1 00:00:00,520 --> 00:00:03,760 Speaker 1: Australian Idol does return at seven thirty tonight on Channel 2 00:00:03,880 --> 00:00:12,880 Speaker 1: seven and as does a judge Kyle Sandaland's hello. 3 00:00:11,320 --> 00:00:14,319 Speaker 2: Marsha's back. You can't keep a good Marshal down. 4 00:00:14,360 --> 00:00:17,120 Speaker 1: She's back as permanent judge alongside you and Amy Shark. 5 00:00:17,360 --> 00:00:19,560 Speaker 3: Thank god for that. We got rid of the Americans. 6 00:00:19,600 --> 00:00:24,000 Speaker 3: Thank god, you know all. Honestly we wanted Marsha the 7 00:00:24,040 --> 00:00:28,440 Speaker 3: first year. Yeah she was You know, Marsha, you don't 8 00:00:28,480 --> 00:00:31,960 Speaker 3: stick around doing what she does from sixteen years old 9 00:00:31,960 --> 00:00:35,080 Speaker 3: at seventy with our planning in advance. Remember our parents 10 00:00:35,159 --> 00:00:38,080 Speaker 3: used to watch get Away and then book a holiday 11 00:00:38,159 --> 00:00:41,880 Speaker 3: nine years in advance. Yes, that's what Mars's like with 12 00:00:41,960 --> 00:00:44,559 Speaker 3: booking gigs to get to lock him in, lock him 13 00:00:44,560 --> 00:00:47,120 Speaker 3: in in advance, luck him in for as far and 14 00:00:47,159 --> 00:00:48,920 Speaker 3: then we're the way of the year to get it back. 15 00:00:49,159 --> 00:00:52,120 Speaker 3: And with Meghan Trainer disappearing because she went and had 16 00:00:52,120 --> 00:00:56,600 Speaker 3: her second child is very cute. I thought, I said 17 00:00:56,640 --> 00:00:59,960 Speaker 3: this Channel seven execs, wouldn't it be a unique city 18 00:01:00,000 --> 00:01:03,760 Speaker 3: situation for on Australian Idol there will be all Australian 19 00:01:03,840 --> 00:01:06,000 Speaker 3: judges And then that was like it was the first 20 00:01:06,040 --> 00:01:08,920 Speaker 3: time I was ever thought of we got mo. 21 00:01:10,680 --> 00:01:12,520 Speaker 2: Yeah, yeah, Harry. 22 00:01:12,319 --> 00:01:16,120 Speaker 3: Was doing his tours, sold out thirty people shows. We 23 00:01:16,200 --> 00:01:20,120 Speaker 3: could we couldn't get Harry back on. So yeah, it's 24 00:01:20,160 --> 00:01:20,800 Speaker 3: just the three of us. 25 00:01:20,880 --> 00:01:22,800 Speaker 2: That's mine, Jane, because I know you had such a 26 00:01:22,800 --> 00:01:24,119 Speaker 2: lovely romance. 27 00:01:24,319 --> 00:01:26,400 Speaker 4: Sending little messages to each other after hours. 28 00:01:26,440 --> 00:01:28,840 Speaker 3: Well, you know what, you know what a bit embarrassing. 29 00:01:29,440 --> 00:01:31,280 Speaker 3: I thought he didn't like me because he's a bit 30 00:01:31,319 --> 00:01:35,200 Speaker 3: of a prickly unit. And yes, yeah, and then and 31 00:01:35,240 --> 00:01:37,200 Speaker 3: then after it was all said and done and I've 32 00:01:37,280 --> 00:01:39,000 Speaker 3: been on the rampage, he's now good? 33 00:01:39,160 --> 00:01:39,800 Speaker 2: Is this is that? 34 00:01:40,440 --> 00:01:43,600 Speaker 3: Apparently I got it all wrong and he was a 35 00:01:43,640 --> 00:01:47,760 Speaker 3: fan of mine and then yeah, so oh well, never mind. 36 00:01:47,760 --> 00:01:49,440 Speaker 5: We all make these mistakes, can't we. 37 00:01:50,800 --> 00:01:55,800 Speaker 2: He is, he's different. Why what you want to get 38 00:01:55,880 --> 00:01:57,600 Speaker 2: him on the right day, Harry, totally you do. 39 00:01:58,280 --> 00:02:00,720 Speaker 3: Look my mom my mom didn't even what the idol 40 00:02:00,760 --> 00:02:02,480 Speaker 3: last year. She never forgot him for the hey ha 41 00:02:02,720 --> 00:02:07,559 Speaker 3: Pataday fiasco, I said, I said, Mum, I said, really, 42 00:02:07,640 --> 00:02:09,720 