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Speaker 1: The Will M. Woody podcast.

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Speaker 2: Maybe a bit sick of hearing about a crime that

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Speaker 2: was committed twenty five years ago.

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Speaker 1: It may or may not be real. We've got a

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Speaker 1: brand new podcast for you.

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Speaker 3: Oh is that?

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Speaker 4: Is that a stab at true crime podcast? It was

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Speaker 4: not a stab It was just a reality.

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Speaker 2: Everyone's doing true crime therese days and it's a big

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Speaker 2: don't get me wrong.

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Speaker 1: It's good.

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Speaker 4: Yes, it's great, you know, but if you want a

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Speaker 4: refreshing change from that, ours does not talk about crime

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Speaker 4: at all, not at all.

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Speaker 3: We've got a podcast from being criminally good. Ah, there

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Speaker 3: you are, and there you are. If you want to

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Speaker 3: hear more of that than get our podcast.

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Speaker 4: It's called We'll Get to That where effectively we pose

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Speaker 4: like a really thought provoking question at the start, and

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Speaker 4: then just because it's podcast form, we get incredibly tangential

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Speaker 4: and sidetracked. But then I do believe that we answer

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Speaker 4: the question by the end of the podcast. The second episode,

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Speaker 4: which you can get now where you get your podcasts from,

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Speaker 4: was inspired by Timothy Schalla May's acceptance speech at the SAgs.

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Speaker 5: And I know we're in a subjective business, but the

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Speaker 5: truth is, I'm really in pursuit of greatness. I know

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Speaker 5: people don't usually talk like that, but I want to

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Speaker 5: be one of the greats. I'm inspired by the greats.

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Speaker 5: I'm inspired by the greats here to Nate. I'm as

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Speaker 5: inspired by Daniel d Lewis, Marlon Brando and Vla Davis

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Speaker 5: as I am by Michael Jordan, Michael Thops and I

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Speaker 5: want to be up there.

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Speaker 3: So the question off that is, does ambition make you

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Speaker 3: a dick?

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Speaker 1: Yeah?

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Speaker 3: Like, he's obviously so.

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Speaker 4: Ambitious that he wants to be as great as the

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Speaker 4: people that he's named there?

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Speaker 3: Does that make you a bit of a dick?

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Speaker 4: And I think it's interesting us talking about it because

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Speaker 4: I think in the Australian culture we've got this tall

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Speaker 4: poppy syndrome thing where we really value people being modest

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Speaker 4: and if you do say you want to be the best,

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Speaker 4: are you a tool?

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Speaker 1: Yeah?

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Speaker 2: And we really go into the fact that there's some

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Speaker 2: irony around the fact that if you've got a friend

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Speaker 2: who kind of like pores themselves into their work work,

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Speaker 2: you know, sometimes they can be viewed as selfish, maybe

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Speaker 2: you don't like them as much. Then they do tend

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Speaker 2: to become quite unlikable. Except people start to covet money

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Speaker 2: and possessions. It's very easy to dislike them. And yet

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Speaker 2: on the other side of the coin, we absolutely well

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Speaker 2: we put them up in lights when they are really successful,

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Speaker 2: when then once they've made it, you know, big celebrities,

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Speaker 2: we really love those people.

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Speaker 3: So yep, we delive right into it.

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Speaker 4: We use examples of particular celebrities and whether we think

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Speaker 4: their dicks or not, we won't mention that now, but

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Speaker 4: we do have a lot of great stories from a connection.

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Speaker 3: We've got to Nicole Kidman. Yes, that is true.

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Speaker 2: Well that's some of those people who are up in lights. Yes,

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Speaker 2: and are they actually good people?

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Speaker 1: Yes?

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Speaker 3: Once that now, but you can definitely get it on

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Speaker 3: the podcast.

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Speaker 1: Yes, all right, what'll there you guys tomorrow. We'll get

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Speaker 1: to that wherever you get your podcasts. Otherwise, we take our.

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Speaker 2: Life every Friday, we actually get.

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Speaker 1: To talk about what we want to talk about.

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Speaker 2: It got filtered through the various traps of the producers

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Speaker 2: boring programming minds.

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Speaker 1: We actually is this contract. This is contractual, guys. We

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Speaker 1: get ten minutes with just free airtime to do whatever

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Speaker 1: we want. Bloody Earth and yeah, it gets a bit wild.

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Speaker 1: It can also get you know, very niche. It's just

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Speaker 1: a warning shot.

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Speaker 4: And sometimes we find out that there was a good

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Speaker 4: reason why he didn't put that in the show that

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Speaker 4: was terrible. Yeah, sometimes it's a banger though, and I reckon,

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Speaker 4: this is a banger, will So, So Dad and I

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Speaker 4: are talking about doing my dad, myself and my sister

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Speaker 4: are talking about doing a CPR.

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Speaker 1: Course beautiful for infants or just in general.

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Speaker 3: In general, but with a specialization on infants. Cool a

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Speaker 3: lot of young kids in the family. Now, yep. So

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Speaker 3: I'm talking.

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Speaker 4: I'm sort of corresponding with my sister and my dad,

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Speaker 4: and Dad Dad comments and goes, oh, yeah, I'm keen

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Speaker 4: as long as I don't have to give mouth to mouth.

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Speaker 3: To wood And I was like, oh, it seems like

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Speaker 3: a bit of a enough comment.

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Speaker 4: I was like, Dad, I would really hope that, you know,

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Speaker 4: in the situation where i'd needed mouth to mouth, you'd

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Speaker 4: get those lips on you know what I mean, and

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Speaker 4: give me mouth to mouth.

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Speaker 3: I grow up kind of thing. And Dad was like, Oh,

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Speaker 3: I don't. I don't know, that's tough. I don't know

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Speaker 3: if I just don't feel comfortable giving you mouth to mouth.

