1 00:00:00,920 --> 00:00:06,120 Speaker 1: Hello, Hello, Christian O'Connell Show podcast. Hey, thank you very 2 00:00:06,200 --> 00:00:09,879 Speaker 1: much for downloading this. Sometimes the show is a kind 3 00:00:09,880 --> 00:00:13,160 Speaker 1: of radiotherapy to me as a dad, a shabby dad 4 00:00:13,200 --> 00:00:15,160 Speaker 1: trying to do his best, but sometimes I don't really 5 00:00:15,200 --> 00:00:16,720 Speaker 1: know what I'm up to. So it is a kind 6 00:00:16,720 --> 00:00:20,120 Speaker 1: of therapy coming here and sort of using it as 7 00:00:20,120 --> 00:00:22,799 Speaker 1: a diary to talk about my trials and tribulations with 8 00:00:22,840 --> 00:00:26,840 Speaker 1: two awesome teenage daughters. So we put this together for you. 9 00:00:26,920 --> 00:00:30,040 Speaker 1: Here's some of our favorite dad moments from this year 10 00:00:30,200 --> 00:00:32,960 Speaker 1: on the show. Enjoy. First of all, yesterday I was 11 00:00:33,000 --> 00:00:35,120 Speaker 1: saying how I was going to be starting a new 12 00:00:35,120 --> 00:00:38,400 Speaker 1: weekly thing with my thirteen year old daughter and a 13 00:00:38,400 --> 00:00:40,200 Speaker 1: movie club. Well, once a week we're going to watch 14 00:00:40,200 --> 00:00:42,320 Speaker 1: a movie, a movie, you know, those movies that are 15 00:00:42,320 --> 00:00:44,800 Speaker 1: about life. They teach us something, they show us something, 16 00:00:45,040 --> 00:00:47,280 Speaker 1: and then we're going to talk about it afterwards. And 17 00:00:47,320 --> 00:00:49,560 Speaker 1: I was looking for your recommendations, and so many of 18 00:00:49,640 --> 00:00:53,120 Speaker 1: you said stand by me. So last night we watched 19 00:00:53,159 --> 00:00:55,840 Speaker 1: stam by Me. I let a little fire close the curtain. 20 00:00:55,880 --> 00:00:58,160 Speaker 1: So we made a little kind of cuphouse down and made 21 00:00:58,160 --> 00:01:00,920 Speaker 1: some snacks and we sat down with the dogs and 22 00:01:00,960 --> 00:01:04,200 Speaker 1: the cats and then what stand by Me? And I 23 00:01:04,200 --> 00:01:06,000 Speaker 1: think when I first saw this, I think it came 24 00:01:06,000 --> 00:01:09,720 Speaker 1: out in eighty six. I was thirteen, and I remember 25 00:01:09,720 --> 00:01:12,399 Speaker 1: watching it with my three best mates, and it is 26 00:01:12,440 --> 00:01:15,240 Speaker 1: about friendship, what happens as you grow older on into 27 00:01:15,600 --> 00:01:17,440 Speaker 1: teens and all when you start to realize some of 28 00:01:17,440 --> 00:01:19,840 Speaker 1: the ugly truths about life. And I remember we all 29 00:01:19,840 --> 00:01:21,959 Speaker 1: watched it, and I remember we all cycled out of 30 00:01:21,959 --> 00:01:24,360 Speaker 1: there together. We'd cycled all the way there. We felt 31 00:01:24,360 --> 00:01:26,440 Speaker 1: like it was our movie. It was about us, even 32 00:01:26,480 --> 00:01:29,200 Speaker 1: though we didn't quite fully know what was coming our way. 33 00:01:29,400 --> 00:01:31,319 Speaker 1: As you go into and they talk about the movie, 34 00:01:31,520 --> 00:01:34,040 Speaker 1: they even say, this is it before girls came along? 