Speaker 3: he was right. We were all a bit slow on 43 00:02:09,760 --> 00:02:12,840 Speaker 3: the uptake there here in Australia. I'm just now all 44 00:02:12,919 --> 00:02:14,919 Speaker 3: the carry on. I'll never and I said, but I'm 45 00:02:14,960 --> 00:02:18,200 Speaker 3: on it. No, No, she didn't watch it. Hopefully Muma 46 00:02:18,320 --> 00:02:19,160 Speaker 3: beyond all this year? 47 00:02:19,160 --> 00:02:23,359 Speaker 2: Oh good year? Does Amy sharkstop not have its own 48 00:02:23,440 --> 00:02:24,120 Speaker 2: dressing room? 49 00:02:24,720 --> 00:02:25,359 Speaker 1: That is going. 50 00:02:27,160 --> 00:02:27,560 Speaker 3: A clip for? 51 00:02:29,680 --> 00:02:30,079 Speaker 5: How long? 52 00:02:30,120 --> 00:02:31,079 Speaker 3: Can you rock that top? 53 00:02:31,200 --> 00:02:31,239 Speaker 4: Not? 54 00:02:31,360 --> 00:02:33,399 Speaker 3: But how about a bit of variety in the haircut? 55 00:02:34,360 --> 00:02:38,079 Speaker 3: But look, she's she loves it. She's she's I think 56 00:02:38,080 --> 00:02:41,639 Speaker 3: if she wore like anything else, we'd be like, it's 57 00:02:41,680 --> 00:02:44,240 Speaker 3: not Amy. She's that sort of I'll just throw my 58 00:02:44,320 --> 00:02:46,839 Speaker 3: hair up in this lacky band and that's that's. That's 59 00:02:46,880 --> 00:02:47,840 Speaker 3: as much of it as you get. 60 00:02:47,960 --> 00:02:49,880 Speaker 4: Yeah, she's not missing Higgins, she's not changing it up 61 00:02:49,919 --> 00:02:51,760 Speaker 4: or down. Butte you'd hate to sit behind her at 62 00:02:51,760 --> 00:02:53,800 Speaker 4: a gig, wouldn't you, because you wouldn't say that the band. 63 00:02:53,919 --> 00:02:56,360 Speaker 3: There's been nothing worse. I reckon that's where she started it, 64 00:02:56,360 --> 00:02:59,120 Speaker 3: from trying to be a little little smart like up 65 00:02:59,120 --> 00:02:59,840 Speaker 3: on the Gold Coast. 66 00:03:01,240 --> 00:03:02,560 Speaker 2: Well, she's a tiny little thing. 67 00:03:02,600 --> 00:03:04,200 Speaker 1: I think she's just trying to make herself a bit 68 00:03:04,639 --> 00:03:06,920 Speaker 1: larger presence with this humongous head. 69 00:03:08,520 --> 00:03:11,240 Speaker 5: Like the first year. I remember my first year in Idol, 70 00:03:11,280 --> 00:03:13,120 Speaker 5: I was very nervous. I was like, what am I 71 00:03:13,200 --> 00:03:13,720 Speaker 5: doing here? 72 00:03:13,760 --> 00:03:16,680 Speaker 3: You know, I don't even realize and she was the same. 73 00:03:16,800 --> 00:03:20,240 Speaker 3: She had found it very difficult to judge other people. 74 00:03:21,200 --> 00:03:23,959 Speaker 3: And I said, look, don't treat it as judging or 75 00:03:24,840 --> 00:03:27,640 Speaker 3: giving them bad feedback. I said, if you want to, 76 00:03:27,680 --> 00:03:30,320 Speaker 3: just give them positive feedback or give them a little insight. 77 00:03:30,360 --> 00:03:33,520 Speaker 3: Because she did the hard yards in the torrago, driving 78 00:03:33,520 --> 00:03:37,640 Speaker 3: around from little gig to little gig so and I said, look, 79 00:03:37,800 --> 00:03:41,320 Speaker 3: you're in inspiration to these younger people. They want to 80 00:03:41,320 --> 00:03:43,400 Speaker 3: hear what you've got to say. It doesn't have to 81 00:03:43,440 --> 00:03:46,680 Speaker 3: necessarily be negative. Just give them positive advice. She's great 82 00:03:46,720 --> 00:03:47,680 Speaker 3: this year, really great. 