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Speaker 4: So what I'd like to ask right now, will, because

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Speaker 4: I think it's a fascinating little dilemma.

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Speaker 3: But I'm not doing that either, give me mouth to mouth?

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Speaker 1: Yeah?

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Speaker 3: What is going on here?

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Speaker 4: Because my sister was also like, yeah, I don't know

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Speaker 4: if I could do it either, and I was like, guys,

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Speaker 4: I need you.

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Speaker 2: It's but you're okay, like like while you're okay, No,

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Speaker 2: but if I need it, there's no necessity right now?

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Speaker 3: Oh sure, like in the.

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Speaker 1: Hard I'm taking you drop down here.

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Speaker 2: I mean, god, man, I've made out with you and

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Speaker 2: I've been nude with you in a bathtub before. Of

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Speaker 2: course i'd go mouth to mouth with you, but you know,

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Speaker 2: not for the sake of the hypothetical.

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Speaker 3: No, Okay.

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Speaker 4: The question I want to ask though, because I think

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Speaker 4: this is an interesting situation to be in thirteen one

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Speaker 4: oh six five? Have you ever actually given mouth to

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Speaker 4: mouth to a family member? Have you been in this

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Speaker 4: situation where you had to do.

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Speaker 1: It, like give a family member CPR? Yeah?

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Speaker 3: WHOA good topic, right?

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Speaker 2: WHOA?

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Speaker 4: Because you're also going like I don't really want to

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Speaker 4: give mouth to about the mum, but got to save

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Speaker 4: our life?

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Speaker 1: Are we taking? Like now I can see why he

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Speaker 1: feels this one out. This is good.

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Speaker 3: This is good.

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Speaker 2: I think it's good, like maybe Friday, just you know,

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Speaker 2: it ends up in a good spot though, Oh no,

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Speaker 2: of course.

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Speaker 6: Yeah.

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Speaker 3: Well I think that might mean when without saying no,

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Speaker 3: I want to hear stories have failed.

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Speaker 1: I think that might need to be said because some

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Speaker 1: people actually might have been in that situation. It might

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Speaker 1: have been really traumatic for them.

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Speaker 4: Oh no, don't call a radio station, go and see someone.

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Speaker 4: I talk to them about it. I reckon, like, I

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Speaker 4: want good CPR stories.

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Speaker 1: Okay, we'll just want just just to CONFIDNT.

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Speaker 3: Now, will you're on my team in this? I want

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Speaker 3: to remind you.

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Speaker 4: I feel like this is supposed to be us against them,

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Speaker 4: and sometimes it does feel like there's a.

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Speaker 3: Mole in mi ARMI someone cutting, cutting my knees from

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Speaker 3: beneath me.

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Speaker 4: I feel like I just think we're in the movie

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Speaker 4: three hundred Did I go with a humpback?

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Speaker 3: And you're telling Xerxes where the army is coming from?

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Speaker 4: And yes, poopen's yours Xerxess.

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Speaker 3: What do you want to that is that?

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Speaker 2: I think they could be really great calls. They could

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Speaker 2: be really up with two calls. Okay, mine is very

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Speaker 2: very different to yours. I've gone down a completely different path. O.

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Speaker 1: Mine's very niche.

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Speaker 2: Okay, oh god, I think this could be the worst

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Speaker 2: idea I've ever had, But here we go.

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Speaker 1: So you know what, Okay, this takes just a little

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Speaker 1: bit of explaining.

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Speaker 2: So you know when you're trying to express in a

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Speaker 2: story that there are multiple steps. Okay, okay, so hey

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Speaker 2: on me, let me give you let me your analogy. Okay, Friday, Man,

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Speaker 2: I know, I know. It's actually really simple. It's actually

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Speaker 2: really simple. Everyone stay with me.

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Speaker 1: Okay.

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Speaker 2: You know when you're trying to explain how somebody jumped

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Speaker 2: off the playground, Okay, you're just trying to explain that

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Speaker 2: to someone, Okay, and you would go, I personally would say,

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Speaker 2: so the way they jumped off, they went bang bang bang,

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Speaker 2: And I would say, bang bang bang. Isn't like they

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Speaker 2: jumped there. They jumped there and then they jumped there. Okay,

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Speaker 2: are you following that?

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Speaker 4: Sure?

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Speaker 1: Yeah?

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Speaker 3: Yes, jumped. I don't want to say bang bang bang,

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Speaker 3: they jumped off. I played ground.

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Speaker 2: The bang bang bangs are important, okay, Okay. Because I

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Speaker 2: was listening to Captain poop Pants tell the story the

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Speaker 2: other day, and he's a bulls, bulls, buzzer.

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Speaker 7: Yeah.

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Speaker 2: So when he's talking about when when he's talking about

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Speaker 2: like getting from one point to the other, he'll go like,

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Speaker 2: you know, so let's say, and again maybe a different way,

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Speaker 2: how are you getting to Sydney. Oh, we're going via,

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Speaker 2: We're going via wogga wogga, and then we're going to Sydney.

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Speaker 2: So he'd go, we go Melbourne, bulls, bulls, Sydney and

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Speaker 2: then he's the boys and bulls and boozer. All French

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Speaker 2: people very interestingly, when I was in France on French

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Speaker 2: exchange when I was sixteen.

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Speaker 1: They all go tech tech tech there you go, very.

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Speaker 2: Strange, ye, now business going. This is the little thing

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Speaker 2: that's been going on in my head about ten years

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Speaker 2: now about this thoughts change.

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Speaker 1: Okay, I just want to know what other people do, Like,

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Speaker 1: are you like? I want to know how like.

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Speaker 3: You think I'm a boomer? I go boom boom boom.