35 00:01:34,120 --> 00:01:36,319 Speaker 1: In the narrator Jordie when he talks about it is 36 00:01:36,360 --> 00:01:38,880 Speaker 1: that's how we were before girls came along. And it's 37 00:01:38,880 --> 00:01:41,240 Speaker 1: got that Stephen King is a genius, you know, look 38 00:01:41,240 --> 00:01:44,440 Speaker 1: at Misery and Shawshank Redemption, which is also a short 39 00:01:44,480 --> 00:01:46,959 Speaker 1: story which what this originally was stand by Me called 40 00:01:46,959 --> 00:01:50,160 Speaker 1: the Body. It's got this great opening line. I was 41 00:01:50,200 --> 00:01:52,520 Speaker 1: twelve going on thirteen the first time I saw a 42 00:01:52,560 --> 00:01:55,600 Speaker 1: dead human being. What you're there, aren't you? It just 43 00:01:55,640 --> 00:01:58,320 Speaker 1: snaps your attention, It just draws you straight in the 44 00:01:58,480 --> 00:02:01,280 Speaker 1: Richard Drayfus had grown up. Ju It's about watching it 45 00:02:01,360 --> 00:02:03,960 Speaker 1: again now all those years later, watch it now as 46 00:02:03,960 --> 00:02:06,280 Speaker 1: a dad with my thirteen year old daughter, of course, 47 00:02:06,400 --> 00:02:09,920 Speaker 1: is going into that world now and seeing it again 48 00:02:09,960 --> 00:02:11,760 Speaker 1: as a you know, as a forty seven year old, 49 00:02:11,919 --> 00:02:14,320 Speaker 1: but with my daughter as well. It had an even 50 00:02:14,480 --> 00:02:17,040 Speaker 1: deeper meaning for me. I love seeing it my daughter. 51 00:02:17,160 --> 00:02:19,600 Speaker 1: She absolutely loved it as well. It's about as perfect 52 00:02:19,680 --> 00:02:21,160 Speaker 1: a movie as you'll ever see. 53 00:02:21,240 --> 00:02:23,320 Speaker 2: Yeah, did you ache? Because I mean Biank and I 54 00:02:23,320 --> 00:02:26,080 Speaker 2: watch it as well. Inspired by your movie club, we 55 00:02:26,120 --> 00:02:30,040 Speaker 2: made a little one of our own, the Ache of Nostegia, 56 00:02:30,200 --> 00:02:32,240 Speaker 2: that I felt because I was the same. I saw 57 00:02:32,240 --> 00:02:34,079 Speaker 2: it originally when I was a teenager and I thought 58 00:02:34,120 --> 00:02:35,960 Speaker 2: that's a great movie. But now you watch it again, 59 00:02:36,040 --> 00:02:38,320 Speaker 2: you think about yourself at that age. We know can 60 00:02:38,400 --> 00:02:40,680 Speaker 2: help with friends at that age, and then what happens 61 00:02:41,000 --> 00:02:43,040 Speaker 2: from when you're twelve to where you are now. And 62 00:02:43,080 --> 00:02:45,280 Speaker 2: that's why it's got these two kind of things that 63 00:02:45,320 --> 00:02:47,200 Speaker 2: I think make it work and stand the testa time. 64 00:02:47,600 --> 00:02:49,920 Speaker 2: The movie is seen through the children's eyes, you know, 65 00:02:50,040 --> 00:02:52,240 Speaker 2: the four of them, but it's also threeing through this 66 00:02:52,320 --> 00:02:55,680 Speaker 2: kind of bittersweet knowing of the narrator's voice, who has 67 00:02:55,720 --> 00:02:58,760 Speaker 2: the knowledge of wisdom and time and knows what happens 68 00:02:58,760 --> 00:03:00,640 Speaker 2: to them all already in the opening scene, you know 69 00:03:00,680 --> 00:03:02,799 Speaker 2: that Chris dies, he's not going to be there, and 70 00:03:02,880 --> 00:03:04,480 Speaker 2: when he fades at the end of it, it just 71 00:03:04,919 --> 00:03:07,800 Speaker 2: it breaks your heart's And it's a movie about a 72 00:03:07,840 --> 00:03:09,920 Speaker 2: loss of innocence, isn't it. Even when they talk about 73 00:03:09,919 --> 00:03:12,000 Speaker 2: their parents, and some of the parents are very neglectful 74 00:03:12,040 --> 00:03:14,280 Speaker 2: in the movie, you know, And it's quite brutal at all. 75 00:03:14,400 --> 00:03:16,800 Speaker 2: And there are those dark things in the dark things 76 00:03:16,800 --> 00:03:20,480 Speaker 2: that happened to his friends. But there it's, as you said, 77 00:03:20,560 --> 00:03:23,120 Speaker 2: viewed through the innocence of childhood. So everything is a 78 00:03:23,120 --> 00:03:24,679 Speaker 2: little bit matter of fact about it. 79 00:03:24,680 --> 00:03:27,840 Speaker 1: It's a beautiful movie. There's a scene that I just loved. 80 00:03:27,880 --> 00:03:29,920 Speaker 1: There are a couple of scenes that really stand the 81 00:03:29,960 --> 00:03:32,800 Speaker 1: test of time. There's a scene where they're all just 82 00:03:32,840 --> 00:03:35,640 Speaker 1: throwing pebbles and rocks in a can. Do you remember when 83 00:03:35,640 --> 00:03:38,600 Speaker 1: you were that age, time had no relevance. 84 00:03:38,640 --> 00:03:40,360 Speaker 2: You didn't worry about what you had to do that night, 85 00:03:40,400 --> 00:03:41,760 Speaker 2: what do you have to do the next day, what 86 00:03:41,840 --> 00:03:43,800 Speaker 2: you had to get prepared for whatever's coming up? 87 00:03:43,840 --> 00:03:44,320 Speaker 1: In your life. 88 00:03:44,320 --> 00:03:46,800 Speaker 2: You're just like you're in the moment completely in the 89 00:03:46,840 --> 00:03:48,040 Speaker 2: moment you felt like. 90 00:03:48,040 --> 00:03:51,200 Speaker 1: You had your place in the world sorted. And it's 91 00:03:51,240 --> 00:03:57,320 Speaker 1: an amazing movie. A Christian O'Connell show podcast. You know 92 00:03:57,360 --> 00:04:00,000 Speaker 1: when you wake up in the morning and then sometimes 93 00:04:00,080 --> 00:04:02,160 Speaker 1: to think about that instant to do list that drops 94 00:04:02,200 --> 00:04:04,200 Speaker 1: down and think, oh, no, I've got that today, whether 95 00:04:04,200 --> 00:04:07,920 Speaker 1: it's a dentist or whatever. Today was worried about what 96 00:04:07,960 --> 00:04:10,360 Speaker 1: I've got with this photo shoot the Herald. Someone want 97 00:04:10,360 --> 00:04:12,760 Speaker 1: to do a feature about us moving here, how my 98 00:04:12,840 --> 00:04:14,800 Speaker 1: kids have gone on, how my wife's got on, how 99 00:04:14,840 --> 00:04:16,880 Speaker 1: the radio show's go on, and all this, which is 100 00:04:16,920 --> 00:04:20,279 Speaker 1: all great. However, we've never done a family photo shoot together. 101 00:04:20,720 --> 00:04:23,360 Speaker 1: And there now I wish we'd done it years ago, 102 00:04:23,480 --> 00:04:26,360 Speaker 1: when they're eight or nine. Right, I was a golden 103 00:04:26,400 --> 00:04:28,480 Speaker 1: god to them, right, I could do no wrong. They 104 00:04:28,480 --> 00:04:30,240 Speaker 1: did whatever I told them, They went to bed when 105 00:04:30,240 --> 00:04:33,240 Speaker 1: I said it. Whereas now suddenly at fourteen and sixteen, 106 00:04:33,440 --> 00:04:35,840 