WEBVTT - MINNIE COOPER GETS SUPER HONEST ABOUT RUPAUL'S DRAG RACE

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload the podcast last week. They might welcome back

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<v Speaker 1>guys to TV Reload. My name's Benjamin Norris, and on

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<v Speaker 1>this podcast I go behind the scenes with the biggest

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<v Speaker 1>players in television. Each episode you will get a front

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<v Speaker 1>row seat with content makers like executive producers, writers, editors,

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<v Speaker 1>and casting agents, plus the talent that we see on

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<v Speaker 1>our screens. TV Reload reloads the shows that you are

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<v Speaker 1>currently watching and gives you a better insight into our

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<v Speaker 1>television industry and our streaming services. Today on the podcast,

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<v Speaker 1>I have the freshly eliminated queen from RuPaul's Drag Race

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<v Speaker 1>down Under series two that has arguably polarized her audience.

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<v Speaker 1>It is Mini Cooper. This series on down Under, we

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<v Speaker 1>have been on a real journey with Minnie Cooper. Her experience,

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<v Speaker 1>her humor, and her commitment to the show certainly did

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<v Speaker 1>not go unnoticed.

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<v Speaker 2>And while she.

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<v Speaker 1>Did rub some queens the wrong way, audiences were left divided.

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<v Speaker 1>Love her or hate her. This is one impressive queen.

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<v Speaker 1>There was plenty to talk about with Minnie and we

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<v Speaker 1>have to pay some respect to some impressive commentary with

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<v Speaker 1>her master interviews, her conflict style was always take no prisoners,

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<v Speaker 1>and let's face it, I don't think anyone will ever

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<v Speaker 1>use a stapler on address again. We will talk about

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<v Speaker 1>the segregation she felt from the others, the snatch game

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<v Speaker 1>that didn't really pay off, her secret bond with RuPaul himself,

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<v Speaker 1>and some shady answers from an outspoken queen. However, let's

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<v Speaker 1>get started with today's guest. I'd like to welcome Minnie Cooper,

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<v Speaker 1>who I loved to TV reload.

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<v Speaker 3>I'm talking to you because you were bitching behind my

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<v Speaker 3>back previously on Rupas Jacks. Well, all that stuff that

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<v Speaker 3>you see on the first day is just me being

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<v Speaker 3>myself this whole season, Mini versus x y Za Queen

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<v Speaker 3>was really upsetting for me to upset her that much.

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<v Speaker 3>This is the first time in the competition I've seen

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<v Speaker 3>you not feel in control. We're all talking about each

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<v Speaker 3>other's outfit. Everyone hated my mind because I stuck with

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<v Speaker 3>it together.

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<v Speaker 1>Minni and Beverly, I'm sorry, my DearS, but you are

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<v Speaker 1>both up for elimination.

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<v Speaker 3>There's so much other stuff that you didn't see that

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<v Speaker 3>didn't make it to camera, where we had such great rapport.

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<v Speaker 2>Hi bare Mini Cooper how are you.

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<v Speaker 3>I'm here eliminated. She's been picked to the.

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<v Speaker 1>Curve, which is a massive shock. If you asked me,

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<v Speaker 1>I was very surprised to see you go. Are you

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<v Speaker 1>coping with the elimination?

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<v Speaker 3>At the time, I wasn't coping, But I'm coping now

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<v Speaker 3>it's been seven months. I've had a lot of time

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<v Speaker 3>to think about it.

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<v Speaker 2>Well, awesome to be able to have this chat with you.

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<v Speaker 1>I thought you made a huge impact on this series,

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<v Speaker 1>and the fact is you had the most amount of

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<v Speaker 1>people talking about you.

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<v Speaker 3>Well, I'm pretty interesting, That is true. I did have

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<v Speaker 3>a lot of people talking tonight, not necessarily for good things.

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<v Speaker 3>All the time, there was a whole episode about me,

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<v Speaker 3>and I wasn't in the bottom, all the top. I

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<v Speaker 3>didn't win, all lose.

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<v Speaker 2>It says something about you, my friend.

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<v Speaker 3>You know about this being polarizing.

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<v Speaker 1>Can I just say that is the ultimate showbag with

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<v Speaker 1>you is to get a bit of a shady comment,

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<v Speaker 1>because that has just made my day.

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<v Speaker 3>At least you can take the shade. Some people can't.

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<v Speaker 1>They really can't. They really can't. I have to ask

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<v Speaker 1>you how much of this experience was like what you

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<v Speaker 1>expected to be.

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<v Speaker 3>Honest, it wasn't what I expected. I didn't expect to

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<v Speaker 3>be so isolated by the group. I didn't see that coming.

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<v Speaker 3>I had no idea, Like I knew I was going

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<v Speaker 3>to come in with my career and that would be

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<v Speaker 3>obviously have an effect, but I didn't realize it would

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<v Speaker 3>have that effect on people. And it was jarring because

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<v Speaker 3>I've never been in a group of people, especially of drag,

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<v Speaker 3>where I've been isolated by a group people like I've

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<v Speaker 3>never experienced that before, So to me, it was really

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<v Speaker 3>a fifty to be isolated on acquired people. It's just weird.

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<v Speaker 3>It's like, psychologically it wasn't great.

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<v Speaker 2>Well from the start, you had the best jokes and

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<v Speaker 2>the best pieces to camera, and I want to know

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<v Speaker 2>what sort of preparation did you put into the show

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<v Speaker 2>prior to packing your bags and turning up.

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<v Speaker 3>Well, all that stuff that you see on the first

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<v Speaker 3>day is just me being myself because I am constantly

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<v Speaker 3>making jokes and having a good time and being aware

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<v Speaker 3>of the environment. Okay, you're going to throw something at

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<v Speaker 3>me off. That's what drag queens do well. In my

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<v Speaker 3>generation of drag, you throw a joke, you throw it back,

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<v Speaker 3>and you bounce off each other, and it's fun. It's

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<v Speaker 3>fun to say, well, you've fifty, how old are you? Well,

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<v Speaker 3>at least I look good, Like it's just funny. It's

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<v Speaker 3>just lighthearted.

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<v Speaker 1>When you were relaxed and you weren't worrying about the others,

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<v Speaker 1>you really shone in a way that was just excellent.

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<v Speaker 2>It was great television.

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<v Speaker 1>But I guess a lot of people were wondering, did

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<v Speaker 1>you get sandbagged by the relationships with these other queens?

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<v Speaker 3>One hundred percent? Like, I think that's obvious in Snatch

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<v Speaker 3>Game because I had that oldcation. That oldcation with Beverly

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<v Speaker 3>is literally probably an hour before we're doing Snatch Game,

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<v Speaker 3>so you can imagine having that. And I didn't mean

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<v Speaker 3>to upset Beverly. I actually really liked Beverly, and it

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<v Speaker 3>was really upsetting for me to upset her that much

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<v Speaker 3>because she was really upset, and for me, because I'm

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<v Speaker 3>empathic person, I would never want to upset her like that.

