WEBVTT - FULL SHOW: Mitch’s “Bedhead Banging Society” 🛏️

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<v Speaker 1>Laura come on.

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<v Speaker 2>Oh my god, hello Laura bad Happy Tuesday, everybody.

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<v Speaker 3>Hello me?

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<v Speaker 4>Do you know I feel gas lip by britt? I do?

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<v Speaker 4>I feel like we've been Who's brit britt Bred? Who

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<v Speaker 4>Brittany she is?

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<v Speaker 5>Actually, if you look at our artwork, there is a

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<v Speaker 5>third person that hosted this show, Brittany Hockley. She came

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<v Speaker 5>back yesterday, she told us all about the jungle and

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<v Speaker 5>now she's gone again to go on safari for a

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<v Speaker 5>few days.

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<v Speaker 2>She goes, I'm you're out of the show. You're going

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<v Speaker 2>to come back on radio. Now I'm going on Safari.

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<v Speaker 2>I'm going to go find ivory, tusks and elephants.

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<v Speaker 4>I don't think people do that anymore.

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<v Speaker 6>If she wanted to do that, she shouldn't do it.

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<v Speaker 4>I'm glad that you put that.

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<v Speaker 5>I know she's gone on Safari with her mum and

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<v Speaker 5>she's having a few days are and r having some

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<v Speaker 5>mental health time, which I can completely understand after coming

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<v Speaker 5>out of the ordeal that she just did in the jungle.

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<v Speaker 2>Okay, can I be honest with you, Laura and level

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<v Speaker 2>with you here? So we had access to Britney's socials

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<v Speaker 2>to run them for the length of her period and

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<v Speaker 2>her stint on I'm a celeb and I the moment

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<v Speaker 2>she got eliminated, I cannot tell you how quickly I

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<v Speaker 2>logged myself out of Britney's Instagram.

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<v Speaker 5>It's nobody who It's a very rare thing right to

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<v Speaker 5>be given access to the back end of somebody else's Instagram,

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<v Speaker 5>especially someone who like Brittany, has a lot of messages.

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<v Speaker 4>Coming in, also has multiple accounts that we discovered.

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<v Speaker 6>She's burner accounts.

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<v Speaker 2>So I didn't really but you want to look out

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<v Speaker 2>of Brittany Hock, I'm like, yes, what about Sam twelve.

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<v Speaker 4>Like the House?

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<v Speaker 5>And I was like, what is using these burner accounts for?

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<v Speaker 5>So I can't wait for her to be back in

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<v Speaker 5>the studio because I think there needs to be a

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<v Speaker 5>little bit more of a deep dive into Britney's social

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<v Speaker 5>media pay Yeah, I completely agree. I think she just

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<v Speaker 5>uses them, maybe to like her own posts.

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<v Speaker 2>I think so I was getting notifications on Britney's fine,

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<v Speaker 2>it would be like Bondai sans ay you just posted

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<v Speaker 2>a reel and it was Britney Hockey's acount.

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<v Speaker 5>I'm like, shut, I don't care, I know, I know,

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<v Speaker 5>did you Okay, I have a question for you. Did

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<v Speaker 5>you go back through any of her messages or did

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<v Speaker 5>you stay above board and behave.

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<v Speaker 6>I did go to her message, fed with you and

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<v Speaker 6>then search my name to.

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<v Speaker 5>You ate you wanted to see we were bitching about you.

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<v Speaker 5>We don't bitch about you on Instagram message. Ok it's stupid,

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<v Speaker 5>that's what use.

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<v Speaker 6>What's that like a smart person? Yeah? All right, welcome

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<v Speaker 6>to the show everyone. Andy Allen's joining us today.

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<v Speaker 2>Andy's on the new season of Master Chef Season eighteen,

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<v Speaker 2>premiered last night. Beach Shot Twists. Such a good show.

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<v Speaker 2>Two hundred and fifty thousand dollars cash up for grabs. Obviously,

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<v Speaker 2>it's first season back with these guys without Jock who

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<v Speaker 2>passed away last year.

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<v Speaker 6>So a very very big season. So we'll chat to

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<v Speaker 6>Andy coming up.

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<v Speaker 5>And coming up next time you order heard a Taylor Swift.

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<v Speaker 5>She's just launched her new album. But there's many Easter

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<v Speaker 5>eggs in this album, and look, there's one of them

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<v Speaker 5>that I think is.

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<v Speaker 4>A little bit problematic. Yeah, we're going to unpack it next.

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<v Speaker 2>Brittany Hockley off in the African Jungle. So it's just myself,

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<v Speaker 2>Laura Burne. I know, I'm Mitch Cheery.

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<v Speaker 6>You'll thank you.

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<v Speaker 4>Are we doing roll Call again? I feel like that's

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<v Speaker 4>doing week I do.

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<v Speaker 6>I can't wait for brit to be back, but not yet.

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<v Speaker 6>It's it's just us.

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<v Speaker 4>Well, I've been enjoying it, which just you funny too.

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<v Speaker 2>No, we've had so much fun. Well, it's made out

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<v Speaker 2>this kissed, I got the flu shot. Might do my

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<v Speaker 2>taxes tomorrow on the show. Tune in the pick up.

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<v Speaker 2>Going to be so much fun everyone, I do my

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<v Speaker 2>twenty twenty three, twenty twenty four financial year tax.

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<v Speaker 4>Other Sarcasm is not needed, do you know what? It's

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<v Speaker 4>not needed?

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<v Speaker 2>Just laughing's having bands to other shows, have rumors that

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<v Speaker 2>they're all dating other shows at this time slot.

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<v Speaker 6>Everyone's going are they dating? Are they together?

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<v Speaker 4>So you and I are the same. Now we're going

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<v Speaker 4>to compete because that's how you get ratings.

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<v Speaker 6>Totally, you heard it here first. Totally. Don't google my

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<v Speaker 6>dating history because they all have one thing in common.

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<v Speaker 6>They're not women.

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<v Speaker 5>All right, Well, look, speaking of dating history, I want

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<v Speaker 5>to talk to you about something so Taylor Swift, you

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<v Speaker 5>all would be across this. She just released her new albums.

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<v Speaker 5>Everyone's talking about it. It's a tortured poets department.

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<v Speaker 6>Yes, No, the.

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<v Speaker 4>Tortured poets departments. Okay.

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<v Speaker 5>So there's lots of Easter eggs that are in Taylor

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<v Speaker 5>Swift songs.

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<v Speaker 4>It's what she's known for.

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<v Speaker 5>She's known for her storytelling, she's known for her relatability.

