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Speaker 1: Powered by the my Heart Radio app from ninety six

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Speaker 1: air VM to where you're listening today.

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Speaker 2: This is Clezy and Lisa's podcast.

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Speaker 3: Coming up on the podcast today, How to Make It

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Speaker 3: in Way's Entertainment Industry continues with director Jordan Prince Wright.

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Speaker 4: We took your calls on the best car names you

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Speaker 4: didn't seem to like Shagging Wagon.

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Speaker 3: Venochet reviews the New Joker movie.

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Speaker 4: We spoke about our goods and food getting smaller, but

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Speaker 4: the price is staying the same or going up.

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Speaker 3: Robbie Williams is definitely being portrayed in his biopeak by

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Speaker 3: a monkey.

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Speaker 5: The trailer is out today.

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Speaker 4: We're Different.

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Speaker 3: Yesterday was World Name Your Car Day. We want to

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Speaker 3: talk about car names. The best name you've heard, maybe

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Speaker 3: what you've called your car.

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Speaker 5: My current car doesn't have a name. It's just the car.

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Speaker 4: I like to call it. Sweet Writer.

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Speaker 3: Yeah, this is this a sweet ri original, totally impractical

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Speaker 3: sign little true seater two door car.

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Speaker 5: But it's fun.

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Speaker 3: But I was saying earlier, I used to have a

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Speaker 3: very sexy, sleek black Select.

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Speaker 5: Which I called the Don Carleone because it just had

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Speaker 5: a bit of a godfather vibe.

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Speaker 4: And then it was so was it black? Black? Black?

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Speaker 5: Black?

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Speaker 4: Okay, black black, now that sounds good.

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Speaker 6: Flag.

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Speaker 3: Did you have something other than the shag and wagon

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Speaker 3: what you mentioned earlier?

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Speaker 5: Well, I want I don't know that that's a name

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Speaker 5: so much as.

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Speaker 4: There was a Ford Escort panel food, and the old

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Speaker 4: man helped me deck it out in blue fun.

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Speaker 5: Fur, blue fun fur.

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Speaker 4: Ye, and I wanted to call it the pleasure machine.

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Speaker 3: You didn't see a lot of from action with its

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Speaker 3: blue fun fur.

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Speaker 4: Like I said, I wanted to call it the pleasure machine.

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Speaker 4: It was more like the disappointment Escort. No, it didn't

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Speaker 4: have a name. But I did have a mate whose

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Speaker 4: car was called Kevin. I thought it was Cide Kevin

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Speaker 4: the car?

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Speaker 5: Was it?

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Speaker 7: What?

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Speaker 5: It was?

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Speaker 4: Little bunky thing, little four cylinder bunkie And I went,

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Speaker 4: I don't even know what it was. It was time,

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Speaker 4: little Kevin the car And I went why why? And

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Speaker 4: he goes on Kevin Cortina. I saw it and went,

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Speaker 4: I'm calling it Kevin fair enough?

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Speaker 8: Graham, Hi, Graham, Yeah, Hey see how you doing?

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Speaker 4: What do you got good?

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Speaker 8: Micah had some striking features and I picked it up

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Speaker 8: last year. Had some long, thin headlamps, very elegant, just

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Speaker 8: like I. Yeah, also had the pointy wingerers and when

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Speaker 8: you walk up to it, they pop out and say

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Speaker 8: hello to you. It reminded my wife of the spot

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Speaker 8: from Star Trek, so we bull and got the regio

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Speaker 8: plates for it, so it's now simply Spock.

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Speaker 4: Thanks g Good Graham.

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Speaker 5: That's on the text line.

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Speaker 3: Mark says, my wife Shaza has a nineteen sixty six

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Speaker 3: split window comby that she calls shuts Neili Marangaroo had

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Speaker 3: a great wall ut called Greta from the word great,

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Speaker 3: had her for eleven years.

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Speaker 5: I have a bet fifty called Betty.

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Speaker 3: Michelle in a Luca may This may be a little

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Speaker 3: spelling mishap, because she says her v dumb beetle is

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Speaker 3: called herpy Hey.

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Speaker 5: The love bug, Happy, the love bug.

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Speaker 3: Oh it is God, the love Bug.

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Speaker 5: I get it, Michelle. It's a bit slow on the update.

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Speaker 4: This is what needs you to upway Gold the love bug.

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Speaker 4: Only just get it.

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Speaker 5: Yes, I already just got it.

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Speaker 4: That's funny.

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Speaker 5: Well, because I've never had it.

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Speaker 4: I love bug Christa. Please please excuse my friend here, Chris, sorry.

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Speaker 7: Called well, it's actually my husband's you.

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Speaker 9: We both like Archie and Doughead Comics. So the you

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Speaker 9: is Apple and our trailers, Dughead.

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Speaker 5: That's fantastic.

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Speaker 4: Love it. Well, we're fond of our car, so I

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Speaker 4: want not have a give it a keut.

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Speaker 9: And always get girl for some reason.

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Speaker 5: Okay, great name.

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Speaker 3: Nice thanks Krista christ By granting Quinn's rocks on our

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Speaker 3: text line, it says Christine, Well that's a bit scary.

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Speaker 5: I would want to leave that alone in the in

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Speaker 5: the garra.

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Speaker 4: That's very stepid, isn't it.

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Speaker 3: Clayton from Canning VAL's wife has a Toyota klugan named Sonya.

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Speaker 4: Give it a gold luggy.

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Speaker 5: That's a good one.

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Speaker 4: Chris, welcome there, you going good?

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Speaker 6: What have we got?

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Speaker 9: Look, I've got a couple. I want to shout out

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Speaker 9: first of all to a good maid of mine over

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Speaker 9: when when we first got our cars, he got a

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Speaker 9: little Minnie and he called it Bruce. I had no

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Speaker 9: idea to.

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Speaker 4: Day why right, Bruce?

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Speaker 9: We we have a we have a big sewer full

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Speaker 9: drug wagon and we traveled Australia in it and we

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Speaker 9: go everywhere and somehow I just got the nickname the

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Speaker 9: mother ship and call them othership. You know, we can't

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Speaker 9: which which car we taken the other ship and yeah,

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Speaker 9: so that's that's stuck as well, so you yeah, we

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Speaker 9: all always mind that.

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Speaker 4: Yeah, anothership that's even better than the family truck stud

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Speaker 4: Yeah yeah.

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Speaker 5: What about you? Sharon and Gingerly.

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Speaker 7: Hello, my car is called Gladys. There were two reason, Yeah,

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Speaker 7: Gladys but with the g W. Yeah. Yeah, so basically

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Speaker 7: she's owl. She's a bit fashed up, she's but she's

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Speaker 7: really reliable and a boot smells a bit funky.

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Speaker 4: Okay, good old glad that's.

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Speaker 7: Your first one, and then the second one because my

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Speaker 7: football team those standard is called glad the streets as well,

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Speaker 7: so we've got sorts of double reason. But she's never

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Speaker 7: let me down. But she is a bit of an

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Speaker 7: old project.

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Speaker 9: Honest, we probably love that.

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Speaker 5: So is that for a chat?

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Speaker 4: You don't want to change Gladys? You want to? You

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Speaker 4: want to because you might get something else and applies up.

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Speaker 9: Thank you mind, Thank you bye.

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Speaker 4: Nothing like a dependable car that gets you from a B.

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Speaker 3: On the text, Craig and Singleton says, I drive in

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Speaker 3: PEACR every day, so I have named my car sir

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Speaker 3: honks a lot.

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Speaker 4: Yes, necessary, absolutely.

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Speaker 3: We've been talking about names for cars, because yesterday was World.

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Speaker 5: Name Your Car Day.

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Speaker 3: Penny in South Under Up says, back in the late

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Speaker 3: eighties in Perth there was a red Ford Fairmont floating

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Speaker 3: around called Robert rod Redford. Meagan Ginderly says, I have

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Speaker 3: a cute Mini called Mouse and a super cute blinged

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Speaker 3: out swift called Taylor.

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Speaker 4: Oh, names are plenty to Willardon. Hey, Caroline, Hello, Caroline?

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Speaker 5: Hi?

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Speaker 7: How are you?