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Speaker 3: Yeah you are there, you're a boom bo.

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Speaker 4: I'm gonna go to the cinema, I get some nandoz

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Speaker 4: boom boom boom what tonight?

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Speaker 3: Yes I do, I do.

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Speaker 2: I'm a bang bang banger. Poop pants is a bus bozzer.

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Speaker 2: Every French president I've ever.

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Speaker 3: Met is a tech tech tacker.

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Speaker 1: Now you might you might go, no, I can't. Yeah,

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Speaker 1: what do you do Tommy? What do you do?

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Speaker 3: Bang bang bang? You're a bang bang bang bang bank

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Speaker 3: that'd be common. I reckon banging and woman bang bang bang.

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Speaker 2: I like bang bang Okay, see why both get Essentially a.

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Speaker 4: Lot of people were calling for the CPR, but they,

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Speaker 4: Peter have dropped off.

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Speaker 3: Pooy, what do you want to hear? Most? Out of

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Speaker 3: those two? What do you want to Well?

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Speaker 1: You put me in a very unenviable position.

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Speaker 3: Both absolutely crackers. I agree, tough to choose between.

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Speaker 2: I am intrigued by the bang bang bang.

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Speaker 3: I tell him I a little bit. That's that's that's

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Speaker 3: that's where I'm at.

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Speaker 1: I don't know.

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Speaker 2: It could be really ship guys could be like, like

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Speaker 2: what are people going to call it?

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Speaker 4: Like?

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Speaker 2: I want to like I'm just kind of like mind

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Speaker 2: blown like what other people might use.

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Speaker 1: No, No one does that chu chuk See that's.

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Speaker 3: Let's find let's find out that's what?

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Speaker 1: So how do I explain now? Like I don't even know?

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Speaker 5: Again?

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Speaker 3: Done again? You know what we're after? You know, if

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Speaker 3: if you've been listening.

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Speaker 2: If you've been listening, you know after thirty one if

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Speaker 2: you haven't been listening, way too hard to re explain.

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Speaker 2: Everybody has a distinct sound do they make when they're

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Speaker 2: trying to step out or explain that there are steps.

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Speaker 1: That need to be taken in a journey?

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Speaker 2: Okay, so just to picture somebody, Just picture that you're

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Speaker 2: you've got to map out in front of you, and

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Speaker 2: you're trying to explain to somebody else where you're going to.

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Speaker 1: Walk on that map.

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Speaker 2: When I do that, I go I'm going to go

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Speaker 2: bang bang bang bang, and I'll point to the different

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Speaker 2: spots along my route me.

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Speaker 3: I go boom, boom boom.

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Speaker 2: That's right, similar but different our EP captain, book fans

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Speaker 2: or pool plants. He says, buss bus here's a big buzzer.

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Speaker 4: And what we're found is once you pick whatever noise

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Speaker 4: you make, you don't you.

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Speaker 3: Got it for life exactly.

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Speaker 2: And I don't know when it happens, but for some reason,

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Speaker 2: and I spend a bit of time in the country France,

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Speaker 2: they all say dak, so they go.

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Speaker 1: Dack Is it good?

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Speaker 2: I don't know what it is, but I'm just doing.

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Speaker 2: Another French guy on holiday. Recently he was a big

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Speaker 2: tac tacker as well. He tacked the whole country does

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Speaker 2: tag tach. But here in Australia we're multiculture nation. I'm

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Speaker 2: finding out that everybody's got a different one. So look,

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Speaker 2: Jesse's called on.

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Speaker 1: Thirty one, Jesse.

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Speaker 8: Oh boys, there are you going?

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Speaker 7: So?

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Speaker 1: Well? What do you do?

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Speaker 3: Jesse?

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Speaker 2: So I go dut dut du.

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Speaker 4: Like d a like da yeah, And.

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Speaker 7: I'm even in strained it into my kids.

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Speaker 9: They go dut dut du oh yeah, good, that is good.

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Speaker 4: Does My year one teacher was a it's just it's

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Speaker 4: just come back to me fascinating.

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Speaker 2: It was really funny, and we were saying this in

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Speaker 2: the song. Once you know the way like once it

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Speaker 2: you recognize or realize the way that someone does this thing,

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Speaker 2: you can't unsay it.

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Speaker 4: And you know someone yes you know really well yes, yes,

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Speaker 4: yes here and you can't share.

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Speaker 1: I don't know when you decide it. Maybe it's a

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Speaker 1: thing that like puberty.

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Speaker 3: You know, puberty, when.

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Speaker 2: You get your hair, you go a little bit more

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Speaker 2: and then you learn how you spell out directions with

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Speaker 2: phonetic sounds.

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Speaker 1: And it's called on six five Anna.

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Speaker 6: Hi, guys, how are you going, mate, are.

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Speaker 1: You enjoying this topic?

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Speaker 10: Just out of I am?

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Speaker 11: I am a dinner?

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Speaker 6: I think you guys have actually discovered that perhaps it's

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Speaker 6: multicultural slang. Potentially I'm wandering.

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Speaker 3: Darker, dugger darker.

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Speaker 2: If I'm I use the analogy for everyone else that

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Speaker 2: we are pointing out your steps on a journey on

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Speaker 2: a map?

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Speaker 1: Is every step get a dug?

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Speaker 9: At?

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Speaker 1: Does every step get a dug a ducker?

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Speaker 6: Every step is in. It's a little bit of a

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Speaker 6: hand action too. You've got to do like the hand chopping.

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Speaker 6: You goes with the hand actions as well. Where are

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Speaker 6: you from, Anna, I'm from Uruguay?

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Speaker 2: Yeah, right, so you don't so it's not like a

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Speaker 2: If there's three steps, you're not going duck god.