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<v Speaker 5>But there's one song on this new album and which

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<v Speaker 5>have you heard it all yet?

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<v Speaker 2>Like?

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<v Speaker 4>Have you listened through the album?

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<v Speaker 6>No? No, I did listen.

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<v Speaker 2>Yeah, I did when it dropped, and I across the

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<v Speaker 2>Kim Kardashian slant of the hidden Kim Kardashian meanings.

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<v Speaker 6>Is this what you're talking about?

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<v Speaker 4>No, this is something a little bit more subtle.

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<v Speaker 5>But I think we should be talking about it because

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<v Speaker 5>I don't know whether it's problematic or not.

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<v Speaker 4>But I would love to know how you feel about it. Okay.

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<v Speaker 4>So there's this song called the Black Dog.

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<v Speaker 6>Yeah.

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<v Speaker 5>Now, this song is about Joe Olwen or Allen and

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<v Speaker 5>when they broke up, and these are the lyrics. I

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<v Speaker 5>am someone who until recent events, you shared your secrets

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<v Speaker 5>with and your location.

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<v Speaker 4>You forgot to turn it off.

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<v Speaker 5>And so I watch as you walk into some bar

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<v Speaker 5>called the Black Dog and Pierce new holes in my heart.

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<v Speaker 5>You forgot to turn it off, and it hits me.

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<v Speaker 6>He's the actual song.

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<v Speaker 3>Someone who until we events you shirt your secrets with

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<v Speaker 3>your location, you forgot to turn it. So I watched

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<v Speaker 3>as You walk and Somber called the black Dog pierce

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<v Speaker 3>new holes and my you forgot to.

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<v Speaker 5>Turn Okay, So what she's talking about here is she's

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<v Speaker 5>talking about his actual location services on his phone. So

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<v Speaker 5>she has Find my Friends and they've broken up, they've

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<v Speaker 5>gone through the breakup and well, I don't know who

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<v Speaker 5>knows when she wrote this song, but she's still checking

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<v Speaker 5>where he is and what he's doing, but his Find

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<v Speaker 5>my Friends.

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<v Speaker 4>I just think this is so weird.

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<v Speaker 6>It's very rare.

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<v Speaker 4>It's so weird to sing about it.

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<v Speaker 6>No, yeah, I think you're right, but get that stuff. Yeah,

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<v Speaker 6>but look at us.

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<v Speaker 2>We work in a creative industry. We talk about our

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<v Speaker 2>lives on the radio on our show because we have to.

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<v Speaker 2>She's just doing what she has to do to pay

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<v Speaker 2>the bills.

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<v Speaker 5>Mitch, I can guarantee you that if I went through

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<v Speaker 5>a divorce with my husband and I was still checking

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<v Speaker 5>his location, I would not be talking about.

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<v Speaker 6>That on radio.

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<v Speaker 4>Really, that is embarrassing.

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<v Speaker 6>Now I talk about it. See when was my last breakup?

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<v Speaker 6>My break was about it.

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<v Speaker 2>Sorry, you helped me through my last breakup.

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<v Speaker 4>Okay, I know a Now we're at a point where

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<v Speaker 4>we can laugh about it.

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<v Speaker 2>It's actually a year tomorrow, so it's not like I'm

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<v Speaker 2>thinking about it. Yeah, do you still have him on

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<v Speaker 2>your find my friends? I deleted him on fire my friends.

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<v Speaker 2>Actually I never had it in the first place, which

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<v Speaker 2>probably was big red flag as to what went down

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<v Speaker 2>in that relationship. But I did you know what gut

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<v Speaker 2>a punch when I got the notification. So and so

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<v Speaker 2>has stopped sharing his health with you. So me and

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<v Speaker 2>my ex shared our health with each other, so he's

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<v Speaker 2>too much here. We both had Apple watches, so I

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<v Speaker 2>got all his calories burned, I got his resting heart rate.

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<v Speaker 2>I knew his breaths per minute, such intimate details about someone,

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<v Speaker 2>and he pulled me from that. He also pulled me

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<v Speaker 2>from his emergency contact list.

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<v Speaker 4>Oh that's rough. How did you know though?

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<v Speaker 5>Did you get a notification from New South Wales's health accident?

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<v Speaker 2>Accidentally called me then and we hadn't spoken, And then

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<v Speaker 2>he's like, sorry, I was just removing you from my

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<v Speaker 2>emergency because when you tap it, you tap it calls

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<v Speaker 2>them straight away because it thinks you've been hit by

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<v Speaker 2>a car. But he thought he was going to be

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<v Speaker 2>able to tap and delete. So that was what went

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<v Speaker 2>down that one.

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<v Speaker 4>I'm sorry, I'm sorry I had to go through that.

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<v Speaker 6>That's right, different song about.

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<v Speaker 4>It, Thank you, mom.

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<v Speaker 5>Man going back to Taylor Swift and not talking about

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<v Speaker 5>you for one second.

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<v Speaker 4>Reach I think you asked me you such a cow?

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<v Speaker 6>You asked me that question, just ask you.

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<v Speaker 4>Then you kept going and going. Is this a two

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<v Speaker 4>piece album?

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<v Speaker 2>I can't want to hear about your Maddy j gen

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<v Speaker 2>X couple. Do you even know how to use fine Mine? No?

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<v Speaker 5>I just there's no point, Like I don't think I

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<v Speaker 5>only ever wanted to use Find my Friends with an

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<v Speaker 5>ex boyfriend who I didn't trust, And there was a

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<v Speaker 5>reason why I wanted to know where he was because

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<v Speaker 5>he never was where he said.

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<v Speaker 4>He was going to be.

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<v Speaker 5>But there's no part of me that would want to

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<v Speaker 5>know or even like have Find my Friends on for

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<v Speaker 5>my husband. I don't think that when we don't have

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<v Speaker 5>a relationship where I need to know that stuff about him. Yes, yes,

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<v Speaker 5>I do understand why some people do it from like

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<v Speaker 5>a safety aspect. I think that, you know, if you're

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<v Speaker 5>someone who works shift work, or you're getting public transport

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<v Speaker 5>in the middle of the night, whatever it is, there

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<v Speaker 5>are some reasons.

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<v Speaker 4>But I think it's weird. I know Taylor.

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<v Speaker 5>Swift sing songs that are meant to be about storytelling

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<v Speaker 5>and her life, but that is an inside thought.

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<v Speaker 4>Yeah, don't share that with the world.

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<v Speaker 6>Keep that to yourself. No, I agree with you. My God.