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Speaker 9: Yeah?

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Speaker 10: Good's I have a test for three which looks like

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Speaker 10: a frog at the front, and I loved it so much.

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Speaker 9: I would see Hello, my baby Helena honey every time

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Speaker 9: I thought.

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Speaker 2: It's called Michigan j Frog, after the frog from the

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Speaker 2: melody Mary Melanie's cartoon Hire you.

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Speaker 3: Go, Hell, Hi there, that's quite the story, thanks Caroline.

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Speaker 4: Caroline, Why don't she even on a busy day you'd

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Speaker 4: sing this song?

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Speaker 10: Oh?

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Speaker 5: Why ad in Beaconsfield.

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Speaker 4: Yes, it's always when I do a show to you.

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Speaker 5: Word have we got?

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Speaker 11: It's not my car mates car, it's a really nice

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Speaker 11: hate z over land of one Tanner and her name

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Speaker 11: is Utrius.

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Speaker 4: Oh yeahs okay.

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Speaker 11: And I heard mate saying earlier that his mate's minnie's

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Speaker 11: name was Bruce if it was anything like your brother's

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Speaker 11: any many as his first car would have. Don't let

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Speaker 11: me down, Bruce, very good, He's always broke down. Th La.

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Speaker 1: Thanks more more Lisa, More podcasts soon clear and Lisa's

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Speaker 1: how's a mayest in w A in this son, I'll

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Speaker 1: make you a start.

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Speaker 3: This has been fabulous and today Prince Right is joining us.

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Speaker 5: Good morning, director w read.

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Speaker 3: Film director of the movie Before Dawn, amongst other things.

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Speaker 3: Before Dawn is coming out on Netflix tonight, Slash tomorrow.

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Speaker 3: You were just telling us and this is not the

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Speaker 3: usual thing that happens in the States.

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Speaker 5: It was meant to have what a three week.

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Speaker 10: Cinema It was meant to run only three weeks cinema run,

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Speaker 10: ended up doing eleven weeks in the cinemas and the States.

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Speaker 5: That's high praise.

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Speaker 10: Yeah, and it's gone pretty much equivalent in Europe.

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Speaker 2: It's just gone mental over there, which is fantastic.

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Speaker 5: Well, I'm not surprised because it looks amazing.

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Speaker 4: What a great reason.

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Speaker 5: It is a Anzac story.

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Speaker 10: Yeah, and it's an Anzac story that needed to be told.

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Speaker 10: And I read the diaries back when I was in

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Speaker 10: high school. Yeah, and going through those diaries and you know,

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Speaker 10: everybody knows the story of Gallipoli, but they don't necessarily

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Speaker 10: know the story of the Western Front, and so reading

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Speaker 10: those diaries and just seeing the sacrifices of what those

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Speaker 10: men and women went through back then, it was like, no,

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Speaker 10: this has to be told, This has to be put

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Speaker 10: on the big screen. And so all the films are

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Speaker 10: previously done, have been leading up to this, and the

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Speaker 10: purpose of this was an awareness piece, and little did

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Speaker 10: we know it would go this gangbusters.

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Speaker 2: Around the world.

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Speaker 4: It is incredible now. Ian Hale from the backlock movie

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Speaker 4: cinemas of course and Halo films, he spoke to us,

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Speaker 4: what a couple of years ago, last year and a

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Speaker 4: half ago, about you, and he said, there was this

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Speaker 4: kid who wrote to me. How old were you when

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Speaker 4: you wrote?

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Speaker 2: Thirteen years old?

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Speaker 10: When I wrote to him and said, oh, yeah, I

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Speaker 10: want to be a movie maker, and you know, and

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Speaker 10: little did I know what was actually involved in my

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Speaker 10: yes film and yeah, but no I wrote to him

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Speaker 10: and he wrote, he wrote back to me.

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Speaker 4: He was full of encouragement.

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Speaker 10: He's still oh yeah, he still got the letter today

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Speaker 10: and I still got the letter he wrote.

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Speaker 4: Back to me.

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Speaker 5: Dines out on you a lot.

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Speaker 10: It was quite funny though, because I remember going to

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Speaker 10: him with the Western that I did and he's like, yeah,

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Speaker 10: you know great, make it so encouraging, And we won

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Speaker 10: awards in LA and I got to meet a lot

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Speaker 10: of people like Jack Thompson I got to meet when

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Speaker 10: I was in high school and advice and long story

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Speaker 10: short with En, you know when we started with the

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Speaker 10: war film. Because we've made all these films to date,

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Speaker 10: but now you're going to go to this whole next level,

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Speaker 10: you know, Hollywood level. You're going to need a significant

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Speaker 10: amount of funding. Six months later, went back told him

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Speaker 10: I did it, and he's like, well, I don't have

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Speaker 10: a choice. Now, I guess we'll have to be.

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Speaker 4: Able to do it.

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Speaker 3: Yeah, now you went to Whopper.

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Speaker 10: Yes, I went to ECU and got to the units

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Speaker 10: of Whopper and whatnot, and what you learn there is incredible,

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Speaker 10: you know. And now ECY is moving into the city.

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Speaker 2: Which is fantastic.

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Speaker 10: So it's really yeah, it's really exciting that we've got,

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Speaker 10: especially at the studio that's been built here as well,

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Speaker 10: there's plenty of opportunities for upcoming talent and artists to

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Speaker 10: actually you know, explore because you know, Australia's all really

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Speaker 10: loves the sports, but there's also got incredible artists here,

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Speaker 10: you know, and you see that that around the world.

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Speaker 10: In fact, the recent awards that have just come back

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Speaker 10: from in the Netherlands, which was the Septimius Awards. We

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Speaker 10: one night we were just sitting in a restaurant start

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Speaker 10: chatting to these Aussies and they were all from Whopper.

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Speaker 2: They were in some musical theater show over there.

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Speaker 10: So it shows you Aussies are really taking over the

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Speaker 10: art scene around.

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Speaker 4: Well, how excited are you about malagam Ma because it's

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Speaker 4: going to be a big set up up there. As

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Speaker 4: a filmmaker, you must be.

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Speaker 10: Oh, definitely, And I think it's really good that the

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Speaker 10: government's got behind this. Yes, and before Dawn it was

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Speaker 10: an independent production and it can actually be you know,

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Speaker 10: without being too political about it. It is hard to

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Speaker 10: get funding sometimes from the government to make films, even

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Speaker 10: if it's an ANZAC film. But to say, hey, look

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Speaker 10: we've actually now got the studio that's being built there

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Speaker 10: and hopefully that we have that support that the local

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Speaker 10: artists here in Wa get to actually be involved in

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Speaker 10: that and we actually get to and it's not just

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Speaker 10: overseas or over east, so to speak, and we actually

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Speaker 10: get those jobs here to be Yeah, it's going to

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Speaker 10: be interesting to see what happens there. But I know

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Speaker 10: the local scene, we're super excited, and yeah, there's gonna

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Speaker 10: be a lot more opportunities to come.

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Speaker 3: And the whole movie can all be done in the

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Speaker 3: one stage rather than having you know, some bits there

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Speaker 3: and then post production somewhere else. Entirely as a director,

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Speaker 3: you know why w Way is really taking off because

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Speaker 3: of our incredible location.

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Speaker 10: Yeah, I mean before Dawn we filmed a World War

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Speaker 10: One film in Esperance, you know, so, and then we

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Speaker 10: had Q where was all the outback scenes. So we

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Speaker 10: have got magical locations here. And I guess also, yeah,

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Speaker 10: with the studio go back to it saying about doing stuff.

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Speaker 10: We had to have studios over eas but we even

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Speaker 10: had studios in India assisting us out because there wasn't

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Speaker 10: that capability here in Wa. So we've got everything up

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Speaker 10: to the stage of post production, but nothing beyond that.

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Speaker 10: So then you know, other than places like inns, that

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Speaker 10: the backlot and that sort of thing.

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Speaker 2: So for us, it was one of those things.