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Speaker 6: A little bit, not not so slow.

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Speaker 3: This is quite extraordinary, is it? I can't believe it.

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Speaker 3: This is amazing, Jackie, Thank you Jackie. Your husband has

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Speaker 3: a weird one. What is it?

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Speaker 11: My husband always says fish slash bosh.

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Speaker 2: Yeah, fish bashish bash bosh.

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Speaker 1: That is a classic fish bash.

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Speaker 3: I can't believe how many variations we're getting.

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Speaker 1: This is phenomenal.

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Speaker 3: Rihanna, keep them coming.

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Speaker 1: What do you what do you do?

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Speaker 11: Hey, guys, I got it from my best mate boyfriend.

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Speaker 11: He tells the story and he goes, Okay, Bubby Booperty,

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Speaker 11: that's the end.

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Speaker 1: Yeah as well, Bubby Booby as well.

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Speaker 4: He doesn't Bobby Booberty on a map, though, does he.

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Speaker 4: Cinder Rell vibes.

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Speaker 11: Well, you know that the fairy Godmother.

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Speaker 2: Pretty Bobby, Bitty Bobby, the Cinderella poops as well, he

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Speaker 2: does the very d mother. That was extraordinary. I didn't

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Speaker 2: nobody expected that to be anything.

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Speaker 1: Who did your ex hook up with Woods?

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00:14:32,360 --> 00:14:35,680
Speaker 2: Because one of these people in this new Hollywood power

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Speaker 2: couple has a very famous, very popular ex. And look,

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Speaker 2: I think it's I'm being very cryptic. It's starting to

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Speaker 2: time you're not so. Look, Zoe Kravitz and Harry Styles

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Speaker 2: are holy deal.

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Speaker 3: So there's too much this in Rome.

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Speaker 1: I think there was a shot of them in Rome

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Speaker 1: holding hands.

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Speaker 3: That led to speculation ulation.

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Speaker 1: But now they're on a date.

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Speaker 3: Yeah, no more speculator doing it. It's on. It is on.

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Speaker 1: Wow.

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Speaker 2: That's why we spoke to her literally two weeks ago,

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Speaker 2: Zoey co Yeah, and it was so weak, so she

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Speaker 2: would have known, and also she would have been texting him.

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Speaker 1: She would have been getting dms like that.

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Speaker 4: She probably went from that interview to Rome to go

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Speaker 4: and hang out with it, right, So we were we

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Speaker 4: spoke just before and we to be fair like during

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Speaker 4: the interview we were like a bit of the magic

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Speaker 4: going on maybe between Austin and Zoe.

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Speaker 3: It turns out just good acting.

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Speaker 4: She was thinking about Harry Styles, thinking about Harry the

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Speaker 4: time the famous house. So Harry Styles used to date

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Speaker 4: Taylor Swift, and like everyone else, oh whoa, whoa, if

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Speaker 4: I had a whip anyway to whip you. Sorry anyway.

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Speaker 3: I found it.

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Speaker 4: Interesting that given that Harry used to date Taylor Swift.

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Speaker 4: Totally coincidentally, we were speaking to Zoe Kravitz a couple

355
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Speaker 4: of week and at the time that she stayed in

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Speaker 4: Tyler Swift's house. Did remind me, Zoe of a time

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Speaker 4: that your mom's snake stayed at Tyler Swift's house.

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Speaker 7: I like saying it that way. The snake stayed at

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Speaker 7: Taylor Swifts.

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Speaker 1: Yes, very close.

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Speaker 7: Well, it didn't go as bad as it could have,

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00:16:20,000 --> 00:16:22,200
Speaker 7: and it didn't go as good as it could have.

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Speaker 7: You know, the snake is okay, orpheus. We didn't lose

364
00:16:25,640 --> 00:16:29,320
Speaker 7: the snake. The bathroom was destroyed, but we fixed it.

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00:16:30,000 --> 00:16:31,760
Speaker 7: Taylor and I.

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Speaker 1: They are no longer friends. She won't talk to me,

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Speaker 1: she won't call me back. No bathroom.

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Speaker 7: We're staying at her house during the La fires, and

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Speaker 7: my mom lives into Penga. We had to evacuate, so

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Speaker 7: she brought her snake with her and she put the

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Speaker 7: snake down in the bathroom while she was washing her

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Speaker 7: face and closed the door, thinking that the snake would

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Speaker 7: have nowhere to go.

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Speaker 8: But orpheus found a very small hole in the corner

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Speaker 8: and she caught her before she went fully into the hole.

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00:16:58,840 --> 00:17:01,760
Speaker 8: So she was holding onto the tail and we but

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Speaker 8: snakes are very strong and so we couldn't get her out,

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00:17:05,240 --> 00:17:08,200
Speaker 8: and so we had to pull up like a whole

379
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Speaker 8: bag get and destroy his bathroom in order to stop

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Speaker 8: the snake from getting lost in that well for forever.

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Speaker 3: It's pretty wild.

382
00:17:16,920 --> 00:17:18,520
Speaker 1: So it's so wild. You can say that, William, what

383
00:17:18,520 --> 00:17:19,720
Speaker 1: do YouTube? You want that video?

384
00:17:19,840 --> 00:17:23,960
Speaker 4: So she's stayed at Taylor Swift's house, destroyed Taylor Swift's bathroom,

385
00:17:24,080 --> 00:17:25,840
Speaker 4: Yes and then now.

386
00:17:25,800 --> 00:17:28,760
Speaker 2: Yes gave her sanctuary during the fires. Taylor Swift gave

387
00:17:28,800 --> 00:17:31,800
Speaker 2: her sanctuary and now looking up with her ex.

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Speaker 4: Yeah, Harry, I'm sure like it's been it's been a while, so.

