1 00:00:00,120 --> 00:00:02,560 Speaker 1: The twenty seven Club. It's on at Fringe at the 2 00:00:02,600 --> 00:00:05,640 Speaker 1: Recabyte until the fifteenth of February. Tickets are available through 3 00:00:05,640 --> 00:00:07,600 Speaker 1: Fringe world dot com dot you and the star of 4 00:00:07,640 --> 00:00:09,880 Speaker 1: the show, Sarah McCloud from The Super Jesus, is with 5 00:00:10,000 --> 00:00:10,360 Speaker 1: us now. 6 00:00:10,480 --> 00:00:12,080 Speaker 2: Good morning, Good morning. 7 00:00:13,520 --> 00:00:16,440 Speaker 1: Studio, And first of all, we thank you for that 8 00:00:16,800 --> 00:00:19,360 Speaker 1: because you're a rock star and coming in at this 9 00:00:19,520 --> 00:00:21,160 Speaker 1: time of the morning is. 10 00:00:21,600 --> 00:00:23,640 Speaker 3: It's good for me, and so thank you for getting 11 00:00:23,680 --> 00:00:24,439 Speaker 3: me out of bed. 12 00:00:24,520 --> 00:00:27,200 Speaker 4: That's okay. Then you're going to have an afternoon sleep 13 00:00:27,440 --> 00:00:28,440 Speaker 4: before you Yeah. 14 00:00:28,480 --> 00:00:28,840 Speaker 3: Of course. 15 00:00:28,960 --> 00:00:31,600 Speaker 1: Twenty seven Club is one of those things in life 16 00:00:31,880 --> 00:00:37,120 Speaker 1: that is just it's nothing short of spooky, the number 17 00:00:37,120 --> 00:00:39,120 Speaker 1: of people that are in, at the caliber of people 18 00:00:39,120 --> 00:00:41,400 Speaker 1: that are in it. When you start with Jimmy Jannison, 19 00:00:41,479 --> 00:00:44,320 Speaker 1: Jim you know they all died at twenty seven, and 20 00:00:44,360 --> 00:00:47,960 Speaker 1: then you had Kurt Cobain joining in and Amy Winehouse 21 00:00:48,040 --> 00:00:51,080 Speaker 1: joining You've got people like Jean ms McKee, what's his name, 22 00:00:51,120 --> 00:00:57,480 Speaker 1: John Basquiat. Yes, so it's not right Jones Jones. It's 23 00:00:57,520 --> 00:00:59,960 Speaker 1: an incredible club that you don't want to be in, 24 00:01:00,600 --> 00:01:03,720 Speaker 1: but it makes sense, I guess, to put a lot 25 00:01:03,760 --> 00:01:06,120 Speaker 1: of this music together as a show. 26 00:01:06,840 --> 00:01:08,319 Speaker 3: Yeah, which is what you've done. 27 00:01:08,440 --> 00:01:10,440 Speaker 5: Yeah, because it's like we get all of the you 28 00:01:10,440 --> 00:01:13,280 Speaker 5: wouldn't you wouldn't normally hear those songs in the same 29 00:01:13,319 --> 00:01:17,720 Speaker 5: repertoire together because apart from being that tragic coincidence or 30 00:01:17,959 --> 00:01:20,920 Speaker 5: urban myth, that's the only thing that's that's keeping these 31 00:01:20,920 --> 00:01:23,640 Speaker 5: tracks together. And it's such a great songbook to be 32 00:01:23,680 --> 00:01:24,520 Speaker 5: able to pull from. 33 00:01:25,240 --> 00:01:25,479 Speaker 3: Yeah. 34 00:01:25,560 --> 00:01:28,760 Speaker 5: So, and it really does cross a big demographic. We 35 00:01:28,840 --> 00:01:31,399 Speaker 5: notice it with the people in the audience will have 36 00:01:32,240 --> 00:01:34,160 Speaker 5: you know, sort of the baby boomers all there for 37 00:01:34,240 --> 00:01:38,959 Speaker 5: the Jimmy and Janice and Hendrix, and and then you've 38 00:01:38,959 --> 00:01:42,120 Speaker 5: got all these kids in Nirvana t shirts coming sick 39 00:01:42,160 --> 00:01:42,679 Speaker 5: down the front. 