1 00:00:03,920 --> 00:00:04,520 Speaker 1: I'm just frien. 2 00:00:13,720 --> 00:00:15,840 Speaker 2: Yeah, good afternoon Australia. 3 00:00:16,079 --> 00:00:18,119 Speaker 1: On this Anzac Dai. 4 00:00:18,920 --> 00:00:22,239 Speaker 2: We've got a cheeky little public holiday in the middle. 5 00:00:21,960 --> 00:00:23,959 Speaker 3: Of the week, which is a little bit like the 6 00:00:24,120 --> 00:00:25,440 Speaker 3: ham in a sandwich. 7 00:00:25,720 --> 00:00:27,880 Speaker 2: You know, it's the best part of the sandwich, even 8 00:00:28,000 --> 00:00:29,280 Speaker 2: it's got all the salad around it. 9 00:00:29,640 --> 00:00:31,240 Speaker 3: Great day to respect. 10 00:00:30,760 --> 00:00:32,840 Speaker 2: A bunch of people who have also sacrificed their lives 11 00:00:32,840 --> 00:00:35,440 Speaker 2: of the country. So begin to a dawn service tomorrow, yep. 12 00:00:35,560 --> 00:00:37,680 Speaker 1: One thing to do obviously, you know, I let your 13 00:00:37,680 --> 00:00:39,640 Speaker 1: head down, have a couple of bers tonight for the diggers, 14 00:00:39,640 --> 00:00:41,400 Speaker 1: and then just make sure you do get up early 15 00:00:41,560 --> 00:00:44,400 Speaker 1: tomorrow morning, figure out where your Anzac service is and 16 00:00:44,400 --> 00:00:46,120 Speaker 1: make sure you get around it, because it is a 17 00:00:46,159 --> 00:00:50,239 Speaker 1: bloody good thing to remember and respect and commemorate what 18 00:00:50,440 --> 00:00:51,720 Speaker 1: a lot of our ancestors did for us. 19 00:00:51,720 --> 00:00:53,960 Speaker 2: Wilber absolutely mate, and we are all about that on 20 00:00:54,000 --> 00:00:56,400 Speaker 2: this show. So we've also got a bunch of things 21 00:00:56,440 --> 00:00:58,040 Speaker 2: that we're given away. We're very very excited to say 22 00:00:58,080 --> 00:01:00,520 Speaker 2: that we could be given one of you guys million 23 00:01:00,560 --> 00:01:03,160 Speaker 2: dollars a million dollar mom all thanks to Chemist Warehouse. 24 00:01:03,240 --> 00:01:04,839 Speaker 3: Means that your mum could get. 25 00:01:04,760 --> 00:01:07,880 Speaker 2: The best gift on Mother's Day possible, which is obviously 26 00:01:07,959 --> 00:01:08,680 Speaker 2: breakfast in bed. 27 00:01:08,720 --> 00:01:12,480 Speaker 1: But second of all, a million bucks do it? Do 28 00:01:12,560 --> 00:01:15,320 Speaker 1: breakfast in bed? But imagine if underneath that, what's the 29 00:01:16,080 --> 00:01:19,559 Speaker 1: underneath the clash there was a million bucks in there? Yeah? 30 00:01:19,640 --> 00:01:21,480 Speaker 3: Would a million bucks fit in the classhould have fit? 31 00:01:21,560 --> 00:01:23,760 Speaker 1: You have to check O get a big clash. You 32 00:01:23,800 --> 00:01:27,200 Speaker 1: do a check get an industry sized clash. Yeah, No, 33 00:01:27,240 --> 00:01:29,240 Speaker 1: wouldn't be big enough for it wouldn't be big enough. 34 00:01:29,640 --> 00:01:33,840 Speaker 2: Well, I've never seen a million I don't think you've 35 00:01:33,840 --> 00:01:35,160 Speaker 2: never seen a million dollars in cash? 36 00:01:35,240 --> 00:01:37,399 Speaker 1: Had hundred a million dollars in game? I never when? 37 00:01:37,440 --> 00:01:38,920 Speaker 1: When the hell would I have been doing? 38 00:01:38,959 --> 00:01:39,920 Speaker 3: A million dollars in cash? 39 00:01:39,959 --> 00:01:41,840 Speaker 1: Would look like? It's a great question. I mean, I 40 00:01:42,160 --> 00:01:44,280 Speaker 1: produce has ever seen a million dollars cash? Ever? 41 00:01:44,400 --> 00:01:46,840 Speaker 3: I feel like in the movie Dream, Yeah. 42 00:01:47,000 --> 00:01:49,360 Speaker 1: Because in your dreams that was pretty big. Takes of 43 00:01:49,480 --> 00:01:51,520 Speaker 1: the entire dream it does. Yeah. 44 00:01:51,640 --> 00:01:53,360 Speaker 2: I think in the movies it's like two or three 45 00:01:53,400 --> 00:01:55,320 Speaker 2: suitcases with or a duffel bag. 46 00:01:55,480 --> 00:01:58,480 Speaker 1: Big. It's a couple of double bad money. 47 00:01:58,480 --> 00:02:01,040 Speaker 2: Mayweather rolls around with a million bucks everywhere and gets 48 00:02:01,080 --> 00:02:01,960 Speaker 2: it in a duffel bag. 49 00:02:02,080 --> 00:02:03,040 Speaker 3: But that's yeah. 50 00:02:03,200 --> 00:02:05,880 Speaker 1: Still, that duffle bag is bigger than a closh though 51 00:02:06,440 --> 00:02:07,160 Speaker 1: it look. 52 00:02:07,080 --> 00:02:08,840 Speaker 2: I think you'd have to put your mum's brecket in 53 00:02:08,919 --> 00:02:10,280 Speaker 2: a in a duffer bag. 54 00:02:10,360 --> 00:02:12,720 Speaker 1: And I mean that's still I mean to give me 55 00:02:12,720 --> 00:02:14,800 Speaker 1: away surprise a bit. But she's still gonna shut up 56 00:02:15,200 --> 00:02:15,560 Speaker 1: cash o. 57 00:02:15,760 --> 00:02:18,640 Speaker 2: God, she just grabs you, doesn't She just just jams 58 00:02:18,680 --> 00:02:21,560 Speaker 2: motivation in your face with just electric vocals. 59 00:02:21,600 --> 00:02:34,000 Speaker 4: Now Woods, I actually like her oldest and I love 60 00:02:34,040 --> 00:02:36,240 Speaker 4: that song brush in your teeth with some jacked out 61 00:02:36,240 --> 00:02:37,120 Speaker 4: that's not how the song goes. 62 00:02:37,120 --> 00:02:38,520 Speaker 1: But she had something. 63 00:02:38,919 --> 00:02:42,880 Speaker 3: She's really transitioned brushing her jeke with Jack Daniels. 64 00:02:42,480 --> 00:02:45,040 Speaker 1: To like you pick yourself up off the pavement caterpillar 65 00:02:45,040 --> 00:02:48,960 Speaker 1: to a butterfly mate, absolutely kesh, interesting question for you. Okay, 66 00:02:49,160 --> 00:02:53,200 Speaker 1: read caterpillars and butterflies. Okay. I was talking to a 67 00:02:53,360 --> 00:02:55,680 Speaker 1: digital guy, the Wiz, the other day. The Wiz, he's 68 00:02:55,680 --> 00:02:57,560 Speaker 1: so intelligent. He's an interesting guy, isn't it. 69 00:02:58,080 --> 00:03:00,640 Speaker 2: And he was saying that there's some really is there's 70 00:03:00,639 --> 00:03:06,440 Speaker 2: a great discussion around whether a caterpillar carries its consciousness 71 00:03:07,800 --> 00:03:09,720 Speaker 2: two becoming up, but. 72 00:03:10,400 --> 00:03:13,600 Speaker 1: As a butterfly doesn't remember being a caterpillar. That's right. 73 00:03:14,080 --> 00:03:17,400 Speaker 2: We should test this or whether there is some level 74 00:03:17,440 --> 00:03:20,720 Speaker 2: of rebirth which goes on and it actually. 75 00:03:20,360 --> 00:03:22,800 Speaker 1: Forms as a new creature. I hope they remember being 76 00:03:22,840 --> 00:03:25,400 Speaker 1: a caterpillar so they don't become assholes, you know what 77 00:03:25,400 --> 00:03:28,840 Speaker 1: I mean, because butterflies were like, I'm gorgeous, gorgeous, But 78 00:03:29,120 --> 00:03:31,120 Speaker 1: I hope they remember the dark time. You were a 79 00:03:31,120 --> 00:03:35,160 Speaker 1: disgusting used, you were a fat slug of a thing, 80 00:03:36,800 --> 00:03:39,440 Speaker 1: you know, so they'd be like down to earth and gorgeous, 81 00:03:39,480 --> 00:03:41,839 Speaker 1: which we all know is a great way to be. Yeah, 82 00:03:41,880 --> 00:03:44,040 Speaker 1: it's a good question, isn't it. We should try it, though, 83 00:03:44,040 --> 00:03:44,640 Speaker 1: which to do a test? 84 00:03:44,720 --> 00:03:44,920 Speaker 5: Would? 85 00:03:44,920 --> 00:03:48,240 Speaker 1: Am? I? Knowing? What what people think? Thirte six five? 86 00:03:48,320 --> 00:03:53,080 Speaker 2: Do you think that that butterflies remember being caterpillars? Or 87 00:03:53,120 --> 00:03:56,920 Speaker 2: do you think that it is a complete renaissance so 88 00:03:56,960 --> 00:03:58,440 Speaker 2: they wake up one day and it's like. 89 00:03:58,480 --> 00:04:00,840 Speaker 1: I have entered the world as a butterfly. And if 90 00:04:00,840 --> 00:04:03,320 Speaker 1: you're a scientist listening to us right now, I really 91 00:04:03,360 --> 00:04:05,440 Speaker 1: do want to hear some brains behind this, because someone 92 00:04:05,520 --> 00:04:07,600 Speaker 1: might know, someone may have done a test on this. 93 00:04:08,000 --> 00:04:10,280 Speaker 1: What's what's a what's a scientist of butterfly is called? 94 00:04:10,840 --> 00:04:14,200 Speaker 1: That's a I know that there is a name for 95 00:04:14,280 --> 00:04:21,520 Speaker 1: this exactly. Buttologist. No, no, it's not a buttle, it's not. 96 00:04:21,520 --> 00:04:23,360 Speaker 1: But it's a great question. It is a great question. 97 00:04:23,320 --> 00:04:25,080 Speaker 2: I think it's a really good question. I'd love to know. 98 00:04:25,400 --> 00:04:27,039 Speaker 2: It'd be fascinating on either side of it. Well, we 99 00:04:27,080 --> 00:04:27,800 Speaker 2: can take calls up next. 100 00:04:28,320 --> 00:04:28,480 Speaker 6: Six. 101 00:04:29,279 --> 00:04:32,440 Speaker 2: Do you think when it can caterpillar transitions into a butterfly, 102 00:04:32,880 --> 00:04:35,720 Speaker 2: that it carries its consciousness through and as a result, 103 00:04:35,760 --> 00:04:39,120 Speaker 2: are they more modest, which they remember the dark days? 104 00:04:39,680 --> 00:04:41,720 Speaker 1: Or are they just prancing. 105 00:04:41,200 --> 00:04:45,400 Speaker 2: Through the world with willful disregard for other insects? 106 00:04:45,640 --> 00:04:48,160 Speaker 1: For me, I'm flying above. They don't even know that. 107 00:04:48,200 --> 00:04:50,800 Speaker 1: They just they look so rampant. They do seem a 108 00:04:50,839 --> 00:04:52,800 Speaker 1: bit arrogant to me, butterflies, if I'm to be. 109 00:04:52,760 --> 00:04:54,640 Speaker 2: Honest, and I tend to agree with you, So you're 110 00:04:54,720 --> 00:04:56,400 Speaker 2: you're we're more on the rebirth. 111 00:04:56,520 --> 00:04:59,000 Speaker 1: Rebirth, Yeah, okay, I don't remember the dark times, and 112 00:04:59,040 --> 00:05:00,640 Speaker 1: it's about telling me all will around and told a 113 00:05:00,640 --> 00:05:03,120 Speaker 1: bunch of butterflies that you were a disgusting slug one day. 114 00:05:03,120 --> 00:05:09,080 Speaker 2: Like kesher, hang on, we have that full circles? 115 00:05:09,160 --> 00:05:11,280 Speaker 1: Did you missed the first thirty seconds of this? 116 00:05:11,400 --> 00:05:14,240 Speaker 2: She used to talk about brushing her teeth with Jack Daniel. 117 00:05:15,680 --> 00:05:16,159 Speaker 1: That's right. 118 00:05:16,240 --> 00:05:19,239 Speaker 2: Now she's become this, you know, like motivational singer and stuff. 119 00:05:19,279 --> 00:05:20,920 Speaker 1: Good comeback on six five. 120 00:05:21,160 --> 00:05:26,000 Speaker 2: Do you think that butterflies remember in their caterpillar days? 121 00:05:27,839 --> 00:05:27,960 Speaker 7: Right? 122 00:05:28,080 --> 00:05:30,480 Speaker 2: Classic tenant and we were talking about Kesha before she's 123 00:05:30,480 --> 00:05:32,600 Speaker 2: got this brand new song There's Me, and you know 124 00:05:32,680 --> 00:05:35,440 Speaker 2: it's very much like you know, uplifting and motivational and hey, 125 00:05:35,920 --> 00:05:38,080 Speaker 2: I'm beautiful and the world can know all about it. 126 00:05:38,200 --> 00:05:38,800 Speaker 1: I love that. 127 00:05:38,760 --> 00:05:42,040 Speaker 2: About it, particularly given that previously she was singing about 128 00:05:42,080 --> 00:05:44,080 Speaker 2: brushing her teeth with a bottle of jack. 129 00:05:44,560 --> 00:05:47,240 Speaker 1: Yeah, waking up in a tub washing Martin. 130 00:05:47,320 --> 00:05:49,080 Speaker 2: I don't think it's said waking up in a tub, 131 00:05:49,160 --> 00:05:54,680 Speaker 2: but that she's transitioned. She's transition is trying to say. 132 00:05:55,120 --> 00:05:58,200 Speaker 2: And she's very similar. 133 00:05:57,880 --> 00:06:00,000 Speaker 1: To a butterfly from a caterpillar. 134 00:06:00,560 --> 00:06:07,760 Speaker 2: And interestingly, is apparently a real split in the school 135 00:06:07,760 --> 00:06:12,640 Speaker 2: of thought of lepidopterologists. 136 00:06:11,560 --> 00:06:13,400 Speaker 1: Which are the people that study butterfly. 137 00:06:13,120 --> 00:06:18,159 Speaker 2: Ercializing butterflies, as to whether the consciousness as they go 138 00:06:18,360 --> 00:06:21,039 Speaker 2: out of the concud transfers from being a caterpillar so 139 00:06:21,279 --> 00:06:24,039 Speaker 2: they remember their life as a caterpillar, or whether it 140 00:06:24,120 --> 00:06:26,760 Speaker 2: is a complete renaissance, so they come into the world 141 00:06:26,760 --> 00:06:27,880 Speaker 2: as completely new creatures. 142 00:06:27,880 --> 00:06:29,919 Speaker 1: So we're taking calls on this. We are both of 143 00:06:29,920 --> 00:06:31,960 Speaker 1: the view that there is a rebirth. They don't remember 144 00:06:32,000 --> 00:06:35,080 Speaker 1: the slug days, because we both think that butterflies fire 145 00:06:35,160 --> 00:06:37,200 Speaker 1: around obnoxiously, yes and arrogantly. 