WEBVTT - Uneven spotlight: Art Simone vs Etcetera Etcetera

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<v Speaker 1>You are now entering the court of Judge Gina Leano.

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<v Speaker 2>We all have grievances and disagreements with the people in

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<v Speaker 2>our lives, some big, some small, and some unresolvable. When

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<v Speaker 2>you need an argument settled once and for all, you

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<v Speaker 2>come to my courtroom. I am Judge Gina, and what

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<v Speaker 2>I say goes. You better be ready to hear my ruling.

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<v Speaker 1>Today, two queens, one song and an uneven spotlight Art

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<v Speaker 1>Simone has brought etcetera, etcetera to the Court of Judge

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<v Speaker 1>Gina to settle a dispute over their song. None of

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<v Speaker 1>this will matter. Art Simone is seeking one thousand dollars

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<v Speaker 1>in compensation for lost royalties and emotional damage.

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<v Speaker 3>Hello, my name is Art Simone. You know me from

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<v Speaker 3>being an ultra famous drag queen from Australia. I've come

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<v Speaker 3>to Judge Gina to settle an issue I have with

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<v Speaker 3>my lightest single that's out with etcetera, etcetera.

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<v Speaker 4>My name is etcetera, etcetera. I am on Season one

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<v Speaker 4>of RuPaul's Drag Race down Under. I've come to Judge

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<v Speaker 4>Gina today. This settles and beef with my sister Art Simone.

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<v Speaker 4>We're on television together. We have toured together and we're

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<v Speaker 4>basically besties. She's claiming that I cut her out of

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<v Speaker 4>our new song when I didn't do anything of the sort.

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<v Speaker 3>I'm going to win. I don't lose things except for

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<v Speaker 3>drag race, but I'm going to win this. This for you. Mums.

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<v Speaker 1>Court is now in session. Please rise the judge Gina.

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<v Speaker 2>Art Simone, Why are you in my courtroom today.

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<v Speaker 3>I've got a new single that's out at the moment

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<v Speaker 3>called none of This Will Matter with my good drag friend,

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<v Speaker 3>et cetera, et cetera. The songs come out and she

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<v Speaker 3>has got more lyrics in the song than I do,

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<v Speaker 3>and that doesn't make me feel very good. First of all.

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<v Speaker 3>Second of all, when we're performing the song live, I

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<v Speaker 3>look like an idiot because she's singing the whole bridge

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<v Speaker 3>and I just sidesap like this, which is really embarrassing

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<v Speaker 3>in front of all my amazing fans. And thirdly, it's

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<v Speaker 3>just not fair.

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<v Speaker 2>You were both together when you recorded.

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<v Speaker 3>Yeah, we were both together when we wrote the song

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<v Speaker 3>and recorded it. We're in the same room, we're saying

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<v Speaker 3>the same amount of lyrics, and then comes out I'm

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<v Speaker 3>not in there as much.

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<v Speaker 2>Right, and who made that decision.

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<v Speaker 3>Well, that's the thing I don't know, because you know,

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<v Speaker 3>we recorded it in Sydney and et cetera is from Sydney.

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<v Speaker 3>So I don't know if she's gone behind my back

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<v Speaker 3>and messaged the producer and said, by the way she

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<v Speaker 3>sounds a bit shit, cut her out, or whether you

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<v Speaker 3>know she just wanted to be the biggest star you know.

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<v Speaker 2>So have you made any inquiries?

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<v Speaker 3>Yeah? Well I asked her and she just said I

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<v Speaker 3>don't know, which I think is a lie.

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<v Speaker 2>Okay, Why do you think that's a lie.

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<v Speaker 3>Because she's a drag queen and they lie. Okay, have

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<v Speaker 3>you met her? Look at her face?

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<v Speaker 2>No, haven't matter her. I will meet her shortly. Okay.

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<v Speaker 2>So you've recorded this song together, Yes, you've written it

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<v Speaker 2>together equal amount of lyrics. However, when it's published, you're

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<v Speaker 2>appearing in it less or your voice is less lyrics.

