WEBVTT - RHOBH - RECAP - WEEK 16 - ALANA MCLEAN

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload the podcast last week that wight.

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<v Speaker 2>Hey guys, welcome back to TV Reload. I want to

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<v Speaker 2>thank you for clicking and downloading. On today's episode with

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<v Speaker 2>Alana MacLean, the best person I know to discuss the

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<v Speaker 2>most ridiculous aspects of the Real Housewives of any Land.

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<v Speaker 2>Let me tell you, I'm actually pretty much obsessed with

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<v Speaker 2>her at this point and she probably needs to get

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<v Speaker 2>a restraining order on me, even though she lives in

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<v Speaker 2>Perth and I live in Melbourne. We go deep on

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<v Speaker 2>episode sixteen of Beverly Hills season fourteen, which is titled

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<v Speaker 2>Sudden on Trial at Sea, which is an amazing name

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<v Speaker 2>for this episode if you've seen it so and of

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<v Speaker 2>course you should have seen it if you're listening to

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<v Speaker 2>this podcast, otherwise you won't know what the hell we're

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<v Speaker 2>talking about. We are so close to the reunion that

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<v Speaker 2>I can even smell the boot polish on Andy Cohen's shoes.

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<v Speaker 2>There is a lot to unpack and we are on

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<v Speaker 2>at to be continued, which is so annoying if you

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<v Speaker 2>ask me as we could have done with a sneak

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<v Speaker 2>peek at the season finale. We will discuss the way

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<v Speaker 2>in which Erica takes Sudden to task on that boat.

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<v Speaker 2>I will get altest perspective on Bozeman's text messages to

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<v Speaker 2>Kyle after seeing Moe with another woman. We will address

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<v Speaker 2>the fact that Garcel and Sudden have had their first

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<v Speaker 2>official fight. You are going to get plenty of chat

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<v Speaker 2>on the girl's outfits, what we think of Kathy Hilton

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<v Speaker 2>as lackluster glam, and of course I should address the

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<v Speaker 2>fact that one of us is going to give this

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<v Speaker 2>episode a five out of five. There's actually so much

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<v Speaker 2>to talk about, with so many inside revelations, So guys

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<v Speaker 2>sit back and relax as we unpack the wonderful world

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<v Speaker 2>of the Real Housewives of Beverly Hills Season fourteen, episode

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<v Speaker 2>sixteen joined as my stomach rumbled and I was like,

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<v Speaker 2>oh God, thank god she's not.

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<v Speaker 1>On the n I feel like when we start these

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<v Speaker 1>podcasts sometimes it's like when Kathy Hilton's on the FaceTime,

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<v Speaker 1>She's like hello, and she like their ears on the FaceTime.

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<v Speaker 2>Yeah, yeah, that's me.

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<v Speaker 3>Are we're working? Is it working? Is that working? Can

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<v Speaker 3>you hear me?

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<v Speaker 1>Do you know?

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<v Speaker 3>Why should last? I mean, where's your line?

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<v Speaker 2>Well it's here.

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<v Speaker 3>Oh oh, you're just from the bottle into the studio.

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<v Speaker 1>Sorry, we'll preface this by just saying it is a

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<v Speaker 1>Friday afternoon, Like.

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<v Speaker 2>You don't normally get to do this, and I've got it.

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<v Speaker 1>We don't normally we're sitting here with coffees, but I

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<v Speaker 1>just feel like today it's needed.

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<v Speaker 3>Wherever you are, just enjoy, just enjoy this slightly looser addition.

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<v Speaker 2>So this week we have boarded the boat of Sutton's undoing.

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<v Speaker 1>Oh and hasn't it been about time?

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<v Speaker 3>Joo joob chop choob does that what a boat does?

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<v Speaker 3>So it's more train that's trained already. What about this?

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<v Speaker 3>Like that nailed it now.

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<v Speaker 1>I just loved this episode so much, not just because

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<v Speaker 1>of the Sutton I'm doing, but I just felt like

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<v Speaker 1>it had everything that we've been searching.

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<v Speaker 3>For this whole season.

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<v Speaker 1>For me, I just was like, this is it, this

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<v Speaker 1>is the pocket, this is great. I felt like we

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<v Speaker 1>were building towards the crescendo, but there was yeah, I

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<v Speaker 1>mean there was a lot to unpack there.

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<v Speaker 3>Where do you want to start?

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<v Speaker 2>Well, we kind of knew what we were in for

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<v Speaker 2>because when they started, they really backtracked to the start

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<v Speaker 2>of the season, and they showed us every single dot point.

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<v Speaker 2>They gave us the douseer of Sudden's craziness. And you know,

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<v Speaker 2>we are not the biggest Sutton fans, and if anyone's

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<v Speaker 2>listening to the podcast, people might even accuse us of

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<v Speaker 2>being not a fan at all. To be fair, we've tried.

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<v Speaker 3>I feel like I've tried, I know, but.

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<v Speaker 2>They showed us all of these things, and now it

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<v Speaker 2>makes me like the penny dropped even more. I was like,

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<v Speaker 2>are you kidding me? Like this season Sudden has been

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<v Speaker 2>a real disaster.

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<v Speaker 1>I just feel like this is her DNA And I

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<v Speaker 1>was just that moment, not to go too far into it,

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<v Speaker 1>but that moment with Eerica where she was like, this

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<v Speaker 1>is what I've observed. And then they rolled back all

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<v Speaker 1>the tapes and these editors have really gone to work, honey.

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<v Speaker 1>On the archived footage, there was stuff from like four

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<v Speaker 1>years ago, three years ago, to.

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<v Speaker 2>Women that are going through the worst time in their life.

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<v Speaker 3>I felt it with myself.

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<v Speaker 4>The car accident story, which you told everybody that he

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<v Speaker 4>had broken his foot or something, and that's dripped.

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<v Speaker 3>How can I believe every single thing?

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<v Speaker 2>What the do you think I'm doing.

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<v Speaker 4>I watched you do it to Kyle, and is there

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<v Speaker 4>something going on in your personal life that she would

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<v Speaker 4>like to share with, Like what your marriage, you haven't

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<v Speaker 4>been wearing your wedding ring. All of these things kind

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<v Speaker 4>of add up, and I'm watching you.

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<v Speaker 3>Do it to read.

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<v Speaker 4>Listen, you're angry, and you're not angry at me, You're

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<v Speaker 4>angry at your life.

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<v Speaker 2>Oh you pause as a friend.

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<v Speaker 4>And then oftentimes work as an enemy.

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<v Speaker 1>Adding all of that in was like the Salt Lake City,

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<v Speaker 1>the proof receipts, timeline screenshots. It was that in a nutshell,

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<v Speaker 1>and for her to bring it up so calmly, She's

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<v Speaker 1>waited like a crocodile for her moment, and she's been

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<v Speaker 1>calm and she's watched from the surface, and then she

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<v Speaker 1>just launched and death rolled her like she was like,

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<v Speaker 1>here's all the facts here, there are, here's all the supporting,

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<v Speaker 1>you know, arguments. She's been holding onto that info and

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<v Speaker 1>then she just dropped it in the life and it

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<v Speaker 1>was a bit of a mic drop moment, and I

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<v Speaker 1>felt for her. She must have felt very vindicated in

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<v Speaker 1>that moment.

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<v Speaker 2>She I mean, the thing that you said there, which

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<v Speaker 2>is so true she'd been sitting on that sideline, you know, gathering.

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<v Speaker 2>You know, she had plenty of other opportunities to say things.

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<v Speaker 2>And what I also liked about it was that she

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<v Speaker 2>owned it herself.

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<v Speaker 4>Well, I mean, these three women, there's a very very

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<v Speaker 4>strong statement. Well it's a true statement for me and

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<v Speaker 4>what I've observed for the last few years, and that's

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<v Speaker 4>my observation.

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<v Speaker 2>I thought that when she said no, no, that's my opinion,

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<v Speaker 2>you know, and didn't back down on it, she almost

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<v Speaker 2>was the best person in the group to really jump

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<v Speaker 2>in and say something she didn't. I think she handled

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<v Speaker 2>it without all of the extra emotion that had direte

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<v Speaker 2>A gasel A Kyle or anyone else would have had

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<v Speaker 2>to try and approach Sutton. And if you watch in

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<v Speaker 2>the background, Kathy Hilton, Kathy Hilton's looking at something like

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<v Speaker 2>she's a foreign animal from a difference. But also, I mean,

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<v Speaker 2>let's just say that Kathy Hilton also thinks that most

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<v Speaker 2>of the girls there on the trip the weight staff.

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<v Speaker 3>So I know, with her, where's my salad dressing? I

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<v Speaker 3>think she's not quite sure who I am.

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<v Speaker 1>Kathy doesn't care who you are if you're with an

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<v Speaker 1>earshot she's gonna ask you if you do get me this,

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<v Speaker 1>could you get me that?

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<v Speaker 3>Could you handle this?

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<v Speaker 2>Good? Handle that?

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<v Speaker 3>Yeah, I just thought with.

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<v Speaker 1>Erica, you know that was the wife of a lawyer,

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<v Speaker 1>Like she has picked up everything that you need to

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<v Speaker 1>do to lay your argument out without you know, adrenaline

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<v Speaker 1>fueled screaming. She was very calm about it, but she

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<v Speaker 1>had conviction and she Yeah, I just felt like it

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<v Speaker 1>just really landed because of that, And she picked her moment.

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<v Speaker 1>She was like, we're all here on a boat. No

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<v Speaker 1>one can get off, you know, and storm off.

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<v Speaker 3>We know that.

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<v Speaker 1>We've seen that from Sutton several times. Even though she

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<v Speaker 1>you know, made a big song and dance when Kyle

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<v Speaker 1>did it, She's done it many a time before.

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<v Speaker 3>And she was like, we're here, we're on the water.

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<v Speaker 3>Now's the time.

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<v Speaker 1>I'm going to drop this information and we're going to

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<v Speaker 1>put it out there and we're going to have a

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<v Speaker 1>real conversation about it. And you know the fact that

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<v Speaker 1>no one in that group paying to her defense, not

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<v Speaker 1>even Garcel, which will get into in a moment, what

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<v Speaker 1>what a moment she was really on her own island.

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<v Speaker 2>Well, I think she slowly backed herself into a corner

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<v Speaker 2>with sort of the people. Instead of doing what I

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<v Speaker 2>think other housewives have done, especially Kyle Richards, and gather

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<v Speaker 2>people on her side ready for confrontation, Sutton had really

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<v Speaker 2>alienated everybody. By the time she was there, she didn't

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<v Speaker 2>even have Garcel. This was the first time we've even

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<v Speaker 2>seen Garcel and Sudden have a proper fight, and I

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<v Speaker 2>was like, this to me, has been a long time coming.

