1 00:00:01,080 --> 00:00:04,680 Speaker 1: Dowered by the radio WAB from ninety six Air Am 2 00:00:04,960 --> 00:00:10,559 Speaker 1: to whereever you're listening today This is Crazy Lisa's podcast. 3 00:00:10,160 --> 00:00:12,080 Speaker 2: Coming up on the podcast were called Up with actor 4 00:00:12,160 --> 00:00:14,600 Speaker 2: Luke Arnold talking about scrub Lands out today on stand. 5 00:00:14,760 --> 00:00:19,000 Speaker 3: We congratulate Troy Savonn after the Arias last night. 6 00:00:19,200 --> 00:00:21,680 Speaker 2: Been O'Shea with a Hunger Games prequel. 7 00:00:21,400 --> 00:00:23,720 Speaker 3: And apparently people are living in Bali while they wait 8 00:00:23,760 --> 00:00:25,160 Speaker 3: for a rental to become available. 9 00:00:25,560 --> 00:00:26,760 Speaker 4: Wow Perth. 10 00:00:26,840 --> 00:00:31,000 Speaker 3: Troy Savann is King of the Australian music business Morning 11 00:00:31,160 --> 00:00:34,640 Speaker 3: Y Choice scooping the most gongs that the Arias last 12 00:00:34,720 --> 00:00:37,320 Speaker 3: night couldn't have happened to a nicer guy who's very sweet. 13 00:00:37,080 --> 00:00:37,360 Speaker 5: Isn't he. 14 00:00:37,240 --> 00:00:42,040 Speaker 3: He won four Arias, including Best Solo Artist and Song 15 00:00:42,120 --> 00:00:43,520 Speaker 3: of the Year for Rush Guys. 16 00:00:43,560 --> 00:00:46,160 Speaker 6: This has been the most insane week of my life, 17 00:00:46,200 --> 00:00:48,519 Speaker 6: like ever. I try and like play cool and like 18 00:00:48,560 --> 00:00:51,240 Speaker 6: this is all normal, but it's like really really tripping 19 00:00:51,240 --> 00:00:54,960 Speaker 6: me out, and it's so so so exciting, and like 20 00:00:55,040 --> 00:00:57,120 Speaker 6: Mark Collin saw me when I was seventeen, you know, 21 00:00:57,440 --> 00:01:02,760 Speaker 6: and I'm twenty eight now, I've been doing this for 22 00:01:03,240 --> 00:01:06,000 Speaker 6: like ten eleven years at this point, and so to 23 00:01:06,040 --> 00:01:12,080 Speaker 6: feel this much energy and love and yeah, I'm confused, 24 00:01:12,160 --> 00:01:14,280 Speaker 6: but I'm so so so happy. So thank you so 25 00:01:14,360 --> 00:01:15,360 Speaker 6: much everyone. 26 00:01:15,040 --> 00:01:17,120 Speaker 4: Thank you. I'm twenty eight, are you? 27 00:01:17,160 --> 00:01:21,000 Speaker 2: Poor old old bugger? Oh the retirement? 28 00:01:21,600 --> 00:01:24,440 Speaker 3: Carlie Minogu on her first ARIA in twelve years and 29 00:01:24,520 --> 00:01:26,839 Speaker 3: twenty eleven she was inducted into the Hall of Fame. 30 00:01:26,880 --> 00:01:29,240 Speaker 3: But this year, fifty five year old Carli beat her 31 00:01:29,319 --> 00:01:32,399 Speaker 3: younger arrivals to scoop Best Pop Release for her song 32 00:01:32,560 --> 00:01:36,320 Speaker 3: Pa dumpa Dumb. This year's Hall of Fame inductee was shit. 33 00:01:36,880 --> 00:01:40,240 Speaker 3: Oh I know he's not bizarre yet. Finally what we 34 00:01:40,319 --> 00:01:41,280 Speaker 3: recognize Clearsie? 35 00:01:42,480 --> 00:01:43,080 Speaker 2: How are you going to be? 36 00:01:43,160 --> 00:01:45,520 Speaker 4: My Canberra's hip hop star? 37 00:01:45,800 --> 00:01:50,200 Speaker 3: Genesis Awusu was the other big winner last night, claiming 38 00:01:50,200 --> 00:01:52,360 Speaker 3: a hat trick for Album of the Year, Best hip 39 00:01:52,360 --> 00:01:55,440 Speaker 3: Hop and Best Independent Release for his album Struggler g 40 00:01:55,600 --> 00:01:59,160 Speaker 3: Flip one two, Best Video and Best Australian Live Act 41 00:01:59,200 --> 00:02:02,160 Speaker 3: and Jolly Part and hooked Up by Video to present 42 00:02:02,240 --> 00:02:04,160 Speaker 3: the Best Country Award to Fatty Lumsdon. 43 00:02:04,560 --> 00:02:08,600 Speaker 4: It is the one the only Dolly parton. 44 00:02:13,240 --> 00:02:16,280 Speaker 2: Hey, thanks Brook and hello to all my devoted bands 45 00:02:16,320 --> 00:02:16,800 Speaker 2: in Austin. 46 00:02:17,520 --> 00:02:19,959 Speaker 4: It's so to see country music doing somewhere. 47 00:02:19,720 --> 00:02:26,760 Speaker 7: Around and then Faddy Loveston does it sound any more 48 00:02:26,800 --> 00:02:30,160 Speaker 7: country than that? That's pretty good Best Rock Album because 49 00:02:30,200 --> 00:02:31,720 Speaker 7: I do love to say it. King Gizzard and the 50 00:02:31,720 --> 00:02:35,680 Speaker 7: Lizard Wizard for their album Ice Death, Planets, Lungs, Mushroom 51 00:02:35,680 --> 00:02:40,640 Speaker 7: and Lava y good. What what Ice Death, Planets, Lungs, 52 00:02:40,680 --> 00:02:43,240 Speaker 7: Mushroom and Love and Love and Mushroom Lungs, Planet's Death nice? 53 00:02:43,440 --> 00:02:46,120 Speaker 7: What kind of lunch did King Gizzard and the Lizard 54 00:02:46,120 --> 00:02:49,480 Speaker 7: Wizard have where they decided. 55 00:02:49,000 --> 00:02:50,200 Speaker 4: That would be the album title? 56 00:02:50,400 --> 00:02:52,840 Speaker 3: Well, it doesn't matter because it won Best Rock Album, 57 00:02:53,080 --> 00:02:55,720 Speaker 3: Best Adult Contemporary Album was Dan Sultan, Best Blues and 58 00:02:55,800 --> 00:02:59,160 Speaker 3: Roots the Teski Brothers, and Best Children's Album EMM Member 59 00:02:59,200 --> 00:03:00,840 Speaker 3: The One Time Weigle two point Oh. 60 00:03:00,919 --> 00:03:02,800 Speaker 2: There you go, well done, Memmo. 61 00:03:04,560 --> 00:03:07,440 Speaker 3: Luke Arnold's joining us now. Scrublands is out on stand today. 62 00:03:07,560 --> 00:03:11,200 Speaker 1: Luke, Hello, Hello, very well, thank you for having me. 63 00:03:11,320 --> 00:03:13,919 Speaker 3: Can't wait for this to start today. I've read the book. 64 00:03:13,960 --> 00:03:16,560 Speaker 3: I loved the book. So it's a four part mini 65 00:03:16,880 --> 00:03:19,239 Speaker 3: series based on the novel by Chris Hammer. What can 66 00:03:19,280 --> 00:03:20,760 Speaker 3: you tell us about Scrublands? 67 00:03:20,800 --> 00:03:21,000 Speaker 4: Luke? 68 00:03:21,280 --> 00:03:24,480 Speaker 1: Oh, yeah, so Scrublands. Yeah, like just like the book. 69 00:03:24,560 --> 00:03:27,520 Speaker 1: It begins with father Byron Swift coming out of his 70 00:03:27,600 --> 00:03:30,919 Speaker 1: church on a Sunday and opening fire on his constituents. 71 00:03:31,840 --> 00:03:35,800 Speaker 1: You know, a pretty wild opening. And then I play 72 00:03:36,320 --> 00:03:39,360 Speaker 1: journalist Martin Scarston who arrhymes on the scene a year later, 73 00:03:39,880 --> 00:03:41,320 Speaker 1: kind of to do a little bit of a puff 74 00:03:41,360 --> 00:03:43,880 Speaker 1: pe see how the town's recovering. Yeah, but you know, 75 00:03:43,920 --> 00:03:45,880 Speaker 1: he starts pulling at threads and seeing that maybe the 76 00:03:45,920 --> 00:03:48,640 Speaker 1: story that originally came out might have more to tell. 77 00:03:49,040 --> 00:03:54,320 Speaker 3: Yes, super cool journalist Martin Scarston was exposed. 