1 00:00:00,680 --> 00:00:04,520 Speaker 1: Powered Buddy My Heart radio app from ninety six airfam to. 2 00:00:04,519 --> 00:00:09,039 Speaker 2: Whenever You're listening Today, This is Clearcy and Lisa's podcast. 3 00:00:09,360 --> 00:00:12,280 Speaker 3: Coming up on the podcast A Very Good Friend, comedian 4 00:00:12,360 --> 00:00:15,200 Speaker 3: John Pinder stop hard to talk about performing at Oasis 5 00:00:15,320 --> 00:00:17,920 Speaker 3: the comedy venue, and going to see Oasis the band. 6 00:00:18,200 --> 00:00:20,520 Speaker 4: We took calls on first dates, and in the Shore Report, 7 00:00:20,560 --> 00:00:23,000 Speaker 4: Lissa spoke about another Social network film in the works. 8 00:00:23,120 --> 00:00:25,360 Speaker 3: Clercy had an amazing birthday dinner last night. 9 00:00:25,720 --> 00:00:27,880 Speaker 4: Lisa's been doing the wrong thing all these years of 10 00:00:27,960 --> 00:00:29,040 Speaker 4: playing Perfume. 11 00:00:28,800 --> 00:00:31,400 Speaker 3: And Benochet reviews F one with Brad Pitt. 12 00:00:32,400 --> 00:00:33,919 Speaker 4: I looked at the mirror this morning when I woke 13 00:00:33,960 --> 00:00:37,120 Speaker 4: up and I went, jeez, I took sixty and I 14 00:00:37,200 --> 00:00:39,240 Speaker 4: and I went, you know what else? I said? I went, jeez, 15 00:00:39,240 --> 00:00:39,880 Speaker 4: I need a haircut. 16 00:00:39,920 --> 00:00:40,720 Speaker 3: You did have a Baroco? 17 00:00:41,240 --> 00:00:42,960 Speaker 4: I did? Did you notice that I. 18 00:00:42,880 --> 00:00:45,000 Speaker 3: Regularly have a Baroka also so I cannot judge? 19 00:00:45,040 --> 00:00:47,199 Speaker 4: Yeah, I had a morning Brocco the morning BAROQ. Go 20 00:00:47,520 --> 00:00:49,960 Speaker 4: is there any energy there is? Does it really work? 21 00:00:50,000 --> 00:00:52,200 Speaker 4: But it seems to be does psychology? 22 00:00:52,520 --> 00:00:52,720 Speaker 5: Yeah? 23 00:00:52,800 --> 00:00:55,560 Speaker 4: Yeah? And I looked at myself and I went, man, 24 00:00:55,640 --> 00:00:57,279 Speaker 4: I need a haircut. You know that day where you go, 25 00:00:57,400 --> 00:00:59,400 Speaker 4: it's just the day or two over I do, and 26 00:00:59,520 --> 00:01:01,440 Speaker 4: I start looking like Matt Damon how he had his 27 00:01:01,480 --> 00:01:02,440 Speaker 4: hair and we bought a zoo. 28 00:01:03,080 --> 00:01:05,560 Speaker 3: The difference between six weeks and seven is out of 29 00:01:05,600 --> 00:01:05,920 Speaker 3: this world. 30 00:01:05,959 --> 00:01:07,360 Speaker 4: Yeah, yeah, yeah. And then I was like, oh, I 31 00:01:07,360 --> 00:01:10,000 Speaker 4: look a bit like remember John Ritter, he had these hair, 32 00:01:10,040 --> 00:01:11,120 Speaker 4: just that a little bit too long. And then I 33 00:01:11,240 --> 00:01:14,360 Speaker 4: go no, because I'm trying to think of an example 34 00:01:14,400 --> 00:01:18,360 Speaker 4: of yeah or Jackson Brown. I'm looking. I'm looking Jackson. 35 00:01:18,080 --> 00:01:20,520 Speaker 3: Brown and Brown Jeff. He's like the guy in that 36 00:01:20,600 --> 00:01:23,520 Speaker 3: ad where his mate says, you know it's it's an 37 00:01:23,520 --> 00:01:26,520 Speaker 3: amy at. I think he says, you know, you need 38 00:01:26,800 --> 00:01:28,520 Speaker 3: to have a change, and he catches a glimpse of 39 00:01:28,520 --> 00:01:30,240 Speaker 3: his mullet in the reflection. 40 00:01:30,480 --> 00:01:32,120 Speaker 4: Yeah, yeah, isn't that bad. So when I get a 41 00:01:32,160 --> 00:01:33,880 Speaker 4: bit Jackson Brown, I go, yeah, you need a haircuts. 42 00:01:33,880 --> 00:01:35,560 Speaker 4: I'm getting a haircut today. I think it's I think 43 00:01:35,560 --> 00:01:40,080 Speaker 4: it's not quite Jackson Brown. No it's not. But if 44 00:01:40,080 --> 00:01:42,520 Speaker 4: you're hitting in that direction when you're running on empty lace, 45 00:01:43,280 --> 00:01:43,800 Speaker 4: take care. 46 00:01:43,640 --> 00:01:46,400 Speaker 6: Of business, this maybe be a little John Ridder's John Ridder. 47 00:01:46,440 --> 00:01:49,680 Speaker 4: But no, that's funny. So you have he went out 48 00:01:49,680 --> 00:01:50,400 Speaker 4: for dinner last night. 49 00:01:51,000 --> 00:01:54,240 Speaker 3: Well, for the birthday, you were going to a place 50 00:01:54,280 --> 00:01:56,080 Speaker 3: in Frio that I really want to try. 51 00:01:56,160 --> 00:01:59,200 Speaker 4: You have to go to Emily Taylor. Emily Tayler's right there, 52 00:01:59,800 --> 00:02:02,760 Speaker 4: the Shears walls with the markets and Frio. That's right 53 00:02:02,760 --> 00:02:04,680 Speaker 4: there in the heart of Frio. But it was magnificent. 54 00:02:04,760 --> 00:02:06,640 Speaker 4: As I said to you, and Susie are producer when 55 00:02:06,640 --> 00:02:08,400 Speaker 4: we walked in this morning, I said, we both ate 56 00:02:08,440 --> 00:02:10,720 Speaker 4: our way into food combas on a week night. 57 00:02:11,680 --> 00:02:13,720 Speaker 3: I almost took up smoking again after I needed a 58 00:02:13,720 --> 00:02:15,960 Speaker 3: cigarette after what you told me that you had. But 59 00:02:16,240 --> 00:02:17,639 Speaker 3: tell us again to curries. 60 00:02:18,040 --> 00:02:20,600 Speaker 5: Yeah, mushroom my favorite. 61 00:02:20,320 --> 00:02:22,600 Speaker 4: Yeah, mushroom, mitle dish, oh your mussim and curry. And 62 00:02:23,600 --> 00:02:25,960 Speaker 4: there was a green curry as well, Barral Mounday with 63 00:02:25,960 --> 00:02:31,680 Speaker 4: Cash's and sticky lamb ribs, sticky and the thing to remember, 64 00:02:32,840 --> 00:02:41,880 Speaker 4: sticky lamb ribs, right, So you also have to remember, yeah, 65 00:02:42,560 --> 00:02:45,119 Speaker 4: every what he's having, you have to remember I was 66 00:02:45,120 --> 00:02:47,040 Speaker 4: with someone who didn't eat real food for three days 67 00:02:47,040 --> 00:02:50,440 Speaker 4: prepping for a colonoscope, and that girl was shoveling it in. 68 00:02:54,440 --> 00:02:59,000 Speaker 6: She's far more dainty than that. 69 00:02:56,680 --> 00:03:03,200 Speaker 4: She's not awake if she is I'm in deep peril 70 00:03:03,560 --> 00:03:05,520 Speaker 4: and she'll never take me to Emily Taylor again. But 71 00:03:06,880 --> 00:03:10,680 Speaker 4: I really recommend it. Thanks you look after your mate. 72 00:03:11,480 --> 00:03:12,560 Speaker 3: That sounds delicious. 73 00:03:12,560 --> 00:03:15,359 Speaker 4: It was yeah, it was lovely. Yeah, and so much so. 74 00:03:15,440 --> 00:03:18,600 Speaker 4: You know, me with Cake Laurie and Baker Cake coming Cake, 75 00:03:18,919 --> 00:03:21,680 Speaker 4: couldn't have any That'll be tonight. That'll be tonight's trip. 76 00:03:22,520 --> 00:03:25,200 Speaker 3: Next weekend, Next Saturday night, July the fifth, you can 77 00:03:25,240 --> 00:03:29,080 Speaker 3: catch John Pinder and Julius Geezer at the Oasis Comedy Club. 78 00:03:29,120 --> 00:03:32,919 Speaker 3: Tickets are available through John Pinder dot com. John Pinder, 79 00:03:33,160 --> 00:03:34,240 Speaker 3: good morning. 