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Speaker 10: Going Okay, well, we've got the magical locations we have

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Speaker 10: to source overseas. But yeah, look Before Dawn, you know

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Speaker 10: we brought in thirty tons of wood to Esperance. And

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Speaker 10: one thing that stands out with doing stuff like that

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Speaker 10: on such a massive scale, as you're making a Hollywood

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Speaker 10: film with a limited budget, how do you do that? Well,

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Speaker 10: it's the community. And WA has that community that really

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Speaker 10: want to get behind you. And Before Dawn and all

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Speaker 10: the films that I've worked on in WA would not

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Speaker 10: have been possible without that community support.

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Speaker 7: Yeah.

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Speaker 4: Jordan Quentin Tarantino is an interesting cat, right, So he

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Speaker 4: was the guy who you know, the movie freak almost

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Speaker 4: born in the wrong era and he was working in

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Speaker 4: the video shop and became a monster success as a filmmaker.

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Speaker 4: Were you born in the wrong era? What were you

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Speaker 4: doing as a kid watching ste you John Wayne movies?

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Speaker 2: Definitely definitely was born in the wrong era.

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Speaker 10: My old man he used to go to video easy

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Speaker 10: and order in black and white. The Stage Coach was

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Speaker 10: one of my favorite films with John Wayne. And they

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Speaker 10: used to say to you know, dad, oh, this is

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Speaker 10: for his dad, you know granddad AND's like, no, no,

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Speaker 10: this is for my son who's like four years old

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Speaker 10: and watching this and you know, so in facts when

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Speaker 10: you guys were just playing Michael Jackson. Then on the

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Speaker 10: radio before everyone's texting me going, this is quite ironic

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Speaker 10: because you know you're an eighties fan and you're about

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Speaker 10: to go on the radio, they're playing eighties before you

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Speaker 10: jump on, Like, yeah, I was born in the wrong era.

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Speaker 10: But that also is great in the sense that when

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Speaker 10: we're making films, I prefer to do it what the

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Speaker 10: old school way, like, let's do least amount of CGI,

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Speaker 10: let's focus on the story, the characters, and really bring

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Speaker 10: that old school filmmaking. So that way, well, that way,

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Speaker 10: you know, five teen years from now, you can watch

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Speaker 10: that film again and it hasn't outdated.

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Speaker 4: So I just.

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Speaker 3: Recently watched Twelve Angry Men for the like undred a

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Speaker 3: million time in my life, and that is a classic example.

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Speaker 5: You know, no cg on that and it's really really good.

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Speaker 5: Did you what was it? Always? I want to be

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Speaker 5: a director.

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Speaker 3: I want to be the guy that's sitting in the

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Speaker 3: chair directing the whole.

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Speaker 10: Oh, it's a good question. I don't think so. I

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Speaker 10: think this is just the way that it's kind of

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Speaker 10: played out. But in high school, it was like I

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Speaker 10: was originally I was going into customs, originally border security,

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Speaker 10: watching the TV shirt. But I always was running around

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Speaker 10: as a kid, making like films and just filming stuff, okay.

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Speaker 10: And then I hit high school and I went to

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Speaker 10: Swan Christian, which was a great school there, and they

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Speaker 10: had this media department. And I came home when I

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Speaker 10: was thirteen and year eight said Tom and Dad, Yep,

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Speaker 10: I'm going to be a filmmaker. And of course they

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Speaker 10: went arts, you know, versu a government paid job. You know,

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Speaker 10: this is going to be interesting, you know. And I

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Speaker 10: was like, no, I'm going in the arts industry and

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Speaker 10: I'm going to do it. And the more I started

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Speaker 10: working on I guess the craft in high school because

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Speaker 10: when you're in high school, you're just having fun. Same

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Speaker 10: when you're at UNI, you're just making mistakes, and you know,

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Speaker 10: learning from those mistakes because it's that mistake is not

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Speaker 10: going to cost you ten, twenty thirty thousand dollars like

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Speaker 10: it would on a big set. And I just fell

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Speaker 10: in love with the craft.

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Speaker 2: And now I.

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Speaker 10: Look back on it and I think I was always

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Speaker 10: born to do it because as a kid I was

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Speaker 10: watching the old school old school films.

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Speaker 3: Yeah, they've only got themselves to blame because they started

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Speaker 3: you off.

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Speaker 4: With exactly yeah, and you're born to do it. Was

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Speaker 4: like Ben Affleck and Matt David, you know. Yeah.

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Speaker 10: And it's so funny because even with the trench, there

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Speaker 10: was all the post holes, the postthold digger that needed

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Speaker 10: for all the uprights that they were doing, and there

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Speaker 10: was three hundred odd plus and so that was my

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Speaker 10: dad was going around drilling all those and now and

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Speaker 10: then hit the post hole digger would whack him on

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Speaker 10: the hip and you know, you'd go, oh, you know,

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Speaker 10: well it's your fault day, you know.

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Speaker 7: Yeah.

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Speaker 10: And then sometimes it'd be like, oh, this is broken down.

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Speaker 10: All that's broken down, all this fixing. It's like, well,

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Speaker 10: Dad's going to help out with that. So it's a

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Speaker 10: very family orientated set. And you know, before Dawn and

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Speaker 10: all my films have only really been possible because of

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Speaker 10: the support from the family and the cast and crew,

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Speaker 10: which is very much a family as well.

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Speaker 3: Is yelling cut the best feeling in the world. Well, action,

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Speaker 3: I think, but you you don't do action, do you.

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Speaker 3: That's someone else that does that, isn't there?

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Speaker 2: So I like saying an action yeah.

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Speaker 10: And the reason why you got and action is because

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Speaker 10: then you got and and then the actors. Then we're going.

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Speaker 10: But the cut sometimes sometimes I call cut. Sometimes it's

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Speaker 10: the first Dad and all the casts they caught on

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Speaker 10: pretty quickly. If I picked because everyone has caps, that's

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Speaker 10: something we do on productions.

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Speaker 2: We all get custom caps.

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Speaker 10: And if I lift my cap up and scratch my head,

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Speaker 10: the actor said, we know we're going again because Jordan's

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Speaker 10: not happy We're going again.

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Speaker 4: And what came from, speaking of the sec what came first,

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Speaker 4: was it a chair with director in on it or

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Speaker 4: that brilliant before Dawn Jackets got on.

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Speaker 10: The rector producer, this was actually one of the executive

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Speaker 10: producers got me this we got we had jackets and

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Speaker 10: caps and all that. And again it's making it kind

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Speaker 10: of that everybody's part of that onset community. But I

395
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Speaker 10: did actually have a director's chair on before Dawn, and

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Speaker 10: I sat on it on the last day when the documentary,

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Speaker 10: which is also going to be coming out poorly, they

398
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Speaker 10: interviewed me in that But for the whole eight weeks

399
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Speaker 10: on set, I never sat in that chair.

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Speaker 2: I was in the trenches. I wanted to be in

401
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Speaker 2: there in the.

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Speaker 10: Marden but yeah, hey, look you'll see me sitting in

403
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Speaker 10: it in the documentary the Making of Yeah, which is

404
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Speaker 10: the making of Before Dawn. And I just found out

405
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Speaker 10: this morning that it's been selected in the International Australian

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Speaker 10: Film Festival.

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Speaker 3: I heard that in the amount of time you were

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Speaker 3: sitting out there, you got nominated for something.

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Speaker 10: So Ben Scotford, he's the director of that, so he

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Speaker 10: pretty much followed us around on the first day with

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Speaker 10: every film set.

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Speaker 2: Anything.

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Speaker 10: Everything that could go wrong went wrong on the first

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Speaker 10: day and he came up to me, so I want

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Speaker 10: to make a documentary and go for it, And honestly

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Speaker 10: didn't think much at the time, and then now I

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Speaker 10: sit down and watch it and it just shows you

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Speaker 10: again the dedication of everyone involved to go, look, this

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Speaker 10: isn't just a film we're putting forward here. This is

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Speaker 10: an ANZAC film and that's you know, that's the one

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Speaker 10: takeaway from this is that this was a story that

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Speaker 10: needed to be told and we're just so thankful that

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Speaker 10: w A got behind it and the sponsors from across

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Speaker 10: Australia so that we were able to tell this remarkable

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Speaker 10: story on the silver screen.

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Speaker 4: So you and your team in the moment. Yeah, exactly real.