40 00:01:42,720 --> 00:01:45,520 Speaker 3: So you've got to site a really wide demographic. 41 00:01:45,640 --> 00:01:47,880 Speaker 4: And then they hear that stuff from those from that 42 00:01:47,920 --> 00:01:49,960 Speaker 4: earlier generation which was. 43 00:01:50,000 --> 00:01:52,920 Speaker 3: Edgy for its time so still still is. 44 00:01:53,040 --> 00:01:57,000 Speaker 4: So it transcends the generations so they can get into 45 00:01:57,040 --> 00:01:57,400 Speaker 4: it as well. 46 00:01:57,440 --> 00:01:59,680 Speaker 5: Yeah, like you put up like some of those Hendrix records, 47 00:01:59,680 --> 00:02:01,920 Speaker 5: like to like Rage against the Machine or something. 48 00:02:02,240 --> 00:02:04,560 Speaker 3: Yeah, yes, it's it's it's. 49 00:02:04,520 --> 00:02:07,200 Speaker 5: Very similar, like it still holds its weight today and 50 00:02:07,240 --> 00:02:10,720 Speaker 5: it's such a good like sort of history lesson for 51 00:02:11,440 --> 00:02:14,480 Speaker 5: kids too, right, you know, put exactly if you if 52 00:02:14,480 --> 00:02:16,760 Speaker 5: you're putting the varna in with it, it puts it 53 00:02:16,800 --> 00:02:17,680 Speaker 5: in context for them. 54 00:02:18,880 --> 00:02:19,960 Speaker 3: Yeah, it makes it more. 55 00:02:20,360 --> 00:02:22,520 Speaker 1: Listened to Janice Joplin all the time, and but I 56 00:02:22,560 --> 00:02:24,919 Speaker 1: am I'm sure she was just a little bit before 57 00:02:24,960 --> 00:02:27,720 Speaker 1: my time, but I still you know, yeah, I revisited 58 00:02:28,120 --> 00:02:29,440 Speaker 1: I Love Jannel. 59 00:02:29,720 --> 00:02:32,200 Speaker 4: The music was still around as we were going off, 60 00:02:32,280 --> 00:02:35,560 Speaker 4: for sure, And so obviously the stories are told of 61 00:02:35,600 --> 00:02:36,600 Speaker 4: these of these people. 62 00:02:36,680 --> 00:02:37,680 Speaker 3: Yeah, that's what makes it work. 63 00:02:37,680 --> 00:02:37,880 Speaker 1: Well. 64 00:02:38,000 --> 00:02:40,560 Speaker 3: Yeah, so it's not a it to the kids. Yeah, 65 00:02:40,560 --> 00:02:42,520 Speaker 3: we're not just standing going song after song. It's like 66 00:02:42,760 --> 00:02:46,000 Speaker 3: it's all very very well curated. 67 00:02:45,800 --> 00:02:47,919 Speaker 5: The way they've put the show together. So we tell 68 00:02:47,960 --> 00:02:51,320 Speaker 5: all the stories and we sing the songs. And Dusty 69 00:02:51,400 --> 00:02:55,360 Speaker 5: Lee Stevenson, our musical director, is a genius and the 70 00:02:55,400 --> 00:02:58,160 Speaker 5: flow of how he's put the music together and the 71 00:02:58,160 --> 00:03:01,200 Speaker 5: medleys and it's just it's so good. And with av 72 00:03:01,360 --> 00:03:03,480 Speaker 5: in the Great Light Show every night I sit there going, 73 00:03:03,560 --> 00:03:04,280 Speaker 5: this is so sleek. 74 00:03:04,320 --> 00:03:07,400 Speaker 3: I see what this works. Yeah, it's a joy to 75 00:03:07,440 --> 00:03:07,720 Speaker 3: be in that. 76 00:03:07,840 --> 00:03:08,960 Speaker 2: The reviews have been amazing. 77 00:03:09,000 --> 00:03:12,200 Speaker 1: Do you have a favorite number that you like to 78 00:03:12,280 --> 00:03:14,639 Speaker 1: do during the show or can it vary from night tonight. 