1 00:00:00,200 --> 00:00:02,679 Speaker 1: Jersey and Amanda jam Nation. 2 00:00:03,080 --> 00:00:05,520 Speaker 2: I went to bed last night and I heard the 3 00:00:05,559 --> 00:00:08,560 Speaker 2: news that Doug Moray had passed away, and I couldn't 4 00:00:08,560 --> 00:00:12,200 Speaker 2: sleep last night. I spoke to Doug during the week 5 00:00:12,320 --> 00:00:15,560 Speaker 2: last week and he wasn't well, and we had a 6 00:00:15,560 --> 00:00:18,000 Speaker 2: good chat for about ten or fifteen minutes and then 7 00:00:18,079 --> 00:00:18,400 Speaker 2: the end. 8 00:00:18,360 --> 00:00:18,959 Speaker 3: Do you know how on? 9 00:00:19,079 --> 00:00:19,279 Speaker 4: Well? 10 00:00:19,480 --> 00:00:23,320 Speaker 2: Yeah, and then at the end of it, I actually 11 00:00:23,400 --> 00:00:26,440 Speaker 2: and I spoke to Miss Lizzie, his partner, and I 12 00:00:26,520 --> 00:00:28,480 Speaker 2: just I cried because I thought, well, that's the last 13 00:00:28,480 --> 00:00:30,639 Speaker 2: time I'm going to talk to Doug, and it's a 14 00:00:31,400 --> 00:00:34,440 Speaker 2: He was such a big part of my life as 15 00:00:34,479 --> 00:00:38,159 Speaker 2: a young man who wanted to get into radio. He 16 00:00:38,240 --> 00:00:41,880 Speaker 2: revolutionized what radio is. In those days. You had people 17 00:00:41,920 --> 00:00:45,159 Speaker 2: like Lenn London doing the mystery sound and things like that. 18 00:00:45,320 --> 00:00:48,360 Speaker 2: You wouldn't hear anything about their lives. You wouldn't hear anything. 19 00:00:48,400 --> 00:00:51,040 Speaker 2: You wouldn't hear anything rude or funny. You just they 20 00:00:51,080 --> 00:00:51,920 Speaker 2: stayed in their life. 21 00:00:52,240 --> 00:00:55,240 Speaker 3: Yeah, there was nothing temporary. Doug surrounded himself with some 22 00:00:55,320 --> 00:00:57,720 Speaker 3: of the best comedy writers that we have. Andrew Denton 23 00:00:57,800 --> 00:01:00,240 Speaker 3: started with him. Some of the comedy writers I've worked 24 00:01:00,240 --> 00:01:02,800 Speaker 3: with over the years started with Doug mulray, and he 25 00:01:02,880 --> 00:01:06,680 Speaker 3: did parodies of our popular culture. He was so funny 26 00:01:06,880 --> 00:01:09,240 Speaker 3: and as you were saying earlier, Brendan, you'd stop what 27 00:01:09,280 --> 00:01:11,160 Speaker 3: you were doing to hear it. It was that kind 28 00:01:11,200 --> 00:01:13,240 Speaker 3: of radio. It wasn't background radio. 29 00:01:13,360 --> 00:01:15,840 Speaker 2: When I worked for Ralph Smash Repairs there in Rockdale 30 00:01:15,840 --> 00:01:20,039 Speaker 2: as a laborer in his panel shop, we'd all stop doing. 31 00:01:20,160 --> 00:01:22,880 Speaker 2: We'd all go to handsand in cars and things like that, 32 00:01:23,000 --> 00:01:26,160 Speaker 2: not using the grinders and stuff. So everyone to be 33 00:01:26,160 --> 00:01:29,200 Speaker 2: off the grinder listening to Doug and Ralph and say 34 00:01:29,200 --> 00:01:30,840 Speaker 2: you blake. She can't listen to Moray. He used to 35 00:01:30,840 --> 00:01:33,280 Speaker 2: make us listen to the ABC, which was ready. 