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Speaker 5: John can ask who your favorite directors are? Do you have?

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Speaker 5: Is there anyone that really, you know, stands up for me?

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Speaker 10: Ron Howard? Oh yeah, yeah. And it's not because he's

430
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Speaker 10: got the same hair color, not all. But it was

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Speaker 10: because it seems like everything that he just is human writing.

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Speaker 10: It just knows how to tell story. And I've got

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Speaker 10: to do the masterclass with him as well.

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Speaker 2: Yeah, and that was unreal.

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Speaker 10: But for him it's you know, it's just I don't

436
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Speaker 10: know how he does it, you know, and learning his

437
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Speaker 10: craft and how everybody can say, oh I love Steven Spielberg,

438
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Speaker 10: Garantino and all that, but Ron Howard can just be

439
00:19:06,160 --> 00:19:08,080
Speaker 10: brought in like with Solo, you know, he was brought

440
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Speaker 10: in towards the end or not towards the end, but

441
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Speaker 10: he was born.

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Speaker 2: In second et cetera.

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Speaker 10: Yeah, and he just said to the actor, go get

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Speaker 10: acting classes, you know, and he had that power to go, well, no,

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Speaker 10: I know what I'm doing here. And he's very much

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Speaker 10: an actor's director, which is what I love doing. And

447
00:19:22,760 --> 00:19:25,120
Speaker 10: like with Before Dawn, being in those trenches, I don't

448
00:19:25,119 --> 00:19:27,720
Speaker 10: want to be sitting in a tent, you know, telling

449
00:19:27,760 --> 00:19:29,280
Speaker 10: him from afar what to do. I want to be

450
00:19:29,280 --> 00:19:31,080
Speaker 10: in there, feeling it and being one of those.

451
00:19:30,960 --> 00:19:32,440
Speaker 4: Characters, the footy coach on the bench.

452
00:19:33,400 --> 00:19:34,439
Speaker 2: Yeah, that's the best way to put it.

453
00:19:34,520 --> 00:19:37,480
Speaker 4: Yeah, he makes with Cuba Gooding Genie because I follow

454
00:19:37,480 --> 00:19:38,400
Speaker 4: you on social.

455
00:19:40,160 --> 00:19:42,760
Speaker 10: Yeah, that was quite a surreal moment because again, like

456
00:19:42,840 --> 00:19:45,360
Speaker 10: going back to my childhood, I watched Lightning Jack Cane

457
00:19:45,400 --> 00:19:49,200
Speaker 10: with Logan Yeah, and he was in that and yes,

458
00:19:49,320 --> 00:19:52,120
Speaker 10: I got to meet him at the yeah, the awards

459
00:19:52,119 --> 00:19:55,280
Speaker 10: in Europe and got chatting with him and I'd mentioned

460
00:19:55,320 --> 00:19:57,560
Speaker 10: Lightning Jack Kine and he was blown away like he

461
00:19:57,680 --> 00:19:59,440
Speaker 10: used to, like I forgot I even did that film.

462
00:20:01,080 --> 00:20:03,200
Speaker 10: But he did actually have great things to say about

463
00:20:03,200 --> 00:20:05,879
Speaker 10: Australia and he's like, you know, he said, I'd love

464
00:20:05,920 --> 00:20:09,040
Speaker 10: to make a film in Australia again, and so yeah,

465
00:20:09,040 --> 00:20:12,480
Speaker 10: through him, I'm chatting with him about a few other things. Yeah,

466
00:20:12,520 --> 00:20:14,760
Speaker 10: because I'm off to work with a major studio shortly.

467
00:20:14,880 --> 00:20:20,800
Speaker 3: And can we say which major studio that it is

468
00:20:20,920 --> 00:20:21,280
Speaker 3: at all?

469
00:20:21,640 --> 00:20:25,600
Speaker 5: Yeah, that's majorist of major studios. That's amazing.

470
00:20:25,960 --> 00:20:28,560
Speaker 3: So the reason we've been doing this series is because

471
00:20:28,600 --> 00:20:31,200
Speaker 3: there has never been a greater time for everyone who's

472
00:20:31,280 --> 00:20:34,719
Speaker 3: ever harbored any thoughts of in you know, just in

473
00:20:34,840 --> 00:20:37,400
Speaker 3: any small or big way of being in the movies?

474
00:20:37,920 --> 00:20:41,600
Speaker 3: What's your one tip for people, especially you know, younger

475
00:20:41,600 --> 00:20:44,440
Speaker 3: ones that are thinking, oh what do I do? How

476
00:20:44,440 --> 00:20:45,840
Speaker 3: do I put myself in the right place?

477
00:20:46,480 --> 00:20:46,720
Speaker 7: For me?

478
00:20:46,800 --> 00:20:49,440
Speaker 2: It's making sure you surround yourself with good people. That's

479
00:20:49,440 --> 00:20:50,840
Speaker 2: probably the biggest thing.

480
00:20:50,960 --> 00:20:52,879
Speaker 10: So if you've got a good team behind you, like

481
00:20:53,160 --> 00:20:56,160
Speaker 10: you know, obviously I'm the face of everything, but I'm

482
00:20:56,160 --> 00:20:58,080
Speaker 10: only sitting here because of the people that are back

483
00:20:58,119 --> 00:21:00,639
Speaker 10: to me to get here. So if you've got people

484
00:21:00,680 --> 00:21:02,840
Speaker 10: that are supporting you and they're going to do that,

485
00:21:02,840 --> 00:21:04,639
Speaker 10: that's that's what you need. You need to build that team.

486
00:21:05,119 --> 00:21:08,040
Speaker 10: But also just making stuff. So you know, even though

487
00:21:08,040 --> 00:21:11,080
Speaker 10: between before Dawn Walt Disney and then I've got something

488
00:21:11,080 --> 00:21:14,000
Speaker 10: else happening with Apple TV towards the end of next year,

489
00:21:14,760 --> 00:21:17,560
Speaker 10: but we've got two feature films we're bringing to wa

490
00:21:17,840 --> 00:21:20,560
Speaker 10: so we'll kick off pre production for that next year.

491
00:21:20,640 --> 00:21:22,760
Speaker 2: But in between all that, there could be three.

492
00:21:22,680 --> 00:21:24,560
Speaker 10: Or four weeks gap of nothing, or it's just like

493
00:21:24,640 --> 00:21:27,480
Speaker 10: go film something, you know Instagram, now film something, but

494
00:21:27,600 --> 00:21:30,760
Speaker 10: be creative with it. You just don't know what's going

495
00:21:30,840 --> 00:21:32,440
Speaker 10: to happen or who's going to see it? And it's

496
00:21:32,480 --> 00:21:34,400
Speaker 10: from the short film not their Boots, that I did

497
00:21:34,440 --> 00:21:37,080
Speaker 10: when I was thirteen or fourteen that I entered into

498
00:21:37,160 --> 00:21:39,639
Speaker 10: some awards and then met this guy named Jack Thompson.

499
00:21:39,680 --> 00:21:43,200
Speaker 10: Of course, you know, I've watched you in that Snowy

500
00:21:43,320 --> 00:21:46,359
Speaker 10: River movie. You know, but when you're that young, you

501
00:21:46,440 --> 00:21:49,800
Speaker 10: don't realize that that small step could lead to something bigger.

502
00:21:49,840 --> 00:21:52,520
Speaker 10: So it's just a matter of constantly making stuffy.

503
00:21:53,040 --> 00:21:53,240
Speaker 5: Yeah.

504
00:21:53,320 --> 00:21:55,359
Speaker 2: Always, You've always got to be working. You've got to

505
00:21:55,359 --> 00:21:57,240
Speaker 2: be networking and yeah, and.