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<v Speaker 2>You then go on tour and you notice how you

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<v Speaker 2>don't have the opportunity to contribute to this song quite

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<v Speaker 2>as much when you're on stage. Has that the problem?

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<v Speaker 3>How can you call it a duo when it's more

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<v Speaker 3>of a you know, seventy five percent one hundred and

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<v Speaker 3>twenty five percent. On the other side, that's two hundred percent.

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<v Speaker 2>Okay, well, let's work on one hundred percent.

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<v Speaker 3>What is it?

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<v Speaker 2>What's the braak?

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<v Speaker 3>You know, I'm not really good at mass, but I

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<v Speaker 3>reckon I've probably.

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<v Speaker 2>Got like, well, you sang half and half, so we'll.

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<v Speaker 3>Go forty sixty Okay, yeah.

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<v Speaker 2>All right? So etcetera is singing sixty percent, you're singing

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<v Speaker 2>forty percent.

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<v Speaker 3>I can like a loser.

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<v Speaker 2>I'm sure you're not.

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<v Speaker 3>I don't know, I'm sure it happened. Just sing it, babe.

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<v Speaker 2>I want to hear from et cetera, et cetera to

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<v Speaker 2>see what her version is. What is your response to

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<v Speaker 2>Art's allegation.

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<v Speaker 4>I was worried I was going to hurt Art's feelings

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<v Speaker 4>if I told her the truth, which is the fact

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<v Speaker 4>that she is on the song just as much as me.

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<v Speaker 4>Her voice is just of a lower, more masculine frequency,

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<v Speaker 4>so it blends in with the drums and guitar, and

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<v Speaker 4>my beautiful angelic chorus rises above the instrumentation.

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<v Speaker 3>Do you mean shrill?

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<v Speaker 4>Excuse me? Are you being spoken to? I'm just saying

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<v Speaker 4>that my voice cuts through like a hot knife through butter.

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<v Speaker 2>So you think that there's equal distribution of your voices,

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<v Speaker 2>just that it's coming across differently because of the tone.

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<v Speaker 4>I'm no scientist, but I think it has something to

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<v Speaker 4>do with the audio frequency that is recorded on the track.

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<v Speaker 2>Okay, so let me ask you this, Yes, how does

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<v Speaker 2>that work when you are performing the track live and

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<v Speaker 2>we have got Art telling us that she is standing

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<v Speaker 2>there side tapping? Who sings that part of the song

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<v Speaker 2>where she's side tapping?

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<v Speaker 4>This is the other problem than my beef that I

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<v Speaker 4>wanted to bring up. Art likes to claim she doesn't

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<v Speaker 4>have as many words because she can't remember them. She

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<v Speaker 4>doesn't have the memory to remember the words. So to

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<v Speaker 4>conceal the fact she doesn't know her own lyrics, she

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<v Speaker 4>just doesn't sing them.

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<v Speaker 2>She just side taps and who sings? Is there just

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<v Speaker 2>a pause in the song?

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<v Speaker 4>I have to sing it because she can't remember the words,

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<v Speaker 4>and if no one's saying it would just go silent, then

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<v Speaker 4>we'd both be side tapping.

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<v Speaker 2>Okay, so let's go back to the recording. Yeah, there's

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<v Speaker 2>no side tapping in the recording. It's your voice, it

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<v Speaker 2>is my voice, that's true. So did you record that together?

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<v Speaker 2>And was this side tapping while you were recording. Is

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<v Speaker 2>that why there's a difference in there.

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<v Speaker 4>It was a bit of side tapping. Actually, it was

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<v Speaker 4>a bit of space in the recording studio and we,

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<v Speaker 4>you know, as a kids, like say, we bust it

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<v Speaker 4>down a little bit, We shook it round. We had

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<v Speaker 4>a good time.

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<v Speaker 3>I'd say that I wasn't recording the same amount of

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<v Speaker 3>lyrics as you. We recorded every single line together. We're

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<v Speaker 3>not together, but we both all did every single line.