78 00:03:55,760 --> 00:03:58,240 Speaker 2: You told me about this book that ages ago, I do, yes, 79 00:03:58,320 --> 00:04:00,360 Speaker 2: he What was what drew you to this one? Look 80 00:04:00,400 --> 00:04:02,240 Speaker 2: to be honest, man, of all the things that land 81 00:04:02,240 --> 00:04:04,120 Speaker 2: on the desk, Oh. 82 00:04:04,040 --> 00:04:06,280 Speaker 1: Yeah, well, I mean one of the books are so great. 83 00:04:06,400 --> 00:04:06,840 Speaker 5: Look, I. 84 00:04:08,880 --> 00:04:09,160 Speaker 8: Hadn't. 85 00:04:09,200 --> 00:04:11,400 Speaker 1: I've read them all now and absolutely loved them. But 86 00:04:11,440 --> 00:04:13,600 Speaker 1: at the time my dad was a big fan, and 87 00:04:13,640 --> 00:04:16,720 Speaker 1: so when I mentioned that he was, he got very excited. 88 00:04:17,400 --> 00:04:21,120 Speaker 1: And so that that and really it is. Look, I 89 00:04:21,160 --> 00:04:23,880 Speaker 1: love a good mystery like everyone else, and I've you know, 90 00:04:23,880 --> 00:04:25,040 Speaker 1: I got to I got to do a great role 91 00:04:25,040 --> 00:04:26,840 Speaker 1: in show called True Colors a couple of years ago 92 00:04:27,440 --> 00:04:29,880 Speaker 1: that was a beautifulttle mystery. You know in the you know, 93 00:04:29,960 --> 00:04:32,640 Speaker 1: around Alice, and I think it really got me excited 94 00:04:32,720 --> 00:04:35,680 Speaker 1: to do some more, and especially in Australia. And so 95 00:04:36,040 --> 00:04:38,480 Speaker 1: when you've got a book as great as Scrubland with 96 00:04:38,600 --> 00:04:40,440 Speaker 1: a writer like Chris Hanner, and then you get a 97 00:04:40,440 --> 00:04:43,440 Speaker 1: team together with someone like Craig McLean directing you of 98 00:04:43,480 --> 00:04:47,280 Speaker 1: Wolf Creek Fame, then it at least has the chances 99 00:04:47,320 --> 00:04:48,440 Speaker 1: to be something pretty special. 100 00:04:49,120 --> 00:04:49,720 Speaker 4: It has that. 101 00:04:51,320 --> 00:04:54,920 Speaker 3: I mean obviously the way it starts with the priest 102 00:04:54,960 --> 00:04:59,800 Speaker 3: opening fire on his congregations that isn't quintessentially Australian, but 103 00:05:00,160 --> 00:05:03,440 Speaker 3: vibe of the story and its location and it's setting 104 00:05:03,480 --> 00:05:06,040 Speaker 3: and everything is so Australian. 105 00:05:07,440 --> 00:05:09,479 Speaker 1: Yeah it is, you know, and we do do a 106 00:05:09,520 --> 00:05:14,440 Speaker 1: great ausinnoir here and and we do love it, and 107 00:05:14,480 --> 00:05:15,960 Speaker 1: I think the rest of the world is starting to 108 00:05:16,000 --> 00:05:18,800 Speaker 1: love it too. You know a lot about great. Yeah, 109 00:05:18,839 --> 00:05:21,480 Speaker 1: that's it. It's a real it's our own take on it. 110 00:05:21,279 --> 00:05:24,200 Speaker 1: It's kind of a rich and all that, and yeah, 111 00:05:24,200 --> 00:05:26,239 Speaker 1: and it does you see just how great it looks 112 00:05:26,320 --> 00:05:29,560 Speaker 1: like I think the show looks fantastic and you know, 113 00:05:29,760 --> 00:05:32,160 Speaker 1: yeah that the beauty and the terror all wrapped up 114 00:05:32,160 --> 00:05:33,080 Speaker 1: in our landscape. 115 00:05:33,200 --> 00:05:34,800 Speaker 2: Yeah, we've seen that a lot lightly with the dry 116 00:05:34,839 --> 00:05:36,720 Speaker 2: and a few others around the place. Look, how do 117 00:05:36,760 --> 00:05:38,640 Speaker 2: you handle it? I was driving down Sterling Highway two 118 00:05:38,680 --> 00:05:40,600 Speaker 2: days ago and I saw a giant your head was 119 00:05:40,720 --> 00:05:43,200 Speaker 2: huge on a giant billboard. How do you go with 120 00:05:43,360 --> 00:05:45,680 Speaker 2: spotting stuff? Especially when things are getting promoted as heavily 121 00:05:45,720 --> 00:05:47,120 Speaker 2: as this, Does it freak you out of it? 122 00:05:47,320 --> 00:05:47,480 Speaker 4: Yeah? 123 00:05:48,480 --> 00:05:50,800 Speaker 1: Look, I do kind of forget about it, I have 124 00:05:50,839 --> 00:05:52,200 Speaker 1: to say, because I look, I do a bit of 125 00:05:52,200 --> 00:05:54,599 Speaker 1: writing myself so often I'm like, if I'm not acting, 126 00:05:54,720 --> 00:05:57,120 Speaker 1: I'm usually with my head and the laptop writing my 127 00:05:57,160 --> 00:05:59,080 Speaker 1: own stuff. So, which is kind of where I've been 128 00:05:59,080 --> 00:06:01,039 Speaker 1: for the last few weeks. I've always missed most of it. 129 00:06:01,080 --> 00:06:03,599 Speaker 1: I poke my head out today or the luckily friends 130 00:06:03,640 --> 00:06:05,800 Speaker 1: do send me things and go exactly like that, go 131 00:06:05,960 --> 00:06:09,000 Speaker 1: like you know, oh you're looming over this freeway or 132 00:06:09,080 --> 00:06:12,440 Speaker 1: you know, interrupting their favorite show. So it is. It 133 00:06:12,520 --> 00:06:15,080 Speaker 1: is strange, But I think because it's all in servers 134 00:06:15,080 --> 00:06:17,240 Speaker 1: of a show that I really love, I think of 135 00:06:17,279 --> 00:06:18,920 Speaker 1: it more to do with that than anything to. 136 00:06:18,880 --> 00:06:19,240 Speaker 9: Do with me. 137 00:06:19,600 --> 00:06:22,039 Speaker 3: Now, don't play yourself down in terms of the factor 138 00:06:22,120 --> 00:06:25,440 Speaker 3: and author yourself a trilogy of fantasy adventure novels called 139 00:06:25,440 --> 00:06:29,560 Speaker 3: the Last Smile in sunder City is all yours? Do 140 00:06:29,600 --> 00:06:32,159 Speaker 3: you when you're an author yourself, do you feel that 141 00:06:32,640 --> 00:06:36,719 Speaker 3: even more of a connection to the story and where 142 00:06:36,760 --> 00:06:39,160 Speaker 3: it came from for a show like scrub Lands and 143 00:06:39,200 --> 00:06:42,240 Speaker 3: a sort of a I want to be true to 144 00:06:42,360 --> 00:06:43,279 Speaker 3: the author a bit. 145 00:06:44,520 --> 00:06:47,400 Speaker 1: Well, it's both. You want to absolutely be in service 146 00:06:47,400 --> 00:06:50,479 Speaker 1: of the original story, but know that it's a different medium, 147 00:06:50,560 --> 00:06:53,920 Speaker 1: and so there is a real art in turn in 148 00:06:54,200 --> 00:06:56,400 Speaker 1: lifting it up and putting it on the screen for 149 00:06:56,440 --> 00:06:59,039 Speaker 1: this visual medium. And I do love that process, and 150 00:06:59,080 --> 00:07:02,120 Speaker 1: I think felicity packed. God, you know, our writer producer 151 00:07:02,240 --> 00:07:04,400 Speaker 1: did a really great job in that. You know, as 152 00:07:04,440 --> 00:07:06,599 Speaker 1: a fan of the book, you'll know that there's there's 153 00:07:06,600 --> 00:07:08,599 Speaker 1: a lot of good stuff in there that you can't 154 00:07:08,680 --> 00:07:11,680 Speaker 1: really portray for free in the same way so much 155 00:07:11,720 --> 00:07:15,360 Speaker 1: of Martin's internal world. And so it is really enjoying 156 00:07:15,400 --> 00:07:17,920 Speaker 1: that process of doing how do we how do we 157 00:07:17,960 --> 00:07:20,800 Speaker 1: make the best show possible while serving with the book 158 00:07:20,960 --> 00:07:24,320 Speaker 1: but also letting it become something else. And so you know, 159 00:07:24,400 --> 00:07:26,440 Speaker 1: and then the beauty is that if it works, both 160 00:07:26,480 --> 00:07:28,560 Speaker 1: these things get to live side by side and offer 161 00:07:28,680 --> 00:07:31,040 Speaker 1: somewhat different experience that's perfect. 