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<v Speaker 2>I mean, we saw some cracks and friendships in this episode,

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<v Speaker 2>even Bose, you know, not necessarily blindly supporting to also

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<v Speaker 2>really fascinating. But the thing that was the most subtle

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<v Speaker 2>about this episode, which left a bad taste in my mouth,

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<v Speaker 2>was who is more obsessed with Kyle Richards, Sutton or Garcel?

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<v Speaker 2>Because Garcell's obsession with Sutton's relationship with Kyle Richards is

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<v Speaker 2>starting to make her look like she's got the problem.

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<v Speaker 1>Garcel, Sutton Kyle triangle of it all is so interesting.

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<v Speaker 1>First of all, Garcel, even just realizing some of this,

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<v Speaker 1>I just I thought she went up fifty notches in

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<v Speaker 1>my book, because I remember when Erica had that sit

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<v Speaker 1>down with Garcel a few seasons ago and she said,

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<v Speaker 1>I think you've got to be careful with Sutton. I

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<v Speaker 1>think she's a liability for you. And she did not

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<v Speaker 1>get it. She really was like, I don't understand what

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<v Speaker 1>you mean. Why is everyone so hard on her? And

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<v Speaker 1>now it's like she's getting it, But I think she's

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<v Speaker 1>only got it because she's been a little bit left

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<v Speaker 1>by the wayside. And when Sutton had that moment where

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<v Speaker 1>Kyle stepped in and said.

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<v Speaker 3>Whatever, and she goes, I knew it.

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<v Speaker 1>I knew it, and she was in a confessional acting

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<v Speaker 1>like she'd won a million dollars. I was like, oh

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<v Speaker 1>my god, babe, like, you're a fifty something year.

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<v Speaker 3>Old woman, Kyle stepping up for me. See, I knew

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<v Speaker 3>we were friends. I knew it, and now everybody does.

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<v Speaker 1>The validation that she needs from Kyle is just off

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<v Speaker 1>the chart. So the fact that Garcel found her line

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<v Speaker 1>and she was like, I'm pissed off with this. I've

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<v Speaker 1>been there for this woman. She hasn't backed me up.

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<v Speaker 1>Now you know here it is the silence says it all,

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<v Speaker 1>and that is what you know on the boat.

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<v Speaker 3>That's exactly how it played out.

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<v Speaker 2>Yeah, I mean, it was definitely what did Jennifer con

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<v Speaker 2>I'm not count Connie.

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<v Speaker 3>Oh no, I want's kicking in oh ing ding ding?

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<v Speaker 3>What do we have for her? Johnny.

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<v Speaker 2>Jennifer Tilly also was really interesting, I thought with her

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<v Speaker 2>observation of this. I mean, she was the one who

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<v Speaker 2>said boat from Hell? What is it this week? On?

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<v Speaker 3>Bit crazy from Hell?

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<v Speaker 2>Yeah? Yeah, she was like, oh, but she's nutty as well,

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<v Speaker 2>So let's not flip a coin over this. Are we

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<v Speaker 2>settling at this point? Are we taking our chips to

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<v Speaker 2>the bar and settling on who's the kookiest and craziest

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<v Speaker 2>out of Kathy Hilton and Jennifer Tilly.

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<v Speaker 1>I just think they're both not as cooky and quirky

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<v Speaker 1>as what they are made out to be so times

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<v Speaker 1>on this show. I've seen a preview for next week's episode.

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<v Speaker 3>Oh no, there's a preview bit.

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<v Speaker 1>And Jennifer Tilly is sitting separately with Sutton on the

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<v Speaker 1>yacht and she's like, look, I understand all these women's points,

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<v Speaker 1>but Sutton's my friend. So basically was basically saying I

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<v Speaker 1>have to go sit with her, and then she says,

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<v Speaker 1>it just astounds me. These women hate you so much.

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<v Speaker 1>And I think the penny is dropping for her a

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<v Speaker 1>little bit as well, Like it was with Bow's where

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<v Speaker 1>she said, you know, I haven't seen this side of

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<v Speaker 1>Sutton before, and now I'm seeing it. And that's what

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<v Speaker 1>the boat episodes always seem to do. It exposes people,

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<v Speaker 1>know what to run.

0:10:34.960 --> 0:10:38.640
<v Speaker 2>Know where to hide. Correct What about it overboard Jennifer's

0:10:38.640 --> 0:10:42.160
<v Speaker 2>confession about applying makeup and hopping back into bed.

0:10:42.320 --> 0:10:44.760
<v Speaker 3>Is that the oh I've done that, I've done that.

0:10:45.080 --> 0:10:47.800
<v Speaker 1>Don't think, Oh, maybe I've done it with Robbie in

0:10:47.800 --> 0:10:49.320
<v Speaker 1>the early days, but I have done.

0:10:49.080 --> 0:10:52.080
<v Speaker 2>That before yet out But you didn't breakfast radio with

0:10:52.120 --> 0:10:53.720
<v Speaker 2>your husband before you got together.

0:10:54.120 --> 0:10:57.680
<v Speaker 1>Like yeah, but even like people can't believe that. Even

0:10:57.720 --> 0:10:59.840
<v Speaker 1>in radio, I go in with a full face of

0:10:59.840 --> 0:11:02.320
<v Speaker 1>my cup and a heel and it's like quarter to

0:11:02.360 --> 0:11:05.079
<v Speaker 1>five in the morning, Like, but I've just always done that.

0:11:05.280 --> 0:11:09.240
<v Speaker 1>I would never Oh my god, it's probably a sign

0:11:09.280 --> 0:11:11.280
<v Speaker 1>of a little bit of insecurity. But yes, not a

0:11:11.320 --> 0:11:13.440
<v Speaker 1>full face like she said, you did a full face,

0:11:13.520 --> 0:11:16.360
<v Speaker 1>but I've done a little slick of foundation and a

0:11:16.400 --> 0:11:17.640
<v Speaker 1>little bronze or something.

0:11:17.720 --> 0:11:18.600
<v Speaker 3>I've definitely done that.

0:11:18.880 --> 0:11:21.280
<v Speaker 2>What about being naked in front of your husband, because

0:11:21.520 --> 0:11:24.559
<v Speaker 2>I'm pretty sure that Ben and I gave out years

0:11:24.640 --> 0:11:27.760
<v Speaker 2>like we were like straight into nudity, like as in, oh, well,

0:11:27.800 --> 0:11:30.800
<v Speaker 2>who cares? Even as we've gotten to our forties and

0:11:30.840 --> 0:11:33.360
<v Speaker 2>our bodies do not look great. They actually look like

0:11:33.360 --> 0:11:36.160
<v Speaker 2>a couple of balloons have been cut from the Thanksgiving

0:11:36.240 --> 0:11:39.880
<v Speaker 2>Day parade and have floated away. We are we are nude?

0:11:39.920 --> 0:11:40.760
<v Speaker 2>Like are you nude?

0:11:41.280 --> 0:11:45.120
<v Speaker 3>No, I'm not nude. Who are these knockers?

0:11:45.280 --> 0:11:45.439
<v Speaker 2>Oh?

0:11:45.440 --> 0:11:47.640
<v Speaker 3>They're too big? They need a bra? You know what

0:11:47.720 --> 0:11:48.080
<v Speaker 3>I mean?

0:11:48.520 --> 0:11:51.760
<v Speaker 2>Like he probably likes that this is now counseling session, toy.

0:11:52.280 --> 0:11:54.760
<v Speaker 3>No, I just know I've never been a nude person.

0:11:55.080 --> 0:11:56.760
<v Speaker 2>What about the bubbles in the bath where you do

0:11:56.800 --> 0:11:58.680
<v Speaker 2>the bubble bra? Do you do that to try? And

0:11:59.120 --> 0:12:00.960
<v Speaker 2>which is what Jennifer till he was saying she was

0:12:01.000 --> 0:12:01.840
<v Speaker 2>making the top bar.

0:12:01.880 --> 0:12:03.120
<v Speaker 3>I've done a nice bubble bath.

0:12:03.160 --> 0:12:05.360
<v Speaker 1>I do like a good bath with some candles and

0:12:06.000 --> 0:12:07.160
<v Speaker 1>some nice products and stuff.

0:12:07.200 --> 0:12:09.200
<v Speaker 3>So I've done that. But you know, I mean, to

0:12:09.240 --> 0:12:09.920
<v Speaker 3>each their own.

0:12:10.200 --> 0:12:11.880
<v Speaker 1>I feel like you've got to find your own line

0:12:11.920 --> 0:12:14.240
<v Speaker 1>with that, and you just dance away with that line.

0:12:14.360 --> 0:12:15.439
<v Speaker 3>You dance away with it.

0:12:15.640 --> 0:12:17.240
<v Speaker 2>Oh. One of the other things I put down as

0:12:17.240 --> 0:12:19.120
<v Speaker 2>a note and just forgive us for going all over

0:12:19.160 --> 0:12:21.200
<v Speaker 2>the place, was you know what I liked in this

0:12:21.240 --> 0:12:24.200
<v Speaker 2>episode was the term mean spirited? Do you use the

0:12:24.280 --> 0:12:26.920
<v Speaker 2>term mean spirited when you're talking about things? Because that's

0:12:26.960 --> 0:12:30.360
<v Speaker 2>in my vocap it's on high rotation for me.

0:12:30.440 --> 0:12:32.000
<v Speaker 3>Do you have the wine before we got on or

0:12:32.120 --> 0:12:32.920
<v Speaker 3>is this your first one?

0:12:33.000 --> 0:12:34.480
<v Speaker 2>I haven't even had a sip of it yet. This

0:12:34.559 --> 0:12:36.920
<v Speaker 2>is a problem. It's the problem.

0:12:37.080 --> 0:12:39.240
<v Speaker 1>Well, I think you need to take a sip meant

0:12:39.360 --> 0:12:43.280
<v Speaker 1>spirited to read has used before she used it. You

0:12:43.320 --> 0:12:45.440
<v Speaker 1>can go back through the archives and find the clips

0:12:45.480 --> 0:12:49.040
<v Speaker 1>for this. She's used it when she was talking about Erica.

0:12:49.559 --> 0:12:53.440
<v Speaker 1>When Erica went on stage at bravocon is that wine horrendus?

0:12:53.800 --> 0:12:56.120
<v Speaker 1>You just usually scrunched up your whole face? And she

0:12:56.160 --> 0:12:59.200
<v Speaker 1>went on BRAVOCN and said, who's the next break up?

0:12:59.400 --> 0:13:02.720
<v Speaker 1>She said in PK she said that was very mean spirited,

0:13:02.800 --> 0:13:04.640
<v Speaker 1>And she used that word a lot.

