1 00:00:00,080 --> 00:00:00,440 Speaker 1: Thursday. 2 00:00:00,440 --> 00:00:03,400 Speaker 2: Mark's new album, Celebration is out now and there's still 3 00:00:03,400 --> 00:00:05,560 Speaker 2: a couple of dates left to catch them here in Perth, 4 00:00:05,680 --> 00:00:10,000 Speaker 2: Friday night at the North Shore Tavern in Hillary's and 5 00:00:10,320 --> 00:00:13,800 Speaker 2: Saturday night at the Railway Hotel in North Fremantle. And 6 00:00:13,880 --> 00:00:15,680 Speaker 2: he's a man of his word. He's promised to come 7 00:00:15,680 --> 00:00:19,480 Speaker 2: and visitors here. He is rath this Elthwaite. You've also 8 00:00:19,520 --> 00:00:22,560 Speaker 2: got a road trip ahead of those two shows down 9 00:00:22,600 --> 00:00:26,759 Speaker 2: to Bumbrie, Yes, the Prince of Wales Hotel. Yepday that 10 00:00:26,920 --> 00:00:29,639 Speaker 2: Bumbrie would welcome you with open arms. 11 00:00:29,760 --> 00:00:32,640 Speaker 3: It's always a fun place to play. Yeah, it's an 12 00:00:32,680 --> 00:00:36,000 Speaker 3: absolute institution, the old Prince down there. 13 00:00:36,520 --> 00:00:39,120 Speaker 4: Ye, and they'd love a celebration mate, And why not 14 00:00:39,159 --> 00:00:40,280 Speaker 4: take the album called Celebration. 15 00:00:40,880 --> 00:00:44,920 Speaker 3: Yeah, we're down down there. And then yep, Hillary's and Frio. 16 00:00:44,680 --> 00:00:49,120 Speaker 2: Is always great exact Frios Freer were when we last 17 00:00:49,120 --> 00:00:50,680 Speaker 2: spoke to you not too long ago. 18 00:00:50,720 --> 00:00:54,000 Speaker 1: You were just about to release Celebration. How's the reception 19 00:00:54,080 --> 00:00:55,400 Speaker 1: been It's been good. 20 00:00:55,440 --> 00:00:59,040 Speaker 3: Thanks, Yeah, just yeah, I just got it out there. 21 00:00:59,080 --> 00:01:03,360 Speaker 3: We thought we'd go with Darryl Braithwaite cover As the 22 00:01:03,440 --> 00:01:08,160 Speaker 3: Days Go By as the first single. I guess after 23 00:01:08,200 --> 00:01:10,880 Speaker 3: listening to For people that don't know, the album is 24 00:01:10,880 --> 00:01:15,039 Speaker 3: actually celebration of Ossie music, so covers of songs, yeah, 25 00:01:15,120 --> 00:01:17,600 Speaker 3: and some some sort of well known stuff, but a 26 00:01:17,600 --> 00:01:20,560 Speaker 3: lot of sort of some deep cuts on there as well, 27 00:01:21,959 --> 00:01:24,920 Speaker 3: and the other part of the celebration titles about celebrating 28 00:01:25,400 --> 00:01:28,520 Speaker 3: gigs that have come back after a few crazy years. 29 00:01:28,560 --> 00:01:30,679 Speaker 1: Absolutely. Was there a seekers song on it? 30 00:01:31,040 --> 00:01:34,479 Speaker 2: Yeah, there's some classic it's actually a really eclectic mix 31 00:01:34,600 --> 00:01:34,880 Speaker 2: it is. 32 00:01:35,200 --> 00:01:39,000 Speaker 3: Yeah, there's Renee Gayer, there's the sports who listens to 33 00:01:39,040 --> 00:01:41,840 Speaker 3: the radio John Williamson thing. 34 00:01:42,520 --> 00:01:44,399 Speaker 1: Of course it's from Mental one in as well. 35 00:01:47,080 --> 00:01:53,920 Speaker 2: Bigger. The title is we're talking about shots like thirty mills. 36 00:01:54,960 --> 00:01:56,639 Speaker 2: They started at fifteen mills and they got bigger. 