146 00:06:37,240 --> 00:06:39,720 Speaker 2: Yes, they're they're they're they're pretentious bricks, there's no doubt 147 00:06:39,760 --> 00:06:40,039 Speaker 2: about that. 148 00:06:40,279 --> 00:06:42,440 Speaker 1: And they're only pretentious because they don't remember the slug days. 149 00:06:42,440 --> 00:06:45,600 Speaker 2: Whereas if they remember the slug days, like Kesher probably does, 150 00:06:46,040 --> 00:06:47,400 Speaker 2: she's a little bit more modest about it. 151 00:06:47,440 --> 00:06:50,080 Speaker 1: That's it. We've got Jackson here, who's given us a ring. Jackson, 152 00:06:50,240 --> 00:06:51,680 Speaker 1: way in mate, what are your thoughts? 153 00:06:52,279 --> 00:06:55,200 Speaker 8: Hey boy, there you going my thoughts in the. 154 00:06:55,120 --> 00:07:02,960 Speaker 1: Movie it comes out and I remember that bit, I 155 00:07:03,000 --> 00:07:05,520 Speaker 1: can't remember whatever. He's still like a fat butterflies and 156 00:07:05,600 --> 00:07:06,480 Speaker 1: he Jackson. 157 00:07:06,880 --> 00:07:10,240 Speaker 8: Yeah, he's down the dancers, you know, because it's faling. 158 00:07:11,680 --> 00:07:13,840 Speaker 9: Transforring beautiful butterfly when the battle. 159 00:07:13,600 --> 00:07:13,760 Speaker 1: On the. 160 00:07:15,320 --> 00:07:16,960 Speaker 2: That's right, and he goes into the community counts and 161 00:07:17,000 --> 00:07:19,080 Speaker 2: he's like German sounding, I'm. 162 00:07:18,920 --> 00:07:20,440 Speaker 8: A beautful butterfly. 163 00:07:20,720 --> 00:07:24,960 Speaker 1: Yeah, yeah, that's right. So based on this, Jackson, you're 164 00:07:25,120 --> 00:07:27,760 Speaker 1: saying that they do remember that he did remember? He 165 00:07:27,800 --> 00:07:30,880 Speaker 1: did remember? Okay, I think they would. Yeah, that's an 166 00:07:30,880 --> 00:07:33,720 Speaker 1: interesting point. You know, we haven't discussed is moths here, 167 00:07:33,760 --> 00:07:37,040 Speaker 1: and they obviously have a similar transition. What are they before? 168 00:07:37,760 --> 00:07:39,920 Speaker 1: There'd be something rank as well beforehand, wouldn't they? But 169 00:07:39,960 --> 00:07:41,240 Speaker 1: they just remain rankless. 170 00:07:41,400 --> 00:07:44,239 Speaker 2: So that's why I'm thinking maybe moths do remember, butterflies don't, 171 00:07:44,280 --> 00:07:46,680 Speaker 2: because butterflies don't in this you know, I look, I'm 172 00:07:46,680 --> 00:07:47,880 Speaker 2: pretty now, whereas moths like. 173 00:07:47,960 --> 00:07:52,040 Speaker 1: Oh I'm still ship and they just buzz around. We 174 00:07:52,080 --> 00:07:55,800 Speaker 1: got jacks here, hide a new closet. I don't want 175 00:07:55,800 --> 00:07:57,880 Speaker 1: to be saying eat your suit. You know they do 176 00:07:57,960 --> 00:08:00,880 Speaker 1: eat your suit. I know that. Anyway, Jess, what are 177 00:08:00,920 --> 00:08:03,760 Speaker 1: your thoughts? Does a butterfly remember being a caterpillar? 178 00:08:04,360 --> 00:08:04,600 Speaker 2: Yeah? 179 00:08:04,640 --> 00:08:05,440 Speaker 10: I reckon they do? 180 00:08:06,800 --> 00:08:10,160 Speaker 7: And gorgeous. So it's like a chicken in an egg. 181 00:08:10,200 --> 00:08:11,640 Speaker 9: It's just part of the process. 182 00:08:12,080 --> 00:08:14,520 Speaker 2: Sure, sure, sure can you can you hang on elaborate 183 00:08:14,600 --> 00:08:15,920 Speaker 2: and the chicken and the egg thing for me, the 184 00:08:16,000 --> 00:08:17,320 Speaker 2: chickens don't remember being in eggs. 185 00:08:17,360 --> 00:08:18,000 Speaker 1: What do you mean? 186 00:08:18,560 --> 00:08:20,400 Speaker 8: Yeah, but like I don't remember being a baby now. 187 00:08:21,200 --> 00:08:24,760 Speaker 1: Yeah, so you're disagreeing with your point, but you haven't it. Yeah, exactly, 188 00:08:24,800 --> 00:08:27,119 Speaker 1: but you haven't a trend Jesse. 189 00:08:27,200 --> 00:08:29,440 Speaker 2: But you do remember parts of being a baby you 190 00:08:29,480 --> 00:08:32,400 Speaker 2: haven't had the I have no idea. 191 00:08:32,720 --> 00:08:35,080 Speaker 5: I can't remember any of it just from photos. 192 00:08:35,360 --> 00:08:38,240 Speaker 2: Yeah, sure, okay, So but you think that butterflies aren't 193 00:08:38,280 --> 00:08:40,560 Speaker 2: that pretentious. So you think they are grounded by their 194 00:08:40,679 --> 00:08:44,720 Speaker 2: days of being leaf eating, ground dwelling slugs. 195 00:08:44,880 --> 00:08:45,120 Speaker 1: Yep. 196 00:08:45,520 --> 00:08:47,400 Speaker 10: Yeah, and I reckon that's why they've flaunted it so much, 197 00:08:47,400 --> 00:08:49,160 Speaker 10: and that's why they're are I. 198 00:08:49,280 --> 00:08:52,439 Speaker 1: Like this, Oh you think deep down there insecure? Yes, 199 00:08:52,559 --> 00:08:55,240 Speaker 1: so they're sort of like these beautiful, majestic creatures that 200 00:08:55,280 --> 00:08:57,920 Speaker 1: flutter around, but deep down there's a lot of insecurity. 201 00:08:58,160 --> 00:09:00,199 Speaker 1: So maybe when they hook up with someone that when 202 00:09:00,200 --> 00:09:02,240 Speaker 1: the tears come out and they bring up the slug 203 00:09:02,320 --> 00:09:04,760 Speaker 1: days I used to be a caterpillar because they don't 204 00:09:04,760 --> 00:09:06,600 Speaker 1: live for very long. Yeah. 205 00:09:06,640 --> 00:09:09,160 Speaker 2: And you can just see butterflies crying on each shoulders, 206 00:09:09,200 --> 00:09:11,400 Speaker 2: like each other's shoulders, being like, oh my god, remember 207 00:09:11,440 --> 00:09:13,320 Speaker 2: the days when we used to like eat out of 208 00:09:13,320 --> 00:09:15,440 Speaker 2: people's apples and then flickers under the ground. 209 00:09:15,640 --> 00:09:19,400 Speaker 1: Yes, yes, when it rains, they're hard under some leaves 210 00:09:19,440 --> 00:09:22,440 Speaker 1: and they just let it all out, let it all out. Wow, 211 00:09:22,559 --> 00:09:24,760 Speaker 1: really good observation, great stuff, really good. 212 00:09:24,920 --> 00:09:26,800 Speaker 3: Yes here thirty one sixty five. 213 00:09:26,880 --> 00:09:28,400 Speaker 1: Yes, what do you think about? 214 00:09:28,800 --> 00:09:29,720 Speaker 3: Yeah, mate, we're good. 215 00:09:29,760 --> 00:09:31,160 Speaker 2: I mean, just get into the bottom of something here, 216 00:09:31,200 --> 00:09:32,760 Speaker 2: which I think is a good question. Do you think 217 00:09:32,800 --> 00:09:35,440 Speaker 2: that butterflies remember being a caterpillar or is it a 218 00:09:35,480 --> 00:09:37,200 Speaker 2: complete renaissance post cuckoo? 219 00:09:37,320 --> 00:09:38,960 Speaker 9: Well, look, i'm your guy when it comes to really 220 00:09:39,080 --> 00:09:44,080 Speaker 9: useless information. Actually it's starting on this exact thing on 221 00:09:44,120 --> 00:09:45,480 Speaker 9: both moths and butterflies. 222 00:09:45,640 --> 00:09:46,400 Speaker 1: Yeah, awesome. 223 00:09:47,120 --> 00:09:50,120 Speaker 9: Yeah, so when a moth and a caterpillar like going 224 00:09:50,160 --> 00:09:52,079 Speaker 9: a cocoon and actually turned to mush and then they 225 00:09:52,120 --> 00:09:53,880 Speaker 9: reformed the butterfly, right, they. 226 00:09:54,280 --> 00:09:56,880 Speaker 1: Turned to mush. I didn't know they a complete mush. 227 00:09:57,280 --> 00:09:59,800 Speaker 9: They totally dissolved and then they reform into the butterfly. 228 00:10:00,600 --> 00:10:03,760 Speaker 1: Yeah, I know, I didn't know that made so like 229 00:10:03,320 --> 00:10:05,160 Speaker 1: a like a like a liquid mush. 230 00:10:05,760 --> 00:10:08,880 Speaker 11: Yeah, like you grow like maybe maybe viscus liquid. I 231 00:10:08,920 --> 00:10:12,439 Speaker 11: don't know anyway, Okay, Yeah, So with the caterpillars, they 232 00:10:12,559 --> 00:10:14,959 Speaker 11: introduced them to like now polish remove a smell that 233 00:10:15,200 --> 00:10:18,240 Speaker 11: chemical and gave them an electric shock every time they. 234 00:10:18,160 --> 00:10:21,040 Speaker 9: Smelt it, so they got averted to that smell. Then 235 00:10:21,080 --> 00:10:24,760 Speaker 9: they became cocoons and became butterflies flash mobs. Yeah, they 236 00:10:24,880 --> 00:10:27,320 Speaker 9: brought that same smell to them and they were afraid 237 00:10:27,320 --> 00:10:27,520 Speaker 9: of it. 238 00:10:27,600 --> 00:10:28,160 Speaker 8: They hated it. 239 00:10:29,880 --> 00:10:32,560 Speaker 3: They remember, they remember the shock. 240 00:10:33,320 --> 00:10:35,320 Speaker 9: Yeah, so a bug's life actually had a lot of. 241 00:10:35,360 --> 00:10:35,880 Speaker 1: Fruit in it. 242 00:10:35,920 --> 00:10:37,520 Speaker 9: And I think we should listen to all dizzy pics 243 00:10:37,520 --> 00:10:38,360 Speaker 9: on movies from now on. 244 00:10:41,720 --> 00:10:44,800 Speaker 1: Y thank you for the fact. Yeah, awesome on a Tuesday. 245 00:10:45,000 --> 00:10:46,839 Speaker 1: Great way to test the theory as well. 246 00:10:46,920 --> 00:10:49,880 Speaker 2: Yes, you're kind of horrific, Like, you know, maybe give 247 00:10:49,920 --> 00:10:52,280 Speaker 2: them something that they might like, like chocolate, Like why 248 00:10:52,280 --> 00:10:52,920 Speaker 2: I shock them? 249 00:10:53,040 --> 00:10:56,000 Speaker 1: Oh yeah, I want to go. Yeah, should we should 250 00:10:56,000 --> 00:10:57,679 Speaker 1: we give them saying they like no, no, no, no, no, no, 251 00:10:57,880 --> 00:10:59,840 Speaker 1: let's cut them, let's. 252 00:10:59,679 --> 00:11:04,400 Speaker 2: Torture them, by the way as well, Like that's a 253 00:11:04,440 --> 00:11:05,080 Speaker 2: really good point. 254 00:11:05,240 --> 00:11:09,040 Speaker 1: But despite the fact that you're a little bit satistic, Yes, yes, yeah, incredible, 255 00:11:09,120 --> 00:11:13,520 Speaker 1: really interesting stuff. Mush and remember yeah that that is 256 00:11:13,720 --> 00:11:14,640 Speaker 1: really interesting. 257 00:11:14,960 --> 00:11:16,720 Speaker 2: Imagine when they all go off, it's like, you know, 258 00:11:16,760 --> 00:11:19,360 Speaker 2: you just see your mate, you know, imagine when Steve's 259 00:11:19,360 --> 00:11:21,640 Speaker 2: ready espectually, it's like puberty for them, isn't it. 260 00:11:22,000 --> 00:11:23,679 Speaker 1: You go away, You're going to go and develop for 261 00:11:23,679 --> 00:11:24,000 Speaker 1: a while. 262 00:11:24,000 --> 00:11:27,360 Speaker 2: But first I'm going to turn into a viscous liquid 263 00:11:27,600 --> 00:11:28,320 Speaker 2: in a case. 264 00:11:29,200 --> 00:11:32,079 Speaker 1: Terrifying stuff, terrifying. But I'm sorry, glad they remember. I'm 265 00:11:32,080 --> 00:11:35,760 Speaker 1: glad they remember. And so butterflies are just insecure. There 266 00:11:35,800 --> 00:11:38,640 Speaker 1: you go, that's why they're flawning it. God, they're Kesher 267 00:11:38,720 --> 00:11:41,400 Speaker 1: butterflies at Kesher. Yeah, we go full circle. 268 00:11:41,440 --> 00:11:43,160 Speaker 2: A chemist Warehouse give we could be giving away a 269 00:11:43,200 --> 00:11:44,160 Speaker 2: million bucks a Mother's Day. 270 00:11:44,160 --> 00:11:45,880 Speaker 1: Go to William Woody on Instagram. If you want to 271 00:11:45,920 --> 00:11:49,400 Speaker 1: be a part of it, plenty want to come Chemist. 272 00:11:49,160 --> 00:11:53,040 Speaker 6: Warehouse, the real house afree Princess, This mother's dag mo. 273 00:11:53,160 --> 00:11:55,680 Speaker 1: Mom, Mommy. 274 00:11:56,520 --> 00:11:59,640 Speaker 3: Well blood is brilliant douleum mom. 275 00:12:00,080 --> 00:12:02,880 Speaker 2: All thanks, Chef's Warehouse, the real house of fragrance is 276 00:12:02,920 --> 00:12:03,719 Speaker 2: this Mother's Day. 277 00:12:03,760 --> 00:12:04,680 Speaker 1: If you want to be a part. 278 00:12:04,520 --> 00:12:06,240 Speaker 2: Of it and give your mom a million bucks on 279 00:12:06,320 --> 00:12:10,959 Speaker 2: Mother's Day, million dollars, just get along to her instagram 280 00:12:11,200 --> 00:12:12,360 Speaker 2: will And what do you see the link at the 281 00:12:12,400 --> 00:12:12,839 Speaker 2: bio there? 282 00:12:12,880 --> 00:12:15,319 Speaker 3: Follow it through register all you're going to do? 283 00:12:15,559 --> 00:12:16,040 Speaker 1: What is? 284 00:12:16,160 --> 00:12:20,120 Speaker 2: Just tell us what you would shout your mum if 285 00:12:20,160 --> 00:12:21,120 Speaker 2: you want a million bucks? 286 00:12:21,480 --> 00:12:23,040 Speaker 1: Yep, so a beer. 287 00:12:23,120 --> 00:12:24,680 Speaker 3: And then you'd be testing. Then we're going to be 288 00:12:24,720 --> 00:12:26,760 Speaker 3: testing the people you'd be shown. 289 00:12:27,000 --> 00:12:29,400 Speaker 1: Sorry, I just let that go straight through to the keeper. 