79 00:03:14,760 --> 00:03:19,400 Speaker 5: Well, it's normally Peace of My Heart because that's sort 80 00:03:19,400 --> 00:03:21,560 Speaker 5: of like the big finale, and I love singing it 81 00:03:21,560 --> 00:03:24,000 Speaker 5: because it's a big sing and it's at the end, 82 00:03:24,040 --> 00:03:25,760 Speaker 5: so I feel like I can just leave blood on 83 00:03:25,760 --> 00:03:30,320 Speaker 5: the stage. However, since Kevin Mitchell was supposed to be 84 00:03:30,360 --> 00:03:32,040 Speaker 5: in the season with us and he couldn't make it 85 00:03:32,040 --> 00:03:34,400 Speaker 5: this season because he had some family drama, so we 86 00:03:34,440 --> 00:03:36,880 Speaker 5: here to pick up all his songs. So I got 87 00:03:36,880 --> 00:03:39,160 Speaker 5: thrown some of the Nirvana songs and I was like, 88 00:03:39,160 --> 00:03:42,120 Speaker 5: oh no, it's gonna be the worst, but now I 89 00:03:42,160 --> 00:03:44,640 Speaker 5: love it. And so I get to do Breed, which 90 00:03:44,920 --> 00:03:46,640 Speaker 5: I used to watch Kevin do it in the show 91 00:03:46,680 --> 00:03:48,440 Speaker 5: and think, oh, you know, I reckon I could do that. 92 00:03:48,920 --> 00:03:51,960 Speaker 5: It's like really punk and he cuts so sick during it, 93 00:03:51,960 --> 00:03:54,320 Speaker 5: and I always sit there going, yeah, yeah, yeah, you know, 94 00:03:55,320 --> 00:03:57,360 Speaker 5: one day, if he's not here, I reckon I could 95 00:03:57,360 --> 00:03:57,520 Speaker 5: do this. 96 00:03:57,600 --> 00:03:59,000 Speaker 3: And then they said can you do Breed? 97 00:03:59,200 --> 00:04:00,680 Speaker 5: And I was like, I've been waiting for this yet, 98 00:04:01,360 --> 00:04:03,520 Speaker 5: so at the moment, that's my favorite time to do. 99 00:04:04,440 --> 00:04:07,320 Speaker 4: So you're doing you know, you're covering all these artists who, 100 00:04:07,600 --> 00:04:11,720 Speaker 4: unfortunately in the twenty seven Club and they all have 101 00:04:11,880 --> 00:04:15,800 Speaker 4: their stories, But which one to you is the most 102 00:04:15,800 --> 00:04:17,919 Speaker 4: tragic of them all? Because they're all tragic, they're all 103 00:04:18,000 --> 00:04:20,880 Speaker 4: cut short at the peak of their career. Which one 104 00:04:20,920 --> 00:04:23,320 Speaker 4: which is the greatest tragedy in your eyes? 105 00:04:23,400 --> 00:04:25,599 Speaker 5: I think the one that resonates with me the most 106 00:04:25,720 --> 00:04:30,280 Speaker 5: is the fact that Janie she was like a rock 107 00:04:30,320 --> 00:04:33,320 Speaker 5: star early, but she was not that comfortable with it, 108 00:04:33,760 --> 00:04:36,440 Speaker 5: even though she had this persona that she was and 109 00:04:36,480 --> 00:04:38,960 Speaker 5: she sort of wanted to be like all the other 110 00:04:39,040 --> 00:04:42,599 Speaker 5: girls and popular girl. She Yeah, she just wanted to 111 00:04:42,600 --> 00:04:44,800 Speaker 5: blend in and be like the others. But you know, 112 00:04:44,839 --> 00:04:48,120 Speaker 5: at one point she just gave up music entirely and 113 00:04:48,240 --> 00:04:51,000 Speaker 5: went back to Texas and tried to like get sober 114 00:04:51,320 --> 00:04:53,640 Speaker 5: and be like the other kids and was sewing quilts, 115 00:04:54,400 --> 00:04:56,400 Speaker 5: you know. And then she was like, actually, this is 116 00:04:56,920 --> 00:04:59,280 Speaker 5: not for me either, and then she chucked it all 117 00:04:59,320 --> 00:05:01,080 Speaker 5: in and she went back to rock and roll and 118 00:05:01,760 --> 00:05:05,960 Speaker 5: got more famous, and then that's when the excess. 