162 00:07:31,280 --> 00:07:34,520 Speaker 3: That's the perfect marriage. I believe that filming was a 163 00:07:34,520 --> 00:07:35,920 Speaker 3: bit hampered by the floods. 164 00:07:36,280 --> 00:07:37,840 Speaker 2: It can be a problem. 165 00:07:38,000 --> 00:07:42,880 Speaker 1: Oh what, I know, maybe it was. I I think 166 00:07:42,920 --> 00:07:44,760 Speaker 1: maybe we kind of went a right look around there. 167 00:07:44,880 --> 00:07:46,080 Speaker 1: Definitely things were going on. 168 00:07:46,960 --> 00:07:50,320 Speaker 2: What are you talking about, affected yourself? 169 00:07:50,840 --> 00:07:54,960 Speaker 1: Yeah, yeah, it was long enough ago that I don't Okay, 170 00:07:55,360 --> 00:07:58,080 Speaker 1: I'm not sure if it did affect us that much. 171 00:07:58,240 --> 00:07:59,960 Speaker 1: So I think it was. It was such a fun 172 00:08:00,040 --> 00:08:03,160 Speaker 1: It was a relatively fast shoot, so I have forgotten 173 00:08:03,160 --> 00:08:06,480 Speaker 1: it in the mix. But no, it's so no, we 174 00:08:06,600 --> 00:08:09,560 Speaker 1: were I guess the only you know, it is always 175 00:08:09,560 --> 00:08:11,440 Speaker 1: a risk when you, you know, so many of these 176 00:08:11,440 --> 00:08:15,240 Speaker 1: stories you're using that kind of drought ridden desert landscape, 177 00:08:15,280 --> 00:08:16,880 Speaker 1: and it can be a thing if sudden you get 178 00:08:16,960 --> 00:08:21,600 Speaker 1: some really good rain the week before. Yeah, so we 179 00:08:21,640 --> 00:08:24,000 Speaker 1: did send some of the camera crew off into the 180 00:08:24,160 --> 00:08:25,760 Speaker 1: you know, some drier places to. 181 00:08:29,040 --> 00:08:31,520 Speaker 2: Yeah. Yeah, absolutely, It's all about time frames and budgets 182 00:08:31,520 --> 00:08:33,800 Speaker 2: and that. Look. You know, you've had your head obviously, 183 00:08:33,840 --> 00:08:35,360 Speaker 2: you know a lot in a laptop writing and as 184 00:08:35,400 --> 00:08:37,640 Speaker 2: a writer, did you o men playing Martin in this one? 185 00:08:37,960 --> 00:08:40,320 Speaker 2: Did you ever think along your trip that there was 186 00:08:40,360 --> 00:08:42,440 Speaker 2: going to be maybe some journalism involved that it ever 187 00:08:42,559 --> 00:08:44,080 Speaker 2: appeal to yours as a career. 188 00:08:45,280 --> 00:08:48,160 Speaker 1: Oh, I think I feel much safer in the land 189 00:08:48,200 --> 00:08:51,720 Speaker 1: of make believe. I yeah, I swear. 190 00:08:51,760 --> 00:08:57,720 Speaker 8: Journalists absolutely, which is you know, and which is really 191 00:08:57,720 --> 00:09:00,640 Speaker 8: interesting dealing with it like I love dealing with and 192 00:09:00,679 --> 00:09:02,880 Speaker 8: like real life things and yeah, absolutely the. 193 00:09:02,840 --> 00:09:05,560 Speaker 1: Idea about how important journalism is and the truth is 194 00:09:05,679 --> 00:09:07,719 Speaker 1: and what can happen and who can be heard if 195 00:09:07,720 --> 00:09:11,320 Speaker 1: that isn't upheld, Like I love dealing with real things 196 00:09:11,360 --> 00:09:14,840 Speaker 1: like that. But for me, I filtering it through the 197 00:09:14,880 --> 00:09:18,720 Speaker 1: world of fiction metaphor things like that, I think is 198 00:09:19,000 --> 00:09:23,000 Speaker 1: my play ground a lot more than, you know than 199 00:09:23,040 --> 00:09:25,440 Speaker 1: actual journalism. So I think I might say for playing 200 00:09:25,480 --> 00:09:26,559 Speaker 1: a journalists and being. 201 00:09:26,360 --> 00:09:30,200 Speaker 3: One such a well Chris hammer was is a proper 202 00:09:30,400 --> 00:09:33,680 Speaker 3: reputable journalist and that's why he writes Martin Scarston so well. 203 00:09:33,960 --> 00:09:37,320 Speaker 3: And the good news is it is a series of books. 204 00:09:37,559 --> 00:09:41,120 Speaker 4: So let's let's hope this isn't the only outing. 205 00:09:41,160 --> 00:09:44,719 Speaker 3: Look, I don't know four parts of Martin will be 206 00:09:44,840 --> 00:09:45,280 Speaker 3: enough for me. 207 00:09:46,800 --> 00:09:51,079 Speaker 1: Yeah, well, look it does fly by like this. Scrublands 208 00:09:51,160 --> 00:09:54,000 Speaker 1: is great, but it moves and so hopefully everyone's feeling 209 00:09:54,040 --> 00:09:56,560 Speaker 1: the same because I would love to get back in 210 00:09:56,559 --> 00:09:58,880 Speaker 1: in Martin's head before too long. So here we go. 211 00:09:59,320 --> 00:10:02,240 Speaker 3: Well it it all starts today on Stan Luke Arnold, 212 00:10:02,280 --> 00:10:03,600 Speaker 3: So Lovely to talk to You. 213 00:10:03,920 --> 00:10:07,079 Speaker 1: Lovely, to talk to you too, More Crazy, but more Lisa. 214 00:10:07,679 --> 00:10:17,559 Speaker 2: More podcasts soon, The Sure Report on ninety six AIRVM 215 00:10:18,080 --> 00:10:18,800 Speaker 2: in London. 216 00:10:18,960 --> 00:10:22,960 Speaker 3: Gwyneth Paltrow's Unforgettable Ski Crash trial is being turned into 217 00:10:22,960 --> 00:10:26,640 Speaker 3: a musical Do Not Ask Me Why Really, Quinn? 218 00:10:27,280 --> 00:10:28,640 Speaker 4: Gwyneth Goes Skiing? 219 00:10:29,080 --> 00:10:32,160 Speaker 3: A parody show inspired by the trial, will open on 220 00:10:32,200 --> 00:10:35,079 Speaker 3: December thirteen and run through to all Christmas. Created by 221 00:10:35,120 --> 00:10:39,640 Speaker 3: British theater group Awkward Productions. Actors Linas Carp and Joseph 222 00:10:39,640 --> 00:10:42,960 Speaker 3: Martin You've Never Heard Of Them will star as Gwyneth 223 00:10:43,000 --> 00:10:46,640 Speaker 3: and Terry Sanderson, the optometrists she collided with on the 224 00:10:46,679 --> 00:10:49,600 Speaker 3: Slopes Now. The blurb for the musical reads, She's the 225 00:10:49,640 --> 00:10:54,720 Speaker 3: goop founding Shakespeare in Loving, consciously uncoupling Hollywood superstar. He's 226 00:10:54,760 --> 00:10:58,880 Speaker 3: a retired optometrist from Utah in twenty sixteen. Their world's collided, 227 00:10:59,040 --> 00:10:59,800 Speaker 3: and so did. 228 00:10:59,600 --> 00:11:04,640 Speaker 2: They, worrying them he should have gone to specsavor. 