83 00:03:48,800 --> 00:03:50,760 Speaker 4: I'm seeing the primos, mate, and I'm seeing you tearing 84 00:03:50,840 --> 00:03:52,240 Speaker 4: up as having the little one. 85 00:03:52,920 --> 00:03:53,640 Speaker 3: Have you up? 86 00:03:54,760 --> 00:03:55,360 Speaker 4: What's going on? 87 00:03:57,920 --> 00:03:58,320 Speaker 5: You know what? 88 00:03:58,880 --> 00:04:01,960 Speaker 3: I said, the seven rubbish out only millions of dollars 89 00:04:01,960 --> 00:04:05,080 Speaker 3: of marketing, And they said, no, no, we want to 90 00:04:05,080 --> 00:04:08,720 Speaker 3: show the three sixty. And I'm crying anything that is 91 00:04:08,800 --> 00:04:11,200 Speaker 3: about a child and the love of that now and 92 00:04:11,240 --> 00:04:13,280 Speaker 3: I'm a blubbering mess. And now I've lost it. 93 00:04:13,520 --> 00:04:14,839 Speaker 5: Yeah, it's all over. 94 00:04:14,960 --> 00:04:18,040 Speaker 2: Yes, what about the auditions? 95 00:04:18,480 --> 00:04:20,960 Speaker 1: Is there a song that you're now sick to death 96 00:04:21,000 --> 00:04:24,080 Speaker 1: of because it was you know, it was used to 97 00:04:24,120 --> 00:04:25,160 Speaker 1: death in the auditions. 98 00:04:25,440 --> 00:04:28,919 Speaker 3: Yes, yes, Amy, weinhouse song and they all come in 99 00:04:29,040 --> 00:04:30,920 Speaker 3: singing it, and I'm like, why are we glorifying that 100 00:04:31,680 --> 00:04:33,280 Speaker 3: she was a junkie at the end of the Oh, 101 00:04:36,279 --> 00:04:39,320 Speaker 3: you know she was misunderstood. I'm like, well, when why 102 00:04:39,320 --> 00:04:41,320 Speaker 3: do we always predend that we have to just go 103 00:04:41,480 --> 00:04:45,039 Speaker 3: along with all these other people's opinions on everything. I'm 104 00:04:45,120 --> 00:04:47,440 Speaker 3: me and everyone should just say what they think and 105 00:04:47,440 --> 00:04:49,919 Speaker 3: if people don't like it, then move on talk to 106 00:04:49,960 --> 00:04:50,520 Speaker 3: someone else. 107 00:04:52,760 --> 00:04:55,400 Speaker 4: Well, they don't rehable Valerie. What are they doing? 108 00:04:55,480 --> 00:04:57,440 Speaker 5: Yes, it's hard to make me go? 109 00:04:57,760 --> 00:05:02,919 Speaker 2: And I was like, yes, terrible mess. Yeah, it's the 110 00:05:02,960 --> 00:05:03,440 Speaker 2: one song. 111 00:05:03,480 --> 00:05:05,960 Speaker 1: I feel a little awkward hearing when you know she's 112 00:05:06,000 --> 00:05:07,080 Speaker 1: saying no, no, no. 113 00:05:07,640 --> 00:05:12,400 Speaker 5: We blame if only we're have known what we know now. 114 00:05:12,520 --> 00:05:13,479 Speaker 2: Yeah. 115 00:05:14,120 --> 00:05:19,479 Speaker 1: Hey, on another note, what's I read there's been some 116 00:05:19,560 --> 00:05:20,440 Speaker 1: neighborhood drama. 117 00:05:20,680 --> 00:05:25,919 Speaker 3: Oh yeah. I live in Sydney in this fancy area 118 00:05:25,960 --> 00:05:27,719 Speaker 3: and I went there and Jackie is like, that's not 119 00:05:27,839 --> 00:05:30,560 Speaker 3: for you. They're all very snooty, and I said, no, no, 120 00:05:30,720 --> 00:05:31,560 Speaker 3: that's right up, my ale. 121 00:05:31,680 --> 00:05:32,679 Speaker 5: I want to be in the studio. 122 00:05:33,760 --> 00:05:36,120 Speaker 3: I don't want to be in Scumsville where Jackie lives 123 00:05:36,160 --> 00:05:39,279 Speaker 3: on the ocean with all the grounk, the gronks and 124 00:05:39,320 --> 00:05:41,200 Speaker 3: the tattooed, mullet pattered types. 125 00:05:41,240 --> 00:05:42,480 Speaker 5: You know she's loving all that. 126 00:05:42,640 --> 00:05:46,839 Speaker 3: Yeah, But now, for some reason, our very quiet half aside, 127 00:05:46,839 --> 00:05:49,600 Speaker 3: submit the ball close, I turned into what can only 128 00:05:49,640 --> 00:05:54,280 Speaker 3: be described as ibs in its peak. Everyone, I think 129 00:05:54,320 --> 00:05:58,320 Speaker 3: everyone's folks went away and all the kids went crazy 130 00:05:58,400 --> 00:06:01,680 Speaker 3: doing three four day in your parties three. 