0:13:04.800 --> 0:13:06.959
<v Speaker 2>I love mean spirited. I think it's fine. I think

0:13:07.000 --> 0:13:08.960
<v Speaker 2>it's a nice way to say something. It's not like

0:13:09.280 --> 0:13:12.120
<v Speaker 2>you were being a cunt. You're like being mean spirited,

0:13:12.200 --> 0:13:14.199
<v Speaker 2>you know. And I used it in a text message

0:13:14.200 --> 0:13:16.400
<v Speaker 2>once with a girlfriend who I never ever heard from

0:13:16.440 --> 0:13:19.080
<v Speaker 2>ever again. And she went around and said to everyone,

0:13:19.120 --> 0:13:22.160
<v Speaker 2>he called me mean spirited, and I defended that till

0:13:22.200 --> 0:13:23.360
<v Speaker 2>the cows came home.

0:13:23.440 --> 0:13:25.240
<v Speaker 3>I was like, I could have said worse ter.

0:13:25.720 --> 0:13:29.360
<v Speaker 2>Yeah, shed she organized her birthday and invited everybody except

0:13:29.440 --> 0:13:33.000
<v Speaker 2>me and included inviting my partner Ben, And I said,

0:13:33.000 --> 0:13:34.720
<v Speaker 2>I thought that was a little bit mean spirited.

0:13:35.040 --> 0:13:36.000
<v Speaker 3>Yeah that is.

0:13:36.400 --> 0:13:37.880
<v Speaker 2>That is mean spirited, and you.

0:13:37.800 --> 0:13:39.600
<v Speaker 3>Should have said something a lot worse than that.

0:13:40.040 --> 0:13:42.000
<v Speaker 2>Yes, exactly right. Well, let me tell you she didn't

0:13:42.080 --> 0:13:45.040
<v Speaker 2>like that mean spirited word. So, and we're not speaking,

0:13:45.240 --> 0:13:47.120
<v Speaker 2>but I think it's a great term. I think it's

0:13:47.120 --> 0:13:49.320
<v Speaker 2>a great way of being able to say I don't

0:13:49.320 --> 0:13:50.959
<v Speaker 2>think your intentions were kind.

0:13:51.280 --> 0:13:55.440
<v Speaker 1>Yes, And I think when Dart is in that place

0:13:55.520 --> 0:13:58.720
<v Speaker 1>where she's not raising her voice and sort of coming

0:13:58.760 --> 0:14:02.240
<v Speaker 1>across as a little bit, I think she's very eloquent.

0:14:02.320 --> 0:14:06.000
<v Speaker 1>And I think she delivers her messages well. Even when

0:14:06.160 --> 0:14:08.440
<v Speaker 1>Sutton baited her and she was like, maybe if I

0:14:08.520 --> 0:14:11.440
<v Speaker 1>talk in an English accent, it'll get through to you more,

0:14:11.520 --> 0:14:12.320
<v Speaker 1>and she goes.

0:14:12.200 --> 0:14:16.280
<v Speaker 4>Maybe again, you need to actually speak English so I

0:14:16.320 --> 0:14:21.720
<v Speaker 4>can understand. Please, Okay, maybe if I speak an English

0:14:21.800 --> 0:14:23.160
<v Speaker 4>accent it will work better me.

0:14:24.960 --> 0:14:28.120
<v Speaker 1>Maybe, But like she could have been like, oh, well,

0:14:28.160 --> 0:14:29.840
<v Speaker 1>now you're mocking me and this and that.

0:14:29.840 --> 0:14:31.680
<v Speaker 3>And she could have flown off the handle, but she.

0:14:31.760 --> 0:14:35.920
<v Speaker 1>Actually manages to stay quite controlled, quite measured in a

0:14:35.920 --> 0:14:38.840
<v Speaker 1>lot of these arguments in the face of a lot of,

0:14:39.080 --> 0:14:42.320
<v Speaker 1>you know, excessive noise that's happening around her. And I

0:14:42.400 --> 0:14:44.720
<v Speaker 1>think she does pretty well with that for the most part.

0:14:44.960 --> 0:14:47.920
<v Speaker 1>She only goes there when other people go there. I

0:14:47.920 --> 0:14:51.440
<v Speaker 1>do believe that. I feel like she only really escalates

0:14:51.440 --> 0:14:53.760
<v Speaker 1>her voice when other people start yelling at her.

0:14:54.120 --> 0:14:57.080
<v Speaker 2>Do you find that with sudden you know, she jumps

0:14:57.120 --> 0:14:59.800
<v Speaker 2>in and says that she was being beaten with a stick.

0:15:00.040 --> 0:15:01.600
<v Speaker 2>Oh my god, am I going to get beaten with

0:15:01.640 --> 0:15:03.400
<v Speaker 2>a stick now?

0:15:03.480 --> 0:15:05.680
<v Speaker 3>I'm not hid a hand on the marble. No, because

0:15:05.760 --> 0:15:08.000
<v Speaker 3>you know what I'm not going to do. By y'all,

0:15:08.360 --> 0:15:11.040
<v Speaker 3>I'm not going to do this again. We're not going

0:15:11.120 --> 0:15:13.280
<v Speaker 3>to beat me with a stick. Nobody's beating you. But

0:15:13.280 --> 0:15:13.840
<v Speaker 3>we're learning.

0:15:14.440 --> 0:15:18.520
<v Speaker 4>You cannot cannot turn and become a victim every time.

0:15:18.760 --> 0:15:20.320
<v Speaker 3>Don't tell me what I can and cannot do.

0:15:21.320 --> 0:15:23.520
<v Speaker 2>I feel like she says those over the top things

0:15:23.640 --> 0:15:26.080
<v Speaker 2>so that she deflects from the confrontation, or she puts

0:15:26.120 --> 0:15:28.360
<v Speaker 2>words into it to make the other person look far

0:15:28.440 --> 0:15:31.360
<v Speaker 2>more villainous. No one had to stick out. Lady. You've

0:15:31.400 --> 0:15:34.880
<v Speaker 2>literally antagonized people for sixteen episodes, and now people are

0:15:34.920 --> 0:15:37.040
<v Speaker 2>not actually being that cruel to you. They're just saying

0:15:37.200 --> 0:15:40.240
<v Speaker 2>you're a little bit mean spirited, Like, yeah, everyone is

0:15:40.440 --> 0:15:43.240
<v Speaker 2>very measured. What do you think about Sutton's tactic of

0:15:43.360 --> 0:15:46.760
<v Speaker 2>trying to put the situation into a heightened level of

0:15:46.800 --> 0:15:49.800
<v Speaker 2>her being the victim and the women being the aggressives.

0:15:50.200 --> 0:15:53.280
<v Speaker 1>Well, that's her emo, and we've seen that many times,

0:15:53.360 --> 0:15:55.880
<v Speaker 1>and she turns it around on herself. She becomes a

0:15:55.960 --> 0:15:59.240
<v Speaker 1>victim and she gets very upset with it. And you

0:15:59.280 --> 0:16:01.600
<v Speaker 1>know the other thing that she said, and I was like, aha,

0:16:01.680 --> 0:16:04.760
<v Speaker 1>now she's just repeating the same deflective pattern. Is when

0:16:04.800 --> 0:16:07.960
<v Speaker 1>she starts yelling out, pick on somebody else, pick on

0:16:08.080 --> 0:16:11.760
<v Speaker 1>somebody else. We already saw that two episodes ago, after

0:16:11.800 --> 0:16:12.800
<v Speaker 1>the big wallet comment.

0:16:13.120 --> 0:16:14.680
<v Speaker 3>She was like, pick on somebody else.

0:16:14.880 --> 0:16:17.960
<v Speaker 1>So she doesn't care if someone else is getting, actually,

0:16:18.040 --> 0:16:20.800
<v Speaker 1>to quote her picked on. She just doesn't want it

0:16:20.840 --> 0:16:21.320
<v Speaker 1>to be her.

0:16:21.760 --> 0:16:23.560
<v Speaker 2>I think she doesn't want it to be her. But

0:16:23.680 --> 0:16:26.680
<v Speaker 2>what kind of person has no idea that they are

0:16:26.680 --> 0:16:29.480
<v Speaker 2>the problem in the first place, that they're the aggressor

0:16:29.520 --> 0:16:32.520
<v Speaker 2>they're the person who started it. And in this season

0:16:32.960 --> 0:16:36.480
<v Speaker 2>eight times out of ten, which is high. Certain problems

0:16:36.480 --> 0:16:38.360
<v Speaker 2>that she has with other women actually stem back to

0:16:38.360 --> 0:16:39.720
<v Speaker 2>stuff that she started herself.

0:16:40.080 --> 0:16:43.520
<v Speaker 1>Yeah, and I think it was so spot on. It

0:16:43.560 --> 0:16:46.360
<v Speaker 1>was so astute of Erica when she said what you

0:16:46.400 --> 0:16:49.040
<v Speaker 1>do is this, and she gave examples, and she said,

0:16:49.040 --> 0:16:51.240
<v Speaker 1>you bring people in you say, oh my god, you're

0:16:51.240 --> 0:16:51.960
<v Speaker 1>having a problem.

0:16:52.160 --> 0:16:54.040
<v Speaker 3>You can lean on me. I'll be a friend.

0:16:54.080 --> 0:16:56.680
<v Speaker 1>They rolled back the tape when she gave you know,

0:16:56.920 --> 0:16:59.760
<v Speaker 1>Erica the care package at the day sparcelon there was

0:16:59.800 --> 0:17:03.200
<v Speaker 1>this seeing that we saw, you know, at the beginning

0:17:03.240 --> 0:17:05.280
<v Speaker 1>of the season, where she sat down with Durey. She's like,

0:17:05.320 --> 0:17:08.680
<v Speaker 1>I know what you're going through. I was also a divorcee.

0:17:08.119 --> 0:17:10.040
<v Speaker 3>With young children. I want you to know you can

0:17:10.119 --> 0:17:10.840
<v Speaker 3>lean on me a bit.

0:17:11.040 --> 0:17:14.080
<v Speaker 1>And then she flips the table and there's just so

0:17:14.240 --> 0:17:17.800
<v Speaker 1>many examples of this happening now. So I think she

0:17:17.920 --> 0:17:20.359
<v Speaker 1>just when she was confronted with cold, hard facts, she

0:17:20.440 --> 0:17:22.359
<v Speaker 1>could not deal with it. She has to take it

0:17:22.400 --> 0:17:24.879
<v Speaker 1>to a heightened place, as you say, to try and

0:17:24.960 --> 0:17:26.160
<v Speaker 1>wriggle herself out of it.

0:17:26.359 --> 0:17:27.680
<v Speaker 3>And then we.

0:17:27.720 --> 0:17:31.480
<v Speaker 1>Got the hot Mike moment where she was saying whatever

0:17:31.520 --> 0:17:34.720
<v Speaker 1>she was saying about those women, which was very derogatory.

