1 00:00:00,160 --> 00:00:00,320 Speaker 1: Well. 2 00:00:00,440 --> 00:00:03,880 Speaker 2: Sirrho begins at the heath Ledger Theater tomorrow and runs 3 00:00:03,920 --> 00:00:05,760 Speaker 2: until March the fifth. You can get your tickets through 4 00:00:05,800 --> 00:00:09,799 Speaker 2: black Swantheater dot com dot au and joining us now. 5 00:00:09,880 --> 00:00:12,800 Speaker 2: The star of the show, Jold Jackson, Good morning. 6 00:00:12,560 --> 00:00:15,120 Speaker 3: Good morning. How are you both? You're good? Good good. 7 00:00:15,280 --> 00:00:18,239 Speaker 2: No, there are some people who think I don't know 8 00:00:18,280 --> 00:00:21,119 Speaker 2: anything about Sereno de Bergerak, And yet you do because 9 00:00:21,160 --> 00:00:22,440 Speaker 2: you might have seen Roxanne. 10 00:00:22,520 --> 00:00:26,200 Speaker 3: Yeah, you do know about Sarah Yeah, and even the 11 00:00:26,280 --> 00:00:28,920 Speaker 3: more recent one with Peter Dinkline. But it was all 12 00:00:28,960 --> 00:00:32,000 Speaker 3: the musical elements. It was great. But I before I 13 00:00:32,040 --> 00:00:35,920 Speaker 3: even got this role in Sirina, I was watching Roxanne 14 00:00:36,479 --> 00:00:40,400 Speaker 3: with like mates and stuff around before like a holiday. 15 00:00:41,159 --> 00:00:43,440 Speaker 3: What is this? What is this? This is great? What's 16 00:00:43,479 --> 00:00:46,839 Speaker 3: this based on something that was in the eighteen fifties? 17 00:00:46,920 --> 00:00:50,920 Speaker 3: Oh okay, so this is seminal literature? Oh cool, But 18 00:00:51,000 --> 00:00:54,240 Speaker 3: it's so much of it has been used throughout other 19 00:00:54,320 --> 00:00:57,440 Speaker 3: literature and through other stories, and that that story of 20 00:00:57,440 --> 00:01:01,360 Speaker 3: the thing of going using somebody else to seduce somebody 21 00:01:01,360 --> 00:01:04,280 Speaker 3: and using their body with your language and teaming up 22 00:01:04,360 --> 00:01:06,920 Speaker 3: and how that isn't ever going to end well, and 23 00:01:07,000 --> 00:01:09,600 Speaker 3: all those things. So it's it's very fun to make 24 00:01:09,640 --> 00:01:11,360 Speaker 3: it a bit more modern and to put some music 25 00:01:11,440 --> 00:01:12,880 Speaker 3: to it and bring it to Perth. 26 00:01:12,880 --> 00:01:15,679 Speaker 1: Oh very nice. I saw a bus back sign for 27 00:01:15,760 --> 00:01:18,080 Speaker 1: this and ad for this show, and I saw Virginia 28 00:01:18,120 --> 00:01:20,240 Speaker 1: Go's face. And she's much loved in Perth, not just 29 00:01:20,280 --> 00:01:22,319 Speaker 1: for all saints and winners and losers, but she's come 30 00:01:22,480 --> 00:01:25,560 Speaker 1: quite a bit for Telethon. So tell us about how 31 00:01:25,640 --> 00:01:27,839 Speaker 1: much work she's put in for this one. Oh my god. 32 00:01:28,040 --> 00:01:30,200 Speaker 3: I was watching a bunch of interviews of her just 33 00:01:30,280 --> 00:01:32,840 Speaker 3: yesterday to kind of actually get prepared for this, to 34 00:01:32,840 --> 00:01:37,120 Speaker 3: actually pay homage to her. She's an amazing writer, actor, 35 00:01:37,400 --> 00:01:40,720 Speaker 3: entertainer in every sense of the word. She is a 36 00:01:40,760 --> 00:01:43,600 Speaker 3: beast of theater, a beast of what we do. You 37 00:01:43,640 --> 00:01:45,319 Speaker 3: walk into a room and treade the boards with her, 38 00:01:45,360 --> 00:01:49,160 Speaker 3: and you quake not only with not only with trepidation, 39 00:01:49,240 --> 00:01:50,000 Speaker 3: but with excitement. 