37 00:01:57,120 --> 00:01:57,680 Speaker 1: Yeah. 38 00:01:57,760 --> 00:02:01,560 Speaker 4: And Greedy Smith well truly from This's a big sweet Yeah. 39 00:02:01,600 --> 00:02:05,840 Speaker 2: Absolutely so, as we're saying, it's an album of classic 40 00:02:05,840 --> 00:02:08,359 Speaker 2: Australian tracks. If you could have any Australian artists cover 41 00:02:08,440 --> 00:02:13,320 Speaker 2: in the summertime, who would you love to hear do it? 42 00:02:13,560 --> 00:02:16,160 Speaker 3: Oh my gosh, that is something I've never been asked. 43 00:02:17,240 --> 00:02:19,600 Speaker 3: Could be I thought I'd been asked all the questions 44 00:02:19,600 --> 00:02:20,320 Speaker 3: about that song. 45 00:02:20,760 --> 00:02:22,840 Speaker 1: It could be someone passed as well, so, yeah. 46 00:02:23,240 --> 00:02:27,040 Speaker 3: Do you know who I'd like to hear singing it? Yeah, 47 00:02:28,600 --> 00:02:31,840 Speaker 3: Renee Gaya. Oh I think you know we're talking like 48 00:02:32,120 --> 00:02:34,880 Speaker 3: maybe with the you know, when Renee was doing that 49 00:02:34,919 --> 00:02:39,240 Speaker 3: stuff with the sort of the Stevie Wonder rhythm section. Yeah, 50 00:02:39,360 --> 00:02:41,399 Speaker 3: I think it was around nine eighty she was over 51 00:02:41,400 --> 00:02:45,239 Speaker 3: there in Los Angeles working with these incredible rhythm sections, 52 00:02:45,280 --> 00:02:47,639 Speaker 3: great musics, although Harry Bruce was on base for a 53 00:02:47,680 --> 00:02:49,320 Speaker 3: lot of that stuff as well with her, and I 54 00:02:49,480 --> 00:02:53,440 Speaker 3: just fell in love with her voice a few things 55 00:02:53,480 --> 00:02:56,120 Speaker 3: on cassette, and I just she I thought she was 56 00:02:56,160 --> 00:03:02,400 Speaker 3: the underrated female sole vocalist. Yeah, from Australia and. 57 00:03:02,360 --> 00:03:05,960 Speaker 1: A great powerhouse. Absolutely. Yeah, yeah, had be cool to 58 00:03:06,000 --> 00:03:09,080 Speaker 1: hear it in summertime, funky. 59 00:03:08,800 --> 00:03:11,200 Speaker 2: Soul Sobrano doing a jazz version. 60 00:03:11,520 --> 00:03:12,680 Speaker 1: Yeah, she could do that. 61 00:03:13,600 --> 00:03:17,239 Speaker 3: She sometimes gets on the socials and says, you know, yeah, 62 00:03:17,280 --> 00:03:17,640 Speaker 3: I don't know. 63 00:03:17,680 --> 00:03:22,760 Speaker 1: She's complimentary about various that shed a jaz version of Mestrapart. Yeah, yeah, 64 00:03:22,760 --> 00:03:23,360 Speaker 1: she did get that. 65 00:03:23,400 --> 00:03:25,560 Speaker 4: And of course these days you're rubbing shoulders with the 66 00:03:25,639 --> 00:03:29,440 Speaker 4: likes of Joe Satriani, you know, yeah virtuoso. 67 00:03:29,919 --> 00:03:30,760 Speaker 1: Yeah, that's right. 68 00:03:30,800 --> 00:03:32,560 Speaker 3: Well, I haven't actually done a gig with him yet, 69 00:03:32,600 --> 00:03:36,000 Speaker 3: But I've had that many text message threads and been 70 00:03:36,080 --> 00:03:39,280 Speaker 3: in videos and yeah, and but yeah, all the touring 71 00:03:39,360 --> 00:03:43,920 Speaker 3: got moved till starting in this September, right, and I'm 72 00:03:43,960 --> 00:03:45,000 Speaker 3: really looking forward to that run. 73 00:03:45,040 --> 00:03:47,520 Speaker 1: It's going to be great, brilliant. It's hard to. 74 00:03:47,480 --> 00:03:51,880 Speaker 2: Believe that this is twenty years since, you know, the 75 00:03:52,280 --> 00:03:54,680 Speaker 2: start of Thirsty Merk. Did you have every intention in 76 00:03:54,720 --> 00:03:57,080 Speaker 2: two thousand and two, I've still been on the road 77 00:03:57,120 --> 00:03:58,640 Speaker 2: doing this in twenty twenty two. 78 00:03:59,120 --> 00:04:02,600 Speaker 3: Ah, I did. I mean, I'm one of those people 79 00:04:02,640 --> 00:04:07,480 Speaker 3: that likes bands that have that stick ability. My dad 80 00:04:07,560 --> 00:04:10,120 Speaker 3: used that term early on and he said, look, that's 81 00:04:10,200 --> 00:04:12,800 Speaker 3: kind of you know, he was in a band in 82 00:04:12,840 --> 00:04:16,320 Speaker 3: the Yeah, I think they even formed in the sixties 83 00:04:16,360 --> 00:04:18,240 Speaker 3: or whatever, and they were just working around Sydney and 84 00:04:18,440 --> 00:04:22,080 Speaker 3: Central Coast and the newcast the Plubs. Yeah, they were 85 00:04:22,120 --> 00:04:24,240 Speaker 3: the Centaurs, but they changed their name to the PLEDs. 86 00:04:24,880 --> 00:04:26,640 Speaker 3: So he was sort of talking about that. You know, 87 00:04:26,720 --> 00:04:29,279 Speaker 3: they did sort of a little reunion gig in the 88 00:04:29,279 --> 00:04:31,440 Speaker 3: eighties and you know they sort of get together, you know, 89 00:04:31,600 --> 00:04:34,279 Speaker 3: long after they started. But I sort of learned from 90 00:04:34,320 --> 00:04:37,440 Speaker 3: those conversations with him that it's one of those things 91 00:04:37,440 --> 00:04:40,359 Speaker 3: that it can be a really really long you know, 92 00:04:40,400 --> 00:04:42,000 Speaker 3: you want to think of it as a as a 93 00:04:42,040 --> 00:04:45,080 Speaker 3: forever thing. There's no reason to sort of end a 94 00:04:45,120 --> 00:04:47,240 Speaker 3: great relationship with great people. 95 00:04:47,040 --> 00:04:48,360 Speaker 2: That usually have a backup plan. 96 00:04:48,760 --> 00:04:52,039 Speaker 3: When you're rockstar, Well, you don't think of a safety 97 00:04:52,120 --> 00:04:55,200 Speaker 3: net being a musician. You sort of just get in 98 00:04:55,240 --> 00:04:57,760 Speaker 3: there and see where it goes, you know. But I do, 99 00:04:57,880 --> 00:05:00,920 Speaker 3: I do pinch myself every now and then go, oh, 100 00:05:00,920 --> 00:05:04,080 Speaker 3: wait a minute. It's amazing that it is, you know, 101 00:05:04,240 --> 00:05:06,560 Speaker 3: something that we can still take on the road and 102 00:05:06,600 --> 00:05:09,120 Speaker 3: people you know it still come back to shows. That's 103 00:05:09,279 --> 00:05:12,760 Speaker 3: very sort of humbling, and it's a flattering sort of 104 00:05:12,760 --> 00:05:15,560 Speaker 3: thing to think about. The people have, you know, sung 105 00:05:15,560 --> 00:05:17,359 Speaker 3: along with the songs and listened to it on radio 106 00:05:17,440 --> 00:05:21,360 Speaker 3: and thanks to you guys for playing some of the tracks. 107 00:05:20,880 --> 00:05:24,880 Speaker 3: And it's all of those industries working together. Yeah, and 108 00:05:25,120 --> 00:05:27,279 Speaker 3: people's love of live music that's kind of gluted all 109 00:05:27,320 --> 00:05:27,920 Speaker 3: together for us. 110 00:05:27,960 --> 00:05:30,280 Speaker 4: And they remember the lyrics too, don't they right in 111 00:05:30,279 --> 00:05:32,040 Speaker 4: front of you down there in the crowd, remembering the 112 00:05:32,200 --> 00:05:33,279 Speaker 4: word yeah yeah. 113 00:05:33,360 --> 00:05:35,520 Speaker 3: I mean, so I was going to make a joke, 114 00:05:35,520 --> 00:05:37,440 Speaker 3: there's probably going to be remembering the lyrics when I 115 00:05:37,600 --> 00:05:40,000 Speaker 3: forget the lyrics when I need to tell a prompter. 116 00:05:40,080 --> 00:05:41,480 Speaker 1: But thankfully I don't need one of those. 117 00:05:41,520 --> 00:05:45,719 Speaker 2: You come in handy for a lot of people, even 118 00:05:45,720 --> 00:05:46,600 Speaker 2: if it's just a prompt. 