506
00:21:57,200 --> 00:21:59,960
Speaker 10: Like I said, you know, I'm just incredibly grateful and

507
00:22:00,160 --> 00:22:02,200
Speaker 10: very lucky with the team that I've got that where

508
00:22:02,240 --> 00:22:04,879
Speaker 10: we've got to now and with the next films that

509
00:22:04,920 --> 00:22:07,080
Speaker 10: I'm bringing back to wa you know. They one of

510
00:22:07,080 --> 00:22:09,199
Speaker 10: the conditions was, well, those two conditions. It has to

511
00:22:09,200 --> 00:22:12,040
Speaker 10: have community involvement. And the second condition is I want

512
00:22:12,040 --> 00:22:13,920
Speaker 10: to have my team on it, because you guys are

513
00:22:14,359 --> 00:22:16,879
Speaker 10: investing and wanting to fund this film, but you're not

514
00:22:16,920 --> 00:22:18,480
Speaker 10: doing it based on me. You're doing it based on

515
00:22:18,520 --> 00:22:21,040
Speaker 10: the entire film crew and cast that.

516
00:22:21,240 --> 00:22:23,439
Speaker 4: Built to the whole family. And maybe a bit of

517
00:22:23,480 --> 00:22:27,320
Speaker 4: a sit down to be humble may be industry too. Yeah, yeah, yeah,

518
00:22:27,320 --> 00:22:27,760
Speaker 4: it can be.

519
00:22:27,880 --> 00:22:30,520
Speaker 10: And in fact, the people that I get to speak

520
00:22:30,520 --> 00:22:32,400
Speaker 10: to and I actually decide, yeah, I'm going to cast

521
00:22:32,440 --> 00:22:34,280
Speaker 10: you or you know you're going to be on set,

522
00:22:34,320 --> 00:22:36,400
Speaker 10: they're usually the ones that are really humble and want

523
00:22:36,400 --> 00:22:38,320
Speaker 10: to have a bit of a laugh and are in

524
00:22:38,400 --> 00:22:40,760
Speaker 10: it because they love it, not in it because oh

525
00:22:40,800 --> 00:22:42,040
Speaker 10: where's this going to get me next?

526
00:22:42,440 --> 00:22:45,560
Speaker 3: Good well, Jordan are your body of work already is

527
00:22:45,720 --> 00:22:47,960
Speaker 3: incredibly impressive, and yet I feel like it's just the

528
00:22:47,960 --> 00:22:50,720
Speaker 3: tip of the iceberg. Thank you so much for coming

529
00:22:50,760 --> 00:22:53,840
Speaker 3: in for a chat today before Dawn is out on Netflix.

530
00:22:54,440 --> 00:22:58,040
Speaker 3: Tonight's slush tomorrow tomorrow. It's your weekend taking care of anyway.

531
00:22:58,400 --> 00:23:02,320
Speaker 3: So I can't wait to see that. Thank you so much, Worries,

532
00:23:02,320 --> 00:23:02,880
Speaker 3: thanks for you talking.

533
00:23:02,960 --> 00:23:05,080
Speaker 4: I'm looking forward to seeing that. Dot Oto Yeah yeah,

534
00:23:05,200 --> 00:23:05,800
Speaker 4: keep an eye out.

535
00:23:06,520 --> 00:23:13,359
Speaker 1: It's more crazy, more Lisa, more podcasts soon, there's your

536
00:23:13,480 --> 00:23:17,560
Speaker 1: report On ninety six FM.

537
00:23:17,600 --> 00:23:21,040
Speaker 3: Paramunt has released the first trailer for the Robbie Williams

538
00:23:21,119 --> 00:23:25,760
Speaker 3: musical biopic Better Man, which uses, as we've been reporting,

539
00:23:26,200 --> 00:23:26,720
Speaker 3: a CG.

540
00:23:26,960 --> 00:23:29,680
Speaker 5: I'm monkey as a stand in for Robbie.

541
00:23:29,920 --> 00:23:35,960
Speaker 12: I know what you're thinking. What's with the monkey. I'm

542
00:23:36,040 --> 00:23:40,439
Speaker 12: Robbie Williams. I'm one of the biggest pop stars in

543
00:23:40,480 --> 00:23:46,080
Speaker 12: the world, but I've always seen myself a little less evolved.

544
00:23:46,359 --> 00:23:49,360
Speaker 2: You've got to risk it all, whatever it takes, whatever it.

545
00:23:49,320 --> 00:24:01,840
Speaker 6: Takes interesting it looks so it looks interesting.

546
00:24:02,200 --> 00:24:04,400
Speaker 3: Actually, I think it looks great because I love him.

547
00:24:04,600 --> 00:24:10,359
Speaker 3: The reviews include statements like blazingly original, jaw dropping, wild

548
00:24:10,440 --> 00:24:16,160
Speaker 3: and inventive, and electrifyingly demented. Better Man is in cinemas

549
00:24:16,200 --> 00:24:20,439
Speaker 3: on Christmas Day. Merry Christmas. It looks like Dave Gilmore

550
00:24:20,480 --> 00:24:23,160
Speaker 3: and Roger Waters have paused their bitter feud long enough

551
00:24:23,160 --> 00:24:26,800
Speaker 3: to bank some serious cash, reportedly selling Pink Floyd's catalog

552
00:24:26,880 --> 00:24:30,320
Speaker 3: to Sony for just short of five hundred and eighty

553
00:24:30,359 --> 00:24:34,679
Speaker 3: one million dollars credible. The deal also includes this is

554
00:24:34,680 --> 00:24:37,120
Speaker 3: a bit that surprised me, the rights to Pink Floyd's

555
00:24:37,200 --> 00:24:40,480
Speaker 3: name and likeness. Gilmore told Rolling Stone a few months

556
00:24:40,520 --> 00:24:43,080
Speaker 3: ago that he was ready to sell off his band's catalog,

557
00:24:43,440 --> 00:24:46,280
Speaker 3: hoping it would stop the infighting between himself and Roger.

558
00:24:46,880 --> 00:24:50,040
Speaker 3: One of the doctors charged in the death of Matthew Perry,

559
00:24:50,119 --> 00:24:53,840
Speaker 3: is expected to plead guilty to conspiring to distribute ketamine.

560
00:24:54,000 --> 00:24:57,600
Speaker 3: This week, doctor Mark Chavez Copter plea two months ago

561
00:24:57,640 --> 00:25:01,119
Speaker 3: to cooperate with police in taking charges against another doctor

562
00:25:01,520 --> 00:25:05,240
Speaker 3: and an alleged dealer involved in Perry's fatal overdose death.

563
00:25:05,680 --> 00:25:08,120
Speaker 3: Daniel Da Lewis has had a change of heart about retirement.

564
00:25:08,200 --> 00:25:10,240
Speaker 3: He's coming back to the silver screen in a movie

565
00:25:10,280 --> 00:25:13,399
Speaker 3: he's co written with his son Ronan. He's going to

566
00:25:13,440 --> 00:25:18,399
Speaker 3: start in anemone, a story about the intricate relationships between fathers,

567
00:25:18,440 --> 00:25:21,399
Speaker 3: sons and brothers, and Ronan is going to direct it.

568
00:25:21,800 --> 00:25:25,080
Speaker 3: And Screen seven just got a release date. The latest

569
00:25:25,200 --> 00:25:27,679
Speaker 3: edition of the horror movie franchise is slated to be

570
00:25:27,720 --> 00:25:31,200
Speaker 3: released on February twenty seven, twenty twenty six. Neve Campbell's

571
00:25:31,240 --> 00:25:34,240
Speaker 3: returning for Number seven after sitting out Scream six over

572
00:25:34,280 --> 00:25:36,840
Speaker 3: a pay dispute. She didn't scream so much as swear

573
00:25:38,040 --> 00:25:38,800
Speaker 3: what they were offering.

574
00:25:39,000 --> 00:25:39,920
Speaker 4: Ah, very good.

575
00:25:39,960 --> 00:25:42,920
Speaker 3: Bit like Robbie at the end of that Yeah trailer,

576
00:25:43,080 --> 00:25:45,159
Speaker 3: But there's no monkey projecting same but different.