80 00:03:34,040 --> 00:03:36,240 Speaker 5: Good morning, how the devil? Are you very good? 81 00:03:36,400 --> 00:03:37,480 Speaker 4: Going swimmingly? John? 82 00:03:37,480 --> 00:03:38,160 Speaker 5: Looking for Hey? 83 00:03:38,240 --> 00:03:40,480 Speaker 1: I heard you this morning talking about your when you 84 00:03:40,520 --> 00:03:44,680 Speaker 1: said your first date was dear sweet Laurie, you offered 85 00:03:44,720 --> 00:03:48,000 Speaker 1: her a foot rob. I did risky move was Yeah, 86 00:03:48,120 --> 00:03:50,920 Speaker 1: that's so risky, isn't it? Like I'll do a foot 87 00:03:51,000 --> 00:03:55,520 Speaker 1: rob if it's requested. Ah, but it's fifty to fifty 88 00:03:55,760 --> 00:03:58,200 Speaker 1: because you don't want to be creepy. It could be like, 89 00:03:58,600 --> 00:04:02,840 Speaker 1: oh no, he's a foot guy. He's one of these people. 90 00:04:03,040 --> 00:04:03,440 Speaker 4: Finish. 91 00:04:03,760 --> 00:04:06,520 Speaker 1: Yeah, You're like, how about I give you a foot rope? 92 00:04:06,520 --> 00:04:08,760 Speaker 1: And she's like no, I'm good, thanks, and you're like, 93 00:04:09,080 --> 00:04:18,480 Speaker 1: please please, it's for me. That's a very. 94 00:04:19,839 --> 00:04:21,240 Speaker 3: Do you remember your first ever? 95 00:04:21,360 --> 00:04:21,719 Speaker 7: Do you know? 96 00:04:22,040 --> 00:04:23,960 Speaker 5: I don't think I've ever been on one. 97 00:04:25,120 --> 00:04:27,599 Speaker 1: Yeah, I don't think, you know, Like in the was 98 00:04:27,600 --> 00:04:30,680 Speaker 1: I was listening to the stories and stuff on the 99 00:04:30,720 --> 00:04:34,159 Speaker 1: way in and thinking how lovely that people had such 100 00:04:34,320 --> 00:04:38,440 Speaker 1: nice things like that. Because I was a very, very 101 00:04:38,480 --> 00:04:40,080 Speaker 1: shy young lad, I couldn't really. 102 00:04:40,440 --> 00:04:41,279 Speaker 5: Yeah, I would never have. 103 00:04:41,400 --> 00:04:44,000 Speaker 1: I would never have asked anybody on a date out 104 00:04:44,000 --> 00:04:44,920 Speaker 1: of fear of rejection. 105 00:04:45,200 --> 00:04:52,120 Speaker 5: I certainly would. Beautiful Mildrich, how about a sniff your hair? 106 00:04:52,400 --> 00:04:53,200 Speaker 5: Would you like that? 107 00:04:53,640 --> 00:04:56,039 Speaker 3: Did you and Mildy never go on any form of 108 00:04:56,240 --> 00:04:58,680 Speaker 3: you know, where there would be food and conversation and 109 00:04:58,760 --> 00:04:59,800 Speaker 3: not a formal date. 110 00:05:00,120 --> 00:05:01,160 Speaker 5: Met at beer Fest. 111 00:05:01,920 --> 00:05:05,240 Speaker 1: We didn't even technically meet. 112 00:05:05,720 --> 00:05:08,040 Speaker 5: Yeah, yeah, that's what I mean. I was. 113 00:05:08,080 --> 00:05:10,400 Speaker 3: I was on a stage. 114 00:05:11,120 --> 00:05:14,159 Speaker 1: Yeah, I was in a tent performing to a load 115 00:05:14,200 --> 00:05:17,680 Speaker 1: of drunken bogans and Mildred in the middle and in 116 00:05:17,720 --> 00:05:19,400 Speaker 1: the middle looking yeah. 117 00:05:19,640 --> 00:05:22,479 Speaker 5: Yeah, And that's that's how we met. 118 00:05:22,480 --> 00:05:25,800 Speaker 1: And then after that it was basically she would sort 119 00:05:25,839 --> 00:05:28,120 Speaker 1: of because I was already booked up by the time 120 00:05:28,200 --> 00:05:30,920 Speaker 1: we started dating, so she would just sort of come 121 00:05:30,960 --> 00:05:33,240 Speaker 1: along to gigs, which is nice and social for her. 122 00:05:33,279 --> 00:05:36,640 Speaker 1: She's hanging out with all these on my mental comedian friends. 123 00:05:36,720 --> 00:05:37,320 Speaker 5: Yeah. 124 00:05:37,680 --> 00:05:39,000 Speaker 4: I booked up with gigs, not dates. 125 00:05:39,160 --> 00:05:39,400 Speaker 8: Yeah. 126 00:05:39,440 --> 00:05:42,599 Speaker 1: I remember once I had to do a corporate gig. Yeah, 127 00:05:42,640 --> 00:05:46,279 Speaker 1: and she sort of naturally assumed that she would be 128 00:05:46,279 --> 00:05:48,680 Speaker 1: coming along to that. And I went to her. Yeah, 129 00:05:48,720 --> 00:05:50,080 Speaker 1: I said, oh, you don't want to come to this. 130 00:05:50,240 --> 00:05:51,680 Speaker 1: I said, this is going to be bad for me. 131 00:05:51,839 --> 00:05:55,920 Speaker 1: She goes, oh, I've seen your bomb, because. 132 00:05:55,720 --> 00:05:56,440 Speaker 5: She she had. 133 00:05:56,520 --> 00:05:58,400 Speaker 1: You know, we've gotten that out of the way. That's 134 00:05:58,440 --> 00:06:00,919 Speaker 1: that's the more awkward thing for comedian. It's you're not 135 00:06:00,920 --> 00:06:03,120 Speaker 1: worried so much about first kids is in first dates. 136 00:06:03,160 --> 00:06:05,799 Speaker 1: It's how is she going to feel when she's seen 137 00:06:05,839 --> 00:06:06,279 Speaker 1: me bomb? 138 00:06:06,680 --> 00:06:09,080 Speaker 5: We're still good and we were. 139 00:06:09,040 --> 00:06:11,440 Speaker 1: Going to this corporate gig and she goes, oh, no, 140 00:06:11,480 --> 00:06:13,400 Speaker 1: i've seen you bomb. I said, you've not seen me bomb. 141 00:06:13,440 --> 00:06:17,080 Speaker 1: Like a corporate the corporate gigs sometimes they don't even 142 00:06:17,120 --> 00:06:17,719 Speaker 1: want you there. 143 00:06:18,080 --> 00:06:20,000 Speaker 5: They're not interested in you. 144 00:06:20,160 --> 00:06:23,240 Speaker 1: They didn't ask for this, they didn't and that was 145 00:06:23,279 --> 00:06:25,200 Speaker 1: a terrible I said, this could be awful. I said, 146 00:06:25,200 --> 00:06:27,200 Speaker 1: I could have the attention of maybe three people in 147 00:06:27,240 --> 00:06:29,680 Speaker 1: a room of one hundred and fifty and so I 148 00:06:29,720 --> 00:06:32,039 Speaker 1: got on stage and i'd done about two minutes. She 149 00:06:32,080 --> 00:06:35,039 Speaker 1: did come along. I did about two minutes and it 150 00:06:35,160 --> 00:06:38,160 Speaker 1: was like deathly well. It wasn't even silent. They were 151 00:06:38,200 --> 00:06:40,720 Speaker 1: just talking to each other, you know, because they're partying 152 00:06:40,720 --> 00:06:42,920 Speaker 1: and hanging out with different And I looked across the 153 00:06:43,040 --> 00:06:47,960 Speaker 1: room at her and went, you see. 154 00:06:46,360 --> 00:06:47,440 Speaker 4: That's like the bus we have it. 155 00:06:48,080 --> 00:06:52,000 Speaker 5: Yeah, yeah, yeah, yeah, such sympathy in her eyes. 156 00:06:53,600 --> 00:06:56,000 Speaker 3: Well I think next saiday not at the os Is 157 00:06:56,040 --> 00:06:59,359 Speaker 3: Comedy Club is a good first date. That would be 158 00:06:59,360 --> 00:07:02,719 Speaker 3: a good first because I mean, you're you know, you're 159 00:07:02,960 --> 00:07:06,000 Speaker 3: you're laughing. Yes, things can only go good. 160 00:07:06,440 --> 00:07:08,400 Speaker 1: I've got a lot of new followers actually follow me 161 00:07:08,400 --> 00:07:10,760 Speaker 1: the DEGs I opened for Ed Gamble at the Astore Theaters. 162 00:07:10,800 --> 00:07:13,920 Speaker 1: A lot of people chased me down from there. So 163 00:07:13,960 --> 00:07:16,000 Speaker 1: if any of them people are listening, by all means, 164 00:07:16,000 --> 00:07:17,400 Speaker 1: come along to Julius Geezer. 165 00:07:17,440 --> 00:07:20,520 Speaker 5: I will admit. It's a smaller venue than as one. 166 00:07:20,800 --> 00:07:22,720 Speaker 3: That's that's nice. It's intimate. 167 00:07:22,720 --> 00:07:27,320 Speaker 1: It's intimate, which is why it's personal close. 168 00:07:27,640 --> 00:07:29,280 Speaker 4: It's also nice on the first date to see if 169 00:07:29,280 --> 00:07:31,560 Speaker 4: the potential partner's got the sense of humans. 170 00:07:31,560 --> 00:07:35,040 Speaker 5: That's right. Yeah, we'll see if they're open to foot rubs. 171 00:07:36,280 --> 00:07:41,480 Speaker 3: It's yeahoes off at the Oasis Comedy Club on stage. 