229 00:11:04,360 --> 00:11:06,280 Speaker 4: That no words. 230 00:11:06,840 --> 00:11:08,920 Speaker 3: Late night host Jimmy Kimmel's going to host the Academy 231 00:11:08,960 --> 00:11:12,160 Speaker 3: Awards again next year, making his fourth time marking, I 232 00:11:12,160 --> 00:11:15,040 Speaker 3: should say, his fourth time hosting. Billy Crystal and Bob 233 00:11:15,080 --> 00:11:17,840 Speaker 3: Hope have hosted the Oscars the most times, nine for Billy, 234 00:11:18,320 --> 00:11:20,360 Speaker 3: eleven for the late great Bob. Now, I never saw 235 00:11:20,400 --> 00:11:22,800 Speaker 3: Bob Hope host was a little bit before my time, 236 00:11:23,280 --> 00:11:25,199 Speaker 3: but without a doubt, Billy is my favorite. 237 00:11:26,280 --> 00:11:27,840 Speaker 4: Steve Martin one's pretty good too. 238 00:11:28,040 --> 00:11:32,400 Speaker 3: Yeah, I know when he'd insert himself into all the best, 239 00:11:33,120 --> 00:11:37,160 Speaker 3: you know, back when they have five movies nominated, not 240 00:11:37,200 --> 00:11:39,600 Speaker 3: every single movie that came out that year, virtually, and. 241 00:11:39,520 --> 00:11:41,760 Speaker 2: They've been a couple of shockers as well. I need 242 00:11:41,760 --> 00:11:44,319 Speaker 2: to get mentioned they knew who they were. 243 00:11:44,720 --> 00:11:49,600 Speaker 3: An unopened pack of American Spirit regular menthol cigarettes are 244 00:11:49,640 --> 00:11:51,920 Speaker 3: going under the hammer and the current bid is just 245 00:11:52,000 --> 00:11:54,400 Speaker 3: over four thousand dollars, which is about what a pack 246 00:11:54,400 --> 00:11:56,600 Speaker 3: of cigarettes will cost you at the servo these days. 247 00:11:57,240 --> 00:12:01,000 Speaker 3: But these ciggies were Kurt Cobains on the auction block 248 00:12:01,040 --> 00:12:03,840 Speaker 3: at Julian's Auctions, if you're interested. Apparently the pack was 249 00:12:04,240 --> 00:12:11,160 Speaker 3: saved by Cobain's roommate at an La rehab clinic, Ruthless. 250 00:12:13,440 --> 00:12:14,640 Speaker 2: She are you speaceless? 251 00:12:14,960 --> 00:12:15,720 Speaker 4: Oh, I'm just. 252 00:12:16,000 --> 00:12:19,760 Speaker 3: Trying to imagine the world where your roommate would keep 253 00:12:19,800 --> 00:12:21,520 Speaker 3: your cigarettes and smoke them. 254 00:12:21,400 --> 00:12:23,559 Speaker 2: That easy and rehab. That is an opportunist right there. 255 00:12:23,600 --> 00:12:25,559 Speaker 4: Anyway, Yeah, there you go if you can. 256 00:12:25,880 --> 00:12:29,720 Speaker 3: Yeah, what was supposed to make life easier, but it 257 00:12:29,760 --> 00:12:33,480 Speaker 3: didn't and it doesn't do the job. I do find 258 00:12:33,480 --> 00:12:37,040 Speaker 3: myself quite regularly saying ah, that was more trouble than 259 00:12:37,040 --> 00:12:37,600 Speaker 3: it was worth. 260 00:12:37,720 --> 00:12:39,640 Speaker 2: Yeah. Yeah, another step you have to go through to 261 00:12:39,679 --> 00:12:40,079 Speaker 2: do something. 262 00:12:40,760 --> 00:12:46,320 Speaker 3: Producer Susie said she was did that pre pay for 263 00:12:46,400 --> 00:12:47,040 Speaker 3: petrol things? 264 00:12:47,040 --> 00:12:47,120 Speaker 9: Oh? 265 00:12:47,240 --> 00:12:50,559 Speaker 3: Yeah, not prepay, but where your pre arranged harmon you 266 00:12:50,600 --> 00:12:53,880 Speaker 3: want and the thing wouldn't work properly. It would only 267 00:12:54,080 --> 00:12:56,520 Speaker 3: she wanted thirty bucks, It would only give her three dollars, 268 00:12:56,559 --> 00:12:58,240 Speaker 3: and then she had to get the three and then 269 00:12:58,280 --> 00:12:59,880 Speaker 3: she went into the thing and said, oh, this isn't 270 00:13:00,000 --> 00:13:01,560 Speaker 3: working right kind of and he said, oh, well, I'll 271 00:13:01,600 --> 00:13:03,160 Speaker 3: hook you up with the other twenty seven. Go out 272 00:13:03,160 --> 00:13:04,800 Speaker 3: and put in twenty seven. So she's got out. It 273 00:13:04,800 --> 00:13:07,120 Speaker 3: would only do two. So she's gone in and out 274 00:13:07,200 --> 00:13:10,839 Speaker 3: at this stage of the servo about four times. It 275 00:13:10,840 --> 00:13:12,480 Speaker 3: would have been much easier to just do it the 276 00:13:12,520 --> 00:13:13,439 Speaker 3: once and go in and pay. 277 00:13:13,600 --> 00:13:15,160 Speaker 2: You know how much picture you get for three dollars? Now, 278 00:13:15,200 --> 00:13:17,360 Speaker 2: say my drink bottles hardly in there. That's about not much. 279 00:13:17,440 --> 00:13:19,120 Speaker 2: That's about it. It's ridiculous. 280 00:13:19,160 --> 00:13:19,520 Speaker 4: Not a lot. 281 00:13:19,679 --> 00:13:21,480 Speaker 2: I find QR codes, and we know they can be 282 00:13:21,559 --> 00:13:22,959 Speaker 2: handy for people, you know, if you want to know 283 00:13:23,040 --> 00:13:24,880 Speaker 2: more about a product or whatever, you scan your phone 284 00:13:25,120 --> 00:13:26,920 Speaker 2: on there and all that. But I had a bob 285 00:13:26,960 --> 00:13:28,720 Speaker 2: bought a burger a few months ago from a burger 286 00:13:28,840 --> 00:13:31,240 Speaker 2: joint and had to order at the table using the 287 00:13:31,320 --> 00:13:33,599 Speaker 2: QR code, and I was eight meters away from the 288 00:13:33,640 --> 00:13:37,240 Speaker 2: person inside the order and back to COVID took forever. Yeah, 289 00:13:37,280 --> 00:13:38,920 Speaker 2: you're right, Yeah, yeah, I think that's what it was. 290 00:13:39,160 --> 00:13:39,960 Speaker 2: They can be handy for it. 291 00:13:40,000 --> 00:13:43,920 Speaker 3: Doesn't it's okay to bring back customer service post COVID. Yeah, 292 00:13:44,120 --> 00:13:45,959 Speaker 3: I mean it would work at the time, But that 293 00:13:46,000 --> 00:13:48,240 Speaker 3: doesn't mean it has to be the New World Order. 294 00:13:48,440 --> 00:13:51,760 Speaker 2: Slightly bring the business model back to where it was. Maybe, yeah, 295 00:13:51,760 --> 00:13:52,240 Speaker 2: it would be good. 296 00:13:52,679 --> 00:13:55,160 Speaker 4: What was supposed to make life easier, but it doesn't. 297 00:13:55,679 --> 00:13:56,240 Speaker 4: But it didn't. 298 00:13:56,520 --> 00:13:59,839 Speaker 3: Donna in Lansdale, good morning, good morning. Don't know what 299 00:14:00,120 --> 00:14:02,400 Speaker 3: was supposed to make life easier, but it didn't. 300 00:14:02,760 --> 00:14:04,360 Speaker 9: You're probably going to laugh a little bit, but it 301 00:14:04,480 --> 00:14:06,559 Speaker 9: was sticking my bank card on my phone. I'm pretty 302 00:14:06,559 --> 00:14:08,920 Speaker 9: old school, so always kept seeing I'm not. 303 00:14:09,280 --> 00:14:13,280 Speaker 3: Gonna laugh at all because I've just spent the last 304 00:14:13,320 --> 00:14:14,800 Speaker 3: three minutes talking about this very thing. 