389
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Speaker 1: Until it feels weird.

390
00:17:38,280 --> 00:17:41,720
Speaker 2: I mean we were just saying, it's a shocking conversation, sure,

391
00:17:41,960 --> 00:17:43,600
Speaker 2: with someone when they've been really nice to you, when

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Speaker 2: you have to say, by the way, you're a great friend,

393
00:17:45,800 --> 00:17:48,400
Speaker 2: and but I am looking up with your ex. That's

394
00:17:48,400 --> 00:17:50,200
Speaker 2: what those people to call thirty one to sixty five

395
00:17:50,600 --> 00:17:51,960
Speaker 2: your X hook up with Jamie?

396
00:17:51,960 --> 00:17:52,520
Speaker 1: What you got?

397
00:17:53,920 --> 00:17:57,120
Speaker 6: Well before I was with him, my excuse to date

398
00:17:57,160 --> 00:17:58,000
Speaker 6: Toddy Goldsmith?

399
00:17:58,760 --> 00:18:03,360
Speaker 4: Toddy, Yeah, very good, Jamie, thanks for.

400
00:18:05,000 --> 00:18:06,520
Speaker 3: I'm sure he brought it up all the time.

401
00:18:06,760 --> 00:18:08,040
Speaker 1: Who is Toddy Goldsmith?

402
00:18:08,359 --> 00:18:10,960
Speaker 4: Tody Goldsmith is a great actress, Tody Goldsmith. Kid, you

403
00:18:10,960 --> 00:18:13,359
Speaker 4: don't know Toddy Goldsmith. I couldn't know one thing she's in.

404
00:18:13,400 --> 00:18:15,520
Speaker 4: But I absolutely know who's living in John's daughter.

405
00:18:15,600 --> 00:18:16,440
Speaker 1: Is that right? Oh?

406
00:18:16,640 --> 00:18:19,639
Speaker 3: Sorry, wow, that's not that's not that Toddy Goldsmith. I

407
00:18:19,680 --> 00:18:20,200
Speaker 3: was thinking about.

408
00:18:20,520 --> 00:18:23,720
Speaker 1: Let's go let's go to Actually, who are you thinking of?

409
00:18:24,320 --> 00:18:26,000
Speaker 3: Not that?

410
00:18:26,240 --> 00:18:30,159
Speaker 1: Actually he's killed. Actually who did your exel cut with?

411
00:18:32,359 --> 00:18:33,199
Speaker 3: Actually?

412
00:18:33,600 --> 00:18:35,400
Speaker 1: Yes, yes that's right.

413
00:18:35,680 --> 00:18:36,920
Speaker 3: Who did you my brother.

414
00:18:38,720 --> 00:18:38,800
Speaker 7: With?

415
00:18:38,800 --> 00:18:39,200
Speaker 1: Your brother?

416
00:18:40,000 --> 00:18:40,320
Speaker 6: Yeah?

417
00:18:40,359 --> 00:18:42,680
Speaker 1: Wow, hang on, how did that go?

418
00:18:44,160 --> 00:18:47,399
Speaker 6: Well, we're at a party. I was about maybe eighteen

419
00:18:47,400 --> 00:18:51,240
Speaker 6: at the time, and we were playing two truths one line,

420
00:18:52,119 --> 00:18:55,320
Speaker 6: and someone asked, is like all the friends knew, but

421
00:18:55,400 --> 00:18:59,360
Speaker 6: I didn't know. Okay, I never have I.

422
00:18:59,359 --> 00:19:04,520
Speaker 9: Ever kind yeah, kissed or where was my brother? And yeah,

423
00:19:04,560 --> 00:19:06,159
Speaker 9: they took a drink and it was my brother. And

424
00:19:06,200 --> 00:19:08,760
Speaker 9: I looked and I was like, oh my god, I

425
00:19:08,760 --> 00:19:10,000
Speaker 9: wonder why he broke up with me.

426
00:19:10,359 --> 00:19:14,600
Speaker 3: Oh, so, what's what's the sex of your ex? Is

427
00:19:14,640 --> 00:19:15,040
Speaker 3: a boy?

428
00:19:15,160 --> 00:19:18,240
Speaker 6: Well, my brother had sex and kissed my ex.

429
00:19:18,320 --> 00:19:21,960
Speaker 4: And your ex is a boy. Yes, So that was

430
00:19:21,960 --> 00:19:25,080
Speaker 4: both news that he went that way and also that

431
00:19:25,119 --> 00:19:25,720
Speaker 4: he hooked up with me.

432
00:19:25,840 --> 00:19:27,520
Speaker 6: I did know that he went that way, but I

433
00:19:27,520 --> 00:19:29,280
Speaker 6: didn't realize that connection.

434
00:19:30,680 --> 00:19:33,400
Speaker 2: Wish how to go with your brother?

435
00:19:35,400 --> 00:19:37,399
Speaker 6: Well it was very awkward for a little bit, but

436
00:19:37,480 --> 00:19:38,400
Speaker 6: everything feels good now.

437
00:19:38,480 --> 00:19:40,439
Speaker 4: God, your ex takes the game seriously, doesn't he? Like,

438
00:19:40,800 --> 00:19:44,359
Speaker 4: just don't drink there, Like, it's not like you know,

439
00:19:44,400 --> 00:19:55,399
Speaker 4: no one's going to go fire. Give us a call now,

440
00:19:55,440 --> 00:19:57,280
Speaker 4: thirteen one sixty five. You want to help us with

441
00:19:57,280 --> 00:19:58,080
Speaker 4: a quick experiment?

442
00:19:59,280 --> 00:19:59,840
Speaker 3: What do you need?

443
00:20:00,080 --> 00:20:00,400
Speaker 6: A name?