172 00:07:41,560 --> 00:07:42,680 Speaker 5: It's too small a room. 173 00:07:42,720 --> 00:07:50,120 Speaker 3: Wait until after, it'll wait, it'll hold. Speaking of Oasis, Yeah, 174 00:07:50,320 --> 00:07:52,160 Speaker 3: you're off to see I'm going to see, you know, 175 00:07:52,760 --> 00:07:56,640 Speaker 3: and I'm not talking Sydney or Melbourne. You're going. 176 00:07:57,200 --> 00:07:59,520 Speaker 1: This is because of Dear Mildred as well. You see, 177 00:07:59,760 --> 00:08:00,800 Speaker 1: that's all you about this. 178 00:08:01,200 --> 00:08:04,040 Speaker 5: So we also a big fan, Yeah, a bigger fan. 179 00:08:04,240 --> 00:08:04,600 Speaker 5: I didn't. 180 00:08:04,800 --> 00:08:08,200 Speaker 1: I didn't organize this air cad. I woke up to it. 181 00:08:08,680 --> 00:08:09,480 Speaker 1: This is all urging. 182 00:08:10,320 --> 00:08:13,000 Speaker 5: Yeah, yeah, yeah, yeah, I wake up Sunday morning. 183 00:08:13,040 --> 00:08:17,280 Speaker 3: She's, yeah, So. 184 00:08:17,640 --> 00:08:20,200 Speaker 1: When when they first because we'd add the wedding, planned 185 00:08:20,360 --> 00:08:23,400 Speaker 1: the Only Moon and you know, there's a lot of 186 00:08:23,840 --> 00:08:26,040 Speaker 1: money to lay out and stuff like that. And then 187 00:08:26,960 --> 00:08:29,800 Speaker 1: the advert came up that they were getting back together, 188 00:08:30,520 --> 00:08:31,840 Speaker 1: and she she was like, what we're going to do, 189 00:08:31,840 --> 00:08:33,240 Speaker 1: What we're gonna do. We've already got the wedding book, 190 00:08:33,240 --> 00:08:35,160 Speaker 1: We've got the Only Moon book, and I said, we'll 191 00:08:35,160 --> 00:08:37,199 Speaker 1: make it work. She goes, but what if they reform 192 00:08:37,320 --> 00:08:38,840 Speaker 1: and they put a gig on And I said we'll 193 00:08:38,880 --> 00:08:41,520 Speaker 1: figure it out. So if we get tickets, we'll figure 194 00:08:41,520 --> 00:08:43,480 Speaker 1: it out. In the back of my mind, I'm thinking 195 00:08:43,920 --> 00:08:46,079 Speaker 1: we ain't going to get I'm. 196 00:08:45,880 --> 00:08:46,440 Speaker 5: Going to be fine. 197 00:08:46,480 --> 00:08:50,520 Speaker 1: We're not going to have to bother with. I love Oasis, 198 00:08:50,559 --> 00:08:52,600 Speaker 1: don't get me wrong. I've liked them for a very, 199 00:08:52,679 --> 00:08:54,760 Speaker 1: very long time. That's sort of in me blood. 200 00:08:55,200 --> 00:08:57,199 Speaker 3: Yeah, but you wouldn't have thought of going to. 201 00:08:57,120 --> 00:08:59,400 Speaker 5: The Yeah, I won't. Yeah, I don't. 202 00:08:59,400 --> 00:09:01,640 Speaker 1: I wouldn't even travel a rocking to see a band, 203 00:09:01,960 --> 00:09:03,840 Speaker 1: do you know what I mean. I'm not that kind 204 00:09:03,840 --> 00:09:07,520 Speaker 1: of guy. Yeah. Yeah. If I'm traveling for a gig, 205 00:09:07,520 --> 00:09:09,200 Speaker 1: it's because I'm doing it, do you know what I mean? 206 00:09:09,320 --> 00:09:09,560 Speaker 9: Yeah? 207 00:09:09,880 --> 00:09:12,439 Speaker 1: Yeah. And then so I'm thinking we're not going to 208 00:09:12,520 --> 00:09:14,480 Speaker 1: get tickets. She managed to get tickets to two of 209 00:09:14,520 --> 00:09:18,520 Speaker 1: them we're going to, so it's like going to Manchester 210 00:09:19,080 --> 00:09:19,640 Speaker 1: and we're. 211 00:09:19,480 --> 00:09:22,319 Speaker 5: Going to Wembley. That's hilarious to do it. 212 00:09:22,440 --> 00:09:24,120 Speaker 1: And so we're gonna We're supposed to meet up with 213 00:09:24,160 --> 00:09:26,079 Speaker 1: some friends as well while I'm over there, but they've 214 00:09:26,120 --> 00:09:29,000 Speaker 1: just wanted some prize for their musical things. So they're 215 00:09:29,000 --> 00:09:31,160 Speaker 1: playing at festival when we were supposed to go down 216 00:09:31,240 --> 00:09:35,040 Speaker 1: to Bath supposed to stay in Bath. 217 00:09:36,040 --> 00:09:39,600 Speaker 5: I think it's I don't know, I've never been before. 218 00:09:39,679 --> 00:09:40,600 Speaker 5: I'm not familiar with. 219 00:09:43,200 --> 00:09:47,000 Speaker 1: Yeah, so they they couldn't do that. So we've decided 220 00:09:47,000 --> 00:09:49,280 Speaker 1: we're going to do a few days in Paris. Well, 221 00:09:49,760 --> 00:09:52,040 Speaker 1: I know I've never been to Paris, saying as you're there, 222 00:09:52,160 --> 00:09:53,000 Speaker 1: have you been? No? 223 00:09:53,080 --> 00:09:55,280 Speaker 3: I have not, And nor of those people that went. 224 00:09:57,800 --> 00:10:00,600 Speaker 1: Yeah, I'm sort of robber into. 225 00:10:02,040 --> 00:10:03,400 Speaker 3: What saying is you're that far. 226 00:10:05,160 --> 00:10:06,080 Speaker 5: Not as well? 227 00:10:06,160 --> 00:10:08,440 Speaker 3: You're going on the underneath the Yeah, we're. 228 00:10:08,280 --> 00:10:10,200 Speaker 1: Doing the old tunnel under the ship. I'm trying not 229 00:10:10,240 --> 00:10:16,120 Speaker 1: to think about that concept or yeah, yeah, that's horrific. 230 00:10:16,160 --> 00:10:18,920 Speaker 1: People do the strangest things, don't they. That's such a 231 00:10:19,000 --> 00:10:21,840 Speaker 1: brazen move. Yeah, let's build a tunnel. 232 00:10:22,679 --> 00:10:24,360 Speaker 4: Can you having a clear and take a photo and 233 00:10:24,360 --> 00:10:25,920 Speaker 4: send it to us and it clears? Yeah? 234 00:10:25,960 --> 00:10:27,880 Speaker 5: Absolutely, will, I will for sure. 235 00:10:28,679 --> 00:10:28,920 Speaker 4: Yeah. 236 00:10:29,080 --> 00:10:32,320 Speaker 1: Dear Mildridge is desperately duo lingo in trying to learn 237 00:10:32,320 --> 00:10:35,280 Speaker 1: some French because she fears the French. 238 00:10:35,360 --> 00:10:37,360 Speaker 5: There's apps for it now, Yeah, that's what. 239 00:10:37,960 --> 00:10:39,920 Speaker 3: They're not as bad as what we I mean, sorry, 240 00:10:39,920 --> 00:10:41,000 Speaker 3: I didn't mean not as better. 241 00:10:42,360 --> 00:10:45,000 Speaker 1: They're quite talking to Ed Gamble about it, and he 242 00:10:45,040 --> 00:10:47,400 Speaker 1: goes he goes. The thing is with French is either 243 00:10:47,440 --> 00:10:49,960 Speaker 1: do it well or don't do it, because if you're 244 00:10:50,040 --> 00:10:52,400 Speaker 1: just trying, they'll go, you want to cross some don't you? 245 00:10:52,480 --> 00:10:54,560 Speaker 5: We know what you want. They'll just meet you in 246 00:10:54,600 --> 00:10:54,959 Speaker 5: the middle. 247 00:10:55,000 --> 00:11:00,720 Speaker 4: And three or four, John, don't do what I did 248 00:11:00,720 --> 00:11:01,120 Speaker 4: in France? 249 00:11:01,160 --> 00:11:01,600 Speaker 5: What did you do? 250 00:11:01,760 --> 00:11:12,360 Speaker 4: Say to someone in a shop? Beautiful shops in your. 251 00:11:08,200 --> 00:11:08,880 Speaker 5: What are you doing? 252 00:11:08,920 --> 00:11:09,600 Speaker 4: You're in Paris? 253 00:11:09,760 --> 00:11:10,040 Speaker 5: Idiot? 254 00:11:12,120 --> 00:11:13,880 Speaker 4: Started with English? Yeah, and then. 255 00:11:13,760 --> 00:11:15,719 Speaker 1: I'm just gonna I'm just gonna get out of a 256 00:11:16,120 --> 00:11:18,400 Speaker 1: cow bunger tall as Mexican idiot. 