290 00:12:29,440 --> 00:12:31,120 Speaker 1: And I'm glad you did what. 291 00:12:31,280 --> 00:12:33,079 Speaker 2: You're chat your mind for a million bucks now, yeah, 292 00:12:33,200 --> 00:12:34,360 Speaker 2: but they're gonna be testing how. 293 00:12:34,280 --> 00:12:36,200 Speaker 1: Will you know your mom? On the airwave? So if 294 00:12:36,200 --> 00:12:37,600 Speaker 1: you had chosen, you. 295 00:12:37,600 --> 00:12:39,720 Speaker 2: Have to compete with other people the shows, how will 296 00:12:39,720 --> 00:12:40,480 Speaker 2: you know your mom? 297 00:12:40,559 --> 00:12:40,880 Speaker 1: Okay? 298 00:12:40,920 --> 00:12:43,200 Speaker 2: And that'll be questions like and I've got one for 299 00:12:43,240 --> 00:12:45,400 Speaker 2: you now, who would your mum's hall pass be? 300 00:12:45,840 --> 00:12:46,200 Speaker 11: Oh? 301 00:12:46,480 --> 00:12:48,640 Speaker 1: Great question will And I'm so glad you've asked it. 302 00:12:50,480 --> 00:12:52,920 Speaker 2: Surely it's that guy that has that show on Channel 303 00:12:52,920 --> 00:12:54,640 Speaker 2: seven that writes words. 304 00:12:54,600 --> 00:12:58,520 Speaker 1: Thompson, Eric thompsonic. Look. She loves Eric Thompson. I'm not 305 00:12:58,559 --> 00:13:00,520 Speaker 1: sure if it'd be enough for her. I think she'd 306 00:13:00,640 --> 00:13:02,880 Speaker 1: enjoy a night having a couple of wines and some 307 00:13:02,960 --> 00:13:04,840 Speaker 1: chats with Eric. But as far as they wouldn't want 308 00:13:04,840 --> 00:13:07,160 Speaker 1: to rhyme, she wouldn want to look up with the primal. 309 00:13:06,760 --> 00:13:08,760 Speaker 3: Attraction wouldn't take her over the threshold. 310 00:13:09,080 --> 00:13:13,040 Speaker 1: It's it's a tough question. Havevier by them. He has 311 00:13:13,120 --> 00:13:16,320 Speaker 1: always been someone who has swept my mother off her feet. 312 00:13:17,120 --> 00:13:23,559 Speaker 1: Richard Gear. Richard Gear has been three Gerbil rumors the 313 00:13:23,640 --> 00:13:26,400 Speaker 1: third one, she's look, she likes an exotic man, and 314 00:13:26,559 --> 00:13:33,080 Speaker 1: she just sweet. 315 00:13:34,679 --> 00:13:36,480 Speaker 2: Your mom and your dad round in a bar and 316 00:13:36,520 --> 00:13:39,800 Speaker 2: Javier Bard and walked in. Your mom would be like Steve. 317 00:13:40,120 --> 00:13:42,360 Speaker 1: I think that would just go, I'll catch a cab. 318 00:13:42,480 --> 00:13:46,440 Speaker 1: Whatever happens happens. I think they have a mutual agreement. 319 00:13:46,600 --> 00:13:48,440 Speaker 1: And you know what about a little bit of like 320 00:13:48,480 --> 00:13:50,880 Speaker 1: a like a Robert. It's like a Tim Robard, sort 321 00:13:50,880 --> 00:13:53,200 Speaker 1: of a guy. I mean, he's exotic and quite fit. 322 00:13:54,200 --> 00:13:56,360 Speaker 1: There's no doubt mum would like the body of of 323 00:13:56,360 --> 00:13:58,920 Speaker 1: of roal Bards, as we all would. But as we 324 00:13:58,960 --> 00:14:02,040 Speaker 1: all would. I think she's a she's hungrier for fame. 325 00:14:03,400 --> 00:14:05,920 Speaker 1: And don't get wrong, Roberts, if you're listening, very popular, 326 00:14:06,120 --> 00:14:07,800 Speaker 1: very well known. But I think Mum would be looking 327 00:14:07,840 --> 00:14:09,720 Speaker 1: more Hollywood for a hall Park. Yeah. Same. 328 00:14:09,880 --> 00:14:12,920 Speaker 2: I think my mum's a big Ewan McGregor guy McGregor, 329 00:14:13,040 --> 00:14:13,720 Speaker 2: good one. 330 00:14:13,600 --> 00:14:16,840 Speaker 1: No, really good one. He's got the pipes, famous enough 331 00:14:16,960 --> 00:14:18,679 Speaker 1: and famous for long enough. It doesn't flaunt in other 332 00:14:18,679 --> 00:14:22,640 Speaker 1: people's faces, doesn't he I don't think he does. I've 333 00:14:22,680 --> 00:14:25,880 Speaker 1: never met the guy, so I don't know. 334 00:14:26,080 --> 00:14:28,640 Speaker 2: This is Chad, but we're going to be asking you 335 00:14:28,640 --> 00:14:31,480 Speaker 2: guys a whole bunch of questions about and just test 336 00:14:31,720 --> 00:14:33,520 Speaker 2: who knows their mum best. But you've got to be 337 00:14:33,520 --> 00:14:34,640 Speaker 2: in it to win it. You've got to get along 338 00:14:34,680 --> 00:14:36,360 Speaker 2: too Instagram, Will and Wood. You click on the link 339 00:14:36,360 --> 00:14:38,240 Speaker 2: of the bio, follow it through, and you could be 340 00:14:38,280 --> 00:14:41,040 Speaker 2: competing for your to give your mum million bucks on Mother's. 341 00:14:40,760 --> 00:14:42,120 Speaker 1: Day, all thanks to Chemist's Warehouse. 342 00:14:42,160 --> 00:14:44,960 Speaker 2: The real house of fragrance is this Mother's Day, and 343 00:14:45,000 --> 00:14:46,400 Speaker 2: I believe we're going to be having a little bit 344 00:14:46,440 --> 00:14:49,600 Speaker 2: of a song on our Instagram to celebrate the launch 345 00:14:49,640 --> 00:14:52,800 Speaker 2: of that competition a little bit later on tonight, on 346 00:14:52,840 --> 00:14:57,320 Speaker 2: Anzac Day, we are a million bucks thanks to chemist Warehouse. 347 00:14:58,080 --> 00:15:01,480 Speaker 1: Our Instagram is the place to go from that. Absolutely, Hey, Will, 348 00:15:01,520 --> 00:15:03,400 Speaker 1: I've got to tell you now, produces Zoe. 349 00:15:03,600 --> 00:15:03,800 Speaker 5: She. 350 00:15:03,960 --> 00:15:05,760 Speaker 1: I mean, we have these meetings before the show where 351 00:15:05,800 --> 00:15:08,440 Speaker 1: we just sort of chuck around ideas and whatnot, and well, look, 352 00:15:08,440 --> 00:15:10,160 Speaker 1: we basically do small talk and talk to you for 353 00:15:10,240 --> 00:15:12,720 Speaker 1: a while and then basically from enough stuff we throw 354 00:15:12,760 --> 00:15:16,320 Speaker 1: together a show. But Zoe came in very excitable this afternoon. 355 00:15:16,960 --> 00:15:18,560 Speaker 1: She said, what do you won't believe what I've learned 356 00:15:18,600 --> 00:15:21,120 Speaker 1: about Bindi? Iwan now I don't want to take her thunder. 357 00:15:21,680 --> 00:15:23,240 Speaker 1: So I want to tell Will what you found out 358 00:15:23,280 --> 00:15:24,000 Speaker 1: about Bindi. 359 00:15:24,080 --> 00:15:26,160 Speaker 12: Iwan, you've talked it up a bit too much now, 360 00:15:26,360 --> 00:15:29,800 Speaker 12: But basically Bindio when who deals with crocodiles and was 361 00:15:29,840 --> 00:15:31,160 Speaker 12: like that she's afraid of bees. 362 00:15:31,800 --> 00:15:38,560 Speaker 1: She she is genuine phobia of bees. She's a pretty 363 00:15:38,600 --> 00:15:42,880 Speaker 1: it's a pretty weird and we got talking about phobia. Zobe. 364 00:15:43,040 --> 00:15:43,720 Speaker 3: No, I don't think so. 365 00:15:43,840 --> 00:15:46,400 Speaker 1: Oh really that is completely irrational. She just has a 366 00:15:46,480 --> 00:15:49,680 Speaker 1: rational figures. They're not aggressive bees. No, they're not. No, 367 00:15:49,760 --> 00:15:51,600 Speaker 1: not at all. They actually don't want to sting you 368 00:15:51,640 --> 00:15:53,840 Speaker 1: because if they sting you, they die. They die, and 369 00:15:53,880 --> 00:15:56,360 Speaker 1: they you know, it must be tragic in the bee 370 00:15:56,360 --> 00:16:00,960 Speaker 1: community when that happens. When one when uses this, so 371 00:16:01,200 --> 00:16:04,360 Speaker 1: it also has imagine the moment though, where a bee 372 00:16:05,040 --> 00:16:08,160 Speaker 1: sacrifices himself for one They be up on the onorboard, 373 00:16:08,160 --> 00:16:11,360 Speaker 1: wouldn't they absolutely the b on the board died for 374 00:16:11,400 --> 00:16:14,360 Speaker 1: the hive. Huge And you get like a little letter 375 00:16:14,360 --> 00:16:17,640 Speaker 1: from the queen that she writes. She writes it with 376 00:16:17,680 --> 00:16:28,600 Speaker 1: her as whatever. Why you'd write with her abdomen? Why 377 00:16:28,720 --> 00:16:32,880 Speaker 1: not her hand? She got six feet I don't know anyway, 378 00:16:33,080 --> 00:16:37,800 Speaker 1: just say a queen writing with her as. Anyway, Look, 379 00:16:37,960 --> 00:16:41,160 Speaker 1: we got talking about weird phobias, and it instantly reminded 380 00:16:41,200 --> 00:16:43,160 Speaker 1: me of the phobia that my sister has. And I 381 00:16:43,160 --> 00:16:45,520 Speaker 1: hate to stitch at my sister again on this show. 382 00:16:45,560 --> 00:16:47,280 Speaker 1: She's had it a bit tough the last few days, 383 00:16:48,240 --> 00:16:52,720 Speaker 1: but she writes things with her as as well. No 384 00:16:52,840 --> 00:16:58,320 Speaker 1: she doesn't. But what she's scared of ridiculous, by the way, 385 00:16:58,360 --> 00:17:01,040 Speaker 1: thirteen one O six five Z number. I'm intrigued by 386 00:17:01,040 --> 00:17:03,920 Speaker 1: phobias and what people are really scared of, and like 387 00:17:04,000 --> 00:17:05,640 Speaker 1: how it happens. So if you've got one of these 388 00:17:05,680 --> 00:17:08,720 Speaker 1: weird phobias, or you know someone with a weird phobia, 389 00:17:09,160 --> 00:17:09,760 Speaker 1: give us a call. 390 00:17:09,840 --> 00:17:11,800 Speaker 3: But my sister, we don't want to stand in one's here. 391 00:17:12,080 --> 00:17:12,159 Speaker 12: Na. 392 00:17:12,240 --> 00:17:16,000 Speaker 1: No, if you're scared of crocodiles, god, we all are 393 00:17:15,600 --> 00:17:19,240 Speaker 1: the population. I just want to hear. Really, you're scared 394 00:17:19,240 --> 00:17:22,080 Speaker 1: of traffic lights, you know, saying like that, And my 395 00:17:22,280 --> 00:17:28,160 Speaker 1: sister she's scared of being in a closed cubicle. Now see, 396 00:17:28,200 --> 00:17:30,760 Speaker 1: that's a serious fear that I don't think is all 397 00:17:30,760 --> 00:17:33,680 Speaker 1: that weird. It's claustrophobia. No, no, no, no, no, no, She's 398 00:17:33,720 --> 00:17:36,520 Speaker 1: fine in small spaces. She's absolutely fine in small spaces. 399 00:17:36,720 --> 00:17:39,199 Speaker 1: She just cannot go into a cubicle and lock the 400 00:17:39,240 --> 00:17:43,400 Speaker 1: door so she can go in there. So imagine the situation. 401 00:17:43,520 --> 00:17:46,040 Speaker 1: This sets up horrible areas. It's awful. So when she's 402 00:17:46,040 --> 00:17:48,560 Speaker 1: on a plane, she has to when she goes to 403 00:17:48,600 --> 00:17:51,000 Speaker 1: the toilet, she has to have someone hold the door 404 00:17:51,080 --> 00:17:59,560 Speaker 1: for her because because she's scared, she's too scared. It's 405 00:17:59,560 --> 00:18:03,000 Speaker 1: a lot to lock the door. I mean, is a 406 00:18:03,080 --> 00:18:06,720 Speaker 1: brother as a brother, as a loving brother, the amount 407 00:18:06,760 --> 00:18:08,560 Speaker 1: of times I've just left her in there alone and 408 00:18:10,000 --> 00:18:15,640 Speaker 1: watch someone push over it. Oh sorry, sorry, if you've 409 00:18:15,640 --> 00:18:19,080 Speaker 1: got one of these phobias. Right now, we are talking 410 00:18:19,240 --> 00:18:24,600 Speaker 1: on thirteen one oh six five about weird phobias you've got. 411 00:18:25,320 --> 00:18:27,720 Speaker 1: I've got Sharon here, Sharon, this is about your friend. 412 00:18:29,080 --> 00:18:32,320 Speaker 12: Yeah, I've got a friend who has a phobia of 413 00:18:32,840 --> 00:18:35,560 Speaker 12: cakes of soap, god. 414 00:18:35,560 --> 00:18:37,520 Speaker 1: Like bars of soap. Sharon. 415 00:18:38,160 --> 00:18:38,600 Speaker 6: Yeah. 416 00:18:38,720 --> 00:18:42,520 Speaker 12: Yeah, so she's grown up just using like pump soap 417 00:18:43,200 --> 00:18:46,399 Speaker 12: of course, and can't handle yeah, bar. 418 00:18:46,440 --> 00:18:48,480 Speaker 1: The physical bar. So can I ask Sharon if she 419 00:18:48,600 --> 00:18:51,200 Speaker 1: was to walk into a stranger's bathroom or a public 420 00:18:51,240 --> 00:18:58,560 Speaker 1: bathroom and she was to see a bar of soap. 421 00:18:56,359 --> 00:18:59,520 Speaker 12: No, Actually I don't know what her I don't know 422 00:18:59,600 --> 00:19:03,480 Speaker 12: that could actually hop in like and like, I don't 423 00:19:03,480 --> 00:19:04,600 Speaker 12: think she could have a shower. 424 00:19:04,600 --> 00:19:06,679 Speaker 2: I don't think she could be in the shower if 425 00:19:06,720 --> 00:19:08,720 Speaker 2: it was there, it's not intense. 426 00:19:08,880 --> 00:19:10,680 Speaker 1: Wow, she probably wouldn't be able to get it out 427 00:19:10,680 --> 00:19:13,240 Speaker 1: because she'd be scared about touching it. That's wow, amazing 428 00:19:13,280 --> 00:19:15,600 Speaker 1: and so much room to stitch her up potentially, so 429 00:19:15,640 --> 00:19:18,160 Speaker 1: we'll keep sharing next time she goes to bed. 430 00:19:18,200 --> 00:19:20,840 Speaker 2: There's just a bar of soap on and they are 431 00:19:20,840 --> 00:19:22,600 Speaker 2: in string bars with sight though you know, I don't 432 00:19:22,600 --> 00:19:23,600 Speaker 2: really know how that thing works. 