131 00:06:01,440 --> 00:06:02,000 Speaker 5: In the morning. 132 00:06:02,240 --> 00:06:05,120 Speaker 3: Yeah, and I would have been down there with the 133 00:06:05,160 --> 00:06:07,240 Speaker 3: bloody rolled up notes if i'd have known earlier. 134 00:06:07,480 --> 00:06:10,039 Speaker 5: However, however, I've. 135 00:06:09,839 --> 00:06:12,279 Speaker 3: Got a child now, So when I heard that dish 136 00:06:12,360 --> 00:06:14,680 Speaker 3: music at seven point thirty, I was rovable. 137 00:06:14,839 --> 00:06:18,680 Speaker 4: Yeah, okay, it's happy, isn't it a sum of years 138 00:06:18,720 --> 00:06:22,360 Speaker 4: and point piper and double pay, double pay. 139 00:06:22,880 --> 00:06:25,960 Speaker 5: Ah, yes, yes, yes, very fancy, very thanks. 140 00:06:26,080 --> 00:06:27,960 Speaker 1: So you're at the other you're on the other side 141 00:06:28,000 --> 00:06:31,440 Speaker 1: of the pen. Now you're rashingly complaints. 142 00:06:32,720 --> 00:06:35,520 Speaker 5: Oh listen, I read the complaint, a big complaint. 143 00:06:35,600 --> 00:06:37,599 Speaker 3: Let it got and delivered to everyone's letter box. 144 00:06:37,760 --> 00:06:39,960 Speaker 5: Yeah, okay, and you just realize, oh, some. 145 00:06:39,839 --> 00:06:42,040 Speaker 3: People have got nothing better to do than complaint. They 146 00:06:42,080 --> 00:06:45,440 Speaker 3: wanted to do like a class action complaint against this 147 00:06:45,600 --> 00:06:48,800 Speaker 3: poor little kid. So Anyway, we sent our show down 148 00:06:48,839 --> 00:06:52,360 Speaker 3: to the offender's house and yeah, apparently his parents were 149 00:06:52,360 --> 00:06:55,760 Speaker 3: overseas for three days and then. 150 00:06:55,680 --> 00:06:58,040 Speaker 5: They just partied it up. But we've all but see I. 151 00:06:57,960 --> 00:06:59,480 Speaker 3: Did that and I ended up being homeless. 152 00:07:01,680 --> 00:07:03,720 Speaker 1: Reminiscent of that kid that got told off on the 153 00:07:03,800 --> 00:07:11,480 Speaker 1: Current Affair. Yeah, the part with the Cory Cory Weaving. Yeah, 154 00:07:12,360 --> 00:07:13,480 Speaker 1: just goes around me. 155 00:07:17,760 --> 00:07:20,000 Speaker 4: Speaking of notoriety, car before we wrap up, mate, you 156 00:07:20,000 --> 00:07:22,000 Speaker 4: are right, work mate, jack Jackie I has been in 157 00:07:22,000 --> 00:07:23,960 Speaker 4: the news more than Hugh Jackman stories lately. 158 00:07:24,080 --> 00:07:26,640 Speaker 2: What's going on there? But Jenno's just following her around. 159 00:07:27,480 --> 00:07:29,440 Speaker 3: I don't know what's happened. At some stage Jackie and 160 00:07:29,520 --> 00:07:32,160 Speaker 3: I swapp live. Remember when she was fat and she 161 00:07:32,280 --> 00:07:35,240 Speaker 3: was stuck at home with the kid, right, and I 162 00:07:35,400 --> 00:07:37,120 Speaker 3: was out roading twenty year old models. 163 00:07:37,160 --> 00:07:39,040 Speaker 5: Somehow she's woken up. 164 00:07:39,160 --> 00:07:42,080 Speaker 3: She's got all the young model boys and I'm stuck 165 00:07:42,080 --> 00:07:43,440 Speaker 3: at home with the wife and kids. 166 00:07:43,560 --> 00:07:46,080 Speaker 5: But I am loving it good. I'm loving it. 167 00:07:46,720 --> 00:07:47,560 Speaker 4: Good, Softie. 168 00:07:47,720 --> 00:07:50,680 Speaker 1: Well, looking forward to seeing you back on screens tonight 169 00:07:50,720 --> 00:07:53,760 Speaker 1: as well. Australian Idols seven thirty on Channel seven. 170 00:07:54,240 --> 00:07:57,320 Speaker 5: Thank you Kyle, Thanks you guys. Appreciate it. 171 00:07:57,400 --> 00:07:57,840 Speaker 2: Bye,