444
00:20:01,280 --> 00:20:04,440
Speaker 3: That's it? So Will Trumpy.

445
00:20:04,640 --> 00:20:08,640
Speaker 4: He's had a banquet at Windsor Castle, with King Charles,

446
00:20:09,320 --> 00:20:14,320
Speaker 4: and effectively during his speech at the dinner, he revealed

447
00:20:15,000 --> 00:20:17,119
Speaker 4: this hidden talent that King Charles has got, which is

448
00:20:17,200 --> 00:20:18,080
Speaker 4: remembering names.

449
00:20:18,240 --> 00:20:22,840
Speaker 3: Yeah, I mean this is this is wild stuff from Charman.

450
00:20:22,840 --> 00:20:27,359
Speaker 4: How Old Charles four Part seventy four, Part seventy seventy five.

451
00:20:27,400 --> 00:20:30,720
Speaker 4: Maybe he shakes hands with one hundred and fifty people,

452
00:20:31,560 --> 00:20:36,160
Speaker 4: this is like before the banquet, and he remembers all

453
00:20:36,200 --> 00:20:39,399
Speaker 4: of their names. Well that that's that's unless there's like

454
00:20:39,440 --> 00:20:42,359
Speaker 4: an in a ear situation going on. There'd be like,

455
00:20:42,400 --> 00:20:44,560
Speaker 4: I reckon, that is absolutely sensational.

456
00:20:44,040 --> 00:20:46,159
Speaker 1: He'd be. I mean, he this is kind of his

457
00:20:46,320 --> 00:20:47,720
Speaker 1: this is all he does now though.

458
00:20:47,640 --> 00:20:49,760
Speaker 3: Remember names. Well, He's just it's a little bit more

459
00:20:49,760 --> 00:20:50,000
Speaker 3: to it.

460
00:20:50,000 --> 00:20:51,960
Speaker 2: No, I don't think there is. He just does ceremonies.

461
00:20:53,080 --> 00:20:54,760
Speaker 2: Actually it so his bag.

462
00:20:54,480 --> 00:20:58,159
Speaker 1: Would be just bet well liked. Yeah, how do you

463
00:20:58,320 --> 00:21:00,600
Speaker 1: How do you remain well liked? You remember people's name?

464
00:21:00,680 --> 00:21:02,119
Speaker 3: Yeah, because people love it.

465
00:21:02,119 --> 00:21:02,600
Speaker 1: People love it.

466
00:21:02,640 --> 00:21:04,200
Speaker 3: So my only the technic that I've got.

467
00:21:04,200 --> 00:21:06,000
Speaker 4: So we are about to test out your ability of

468
00:21:06,000 --> 00:21:09,200
Speaker 4: remembering names in a second. But so my tactic whenever

469
00:21:09,240 --> 00:21:10,920
Speaker 4: I forget someone's name, And I think this is quite

470
00:21:10,920 --> 00:21:13,520
Speaker 4: crafty because I'm not amazing at it, but I think

471
00:21:13,560 --> 00:21:16,760
Speaker 4: for me, I think I know it, but I lack confidence. Yeah,

472
00:21:16,760 --> 00:21:18,800
Speaker 4: and I'm always like, I'm pretty sure it's Amy, or

473
00:21:18,800 --> 00:21:21,200
Speaker 4: I'm pretty sure whatever, right, Yeah. So my thing is,

474
00:21:21,240 --> 00:21:25,760
Speaker 4: after an interaction, I always go with, hey, let's exchange numbers,

475
00:21:25,960 --> 00:21:28,360
Speaker 4: which a bit of a bowl play after every interaction

476
00:21:28,800 --> 00:21:32,120
Speaker 4: for everyone, almost as I go like, hey, let's look,

477
00:21:32,160 --> 00:21:35,800
Speaker 4: let's let's exchange numbers, just in case, and then I'll

478
00:21:35,800 --> 00:21:38,760
Speaker 4: always hand my phone over to them, and then they

479
00:21:39,040 --> 00:21:41,440
Speaker 4: generally speaking, will put their number in and their name.

480
00:21:41,720 --> 00:21:43,680
Speaker 1: But then you end up, then they end up.

481
00:21:44,040 --> 00:21:46,399
Speaker 2: I don't think that is a worthwhile trade off for mine,

482
00:21:46,440 --> 00:21:49,359
Speaker 2: Like I would rather forget someone's name than the thousand

483
00:21:49,400 --> 00:21:50,360
Speaker 2: people that have got your number.

484
00:21:50,359 --> 00:21:53,800
Speaker 4: I've got a lot of useless people's numbers, bar owner's number.

485
00:21:54,080 --> 00:21:57,520
Speaker 4: Everyone forgot their name again obviously anyway, So the test

486
00:21:57,520 --> 00:21:59,320
Speaker 4: for you, though, because you look, your old man's not

487
00:21:59,359 --> 00:22:02,120
Speaker 4: strong at this, so strong and so many other areas

488
00:22:02,600 --> 00:22:03,240
Speaker 4: make that very clear.

489
00:22:03,240 --> 00:22:06,480
Speaker 1: I think I think it was. But yes, what.

490
00:22:06,359 --> 00:22:07,879
Speaker 4: We're doing now is we've got a whole bunch of

491
00:22:07,880 --> 00:22:09,439
Speaker 4: people to call. We haven't put the names in the

492
00:22:09,440 --> 00:22:12,439
Speaker 4: screens at all. And they're just coming on. They're going

493
00:22:12,480 --> 00:22:15,440
Speaker 4: to say their name yep, okay, and then just because

494
00:22:15,440 --> 00:22:18,159
Speaker 4: we're talking about King Charles's hidden talent, they're going to

495
00:22:18,160 --> 00:22:19,919
Speaker 4: reveal the hidden talent about themselves. We'll go through all

496
00:22:20,000 --> 00:22:21,720
Speaker 4: of them and then you'll need to remember each of

497
00:22:21,760 --> 00:22:24,439
Speaker 4: their names. Okay, all right, here we go. So caller one,

498
00:22:24,880 --> 00:22:25,920
Speaker 4: let's start off. What's your name?