257 00:11:19,400 --> 00:11:22,440 Speaker 3: All right, Julius geezer. It's next Saturday night, July five 258 00:11:22,480 --> 00:11:25,120 Speaker 3: at the Oasis Comedy Club. Tickets are available through John 259 00:11:25,160 --> 00:11:26,319 Speaker 3: Pinder dot com. 260 00:11:26,240 --> 00:11:27,520 Speaker 5: TRU six o'clock. 261 00:11:27,600 --> 00:11:29,839 Speaker 1: So you could do an early show and then gallanthon dinner, 262 00:11:31,080 --> 00:11:33,560 Speaker 1: make a little then you could talk about and then 263 00:11:33,559 --> 00:11:35,080 Speaker 1: foot robs for all afterwards. 264 00:11:35,080 --> 00:11:38,160 Speaker 4: Maybe not while that person's driving. Yeah, well, thank you, 265 00:11:38,240 --> 00:11:38,880 Speaker 4: good to see event. 266 00:11:39,920 --> 00:11:46,839 Speaker 2: More Crazy Lisa, More podcasts soon, there's sure report On 267 00:11:47,000 --> 00:11:50,000 Speaker 2: ninety six Air FM. 268 00:11:50,080 --> 00:11:53,280 Speaker 3: Aaron Sorkin is not finished telling the Facebook story. The 269 00:11:53,320 --> 00:11:56,000 Speaker 3: Academy Award winner is developing a part two to the 270 00:11:56,040 --> 00:11:59,360 Speaker 3: social Network. Sorcan's written a screenplay and is set to 271 00:11:59,440 --> 00:12:02,600 Speaker 3: direct follow up to the twenty ten film The Social Network, 272 00:12:02,600 --> 00:12:05,240 Speaker 3: which was helm by David Fincher and chronicle the creation 273 00:12:05,360 --> 00:12:09,080 Speaker 3: and early days of Facebook. Sukan's sequel is based on 274 00:12:09,160 --> 00:12:12,600 Speaker 3: the Wall Street Journals The Facebook Files, a series of 275 00:12:12,679 --> 00:12:15,040 Speaker 3: articles that were published in twenty twenty one that further 276 00:12:15,120 --> 00:12:18,880 Speaker 3: expose the inner workings of the company. The original film, 277 00:12:18,920 --> 00:12:21,560 Speaker 3: with Jesse Eisenberg, of Course as Mark Zuckerberg, was a 278 00:12:21,600 --> 00:12:24,800 Speaker 3: critical and commercial hit, earning two hundred and twenty six 279 00:12:24,880 --> 00:12:27,520 Speaker 3: million dollars at the global box office and nominated for 280 00:12:27,559 --> 00:12:30,839 Speaker 3: eight Academy Awards, including Best Picture. I loved it. I 281 00:12:31,320 --> 00:12:33,960 Speaker 3: loved it more than I was expecting I would. Yeah, Yeah, 282 00:12:34,000 --> 00:12:37,520 Speaker 3: it was a really really good film. Brandon Flynn, who's 283 00:12:37,559 --> 00:12:40,720 Speaker 3: best known for his role as Justin Foley in Netflix's 284 00:12:40,760 --> 00:12:44,840 Speaker 3: Thirteen Reasons Why, has been cast as the legendary screen 285 00:12:44,880 --> 00:12:47,880 Speaker 3: idol James Dean. He's going to star in Willy and 286 00:12:47,960 --> 00:12:52,800 Speaker 3: Jimmy Dean, an upcoming movie based on William Bast's two 287 00:12:52,840 --> 00:12:55,720 Speaker 3: thousand and six memoir. In the book, Bast claims the 288 00:12:55,800 --> 00:13:00,199 Speaker 3: pair met at theater school and eventually developed a romantic relationship, 289 00:13:00,320 --> 00:13:03,880 Speaker 3: which they kept secret for the sake of James Dean's career, 290 00:13:04,080 --> 00:13:06,280 Speaker 3: which of course ended very early at the age of 291 00:13:06,320 --> 00:13:09,640 Speaker 3: twenty four a car crash. Now, the Wedding of the 292 00:13:09,679 --> 00:13:13,160 Speaker 3: Decade is about to kick off in Venice, Jeff Bezos's 293 00:13:13,200 --> 00:13:17,640 Speaker 3: fifty five million dollar three day extravaganza, but at the 294 00:13:17,720 --> 00:13:21,120 Speaker 3: last minute, the Amazon founder has been forced to change 295 00:13:21,200 --> 00:13:24,600 Speaker 3: the venue because of campaigning by the locals. The main 296 00:13:24,679 --> 00:13:28,600 Speaker 3: reception was set to be held in a majestic sixteenth 297 00:13:28,640 --> 00:13:31,520 Speaker 3: century building in the city center, the name of which 298 00:13:31,520 --> 00:13:33,360 Speaker 3: I don't think I can even attempt at this time 299 00:13:33,400 --> 00:13:35,840 Speaker 3: of the morning, even with Julian's. 300 00:13:35,280 --> 00:13:38,480 Speaker 4: Help we are looking at. 301 00:13:39,520 --> 00:13:43,240 Speaker 3: I can't. The point is there's a group of protesters 302 00:13:43,280 --> 00:13:46,680 Speaker 3: called the No Space for Bezos group that have taken 303 00:13:46,720 --> 00:13:49,640 Speaker 3: issue with the wedding palooza coming to town, and they've 304 00:13:49,679 --> 00:13:53,800 Speaker 3: threatened to fill the Venice canals with inflatable crocodiles to 305 00:13:53,960 --> 00:13:57,640 Speaker 3: block their celebrity guests from entering. Bezos and his bride, 306 00:13:57,679 --> 00:14:01,280 Speaker 3: Lori Sanchez don't want the angst. They've switched aroud the venue. 307 00:14:01,760 --> 00:14:05,280 Speaker 3: It will now take place in Usinale and, a historic 308 00:14:05,440 --> 00:14:09,560 Speaker 3: complex of shipyards surrounded by fortified walls that will be 309 00:14:09,720 --> 00:14:12,040 Speaker 3: much harder for the protesters to penetrate. 310 00:14:12,200 --> 00:14:13,800 Speaker 4: Oh okay, there you go right here? 311 00:14:14,200 --> 00:14:18,600 Speaker 10: Yeah, hello, did whose castle? 312 00:14:18,720 --> 00:14:19,000 Speaker 6: Is this? 313 00:14:19,920 --> 00:14:20,480 Speaker 3: The cattle? 314 00:14:20,520 --> 00:14:21,240 Speaker 5: And I'm after. 315 00:14:23,400 --> 00:14:26,240 Speaker 1: And tell your master that we have been charged by 316 00:14:26,320 --> 00:14:28,440 Speaker 1: God with a sacred quest. 317 00:14:28,720 --> 00:14:30,640 Speaker 11: Well, I love Kim, but I don't think it'd be 318 00:14:30,760 --> 00:14:31,200 Speaker 11: very keen. 319 00:14:31,720 --> 00:14:33,840 Speaker 3: Okay, so that's not nice. That's France. 320 00:14:34,040 --> 00:14:36,800 Speaker 6: There's an opportunity for a bit of gratuitous Monty Python. 321 00:14:36,800 --> 00:14:38,320 Speaker 3: There's an opportunity not to be missed. 322 00:14:38,320 --> 00:14:40,120 Speaker 4: Thank you for any tenuous leak so that we could 323 00:14:40,120 --> 00:14:40,760 Speaker 4: play that. 324 00:14:41,080 --> 00:14:44,600 Speaker 3: We want to talk about first dates because Susie told 325 00:14:44,720 --> 00:14:49,280 Speaker 3: us that Producer Susie told us an adorable story yesterday 326 00:14:49,320 --> 00:14:51,320 Speaker 3: about she was at a restaurant and journal up on 327 00:14:51,640 --> 00:14:55,760 Speaker 3: the weekend and she saw a teenage couple, young teenagers 328 00:14:55,800 --> 00:14:59,560 Speaker 3: they look like they are possibly fourteen or fifteen, seated 329 00:14:59,600 --> 00:15:02,240 Speaker 3: at the back the restaurant on what very clearly appeared 330 00:15:02,240 --> 00:15:06,240 Speaker 3: to be a dinner date. Right, They had a jug 331 00:15:06,280 --> 00:15:09,000 Speaker 3: of coke and he was being a gentleman and was 332 00:15:09,040 --> 00:15:12,760 Speaker 3: topping her glass up. She looked very cool in a 333 00:15:12,800 --> 00:15:14,880 Speaker 3: surfer girl kind of way, and that didn't have all 334 00:15:14,920 --> 00:15:19,160 Speaker 3: le beens up started again. He had very thick glasses, so. 335 00:15:19,120 --> 00:15:20,160 Speaker 4: He wasn't a sky point. 336 00:15:20,280 --> 00:15:23,240 Speaker 3: They spoke to each other more than any other adult 337 00:15:23,280 --> 00:15:23,800 Speaker 3: in the place. 