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<v Speaker 3>So I'm going into this comedy challenge where I don't

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<v Speaker 3>feel funny. I don't feel like having joy because I've

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<v Speaker 3>upset this poor kid. Like it's not nice. It's not

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<v Speaker 3>a nice feeling.

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<v Speaker 1>You know, there was a lot of people commenting online

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<v Speaker 1>saying that RuPaul loved you the most out of all

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<v Speaker 1>of the Queen's. Do you think that there was any

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<v Speaker 1>truth in that, especially in episode one.

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<v Speaker 3>Well, that was absolutely the truth, and that there's so

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<v Speaker 3>much other stuff that you didn't see that didn't make

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<v Speaker 3>it to camera where we had such great rapport and

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<v Speaker 3>that I think was a great thing for me, but

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<v Speaker 3>also a hindrance with the other contestants because they're all

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<v Speaker 3>looking at me being confident and making real laugh and

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<v Speaker 3>who doesn't want to do that on Rubel's drag race.

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<v Speaker 3>It's like chag winning.

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<v Speaker 1>I honestly think that you are a dream when it

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<v Speaker 1>comes to reality television, because I think you are a

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<v Speaker 1>bit of shake and bake drama. And that's because you

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<v Speaker 1>can turn any situation into, you know, a big focus piece.

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<v Speaker 1>You know, is that who you are? Or did this

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<v Speaker 1>show do something to you?

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<v Speaker 3>Well, it's really interesting because you know, one of my

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<v Speaker 3>things was to go on that show was to discover

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<v Speaker 3>things about myself as well, like especially when I said

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<v Speaker 3>to all Real, I think your costumes are fitting, and

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<v Speaker 3>it's funny how she played that down. I don't know

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<v Speaker 3>why she's going on about this. She was bitching and

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<v Speaker 3>behind my back, and I pulled her up on it,

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<v Speaker 3>and that's why it looks like it escalates. So it

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<v Speaker 3>was quite funny that she said, Oh, I don't know

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<v Speaker 3>which I'm talking to you because you were bitching behind

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<v Speaker 3>my back. And I want to say, well, if you

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<v Speaker 3>want to talk to me and we'll discuss it. And

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<v Speaker 3>that's why that comes across quite heated, like that's something

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<v Speaker 3>that you don't see on camera. And I wanted to

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<v Speaker 3>find out why I had this reaction with people, Why

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<v Speaker 3>my opinion causes a reaction like that in someone We're

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<v Speaker 3>all talking about each other's outfit. Everyone hated my mind

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<v Speaker 3>because I stuck pulling it together. Am I crying at

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<v Speaker 3>the corner? No, I'm not.

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<v Speaker 1>I think the side note to that is that it

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<v Speaker 1>is the best recipe for success when it comes to

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<v Speaker 1>TV reality TV stes. Producers want someone to go from

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<v Speaker 1>zero to one hundred pretty quickly, and in some situations

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<v Speaker 1>you kind of did, which I think made good television.

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<v Speaker 3>Yeah, and it's so funny. I was just asked the

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<v Speaker 3>question before because I did get trolled after that episode.

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<v Speaker 3>I'm going to be honest, and it was about my

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<v Speaker 3>dyslexia and it's so funny. Yeah, I did overreact in

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<v Speaker 3>that moment, but I didn't know actually what they were

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<v Speaker 3>laughing at because I was actually going to give them

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<v Speaker 3>a compliment for being so helpful in the challenge, right,

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<v Speaker 3>So here I am being vulnerable. They laugh and they go, oh,

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<v Speaker 3>but it was only your joke. But I'd say this,

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<v Speaker 3>if that was a person talking about their weight several

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<v Speaker 3>times a day before and they brought it up again,

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<v Speaker 3>would it be okay to laugh?

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<v Speaker 1>But who decides the boundaries or the parameters on what

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<v Speaker 1>is okay to be made fun of on Rupoul's Drag Race.

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<v Speaker 3>What is it about dyslexia that people think it's okay

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<v Speaker 3>that it's okay to laugh?

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<v Speaker 1>Is that a really hard thing when it comes to

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<v Speaker 1>RuPaul's Drag Race though, because around the world, I mean,

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<v Speaker 1>it's a part of the magic at the show in

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<v Speaker 1>a way, is to call people out and kind of

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<v Speaker 1>make fun of some of their things, and then you're

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<v Speaker 1>supposed to just dust it off and pick yourself up.

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<v Speaker 1>But I think in some ways, you know, that wasn't

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<v Speaker 1>how you wanted to play it. You know, you didn't

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<v Speaker 1>play by the Rupoul's drag race rules in some ways.

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<v Speaker 3>Yeah, I suppose it's so interest that you say that.

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<v Speaker 3>So it's I think there's a time and the place

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<v Speaker 3>to throw shade and laugh. I don't think when someone's

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<v Speaker 3>talking about something vulnerable as a time and a place

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<v Speaker 3>to be laughing and throwing shade. I think it's disrespectful.

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<v Speaker 3>All that whole thing, to me is really quite vindictive

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<v Speaker 3>and quite mean. And but then people go, it's all

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<v Speaker 3>right for you to laugh. But I think it's two

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<v Speaker 3>separate things.

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<v Speaker 1>Reality TV is a very unusual thing because so much

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<v Speaker 1>footage is shot, but then we only get to see

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<v Speaker 1>a certain amount. We do struggle between the realities of

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<v Speaker 1>what we remember and then what the audience is seeing,

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<v Speaker 1>and they can be two different things. However, I do

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<v Speaker 1>think the essence of people is captured correctly. Do you

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<v Speaker 1>think the essence of Minnie Cooper has been captured correctly?

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<v Speaker 3>Well, it's interesting when you see your conversation take out

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<v Speaker 3>of context and it's flipped and the two separate conversations

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<v Speaker 3>didn't happen like that, and what happened prior to that. Okay,

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<v Speaker 3>if I said to this, if you had a whole

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<v Speaker 3>bunch of people yelling at you, screaming at you. Prior

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<v Speaker 3>to that conversation, would you have a different response to me.

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<v Speaker 3>I think that's quite a major part of the the circumstance.

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<v Speaker 3>Would have I said those things if I wasn't being

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<v Speaker 3>yelled at by a group. I don't think of.

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<v Speaker 1>With some of that drama away of your subconscious also

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<v Speaker 1>wanting to be noticed. Because you were quite eloquent with

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<v Speaker 1>the way in which you would have these little trice

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<v Speaker 1>with people, and it made for good television. I wondered

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<v Speaker 1>whether or not that was a your subconscious being like, oh,

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<v Speaker 1>this is good content. Oh this is how I'm going

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<v Speaker 1>to be, how I'm going to get seen.

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<v Speaker 3>No, that's not the way I think. It's not the way.

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<v Speaker 3>I don't think that way. It's not in my makeup.

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<v Speaker 3>I would have been quite happy to get on that

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<v Speaker 3>show and just made jokes.

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<v Speaker 2>And the jokes that you made were hilarious. Let me

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<v Speaker 2>tell you.