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<v Speaker 2>A couple of weeks ago, actually last week on the show,

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<v Speaker 2>we had my dad on the air. You called him,

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<v Speaker 2>Laura because I'm living at home. I've got a partner,

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<v Speaker 2>We're in a new relationship, so we're enjoying each other's company.

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<v Speaker 2>My parents clearly could hear the enjoyment of said company

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<v Speaker 2>via the BedHead. So they went in and they moved

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<v Speaker 2>the bed six inches.

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<v Speaker 6>From the wall.

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<v Speaker 4>Yes, but it turns out that that wasn't even the case.

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<v Speaker 5>You were so begrudging about your dad being called, and

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<v Speaker 5>it had nothing to do with the acoustics.

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<v Speaker 4>It's because you wanted your dad to make the bed.

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<v Speaker 6>You asked Dad, this is what he had to say.

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<v Speaker 1>My wife says to me, Mitchell wants clean sheets, and

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<v Speaker 1>I said, look, darling, you look tired. I'll come down

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<v Speaker 1>and help you. So we actually went down and made

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<v Speaker 1>his bed for him. However, I'm very conscious that there

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<v Speaker 1>is a rumor going around Cronalla that that BedHead was

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<v Speaker 1>working over time.

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<v Speaker 2>But here's the thing, right, Yes, my embarrassment is your

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<v Speaker 2>enjoyment and everyone.

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<v Speaker 5>I have been reveling in this also because it's it's

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<v Speaker 5>so so, so so unfortunate for you. Because nobody wants

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<v Speaker 5>their parents to know or hear that they get down

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<v Speaker 5>to hanky panky town.

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<v Speaker 4>Yours have to listen to it.

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<v Speaker 2>No, But you know, in the same way that Taylor

0:09:13.760 --> 0:09:17.000
<v Speaker 2>Swift has the tor Tortured Poets Department, I feel like

0:09:17.040 --> 0:09:20.760
<v Speaker 2>I have the banging BedHead Society. Thank you. I thought

0:09:20.760 --> 0:09:25.040
<v Speaker 2>of that in my spare time. Yeah, of course, banging

0:09:25.080 --> 0:09:27.079
<v Speaker 2>BedHead broom closet. I wanted another be but it was

0:09:27.200 --> 0:09:27.600
<v Speaker 2>very hard.

0:09:28.480 --> 0:09:28.680
<v Speaker 1>Yeah.

0:09:28.760 --> 0:09:29.760
<v Speaker 6>Yeah.

0:09:29.800 --> 0:09:32.480
<v Speaker 2>I have had so many messages of people going, oh

0:09:32.520 --> 0:09:33.880
<v Speaker 2>my god, the same thing happened to me.

0:09:34.000 --> 0:09:35.400
<v Speaker 6>I live at home. I caught this.

0:09:35.559 --> 0:09:38.720
<v Speaker 5>I caught this with their parents, and so they're all

0:09:38.800 --> 0:09:40.079
<v Speaker 5>it's like into families.

0:09:40.200 --> 0:09:40.920
<v Speaker 6>Was some mixture.

0:09:41.080 --> 0:09:43.559
<v Speaker 2>I had some woman message me and say, hey, Oh

0:09:43.600 --> 0:09:45.760
<v Speaker 2>my god, it's the highlight of my day hearing my kids.

0:09:45.760 --> 0:09:47.160
<v Speaker 6>It reminds me when I was young.

0:09:47.360 --> 0:09:49.400
<v Speaker 4>What, no, she needs therapy.

0:09:51.679 --> 0:09:53.880
<v Speaker 2>Anyway, I'm joining us on the line. Erin had one

0:09:53.880 --> 0:09:55.839
<v Speaker 2>of the best stories. Erin, Now, would you say I

0:09:55.880 --> 0:09:58.319
<v Speaker 2>created a safe space for you to have this conversation?

0:09:58.600 --> 0:09:58.800
<v Speaker 3>Erin?

0:09:59.360 --> 0:10:02.719
<v Speaker 7>Absolutely, I was like listening to your story. I was

0:10:02.760 --> 0:10:05.120
<v Speaker 7>sitting there thinking to myself, Oh my gosh, I feel

0:10:05.160 --> 0:10:07.800
<v Speaker 7>this story, but from the other end, and I was like,

0:10:07.840 --> 0:10:11.679
<v Speaker 7>I need to tell me because this is like too coincidental.

0:10:12.000 --> 0:10:15.440
<v Speaker 5>Wait, so, Aaron, you have kids yourself or was this you? Like,

0:10:15.760 --> 0:10:16.439
<v Speaker 5>how did this all on?

0:10:16.800 --> 0:10:19.680
<v Speaker 7>Tell the Sorry, I do have children, but this was

0:10:19.720 --> 0:10:23.600
<v Speaker 7>my parents. So back when I was like fourteen fifteen innocent,

0:10:24.080 --> 0:10:26.439
<v Speaker 7>I was living at home obviously with my parents, and

0:10:26.520 --> 0:10:28.559
<v Speaker 7>to like give a bit of an idea, my parents

0:10:28.600 --> 0:10:31.400
<v Speaker 7>next to their bed had like these big side tables

0:10:31.760 --> 0:10:34.040
<v Speaker 7>and in them they kept like their unnies and socks

0:10:34.040 --> 0:10:36.280
<v Speaker 7>and whatnot. And I used to go in there and

0:10:36.320 --> 0:10:39.760
<v Speaker 7>like look behind BedHead, and I was like, that's so weird.

0:10:39.880 --> 0:10:42.680
<v Speaker 7>My poor dad, he's so silly, always losing his socks

0:10:42.679 --> 0:10:47.040
<v Speaker 7>behind his bed head. So forward, like another fourteen years

0:10:47.040 --> 0:10:49.720
<v Speaker 7>and were finally moving out of that home. I'm pregnant

0:10:49.760 --> 0:10:52.400
<v Speaker 7>at this point, and IM goes, hey, Hanky, can you

0:10:52.400 --> 0:10:54.320
<v Speaker 7>help me pull this bed head just a bit forward

0:10:54.360 --> 0:10:56.679
<v Speaker 7>so the rappers, sorry, the movers can wrap it up

0:10:56.679 --> 0:10:59.880
<v Speaker 7>for me. So I go, yeah, sure, no problems. I'm

0:10:59.880 --> 0:11:02.640
<v Speaker 7>just holding it forward and outfall all of these socks.

0:11:03.160 --> 0:11:05.440
<v Speaker 7>And it wasn't until that point that I was like,

0:11:05.600 --> 0:11:07.760
<v Speaker 7>oh my gosh, the socks were not there because you

0:11:07.840 --> 0:11:10.840
<v Speaker 7>lost them. They were there to like stop the BedHead

0:11:10.840 --> 0:11:12.160
<v Speaker 7>from hitting against the wall.