577
00:25:45,400 --> 00:25:47,320
Speaker 4: We have a word for the ages, another new word

578
00:25:47,320 --> 00:25:50,320
Speaker 4: for the ages, and it's shrink flation. List popping up

579
00:25:50,359 --> 00:25:53,879
Speaker 4: everywhere so now news this morning. It's in the press

580
00:25:54,320 --> 00:25:56,439
Speaker 4: talking all about the whole community on Reddit who are

581
00:25:56,480 --> 00:25:58,560
Speaker 4: obsessed with it as well. Yeah, they go off, they're

582
00:25:58,560 --> 00:26:02,320
Speaker 4: constantly posting. Then it's all out decrease in size and

583
00:26:02,400 --> 00:26:04,480
Speaker 4: either the same price or a higher price for items

584
00:26:04,520 --> 00:26:06,000
Speaker 4: in the supermarket. And we're starting to see a lot

585
00:26:06,040 --> 00:26:06,480
Speaker 4: of it, aren't we.

586
00:26:06,600 --> 00:26:07,879
Speaker 5: I think we've been seeing a lot of it for

587
00:26:07,920 --> 00:26:08,320
Speaker 5: a while.

588
00:26:08,440 --> 00:26:11,080
Speaker 4: It's been happening, and it just gets people so rile

589
00:26:11,680 --> 00:26:13,760
Speaker 4: for obvious reasons. I mean, Laurie even said to me

590
00:26:13,840 --> 00:26:16,200
Speaker 4: during the word, she goes, you know those Sarktar rice

591
00:26:16,240 --> 00:26:19,040
Speaker 4: crackers the other day, Sat, you don't have to sound

592
00:26:19,080 --> 00:26:21,439
Speaker 4: like that, but I always because it's works on me.

593
00:26:22,720 --> 00:26:26,200
Speaker 4: I'm a sarka for advertised Absolutely, she said. They went

594
00:26:26,320 --> 00:26:28,000
Speaker 4: and I said, can you double check the side? She said, oh,

595
00:26:28,040 --> 00:26:31,440
Speaker 4: apparently went from ninety to eighty grams or something like that,

596
00:26:31,640 --> 00:26:33,520
Speaker 4: but the price is the same. She could notice the

597
00:26:33,520 --> 00:26:34,280
Speaker 4: packet was smaller.

598
00:26:34,359 --> 00:26:38,040
Speaker 3: I'm pretty sure the actual biscuit is smaller, but it

599
00:26:38,080 --> 00:26:40,120
Speaker 3: seems to be a lot much she's in the packet.

600
00:26:40,200 --> 00:26:42,000
Speaker 4: But yeah, it was like, yeah, I don't remember this

601
00:26:42,040 --> 00:26:43,359
Speaker 4: one looking like this as a kid. You know, a

602
00:26:43,359 --> 00:26:45,280
Speaker 4: lot of the sweet biscuits around the smaller, aren't they

603
00:26:45,840 --> 00:26:49,159
Speaker 4: Apparently it's terrible made. Orange juice is another one. I

604
00:26:49,160 --> 00:26:51,840
Speaker 4: saw sixty on and what these measurements mean. But sixty

605
00:26:51,880 --> 00:26:54,600
Speaker 4: four fluid ounces down to fifty two. But the bottle

606
00:26:54,640 --> 00:26:57,000
Speaker 4: looks the same shape and everything. So if you're quickly

607
00:26:57,000 --> 00:26:59,280
Speaker 4: shopping and you're not really aware of this stuff going on,

608
00:26:59,359 --> 00:27:01,880
Speaker 4: the old shrink flation, you don't really know bottle looks

609
00:27:01,920 --> 00:27:02,280
Speaker 4: the same.

610
00:27:02,480 --> 00:27:05,679
Speaker 5: No, you don't necessarily I know, I don't look.

611
00:27:05,520 --> 00:27:09,360
Speaker 4: At or analyze them and that kind of stuff. It's

612
00:27:09,480 --> 00:27:12,240
Speaker 4: now causing more problems and things I hadn't ever thought about.

613
00:27:12,280 --> 00:27:14,920
Speaker 4: So it's affecting people's cooking and baking and stuff. So

614
00:27:15,200 --> 00:27:15,840
Speaker 4: people who.

615
00:27:15,800 --> 00:27:18,680
Speaker 5: Use just affecting their baking.

616
00:27:17,800 --> 00:27:20,000
Speaker 4: Cooking and baking. So people have been reading this part

617
00:27:20,000 --> 00:27:22,560
Speaker 4: of the Reddit group reading where people who have on

618
00:27:22,600 --> 00:27:26,480
Speaker 4: their old family recipes like ad a packet of okay,

619
00:27:26,600 --> 00:27:28,800
Speaker 4: so they're trying to work out why these long held

620
00:27:28,840 --> 00:27:32,399
Speaker 4: family recipes aren't working all of a sudden, it's different.

621
00:27:32,640 --> 00:27:34,879
Speaker 5: Chicken and apricot nectar is a bit dry.

622
00:27:35,040 --> 00:27:36,680
Speaker 4: It's a little bit dryer, a little bit wet.

623
00:27:36,920 --> 00:27:37,360
Speaker 5: Okay.

624
00:27:37,600 --> 00:27:40,240
Speaker 4: So today the Prime Minister will announce the next step

625
00:27:40,280 --> 00:27:43,280
Speaker 4: in labor's assault on supermarkets, on the souper market giants anyway,

626
00:27:43,280 --> 00:27:45,440
Speaker 4: because he's not happy with a lot that's been going on.

627
00:27:46,320 --> 00:27:49,600
Speaker 4: Coal's Mighty Grain cereal remade at four dollars fifty despite

628
00:27:49,600 --> 00:27:52,320
Speaker 4: the packets shrinking from five hundred and sixty to four

629
00:27:52,440 --> 00:27:54,640
Speaker 4: hundred and ninety five grams. I mean, these aren't even

630
00:27:54,680 --> 00:27:57,160
Speaker 4: subtle changes anymore, and they're not just shaving a little off.

631
00:27:57,760 --> 00:27:59,320
Speaker 4: It's quite a bit going on the A Triple C,

632
00:27:59,440 --> 00:28:02,920
Speaker 4: the old Australian Competition and Consumer Commission. It's hard to

633
00:28:02,920 --> 00:28:04,320
Speaker 4: say that's what they call it, the A Triple C.

634
00:28:05,240 --> 00:28:08,040
Speaker 4: The inquiry that they had in supermarkets had lots of

635
00:28:08,080 --> 00:28:11,320
Speaker 4: concerns about unit pricing, including the size and font of

636
00:28:11,400 --> 00:28:12,119
Speaker 4: instore product.

637
00:28:12,800 --> 00:28:14,720
Speaker 5: Anything been resolved from that though.

638
00:28:14,840 --> 00:28:17,200
Speaker 3: I Mean it's all very well to say shrinking sizes

639
00:28:17,560 --> 00:28:20,520
Speaker 3: next on their hit list, but that suggests that, you know,

640
00:28:20,800 --> 00:28:23,760
Speaker 3: something's been ticked off. I'm pretty sure we've already were

641
00:28:23,920 --> 00:28:25,240
Speaker 3: still having the same problems.

642
00:28:25,280 --> 00:28:28,119
Speaker 4: Well, and telling off doesn't really change the issue, doesn't it.

643
00:28:28,160 --> 00:28:28,240
Speaker 8: Know.

644
00:28:28,320 --> 00:28:30,120
Speaker 4: It has to be some kind of legislation or something

645
00:28:30,119 --> 00:28:34,879
Speaker 4: coming where things get more regulated. Yeah, and positive.

646
00:28:33,480 --> 00:28:35,560
Speaker 5: Pretty sure that's how it works.

647
00:28:36,119 --> 00:28:38,400
Speaker 4: And the Prime Minister saying that that's the next assault

648
00:28:38,480 --> 00:28:41,320
Speaker 4: on the big supermarket. Yeah, is it just a bit

649
00:28:41,320 --> 00:28:42,800
Speaker 4: of chatto because there's an election coming out.

650
00:28:44,160 --> 00:28:47,560
Speaker 3: So Brian on the text line agrees with you said

651
00:28:47,600 --> 00:28:50,960
Speaker 3: the good old wagon wheel must be half the size

652
00:28:51,000 --> 00:28:51,640
Speaker 3: it used to be.

653
00:28:51,800 --> 00:28:52,520
Speaker 5: I agree with you.

654
00:28:52,560 --> 00:28:54,800
Speaker 3: And also, of course we've just had the Royal Show

655
00:28:54,800 --> 00:28:57,360
Speaker 3: and the Bertie Beetles. But Berty Beetles, what happened to him?