433 00:19:23,600 --> 00:19:27,880 Speaker 1: Does it clean itself or often you see. 434 00:19:27,400 --> 00:19:29,560 Speaker 3: I mean the old rug pube in the soap bar. 435 00:19:30,640 --> 00:19:33,320 Speaker 1: It looks like chewbucka after a while. We're a very 436 00:19:33,320 --> 00:19:39,120 Speaker 1: hairy family, Tim, Tim, what are you scared of? Mate? 437 00:19:39,160 --> 00:19:40,280 Speaker 1: What's your phobia. 438 00:19:41,200 --> 00:19:41,879 Speaker 8: I'm scared of. 439 00:19:43,280 --> 00:19:45,760 Speaker 13: I've got a phobia for belly. 440 00:19:45,480 --> 00:19:51,200 Speaker 1: Button belly buttons? Yeah right, So, like, so when you're 441 00:19:51,200 --> 00:19:54,720 Speaker 1: getting intimate with a woman or man, Tim, how do 442 00:19:54,760 --> 00:19:56,480 Speaker 1: you avoid the belly button? 443 00:19:56,560 --> 00:20:02,400 Speaker 13: But if I pay attention, I just cringe. It's just 444 00:20:02,480 --> 00:20:05,960 Speaker 13: like like my whole body cringe as if I actually 445 00:20:05,960 --> 00:20:06,600 Speaker 13: look into it. 446 00:20:07,440 --> 00:20:07,639 Speaker 14: If you. 447 00:20:07,840 --> 00:20:09,879 Speaker 2: Well, I think if anyone looks into a belly button, 448 00:20:11,359 --> 00:20:13,160 Speaker 2: I think they might cringe as well to him, thanks 449 00:20:13,200 --> 00:20:18,320 Speaker 2: the goal Jade. They can smell Bellley buttons though, which 450 00:20:18,359 --> 00:20:18,840 Speaker 2: is gross. 451 00:20:18,960 --> 00:20:21,840 Speaker 1: Yeah. No, is your belly buttons stink? 452 00:20:22,960 --> 00:20:23,479 Speaker 13: I hope not. 453 00:20:24,560 --> 00:20:26,639 Speaker 1: Don't try it? Do you know anywhere near it? 454 00:20:27,840 --> 00:20:28,080 Speaker 12: Yeah? 455 00:20:28,280 --> 00:20:30,480 Speaker 1: You never want to know because it is horrific. J 456 00:20:30,640 --> 00:20:32,000 Speaker 1: What do you what's your phobia there? 457 00:20:33,160 --> 00:20:33,800 Speaker 13: Micro fiber? 458 00:20:33,880 --> 00:20:40,520 Speaker 1: Course, like there's. 459 00:20:38,960 --> 00:20:41,639 Speaker 5: Yeah, like it's they're fine if they're wet, but if 460 00:20:41,640 --> 00:20:44,359 Speaker 5: they're dry, I just cringe. 461 00:20:44,600 --> 00:20:48,000 Speaker 1: Like a texture on a blackboard. Yeah, isn't it interesting? 462 00:20:48,440 --> 00:20:50,720 Speaker 1: There's certain textures which don't sit with people. 463 00:20:51,560 --> 00:20:54,080 Speaker 7: Yeah, Like you mean like when I got Spider Man 464 00:20:54,119 --> 00:20:56,760 Speaker 7: out with tobmguire and he had these little hairs that grew. 465 00:20:56,600 --> 00:20:58,040 Speaker 13: On his fingers and he got bitten by the spi. 466 00:20:58,320 --> 00:21:01,359 Speaker 5: Yeah, I feel like I've got those and they just 467 00:21:01,480 --> 00:21:05,119 Speaker 5: clink everything, you know. 468 00:21:05,560 --> 00:21:10,920 Speaker 1: Yeah, he's so interesting, but I get it though. Some 469 00:21:10,960 --> 00:21:12,800 Speaker 1: people hate overly right bananas. 470 00:21:12,800 --> 00:21:16,640 Speaker 2: Can't handle scared of them though, Oh like hate them, 471 00:21:16,760 --> 00:21:18,840 Speaker 2: same same thing, like, think of it and cringe. 472 00:21:19,680 --> 00:21:25,760 Speaker 1: Really interesting. You've got Emily here, Emily, what's your weird phobia? Leprechorns. 473 00:21:27,480 --> 00:21:28,600 Speaker 1: Have you been to Ireland? 474 00:21:29,600 --> 00:21:31,160 Speaker 8: Oh yeah, actually at the start of the year. 475 00:21:33,560 --> 00:21:36,200 Speaker 1: So if they specifically have to be a leprecorn, and 476 00:21:36,240 --> 00:21:39,119 Speaker 1: what if it was like a particularly small irishman. 477 00:21:40,119 --> 00:21:42,680 Speaker 10: No, no, they have to like where the green has orange? 478 00:21:43,200 --> 00:21:46,639 Speaker 1: So emily the fact that they don't exist, where do 479 00:21:46,680 --> 00:21:49,800 Speaker 1: you Where do you sit with that? Now? How have 480 00:21:49,880 --> 00:21:50,560 Speaker 1: I seen too? 481 00:21:51,480 --> 00:21:54,760 Speaker 3: You've seen two leprecorns. 482 00:21:54,680 --> 00:21:57,560 Speaker 8: Not like obviously real ones, but like people are imitating them, 483 00:21:57,560 --> 00:21:58,600 Speaker 8: Like why do they find me? 484 00:21:58,880 --> 00:21:59,240 Speaker 7: Oh? 485 00:21:59,520 --> 00:22:03,080 Speaker 2: Sure, so you can't handle somebody dressed up as a leprecorn? 486 00:22:03,320 --> 00:22:03,359 Speaker 1: No? 487 00:22:04,080 --> 00:22:04,800 Speaker 13: Yeah, right? 488 00:22:04,960 --> 00:22:05,360 Speaker 1: Interesting? 489 00:22:05,600 --> 00:22:10,800 Speaker 2: Like on St PATRICKTA used to stay inside on Sir 490 00:22:10,880 --> 00:22:12,440 Speaker 2: Patrick's stay you just stay inside. 491 00:22:12,880 --> 00:22:15,000 Speaker 8: Oh no, I made the I didn't realize it was 492 00:22:15,000 --> 00:22:17,040 Speaker 8: Saint Patrick's Day and I went to the city and 493 00:22:17,160 --> 00:22:22,920 Speaker 8: they were all running straight towards me. I just still 494 00:22:22,960 --> 00:22:26,199 Speaker 8: and they run straight past me, and I just didn't breathe. 495 00:22:26,400 --> 00:22:29,520 Speaker 1: Wow, it would be would be a scary thing to 496 00:22:29,560 --> 00:22:33,000 Speaker 1: be afraid of. I mean, that'd be a good movie. 497 00:22:33,160 --> 00:22:33,920 Speaker 1: Kill a leprechorn. 498 00:22:34,040 --> 00:22:37,560 Speaker 2: They're meant to be at the end of a rainbow though, Yeah, 499 00:22:37,760 --> 00:22:39,480 Speaker 2: I mean there there is a dilemma for. 500 00:22:40,840 --> 00:22:42,639 Speaker 1: Yeah, absolutely, what is she going to do? Does she 501 00:22:42,640 --> 00:22:46,240 Speaker 1: get the pot of gold? Does she run away? Dilemma? Natalie, 502 00:22:49,000 --> 00:22:50,120 Speaker 1: what's your weird phobia? 503 00:22:50,880 --> 00:22:54,440 Speaker 10: I am terrified of the sound of satisphone. 504 00:22:55,440 --> 00:22:58,480 Speaker 1: There's a sound of saxophones. 505 00:22:58,720 --> 00:23:01,480 Speaker 10: Even even talking about I was making me like, oh, 506 00:23:01,600 --> 00:23:05,720 Speaker 10: I can't even it is surefuying. There's a particular song, 507 00:23:05,840 --> 00:23:15,640 Speaker 10: like old school songs, mostly like old school Yeah, oh. 508 00:23:13,400 --> 00:23:16,439 Speaker 2: Really, No you mean you mean George Michael Kele's whisper, 509 00:23:16,560 --> 00:23:21,040 Speaker 2: That's what you mean? Yeah? Yeah, yeah, sorry, Natalie can 510 00:23:21,080 --> 00:23:23,600 Speaker 2: I sexophone is dealing my favorite instrument. 511 00:23:23,760 --> 00:23:26,680 Speaker 1: And they've had a real what don't you like about it? 512 00:23:26,920 --> 00:23:27,440 Speaker 2: What? Hell? 513 00:23:28,560 --> 00:23:30,920 Speaker 10: I think that when I was a kid, I used 514 00:23:30,920 --> 00:23:33,400 Speaker 10: to sneak out of that at night and watch late 515 00:23:33,520 --> 00:23:36,280 Speaker 10: night shows like All Saints in like hospital shows with 516 00:23:37,480 --> 00:23:39,840 Speaker 10: and then I used to get nightmares. And I'm almost 517 00:23:39,840 --> 00:23:42,000 Speaker 10: certain that one of those shows, I don't know which 518 00:23:42,000 --> 00:23:46,600 Speaker 10: one it was the actual thing until it was a saxophone. Yeah, 519 00:23:46,680 --> 00:23:50,680 Speaker 10: whenever I hear a slow jazz saxophone, Oh here's. 520 00:23:50,480 --> 00:23:53,720 Speaker 3: Me really, that is so interesting. 521 00:23:54,000 --> 00:23:54,960 Speaker 1: Well in a. 522 00:23:54,920 --> 00:23:57,160 Speaker 10: Small office and my boss would play it for fun 523 00:23:57,200 --> 00:23:58,720 Speaker 10: and I'd literally run out of the center. 524 00:23:59,720 --> 00:24:05,040 Speaker 1: That is just a horrible ailment as someone who loves saxophones. 525 00:24:05,680 --> 00:24:09,440 Speaker 1: She's really missing out, she is, and she ever it's 526 00:24:09,480 --> 00:24:11,600 Speaker 1: good to have a background there though she's just associated 527 00:24:11,600 --> 00:24:14,679 Speaker 1: saxophone with horrific shows like All Saints. I've never known 528 00:24:14,720 --> 00:24:16,560 Speaker 1: All Saints to be like a horrifically scared No. 529 00:24:16,680 --> 00:24:19,080 Speaker 2: I think it's the Blood and Guards. Lethal Weapon had 530 00:24:19,080 --> 00:24:20,320 Speaker 2: a lot of saxophones going on. 531 00:24:21,440 --> 00:24:22,920 Speaker 1: Well there you go, maybe talk to Lethal. Well, I 532 00:24:22,920 --> 00:24:23,879 Speaker 1: actually just can't believe that. 533 00:24:23,880 --> 00:24:26,320 Speaker 2: Like I love saxophones. It's like if somebody told you 534 00:24:26,400 --> 00:24:28,320 Speaker 2: that you had a mortal fear of cashiers. 535 00:24:28,880 --> 00:24:31,560 Speaker 1: Oh no, that just doesn't make sense to me, especially 536 00:24:31,600 --> 00:24:33,879 Speaker 1: the juicy raw ones. The juicy raw ones. You know, 537 00:24:33,920 --> 00:24:35,399 Speaker 1: we've got a lot of stitch ups there, mate, so 538 00:24:35,440 --> 00:24:37,840 Speaker 1: we'll keep all those with us. Guys, we are going 539 00:24:37,880 --> 00:24:40,680 Speaker 1: to throw bars of saxophones and leprecorns and people. 540 00:24:42,280 --> 00:24:44,520 Speaker 2: We're talking all about the royal baby very very shortly, 541 00:24:44,640 --> 00:24:46,600 Speaker 2: as well as million bucks to your whale based chemist. 542 00:24:46,600 --> 00:24:47,560 Speaker 1: Whare ouse guys, so get along. 543 00:24:47,600 --> 00:24:50,560 Speaker 2: If you having already two instagram you can see the 544 00:24:50,560 --> 00:24:52,399 Speaker 2: link there, and I give him a million bucks from 545 00:24:52,400 --> 00:24:53,720 Speaker 2: Mother's Day hopefully for one of you. 546 00:24:53,720 --> 00:24:55,720 Speaker 1: Guys put the money. Well. I was taking in shower 547 00:24:55,760 --> 00:25:01,880 Speaker 1: the other day and stout of jower. Not a sexy shower. 548 00:25:03,960 --> 00:25:06,760 Speaker 1: I went to go on new Is. I'm standing there 549 00:25:06,840 --> 00:25:09,560 Speaker 1: and I realized I need a little bit of work downstairs. Yep, 550 00:25:09,680 --> 00:25:11,120 Speaker 1: totally all been there. 551 00:25:14,200 --> 00:25:18,040 Speaker 3: I can't see my own razor insight. 552 00:25:18,480 --> 00:25:18,680 Speaker 1: Yep. 553 00:25:18,720 --> 00:25:23,600 Speaker 3: Sure, I look over, and I also carry stubble. 554 00:25:23,720 --> 00:25:24,719 Speaker 1: For those of you who don't know what to look, 555 00:25:25,080 --> 00:25:27,399 Speaker 1: I normally have a beard or stubble. You look like 556 00:25:27,440 --> 00:25:30,880 Speaker 1: a sort of late eighties George Michael. You've got that 557 00:25:30,880 --> 00:25:34,679 Speaker 1: sort of stuff going on, a poor man's late eighties 558 00:25:34,720 --> 00:25:37,359 Speaker 1: George Michael. He was a gorgeous man. I think George 559 00:25:37,359 --> 00:25:39,440 Speaker 1: Michael from Wham. And then just. 560 00:25:41,000 --> 00:25:44,520 Speaker 2: I've got continuous doubble slash beard, which means I haven't 561 00:25:44,560 --> 00:25:48,080 Speaker 2: got an accessible raiser. Sure, I'm looking around the bath 562 00:25:48,480 --> 00:25:51,600 Speaker 2: trying to find an option, and then I see on 563 00:25:51,640 --> 00:25:53,320 Speaker 2: the shelf. 564 00:25:58,440 --> 00:26:01,000 Speaker 1: The Venus raiser. Did you got baled that? 565 00:26:01,080 --> 00:26:03,160 Speaker 3: My girlfriend obviously uses. 566 00:26:03,000 --> 00:26:04,600 Speaker 1: You have to show me. No, no, no, I just 567 00:26:04,600 --> 00:26:06,120 Speaker 1: needed a little bit of a clean up here and there. 568 00:26:06,880 --> 00:26:09,959 Speaker 1: I'm shaved around the general readio. You know when you're 569 00:26:09,960 --> 00:26:12,920 Speaker 1: looking a bit small and you realize this. Yeah, yeah, yeah, mate, 570 00:26:13,080 --> 00:26:15,080 Speaker 1: we all know. Welcome to my life. And it does 571 00:26:15,119 --> 00:26:15,560 Speaker 1: make it. 572 00:26:15,560 --> 00:26:16,960 Speaker 3: It does make it, does make it happen. 573 00:26:17,680 --> 00:26:19,879 Speaker 1: I mean, if you can picture just a weed in 574 00:26:19,920 --> 00:26:23,199 Speaker 1: a forest, it looks terrible. Think of a weed by 575 00:26:23,240 --> 00:26:25,199 Speaker 1: itself and a pad. You know, at least you can 576 00:26:25,280 --> 00:26:26,240 Speaker 1: see it, or even just. 577 00:26:26,240 --> 00:26:27,800 Speaker 2: Have a look at you know, we look at some 578 00:26:27,840 --> 00:26:30,040 Speaker 2: freshly mown grass around a kind of a couple of 579 00:26:30,040 --> 00:26:31,399 Speaker 2: shrubs or a little box hedge. 580 00:26:31,680 --> 00:26:33,760 Speaker 1: Yeah, it looks a bit more prominent. Now that's what 581 00:26:33,800 --> 00:26:34,280 Speaker 1: I went for. 582 00:26:34,880 --> 00:26:38,560 Speaker 2: So and as I'm doing it, I realized to myself, 583 00:26:39,400 --> 00:26:40,879 Speaker 2: well I just realized. 