0:11:13.200 --> 0:11:14.000
<v Speaker 4>It was insulation.

0:11:14.280 --> 0:11:17.600
<v Speaker 7>Oh my gosh. As kids, we never heard my parents

0:11:17.679 --> 0:11:19.640
<v Speaker 7>like sanging against the wall anything.

0:11:19.720 --> 0:11:24.520
<v Speaker 4>And it was seventeen Yeah, don't know, more.

0:11:24.320 --> 0:11:26.120
<v Speaker 7>For acoustic reasons than anything.

0:11:26.840 --> 0:11:29.000
<v Speaker 5>Don't we just don't you just move move the pieces

0:11:29.000 --> 0:11:31.160
<v Speaker 5>of furniture like ten centimeters away from the bed head.

0:11:31.160 --> 0:11:34.080
<v Speaker 4>Why is it? Why are we all but against I know, because.

0:11:33.840 --> 0:11:35.400
<v Speaker 6>Think about it. You're in the throes of passion.

0:11:35.600 --> 0:11:37.640
<v Speaker 2>You want to quick fix, you know, you don't want

0:11:37.640 --> 0:11:39.640
<v Speaker 2>to get up and get allen key out and move

0:11:39.679 --> 0:11:40.319
<v Speaker 2>your bed frame.

0:11:40.760 --> 0:11:41.840
<v Speaker 6>No one has time for that.

0:11:41.840 --> 0:11:42.280
<v Speaker 4>That's true.

0:11:42.559 --> 0:11:44.640
<v Speaker 2>You are you gonna will you tell the story that

0:11:45.080 --> 0:11:46.880
<v Speaker 2>Please tell the story that you told me in the songs,

0:11:46.960 --> 0:11:47.800
<v Speaker 2>Laura said.

0:11:47.679 --> 0:11:49.720
<v Speaker 4>No, I'm never telling no, please tell the story.

0:11:49.880 --> 0:11:52.319
<v Speaker 6>No erin Laura told a story in the song.

0:11:52.200 --> 0:11:54.320
<v Speaker 4>I'm still getting therapy for that. That's not that was

0:11:54.400 --> 0:11:55.080
<v Speaker 4>no Laura.

0:11:55.160 --> 0:11:57.720
<v Speaker 2>Laura had the same similar experience with her mum. I've

0:11:57.720 --> 0:12:02.079
<v Speaker 2>already said it, just say tell the story. My okay, no, no,

0:12:02.280 --> 0:12:04.520
<v Speaker 2>my innocent, not name and Shane.

0:12:04.559 --> 0:12:05.960
<v Speaker 6>But you walked in on your mom.

0:12:05.800 --> 0:12:08.760
<v Speaker 4>My mom? Who mom? If you're listening, Kim, I'm very

0:12:08.760 --> 0:12:09.240
<v Speaker 4>sorry for this.

0:12:09.640 --> 0:12:11.840
<v Speaker 5>I love you. I love you so much. We're a

0:12:11.880 --> 0:12:14.840
<v Speaker 5>very close household. And my parents got divorced when I

0:12:14.880 --> 0:12:18.920
<v Speaker 5>was really young and my mom was dating and I

0:12:19.240 --> 0:12:21.560
<v Speaker 5>it was not an acoustic problem. If anything, I wish

0:12:21.600 --> 0:12:24.000
<v Speaker 5>there was more acoustics and I would have heard that

0:12:24.120 --> 0:12:25.560
<v Speaker 5>something was going on in the bedroom.

0:12:25.600 --> 0:12:26.160
<v Speaker 6>How old were you?

0:12:26.480 --> 0:12:29.080
<v Speaker 4>I was about seven and I'd had a bad dream.

0:12:29.400 --> 0:12:31.559
<v Speaker 5>Oh, and I got up and I was like, mom,

0:12:31.640 --> 0:12:33.959
<v Speaker 5>I'll go and get my mom to give me some comfort.

0:12:34.000 --> 0:12:35.520
<v Speaker 4>But she was giving her.

0:12:35.400 --> 0:12:36.880
<v Speaker 6>Okay, yeah, okay.

0:12:37.000 --> 0:12:40.280
<v Speaker 5>Right, and I walked in on my mom in bed,

0:12:40.320 --> 0:12:42.800
<v Speaker 5>and it was horrible. I don't even know if she

0:12:42.800 --> 0:12:45.200
<v Speaker 5>would still remember. I don't know if she would still

0:12:45.200 --> 0:12:47.240
<v Speaker 5>remember it, but I remember everything.

0:12:47.280 --> 0:12:50.679
<v Speaker 4>I remember the position. I remember everything, and it was

0:12:50.720 --> 0:12:50.920
<v Speaker 4>a lot.

0:12:51.080 --> 0:12:53.160
<v Speaker 6>Remember when you called my dad last week on the show?

0:12:53.280 --> 0:12:55.720
<v Speaker 4>You dare call my mom? Don't you dare?

0:12:55.920 --> 0:12:58.480
<v Speaker 5>She would she would honestly drop dead from humiliation. I'm

0:12:58.520 --> 0:12:59.600
<v Speaker 5>just hoping she's at work right now.

0:12:59.640 --> 0:13:00.600
<v Speaker 6>I don't have Kim's number.

0:13:00.640 --> 0:13:02.439
<v Speaker 4>Yeah, thank god. All right, anyway, we'll think.

0:13:02.440 --> 0:13:04.320
<v Speaker 2>God, we have a daily show, so tomorrow's it's going

0:13:04.360 --> 0:13:09.840
<v Speaker 2>to be a good show Tomorrow Australia. All right, Banging

0:13:09.880 --> 0:13:11.840
<v Speaker 2>BedHead Society, keep the messages coming in.

0:13:11.880 --> 0:13:13.720
<v Speaker 6>This is safe space to discuss what goes on.

0:13:13.880 --> 0:13:15.760
<v Speaker 5>I would like to know as a parent myself, I

0:13:15.800 --> 0:13:17.400
<v Speaker 5>want to know, like have you walked in on your

0:13:17.480 --> 0:13:19.079
<v Speaker 5>kids or have they walked in on you? I think

0:13:19.080 --> 0:13:21.079
<v Speaker 5>there's going to be hilarious stories out there.