Speaker 1: the very worst time, the worst told in the world 107 00:04:35,920 --> 00:04:38,279 Speaker 1: to do a photo shoot with them. Right, let's just 108 00:04:38,320 --> 00:04:40,800 Speaker 1: factor in. I've now had to broke or a deal 109 00:04:40,920 --> 00:04:42,160 Speaker 1: to pay them to be in it. 110 00:04:42,279 --> 00:04:44,039 Speaker 2: No, no, no, no, you're a dad. 111 00:04:44,120 --> 00:04:47,840 Speaker 1: I knew the boss. Do you know what they are? 112 00:04:47,920 --> 00:04:52,040 Speaker 1: It's like being in a house with fundamentalists. I'll tell 113 00:04:52,040 --> 00:04:55,040 Speaker 1: you what they are. Fascists. If I had a statue 114 00:04:55,040 --> 00:04:56,880 Speaker 1: in whom in my God, I mean bringing it down 115 00:04:56,960 --> 00:05:00,719 Speaker 1: right now, soaring the legs off. I mean, what should 116 00:05:00,720 --> 00:05:06,839 Speaker 1: bring the wrong people? What they do? Years miss rule? Yesterday, 117 00:05:07,000 --> 00:05:08,840 Speaker 1: I said, look, please just do it. You know I 118 00:05:08,960 --> 00:05:10,880 Speaker 1: rarely asked you to do anything. It's I said, it's 119 00:05:10,880 --> 00:05:13,800 Speaker 1: just something in years to come, you're going to show 120 00:05:13,880 --> 00:05:16,200 Speaker 1: maybe your children and by what happened when you when 121 00:05:16,200 --> 00:05:18,200 Speaker 1: we moved to Australia as a family and you might 122 00:05:18,240 --> 00:05:21,040 Speaker 1: be somewhere else in the world. And my fourteen year 123 00:05:21,080 --> 00:05:23,320 Speaker 1: old look me in the eye and calmly said, your 124 00:05:23,440 --> 00:05:25,680 Speaker 1: need for me to do this is greater than my 125 00:05:25,839 --> 00:05:30,680 Speaker 1: need to do it. It's like she's seeing through the 126 00:05:30,720 --> 00:05:33,800 Speaker 1: dad Mattrix. I was like, can you be my agent? 127 00:05:34,960 --> 00:05:42,120 Speaker 1: I'm going to sack that guy. I was like, yeah, yeah, yeah, where. 128 00:05:42,000 --> 00:05:44,240 Speaker 2: Do you start with negotiations? I mean, you don't have 129 00:05:44,320 --> 00:05:46,400 Speaker 2: to put a dollar figure on it, but are they 130 00:05:46,520 --> 00:05:47,400 Speaker 2: making good bank? 131 00:05:47,680 --> 00:05:47,960 Speaker 1: Yeah? 132 00:05:48,160 --> 00:05:49,200 Speaker 2: Yeah. 133 00:05:49,320 --> 00:05:51,320 Speaker 1: They both go to me like this. When I agreed 134 00:05:51,360 --> 00:05:53,599 Speaker 1: the deal, with both of them, right, so they're both 135 00:05:53,600 --> 00:05:57,640 Speaker 1: getting the same amount of money. They both go and cash. 136 00:05:57,760 --> 00:06:04,320 Speaker 1: What else are you going to do banking? We'll give 137 00:06:04,320 --> 00:06:06,120 Speaker 1: you a discount for cash. So if we've got to 138 00:06:06,160 --> 00:06:08,560 Speaker 1: go through the whole tax thing, then it's gonna be 139 00:06:08,600 --> 00:06:11,000 Speaker 1: a bit high. We're not paying GST on this one. Again. 