584 00:26:40,920 --> 00:26:44,040 Speaker 1: Of course it's to myself. It's been a long day. 585 00:26:44,320 --> 00:26:49,720 Speaker 2: I realized realized there's almost one person who's raised. 586 00:26:49,440 --> 00:26:51,440 Speaker 1: A poor in the relationship. 587 00:26:51,880 --> 00:26:55,320 Speaker 2: Okay, I don't think I'm the first guy, particularly in. 588 00:26:55,240 --> 00:26:58,240 Speaker 1: The modern age, who's not packing. 589 00:26:58,960 --> 00:27:03,919 Speaker 2: A stubble or facial razor and hence uses their girlfriend's venus. 590 00:27:03,760 --> 00:27:07,800 Speaker 1: Razor for their nether regions. Yeah, Okay, I really don't. 591 00:27:07,960 --> 00:27:11,320 Speaker 3: And I would say it goes the other way. 592 00:27:11,480 --> 00:27:16,160 Speaker 2: If your man uses a facial razor, you're the one, 593 00:27:16,280 --> 00:27:18,679 Speaker 2: as a girl who uses that for the rest of the. 594 00:27:18,720 --> 00:27:23,720 Speaker 1: Rig if this is a thing, mate, I am the anomaly, really, 595 00:27:23,800 --> 00:27:27,560 Speaker 1: but that's because I'm never a clean shaver. I'm a trimmer. 596 00:27:27,600 --> 00:27:29,520 Speaker 1: I'm a trimmer all the way around. You also don't 597 00:27:29,560 --> 00:27:32,520 Speaker 1: have any problems with hair on your face. No, no, 598 00:27:32,680 --> 00:27:35,520 Speaker 1: it's fair. Fair, it's fair, it's fair. I grow a 599 00:27:35,560 --> 00:27:38,000 Speaker 1: small pubic patch on my chin and that's pretty much it. 600 00:27:38,119 --> 00:27:38,280 Speaker 7: Now. 601 00:27:38,280 --> 00:27:42,040 Speaker 2: Look, I wouldn't mind hearing thirteen one or six five 602 00:27:42,080 --> 00:27:44,560 Speaker 2: because my girlfriend hasn't figured this out yet. She doesn't 603 00:27:44,600 --> 00:27:47,760 Speaker 2: know I clean the razor afterwards, and I don't want 604 00:27:47,800 --> 00:27:48,119 Speaker 2: her to know. 605 00:27:49,400 --> 00:27:53,200 Speaker 1: Are you the razor robber in your relationship? And how 606 00:27:53,200 --> 00:27:54,159 Speaker 1: long you've been doing it for? 607 00:27:54,640 --> 00:27:56,440 Speaker 2: And I mean, as I said, it can go both ways. 608 00:27:56,480 --> 00:27:58,239 Speaker 2: If you're a guy that's got stubble, you don't need 609 00:27:58,280 --> 00:28:00,680 Speaker 2: a razor. You get yourself that venus raise up, which 610 00:28:00,680 --> 00:28:01,200 Speaker 2: is just magic. 611 00:28:01,240 --> 00:28:03,000 Speaker 1: And I actually sing this song to myself while I'm 612 00:28:03,000 --> 00:28:03,240 Speaker 1: doing it. 613 00:28:07,280 --> 00:28:10,080 Speaker 2: Who thinks, like, if you're the razor robberin your relationship, 614 00:28:13,040 --> 00:28:15,920 Speaker 2: you know there's always one person who's raised a poor 615 00:28:16,000 --> 00:28:18,560 Speaker 2: and I guarantee you're sometimes getting a little bit of 616 00:28:19,160 --> 00:28:22,440 Speaker 2: pubes on your cheeks. I dare say that I might 617 00:28:22,480 --> 00:28:25,480 Speaker 2: be rattling a few cages here, maybe even causing a. 618 00:28:25,480 --> 00:28:26,399 Speaker 1: Few breakups woods. 619 00:28:26,400 --> 00:28:28,240 Speaker 2: But the reality is, in the modern day and with 620 00:28:28,280 --> 00:28:31,760 Speaker 2: a lot of men going with the continuous stubble, many, 621 00:28:31,800 --> 00:28:35,040 Speaker 2: if not most of us don't have clean cut raisers. 622 00:28:35,280 --> 00:28:38,280 Speaker 2: We don't have it, which means when it comes to 623 00:28:39,440 --> 00:28:47,680 Speaker 2: trimming downstairs where and as a can put it, a 624 00:28:47,720 --> 00:28:49,080 Speaker 2: slug on a barbershop floor. 625 00:28:49,640 --> 00:28:54,600 Speaker 1: Oh hang on, surely that's if you miss it? Does 626 00:28:54,640 --> 00:28:57,600 Speaker 1: that referring to it's just like it's just the anyway. 627 00:28:57,600 --> 00:29:00,320 Speaker 2: But when you're down there, when you're down there and 628 00:29:00,360 --> 00:29:01,920 Speaker 2: you've got nothing great. 629 00:29:02,280 --> 00:29:06,520 Speaker 1: Great visionary. I'm never gonna look at a chop the same. 630 00:29:07,360 --> 00:29:09,520 Speaker 2: So you're down there and you've got nothing else because 631 00:29:09,520 --> 00:29:11,280 Speaker 2: you know, you haven't got your own clean cut raizor, 632 00:29:11,440 --> 00:29:11,880 Speaker 2: and then. 633 00:29:11,760 --> 00:29:15,560 Speaker 1: You turn to that little ledge that you've got in. 634 00:29:15,480 --> 00:29:22,600 Speaker 2: The shower and they're like a savior is your girlfriends 635 00:29:22,680 --> 00:29:23,680 Speaker 2: or your partner's razor. 636 00:29:25,560 --> 00:29:28,080 Speaker 3: It's of from one of these ones. And they're good. 637 00:29:28,480 --> 00:29:29,040 Speaker 1: They're good. 638 00:29:29,440 --> 00:29:33,040 Speaker 2: They moisturize on both sides. Really, yeah, they're great, mate, 639 00:29:33,080 --> 00:29:34,959 Speaker 2: I'm telling you, and you sing it to yourself as 640 00:29:35,000 --> 00:29:35,479 Speaker 2: it happens. 641 00:29:36,520 --> 00:29:39,720 Speaker 1: We've got Karna here. 642 00:29:39,360 --> 00:29:42,440 Speaker 2: You're you're the razor robber in your relationship, mate, talk 643 00:29:42,480 --> 00:29:42,800 Speaker 2: to us. 644 00:29:42,840 --> 00:29:44,800 Speaker 1: I am honest, be honest. 645 00:29:45,000 --> 00:29:47,320 Speaker 2: Right, So he obviously uses the clean cut when it 646 00:29:47,320 --> 00:29:49,840 Speaker 2: gets down downstairs for you. I'm not sure how that works, 647 00:29:49,960 --> 00:29:53,080 Speaker 2: beaver on a barber shop floor or whatever. 648 00:29:53,080 --> 00:29:54,200 Speaker 1: The terminology is there. 649 00:29:56,640 --> 00:29:58,360 Speaker 3: You go for it, You go for you go for 650 00:29:58,400 --> 00:29:58,840 Speaker 3: his gillett? 651 00:29:58,880 --> 00:30:00,000 Speaker 1: Do you? 652 00:30:00,240 --> 00:30:02,840 Speaker 9: I do? And you know what, ten years later, he 653 00:30:03,000 --> 00:30:03,680 Speaker 9: still doesn't know. 654 00:30:04,160 --> 00:30:08,800 Speaker 1: It's do you get a little bit of satisfaction every 655 00:30:08,840 --> 00:30:12,080 Speaker 1: time you see him shaving his face, knowing that it's 656 00:30:12,080 --> 00:30:17,280 Speaker 1: been down here every time, every now and again. Stuff 657 00:30:17,840 --> 00:30:19,280 Speaker 1: is what happened to my moisture? 658 00:30:19,400 --> 00:30:20,640 Speaker 7: You know, the little moisture strip? 659 00:30:20,800 --> 00:30:24,280 Speaker 13: Oh yeah, gone, it just must disappeared. 660 00:30:24,280 --> 00:30:28,959 Speaker 1: I'm like, yeah, Mom, Karina, I might be asking too 661 00:30:29,040 --> 00:30:30,360 Speaker 1: much of you here, but it would just be a 662 00:30:30,400 --> 00:30:33,320 Speaker 1: real treat for me and our whole audience. Would you 663 00:30:33,360 --> 00:30:36,040 Speaker 1: call him on our show and revealed him that you've 664 00:30:36,080 --> 00:30:38,479 Speaker 1: been using his razor? How long has it been? 665 00:30:38,920 --> 00:30:39,120 Speaker 5: Wait? 666 00:30:41,240 --> 00:30:43,280 Speaker 1: So ten years he's been getting your oppubs on his face. 667 00:30:43,400 --> 00:30:46,600 Speaker 1: That would be a great call. I mean, what what what? 668 00:30:46,600 --> 00:30:48,240 Speaker 1: What if we gave you the chance to do a 669 00:30:48,280 --> 00:30:49,040 Speaker 1: million dollars? 670 00:30:49,960 --> 00:30:51,840 Speaker 3: I know she's going to. 671 00:30:53,080 --> 00:30:54,520 Speaker 9: Because he's super embarrassed. 672 00:30:54,640 --> 00:30:57,680 Speaker 1: Hey, thanks so much of the stuff going to go 673 00:30:57,760 --> 00:30:58,920 Speaker 1: to Alana. 674 00:30:59,000 --> 00:31:02,200 Speaker 2: Here Alana on thirty one and sixty five, you've figured 675 00:31:02,200 --> 00:31:04,080 Speaker 2: out that your partner is the raisor robber. 676 00:31:05,120 --> 00:31:05,800 Speaker 1: Yes he is. 677 00:31:06,080 --> 00:31:08,440 Speaker 13: Every time I go to pick it up in the shower, 678 00:31:08,760 --> 00:31:09,760 Speaker 13: it is still. 679 00:31:09,520 --> 00:31:12,600 Speaker 10: Covered with his hair, either from his bed or I 680 00:31:12,640 --> 00:31:13,200 Speaker 10: don't know what. 681 00:31:13,480 --> 00:31:15,200 Speaker 11: But I look at it and I'm like, I'm going 682 00:31:15,240 --> 00:31:16,800 Speaker 11: broke here buying. 683 00:31:16,520 --> 00:31:19,400 Speaker 10: New razors all the time because he's stealing mine. 684 00:31:19,920 --> 00:31:23,000 Speaker 1: Are you buying the Venus as well, Lana? I am. 685 00:31:23,200 --> 00:31:26,440 Speaker 1: It's good stuff, the Venus. I'm telling you, it's absolute. 686 00:31:26,640 --> 00:31:27,840 Speaker 1: It's home base for me. 687 00:31:28,680 --> 00:31:29,640 Speaker 3: It's so good. 688 00:31:30,440 --> 00:31:32,440 Speaker 2: Goat star Blana, thanks so much for the go talking 689 00:31:32,480 --> 00:31:34,280 Speaker 2: all things world wedding up next we will and what 690 00:31:34,440 --> 00:31:36,600 Speaker 2: he thanks to Marvel's Studios Avengers Infinity War, which is 691 00:31:36,640 --> 00:31:37,440 Speaker 2: out tomorrow. 692 00:31:37,960 --> 00:31:38,400 Speaker 1: What's I mean? 693 00:31:38,480 --> 00:31:42,200 Speaker 2: Big news, big news all across the globe has got 694 00:31:42,200 --> 00:31:44,920 Speaker 2: a brand new royal baby into the world. 695 00:31:45,200 --> 00:31:49,400 Speaker 1: Yeah, it's very exciting. Welcome little Feller. Absolutely his name, 696 00:31:49,480 --> 00:31:50,360 Speaker 1: yet no, we don't. 697 00:31:50,400 --> 00:31:52,280 Speaker 2: The first question a lot of people asking, though, is 698 00:31:52,320 --> 00:31:54,160 Speaker 2: what does this mean for the succession of things. 699 00:31:54,200 --> 00:31:56,320 Speaker 1: I mean, where's it going to go going forward? I'm 700 00:31:56,400 --> 00:31:56,880 Speaker 1: dying to know. 701 00:31:57,160 --> 00:32:01,640 Speaker 2: Yeah, Well, we've got our roving British reporter Archibald Lanistone 702 00:32:01,640 --> 00:32:05,080 Speaker 2: who's actually put together a little bit of an assessment 703 00:32:05,160 --> 00:32:07,320 Speaker 2: of just how hold it up to this point? 704 00:32:07,320 --> 00:32:13,520 Speaker 1: Have listened? The Royles lover a right. 705 00:32:13,480 --> 00:32:16,080 Speaker 6: Good succession fast, don't they. Let's trace all the way 706 00:32:16,080 --> 00:32:17,440 Speaker 6: back to nineteen thirty six with. 707 00:32:18,960 --> 00:32:19,760 Speaker 1: Himdication. 708 00:32:20,240 --> 00:32:22,000 Speaker 6: King Edward the eighth jumped off the top of the 709 00:32:22,000 --> 00:32:24,360 Speaker 6: fruit chain in nineteen thirty six to be with American 710 00:32:24,400 --> 00:32:25,960 Speaker 6: socialite Wallace Simpson. 711 00:32:26,040 --> 00:32:27,480 Speaker 1: What did Wallace look? 712 00:32:27,720 --> 00:32:28,480 Speaker 10: A woman who. 713 00:32:28,320 --> 00:32:30,640 Speaker 6: Wasn't fit for the royal family after being divorced once 714 00:32:30,680 --> 00:32:33,560 Speaker 6: already and having been in the process of divorcing a second. 715 00:32:33,720 --> 00:32:36,640 Speaker 6: Next up was King to George the sixth, who, although 716 00:32:36,680 --> 00:32:40,040 Speaker 6: suffering from a stemma, managed to bring England together Utimate. 717 00:32:40,120 --> 00:32:43,320 Speaker 6: Georgie was the father of now reigning Queen Elizabeth Second. 718 00:32:43,680 --> 00:32:45,280 Speaker 1: Just last week, her Majesty. 719 00:32:44,960 --> 00:32:47,400 Speaker 6: Made the claim she hoped the Commonwealth will support the 720 00:32:47,400 --> 00:32:50,440 Speaker 6: succession of her by her son, Charles, the Prince of Wales. 721 00:32:50,600 --> 00:32:52,840 Speaker 6: Would everyone be like, just give it to William, old 722 00:32:52,840 --> 00:32:55,120 Speaker 6: boy child is surely on the way out himself into it, 723 00:32:55,480 --> 00:32:57,720 Speaker 6: and with the arrival of child number three for Prince 724 00:32:57,720 --> 00:33:00,440 Speaker 6: William and Kate Middleton's better thought for Prince Harried, the 725 00:33:00,480 --> 00:33:02,760 Speaker 6: line of succession has changed and now pushed him back 726 00:33:02,800 --> 00:33:05,720 Speaker 6: down the food chain. Currently the line of succession girls 727 00:33:05,880 --> 00:33:09,840 Speaker 6: Charles William, Young, Prince George, Princess Charlotte maybe no name. 728 00:33:09,960 --> 00:33:13,240 Speaker 6: Then finally reaching down to Harry, languishing in sixth place, 729 00:33:18,400 --> 00:33:20,880 Speaker 6: although with naked pool badies in Las Vegas and marrying 730 00:33:20,880 --> 00:33:23,760 Speaker 6: an excellent smelker next month. Me thinks Harry has a 731 00:33:23,760 --> 00:33:26,720 Speaker 6: pretty bloody good good luck to the little newborn boy. 732 00:33:26,840 --> 00:33:27,480 Speaker 1: I was jealous. 