36 00:01:33,080 --> 00:01:36,320 Speaker 3: To keep working. Yeah, it's funny because Doug was a man. 37 00:01:36,959 --> 00:01:39,320 Speaker 3: As I said earlier, he was sort of part cheeky schoolboy, 38 00:01:39,560 --> 00:01:43,120 Speaker 3: part delinquent, part scholar. He was as smart as and 39 00:01:43,160 --> 00:01:45,399 Speaker 3: he'd make jokes about Oscar Wild. We'd all laugh at 40 00:01:45,480 --> 00:01:47,919 Speaker 3: jokes about Oscar Wild. He didn't dumb down for anyone, 41 00:01:47,960 --> 00:01:49,840 Speaker 3: but he did still love a Pooh joke. Do you 42 00:01:49,840 --> 00:01:51,240 Speaker 3: remember I was working at them all. I was working 43 00:01:51,240 --> 00:01:53,000 Speaker 3: at the midday show with Ray Martin as a segment 44 00:01:53,040 --> 00:01:55,480 Speaker 3: producer and we're having Doug Mulray on as a guest, 45 00:01:55,680 --> 00:01:58,160 Speaker 3: and I said, Doug's coming on to do his new album, 46 00:01:58,240 --> 00:02:00,600 Speaker 3: to do to talk about his new song, and I said, 47 00:02:00,600 --> 00:02:03,720 Speaker 3: I don't understand it. It's packaged with a peg and 48 00:02:03,840 --> 00:02:08,720 Speaker 3: gloves and the album was you are Soul and Racing. 49 00:02:08,800 --> 00:02:13,320 Speaker 3: We'll think about it. We're ray had to spell out 50 00:02:13,320 --> 00:02:14,480 Speaker 3: the poo joke. I missed it. 51 00:02:14,520 --> 00:02:16,760 Speaker 2: Do you remember you are souls? 52 00:02:18,440 --> 00:02:21,760 Speaker 5: My chest is always bare gold cheese on the day 53 00:02:21,840 --> 00:02:23,000 Speaker 5: and suddenlyss. 54 00:02:22,600 --> 00:02:26,840 Speaker 2: Jail in my hairs been doing it ray this stream 55 00:02:26,919 --> 00:02:29,480 Speaker 2: of Monday. I could see him there. 56 00:02:49,040 --> 00:02:49,239 Speaker 4: There. 57 00:02:49,240 --> 00:02:51,440 Speaker 2: It was, well, you know, we should do tribal drumas 58 00:02:51,440 --> 00:02:54,440 Speaker 2: should beat for this, just Uncle Douk, just the memories 59 00:02:54,480 --> 00:02:55,320 Speaker 2: of Uncle Doug. 60 00:02:55,440 --> 00:02:57,640 Speaker 3: Because we're all feeling it today. We've all lost our 61 00:02:57,720 --> 00:02:58,160 Speaker 3: uncle Doug. 62 00:02:58,200 --> 00:03:01,600 Speaker 2: Give us a call, dare say that a lot of 63 00:03:01,639 --> 00:03:04,880 Speaker 2: Sydney is in morning today. Doug Moray passed away yesterday 64 00:03:04,919 --> 00:03:07,600 Speaker 2: and I was lucky enough to not only be inspired 65 00:03:07,639 --> 00:03:10,240 Speaker 2: by Doug, get to meet him, and we, I like 66 00:03:10,320 --> 00:03:12,800 Speaker 2: to say, became friends. And we used to hang out 67 00:03:12,880 --> 00:03:15,520 Speaker 2: and talk. I used to just love picking his brain 68 00:03:15,639 --> 00:03:19,960 Speaker 2: just about stories and things people. I remember how he 69 00:03:20,000 --> 00:03:22,200 Speaker 2: told me how he went from Double J which is 70 00:03:22,240 --> 00:03:25,400 Speaker 2: now Triple J to Triple M. So Rod Muir hired 71 00:03:25,400 --> 00:03:28,520 Speaker 2: Doug to start this brand new rock station in a 72 00:03:28,600 --> 00:03:32,280 Speaker 2: landscape of where you had two SM and two WS 73 00:03:32,360 --> 00:03:35,960 Speaker 2: and two cch. FM was this new new thing and 74 00:03:36,120 --> 00:03:37,040 Speaker 2: they got Doug to do that. 75 00:03:37,600 --> 00:03:40,080 Speaker 3: People only just played music. They didn't have characters and 76 00:03:40,160 --> 