119 00:05:46,800 --> 00:05:50,680 Speaker 1: Yeah, it's just a bit of It's is going to 120 00:05:50,680 --> 00:05:51,320 Speaker 1: sound crazy. 121 00:05:51,360 --> 00:05:54,480 Speaker 3: But I was doing a solo set. I got a 122 00:05:54,560 --> 00:05:57,320 Speaker 3: random call from a guy when I was overseas in 123 00:05:57,360 --> 00:05:59,160 Speaker 3: the States and they said, look, there's this band, the 124 00:05:59,200 --> 00:06:02,839 Speaker 3: Hollywood Vampire and it's like Joe Perry Johnny Depp plays 125 00:06:02,839 --> 00:06:06,840 Speaker 3: guitar in itsmith. Yeah, And I headed over there and 126 00:06:06,960 --> 00:06:10,360 Speaker 3: did the warm up gig before and I think was 127 00:06:10,360 --> 00:06:12,040 Speaker 3: Matt saw him who played in the Gunners. He was 128 00:06:12,040 --> 00:06:14,920 Speaker 3: on drums backstage, hanging out there, and I obviously met 129 00:06:14,960 --> 00:06:18,159 Speaker 3: everybody that was cool. And then I met Alice Cooper's 130 00:06:18,200 --> 00:06:21,240 Speaker 3: wife right and and their son was there, and I 131 00:06:21,279 --> 00:06:22,640 Speaker 3: was like, oh, where do you guys live, Like we 132 00:06:22,680 --> 00:06:25,560 Speaker 3: live in Arizona, you know. And then it turned out 133 00:06:25,640 --> 00:06:30,920 Speaker 3: that Alice Cooper's wife has a microphone from the side 134 00:06:30,960 --> 00:06:32,919 Speaker 3: of stage and sings back in vocals, but she also 135 00:06:33,000 --> 00:06:36,480 Speaker 3: runs Alice's teleprompter for her, so it was a. 136 00:06:36,360 --> 00:06:40,400 Speaker 5: Family affair the yeah, and I was like, this is 137 00:06:40,440 --> 00:06:42,760 Speaker 5: the that's so Alice Cooper, the guy who you know, 138 00:06:42,920 --> 00:06:45,279 Speaker 5: like from the Waynes World thing where you sort of 139 00:06:45,279 --> 00:06:48,000 Speaker 5: think this kind of you know, sort of dark sort 140 00:06:48,040 --> 00:06:50,440 Speaker 5: of horror movie looking sort of dude, and there he 141 00:06:50,560 --> 00:06:53,320 Speaker 5: is and his wife's there like running the teleprompter for him. 142 00:06:54,400 --> 00:06:57,040 Speaker 1: Well, yeah, probably seeing the high harmony, you know what 143 00:06:57,080 --> 00:07:00,640 Speaker 1: I mean, that's so good. It's a business. 144 00:07:00,800 --> 00:07:02,320 Speaker 4: At least I was talking about the twenty year thing, 145 00:07:02,320 --> 00:07:05,080 Speaker 4: and we both at least put me onto a doco recently, 146 00:07:05,120 --> 00:07:07,400 Speaker 4: which was the Woodstock ninety nine, the disaster of that 147 00:07:07,480 --> 00:07:09,720 Speaker 4: gig and all those heavy rock acts with all those 148 00:07:10,280 --> 00:07:12,920 Speaker 4: those young American college kids there and it became a disaster. 149 00:07:13,320 --> 00:07:14,840 Speaker 4: But the one thing that one of the things that 150 00:07:14,880 --> 00:07:16,520 Speaker 4: got me about that gig was they said no one 151 00:07:16,560 --> 00:07:18,800 Speaker 4: here had a mobile phone, and I went, wow, isn't 152 00:07:18,800 --> 00:07:19,320 Speaker 4: that bizarre? 153 00:07:19,600 --> 00:07:21,600 Speaker 1: Things have changed so quickly. Would have been worse with 154 00:07:21,640 --> 00:07:22,400 Speaker 1: mobile phones there? 155 00:07:22,520 --> 00:07:24,600 Speaker 3: Oh my god. Yeah, well, you know back then, I'm 156 00:07:24,600 --> 00:07:27,600 Speaker 3: probably still still holding up cigarette lights and the actual 157 00:07:27,680 --> 00:07:28,600 Speaker 3: flames coming out. 158 00:07:28,680 --> 00:07:29,280 Speaker 1: Yeah. 159 00:07:29,400 --> 00:07:31,800 Speaker 4: Well, the handing out candles. One group were handing out candles. 