338 00:15:24,160 --> 00:15:27,480 Speaker 4: No phones, not on their phone. No, that's unheard of. 339 00:15:27,600 --> 00:15:28,160 Speaker 4: Well there you go. 340 00:15:28,240 --> 00:15:29,080 Speaker 5: That's a good start. 341 00:15:29,200 --> 00:15:30,200 Speaker 4: That is a great start. 342 00:15:30,280 --> 00:15:34,720 Speaker 3: So for sure was a first date. How cute. 343 00:15:34,880 --> 00:15:38,520 Speaker 4: That's very sweet. Fourteen fifteen? What if they're looking nervous? 344 00:15:38,520 --> 00:15:42,200 Speaker 3: Do you remember your first date? First first date ever? 345 00:15:42,320 --> 00:15:46,360 Speaker 4: Oh my god, well you come back a long time. Yeah, 346 00:15:46,400 --> 00:15:47,800 Speaker 4: I remember. I didn't know how to kiss, and I 347 00:15:47,880 --> 00:15:49,560 Speaker 4: told you about Carlo Sherman at school taught me how 348 00:15:49,600 --> 00:15:52,800 Speaker 4: to pash. I got someone a date, got no, but 349 00:15:52,800 --> 00:15:54,360 Speaker 4: I had to get some advice before the first date. 350 00:15:54,400 --> 00:15:57,640 Speaker 3: It's an advisory. Mine was to the Royal Show, right, Yeah, 351 00:15:57,640 --> 00:15:58,160 Speaker 3: we went to the right. 352 00:15:58,440 --> 00:16:01,040 Speaker 4: That's a good first date. Yeah. Did you get on 353 00:16:01,040 --> 00:16:02,200 Speaker 4: any cool rides or anything? 354 00:16:02,280 --> 00:16:02,440 Speaker 5: Yeah? 355 00:16:02,440 --> 00:16:02,760 Speaker 3: Of course. 356 00:16:03,240 --> 00:16:04,480 Speaker 4: Did you go on the chair left and see on 357 00:16:04,480 --> 00:16:06,320 Speaker 4: that roof how many thongs or on the shoes that 358 00:16:06,400 --> 00:16:07,080 Speaker 4: have fallen down? 359 00:16:07,200 --> 00:16:10,640 Speaker 3: I think we did. Yeah, that might be where we passed. 360 00:16:10,760 --> 00:16:17,080 Speaker 4: I remember, Hello, won me a cup doll? Not a 361 00:16:17,080 --> 00:16:17,760 Speaker 4: great teddy? 362 00:16:17,840 --> 00:16:18,600 Speaker 3: Don't the other stick? 363 00:16:18,680 --> 00:16:18,720 Speaker 7: No? 364 00:16:18,840 --> 00:16:20,760 Speaker 4: You want a great big teddy, don't you. Yeah, you 365 00:16:20,840 --> 00:16:23,760 Speaker 4: do enough enough fairy flows to make you sick. I 366 00:16:23,800 --> 00:16:25,640 Speaker 4: remember the first date with Laurry. I pulled out the 367 00:16:25,680 --> 00:16:27,800 Speaker 4: old Trump card. Would you like a foot roll? 368 00:16:32,560 --> 00:16:34,480 Speaker 3: Did that school teacher? This as well? 369 00:16:36,320 --> 00:16:39,400 Speaker 4: I'm not saying anymore, but you. 370 00:16:39,360 --> 00:16:43,200 Speaker 6: Better finish the sentence. Now, better finish the offer, Laurier, 371 00:16:43,240 --> 00:16:48,400 Speaker 6: foot rub, foot rub? You missed that busy big horrifies 372 00:16:48,600 --> 00:16:49,440 Speaker 6: what was coming next? 373 00:16:50,480 --> 00:16:50,920 Speaker 3: All right? 374 00:16:51,080 --> 00:16:52,160 Speaker 4: Well the history. 375 00:16:52,240 --> 00:16:55,400 Speaker 3: Yes, we're talking about your very first date today, paul 376 00:16:55,440 --> 00:16:58,520 Speaker 3: in joodle up? Where was it? What happened? How'd you go? 377 00:16:58,760 --> 00:16:59,080 Speaker 12: Morning? 378 00:16:59,280 --> 00:16:59,600 Speaker 3: Morning? 379 00:16:59,840 --> 00:17:03,400 Speaker 12: And mine was? I think it was nineteen eighty four 380 00:17:03,560 --> 00:17:07,439 Speaker 12: because girls just want to have fun and footloose throughout 381 00:17:08,119 --> 00:17:12,199 Speaker 12: And it was the skateway in Bumbary and zach Nic 382 00:17:12,320 --> 00:17:17,080 Speaker 12: Place and where parents actually waited in the cars outside 383 00:17:17,160 --> 00:17:22,320 Speaker 12: the whole time like us the lip. So yeah, yeah, 384 00:17:22,480 --> 00:17:24,399 Speaker 12: so it was. It was a good date though, I 385 00:17:24,440 --> 00:17:28,800 Speaker 12: guess yeah, and yeah, no it was. It didn't last, 386 00:17:28,920 --> 00:17:32,920 Speaker 12: but yeah, no, I bet you I put I put 387 00:17:32,920 --> 00:17:37,120 Speaker 12: one hundred dollars on that. Greg your producer was the 388 00:17:37,320 --> 00:17:38,560 Speaker 12: DJ there as well. 389 00:17:39,560 --> 00:17:44,040 Speaker 3: He's yes, Gregor Boss. He not only was he the 390 00:17:44,119 --> 00:17:47,200 Speaker 3: dj there. But I think his first date was at Skateway. 391 00:17:47,240 --> 00:17:49,840 Speaker 3: We were talking about this yesterday. I think his first 392 00:17:49,920 --> 00:17:54,359 Speaker 3: Stateway as well, obviously popular destination back in the in 393 00:17:54,400 --> 00:17:55,720 Speaker 3: the mid eighties. In Butters. 394 00:17:55,800 --> 00:17:59,080 Speaker 4: I think we've got a past during Yeah. 395 00:17:59,760 --> 00:18:01,520 Speaker 3: Yeah, well, I. 396 00:18:01,480 --> 00:18:04,159 Speaker 12: Mean it was the only place open past seven o'clock 397 00:18:04,200 --> 00:18:06,720 Speaker 12: at night. And I mean they had ross the surveys. 398 00:18:06,760 --> 00:18:10,520 Speaker 12: I didn't have ADM yeah yeah, or anything like that. 399 00:18:10,680 --> 00:18:12,679 Speaker 4: But Paul, you know the first the folks stayed in 400 00:18:12,680 --> 00:18:14,840 Speaker 4: the car park waiting. I mean it's Bunbury. The house 401 00:18:14,920 --> 00:18:17,400 Speaker 4: was like a kilometer away. Where would they go home? 402 00:18:17,480 --> 00:18:19,200 Speaker 4: They just wanted to be the interest in case. 403 00:18:19,359 --> 00:18:22,560 Speaker 12: Yeah, I don't know, just old fashioned. I guess I 404 00:18:22,600 --> 00:18:28,280 Speaker 12: love them. Yeah, okay, there's. 405 00:18:28,400 --> 00:18:30,440 Speaker 4: I bet the folks were sneaking a peek too. That 406 00:18:30,600 --> 00:18:30,920 Speaker 4: was going on. 407 00:18:31,400 --> 00:18:34,000 Speaker 3: Jimmy in ellen Brook, Good morning. 408 00:18:33,840 --> 00:18:36,360 Speaker 12: Jimmy, Mine Clevy and how are you going? 409 00:18:36,440 --> 00:18:38,639 Speaker 4: Yeah? Good mate? When you got that first date story, 410 00:18:39,160 --> 00:18:39,720 Speaker 4: at least. 411 00:18:39,520 --> 00:18:41,080 Speaker 13: I don't know if you remember, a couple of months ago, 412 00:18:41,200 --> 00:18:44,040 Speaker 13: there was a phoner about what what should we bring back? 413 00:18:44,080 --> 00:18:46,080 Speaker 13: And I called through and I said that the lost 414 00:18:46,200 --> 00:18:48,440 Speaker 13: art of the letter writing. Yes, there had been a 415 00:18:48,480 --> 00:18:52,560 Speaker 13: couple of text people asking is Jimmy single. It's about 416 00:18:52,760 --> 00:18:55,480 Speaker 13: the resounding no, because I'm still married to the woman 417 00:18:55,520 --> 00:18:57,840 Speaker 13: who I went on my very first date with and 418 00:18:58,080 --> 00:19:01,520 Speaker 13: Michelle and it was nineteen ninety one. 419 00:19:01,600 --> 00:19:04,920 Speaker 3: Lad As you married your first love. Kidding they're coming 420 00:19:04,960 --> 00:19:05,879 Speaker 3: after you again, Jimmy. 421 00:19:06,040 --> 00:19:06,240 Speaker 4: Yeah. 422 00:19:06,640 --> 00:19:09,080 Speaker 13: We used to do after school sport and we were 423 00:19:09,080 --> 00:19:11,560 Speaker 13: attached the late bus to the train station and I 424 00:19:11,640 --> 00:19:13,320 Speaker 13: was sitting on the copper logs sort of thing near 425 00:19:13,359 --> 00:19:15,600 Speaker 13: the bus stop and I shared my headphones with her. 426 00:19:15,640 --> 00:19:22,240 Speaker 13: We were listening, Oh, Throwing Copper by Live on my walkman. 