00:03:40,440 Speaker 3: they did. 77 00:03:40,440 --> 00:03:43,000 Speaker 2: All they say was, oh, it's twenty six. There goes 78 00:03:43,080 --> 00:03:47,720 Speaker 2: the time. Here's Pete's for cat food warehouse. Doug got 79 00:03:47,720 --> 00:03:49,800 Speaker 2: approached by Rod to come and do the radio show 80 00:03:50,160 --> 00:03:52,640 Speaker 2: at Triple M. Went along there. They go up for 81 00:03:52,680 --> 00:03:55,000 Speaker 2: a big boozy lunch. Then they end up their Five 82 00:03:55,040 --> 00:03:59,080 Speaker 2: Ways hotel at Paddington and they're playing. Rod's playing the 83 00:03:59,080 --> 00:04:02,360 Speaker 2: pinball machine and he says to Doug, oh the ball, 84 00:04:02,400 --> 00:04:04,480 Speaker 2: the balls stuck at the top helped me tip this 85 00:04:04,480 --> 00:04:07,080 Speaker 2: thing over. So the ball gets back. So they're both 86 00:04:07,240 --> 00:04:10,800 Speaker 2: wrestling the pinball machine. Naturally it falls over it. 87 00:04:11,640 --> 00:04:13,880 Speaker 3: Machines are notorious for loving that. 88 00:04:14,080 --> 00:04:16,640 Speaker 2: They're as fragile as anything, and they, of course the 89 00:04:16,680 --> 00:04:19,560 Speaker 2: owner throws Rod me were out into the street and 90 00:04:19,600 --> 00:04:21,680 Speaker 2: bans him from the pub, and Doug's going, that's my 91 00:04:21,800 --> 00:04:25,520 Speaker 2: new boss, this is my future. Seen any money. 92 00:04:25,560 --> 00:04:28,800 Speaker 3: Yet there were a lot of crazy days. Everyone I'm 93 00:04:28,800 --> 00:04:30,680 Speaker 3: sure that's ever worked with Doug will have a story 94 00:04:30,680 --> 00:04:34,719 Speaker 3: about the legendary lunches, the hilarity of working in that environment. 95 00:04:34,720 --> 00:04:37,920 Speaker 3: But people worked hard and got good results too. They 96 00:04:37,960 --> 00:04:40,440 Speaker 3: didn't you know, they partied hard, but they worked hard too. 97 00:04:40,640 --> 00:04:40,880 Speaker 1: Yeah. 98 00:04:41,000 --> 00:04:44,159 Speaker 2: And really, for anyone that worked or grew up in 99 00:04:44,200 --> 00:04:46,400 Speaker 2: Sydney at that time, to listen to Doug in the morning, 100 00:04:46,440 --> 00:04:46,720 Speaker 2: it was. 101 00:04:46,680 --> 00:04:50,560 Speaker 3: Just Doug was everything. Doug was everything. He was the zeitgeist. 102 00:04:50,720 --> 00:04:51,839 Speaker 3: Everyone listened to Doug. 103 00:04:52,000 --> 00:04:54,880 Speaker 2: We're all Doug addicts and the tribal dramas beating for 104 00:04:54,920 --> 00:04:57,120 Speaker 2: this this morning. Kylie's in Rouse Hill. 105 00:04:57,240 --> 00:05:01,320 Speaker 6: Hello, Kylie, Good morning guys. What terribly sad day. 106 00:05:01,600 --> 00:05:03,960 Speaker 3: Absolutely What are your memories of listening to Doug? 107 00:05:04,600 --> 00:05:07,760 Speaker 6: Oh? My god, Doug goes back to my childhood, my 108 00:05:07,839 --> 00:05:09,880 Speaker 6: best friend and I who are my best friend? I 109 00:05:09,920 --> 00:05:11,960 Speaker 6: lost twenty years ago this week, So I was only 110 00:05:12,000 --> 00:05:16,200 Speaker 6: thinking of him because we would play those records and 111 00:05:16,320 --> 00:05:18,520 Speaker 6: take off the characters. We would do the Two Lands 112 00:05:18,680 --> 00:05:21,839 Speaker 6: and