0:13:23.520 --> 0:13:25.959
<v Speaker 2>Listen at Season eighteen of one of my favorite shows

0:13:25.960 --> 0:13:28.680
<v Speaker 2>in Australia's favorite shows premiered last night on Channel ten

0:13:28.960 --> 0:13:31.840
<v Speaker 2>MASTERSHEF Australia is back and this show Laura got me

0:13:31.880 --> 0:13:34.960
<v Speaker 2>into food tech, home economics, Like when it came out,

0:13:35.120 --> 0:13:36.880
<v Speaker 2>I was in high school and it turned me into

0:13:36.920 --> 0:13:38.320
<v Speaker 2>a little baker boy, Like I'll have to bake a

0:13:38.360 --> 0:13:39.520
<v Speaker 2>Victoria sponge because of it.

0:13:39.559 --> 0:13:41.400
<v Speaker 5>Okay, I'm really holding it against you because I don't

0:13:41.400 --> 0:13:44.199
<v Speaker 5>think I've ever known you to cook anything except toast.

0:13:44.480 --> 0:13:45.640
<v Speaker 4>I'm a baker, you're not.

0:13:45.880 --> 0:13:47.960
<v Speaker 2>I'm a bad I did home economic, Miss Mooreman, if

0:13:47.960 --> 0:13:50.000
<v Speaker 2>you're listening, I know how to make a Victoria sponge

0:13:50.000 --> 0:13:51.280
<v Speaker 2>Wow and cream.

0:13:51.360 --> 0:13:53.480
<v Speaker 4>Bring one into the studio one day. I would love that.

0:13:53.559 --> 0:13:54.079
<v Speaker 6>I just might.

0:13:54.120 --> 0:13:55.640
<v Speaker 2>And you know why, It's a shame that this interview

0:13:55.640 --> 0:13:57.120
<v Speaker 2>was over the phone, because I could have presented it

0:13:57.120 --> 0:13:59.520
<v Speaker 2>to one of the judges himself. This guy is a

0:13:59.559 --> 0:14:02.720
<v Speaker 2>winner of YEV He's very own season and he is back,

0:14:02.760 --> 0:14:05.800
<v Speaker 2>obviously last night, alongside three brand new judges. It's a

0:14:05.920 --> 0:14:10.240
<v Speaker 2>very exciting season. Andy Allen joins us. Hello, Buddy, Hi, Andy, Hi,

0:14:11.040 --> 0:14:13.720
<v Speaker 2>Hey go. I was so okay, but I would love

0:14:13.760 --> 0:14:14.800
<v Speaker 2>to know after last night.

0:14:14.920 --> 0:14:17.880
<v Speaker 5>I mean, the big surprise Jamie Oliver working alongside here

0:14:18.320 --> 0:14:20.520
<v Speaker 5>when you were on the show yourself.

0:14:20.560 --> 0:14:22.160
<v Speaker 4>Wasn't he a guest judge at the time?

0:14:23.360 --> 0:14:26.080
<v Speaker 8>He was? Yeah, season four, he came out the very

0:14:26.120 --> 0:14:30.560
<v Speaker 8>first time. Wow, and I unfortunately I met him briefly.

0:14:31.520 --> 0:14:35.960
<v Speaker 8>Fast forward ten years and I'm actually, really I'm pretty

0:14:36.000 --> 0:14:38.120
<v Speaker 8>tough to say that we're pretty good mad Jamie and I.

0:14:38.200 --> 0:14:42.040
<v Speaker 8>He's been so supportive over the years, and especially with

0:14:42.720 --> 0:14:45.760
<v Speaker 8>Jock's passing last year, he was like he was like

0:14:45.800 --> 0:14:47.720
<v Speaker 8>an older brother to me. So I really appreciate it.

0:14:47.800 --> 0:14:48.800
<v Speaker 8>He's such a good dude.

0:14:48.920 --> 0:14:49.240
<v Speaker 4>Andy.

0:14:49.240 --> 0:14:51.600
<v Speaker 5>What was it like getting back into like back into

0:14:51.640 --> 0:14:55.040
<v Speaker 5>the studio, back into filming. I can only imagine with

0:14:55.160 --> 0:14:58.040
<v Speaker 5>everything that happened last year with Jock that there must

0:14:58.040 --> 0:15:01.200
<v Speaker 5>have been either some hesitation or some feelings around like,

0:15:01.240 --> 0:15:01.640
<v Speaker 5>how are.

0:15:01.520 --> 0:15:02.800
<v Speaker 4>We going to do this without him?

0:15:02.840 --> 0:15:03.640
<v Speaker 6>We're even coming back?

0:15:03.720 --> 0:15:04.120
<v Speaker 3>Right? Yeah?

0:15:05.120 --> 0:15:05.360
<v Speaker 5>Yeah?

0:15:05.480 --> 0:15:08.480
<v Speaker 8>For me, I I was unsture. Like I was. I

0:15:08.520 --> 0:15:10.720
<v Speaker 8>didn't mean I'll be able to do it like you know,

0:15:10.840 --> 0:15:13.520
<v Speaker 8>Jock and I. It was up in that in that role.

0:15:13.560 --> 0:15:15.960
<v Speaker 8>We loved it so much. We loved being able to

0:15:16.000 --> 0:15:19.560
<v Speaker 8>mentor contestants and bring the best out of them, and

0:15:19.600 --> 0:15:21.840
<v Speaker 8>it just didn't feel right to do it without him.

0:15:21.920 --> 0:15:25.080
<v Speaker 8>But I'm really proud that I gained the courage to

0:15:25.120 --> 0:15:26.600
<v Speaker 8>be able to do it because that's what Jock would

0:15:26.600 --> 0:15:31.200
<v Speaker 8>have wanted. And you know, looking looking forward now to

0:15:31.320 --> 0:15:36.400
<v Speaker 8>what I've been able to achieve with Poe, Sophia, Jean Christophe, Jamie,

0:15:36.440 --> 0:15:38.800
<v Speaker 8>the rest of the crew, we're all so proud of

0:15:38.840 --> 0:15:41.560
<v Speaker 8>what we've done because we did want to continue that

0:15:41.640 --> 0:15:44.800
<v Speaker 8>legacy that Jock left for us to run on with it,

0:15:44.840 --> 0:15:47.000
<v Speaker 8>and we have. It's such a brilliant season. I'm really

0:15:47.000 --> 0:15:47.400
<v Speaker 8>proud of it.

0:15:47.440 --> 0:15:49.040
<v Speaker 2>But at the core of the show, and I think

0:15:49.080 --> 0:15:50.760
<v Speaker 2>it speaks to what you were saying about coming back

0:15:50.880 --> 0:15:52.800
<v Speaker 2>and doing it in memory of John, that the show

0:15:52.840 --> 0:15:55.320
<v Speaker 2>actually has a real life impact and eighteen seasons on,

0:15:55.400 --> 0:15:57.160
<v Speaker 2>I'm sure that's something that you guys are still very

0:15:57.360 --> 0:15:57.920
<v Speaker 2>conscious of.