305 00:14:15,320 --> 00:14:16,079 Speaker 4: Yeah, it was. 306 00:14:16,200 --> 00:14:18,400 Speaker 9: It was so frustrating. So I decided to put my 307 00:14:18,520 --> 00:14:20,320 Speaker 9: card on my phone, and my son was pretty proud 308 00:14:20,360 --> 00:14:22,280 Speaker 9: of me. He got the shots, did a massive like 309 00:14:22,400 --> 00:14:24,800 Speaker 9: filled up my trolley, got to check out, and my 310 00:14:24,960 --> 00:14:28,440 Speaker 9: phone was dead, and they're like, you are kidding me. 311 00:14:28,640 --> 00:14:30,560 Speaker 9: Like if I just brought my purse with my card 312 00:14:30,960 --> 00:14:32,440 Speaker 9: I always did, I wouldn't. 313 00:14:32,080 --> 00:14:32,920 Speaker 10: Be in this position. 314 00:14:33,160 --> 00:14:35,560 Speaker 9: So it was super frustrating. The kids as staring at. 315 00:14:35,480 --> 00:14:36,440 Speaker 10: Me like a etherious. 316 00:14:37,560 --> 00:14:40,239 Speaker 9: Well just stick to the old school. 317 00:14:40,000 --> 00:14:43,920 Speaker 3: Ways of another thing, Donna about the whole card on 318 00:14:44,000 --> 00:14:46,960 Speaker 3: your phone business. And you know, the young people will 319 00:14:47,000 --> 00:14:49,480 Speaker 3: tell us that that's the quickest way to do it. Now, 320 00:14:49,680 --> 00:14:52,600 Speaker 3: I actually think just tapping your card is still the quickest. 321 00:14:52,760 --> 00:14:55,080 Speaker 3: I've eve embraced that, okay, because you just get it 322 00:14:55,120 --> 00:14:58,360 Speaker 3: out of it, you just tap it. But if I 323 00:14:58,480 --> 00:15:00,800 Speaker 3: have to pay using my phone and then I've got 324 00:15:00,840 --> 00:15:02,440 Speaker 3: to get my phone out, I've got to go to 325 00:15:02,520 --> 00:15:04,680 Speaker 3: my wallet. I've got to open that there's too that's 326 00:15:04,680 --> 00:15:05,360 Speaker 3: another step. 327 00:15:05,800 --> 00:15:06,520 Speaker 2: Yeah, so. 328 00:15:08,320 --> 00:15:11,000 Speaker 9: You move too fast and it doesn't even recognize. 329 00:15:12,720 --> 00:15:17,200 Speaker 2: Yes, and then if your phone's lost, you've got to go. Yeah, 330 00:15:17,240 --> 00:15:20,840 Speaker 2: put your numberstand. 331 00:15:21,440 --> 00:15:23,520 Speaker 3: It's not recognizing my face because I've got my reading 332 00:15:23,560 --> 00:15:25,760 Speaker 3: glasses on, and who are you? 333 00:15:27,000 --> 00:15:29,520 Speaker 4: I'll stick with the tap and go, Thank you very much. 334 00:15:30,240 --> 00:15:35,040 Speaker 2: Too frustrating on your phone? Your phone's that's frustrating anyway 335 00:15:35,760 --> 00:15:40,120 Speaker 2: to place trolley full. Let's go to Steve in calling 336 00:15:40,200 --> 00:15:40,840 Speaker 2: up Steve. 337 00:15:41,000 --> 00:15:41,920 Speaker 1: Are you well? 338 00:15:41,960 --> 00:15:44,600 Speaker 4: I was supposed to make life easier, Steve, but it didn't. 339 00:15:45,000 --> 00:15:48,480 Speaker 10: Well it's called the mittual freeway and oh yeah. 340 00:15:48,760 --> 00:15:50,440 Speaker 2: It was to make things, wasn't it. 341 00:15:50,800 --> 00:15:51,840 Speaker 8: Yeah, as well as. 342 00:15:53,560 --> 00:15:55,640 Speaker 1: As well as real vision mirrors. People would just go 343 00:15:55,760 --> 00:16:00,920 Speaker 1: on there and just go daodling. Hold, I can't the 344 00:16:00,960 --> 00:16:02,440 Speaker 1: biggest car park in the world. 345 00:16:02,520 --> 00:16:03,680 Speaker 2: I think like a Sunday drive. 346 00:16:03,800 --> 00:16:04,840 Speaker 4: No, it's no idea. 347 00:16:05,240 --> 00:16:07,960 Speaker 3: It's okay outside of the peak hour. But yes, you're 348 00:16:08,000 --> 00:16:09,840 Speaker 3: quite right, it was. It was supposed to make life 349 00:16:09,840 --> 00:16:12,080 Speaker 3: a lot easier. Thanks Steve. 350 00:16:13,960 --> 00:16:16,720 Speaker 4: Tapping Hello morning, How is good? 351 00:16:18,120 --> 00:16:24,280 Speaker 10: The three being rubbish system's supposed to save the world. Yeah, well, 352 00:16:25,000 --> 00:16:27,240 Speaker 10: the thing is, no one knows what goes in them. 353 00:16:27,320 --> 00:16:30,520 Speaker 10: No one knows which is three bins is too hard 354 00:16:30,560 --> 00:16:32,560 Speaker 10: to keep a track of to know which one goes 355 00:16:32,600 --> 00:16:35,920 Speaker 10: out when yeh, And I mean it's just I mean, 356 00:16:35,960 --> 00:16:38,640 Speaker 10: it hasn't saved the world. I don't think. And basically 357 00:16:38,800 --> 00:16:41,360 Speaker 10: the worst thing that's happened to us is everybody thinks 358 00:16:41,400 --> 00:16:43,880 Speaker 10: of three trucks when you've got three bins, So they 359 00:16:43,920 --> 00:16:46,320 Speaker 10: don't give you a six pack at Christmas time because 360 00:16:46,320 --> 00:16:48,560 Speaker 10: you'd have to hand out three six packs, which is 361 00:16:48,640 --> 00:16:49,640 Speaker 10: three quarters of a cart. 362 00:16:49,880 --> 00:16:52,600 Speaker 8: Yeah right, yeah, Well, well, the. 363 00:16:52,680 --> 00:16:55,640 Speaker 10: Sad thing is is like it's still only two drivers. 364 00:16:55,800 --> 00:16:59,080 Speaker 10: The oltnating green waste and recycal is the same driver 365 00:16:59,200 --> 00:17:02,280 Speaker 10: he swaps from you have your weekly service, you're rubbish, 366 00:17:02,480 --> 00:17:05,679 Speaker 10: and you still have the one driver doing two different 367 00:17:05,920 --> 00:17:09,160 Speaker 10: systems on a on a fortnight there are only two 368 00:17:09,480 --> 00:17:12,560 Speaker 10: So still only two drivers, but everyone thinks it's three, 369 00:17:12,920 --> 00:17:14,199 Speaker 10: So that's terrible. 370 00:17:14,480 --> 00:17:17,320 Speaker 3: I don't because I'm I'm okay with working out what 371 00:17:17,480 --> 00:17:19,720 Speaker 3: goes in them, and I'm okay with working out which 372 00:17:19,760 --> 00:17:21,680 Speaker 3: one goes out on which day. But what do you think, 373 00:17:21,720 --> 00:17:24,040 Speaker 3: I'm living in a house with a bin annex where 374 00:17:24,040 --> 00:17:26,120 Speaker 3: do you think I'm pushing all these three people? 375 00:17:28,520 --> 00:17:35,160 Speaker 4: These bins go to a central place and get sorted there. 