things like that, and then when I got older, 113 00:05:22,000 --> 00:05:25,280 Speaker 6: I would listen to him religitously. I'm so up there 114 00:05:25,440 --> 00:05:28,120 Speaker 6: that I would listen to him every morning before school 115 00:05:28,240 --> 00:05:30,520 Speaker 6: or then going to work. And I remember one time 116 00:05:30,560 --> 00:05:33,279 Speaker 6: there was I think he was trying to retire or something, 117 00:05:33,720 --> 00:05:36,800 Speaker 6: and he would have his last day and I chucked, Asiki, 118 00:05:36,960 --> 00:05:38,880 Speaker 6: it was not going to miss it. I had to 119 00:05:38,920 --> 00:05:40,320 Speaker 6: listen to it. And then of course he came back 120 00:05:40,320 --> 00:05:44,120 Speaker 6: a couple of months later, you know. But another thing 121 00:05:44,160 --> 00:05:48,400 Speaker 6: I remember, I had friends that went to America to 122 00:05:48,920 --> 00:05:51,600 Speaker 6: you know, they had scholarships for sporting scholarships over there, 123 00:05:52,200 --> 00:05:53,800 Speaker 6: and they would say, can you take me the Doug 124 00:05:53,839 --> 00:05:55,880 Speaker 6: Mule Ray Show and send it over? So I was 125 00:05:55,880 --> 00:06:01,680 Speaker 6: always sending tapes to America casettes over absolutely, you know. 126 00:06:01,880 --> 00:06:06,200 Speaker 6: And Amanda, you would remember this like with Andrew remember 127 00:06:06,200 --> 00:06:08,560 Speaker 6: the boy Jenieus from your door Cricket? Yes, you know 128 00:06:08,880 --> 00:06:10,600 Speaker 6: they used to play Do you remember they used to 129 00:06:10,640 --> 00:06:19,200 Speaker 6: play this like handbag throwing competition and it was hand Oh. 130 00:06:21,600 --> 00:06:24,760 Speaker 3: It made you think of your friend today. 131 00:06:25,160 --> 00:06:25,640 Speaker 6: I can't. 132 00:06:25,680 --> 00:06:25,760 Speaker 4: Like. 133 00:06:26,120 --> 00:06:28,640 Speaker 6: I actually wrote a little book when she passed, and 134 00:06:28,680 --> 00:06:30,600 Speaker 6: I would talk about what we did, and I would 135 00:06:30,640 --> 00:06:33,200 Speaker 6: talk about how we would sit in her back room 136 00:06:33,279 --> 00:06:35,680 Speaker 6: playing the two Rude albums even though we were probably 137 00:06:35,680 --> 00:06:39,239 Speaker 6: too young to be listening to them. And then even 138 00:06:39,279 --> 00:06:41,640 Speaker 6: as we got older, even into our early twenties, we 139 00:06:41,680 --> 00:06:48,160 Speaker 6: would greet each other with heys Vinger, Oh my god. 140 00:06:48,200 --> 00:06:50,440 Speaker 6: He was just the best. He was so so good. 141 00:06:50,680 --> 00:06:52,560 Speaker 6: And my best friend, one of my best friends now 142 00:06:52,640 --> 00:06:56,159 Speaker 6: had the She was fortunate enough to meet him recently 143 00:06:56,640 --> 00:06:59,159 Speaker 6: at a bar somewhere somewhere on the Hawksbury or something 144 00:06:59,160 --> 00:07:01,640 Speaker 6: I can't remember, and she said he was the most 145 00:07:01,720 --> 00:07:05,120 Speaker 6: genuinely like really lovely guy is. 146 00:07:07,080 --> 00:07:09,480 Speaker 2: And he never thought like he was a big deal. 147 00:07:09,600 --> 00:07:12,520 Speaker 2: Doug would always say, you know, it's all over for me. 148 00:07:12,600 --> 00:07:13,640 Speaker 2: I'm not interested in this. 149 00:07:13,800 --> 00:07:16,800 Speaker 3: He didn't want that big limelight. He was so modest, 150 00:07:16,840 --> 00:07:17,480 Speaker 3: did you right, Carli? 