show is simply Brockhouse exclamation mark.

1311
01:00:27,200 --> 01:00:30,520
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's gold one oh four

1312
01:00:30,600 --> 01:00:31,080
Speaker 1: point three