376 00:17:35,280 --> 00:17:37,880 Speaker 2: And also people put I don't trust everyone to people 377 00:17:37,920 --> 00:17:39,120 Speaker 2: putting soft plastic with food. 378 00:17:42,480 --> 00:17:46,440 Speaker 10: Not only not only that every shire is different. You 379 00:17:46,560 --> 00:17:50,080 Speaker 10: might get someone move into a different shire that doesn't 380 00:17:50,160 --> 00:17:52,520 Speaker 10: have a fogo bin or I never heard of it, 381 00:17:53,280 --> 00:17:55,679 Speaker 10: so why not have it as a standard, like everyone 382 00:17:55,800 --> 00:17:57,439 Speaker 10: have the same or not at all? 383 00:17:59,520 --> 00:18:01,640 Speaker 2: Red been with rubbish and it was only one every 384 00:18:01,640 --> 00:18:02,040 Speaker 2: two weeks. 385 00:18:02,080 --> 00:18:04,600 Speaker 4: That's the weirdest. And you read we're weekly. That is 386 00:18:04,720 --> 00:18:06,000 Speaker 4: so weird it's. 387 00:18:05,960 --> 00:18:09,960 Speaker 2: Used to and and it's half the size of a 388 00:18:10,040 --> 00:18:11,959 Speaker 2: normal Yeah, it's my microscopic. 389 00:18:12,080 --> 00:18:15,400 Speaker 10: And and did your rates go down when you're due 390 00:18:15,560 --> 00:18:21,720 Speaker 10: less waisted reduced it to urting nothing for your rate down? 391 00:18:22,200 --> 00:18:28,400 Speaker 2: I reckon Throck Okay, yeah, there were who. 392 00:18:28,400 --> 00:18:31,200 Speaker 10: Your vote for to not have like three bins? I 393 00:18:31,359 --> 00:18:31,880 Speaker 10: hope for them. 394 00:18:32,240 --> 00:18:34,920 Speaker 2: Really not sure everyone would. Someone needs to campaign that, 395 00:18:35,000 --> 00:18:38,160 Speaker 2: I think. Paul, Yeah, we did over this segment called 396 00:18:38,160 --> 00:18:40,640 Speaker 2: bin chat I reckon with Paul. Yeah, yeah, yeah, thanks 397 00:18:40,760 --> 00:18:46,040 Speaker 2: very right, thank you. That was bin Chat. Apic more 398 00:18:46,119 --> 00:18:49,240 Speaker 2: Clezy More Lisa more podcasts. 399 00:18:49,359 --> 00:18:56,440 Speaker 4: Soon read the flick with Beno on ninety six a FM. 400 00:18:57,320 --> 00:19:01,439 Speaker 4: Benos good morning and good morning guys. 401 00:19:01,760 --> 00:19:07,520 Speaker 3: The Hunger Games, The Ballads of Songbirds and Snakes chan Well, 402 00:19:07,880 --> 00:19:08,240 Speaker 3: a lot of. 403 00:19:08,280 --> 00:19:11,159 Speaker 5: People who don't follow The Hunger Games very closely might 404 00:19:11,200 --> 00:19:15,040 Speaker 5: be thinking, do we even really need another Hunger Games movie? 405 00:19:15,960 --> 00:19:19,000 Speaker 5: Most of the films, Yeah, most of the films weren't 406 00:19:19,080 --> 00:19:21,520 Speaker 5: really that amazing if we're being honest. The first one 407 00:19:21,600 --> 00:19:24,800 Speaker 5: in twenty twelve, of course, you know, put Jennifer Lawrence 408 00:19:25,160 --> 00:19:28,800 Speaker 5: on the map, but it wasn't a great movie. It 409 00:19:28,920 --> 00:19:31,840 Speaker 5: was a bit silly, based on a young adult series 410 00:19:31,880 --> 00:19:34,680 Speaker 5: of books by Suzanne Collins, which were mega sellers. You know, 411 00:19:34,720 --> 00:19:38,159 Speaker 5: we're talking about the era of Twilight, yeah, and Harry Potter, 412 00:19:38,280 --> 00:19:41,920 Speaker 5: when young adult fiction was just you know, the thing, 413 00:19:42,760 --> 00:19:45,520 Speaker 5: and there was a bunch of movies that they were 414 00:19:45,600 --> 00:19:47,960 Speaker 5: made from these types of books, like The Maze Runner 415 00:19:48,800 --> 00:19:51,520 Speaker 5: and some others that I've just blocked out of my memory. 416 00:19:52,400 --> 00:19:54,920 Speaker 5: And The Hunger Games was probably one of the more 417 00:19:54,960 --> 00:19:58,200 Speaker 5: successful along with Twilight and Harry Potter. And they made 418 00:19:58,320 --> 00:20:01,760 Speaker 5: four films. On comes this fifth one, which is a 419 00:20:01,840 --> 00:20:07,359 Speaker 5: prequel based on the origin story of Donald Sutherland's character. 420 00:20:07,800 --> 00:20:10,320 Speaker 5: So he played the sort of the President Snow Corey 421 00:20:10,359 --> 00:20:13,440 Speaker 5: Alana Snow, who fans of the fans of the book 422 00:20:13,480 --> 00:20:17,359 Speaker 5: series were actually quite ticked off that the author Susan 423 00:20:17,480 --> 00:20:21,120 Speaker 5: Collins did a prequel book based on his story because 424 00:20:21,119 --> 00:20:29,560 Speaker 5: he's such a despicable character. Yeah. I know, it's her books, 425 00:20:29,640 --> 00:20:31,960 Speaker 5: I know, right, But it's a bit like you know, 426 00:20:32,119 --> 00:20:35,080 Speaker 5: the the Star Wars prequels that were sort of the 427 00:20:35,119 --> 00:20:38,639 Speaker 5: origin story for Darth Vader, because sometimes these villains are 428 00:20:38,760 --> 00:20:42,000 Speaker 5: actually the most fascinating characters. How did they become evil? 429 00:20:42,200 --> 00:20:45,280 Speaker 5: And you know, maybe they started off pretty good people, 430 00:20:45,720 --> 00:20:50,879 Speaker 5: And so I think there's some interesting narrative meat to 431 00:20:51,000 --> 00:20:53,080 Speaker 5: pick off the bone here, and that's what we've got 432 00:20:53,160 --> 00:20:56,200 Speaker 5: with The Ballad of Songbirds and Snakes. It tells the 433 00:20:56,280 --> 00:20:59,600 Speaker 5: story of a young Corie Elana Snow, who's in the 434 00:20:59,680 --> 00:21:03,359 Speaker 5: cap of pan M, which is this fictional nation that 435 00:21:03,480 --> 00:21:07,720 Speaker 5: said war with the Districts and the Hunger Games, which 436 00:21:07,800 --> 00:21:09,800 Speaker 5: is for people who have forgotten, is sort of a 437 00:21:09,880 --> 00:21:12,960 Speaker 5: battle to the death. Each district in this sort of 438 00:21:13,040 --> 00:21:15,919 Speaker 5: fictional world contributes a boy and a girl and they 439 00:21:15,960 --> 00:21:18,479 Speaker 5: have to see who's the last person standing. And it's 440 00:21:18,520 --> 00:21:20,679 Speaker 5: a way to kind of punish the districts and keep 441 00:21:20,720 --> 00:21:23,720 Speaker 5: them in line and make sure the capital sort of 442 00:21:23,840 --> 00:21:28,720 Speaker 5: retains control over everything. And this is the tenth installment 443 00:21:28,760 --> 00:21:30,879 Speaker 5: of the Hunger Games, so it's very different to the 444 00:21:30,960 --> 00:21:34,600 Speaker 5: Jennifer Lawrence version, which was very elaborate. This is fairly basic. 