0:17:35.119 --> 0:17:38.399
<v Speaker 1>She was clumping them all in together, and it really

0:17:38.440 --> 0:17:41.440
<v Speaker 1>showed what she thinks of everyone. That she is up here,

0:17:41.720 --> 0:17:44.240
<v Speaker 1>they are down there, and they should be so goddamn

0:17:44.320 --> 0:17:46.520
<v Speaker 1>lucky is to be hanging out with someone who gets

0:17:46.520 --> 0:17:49.120
<v Speaker 1>three hundred and fifty thousand dollars a month from their

0:17:49.160 --> 0:17:52.480
<v Speaker 1>ex husband and I should be only in elite circles.

0:17:52.800 --> 0:17:54.199
<v Speaker 2>What do you reckon? The ex husband has to say

0:17:54.240 --> 0:17:55.760
<v Speaker 2>about her at this point? Do you reckon? He said,

0:17:56.000 --> 0:17:58.240
<v Speaker 2>like eternal sunshine at the spotless mind and had a

0:17:58.359 --> 0:18:03.600
<v Speaker 2>grain erased, I have PTSD. I'd be walking down the

0:18:03.600 --> 0:18:06.080
<v Speaker 2>street and see the banners for real housewives of Beverly

0:18:06.160 --> 0:18:09.080
<v Speaker 2>Hills on Santa Monica Boulevard, and I'd be like having

0:18:09.080 --> 0:18:12.760
<v Speaker 2>a stroke because like this woman's behavior is she has

0:18:12.840 --> 0:18:18.040
<v Speaker 2>no way of actually being able to recall facts as well, Like, yes,

0:18:18.520 --> 0:18:19.200
<v Speaker 2>that's where it's.

0:18:19.080 --> 0:18:23.520
<v Speaker 3>A selective memory there. I would think, yeah, yeah.

0:18:23.960 --> 0:18:27.680
<v Speaker 1>I just think, look, you know, we've seen elements of her,

0:18:27.960 --> 0:18:31.080
<v Speaker 1>and I think that Kyle, you know, when we reflect

0:18:31.119 --> 0:18:33.640
<v Speaker 1>back on this thing with Kyle and wanting Kyle's validation,

0:18:33.920 --> 0:18:36.680
<v Speaker 1>and even when you think about it with Kathy Hilton,

0:18:37.160 --> 0:18:39.760
<v Speaker 1>even Diana Jenkins, even though she was fighting with her,

0:18:39.960 --> 0:18:43.679
<v Speaker 1>She's trying so hard for their approval because she wants

0:18:43.720 --> 0:18:45.000
<v Speaker 1>the social status.

0:18:45.400 --> 0:18:48.280
<v Speaker 3>She wants to climb that social ladder.

0:18:48.400 --> 0:18:50.440
<v Speaker 1>We've seen it when she's like, I'm on the board

0:18:50.480 --> 0:18:53.359
<v Speaker 1>of the American Ballet, I can't be around strippers. And

0:18:53.400 --> 0:18:55.639
<v Speaker 1>when she said about Erica and she said, you know,

0:18:55.760 --> 0:18:57.960
<v Speaker 1>I'm on the board of all these things, like I

0:18:57.960 --> 0:19:00.600
<v Speaker 1>don't want to be associated with Erica, and then that's

0:19:00.640 --> 0:19:03.560
<v Speaker 1>how that whole fight happened. You know about the reputation.

0:19:03.840 --> 0:19:07.560
<v Speaker 1>She wants to be in this high social standing and

0:19:07.680 --> 0:19:10.480
<v Speaker 1>she thinks she's above it, but when she's getting called

0:19:10.520 --> 0:19:13.000
<v Speaker 1>out and she's getting brought back down to earth with

0:19:13.080 --> 0:19:14.840
<v Speaker 1>some cold heart facts, she can't handle it.

0:19:15.160 --> 0:19:15.639
<v Speaker 3>She can't.

0:19:15.880 --> 0:19:18.520
<v Speaker 2>Do You think that Dereit was right to not accept

0:19:18.520 --> 0:19:21.919
<v Speaker 2>that apology because Dereit we then saw being sort of

0:19:22.280 --> 0:19:26.840
<v Speaker 2>held to account by Bo's and Bozma was there watching

0:19:26.880 --> 0:19:28.719
<v Speaker 2>this whole thing happening and saying, no, Direit, you need

0:19:28.760 --> 0:19:31.440
<v Speaker 2>to accept the apology if she would.

0:19:31.480 --> 0:19:34.440
<v Speaker 4>At any point since then, Mabe had said that if

0:19:34.440 --> 0:19:37.600
<v Speaker 4>you had felt sorry, I'm doing it now I'm doing

0:19:37.640 --> 0:19:40.480
<v Speaker 4>a very passive aggressive and you don't.

0:19:40.240 --> 0:19:41.440
<v Speaker 3>Read really.

0:19:42.800 --> 0:19:46.400
<v Speaker 5>Apologizing to you, which you're not accepting it, and I'm

0:19:46.440 --> 0:19:49.200
<v Speaker 5>not really sure darit needed to accept that apology.

0:19:49.240 --> 0:19:51.560
<v Speaker 2>And then it turned out she was right. She shouldn't

0:19:51.560 --> 0:19:53.840
<v Speaker 2>be accepting an apology from this nut job.

0:19:54.119 --> 0:19:57.399
<v Speaker 1>I think in that moment, I think Bo's was she

0:19:57.520 --> 0:20:01.280
<v Speaker 1>was being She was being a good person by calling

0:20:01.320 --> 0:20:03.120
<v Speaker 1>her friend out and being like, look, I don't think

0:20:03.119 --> 0:20:05.960
<v Speaker 1>you're accepting the apology not hearing it. But what we

0:20:06.000 --> 0:20:09.160
<v Speaker 1>know now from watching this scenario play out many times

0:20:09.160 --> 0:20:12.600
<v Speaker 1>with New Housewives, they don't have the background, they don't

0:20:12.640 --> 0:20:14.480
<v Speaker 1>have the full dynamic, they don't.

0:20:14.240 --> 0:20:15.080
<v Speaker 3>Have the history.

0:20:15.359 --> 0:20:18.000
<v Speaker 1>And so she was right in that moment to say,

0:20:18.240 --> 0:20:19.800
<v Speaker 1>you're being a bit of an asshole.

0:20:19.880 --> 0:20:23.280
<v Speaker 3>I think you should accept the apology, but I agree

0:20:23.400 --> 0:20:23.720
<v Speaker 3>with you.

0:20:24.000 --> 0:20:25.840
<v Speaker 1>There was something in Sudden to be like, this whole

0:20:25.840 --> 0:20:28.199
<v Speaker 1>thing is bullshit and I'm not really buying it.

0:20:28.400 --> 0:20:31.840
<v Speaker 2>I wouldn't be surprised if I saw Andy Cohen drop

0:20:31.880 --> 0:20:34.600
<v Speaker 2>her from the series, because I know that she's sort

0:20:34.640 --> 0:20:36.879
<v Speaker 2>of facilitating that. Lisa re in a role and she

0:20:37.000 --> 0:20:40.080
<v Speaker 2>sort of playing a bit of the antagonist, the villain,

0:20:40.119 --> 0:20:43.359
<v Speaker 2>the person that holds people and causes the drama, starts

0:20:43.359 --> 0:20:45.480
<v Speaker 2>the fires and puts them out. I just don't know

0:20:45.520 --> 0:20:47.959
<v Speaker 2>whether or not she's gazumping the whole show in general.

0:20:48.240 --> 0:20:50.399
<v Speaker 1>I think the thing is the difference between her and

0:20:50.440 --> 0:20:56.520
<v Speaker 1>Lisa Rinna. Lisa Rinna was very clear, she was very consistent. Yes,

0:20:56.600 --> 0:20:59.359
<v Speaker 1>she might have taken it a bit far sometimes, but

0:20:59.440 --> 0:21:01.919
<v Speaker 1>she's all always clear in her pursuit of what she

0:21:02.000 --> 0:21:05.040
<v Speaker 1>was trying to get to. Where Sutton undoes herself is

0:21:05.080 --> 0:21:09.399
<v Speaker 1>the fact that she is saying something one episode, she's

0:21:09.480 --> 0:21:11.560
<v Speaker 1>saying something else on a different episode.

0:21:11.640 --> 0:21:14.720
<v Speaker 3>Her agendas seem to change, her mood changes.

0:21:14.920 --> 0:21:16.960
<v Speaker 1>There's just you don't know what you're going to get,

0:21:17.000 --> 0:21:19.479
<v Speaker 1>and that is where she brings herself undone.

0:21:19.560 --> 0:21:21.800
<v Speaker 3>There's no clear quest for the truth.

0:21:21.960 --> 0:21:26.120
<v Speaker 1>It gets muddled up in all this erratic gray territory.

0:21:26.320 --> 0:21:28.320
<v Speaker 3>So I think she's a bit different there. But to

0:21:28.400 --> 0:21:29.600
<v Speaker 3>your point.

0:21:29.160 --> 0:21:32.760
<v Speaker 1>About getting rid of her, if this alliance between her

0:21:32.800 --> 0:21:37.160
<v Speaker 1>and Garcel breaks and Garcel comes to the light and

0:21:37.520 --> 0:21:39.960
<v Speaker 1>starts hanging more with like Erica and.

0:21:39.880 --> 0:21:41.399
<v Speaker 3>Kyle, I could see that.

0:21:41.800 --> 0:21:46.280
<v Speaker 1>I could see that because Garcel is actually very logical. Yes,

0:21:46.400 --> 0:21:48.840
<v Speaker 1>she can be Shaye Dear, you know some of the

0:21:48.880 --> 0:21:51.920
<v Speaker 1>stuff she says, it's shady, but she is always very

0:21:51.960 --> 0:21:52.680
<v Speaker 1>clear too.

0:21:52.880 --> 0:21:53.520
<v Speaker 3>You know what I mean.

0:21:53.880 --> 0:21:57.320
<v Speaker 2>I agree, and I think that Garcel is one step

0:21:57.359 --> 0:21:59.240
<v Speaker 2>away from jumping ship.

0:21:59.480 --> 0:22:00.479
<v Speaker 3>Yeah, I agree.

0:22:00.600 --> 0:22:04.320
<v Speaker 2>Bosema also looking for the affections of Kyle Richards. Now,

0:22:04.520 --> 0:22:06.600
<v Speaker 2>I think that we can definitely see that those two

0:22:06.800 --> 0:22:07.679
<v Speaker 2>are going to be friends.

0:22:08.000 --> 0:22:10.920
<v Speaker 1>Yeah, I mean, I think it's been nice to see

0:22:10.920 --> 0:22:13.280
<v Speaker 1>that evolution. I think as we spoke about last week,

0:22:13.320 --> 0:22:15.920
<v Speaker 1>having that moment without one on one, this week, you

0:22:16.040 --> 0:22:18.560
<v Speaker 1>got to see the voice note where she was like, Babe,

0:22:18.640 --> 0:22:21.440
<v Speaker 1>you know I saw MO out with this woman. I've

0:22:21.480 --> 0:22:23.720
<v Speaker 1>sent the voice note. What do you want me to do?