427 00:19:22,440 --> 00:19:25,520 Speaker 3: Well that was a good album. That's a really good album. 428 00:19:26,320 --> 00:19:28,840 Speaker 13: A little while later, the first actual date was at 429 00:19:28,840 --> 00:19:31,000 Speaker 13: Warwick Grandate Cinemas to go and see Twister. 430 00:19:31,320 --> 00:19:35,159 Speaker 4: Of course, brilliant, what a film, what a. 431 00:19:35,160 --> 00:19:38,160 Speaker 13: Beautiful A little bit hung out a little bit after 432 00:19:38,200 --> 00:19:42,119 Speaker 13: that and a sneaky passion. Then the rest is history. 433 00:19:42,119 --> 00:19:45,040 Speaker 13: We were twenty one year old and seventeen year old and. 434 00:19:45,480 --> 00:19:49,320 Speaker 4: The cool movie of the applause ate, well done. 435 00:19:49,200 --> 00:19:50,960 Speaker 3: That's lovely, Thanks Jimmy. 436 00:19:51,160 --> 00:19:52,480 Speaker 4: Let's go to Stratton Dave. 437 00:19:53,359 --> 00:19:59,760 Speaker 7: We went to Hans caf Ho Yes, lovely and yeah, 438 00:20:00,040 --> 00:20:05,200 Speaker 7: and it was Kennington and yeah, the date was going 439 00:20:05,240 --> 00:20:09,879 Speaker 7: really well, and you know, the lady decided that she 440 00:20:10,000 --> 00:20:12,960 Speaker 7: needed to go off to the toilet. So I thought 441 00:20:13,080 --> 00:20:15,600 Speaker 7: this would be a good idea. So I went over 442 00:20:15,640 --> 00:20:18,359 Speaker 7: and paid the bill, and when she came back, I 443 00:20:18,400 --> 00:20:21,200 Speaker 7: said to us, I said, I reckon, we could sneak 444 00:20:21,240 --> 00:20:26,280 Speaker 7: out of you without paying. And she's like, oh, if 445 00:20:26,359 --> 00:20:30,320 Speaker 7: you if you're going to be that, I'll pay. I reckon, 446 00:20:30,359 --> 00:20:34,639 Speaker 7: we'll get away with this. So anyway, I came playing 447 00:20:34,640 --> 00:20:38,480 Speaker 7: with us and and she just gave me this look. 448 00:20:38,520 --> 00:20:41,720 Speaker 7: But as we were leaving, I made sure that she 449 00:20:41,840 --> 00:20:45,480 Speaker 7: walked out before me, and all I could see is 450 00:20:45,520 --> 00:20:47,600 Speaker 7: her looking over her shoulder as if to say, I 451 00:20:47,800 --> 00:20:48,639 Speaker 7: have to run. 452 00:20:52,880 --> 00:20:58,520 Speaker 3: There a second change, Yes it was. 453 00:20:59,240 --> 00:21:02,560 Speaker 7: We did through she had sense to humor. 454 00:21:02,720 --> 00:21:05,160 Speaker 5: Yeah, yeah that's important. 455 00:21:04,760 --> 00:21:10,080 Speaker 4: So no running required, not early Anywhay, thank thanks mate. 456 00:21:10,480 --> 00:21:13,360 Speaker 3: Kylie and Rockingham. What did you do on your very 457 00:21:13,400 --> 00:21:14,040 Speaker 3: first date? 458 00:21:15,160 --> 00:21:18,680 Speaker 8: Well, our first date was actually a blind date where 459 00:21:18,680 --> 00:21:22,399 Speaker 8: we were set up by people we worked I worked 460 00:21:22,440 --> 00:21:26,720 Speaker 8: with and things like that, and yet met in for 461 00:21:26,800 --> 00:21:30,560 Speaker 8: those in Rockingham, the old gazebo down at Rocky Beach 462 00:21:30,560 --> 00:21:31,800 Speaker 8: Front had no idea. 463 00:21:33,080 --> 00:21:34,960 Speaker 9: Funny enough, we were listening to the radio when you 464 00:21:34,960 --> 00:21:38,040 Speaker 9: were talking about it, because we actually worked together as well, 465 00:21:38,160 --> 00:21:42,840 Speaker 9: and twenty seven years later, we're still married and and 466 00:21:43,560 --> 00:21:46,280 Speaker 9: I know we worked. We're one of those freaky couples. 467 00:21:46,320 --> 00:21:49,200 Speaker 9: We worked together as well. And he said, he goes, oh, 468 00:21:49,240 --> 00:21:52,240 Speaker 9: I gues, you're bloody nervous that first one, aren't you. 469 00:21:52,320 --> 00:21:55,160 Speaker 9: And I looked in a moment, oh really, after twenty 470 00:21:55,160 --> 00:21:59,080 Speaker 9: seven years, I was all right with it, you know, 471 00:21:59,480 --> 00:22:03,399 Speaker 9: But no, it was We're one of the rarities, you know. 472 00:22:03,600 --> 00:22:07,040 Speaker 9: It was a beautiful day Rockey Beach Trump. We decided 473 00:22:07,119 --> 00:22:10,120 Speaker 9: just to have coffee or tea because we thought if 474 00:22:10,119 --> 00:22:11,679 Speaker 9: it was going to be that bad, we could just 475 00:22:11,720 --> 00:22:16,840 Speaker 9: go okay, great, thanks by yeah, but if yees. But 476 00:22:17,359 --> 00:22:18,960 Speaker 9: we were able to go for a little walk along 477 00:22:19,000 --> 00:22:22,800 Speaker 9: Breach Front. Found out, you know, through conversation that fathers 478 00:22:22,800 --> 00:22:26,800 Speaker 9: have worked together for the twenty odd years and mothers 479 00:22:26,880 --> 00:22:30,600 Speaker 9: knew each other, and my best friend and his best friend. 480 00:22:30,680 --> 00:22:34,119 Speaker 9: It was a very bizarre coincidence that whole. 481 00:22:33,920 --> 00:22:37,440 Speaker 4: Large time and don't work work of friends love to 482 00:22:37,440 --> 00:22:39,040 Speaker 4: play Cupid, don't they? 483 00:22:39,520 --> 00:22:41,000 Speaker 3: Sorry, So that again, work. 484 00:22:41,080 --> 00:22:43,480 Speaker 4: And friends love to play Cupid. They love putting people, 485 00:22:44,080 --> 00:22:44,640 Speaker 4: don't they? 486 00:22:44,880 --> 00:22:47,720 Speaker 9: And you know, what we were really fortunate. It was 487 00:22:47,760 --> 00:22:50,160 Speaker 9: back in the day where there was no swiping and 488 00:22:50,680 --> 00:22:54,800 Speaker 9: things like that, and you know, good old fashioned. So yeah, 489 00:22:55,000 --> 00:22:58,280 Speaker 9: very very fortunate, I have to say. And he knows 490 00:22:58,320 --> 00:22:59,560 Speaker 9: how fortunate he is with me. 491 00:23:01,119 --> 00:23:02,920 Speaker 3: Sorry, thanks, gud Hie. 492 00:23:03,880 --> 00:23:07,440 Speaker 2: It's more an more podcasts soon. 493 00:23:08,160 --> 00:23:10,760 Speaker 3: So there is something I've been doing wrong every day 494 00:23:10,760 --> 00:23:13,120 Speaker 3: of my life. I might not be the only one. 495 00:23:13,200 --> 00:23:15,720 Speaker 3: I'm sure I'm not the only one. But I open 496 00:23:15,800 --> 00:23:18,000 Speaker 3: up the computer this morning and I see the headline 497 00:23:18,480 --> 00:23:23,000 Speaker 3: why you shouldn't rub your wrists after spraying perfume. 498 00:23:23,280 --> 00:23:24,040 Speaker 4: Oh really? 499 00:23:24,640 --> 00:23:28,960 Speaker 3: Yeah, yeah, thing Okay, So you know this scene plays 500 00:23:29,000 --> 00:23:32,000 Speaker 3: out millions of times daily around the world. Someone applies 501 00:23:32,000 --> 00:23:34,399 Speaker 3: their perfume to their wrists and immediately raps them together 502 00:23:34,440 --> 00:23:35,720 Speaker 3: a little quick circular motion. 503 00:23:36,040 --> 00:23:36,200 Speaker 4: Yep. 504 00:23:36,640 --> 00:23:40,480 Speaker 3: It feels almost instinctive, and you know, because surely this 505 00:23:40,560 --> 00:23:43,359 Speaker 3: is helping spread the said make it work better. I 506 00:23:43,359 --> 00:23:45,320 Speaker 3: don't even know why we do it, but I do 507 00:23:45,400 --> 00:23:49,399 Speaker 3: it well. Apparently. The shocking truth is that this seemingly 508 00:23:49,520 --> 00:23:52,400 Speaker 3: harmless action is one of the worst things you can 509 00:23:52,520 --> 00:23:55,800 Speaker 3: possibly do to your fragrance. Those few seconds of wrist 510 00:23:55,880 --> 00:24:00,840 Speaker 3: rubbing can fundamentally alter your cologne's ascent profile reduce its 511 00:24:00,880 --> 00:24:04,920 Speaker 3: longevity and prevent you and everyone around you from experiencing 512 00:24:04,960 --> 00:24:07,119 Speaker 3: the fragrance as the perfumer intended. 