151 00:07:17,520 --> 00:07:19,680 Speaker 2: He would always say, oh no, no, what's the fuss? 152 00:07:19,680 --> 00:07:20,000 Speaker 2: What's the. 153 00:07:21,920 --> 00:07:23,000 Speaker 4: Man him? 154 00:07:23,040 --> 00:07:25,280 Speaker 6: For quite a while and I always hope that he 155 00:07:25,320 --> 00:07:28,680 Speaker 6: would come back and do something on radio, like you know, 156 00:07:28,760 --> 00:07:30,240 Speaker 6: but obviously he wasn't well. 157 00:07:30,280 --> 00:07:32,120 Speaker 2: But well, no, he just didn't want to do it 158 00:07:32,160 --> 00:07:32,480 Speaker 2: as well. 159 00:07:32,760 --> 00:07:34,800 Speaker 3: When he was well, he knew when the time was 160 00:07:34,840 --> 00:07:36,160 Speaker 3: to go, and I admire that too. 161 00:07:37,120 --> 00:07:39,679 Speaker 2: Marty has joined us as well. Thank you, Carlie, Hello. 162 00:07:39,560 --> 00:07:44,200 Speaker 4: Marty, Good morning to you both. I hope you will Amando, Yes, 163 00:07:44,280 --> 00:07:44,560 Speaker 4: thank you. 164 00:07:44,640 --> 00:07:46,880 Speaker 3: I'm recuperating well. Sad to hear this news. 165 00:07:46,920 --> 00:07:51,680 Speaker 4: How about you look this morning On said goodbye to 166 00:07:51,720 --> 00:07:54,120 Speaker 4: my wife. She went off to work this morning earlier 167 00:07:54,120 --> 00:07:58,560 Speaker 4: half as six for her job. I'm retired on at 168 00:07:58,600 --> 00:08:01,720 Speaker 4: home and I just picked up my phone and went 169 00:08:01,760 --> 00:08:05,120 Speaker 4: to Instagram and there was your two year story and 170 00:08:05,120 --> 00:08:08,600 Speaker 4: he dug it past. What a shame, you know. But 171 00:08:09,160 --> 00:08:12,280 Speaker 4: my memory of him was back in the in the 172 00:08:12,360 --> 00:08:18,000 Speaker 4: early eighties. I was a sales trip with a cooler company, 173 00:08:18,800 --> 00:08:23,680 Speaker 4: not Coke, it was the other one, Ppsy Max, and 174 00:08:24,680 --> 00:08:27,920 Speaker 4: he loved Pepsi Max and so it was all brand 175 00:08:27,960 --> 00:08:30,960 Speaker 4: new back in the day. And I took a carton 176 00:08:31,000 --> 00:08:35,240 Speaker 4: of cans over to his studio and met him and Blizzie. 177 00:08:35,559 --> 00:08:37,920 Speaker 4: We had a copy and he was just talking about 178 00:08:38,320 --> 00:08:42,040 Speaker 4: things going on and the twins were going to be coming, 179 00:08:42,960 --> 00:08:45,079 Speaker 4: and he had a car to sell. I said, oh, 180 00:08:45,920 --> 00:08:48,199 Speaker 4: what are you selling? And you know, back in the 181 00:08:48,280 --> 00:08:50,439 Speaker 4: day then like you could buy a Ford, Vucan or 182 00:08:50,440 --> 00:08:54,000 Speaker 4: a Hold for seven thousand bucks, and he had an 183 00:08:54,000 --> 00:09:00,839 Speaker 4: E type J Well and for only a thousand dollars. 184 00:09:00,840 --> 00:09:05,120 Speaker 4: And that's bunny, that's a barmain, you know. So and 185 00:09:05,160 --> 00:09:06,720 Speaker 4: I said, what do you want to sell it for? 186 00:09:07,520 --> 00:09:11,160 Speaker 4: That's a that's a collector's comment. That's what you want 187 00:09:11,160 --> 00:09:13,680 Speaker 4: to Typically you can't get the bloody Twins in back. 188 00:09:13,640 --> 00:09:18,959 Speaker 3: Three love it, Thank you. 189 00:09:19,000 --> 00:09:20,720 Speaker 2: Sam has joined us as well from Craigziell. 