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<v Speaker 4>Yeah, and they're in the song, they're in the recording,

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<v Speaker 4>but when we sing it live, you just don't know

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<v Speaker 4>the words.

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<v Speaker 3>I think she's jumping around first, she's too shrill to

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<v Speaker 3>be in this song. You know, she just cuts through

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<v Speaker 3>like a hot knife through butter. And now apparently.

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<v Speaker 2>Okay, I'm going to stop you there. So I think

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<v Speaker 2>I need to hear this song.

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<v Speaker 4>And the grass is always green side.

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<v Speaker 2>Well, that's all sounded like you.

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<v Speaker 3>That was actually etcetera. I was in that. That was

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<v Speaker 3>et cetera. And I I just had the thing where

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<v Speaker 3>it goes pushing daisies, that's all I said.

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<v Speaker 2>That's all you said, Why do you recall when you

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<v Speaker 2>recorded it? Saying more than that?

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<v Speaker 3>I recorded all the lines.

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<v Speaker 2>What, so what lines are missing?

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<v Speaker 3>You meant to be singing together? Okay, singing the words

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<v Speaker 3>all of it, Yeah.

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<v Speaker 2>The whole thing. Yeah, and so et cetera, saying that

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<v Speaker 2>you did. But because your voice is what is it monotone?

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<v Speaker 4>I would say, a flat monotone colorless.

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<v Speaker 2>H Well, okay, that's probably enough if you want to

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<v Speaker 2>stay friends today. And so so you think that the

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<v Speaker 2>voice is there, but no one can hear it.

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<v Speaker 4>So what you're saying, Yeah, like whales communicate over long

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<v Speaker 4>stretches of ocean subsonically, they go to go oh, and

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<v Speaker 4>they can hear each other. Fine, maybe art just needs

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<v Speaker 4>to find people in the same range of sound as her.

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<v Speaker 2>So Art, can you sing that for me? What you're

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<v Speaker 2>meant to be singing?

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<v Speaker 3>Things are never but the same when you six feet

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<v Speaker 3>and they say the grass is always greener on the

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<v Speaker 3>other side.

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<v Speaker 2>Okay, et cetera. Can you sing your version please?

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<v Speaker 4>Things are never the same when you're six feet and

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<v Speaker 4>they say the grass is oh, where's green on the

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<v Speaker 4>other side?

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<v Speaker 2>Okay. So what I've just listened to is that actually

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<v Speaker 2>the recording that's been published.

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<v Speaker 3>Yeah, that is the recording that is the bridge from

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<v Speaker 3>the song.

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<v Speaker 2>And you think you can't hear yourself in that.

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<v Speaker 3>No, I wasn't in that. I had two words pushing

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<v Speaker 3>daisy something.

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<v Speaker 4>But it's not all the song. And I actually I

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<v Speaker 4>have an audio recording from the song, and I have

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<v Speaker 4>the chorus where you have quite a large amount of

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<v Speaker 4>not only creative control, but vocal presence. If you would

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<v Speaker 4>like to call it that. If we can roll that up,

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<v Speaker 4>I'd love jenety hear it, and maybe we can be

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<v Speaker 4>a bit more honest. I'll hear that about what's going on?

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<v Speaker 2>Thank you? So who's saying when the music stops?

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<v Speaker 3>Oh, that is me? But I just want to say,

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<v Speaker 3>that's not singing. That was speaking.

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<v Speaker 2>Okay. So is that the equivalent of you speaking in

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<v Speaker 2>that track or are you missing parts?

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<v Speaker 4>No?

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<v Speaker 2>I was speaking that yeah, okay, So that might explain

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<v Speaker 2>why etcetera. Saying that that you're actually singing in the

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<v Speaker 2>other parts of the track but we can't hear you,

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<v Speaker 2>but we can actually hear you when you talk.

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<v Speaker 3>Yeah, but I'm singing in the other bits too, okay. Yeah,

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<v Speaker 3>so I speak then sing them speak.