445 00:21:34,720 --> 00:21:36,840 Speaker 5: They basically just put them in an arena with a 446 00:21:36,880 --> 00:21:41,240 Speaker 5: bunch of weapons and have at it. And Cory Alana 447 00:21:41,320 --> 00:21:45,479 Speaker 5: Snow is a university student and part of the ruling elite, 448 00:21:46,240 --> 00:21:48,800 Speaker 5: and he believes that it can be done better, it 449 00:21:48,840 --> 00:21:49,680 Speaker 5: can be done more. 450 00:21:49,680 --> 00:21:54,360 Speaker 4: Humanely, and he's of Hunger Games, yeah. 451 00:21:54,280 --> 00:21:58,399 Speaker 5: Twenty twenty exactly exactly, and he sort of falls for 452 00:21:58,560 --> 00:22:02,040 Speaker 5: one of the contests played by Rachel Ziegler, who if 453 00:22:02,080 --> 00:22:05,280 Speaker 5: you saw Steven Spielberg's West Side Story, she played Maria. 454 00:22:06,440 --> 00:22:08,760 Speaker 5: She's phenomenal talent and of course a great set of 455 00:22:08,800 --> 00:22:11,159 Speaker 5: pipes on her, and so she's the perfect person to 456 00:22:11,200 --> 00:22:14,040 Speaker 5: play this songbird who is supposed to be fighting to 457 00:22:14,119 --> 00:22:16,640 Speaker 5: the death but instead tends to sing all the time 458 00:22:17,160 --> 00:22:20,000 Speaker 5: and wins over fans and people don't want to see 459 00:22:20,040 --> 00:22:24,760 Speaker 5: her die, and Snow's character, snow falls, falls for her 460 00:22:24,880 --> 00:22:28,080 Speaker 5: and then maybe turns his back on his own responsibility 461 00:22:28,160 --> 00:22:31,920 Speaker 5: in his own country to help her escape, and it 462 00:22:32,000 --> 00:22:33,480 Speaker 5: sort of goes from there, and there's a bit of 463 00:22:33,560 --> 00:22:35,560 Speaker 5: intrigue along the way as we start to learn why 464 00:22:35,640 --> 00:22:41,639 Speaker 5: this Snow bloke maybe starts to become a little bit evil. 465 00:22:41,720 --> 00:22:44,639 Speaker 5: I guess you've got Peter Dinklage in this film as well. 466 00:22:44,720 --> 00:22:47,600 Speaker 5: The Game of Throne staff, who plays a university lecturer 467 00:22:47,760 --> 00:22:51,200 Speaker 5: and sort of arch rival of Snow. Snow himself is 468 00:22:51,240 --> 00:22:54,200 Speaker 5: played by Tom Blythe the English actor who is Billy 469 00:22:54,280 --> 00:22:57,200 Speaker 5: the Kid in the Billy the Kid TV series and 470 00:22:58,520 --> 00:23:03,400 Speaker 5: probably wasted. Viola day Savis Oscar Winner, just phenomenal actress, 471 00:23:04,160 --> 00:23:07,480 Speaker 5: plays sort of the designer of the you know, sort 472 00:23:07,480 --> 00:23:11,600 Speaker 5: of devious and dangerous games in the Hunger Games. Probably 473 00:23:11,800 --> 00:23:14,520 Speaker 5: a little bit below her pay grade being in a 474 00:23:14,560 --> 00:23:17,200 Speaker 5: film like this. But the big, the big surprise for 475 00:23:17,320 --> 00:23:22,600 Speaker 5: me is it's actually not terrible. Okay, it's not terrible, 476 00:23:22,800 --> 00:23:24,919 Speaker 5: like and you might say that's not really the greatest 477 00:23:24,960 --> 00:23:27,560 Speaker 5: compliment you can give a movie, but it's like I 478 00:23:27,760 --> 00:23:30,480 Speaker 5: was I to this film. I went into this film 479 00:23:30,560 --> 00:23:34,920 Speaker 5: expecting it to be absolutely unwatchable. The last couple of 480 00:23:35,080 --> 00:23:39,159 Speaker 5: Hunger Games films were you know, we're really just grim 481 00:23:39,320 --> 00:23:40,960 Speaker 5: slogs and you got to the end of it and thought, 482 00:23:40,960 --> 00:23:42,399 Speaker 5: oh my god, I never want to see another one 483 00:23:42,440 --> 00:23:45,800 Speaker 5: of leaving you. Whereas this strips it all back. It 484 00:23:45,880 --> 00:23:46,840 Speaker 5: strips back some of. 485 00:23:46,880 --> 00:23:48,200 Speaker 10: That over the top. 486 00:23:49,560 --> 00:23:52,639 Speaker 5: Filmmaking and world building and brings it back to something 487 00:23:52,680 --> 00:23:55,520 Speaker 5: a bit more human and grounded and a story of 488 00:23:55,920 --> 00:23:58,639 Speaker 5: two young people sort of fighting the system and and 489 00:23:58,840 --> 00:24:00,600 Speaker 5: you know the lengths that they'll go too for love, 490 00:24:00,720 --> 00:24:03,600 Speaker 5: while maybe also not trusting each other completely as well 491 00:24:03,600 --> 00:24:08,439 Speaker 5: because they come from such different backgrounds. The cinematography is fantastic. 492 00:24:09,160 --> 00:24:12,879 Speaker 5: It's dark, clearly like dark in terms of its themes 493 00:24:12,920 --> 00:24:16,080 Speaker 5: and tone. Clearly they know that the people who were 494 00:24:16,119 --> 00:24:18,600 Speaker 5: reading these Hunger Games books and watching the movies, the 495 00:24:18,680 --> 00:24:21,239 Speaker 5: kids you know back from twenty twelve onwards, are now 496 00:24:21,320 --> 00:24:23,520 Speaker 5: much older, so this film is aimed at a much 497 00:24:23,600 --> 00:24:25,560 Speaker 5: older audience. If you take young kids to see this, 498 00:24:26,359 --> 00:24:29,280 Speaker 5: you know, like you're taking them to see people getting 499 00:24:29,280 --> 00:24:30,879 Speaker 5: their brains pashed out. 500 00:24:30,760 --> 00:24:31,399 Speaker 4: And stuff like that. 501 00:24:31,560 --> 00:24:34,640 Speaker 5: So it's a bit more Yeah, it's a bit more heavy, 502 00:24:34,720 --> 00:24:38,840 Speaker 5: a bit more heavy, and I would say overall pretty 503 00:24:38,880 --> 00:24:43,840 Speaker 5: solid movie comes to lengthy hours here, could be shorter, 504 00:24:44,480 --> 00:24:48,480 Speaker 5: could be a little bit shorter, John blythe is great, 505 00:24:48,840 --> 00:24:50,639 Speaker 5: and he could be like, at one point he's got 506 00:24:50,640 --> 00:24:53,560 Speaker 5: his head shaved and reminded me of a young Keanu Reeve. 507 00:24:53,640 --> 00:24:56,680 Speaker 5: Oh really, Yeah, he's got a bright future in front 508 00:24:56,680 --> 00:24:58,360 Speaker 5: of him if you can get out of the hunger games. 509 00:24:58,880 --> 00:25:03,399 Speaker 3: Well, how are you giving it? I don't even know 510 00:25:03,920 --> 00:25:07,040 Speaker 3: how many calories? How many calories are you giving? 511 00:25:07,359 --> 00:25:08,680 Speaker 2: How many snows on? Johnstone? 512 00:25:11,160 --> 00:25:13,439 Speaker 5: Yeah? John Snow? Johnstone is definitely still superior. But I'm 513 00:25:13,440 --> 00:25:16,200 Speaker 5: going to get this one a very solid three start. 