190 00:09:20,760 --> 00:09:24,320 Speaker 1: Hello Sam, Good morning Giantsy and Amanda. 191 00:09:24,400 --> 00:09:24,960 Speaker 5: What a day? 192 00:09:25,000 --> 00:09:25,880 Speaker 1: What a sad day? 193 00:09:26,000 --> 00:09:26,200 Speaker 4: Hey? 194 00:09:26,480 --> 00:09:26,760 Speaker 6: Yes? 195 00:09:28,920 --> 00:09:31,520 Speaker 1: You know what he was? Uncle Doug was like the 196 00:09:31,559 --> 00:09:36,280 Speaker 1: first of the famous radio personalities. I mean, it's commonplace 197 00:09:36,320 --> 00:09:38,720 Speaker 1: now we've got Jonesy and Amanda and Carl and Jackie 198 00:09:38,760 --> 00:09:41,640 Speaker 1: O and the rest, But Uncle Doug was the first, 199 00:09:41,760 --> 00:09:44,320 Speaker 1: you know. And he might have been crash and a 200 00:09:44,360 --> 00:09:48,120 Speaker 1: little bit, you know, not to everyone's taste, but everyone 201 00:09:48,200 --> 00:09:50,920 Speaker 1: knew who he was and he was such a good 202 00:09:51,120 --> 00:09:57,200 Speaker 1: soul he was, and you know, yeah, and you know what, 203 00:09:57,400 --> 00:10:00,520 Speaker 1: I haven't heard it for ages, but I really love 204 00:10:00,600 --> 00:10:01,800 Speaker 1: to hear. I'm a punk? 205 00:10:03,360 --> 00:10:04,640 Speaker 3: Come, can we do it? 206 00:10:04,800 --> 00:10:07,120 Speaker 2: How you think that? On the counting stands on the punk? 207 00:10:07,360 --> 00:10:09,880 Speaker 3: Let's put it on? Can we do it? Priples? 208 00:10:09,880 --> 00:10:12,640 Speaker 2: On a pay cow ash on the fuck he's a 209 00:10:12,720 --> 00:10:15,880 Speaker 2: pay mom, I'm wash it out? 210 00:10:16,400 --> 00:10:20,559 Speaker 5: Fuck Tad again. 211 00:10:22,520 --> 00:10:26,959 Speaker 6: Again again, I'm okay. 212 00:10:27,120 --> 00:10:35,079 Speaker 2: I mention think that a cana't stands on a walk 213 00:10:35,120 --> 00:10:41,400 Speaker 2: around the shot til I'm always like a spine. Try 214 00:10:41,520 --> 00:10:47,520 Speaker 2: to show the fuck tight t cat fuck do. 215 00:10:49,559 --> 00:10:52,600 Speaker 5: Let's take it. 216 00:10:52,920 --> 00:10:55,119 Speaker 2: A massive thing that on a cat, ain't stand. 217 00:10:54,920 --> 00:11:01,160 Speaker 3: On a buck, hands up, singing along to that with 218 00:11:01,240 --> 00:11:07,559 Speaker 3: a tear in your eyes, all that emotional stuff and 219 00:11:07,600 --> 00:11:08,959 Speaker 3: we're crying during that song. 220 00:11:09,120 --> 00:11:10,880 Speaker 2: I think we'll leave the last word to Duck. 221 00:11:11,520 --> 00:11:13,920 Speaker 5: That means it's time to go, time to scarf, a 222 00:11:14,040 --> 00:11:16,680 Speaker 5: time for the final copulator. I don't as I say 223 00:11:16,679 --> 00:11:18,800 Speaker 5: when I go into detail about how sad I feel, 224 00:11:18,840 --> 00:11:23,200 Speaker 5: but I am sad, and I recognize the passing of 225 00:11:23,200 --> 00:11:24,920 Speaker 5: an era, and I'm glad to have been part of 226 00:11:25,000 --> 00:11:25,480 Speaker 5: your lives. 227 00:11:25,559 --> 00:11:26,640 Speaker 2: Herry out Everyboddy