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<v Speaker 2>Okay. So what do you want from me? What do

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<v Speaker 2>you want me to do about?

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<v Speaker 4>Well?

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<v Speaker 3>You know, we can't re record the song. It's already

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<v Speaker 3>out there, unfortunately. So I'm thinking I need like a

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<v Speaker 3>thousand bucks.

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<v Speaker 2>Okay, I would be very curious to know how you've

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<v Speaker 2>come up with this amount of one thousand dollars.

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<v Speaker 3>Well, one thousand dollars is just looks nice as a number.

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<v Speaker 3>But also, you know, if I'm talking about actual breakdowns,

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<v Speaker 3>because I am really good at maths.

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<v Speaker 2>I reckon you are good at maths or you're not.

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<v Speaker 3>Well, I've decided I am.

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<v Speaker 2>Now you are. Okay, when there's a dollar sign.

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<v Speaker 3>There's a dollar sign, business brain hits in, you know,

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<v Speaker 3>self employed drag queen here. You just got to do

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<v Speaker 3>what you've got to do, okay, So a thousand bucks

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<v Speaker 3>all right? So I'm thinking two hundred and fifty bucks

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<v Speaker 3>is for you know, emotional trauma and embarrassment, right because

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<v Speaker 3>you know that's just oh well, it's.

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<v Speaker 2>A cheap deal.

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<v Speaker 3>It's pretty good.

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<v Speaker 2>Yeah.

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<v Speaker 3>Yeah, I've been embarrassed over a lot more.

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<v Speaker 2>I reckon I could afford to embarrass you a few

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<v Speaker 2>times today. Then it's two hundred and fifty dollars a hitch.

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<v Speaker 3>The other seven hundred and fifty dollars is my payment

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<v Speaker 3>back for not being in the song fifty to fifty?

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<v Speaker 2>Are you trying to get me to apportion your royalties differently?

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<v Speaker 2>Is that what you're asking for?

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<v Speaker 3>Yeah? So I wanted the royalties to be different, but

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<v Speaker 3>I don't want to take more than seven hundred and

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<v Speaker 3>fifty dollars because I think that's fine.

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<v Speaker 2>Okay, So break that down for me.

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<v Speaker 3>Okay, So singles are a dollar twenty nine, yes, okay,

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<v Speaker 3>So I want to have sixty percent of that dollar

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<v Speaker 3>twenty nine.

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<v Speaker 2>Sixty percent, okay, And you think how many albums will sell?

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<v Speaker 3>I reckon seven to fifty, seven hundred and fifty albums. Yeah,

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<v Speaker 3>I think it's going to be really good.

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<v Speaker 2>One right, seven really good? That's really good?

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<v Speaker 3>Is it like twenty? So I think they're really.

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<v Speaker 2>Seven hundred and fifty times one dollar twenty nine, and

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<v Speaker 2>so that's eight hundred and thirty dollars fifty.

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<v Speaker 3>Which is close to one thousand. That's why I came

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<v Speaker 3>up with it.

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<v Speaker 2>Yeah, it's nonsense.

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<v Speaker 3>It's close to one thousand. You know, you round up,

0:10:54.600 --> 0:10:55.720
<v Speaker 3>you know when you get to like five.

0:10:55.880 --> 0:10:58.600
<v Speaker 2>But why should you be paid more for doing less?

0:10:59.120 --> 0:11:02.360
<v Speaker 2>That's what I want to know. Why would you I

0:11:02.360 --> 0:11:03.199
<v Speaker 2>do want you to tell me what?

0:11:03.320 --> 0:11:05.120
<v Speaker 3>Because I did the work in studio. I did the

0:11:05.120 --> 0:11:06.760
<v Speaker 3>work in studio, I did the recording, and.

0:11:06.720 --> 0:11:09.839
<v Speaker 2>You've divided it fifty to fifty. But now you're saying

0:11:09.840 --> 0:11:13.320
<v Speaker 2>you do less and you side shuffle paid.

0:11:13.120 --> 0:11:15.240
<v Speaker 3>More because she gets to have more of the limelight.