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<v Speaker 3>Exactly, that's your I want to go on there and

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<v Speaker 3>be an entertainer. I don't want to. I don't want

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<v Speaker 3>them to be talking about stuff that happens backstage, that

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<v Speaker 3>happened in a dressing room two years ago. Brought up

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<v Speaker 3>on a television show, like, do I want to talk

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<v Speaker 3>about that now? No? Absolutely not.

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<v Speaker 1>Honestly, I think that it's going to be hard to

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<v Speaker 1>watch without you because you were such a tent pole

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<v Speaker 1>of this series. You know, you were so much a

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<v Speaker 1>part of it. It'll be interesting to see where it

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<v Speaker 1>goes without you.

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<v Speaker 3>Yeah, but I think in any circumstance, I think the Giana,

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<v Speaker 3>we're going to have to change a move it somewhere

0:10:02.040 --> 0:10:05.240
<v Speaker 3>else because it's obviously part Like I believe if you

0:10:05.240 --> 0:10:07.199
<v Speaker 3>look at it as a group of ten people, right

0:10:07.400 --> 0:10:10.520
<v Speaker 3>and with these lines in a pack, that line goes, well,

0:10:10.520 --> 0:10:13.040
<v Speaker 3>the drama's got to go somewhere else, because, let's face it,

0:10:13.040 --> 0:10:15.120
<v Speaker 3>it's got to move to So who's next? The focal

0:10:15.120 --> 0:10:17.240
<v Speaker 3>point's going to move to someone else? And who that is?

0:10:17.480 --> 0:10:19.240
<v Speaker 3>I bet you're at someone else, I guarantee it.

0:10:19.280 --> 0:10:20.280
<v Speaker 2>Who do you think it would be?

0:10:20.440 --> 0:10:22.160
<v Speaker 3>I'd say Beverly? Is it my picking?

0:10:22.240 --> 0:10:23.040
<v Speaker 2>Okay, because it's.

0:10:22.920 --> 0:10:25.120
<v Speaker 3>Got to move somewhere. Who else? Who would you would

0:10:25.120 --> 0:10:27.000
<v Speaker 3>be next in the firing line. It's either going to

0:10:27.000 --> 0:10:28.520
<v Speaker 3>be Beverly or it's going to be Uri. And I

0:10:28.520 --> 0:10:29.640
<v Speaker 3>don't think it's going to be Uri.

0:10:29.760 --> 0:10:32.400
<v Speaker 1>Well, we got to see you react to that sort

0:10:32.440 --> 0:10:34.920
<v Speaker 1>of treatment. How do you think Beverly is going to

0:10:34.960 --> 0:10:37.640
<v Speaker 1>respond to it if she then gets the heat. Oh,

0:10:37.640 --> 0:10:38.760
<v Speaker 1>it's the focus put on her.

0:10:39.160 --> 0:10:41.600
<v Speaker 3>I think she'll be reactive like I was reactive. But

0:10:41.679 --> 0:10:44.320
<v Speaker 3>I think she does it. I don't know she'll be

0:10:44.360 --> 0:10:46.760
<v Speaker 3>able to be as calm as I am in that circumstance,

0:10:46.800 --> 0:10:48.880
<v Speaker 3>because I think I was pretty calm, and because I can't.

0:10:48.960 --> 0:10:50.240
<v Speaker 3>I thought I was calm at the time, but when

0:10:50.240 --> 0:10:51.559
<v Speaker 3>I watched back, Oh, I'm not so calm.

0:10:52.880 --> 0:10:54.960
<v Speaker 1>I know that feeling. I know that feeling very well.

0:10:55.040 --> 0:10:57.040
<v Speaker 1>I remember thinking in Big Brother, when I was doing

0:10:57.120 --> 0:11:00.320
<v Speaker 1>that show, I remember thinking I was like, really can'tfortable

0:11:00.400 --> 0:11:02.680
<v Speaker 1>with being able to have conflict, And I would talk

0:11:02.720 --> 0:11:04.640
<v Speaker 1>it through and then I'd watch it back and I'd

0:11:04.640 --> 0:11:06.240
<v Speaker 1>be like, oh my god, I'm an asshole.

0:11:07.280 --> 0:11:09.400
<v Speaker 3>That's exactly what I thought as well. Do you check

0:11:09.440 --> 0:11:10.319
<v Speaker 3>it what I thought as well?

0:11:10.360 --> 0:11:12.439
<v Speaker 1>To be honest, Well, the younger Queen's being a little

0:11:12.679 --> 0:11:14.960
<v Speaker 1>I mean, they were being a little bit ages towards you,

0:11:15.120 --> 0:11:17.360
<v Speaker 1>and that was a huge talking point right from the

0:11:17.360 --> 0:11:19.839
<v Speaker 1>start of the series. Is that a reflection of this

0:11:19.960 --> 0:11:23.080
<v Speaker 1>competition or is that the drag scene as a whole.

0:11:23.400 --> 0:11:25.800
<v Speaker 3>I think it's the gay scene as a whole, right,

0:11:26.640 --> 0:11:29.480
<v Speaker 3>don't you think too? When you're a gay man of

0:11:29.520 --> 0:11:31.520
<v Speaker 3>an age, you can walk into a bar and you

0:11:31.559 --> 0:11:35.240
<v Speaker 3>cannot even be present or exist, And that happens all

0:11:35.320 --> 0:11:36.800
<v Speaker 3>the time. Would you agree?

0:11:37.160 --> 0:11:40.680
<v Speaker 1>The LGBTI community is amazing to be a part of.

0:11:40.800 --> 0:11:43.800
<v Speaker 1>But we can also be our worst enemy. And I've

0:11:43.840 --> 0:11:47.480
<v Speaker 1>seen that happen Whilst we're trying to prove who we are.

0:11:47.640 --> 0:11:49.839
<v Speaker 1>Sometimes we can stand on others. That's what I think.

0:11:49.920 --> 0:11:51.280
<v Speaker 3>Oh, I agree, and you don't want I find the

0:11:51.360 --> 0:11:53.640
<v Speaker 3>most fascinating. It just gets my goat all the time

0:11:53.679 --> 0:11:56.320
<v Speaker 3>we've asked for gay marriage and asked to be the same,

0:11:56.960 --> 0:11:59.199
<v Speaker 3>yet we don't want to invite them into our spaces.

0:12:00.000 --> 0:12:02.720
<v Speaker 3>So I was too many straight girls here or and

0:12:02.760 --> 0:12:05.760
<v Speaker 3>I just think, what are you saying? One minute, you're

0:12:05.760 --> 0:12:08.280
<v Speaker 3>saying you want to be treated the same, you're saying

0:12:08.320 --> 0:12:11.520
<v Speaker 3>you're you don't want people to come in. That doesn't

0:12:11.559 --> 0:12:14.640
<v Speaker 3>compute in my brain. Just I don't get that connection.

0:12:15.080 --> 0:12:16.080
<v Speaker 3>I've really struggled with that.

0:12:16.120 --> 0:12:18.200
<v Speaker 1>For some reason, we want to be included by everybody.

0:12:18.360 --> 0:12:19.400
<v Speaker 1>We should include others.