0:22:23.840 --> 0:22:25.160
<v Speaker 1>I'll go run up on a man.

0:22:25.960 --> 0:22:26.400
<v Speaker 3>She said.

0:22:26.480 --> 0:22:29.560
<v Speaker 1>That's being a girlfriend, And you know what, like that

0:22:29.760 --> 0:22:33.439
<v Speaker 1>is someone the cameras are not up, and you've been

0:22:33.480 --> 0:22:36.680
<v Speaker 1>prepared to play that voice note back, and you've been

0:22:36.720 --> 0:22:39.560
<v Speaker 1>prepared to text her even though it was nothing to

0:22:39.600 --> 0:22:42.679
<v Speaker 1>do with the show. I think she is a genuine person.

0:22:42.720 --> 0:22:45.520
<v Speaker 1>What you see is what you get, and I think Kyle,

0:22:45.800 --> 0:22:50.280
<v Speaker 1>we know, wants those genuine friendships. So potentially her and

0:22:50.320 --> 0:22:53.520
<v Speaker 1>Bo's they could be forming something special.

0:22:54.680 --> 0:22:59.520
<v Speaker 3>I texted Kyle in the moment girl. And then afterwards

0:22:59.520 --> 0:23:02.520
<v Speaker 3>I gave her a foe report, but for me, a

0:23:02.560 --> 0:23:04.560
<v Speaker 3>long voice note. I really did I know it was

0:23:04.560 --> 0:23:05.360
<v Speaker 3>a real podcast.

0:23:05.800 --> 0:23:11.480
<v Speaker 2>He made okay, so full report. She is definitely not cute.

0:23:11.880 --> 0:23:13.400
<v Speaker 5>I mean, look, if you want to do this, you've

0:23:13.400 --> 0:23:16.000
<v Speaker 5>got to get like the cutest girl in the on

0:23:16.040 --> 0:23:16.560
<v Speaker 5>the planet.

0:23:16.720 --> 0:23:16.920
<v Speaker 2>Right.

0:23:17.520 --> 0:23:19.760
<v Speaker 1>Actually, the entire time that I was sitting there and

0:23:19.800 --> 0:23:22.880
<v Speaker 1>they were there, I was just dreaming up scenarios where

0:23:22.880 --> 0:23:24.240
<v Speaker 1>I could just push them into the water.

0:23:24.640 --> 0:23:26.080
<v Speaker 2>Let me know what you want me to do, because

0:23:26.080 --> 0:23:27.080
<v Speaker 2>I will run up on a.

0:23:27.040 --> 0:23:30.600
<v Speaker 3>Man and there you have it. Now that's being a

0:23:30.600 --> 0:23:31.760
<v Speaker 3>girl's girl.

0:23:32.160 --> 0:23:34.560
<v Speaker 2>Did you think that that voice note was a good idea?

0:23:34.720 --> 0:23:37.399
<v Speaker 2>Like I felt cringe rama. I was like, do you

0:23:37.400 --> 0:23:40.760
<v Speaker 2>know what I would consider myself to be in the

0:23:40.800 --> 0:23:43.199
<v Speaker 2>girl code? Like on what is good girl code and

0:23:43.200 --> 0:23:45.600
<v Speaker 2>what's not? Maybe it's gay code. I would not be

0:23:45.680 --> 0:23:48.200
<v Speaker 2>disturbing your day by giving you a blow by blow

0:23:48.240 --> 0:23:51.359
<v Speaker 2>on what your recent ex husband's doing on a date.

0:23:51.680 --> 0:23:55.040
<v Speaker 2>And it almost okay, virtue signaling, do you know what

0:23:55.080 --> 0:23:56.760
<v Speaker 2>I mean? Like, Hey, I'm going to prove to you

0:23:56.840 --> 0:23:59.280
<v Speaker 2>that I'm good. Where if I was Kyle Richards and

0:23:59.320 --> 0:24:01.639
<v Speaker 2>I was at home taking my fifty five dogs on

0:24:01.640 --> 0:24:03.159
<v Speaker 2>a walk, and all of a sudden I got a

0:24:03.440 --> 0:24:07.400
<v Speaker 2>message from Bows saying, voice note going into detail, I'm

0:24:07.400 --> 0:24:08.720
<v Speaker 2>going to go and run up on a man. What

0:24:08.760 --> 0:24:09.439
<v Speaker 2>do you want me to do?

0:24:09.520 --> 0:24:09.879
<v Speaker 3>I don't know.

0:24:09.960 --> 0:24:12.480
<v Speaker 2>I thought that was really that's not good, gay coat.

0:24:12.600 --> 0:24:14.160
<v Speaker 2>If you ask me, maybe it's good.

0:24:14.200 --> 0:24:14.600
<v Speaker 3>I don't know.

0:24:14.720 --> 0:24:17.119
<v Speaker 1>I think I feel like she was trying to do

0:24:17.160 --> 0:24:19.320
<v Speaker 1>it from the right place. She's like, this is what

0:24:19.359 --> 0:24:22.440
<v Speaker 1>I'm witnessing. It's in real time. I don't want anyone

0:24:22.480 --> 0:24:26.119
<v Speaker 1>to come at me and say, well, you saw this happening,

0:24:26.119 --> 0:24:28.600
<v Speaker 1>and you kept it private. You didn't tell me. I

0:24:28.600 --> 0:24:30.520
<v Speaker 1>think she was just trying to be open and honest.

0:24:30.680 --> 0:24:31.240
<v Speaker 3>In the moment.

0:24:31.280 --> 0:24:33.720
<v Speaker 1>She'd probably wherever they were, so her house or something.

0:24:33.760 --> 0:24:36.000
<v Speaker 1>She's probably had a couple of drinks, yeah, and she's

0:24:36.040 --> 0:24:38.280
<v Speaker 1>probably just thought, you know what, I'm just I think

0:24:38.320 --> 0:24:42.480
<v Speaker 1>if that was purely for the show, that might have been,

0:24:42.880 --> 0:24:44.720
<v Speaker 1>you know, fueled by a different agenda. But I think

0:24:44.760 --> 0:24:46.800
<v Speaker 1>the fact she sent that when the cameras weren't up,

0:24:46.960 --> 0:24:48.360
<v Speaker 1>she didn't know if they were going to use that,

0:24:48.800 --> 0:24:51.240
<v Speaker 1>you know. I think she was coming to it from

0:24:51.240 --> 0:24:51.840
<v Speaker 1>the right place.

0:24:52.040 --> 0:24:53.760
<v Speaker 2>She might have been, but I don't think I would

0:24:53.760 --> 0:24:56.160
<v Speaker 2>have appreciated that message. I would just be like, oh,

0:24:56.320 --> 0:24:58.639
<v Speaker 2>he's there. That's a bit awkward for you. Yeah, probably

0:24:58.680 --> 0:24:59.960
<v Speaker 2>best to go and have a drink with your friend

0:25:00.119 --> 0:25:01.520
<v Speaker 2>somewhere else. Like that seems to me.

0:25:01.640 --> 0:25:02.800
<v Speaker 3>Yeah, yeah, that's weird.

0:25:02.880 --> 0:25:05.480
<v Speaker 2>But I also don't think that everything needs to be discussed.

0:25:05.720 --> 0:25:07.840
<v Speaker 2>She's only a new friend of Kyle's. She really doesn't

0:25:07.840 --> 0:25:10.119
<v Speaker 2>have that much business going up and approaching a man

0:25:10.200 --> 0:25:12.600
<v Speaker 2>in a restaurant that she's never met. That she's blindly

0:25:12.640 --> 0:25:15.600
<v Speaker 2>supporting her other mate. He's not there. I just thought

0:25:15.600 --> 0:25:17.960
<v Speaker 2>the whole thing was really weird, and I.

0:25:17.960 --> 0:25:19.920
<v Speaker 3>Don't think she actually would have gone up there.

0:25:20.119 --> 0:25:21.960
<v Speaker 1>I think she was just trying to make the point

0:25:21.960 --> 0:25:24.200
<v Speaker 1>that she was like, I'm letting you know the information

0:25:24.440 --> 0:25:27.200
<v Speaker 1>as I'm seeing it unfold in front of me, and

0:25:27.800 --> 0:25:29.720
<v Speaker 1>if you do want me to do something, I will.

0:25:29.760 --> 0:25:31.240
<v Speaker 3>But I don't think she would have gone up there.

0:25:31.440 --> 0:25:35.199
<v Speaker 2>What about those weaves in this series, Like there's so much,

0:25:35.480 --> 0:25:37.040
<v Speaker 2>so many whiefs.

0:25:36.480 --> 0:25:40.480
<v Speaker 3>Like the way you say it that gets me the white.

0:25:40.320 --> 0:25:44.160
<v Speaker 2>Weeve is It's interesting to me that I had no

0:25:44.240 --> 0:25:47.760
<v Speaker 2>idea that Garcel's also wearing the whiefs. I thought that

0:25:47.800 --> 0:25:48.720
<v Speaker 2>was their real hair.

0:25:48.560 --> 0:25:51.399
<v Speaker 1>And Erica, they and Kyle, they all wear hair extensions,

0:25:51.440 --> 0:25:52.040
<v Speaker 1>hair pieces.

0:25:52.200 --> 0:25:55.159
<v Speaker 2>One of them like Kathy. Oh, Kathy looked like she

0:25:55.200 --> 0:25:57.520
<v Speaker 2>needed to go to a day's bar. Did you see

0:25:57.680 --> 0:26:00.639
<v Speaker 2>she looked like she was not a hill and she

0:26:00.680 --> 0:26:03.360
<v Speaker 2>looked like she was a Western, you know, like the oldest.

0:26:03.400 --> 0:26:07.000
<v Speaker 1>Don't get it. I don't get it. She's but we've

0:26:07.040 --> 0:26:10.480
<v Speaker 1>seen this many a time. It's very strange. But yet

0:26:10.520 --> 0:26:13.320
<v Speaker 1>on her Instagram, if you go on, like, she's wearing

0:26:13.359 --> 0:26:14.320
<v Speaker 1>beautiful dresses.

0:26:14.640 --> 0:26:15.720
<v Speaker 3>Nikki Hilton just.

0:26:15.640 --> 0:26:18.439
<v Speaker 1>Did a collab with Rebecca Lands, a designer that I

0:26:18.520 --> 0:26:21.800
<v Speaker 1>wear a lot, and she is in all these beautiful

0:26:21.880 --> 0:26:24.760
<v Speaker 1>Christmas party dresses and she looks amazing. But for some

0:26:24.840 --> 0:26:26.760
<v Speaker 1>reason she films this show.

0:26:27.200 --> 0:26:29.000
<v Speaker 3>A lot of the time she looks like a schlip.

0:26:29.119 --> 0:26:30.240
<v Speaker 3>It's very strange.