140 00:06:11,120 --> 00:06:18,600 Speaker 1: Chad like doing the dog Poo Pig Christian Christian show. 141 00:06:19,120 --> 00:06:21,960 Speaker 1: As always, this show sometimes is therapy for me. I 142 00:06:22,000 --> 00:06:24,479 Speaker 1: need to talk to you about a terrifying incident that 143 00:06:24,560 --> 00:06:27,880 Speaker 1: happened in the house yesterday. I heard this crash, this 144 00:06:28,120 --> 00:06:31,320 Speaker 1: crashing noise, and it was a really big crash as well, 145 00:06:33,560 --> 00:06:42,440 Speaker 1: life goes Chris, ye Si because I heard, I went, yeah, 146 00:06:43,440 --> 00:06:46,240 Speaker 1: she goes, You're going to go and see what's there. 147 00:06:46,279 --> 00:06:50,800 Speaker 1: So I get up real so I'm hoping that someone's 148 00:06:50,800 --> 00:06:54,359 Speaker 1: going to interrupt the game and then I but the 149 00:06:54,400 --> 00:06:57,240 Speaker 1: time I get off the couch, there's this this is 150 00:06:57,240 --> 00:07:02,039 Speaker 1: the sound, and now I's starting to run going what 151 00:07:02,120 --> 00:07:04,720 Speaker 1: they actually sounds like someone's got into the house. I 152 00:07:04,880 --> 00:07:07,360 Speaker 1: go running down and go into my little office and 153 00:07:07,440 --> 00:07:09,520 Speaker 1: there are you know, and like a movie when there's 154 00:07:09,520 --> 00:07:11,240 Speaker 1: been a pillow fight and there are feathers in the 155 00:07:11,280 --> 00:07:13,720 Speaker 1: air and on the floor. That's what they're there. And 156 00:07:13,760 --> 00:07:17,320 Speaker 1: my cat, Larry, right, the crash is obviously a bird 157 00:07:17,400 --> 00:07:20,400 Speaker 1: must have flown into the study. He has this bird 158 00:07:20,600 --> 00:07:24,040 Speaker 1: in his mouth. It's flapping around, but it's in Larry 159 00:07:24,080 --> 00:07:26,800 Speaker 1: the cat's neck. Larry, like I said, he's gonna die 160 00:07:26,800 --> 00:07:29,280 Speaker 1: at the moment. It ain't going very well. He's trump 161 00:07:29,320 --> 00:07:32,640 Speaker 1: sized birds out of the air. Now. Yeah, but now 162 00:07:32,640 --> 00:07:34,840 Speaker 1: he's like puffed up cats when they get that, and 163 00:07:34,840 --> 00:07:38,360 Speaker 1: his eyes are all dilated. Right, I'm looking at a madman, 164 00:07:38,440 --> 00:07:41,680 Speaker 1: not Larry, this beautiful cat. And I go, Larry, I 165 00:07:41,760 --> 00:07:45,320 Speaker 1: actually trying to reason with him. I'm Larry, drop that bird, okay, 166 00:07:45,360 --> 00:07:47,120 Speaker 1: like it's one of the dodge because they will respond. 167 00:07:47,720 --> 00:07:50,760 Speaker 1: Larry looks at me like, I don't compute. I Larry 168 00:07:50,800 --> 00:07:53,240 Speaker 1: drop the bird. Then my wife goes, Chris is not 169 00:07:53,280 --> 00:07:55,640 Speaker 1: a bird in the house. My wife is terrified of birds. 170 00:07:55,840 --> 00:07:58,080 Speaker 1: She goes running into the bendrum like it's a panic room, 171 00:07:58,280 --> 00:08:02,120 Speaker 1: slams a doll. Right. The kids come running out holding 172 00:08:02,160 --> 00:08:04,200 Speaker 1: their phones. You know what they do, like everything it's 173 00:08:04,200 --> 00:08:06,400 Speaker 1: not being filmed, it's not happening. I could put them down. 174 00:08:06,480 --> 00:08:09,120 Speaker 1: You don't want to see this, it's carnage. They take 175 00:08:09,120 --> 00:08:11,320 Speaker 1: a look around the corner to see this poor bird 176 00:08:11,680 --> 00:08:13,880 Speaker 1: right in Larry the cat's mouth, and they go running 177 00:08:13,880 --> 00:08:16,760 Speaker 1: screaming upstairs. I then have to trap myself. I shut 178 00:08:16,760 --> 00:08:19,400 Speaker 1: the door behind me. It's me, Larry and this flapping bird. 179 00:08:19,440 --> 00:08:19,560 Speaker 2: Right. 