0:12:19.720 --> 0:12:22.320
<v Speaker 3>Yeah, to me, it's such a we fought for that, like,

0:12:22.480 --> 0:12:24.960
<v Speaker 3>I'm glad we paid all that money for the play

0:12:25.040 --> 0:12:27.600
<v Speaker 3>aside because I think, you know, we we pay all

0:12:27.600 --> 0:12:30.480
<v Speaker 3>these taxes. We don't have children, so I'm glad we

0:12:30.679 --> 0:12:31.000
<v Speaker 3>have that.

0:12:31.000 --> 0:12:33.160
<v Speaker 1>Phot Some of the other queens have come out saying

0:12:33.160 --> 0:12:36.200
<v Speaker 1>that they didn't really see being ages towards you being

0:12:36.240 --> 0:12:37.840
<v Speaker 1>a problem, or they said that, you know, they didn't

0:12:37.840 --> 0:12:39.800
<v Speaker 1>even notice they were doing it. Is that another part

0:12:39.840 --> 0:12:42.760
<v Speaker 1>of the problem I guess in our community is not

0:12:42.800 --> 0:12:45.440
<v Speaker 1>being self aware of how we are treating other people.

0:12:45.520 --> 0:12:47.480
<v Speaker 3>One hundred percent. I don't even know half the time.

0:12:47.720 --> 0:12:49.960
<v Speaker 3>We'll look at the first thing she asked me that

0:12:50.000 --> 0:12:52.880
<v Speaker 3>came out of her mouth, that's ages. I didn't ask

0:12:52.920 --> 0:12:54.440
<v Speaker 3>her about her age was so I would never do

0:12:54.480 --> 0:12:57.520
<v Speaker 3>that to someone, ask what their ages. That's ages. That's

0:12:57.520 --> 0:13:00.640
<v Speaker 3>what agesm is because oh you're old, you're old. Focusing

0:13:00.679 --> 0:13:04.160
<v Speaker 3>on I'm not your age, that's ages. But it also

0:13:04.240 --> 0:13:06.120
<v Speaker 3>goes the same way where I could look at them,

0:13:06.200 --> 0:13:08.640
<v Speaker 3>go of the young the young kids. The way they

0:13:08.679 --> 0:13:11.559
<v Speaker 3>responded lat's ageism as well to their defense.

0:13:11.920 --> 0:13:15.120
<v Speaker 1>The question that's there, though, and it has to be asked,

0:13:15.240 --> 0:13:17.880
<v Speaker 1>is is there any insecurity about your age?

0:13:17.920 --> 0:13:20.600
<v Speaker 3>I mean to be perfectly honest. Going into the show,

0:13:20.760 --> 0:13:23.320
<v Speaker 3>I did not feel like that. But being in that

0:13:23.400 --> 0:13:26.280
<v Speaker 3>group has made me feel like because I was ostracized

0:13:26.320 --> 0:13:28.280
<v Speaker 3>because of my age and who I am because I

0:13:28.360 --> 0:13:32.800
<v Speaker 3>wasn't their age group and at where they are emotionally

0:13:32.840 --> 0:13:35.240
<v Speaker 3>and mentally in life, I'm much more mature, I've had

0:13:35.280 --> 0:13:37.959
<v Speaker 3>more experience, So that made me isolated by that group.

0:13:38.320 --> 0:13:42.520
<v Speaker 3>Was it intimidating? So many reasons why they? Only they

0:13:42.520 --> 0:13:43.680
<v Speaker 3>could really answer that, not me.

0:13:43.960 --> 0:13:45.679
<v Speaker 1>Do you feel like you've learned something from this? Do

0:13:45.720 --> 0:13:48.400
<v Speaker 1>you feel like you're stronger now going back into I

0:13:48.400 --> 0:13:50.600
<v Speaker 1>mean the world that you've already owned for so many years.

0:13:50.880 --> 0:13:52.920
<v Speaker 1>But do you feel like this show has made you stronger?

0:13:53.080 --> 0:13:54.640
<v Speaker 1>Or has it made you question yourself?

0:13:54.880 --> 0:13:56.800
<v Speaker 3>It's made me question myself to do everything else.

0:13:57.200 --> 0:13:58.800
<v Speaker 2>No, I need to go and have a drink with

0:13:58.840 --> 0:13:59.520
<v Speaker 2>you immediately.

0:14:00.000 --> 0:14:03.120
<v Speaker 1>I didn't remind you of the amazingness that you have

0:14:03.240 --> 0:14:05.800
<v Speaker 1>been able to create for so many years. You are

0:14:05.880 --> 0:14:08.640
<v Speaker 1>one of the iconic austrained drag queens. I mean, when

0:14:08.640 --> 0:14:10.680
<v Speaker 1>I think of Melbourne, I think of Paris the drag Queen.

0:14:10.720 --> 0:14:13.520
<v Speaker 3>And I love Paris. Yeah, I know, and.

0:14:13.440 --> 0:14:17.400
<v Speaker 1>I wonder if Paris was in your situation being that

0:14:17.440 --> 0:14:19.840
<v Speaker 1>you guys are of a certain age. Like I'm not

0:14:19.840 --> 0:14:21.680
<v Speaker 1>going to say how old either of you are, nor

0:14:21.760 --> 0:14:23.920
<v Speaker 1>is it that important, But how do you think that

0:14:24.000 --> 0:14:25.800
<v Speaker 1>Paris would have reacted to all of that?

0:14:25.880 --> 0:14:30.880
<v Speaker 3>Probably the same. It's just weird. I just didn't expect it.

0:14:31.200 --> 0:14:33.760
<v Speaker 3>I just didn't expect it because I don't feel like

0:14:33.880 --> 0:14:36.480
<v Speaker 3>that when I work in the environment in Sydney, I

0:14:36.520 --> 0:14:39.200
<v Speaker 3>feel like I'm standing next to someone I work with.

0:14:39.760 --> 0:14:42.800
<v Speaker 3>We always made this joke I said, ninety six was

0:14:42.840 --> 0:14:44.880
<v Speaker 3>the year I bought my apartment, ninety six, It was

0:14:44.920 --> 0:14:47.480
<v Speaker 3>a year or she was born. But we work together

0:14:47.480 --> 0:14:50.560
<v Speaker 3>and I don't feel and she offers stuff to me

0:14:50.800 --> 0:14:53.400
<v Speaker 3>and it's reciprocated, like I don't look at her talent

0:14:53.480 --> 0:14:55.280
<v Speaker 3>any less than I look at my eye. But I

0:14:55.320 --> 0:14:57.720
<v Speaker 3>felt in that environment it was very but I don't know.

0:14:57.800 --> 0:15:02.000
<v Speaker 3>I'm bearing your hardly a meter two. They heard of

0:15:02.080 --> 0:15:04.400
<v Speaker 3>me and had a perception of me, but didn't know me,

0:15:04.640 --> 0:15:06.480
<v Speaker 3>like Molly. I didn't know Molly at all, and she

0:15:06.520 --> 0:15:07.360
<v Speaker 3>had a perception of me.