0:26:30.359 --> 0:26:32.959
<v Speaker 2>It's so weird. And every time they keept cutting to her,

0:26:32.960 --> 0:26:35.840
<v Speaker 2>I was like, Bruce Jenna, is that you wacko?

0:26:36.000 --> 0:26:37.320
<v Speaker 3>Jacko? Are you in there?

0:26:37.640 --> 0:26:40.960
<v Speaker 2>Remember her? She was best friends with Michael Jackson. Oh.

0:26:41.480 --> 0:26:44.439
<v Speaker 2>Remember that was what happened in Aspen or whatever it

0:26:44.520 --> 0:26:46.679
<v Speaker 2>was where she lost her mind because the DJ wouldn't

0:26:46.720 --> 0:26:50.480
<v Speaker 2>play Michael Jackson. Oh, go too. She goes, gets a

0:26:50.520 --> 0:26:53.640
<v Speaker 2>few drinks in her and she gets wild and gets

0:26:53.680 --> 0:26:55.880
<v Speaker 2>them to play Michael Jackson and she sings and dances,

0:26:56.080 --> 0:26:58.240
<v Speaker 2>tells everyone that they used to be best friends, but

0:26:58.320 --> 0:27:00.200
<v Speaker 2>now she's starting to look like Michael jacks.

0:27:00.640 --> 0:27:03.000
<v Speaker 1>Yeah, I agree with what you said that. A couple

0:27:03.040 --> 0:27:04.800
<v Speaker 1>of episodes ago, you were like, I don't think she

0:27:04.880 --> 0:27:08.000
<v Speaker 1>looks well but maybe look these women are older.

0:27:08.359 --> 0:27:10.480
<v Speaker 3>You know, it's a lot of upkeep for this show.

0:27:10.800 --> 0:27:14.040
<v Speaker 2>Have you seen the movie Hannibal where there's the Who's

0:27:14.240 --> 0:27:17.000
<v Speaker 2>got all the equipment and like all the stuff happening and.

0:27:17.000 --> 0:27:19.960
<v Speaker 3>Like the IVY troops and everything all like that looks.

0:27:19.960 --> 0:27:22.399
<v Speaker 2>Very hannibal esque. Anyway, I don't want to get into that.

0:27:22.440 --> 0:27:24.119
<v Speaker 2>You know, good on your Kathy Hilton. If you've got

0:27:24.160 --> 0:27:26.520
<v Speaker 2>all that money and you're not willing to spend it

0:27:26.600 --> 0:27:28.320
<v Speaker 2>on getting a little bit juuged up for the Real

0:27:28.320 --> 0:27:29.440
<v Speaker 2>Housewives of Beverly Hills.

0:27:29.520 --> 0:27:32.160
<v Speaker 3>That's a flat blazer. Just put on a nice blazer

0:27:32.440 --> 0:27:34.160
<v Speaker 3>blazer jag over her head.

0:27:34.160 --> 0:27:37.440
<v Speaker 2>It was not necessarily the clothes. She looked like she'd

0:27:37.520 --> 0:27:39.800
<v Speaker 2>just come out of a sauna, Like her hair was

0:27:39.840 --> 0:27:42.520
<v Speaker 2>basically stuck to her head and she was looking clammy.

0:27:42.640 --> 0:27:43.840
<v Speaker 3>Yeah, I get the clamminess.

0:27:43.880 --> 0:27:45.800
<v Speaker 2>And we just seemed to read with the guy that

0:27:45.840 --> 0:27:48.040
<v Speaker 2>she's in a lawsuit with, now whatever his name is,

0:27:48.040 --> 0:27:51.199
<v Speaker 2>the hairdresser. We saw the hairdresser styling Durite. Have you

0:27:51.240 --> 0:27:51.919
<v Speaker 2>been following that?

0:27:52.280 --> 0:27:55.480
<v Speaker 1>Oh my god, I know the twists and turns. So

0:27:55.520 --> 0:27:58.639
<v Speaker 1>if you haven't been across this, Darite is in this

0:27:58.720 --> 0:28:02.239
<v Speaker 1>sort of public stout with this guy who was her

0:28:02.280 --> 0:28:05.240
<v Speaker 1>hairdresser for a few months. He's saying that she never

0:28:05.320 --> 0:28:08.600
<v Speaker 1>paid him. She is trying to say I did pay him,

0:28:08.960 --> 0:28:11.679
<v Speaker 1>and he's now trying to rip me off for more money.

0:28:11.760 --> 0:28:14.800
<v Speaker 1>And it's it's very public. It's like watch what Happens Live.

0:28:15.000 --> 0:28:18.440
<v Speaker 1>Then he's been dropping an Instagram video, She's been dropping,

0:28:18.600 --> 0:28:20.000
<v Speaker 1>you know, more receipts.

0:28:20.200 --> 0:28:21.440
<v Speaker 3>It's very public.

0:28:21.760 --> 0:28:24.520
<v Speaker 2>He has the hair of Gwyneth Paltrow from nineteen ninety nine,

0:28:24.720 --> 0:28:26.760
<v Speaker 2>and I'm here for it, Like, I think he looks

0:28:26.800 --> 0:28:29.840
<v Speaker 2>great with that hair. But after I saw his receipt

0:28:29.880 --> 0:28:31.800
<v Speaker 2>and after I've watched all of the videos that they've

0:28:31.840 --> 0:28:34.040
<v Speaker 2>both been dropping about it, I actually just think it's

0:28:34.080 --> 0:28:38.040
<v Speaker 2>a really big miscommunication amongst the two of them been

0:28:38.080 --> 0:28:41.040
<v Speaker 2>able to be worked out and not to be using

0:28:41.040 --> 0:28:43.920
<v Speaker 2>his content on their pages, like neither of them are

0:28:43.920 --> 0:28:46.479
<v Speaker 2>looking quite good. Sounds like something that you just be like,

0:28:46.720 --> 0:28:49.760
<v Speaker 2>that's my mistake. I own that, really, sorry, move on,

0:28:49.920 --> 0:28:52.920
<v Speaker 2>like I'm back to style your hair for season fifteen.

0:28:53.280 --> 0:28:55.719
<v Speaker 2>No one's going to use him now anymore. Have you frozen?

0:28:55.880 --> 0:28:56.360
<v Speaker 2>Are you back?

0:28:57.040 --> 0:28:57.200
<v Speaker 3>Oh?

0:28:57.280 --> 0:28:58.080
<v Speaker 2>No? Are you that?

0:28:58.560 --> 0:28:59.280
<v Speaker 3>The thing was?

0:28:59.440 --> 0:29:01.240
<v Speaker 2>Yes? Yeah? Yes? Was it you or me?

0:29:01.560 --> 0:29:03.760
<v Speaker 3>I don't know, but this is how it froze. I'm

0:29:03.760 --> 0:29:04.560
<v Speaker 3>sending you a photo.

0:29:04.880 --> 0:29:09.320
<v Speaker 2>Oh you? Oh god, don't stroke. I thought I was.

0:29:12.360 --> 0:29:14.560
<v Speaker 2>You're sitting there listening to me and I'm talking about

0:29:14.760 --> 0:29:15.200
<v Speaker 2>how he did.

0:29:16.040 --> 0:29:23.800
<v Speaker 6>I was like, Benjamin, if you're okay, we need to

0:29:23.840 --> 0:29:27.600
<v Speaker 6>talk about the mention of Kim Richards.

0:29:27.880 --> 0:29:31.280
<v Speaker 2>I was like, like that was awkward. Dot com Like Darret,

0:29:31.320 --> 0:29:32.560
<v Speaker 2>I think was trying to be nice to be like,

0:29:32.560 --> 0:29:34.760
<v Speaker 2>and how's things going with Kim because the last time

0:29:34.760 --> 0:29:37.520
<v Speaker 2>that hung out at Runyon Canyon, things were like looking

0:29:37.600 --> 0:29:40.600
<v Speaker 2>quite good. But does deit not read the social pages

0:29:40.640 --> 0:29:43.640
<v Speaker 2>and realize that Kim Richards and Kyle are not getting

0:29:43.680 --> 0:29:46.880
<v Speaker 2>along and Kim's been kicked out of Kyle Richards's apartment

0:29:46.920 --> 0:29:49.040
<v Speaker 2>that she owns, that she'd be letting it live in

0:29:49.080 --> 0:29:50.080
<v Speaker 2>there for free, like.

0:29:51.080 --> 0:29:55.600
<v Speaker 1>Well, you kind of question whether Derete reads any stuff,

0:29:55.840 --> 0:29:58.120
<v Speaker 1>you know, Like I like the girl, but she probably

0:29:58.160 --> 0:29:59.800
<v Speaker 1>is in her own world a little bit. I don't

0:29:59.800 --> 0:30:03.040
<v Speaker 1>think she actually would have said that knowing the full

0:30:03.080 --> 0:30:03.680
<v Speaker 1>extent of it.

0:30:04.800 --> 0:30:09.040
<v Speaker 3>Kim, how was she doing. I'm good, she's happy now.

0:30:09.200 --> 0:30:12.000
<v Speaker 3>I don't see her a lot, but I think Kyle

0:30:12.080 --> 0:30:13.080
<v Speaker 3>handled it pretty well.

0:30:13.320 --> 0:30:15.600
<v Speaker 2>Kyle did pretty well, but I was so I felt bad,

0:30:15.600 --> 0:30:18.560
<v Speaker 2>Like I always feel bad for Kyle Richards when she's

0:30:18.600 --> 0:30:21.080
<v Speaker 2>fighting with either of her sisters because most of the

0:30:21.120 --> 0:30:23.360
<v Speaker 2>time I agree with Kyle and think that their sisters

0:30:23.760 --> 0:30:24.880
<v Speaker 2>are being pretty hard on her.

0:30:25.120 --> 0:30:27.160
<v Speaker 1>Do you know what my mum always used to say,

0:30:27.240 --> 0:30:29.440
<v Speaker 1>And she said this about friendships and stuff, like even

0:30:29.480 --> 0:30:31.840
<v Speaker 1>when we were kids, everything she goes two into three,

0:30:32.000 --> 0:30:35.480
<v Speaker 1>doesn't go like, there's just you'll never get three people

0:30:35.800 --> 0:30:39.640
<v Speaker 1>all getting along to the equal level at all times.

0:30:39.960 --> 0:30:42.560
<v Speaker 1>She was like, no, there'll always be one that's like that,

0:30:42.600 --> 0:30:45.160
<v Speaker 1>one's left out at that time. Then its Chiefts and

0:30:45.240 --> 0:30:47.200
<v Speaker 1>those two. And we see it on the Kardashians, we

0:30:47.240 --> 0:30:48.600
<v Speaker 1>see on all those sort of things.

0:30:48.920 --> 0:30:50.640
<v Speaker 2>Missus McLean, that is gold.

0:30:50.880 --> 0:30:52.520
<v Speaker 3>I know, that is property.