733 00:33:27,520 --> 00:33:33,000 Speaker 2: All hell, how good he's good? 734 00:33:33,720 --> 00:33:35,840 Speaker 1: He's always done a good job. Is that true that 735 00:33:35,840 --> 00:33:39,520 Speaker 1: Harry's there? Six? Yeah, he's dropped right off. They're all 736 00:33:39,560 --> 00:33:41,760 Speaker 1: in a yeah. Like you said, though, he's got a 737 00:33:41,760 --> 00:33:43,640 Speaker 1: pretty good he's got a pretty good well set art ball. 738 00:33:43,640 --> 00:33:45,000 Speaker 2: We're going to talk about a little bit more up 739 00:33:45,080 --> 00:33:48,600 Speaker 2: name brand new little Bubba joining the Royal Crew. 740 00:33:51,400 --> 00:34:06,080 Speaker 1: Good morning call. Wow, come on, all babies have that. 741 00:34:06,320 --> 00:34:10,880 Speaker 2: It's actually like, it's so so red after. 742 00:34:10,680 --> 00:34:17,080 Speaker 1: All exhausted, I am died. If we can move this 743 00:34:17,160 --> 00:34:22,840 Speaker 1: along that I think you should go again. The music again. 744 00:34:28,239 --> 00:34:34,360 Speaker 2: Now interesting areas if you heard, just heard our roving 745 00:34:34,400 --> 00:34:38,000 Speaker 2: British reporter Archibald Lanister with a ramp of the succession plan, 746 00:34:38,239 --> 00:34:39,640 Speaker 2: and I think it's going to be tough. 747 00:34:41,040 --> 00:34:43,320 Speaker 1: Everybody else so moves down one in the ranking. 748 00:34:43,400 --> 00:34:46,759 Speaker 2: And it's a little bit like the scenario where you're 749 00:34:46,840 --> 00:34:51,319 Speaker 2: expecting something to be yours but it gets taken off you, 750 00:34:51,840 --> 00:34:56,359 Speaker 2: or it's a you know, you're you're double blinded by 751 00:34:56,400 --> 00:34:58,919 Speaker 2: something and you get given something and you don't get 752 00:34:58,960 --> 00:35:00,360 Speaker 2: what you expected. 753 00:35:00,120 --> 00:35:01,520 Speaker 1: Like you like like a job promotion. 754 00:35:01,800 --> 00:35:04,520 Speaker 2: Almost like absolutely if you've had your eye on a 755 00:35:04,600 --> 00:35:07,319 Speaker 2: job promotion or maybe something that was in somebody's will 756 00:35:07,800 --> 00:35:09,359 Speaker 2: and you're like, look, I've got this eye. 757 00:35:09,440 --> 00:35:09,960 Speaker 1: This lind up. 758 00:35:10,320 --> 00:35:14,240 Speaker 2: Maybe just maybe you're in a relationship with somebody and 759 00:35:15,000 --> 00:35:17,239 Speaker 2: you thought you were getting something. I mean, it was 760 00:35:17,239 --> 00:35:21,360 Speaker 2: a little bit like that scene in Love actually, I 761 00:35:21,360 --> 00:35:24,880 Speaker 2: mean I think of that bit where Emma Thompson gets 762 00:35:24,880 --> 00:35:27,600 Speaker 2: given the CD instead of the necklace with Jodi Mitchell 763 00:35:27,640 --> 00:35:28,480 Speaker 2: on it and she's crying. 764 00:35:28,640 --> 00:35:33,520 Speaker 14: Imagine your husband bought a golden necklace and come Christmas 765 00:35:33,520 --> 00:35:37,799 Speaker 14: gave it to somebody else. Would you wait around to 766 00:35:37,840 --> 00:35:40,520 Speaker 14: find out if it's just a necklace, or if it's 767 00:35:41,400 --> 00:35:43,239 Speaker 14: sex and an necklace, or if it inst of all 768 00:35:43,360 --> 00:35:49,239 Speaker 14: it's a necklace, and lah, would you say knowing your 769 00:35:49,239 --> 00:35:52,879 Speaker 14: life would always be a little bit worse? Or would 770 00:35:52,880 --> 00:35:57,640 Speaker 14: you come and run? 771 00:36:00,160 --> 00:36:05,200 Speaker 1: Classic? And he's a classic four. I'm a classic four. 772 00:36:07,200 --> 00:36:10,440 Speaker 1: I've done it. Don't forget to frost the pork chops 773 00:36:10,480 --> 00:36:15,120 Speaker 1: leaping with my reception of he rest in peace? That 774 00:36:15,160 --> 00:36:21,640 Speaker 1: great mate, what a brilliant actory is classic? 775 00:36:22,560 --> 00:36:26,400 Speaker 2: I mean, I love I just can't help but feel 776 00:36:26,600 --> 00:36:29,359 Speaker 2: so sorry for Emma Thompson in that moment when she's 777 00:36:29,440 --> 00:36:31,160 Speaker 2: danding listening to Johnny Mitchell in her room. 778 00:36:31,239 --> 00:36:31,759 Speaker 1: It's just a. 779 00:36:34,200 --> 00:36:36,680 Speaker 2: It's just a horrible moment, isn't it When you thought 780 00:36:36,680 --> 00:36:38,640 Speaker 2: you were going to get something and it and. 781 00:36:38,640 --> 00:36:41,480 Speaker 1: It doesn't happen. It doesn't happen, You don't get anything. 782 00:36:41,719 --> 00:36:41,919 Speaker 9: Yeah. 783 00:36:41,920 --> 00:36:45,200 Speaker 1: I still remember the day. It was Christmas Day and 784 00:36:45,320 --> 00:36:47,160 Speaker 1: I was pretty confident that I was getting a bike. 785 00:36:47,920 --> 00:36:52,200 Speaker 1: Oh no, I can, Billy, I can barely rehash the 786 00:36:52,200 --> 00:36:55,360 Speaker 1: story because it still brings like tears, my tears well. 787 00:36:55,880 --> 00:37:01,040 Speaker 1: And I remember going to the Christmas tree and I 788 00:37:01,120 --> 00:37:04,960 Speaker 1: got a little sorry. That Joni ritual here is perfect. 789 00:37:05,200 --> 00:37:07,200 Speaker 1: Keep playing Mike, keep playing it because I want to 790 00:37:07,239 --> 00:37:10,200 Speaker 1: be in touch with my emotions. I got this crap. 791 00:37:11,520 --> 00:37:14,160 Speaker 1: It wasn't even the batmobile, it was Robin's. It was 792 00:37:14,280 --> 00:37:19,480 Speaker 1: Robin's vehicle, which I'm assuming was just ninety percent off 793 00:37:19,480 --> 00:37:21,960 Speaker 1: because no one bought it. That's horrible. And I've been 794 00:37:21,960 --> 00:37:23,480 Speaker 1: there on Christmas as well. I mean I thought I 795 00:37:23,520 --> 00:37:27,839 Speaker 1: was getting a sixty four. Oh everyone's doing it. Yeah, 796 00:37:28,160 --> 00:37:31,160 Speaker 1: got a Lego box. I thought I was going to 797 00:37:31,160 --> 00:37:34,560 Speaker 1: get a Razor scooter. Yeah, I got that shitty other 798 00:37:34,640 --> 00:37:37,239 Speaker 1: home brand one. And you can't take that to Jade, 799 00:37:37,360 --> 00:37:40,160 Speaker 1: the JD Bug, JD Bug, you can't take that. I 800 00:37:40,320 --> 00:37:44,440 Speaker 1: couldn't be seeing dead in the JA Bug to go 801 00:37:44,480 --> 00:37:46,359 Speaker 1: out at night with my bug. 802 00:37:46,840 --> 00:37:48,640 Speaker 2: You might have thought that one that someone was keen 803 00:37:48,680 --> 00:37:50,239 Speaker 2: on you, and it turned out that they were kin 804 00:37:50,320 --> 00:37:50,560 Speaker 2: to one. 805 00:37:50,520 --> 00:37:51,040 Speaker 1: Of your mates. 806 00:37:51,320 --> 00:37:57,920 Speaker 2: Oh look, thirty, what were you expecting? Yeah, what did 807 00:37:57,960 --> 00:37:59,919 Speaker 2: you think was yours? What was going to land your lab? 808 00:38:00,000 --> 00:38:01,359 Speaker 2: And then it went to somebody else? 809 00:38:01,520 --> 00:38:05,799 Speaker 1: Could be drop promotion as well, guyspible T you calls 810 00:38:05,840 --> 00:38:07,680 Speaker 1: it next, we'll play the Joni Mitchell for you as well. 811 00:38:08,000 --> 00:38:11,680 Speaker 1: It's really woody. Oh how nice getting your home. 812 00:38:11,840 --> 00:38:18,280 Speaker 2: But da Woods. Tragic times for Prince Harry. I think yesterday, 813 00:38:18,360 --> 00:38:20,480 Speaker 2: if the baby was born, he was eyeing off being 814 00:38:20,560 --> 00:38:24,480 Speaker 2: fifth in line to the throne and he's been dethroned 815 00:38:24,640 --> 00:38:28,160 Speaker 2: mind the pun by a no name baby. 816 00:38:28,360 --> 00:38:28,920 Speaker 5: Yeah. 817 00:38:29,000 --> 00:38:30,520 Speaker 1: I mean it had hurt. But then again, you go 818 00:38:30,560 --> 00:38:36,759 Speaker 1: home to Rachelawsuits and you know, you hear all your 819 00:38:36,800 --> 00:38:39,400 Speaker 1: problems as solved. Yeah, and you remember the time you 820 00:38:39,400 --> 00:38:41,880 Speaker 1: were nut in Vegas and you go, oh, you know what, 821 00:38:42,040 --> 00:38:42,919 Speaker 1: Life's been pretty good. 822 00:38:44,320 --> 00:38:46,439 Speaker 3: And you know, from one great brit to another one. 823 00:38:46,560 --> 00:38:49,879 Speaker 2: I can't help but think that Harry's expectation and that 824 00:38:50,160 --> 00:38:52,960 Speaker 2: shattering on the rock of his reality is very similar 825 00:38:53,000 --> 00:38:55,799 Speaker 2: to Emma Thompson in Love Actually when she gets the 826 00:38:55,800 --> 00:39:00,279 Speaker 2: CD and she expects the necklace and she since the 827 00:39:00,360 --> 00:39:02,520 Speaker 2: Jodie Mitchell in her room and it's just tragic stuff. 828 00:39:03,080 --> 00:39:03,759 Speaker 1: Yeah. 829 00:39:03,800 --> 00:39:05,879 Speaker 3: And I want to celebrate those moments because we've all 830 00:39:05,880 --> 00:39:06,200 Speaker 3: had them. 831 00:39:06,200 --> 00:39:09,120 Speaker 2: We've all we've all expected something, we all thought something 832 00:39:09,239 --> 00:39:10,200 Speaker 2: was in the bag and. 833 00:39:10,120 --> 00:39:12,080 Speaker 3: Then it gets ripped away from us. 834 00:39:12,360 --> 00:39:12,520 Speaker 9: Yeah. 835 00:39:12,520 --> 00:39:15,359 Speaker 1: We got Ryan here, Ryan, I had a Christmas one 836 00:39:15,400 --> 00:39:17,160 Speaker 1: before what happened to you on Christmas? 837 00:39:17,680 --> 00:39:21,320 Speaker 13: Koda Boys A big fan of the show. No worries. 838 00:39:21,760 --> 00:39:23,960 Speaker 5: So my story is this is a couple of years 839 00:39:24,000 --> 00:39:25,399 Speaker 5: ago the. 840 00:39:25,360 --> 00:39:26,920 Speaker 13: Game Call of Judy Black Ops. 841 00:39:27,000 --> 00:39:29,640 Speaker 5: When it was announced, I had never been more excited 842 00:39:29,680 --> 00:39:30,760 Speaker 5: for anything in my life. 843 00:39:30,840 --> 00:39:32,520 Speaker 1: Call of Duty. Yeah. 844 00:39:32,680 --> 00:39:37,959 Speaker 5: I begged my parents for it for my PlayStation and yeah, 845 00:39:38,160 --> 00:39:41,200 Speaker 5: And one day I came home and I found a 846 00:39:41,239 --> 00:39:44,800 Speaker 5: receipt on the bench which said Call of Judy Black Ops. 847 00:39:44,840 --> 00:39:45,200 Speaker 1: Like love. 848 00:39:45,239 --> 00:39:47,840 Speaker 2: Actually, I mean she looks in the bag, she's you know, 849 00:39:47,960 --> 00:39:49,960 Speaker 2: she sees the necklace, she's sure of it. 850 00:39:50,320 --> 00:39:51,160 Speaker 1: What happened Ryan? 851 00:39:51,600 --> 00:39:53,680 Speaker 13: Oh, it wasn't in her bag. Read It was just 852 00:39:53,680 --> 00:39:55,480 Speaker 13: like she left on the bench. 853 00:39:55,520 --> 00:39:57,600 Speaker 5: And as a kid, I could called you black I'm 854 00:39:57,640 --> 00:40:01,960 Speaker 5: squealing and stuff in the ba. And then Christmas comes 855 00:40:01,960 --> 00:40:04,560 Speaker 5: around and it was a call of T shirt? 856 00:40:05,160 --> 00:40:08,880 Speaker 1: Oh, Ryan, a shirt? 857 00:40:09,400 --> 00:40:12,680 Speaker 12: And she comes she oh, but you want to call you? 858 00:40:12,880 --> 00:40:16,600 Speaker 1: This is what you wanted? And did you stand in 859 00:40:16,600 --> 00:40:28,920 Speaker 1: your room and listen to Joni Mitchell Ryan for a 860 00:40:28,960 --> 00:40:32,759 Speaker 1: T shirt? He's so funny. I just don't know if 861 00:40:32,760 --> 00:40:35,120 Speaker 1: I can buy that. I just wouldn't buy that at all. 862 00:40:35,719 --> 00:40:39,360 Speaker 2: Nikki thirty one oh sixty five, you were expecting something 863 00:40:39,360 --> 00:40:41,880 Speaker 2: and you missed out in it. You like Prince Harry 864 00:40:41,920 --> 00:40:45,040 Speaker 2: or Emma Thompson in Love Actually Quiet. 865 00:40:46,040 --> 00:40:48,799 Speaker 7: I'd been learning flute for a year when I was 866 00:40:48,800 --> 00:40:51,200 Speaker 7: in high school and was all excited, and my grandmother 867 00:40:51,239 --> 00:40:54,360 Speaker 7: said she was going to send me one for Christmas. 868 00:40:54,520 --> 00:40:57,719 Speaker 7: And I opened the box and it was a clarinet, 869 00:40:57,880 --> 00:41:01,120 Speaker 7: and apparently the guy at the music shop, oh, she'll 870 00:41:01,239 --> 00:41:02,480 Speaker 7: like this one better. 871 00:41:06,320 --> 00:41:10,000 Speaker 1: Instrument. You unwrapped this clarinet and then you just can't 872 00:41:10,000 --> 00:41:12,200 Speaker 1: play it stritch from scratch. 873 00:41:12,280 --> 00:41:13,239 Speaker 7: I didn't know how to do. 874 00:41:14,920 --> 00:41:17,960 Speaker 1: Right from the start. Well, the first thing you would 875 00:41:18,000 --> 00:41:19,400 Speaker 1: have learned would have been this one, Nikki. 