0:15:08.160 --> 0:15:09.880
<v Speaker 1>Well, I think we can all be like that. And

0:15:09.960 --> 0:15:13.120
<v Speaker 1>in a world of Instagram and being on social media

0:15:13.200 --> 0:15:15.800
<v Speaker 1>and us believing we know who people are from what

0:15:15.840 --> 0:15:18.760
<v Speaker 1>we can just see through through photo and through text.

0:15:19.200 --> 0:15:21.800
<v Speaker 1>I mean it's a real breakdown of society of actually

0:15:22.280 --> 0:15:23.480
<v Speaker 1>genuinely knowing people.

0:15:23.960 --> 0:15:26.880
<v Speaker 3>Yeah, Like because I could look at Kong, who I'd

0:15:26.920 --> 0:15:29.680
<v Speaker 3>followed online and had so much respect for as a performer,

0:15:30.400 --> 0:15:32.880
<v Speaker 3>but then meeting Kong, there was so much more to

0:15:32.960 --> 0:15:35.880
<v Speaker 3>Kong than just a tumble roll. Like I even text

0:15:36.040 --> 0:15:38.760
<v Speaker 3>Kong after the Roast challenge and I said, look at

0:15:38.800 --> 0:15:41.440
<v Speaker 3>you being more than just a tumble role on that episode, Like,

0:15:41.520 --> 0:15:43.720
<v Speaker 3>how much more of you that I saw in that

0:15:43.720 --> 0:15:46.720
<v Speaker 3>two and a half minutes of that episode. How incredible

0:15:46.760 --> 0:15:49.000
<v Speaker 3>you were a star? Like cong that was a star

0:15:49.160 --> 0:15:52.320
<v Speaker 3>performance I believed by Kom on that episode.

0:15:52.520 --> 0:15:55.160
<v Speaker 1>Absolutely. What do you think of the amount of new

0:15:55.280 --> 0:15:58.400
<v Speaker 1>drag queens that we all have now all around the

0:15:58.400 --> 0:16:01.840
<v Speaker 1>world that have surfaced because of RuPaul's drag race.

0:16:01.760 --> 0:16:04.760
<v Speaker 3>Well, it's leading people living their authentic life. See, when

0:16:04.800 --> 0:16:06.920
<v Speaker 3>I grew up, I was never there so much shame

0:16:07.040 --> 0:16:09.600
<v Speaker 3>involved with being a drag queen. Like to put on

0:16:09.680 --> 0:16:11.960
<v Speaker 3>a dress to go out the door was a really

0:16:12.000 --> 0:16:15.600
<v Speaker 3>big thing. Like it wasn't safe, it was taking a risk,

0:16:15.880 --> 0:16:18.800
<v Speaker 3>and you were being mocked. You were basically if you

0:16:18.840 --> 0:16:20.600
<v Speaker 3>were a drag queen before Drag Race, you were a

0:16:20.680 --> 0:16:24.920
<v Speaker 3>junkie and you were basically you parted, that's all you

0:16:24.960 --> 0:16:28.080
<v Speaker 3>ever did. That you were stigmatized into this one. What

0:16:28.120 --> 0:16:31.200
<v Speaker 3>a drag queen is where Drag Race now has showed

0:16:31.240 --> 0:16:33.840
<v Speaker 3>you that actually we're actually a human being that actually

0:16:33.880 --> 0:16:34.880
<v Speaker 3>hold down a job.

0:16:35.600 --> 0:16:38.520
<v Speaker 2>And it's very different and paid your bills, like you know.

0:16:38.520 --> 0:16:40.520
<v Speaker 3>Think about own your own apartment.

0:16:42.200 --> 0:16:43.960
<v Speaker 1>Not everyone has that you should wear that you should

0:16:43.960 --> 0:16:46.320
<v Speaker 1>wear that well. I have been asking everyone coming off

0:16:46.320 --> 0:16:49.320
<v Speaker 1>the show for a recommendation in case there's a down

0:16:49.400 --> 0:16:52.320
<v Speaker 1>under series three, Do you have a recommendation for an

0:16:52.360 --> 0:16:55.800
<v Speaker 1>Australian queen that you think should go on the show?

0:16:56.240 --> 0:17:00.200
<v Speaker 3>Vanity Fair torah heiman penetration for them to right in

0:17:00.280 --> 0:17:04.840
<v Speaker 3>there and see what you get. You know, I love

0:17:04.920 --> 0:17:08.160
<v Speaker 3>to see more of an older demographic with minimal young

0:17:08.240 --> 0:17:12.280
<v Speaker 3>people and see see how that would work, Like be

0:17:12.480 --> 0:17:14.920
<v Speaker 3>a bit more of an even playing field. I reckon

0:17:14.960 --> 0:17:17.320
<v Speaker 3>if I had even one more person that knew me

0:17:17.680 --> 0:17:20.880
<v Speaker 3>on my spectrum, it would have been a whole different ballgame.

0:17:21.119 --> 0:17:23.760
<v Speaker 1>The drag queens that I like, that I grew up with,

0:17:23.800 --> 0:17:25.520
<v Speaker 1>that I think this is showing my age because I'm

0:17:25.720 --> 0:17:29.080
<v Speaker 1>mid forties, but I grew up watching drag that is you,

0:17:29.680 --> 0:17:32.640
<v Speaker 1>and so maybe my connection to you has a lot

0:17:32.680 --> 0:17:35.320
<v Speaker 1>to do with the aesthetic of drag that I appreciate

0:17:35.359 --> 0:17:37.680
<v Speaker 1>that I've grown up with. And maybe there is a

0:17:37.680 --> 0:17:40.440
<v Speaker 1>little bit of a distance between this new breed of drag.

0:17:40.600 --> 0:17:43.439
<v Speaker 3>And there's nothing wrong with that though, because the people

0:17:43.760 --> 0:17:47.240
<v Speaker 3>idolizing the people they see on TV. But I believe

0:17:47.280 --> 0:17:50.159
<v Speaker 3>the best and I think what you're talking about if

0:17:50.440 --> 0:17:52.879
<v Speaker 3>drag queens of my era is really an essence of

0:17:52.920 --> 0:17:57.080
<v Speaker 3>who they are internally, not externally. They're not taking their

0:17:57.160 --> 0:18:00.159
<v Speaker 3>drag from somewhere else like my drag. I believe it

0:18:00.200 --> 0:18:04.000
<v Speaker 3>comes from the inside of me. Like Mitsy Macintosh's vanity.

0:18:04.480 --> 0:18:07.639
<v Speaker 3>All their drag comes from inside of them. Yeah, and

0:18:07.680 --> 0:18:09.080
<v Speaker 3>I think it represents the Well.

0:18:09.119 --> 0:18:10.879
<v Speaker 1>We need to quickly talk about something that happened in

0:18:10.960 --> 0:18:13.399
<v Speaker 1>the episode, which is the Snatch Game. You were so

0:18:13.520 --> 0:18:16.400
<v Speaker 1>confident with your Ellen impersonation when you got your chance

0:18:16.480 --> 0:18:21.080
<v Speaker 1>to have a pregame conversation with Rue Paul. Where do

0:18:21.160 --> 0:18:23.960
<v Speaker 1>you think that that Ellen impersonation went wrong?