0:15:58.000 --> 0:16:03.320
<v Speaker 8>Yeah, yeah, only right, Like it's just positive energy in there,

0:16:03.360 --> 0:16:05.280
<v Speaker 8>you know, Like we try and build people up to

0:16:05.320 --> 0:16:07.600
<v Speaker 8>be the best that they possibly can because that's what

0:16:07.640 --> 0:16:10.200
<v Speaker 8>it's all about. Like I mentioned being a mentor, that's

0:16:10.200 --> 0:16:13.840
<v Speaker 8>really what we are. For the five months of filming.

0:16:13.880 --> 0:16:16.080
<v Speaker 8>We are literally trying to get the best out of

0:16:16.160 --> 0:16:19.240
<v Speaker 8>each and every contestant so that they can go out

0:16:19.280 --> 0:16:22.240
<v Speaker 8>into the hospitality industry in some way, shape or form.

0:16:22.680 --> 0:16:25.600
<v Speaker 8>And there are so many brilliant stories, you know. I mean,

0:16:25.760 --> 0:16:28.800
<v Speaker 8>you look at myself, like being a Sparky from Newcastle

0:16:29.520 --> 0:16:32.080
<v Speaker 8>going on the show somehow winning and now being in

0:16:32.080 --> 0:16:35.080
<v Speaker 8>the position that I am. It really does like it's

0:16:35.080 --> 0:16:37.600
<v Speaker 8>totally okay, but it really does it can make your

0:16:37.640 --> 0:16:39.680
<v Speaker 8>dreams come true. And to be honest, I didn't have

0:16:39.720 --> 0:16:42.960
<v Speaker 8>any dreams and look what turned out. It's been such

0:16:43.000 --> 0:16:43.920
<v Speaker 8>a wild ride.

0:16:44.240 --> 0:16:47.400
<v Speaker 5>I have one question around, like technically, how you actually

0:16:47.440 --> 0:16:50.240
<v Speaker 5>are able to judge on the show. So when it

0:16:50.280 --> 0:16:52.480
<v Speaker 5>comes to all of you sitting down and taking a

0:16:52.480 --> 0:16:54.200
<v Speaker 5>bite of the meal that someone's put forward for you,

0:16:54.240 --> 0:16:56.880
<v Speaker 5>the meal is cold, right, Like, it's takes so long

0:16:56.920 --> 0:16:59.680
<v Speaker 5>with all the filming processes that surely by the time

0:16:59.720 --> 0:17:01.880
<v Speaker 5>it gets in front of you is as cold as

0:17:01.920 --> 0:17:02.360
<v Speaker 5>cold can.

0:17:02.280 --> 0:17:05.320
<v Speaker 8>Be, stone cold, stone cold.

0:17:05.400 --> 0:17:07.040
<v Speaker 4>I don't know if it's good.

0:17:07.359 --> 0:17:11.000
<v Speaker 8>Basically what happens is, which you don't see on air,

0:17:11.280 --> 0:17:15.040
<v Speaker 8>is we are kind of ferreting around the whole court

0:17:15.200 --> 0:17:18.280
<v Speaker 8>tasting everything as it's being prepared, and then once the

0:17:18.359 --> 0:17:21.720
<v Speaker 8>clock finishes, we get the contestants to kind of have

0:17:21.920 --> 0:17:24.760
<v Speaker 8>all of their beautifully plated up food on this little

0:17:24.800 --> 0:17:27.560
<v Speaker 8>red mat, and then next door to it, we actually

0:17:27.600 --> 0:17:29.240
<v Speaker 8>have all of the get them to have all of

0:17:29.240 --> 0:17:31.960
<v Speaker 8>the components. It doesn't asterally beautifully played or anything like that,

0:17:32.240 --> 0:17:34.280
<v Speaker 8>but that's when we go around and do the hot tasting,

0:17:34.440 --> 0:17:36.800
<v Speaker 8>so we get a really good idea of what's going

0:17:36.840 --> 0:17:38.399
<v Speaker 8>to be good. What's going to be this shit and

0:17:38.600 --> 0:17:42.879
<v Speaker 8>anything in between. So like then we all break for lunch,

0:17:43.200 --> 0:17:45.639
<v Speaker 8>everything goes in the fridge. We come back and we

0:17:45.680 --> 0:17:47.800
<v Speaker 8>do the cold tasting and there is still things that

0:17:47.840 --> 0:17:50.080
<v Speaker 8>you do critique when when the dish is cold. Like

0:17:50.080 --> 0:17:53.440
<v Speaker 8>I said, presentation is a big thing. So yeah, that's

0:17:53.480 --> 0:17:56.080
<v Speaker 8>kind of how we get to the end goal of

0:17:56.160 --> 0:17:57.720
<v Speaker 8>seeing who's got the best iss.

0:17:58.200 --> 0:18:00.280
<v Speaker 4>So you already know that. The trickery that goes on

0:18:00.400 --> 0:18:01.960
<v Speaker 4>totally the end TV magic.

0:18:02.000 --> 0:18:03.400
<v Speaker 6>But I love that. And he just said, we break

0:18:03.440 --> 0:18:04.920
<v Speaker 6>for lunch, then we come back and we eat.

0:18:05.040 --> 0:18:09.200
<v Speaker 4>Yeah, we eat it. I wonder if that bunny, we.

0:18:09.119 --> 0:18:11.680
<v Speaker 8>Have twenty two dishes after lunch. There's the reason I

0:18:11.760 --> 0:18:14.360
<v Speaker 8>put on six kilos. Not this year because I learned

0:18:14.359 --> 0:18:17.680
<v Speaker 8>my lesson, but the last year I put on six kilos,

0:18:17.680 --> 0:18:22.320
<v Speaker 8>So I'd say much exercising my offod.

0:18:21.760 --> 0:18:23.639
<v Speaker 2>Well, but we can't wait to watch Season eighteen of

0:18:23.680 --> 0:18:26.159
<v Speaker 2>Mastershire premier last night seven thirty on Channel ten and ten.

0:18:26.200 --> 0:18:29.159
<v Speaker 2>Play continues tonight two hundred and fifty grand as well.

0:18:29.240 --> 0:18:31.440
<v Speaker 2>Up for Grabs is a very very big season. The

0:18:31.440 --> 0:18:33.280
<v Speaker 2>brand new judges are on. Andy Allen, great to have

0:18:33.320 --> 0:18:33.560
<v Speaker 2>you on.