513 00:24:08,040 --> 00:24:10,560 Speaker 4: You don't do that alone, pushing the molecules or something. 514 00:24:10,560 --> 00:24:11,200 Speaker 4: What do you do well? 515 00:24:11,200 --> 00:24:15,679 Speaker 3: Friction generates heat, and heat is fragrance's enemy. When you 516 00:24:15,760 --> 00:24:19,200 Speaker 3: rub your wrist together, the resulting warmth accelerates the evaporation 517 00:24:19,359 --> 00:24:23,240 Speaker 3: process beyond its intended rate, causing the delicate top notes 518 00:24:23,520 --> 00:24:27,320 Speaker 3: to burn off before they've had the chance to properly develop. 519 00:24:27,920 --> 00:24:31,840 Speaker 3: I'm doing a disservice to my purpose. Yes, rapid evaporation 520 00:24:32,000 --> 00:24:36,080 Speaker 3: creates a harsh, distorted opening that bears little resemblance to 521 00:24:36,160 --> 00:24:37,600 Speaker 3: the perfumer's vision. 522 00:24:38,080 --> 00:24:39,560 Speaker 4: Isn't that amazing? Things you learn? 523 00:24:39,920 --> 00:24:44,040 Speaker 3: So top notes suffer the most damage from this premature acceleration. 524 00:24:44,440 --> 00:24:46,800 Speaker 3: It's all very chemistry life. 525 00:24:48,080 --> 00:24:48,440 Speaker 4: The story. 526 00:24:48,480 --> 00:24:51,720 Speaker 3: It's light. Volatile molecules. I just want to smell good 527 00:24:51,880 --> 00:24:55,480 Speaker 3: are designed to provide a beautiful first impression before gracefully 528 00:24:55,520 --> 00:25:00,720 Speaker 3: transitioning to middle notes. Right, excessive heat causes to disappear 529 00:25:00,760 --> 00:25:03,280 Speaker 3: within seconds rather than minutes, robbing you of the fragrances 530 00:25:03,320 --> 00:25:06,760 Speaker 3: intended opening and jumping straight to the Harsher middle notes. 531 00:25:06,920 --> 00:25:10,120 Speaker 3: Physical friction can break down the molecular bonds that hold 532 00:25:10,200 --> 00:25:15,520 Speaker 3: complex fragrance molecules together, and this disruption alters the chemical 533 00:25:15,560 --> 00:25:18,879 Speaker 3: composition of your perfume, creating new scent compounds, so you 534 00:25:18,920 --> 00:25:22,000 Speaker 3: could end up smelling entirely not the way you intended. 535 00:25:22,600 --> 00:25:24,800 Speaker 3: The result is a fragrance that smells different from what 536 00:25:24,840 --> 00:25:29,840 Speaker 3: you sprayed, often harsher, often more chemical, sometimes simply off. 537 00:25:30,000 --> 00:25:32,640 Speaker 4: Oh dear, you don't want to spoil it like that, So. 538 00:25:32,640 --> 00:25:34,919 Speaker 3: From now on, I'm just going to spray and go. 539 00:25:35,080 --> 00:25:38,160 Speaker 4: Okay, very good when the stuff's more expensive than petrol. 540 00:25:38,240 --> 00:25:39,600 Speaker 4: Lise yes, well done. 541 00:25:40,119 --> 00:25:44,000 Speaker 2: Straight The flick with benow she. 542 00:25:43,640 --> 00:25:47,919 Speaker 3: It's a driving movie with a big sexy superstar. Is 543 00:25:47,960 --> 00:25:50,080 Speaker 3: there a nuclear physicist as welfare? 544 00:25:50,440 --> 00:25:51,399 Speaker 5: Is it like Days? 545 00:25:52,080 --> 00:25:52,639 Speaker 3: Good Morning? 546 00:25:53,200 --> 00:25:53,760 Speaker 5: Good morning? 547 00:25:54,359 --> 00:25:56,080 Speaker 11: Look, I wish it was like Days of Thunder, Days 548 00:25:56,080 --> 00:25:58,879 Speaker 11: of Thunder. We're being honest. Is it not a good movie? 549 00:25:58,960 --> 00:26:01,119 Speaker 11: But it came out. It came out when I was 550 00:26:01,160 --> 00:26:05,280 Speaker 11: an impressionable teenager, and I just love that Tom Cruise 551 00:26:05,320 --> 00:26:08,679 Speaker 11: getting around the NASCAR track with Nicole Kidman. None of 552 00:26:08,720 --> 00:26:12,040 Speaker 11: it made any sense whatsoever, probably about as much as 553 00:26:12,119 --> 00:26:15,520 Speaker 11: much sense as Talli Dagan Knights with Will Ferrell. If 554 00:26:15,520 --> 00:26:18,760 Speaker 11: You're not First your Last. There's a bit of Talladega 555 00:26:18,840 --> 00:26:25,400 Speaker 11: Nights about F one the movie, not deliberately, Yeah, yeah. 556 00:26:25,200 --> 00:26:25,600 Speaker 3: There's a bit. 557 00:26:25,640 --> 00:26:28,680 Speaker 11: So this movie comes along and it's been called Top 558 00:26:28,720 --> 00:26:33,600 Speaker 11: Gun on Wheels, right, which poor yeah, poor Brad, And 559 00:26:33,640 --> 00:26:35,760 Speaker 11: I think and some people might see that as a compliment, 560 00:26:35,800 --> 00:26:38,480 Speaker 11: but it's I think it's actually should be called Top 561 00:26:38,480 --> 00:26:42,560 Speaker 11: Gun Maverick on Wheels. I think because if you think 562 00:26:42,600 --> 00:26:47,600 Speaker 11: about it, both films try and leverage iconic ip. Both 563 00:26:47,720 --> 00:26:51,040 Speaker 11: films have vehicles that go very fast, driven by dudes 564 00:26:51,040 --> 00:26:53,719 Speaker 11: who are probably too old to be still doing it, 565 00:26:54,400 --> 00:26:57,000 Speaker 11: if we're being honest, And also both of them kind 566 00:26:57,000 --> 00:27:00,960 Speaker 11: of mediocre. Unfortunately, Top Gun Maverick and F One the movie, 567 00:27:01,119 --> 00:27:02,880 Speaker 11: even though Top Gun Maverick made a ton of money 568 00:27:02,880 --> 00:27:05,480 Speaker 11: at the box office, and I know, I know people 569 00:27:05,480 --> 00:27:07,439 Speaker 11: loved it, and I don't want to offend anybody, but it 570 00:27:07,520 --> 00:27:09,679 Speaker 11: was only okay, Like, if we're being honest, it was 571 00:27:09,680 --> 00:27:13,560 Speaker 11: only okay. And F one comes along and it's like 572 00:27:13,600 --> 00:27:16,800 Speaker 11: we've spoken about this many times, those musical biopics about 573 00:27:16,840 --> 00:27:19,600 Speaker 11: you know, your Amy Winehouse or your Bob Marley or 574 00:27:19,640 --> 00:27:22,879 Speaker 11: Freddie Mercury, And they're always pretty superficial, right, like they 575 00:27:22,880 --> 00:27:26,000 Speaker 11: don't really dig under the surface, because the reality of 576 00:27:26,040 --> 00:27:27,760 Speaker 11: these movies is you have to suck up to the 577 00:27:27,800 --> 00:27:29,640 Speaker 11: record labels, you have to suck up to the artist 578 00:27:29,720 --> 00:27:32,800 Speaker 11: of states, or you can't license the song. And if 579 00:27:32,800 --> 00:27:34,600 Speaker 11: you don't have the songs, you don't have a movie. 580 00:27:34,800 --> 00:27:37,040 Speaker 11: And so in the same way, F one the movie 581 00:27:37,240 --> 00:27:39,680 Speaker 11: is done in collaboration with Formula One. 582 00:27:40,040 --> 00:27:44,400 Speaker 10: It uses the logo and uses the race tracks, sucking. 583 00:27:44,280 --> 00:27:49,760 Speaker 11: Up to Formula one, Formula one, Smular one guards guards. 584 00:27:49,800 --> 00:27:53,160 Speaker 11: It's kind of copyright and trademarks, like you know, disney't 585 00:27:53,160 --> 00:27:54,280 Speaker 11: believe like Disney. 586 00:27:53,920 --> 00:27:55,639 Speaker 3: Exactly money sport. 