0:11:15.520 --> 0:11:18.200
<v Speaker 2>No, I don't agree. How does that happen? You're still

0:11:18.240 --> 0:11:19.119
<v Speaker 2>up on stage?

0:11:19.400 --> 0:11:20.480
<v Speaker 3>Oh excuse me.

0:11:20.440 --> 0:11:24.000
<v Speaker 2>And et cetera. What do you say? What solution do

0:11:24.040 --> 0:11:25.199
<v Speaker 2>you see is fair?

0:11:25.760 --> 0:11:27.200
<v Speaker 4>I want some compensation?

0:11:27.679 --> 0:11:29.520
<v Speaker 2>Oh do you want compensation as well?

0:11:29.800 --> 0:11:30.840
<v Speaker 3>It does.

0:11:31.320 --> 0:11:33.760
<v Speaker 4>I'm telling you what, Art, I've got another beef as well.

0:11:33.800 --> 0:11:36.440
<v Speaker 3>Are you? Are you opening a butcher? What's going on? Beef? Beef?

0:11:36.440 --> 0:11:36.920
<v Speaker 3>Beef beef?

0:11:37.000 --> 0:11:39.920
<v Speaker 2>Okay? What's your compensation for? Well?

0:11:40.559 --> 0:11:42.920
<v Speaker 4>When we recorded the music video, I wore a pair

0:11:42.960 --> 0:11:46.520
<v Speaker 4>of fishnet tights onto the set, and Art deliberately took

0:11:46.559 --> 0:11:48.720
<v Speaker 4>the horns on her wig and she ripped my fish

0:11:48.760 --> 0:11:51.720
<v Speaker 4>net tights and they cost seven dollars and ninety nine cents. Okay,

0:11:51.800 --> 0:11:54.680
<v Speaker 4>So I want that seven dollars and ninety nine cents reimbursed,

0:11:54.960 --> 0:11:58.679
<v Speaker 4>and then an additional one thousand, nine hundred and ninety

0:11:58.720 --> 0:12:01.559
<v Speaker 4>three dollars for the embarrassment of having to wear ripped

0:12:01.640 --> 0:12:03.920
<v Speaker 4>tights on the set of a music video. Although they

0:12:03.920 --> 0:12:06.400
<v Speaker 4>fit in with the aesthetic of a pop punk song,

0:12:06.640 --> 0:12:08.760
<v Speaker 4>I think it was embarrassing to not be perfect on

0:12:08.800 --> 0:12:09.120
<v Speaker 4>the day.

0:12:09.360 --> 0:12:10.800
<v Speaker 3>Yeah, but can I say, can we roll back the

0:12:10.840 --> 0:12:12.520
<v Speaker 3>music video and see that you are not wearing any

0:12:12.600 --> 0:12:14.079
<v Speaker 3>rip fish nets in the music Now I.

0:12:14.080 --> 0:12:16.839
<v Speaker 2>Just ask you, how do you quantify one nine hundred

0:12:16.840 --> 0:12:17.959
<v Speaker 2>and ninety three dollars?

0:12:18.200 --> 0:12:20.760
<v Speaker 4>Because my embarrassment's worth a little bit more than arts,

0:12:21.120 --> 0:12:22.640
<v Speaker 4>because I'm not embarrassed as often.

0:12:22.920 --> 0:12:26.920
<v Speaker 2>So saying her embarrassment's worth two hundred and fifty dollars,

0:12:27.000 --> 0:12:30.280
<v Speaker 2>you're saying your embarrassment's worth one nine hundred and ninety

0:12:30.280 --> 0:12:34.080
<v Speaker 2>three dollars. Well, you can say a million dollars if

0:12:34.080 --> 0:12:37.400
<v Speaker 2>you like. You have to persuade me. Why would I say? Yes?

0:12:37.520 --> 0:12:42.520
<v Speaker 2>Of course, you have to quantify it with loss, monetary

0:12:42.559 --> 0:12:48.160
<v Speaker 2>loss or compensation for trauma or injuries. So you've you've

0:12:48.240 --> 0:12:50.880
<v Speaker 2>quantified seven dollars ninety nine for your hosary.