0:30:52.760 --> 0:30:56.920
<v Speaker 2>Put that on I get that sewn onto our blouse. Sudden, like, honestly,

0:30:56.960 --> 0:30:57.600
<v Speaker 2>that's a good one.

0:30:57.640 --> 0:31:00.080
<v Speaker 1>It's so true though, Hey, what else we need to

0:31:00.160 --> 0:31:05.640
<v Speaker 1>talk about is Garselle bringing up Morgan Wade again to

0:31:06.360 --> 0:31:10.600
<v Speaker 1>Kyle's but to her face. I actually went out loud.

0:31:10.640 --> 0:31:12.480
<v Speaker 1>I was here watching it by myself, and I was like.

0:31:12.360 --> 0:31:17.040
<v Speaker 3>Oh like that. I was like, I like ballsy.

0:31:16.680 --> 0:31:19.400
<v Speaker 1>And hats off that she's putting her money where her

0:31:19.440 --> 0:31:21.920
<v Speaker 1>mouth is and it's not just speculation, it's not just

0:31:22.000 --> 0:31:24.719
<v Speaker 1>chat behind her back. She was like, well, I think

0:31:24.760 --> 0:31:26.520
<v Speaker 1>it's weird. We're not allowed to talk about this. And

0:31:26.560 --> 0:31:29.080
<v Speaker 1>the look on Kyle's face, Holy shit.

0:31:29.480 --> 0:31:31.320
<v Speaker 2>How many times can you bring this up though? Or

0:31:31.400 --> 0:31:34.040
<v Speaker 2>someone tries to bring up morganway with Kyle and just

0:31:34.080 --> 0:31:34.640
<v Speaker 2>see her.

0:31:34.520 --> 0:31:39.000
<v Speaker 1>Go no, Well, but the point is it's there. Don't

0:31:39.200 --> 0:31:41.440
<v Speaker 1>think that we've forgotten about it. Don't think that we're

0:31:41.440 --> 0:31:44.920
<v Speaker 1>not confused by it. Don't think that our questions aren't

0:31:45.000 --> 0:31:48.560
<v Speaker 1>valid as the group and as viewers. That is something

0:31:48.720 --> 0:31:50.800
<v Speaker 1>we want to know the answer to. And she put

0:31:50.840 --> 0:31:53.600
<v Speaker 1>it out there. She got her own camera last season,

0:31:53.840 --> 0:31:55.800
<v Speaker 1>and now she slipped the table and all of a sudden,

0:31:55.800 --> 0:31:57.960
<v Speaker 1>we're not allowed to ask, and I think that was

0:31:58.000 --> 0:32:01.320
<v Speaker 1>ballsy of Garsel to say, well, I think it's strange.

0:32:01.520 --> 0:32:04.720
<v Speaker 2>Did you think it was Sutton's job then to back Garcel? Like?

0:32:04.760 --> 0:32:06.800
<v Speaker 2>As much as Garcel and Sutton have been having their

0:32:06.840 --> 0:32:10.760
<v Speaker 2>own monologues and debriefs about the Morgan Wade situation, did

0:32:10.800 --> 0:32:13.080
<v Speaker 2>you I didn't think it was necessary for Sutton to

0:32:13.160 --> 0:32:14.840
<v Speaker 2>jump in there. I didn't even notice that. And then

0:32:14.920 --> 0:32:17.280
<v Speaker 2>later on Garcel was so mad. She was like, you know,

0:32:17.320 --> 0:32:19.360
<v Speaker 2>you didn't back me up, so much so that when

0:32:19.480 --> 0:32:22.520
<v Speaker 2>actually things went down for sudden, Garsel didn't support her.

0:32:22.760 --> 0:32:24.640
<v Speaker 2>And then I don't even think someon even cared that

0:32:25.040 --> 0:32:27.240
<v Speaker 2>she didn't. I don't even think someton even noticed that

0:32:27.280 --> 0:32:28.960
<v Speaker 2>Garcel wasn't jumping in to save her.

0:32:29.800 --> 0:32:32.440
<v Speaker 5>Normally I would have something to say, and I don't

0:32:32.480 --> 0:32:34.640
<v Speaker 5>really like to see this pile up on Sutton, But

0:32:34.680 --> 0:32:36.680
<v Speaker 5>I'm not going to do that because the other night

0:32:36.720 --> 0:32:38.600
<v Speaker 5>she didn't have my back and I'm not going to

0:32:38.600 --> 0:32:40.800
<v Speaker 5>stick up my neck for her when she doesn't always

0:32:40.880 --> 0:32:41.360
<v Speaker 5>do it for me.

0:32:42.200 --> 0:32:44.240
<v Speaker 2>She can deal with it. Well.

0:32:44.280 --> 0:32:48.600
<v Speaker 3>I think that it was an example of and it wasn't.

0:32:48.520 --> 0:32:51.000
<v Speaker 1>Until the editors showed back all those extra clips that

0:32:51.040 --> 0:32:52.720
<v Speaker 1>they didn't show in last week's episode.

0:32:53.320 --> 0:32:54.800
<v Speaker 3>Well, there was obviously.

0:32:54.520 --> 0:32:56.880
<v Speaker 1>More of a conversation that was had, and there was

0:32:56.920 --> 0:32:59.600
<v Speaker 1>obviously a point where Sutton was very much in agreeiance

0:32:59.640 --> 0:33:01.880
<v Speaker 1>with gars and she thought that that was something she

0:33:01.920 --> 0:33:02.360
<v Speaker 1>was going to.

0:33:02.280 --> 0:33:04.320
<v Speaker 3>Get the backup on and then she didn't get it.

0:33:04.800 --> 0:33:07.520
<v Speaker 1>But that sort of question where the Garsel brought something

0:33:07.600 --> 0:33:11.360
<v Speaker 1>up to someone else and Sutton didn't jump in, whether

0:33:11.400 --> 0:33:13.640
<v Speaker 1>she would have got that upset. The reason that she

0:33:14.320 --> 0:33:17.800
<v Speaker 1>got upset because it was a conversation involving Kyle.

0:33:18.160 --> 0:33:20.080
<v Speaker 2>I mean, look, this episode was quite bessy. I mean

0:33:20.120 --> 0:33:22.560
<v Speaker 2>it was good, and that's probably why I'm going to

0:33:22.600 --> 0:33:25.040
<v Speaker 2>say I'm giving it four stars. I know that we

0:33:25.080 --> 0:33:27.400
<v Speaker 2>normally ask you for your opinion first, but I'm giving

0:33:27.440 --> 0:33:29.560
<v Speaker 2>it four. Ben Norrises, I still can't go all the

0:33:29.600 --> 0:33:31.560
<v Speaker 2>way to a five because I feel like I need

0:33:31.600 --> 0:33:35.920
<v Speaker 2>to save a whole point for when something Yippi Coyo motherfuckers,

0:33:36.160 --> 0:33:39.120
<v Speaker 2>and I don't think we definitely got the Yepko motherfucker.

0:33:39.200 --> 0:33:41.760
<v Speaker 2>I think we may get that in the season finale,

0:33:42.040 --> 0:33:45.000
<v Speaker 2>and I maybe saving my five for that, But at

0:33:45.000 --> 0:33:47.400
<v Speaker 2>this point, for Ben Norrises.

0:33:48.200 --> 0:33:50.800
<v Speaker 3>I'm really tempted to drop a five.

0:33:51.200 --> 0:33:54.400
<v Speaker 1>I think for me, I was like the Sutton Takedown,

0:33:54.920 --> 0:33:57.880
<v Speaker 1>the I love a boat episode. I love a boat look,

0:33:57.960 --> 0:34:00.040
<v Speaker 1>I love the glam. I love that on a cast.

0:34:00.120 --> 0:34:03.400
<v Speaker 2>Rip a point away because of what Boman was wearing,

0:34:03.520 --> 0:34:05.440
<v Speaker 2>like what Bosemore was wearing to that boat trip was

0:34:05.480 --> 0:34:08.640
<v Speaker 2>sobers looked like she had been given extra money to

0:34:08.680 --> 0:34:11.759
<v Speaker 2>spend at the costume shop and she's just work out

0:34:11.760 --> 0:34:13.160
<v Speaker 2>which accessory like change there.

0:34:13.520 --> 0:34:16.440
<v Speaker 1>And I just think that the you know everything that

0:34:16.520 --> 0:34:19.120
<v Speaker 1>sort of happened, like Garcel mentioning the Morgan Waye thing.

0:34:20.000 --> 0:34:21.959
<v Speaker 1>I think there was there was a lot of layers there.

0:34:22.080 --> 0:34:23.960
<v Speaker 1>I liked the fact that we're all together. We had

0:34:24.040 --> 0:34:28.880
<v Speaker 1>Kathy and Jevitilly there. So for me, I'm going to

0:34:28.920 --> 0:34:30.600
<v Speaker 1>go there. I'm going to say it's a five, it's

0:34:30.600 --> 0:34:34.400
<v Speaker 1>a fiver. Yeah, best episode of the season. Yes, because

0:34:34.520 --> 0:34:37.239
<v Speaker 1>the reason that I know is because I texted you

0:34:37.320 --> 0:34:39.520
<v Speaker 1>halfway through and I was like, oh, we're in the

0:34:39.560 --> 0:34:42.239
<v Speaker 1>pocket here. I'm really enjoying it, and I don't think

0:34:42.280 --> 0:34:44.399
<v Speaker 1>I've done that once this season, So I'm just going

0:34:44.400 --> 0:34:44.879
<v Speaker 1>to go there.

0:34:45.120 --> 0:34:46.759
<v Speaker 2>No, once you texted me and said you were going

0:34:46.800 --> 0:34:50.240
<v Speaker 2>to do the washing, you got bored. Did walk totally.

0:34:50.600 --> 0:34:51.000
<v Speaker 3>Yeah.

0:34:51.239 --> 0:34:53.440
<v Speaker 1>Yeah, And I've also finished this one now that I

0:34:53.480 --> 0:34:54.719
<v Speaker 1>started with at the beginning of the year.

0:34:54.840 --> 0:34:56.440
<v Speaker 6>Now I know where you want to rap it, probably

0:34:56.560 --> 0:34:59.480
<v Speaker 6>like a little bit of more wine.

0:34:59.760 --> 0:35:01.799
<v Speaker 2>We've been going for too long. I've got to leave now.

0:35:01.880 --> 0:35:05.320
<v Speaker 2>Mama's Juice is done well. I haven't seen next week's promo,

0:35:05.400 --> 0:35:07.360
<v Speaker 2>so maybe you can fink you can finish off this

0:35:07.400 --> 0:35:09.160
<v Speaker 2>podcast for telling me what it is that we're in

0:35:09.200 --> 0:35:11.080
<v Speaker 2>store for, because I'm assuming we're going to get a

0:35:11.080 --> 0:35:13.840
<v Speaker 2>whole lot of razy outfits at this Rio di Janeiro

0:35:14.000 --> 0:35:15.040
<v Speaker 2>festival that they're going to.