0:18:24.200 --> 0:18:25.800
<v Speaker 3>Oh, I don't know. You told me.

0:18:27.440 --> 0:18:29.480
<v Speaker 1>You were so confident with it, and I thought, you know,

0:18:29.840 --> 0:18:31.760
<v Speaker 1>that's a great pick for Mini Cooper.

0:18:31.840 --> 0:18:32.600
<v Speaker 2>That's a great pick.

0:18:32.680 --> 0:18:34.439
<v Speaker 1>So this is going to be fine, And then I

0:18:34.480 --> 0:18:38.760
<v Speaker 1>want to throw this to you. Your Ellen kind of

0:18:38.920 --> 0:18:41.240
<v Speaker 1>was very similar to the SNL Ellen.

0:18:41.400 --> 0:18:44.159
<v Speaker 3>Yeah exactly right, yes, yeah, yeah, because I took that

0:18:44.200 --> 0:18:45.600
<v Speaker 3>from that whole thing from me.

0:18:46.800 --> 0:18:49.280
<v Speaker 1>And I could see that, and I could and some

0:18:49.320 --> 0:18:51.919
<v Speaker 1>people who will watch this will say that's not Ellen.

0:18:52.200 --> 0:18:54.479
<v Speaker 1>But I think what you did was a little bit

0:18:54.520 --> 0:18:59.480
<v Speaker 1>of the recipe of that snl impersonation, which was totally fine.

0:18:59.720 --> 0:19:02.359
<v Speaker 1>But I think the confidence in your face with the

0:19:02.400 --> 0:19:05.359
<v Speaker 1>whole thing wasn't being completely sold. So I just wondered

0:19:05.400 --> 0:19:08.000
<v Speaker 1>whether or not there was something that was your undoing

0:19:08.040 --> 0:19:08.280
<v Speaker 1>with that.

0:19:08.480 --> 0:19:10.760
<v Speaker 3>I think it was having the altercation of Aubrey before,

0:19:11.119 --> 0:19:13.480
<v Speaker 3>I'm not Aubrey, I'm Beverly before I went on. To

0:19:13.520 --> 0:19:17.280
<v Speaker 3>be perfectly honest, I was keeping mindset. And it's funny

0:19:17.280 --> 0:19:19.480
<v Speaker 3>that you say that, because that's the way that was

0:19:19.480 --> 0:19:22.159
<v Speaker 3>playing on my mind very much. So really weighed on me.

0:19:22.320 --> 0:19:25.000
<v Speaker 3>And here you are going into a challenge with something

0:19:25.080 --> 0:19:27.280
<v Speaker 3>like that. I don't know if you've ever had conflict

0:19:27.320 --> 0:19:30.240
<v Speaker 3>like that and had to perform. It's really hard, especially

0:19:30.280 --> 0:19:32.000
<v Speaker 3>in that melting pot, which you know, being in that

0:19:32.080 --> 0:19:33.200
<v Speaker 3>melting pop what it's like.

0:19:33.480 --> 0:19:36.320
<v Speaker 1>You know the trick and this is so weird if

0:19:36.359 --> 0:19:39.399
<v Speaker 1>I had to learn this. But if I'm doing television

0:19:39.680 --> 0:19:41.959
<v Speaker 1>or as something live in front of an audience, I

0:19:42.000 --> 0:19:45.000
<v Speaker 1>don't I minimize the amount of contact I have with

0:19:45.359 --> 0:19:48.920
<v Speaker 1>people because it will change who I am on stage.

0:19:49.240 --> 0:19:52.080
<v Speaker 1>The last things that you have with people before you

0:19:52.160 --> 0:19:55.040
<v Speaker 1>go on to be a presenter, it's still in you.

0:19:55.080 --> 0:19:57.080
<v Speaker 1>So God is so careful of that, you know.

0:19:57.359 --> 0:20:00.320
<v Speaker 3>Yeah, I agree with you one hundred percent. So how

0:20:00.320 --> 0:20:02.600
<v Speaker 3>can you go on and be joyful and be funny

0:20:02.760 --> 0:20:05.119
<v Speaker 3>when you've just had an old cage, when you've upset someone?

0:20:05.280 --> 0:20:06.840
<v Speaker 1>Well, that's why I don't have an ento rush. If

0:20:06.880 --> 0:20:08.560
<v Speaker 1>I'm going somewhere to do a job, I go on

0:20:08.600 --> 0:20:10.840
<v Speaker 1>the plane and I fly there. I go by myself.

0:20:11.000 --> 0:20:12.359
<v Speaker 1>They're like, do you want to have people in the

0:20:12.359 --> 0:20:14.679
<v Speaker 1>green room? Can we organize any food for you? And

0:20:14.720 --> 0:20:16.879
<v Speaker 1>I'm like, I will be by myself because I've got

0:20:16.920 --> 0:20:17.600
<v Speaker 1>to get into the zone.

0:20:17.600 --> 0:20:18.040
<v Speaker 2>It's a job.

0:20:18.119 --> 0:20:20.080
<v Speaker 3>Yeah, I agree with that, all wanted, And I think

0:20:20.119 --> 0:20:21.880
<v Speaker 3>that's why when I first come onto the show, because

0:20:21.920 --> 0:20:24.439
<v Speaker 3>I've just been by myself and I'm really am in

0:20:24.520 --> 0:20:26.280
<v Speaker 3>that space like I've just having fun.

0:20:26.480 --> 0:20:28.200
<v Speaker 2>Was there anyone else that you could have been, because

0:20:28.240 --> 0:20:29.000
<v Speaker 2>that's the question.

0:20:29.880 --> 0:20:32.360
<v Speaker 3>My other choice, but never asked me, so I didn't

0:20:32.400 --> 0:20:35.720
<v Speaker 3>even go there. That was jelling. I would have been

0:20:35.800 --> 0:20:36.280
<v Speaker 3>so much better.

0:20:36.560 --> 0:20:41.760
<v Speaker 1>Oh my gosh, Oh that would have been so good. Well,

0:20:41.800 --> 0:20:43.919
<v Speaker 1>you'll have to do that on your Instagram or wherever

0:20:43.920 --> 0:20:45.200
<v Speaker 1>you're going to turn up next. We're going to have

0:20:45.200 --> 0:20:46.280
<v Speaker 1>to see some Jenny little from you.

0:20:46.359 --> 0:20:49.320
<v Speaker 3>Let me try delling. You've run out. I'll run a

0:20:49.359 --> 0:20:52.399
<v Speaker 3>lady when I run a lady.

0:20:53.080 --> 0:20:56.560
<v Speaker 1>You know, in other seasons of RuPaul, when Queen's would

0:20:56.640 --> 0:20:59.360
<v Speaker 1>be shady with each other, they would quickly move on.

0:20:59.600 --> 0:21:02.040
<v Speaker 1>What I loved about you was that you wanted to

0:21:02.080 --> 0:21:03.880
<v Speaker 1>finish everything that you started.