40 00:01:50,240 --> 00:01:50,440 Speaker 2: You know. 41 00:01:50,760 --> 00:01:54,200 Speaker 3: It's a beautiful, beautiful thing. But her story about how 42 00:01:54,240 --> 00:01:56,280 Speaker 3: this came to be, she wrote this adaptation. 43 00:01:56,800 --> 00:02:01,120 Speaker 2: She was she flipped Sarah and I she is Roxander 44 00:02:01,080 --> 00:02:01,800 Speaker 2: is still Roxanne. 45 00:02:01,920 --> 00:02:04,240 Speaker 3: Roxanne is still rock Sanne. I am Christy Yann and 46 00:02:04,280 --> 00:02:08,920 Speaker 3: you're young And so she was watching James McAvoy perform 47 00:02:08,960 --> 00:02:11,640 Speaker 3: cyen Oda Burgerack in London, which he ended up winning 48 00:02:11,639 --> 00:02:14,959 Speaker 3: like the Olivier Awards or something for and two scenes 49 00:02:15,000 --> 00:02:18,400 Speaker 3: in she goes, I've got to play that role. But 50 00:02:18,480 --> 00:02:20,800 Speaker 3: in order to do that, the story changes, and in 51 00:02:20,880 --> 00:02:23,359 Speaker 3: order to do that, I need to write it. So 52 00:02:23,400 --> 00:02:25,760 Speaker 3: she went back and started writing it all and inevitably 53 00:02:25,840 --> 00:02:29,440 Speaker 3: came across that thing where Cyrano's body is stopping him 54 00:02:29,440 --> 00:02:32,880 Speaker 3: from being the best version of himself or getting everything 55 00:02:32,880 --> 00:02:35,639 Speaker 3: that he wants because of his large extremities. 56 00:02:36,120 --> 00:02:38,400 Speaker 2: You know, he's conscious. 57 00:02:39,280 --> 00:02:42,520 Speaker 3: But as Virginia started to write it, she realized that 58 00:02:42,720 --> 00:02:46,160 Speaker 3: inside of her version, it's actually from the female perspective. 59 00:02:46,520 --> 00:02:49,160 Speaker 3: There's a real modern thing of going. I mean, I'm 60 00:02:49,160 --> 00:02:53,519 Speaker 3: an incredible writer, fighter, poet, speaker, entertainer, leader, but there's 61 00:02:53,560 --> 00:02:56,079 Speaker 3: something in me or my body is stopping me from 62 00:02:56,080 --> 00:03:00,000 Speaker 3: actually getting everything that I want. And so there's this beautiful, 63 00:03:00,200 --> 00:03:04,000 Speaker 3: beautiful modern twist of actuality where audiences in Melbourne were 64 00:03:04,000 --> 00:03:07,720 Speaker 3: coming out weeping because it's this idea of speaking to 65 00:03:07,880 --> 00:03:10,840 Speaker 3: a modern affliction rather than it being something that is 66 00:03:10,880 --> 00:03:13,359 Speaker 3: you know, a nose is an extremity, sure, but yeah, 67 00:03:13,400 --> 00:03:16,160 Speaker 3: without the nose. We don't have any strange prosthetics, which 68 00:03:16,200 --> 00:03:18,920 Speaker 3: is great. It puts it onto the character and you 69 00:03:18,960 --> 00:03:22,639 Speaker 3: can really empathize with it all. So it's a very heartfelt, 70 00:03:22,760 --> 00:03:26,560 Speaker 3: raucous piece that she's that's impact, that's unreal. Yeah, it's 71 00:03:26,680 --> 00:03:28,480 Speaker 3: really special. You sit around and you read it when 72 00:03:28,480 --> 00:03:33,880 Speaker 3: we did line reads, and everyone's like, Okay, that's. 73 00:03:33,720 --> 00:03:36,040 Speaker 2: A great story. And it's great story for anyone likes words. 