0:35:15.360 --> 0:35:17.120
<v Speaker 1>I don't know if I know, because it finished on

0:35:17.160 --> 0:35:19.840
<v Speaker 1>a t B continued. So we didn't get a trailer. No,

0:35:19.920 --> 0:35:22.600
<v Speaker 1>there was no promo, No, there wasn't. What I've seen

0:35:22.719 --> 0:35:25.120
<v Speaker 1>is an actual you know, on Socials when they dropped

0:35:25.120 --> 0:35:28.760
<v Speaker 1>like the first three minutes and it's and it's Jennifer

0:35:28.840 --> 0:35:31.080
<v Speaker 1>Tilly sitting with someton on the boat and it's almost

0:35:31.120 --> 0:35:32.920
<v Speaker 1>like Jennifer Tilly's like, I want to be friends with

0:35:32.960 --> 0:35:33.640
<v Speaker 1>the other ladies.

0:35:33.680 --> 0:35:37.640
<v Speaker 3>How do I switch? I'd like to opt out of

0:35:37.680 --> 0:35:38.360
<v Speaker 3>this program.

0:35:38.440 --> 0:35:41.960
<v Speaker 2>Thank you, Slowly tying a brick to Suton's legs. Yes, overboard.

0:35:42.120 --> 0:35:43.520
<v Speaker 3>I'd love to unsubscribe.

0:35:43.640 --> 0:35:45.920
<v Speaker 2>What do you think the rationale is on us not

0:35:46.000 --> 0:35:48.000
<v Speaker 2>getting a preview for next week? Do you think that

0:35:48.040 --> 0:35:50.160
<v Speaker 2>they're editing or they're trying to fix something up.

0:35:50.280 --> 0:35:53.200
<v Speaker 1>I just think they like it to be continued. I

0:35:53.239 --> 0:35:57.040
<v Speaker 1>think that they like it. They like the talkability, and

0:35:57.120 --> 0:35:59.120
<v Speaker 1>I think that's where it's going.

0:35:59.360 --> 0:36:01.640
<v Speaker 3>And is this going to be the season finale? An?

0:36:02.960 --> 0:36:05.000
<v Speaker 1>Yeah, okay, so they're just not trying not to give

0:36:05.040 --> 0:36:05.640
<v Speaker 1>anything away.

0:36:05.840 --> 0:36:07.680
<v Speaker 2>Okay, so they're just trying to save it all. But

0:36:07.719 --> 0:36:10.040
<v Speaker 2>we are normally going to get those outfits, those outfits

0:36:10.040 --> 0:36:11.840
<v Speaker 2>because we saw that in like the first episode. We

0:36:11.880 --> 0:36:13.839
<v Speaker 2>saw a preview of the season, yes, and we saw

0:36:13.880 --> 0:36:15.920
<v Speaker 2>Sutton bending over and shirt saying I'm wearing a g

0:36:16.120 --> 0:36:17.200
<v Speaker 2>banger or whatever it.

0:36:17.120 --> 0:36:19.160
<v Speaker 3>Is that she said, oh god, nothing else.

0:36:19.360 --> 0:36:21.880
<v Speaker 1>And we also are going to probably get the pickup

0:36:22.200 --> 0:36:25.200
<v Speaker 1>of that hot mic moment that will definitely get addressed

0:36:25.239 --> 0:36:27.880
<v Speaker 1>at the reunion because obviously none of the ladies were

0:36:27.880 --> 0:36:28.839
<v Speaker 1>there when she said that.

0:36:28.960 --> 0:36:30.800
<v Speaker 2>It just means we're a week away from watching a

0:36:30.840 --> 0:36:34.400
<v Speaker 2>promo for the Real Housewives at Beverly Hill season fourteen reunion,

0:36:34.640 --> 0:36:38.320
<v Speaker 2>and I am so excited. Do you know someone was

0:36:38.320 --> 0:36:40.479
<v Speaker 2>saying on social media the other day that why can't

0:36:40.480 --> 0:36:42.520
<v Speaker 2>they just drop the three part promo just in one

0:36:42.600 --> 0:36:46.200
<v Speaker 2>go like that they we deserve it, Like yeahhoo, sorry

0:36:46.200 --> 0:36:50.480
<v Speaker 2>does it? Hey? You dropped like an extended version, you know.

0:36:50.520 --> 0:36:52.640
<v Speaker 2>And I think that's kind of cool. But I feel

0:36:52.680 --> 0:36:55.279
<v Speaker 2>like when it comes to three part reunions because they

0:36:55.320 --> 0:36:57.440
<v Speaker 2>sort of pace them. They put a bit here and

0:36:57.520 --> 0:36:59.040
<v Speaker 2>a bit there, and it goes light and then it

0:36:59.080 --> 0:37:00.759
<v Speaker 2>goes a bit boring and they sort of pace it

0:37:00.800 --> 0:37:02.319
<v Speaker 2>out of the three episodes, I feel like they just

0:37:02.400 --> 0:37:03.279
<v Speaker 2>dumped them all. No.

0:37:03.440 --> 0:37:07.319
<v Speaker 1>I like the fact they separate the reunion episodes.

0:37:07.400 --> 0:37:09.480
<v Speaker 3>I think that that just draws it out.

0:37:09.520 --> 0:37:13.160
<v Speaker 1>However, I do think you could do one trailer for

0:37:13.200 --> 0:37:17.160
<v Speaker 1>the whole reunion, like all three parts in one, rather

0:37:17.239 --> 0:37:18.479
<v Speaker 1>than separating those out.

0:37:18.760 --> 0:37:22.440
<v Speaker 2>I just remember the best promo for a reunion ever,

0:37:22.680 --> 0:37:24.319
<v Speaker 2>Sorry people in the background that just listen to me,

0:37:24.360 --> 0:37:28.680
<v Speaker 2>poor but giant glass of wine was the one with

0:37:28.760 --> 0:37:32.000
<v Speaker 2>Lisa Rinna's final final episode where we got the preview

0:37:32.040 --> 0:37:34.880
<v Speaker 2>and it was like, your contract's up. You're the biggest

0:37:34.920 --> 0:37:40.040
<v Speaker 2>bully in Los Angeles. Everyone knows it, and like that promo,

0:37:40.200 --> 0:37:41.799
<v Speaker 2>you need to go back and watch that because every

0:37:41.800 --> 0:37:42.799
<v Speaker 2>time I see it, I'm just.

0:37:42.800 --> 0:37:46.919
<v Speaker 3>Like, I mean, look, I'm not a huge Kathy fan.

0:37:47.120 --> 0:37:52.640
<v Speaker 1>However, that episode, she had done so much prep work

0:37:52.960 --> 0:37:57.799
<v Speaker 1>with her publicist and you know, a media advisor on

0:37:57.840 --> 0:38:00.520
<v Speaker 1>how to answer these questions, how to get in with

0:38:00.600 --> 0:38:03.279
<v Speaker 1>a you know, attack on the front end, like she

0:38:03.560 --> 0:38:07.040
<v Speaker 1>had studied up and that was a schooling that was

0:38:07.160 --> 0:38:08.840
<v Speaker 1>that was iconic reunion.

0:38:09.000 --> 0:38:10.880
<v Speaker 2>Well that led to Lisa and saying, put me on

0:38:10.960 --> 0:38:14.080
<v Speaker 2>pause with you. You know, I'm ready for Lisa rend

0:38:14.160 --> 0:38:16.440
<v Speaker 2>to be unpaused because she needs to come back.

0:38:16.440 --> 0:38:19.640
<v Speaker 3>I don't think she'll come back coming back. You'll never

0:38:19.719 --> 0:38:21.520
<v Speaker 3>come back, that's never not.

0:38:21.640 --> 0:38:23.840
<v Speaker 1>It'll be interesting to see if she pops up Ondernease

0:38:23.920 --> 0:38:25.080
<v Speaker 1>Richard's show, Like.

0:38:26.640 --> 0:38:28.759
<v Speaker 2>That's what I want. I need that. I need that

0:38:29.160 --> 0:38:31.120
<v Speaker 2>more than I need a Betty's Burger for dinner.

0:38:32.480 --> 0:38:34.799
<v Speaker 3>But you've got a party to get to party?

0:38:35.120 --> 0:38:36.359
<v Speaker 2>What are you doing get.

0:38:36.640 --> 0:38:38.279
<v Speaker 3>I'm just going to go to the fridge and pour

0:38:38.320 --> 0:38:38.960
<v Speaker 3>another drink.

0:38:39.600 --> 0:38:40.759
<v Speaker 2>You and Robbie just staying at home.

0:38:40.920 --> 0:38:43.080
<v Speaker 1>Yeah, we're just staying home. He's been away all week

0:38:43.120 --> 0:38:45.880
<v Speaker 1>for work. We're just gonna like we've been watching that

0:38:45.960 --> 0:38:47.560
<v Speaker 1>adolescence show on Netflix.

0:38:49.680 --> 0:38:52.120
<v Speaker 2>Oh good are you so, by the way, are you

0:38:52.160 --> 0:38:52.920
<v Speaker 2>on the white loaders?

0:38:53.280 --> 0:38:54.359
<v Speaker 3>I need to catch back up.

0:38:54.640 --> 0:38:58.680
<v Speaker 1>Okay, I started it, and then you know, I confused

0:38:58.680 --> 0:39:00.399
<v Speaker 1>when they're only dropping No.

0:39:00.400 --> 0:39:00.600
<v Speaker 2>No.

0:39:00.760 --> 0:39:02.879
<v Speaker 3>One episode of Being a Bottle of Red.

0:39:03.239 --> 0:39:06.120
<v Speaker 1>And then I'll probably listen back to this and be like, oh,

0:39:06.160 --> 0:39:10.400
<v Speaker 1>I shouldn't have been drinking while we're recording.

0:39:11.000 --> 0:39:14.160
<v Speaker 2>You've been up early, Lucy, Lucy Apple, juicy wonderful.

0:39:14.160 --> 0:39:16.440
<v Speaker 3>I have been up very early today, so it is

0:39:17.000 --> 0:39:17.480
<v Speaker 3>late for me.

0:39:17.880 --> 0:39:19.400
<v Speaker 2>Well, I am obsessed with you.

0:39:19.480 --> 0:39:22.160
<v Speaker 3>All right. Well you're the best party amazing.

0:39:22.239 --> 0:39:25.000
<v Speaker 2>Thank you. Well, I don't know what's happened to our internet,

0:39:25.040 --> 0:39:28.600
<v Speaker 2>but it's being weird. But I will talk to you soon, Okay.

0:39:28.680 --> 0:39:29.640
<v Speaker 2>All the best, all

0:39:29.680 --> 0:39:34.239
<v Speaker 1>The very best, lots of love, Bye bye, bye bye