499
00:22:26,640 --> 00:22:27,399
Speaker 1: My name is Brad.

500
00:22:27,920 --> 00:22:29,480
Speaker 3: Okay, Brad, what you hidden talent?

501
00:22:30,680 --> 00:22:32,720
Speaker 4: I wouldn't call it a talent, but I can wake

502
00:22:32,840 --> 00:22:35,200
Speaker 4: up and be in my work car in two minutes

503
00:22:35,200 --> 00:22:35,919
Speaker 4: from waking.

504
00:22:35,720 --> 00:22:36,399
Speaker 6: Up every morning.

505
00:22:36,760 --> 00:22:37,520
Speaker 3: Jeez, that strong?

506
00:22:37,640 --> 00:22:37,879
Speaker 1: Are you?

507
00:22:37,880 --> 00:22:37,960
Speaker 9: So?

508
00:22:38,480 --> 00:22:40,240
Speaker 3: Are you going through the shower there?

509
00:22:42,880 --> 00:22:43,000
Speaker 7: Na?

510
00:22:43,520 --> 00:22:44,160
Speaker 3: Is that better?

511
00:22:44,760 --> 00:22:44,960
Speaker 1: Yeah?

512
00:22:45,000 --> 00:22:48,520
Speaker 3: I mean would have been more impressive, I thought, Brad.

513
00:22:48,600 --> 00:22:50,399
Speaker 2: I think Brad thought you meant easy going through the

514
00:22:50,400 --> 00:22:52,280
Speaker 2: shower right now. That's why I said, is that better?

515
00:22:52,480 --> 00:22:53,600
Speaker 2: But he means in the morning?

516
00:22:53,800 --> 00:22:54,000
Speaker 1: Yeah?

517
00:22:54,080 --> 00:22:55,560
Speaker 3: No, I mean I mean in the morning. I mean

518
00:22:55,600 --> 00:22:56,040
Speaker 3: in the morning.

519
00:22:56,119 --> 00:22:58,520
Speaker 6: Nah, no, unless I'm fucking haven't.

520
00:22:58,240 --> 00:23:01,760
Speaker 2: Beat not And yeah, yeah, yeah, yeah, of course sure

521
00:23:02,160 --> 00:23:03,800
Speaker 2: night before let's go to call it too?

522
00:23:04,200 --> 00:23:08,600
Speaker 4: Absolutely okay, so cool it too? Hello, I watch your

523
00:23:08,640 --> 00:23:12,879
Speaker 4: name caller too. Okay, great, So well that you've got it.

524
00:23:12,920 --> 00:23:17,040
Speaker 4: You've either got it or you don't have it. But

525
00:23:17,400 --> 00:23:18,760
Speaker 4: this is what happens in conversation.

526
00:23:18,840 --> 00:23:22,119
Speaker 1: I heard Lisa, so go on. It was Lisa.

527
00:23:22,200 --> 00:23:25,080
Speaker 3: Is what happens man? What's your hidden talent? What's your

528
00:23:25,119 --> 00:23:25,640
Speaker 3: hiding talent?

529
00:23:25,920 --> 00:23:28,400
Speaker 6: The alpha there backwards under ten seconds.

530
00:23:29,200 --> 00:23:31,720
Speaker 3: You're gonna have to do it for us now.

531
00:23:32,080 --> 00:23:35,720
Speaker 6: Yeah, it said by X W V U T T

532
00:23:35,840 --> 00:23:37,960
Speaker 6: P O, mL j K I h G S C.

533
00:23:38,080 --> 00:23:38,720
Speaker 7: D c B. A.

534
00:23:39,400 --> 00:23:43,639
Speaker 1: Wow, that's good, that's punny good, that's actually slick Lisa.

535
00:23:43,680 --> 00:23:45,119
Speaker 1: I'm pretty sure it was Lisa, wasn't it.

536
00:23:45,680 --> 00:23:48,119
Speaker 3: Well, don't don't say anything call it. Don't say anything.

537
00:23:48,280 --> 00:23:49,919
Speaker 1: That's a bad wee.

538
00:23:50,280 --> 00:23:52,000
Speaker 3: I'll give you a bad line. I'll give you a hint.

539
00:23:52,080 --> 00:23:52,720
Speaker 3: It's not Lisa.

540
00:23:52,960 --> 00:23:53,680
Speaker 1: That's not fair.

541
00:23:53,840 --> 00:23:56,680
Speaker 3: This is what happens socially. This is what happens. You know, listen,

542
00:23:56,960 --> 00:23:57,560
Speaker 3: just over the phone.

543
00:23:58,880 --> 00:24:00,240
Speaker 1: Does anyone else here name?

544
00:24:00,280 --> 00:24:03,760
Speaker 3: I heard her name. I got her name because I

545
00:24:03,840 --> 00:24:07,720
Speaker 3: was listening. Let's go to call three here called three?

546
00:24:07,880 --> 00:24:08,440
Speaker 3: What's your name?

547
00:24:09,560 --> 00:24:09,679
Speaker 8: Hi?

548
00:24:09,880 --> 00:24:11,600
Speaker 6: My name is me and I'm twelve years old.

549
00:24:12,000 --> 00:24:14,080
Speaker 1: Jeez, quick name as well. I really like to hear

550
00:24:14,119 --> 00:24:15,080
Speaker 1: that one. That was fine.

551
00:24:15,200 --> 00:24:16,080
Speaker 3: What's your hidden talent.