0:18:33.560 --> 0:18:36.159
<v Speaker 6>Buddy, Sandy appreciate it.

0:18:36.200 --> 0:18:39.199
<v Speaker 2>Thanks all right, everyone stand by, we're back after this.

0:18:39.240 --> 0:18:42.000
<v Speaker 2>On the pickup, I have a question for you.

0:18:42.520 --> 0:18:47.560
<v Speaker 5>Do you think it is okay to like bags a park?

0:18:47.680 --> 0:18:49.679
<v Speaker 6>Do you know I like to put bags apart?

0:18:49.760 --> 0:18:51.080
<v Speaker 4>What's what's the word I'm looking for?

0:18:51.119 --> 0:18:52.160
<v Speaker 6>Like, you're forty nine?

0:18:52.200 --> 0:18:54.440
<v Speaker 4>What do you mean bags are part forty nine?

0:18:54.680 --> 0:18:54.960
<v Speaker 2>Bags?

0:18:55.359 --> 0:18:58.960
<v Speaker 4>Doud No? Do you do to like?

0:18:59.520 --> 0:19:00.919
<v Speaker 6>What's the just reserve?

0:19:01.080 --> 0:19:03.159
<v Speaker 5>Yes, that's the word I'm looking for. Sorry, do you

0:19:03.160 --> 0:19:04.800
<v Speaker 5>think it's okay to reserve a park?

0:19:05.600 --> 0:19:07.679
<v Speaker 2>So? Just paint a picture? You see a spot, you

0:19:07.720 --> 0:19:09.240
<v Speaker 2>want it someone, so you get someone to stand in it.

0:19:09.320 --> 0:19:11.640
<v Speaker 5>Yeah. Look, there's many ways that you could cut this mustard,

0:19:11.640 --> 0:19:13.400
<v Speaker 5>but you know, I think that the typical one.

0:19:13.280 --> 0:19:16.280
<v Speaker 6>Is again forty nine, you're not open.

0:19:16.040 --> 0:19:16.960
<v Speaker 4>Here, okay.

0:19:17.880 --> 0:19:19.879
<v Speaker 5>The typical one is that you're driving through like a

0:19:19.880 --> 0:19:22.040
<v Speaker 5>westfield or a car park or somewhere, and then there's

0:19:22.080 --> 0:19:24.280
<v Speaker 5>some random dude standing in the middle of a car

0:19:24.320 --> 0:19:26.800
<v Speaker 5>park stopping you from taking it because their mum or

0:19:26.840 --> 0:19:29.239
<v Speaker 5>their girlfriend has to go and do a lap around. Yeah, Like,

0:19:29.560 --> 0:19:31.760
<v Speaker 5>what are your thoughts on reserving car parks?

0:19:31.840 --> 0:19:33.480
<v Speaker 6>No, you can't reserve a cust So what do.

0:19:33.440 --> 0:19:35.760
<v Speaker 5>You do if somebody is reserving one and then you're

0:19:35.800 --> 0:19:37.840
<v Speaker 5>in that situation, Oh that's tricky.

0:19:37.880 --> 0:19:40.720
<v Speaker 2>You say, hey, you're indicating and you drive in, you

0:19:40.760 --> 0:19:43.440
<v Speaker 2>start to edge in, so you start to run over them. No, God,

0:19:43.480 --> 0:19:45.120
<v Speaker 2>i'd be very carefully because this is a.

0:19:45.040 --> 0:19:47.080
<v Speaker 5>Public Do you wind your window down and yell at

0:19:47.080 --> 0:19:48.280
<v Speaker 5>them like I wind window?

0:19:48.440 --> 0:19:48.520
<v Speaker 7>No?

0:19:48.600 --> 0:19:51.399
<v Speaker 2>One winds windows again, So sorry, Laura, but someone's not

0:19:51.480 --> 0:19:53.879
<v Speaker 2>going on with you. Just can we clarify as this

0:19:53.960 --> 0:19:55.879
<v Speaker 2>a petrol engine or is this horse and carriage?

0:19:56.160 --> 0:19:58.359
<v Speaker 4>No, it's Look, it could even be an electric car.

0:19:58.400 --> 0:19:59.320
<v Speaker 4>Who knows good.

0:19:59.480 --> 0:20:02.159
<v Speaker 2>I would say, I'd indicate on politely and go, hey,

0:20:02.160 --> 0:20:03.640
<v Speaker 2>I'm going to take this and go no, you can't

0:20:03.640 --> 0:20:03.879
<v Speaker 2>do that.

0:20:03.920 --> 0:20:05.159
<v Speaker 6>Come on, and I'd etch in.

0:20:05.760 --> 0:20:08.119
<v Speaker 4>So you're gonna etch in while someone's standing in a

0:20:08.200 --> 0:20:08.720
<v Speaker 4>car park.

0:20:08.800 --> 0:20:11.480
<v Speaker 2>That's not the unpopular opinion. I think yes, you'd etch

0:20:11.520 --> 0:20:12.960
<v Speaker 2>in and slowly bump them out of the way.

0:20:13.200 --> 0:20:15.919
<v Speaker 5>So well, I mean, look, I don't think that you

0:20:15.960 --> 0:20:17.679
<v Speaker 5>can reserve car park. So I'm glad that we're at

0:20:17.760 --> 0:20:19.560
<v Speaker 5>least on the same page with this. But people do it,

0:20:19.840 --> 0:20:22.080
<v Speaker 5>especially around where I live, and on a weekend it

0:20:22.200 --> 0:20:24.720
<v Speaker 5>is very busy, and if you live in the area.

0:20:25.240 --> 0:20:26.760
<v Speaker 5>What some people do is they get their bins and

0:20:26.800 --> 0:20:28.440
<v Speaker 5>they're gonna put their bins on the street, or they

0:20:28.480 --> 0:20:31.360
<v Speaker 5>do things to try and they claim as much car

0:20:31.400 --> 0:20:33.880
<v Speaker 5>parking space as they cared, especially on a Friday afternoon.

0:20:34.440 --> 0:20:37.560
<v Speaker 5>So I was driving home it was Friday last week,

0:20:37.960 --> 0:20:40.160
<v Speaker 5>and I get to like there was a person who

0:20:40.200 --> 0:20:42.640
<v Speaker 5>was pulling out of the car park and I was like, cool,

0:20:42.680 --> 0:20:44.400
<v Speaker 5>put my little blinker on. I'm going to pull in

0:20:44.680 --> 0:20:46.720
<v Speaker 5>outside your own house. Well, it's like on my street,

0:20:46.720 --> 0:20:47.520
<v Speaker 5>it's not outside my house.