514 00:25:16,400 --> 00:25:18,760 Speaker 2: Okay, all right, thanks bad. At least we know that 515 00:25:18,960 --> 00:25:21,879 Speaker 2: WA's housing crisis. We hear and read a hell of 516 00:25:21,920 --> 00:25:25,320 Speaker 2: a lot about it. It's reaching new shocking heights. And 517 00:25:25,359 --> 00:25:27,159 Speaker 2: if you start with people trying to buy homes, we 518 00:25:27,280 --> 00:25:29,240 Speaker 2: know that what's going on there is that people buyers 519 00:25:29,240 --> 00:25:31,560 Speaker 2: are missing out on home sometimes fifty one hundred hundred 520 00:25:31,560 --> 00:25:34,119 Speaker 2: and fifty thousand dollars, And there are other people who 521 00:25:34,160 --> 00:25:36,040 Speaker 2: are selling their homes thinking oh, I'm going to get 522 00:25:36,040 --> 00:25:37,960 Speaker 2: a good price here, and then they got nowhere to go. 523 00:25:38,440 --> 00:25:40,440 Speaker 3: Well, I think the place next to me had a 524 00:25:40,520 --> 00:25:45,800 Speaker 3: rental inspection on Monday or something, and all of a sudden, 525 00:25:45,800 --> 00:25:48,240 Speaker 3: about four thirty in the afternoon, I reckon fifty people 526 00:25:48,359 --> 00:25:49,680 Speaker 3: gathered outside usual, is it? 527 00:25:49,960 --> 00:25:50,160 Speaker 7: Yeah? 528 00:25:50,320 --> 00:25:52,640 Speaker 2: Yeah, So you're getting property managers putting caps on numbers 529 00:25:52,680 --> 00:25:55,040 Speaker 2: of people are going because you think about fifty people 530 00:25:55,160 --> 00:25:55,560 Speaker 2: rocking up. 531 00:25:56,160 --> 00:25:57,320 Speaker 4: I've never seen anything like that. 532 00:25:57,480 --> 00:25:59,359 Speaker 2: Crazy? Is it for like a two or three bedroom 533 00:25:59,440 --> 00:26:02,040 Speaker 2: or whatever, just for one room in a shared house? 534 00:26:02,440 --> 00:26:04,439 Speaker 2: Like dozens of people turning up, and you know, one 535 00:26:04,480 --> 00:26:05,840 Speaker 2: of the first three or four are probably going to 536 00:26:05,880 --> 00:26:08,160 Speaker 2: get it and put a bit more on the table 537 00:26:08,200 --> 00:26:10,040 Speaker 2: and say, oh, we'll give you another fifty or eighty bucks. 538 00:26:10,400 --> 00:26:12,359 Speaker 2: So the rental side of it is even worse. We 539 00:26:12,520 --> 00:26:15,119 Speaker 2: know what's going on there and our long term rents 540 00:26:15,400 --> 00:26:17,680 Speaker 2: not only being driven from homes, but these are people 541 00:26:17,720 --> 00:26:20,400 Speaker 2: with jobs. So these are people who are not homeless, 542 00:26:20,440 --> 00:26:23,520 Speaker 2: but they're houseless right now. And people are being forced 543 00:26:23,520 --> 00:26:26,800 Speaker 2: out of well, some people are actually moving staying in 544 00:26:26,880 --> 00:26:31,160 Speaker 2: balley waiting for things to cool down. There's reports going 545 00:26:31,200 --> 00:26:33,800 Speaker 2: to work. Well, I don't know, maybe they're a bit 546 00:26:33,880 --> 00:26:35,399 Speaker 2: cashed up. I'm not sure if they're working, you know, 547 00:26:35,440 --> 00:26:36,879 Speaker 2: because a lot of people are working from home, so 548 00:26:36,920 --> 00:26:38,560 Speaker 2: they might be working on their computers up there. But 549 00:26:38,920 --> 00:26:42,240 Speaker 2: the Augusta Magro River Times has revealed that social media 550 00:26:42,320 --> 00:26:45,199 Speaker 2: is being inundated with people who are inquiring about rentals 551 00:26:45,240 --> 00:26:47,040 Speaker 2: in Perth, but they're living and they're moving to Barley 552 00:26:47,040 --> 00:26:52,000 Speaker 2: because it's cheaper control, isn't it fed up in Bali? Wow, 553 00:26:52,080 --> 00:26:54,080 Speaker 2: you get a room of the pool. And we also 554 00:26:54,200 --> 00:26:57,200 Speaker 2: know that some people have decided, like Susi producer said 555 00:26:57,240 --> 00:26:58,760 Speaker 2: to me this morning, so she knows people who are 556 00:26:58,800 --> 00:27:00,639 Speaker 2: fifo who are living there to save a bit of 557 00:27:00,680 --> 00:27:03,120 Speaker 2: money while they're doing the the five fou money because 558 00:27:03,119 --> 00:27:07,399 Speaker 2: it's just cheaper to live in Bali. So they're going 559 00:27:07,440 --> 00:27:07,720 Speaker 2: from their. 560 00:27:07,680 --> 00:27:11,439 Speaker 3: Five jobs flying It's been a popular place for I've 561 00:27:11,440 --> 00:27:13,399 Speaker 3: sat next to people on the plane that were flying 562 00:27:13,600 --> 00:27:15,800 Speaker 3: in five fo in and out of Bali. 563 00:27:16,119 --> 00:27:17,840 Speaker 2: And you're getting some older people who are going you 564 00:27:17,920 --> 00:27:19,600 Speaker 2: know what I know. I spoke to a bloke just 565 00:27:19,640 --> 00:27:21,000 Speaker 2: a few weeks ago and he said, you know, I'm 566 00:27:21,040 --> 00:27:22,240 Speaker 2: going to move to Ballei when I get to a 567 00:27:22,280 --> 00:27:24,440 Speaker 2: certain age because it's just cheaper to live there. Yeah, 568 00:27:24,480 --> 00:27:26,320 Speaker 2: and we know some accommodation, you know more than meek 569 00:27:26,359 --> 00:27:28,919 Speaker 2: as you've been there and stay there, but some accommodations 570 00:27:28,960 --> 00:27:31,240 Speaker 2: starting and get quite expensive there. But notice these people 571 00:27:31,280 --> 00:27:33,399 Speaker 2: are going going to Barley. I'm waiting out the crisis. 572 00:27:33,400 --> 00:27:35,960 Speaker 2: They're not going to Singapore the second for you to 573 00:27:36,000 --> 00:27:38,280 Speaker 2: get broken about three weeks. It is weird, isn't it 574 00:27:38,320 --> 00:27:40,680 Speaker 2: that people are going to such desperate measures, but they'd 575 00:27:40,720 --> 00:27:41,600 Speaker 2: be hounding them, right. 576 00:27:41,680 --> 00:27:44,159 Speaker 3: It's only a very small handful of people would be 577 00:27:44,240 --> 00:27:44,800 Speaker 3: able to do that. 578 00:27:45,040 --> 00:27:46,879 Speaker 4: I mean people if they've got a job, they've got 579 00:27:46,880 --> 00:27:47,239 Speaker 4: to go to work. 580 00:27:47,280 --> 00:27:48,760 Speaker 2: They've got to go to work. Yeah yeah, well you 581 00:27:48,760 --> 00:27:50,040 Speaker 2: would hope so anyway. 582 00:27:49,760 --> 00:27:53,439 Speaker 4: And be here to find a rental and but they 583 00:27:53,480 --> 00:27:53,840 Speaker 4: don't know that. 584 00:27:53,960 --> 00:27:57,000 Speaker 2: Example, across the driveway from you, fifty people or so, 585 00:27:57,840 --> 00:27:59,200 Speaker 2: when you see them in the queue and you think 586 00:27:59,440 --> 00:28:01,240 Speaker 2: you imagine that I was wondering what was going on? 587 00:28:01,440 --> 00:28:01,600 Speaker 5: Yeah? 588 00:28:01,680 --> 00:28:03,520 Speaker 2: Yeah, could you imagine what you're think of? 589 00:28:03,560 --> 00:28:03,600 Speaker 8: You? 590 00:28:03,720 --> 00:28:06,440 Speaker 2: It's not Halloween again, is it? You're lighting in the 591 00:28:06,520 --> 00:28:07,000 Speaker 2: que you think of? 592 00:28:07,080 --> 00:28:07,119 Speaker 5: No? 593 00:28:07,200 --> 00:28:09,080 Speaker 2: I know why I'm going to get this one crazy? 594 00:28:09,320 --> 00:28:11,720 Speaker 2: And Lisa says, am