656
00:28:57,840 --> 00:28:59,680
Speaker 3: It's like someone stepped on the beetle. Now it's a

657
00:28:59,720 --> 00:29:00,600
Speaker 3: square beetle.

658
00:29:00,640 --> 00:29:01,600
Speaker 4: He used to be quite chunky.

659
00:29:01,640 --> 00:29:02,320
Speaker 5: He used to be a.

660
00:29:02,320 --> 00:29:06,520
Speaker 3: Chunky little fellow, and now he's just a wafer thin mint.

661
00:29:06,600 --> 00:29:10,120
Speaker 4: He's been on weight loss struggle or something. It's quite

662
00:29:14,200 --> 00:29:15,520
Speaker 4: stopping et.

663
00:29:15,960 --> 00:29:16,120
Speaker 2: Yeah.

664
00:29:16,280 --> 00:29:17,800
Speaker 4: The wagon wheel is like a mini wheel, isn't it.

665
00:29:17,800 --> 00:29:18,360
Speaker 4: It's so baire.

666
00:29:18,560 --> 00:29:20,200
Speaker 3: Yeah, the wagon wheel is one of the ones that

667
00:29:20,320 --> 00:29:24,040
Speaker 3: really stands out because I'm going this was way bigger

668
00:29:24,440 --> 00:29:26,400
Speaker 3: because it was like it's because your head when you wonder.

669
00:29:26,240 --> 00:29:27,480
Speaker 5: How I haven't had it for a long time, but

670
00:29:27,520 --> 00:29:30,560
Speaker 5: I wonder how big a chomp is these days? Probably

671
00:29:30,560 --> 00:29:32,960
Speaker 5: not much of a chops, probably just a nibble.

672
00:29:34,840 --> 00:29:36,320
Speaker 4: I'm going to I'm going to go buy a chump

673
00:29:36,360 --> 00:29:40,400
Speaker 4: for us. I like most of it.

674
00:29:40,840 --> 00:29:45,680
Speaker 3: I'll just watch you, yeah, eat vicariously. So far we've

675
00:29:45,680 --> 00:29:47,480
Speaker 3: had two pieces of toast, of bowl of cereal and

676
00:29:47,520 --> 00:29:47,920
Speaker 3: a biscuit.

677
00:29:48,000 --> 00:29:48,680
Speaker 4: That's between us.

678
00:29:49,880 --> 00:29:54,240
Speaker 3: Read the flick with Ben Oshe Well, I have one

679
00:29:54,360 --> 00:29:58,000
Speaker 3: been looking forward to this, yes, well.

680
00:29:59,360 --> 00:30:02,760
Speaker 13: Today One of the most anticipated movies of the year

681
00:30:02,880 --> 00:30:08,400
Speaker 13: Joker Folly a due, which is Jaquim Phoenix reprising his

682
00:30:08,840 --> 00:30:12,920
Speaker 13: character of Arthur Fleck who becomes Joker. The first film

683
00:30:12,960 --> 00:30:15,760
Speaker 13: came out in twenty nineteen. It was so different. It's

684
00:30:16,240 --> 00:30:19,160
Speaker 13: so different to what we've seen from the Batman universe

685
00:30:19,200 --> 00:30:21,920
Speaker 13: in the past, and certainly from the character of the Joker,

686
00:30:22,000 --> 00:30:24,560
Speaker 13: played of course by the great Heath Ledger, who's not

687
00:30:24,560 --> 00:30:27,080
Speaker 13: with us anymore, Jack Nicholson back in the day nineteen

688
00:30:27,160 --> 00:30:33,560
Speaker 13: ninety and Heath Ledger's Dark Knights. That's right, exactly exactly

689
00:30:34,240 --> 00:30:38,280
Speaker 13: in the Room No Wonder Past Caesar Romero and Heath Ledgers.

690
00:30:38,360 --> 00:30:41,920
Speaker 13: Joker was amazing, Like he won a posthumous Oscar for that,

691
00:30:42,280 --> 00:30:45,640
Speaker 13: and he's the best supporting actor role and he was

692
00:30:45,680 --> 00:30:48,120
Speaker 13: really really good. But what Jakim Phoenix did with the

693
00:30:48,240 --> 00:30:53,200
Speaker 13: character is so different. Under director Todd Phillips. He lost

694
00:30:53,200 --> 00:30:55,680
Speaker 13: a ton of weight. He was sort of really playing

695
00:30:56,080 --> 00:31:00,719
Speaker 13: a mentally ill loner living with his mum, downtrodden, beaten up,

696
00:31:00,880 --> 00:31:05,560
Speaker 13: bullied and kind of retreats into himself and discovers this

697
00:31:05,640 --> 00:31:08,640
Speaker 13: kind of joker persona which allows him to, you know,

698
00:31:08,680 --> 00:31:11,200
Speaker 13: sort of, I guess, find a place in the world

699
00:31:11,240 --> 00:31:14,200
Speaker 13: and stand up for himself. It was criticized at the

700
00:31:14,280 --> 00:31:17,400
Speaker 13: time as it could be a bit of a manifesto

701
00:31:17,720 --> 00:31:20,640
Speaker 13: for real world kind of loaners, because we see sometimes

702
00:31:20,760 --> 00:31:25,360
Speaker 13: these people can then commit real, real life violence. There's

703
00:31:25,360 --> 00:31:28,520
Speaker 13: no evidence that that happened. So but it was an

704
00:31:28,520 --> 00:31:31,320
Speaker 13: incredible film. Wack In Phoenix won and Oscar for Best Actor.

705
00:31:31,440 --> 00:31:34,440
Speaker 13: The Girlfriend Fantasy was just amazing, wasn't it was? It

706
00:31:34,480 --> 00:31:37,200
Speaker 13: was a really really good film, beautiful to watch. Cinematography

707
00:31:37,240 --> 00:31:39,480
Speaker 13: was incredible, made a billion dollars of the box office,

708
00:31:39,680 --> 00:31:40,240
Speaker 13: very very.

709
00:31:40,400 --> 00:31:43,440
Speaker 5: Scene on a set of stairs, in the scenes on stairs.

710
00:31:43,480 --> 00:31:46,960
Speaker 13: Even if it did feature Gary Glitter, You're right.

711
00:31:49,000 --> 00:31:52,480
Speaker 4: I'll talk about that.

712
00:31:53,120 --> 00:31:53,600
Speaker 2: Cuts.

713
00:31:53,880 --> 00:31:56,680
Speaker 13: And then along comes this second film and a lot

714
00:31:56,680 --> 00:31:58,320
Speaker 13: of people are trying to figure out what it is

715
00:31:58,360 --> 00:32:01,400
Speaker 13: from the trailer because it looks like it is musical that's.

716
00:32:01,280 --> 00:32:03,520
Speaker 3: And that was the first thing that everyone heard. It's

717
00:32:03,560 --> 00:32:04,640
Speaker 3: going to be a musical.

718
00:32:04,880 --> 00:32:05,200
Speaker 4: It is.

719
00:32:05,760 --> 00:32:08,440
Speaker 13: It is a musicale and you might think I was

720
00:32:08,680 --> 00:32:11,800
Speaker 13: singing in the rain. No, although they do kind of

721
00:32:11,920 --> 00:32:16,040
Speaker 13: just like a musical. They do spontaneously break out into

722
00:32:16,360 --> 00:32:20,080
Speaker 13: song during the physipit like Chicago. You know tango well

723
00:32:20,320 --> 00:32:22,520
Speaker 13: and the key is the title of the film, So

724
00:32:22,640 --> 00:32:25,480
Speaker 13: Folly a jew right, which is a fancy French way

725
00:32:25,520 --> 00:32:31,440
Speaker 13: of describing a real psychiatric syndrome called shared delusion disorder,

726
00:32:31,920 --> 00:32:35,400
Speaker 13: which is basically where a psychosis or a delusion is

727
00:32:35,440 --> 00:32:38,680
Speaker 13: shared or transmitted between people. So you think about that

728
00:32:38,720 --> 00:32:41,000
Speaker 13: and you go, Okay, now I'm starting to figure out

729
00:32:41,000 --> 00:32:44,640
Speaker 13: that maybe some of these dance and song sequences.