0:21:04.280 --> 0:21:06.399
<v Speaker 2>Is that a part of the Mini Cooper brand?

0:21:06.560 --> 0:21:08.680
<v Speaker 3>Yeah? It is, because I believe if you don't, because

0:21:08.720 --> 0:21:11.000
<v Speaker 3>I think what's happened in my li I think this

0:21:11.040 --> 0:21:13.520
<v Speaker 3>is from being older. Is when you don't resolve things,

0:21:13.520 --> 0:21:15.840
<v Speaker 3>people carry them. And I'm the type of person if

0:21:15.840 --> 0:21:17.680
<v Speaker 3>I resolve that, I can move on, Like the minutes

0:21:17.720 --> 0:21:19.800
<v Speaker 3>of resolve, I move on. Are you okay? I'm okay?

0:21:19.920 --> 0:21:22.320
<v Speaker 3>From And it might be uncomfortable for a sick but

0:21:22.359 --> 0:21:24.320
<v Speaker 3>if you talk about it and come to a resolution

0:21:24.400 --> 0:21:26.960
<v Speaker 3>of a place, because I take responsibility in a second,

0:21:26.960 --> 0:21:29.920
<v Speaker 3>I'm not saying I'm almost right. Like what I said

0:21:30.240 --> 0:21:32.600
<v Speaker 3>did upset you and it probably wasn't the right thing.

0:21:32.640 --> 0:21:34.359
<v Speaker 3>What you wanted them with someone to lift you up,

0:21:34.359 --> 0:21:36.640
<v Speaker 3>and I didn't give you that, and that's I shouldn't.

0:21:36.680 --> 0:21:39.000
<v Speaker 3>That's not where you're after. And I get I heard that.

0:21:39.520 --> 0:21:42.720
<v Speaker 1>Sometimes people take it as being aggressive, you know, for

0:21:42.840 --> 0:21:45.240
<v Speaker 1>me as well, I'll be people have put it to bed,

0:21:45.280 --> 0:21:47.800
<v Speaker 1>but I'm still thinking about it and I still need

0:21:47.840 --> 0:21:49.680
<v Speaker 1>to finish it off and have they.

0:21:49.600 --> 0:21:51.399
<v Speaker 3>Put it to bed though I don't believe they had

0:21:51.440 --> 0:21:53.120
<v Speaker 3>put it. If they put it to bed, why would

0:21:53.119 --> 0:21:56.639
<v Speaker 3>they bitching behind my back? That's not putting it to bed.

0:21:56.840 --> 0:21:59.480
<v Speaker 3>And that's when it all started, the isolation and started

0:21:59.480 --> 0:22:02.080
<v Speaker 3>because it's so funny. It's also the way they've shot

0:22:02.080 --> 0:22:04.720
<v Speaker 3>it as well. They only ever show me having the conversation.

0:22:04.840 --> 0:22:06.919
<v Speaker 3>They never show you the chwo or three people that

0:22:06.960 --> 0:22:08.600
<v Speaker 3>are talking. Did you notice that?

0:22:09.040 --> 0:22:10.280
<v Speaker 2>Yeah? I did, I really noticed that.

0:22:10.320 --> 0:22:12.439
<v Speaker 1>But you know what I also noticed was usually when

0:22:12.480 --> 0:22:14.400
<v Speaker 1>there's a tiny little bit of conflict with rue Paul,

0:22:14.920 --> 0:22:17.720
<v Speaker 1>it goes quickly to like a sound effect into something else.

0:22:17.960 --> 0:22:20.680
<v Speaker 1>And I'm always going to remember you, Minnie, because I'm

0:22:20.720 --> 0:22:23.359
<v Speaker 1>always going to remember those moments where it didn't leave

0:22:23.720 --> 0:22:26.359
<v Speaker 1>and we did get you to ask the second question,

0:22:26.720 --> 0:22:28.879
<v Speaker 1>which was really out of the you know, not in

0:22:28.920 --> 0:22:31.240
<v Speaker 1>the cannon of RuPaul's drag race at all, because it

0:22:31.280 --> 0:22:34.119
<v Speaker 1>normally would be like that's done, short, sharp and move on.

0:22:34.440 --> 0:22:36.280
<v Speaker 1>But then it was like they left the camera and

0:22:36.280 --> 0:22:38.240
<v Speaker 1>you a little bit longer for you to ask another question,

0:22:38.280 --> 0:22:39.640
<v Speaker 1>which I thought was really interesting.

0:22:39.840 --> 0:22:42.159
<v Speaker 3>Yeah, it's interesting, isn't it. I found that really interesting

0:22:42.160 --> 0:22:45.080
<v Speaker 3>as well, from just from a why what I found

0:22:45.119 --> 0:22:47.600
<v Speaker 3>interesting about the way the cameras were why they weren't

0:22:47.640 --> 0:22:50.919
<v Speaker 3>showing them? Ask them as well? Why was the focus

0:22:51.000 --> 0:22:53.600
<v Speaker 3>always the focus was always on me? Did you notice that?

0:22:53.920 --> 0:22:54.800
<v Speaker 2>Absolutely? I did?

0:22:54.960 --> 0:22:57.400
<v Speaker 3>Yeah, Why did they do that? I don't know.

0:22:57.400 --> 0:22:59.920
<v Speaker 1>The answers to that, I think because and I understand

0:22:59.920 --> 0:23:05.560
<v Speaker 1>that being a polarizing person myself, is if they gave it,

0:23:05.640 --> 0:23:07.960
<v Speaker 1>if they've given us the whole picture, we would understand

0:23:07.960 --> 0:23:10.000
<v Speaker 1>the story. But on the giving us half of it

0:23:10.040 --> 0:23:12.919
<v Speaker 1>gave us more to digest. And so I think that

0:23:13.040 --> 0:23:16.240
<v Speaker 1>is something that you and I both get easily done

0:23:16.240 --> 0:23:18.560
<v Speaker 1>with television is that they don't really show you the

0:23:18.560 --> 0:23:21.000
<v Speaker 1>whole picture. They just show you half of it, and

0:23:21.040 --> 0:23:23.360
<v Speaker 1>then people have to think more about it.

0:23:23.400 --> 0:23:27.000
<v Speaker 3>And it's so interesting listening into the podcasts of everyone's

0:23:27.040 --> 0:23:30.240
<v Speaker 3>interpretation of what they thought the circumstance was, and some

0:23:30.359 --> 0:23:34.159
<v Speaker 3>are right on the money. Some go like, it's really

0:23:34.200 --> 0:23:37.199
<v Speaker 3>There's one podcast I listened to he's a psychologist, and

0:23:37.240 --> 0:23:39.360
<v Speaker 3>he got he pited it all on the head, all

0:23:39.400 --> 0:23:41.119
<v Speaker 3>of it. I was like, Oh, my god, that's right

0:23:41.160 --> 0:23:43.199
<v Speaker 3>on the money. That's exactly what I How did you

0:23:43.440 --> 0:23:46.040
<v Speaker 3>see that? But nobody else can see that. He could

0:23:46.040 --> 0:23:48.920
<v Speaker 3>hear the other voices talking back in the camera was

0:23:48.960 --> 0:23:50.760
<v Speaker 3>even though the camera was me. He goes, oh, there's

0:23:50.760 --> 0:23:53.280
<v Speaker 3>a group of people talking to her, not just one person.