119 00:05:05,640 --> 00:05:09,240 Speaker 3: Kicked it all. Yeah, But because she was just always 120 00:05:09,279 --> 00:05:10,839 Speaker 3: a little displaced. 121 00:05:10,360 --> 00:05:13,200 Speaker 1: Just wanted to be loved, Janice, she just wanted to 122 00:05:13,200 --> 00:05:17,680 Speaker 1: be loved. Now, you've just released a new song yesterday. 123 00:05:17,880 --> 00:05:19,200 Speaker 3: Yesterday actually yesterday. 124 00:05:19,200 --> 00:05:32,080 Speaker 2: It's called Till It's Gone. 125 00:05:33,160 --> 00:05:34,560 Speaker 4: But it's not just you. 126 00:05:34,600 --> 00:05:36,719 Speaker 3: No, no, it's definitely not just me. 127 00:05:37,400 --> 00:05:40,919 Speaker 5: No, that's my mate Dallas Fresca, who is an absolute weapon. 128 00:05:41,720 --> 00:05:43,440 Speaker 5: And yeah, her and I are doing a tour together 129 00:05:43,480 --> 00:05:46,919 Speaker 5: that starts two days after the twenty seven Club finishes. 130 00:05:46,960 --> 00:05:50,080 Speaker 3: Actually no, yeah, so that's going to be. 131 00:05:50,080 --> 00:05:55,520 Speaker 5: Really fall on And yes, she is as such a powerhouse. 132 00:05:55,520 --> 00:05:56,960 Speaker 5: She said to me, do you want to go on 133 00:05:57,000 --> 00:05:58,800 Speaker 5: tour with me? A nice like yeah. 134 00:05:58,839 --> 00:05:59,920 Speaker 3: I thought it was just going to be a cup 135 00:06:00,080 --> 00:06:00,480 Speaker 3: of shows. 136 00:06:00,680 --> 00:06:00,760 Speaker 4: Ye. 137 00:06:01,000 --> 00:06:03,280 Speaker 5: And that's like sixteen dates and we've released a new 138 00:06:03,360 --> 00:06:06,159 Speaker 5: single and who knows where this will go, but it's 139 00:06:06,200 --> 00:06:07,880 Speaker 5: become bigger than Ben Hurt. 140 00:06:07,960 --> 00:06:09,040 Speaker 3: But she's she's. 141 00:06:09,120 --> 00:06:12,520 Speaker 5: Such a good driver of it. It's really inspiring. She 142 00:06:12,600 --> 00:06:13,599 Speaker 5: was like, you know, we're going to do it for 143 00:06:13,640 --> 00:06:19,760 Speaker 5: climate change. I'm like, okay, all right, but I'm learning, 144 00:06:19,800 --> 00:06:21,960 Speaker 5: you know, because she's a big advocate for it, and 145 00:06:22,040 --> 00:06:23,120 Speaker 5: so I'm learning through her. 146 00:06:23,160 --> 00:06:25,560 Speaker 3: I'm like, so, dal tell me what the problem is again. 147 00:06:25,839 --> 00:06:27,880 Speaker 4: So that would be why it's called the Green Electric 148 00:06:27,920 --> 00:06:31,279 Speaker 4: Tour And it's happening in Fremantle and Scarborough on the 149 00:06:31,440 --> 00:06:34,800 Speaker 4: seventh and the eighth of March, after I've finished with 150 00:06:34,839 --> 00:06:37,520 Speaker 4: The Fringe and it's on at the Record Byte until 151 00:06:37,560 --> 00:06:41,720 Speaker 4: the fifteenth of February. Get your tickets through fringeworld dot 152 00:06:41,760 --> 00:06:45,240 Speaker 4: com dot auth Sarah Perfect. Thanks dropping by. 153 00:06:45,520 --> 00:06:48,280 Speaker 5: That was a great interview and a perfect plug. Now, 154 00:06:48,320 --> 00:06:49,840 Speaker 5: wonder they gave you breakfast radio? 155 00:06:50,279 --> 00:06:50,880 Speaker 3: Yes, so pro