180 00:08:19,560 --> 00:08:23,240 Speaker 1: I go, Larry, drop the bird. Right. Larry doesn't want 181 00:08:23,240 --> 00:08:27,040 Speaker 1: to drop the bird. I then get it out of 182 00:08:27,120 --> 00:08:30,760 Speaker 1: Larry's mouth. He's going back and forward, and I'm going, Larry, 183 00:08:30,800 --> 00:08:33,880 Speaker 1: drop the bird. Come, Larry. I then have to put 184 00:08:33,880 --> 00:08:37,079 Speaker 1: like a dentist with a reluctant patient, prize open the 185 00:08:37,320 --> 00:08:41,839 Speaker 1: jaws right, and it's just reminding, looks at me and 186 00:08:41,920 --> 00:08:46,800 Speaker 1: drops at this you ruin my day. The bird starts 187 00:08:46,840 --> 00:08:49,400 Speaker 1: to flap around, and they just made me so squeamish. 188 00:08:49,480 --> 00:08:51,400 Speaker 1: I have to then spend a while trying to catch 189 00:08:51,400 --> 00:08:53,640 Speaker 1: the bird. Right, catch the bird, And I'm doing that 190 00:08:53,679 --> 00:08:57,760 Speaker 1: scumamish thing. I would not be good on that, essays 191 00:08:57,840 --> 00:09:04,960 Speaker 1: showing it's like flapping around. I'm trying to help you, right, 192 00:09:05,000 --> 00:09:06,800 Speaker 1: and I open the study door that I run to 193 00:09:06,880 --> 00:09:09,559 Speaker 1: the front door, throw open the front door. This dumb 194 00:09:09,559 --> 00:09:12,960 Speaker 1: bird so flies up and comes straight back over my 195 00:09:13,040 --> 00:09:16,680 Speaker 1: head into the house. No, it's now bouncing off the 196 00:09:16,679 --> 00:09:19,640 Speaker 1: wall like it's just flapping around like feathers everywhere. 197 00:09:19,720 --> 00:09:21,079 Speaker 2: It's like when you kick a guy out of a 198 00:09:21,120 --> 00:09:25,280 Speaker 2: bar fight and he's like, I'm going straight for your safety. 199 00:09:25,320 --> 00:09:29,520 Speaker 1: Bouncing off the walls. And now unfortunately he is emptying 200 00:09:29,600 --> 00:09:32,480 Speaker 1: his bounds everywhere. I don't know whether they do that 201 00:09:32,600 --> 00:09:35,000 Speaker 1: to let off some fuel or something can get even quicker. 202 00:09:35,480 --> 00:09:38,760 Speaker 1: He's now and Sarah's going, Sarah's going, does he come 203 00:09:38,880 --> 00:09:40,920 Speaker 1: back in? And I go, I try to get with it. 204 00:09:41,559 --> 00:09:43,400 Speaker 1: I then have to run to these get hold of 205 00:09:43,400 --> 00:09:45,400 Speaker 1: his body again. This time I walk out on the 206 00:09:45,440 --> 00:09:51,360 Speaker 1: street to see like a grenade that's about to blow, 207 00:09:53,040 --> 00:09:57,280 Speaker 1: and it laps up there as I look back at 208 00:09:57,280 --> 00:09:59,840 Speaker 1: the house, Oh, I say, right, my two teenage store 209 00:09:59,880 --> 00:10:02,599 Speaker 1: to in their bedrooms pressed against the window, Larry the 210 00:10:02,679 --> 00:10:05,160 Speaker 1: cat downstairs, looking really really fed up. 211 00:10:05,640 --> 00:10:08,079 Speaker 2: The Christian O'Connell Show podcast