74 00:03:36,160 --> 00:03:37,480 Speaker 2: You know, it's a real wordy show. 75 00:03:37,520 --> 00:03:39,640 Speaker 1: I like it, yeah, and I'm a word nerd. 76 00:03:39,840 --> 00:03:43,320 Speaker 3: So there's the whole sequences of people just going what's 77 00:03:43,320 --> 00:03:47,240 Speaker 3: your favorite word? But then there's a yeah, and then 78 00:03:47,240 --> 00:03:51,280 Speaker 3: there's this beautiful thing of my character Christianne hates words. Yeah, 79 00:03:51,280 --> 00:03:54,920 Speaker 3: you know it has and I'm complete opposit, but Roxanne 80 00:03:54,920 --> 00:03:58,160 Speaker 3: loves him. He loves rox Ham. But there's this also 81 00:03:58,360 --> 00:04:01,080 Speaker 3: great explanation of people who who go to theater and 82 00:04:01,120 --> 00:04:04,200 Speaker 3: sometimes feel left out, Like the player is so aware 83 00:04:04,240 --> 00:04:06,520 Speaker 3: that it's theater. So my guy has this beautiful piece 84 00:04:06,520 --> 00:04:08,880 Speaker 3: where it's like I just don't get it. Yeah, I 85 00:04:08,880 --> 00:04:11,839 Speaker 3: don't understand why, Like I get bodies, I do this thing, 86 00:04:11,960 --> 00:04:15,240 Speaker 3: but why is that necessary? You know? So there's this 87 00:04:15,280 --> 00:04:17,720 Speaker 3: great meeting of the minds and people, all people who 88 00:04:17,760 --> 00:04:20,000 Speaker 3: love theatre, regardless of it for the words or the 89 00:04:20,120 --> 00:04:23,600 Speaker 3: physical entertainments. It ticks all the boxes. 90 00:04:24,040 --> 00:04:25,839 Speaker 2: No, you're not just in town for sir, and oh 91 00:04:25,880 --> 00:04:28,880 Speaker 2: you're in town for Katie Steele as well. Our first 92 00:04:28,880 --> 00:04:34,120 Speaker 2: family of music. They are you, Katie and the per 93 00:04:34,160 --> 00:04:35,040 Speaker 2: Symphony Orchestra. 94 00:04:35,520 --> 00:04:38,440 Speaker 3: Yeah. I'm still pinching myself every time that somebody says 95 00:04:38,440 --> 00:04:40,039 Speaker 3: it to me. I'm like, I'm going to get a 96 00:04:40,040 --> 00:04:43,279 Speaker 3: phone call saying I signed the wrong contract and it's 97 00:04:43,279 --> 00:04:47,400 Speaker 3: not going to go ahead because I've been playing live 98 00:04:47,520 --> 00:04:50,720 Speaker 3: music for fifteen years and mainly doing cover gigs. Three 99 00:04:50,800 --> 00:04:53,440 Speaker 3: are sets at pubs four nights a week and case 100 00:04:54,360 --> 00:04:57,200 Speaker 3: o mate play flame trees. Nice Dad would always come 101 00:04:57,240 --> 00:05:01,440 Speaker 3: to sets and just be like, play free all the time, 102 00:05:01,600 --> 00:05:04,360 Speaker 3: all the time. The primary school principle at Karthas saying 103 00:05:04,480 --> 00:05:06,480 Speaker 3: like Kartha High would just come in and be like, mate, 104 00:05:06,480 --> 00:05:13,479 Speaker 3: play freeback, sit down you. So this is like for me, 105 00:05:13,560 --> 00:05:16,880 Speaker 3: it's it's a wonderful, wonderful, wonderful opportunity to finally get 106 00:05:16,920 --> 00:05:19,240 Speaker 3: your music the way that you want it to be 107 