0:12:51.200 --> 0:12:53.480
<v Speaker 4>Yeah, Oh yeah it is and is hosary. I actually

0:12:53.520 --> 0:12:55.440
<v Speaker 4>wore the stockings today just so you can see.

0:12:55.679 --> 0:13:01.559
<v Speaker 3>Ah, how long ago was the recording November last Yeah, okay.

0:13:01.600 --> 0:13:03.199
<v Speaker 2>And have you worn those Hosary sins?

0:13:03.600 --> 0:13:05.160
<v Speaker 4>Well? No, I just keep them in a drawer and

0:13:05.160 --> 0:13:07.200
<v Speaker 4>I bring them out for special occasions when I'm around

0:13:07.240 --> 0:13:08.160
<v Speaker 4>it and make it feel bad.

0:13:08.440 --> 0:13:10.600
<v Speaker 2>And have you had an argument like this in the past.

0:13:10.920 --> 0:13:12.040
<v Speaker 3>No, it's quite upsetting to me.

0:13:12.120 --> 0:13:14.520
<v Speaker 4>I would say, Yeah, it's absolutely taken a toll on

0:13:14.559 --> 0:13:17.800
<v Speaker 4>my mental, physical, spiritual health. I would say that I'm

0:13:18.000 --> 0:13:19.800
<v Speaker 4>much further away from God than I'd like to be.

0:13:20.440 --> 0:13:24.200
<v Speaker 2>What has taken a toll on your mental, physical, and

0:13:24.240 --> 0:13:25.839
<v Speaker 2>spiritual health? What has well?

0:13:25.880 --> 0:13:28.640
<v Speaker 4>The fact that my good duty here isn't as close

0:13:28.679 --> 0:13:29.959
<v Speaker 4>to me is i'd like her to be. And the

0:13:30.000 --> 0:13:32.000
<v Speaker 4>fact that she's claiming that I didn't include her in

0:13:32.000 --> 0:13:34.240
<v Speaker 4>a project that meant a lot to us. She's never

0:13:34.280 --> 0:13:36.240
<v Speaker 4>brought this up to me. If she said, hey, I'd

0:13:36.280 --> 0:13:38.160
<v Speaker 4>love to sing some of your lines, then I would

0:13:38.160 --> 0:13:39.880
<v Speaker 4>have said, yeah, sure, we can share them around. I'm

0:13:39.920 --> 0:13:40.520
<v Speaker 4>not precious.

0:13:40.720 --> 0:13:43.160
<v Speaker 3>Yeah, but we can't record the single. It's already out

0:13:43.160 --> 0:13:45.760
<v Speaker 3>there and being distributed across selling almost seven hundred and

0:13:45.800 --> 0:13:46.520
<v Speaker 3>fifty copies.

0:13:47.080 --> 0:13:48.719
<v Speaker 4>Yeah, but you never brought it up when you heard

0:13:48.720 --> 0:13:50.320
<v Speaker 4>the song the first time. You only brought up when

0:13:50.320 --> 0:13:51.800
<v Speaker 4>we started performing it live.

0:13:51.800 --> 0:13:53.280
<v Speaker 3>Because you're really hard to talk to you, and that's

0:13:53.280 --> 0:13:54.520
<v Speaker 3>why I had to bring it to Judge Gina.

0:13:54.760 --> 0:13:56.800
<v Speaker 4>Well that you're really hard to talk to as well.

0:13:56.920 --> 0:13:59.920
<v Speaker 2>Okay, I'm going to stop you both there. I've heard enough.

0:14:00.120 --> 0:14:02.439
<v Speaker 2>I'm going to deliberate now, I just need a moment.

0:14:05.120 --> 0:14:08.840
<v Speaker 1>Judge Gina it is deliberating and will soon hand down

0:14:08.840 --> 0:14:26.160
<v Speaker 1>her verdict. Please do not leave the courtroom.