730
00:32:44,520 --> 00:32:45,000
Speaker 2: Are not real.

731
00:32:45,040 --> 00:32:48,440
Speaker 13: They're not actually happening the delusions on the minds.

732
00:32:48,000 --> 00:32:50,840
Speaker 5: Of two diluted people about each other.

733
00:32:50,960 --> 00:32:54,240
Speaker 13: Yes, exactly what In Phoenix's character Arthur Fleck and this

734
00:32:54,360 --> 00:32:56,640
Speaker 13: love interest that he meets in Arkham Asylum where he's

735
00:32:56,680 --> 00:32:58,320
Speaker 13: been locked up for all the murders he committed. In

736
00:32:58,320 --> 00:33:02,040
Speaker 13: the first film played of spy Lady Gaga, She's playing

737
00:33:02,040 --> 00:33:05,640
Speaker 13: a character called Lee full name Harlen quins El A

738
00:33:05,680 --> 00:33:08,840
Speaker 13: bit familiar. That's Harley Quinn. Of course the Farrington made

739
00:33:08,880 --> 00:33:12,239
Speaker 13: famous by Margo Robbie. Lady Gaga could not be more

740
00:33:12,280 --> 00:33:16,120
Speaker 13: different from what Robbie brought to that character. So she

741
00:33:16,280 --> 00:33:20,200
Speaker 13: is someone who's a firebug. She's obsessed with Joker and

742
00:33:20,280 --> 00:33:23,600
Speaker 13: so they kind of, you know, get together, have this

743
00:33:23,800 --> 00:33:24,600
Speaker 13: bad romance.

744
00:33:24,720 --> 00:33:29,680
Speaker 2: There's a Lady Gargar reference. I love that, and then

745
00:33:29,720 --> 00:33:32,000
Speaker 2: it goes on. But that's not all that's going on

746
00:33:32,280 --> 00:33:32,840
Speaker 2: as well.

747
00:33:34,800 --> 00:33:37,600
Speaker 13: As well as so as well as this this kind

748
00:33:37,640 --> 00:33:40,520
Speaker 13: of romance and these dance numbers, it's also telling the

749
00:33:40,560 --> 00:33:45,920
Speaker 13: story of Joker facing trial for his crimes. So fifty

750
00:33:46,200 --> 00:33:49,000
Speaker 13: of the film as a courtroom drama, I'm telling you

751
00:33:49,400 --> 00:33:52,360
Speaker 13: like a strange It is a strange film. All the

752
00:33:52,360 --> 00:33:55,640
Speaker 13: different elements that you got going on. And in the trial,

753
00:33:56,000 --> 00:33:58,040
Speaker 13: you know, sort of Arthur Fleck is kind of trying

754
00:33:58,080 --> 00:34:01,280
Speaker 13: and deal with does he stand try as you know,

755
00:34:01,320 --> 00:34:03,600
Speaker 13: sort of this mentally ill guy who was abused as

756
00:34:03,600 --> 00:34:06,120
Speaker 13: a kid, has got all this trauma. He's kind of pathetic.

757
00:34:06,560 --> 00:34:09,960
Speaker 13: Or does he embrace the Joker and stand trial as

758
00:34:10,040 --> 00:34:13,120
Speaker 13: this powerful guy who knew what he was doing the

759
00:34:13,120 --> 00:34:17,799
Speaker 13: whole time. And Lady Gaga is you know, she's she's like, well,

760
00:34:17,800 --> 00:34:19,279
Speaker 13: you got to be joker, you know, that's the guy

761
00:34:19,320 --> 00:34:20,960
Speaker 13: I fell in love with, So she's kind of egging

762
00:34:21,040 --> 00:34:24,520
Speaker 13: him on the whole way. And it creates this situation

763
00:34:24,640 --> 00:34:28,080
Speaker 13: where you kind of feel so sorry for what happens

764
00:34:28,120 --> 00:34:30,640
Speaker 13: to Waqim Phoenix's character as it goes along, Like he

765
00:34:30,719 --> 00:34:33,120
Speaker 13: was he has had a really tough life and even

766
00:34:33,160 --> 00:34:35,600
Speaker 13: still now, you know, he's dealing with so much stuff

767
00:34:35,680 --> 00:34:40,040
Speaker 13: identity issues, which is so unlike any comic book movie,

768
00:34:40,040 --> 00:34:41,880
Speaker 13: Like this is not a comic book movie. This is

769
00:34:41,920 --> 00:34:45,360
Speaker 13: a statement about It's a statement about how the society,

770
00:34:45,520 --> 00:34:49,680
Speaker 13: how society treats the mentally ill. This is also a

771
00:34:49,719 --> 00:34:53,640
Speaker 13: movie about, you know, like how we glorify criminals and

772
00:34:53,680 --> 00:34:56,120
Speaker 13: you know, like how the media does. And it's because

773
00:34:56,160 --> 00:34:59,239
Speaker 13: the trial is tele Avir, the Papa rush I don't

774
00:34:59,239 --> 00:35:00,200
Speaker 13: want to be left out.

775
00:35:00,320 --> 00:35:05,759
Speaker 2: Yeah, Barazzi exactly. That was the most subtle of them are.

776
00:35:08,200 --> 00:35:13,480
Speaker 13: For the first time, and it really ends, it really ends,

777
00:35:13,680 --> 00:35:17,600
Speaker 13: you know, with with like a big, big finish that

778
00:35:17,760 --> 00:35:19,439
Speaker 13: just will just like kind of rip your heart out,

779
00:35:20,200 --> 00:35:24,000
Speaker 13: and any criticism the first movie had for kind of glorifying,

780
00:35:24,920 --> 00:35:28,319
Speaker 13: you know, sort of this type of misanthrope. I think

781
00:35:28,360 --> 00:35:30,040
Speaker 13: it really ends is in fact, they've gone sort of

782
00:35:30,040 --> 00:35:32,520
Speaker 13: out of their way to kind of go anybody who

783
00:35:32,520 --> 00:35:36,319
Speaker 13: thought this film was like celebrating evil doers, It wasn't

784
00:35:36,320 --> 00:35:40,320
Speaker 13: a documentary exactly. This film kind of is the counterpoint

785
00:35:40,320 --> 00:35:43,759
Speaker 13: to that. Not not to everybody's taste. Some people will

786
00:35:43,760 --> 00:35:46,799
Speaker 13: find the singing and dancing a bit too much. To

787
00:35:46,840 --> 00:35:49,759
Speaker 13: be honest, there's probably one or too many songs, and

788
00:35:49,800 --> 00:35:52,120
Speaker 13: at one point wak In, Phoenix's character even says to

789
00:35:52,120 --> 00:35:54,680
Speaker 13: the lady Gaga, stop singing, just just talk to me,

790
00:35:55,120 --> 00:35:57,680
Speaker 13: Just talk to me. So it's like I think he's

791
00:35:57,680 --> 00:36:01,239
Speaker 13: speaking on behalf of the audience there. But otherwise though,

792
00:36:01,360 --> 00:36:03,319
Speaker 13: you know, it looks the same as the first film,

793
00:36:03,360 --> 00:36:06,520
Speaker 13: so it's absolutely gorgeous. Every frame looks like it's the

794
00:36:06,560 --> 00:36:09,640
Speaker 13: poster of the movie. It's it's it's really something quite special.

795
00:36:10,400 --> 00:36:13,960
Speaker 5: Well, how many rock and roll alls are you giving?

796
00:36:14,320 --> 00:36:18,240
Speaker 13: I'm going to give it for awesome.

797
00:36:18,320 --> 00:36:20,520
Speaker 3: I am looking forward to it. I loved the first

798
00:36:20,560 --> 00:36:22,160
Speaker 3: one and I hope to love this.

799
00:36:22,640 --> 00:36:24,800
Speaker 2: Phoenix amazing in this incredible.

800
00:36:24,400 --> 00:36:27,120
Speaker 4: Good Thanks mate, Thanks guys, Crazy and

801
00:36:27,320 --> 00:36:29,320
Speaker 1: Lisa thinety six am