552
00:24:17,520 --> 00:24:18,560
Speaker 9: I play field hockey.

553
00:24:19,720 --> 00:24:22,920
Speaker 4: Amazing, that's a great sport. My brother plays it. I

554
00:24:23,000 --> 00:24:25,560
Speaker 4: was going to call for call for what's your name?

555
00:24:26,760 --> 00:24:26,960
Speaker 7: Hello?

556
00:24:27,240 --> 00:24:27,960
Speaker 11: My name is Emma.

557
00:24:28,240 --> 00:24:29,520
Speaker 3: Okay, hidden talent.

558
00:24:30,560 --> 00:24:32,159
Speaker 6: I have a black belt in karate.

559
00:24:32,880 --> 00:24:35,080
Speaker 3: That's strong, that's super strong. Wouldn't want to meet you

560
00:24:35,119 --> 00:24:36,920
Speaker 3: in a dark alley, now, will, I'm just going to

561
00:24:36,920 --> 00:24:37,440
Speaker 3: say this to you.

562
00:24:37,760 --> 00:24:45,800
Speaker 10: Trevor, Kevin, Steve, Paul, John, Mary, Joseph, Louise it, Benjamin starts,

563
00:24:45,840 --> 00:24:50,440
Speaker 10: Stephen start, Gary, Phillip, This isn't Philip, Jeffrey, Harry, Harry,

564
00:24:50,520 --> 00:24:52,440
Speaker 10: Harry the horn dog, Paul, stop.

565
00:24:52,280 --> 00:24:52,760
Speaker 7: It, Paul.

566
00:24:53,000 --> 00:24:54,440
Speaker 3: All right, Quentin Thomas.

567
00:24:55,640 --> 00:24:56,080
Speaker 1: Here we go.

568
00:24:56,840 --> 00:24:59,800
Speaker 3: Let's whip through them. Uh yeah, you want to go

569
00:24:59,880 --> 00:25:06,760
Speaker 3: in order? I might, I might not. Okay, Caller one,

570
00:25:07,720 --> 00:25:09,760
Speaker 3: Uh will what's caller one's name?

571
00:25:10,480 --> 00:25:14,880
Speaker 1: Call the one's name is Brad? Brad?

572
00:25:15,640 --> 00:25:16,280
Speaker 2: Yeah, you're right?

573
00:25:16,440 --> 00:25:16,640
Speaker 1: Yeah?

574
00:25:16,720 --> 00:25:19,040
Speaker 2: Nice, Okay, good job, good Joe, quick to get to

575
00:25:19,119 --> 00:25:21,840
Speaker 2: the quick to get the car in the morning, No shower.

576
00:25:22,160 --> 00:25:27,280
Speaker 3: Nice nice, took that all in. Caller three. Let's call

577
00:25:27,400 --> 00:25:27,840
Speaker 3: three's name?

578
00:25:27,880 --> 00:25:33,080
Speaker 1: Well, Mayah, she's twelve years old. She plays hockey, Is

579
00:25:33,160 --> 00:25:33,920
Speaker 1: that right? Maya?

580
00:25:34,080 --> 00:25:34,520
Speaker 3: Call three?

581
00:25:35,359 --> 00:25:35,600
Speaker 11: Yeah?

582
00:25:36,359 --> 00:25:37,639
Speaker 1: You play hockey. You're twelve?

583
00:25:37,880 --> 00:25:39,520
Speaker 9: Yes, yes, I play field hockey.

584
00:25:39,720 --> 00:25:47,879
Speaker 3: I thought your name was mean. Oh no? Okay ayah,

585
00:25:51,359 --> 00:25:53,280
Speaker 3: Caller four? What's called four's name?

586
00:25:53,680 --> 00:25:56,160
Speaker 1: Emma? Is that right? Caller four?

587
00:25:56,880 --> 00:25:59,200
Speaker 3: It is all right, fine, needs the big one? Okay,

588
00:25:59,280 --> 00:25:59,600
Speaker 3: here we go.

589
00:26:00,440 --> 00:26:04,840
Speaker 4: This is just not okay, call it too, call it two?

590
00:26:05,040 --> 00:26:15,600
Speaker 4: Will what is call of two's name? For the record,

591
00:26:17,040 --> 00:26:18,480
Speaker 4: I have I have also forgotten this?

592
00:26:20,359 --> 00:26:25,840
Speaker 1: Sorry many Anissa?

593
00:26:27,119 --> 00:26:28,400
Speaker 3: Okay, Anissa?

594
00:26:30,280 --> 00:26:33,880
Speaker 1: Oh, Lisa, Teresa?

595
00:26:36,080 --> 00:26:36,560
Speaker 9: That is that?

596
00:26:36,760 --> 00:26:37,960
Speaker 3: Is that your name? Teresa?

597
00:26:39,800 --> 00:26:39,840
Speaker 9: No?

598
00:26:40,720 --> 00:26:42,159
Speaker 1: Oh god? What was it?

599
00:26:42,240 --> 00:26:43,440
Speaker 3: Should shoot again? Shoot again?

600
00:26:43,480 --> 00:26:43,560
Speaker 7: Now?

601
00:26:43,640 --> 00:26:47,240
Speaker 3: Don't say anything called don't shoot again. We don't leave, no, no, no,

602
00:26:47,560 --> 00:26:49,480
Speaker 3: can I don't know. We do not leave until you

603
00:26:49,520 --> 00:26:49,879
Speaker 3: get it right.

604
00:26:49,920 --> 00:26:50,080
Speaker 1: Mate.

605
00:26:50,080 --> 00:26:52,240
Speaker 3: You need to learn, learn from your MISTAKESA

606
00:26:53,920 --> 00:26:54,160
Speaker 2: Men,