0:14:19.000 --> 0:14:23.160
<v Speaker 2>Art Simone, and etcetera, etcetera. I've heard your evidence and

0:14:23.240 --> 0:14:27.640
<v Speaker 2>made my decision, et cetera, et cetera. Your counterclaim of

0:14:27.760 --> 0:14:32.120
<v Speaker 2>seven dollars ninety nine for ripped tights has been dismissed.

0:14:32.640 --> 0:14:35.440
<v Speaker 2>Art Simone. Your claim for eight hundred and thirty dollars

0:14:35.520 --> 0:14:40.480
<v Speaker 2>and fifty cents compensation has also been denied. Nothing further.

0:14:40.840 --> 0:14:44.800
<v Speaker 2>Thank you.

0:14:44.800 --> 0:14:46.600
<v Speaker 4>You know, I was hoping to get my seven dollars

0:14:46.640 --> 0:14:48.880
<v Speaker 4>and ninety nine cents for my ripped tights, but that's okay.

0:14:48.920 --> 0:14:50.800
<v Speaker 4>What I'm going to do is just maybe steal a

0:14:50.800 --> 0:14:54.080
<v Speaker 4>pair of arts unripped tights and replace my with hers,

0:14:54.160 --> 0:14:56.520
<v Speaker 4>and then put my ripped tights in her suitcase, but

0:14:56.560 --> 0:14:57.880
<v Speaker 4>not tell her about it, and then I hope she

0:14:57.880 --> 0:14:59.960
<v Speaker 4>doesn't take me to judge Gina over that next time.

0:15:00.520 --> 0:15:04.360
<v Speaker 3>I am feeling absolutely devastated about today's outcome. It is

0:15:04.520 --> 0:15:08.120
<v Speaker 3>just horrendous news to hear from my idol, Gina.

0:15:08.200 --> 0:15:10.240
<v Speaker 4>I feel like my disagreement with Art Simone has been

0:15:10.280 --> 0:15:12.840
<v Speaker 4>settled once and for all, but I think that she'll

0:15:13.000 --> 0:15:15.360
<v Speaker 4>invent new ways to try to rise above me and

0:15:15.400 --> 0:15:18.960
<v Speaker 4>step on my creativity and my hope and happiness as

0:15:19.000 --> 0:15:19.640
<v Speaker 4>a human being.

0:15:19.880 --> 0:15:21.520
<v Speaker 3>I do not feel like I've got a fair trial

0:15:21.600 --> 0:15:24.360
<v Speaker 3>at all. Gina was just so stuck up on all

0:15:24.400 --> 0:15:26.680
<v Speaker 3>of the little details. It was all about numbers, but

0:15:26.680 --> 0:15:27.760
<v Speaker 3>it was meant to be about me.

0:15:28.200 --> 0:15:30.680
<v Speaker 4>I think my relationship with Art Simone are we fine?

0:15:30.680 --> 0:15:32.040
<v Speaker 4>I see tomorrow we are good.

0:15:32.320 --> 0:15:35.240
<v Speaker 3>I think this has affected my relationship with et cetera.

0:15:35.320 --> 0:15:37.800
<v Speaker 3>But I'm a true professional and I'm used to working

0:15:37.800 --> 0:15:40.480
<v Speaker 3>with dogs, so I'm gonna keep working with her whether

0:15:40.520 --> 0:15:42.560
<v Speaker 3>I like it or not. But I'd never want to

0:15:42.560 --> 0:15:45.760
<v Speaker 3>see those shame stockings ever again. I do not feel

0:15:45.800 --> 0:15:48.760
<v Speaker 3>like our disagreement has been settled once and for all

0:15:49.240 --> 0:15:51.720
<v Speaker 3>at all. I'm still devastated, and I'm going to be

0:15:51.760 --> 0:15:53.640
<v Speaker 3>reminded of it every time I hear that song.

0:16:03.240 --> 0:16:05.680
<v Speaker 1>This has been an iHeart Production,