160 00:07:31,800 --> 00:07:33,560 Speaker 4: Think it was a good idea, and then everything started 161 00:07:33,560 --> 00:07:38,840 Speaker 4: getting burned. Didn't go well at all public liability special. 162 00:07:38,520 --> 00:07:40,240 Speaker 1: Yeah, but things have changed a lot, and even just 163 00:07:40,280 --> 00:07:42,320 Speaker 1: in twenty yeah, oh yeah they have. 164 00:07:42,440 --> 00:07:42,640 Speaker 5: Yeah. 165 00:07:42,720 --> 00:07:46,400 Speaker 3: I mean actually I was talking to someone about this 166 00:07:46,480 --> 00:07:49,360 Speaker 3: on a podcast recently, and it is it is true. 167 00:07:49,360 --> 00:07:51,160 Speaker 3: We were sort of one foot in the camp where 168 00:07:51,200 --> 00:07:54,240 Speaker 3: you were selling actual CDs, you know, the physical copies 169 00:07:54,280 --> 00:07:57,200 Speaker 3: of things, and then obviously the napsters and Lime wise 170 00:07:57,240 --> 00:07:59,640 Speaker 3: came and sort of decimated that. But then the big 171 00:07:59,680 --> 00:08:02,560 Speaker 3: company He's got on, you know, on the technology train 172 00:08:02,600 --> 00:08:07,920 Speaker 3: and started sort of monetizing file. Yeah, and it is interesting, 173 00:08:07,960 --> 00:08:09,920 Speaker 3: but you know the one there are sort of mainstays. 174 00:08:10,120 --> 00:08:13,800 Speaker 3: People still want to go to gigs. People still need entertainment. 175 00:08:13,960 --> 00:08:17,800 Speaker 3: People do this to get away from the worries in 176 00:08:17,840 --> 00:08:19,720 Speaker 3: their lives. You know, they've got it. They've had a 177 00:08:19,760 --> 00:08:22,640 Speaker 3: big hard week. Music is that sort of thing that. 178 00:08:22,560 --> 00:08:25,440 Speaker 2: Nothing is ever going to replace that, Yeah a lot. 179 00:08:25,800 --> 00:08:26,040 Speaker 4: Yeah. 180 00:08:26,320 --> 00:08:28,440 Speaker 3: It will change sound, it will change the way that 181 00:08:28,480 --> 00:08:31,600 Speaker 3: we consume it, of course, but it is amazing to 182 00:08:31,600 --> 00:08:33,120 Speaker 3: watch it evolved to. 183 00:08:33,120 --> 00:08:35,280 Speaker 4: Get to a gig and not have to be being 184 00:08:35,440 --> 00:08:37,360 Speaker 4: entertained by some kind of device, whether it's a small 185 00:08:37,400 --> 00:08:38,719 Speaker 4: screen or your massive screen at home. 186 00:08:39,200 --> 00:08:40,080 Speaker 1: It's pretty cool. 187 00:08:41,200 --> 00:08:42,959 Speaker 2: And that's why we're so thrilled that you have got 188 00:08:43,000 --> 00:08:45,280 Speaker 2: your guitar with you today and. 189 00:08:45,200 --> 00:08:46,280 Speaker 1: What are you going to do for us? 190 00:08:46,360 --> 00:08:49,280 Speaker 3: Ray, Well, I can do whatever you guys want us 191 00:08:49,320 --> 00:08:51,160 Speaker 3: to do. But I thought, if you want to just 192 00:08:51,240 --> 00:08:56,160 Speaker 3: hear the probably the classic in the summertime, I would 193 00:08:56,240 --> 00:08:58,640 Speaker 3: love to play that that I tuned the guitar down 194 00:08:58,640 --> 00:08:59,480 Speaker 3: at e flatform. 195 00:09:00,520 --> 00:09:02,760 Speaker 4: We'll call Renege, give a call, get her on the 196 00:09:02,760 --> 00:09:06,280 Speaker 4: boat right. This Orthwaite from Thirsty Murk Live next on 197 00:09:06,360 --> 00:09:07,160 Speaker 4: ninety six m