0:20:47.640 --> 0:20:49.600
<v Speaker 6>Was your street's hard to park in.

0:20:49.880 --> 0:20:52.320
<v Speaker 5>It's terrible, and especially on a weekend. If you get

0:20:52.320 --> 0:20:54.800
<v Speaker 5>a street park like that is golden, you don't go anywhere.

0:20:55.000 --> 0:20:57.280
<v Speaker 5>So put my indicator on, I go to park and

0:20:57.320 --> 0:21:00.199
<v Speaker 5>then I see that the woman who's driving it as

0:21:00.200 --> 0:21:02.720
<v Speaker 5>her son actually just standing on the side of the

0:21:02.800 --> 0:21:05.080
<v Speaker 5>road and so he stands in the middle of the

0:21:05.119 --> 0:21:07.320
<v Speaker 5>car park as she's pulling out, and he goes and

0:21:07.359 --> 0:21:11.520
<v Speaker 5>gets to bollards Like I'm talking like red big bollards

0:21:11.520 --> 0:21:13.440
<v Speaker 5>that you might put there chairs being like yeah, yeah,

0:21:13.440 --> 0:21:15.000
<v Speaker 5>but like even bigger, you know the ones we had

0:21:15.000 --> 0:21:16.320
<v Speaker 5>the flat base and then the pole.

0:21:16.680 --> 0:21:18.639
<v Speaker 4>So there's two of them. On the side. Well, I

0:21:18.640 --> 0:21:19.800
<v Speaker 4>don't know where they got them from.

0:21:19.880 --> 0:21:22.480
<v Speaker 5>Maybe someone was doing renovations, maybe there were some roadworks.

0:21:22.680 --> 0:21:24.640
<v Speaker 5>That he goes and gets these bollards and he puts

0:21:24.720 --> 0:21:27.480
<v Speaker 5>them in right in the car park, doesn't make eye contact,

0:21:27.640 --> 0:21:28.680
<v Speaker 5>and I like, do a little beep.

0:21:28.720 --> 0:21:30.000
<v Speaker 4>I was like, is this a joke? Anyway?

0:21:30.080 --> 0:21:32.520
<v Speaker 5>He just gets in the car, drives away. Car park

0:21:32.600 --> 0:21:34.560
<v Speaker 5>is empty with two ballards just in the middle of

0:21:34.560 --> 0:21:34.840
<v Speaker 5>the thing.

0:21:34.920 --> 0:21:35.639
<v Speaker 6>He moved the ballots.

0:21:35.680 --> 0:21:37.399
<v Speaker 5>Well, I couldn't because there's a lot of traffic on

0:21:37.440 --> 0:21:38.760
<v Speaker 5>the road at that time of day as well, so

0:21:38.800 --> 0:21:40.320
<v Speaker 5>I can't stop in the middle of the road to

0:21:40.320 --> 0:21:42.920
<v Speaker 5>move the bullets. Anyway, I drive around. I finally find

0:21:42.960 --> 0:21:46.399
<v Speaker 5>another park, but then I was so petty. I walked

0:21:46.440 --> 0:21:48.560
<v Speaker 5>back to the spot and I got the bollards and

0:21:48.600 --> 0:21:50.720
<v Speaker 5>I walked the ballards up the street. Yes, and I

0:21:50.720 --> 0:21:53.399
<v Speaker 5>think that that's the okay, appropriate thing to do, right

0:21:53.680 --> 0:21:54.840
<v Speaker 5>to dare he that little shit?

0:21:54.920 --> 0:21:56.200
<v Speaker 6>That would have been No. If I were you, I

0:21:56.240 --> 0:21:57.120
<v Speaker 6>would have got out of a car.

0:21:57.880 --> 0:22:00.520
<v Speaker 5>I would have wound the window dawn and how old

0:22:00.600 --> 0:22:03.600
<v Speaker 5>was a boy? Abe twelve? Edged my car closer.

0:22:03.320 --> 0:22:04.880
<v Speaker 6>Your public figure. You can't be doing that.

0:22:05.000 --> 0:22:05.600
<v Speaker 4>No, I know.

0:22:05.720 --> 0:22:07.679
<v Speaker 5>Every so often there's things that happen and I'm like,

0:22:08.000 --> 0:22:09.320
<v Speaker 5>could I yell at that person?

0:22:09.440 --> 0:22:09.520
<v Speaker 3>No?

0:22:09.800 --> 0:22:11.920
<v Speaker 6>The answer is always no, Laura, answer is always no.

0:22:12.040 --> 0:22:14.680
<v Speaker 2>Yet No, don't leave the letter once again, the forty

0:22:14.720 --> 0:22:15.880
<v Speaker 2>nine year old allegations.

0:22:16.640 --> 0:22:18.000
<v Speaker 4>No, I guy that they got to the bomb of

0:22:18.000 --> 0:22:18.240
<v Speaker 4>that boat.

0:22:18.320 --> 0:22:18.600
<v Speaker 6>Me too.

0:22:18.600 --> 0:22:20.440
<v Speaker 2>I think it's a very Australian thing, isn't it? Anger

0:22:20.480 --> 0:22:22.399
<v Speaker 2>over parking? Oh my god, it drives me insane.

0:22:22.480 --> 0:22:24.679
<v Speaker 5>It's not just anger parking though, it's anger over anything

0:22:24.720 --> 0:22:27.840
<v Speaker 5>to do with cars. It's an unreasonable amount of anger

0:22:28.080 --> 0:22:30.400
<v Speaker 5>any situation that you would normally have if you bump

0:22:30.440 --> 0:22:32.400
<v Speaker 5>into someone in a supermarket line, if you bump into

0:22:32.440 --> 0:22:35.040
<v Speaker 5>someone and then you're not in a physical car, the

0:22:35.160 --> 0:22:36.359
<v Speaker 5>exact same situation.

0:22:36.560 --> 0:22:38.720
<v Speaker 4>But when you're inside a car, the anger is tenfold.

0:22:38.880 --> 0:22:42.440
<v Speaker 2>Yeah, yeah, you said, maybe it's because we're in the car.

0:22:42.560 --> 0:22:44.040
<v Speaker 2>I'm just trying to think what's happening in the car

0:22:44.080 --> 0:22:45.639
<v Speaker 2>that is different. Is it because they're listening to the

0:22:45.640 --> 0:22:49.040
<v Speaker 2>pickup they're enraged by us? Anyway, Look you can go now.

0:22:49.840 --> 0:22:51.000
<v Speaker 6>Time you were all dismissed