876 00:41:20,040 --> 00:41:23,319 Speaker 2: Just to lament it in your room. Joni Mitchell to 877 00:41:23,360 --> 00:41:24,919 Speaker 2: all of those people that have missed out on things 878 00:41:24,920 --> 00:41:26,000 Speaker 2: in the last minute. 879 00:41:27,040 --> 00:41:31,400 Speaker 1: Let's just take her. Just think about it. Who is 880 00:41:31,480 --> 00:41:32,160 Speaker 1: Joni Mitchell. 881 00:41:32,239 --> 00:41:36,839 Speaker 2: She's a beautiful, beautiful woman, amazing artists, all right. 882 00:41:37,040 --> 00:41:39,400 Speaker 1: Oh, I highly recommend listening to her. So that should 883 00:41:39,400 --> 00:41:41,200 Speaker 1: be able to Jooney for the ute. 884 00:41:41,040 --> 00:41:44,760 Speaker 2: Cheers playing genuine bony. 885 00:41:44,800 --> 00:41:46,600 Speaker 1: Don't change your song. Don't change the song. 886 00:41:46,800 --> 00:41:51,120 Speaker 2: What a contract that's going to be next to get 887 00:41:51,160 --> 00:41:54,239 Speaker 2: you through the traffic champs on this anscave, Will and 888 00:41:54,320 --> 00:41:55,239 Speaker 2: Moddy Oh yeah. 889 00:41:55,520 --> 00:42:00,120 Speaker 1: Thanks to Marvel Studios. A vengeres in fiddity War, speaking 890 00:42:00,160 --> 00:42:03,680 Speaker 1: of getting on saddles and riding ponies. Will you, I'm 891 00:42:03,719 --> 00:42:07,279 Speaker 1: back watching Bachelor in Paradise. It's bloody got me and 892 00:42:07,840 --> 00:42:10,200 Speaker 1: I'm hooked on it too, But what are you doing? 893 00:42:10,480 --> 00:42:13,560 Speaker 1: Make You've got to watch it. It's bloody exciting. And 894 00:42:13,640 --> 00:42:16,640 Speaker 1: the reason I love it will is because it's so realistic. 895 00:42:17,800 --> 00:42:22,240 Speaker 1: It's such it's just such a perfect depiction of real life. 896 00:42:22,840 --> 00:42:25,319 Speaker 1: And let me explain why. So last night, you've got 897 00:42:25,360 --> 00:42:27,960 Speaker 1: the love Triangle. It's really bloody exciting. You've got the 898 00:42:27,960 --> 00:42:29,319 Speaker 1: Tahitian beauty. 899 00:42:29,200 --> 00:42:32,080 Speaker 6: Laura, Laura, Laura, Laura. 900 00:42:31,840 --> 00:42:36,000 Speaker 1: Tasian beauty Laura. And I told you yesterday that she's 901 00:42:36,080 --> 00:42:41,399 Speaker 1: clearly interested in a polo, the big stacked tan, sexy man, 902 00:42:41,600 --> 00:42:45,200 Speaker 1: the man Mountain that is a polo. But the issue 903 00:42:45,280 --> 00:42:49,279 Speaker 1: is he is currently with Samo. Hello, I'm Simoon. I'm 904 00:42:49,280 --> 00:42:51,560 Speaker 1: a beautiful little English girl. I'm Simon and we're going 905 00:42:51,560 --> 00:42:53,640 Speaker 1: out with a polo and I love a polo. So 906 00:42:53,719 --> 00:42:57,640 Speaker 1: that's going on. But Laura sitting on the ad and 907 00:42:57,680 --> 00:43:00,759 Speaker 1: she's going like, oh, what isn't there mountain? Isn't there 908 00:43:00,760 --> 00:43:01,040 Speaker 1: a key? 909 00:43:01,280 --> 00:43:01,400 Speaker 12: Oh? 910 00:43:01,640 --> 00:43:07,720 Speaker 1: Yes, even brow But he liked a Laura on beach stairs. 911 00:43:07,800 --> 00:43:11,399 Speaker 1: Oh no, you said what I've got, but he went 912 00:43:11,440 --> 00:43:14,560 Speaker 1: on because he liked Laura again. 913 00:43:14,680 --> 00:43:20,680 Speaker 3: Stay away, Oh god. 914 00:43:21,400 --> 00:43:27,160 Speaker 2: No, away, he's gone gone because now. 915 00:43:30,200 --> 00:43:34,000 Speaker 1: All right we're out. The thing is there's a polo. Yes, 916 00:43:34,120 --> 00:43:35,000 Speaker 1: he's with Simon. 917 00:43:35,520 --> 00:43:36,360 Speaker 3: Back on, back on. 918 00:43:36,760 --> 00:43:41,120 Speaker 2: Laura is the French Tahesian souse who's eyeing him off 919 00:43:41,160 --> 00:43:41,760 Speaker 2: from a distance. 920 00:43:41,840 --> 00:43:44,560 Speaker 1: Yes, So they're at the cocktail party last night they were, 921 00:43:44,600 --> 00:43:47,719 Speaker 1: and this is and this is where I love that 922 00:43:47,760 --> 00:43:50,520 Speaker 1: it depicts real life because a Laura has to try 923 00:43:50,560 --> 00:43:53,120 Speaker 1: and get a polo's attention, right, you know, and it's 924 00:43:53,120 --> 00:43:55,120 Speaker 1: an interesting thing, like how do you get a man's 925 00:43:55,160 --> 00:43:58,480 Speaker 1: attention or someone you're into his attention? But she's like, 926 00:43:58,800 --> 00:44:02,000 Speaker 1: you know, she's at She's not that hard, is it? 927 00:44:02,160 --> 00:44:06,239 Speaker 1: He's he's Laura. Here's what she did. Well, I just 928 00:44:06,600 --> 00:44:09,120 Speaker 1: took a pillow and taught him to teach me if 929 00:44:09,120 --> 00:44:09,920 Speaker 1: you checks the fire. 930 00:44:12,160 --> 00:44:14,280 Speaker 7: So it wasn't my idea, but follow asked for oil 931 00:44:14,360 --> 00:44:15,080 Speaker 7: and he put. 932 00:44:14,960 --> 00:44:18,359 Speaker 1: All his body and I was like, you put someone 933 00:44:18,440 --> 00:44:19,719 Speaker 1: myself as bar and I was like. 934 00:44:28,800 --> 00:44:34,880 Speaker 2: Sorcress, la, wow, Laura. 935 00:44:32,080 --> 00:44:37,440 Speaker 1: She pulled some fire sticks out of somewhere. You couldn't 936 00:44:37,440 --> 00:44:39,799 Speaker 1: have made that up. It couldn't have been better. 937 00:44:39,840 --> 00:44:41,520 Speaker 2: I had no idea what you were going to play 938 00:44:41,520 --> 00:44:44,719 Speaker 2: to be there, but him teaching her to spin fire 939 00:44:44,840 --> 00:44:45,960 Speaker 2: coveting oil. 940 00:44:47,239 --> 00:44:54,080 Speaker 1: And covered him in oil. They covered each other in oil, 941 00:44:50,760 --> 00:44:57,640 Speaker 1: and she actually she talked about a polo skills with 942 00:44:57,719 --> 00:45:00,920 Speaker 1: a stick. I thought, no, hard to spend a stick. 943 00:45:01,239 --> 00:45:06,360 Speaker 1: Let's put it this way, doesn't even make sense. Laura, 944 00:45:06,600 --> 00:45:10,560 Speaker 1: and she's a Laura anyway, Obviously that's ridiculous. You can't 945 00:45:10,600 --> 00:45:13,520 Speaker 1: you can't just pull you can't just pull fire sticks 946 00:45:13,520 --> 00:45:15,040 Speaker 1: out of somewhere at a bar to try and get 947 00:45:15,040 --> 00:45:18,200 Speaker 1: someone's attention. But I'm interested. Thirteen one oh six fives 948 00:45:18,200 --> 00:45:22,359 Speaker 1: our number. Yeah, have you got a method or do 949 00:45:22,400 --> 00:45:24,319 Speaker 1: you know of a method? Maybe your friend has a 950 00:45:24,320 --> 00:45:27,600 Speaker 1: method or something to get the attention of someone in 951 00:45:27,680 --> 00:45:28,120 Speaker 1: a bar. 952 00:45:29,680 --> 00:45:32,080 Speaker 3: Like just a straight up play that you go for 953 00:45:32,200 --> 00:45:32,960 Speaker 3: every time. 954 00:45:32,840 --> 00:45:35,200 Speaker 1: We all know to jungle out there. Yeah, it's a 955 00:45:35,200 --> 00:45:37,000 Speaker 1: play you go for and you know you want to 956 00:45:37,040 --> 00:45:39,840 Speaker 1: impress them, but the main thing is getting their attention. 957 00:45:39,960 --> 00:45:42,200 Speaker 1: You're you're smirking what you're smirking? 958 00:45:42,320 --> 00:45:45,120 Speaker 2: Well, I remember a particular night that you and I 959 00:45:45,160 --> 00:45:46,840 Speaker 2: had together when we were. 960 00:45:48,200 --> 00:45:51,080 Speaker 1: Out on the town. Both single, I think we were 961 00:45:51,080 --> 00:45:54,239 Speaker 1: both recently single. Look up, lock out your daughters, yeah yeah, 962 00:45:54,320 --> 00:45:57,040 Speaker 1: yeah yeah. It's normally lock up your daughters, lock them out. 963 00:45:57,040 --> 00:46:02,640 Speaker 1: When it's you. They don't even get in that house. 964 00:46:03,280 --> 00:46:06,600 Speaker 1: I don't know. We were out in this club and you. 965 00:46:07,040 --> 00:46:10,759 Speaker 2: I don't know how we hatched this plan, but but 966 00:46:10,880 --> 00:46:12,960 Speaker 2: I think that like back in the day, I'd had 967 00:46:13,000 --> 00:46:15,920 Speaker 2: an addition to be the Blue Power Ranger, oh on 968 00:46:15,960 --> 00:46:20,120 Speaker 2: the News Power Rangers TV show, and and as a result, 969 00:46:20,360 --> 00:46:23,520 Speaker 2: I remember exactly what my play was to get it started. 970 00:46:24,280 --> 00:46:25,880 Speaker 1: I started you would. 971 00:46:25,600 --> 00:46:28,200 Speaker 2: Just go in and and and you were just you 972 00:46:28,280 --> 00:46:33,120 Speaker 2: just started telling women that I was I was the 973 00:46:33,160 --> 00:46:35,240 Speaker 2: Blue that I was the Blue Power. 974 00:46:35,400 --> 00:46:37,319 Speaker 1: I told the entire club mate. There wasn't there wasn't 975 00:46:37,320 --> 00:46:39,239 Speaker 1: one person there who didn't know that you were the 976 00:46:39,239 --> 00:46:39,759 Speaker 1: Blue Power. 977 00:46:39,960 --> 00:46:42,640 Speaker 2: Was this little place in Melbourne god Boutique, and it 978 00:46:42,760 --> 00:46:44,680 Speaker 2: was just you were just running around. 979 00:46:44,520 --> 00:46:47,480 Speaker 1: Telling everyone I was the Blue Power Ranger. And it worked. 980 00:46:48,360 --> 00:46:52,880 Speaker 1: I mean, Laura, I was You were like a Laura 981 00:46:53,000 --> 00:46:56,000 Speaker 1: and I actually worked for a gym back then, and 982 00:46:56,040 --> 00:46:59,000 Speaker 1: I believe we ended up back at the gym we did. 983 00:46:59,120 --> 00:47:06,120 Speaker 1: I was alone, but you thirteen one six five. Will 984 00:47:06,160 --> 00:47:08,880 Speaker 1: we pretend to be the Blue Power Ranger to impress 985 00:47:08,880 --> 00:47:11,719 Speaker 1: people and get people's attention. Yeh, I'd love to hear 986 00:47:11,840 --> 00:47:15,280 Speaker 1: what you do, what anyone else does to get someone's attention. 987 00:47:15,320 --> 00:47:17,839 Speaker 1: You're interested in someone you don't know, you waan't Maybe 988 00:47:17,840 --> 00:47:19,919 Speaker 1: you just spill a drink on them. We are talking 989 00:47:19,920 --> 00:47:21,000 Speaker 1: about bachelorre in Paradise. 990 00:47:21,000 --> 00:47:24,080 Speaker 15: We're talking about the Taitian beauty Laura and how she 991 00:47:24,160 --> 00:47:27,880 Speaker 15: got the attention of a polo yesterday last night on 992 00:47:27,960 --> 00:47:29,960 Speaker 15: Bachelor in Paradise. But right now on thirteen one oh 993 00:47:30,040 --> 00:47:32,640 Speaker 15: six five, let's get into the real world here. It's 994 00:47:32,640 --> 00:47:35,760 Speaker 15: a jungle out there for single people. So we're wondering 995 00:47:36,000 --> 00:47:40,480 Speaker 15: what tactics or techniques or things you do to get 996 00:47:40,480 --> 00:47:41,960 Speaker 15: someone's attention when you're at a bar. 997 00:47:42,080 --> 00:47:45,120 Speaker 1: We've got Maria here. She's got a tactic. Maria share 998 00:47:45,160 --> 00:47:45,760 Speaker 1: with the boys. 999 00:47:46,719 --> 00:47:47,640 Speaker 10: Hi, how are you boys? 1000 00:47:47,760 --> 00:47:49,399 Speaker 1: We're good, Thanks Maria, Welcome to the show. 1001 00:47:50,600 --> 00:47:52,839 Speaker 5: I usually just say that I'm Swedish and I got 1002 00:47:52,880 --> 00:47:53,960 Speaker 5: them full flat on the ground. 1003 00:47:54,520 --> 00:47:58,000 Speaker 1: You've got them full flat on the ground. Wow. 1004 00:47:58,040 --> 00:48:00,000 Speaker 12: I know it's something extotic. I don't know what it is. 1005 00:48:00,040 --> 00:48:01,840 Speaker 8: It's with Australian guys and Swedish. 1006 00:48:01,920 --> 00:48:05,640 Speaker 1: It's something I don't know. Are you Swedish, Maria, I 1007 00:48:05,680 --> 00:48:09,799 Speaker 1: am not. I'll tell you what it is. Yeah, we'll 1008 00:48:09,800 --> 00:48:12,640 Speaker 1: go on. It's just it's it's it's it's the vibe. 1009 00:48:14,320 --> 00:48:24,680 Speaker 1: It's the vibe, Maria. Do you amp up your Swedish voice? Maria? Sorry? 1010 00:48:24,760 --> 00:48:26,280 Speaker 1: Was that? Do you up your accent? 1011 00:48:28,520 --> 00:48:33,279 Speaker 2: Sometimes there are certain she didn't say like that. There 1012 00:48:33,280 --> 00:48:36,720 Speaker 2: are certain nationalities where I think that if you say 1013 00:48:36,880 --> 00:48:37,359 Speaker 2: that you. 1014 00:48:37,320 --> 00:48:41,120 Speaker 3: Are from that place name on Puerto Rican. 1015 00:48:41,680 --> 00:48:45,040 Speaker 1: Hello, I'm from Porto Rico. But regardless of the accent, 1016 00:48:45,239 --> 00:48:46,120 Speaker 1: go another one. Thank you. 1017 00:48:46,160 --> 00:48:51,680 Speaker 2: Though you're they're they're sexy, They're they're instantly sexy Italian 1018 00:48:53,600 --> 00:48:56,480 Speaker 2: coming to the just being racist, But what I'm saying 1019 00:48:56,520 --> 00:48:59,840 Speaker 2: to you is immediately they've got. 1020 00:49:02,480 --> 00:49:04,759 Speaker 1: Just the chime. 