587 00:27:55,720 --> 00:27:58,639 Speaker 11: And you've got Lewis Hamilton, he's an executive producer, Oscar 588 00:27:58,680 --> 00:28:03,960 Speaker 11: Piastres in there, Carlos's there's a lot of cameos in 589 00:28:03,960 --> 00:28:06,960 Speaker 11: there for the F one nuts and so sometimes this 590 00:28:07,040 --> 00:28:08,880 Speaker 11: does feel like an advertisement for. 591 00:28:08,680 --> 00:28:10,840 Speaker 10: Formula one more so than a piece of art. 592 00:28:11,640 --> 00:28:15,080 Speaker 11: And it's directed by Joseph Kazinski, who did a Top 593 00:28:15,080 --> 00:28:18,240 Speaker 11: Gun Maverick, and it's produced by Jerry Bruckheimer, the legend Yes, 594 00:28:18,480 --> 00:28:19,919 Speaker 11: who did Top Gun as well. So there's a lot 595 00:28:19,960 --> 00:28:21,520 Speaker 11: of top gun references in this movie. 596 00:28:21,640 --> 00:28:22,679 Speaker 3: Is Daniel Ricardo in it? 597 00:28:23,480 --> 00:28:30,600 Speaker 10: I didn't see pretty much everybody is it makes some 598 00:28:30,640 --> 00:28:31,680 Speaker 10: sort of an appearance in there. 599 00:28:31,840 --> 00:28:34,679 Speaker 11: And so it's about Brad Pitt who plays this American 600 00:28:35,680 --> 00:28:38,080 Speaker 11: washed up race car driver called Sonny Hayes. He must 601 00:28:38,120 --> 00:28:40,480 Speaker 11: be in his early fifties and he once had a 602 00:28:40,480 --> 00:28:43,400 Speaker 11: promising career in F one, had a terrible accident and 603 00:28:43,520 --> 00:28:46,720 Speaker 11: never really got back into the into the sport, and 604 00:28:46,760 --> 00:28:50,680 Speaker 11: so just now travels around America racing in odd races, 605 00:28:50,720 --> 00:28:53,040 Speaker 11: like one day he'll do NASCAR, do Daytona, and next 606 00:28:53,120 --> 00:28:55,720 Speaker 11: thing he'll be racing June Buggies in Mexico. None of 607 00:28:55,720 --> 00:28:57,680 Speaker 11: it really makes a lot of sense. But then he 608 00:28:57,680 --> 00:29:00,400 Speaker 11: gets a chance to come back to F one to 609 00:29:00,520 --> 00:29:04,480 Speaker 11: save his best buddies team Ruben, who played by Javier 610 00:29:04,520 --> 00:29:07,840 Speaker 11: Budem and they're the worst team in F one. Their 611 00:29:07,840 --> 00:29:10,640 Speaker 11: car is terrible, and there's a young driver played by 612 00:29:10,720 --> 00:29:12,760 Speaker 11: Dams and Idris who's a hot shot, but he's a 613 00:29:12,760 --> 00:29:14,800 Speaker 11: hot head as well, so he has a hard time 614 00:29:14,880 --> 00:29:16,960 Speaker 11: staying on the track. And so Brad Pitt's coming in 615 00:29:16,960 --> 00:29:20,040 Speaker 11: as a mentor. No one really expects much, but they 616 00:29:20,120 --> 00:29:22,800 Speaker 11: just hope that something positive will happen in the last 617 00:29:22,920 --> 00:29:24,080 Speaker 11: nine races of the season. 618 00:29:24,280 --> 00:29:24,960 Speaker 4: They've got nine. 619 00:29:24,880 --> 00:29:28,440 Speaker 11: Races to figure and then you know, surprise, surprise, all 620 00:29:28,440 --> 00:29:31,080 Speaker 11: of a sudden, the car is pretty good because they 621 00:29:31,080 --> 00:29:35,360 Speaker 11: have the first ever female technical director played by Kerry 622 00:29:35,360 --> 00:29:40,880 Speaker 11: Condon's Intershuran fantastic. But the problematic bit of it, so 623 00:29:41,080 --> 00:29:43,360 Speaker 11: you make this you know, big hooha about you know, 624 00:29:43,560 --> 00:29:46,480 Speaker 11: she is a trailblazer in the sport, and then she 625 00:29:46,600 --> 00:29:48,480 Speaker 11: just becomes a sex object for Brad pitt. 626 00:29:48,600 --> 00:29:50,840 Speaker 10: I don't know that's you know, really. 627 00:29:50,880 --> 00:29:51,800 Speaker 4: So she starts off with a wing. 628 00:29:53,080 --> 00:29:55,280 Speaker 11: Literally, this is basically what she invents to make the 629 00:29:55,320 --> 00:29:59,440 Speaker 11: car go good. And so people who love F one 630 00:29:59,480 --> 00:30:01,640 Speaker 11: will appreci cate how much effort they put in to 631 00:30:01,840 --> 00:30:05,360 Speaker 11: recreate the racing sequences. For people who aren't a big 632 00:30:05,360 --> 00:30:07,600 Speaker 11: fan of F one, it's a lot of cars going 633 00:30:07,600 --> 00:30:10,880 Speaker 11: around in circles, like you know, nine racers. There's a 634 00:30:10,880 --> 00:30:15,719 Speaker 11: lot of racers and they just keep going and going 635 00:30:16,040 --> 00:30:19,880 Speaker 11: and going and going and going and uh and so 636 00:30:19,920 --> 00:30:22,280 Speaker 11: there's a lot of so there's a lot of that happening, 637 00:30:22,320 --> 00:30:27,240 Speaker 11: a lot of pit stops. It's not it's not completely terrible. 638 00:30:27,280 --> 00:30:29,880 Speaker 11: Brad Pitt is being Brad Pitt, like, I'm not even sure. 639 00:30:30,160 --> 00:30:32,640 Speaker 10: I'm not that's a good one. I'm not even sure 640 00:30:32,640 --> 00:30:33,640 Speaker 10: he's acting in this film. 641 00:30:34,480 --> 00:30:37,000 Speaker 11: I think someone said to me afterwards, you think Brad 642 00:30:37,000 --> 00:30:38,120 Speaker 11: Pitt has a chance for an oscar. 643 00:30:38,760 --> 00:30:41,320 Speaker 10: He's not acting, he's just being himself. 644 00:30:41,880 --> 00:30:44,400 Speaker 11: Honestly, if you had a chat to Brad Pitt at 645 00:30:44,400 --> 00:30:46,360 Speaker 11: a pub, you would not tell the difference between him 646 00:30:46,400 --> 00:30:51,000 Speaker 11: and his character. And so, yeah, there's not a lot 647 00:30:51,000 --> 00:30:54,120 Speaker 11: of drama really to it. It's it's kind of you know, 648 00:30:54,160 --> 00:30:58,240 Speaker 11: if you've seen Ford versus Ferrari formulation, you. 649 00:30:58,160 --> 00:30:59,200 Speaker 5: Are on fire. 650 00:30:59,360 --> 00:31:02,360 Speaker 11: Yeah, clearly in pole position when it comes to cracking 651 00:31:02,360 --> 00:31:02,920 Speaker 11: the gags. 652 00:31:03,040 --> 00:31:06,280 Speaker 10: Cracking the gags here me and Clare still stuck in. 653 00:31:06,240 --> 00:31:11,760 Speaker 11: The grid and girls like this this film really did 654 00:31:11,800 --> 00:31:12,000 Speaker 11: you know? 655 00:31:12,120 --> 00:31:15,800 Speaker 10: Stall at the start line and my keys. 656 00:31:16,800 --> 00:31:19,760 Speaker 11: It'll have its fans, especially amongst the F one tragics 657 00:31:19,760 --> 00:31:22,200 Speaker 11: out there, and because of Netflix's drive to survive, there's 658 00:31:22,240 --> 00:31:23,640 Speaker 11: plenty of casual f one fans. 659 00:31:23,640 --> 00:31:25,160 Speaker 10: He'll get into this, he will make it. It'll make 660 00:31:25,160 --> 00:31:25,920 Speaker 10: good money at the box. 661 00:31:25,960 --> 00:31:27,880 Speaker 4: Off didn't help if they're comparing it to the Tom 662 00:31:27,960 --> 00:31:33,800 Speaker 4: Cruise stuff that Tom was there that would have helped. 663 00:31:33,880 --> 00:31:36,360 Speaker 3: Looking very much like he was keeping him in his lay. 664 00:31:39,000 --> 00:31:39,800 Speaker 4: Through the chicane. 665 00:31:42,640 --> 00:31:46,720 Speaker 3: How many gentlemen start your engines you're giving it. 666 00:31:48,720 --> 00:31:51,120 Speaker 10: Agree, it's okay, it's solid. 667 00:31:51,640 --> 00:31:58,520 Speaker 4: Nine races. Thanks guys, sm Clez and Lisa 668 00:32:00,200 --> 00:32:00,240 Speaker 9: K.