0:23:53.320 --> 0:23:56.000
<v Speaker 1>The audience is not stupid and they do work things out.

0:23:56.040 --> 0:23:59.000
<v Speaker 1>Like from my perspective watching the show, my take home

0:23:59.040 --> 0:24:03.000
<v Speaker 1>from you brilliant drag queen, brilliant performer doesn't mind a

0:24:03.000 --> 0:24:04.960
<v Speaker 1>little bit of conflict because I don't think you see

0:24:05.000 --> 0:24:07.159
<v Speaker 1>conflict as a negative. I think you see conflict as

0:24:07.200 --> 0:24:10.840
<v Speaker 1>a resolution. And that was blurred a little bit with

0:24:10.920 --> 0:24:12.760
<v Speaker 1>you on the show and some people will watch that.

0:24:12.920 --> 0:24:14.960
<v Speaker 1>Some people will watch you on the show and be like, oh,

0:24:15.040 --> 0:24:18.639
<v Speaker 1>she's problematic. Where for me, I'm like, oh no, I

0:24:18.640 --> 0:24:19.480
<v Speaker 1>think it's interesting.

0:24:19.680 --> 0:24:22.439
<v Speaker 3>You know, yeah, and it was interesting. People will call

0:24:22.480 --> 0:24:26.359
<v Speaker 3>me toxic. It's like wow, that's very hard thing to read.

0:24:26.400 --> 0:24:28.639
<v Speaker 3>It's like whoa Okay, and when you see it on

0:24:28.640 --> 0:24:30.639
<v Speaker 3>that episode, it looks like I'm like that twenty four cent.

0:24:30.720 --> 0:24:32.480
<v Speaker 1>I guess that's the question. Are you do you think

0:24:32.520 --> 0:24:34.520
<v Speaker 1>that the way you were seen and the way we

0:24:34.560 --> 0:24:37.119
<v Speaker 1>saw you on RuPaul's is how you are in the

0:24:37.160 --> 0:24:38.159
<v Speaker 1>normal drag scene?

0:24:38.400 --> 0:24:38.920
<v Speaker 3>Not at all?

0:24:39.000 --> 0:24:39.359
<v Speaker 2>Okay?

0:24:39.480 --> 0:24:43.080
<v Speaker 3>Not twenty four seven? No? Am I do I approach conflict?

0:24:43.160 --> 0:24:43.440
<v Speaker 2>Yes?

0:24:43.760 --> 0:24:47.600
<v Speaker 3>Would I have said those things? Some of those things?

0:24:47.600 --> 0:24:49.879
<v Speaker 3>What have I reacted to the dyslexia? Think of the

0:24:49.880 --> 0:24:52.399
<v Speaker 3>way I did? Probably? Yes, in moment I would have

0:24:52.440 --> 0:24:55.120
<v Speaker 3>been light snatched, Yes, agreed, I would. Yes.

0:24:55.200 --> 0:24:56.440
<v Speaker 1>So we're going to play a game, and I've just

0:24:56.480 --> 0:25:00.639
<v Speaker 1>been calling it shady old lady. I'm pretty sure I've

0:25:00.680 --> 0:25:02.960
<v Speaker 1>stolen it from like Andy Cohen. I'm not sure I've

0:25:02.960 --> 0:25:05.280
<v Speaker 1>heard shady or lady being played on something else. But

0:25:05.680 --> 0:25:07.800
<v Speaker 1>four quick questions. You don't need to go into term.

0:25:07.720 --> 0:25:10.440
<v Speaker 2>Much informations, just some simple answers.

0:25:10.560 --> 0:25:11.919
<v Speaker 3>Oh yeah, I love this.

0:25:12.359 --> 0:25:14.800
<v Speaker 1>Okay, shady ol lady. So you could be shady and

0:25:14.880 --> 0:25:16.760
<v Speaker 1>just give me your honest answer, or you can say

0:25:16.840 --> 0:25:18.840
<v Speaker 1>lady and you can veto the question if you don't

0:25:18.840 --> 0:25:21.520
<v Speaker 1>feel comfortable. So I'm giving you the out. Okay, okay,

0:25:21.600 --> 0:25:24.640
<v Speaker 1>So who was the most talented? Not yourself, but who

0:25:24.680 --> 0:25:30.600
<v Speaker 1>was the most talented Quinn? Who would you say is

0:25:30.640 --> 0:25:36.879
<v Speaker 1>the funniest? Who was the funniest Spanky Jackson? Who did

0:25:37.160 --> 0:25:39.600
<v Speaker 1>you not like or maybe didn't get enough time to

0:25:39.640 --> 0:25:41.800
<v Speaker 1>get to know?

0:25:44.160 --> 0:25:45.160
<v Speaker 3>Molly?

0:25:45.520 --> 0:25:45.760
<v Speaker 2>Right?

0:25:46.040 --> 0:25:55.480
<v Speaker 1>Who was the messiest queen? That's why she had to

0:25:55.520 --> 0:25:56.560
<v Speaker 1>shave off for eyebrows?

0:25:56.680 --> 0:25:59.720
<v Speaker 3>Yeah? Exactly, I love you my favorite. Actually, I just

0:26:00.040 --> 0:26:02.879
<v Speaker 3>with her so much. She's so funny. I think it

0:26:02.920 --> 0:26:07.479
<v Speaker 3>comes across slightly on camera, but she's just so hysterically funny,

0:26:08.080 --> 0:26:09.560
<v Speaker 3>so funny. I adored her today.

0:26:09.560 --> 0:26:11.399
<v Speaker 1>It actually Well, the last question I have for you

0:26:11.480 --> 0:26:14.480
<v Speaker 1>is the hardest one? Who deserved to go home instead

0:26:14.480 --> 0:26:14.679
<v Speaker 1>of you?

0:26:17.160 --> 0:26:17.640
<v Speaker 3>Bellily?

0:26:18.560 --> 0:26:21.639
<v Speaker 1>Can I just say this has just been so amazing

0:26:21.680 --> 0:26:22.760
<v Speaker 1>to have this chat with you.

0:26:23.160 --> 0:26:24.040
<v Speaker 2>I'm a big fan.

0:26:24.240 --> 0:26:26.439
<v Speaker 1>I will be forever in your audience, and I just

0:26:26.520 --> 0:26:29.560
<v Speaker 1>hope that this RuPaul's drag Race is just an amazing

0:26:29.640 --> 0:26:31.520
<v Speaker 1>chapter in a very big story.

0:26:31.560 --> 0:26:33.600
<v Speaker 2>For you and congratulations.

0:26:33.600 --> 0:26:35.560
<v Speaker 3>I have to say thank you very much and thanks

0:26:35.560 --> 0:26:37.119
<v Speaker 3>for watching him. Thanks for John, I've been a big

0:26:37.160 --> 0:26:39.040
<v Speaker 3>fan as well. Love polarizing people.