00:05:19,320 --> 00:05:23,440 Speaker 3: heard and to be seated in a theater with you know, however, 108 00:05:23,480 --> 00:05:25,960 Speaker 3: many I think it's a nine hundred seater theater to 109 00:05:26,200 --> 00:05:28,039 Speaker 3: be able to have the opportunity of a wall of 110 00:05:28,120 --> 00:05:31,279 Speaker 3: sound of music that you've created. We haven't heard the 111 00:05:31,360 --> 00:05:34,760 Speaker 3: arrangements yet, right, And the tickets are only they start 112 00:05:34,760 --> 00:05:37,240 Speaker 3: at forty five dollars, So that for a ticket to 113 00:05:37,240 --> 00:05:40,400 Speaker 3: see an orchestra, Yeah, that's so accessible, and to see 114 00:05:40,400 --> 00:05:44,240 Speaker 3: even Katie Steele. So I'm I'm kind of waking up 115 00:05:44,240 --> 00:05:47,680 Speaker 3: every day and going, yeah, okay, practice practice. 116 00:05:47,320 --> 00:05:49,839 Speaker 1: Here, yeah, bitter, pitch yourself, pitch yourself. 117 00:05:50,240 --> 00:05:52,159 Speaker 3: But also like you've been working towards this for a 118 00:05:52,240 --> 00:05:54,760 Speaker 3: very long time, and it's I can't wait to see that. 119 00:05:54,800 --> 00:05:58,000 Speaker 2: The ASTA Theater is a beautiful old theater, just full 120 00:05:58,040 --> 00:06:00,480 Speaker 2: of you know, feeling. In fact, does driving I drive 121 00:06:00,520 --> 00:06:03,000 Speaker 2: past the aster when I'm driving to work, and they 122 00:06:03,040 --> 00:06:04,720 Speaker 2: were up with a bit of scaffolding, doing a bit 123 00:06:04,720 --> 00:06:06,279 Speaker 2: of work. They must be doing it in preparation of 124 00:06:06,320 --> 00:06:07,000 Speaker 2: you and Katie. 125 00:06:07,000 --> 00:06:10,719 Speaker 3: I think they're doing it for Katie ye rolling out 126 00:06:10,720 --> 00:06:12,000 Speaker 3: all the stuff, yeah. 127 00:06:12,000 --> 00:06:13,200 Speaker 1: Yeah, putting up some big names. 128 00:06:13,320 --> 00:06:16,360 Speaker 3: Yeah, they're like no Cholls played in pubs and Bloody. 129 00:06:17,320 --> 00:06:20,120 Speaker 2: String Sessions is at the theater March twenty nine. Tickets 130 00:06:20,160 --> 00:06:23,280 Speaker 2: for that one is through through tic Tech and tickets 131 00:06:23,320 --> 00:06:26,120 Speaker 2: through black Swan Theater dot com dot Au for Syrno, 132 00:06:26,279 --> 00:06:28,840 Speaker 2: which begins at the heath Ledge of Theater tomorrow and 133 00:06:28,920 --> 00:06:31,680 Speaker 2: runs until March fifth. Thank you for coming in. 134 00:06:31,760 --> 00:06:33,640 Speaker 3: Thanks for having the wonderful chat. 135 00:06:33,760 --> 00:06:35,680 Speaker 1: Oh, I know, I always lovely the chat. And while 136 00:06:35,680 --> 00:06:36,840 Speaker 1: you've got the MI, I don't know if it's a 137 00:06:36,880 --> 00:06:38,599 Speaker 1: permanent fixture. You have to do, you have to play 138 00:06:38,760 --> 00:06:39,839 Speaker 1: or Flynn it's going to work. 139 00:06:41,320 --> 00:06:46,039 Speaker 3: They've already made I know, not very well because my 140 00:06:46,080 --> 00:06:50,320 Speaker 3: ex girlfriend's brother played in Yeah, and so it's always 141 00:06:50,320 --> 00:06:53,880 Speaker 3: this point of contention because I'm like, could have done that? 142 00:06:54,839 --> 00:06:56,120 Speaker 3: Goodnes See. Thanksgag