1021 00:49:05,640 --> 00:49:10,320 Speaker 2: The there is sexier countries than other. Like if somebody 1022 00:49:10,320 --> 00:49:12,360 Speaker 2: said to you that I was South African, the no, 1023 00:49:12,680 --> 00:49:15,560 Speaker 2: Like if Maria goes, hey, I'm South African, stop it, 1024 00:49:15,680 --> 00:49:16,160 Speaker 2: stop it. 1025 00:49:16,239 --> 00:49:19,640 Speaker 1: But if Maria says, hey, look, I just think you're generalizing. 1026 00:49:20,239 --> 00:49:25,480 Speaker 1: I think you're generalizing and I think that's what sexy. 1027 00:49:26,840 --> 00:49:27,839 Speaker 1: It's not, though, is it. 1028 00:49:27,960 --> 00:49:30,399 Speaker 2: But if she says she's sweedish, you're instantly turned on. 1029 00:49:30,960 --> 00:49:32,720 Speaker 2: Well not not that we're turned on, Maria, but sorry 1030 00:49:32,760 --> 00:49:33,400 Speaker 2: very much for the call. 1031 00:49:34,840 --> 00:49:37,239 Speaker 1: Pitt. What's your technique to get someone's attention in a bar? 1032 00:49:39,280 --> 00:49:40,279 Speaker 8: I like the hand on fire? 1033 00:49:40,880 --> 00:49:43,160 Speaker 1: Sorry? Yeah, my hand on fire? 1034 00:49:43,719 --> 00:49:44,200 Speaker 6: Pretty well? 1035 00:49:44,680 --> 00:49:48,480 Speaker 1: How? How why light of flood? 1036 00:49:48,520 --> 00:49:50,360 Speaker 8: Because it burns it like a pretty low temperature. 1037 00:49:50,400 --> 00:49:51,719 Speaker 9: I mean there's a bit of a technique to it, 1038 00:49:51,719 --> 00:49:54,680 Speaker 9: but a lot of flood. And you didn't put it 1039 00:49:54,719 --> 00:49:55,240 Speaker 9: on your hands. 1040 00:49:56,640 --> 00:49:59,640 Speaker 1: Great, that's that's actually awesome. I mean we we probab 1041 00:49:59,640 --> 00:50:01,799 Speaker 1: shouldn't right now that we don't condone that behavior. But 1042 00:50:01,840 --> 00:50:03,600 Speaker 1: so you just cover your hand in like a methylated 1043 00:50:03,640 --> 00:50:06,839 Speaker 1: spirits or something, pip no, no light of flip. 1044 00:50:08,160 --> 00:50:10,279 Speaker 2: And now it looks we just said we don't condone that, 1045 00:50:10,320 --> 00:50:12,560 Speaker 2: and you've just opened people's imaginaries for other things. 1046 00:50:12,640 --> 00:50:14,360 Speaker 1: But I have done that in science class before, and 1047 00:50:14,400 --> 00:50:16,839 Speaker 1: you look like flame On from the Fantastic Four? Which 1048 00:50:17,080 --> 00:50:18,319 Speaker 1: I do you do this at a bar? 1049 00:50:19,480 --> 00:50:19,680 Speaker 5: Yeah? 1050 00:50:19,800 --> 00:50:22,280 Speaker 9: You don't like outside obviously you don't do it inside. 1051 00:50:22,360 --> 00:50:24,680 Speaker 2: And then then they'll see it and they'll be like, wow, 1052 00:50:24,960 --> 00:50:25,799 Speaker 2: what the hell is that? 1053 00:50:25,960 --> 00:50:27,799 Speaker 1: And you and what do you say? I am? I 1054 00:50:27,840 --> 00:50:29,919 Speaker 1: am the flame. What do you what do you say? 1055 00:50:30,120 --> 00:50:31,760 Speaker 1: I am the human torch? What do you say? 1056 00:50:32,520 --> 00:50:34,520 Speaker 9: A good magician never reveals his secret. 1057 00:50:35,920 --> 00:50:37,719 Speaker 3: Is there is there a pickup line there at all? 1058 00:50:37,760 --> 00:50:40,040 Speaker 1: Pip like that? You can you know, tie in with 1059 00:50:40,160 --> 00:50:40,600 Speaker 1: the flame. 1060 00:50:41,760 --> 00:50:43,920 Speaker 9: Look, by that point the conversation is pretty much started. 1061 00:50:43,960 --> 00:50:46,960 Speaker 1: You don't you do like? Oh, we think that's impressive. 1062 00:50:47,080 --> 00:50:52,560 Speaker 1: It's also a fire in my pants. What you've got herpies. 1063 00:50:55,480 --> 00:50:57,719 Speaker 2: We are giving away a million bucks, all thanks to 1064 00:50:57,760 --> 00:51:00,880 Speaker 2: Chemra's warehouse as well. And I'm can't stress enough that 1065 00:51:00,960 --> 00:51:02,360 Speaker 2: this is a wonderful opportunity to give you. 1066 00:51:02,400 --> 00:51:02,720 Speaker 1: Guys. 1067 00:51:04,560 --> 00:51:07,319 Speaker 2: We'll give you a mum a million dollars. I mean, Chemis, 1068 00:51:07,360 --> 00:51:08,759 Speaker 2: We're have gone here is a million bucks. We can't 1069 00:51:08,760 --> 00:51:10,680 Speaker 2: guarantee that it's going to get away, but someone's going 1070 00:51:10,719 --> 00:51:12,799 Speaker 2: to have the chance to play for a million dollars. 1071 00:51:13,360 --> 00:51:15,440 Speaker 1: And I mean wow, yeah, And you've got to be 1072 00:51:15,440 --> 00:51:17,120 Speaker 1: in it to win it. Go to our instagram, Will 1073 00:51:17,160 --> 00:51:20,960 Speaker 1: and Woody. You can see a little linky thing. There's 1074 00:51:20,960 --> 00:51:21,680 Speaker 1: got to register there. 1075 00:51:21,719 --> 00:51:22,960 Speaker 3: Yep. Trucks follow while you're there. 1076 00:51:23,040 --> 00:51:25,200 Speaker 2: And that is all going to be happening in the 1077 00:51:25,200 --> 00:51:26,719 Speaker 2: next couple of weeks before Mother's day. 1078 00:51:26,920 --> 00:51:28,480 Speaker 1: We are right now they're. 1079 00:51:28,320 --> 00:51:36,320 Speaker 2: Going to push each other's buttons. 1080 00:51:37,719 --> 00:51:40,480 Speaker 1: God, it's been fun today. It's been fun. We've been 1081 00:51:40,520 --> 00:51:45,600 Speaker 1: together for a long time today. But had met up 1082 00:51:45,600 --> 00:51:48,479 Speaker 1: with the beautiful Samantha Jade today. Yes, we did too, 1083 00:51:48,640 --> 00:51:52,480 Speaker 1: and I forgot that amongst all the to melt from immunology, 1084 00:51:52,480 --> 00:51:57,560 Speaker 1: Australia is immuno. It is immunization week this week. Yeah, 1085 00:51:57,840 --> 00:51:58,400 Speaker 1: I think. 1086 00:51:58,440 --> 00:51:59,440 Speaker 3: Get around those guys. 1087 00:51:59,440 --> 00:52:04,440 Speaker 1: They're lovely. Anyway, let's just get it. When do you 1088 00:52:04,440 --> 00:52:06,759 Speaker 1: get off the we'd like to end. There's all this 1089 00:52:06,840 --> 00:52:09,399 Speaker 1: who are and fun with it, annoying each other. I'm 1090 00:52:09,400 --> 00:52:13,440 Speaker 1: gonna go, I'm gonna okay, thirty seconds left. Well, you 1091 00:52:13,440 --> 00:52:16,279 Speaker 1: come on, get the big boy, all right. When you're 1092 00:52:16,320 --> 00:52:19,400 Speaker 1: talking to your mate Woody about how awesome your fire 1093 00:52:19,440 --> 00:52:21,759 Speaker 1: pit is. Got this new fire pit, and you're like, 1094 00:52:22,480 --> 00:52:24,680 Speaker 1: you're like this fire pit and you're sitting here trying 1095 00:52:24,680 --> 00:52:27,920 Speaker 1: to convince me that this fire pit is awesome. And 1096 00:52:27,920 --> 00:52:29,920 Speaker 1: in the process of trying to convince me that your 1097 00:52:29,920 --> 00:52:33,000 Speaker 1: fire pit is awesome, you resort to your good friend 1098 00:52:33,040 --> 00:52:36,680 Speaker 1: Wiz and you go, Whizz, get in here, Whiz, tell 1099 00:52:36,680 --> 00:52:39,440 Speaker 1: Woody how good the fire pit is. Yeah, and particularly 1100 00:52:39,440 --> 00:52:41,680 Speaker 1: after he enjoyed the fruits of the fire pit the 1101 00:52:41,680 --> 00:52:45,240 Speaker 1: other night as well, and the wiz chuckled and whipped 1102 00:52:45,239 --> 00:52:47,960 Speaker 1: his hair. He doesn't got any hair, No he didn't. 1103 00:52:48,200 --> 00:52:50,600 Speaker 1: He didn't whip his hair, but he smugly said, nah, 1104 00:52:50,600 --> 00:52:54,480 Speaker 1: I made the fire pitch it out. I know, just 1105 00:52:54,480 --> 00:52:55,040 Speaker 1: just rough. 1106 00:52:55,200 --> 00:53:00,319 Speaker 2: I mean really, And that was hurt anal g I 1107 00:53:00,440 --> 00:53:03,640 Speaker 2: used in that instance. I just felt like I was exposed, 1108 00:53:05,040 --> 00:53:06,080 Speaker 2: bar naked. 1109 00:53:05,880 --> 00:53:09,719 Speaker 1: Lying on the floor. You felt like Natalie. I felt 1110 00:53:09,760 --> 00:53:12,719 Speaker 1: Nataline naked. No no, that's a different song. 1111 00:53:12,840 --> 00:53:16,239 Speaker 2: No, no, no, no, that's that's bare naked, which is 1112 00:53:16,239 --> 00:53:19,200 Speaker 2: a different song. She's bare naked, laying naked. 1113 00:53:20,760 --> 00:53:24,840 Speaker 1: She's naked a lot, she's named. We've interviewed her. We 1114 00:53:25,000 --> 00:53:28,640 Speaker 1: have didn't go that well. I'm to be honest. That's 1115 00:53:28,680 --> 00:53:32,600 Speaker 1: our fault, Natalie for listening completely. Our fault. She was lovely, 1116 00:53:32,760 --> 00:53:34,560 Speaker 1: she was very nice. Now I'm just going to get 1117 00:53:34,560 --> 00:53:37,520 Speaker 1: through this quickly because we're rambling. We were underprepared. 1118 00:53:38,560 --> 00:53:38,840 Speaker 5: For that. 1119 00:53:41,440 --> 00:53:43,520 Speaker 2: She used to be on neighbors, didn't you, Because the 1120 00:53:43,560 --> 00:53:44,759 Speaker 2: neighbors in a watline. 1121 00:53:45,320 --> 00:53:48,440 Speaker 1: She's had a huge and we actually met her and English. 1122 00:53:48,480 --> 00:53:52,520 Speaker 1: She was Johnny. We know that, but listening. 1123 00:53:52,560 --> 00:53:54,720 Speaker 2: She was in and we rocked up with a script 1124 00:53:54,719 --> 00:53:59,400 Speaker 2: that we wrote her. It's like a cast reunion and 1125 00:53:59,440 --> 00:53:59,960 Speaker 2: you wrote. 1126 00:53:59,760 --> 00:54:07,240 Speaker 1: Yourself a kissing team with her and. 1127 00:54:04,280 --> 00:54:08,719 Speaker 3: Spoken to it. Nice girl though. All right, woman, woman, now. 1128 00:54:12,200 --> 00:54:14,920 Speaker 1: Sorry, this show will finish. I promise. He just has 1129 00:54:14,960 --> 00:54:16,239 Speaker 1: to push my button. That's it. 1130 00:54:16,320 --> 00:54:18,000 Speaker 3: Go pull up to the survey. 1131 00:54:18,400 --> 00:54:21,960 Speaker 2: Yeah, you're going into the you arrive, you drive in, 1132 00:54:22,400 --> 00:54:24,960 Speaker 2: You're going up to the bowser. You pull the handbrake 1133 00:54:25,040 --> 00:54:26,719 Speaker 2: up at the bowser, and then you realize that you 1134 00:54:26,800 --> 00:54:31,480 Speaker 2: pulled up on the wrong side, because anyone would be 1135 00:54:31,560 --> 00:54:33,920 Speaker 2: that chump that has to drag the hose over the 1136 00:54:33,920 --> 00:54:37,080 Speaker 2: top of the car. And everyone's looking at you like, oh, 1137 00:54:37,160 --> 00:54:39,400 Speaker 2: don't you realize this little arrow that sits on your 1138 00:54:39,480 --> 00:54:41,319 Speaker 2: dashboard and we all realize that two or three. 1139 00:54:41,280 --> 00:54:42,880 Speaker 1: Years ago, and you're an idiot, No at all. 1140 00:54:42,920 --> 00:54:43,840 Speaker 3: It's a horrible feeling. 1141 00:54:44,120 --> 00:54:45,920 Speaker 1: Yep, you got me play the rap music, Mike. We're 1142 00:54:45,920 --> 00:54:47,680 Speaker 1: gonna get out of here. Come on, I'm taking out 1143 00:54:47,719 --> 00:54:49,040 Speaker 1: it because you've got weirder than me. 1144 00:54:49,719 --> 00:54:55,600 Speaker 2: What you, Natalie, I was talking. My push the button 1145 00:54:55,640 --> 00:54:58,799 Speaker 2: was succinct, it was quick, it was brief. You you 1146 00:54:58,800 --> 00:55:01,560 Speaker 2: you have been you proving my point. You have them 1147 00:55:01,600 --> 00:55:03,799 Speaker 2: with cross boundaries of sexual misconduct this show. 1148 00:55:04,520 --> 00:55:07,680 Speaker 1: I check the podcast iHeartRadio for that one. 1149 00:55:09,719 --> 00:55:13,480 Speaker 2: Gemma's Warehouses giving away a million dollars potentially on Mother's 1150 00:55:13,560 --> 00:55:15,160 Speaker 2: Day to one of you guys, So make sure you 1151 00:55:15,160 --> 00:55:17,279 Speaker 2: get to our Instagram. You can click the link in 1152 00:55:17,400 --> 00:55:20,040 Speaker 2: our bio to register for that. Got to be in 1153 00:55:20,080 --> 00:55:21,879 Speaker 2: it to win it, and there's also a video on there. 1154 00:55:21,920 --> 00:55:27,880 Speaker 2: I believe of two beautiful, young, successful. 1155 00:55:27,160 --> 00:55:30,080 Speaker 3: Mothers Stacey and Tracy Tracy. 1156 00:55:30,120 --> 00:55:32,120 Speaker 2: We're still not sure which runs which, but they are 1157 00:55:32,600 --> 00:55:36,720 Speaker 2: promoting what Chemists Warehouse are doing. They are the real 1158 00:55:36,760 --> 00:55:39,360 Speaker 2: house of fragrances this Mother's Day. So all thanks Chemists 1159 00:55:39,360 --> 00:55:41,400 Speaker 2: ware House a million bucks. Hopefully we can help you 1160 00:55:41,400 --> 00:55:42,759 Speaker 2: guys out. If you want to learn more about it, 1161 00:55:42,840 --> 00:55:45,400 Speaker 2: get to the instagram, see the video, click the link register, 1162 00:55:45,840 --> 00:55:46,759 Speaker 2: get around it. 1163 00:55:47,120 --> 00:55:48,360 Speaker 1: We're out of here, bye. 1164 00:55:48,840 --> 00:55:51,200 Speaker 10: Get a fresh way to drive home with Will and 1165 00:55:51,239 --> 00:55:51,560 Speaker 10: Woody